PM SERIES POWERED MIXERS:
PM500
PM600
PM500 RM
PM600 RM
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
CONTENTS:
PAGE 3:
INTRODUCTION
FEATURES PM500 AND PM600
GETTING STARTED WITH YOUR PM MIXER
PAGE 4:
PAGE 5:
CHANNEL STRIP DESCRIPTION
DIGITAL DELAY SECTION
MASTER CONTROL
PAGE 6:
TAPE IN AND RECORD OUT
REAR PANEL PM500
PAGE 7:
PAGE 8:
PAGE 9:
REAR PANEL PM600
APPLICATIONS
DIMENSIONS
PAGE 10: SPECIFICATIONS
PM Series Instruction Manual Page 2
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
INTRODUCTION:
Congratulations on the purchase of your PM Series Powered Mixer from Wharfedale Professional. The
PM Series is available in a choice of two models - the PM 500 and the PM 600. These two mixers have
the same specifications except where noted in this manual. The PM Series powered mixers are available
as standard in a carpet covered wooden box. The RM version is also available for both models. The RM
version comes without the wooden box surround so that the unit can be rack mounted.
In order to get the most satisfaction from your PM mixers, please read this manual carefully.
GETTING STARTED:
1. Before you turn on the main power to the unit, ensure that the Master Output Control is in the OFF
position.
2. If you need to connect or disconnect any cables or units, make sur the Power is OFF before doing so.
3. Check that the voltage of the unit matches the AC voltage you will be operating with.
FEATURES:
FEATURES:
PM600 and PM600 RM
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Five Mic and six line input sockets
Channel six features extra Tape In button
Digital Delay Section
Three Band EQ in Master Section
Tape In
Record Out
EFX Return
EFX Send
Power On/Off on front of unit for ease of use
Parallel speaker outputs on rear of unit
Main line output on rear of unit
Built in 230 watt power amplifier
Two band channel EQ
XLR plus 1/4” input sockets
Fan cooling system
Thermal protection
PM500 and PM500 RM
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Four Mic and five Line input sockets
Channel five features Tape In Button
Main line output on rear of unit
Two band Channel EQ
XLR plus 1/4” input sockets
Digital Delay Section
Record Out
Built in 120 watt power amplifier
Thermal protection
PM Series Instruction Manual Page 3
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
CHANNEL STRIP DESCRIPTION PM500:
2
3
1
1. VOLUME: Determines volume level of the
channel in the mix.
2. LOW EQ: The LOW EQ control gives 15db of
boost or cut at 80Hz. By turning the knob to the
right (boost) instruments such as guitars can be
given more clarity, or vocals can be ‘warmed’.
Turning to the left (cut) will eliminate unwanted
low frequencies such as those caused by close
miking or excessive bass frequencies in instru-
ments
3. HIGH EQ: The High EQ control gives 15dB
boost or cut at 12kHz. Turn to the right to add
clarity to high frequency components such as per-
cussion. By turning to the left, high frequencies
such as ‘hiss’ are cut.
5
4. MIC/LINE INPUT: Connection can be made to
the MIC/LINE inputs with either XLR or 1/4” phono
jack. This connection can be either a microphone
or a line level signal.
5. EFX: Use this control to determine the signal
level to be sent to the built in digital delay effect
control.
4
The LF control frequency has been carefully selected, allowing pleasing musical adjustment to
vocals or instruments without losing their natural balance. The HF control is similarly designed to
enable pleasing musical control without harshness or excessive mid range interference.
CHANNEL STRIP DESCRIPTION PM600:
1
4
5
2
3
1. VOLUME: Determines volume level of the channel in the mix.
2. LOW EQ: The LOW EQ control gives 12dB of boost or cut at 100Hz. By turning the knob
to the right (boost) instruments such as guitars can be given more clarity, or vocals can be
‘warmed’. Turning to the left (cut) will reduce hum or unwanted background interference.
3. HIGH EQ: The High EQ control gives 12dB boost or cut at 8kHz. Turn to the right to add
clarity to high frequency components such as percussion. By turning to the left, high fre-
quencies such as ‘hiss’ are cut.
4. MIC/LINE INPUT: Connection can be made to the MIC/LINE inputs with either XLR or
1/4” phono jack. This connection can be either a microphone or a line level signal.
5. EFX: Use this control to determine the signal level to be sent to the built in digital delay
effect control.
PM Series Instruction Manual Page 4
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
MASTER SECTION DESCRIPTION PM500 AND PM600:
DIGITAL DELAY SECTION:
The built in digital delay will process the
signal from the input channels and feed to
the master output. The effects of digital
delay are controlled by:
TIME: This adjusts the internal time of the
delays. Turn to the right to increase the
interval time between two delays, turn to
the left to decrease.
PM500
REPEAT: This increases the repeat rate
of the delays by turning the knob to the
right.
VOLUME: This knob adjusts the mix level
of the effect.
PM600
MASTER CONTROL PM500:
The Master Control adjusts
the final level of the Main
bus signal which is output to
the speakers.
MASTER CONTROL PM600:
The Master Control on the
PM600 also offers a three band
(MID, LOW and HIGH) EQ
section for tonal adjustment of
the final mix.
