Solid State Logic Network Card X Logic Series User Manual

X-Rack Owner’s Manual  
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Solid State Logic  
| |  
S O U N D  
V I S I O N  
SUPERANALOGUE  
X - R A C K  
Super-Analogue™ Outboard  
Owner’s Manual  
82S6XR010C  
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X-Rack Owner’s Manual  
Solid State Logic  
|
|
S O U N D  
V I S I O N  
Begbroke, Oxford, England, OX5 1RU • +44 (0)1865 842300  
320 West 46th Street, 2nd Floor, New York, NY 10036, USA • +1 (1) 212 315 1111  
Suite 401, 5757 Wilshire Blvd, Los Angeles, CA 90036, USA • +1 (1) 323 549 9090  
3-55-14 Sendagaya, Shibuya-Ku, Tokyo 151-0051, Japan • +81 (0)3 5474 1144  
7 bis, rue de la Victoire, le Blanc Mesnil, Paris 93150, France • +33 (0)1 48 67 84 85  
Via Timavo 34, 20124 Milano, Italy • +39 (0)39 2328 094  
© Solid State Logic  
All Rights reserved under International and Pan-American Copyright Conventions  
Solid State Logic, SSL and XLogic are trademarks of Solid State Logic  
All other product names and trademarks are the property of their respective owners  
No part of this publication may be reproduced in any form or  
by any means, whether mechanical or electronic, without the  
written permission of Solid State Logic, Oxford, England  
Initial Release (Rev. 0A), September 2005  
Added Mic Amp and EQ Modules (Rev. 0B), April 2006  
Added Line Return and Master Modules (Rev. 0C), October 2006  
As research and development is a continual process, Solid State Logic reserves the right  
to change the features and specifications described herein without notice or obligation  
E&OE  
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Contents  
1.  
2.  
Introduction  
3
Safety Considerations  
Definitions  
4
4
4
4
4
2.1  
2.2  
2.3  
2.4  
Electrical Safety Warning  
Installation  
Graphical Symbols  
3.  
4.  
X-Rack Installation  
Assembling the X-Rack  
Mounting  
6
6
6
7
7
7
7
7
7
3.1  
3.2  
3.3  
Connection  
3.3.1  
Power Connection  
Audio Connection  
Connection to an AWS 900  
MIDI Connection  
Mix Bus Link  
3.3.2  
3.3.3  
3.3.4  
3.3.5  
X-Rack Operation – Total Recall  
Overview  
8
8
4.1  
4.2  
4.2.1  
Standalone Mode  
Saving Stores to Internal Memory  
Recalling Stores  
8
8
4.2.2  
4.2.3  
4.2.4  
4.2.5  
4.2.6  
8
Exiting Display Mode  
Copy/Swap  
8
9
Deleting Stores  
9
Delete all Stores  
9
4.3  
AWS Remote Mode  
System Requirements  
Operation  
9
4.3.1  
4.3.2  
9
9
4.4  
Setup/MIDI mode  
Overview  
10  
10  
11  
12  
12  
12  
12  
13  
13  
4.4.1  
4.4.2  
4.4.3  
4.4.4  
4.4.5  
4.4.6  
4.4.7  
MIDI Save and Load  
Write Protect  
Remote Mode  
Address Setting  
Show Version  
Test Mode  
4.5  
Software Download and Installation  
5.  
Miscellaneous  
16  
16  
16  
17  
17  
5.1  
5.2  
5.3  
5.4  
Internal Links and Fuses  
Connector Details  
Physical Specification  
Environmental Specification  
A
B
D
E
Mic Amp Module  
EQ Module  
Dynamics Module  
Line Return Module  
Master Module  
A-1  
B-1  
D-1  
E-1  
F-1  
F
Page 1  
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X-Rack Owner’s Manual  
oigc  
XL  
Page 2  
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Introduction  
1. Introduction  
Overview  
The Solid State Logic X-Rack unit has been developed from the successful range of XLogic outboard equipment  
and provides a flexible solution to those engineers requiring a larger number of processing units in a compact  
package.  
The additional space provided by the X-Rack allows the processing modules to be vertically orientated,  
providing a more familiar interface to users of Solid State Logic’s renowned range of mixing consoles, and makes  
it possible to include Solid State Logic’s Total Recall system - the first time this has been available on an analogue  
outboard unit.  
