Sony Digital Camera 798 MHz to 822 MHz User Manual
DVCAM FAMILY CATALOGUE  
2003/2004  
CHANGING  
THE WAY  
BUSINESS  
COMMUNICATES  
www.sonybiz.net/dvcam  
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DVCAM in action  
CREATV USES THE NEW DSR-DR1000P DVCAM  
HARD DISK RECORDER ON ITS COVERAGE OF  
BLACKBURN ROVERS AND OTHER SPORTING EVENTS  
Yardley points out that the compact size (7.5 kg) of the  
new recorders means that CREATV can easily fit two  
recorders into one rack of an OB unit and can be used  
to perform tasks normally associated with high-end hard  
disk recorders such as the MAV-555. Yardley also oper-  
ates Blackburn Rovers’ internal TV system, Rovervision,  
and it was the useful functionality of the MAV-555 to  
provide instant and perfect slow-motion replays of goals  
when playing at their Ewood Park ground in Blackburn  
that persuaded him to look towards a more mobile  
option for Rovers’ away games.  
He says: “The compact size of the recorder was ideal  
to fit into a mobile unit and the two units provide similar  
functionality to one MAV-555.”  
Both the MAV-555 and the DSR-DR1000P are controlled  
by Ashvale’s AVM4-2 Controller which lends it the  
ability to create clips and playback simultaneously.  
Yardley predicts that with these capabilities, his  
Professional video production is now seeking lower-cost  
equipment that will bring an increase in production  
efficiency and a reduction in running costs. OB outfit  
CREATV Broadcast is no exception. Chief executive  
Alan Yardley is hoping that a new, low-cost DVCAM-  
based server will enable his facility to broadcast up to  
50 hours of weekly coverage during this year’s Royal  
Ascot event.  
production unit will be able to cut down on tape stock  
and record more output.  
“The DSR-DR1000P will eventually replace traditional  
analogue systems and allow instant access to replays  
while still maintaining the recordings,” he says.  
The recorder can be used for other applications includ-  
ing playout of commercial spots, as a simple back-up  
disk server and for transferring material on a network via  
Ethernet or at up to four times real time via i.Link.  
Using two DSR-DR1000P DVCAM hard disk recorders,  
Yardley’s company has the contract to take live feeds  
from the race, mix them and show them to thousands of  
spectators via Ascot Race Course’s internal TV system.  
CREATV is also expanding the function of its Betacam SX  
cameras by attaching one of its three cameras to the  
Studio Triax Camera system so that it can be used as a  
fully professional studio camera.  
Yardley explains that the VTR-like server – which has a  
capacity of 80 GB (or over six hours) of DVCAM stream  
video and four channels of audio – enables quick and  
easy handling of footage through random access and  
offers simultaneous recording and playback facilities.  
CREATV is also taking advantage of the recorder’s  
channels of embedded audio by operating a restrictive  
radio system from the course with up-to-the minute  
news on betting and travel.  
Rovervision provides a sophisticated pre-match maga-  
zine show, with player interviews, features and previous  
match action, which is broadcast throughout the Ewood  
Park complex and on to a Sony Jumbotron screen  
within the stadium. The outfit also provides live coverage  
of the game, with half-time highlights to boot.  
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DVCAM in action  
DSR-DR1000P IS A STAR PERFORMER  
AT ICC CRICKET WORLD CUP 2003  
The Cricket World Cup set-up has become  
SABC USES 28 DVCAM HARD DISK  
RECORDERS FOR OUTSIDE BROADCAST  
VEHICLES AND PORTABLE KITS  
standard for all AirTime’s cricket coverage, with the  
DSR-DR1000P also proving popular for other sports  
events such as soccer, rugby, athletics etc.  
Broadcasting to an estimated 1.5 billion viewers  
worldwide, the ICC World Cup 2003 was a major  
event for South Africa’s national public service  
broadcaster, SABC, and its outside broadcast  
division, AirTime. At the heart of AirTime’s World  
Cup coverage was an 18-camera vehicle with  
sophisticated digital switching and mixing facilities.  
“We first saw the DSR-DR1000P at IBC 2002”,  
commented Manny Coelho, High Technology  
Manager at AirTime. “During the ICC Cricket World  
Cup they proved themselves an ideal recording  
and playback solution. They give us the benefits of  
disk-based recording while retaining the operational  
feel of a VTR – complete with jog/shuttle dial.”  
“Two years in the planning, the new vehicle is the  
flagship of AirTime TV Outside Broadcasts’ fleet and  
is adaptable to all types of productions from live sport  
to major musical concerts,” says SABC Engineering  
Services broadcast consultant, Ivan Marsh.  
The DSR-DR1000P World Cup performance led  
AirTime to place an order for another twenty  
DSR-DR1000P units, not only for other outside  
broadcast vehicles but also in fly-away kits for  
covering remote events. In this application, the major  
advantage of the DSR-DR1000P is its modest weight  
(6kg). Five DSR-DR1000 units weigh approximately  
the same as a single BVW-75 VTR (30kg). Initial  
concerns about possible damage to the disk array  
during travel were proved unfounded after extensive  
trouble-free travelling with multiple DSR-DR1000P  
units for almost a year.  
Eight DSR-DR1000P DVCAM hard-disk recorders  
were included in the vehicle, primarily for the Cricket  
World Cup where they quickly proved to be invaluable.  
The DSR-DR1000P units allow full-function play-  
back (including slow motion) whilst recording contin-  
ues uninterrupted. During World Cup matches, six  
cameras were each slaved to a DSR-DR1000P –  
four line cameras and two mat cameras directly  
opposite the stump positions. The high quality digital  
jog sound and smooth slow-motion playback (over  
a speed range of +/- 200%) enabled the third umpire  
to make conclusive lbw and run-out decisions.  
Other DSR-DR1000P units were used for recording,  
editing and playing back highlights packages during  
half-time breaks. Once ‘in’ and ‘out’ points are  
marked, the clip segment playback (CSP) feature  
enables continuous playback of the selected clips  
with seamless transitions.  
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NEWSGATHERING TEAM FRONTLINE TV USES THE  
DSR-DU1 HARD DISK RECORDER AS A SECURE BACK-  
UP FOR SENSITIVE FOOTAGE  
“Through the i-Link interface, the device can also  
interface with a variety of hand-held cameras and  
has the advantage of increasing recording time from  
the 40 minutes of a standard cassette to three hours.  
It’s a cheap and portable method of making dupli-  
cates in the field – the only other way we would  
have got multiple copies would have been through  
daisy chaining other large recording decks together.”  
Frontline, whose clients include Channel 4, TV2  
Danmark, TV2 Norway, RTE and ABC, also requires  
duplicate copies of interviews and events when it is  
working in association with more than one broad-  
caster. According to Smith, who has been shot twice  
during his career, there’s another quite simple advan-  
tage to making duplicates in this way. “Quite often  
In February 1991 freelance camera operator Vaughan  
Smith disguised himself as an army officer and  
infiltrated the ranks at the frontline of the Gulf war.  
His ingenuity allowed him to film the only unrestricted  
footage of Desert Storm.  
soldiers or the authorities will stop you at gunpoint  
and try to take your tape off you, but they never both-  
er with hard disk recorders because they’re trained to  
look for tape.”  
Smith also praises the DSR-DU1 for its useful  
function as a back-up when shooting material from  
dusty and sandy locations since it tends to be more  
robust than tape.  
Much of this material on the ground war is still avail-  
able through the ex-BBC cameraman's crewing  
agency, Frontline TV, whose team of experienced  
freelancers have covered events in Afghanistan,  
Israel, Macedonia, Zimbabwe and Iraq. When BBC  
Newsgathering approached Frontline recently to  
shoot and make several copies of an important and  
secret interview, Smith opted for the latest in hard  
disk technology.  
Once the shoot is complete, with the right code the  
device can be detached from the camcorder and  
used for field off-line logging of EDL creation. And  
because it is a fraction of the size of other hard disk  
recorders, freelance operators like Smith are able to  
take it into the field.  
“All I was told was that a member of Al-Qaeda  
wanted to speak to the press. Obviously in these  
sorts of circumstances all sorts of people would try  
and sabotage the interview or seize a copy to prevent  
the footage from being broadcast”, he reveals.  
“For the freelance it is a versatile and useful bit of  
equipment which is bridging the gap between tape  
and the computer”, Smith concludes.  
To ensure its chances of broadcast, three copies of  
the 45-minute interview were made simultaneously  
by attaching a DSR-DU1 hard disk recorder – sup-  
plied by broadcast distributors Mitcorp – to Smith’s  
DVCAM camcorder. The DSR-DU1 works by docking  
onto the rear of a camcorder by use of an optional  
CA-DU1 camera adaptor and then connecting an  
i-Link cable from the camcorder to the adaptor.  
Camera output is then recorded to the hard drive of  
the DSR-DU1 in parallel with the recording on the  
camera’s tape.  
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DVCAM in action  
DATMEDIA STREAMS LECTURES WITH DSR-DU1  
Internet streaming company Datmedia in London  
broadcasts lectures for the Institute of Electrical  
Engineers using the new DSR-DU1 DVCAM compact  
hard disk recorder.  
Bill Clee, Datmedia’s technical director, says the  
company records the lectures with a DSR-570WSP  
DVCAM camcorder connected to the DSR-DU1,  
which were specified and supplied through broad-  
cast distributors Mitcorp.  
“The DSR-DU1 allows us to start encoding on the fly,  
faster than real-time, so it’s a lot easier than tapes,”  
Clee says. “While we’re still filming, we can pull off  
material faster than real time and upload it and we’ve  
got people working on it while the lecture is still going  
on. It allows us to create an archiving system viewers  
around the world can access.”  
Datmedia is also using the DSR-DU1’s cue system.  
If a lecturer is using slides, when he or she clicks on  
a slide, the DSR-DU1 operator can automatically  
bring up the slide stored on the hard disk recorder for  
the web viewer.  
Datmedia is also streaming video to the SonyEricsson  
P800 mobile phone.  
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Support services  
DVCAM SILVER SUPPORT PACK  
Sony understand that in today’s fast-changing  
environment, the need is for both equipment  
and a level of service that meet the crucial  
demands for higher productivity in professional  
video production.  
Quite simply more  
Because professional customers need professional  
service and support, Sony offers enhanced support  
services for DVCAM products. DVCAM products are  
supplied with a 2-year Silver Support Pack, in addition  
to warranty, as standard. That means unique extra  
services, for twice as long.  
Setting new standards in innovation, quality and  
reliability  
Keywords associated with the Sony DVCAM line-up are  
versatility and flexibility. From state-of-the art technology  
to sophisticated functionality, the DVCAM line-up  
addresses a broad range of professional video applica-  
tions from electronic news gathering to corporate video  
productions.  
Supported DVCAM products  
Digital Camcorders:  
DSR-570WSP | DSR-390P | DSR-250P | DSR-1P  
DSR-PD170P | DSR-PDX10P  
Digital VTRs  
DSR-2000P | DSR-1800P | DSR-1600P | DSR-1500AP  
DSR-45P | DSR-30P | DSR-25 | DSR-11 | DSR-70AP  
DSR-50P  
As soon as equipment is switched on, it becomes  
absolutely mission critical. Any fault or inability to use it  
to its full potential will have an immediate impact on  
bottom-line effectiveness. Now, with the launch of a  
customer-focused operational and technical support  
pack, which has significant advantages and benefits,  
Sony has underscored another keyword—reliability.  
Hard Disk Units  
DSR-DU1 | DSR-DR1000P  
5 ADDITIONAL REASONS TO CHOOSE SONY DVCAM  
2 Years Support  
The Silver Support Pack extends the support period from the standard 1-year warranty to two  
years. Not only that, but extra features and services are also included.  
Operational Phone Call Centre  
Operational phone support is provided to give advice and help so that the user can get the  
most out of their DVCAM equipment and maximise its performance. Our telephone support is  
available from Monday to Friday and in 5 languages – English, French, German, Italian and  
Spanish.  
Collection Anywhere  
In the event of equipment failure, Sony will arrange collection of the faulty unit directly from,  
and delivery of the repaired unit directly to the customer’s location – anywhere in mainland  
EU, Norway or Switzerland. That makes it simpler, quicker and even more convenient for the  
customer.  
Repair within 7 days  
Sony will collect, repair and return the unit to the customer’s preferred location within 7 working  
days. So, minimum downtime, increased confidence and the ability to plan your business are  
guaranteed.  
Loan  
If the faulty equipment cannot be repaired in time, the DVCAM hotline will contact the customer  
and arrange to have a loan unit delivered. Arrangements will be made to collect the loan unit  
as soon as confirmation is received that the repair has been carried out satisfactorily.  
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Main features  
DVCAM FORMAT  
Tape direction  
Sub Code Sector  
Video Sector  
Audio Sector  
ITI sector  
ITI: Insert and Track information  
One frame: 12 Tracks  
DIGITAL COMPONENT RECORDING FOR  
EXCELLENT PICTURE QUALITY  
EXCELLENT PERFORMANCE  
FROM PROFESSIONAL DVCAM TAPES  
The DVCAM format is the professional extension of  
the worldwide standard DV format. The DVCAM format  
uses 8-bit digital component recording with a 5:1  
compression ratio and a sampling rate of 4:2:0. The  
unique compression algorithm provides excellent  
picture quality and superb multi-generation perform-  
ance. The DVCAM format has a wider track pitch of  
15 µm (compared with 10 µm for the DV format) which  
gives higher reliability for professional editing.  
To gain maximum performance from high-density  
digital recording, advanced Metal Evaporated tape  
technology has been developed for the DVCAM format.  
The use of Sony pure cobalt advanced evaporated  
coating gives both high output and a high C/N (Carrier-  
to-Noise) ratio, resulting in superb quality pictures and  
a low error rate.  
A DLC (Diamond Like Carbon) protective layer  
provides the enhanced protection of the tape surface  
that is essential to avoiding tape damage during long  
editing sessions. Finally, DVCAM tapes provide a low  
frequency of dropout and superior thermal stability.  
It also offers superior digital audio performance, pro-  
viding a wide dynamic range and excellent signal-to-  
noise ratio, comparable to CD quality. Alternative audio  
channel modes can be selected: a two-channel mode  
with 48 kHz/16-bit recording or a four-channel mode  
with 32 kHz/12-bit recording.  
A variety of cassettes, including tapes with IC  
Cassette Memory and Master Tapes, is available to suit  
different applications. The built-in 16-kbit Cassette  
Memory stores ClipLink™ Log Data, Index Pictures,  
Photo mode and other shooting data, enhancing editing  
efficiency. Tapes without IC Cassette Memory fit a wide  
range of applications, at an affordable price. The Master  
Tapes, which use Sony Hyper Evaticle II Magnetic  
Particle technology to provide higher output and  
lower noise, are suitable for high-speed data transfer  
applications as well as for making master recordings.  
RECORDING CAPABILITY OF UP TO THREE HOURS  
DVCAM cassette tapes are available in two sizes:  
standard and mini. The standard-size cassette provides  
a recording time of up to 184 minutes, while the  
mini-size cassette provides up to 40 minutes. These  
long recording times are achieved in very compact  
cassettes with a 1/4-inch (6.35 mm) tape width.  
WHY DVCAM FORMAT FOR BROADCAST  
AND PROFESSIONAL?  
Sony developed the DVCAM format with its wider  
15 µm track pitch to meet broadcast and professional  
customer requirements. The consumer DV format with  
a 10µm track pitch could not offer sufficient reliability  
for the broadcast and professional environment. Sony  
developed DVCAM format with a wider 15 µm track  
pitch specifically to meet broadcast and professional  
customer requirements. Reliability is particularly impor-  
tant in editing and playback compatibility, where the  
wider track pitch of the DVCAM format eliminates the  
risk of block noise in playback picture.  
Mini-size  
cassette  
Standard-size cassette  
8
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UNIQUE TECHNOLOGY AND ADVANTAGES  
TRUE DIGITAL CAMCORDERS  
EXCELLENT EDITING PERFORMANCE  
Cameras: DSR-570WSP  
|
DSR-390P  
|
DSR-1P  
|
DSR-250P  
|
DSR-PD170P  
DSR-PDX10P  
• Preread Editing Capability*  
VTR: DSR-2000P  
Other Digital Camcorders  
Over-dubbing of audio with preread editing capability  
Analogue  
PB Process  
Tape direction  
Digital VTR  
Digital VTR  
Analogue  
Camera Head  
Preread head  
TV VIEWER  
reads before  
recording  
ANNOUNCER  
Analogue  
REC Process  
DSP Camera  
Head  
Drum  
No delay between video and audio  
Sony DVCAM Camcorders  
The DSR-2000P VTR offers preread editing, a function  
never before available on a 1/4-inch (6.35 mm) VTR.  
Preread heads are positioned ahead of the record  
heads on the drum to scan previously recorded video  
and audio signals. These signals can then be sent to a  
character generator, a video switcher and/or an audio  
mixer, combined with signals from another source,  
and then recorded back onto the same tracks. Preread  
editing provides many advantages since it enables  
single-VTR titling, audio mix/swap and voice over with  
no delay between video and audio. In addition, A/B roll  
editing with two VTRs is available (MIX and WIPE only).  
Digital  
Digital VTR  
DSP Camera  
Sony DVCAM camcorders are "True Digital Camcorders".  
They incorporate DSP (Digital Signal Processing) for full  
digital processing in the camera section and digital  
recording in the VTR section. The camera video signal  
remains in its digital component format through the  
recording process, resulting in outstanding image quality,  
free of artifacts and with none of the resolution loss  
typical of A/D and D/A conversion.  
* Not available for SDTI (QSDI) and i.LINK (DV In/Out) interfaces as these  
handle compressed signals.  
• Audio Cross-fade Capability  
VTRs: DSR-2000P  
|
DSR-1800P  
PLAYBACK CAPABILITY OF ALL DV (25 MB/S)  
FORMAT RECORDED TAPES  
Over-dubbing of audio with preread editing capability  
VTRs: DSR-2000P  
|
DSR-1800P  
|
DSR-1600P  
|
DSR-1500AP  
|
DSR-70AP  
Editing Point  
For maximum versatility in playback, the DVCAM VTRs  
are designed to playback DVCAM and DV (SP mode)  
tapes without a mechanical adaptor or menu adjustment.  
The DVCAM Master Series VTRs support DVCPRO tape  
playback*, and the DSR-2000P even supports DV  
(LP mode) playback. Furthermore, it is possible to use  
these tapes directly as editing source material, improving  
productivity. All DVCAM products including camcorders  
and VTRs can playback DV SP mode recorded tapes.  
Pre-recorded  
Fade out  
audio  
IN EDITING  
MODE  
Assembled audio/  
Inserted Fade-in  
Audio Cross-fade  
IN PLAYBACK  
MODE  
Clean noiseless transition  
Preread heads also provide an audio cross-fade capa-  
bility with clean audio transitions at editing points.  
During audio insert editing, the previously recorded  
audio signal is read out by preread heads, cross-faded  
with the VTR audio input signal and recorded back onto  
the same track. This provides excellent audio cross-  
fade editing performance without audio clicks at edit  
points and provides high quality audio to complement  
the video performance.  
* Not compatible with SDTI (QSDI) and i.LINK (DV In/Out) interfaces.  
Only DSR-1500AP outputs via i.LINK.  