PM Series Instruction Manual Page 5
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
TAPE IN AND REC OUT PM500 AND PM600:
The TAPE IN sockets allow cassette
recorders or CD players to be added
to the Main output. The RECORD
OUTPUT provides a signal output to
a cassette deck and home audio
equipment. Sockets are RCA Phono.
REAR PANEL DESCRIPTION PM500:
1
2
3
4
PM500:
1. MAIN LINE OUT: This unbalanced insertion point allows the main output to be sent to an
external signal processor or power amplifier. The insert is a 1/4” phono jack socket which is not
bypassed.
2. SPEAKER OUTPUT JACKS: These outputs allow two speakers to be connected at the
same time to the powered mixer. The total minimum load required is 4 Ohms. If the total load is
less than 4 Ohms it may result in the mixer being damaged. The following guidelines should be
noted:
When using two speakers at the same time, use 8-16 Ohms speakers.
When using one speaker only, use a 4-8 Ohms speaker.
3. FUSE: Always ensure that the fuse is of the correct rating.
4. ALUMINIUM HEATSINK: This allows a cooling airflow through the unit. Make sure that the
heatsink is free from dust and there is sufficient room left at the back of the unit to allow the
heatsink to work efficiently.
PM Series Instruction Manual Page 6
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
REAR PANEL DESCRIPTION PM600:
2
1
3
4
PM600:
1. MAIN LINE OUT: This unbalanced insertion point allows the main output to be sent to an
external signal processor or power amplifier. The insert is a 1/4' phono jack socket which is nor-
mally bypassed.
2. SPEAKER OUTPUT JACKS: These outputs allow two speakers to be connected at the
same time to the powered mixer. The total minimum load required is 4 Ohms. If the total load is
less than 4 Ohms it may result in the mixer being damaged. The following guidelines should be
noted:
When using two speakers at the same time, use 8-16 Ohms speakers.
When using one speaker only, use a 4-8 Ohms speaker.
3. FUSE: Always ensure the fuse is of the correct rating.
4. COOLING FAN: This creates a cooling airflow through the unit. Make sure that the fan is
free from dust and there is sufficient room left at the back of the unit to allow the fan to work
efficiently.
PM Series Instruction Manual Page 7
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
APPLICATIONS: PM600
SPEAKERS
Power Amplifier
Graphic EQ
GUITAR
VOCAL MIC
AUDIO CASSETTE
CD PLAYER
KEYBOARD
PM Series Instruction Manual Page 8
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
DIMENSIONS:
PM600
475mm/18.7” including carpet box
188mm
7.4”
End view
241mm
9.5”
Front view
PM600 RM
485mm/19” including rack mounts
145mm
5.7”
End view
228mm
8.9”
Front view
PM500
475mm/18.7” including carpet box
155mm
6.1”
End view
269mm
10.5”
Front view
PM500 RM
485mm/19” including rack mounts
112mm
4.4”
End view
248mm
9.7”
Front view
PM Series Instruction Manual Page 9
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MODEL
PM500
PM600
POWER AMP - MAX OUTPUT IN WATTS
4 OHMS
120 WATTS
230 WATTS
INPUTS
BALANCED MIC
LINE CHANNELS
INPUT IMPEDANCE
LOW Z (BALANCED)
LINE
4
5
5
6
2KOHMS
2KOHMS
16KOHMS
UNBAL. TRS
20 to 25KHz
16KOHMS
UNBAL. TRS
20 to 25KHz
MAIN OUT
FREQUENCY RESPONSE (+/-3dB)
MAXIMUM CHANNEL GAIN
LOW Z (BALANCED)
LINE
40dB
20dB
40dB
20dB
MAXIMUM INPUT LEVEL
LOW Z (MIC)
0dB
0dB
LINE
+20dB
+20dB
MAXIMUM OUTPUT LEVEL
MAIN
+18dBv
+5dBv
+18dBv
+5dBv
RECORD OUT
MASTER EQ
HI EQ
NA
12Khz±12DB
1Khz±12dB
MID EQ
NA
LOW EQ
NA
80Hz±12dB
PROTECTION
MASTER SECTION
BUILT IN DIGITAL EFFECT
THD
THERMAL/LOAD
THERMAL/LOAD
YES
YES
LESS THAN 0.1%
LESS THAN 0.1%
CHANNEL EQUALISATION
LOW EQ
80Hz±15dB
12kHz±15dB
120 WATTS
160 WATTS
1/4” JACK
100Hz±12dB
8kHz±12dB
230 WATTS
330 WATTS
1/4” JACK
HI EQ
POWER CONSUMPTION
POWER REQUIREMENTS
SPEAKER CONNECTORS
WEIGHT
PM500
9.32KG/20.5lbs
7.6KG/16.7lbs
PM600 11.48KG/24.7lbs
PM500RM
PM600RM
9.72KG/21.4lbs
DIMENSIONS
PM500
475MM X 269MM X 155MM
475MM X241MM X 188MM
485MMX248MMX112MM
485MMX228MMX145MM
18.7” x 10.5” x 6.1”
18.7” x 9.5” x 7.4”
19” X 9.7” X 4.4”
19” X 8.9” X 5.7”
PM600
PM500RM
PM600RM
PM Series Instruction Manual Page 10
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WHARFEDALE PROFESSIONAL
IAG HOUSE, SOVEREIGN COURT, ERMINE BUSINESS PARK
HUNTINGDON, PE29 6XU, UNITED KINGDOM
911.324
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