This Manual  
The object of this manual is to provide purchasers of the X-Rack unit with information in the following areas:  
• Operation of the unit  
• Safety considerations  
• Installation requirements  
• Electrical connections and cabling  
• Connector pin-outs  
• Specifications and physical dimensions  
This manual is applicable to X-Rack units from serial number XRK110 onwards and assumes that the X-Rack unit  
is running V1.2/0 or later software. Please refer to Section 4 of this manual for instructions on how to check the  
current software version and how to obtain and install a newer version if required.  
Warranty  
The warranty period for this unit is 12 months from date of purchase.  
In Warranty Repairs  
In the event of a fault during the warranty period the unit must be returned to your local distributor who will  
arrange for it to be shipped to Solid State Logic for repair. All units should be shipped to Solid State Logic in their  
original packaging. Solid State Logic cannot be held responsible for any damage caused by shipping units in  
other packaging. In such cases Solid State Logic will return the unit in a suitable box, which you will be charged  
for. Please do not send manuals, power leads or any other cables – Solid State Logic can not guarantee to return  
them to you. Please also note that warranty returns will only be accepted as such if accompanied by a copy of the  
receipt or other proof of purchase.  
Out of Warranty Repairs  
In the event of a fault after the warranty period has expired, return the unit in its original packaging to your local  
distributor for shipment to Solid State Logic. You will be charged for the time spent on the repair (at Solid State  
Logic's current repair rate) plus the cost of parts and shipping.  
Page 3  
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X-Rack Owner’s Manual  
2. Safety considerations  
This section contains definitions and warnings, and practical information to ensure a safe working environment.  
Please take time to read this section before undertaking any installation work.  
2.1 Definitions  
‘Maintenance’  
All maintenance must be carried out by fully trained personnel. Note: it is advisable to observe suitable ESD  
precautions when maintenance to any part is undertaken.  
‘Non-User Adjustments’  
Adjustments or alterations to the equipment may affect the performance such that safety and/or international  
compliance standards may no longer be met. Any such adjustments must therefore only be carried out by fully  
trained personnel.  
‘Users’  
This equipment is designed for use solely by engineers and competent operators skilled in the use of professional  
audio equipment.  
‘Environment’  
This product is a Class A product intended to form an integrated component part of a professional audio  
recording, mixing, dubbing, film, TV, radio broadcast or similar studio wherein it will perform to specification  
providing that it is installed according to professional practice.  
2.2 Electrical Safety Warning  
When installing or servicing any item of Solid State Logic equipment with power applied, when cover  
and/or blank panels are removed, HAZARDOUS CONDITIONS CAN EXIST.  
These hazards include:  
High voltages  
High energy stored in capacitors  
High currents available from DC power busses  
Hot component surfaces  
Any metal jewellery (watches, bracelets, neck-chains and rings) that could inadvertently come into contact  
with uninsulated parts should always be removed before reaching inside powered equipment.  
2.3 Installation  
Voltage Selection and Fusing  
The X-Rack unit has an auto-sensing power supply that can operate on 100 – 230V without adjustment.  
The X-Rack power supply module is internally fused. If the fuse should fail for any reason the unit should be  
returned to Solid State Logic for repair/replacement as appropriate.  
Safety Earth Connection  
Any mains powered item of Solid State Logic equipment that is supplied with a 3-core mains lead (whether  
connectorised or not) should always have the earth wire connected to the mains supply ground. This is the safety  
earth and grounds the exposed metal parts of the racks and cases and should not be removed for any reason.  
Note that the earth stud provided on the rear of the equipment is a functional earth not a safety earth.  
Page 4  
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Safety Considerations  
Mains Supply and Phases  
Solid State Logic equipment is designed for connection to single phase supplies with the Neutral conductor at  
earth potential – category TN – and is fitted with a protective fuse in the Live conductor only. It is not designed  
for use with Phase (Live) and Neutral connections reversed or where the Neutral conductor is not at earth  
potential (TT or IT supplies).  