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Main features  
UNIQUE TECHNOLOGY AND ADVANTAGES  
• Enhanced Digital Jog Audio  
VERSATILE DIGITAL INTERFACES  
VTRs: DSR-2000P  
|
DSR-1800P  
|
DSR-1600P  
|
DSR-1500AP  
|
DSR-70AP  
A digital jog audio function is included in the Master  
Series VTRs with a range of –1 to +1 (DSR-2000P) or  
–0.5 to +0.5 (DSR-1800P/1600P/1500AP/70AP) times  
normal speed. With its quick and smooth response,  
locating editing points is very easy. This is a particularly  
important feature for ENG applications that usually  
require audio-based editing. Moreover, this function is  
even available when using DV and DVCPRO tapes.  
• SDI (Serial Digital Interface)*  
VTRs: DSR-2000P  
|
DSR-1800P**  
|
DSR-1600P**  
|
DSR-1500AP**  
DSR-70AP**  
With SDI, high-quality picture and sound can be  
transferred between DVCAM VTRs and SDI-equipped  
devices.  
*
The SDI used in DVCAM VTRs supports digital component video signals.  
** The DSR-1800P/1600P/1500AP/70AP require an optional board for SDI.  
• ClipLink Operation  
• SDTI (QSDI™)*  
Cameras: DSR-570WSP  
|
DSR-390P  
|
DSR-1P  
VTRs: DSR-2000P  
|
DSR-1800P**  
|
DSR-1600P**  
|
DSR-1500AP**  
DSR-70AP**  
VTRs: DSR-2000P  
|
DSR-1800P DSR-1600P  
|
|
DSR-1500AP  
|
DSR-70AP  
SDTI (QSDI) is a digital interface that handles com-  
pressed video as well as the sub-code data and  
digital audio signals of the DV/DVCAM formats. It allows  
virtually degradation-free transfer of both video and  
audio signals between equipped VTRs and between  
these VTRs and the EditStation in a non-linear editing  
configuration.  
ClipLink Operation  
Scene  
no  
Index  
Picture  
Time  
Code (IN)  
Time  
Code (OUT)  
1
2
3
00:01:01  
00:05:23  
00:18:21  
00:05:22  
00:06:12  
00:24:13  
*
SDTI (Serial Data Transport Interface) is defined as SMPTE 305M.SDTI  
(QSDI) is the DV compressed signal interface defined as SMPTE 322M.  
** The DSR-1800P/1600P/1500AP/70AP require an optional board for  
SDTI (QSDI).  
Digital Camcorder  
DSR-570WSP / DSR-390P  
Video Cassette logging  
software JZ-1 GUI  
DVCAM or  
DV Cassette Tape  
• AES/EBU  
VTRs: DSR-2000P  
|
DSR-1800P  
|
DSR-1600P  
|
DSR-1500AP  
DSR-2000P/1800P/1600P/1500AP VTRs are fitted with  
digital audio interfaces conforming to the AES/EBU  
standard. With a sampling frequency of 48 kHz and  
20-bit quantization, these interfaces ensure high quality  
audio.  
Digital Videocassette  
Recorder / Player  
DSR-2000P / DSR-1800P / DSR-1600P  
DSR-1500AP / DSR-70AP  
* The DSR-1800P/1600P/1500AP require an optional board for AES/EBU.  
ClipLink is a unique Sony system that conveys shooting  
data into the digital production process. During acquisi-  
tion with a camcorder equipped with this feature, the  
in-point/out-point time code data of each shot and its  
OK/NG status are recorded in the DVCAM Cassette  
Memory. At the same time, a still frame of each in-point,  
called an ‘Index Picture’*, is recorded on the DVCAM  
tape to provide visual information associated with the  
time code. ClipLink data can be imported automatically  
to JZ-1 videocassette logging software, modified and  
then be exported to almost any editing device. This  
greatly enhances subsequent editing operations.  
• SDTI-CP (MPEG Out)*  
VTR: DSR-2000P**  
SDTI-CP provides a direct connection to MPEG IMX™  
products (MPEG2 4:2:2P@ML, 50 Mb/s).  
*
SDTI-CP is defined as SMPTE 326M.  
** The DSR-2000P requires an optional board for SDTI-CP.  
* The DSR-570WSP/390P require an optional board to record Index  
Pictures.  
10  
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UNIQUE TECHNOLOGY AND ADVANTAGES  
• i.LINK™ (DV)*  
Cameras: DSR-570WSP**  
• Dual Interface Mechanism  
Camera: DSR-1P  
|
DSR-390P**  
|
DSR-250P  
|
DSR-PD170P  
DSR-PDX10P  
The DSR-1P Dockable Recorder has both Pro 76-pin  
Digital and Pro 50-pin connectors with a unique seesaw  
construction. These allow direct connection of the  
DSR-1P to several alternative Sony digital (DXC-D30P*/  
D30WSP*/D35P/D35WSP/D50P/D50WSP) and anal-  
ogue cameras (DXC-327B/637*/537A*/327A*).  
VTRs: DSR-2000P**  
|
DSR-1800P**  
|
DSR-1600P**  
|
DSR-1500AP  
DSR-45P  
DSR-50P  
|
DSR-30P  
|
DSR-25  
|
DSR-11 DSR-70AP**  
|
i.LINK enables a single cable to simultaneously carry  
digital video and audio signals, as well as data and  
control signals, with virtually no quality deterioration.  
This simple connection offers an ideal solution for  
connecting DVCAM equipment with consumer AV  
equipment and computer-related products.  
* These cameras are no longer sold, but current owners can still connect  
with the DSR-1P.  
*
i.LINK stands for IEEE 1394-1995 standards and their revisions.  
• Further operational efficiency by DSR-DU1  
** Output only from the DSR-570WSP/390P.  
Cameras: DSR-570WSP  
|
DSR-390P  
|
DSR-250P  
|
DSR-PD170P  
The DSR-2000P/1800P/1600P/70AP require an optional board for i.LINK.  
DSR-PDX10P  
The DSR-DU1 is a compact video disk unit that mounts  
on or can be interfaced with the above camcorders.  
It provides up to three hours of DVCAM/DV stream  
recording as a file. Via an i.LINK (DV) connection, the  
camera output of the camcorder is recorded to the hard  
drive of the DSR-DU1 in parallel to the recording made  
on the camcorder's tape. The DSR-DU1 is an extremely  
versatile device. When detached from the camcorder, it  
is very effective for field off-line logging or EDL creation,  
as a player for making dubs, or as a source feeder  
machine for i.LINK-equipped non-linear editors.  
Moreover, when connected to an SBP2-compatible  
i.LINK-equipped nonlinear editor*, the DSR-DU1 allows  
its DV files to be directly accessed from the non-linear  
editor. The Rec. start and stop time codes of each  
scene are also transferred to the editor, eliminating the  
logging process common to non-linear editing.  
SOPHISTICATED MECHANISMS  
• Quick, Responsive Mechanism  
VTRs: DSR-2000P  
|
DSR-1800P  
|
DSR-1600P  
|
DSR-70AP  
|
DSR-1500AP  
Quick mechanical response is an essential requirement  
for professional video production. The Master Series  
VTRs provide this rapid response with a combination  
of highly reliable direct reel drive and drum motor mech-  
anisms. The result is a tape drive with rapid response  
to Jog and Shuttle commands when searching for edit  
points, and a rapid start in Play mode.  
• Three-size Cassette Compartment  
VTRs: DSR-2000P  
|
DSR-1800P  
|
DSR-1600P  
|
DSR-1500AP  
DSR-70AP  
The Master Series VTRs incorporate a newly designed  
three-size cassette compartment to ensure compatibility  
with DV (25 Mb/s) format recorded tapes of all sizes  
and types. Thanks to this feature, it is possible to use  
standard and mini DV and DVCAM cassettes, as well  
as medium DVCPRO cassettes, without a mechanical  
adaptor.  
*
Refer to page 25.  
• Dual-size Cassette Compartment  
Cameras: DSR-570WSP  
|
DSR-390P  
|
DSR-1P  
|
DSR-250P  
VTRs: DSR-45P  
|
DSR-30P DSR-25  
|
|
DSR-11  
|
DSR-50P  
The above camcorders and VTRs have a dual-size  
cassette compartment which accepts both standard  
and mini cassettes without a mechanical adaptor.  
11  
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Main features  
THIS IS NOT JUST ANOTHER DIGITAL CAMCORDER  
Contrast Control with the DynaLatitude™  
function  
Technical advantages of DSR-570WSP /  
DSR-390P  
As most camcorders are now digital, it is important to  
understand that the real benefit of a professional  
DVCAM camcorder is in the way the Digital Signal  
Processing works.  
The DSR camcorders were created with the sole  
purpose of producing perfect pictures. From the very  
first shot in a production, the operator now has  
the power to make a unique creative contribution  
during shooting. Using these models, so much more  
can now be done “in-camera” that is a defiance of  
conventional wisdom. The DSR camcorders deliver  
outstanding “in-camera” creativity!  
DynaLatitude, a unique feature for contrast control,  
minimises video level distortion. Based on video signal  
histograms, the DynaLatitude function aligns the con-  
trast of each pixel individually to eliminate imbalances,  
such as overexposure of background image.  
Issued from the well-known DVW-700 Digital  
Betacam camcorder technology, the DSR-570WSP  
and DSR-390P offer unique functionality giving the  
operator a unique opportunity to customise their  
camera settings, so that they precisely suit produc-  
tion requirements.  
Black Stretch and Compress  
Here are some examples of the unique functions  
provided by the high end DVCAM camcorders.  
Contrast in the black area of an image can easily be  
adjusted using the Black Stretch/Compress control  
function. Black Stretch emphasises contrast in dark  
areas, while Black Compress enhances or deepens  
darkness.  
Colour Precision – TruEye™ Process  
Black Halo Free  
The TruEye digital signal processing is one of the  
most innovative features that DSP allows and makes  
it possible to reproduce a far more natural colour  
than a conventional camera, even in severe shooting  
conditions.  
Sony TruEye digital signal processing technology  
virtually eliminates hue distortion, particularly obvious  
in extreme lighting conditions, that results from  
conventional RGB analogue or digital processing.  
By processing video signal data at three levels –  
brightness, hue, and saturation – similar to how the  
human eye works, the TruEye™ process assists in the  
reproduction of natural skin tones.  
On transition between 2 contrasted zones, the “Black  
Halo” phenomenon appears. It consists of excess of  
contrast on the border, the DSP process of the DVCAM  
camcorders eliminates this phenomenon.  
Freeze Mix Function  
The Freeze Mix function superimposes a previously  
recorded image on the view-finder, allowing the opera-  
tor to easily frame or reposition a subject when a shot  
must be taken in the same framework as a previous  
take. Combined with the SetupLog™ function, a retake  
is a breeze.  
12  
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Skin colour reliability, management and  
Skin Detail with Auto detection of Active Area  
Other functions available:  
• H detail frequency control  
• R/G Vertical detail control  
• Master Black  
• Master Gamma  
• Detail Frequency control  
• Saturation and Hue control  
• TLCS (Total Level Control System)  
• Preset colour temperature with 32 steps  
• SetupNavi™  
• SetupLog™  
Skin Detail  
Skin Tone  
Once again, based on the Digital Betacam camcorder  
technology, the DSR-570WSP and DSR-390P use a  
Multi Matrix function that allows a particular colour to  
be automatically grabbed and its hue, saturation and  
detail level modified independently from the rest of the  
picture.  
For example in the case of a person’s face, it gives  
the subject a pleasing facial complexion, while main-  
taining the sharpness of other areas.  
The designated active area of Skin Detail can be set  
with the SKIN SET button on the camera’s side panel.  
The colour range of the Skin Detail active area and Skin  
Detail level can also be controlled.  
13  
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Lineup features  
DIGITAL CAMCORDERS  
|
ONE-PIECE CAMCORDERS  
DSR-570WSP  
DSR-390P  
Common Features  
• Highly mobile one-piece design  
• DSP (Digital Signal Processing)  
• Studio Multicore CCU operations up to 300m  
• TruEye™ process for faithful colour reproduction  
• DynaLatitude™ process minimises video level  
distortion  
• Skin Detail and Skin Tone with auto detection of  
active area  
• Black Stretch and Compress control functions  
• Advanced Film Like Mode (Setup File)  
• Superb picture quality of the DVCAM format  
• Playback capability of DV recorded tapes  
(SP mode only)  
• Long recording time: up to 184 minutes with  
a standard-size cassette and 40 minutes with a  
mini-size cassette  
• Total Level Control System (TLCS) for automatically  
extended range of Iris control  
DSR-570WSP  
One-piece Camcorder  
• Auto Tracing White Balance (ATW) function  
• Black Halo free  
• EZ Mode and EZ Focus for quick camera setup  
• DynaFit™ shoulder pad for comfortable molding to  
any shoulder  
• Variable colour temperature settings: 3200 K  
(19 steps in the range from 2200 K to 4300 K)  
or 5600 K (13 steps in the range from 4600 K to  
12000 K)  
• Video light connector for optional light equipment  
• Menu control by Jog Dial operation  
• Camera Setup File System  
• 16:9 - 4:3 Switchable Camcorder  
• Compact and lightweight: 6.3 kg (13 lb 14 oz)  
including viewfinder, microphone, lens, battery and  
tape  
• Low power consumption: 24 W (without viewfinder)  
• Three 2/3-inch Power HAD WS™ 16:9 CCDs  
providing high quality images with low smear level,  
high sensitivity, high S/N ratio (61 dB) and high  
horizontal resolution (980/850 TV lines in 16:9/4:3  
mode)  
• Hyper Gain (36 dB or 42 dB selectable)  
• Aspect ratio switchable between 4:3 and 16:9  
• SetupNavi™ function for camera setup file storage  
• Sensitivity: F11 at 2000 lx  
• SetupLog™ function for automatic recording of  
camera setting data  
• Pool Feed operation *1  
• i.LINK (DV output) interface providing a single cable  
connection to simultaneously transfer data and  
control signals as well as digital video and audio  
signals, with virtually no generation loss  
• 26-pin VTR interface  
• Minimum illumination = 0.5 lx  
• Optional remote software available  
• Flexible safety zone marker  
• Full colour picture playback without an external  
adaptor  
• Edit Search function  
In 4:3 mode: OFF, 13:9, 14:9, 15:9, 16:9  
In 16:9 mode: OFF, 4:3, 13:9, 14:9, 15:9  
• Silver Support supplied as standard (see page 7)  
• Time code superimposed during playback and  
record  
• Freeze Mix function  
• ClipLink operation*2  
• Compact and lightweight with BP-M50/100 Ni-MH  
Batteries or BP-L40A/BP-IL75 Lithium-ion Batteries  
• CA-WR855 Camera Adaptor for the WRR-855B  
Wireless Receiver  
• Compact crew package with the LC-DS300SFT  
Soft Carrying Case or LC-DS500 Hard Carrying  
Case  
• DXF-51 5" Studio viewfinder  
• Common Setup File for DSR-570WSP and  
DSR-390P  
• Audio level monitoring through the side panel  
• Individual cover for audio control switches  
• External VTR control & monitoring via i.LINK  
connector  
• CA-370 Intercom adapter  
*1 The optional DSBK-501P Analogue Composite Input Board is  
required.  
*2 The optional DSBK-301A Index Picture Board is required.  
14  
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DSR-390P  
One-piece Camcorder  
DSR-250P  
One-piece Camcorder  
• Compact and lightweight: 6.2 kg (13 lb, 10 oz)  
including viewfinder, microphone, lens, battery  
and tape  
• Compact and lightweight: 4.4 kg (9 lb 11 oz)  
• Newly developed 1/3-inch CCDs for accurate colour  
reproduction  
• Low power consumption: 20 W (without viewfinder)  
• Three 1/2-inch Power HAD™ CCDs for low smear  
level, high sensitivity, high S/N ratio (62 dB) and  
high horizontal resolution (800 TV lines)  
• Hyper Gain (36 dB)  
• Capable of both interlace scan, for moving images,  
and progressive scan, for still images or shooting  
moving subject*1 and exporting a frame of the  
image as a still picture  
• DSP (Digital Signal Processing)  
• 4:3 aspect ratio  
• Sensitivity: F13 at 2000 lx  
• New, high-resolution 1.5-inch black & white  
viewfinder  
• Minimum illumination = 0.4 lx  
• Flexible safety zone marker 4:3 mode:  
OFF, 13:9, 14:9, 15:9, 16:9  
• SetupNavi™ function for camera setup file storage  
• Silver Support supplied as standard (see page 7)  
• 2.5-inch (200,000 dot) colour LCD monitor  
• 12x lens*2 with Super SteadyShot™ system  
• 16:9 recording mode available (electronically  
processed)  
• Superb picture quality of the DVCAM format  
• Recording and playback capability with standard  
and mini-size DVCAM and DV tapes (SP mode only)  
• Three XLR audio input connectors for professional  
microphones (one at front, two at rear)  
• Audio dubbing capability (48 kHz/16-bit or 32  
kHz/12-bit selectable)  
• Long recording time: 184 minutes with a standard-  
size cassette in DVCAM mode, or 270 minutes in  
DV SP mode  
• Time/date data superimposition on output pictures  
• Digital still camera functions with Memory Stick™  
• Light output (DC 12 V, max. 30 W) and additional  
DC 12 V out for optional accessories  
Lenses for DSR-390P  
VCL-719BX (for DSR-390PK1 pack)  
Zoom ratio  
19:1  
Focal length  
6.7mm x 127mm  
Zoom control  
Servo/manual switchable  
Iris control  
Servo/manual switchable  
• Time code preset capability  
Maximum relative aperture  
Minimum object distance  
Mount type  
Weight  
Dimensions (WxHxD)  
F1.4 (6.7 to 89mm) to F2.0 (120mm)  
Wide: 772x579mm, Tele: 42x32mm  
Sony 1/2-inch type bayonet mount  
1.45kg (including lens hood)  
139.8 x 99.5 x 218.9mm (including objections)  
• i.LINK (DV In/Out) interface providing a single cable  
connection to simultaneously transfer audio, video  
and command signals  
• LANC interface for simple editing with a LANC-  
equipped recorder or editing system  
VCL-716BX (for DSR-390PK2 pack)  
• Supplied RMT-811 Remote Commander  
• Silver Support supplied as standard (see page 7)  
Zoom ratio  
16:1  
Focal length  
Zoom control  
Iris control  
Maximum relative aperture  
Minimum object distance  
Mount type  
Weight  
Dimensions (WxHxD)  
7.3mm x 117mm  
*1 When recording moving images in progressive scan mode,  
the motion will display some jitter since the picture is read/output  
every 1/12.5 second.  
Servo/manual switchable  
Servo/manual switchable  
F1.9 (7.3 to 98mm) to F2.3 (117mm)  
Wide: 823x617mm, Tele: 51x39mm  
Sony 1/2-inch type bayonet mount  
1.2kg (including lens hood)  
123 x 102 x 205mm (including objections)  
*2 Digital zoom of 24x or 48x available via menu selection.  
15  
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Lineup features  
DIGITAL CAMCORDERS  
DXC-D50P/WSP+DSR-1P  
Two-piece Camcorder  
DSR-1P  
Dockable Recorder  
• Combination of the DXC-D50P/WSP Digital Video  
Camera and the DSR-1P Dockable Recorder,  
equivalent to a one-piece camcorder  
• Compact and lightweight: 6.3 kg (13 lb 14 oz)  
including viewfinder, battery, joint plate and carrying  
handle  
• Compact and lightweight: 3.1 kg (6 lb 13 oz)  
including battery  
• Ideal operation as a digital camcorder by docking  
with the DXC-D50P Digital Video Camera  
• Dual-size cassette mechanism: both standard- and  
mini-size cassettes accepted  
• Three 2/3-inch Power HAD EX CCDs for very low  
smear level (-140 dB), high sensitivity and high S/N  
ratio (63 dB), and high horizontal resolution (920 TV  
lines on DXC-D50P, or 850 TV lines in 4:3 mode and  
800 TV lines in 16:9 mode on DXC-D50WSP)  
• 4:3 only on DXC-D50P, or 16:9 / 4:3 switchable on  
DXC-D50WSP  
• Dual interface mechanism: Pro 76-pin Digital and  
Pro 50-pin interfaces for direct connection with both  
Sony digital and analogue cameras  
• Superb picture quality of the DVCAM format  
• Playback capability of DV recorded tapes  
(SP mode only)  
• Long recording time: up to 184 minutes with a  
standard-size cassette and 40 minutes with a mini-  
size cassette  
• 12-bit A/D Conversion  
• Creative image control with Low Key Saturation,  
Skin Matrix, Adaptive Highlight Control and Black  
Gamma functions  
• Advanced DSP (Digital Signal Processing)  
• Skin Detail with auto detection of active area  
• Sensitivity: F11 at 2000 lx  
• ClipLink operation  
• Full colour picture playback capability without a  
playback adaptor  
• Record review function  
• Frame accurate back-space editing  
• Built-in SMPTE/EBU time code generator/reader  
• Time base stabiliser  
• Full VTR function control (FastForward/Rewind/Play/  
Stop/Eject)  
• Minimum illumination: 0.5 lx  
• Black Stretch and Compress control functions  
• Superb picture quality of the DVCAM format  
• Playback capability of DV recorded tapes  
(SP mode only)  
• Comprehensive 8-digit LCD  
• Long recording time: up to 184 minutes with a  
standard-size cassette and 40 minutes with a  
mini-size cassette  
• Silver Support supplied as standard (see page 7)  
• Total Level Control System (TLCS) for automatically  
extended range of Iris control  
• Auto Tracing White Balance (ATW) function  
• EZ Mode and EZ Focus for quick camera setup  
• Camera Setup File System  
• ClipLink operation  
16  
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DIGITAL CAMCORDERS  
DSR-PD170P  
Compact Camcorder  
DSR-PDX10P  
Handycam®-style Camcorder  
• Compact and lightweight: 1.5 kg (3 lb 5 oz) including  
battery and tape  
• Very compact body (the smallest 3 CCD DVCAM  
camcorder)  
• 1/3-inch CCD for accurate colour reproduction  
• Capable of both interlace scan, for moving images,  
and progressive scan, for still images or shooting a  
moving subject*1 and exporting a frame of the image  
as a still picture  
• 3 1/4.7-inch Mega pixel Advanced HAD CCD type  
• 14 Bits DXP Processing (Digital Extended Processor)  
• Enhanced 16:9 capability (real 16:9 shooting quality)  
• 2 XLR audio input connectors for professional  
microphones  
• DSP (Digital Signal Processing)  
• Two XLR audio input connectors for professional  
microphones  
• USB Streaming (capability to stream Video and  
Audio through USB port) available in camera and  
VCR mode  
• Supplied RMT-811 Wireless Remote Commander  
• Hybrid 2.5-inch (211,200 dot) colour LCD monitor  
• Black & white viewfinder (180,000 dot LCD)  
• On-handle zoom lever and Rec Start/Stop button  
• 12x lens*2 with Super SteadyShot system  
• Manual control and a full range of auto modes  
• 16:9 recording mode available (electronically  
processed)  
• 3.5 inch type 240,000 colour LCD monitor with  
touch panel function (Spot focus, Spot AE, Playback  
Zoom, Memory play)  
• 180,000 dot precision Black and White LCD  
Viewfinder  
• Optical Super SteadyShot™  
• TC and User bit preset capability  
• DVCAM and DV (SP mode) recording and playback  
formats  
• High resolution picture recording (640x480 /  
1152x864 dots)  
• Superb picture quality of the DVCAM format  
• Playback and record capability of DV recorded  
tapes*3 (SP mode)  
• 40 minutes recording time with a mini-size cassette  
• Time/date data superimposition on output pictures  
• Digital still camera functions with Memory Stick  
• InfoLITHIUM™ battery system displays the remaining  
capacity of the battery (accurate to the minute)  
• Audio dubbing capability (48 kHz/16-bit or 32 kHz/  
12-bit selectable)  
• MPEG movie recording up to 85 mins on a 128 MB  
Memory Stick  
• i.LINK and Analogue In/Out interfaces  
• Silver Support supplied as standard (see page 7)  
• i.LINK (DV In/Out) interface providing a single cable  
connection to simultaneously transfer audio, video  
and command signals  
• LANC interface for simple editing with a LANC-  
equipped recorder or editing system  
• Wide Conversion Lens VCL-HG0758 supplied as  
standard  
• Lens Hood LSF-S58 supplied as standard  
• Silver Support supplied as standard (see page 7)  
Total CCD Area  
Effective 4:3 CCD Area  
for Video  
TRADITIONAL WAY  
DSR-PDX10P  
Total CCD Area  
Total CCD Area  
Effective CCD Area  
Effective CCD Area  
4:3 Picture  
4:3 Picture  
This area is usualy only  
used for Still pictures  
(photo mode)  
Total CCD Area  
Total CCD Area  
Effective CCD Area  
Effective CCD Area  
16:9 Picture  
16:9 Picture  
*1 When recording moving images in progressive scan mode, the  
motion will display some jitter since the picture is read/output every  
1/12.5 second.  
*2 Digital zoom of 24x or 48x available via menu selection.  
*3 Only mini-size DVCAM and DV cassettes can be used.  
4:3 Shot  
16:9 Shot with DSR-PDX10P  
16:9 Shot with traditional product  
Wider Angle: 41mm Vs 49mm (+8mm !)  
Use of MegaPixel areas: +44%  
Significantly improved 16:9 Resolution  
17  
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Lineup features  
DIGITAL VTRs  
|
MASTER SERIES  
Master Series VTRs  
DSR-2000P  
DSR-1800P  
DSR-1600P  
DSR-1500AP  
DSR-70AP  
Common Features  
• Superb picture quality of the DVCAM format  
• Playback capability of DV (25 Mb/s) recorded tapes  
including DV tapes recorded in SP mode and  
DVCPRO tapes*1 without a mechanical adaptor  
or menu settings changes  
• Long recording time: up to 184 minutes with  
a standard-size cassette and 40 minutes with  
a mini-size cassette  
Since its introduction, the DVCAM format has become  
widely accepted in the world of video production – from  
industrial to broadcast markets. Recognising the  
increasing demands for DV-based production in broad-  
cast applications, Sony introduced the DSR-2000P in  
1999, complete with compatibility with all DV family  
formats and professional features, such as excellent  
editing performance and high-quality jog audio, inherited  
from analogue formats. Building on the advanced  
technologies of the DVCAM format and professional  
features of the flagship DSR-2000P, Sony now presents  
the entire lineup of Master Series VTRs, our top-of-the-  
line DVCAM videocassette recorders and players.  
The Master Series VTRs (DSR-2000P, DSR-1800P,  
DSR-1600P, DSR-1500AP and DSR-70AP) now  
bring the features and benefits introduced with the  
DSR-2000P to a wider market, from industrial to broad-  
cast for a wider range of applications and needs.  
• Four-channel audio editing capability*6  
• Audio cross-fade function for clean audio transitions  
at editing points*2  
• Excellent jog audio capability  
• DMC (Dynamic Motion Control) provides noiseless  
slow-motion playback  
• High-speed picture search over a range of 60 times  
normal speed, in both forward and reverse*6  
• Versatile digital interfaces*3 : SDI, SDTI (QSDI), i.LINK  
(DV In/Out) and AES/EBU digital audio  
• Extensive analogue interfaces: composite,  
component, S-Video and XLR audio  
• RS-422A remote control interface  
• Frame accurate editing capability  
• ClipLink operation  
• Full tape dubbing with ClipLink Log Data via SDTI  
(QSDI) and RS-422A interfaces*4  
• 16:9 aspect ID signal recording  
• Video process control for greater control of both  
analogue and digital outputs  
• Built-in SMPTE/EBU time code and VITC  
generator/reader  
• Built-in signal generator (colour bars, black burst,  
1 kHz tone, silent signal)*4  
• Flexible input selection between video and audio*5  
• Universal powering system (AC 100 V to 240 V)  
• Three-size cassette compartment to ensure  
compatibility with DV(25Mb/s) recorded tapes  
*1 SDTI (QSDI) and i.LINK (DV In/Out) interfaces do not support  
DVCPRO playback.  
*2 DSR-2000P/DSR1800P only.  
*3 Optional Input/Output Boards required. Please check Feature  
Comparison of Studio VTRs for details.  
*4 DSR-2000P/DSR1800P/DSR-1500AP/DSR-70AP only.  
*5 i.LINK cannot be combined with other signal interfaces.  
When SDTI (QSDI) is selected as the audio input, the video signal is  
assumed to be SDTI (QSDI). However, when it is selected as the  
video input, other signal interfaces can be selected for the audio.  
*6 DSR-2000P/1800P/1600P only.  
18  
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DIGITAL VTRs  
|
MASTER SERIES  
DSR-2000P  
Editing Recorder  
DSR-1800P  
Editing Recorder  
• Playback capability of DV tapes recorded in LP mode  
• Non-tracking playback*1  
• Preread playback capability to perform audio  
mix/swap and over dubbing without any delay  
between video and audio signals  
• Wide range of digital slow speed from -0.5  
to +0.5 times normal speed  
• Channel condition monitoring function  
• Jog dial on front panel  
• Silver Support supplied as standard (see page 7)  
• Preread editing capability*2 to perform sound-on-  
sound capability, audio mix/swap and over-dubbing  
of audio with no delay between video and audio as  
well as A/B roll editing*3 with two VTRs  
• VTR-to-VTR editing without external controllers  
• Wide range of digital slow speed from –1 to +1  
times normal speed  
• Optional SDTI-CP digital interface board (MPEG Out)  
• Channel condition monitoring function  
• Audio level control in both recording and playback  
modes  
• Dial menu operation  
• Key Inhibit and Rec Inhibit functions to prevent  
accidental operation  
• Silver Support supplied as standard (see page 7)  
*1 Can cover mis-alignment tapes without picture noise  
*2 Not available through SDTI (QSDI) and i.LINK interfaces.  
*3 MIX and WIPE only.  
DSR-1500AP  
Editing Recorder  
DSR-1600P  
Editing Player  
• Wide range of digital slow speed from -0.5  
to +0.5 times normal speed  
• Wide range of digital slow speed from -0.5  
to +0.5 times normal speed  
• Recording and playback capability of the DV format  
(SP mode only)  
• Channel condition monitoring function  
• Jog dial on front panel  
• Compact, half-rack size  
• Silver Support supplied as standard (see page 7)  
• Menu keys on front panel for picture search  
• Silver Support supplied as standard (see page 7)  
19  
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Lineup features  
STUDIO VTRs  
DSR-45P  
Recorder  
DSR-30P  
Recorder  
• Superb picture quality of the DVCAM format  
• Recording and playback capability of the DV format  
(SP mode only)*1  
• Superb picture quality of the DVCAM format  
• Playback capability of DV recorded tapes (SP mode  
only)  
• Long recording time: up to 184 minutes with a  
standard-size cassette, 40 minutes with a mini-size  
cassette  
• Long recording time: up to 184 minutes with a  
standard-size cassette and 40 minutes with a  
mini-size cassette  
• Full range of analogue Video IN/OUT: Component,  
Composite, S-Video  
• Four channel independent Audio IN/OUT with XLR  
connectors for Audio OUT  
• i.LINK(DV) interface for simultaneous transfer of  
audio, video, and command signals  
• RS-422A remote control interface*2  
• RS-232C interface for basic control from a PC  
• LANC and Control S interface  
• i.LINK (DV In/Out) interface providing a single cable  
connection to simultaneously transfer audio, video  
and command signals  
• LANC interface for simple editing with a LANC-  
equipped recorder or editing system  
• Auto repeat function  
• One-program playback function to automatically  
rewind to the beginning of a tape and enter  
Standby mode  
• Time code IN/OUT  
• Time code/ User bit preset  
• Power-on playback/recording capabilities  
• External timer recording  
• Time code IN through DV IN  
• Duplication function (including the duplication of  
Cassette Memory data)  
• Compact size (half-rack size width, 2U height)  
• Low power consumption (22 W during playback)  
• Built-in 2-inch type (123,200 dot) colour LCD  
monitor  
• Duplication mode with original time code  
• Function lock to avoid accidental operation  
• Built-in control tray with a Jog/Shuttle dial with a  
range of 1/5 to 18 times normal speed, in both  
forward and reverse  
• Index Points search function (when using a cassette  
with IC Cassette Memory)  
• Tape counter  
• Clear frame picture  
• Wireless remote controller RMT-DS5 supplied  
• Silver Support supplied as standard (see page 7)  
• RMT-DS30 Wireless Remote Controller (supplied  
accessory) for control of basic functions  
• Headphone/microphone connections  
• Silver Support supplied as standard (see page 7)  
*1 When recording in DV (SP) format, the transition between cut to  
cut may not be smooth. In addition, when the recording format is  
switched between DVCAM and DV, the transition may not be  
recorded smoothly.  
*2 The DSR-45P is not equipped with the synchronisation capability,  
therefore is recommended to be used only as a source feeder in A/B  
roll editing.  
20  
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STUDIO VTRs  
DSR-25  
Recorder  
DSR-11  
Recorder  
• Superb picture quality of the DVCAM format  
• Recording and playback capability of the DV format  
(SP mode only)*1  
• Long recording time: up to 184 minutes with a  
standard-size cassette, 40 minutes with a mini-size  
cassette  
• Superb picture quality of the DVCAM format  
• Long recording time: up to 184 minutes with  
a standard-size cassette and 40 minutes with  
a mini-size cassette  
• Recording and playback of DV format tapes  
(SP mode only)  
• Recording and playback capability of both  
• NTSC/PAL compatible*1 in both Rec and Play mode  
• Composite and S Video inputs  
NTSC/PAL signals*2  
• i.LINK(DV) interface for simultaneous transfer of  
audio, video, and command signals  
• LANC and Control S interface  
• i.LINK (DV In/Out) interface providing a single cable  
connection to simultaneously transfer audio, video  
and command signals  
• Time code/ User bit preset  
• Time code IN through DV IN  
• Unique design enables both horizontal and vertical  
installation  
• Duplication function (Including the duplication of  
Cassette Memory data)  
• LANC and Control S terminals  
• Auto repeat function  
• Power-on recording and playback capabilities  
• Compact size (half-rack size width, 2U height)  
• Low power consumption (16 W during playback)  
• Built-in 2-inch type (123,200 dot) colour LCD  
monitor  
• DC power operation  
• Supplied RMT-DS11 Wireless Remote Commander  
• Silver Support supplied as standard (see page 7)  
*1 The DSR-11 does not convert signals from NTSC to PAL,  
or vice versa.  
• Tape counter  
• Wireless remote controller RMT-DS5 supplied  
• Silver Support supplied as standard (see page 7)  
*1 When recording in DV (SP) format, the transition between cut to cut  
may not be smooth. In addition, when the recording format is  
switched between DVCAM and DV, the transition may not be  
recorded smoothly.  
*2 The DSR-25 is not equipped to convert signals from NTSC to PAL,  
or vice versa.  
21  
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Lineup features  
PORTABLE VTRs  
DSR-70AP  
Portable Editing Recorder  
DSR-50P  
Portable Recorder  
• Compact, all-in-one package features a 6.4-inch  
VGA LCD monitor, a full cut-editing controller with  
a Jog/Shuttle dial and audio speaker  
• Superb picture quality of the DVCAM format  
• Playback capability of DV recorded tapes (SP  
mode only)  
• Wide range of digital slow speeds from -0.5  
to +0.5 times normal speed  
• High-speed colour picture search over a range of  
32 times normal speed, in both forward and reverse  
• Audio mix/swap recording  
• Cliplink operation: cue up to Mark In/Cue address,  
change of Mark In/Out points, change of OK/NG  
status and creation of new Mark In/Out points  
• Edit List Memory Function  
• Double Deck Editor by docking two DSR-70AP units  
or a DSR-70AP and a DNW-A25 Betacam SX®  
portable editing recorder  
• Long recording time: up to 184 minutes with a  
standard-size cassette and 40 minutes with a  
mini-size cassette  
• Four-channel independent digital audio recording  
• 2.5-inch (200,000 dot) colour LCD monitor  
• Duplication options (tape copy, tape copy with  
original time code, or tape copy with cassette  
memory data)  
• Compact & lightweight design: 3.9 kg (8 lb 9 oz)  
without battery and tape  
• Playback capability of both NTSC and PAL recorded  
tapes*1  
• SDI and i.LINK interfaces are provided by a single  
DSBK-160A optional board  
• i.LINK (DV In/Out) interface providing a single cable  
connection to simultaneously transfer audio, video  
and command signals  
• Two-camera switching recording*1  
• Sequential recording for up to 6 hours in the double  
deck configuration  
• 26-pin Camera Connector  
• Analogue Component Output  
• Parallel-run recording to control two docked  
DSR-70AP units  
• Timecode IN/OUT  
• Silver Support supplied as standard (see page 7)  
in parallel for simultaneous recording  
*1 The output signal level is not standard and therefore recommended  
for simple monitoring only, with a monitor of the same colour system  
as the original source.  
• Two-way power supply system (AC/DC) for  
operation with either AC*2 or DC power  
• Silver Support supplied as standard (see page 7)  
*1 The optional DSBK-180P Dual Video Input Board is required.  
*2 AC adaptor is required.  
Note: Optional interface boards (DSBK-140/150/160A/170) cannot be  
used in combination with each other. However, these boards can be  
used together with the optional DSBK-180.  
22  
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HARD DISK UNITS  
DSR-DU1  
Hard Disk Unit  
DSR-DR1000P  
Hard Disk Recorder  
• Compact hard drive unit (2.5-inch, 40 GB hard drive)  
for use with DVCAM and Sony DV camcorders*1  
• Camera output can be recorded to the DSR-DU1’s  
hard drive in parallel to the recordings made on the  
camcorder’s tape via i.LINK(DV) connection.  
• Recording in 25Mb/s DVCAM/DV stream for up to  
three hours  
• DVCAM recording for over 6 hours (80 GB hard drive)  
• Compact & lightweight (Half-rack size, 6 kg)  
• Simultaneous recording & playback  
• Clip segment playback for playout of designated  
video segment  
• DMC playback with the range of x2 times normal  
speed  
• Capable of docking directly to the rear of DVCAM  
camcorders*2 by use of the CA-DU1 optional  
Camera Adaptor  
• Continuous loop recording  
• Pre-alarm recording (automatic recording triggered  
by an external alarm signal)  
• The camera adapter’s slot-in mechanism allows  
easy and quick replacement of the DSR-DU1  
• Can interface with a variety of i.LINK(DV) equipped  
Sony hand-held type DVCAM/DV camcorders via  
its iLINK(DV) connector  
• Interval recording  
• i.LINK interface with AV/C and SBP2 protocols  
• Versatile interfaces (i.LINK, SDI, Component, Y/C,  
Composite, AES/EBU, Analogue audio, TC I/O,  
RS-422A, Ethernet)  
• The DSR-DU1’s DV video/audio files can be  
accessed from a compatible i.LINK equipped  
non-linear editor*3  
• VTR-like control panel with a Jog/Shuttle dial  
• Network capability (file transfer using FTP via  
100Base-T Ethernet)  
• Compact and lightweight  
• Silver Support supplied as standard (see page 7)  
• VTR-like functions and operation keys  
• i.LINK interface with AV/C and SBP2 protocols  
• Cache recording (8 seconds)  
• Interval recording  
• 525(NTSC)/625(PAL) Switchable*4  
• REC Trigger controlled from the REC On/Off button  
of Sony i.LINK(DV) equipped camcorders*5  
• Supplied remote controller for Rec, Cue and Rec  
Tally controls  
• Flexible DC operation (DC 12 V*6, DC 8.4 V)  
• Shooting Data (Time codes of the rec in and out  
points, Cue points from the DSR-DU1 and the  
supplied remote controller)  
• Silver Support supplied as standard (see page 7)  
*1 Please contact your nearest Sony office or Authorised dealer for  
compatible DV camcorders.  
*2 DSR-570WSP/390P/370P/500WSP/300AP/250P.  
*3 Please contact your nearest Sony office or Authorised dealer for non-  
linear products that support DV file transfer between the DSR-DU1.  
*4 Signal conversion from 525(NTSC) to 625(PAL), or vice versa is not  
possible.  
*5 To use this function with camcorders other than the  
DSR-570WSP/390P/370P, tape should be set in the cassette  
compartment.  
*6 To use DC 12V, the optional CA-DU1 is required.  
23  
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Lineup features  
SOFTWARE  
|
EDITING SOLUTIONS  
DSR-DU1  
Workflow Acceleration  
DSR-DR1000P  
For Sports Application  
Switcher  
ON AIR  
Direct File  
Access !  
Camera  
Router  
SDI  
DSR-DU1  
DSR-DR1000P  
Slow-Motion  
Controller  
RS-422A  
Copy  
Edit Material !  
DSR-DR1000P  
VTR  
Camera  
RS-422A  
Three key benefits with compatible NLE  
Sports / Live events (OB Van) –  
with Slow-Motion Controller  
No digitisation delays  
Direct import of time code & clip info in seconds.  
Cost effective solution  
• Simultaneous rec & play with less than 1 sec delay  
• +/-200% Dynamic Motion Control  
• Instant cue-up & replay  
No ingest hold-ups  
Edit directly on the DSR-DU1 hard drive.  
No rewiring hassle  
Plug & play with an IEEE1394 hub (not included) to  
import clip info & export content to tape in real-time.  
Slow Motion controllers supporting  
DSR-DR1000P are:  
• Ash Vale Marketing AVM-4a (www.avm4.com)  
• Hi Tech Systems HT-800s series  
(www.hitechsys.co.uk)  
• DNF ST300-DSR1K (www.dnfcontrols.com)  
• Kurrer S4 (www.kurrer.de)  
Non Linear Editing softwares supporting  
DSR-DU1/DR1000P file format  
(as of Nov. 2003) are:  
• Adobe Premiere Pro (www.adobe.com)  
• Apple Final Cut Pro 4 (www.apple.com)  
• Pinnacle Liquid Edition 5.5 (www.pinnaclesys.com)  
• Canopus CWS-30/50/100 (www.canopus.com)  
• Incite Remote Producer and Newsmaker  
(www.inciteonline.com)  
•
Sonic Foundry Vegas 4.0 (mediasoftware.sonypictures.com)  
File converter supporting DSR-DU1/DR1000P  
file format (as of Nov. 2003) is:  
• aDVanced DV File Conveter Pro  
(www.dvunlimited.com)  
24  
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PRODUCTION SYSTEMS  
DVLince  
DVLince is a complete, integrated, and managed solu-  
tion for the planning, production and distribution of  
video and audio content. Built on the vast experience  
that Sony has gained with high-end solutions such as  
Newsbase, it is an affordable, flexible and scalable  
system that leverages both consumer DV and profes-  
sional DVCAM acquisition while replacing individual  
video cassettes with shared assets.  
In simple terms, DVLince is a ‘content factory’, cover-  
ing the newsroom, editing, broadcasting, archiving and  
the internet. It has been especially designed to meet  
the needs of local broadcasters and TV stations, uni-  
versities, media schools, agencies, webcasters and  
corporate clients.  
For more information please visit www.dvlince.com  
SERVERS  
daily  
EDITING / FILING  
PUBLISHING  
teleprompter  
studio  
categories  
studio camera  
video switching  
desktop production terminal  
on air  
web TV  
ch1  
ch2  
and audio mixer  
mpeg-4  
low resolution  
on air  
titling  
pgm  
post-production NLE  
database  
graphics  
feed  
switcher  
streaming  
mpeg4  
switcher  
on air  
logo  
insertion  
maintenance  
terminal  
master control room  
filing  
Gigabit  
Ethernet  
V/A  
analogue  
digital  
control  
RS422/232  
Other  
i.LINK  
DVCAM  
DV native  
Video  
mpeg4  
text  
Betacam  
Digital SP  
SX, DVCPro  
archive  
25  
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Lineup features  
PRODUCTION SYSTEMS  
DV Station  
As a world leader in digital media solutions for broad-  
casters, Sony has designed DV Station to be simple  
and intuitive to operate – even for non-specialists with  
little or no video editing experience.  
With DV Station, all content is stored and managed  
using the industry standard DV compression format to  
assure great-looking pictures and sound without the  
need for expensive, high capacity storage solutions  
and bandwidth-hungry networking resources.  
Stored and edited clips can be viewed using any PC  
running QuickTime™ - with no need for special viewing  
software or powerful graphics hardware.  
Content is stored centrally for browsing, sharing and  
editing across your standard IT network. From there it’s  
easy to publish edited content anywhere you want –  
whether it’s terrestrial broadcasting, business TV or the  
Web.  
ACQUISITION  
SERVER  
PUBLISHING  
Transmission  
Proxy  
Engine  
DVCAM Camera  
Ingest PC  
EDITING PCs  
POSIE Devices  
Mobile Devices  
Web Streaming  
Gigabit Switch  
Clié  
Mobile Phone  
BROWSER PCs  
Storage  
Browse PCs  
26  
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WIRELESS MICROPHONE SYSTEMS  
Recommended Wireless  
Microphone Systems for  
DVCAM  
The UWP Series of wireless microphones have two spe-  
cific packages designed for portable/camera use. Each  
package has been carefully compiled to meet with a  
range of operational requirements that are able to adapt  
to all your operational needs. The UWP Series excels in  
transmission stability. Sophisticated wireless technolo-  
gies, developed for top-of-the-line Sony wireless micro-  
phone systems, have been incorporated, including the  
UHF PLL-synthesised system, space-diversity reception  
and a tone squelch function. These capabilities are typ-  
ically found only on high-end wireless systems.  
Photo shows portable tuner mounted on a camera.  
Features  
Stable Transmission and Reception  
The UWP Series Wireless Microphone System uses  
three core technologies to provide stable transmission  
and reception:  
Tone Squelch Circuitry  
When operating a wireless microphone system, it is  
essential that the tuner does not pick up carrier signals  
transmitted from other systems. In order to avoid this,  
the UWP Series handheld microphone and portable  
transmitter transmit a 32-kHz pilot-tone signal along  
with the audio signal. The squelch circuit of the UWP  
Series tuners recognises this tone signal, and will output  
the audio signal only when this tone signal is received.  
This function virtually prevents the output of unwanted  
signals or noise from other signal transmissions in the  
air, as well as the RF noise and popping noise that occur  
when the transmitter is powered on or off.  
PLL Synthesised System  
Key to achieving stable transmission and reception is  
the use of a stable carrier signal to avoid interference  
with other frequency channels and to allow the selection  
of a preferred channel from multiple frequencies. The  
UWP Series achieves this by using a UHF PLL (Phase  
Locked Loop) frequency synthesised system, which pro-  
vides the use of accurate carrier signal frequencies. This  
system is used in both the transmitters and tuners,  
so that a stable carrier is generated at the transmitter  
and accurately tuned in at the tuner. This PLL-controlled  
system provides highly stable, user-selectable frequen-  
cies in increments of 125 kHz.  
Pre-Programmed Operating Frequencies  
The transmitters and tuners included in the UWP Series  
incorporate preprogrammed frequencies that meet the  
wireless-communication regulations of each country.  
The UWP Series operates within the following frequency  
ranges: 798 MHz to 822 MHz or 838 MHz to 862 MHz  
(189 selectable frequencies).  
Space Diversity Reception System  
In general, wireless microphone transmission systems  
can be subject to reception interruptions (signal  
dropout), but the UWP Series reduces this to a mini-  
mum. By utilising a space diversity reception system, it  
achieves stable reception by using dual-antenna  
inputs/reception circuits that receive signals over two  
different paths and automatically selecting the stronger  
RF signal for output. The space diversity reception sys-  
tem is adopted in all UWP tuners – the portable tuner,  
half rack-size tuner and tuner module alike. What’s  
more, the antennas of the portable and half-rack-size  
tuners each allow for angle adjustments, which helps to  
further eliminate signal dropout.  
Simultaneous Multi-Channel Operation  
The UWP Series allows simultaneous operation of up to  
16 wireless microphones. Optimum combinations of  
practically tested, interference-free frequencies are  
stored in the UWP tuners. By using the pre-programmed  
frequency groups, users can easily choose interference-  
free frequencies for the transmitters and tuners, simpli-  
fying the task of system setup.  
27  
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WIRELESS MICROPHONE SYSTEMS  
Lavalier Microphone and  
Bodypack Transmitter  
Handheld Microphone  
• Uni-directional, dynamic microphone capsule  
• Internal antenna design  
• Attenuator function allows adjustment of the  
audio-input level to suit each user’s voice  
• Selectable RF-output level: 5 mW output is suitable  
for simultaneous multichannel operation, while  
30 mW output is intended for long-distance  
transmission  
• Approximately six hours of continuous operation  
with two AA-size alkaline (LR6) batteries  
• An internal LCD screen provides extensive  
information, including the operating channel number  
and its frequency in MHz, attenuator level, RF-  
output level setting (High/Low), audio-input status,  
RF-output status, transmitter-battery status and  
accumulated operating time  
Bodypack Transmitter:  
• Compact and lightweight design  
• Attenuator function allows adjustment of the  
microphone-input level to suit each user’s voice  
• Selectable RF-output level: 5 mW output is suitable  
for simultaneous multi-channel operation, while  
30 mW output is intended for long-distance  
transmission  
Lavalier Microphones:  
• Omni-directional type for the UWP-C1 package  
• 1.2 m (3.9 feet) microphone cable  
• Supplied with a microphone windscreen and  
microphone-holder clip  
• Supplied with a microphone holder and a screw  
adaptor  
• Approximately six hours of continuous operation  
with two AA-size alkaline (LR6) batteries  
• An LCD screen provides extensive information,  
including the operating channel number and its  
frequency in MHz, attenuator level, RF-output level  
setting (High/Low), audio-input status, RF-output  
status, transmitter-battery status and accumulated  
operating time  
• A 3.5-mm dia., 3-pole mini-jack input connector with  
lock mechanism accepts the output of any lavalier  
microphones equipped with a 3.5 mm dia. mini plug,  
as well as the output of the supplied lavalier  
microphone  
• Supplied with a belt clip  
28  
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WIRELESS MICROPHONE SYSTEMS  
Portable Tuner  
UWP-C1  
Turnkey Package  
• Space diversity reception system for stable RF  
reception  
• Angle-adjustable antennas to help eliminate signal  
dropout. This feature also allows mounting position  
flexibility when the portable tuner is mounted on a  
camcorder  
• RF squelch function virtually eliminates ambient  
noise and unwanted signals from other wireless  
microphone systems  
• An LCD screen provides extensive information,  
including the operating channel number and its  
frequency in MHz, audio-output status, RF-input  
level, tuner-battery status and accumulated  
operating time  
• Consists of an omni-directional lavalier microphone,  
bodypack transmitter and portable tuner  
• Suitable for a wide range of applications, from  
news gathering and interviews to talk shows and  
conferences  
• The lavalier microphone is supplied with a micro-  
phone windscreen and microphone-holder clip  
• The bodypack transmitter is supplied with a belt clip  
• The portable tuner is supplied with a microphone  
stand adaptor, screw adaptor, shoe-mount adaptor  
for mounting on a camcorder and microphone cable  
(3-pole mini-plug/XLR-type)  
• A green LED indicator illuminates when RF-input  
signals are appropriately received  
• Approximately six hours of continuous operation  
with two AA-size alkaline (LR6) batteries  
• Stereo mini jack with monitor-volume control  
• Supplied shoe-mount adaptor enables easy  
mounting on Sony camcorders. A microphone  
stand adaptor, screw adaptor, microphone cable  
and belt clip are also provided  
UWP-C2  
Turnkey Package  
• Consists of a handheld microphone and portable  
tuner  
• Ideal for a variety of situations, from news gathering  
to interview scenarios  
• The handheld microphone is supplied with a  
microphone holder and screw adaptor  
• The portable tuner is supplied with a microphone  
stand adaptor, screw adaptor, shoe-mount adaptor  
for mounting on a camcorder, belt clip and micro-  
phone cable (3-pole mini-plug/XLR type)  
29  
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Feature Comparison  
DIGITAL CAMCORDERS  
DSR-570WSP  
DSR-390P  
DSR-250P  
DSR-PD170P  
DSR-PDX10P  
General  
CCD size  
CCD type  
16:9 commutation capability  
3CCD 2/3 inch  
16:9  
4/3 Commutation  
3CCD 1/2 inch  
4:3  
3CCD 1/3 inch  
3CCD 1/3 inch  
3CCD 1/4.7 inch  
4:3  
•
4:3  
•
4:3  
•
(with high resolution  
capability)  
PowerHAD CCD  
Standard lens  
•
•
APK version: YH18x6.7  
KRS  
Recommended Canon:  
YJ18x9KRS,  
12x (6.0 to 72 mm)  
12x (6.0 to 72 mm)  
12x (3.6 to 43.2 mm)  
Fujinon: A19x8.7BRM-28  
•
Interchangeable lens  
•
Large range of high  
quality lenses are  
available at  
Century Optics  
•
Large range of high  
quality lenses are  
available at  
Century Optics  
•
VCK-HG0237X and  
VCL-HG0737X  
(consumer accessories)  
Super SteadyShot  
Resolution  
Minimum illumination  
S/N Ratio  
Viewfinder type  
Tape size  
•
980 in 16/9 & 850 in 4/3  
0.25 lux  
61 dB Typical  
BW CRT  
Std and Mini DV/DVCAM Std and Mini DV/DVCAM  
800 lines  
0.4 lux  
62 dB Typical  
BW CRT  
530 lines  
2 lux  
530 lines  
1 lux  
530 lines  
7 lux  
BW CRT  
Std and Mini DV/DVCAM  
High resolution BW LCD  
Mini DV and DVCAM  
High resolution BW LCD  
Mini DV and DVCAM  
Recording mode  
Playback  
PCM Audio 16bits/12 bits  
Audio dubbing  
DVCAM  
DV and DVCAM  
•
DVCAM  
DV and DVCAM  
•
DV or DVCAM  
DV and DVCAM  
DV or DVCAM  
DV and DVCAM  
DV and DVCAM  
DV and DVCAM  
•
•
•
•
•
•
Time code preset  
Colour LCD screen  
Memory Stick (MSA-4A/8A/  
16A/32A/64A/128A)  
Manual iris  
•
•
•
•
•
Yes 2.5-inch  
Yes 2.5-inch, Hybrid  
Yes 3.5-inch  
•
Yes (Ring)  
Electric or manual  
•
•
•
Yes (Ring)  
Electric or manual  
•
Yes (Ring)  
Electric or manual  
•
Yes (Dial)  
Electric or manual  
Yes (Dial)  
Electric  
•
Manual zoom  
Focus ring  
•
•
On-handle zoom lever & Rec button  
DynaFit Shoulder pad  
Mass  
Studio operations CCU  
control capability  
•
6.3 kg  
•
•
6 kg  
•
•
4.4 kg  
1.5 kg  
0.95 kg  
Advanced DSP Features  
TruEye Process  
Dynalatitude Process  
Skin Detail  
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
SkinTone  
TSCS (Total Level Control System)  
ATW (Auto Tracing White Balance)  
EZ Mode  
EZ Focus  
Camera Setup File  
Setup Navigation  
Setup Log  
Freeze Mix  
ClipLink  
•
•
•
Photo mode  
•
•
•
•
•
•
Progressive still picture mode  
High resolution still pictures  
Long MPEG movie  
recording on MS  
• (640x480)  
• (1152x768)  
•
Output connectors  
Composite  
S-Video  
Yes (2xBNC)  
•
Yes (2xBNC)  
•
Yes (RCA+BNC)  
•
Yes (Jack)  
•
Yes (Jack)  
•
Y, R-Y, B-Y component  
i-LINK IEEE-1394  
USB Connector (streaming)  
Audio RCA x 2  
DC-12V - 4-pin  
Time Code  
Yes w 26-pin  
Yes (6-pin)  
Yes w 26-pin  
Yes (6-pin)  
Yes (6-pin)  
Yes (4-pin)  
•
Yes (4-pin)  
•
•
•
•
•
•
•
•
•
•
Input connectors  
Composite  
S-Video  
Yes (option DSBK-501)  
Yes (option DSBK-501)  
Yes (RCA)  
•
Yes (RCA)  
•
Yes (RCA)  
•
Remote (RS-232)  
Gen Lock  
•
•
•
•
LANC  
Lens connector  
Audio XLR  
•
Yes (1 front + 2 rear)  
•
•
•
•
•
Yes (1 front + 2 rear)  
Yes (1 front + 2 rear)  
Yes (2)  
Yes (2)  
Time Code  
•
•
•
•
Power through 4-pin XLR  
Specific power plug  
i-LINK IEEE-1394  
•
•
Yes (6-pin)  
Yes (4-pin)  
Yes (4-pin)  
Download from Www.Somanuals.com. All Manuals Search And Download.  
DIGITAL CAMCORDERS  
DSR-570WSP  
DSR-390P  
DSR-250P  
DSR-PD170P  
DSR-PDX10P  
Accessories  
AC Adaptor  
Batteries  
i-LINK cable  
AC-DN1/2  
AC-DN1/2  
AC-DN1/2  
BP-L40A/IL75/M50/M100  
CCF-3L (6P-6P)  
supplied (AC-L15)  
NPF-330/550/750/960  
VMC-IL4415/4435 (4P-4P)  
VMC-IL4615/4635 (4P-6P)  
BC-M50/BC-M150/AC-DN1 BC-M50/BC-M150/AC-DN1 BC-M50/BC-M150/AC-DN1 AC-V700A  
supplied (AC-L10)  
NP-FM50/NP-QM71/NP-QM91  
VMC-IL4415/4435 (4P-4P)  
VMC-IL4615/4635 (4P-6P)  
AC-SQ950D  
BP-L40A/IL75/M50/M100 BP-L40A/IL75/M50/M100  
CCF-3L (6P-6P)  
CCFD-3L (4P-6P)  
CCF-3L (6P-6P)  
CCFD-3L (4P-6P)  
CCFD-3L (4P-6P)  
Optional charger  
Audio HF transmitter  
Wide angle  
WRT-822B  
Canon YJ12x6.5 KRS  
Fujinon A12x6.8  
WRT-822B  
Canon YH12x4.8KRS,  
Fujinon S12x5  
WRT-805B or WRT-822B  
option: Sony VCL-HG0758 Sony VCL-HG0758 supplied  
WRT-805B  
WRT-805B  
Century Optics  
(without lens hood)  
Canon WR-58/  
Century Optics  
LCR-1  
Anton Bauer Ultra  
Light2 20W(UL2-6)+  
with lens hood LSF-S58  
Canon WR-58  
Century Optics  
LCR-VX2000A  
HVL-20DW2  
Rain cover  
Camcorder light  
LCR-1  
Anton Bauer Ultra  
Light2 20W (UL2-6)+  
(DIFFUSION FILTER uld-f) (DIFFUSION FILTER uld-f) (DIFFUSION FILTER uld-f)  
WRR-855B (+CA-WR855) WRR-855B (+CA-WR855)  
LCR-1  
Anton Bauer Ultra  
Light2 20W (UL2-6)+  
HVL-S3D  
(+NP-550/750  
not supplied)  
WRR-805A/B  
(+NP-550/750  
not supplied)  
WRR-805A/0B  
Audio HF receiver  
WRR-805A/B or WRR-855B  
(+BTA 801)  
Remote panel  
Tripod adaptor  
Hard carrying case  
Soft carrying case  
Large viewfinder  
Silver Support included  
Yes RM-M7G/F  
VCT-U14 supplied  
LC-421 / LC-DS500  
LC-300SFT  
DXF-51 + accessories*  
•
Yes RM-M7G/F  
VCT-U14 supplied  
LC-421 / LC-DS500  
LC-300SFT  
DXF-51 + accessories*  
•
photo type  
photo type  
option : VCT-U14  
LC-421  
LC-300SFT  
DXF-51 + accessories*  
•
LCH-VX2000A  
LCH-TRV950  
•
•
* Spare part ref. for assembling kit = A-8278-177-A.  
31  
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Feature Comparison  
DIGITAL VTRs  
DSR-2000P  
DSR-1800P  
DSR-1600P  
DSR-1500AP  
DSR-70AP  
Cassette Size  
Standard-size  
Mini-size  
DVCPRO Medium-size  
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
Recording/Playback Capability  
DV-SP Recording  
DV-SP Playback  
DV-LP Playback  
DVCPRO Playback  
NTSC Recording  
NTSC Playback  
•
•
•
•
•
•
•
•
•
•
•
•
Digital Interface  
SDI  
SDTI (QSDI)  
SDTI-CP  
i.LINK (DV In/Out)  
AES/EBU  
•
•
•
•
• *2  
• *2  
•
•
•
•
• *2  
•
•
•
•
• *2  
•
•
•
•
Analogue Interface  
Composite  
Component  
S-Video  
Analogue Audio  
Time Code In/Out  
•
•
•
•
• *2  
• *2  
• *1 / • *2  
• *1 / • *2  
• *1 / • *2  
• *1 / • *2 (2ch)  
•
•
•
•
• (4ch)  
•
•
• (4ch)  
•
• *2  
•
• (2ch)  
•
• *2 (4ch)  
• *2  
Control Interface  
RS-422A  
RS-232C  
LANC  
Control S  
26-pin Camera  
•
•
•
•
•
•
•
•
•
Key Function  
Non-Tracking  
•
Pre-read Editing  
(Video/Audio)  
VTR-to-VTR Editing  
Audio Pre-read Editing  
Channel Condition  
Indicator  
Jog/Shuttle Dial  
4ch Audio Insert  
independently  
Audio Cross Fade  
Assemble/Insert Editing  
16:9 Aspect ID Recording  
Analogue-like Jog Audio  
Professional Slow  
Motion Picture *4  
Quick Response  
Mechanism  
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
Power On Playback/  
Recording  
• *4  
• *4  
• *4  
Time Counter Display  
on Front Panel  
•
•
•
•
•
Digital Slow Range  
x+-1.0  
x+-0.5  
x+-0.5  
x+-0.5  
x+-0.5  
Power  
AC  
• (100-240V)  
• (100-240V)  
• (100-240V)  
• (100-240V)  
DC  
• (12V)  
Battery Operation  
• (BP-L series)  
3
• Standard  
*
*
*
*
As player only  
4
5
6
•
*
*
Option  
The same filter as Digital BETACAM  
Power On Playback only  
Not frame accurate  
1
Input only  
Output only  
2
32  
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DIGITAL VTRs  
DSR-50P  
DSR-45P  
DSR-30P  
DSR-25  
DSR-11  
Cassette Size  
Standard-size  
Mini-size  
•
•
•
•
•
•
•
•
•
•
DVCPRO Medium-size  
Recording/Playback Capability  
DV-SP Recording  
DV-SP Playback  
DV-LP Playback  
DVCPRO Playback  
NTSC Recording  
NTSC Playback  
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
Digital Interface  
SDI  
SDTI (QSDI)  
SDTI-CP  
i.LINK (DV In/Out)  
AES/EBU  
•
•
•
•
•
•
•
Analogue Interface  
Composite  
•
•
Component  
S-Video  
Analogue Audio  
Time Code In/Out  
•
•
•
• (4ch)  
•
•
• (4ch)  
•
•
•
•
• (2ch)  
• (2ch)  
• (2ch)  
Control Interface  
RS-422A  
RS-232C  
LANC  
Control S  
26-pin Camera  
• *3  
•
•
• *1  
•
•
•
•
•
•
•*1  
•
•
Key Function  
Non-Tracking  
Pre-read Editing  
(Video/Audio)  
VTR-to-VTR Editing  
Audio Pre-read Editing  
Channel Condition  
Indicator  
•
Jog/Shuttle Dial  
4ch Audio Insert  
independently  
Audio Cross Fade  
Assemble/Insert Editing  
16:9 Aspect ID Recording  
Analogue-like Jog Audio  
Professional Slow  
Motion Picture *4  
Quick Response  
Mechanism  
•*6  
Power On Playback/  
Recording  
Time Counter Display  
on Front Panel  
• *4  
•
•
•
•
•
• *4  
•
Digital Slow Range  
x
1/10, 1/3  
x
1/10, 1/3  
x
1/10, 1/5  
x
1/10, 1/3  
x
1/10, 1/3  
• (12V)  
Power  
AC  
DC  
• (100-240V)  
• (220-240V)  
• (100-240V)  
• (12V)  
Battery Operation  
• (BP-L series)  
33  
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Optional Accessories & Peripheral Equipment  
BATTERIES, CHARGERS & AC ADAPTORS  
BP-L40A  
Li-ion Rechargeable Battery Pack  
BP-IL75  
Li-ion Rechargeable Battery Pack  
NP-F550  
Rechargeable Battery Pack  
Cameras: DSR-570WSP  
|
DSR-390P  
|
DSR-1P  
|
DSR-250P  
Cameras: DSR-570WSP | DSR-390P | DSR-1P | DSR-250P  
Camera: DSR-PD170P  
VTRs: DSR-70AP DSR-50P  
|
VTRs:  
DSR-70AP | DSR-50P  
NP-F750  
Rechargeable Battery Pack  
NP-F960/B  
Rechargeable Battery Pack  
BKW-L601  
Battery Adaptor for BP-L40A/IL75  
Camera: DSR-PD170P  
Camera: DSR-PD170P  
Cameras: DSR-1P  
Serial No for DSR-1P is 14151  
Hard Disk: DSR-DU1  
Hard Disk: DSR-DU1  
AC-DN1  
AC Adaptor  
AC-DN2B  
AC Adaptor  
AC-V700A  
AC Adaptor/Charger  
Cameras: DSR-570WSP  
|
DSR-390P  
|
DSR-250P  
Cameras: DSR-570WSP  
VTR: DSR-70AP  
|
DSR-390P  
|
DSR-250P  
Camera: DSR-PD170P  
Hard Disk: DSR-DU1  
BP-M50/M100  
Ni-MH Rechargeable Battery Pack  
BC-M50  
Battery Charger for  
BP-L40A/IL75/M50/M100  
NP-QM71/QM91  
Rechargeable Battery Pack  
for DSR-PDX10P  
Cameras: DSR-570WSP  
|
DSR-390P  
|
DSR-1P  
|
DSR-250P  
Cameras: DSR-570WSP  
|
DSR-390P  
|
DSR-1P  
|
DSR-250P  
Camera: DSR-PDX10P  
VTRs: DSR-70AP DSR-50P  
|
VTRs: DSR-70AP DSR-50P  
|
AC-SQ950D  
BC-M150  
AC/DC Adaptor Charger  
for DSR-PDX10P  
Battery Charger for  
BP-L40A/IL75/M50/M100  
Cameras: DSR-570WSP | DSR-390P | DSR-1P | DSR-250P  
VTRs: DSR-70AP | DSR-50P  
Camera: DSR-PDX10P  
34  
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CABLES & REMOTE CONTROL UNITS  
RCC-5G  
Remote Control Cable (5 m)  
CCA-7  
Camera Remote Control Cable  
CCZ-A2/A5/A10  
Connecting Cable (26-pin - 26-pin)  
VTRs:  
DSR-2000P  
DSR-1500AP  
|
DSR-1800P  
DSR-45P  
|
DSR-1600P  
DSR-70AP  
Cameras: DSR-570WSP  
|
DSR-390P  
Cameras: DSR-570WSP  
|
DSR-390P  
|
|
VMC-IL4615/IL4635  
i.LINK Cable (4-pin to 6-pin, 1.5 m/3.5 m)  
VMC-IL6615/6635  
i.LINK Cable (6-pin to 6-pin, 1.5 m/3.5 m)  
VMC-IL4408/IL4415/IL4435  
i.LINK Cable (4-pin to 4-pin, 0.8 m/1.5 m/3.5 m)  
Cameras: DSR-250P | DSR-PD170P | DSR-PDX10P  
Camera: DSR-250P  
Cameras: DSR-PD170P  
|
DSR-PDX10P  
DSR-25  
VTRs:  
DSR-45P | DSR-30P | DSR-25  
DSR-11 | DSR-70AP | DSR-50P  
VTR:  
DSR-50P  
VTRs: DSR-45P DSR-30P  
|
|
|
DSR-11  
CCFD-3L  
DV Cable (6-pin with lock to 4-pin)  
CCF-3L  
DV Cable (6-pin with lock to 6-pin)  
RCP-D50/D51  
Remote Control Panel  
Cameras: DSR-570WSP | DSR-390P | DSR-250P  
Cameras: DSR-570WSP | DSR-390P | DSR-250P  
Cameras: DSR-570WSP | DSR-390P  
DSR-PDX10P  
VTRs:  
DSR-2000P  
DSR-1500AP  
|
DSR-1800P  
DSR-70AP  
|
DSR-1600P  
DSR-50P  
VTRs:  
DSR-2000P  
DSR-1500AP  
DSR-25 DSR-11  
|
DSR-1800P  
|
DSR-1600P  
DSR-45P | DSR-30P  
|
|
|
DSR-50P  
|
|
RM-M7G  
Remote Control Unit  
CCU-D50P  
Camera Control Unit  
FS-20  
Foot Switch  
Cameras: DSR-570WSP  
|
DSR-390P  
Cameras: DSR-570WSP | DSR-390P  
VTR:  
DSR-50P  
EC-0.5C2  
Microphone Cable  
DSRM-10  
Remote Control Unit  
DSRM-20  
Remote Control Unit  
Cameras: DSR-PDX10P  
VTRs:  
DSR-1500AP  
|
DSR-45P  
|
DSR-25  
VTRs: DSR-45P | DSR-25 | DSR-11 | DSR-50P  
DSR-11 DSR-50P  
|
35  
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Optional Accessories & Peripheral Equipment  
RECORDING MEDIA  
PDV-12CL  
Cleaning Cassette Tape (Standard size)  
PDV-34ME/64ME/94ME/124ME/184ME  
Digital Video Cassette (Standard size)  
PDV-34N/64N/94N/124N/184N  
Digital Video Cassette (Non IC type/Standard size)  
Cameras: DSR-570WSP  
VTRs: DSR-2000P  
DSR-1500AP  
DSR-11 DSR-70AP  
|
DSR-390P  
DSR-1800P  
DSR-45P  
DSR-50P  
|
DSR-1P  
DSR-1600P  
DSR-30P  
|
DSR-250P  
Cameras: DSR-570WSP  
VTRs: DSR-2000P  
DSR-1500AP  
DSR-11 DSR-70AP  
|
DSR-390P  
DSR-1800P  
DSR-45P  
DSR-50P  
|
DSR-1P  
DSR-1600P  
DSR-30P  
|
DSR-250P  
Cameras: DSR-570WSP  
VTRs: DSR-2000P  
DSR-1500AP  
DSR-11 DSR-70AP  
|
DSR-390P  
DSR-1800P  
DSR-45P  
DSR-50P  
|
DSR-1P  
DSR-1600P  
DSR-30P | DSR-25  
|
DSR-250P  
|
|
|
|
|
|
|
|
|
DSR-25  
|
|
|
DSR-25  
|
|
|
|
|
|
|
|
PDV-64MEM/124MEM/184MEM  
Digital Video Cassette (Master tape/Standard size)  
PDVM-12CL  
Cleaning Cassette Tape (Mini size)  
PDVM-12ME/22ME/32ME/40ME  
Digital Video Cassette (Mini size)  
Cameras: DSR-570WSP  
VTRs: DSR-2000P  
DSR-1500AP  
DSR-11 DSR-70AP  
|
DSR-390P  
DSR-1800P  
DSR-45P  
DSR-50P  
|
DSR-1P  
DSR-1600P  
DSR-30P  
|
DSR-250P  
Cameras: DSR-570WSP  
DSR-PD170P | DSR-PDX10P  
DSR-2000P DSR-1800P  
DSR-1500AP DSR-45P  
DSR-11 DSR-70AP DSR-50P  
|
DSR-390P  
|
DSR-1P  
|
DSR-250P  
DSR-25  
Cameras: DSR-570WSP  
DSR-PD170P | DSR-PDX10P  
DSR-2000P DSR-1800P  
DSR-1500AP DSR-45P  
DSR-11 DSR-70AP DSR-50P  
|
DSR-390P  
|
DSR-1P  
|
DSR-250P  
|
|
|
|
|
DSR-25  
VTRs:  
|
|
DSR-1600P  
DSR-30P  
VTRs:  
|
|
DSR-1600P  
DSR-30P | DSR-25  
|
|
|
|
|
|
|
|
|
|
|
PDVM-32MEM/40MEM  
Digital Video Cassette (Master tape/Mini size)  
PDVM-12N/22N/32N/40N  
Digital Video Casette  
MSA-8A/16A/32A/64A/128A  
Memory Stick (8 MB/16 MB/32 MB/64 MB/128 MB)  
(Non IC type Mini Size)  
Cameras: DSR-570WSP  
DSR-PD170P | DSR-PDX10P  
DSR-2000P DSR-1800P  
DSR-1500AP DSR-45P  
DSR-11 DSR-70AP DSR-50P  
|
DSR-390P  
|
DSR-1P  
|
DSR-250P  
Cameras: DSR-570WSP  
DSR-PD170P | DSR-PDX10P  
DSR-2000P DSR-1800P  
DSR-1500AP DSR-45P  
DSR-11 DSR-70AP DSR-50P  
|
DSR-390P  
|
DSR-1P  
|
DSR-250P  
DSR-25  
Cameras: DSR-250P  
|
DSR-PD170P  
|
DSR-PDX10P  
VTRs:  
|
|
DSR-1600P  
DSR-30P DSR-25  
VTRs:  
|
|
DSR-1600P  
DSR-30P  
|
|
|
|
|
|
|
|
|
MSAC-FD2  
Floppy Disc Adaptor  
for Memory Stick  
MSAC-PC2  
PC Card for Memory Stick  
MSAC-US70  
Memory Stick USB Adaptor with built-in mouse  
Cameras: DSR-250P  
|
DSR-PD170P  
|
DSR-PDX10P  
Cameras: DSR-250P DSR-PD170AP  
|
|
DSR-PDX10P  
Cameras: DSR-250P | DSR-PD170P | DSR-PDX10P  
36  
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BOARDS  
DSBK-1501  
Digital Input/Output Board  
DSBK-1504P  
Analogue Input Board  
DSBK-160A  
SDI/i.LINK Input/Output Board  
VTR: DSR-1500AP  
VTR:  
DSR-1500AP  
VTR:  
DSR-70AP  
DSBK-180P  
Dual Video Input Board  
DSBK-1601  
SDI/AES/EBU Output Board  
DSBK-1602  
SDTI (QSDI) Output Board  
VTR: DSR-70AP  
VTR: DSR-1600P  
VTR: DSR-1600P  
DSBK-1801  
SDI/AES/EBU Input/Output Board  
DSBK-1802  
SDTI (QSDI) Input/Output Board  
DSBK-1803  
i.LINK/DV Input/Output Board  
VTR: DSR-1800P  
VTR: DSR-1800P  
VTRs: DSR-1800P DSR-1600P  
|
DSBK-190  
i.LINK/DV Input/Output Board  
DSBK-301A  
Index Picture Board  
VTR: DSR-2000P  
Cameras: DSR-570WSP  
|
DSR-390P  
37  
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Optional Accessories & Peripheral Equipment  
MOUNTING & CARRYING ACCESSORIES  
VCT-1170RM  
Video Tripod with Remote Control  
VCT-U14  
Tripod Adaptor  
LCR-VX2000A  
Rain Jacket  
Cameras: DSR-PD170P  
|
DSR-PDX10P  
Cameras: DSR-570WSP  
|
DSR-390P  
|
DSR-1P  
Camera: DSR-PD170P  
A8278-057-A  
Adaptor bracket for WRR-805A/B  
CAC-4  
Chest Pad  
LC-421  
Carrying Case (Hard type)  
Cameras: DSR-570WSP  
|
DSR-390P  
Camera: DSR-1P  
Cameras: DSR-570WSP | DSR-390P | DSR-250P  
BKNW-225  
Docking Kit  
CAC-12  
Microphone Holder  
LCH-VX2000A  
Hard Carrying Case  
VTR:  
DSR-70AP  
Cameras: DSR-570WSP  
|
|
DSR-390P | DSR-250P  
DSR-PDX10P  
Camera: DSR-PD170P  
DSR-PD170P  
LC-DS300SFT  
Carrying Case (Soft type)  
LC-DS500  
Carrying Case (Hard type)  
LCH-TRV950  
Hard Carrying Case  
Cameras: DSR-570WSP  
|
DSR-390P | DSR-250P  
Cameras: DSR-570WSP  
|
DSR-390P  
Camera: DSR-PDX10P  
LCR-1  
Rain Cover  
Cameras: DSR-570WSP  
| DSR-390P | DSR-250P  
38  
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OTHERS  
DXF-51  
5-inch Monochrome Viewfinder  
WRR-855B  
UHF Synthesized Tuner  
UWP-C1 and UWP-C2  
Turnkey packages for wireless microphones  
(please see p. 29 for details)  
Cameras: DSR-570WSP  
|
DSR-390P  
Cameras: DSR-570WSP  
|
DSR-390P  
|
DSR-1P  
WRT-822B  
UHF Synthesized Wireless Transmitter  
CVX-V3P  
Colour Video Camera  
CVX-V18NSP  
Colour Video Camera for night shot application  
CVX-V1P  
Colour Video Camera  
VCL-HG1758  
Tele Conversion Lens 1.7x  
VF-58PK  
Filter Kit PL Filter and Multi-coat Filter  
Cameras: DSR-250P  
|
DSR-PD170P  
Cameras: DSR-250P  
|
DSR-PD170P  
VCL-HG0758  
Tele Conversion Lens 0.7x  
ECM-672/670  
Elecret Condenser Microphone  
BTA-801  
Adaptor for WRR-855B  
Cameras: DSR-250P  
|
DSR-PD170P  
Cameras: DSR-570WSP  
|
DSR-390P  
|
DSR-250P  
Cameras: DSR-1P  
DSR-PDX10P  
CA-WR855  
Adaptor for WRR-855B  
CA-DU1  
Camera adaptor  
CA-370  
Camera adaptor  
Cameras: DSR-570WSP  
|
DSR-390P  
Cameras: DSR-570WSP  
|
DSR-390P  
|
DSR-250P  
Cameras: DSR-570WSP  
|
DSR-390P  
Hard Disk: DSR-DU1  
LSF-S58  
Lens Hood  
VCL-HG0737X  
Wide Conversion Lens  
VCL-MHG07A  
Wide End Conversion Lens  
Camera: DSR-PD170P  
Camera: DSR-PDX10P  
Camera: DSR-PDX10P  
VCL-HG2037X  
Tele Conversion Lens  
VF-R37K  
ND Filter and Protector  
VF-37CPKS  
PL Filter and MC Protector  
Camera: DSR-PDX10P  
Camera: DSR-PDX10P  
Camera: DSR-PDX10P  
39  
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Specifications  
DIGITAL CAMCORDERS  
Dockable  
DSR-1P Recorder  
DSR-570WSP / DSR-390P / DXC-D50P/WSP  
Camcorders  
DSR-570WSP  
DSR-390P  
DXC-D50P/WSP  
DSR-1P  
General  
Power requirements  
Power consumption  
Operating temperature  
Storage temperature  
Tape speed  
DC 12 V (11 to 17 V)  
22.1 W (with VF), 20 W (without VF)  
DC 12 V +5/-1 V  
12 W  
0 °C to 40 °C (32 °F to 104 °F)  
-20 °C to 60 °C (-4 °F to 140 °F)  
28.221 mm/s  
26.1 W (with VF), 24 W (without VF)  
26 W (with VF)  
-10 °C to 45 °C (14 °F to 113 °F)  
0 °C to 40 °C (32 °F to 104 °F)  
-20 °C to 60 °C (-4 °F to 140 °F)  
28.221 mm/s  
Recording/Playback time  
Standard size  
184 min.  
40 min.  
184 min.  
40 min.  
Mini size  
Fast forward/Rewind time  
Standard size  
Approx. 12 min.  
Approx. 3 min.  
Approx. 12 min.  
Approx. 3 min.  
Mini size  
Continuous recording time  
Approx. 70 min. with BP-L40A  
Approx. 90 min. with BP-M50  
Approx. 80 min. with BP-L40A  
Approx. 100 min. with BP-M50  
Approx. 180 min. with BP-IL75  
Approx. 230 min. with BP-M100  
6.2 kg (13 lb 10 oz)  
Approx. 75 min with BP-L40A  
Approx. 75 min. with BP-L40A  
(DSR-1P + DXC-D35P)  
Approx. 140 min. with BP-IL75  
Approx. 200 min. with BP-M100  
6.4 kg (14.1 lb 225.7 oz)  
Mass  
7.3 kg (16 lb 1 oz) (with VF, microphone, lens,  
battery, tape and carrying handle)  
121 x 206 x 344 mm  
3.1 kg (6 lb 13 oz) (with battery)  
(with VF, microphone, lens, battery and tape)  
121 x 192 x 280 mm  
(with VF, microphone, lens, battery and tape)  
121 x 192 x 270 mm  
Dimensions (W x H x D)  
118 x 185 x 185 mm  
(4 3/4 x 7 3/8 x 7 3/8 inches)  
(4 7/8 x 7 5/8 x 11 1/8 inches) (without projections)  
242 x 247 x 547 mm  
(4 7/8 x 7 5/8 x 10 3/4 inches) (without projections)  
242 x 247 x 536 mm  
(9 5/8 x 9 3/4 x 21 1/8 inches) (with projections)  
(4 7/8 x 8 1/8 x 13 5/8 inches)  
(9 5/8 x 9 3/4 x 21 5/8 inches) (with projections)  
Camera Section  
Image device  
Optics  
Effective picture elements  
Total picture elements  
Sensing area  
3-chip 2/3-inch, Interline-Transfer CCD  
3-chip 1/2-inch, Interline-Transfer CCD  
F1.4 medium index prism system  
752 (H) x 582 (V)  
3-chip 2/3-inch, Interline-Transfer CCD  
—
—
—
—
—
—
980 (H) x 582 (V)  
1038 (H) x 594 (V)  
9.6 mm x 5.4 mm  
980 (H) x 586 (V)  
1038 (H) x 1188 (V)  
8.8 mm x 6.6 mm (D50P), 9.6 mm x 5.4 mm (D50WSP)  
795 (H) x 596 (V)  
6.4 mm x 4.8 mm  
Built-in filters  
1: 3200 K  
3: 5600 K  
2: 5600 K+1/8 ND  
1: 3200 K  
3: 5600 K  
2: 5600 K+1/8 ND  
4: 5600 K+1/64 ND  
1: Clear  
3: 1/16 ND  
2: 1/4 ND  
4: 1/64 ND  
4: 5600 K+1/64 ND  
Lens mount  
Signal system  
Scanning system  
Horizontal frequency  
Vertical frequency  
Sync system  
Sony 2/3-type bayonet mount  
Sony 1/2-type bayonet mount  
Sony 2/3-type bayonet mount  
—
—
—
—
—
—
—
PAL colour system  
2:1 interlaced, 625 lines, 50 fields/s  
15.625 kHz  
50 Hz  
Internal and external with VBS or BS signal  
800 TV lines  
Horizontal resolution  
16:9 mode: 980 TV lines  
4:3 mode: 850 TV lines  
920 TV lines (D50P), 850 TV lines in 4:3 mode  
and 800 TV lines in 16:9 mode (D50WSP)  
Vertical resolution  
Minimum illumination  
480 TV lines (without EVS), 530 TV lines (with EVS)  
0.4 lx with F1.4, Hyper gain (30 dB+DPR)*1  
0.6 lx with F1.8, Hyper gain (30 dB+DPR)*1  
F13 at 2000 lx (3200 K, 89.9% reflectance) (typical)  
-3 dB, 0 dB, 3 dB, 6 dB, 9 dB, 12 dB, 18 dB,  
18 dB+DPR, 24 dB, 24 dB+DPR,  
—
—
0.25 lx with F1.4, Hyper gain (36 dB+DPR)  
0.4 lx with F1.8, Hyper gain (36 dB+DPR)  
F11 at 2000 lx (3200 K, 89.9% reflectance) (typical)  
-3 dB, 0 dB, 3 dB, 6 dB, 9 dB, 12 dB, 18 dB,  
18 dB+DPR, 24 dB, 24 dB+DPR,  
0.5 lx with F1.4, Hyper gain (36 dB)  
0.8 lx with F1.8, Hyper gain (36 dB)  
F11 at 2000 lx (3200 K, 89.9% reflectance) (typical)  
-3 dB, 0 dB, 3 dB, 6 dB, 9 dB, 12 dB, 18 dB,  
24 dB, 30 dB, 36 dB  
Sensitivity  
Gain selection  
—
—
Hyper gain (36 dB or 42 dB selectable)  
Hyper gain (30 dB+DPR)*1  
Shutter speed selection  
S/N ratio  
Registration  
OFF, 1/60, 1/250, 1/500, 1/1000, 1/2000 s  
60 dB (typical)  
—
—
—
—
61 dB (typical)  
63 dB (typical)  
0.05% (all zones, without lens)  
Below measurable level  
Geometric distortion  
VTR Section  
Video performance*2  
Bandwidth  
Luminance: 25 Hz to 5.5 MHz +1.0/-2.0 dB  
5.75 MHz +0/-3.0 dB (Typical measerement)  
Chrominance: 25 Hz to 2.0 MHz +1.0/-2.0 dB  
More than 55 dB  
Luminance: 25 Hz to 5.5 MHz +1.0/-2.0 dB  
Chrominance: 25 Hz to 2.0 MHz +1.0/-2.0 dB  
More than 55 dB  
S/N ratio  
K-factor (K2T, KPB)  
Y/C delay  
Less than 2.0%  
Less than 30 ns  
Less than 2.0%  
Less than 30 ns  
2 CH mode (48 kHz/16-bit):  
20 Hz to 20 kHz +0.5/-1.0 dB  
4 CH mode (32 kHz/12-bit):  
20 Hz to 14.5 kHz +0.5/-1.0 dB  
More than 80 dB  
Audio performance*2  
Frequency response  
2 CH mode (48 kHz/16-bit): 20 Hz to 20 kHz +0.5/-1.0 dB  
4 CH mode (32 kHz/12-bit): 20 Hz to 14.5 kHz +0.5/-1.0 dB  
Dynamic range  
Distortion (THD)  
More than 80 dB  
Less than 0.08% (1 kHz reference level, 48 kHz)  
Less than 0.08%  
Input/Output Connectors  
Signal inputs  
Genlock Video In: BNC, 1.0 Vp-p, 75 Ω  
Genlock Video In: BNC, 1.0 Vp-p, 75 Ω  
Genlock Video In: BNC, 1.0 Vp-p, 75 Ω  
Ext Audio CH-1/2: XLR 3-pin female x2  
Genlock Video In: BNC,  
1.0 Vp-p, 75 Ω  
Analogue Video In: BNC, 1.0 Vp-p, 75 Ω  
(with DSBK-501P optional board installed)  
Ext Audio CH-1/2: XLR 3-pin female x2  
-60 dBu, 3 kΩ 4 dBu, 10 kΩ  
Ext Audio CH-1/2: XLR 3-pin female x2  
-60 dBu, 3 kΩ 4 dBu, 10 kΩ  
-60 dBu, 3 kΩ 4 dBu, 10 kΩ  
Ext Audio CH-1/2: XLR 3-pin female x2  
-60 dBu, 3 kΩ 4 dBu, 10 kΩ  
TC In: BNC,  
MIC In: XLR 3-pin female  
TC In: BNC, 0.5 Vp-p to 18 Vp-p, 10 kΩ  
TC In: BNC, 0.5 Vp-p to 18 Vp-p, 10 kΩ  
MIC In: XLR 3-pin female  
0.5 Vp-p to 18 Vp-p, 10 kΩ  
TC In: BNC, 0.5 Vp-p to 18 Vp-p, 10 kΩ  
Video Out: BNC, 1.0 Vp-p, sync negative, 75 Ω  
26-pin male  
Signal outputs  
Video Out: BNC, 1.0 Vp-p, sync negative, 75 Ω  
26-pin male  
VBS: 1.0 Vp-p, sync negative  
Y/R-Y/B-Y: Y: 1.0 Vp-p, sync negative  
R-Y/B-Y: 0.525 Vp-p  
Y/C: Y: 1.0 Vp-p, sync negative  
C: 0.3 Vp-p (burst level)  
S-Video: DIN 4-pin, 1.0 Vp-p, 75 Ω  
DV Out: 6-pin, IEEE1394-based  
Audio CH-1/2: Phono, -10 dBu, 47 kΩ  
Monitor Out: BNC, 1.0 Vp-p, sync negative, 75 Ω  
TC Out: BNC, 1.0 Vp-p, 75 Ω  
Camera head BNC connector:  
VBS: 1.0 Vp-p, sync negative  
26-pin connector of CA-537P docked to DXC-D35P:  
VBS: 1.0 Vp-p, sync negative  
Y/R-Y/B-Y: Y: 1.0 Vp-p, sync negative, R-Y/B-Y: 0.525 Vp-p  
Y/C: Y: 1.0 Vp-p, sync negative, C: 0.3 Vp-p (burst level)  
RGB: 1.4 Vp-p  
Video Out: BNC, 1.0 Vp-p,  
sync negative, 75 Ω  
VBS: 1.0 Vp-p, sync negative  
S-Video: DIN 4-pin  
Y/R-Y/B-Y: Y: 1.0 Vp-p, sync negative  
R-Y/B-Y: 0.525 Vp-p  
Y/C: Y: 1.0 Vp-p, sync negative  
C: 0.3 Vp-p (burst level)  
S-Video: DIN 4-pin, 1.0 Vp-p, 75 Ω  
DV Out: 6-pin, IEEE1394-based  
Audio CH-1/2: Phono, -10 dBu, 47 kΩ  
Monitor Out: BNC, 1.0 Vp-p, sync negative, 75 Ω  
TC Out: BNC, 1.0 Vp-p, 75 Ω  
Y: 1.0 Vp-p, sync negative, 75 Ω  
C: 0.3 Vp-p, 75 Ω  
Audio CH-1/2: RCA PIN, -10 dBu, 47 kΩ  
TC Out: BNC, 1.0 Vp-p, 75 Ω  
Video Out: BNC, 1.0 Vp-p, sync negative, 75 Ω  
S-Video: DIN 4-pin  
Y: 1.0 Vp-p, sync negative  
C: 0.3 Vp-p (burst level)  
Audio CH-1/2: Phono, -10 dBu, 47 kΩ  
TC Out: BNC, 1.0 Vp-p, 75 Ω  
DC In: XLR 4-pin male  
Others  
DC In: XLR 4-pin male  
DC Out: XLR 4-pin female  
Battery Terminal: 5-pin  
Earphone: Mini jack  
DC In: XLR 4-pin male  
DC Out: XLR 4-pin female  
Battery Terminal: 5-pin  
Earphone: Mini jack  
Analogue Interface: Pro 50-pin  
Digital Interface: Pro 76-pin Digital  
DC In: XLR 4-pin male  
DC Out: XLR 4-pin female  
Earphone: Stereo Mini jack  
DC Out: XLR 4-pin female  
Earphone: Mini jack  
Lens: 12-pin  
Light Out: 2-pin female  
WRR Out: 7-pin  
Light Out: 2-pin female  
WRR Out: 7-pin  
VF: 8-pin, 20-pin  
Remote1: Stereo mini jack  
Remote2: 10-pin  
Lens: 12-pin  
VF: 20-pin  
Lens: 12-pin  
VF: 20-pin  
Remote1: Stereo mini jack, Remote2: 10-pin  
Remote1: Stereo mini jack, Remote2: 10-pin  
Supplied Accessories  
1.5-inch B/W Viewfinder (DXF-801)  
Microphone with Wind Screen  
Tripod Adaptor VCT-U14  
1.5-inch B/W Viewfinder (DXF-801)  
(except PH version)  
Microphone with Wind Screen (except PH version)  
Tripod Adaptor VCT-U14 (except PH version)  
Shoulder Strap, Lens Mount Cap  
Flange Focal Length Adjustment Test Chart  
Operating Instructions  
Shoulder Strap  
Connector Cap  
Lithium Battery (type CR2032)  
M4 x6 Screws (2)  
M4 x12 Screws (2)  
Operating Instructions  
ClipLink Guide  
Shoulder Strap, Lens Mount Cap  
Flange Focal Length Adjustment Test Chart  
Switch Guard, Binding Tie  
Operating Instructions  
*1 DPR is equivalent to +6 dB gain up. 18 dB+DPR: Equivalent to +24 dB gain up. 24 dB+DPR: Equivalent to +30 dB gain up. Hyper gain (30 dB+DPR): Equivalent to +36 dB gain up.  
* 2 The specifications for “Video/Audio performance” were measured by playing back material on the DSR-85P (via analogue component out) that had been recorded on the DSR-570WSP.  
40  
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DIGITAL CAMCORDERS  
DSR-250P / DSR-PD170P / DSR-PDX10P  
Camcorders  
DSR-250P  
DSR-PD170P  
DSR-PDX10P  
General  
Power requirements  
Power consumption  
Operating temperature  
Storage temperature  
Tape speed  
DC 12 V(11 V to 17 V)  
DC 7.2 V (Battery), DC 8.4 V (AC adaptor)  
4.7 W (with VF), 5.4 W (with LCD)  
0 °C to 40 °C (32 °F to 104 °F)  
DC 7.2 V (Battery operation), DC 8.4 V (AC Adaptor)  
5 W (with VF), 5.3 W (with LCD)  
10.5 W ( with VF), 12.1 W ( with VF and LCD)  
-20 °C to 60 °C (-4 °F to 140 °F)  
Approx. 28.2 mm/s (DVCAM mode)  
Approx. 18.8 mm/s (DV SP mode)  
Recording/Playback time  
184 minutes (DVCAM mode), 270 minutes (DV SP mode  
with PDV-184ME) cassette, 40 minutes (DVCAM mode)  
60 minutes (DV SP mode with PDVM-40ME)  
40 minutes (DVCAM mode)  
60 minutes (DV SP mode, with PDVM-40ME)  
Mass  
Approx. 4.4 kg (9 lb 11 oz)  
(camcorder only) Approx. 1.5 kg (3 lb 5 oz)  
camcorder only (approx 950 g)  
Dimensions (W x H x D)  
214.7 x 251.25 x 508.8 mm  
(9 5/8 x 10 x 20 1/8 inches)  
133 x 180 x 456 mm  
(5 1/4 x 7 x 18 inches) including microphone  
93 x 99 x 202 mm  
(3 3/4x 4 x 8 inches)  
Lens  
Zoom  
12:1 Variable Speed (1.2-22 s) zoom lens  
12:1 Variable speed (1.83 to 26.5 s) zoom lens  
F = 3.6 to 43.2 mm  
F = 6.0 to 72.0 mm; F1.6 to 2.4  
58 mm (2 3/8 inches)  
Filter diameter  
Focus  
37 mm  
Auto/Manual (ring)/Infinity/One push auto  
Camera  
Image device  
Three 1/3-inch CCDs, 450,000 pixels  
CCIR Standard, PAL colour system  
Three 1/4.7-inch CCDs, 1,070,000 pixels  
Signal system  
Scanning system  
Horizontal resolution  
Minimum illumination  
Gain selection  
Progressive/Interlace Scan  
530 TV lines  
2 lx  
1 lx  
—
7 lx  
Shutter speed selection  
1/3, 1/6, 1/12, 1/25, 1/50, 1/60, 1/100, 1/120, 1/150, 1/215, 1/300, 1/425,  
1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000 s  
1/3 to 1/10000 s  
Auto/Manual  
Exposure  
Auto/Manual (Exposure ring)  
Auto/Manual (Exposure dial)  
White balance  
Viewfinder  
Auto/One-push/Out door (5800 K)/Indoor (3200 K)  
1.5-inch black and white CRT, Zebra Pattern  
180,000 dot Black & White LCD, Zebra Pattern  
Built-in microphone  
Built-in speaker  
LCD  
Electret condenser microphone  
Stereo electret condenser microphone  
Dynamic speaker  
TFT Active Matrix 2.5-inch  
200,640 dots (880 x 228)  
Hybrid 2.5-inch  
TFT Active Matrix, 3.5-inch 246,000 dots  
with touch screen function  
211,200 dots (960H x 200V)  
Memory card slot  
Memory Stick  
Memory Stick  
Recording signals: Camera signals, VTR signals  
Image size: VGA (1152 x 864)  
Recording signals: Camera signals, VTR signals  
Image size: VGA (640 x 480)  
Image compression: JPEG  
Image compression: JPEG  
Input/Output Connectors  
Signal inputs/outputs  
Video IN/OUT: RCA pin x 1,  
Luminance signal:1 Vp-p, 75 Ω ,  
unbalanced, sync negative  
Video OUT: BNC pin x 1,  
Video IN/OUT: RCA pin x 1  
Audio/Video In/Out:  
Luminance signal: 1 Vp-p, 75 Ω ,  
unbalanced, sync negative  
Special AV mini jack (converts to Phono) x1,  
1.0 Vp-p, 75 Ω , sync negative  
S-Video In/Out: Mini DIN 4-pin x1  
Y: 1.0 Vp-p, 75 Ω , unbalanced  
C: 0.3 Vp-p (subcarrier burst),  
75 Ω , unbalanced  
Audio IN/OUT: RCA pin x 2, 327 mV  
Output impedance with less than 2.2 kΩ  
Input impedance with more than 47 kΩ  
Luminance signal:1 Vp-p, 75Ω ,  
unbalanced, sync negative  
Audio IN/OUT: RCA pin x 2,245 m  
Output impedance with less than 2.2 kΩ  
Input impedance with more than 47 kΩ  
S-Video IN/OUT: Mini-DIN 4 pin x 1  
Luminance signal:1 Vp-p, 75 Ω , unbalanced,  
Chrominance signal: 0.3 Vp-p (PAL)  
Audio IN: XLR 3-pin(female) x 3,  
S-Video IN/OUT: Mini-DIN 4 pin x 1  
Luminance signal: 1 Vp-p, 75 Ω , unbalanced  
Chrominance signal: 0.3 Vp-p  
MIC In: Stereo mini jack x1  
(XLR 3-pin x1, via adaptor)  
i.LINK (DV In/Out):  
Audio IN: XLR 3-pin female x 2,  
-60 dBu, 3 kΩ , +4 dBu, 10 kΩ (0 dBu = 0.775 V rms) 4-pin x1, IEEE1394-based  
i.LINK (DV IN/OUT): 4-pin x 1  
USB mini-B x1  
LANC: Stereo mini jack (0.25 mm) x 1  
-60 dBu, 6.8 kΩ , +4 dBu, 6.8 kΩ (0 dBu = 0.775 V rms) Headphone: Stereo mini jack (0.35 mm) x 1  
i.LINK (DV IN/OUT): 6 pin (with lock) x 1  
External DC IN: 8.4 V for AC-L10 AC adaptor  
Others  
LANC: Stereo mini-mini jack (0.25 mm) x 1  
Headphone: Stereo mini jack (0.35 mm) x 1  
External DC IN: 12 V, XLR 4-pin (male)  
DC OUT for Light: 12 V, max. 30 W  
DC OUT: 12 V, 4 pin  
LANC: Stereo mini-mini jack (0.25 mm) x 1  
Headphone: Stereo mini jack (0.35 mm) x 1  
External DC IN: 8.4 V for AC-L10 AC adaptor  
LANC: Stereo mini-mini jack x1  
External DC In: 8.4 V  
(AC-L10 AC Adaptor)  
Headphone: Stereo mini jack x1  
Supplied Accessories  
ECM-NV1 Monaural Microphone  
RMT-811 Remote Commander and R6 Batteries (2)  
MSA-4A IC Recording Media Memory Stick  
MSAC-US1 Memory Stick Reader/Writer  
Picture Gear 4.1  
ECM-NV1 Monaural Microphone  
AC-L15 AC Adaptor  
ECM-NV1 monaural microphone  
AC-L10 AC Adaptor  
NP-F330 InfoLITHIUM Rechargeable Battery Pack  
RMT-811 Remote Commander and R6 Batteries (2)  
VCL-HG0758 Wide Conversion Lens  
LSF-S58 Lens Hood (for Wide Conversion Lens)  
Lens Cap built in Hood  
NP-FM50 InfoLITHIUM Rechargeable Battery Pack  
RMT-811 Remote Commander and R6 Batteries (2)  
MSA-8A Recording Media Memory Stick  
Memory Stick/PC Card Adaptor  
XLR Adaptor  
Lens Hood  
Lite Hood Cap  
Lens Cap  
Special Stereo AV Cable, Lens Hood,  
Lens Cap, Carrying Belt  
i.LINK Cable Strap  
Special Stereo AV Cable  
i.LINK Cable  
Carrying Belt  
USB cable  
USB driver  
41  
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Specifications  
DIGITAL VTRs  
DSR-2000P / DSR-1800P / DSR-1600P / DSR-1500AP  
Editing Recorders / Players  
DSR-2000P  
DSR-1800P  
DSR-1600P  
DSR-1500AP  
General  
Power requirements  
Power consumption (Max. )  
Operating temperature  
Storage temperature  
Operating humidity  
Storage humidity  
AC 100 V to 240 V, 50/60 Hz  
100 W  
110 W  
70 W  
60 W  
5 °C to 40 °C (41 °F to 104 °F)  
-20 °C to 60 °C (-4 °F to 140 °F)  
Less than 80%  
Less than 90%  
28.221 mm/s  
Tape speed  
Recording/Playback time  
Fast forward/Rewind time  
Search speed  
Standard size: 184 min. with PDV-184ME/184N/184MEM Mini size: 40 min. with PDVM-40ME/40N/40MEM  
Standard size: Less than 3 min. with PDV-184ME/184N/184MEM Mini size: Less than 1 min. with PDVM-40ME/40N/40MEM  
Shuttle mode: still to 60 times normal speed  
Shuttle mode:  
still to 60 times normal speed  
Digital slow mode:  
Digital slow mode: 0.5 times normal speed  
1 times normal speed  
18 kg (39 lb 10 oz)  
427 x 175 x 496.5 mm  
(16 7/8 x 7 x 19 5/8 inches)  
Mass  
Dimensions  
(W x H x D, excluding projections)  
13 kg (28 lb 10 oz)  
6 kg (13 lb 3 oz)  
210 x 130 x 420 mm  
427 x 174 x 400 mm  
(16 7/8 x 6 7/8 x 15 3/4 inches)  
(8 3/8 x 5 1/8 x 16 5/8 inches)  
Video Performance  
Bandwidth  
(via analogue  
component I/O)  
Luminance  
25Hzto5.0 MHz +1.0/-2.0 dB  
5.75 MHz +0/-3.0 dB  
(Typical measurement)  
25 Hz to 5.0 MHz 1.0 dB  
25 Hz to 5.0 MHz +1.0/-1.5 dB  
Chrominance  
25 Hz to 2.0 MHz + 1.0/-2.0 dB  
More than 55 dB  
S/N ratio (via analogue component I/O)  
K-factor (K2T, KPB)  
Less than 2.0%  
Less than 30 ns  
Y/C delay 0  
Audio Performance  
Frequency response  
2 CH mode (48 kHz/16-bit)  
4 CH mode (32 kHz/12-bit)  
Dynamic range  
20 Hz to 20 kHz +0.5/-1.0 dB  
20 Hz to 20 kHz 1.0 dB  
20 Hz to 14.5 kHz 1.0 dB  
More than 87 dB  
20 Hz to 14.5 kHz +0.5/-1.0 dB  
More than 90 dB  
Distortion (THD+N)  
Less than 0.05%  
Less than 0.07%  
Video Signal Inputs  
Analogue  
Ref. Video  
Composite, 1.0 Vp-p, 75 Ω ,  
0.3 Vp-p, 75 Ω , sync negative  
—
Composite, 1.0 Vp-p, 75 Ω ,  
sync negative  
Composite, 1.0 Vp-p, 75 Ω , sync negative  
1.0 Vp-p, 75 Ω , sync negative  
0.7 Vp-p, 75 Ω (100 %)  
0.7 Vp-p, 75 Ω (100 %)  
BNC x 2  
(BNC x2, loop-through connection)  
sync negative  
Video (BNC x2, loop-through connection)*1  
Composite, 1.0 Vp-p, 75 Ω , sync negative  
—
Component  
(BNC x3) *1  
Y
R-Y  
B-Y  
1.0 Vp-p, 75 Ω , sync negative  
0.7 Vp-p, 75 Ω (100 %)  
—
—
0.7 Vp-p, 75 Ω (100 %)  
—
S-Video *1  
DIN 4-pin x 1  
—
Y: 1.0 Vp-p, 75 Ω , sync negative  
C: 0.3 Vp-p, 75 Ω (at burst level)  
Y: 1.0 Vp-p, 75 Ω , sync negative  
C: 0.3 Vp-p, 75 Ω (at burst level)  
Digital  
3
*
SDI *2  
BNC x 2, active-through connection  
Conforms to Serial Digital Interface (270 Mb/s), ITU-R BT.656  
—
BNC x 1  
Conforms to Serial Digital Interface  
(270 Mb/s), ITU-RBT.656  
Conforms to SDTI (270 Mb/s),  
SMPTE 305M/322M  
SDTI (QSDI) (BNC x1) *3  
Conforms to SDTI (270 Mb/s), SMPTE 305M/322M  
IEEE1394-based  
—
—
4
*
i.LINK (DV In/Out) (6-pin x1)*5  
IEEE1394-based  
6
*
7
*
Audio Signal Inputs  
Analogue  
1
*
Audio  
XLR 3-pin female x4  
—
—
XLR 3-pin female x2  
-6/-3/0/+4 dBu,  
-6/0/+4 dBu, 600 Ω on/off/  
-60 dBu, high impedance  
-6/-3/0/+4 dBu, 600 Ω on/off/  
-60 dBu, high impedance  
high impedance  
Digital  
AES/EBU *2  
BNC x 2  
75 Ω , unbalanced  
—
BNC x 2  
75 Ω , unbalanced  
3
*
Video Signal Outputs  
Analogue  
Ref. Video (BNC x1)  
Video  
0.3 Vp-p, 75 Ω , sync negative  
—
Video 1/2/3 (super) BNC x 3  
Video 1/2(super) BNC x 2  
Video 1/2/3 (super) BNC x 3  
Composite, 1.0 Vp-p, 75 Ω , sync negative  
Component (BNC x3)  
S-Video  
Y: 1.0 Vp-p, 75 Ω , sync negative R-Y: 0.7 Vp-p, 75 Ω (100%) B-Y: 0.7 Vp-p, 75 Ω (100%)  
DIN 4-pin x 1  
BNC x 2  
BNC x 2  
Y: 1.0 Vp-p, 75 Ω , sync negative C: 0.3 Vp-p, 75 Ω (at burst level)  
Digital  
3
*
8
*
SDI *2  
BNC x 3  
BNC x 2  
Conforms to Serial Digital Interface (270 Mb/s), ITU-R BT.656  
BNC x 1  
4
*
9
*
SDTI (QSDI) *3  
Conforms to SDTI (270 Mb/s), SMPTE 305M/322M  
IEEE1394-based  
6
*
7
*
i.LINK (DV In/Out) (6-pin x1) *5  
Audio Signal Outputs  
Analogue  
Audio  
XLR 3-pin male x4  
XLR 3-pin male x2  
-6/0/+4 dBu (selectable by menu)  
Phono x 1  
-11 dBu, 47 kΩ , unbalanced  
(-18 dBFS)  
-6/-3/0/+4 dBu (selectable by menu)  
RCA x1  
Monitor  
-9 dBu, 47 kΩ ,  
-∞ to +1 dBu, 47 kΩ ,  
unbalanced (-20 dBFS)  
-∞to -13 dBu, 8 Ω ,  
unbalanced (-18 dBFS)  
-∞to -11 dBu, 8 Ω ,  
unbalanced (-18 dBFS)  
Headphone  
-∞to -13 dBu, 8 Ω ,  
unbalanced (-18 dBFS)  
(JM-60 headphone jack x1)  
Digital  
unbalanced (-20 dBFS)  
AES/EBU *2  
BNC x 2 75 Ω , unbalanced  
3
*
9
*
Time Code Input/Output  
In (BNC x1)  
Out (BNC x1)  
0.5 Vp-p to 18 Vp-p, 3 kΩ , unbalanced  
2.2 Vp-p, 75 Ω , unbalanced  
Remote  
RS-422A: D-sub 9-pin female x2  
Video Control: D-sub 15-pin male x1  
Control Panel: D-sub 15-pin female x1  
RS-422A: D-sub 9-pin female x1  
Video Control: D-sub 15-pin male x1  
Control S (SIRCS): Stereo mini jack x1  
RS-422A: D-sub 9-pin female x1  
Control S (SIRCS): Stereo mini jack x1  
Supplied Accessories  
AC Power Cord  
RCC-5G 9-pin Remote Control Cable  
Operating Instructions  
AC Power Cord  
Operating Instructions  
*1 The optional DSBK-1504 is required for the DSR-1500AP  
*2 The optional DSBK1801 is required for the DSR-1800P  
*3 The optional DSBK1501 is required for the DSR-1500AP  
*4 The optional DSBK1802 is required for the DSR-1800P  
*5 The optional DSBK-190 is required for the DSR-2000P  
*6 The optional DSBK1803 is required for the DSR-1800P/1600P  
*7 The optional DSBK1503 is required for the DSR-1500AP  
*8 The optional DSBK-1601 is required for the DSR-1600P  
*9 The optional DSBK-1602 is required for the DSR-1600P  
42  
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DIGITAL VTRs  
DSR-45P / DSR-30P / DSR-25 / DSR-11  
Recorders  
DSR-45P  
DSR-30P  
DSR-25  
DSR-11  
System  
PAL  
AC 100 V to 240 V, 50/60 Hz  
22 W  
PAL  
NTSC/PAL Switchable  
NTSC/PAL Switchable  
15 W  
Power requirements  
Power consumption  
Operating temperature  
Storage temperature  
Tape speed  
AC: 220 V to 240 V, 50 Hz  
37 W  
AC: 100 V to 240 V, 50/60 Hz  
16 W  
5 °C to 40 °C (41 °F to 104 °F)  
-20 °C to 60 °C (-4 °F to 140 °F)  
28.221 mm/s  
DVCAM mode  
DV SP mode  
Standard size  
Mini size  
18.831 mm/s  
Recording/Playback time  
184 min. with PDV-184ME/184N/184MEM  
40 min. with PDVM-40ME/40N/40MEM  
Tape rewind time  
Search speed  
Less than 2 min. with PDV-184ME/184N/184MEM  
When controlling via optional DSRM-20:  
Shuttle mode: 1/10, 1/5, 1, 2,  
approx. 10, approx. 17 times  
Jog mode: 1/10, 1/5, 1, 2 times  
Approx. 4.5 kg (10 lb 2 oz)  
Still, 1/5, 1, 2 times, Cue/Review  
10 or 18 times)  
When controlling via optional  
DSRM-20 or supplied RMT-DS20:  
Still, 1/5, 1, 2 times, Cue/Review  
When controlling via optional  
DSRM-20 or supplied RMT-DS11:  
Still, 1/5, 1, 2 times, Cue/Review  
(
(
10 or 18 times)  
(
10 or 18 times)  
Mass  
Dimensions  
Approx. 9.2 kg (20 lb 4 oz)  
430 x 129 x 374 mm  
Approx. 4.3 kg (9 lb 8 oz)  
212 x 98 x 392 mm  
Approx. 2.8 kg (6 lb 2 oz)  
180 x 73 x 265 mm  
212 x 98 x 392 mm  
(W x H x D, including projections)  
(8 3/8 x 3 7/8 x 15 1/2 inches)  
(17 x 5 1/8 x 14 3/4 inches)  
(8 3/8 x 3 7/8 x 15 1/2 inches)  
(7 1/8 x 2 7/8 x 10 1/2 inches)  
Video Signal Inputs  
Rec mode  
DVCAM/DV (SP mode only)  
DVCAM  
DVCAM/DV (SP mode only)  
PB mode  
DVCAM/DV (SP mode only)  
Ref. Video (BNC x1)  
Video (DSR-45P/25: BNC x1)*1  
(DSR-30P: BNC x1, Phono jack x1)  
(DSR-11: Phono jack x1)  
S-Video  
Black burst: 75 Ω , sync negative  
—
Composite, 1.0 Vp-p, 75 Ω , sync negative  
(DSR-45P/25/11: Mini DIN 4-pin x1)  
(DSR-30P: Mini DIN 4-pin x2,  
front x1/rear x1)  
Y: 1.0 Vp-p, 75 Ω , sync negative  
C: 0.3 Vp-p (subcarrier burst), 75 Ω  
Component (BNC x3)  
Y: 1.0 Vp-p, 75 Ω , sync negative  
R-Y/B-Y: 0.7 Vp-p (with 100 % colour burst)  
—
Audio Signal Inputs  
Audio (DSR-45P/25/11:  
Phono jack x2/stereo L/R)  
(DSR-30P: Phono jack x2/  
stereo L/R, front x1/rear x1)  
2 Vrms (full bit)  
Video Signal Outputs  
Video (DSR-45P/25: BNC x1)  
(DSR-30P: BNC x2, Phono jack x1)  
(DSR-11: Phono jack x1)  
S-Video  
Composite, 1.0 Vp-p, 75 Ω , sync negative  
Y: 1.0 Vp-p, 75 Ω , sync negative  
(DSR-45P/25/11: Mini DIN 4-pin x1)  
(DSR-30P: Mini DIN 4-pin x2)  
Component (BNC x3)  
C: 0.3 Vp-p (subcarrier burst), 75 Ω  
Y: 1.0 Vp-p, 75 Ω , sync negative  
R-Y/B-Y: 0.7 Vp-p (with 100 % colour burst)  
Composite, 1.0 Vp-p, 75 Ω , sync negative  
—
Monitor (BNC x1)  
—
Audio Signal Outputs  
Audio  
(DSR-40P: XLR 3-pin male x2, stereo L/R)  
(DSR-20P/11: RCA pin x2/stereo L/R)  
Monitor  
4 dBu, balanced  
2 Vrms (full bit)  
2 Vrms (full bit)  
2 Vrms (full bit)  
—
—
(RCA pin x2, stereo L/R)  
Digital Input/Output  
i.LINK (DV In/Out) (4-pin x1)  
IEEE1394-based  
Others  
RS-422A: D-sub 9-pin female x1  
Control S (SIRCS) In: Stereo mini jack x1  
Headphone: Stereo mini jack x1  
LANC: Stereo mini-mini jack x1  
RS-232C: D-sub 9-pin male x1  
LANC: Stereo mini-mini jack x2 (front x1/rear x1)*2  
Control S (SIRCS) In: Mini jack x1  
Control S (SIRCS) Out: Mini jack x1  
Trigger In: RCA pin x1 (active short)  
Headphone: Stereo mini jack x1  
MIC In: Mini jack x1  
LANC: Stereo mini-mini jack x1  
Headphone: Stereo mini jack x1  
Control S (SIRCS) In: Stereo mini jack x1  
LANC: Stereo mini-mini jack  
Control S: Stereo mini jack  
LCD Monitor  
2-inch type 123,200 dots  
—
2-inch type 123,200 dots  
—
Supplied Accessories  
AC Power Cord  
Cleaning Cassette  
Operating Instructions  
RMT-DS30 Wireless Remote Controller  
Size AA (R6) Batteries for Remote (2)  
AC Power Cord  
RMT-DS20 Wireless Remote Controller  
Size AA (R6) Batteries for Remote (2)  
AC Power Cord  
AC Adaptor, Power Cord  
RMT-DS11 Wireless Remote Commander  
Size AA (R6) Batteries for Remote (2)  
Rack  
RMT-DS11 Wireless Remote Commander  
Size AA (R6) Batteries for Remote (2)  
Interface manual for programmers (RS-232C)  
LANC Cable  
Cleaning Cassette  
Operating Instructions  
Cleaning Cassette  
Operating Instructions  
Cleaning Cassette  
Operation Manual  
*1 Shared between composite IN and REF-IN.  
*2 The audio output level of the DSR-45P will be reduced by half when connected to an Unbalanced XLR input device.  
*3 Recommended remote control unit: DSRM-20  
*4 Priority on front LANC.  
43  
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Specifications  
VTR REAR CONNECTOR PANELS  
DSR-2000P  
DSR-1500AP  
DSR-DR1000P  
DSR-1800P  
DSR-45P  
DSR-1600P  
DSR-25  
DSR-11  
DSR-30P  
DSR-70AP  
DSR-50P  
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DIGITAL VTRs  
DSR-70AP  
Portable Editing Recorder  
General  
Video Signal Outputs  
Power requirements  
Power consumption  
Operating temperature  
Storage temperature  
Operating humidity  
Storage humidity  
DC 12 V (DC 12 V In: XLR 4-pin male x1)  
46 W (without options)  
0 °C to 40 °C (32 °F to 104 °F)  
-20 °C to 60 °C (-4 °F to 140 °F)  
Less than 80%  
Analogue  
Ref. Video (BNC x1)  
Video 1/2(SUPER) (BNC x2)  
Component (BNC x3)*1  
0.3 Vp-p, 75 Ω , sync negative  
Composite, 1.0 Vp-p, 75 Ω , sync negative  
Y:  
1.0 Vp-p, 75 Ω , sync negative  
R-Y: 0.7 Vp-p, 75 Ω (100%)  
B-Y: 0.7 Vp-p, 75 Ω (100%)  
Less than 90%  
28.221 mm/s  
S-Video (DIN 4-pin x1)  
Y:  
C:  
1.0 Vp-p, 75 Ω , sync negative  
0.3 Vp-p, 75 Ω (at burst level)  
Tape speed  
Recording/Playback time  
Standard size:  
Mini size:  
184 min. with PDV-184ME/184N/184MEM  
40 min. with PDVM-40ME/40N/40MEM  
Digital  
SDI (BNC x2)*2  
Conforms to Serial Digital Interface (270 Mb/s), ITU-R BT.656  
Conforms to SDTI (270 Mb/s), SMPTE 305M/322M  
IEEE 1394  
Fast forward/Rewind time  
Standard size:  
Mini size:  
Less than 3 min. with PDV-184ME/184N/184MEM  
Less than 1 min. with PDVM-40ME/40N/40MEM  
SDTI (QSDI) (BNC x1)*3  
i.LINK (DV) (6-pin x1)*2  
Search speed  
Mass  
x
32  
5.8 kg (12 lb 12 oz)  
Dimensions (W x H x D)  
LCD display (x1)  
Built-in speaker (x1)  
Remote  
211 x 149 x 443 mm (8 3/8 x 5 7/8 x 17 1/2 inches)  
6.4-inch VGA, 640 (H) x 480 (V)  
Monaural  
Audio Signal Outputs  
Analogue  
Audio (CH-1,2 or CH-3,4)  
XLR 3-pin male x2  
RS-422A: D-sub 9-pin female x1  
+4/0/-6 dBu (selectable by menu)  
-6 dBu, 47 kΩ , unbalanced  
Monitor (R/L) (Phono x1)  
Headphone  
(JM-60 headphone jack x1)  
Video Signal Inputs  
-∞ to -20 dBu, 8 Ω , unbalanced  
Analogue  
Ref. Video  
(BNC x2, loop-through connection)  
0.3 Vp-p, 75 Ω , sync negative  
Time Code Input/Output  
Video  
Composite, 1.0 Vp-p, 75 Ω , sync negative  
(BNC x2, loop-through connection)  
Component (BNC x3)*1  
Y:  
1.0 Vp-p, 75 Ω , sync negative  
Time Code In (BNC x1)  
Time Code Out (BNC x1)  
0.5 to 18 Vp-p, 3.3 kΩ , unbalanced  
2.2 Vp-p, 3.0 dBu, 600 Ω , unbalanced  
R-Y: 0.7 Vp-p, 75 Ω (100%)  
B-Y: 0.7 Vp-p, 75 Ω (100%)  
S-Video (DIN 4-pin x1)  
Y:  
C:  
1.0 Vp-p, 75 Ω , sync negative  
0.3 Vp-p, 75 Ω (at burst level)  
Supplied Accessories  
Digital  
SDI (BNC x1)*2  
Conforms to Serial Digital Interface (270 Mb/s), ITU-R BT.656  
Conforms to SDTI (270 Mb/s), SMPTE 305M/322M  
IEEE 1394  
Carrying Belt  
SDTI (QSDI) (BNC x1)*3  
i.LINK (DV) (6-pin x1)*2  
Connector Cap (per interface)  
Operating Instructions  
Warranty Card  
Audio Signal Inputs  
Analogue  
*1 The optional DSBK-170 Analogue Component Input/Output Board is required.  
*2 The optional DSBK-160A SDI & i.LINK/DV Input/Output Board is required.  
*3 The optional DSBK-150 SDTI (QSDI) Input/Output Board is required.  
Audio (CH-1,2)  
(XLR 3-pin female x2)  
+4/0/-60dBu, high impedence, balanced  
DSR-50P  
Portable Recorder  
Input/Output Terminals  
General  
Video IN Composite  
S(4-pin mini DIN)  
1.0 Vp-p, 75 Ω , Sync negative  
System  
PAL  
Y: 1.0 Vp-p, 75 Ω , Sync negative  
C: 0.3 Vp-p (subcarrier burst) 75 Ω  
DC input  
XLR 4-pin (male), +12 V  
15 W  
Power consumption  
Operating temperature  
Storage temperature  
Tape speed  
Audio IN  
XLR 3-pin (female) (+4 dBu/-20 dBu/-60 dBu) x 4,  
impedance more than 3 kΩ with +48 V power supply  
(independently switched for each channel)  
5 °C to 40 °C (41 °F to 104 °F)  
-20 °C to 60 °C (-4 °F to 140 °F)  
Approx. 28.2 mm/s (DVCAM mode),  
Approx. 18.8 mm/s (DV SP mode)  
Camera IN  
Composite  
Component  
26-pin camera connector  
1.0 Vp-p, 75 Ω , Sync negative  
Recording/Playback time  
184 minutes (DVCAM mode), 270 minutes (DV SP mode),  
with PDV-184ME cassette  
Y: 1.0 Vp-p, 75 Ω , Sync negative  
B-Y: 0.7 Vp-p, 75 Ω , R-Y: 0.7 Vp-p, 75 Ω  
40 minutes (DVCAM mode), 60 minutes (DV SP mode),  
with PDVM-40ME cassette  
Reference IN  
BNC, Black Burst 75 Ω , Sync negative (use Video IN)  
Video OUT 1 (Monitor)  
Composite  
BNC, 1.0 Vp-p, 75 Ω , Sync negative  
Superimpose On/Off  
Mass  
3.9 kg (8 lb 9 oz), excluding battery and tape  
Dimensions (W x H x D)  
247 x 92.5 x 311 mm (9 3/4 x 3 3/4 x 12 1/4 inches),  
excluding projections  
279 x 99 x 315 mm (11 x 4 x 12 1/2 inches),  
including projections  
Video OUT 2 Composite  
S (4-pin mini DIN)  
BNC, 1.0 Vp-p, 75 Ω , Sync negative  
Y: 1.0 Vp-p, 75 Ω , Sync negative  
C: 0.3 Vp-p (subcarrier burst) 75 Ω  
Component OUT  
Audio OUT  
BNC x 3  
Y: 1.0 Vp-p, 75 Ω , Sync negative  
B-Y/R-Y: 0.7 Vp-p, 75 Ω  
Video  
RCA pin x 4, -10 dBu  
Standard output level -18 dB from full bit  
Rec mode  
PB mode  
DVCAM/DV (SP mode only)  
DVCAM/DV (SP mode only)  
Audio OUT (Monitor)  
DV IN/OUT  
RCA pin  
6-pin (with lock)  
Timecode IN  
Timecode OUT  
Control S  
BNC, 0.5 to 18 Vp-p, 10 kΩ  
BNC, 2.2 Vp-p, 600 Ω /1.2 Vp-p, 75 Ω  
Stereo mini jack  
Audio  
Remote  
Stereo mini jack  
(Edge High/Edge Low/Level High/Level Low) (Tally)  
Rec mode  
PB mode  
48.0 kHz/16-bit (2CH)/  
32.0 kHz/12-bit (4CH)/automatic (DV IN)  
Control  
Stereo mini-mini jack (compatible with LANC as a player)  
Stereo standard jack, -19 dBu, with Level Control  
48.0 kHz/16-bit (2CH)/32.0 kHz/12-bit (4CH)/  
32.0 kHz/16-bit (2CH)/44.1 kHz/16-bit (2CH)  
(automatically selected)  
Headphone jack (left side)  
Other  
Colour LCD monitor  
Supplied accessories  
2.5-inch, 200,000 dots  
LCD Protection Cover, Cleaning Cassette  
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Specifications  
HARD DISK RECORDERS / FLEXICART  
DSR-DR1000P  
Hard Disk Recorder  
General  
VIDEO (DIGITAL)  
SDI: BNC (1)  
Conforms to Serial Digital Interface (270 Mb/s), ITU-R BT.656  
Power requirements  
Power consumption  
Operating temperature  
Storage temperature  
Operating humidity  
Storage humidity  
Mass  
AC 100 V to 240 V, 50/60 Hz  
60 W  
5 °C to 40 °C (41 °F to 104 °F)  
-20 °C to 60 °C (-4 °F to 140 °F)  
Less than 80%  
Less than 90%  
7.5 kg (16 lb 10 oz)  
210 x 130 x 422 mm (8 3/8 x 5 1/8 x 16 5/8 inches, without projection)  
i.LINK (DV): 6-pin (1)  
IEEE 1394-based  
AUDIO (ANALOGUE)  
AUDIO (DIGITAL)  
Time Code  
Audio: XLR 3-pin female (2)  
-6/-3/0/+4 dBu (selectable by menu), high impedance  
AES/EBU: BNC (2)  
75 Ω, unbalanced  
BNC (1), 0.5 Vp-p to 18.0 Vp-p, 3 kΩ unbalanced  
Dimensions (W x H x D)  
Output Signals  
Video Performance  
VIDEO (ANALOGUE)  
Video 1/2 (SUPER): BNC (2) (*2)  
Bandwidth  
Luminance: 25 Hz to 5.0 MHz +1.0  
Composite, 1.0 Vp-p, 75 Ω, sync negative  
Component: BNC (3) (*2)  
(via analogue component I/O)  
Chrominance: 25 Hz to 2.0 MHz +1.0/-2.0 dB  
S/N ratio  
(via analogue component I/O)  
K-factor (K2T, KPB)  
Y/C delay  
More than 54 dB  
Y: 1.0 Vp-p, 75 Ω, sync negative  
R-Y, B-Y: 0.7 Vp-p, 75 Ω (100% colour bar)  
S-Video: BNC (2) (*2)  
Less than 2%  
Less than 30 ns  
Y: 1.0 Vp-p, 75 Ω, sync negative  
C: 0.3 Vp-p, 75 Ω (at burst level)  
VIDEO (DIGITAL)  
SDI: BNC (2)  
Audio Performance  
Conforms to Serial Digital Interface (270 Mb/s), ITU-R BT.656  
i.LINK (DV): 6-pin (1)  
Frequency response  
2CH mode (48 kHz/16-bit): 20 Hz to 20 kHz 1.0 dB  
4CH mode (32 kHz/12-bit): 20 Hz to 14.5 kHz 1.0 dB  
More than 87 dB  
IEEE 1394-based  
AUDIO (ANALOGUE)  
Audio: XLR 3-pin male (2)  
-6/-3//0/+4 dBu (selectable by menu)  
Monitor: RCA (1)  
-9 dBu, 47 kΩ, unbalanced (-18 dBFS), volume center  
Headphone: JM-60 headphone jack (1)  
- ∞to -11 dBu, 8 Ω, unbalanced (-18 dBFS)  
Dynamic range  
Distortion (THD + N)  
Less than 0.07% (48 kHz)  
Input Signals  
VIDEO (ANALOGUE)  
REF. Video: BNC (2)  
AUDIO (DIGITAL)  
TIME CODE  
REMOTE  
AES/EBU: BNC (2), 75 Ω, unbalanced  
BNC (1), 2.2 Vp-p, 600 Ω, unbalanced  
RS-422A: D-sub 9-pin, female (2)  
Control: Mini jack (1)  
Ethernet (1): 10Base-T/100Base-TX Ethernet, RJ-45 modular jack  
0.3 Vp-p, 75 Ω sync negative  
Composite Video: BNC (2), loop-through connection (*1)  
1.0 Vp-p, 75 Ω, sync negative  
Component: BNC (3) (*1)  
Network  
Y: 1.0 Vp-p, 75 Ω, sync negative  
R-Y, B-Y: 0.7 Vp-p, 75 Ω (100% colour bar)  
S-Video: BNC (2) (*1)  
Y: 1.0 Vp-p, 75 Ω, sync negative  
C: 0.3 Vp-p, 75 Ω (at burst level)  
Hard Disk Recorder  
DSR-DU1  
General  
Power requirements  
Power consumption  
Mass  
DC 7.2 V (battery), DC 8.4 V (AC adaptor)  
5.6 W  
500 g (1 lb 1 oz)  
Dimensions  
(W x H x D) 44 x 101 x 142 mm  
0 °C to 40 °C  
-20 °C to 60 °C  
Operating temperature  
Storage temperature  
Operating Humidity  
Less than 85 % (without dew condensation)  
Input/Output Terminals  
DV IN/OUT  
Remote  
DC IN  
i.LINK x1 (IEEE1394 4-pin)  
4-pin Stereo mini Jack x1  
x1  
Supplied Accessories  
Warranty card  
Operation manual  
i.LINK cable (4-pin to 4-pin)  
Remote controller (RM-LG2)  
Battery (CR2032)  
Case  
46  
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WIRELESS MICROPHONE SYSTEMS  
UWP Series  
Bodypack Transmitter / Handheld Microphone / Portable Tuner  
Bodypack Transmitter  
Portable Tuner  
Oscillator  
Type of emission  
Crystal-controlled PLL synthesizer  
F3E  
Oscillator  
Type of reception  
Crystal-controlled PLL synthesizer  
Space diversity  
Carrier frequencies  
CE model  
Receiving frequencies  
CE model  
798 MHz to 822 MHz (TV channels 62 to 64) or 838 MHz to 862 MHz  
(TV channels 67 to 69) Users may choose from 189 frequencies on each  
model.  
798 MHz to 822 MHz (TV channels 62 to 64) or 838 MHz to 862 MHz  
(TV channels 67 to 69) Users may choose from 189 frequencies on  
each model  
RF power output  
Antenna  
Pilot tone signal  
Frequency response  
Reference deviation  
Signal-to-noise ratio  
Audio attenuator  
adjustment range  
Audio input level  
Audio input connector  
Indicators  
30 mW or 5 mW (selectable)  
1/4 l wave length wire  
32 kHz  
Antenna  
1/4 l wave length wire  
32 kHz  
15 dBµ  
50 Hz to 18 kHz (typical)  
Pilot-tone signal  
RF squelch level  
Frequency response  
Reference deviation  
Signal-to-noise ratio  
Audio output connector  
Audio output level  
Monitor output connector  
Monitor output level  
Indicators  
50 Hz to 18 kHz (typical)  
5 kHz (-60 dBV, 1kHz input)  
60 dB or more ( 5 kHz deviation at 1 kHz modulation, A-weighted)  
0 to 21 dB (in 3 dB steps)  
5 kHz (at 1kHz modulation)  
60 dB or more ( 5 kHz deviation at 1 kHz modulation, A-weighted)  
3.5 mm (5/32 inch) dia., 3-pole mini jack (x 1), unbalanced  
-58 dBm  
3.5 mm (5/32 inch) dia., stereo mini jack (x 1)  
5 mW (at 16 Ω )  
-60 dBV (at 0 dB attenuator level)  
3.5 mm (5/32 inch) dia., 3-pole mini jack  
LCD  
Operating channel number/frequency, attenuator level, RF-output level  
(High/Low), audio-input status, RF-output status, transmitter battery  
status, and accumulated operating time  
Power status  
DC 3.0 V (with two AA-size alkaline (LR6) batteries)  
LCD  
Operating channel number/frequency, audio-output status, RF-input  
level, tuner battery status, and accumulated operating time  
RF-input status  
DC 3.0 V (two AA-size alkaline (LR6) batteries)  
Approx. 6 hours with Sony AA-size alkaline (LR6) batteries at 25 °C (77 °F)  
63.0 x 100.0 x 30.0 mm (2 1/2 x 4 x 1 3/16 inches)  
Approx. 180 g (6 oz) including batteries  
LED  
LED  
Power requirements  
Battery life  
Dimensions (W x H x D)  
Mass  
Power requirements  
Battery life  
Approx. 6 hours with Sony AA-size alkaline (LR6) batteries at 25 °C  
(77 °F) at 30 mW output  
Dimensions (W x H x D)  
Mass  
Supplied accessories  
63 x 100 x 27 mm (2 1/2 x 4 x 1 1/8 inches)  
Approx. 140 g (4.9 oz) including batteries  
Omni-directional (UWP-C1)/Uni-directional (UWP-S1/X1) lavalier  
microphone (x 1), windscreen (x 1), microphone-holder clip (x 1),  
belt clip (x 1)  
Supplied accessories  
Microphone stand adaptor (x 1), screw adaptor (x 1), shoe-mount  
adaptor (x 1), belt clip (x 1), output cable (x 1, 3-pole mini-plug/XLR-type)  
Handheld Microphone  
Oscillator  
Type of emission  
Crystal-controlled PLL synthesizer  
F3E  
Carrier frequencies  
CE model  
798 MHz to 822 MHz (TV channels 62 to 64) or 838 MHz to 862 MHz  
(TV channels 67 to 69) Users may choose from 189 frequencies on each  
model.  
RF power output  
Antenna  
30 mW or 5 mW (selectable)  
1/4 l wave length wire (internal)  
32 kHz  
Pilot tone signal  
Frequency response  
Reference deviation  
Signal-to-noise ratio  
Microphone capsule  
100 Hz to 18 kHz (typical)  
5 kHz (94 dB SPL, 1 kHz input)  
60 dB or more ( 5 kHz deviation at 1 kHz modulation, A-weighted)  
Dynamic capsule (uni-directional)  
0 to 21 dB (in 3 dB steps)  
Audio attenuator  
adjustment range  
Max. input sound  
pressure level  
151 dB SPL (at 21 dB attenuator level)  
Indicators  
LCD  
Operating channel number/frequency, attenuator level, RF-output level  
(High/Low), audio-input status, RF-output status, transmitter battery  
status, and accumulated operating time  
LED  
Power status  
Power requirements  
Battery life  
DC 3.0 V (two AA-size alkaline (LR6) batteries)  
Approx. 6 hours with Sony AA-size alkaline (LR6) batteries at 25 °C  
(77 °F) at 30 mW output  
Dimensions  
Mass  
Supplied accessories  
ø52 x 240 mm (ø2 1/8 x 9 1/2 inches)  
Approx. 300 g (10.6 oz) including batteries  
Microphone holder (x 1), screw adaptor (x 1)  
0 dBV = 1 Vrms  
0 dB SPL = 20µ Pa.  
47  
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Sony address/contact details/dealer stamp  
www.sonybiz.net/dvcam  
SONY BUSINESS EUROPE  
SONY IS A REGISTERED TRADEMARK OF THE SONY CORPORATION, JAPAN.  
SILVER SUPPORT, STEADYSHOT, POWER HAD, SETUPNAVI, MEMORY STICK, INFOLITHIUM,  
BETACAM SX, AND DVCAM ARE TRADEMARKS OF SONY CORPORATION.  
MICROSOFT, WINDOWS AND POWERPOINT ARE REGISTERED TRADEMARKS OF MICROSOFT CORPORATION.  
NETSCAPE IS A REGISTERED TRADEMARK OF NETSCAPE COMMUNICATIONS CORPORATION.  
MACINTOSH IS A REGISTERED TRADEMARK OF APPLE COMPUTER, INC.  
ALL OTHER TRADEMARKS ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS.  
FEATURES AND SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE.  
NON METRIC DIMENSIONS AND WEIGHT ARE APPROXIMATE.  
CA-DVCAM CATALOGUE 2003/GB-  
/
/2003  
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