Mains cables will be coded with the following colour scheme:  
LIVE:  
Brown  
NEUTRAL:  
EARTH:  
Blue  
Yellow/Green  
Mains Isolation and Over-Current Protection  
An external disconnect device is required for this equipment; a detachable power cord, as fitted to this  
equipment, is a suitable disconnect device. Note that the socket outlet used for the detachable power cord should  
be installed near the equipment and should be easily accessible.  
An external over-current protection device is required to protect the wiring to this equipment which must be  
installed according to current wiring regulations. The fusing or breaking-current is defined in the environmental  
specification in Section 5.0 of this manual. In certain countries this function is supplied by use of a fused plug.  
CE Certification  
Note that the majority of cables supplied with Solid State Logic equipment are fitted with ferrite rings  
at each end. This is to comply with current European CE regulations and these ferrites should not be  
removed. If any of the equipment metalwork is modified in any way the CE certification status of the  
product may be adversely affected.  
Note that a frame or chassis terminal stud (functional earth) has been fitted to this equipment to provide a  
convenient low impedance bonding point for interconnected equipment, should it be required.  
FCC Certification  
The XLogic unit has been tested and found to comply with the limits for a Class A digital device, pursuant to part  
15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference  
when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate  
radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause  
harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause  
harmful interference in which case the user will be required to correct the interference at his own expense.  
Instructions for Disposal of WEEE by Users in the European Union  
The symbol shown here is on the product or on its packaging, which indicates that this product  
must not be disposed of with other waste. Instead, it is the user’s responsibility to dispose of  
their waste equipment by handing it over to a designated collection point for recycling of waste  
electrical and electronic equipment. The separate collection and recycling of your waste  
equipment at the time of disposal will help to conserve natural resources and ensure that it is  
recycled in a manner that protects human health and the environment. For more information  
about where you can drop off your waste equipment for recycling, please contact your local city  
office, your household waste disposal service or where you purchased the product.  
2.4 Graphical Symbols  
The following symbols may be used either on the product or in this manual:  
General hazard – refer to user or service  
Electrical hazard.  
manual for details.  
Frame or Chassis terminal.  
Protective Earth (ground).  
(Functional Earth)  
Page 5  
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X-Rack Owner’s Manual  
3. X-Rack Installation  
3.1 Assembling the X-Rack  
The X-Rack unit is normally shipped either as an empty rack (SSL Part No. 729935X1), a part filled (custom)  
rack or as a fully loaded unit; for example, a unit fitted with eight 729618X1 Dynamics modules (SSL  
Part No. 729935X2) – if you have purchased a fully loaded unit you should skip the rest of Section 3.1.  
In the case of empty or part filled racks, any empty module slots will be covered by blank panels which  
will need to be removed before fitting additional modules.  
Note. Do not attempt to fit or remove modules with power applied. Always switch the rack off and remove the power cord  
prior to working on this unit. When fitting or removing modules, it is advisable to observe suitable ESD precautions.  
Take care when handling modules and blank panels; sharp corners may be present.  
Modules are fitted from the front of the X-Rack, normally starting from the left hand end. Note that it is  
recommended that any required blank panels (SSL Part No. 729618X2) are fitted prior to fitting modules.  
Each module plugs into the backplane; use the two 8mm M3 counter sunk screws supplied with the  
module or blank to fix the item to the front of the rack – a 2mm AF hex key is supplied with the X-Rack  
unit. The rear connector panel or blank should be screwed to the rear of the case using the two 8mm M3  
button head screws supplied with the module. The end result should be a unit that is fully loaded with  
modules and/or blank panels. For ease of fitting, do not tighten the screws until all modules and/or blank  
panels have been fitted.  
Note. To ensure peak operating performance, please ensure all rear panel fixing screws are securely tightened; warping on  
the rear of the chassis may be observed – this is no cause for concern.  
3.2 Mounting  
The X-Rack unit is designed to be rack mounted or free standing. It is 4RU (178mm/7 inches) high. Its  
depth is:  
180 mm/7.2 inches  
255 mm/10.2 inches including connectors  
The unit does not require rack shelves. A 1RU space should normally be provided above the unit.  
The unit is supplied fitted with both feet and rack ears. If the unit is to be rack mounted the feet should be  
removed using the supplied 2.5 mm AF hex driver. The same driver can be used to remove the rack ears  
if the unit is to be free standing.  
Feet and rack ears are fixed using M4 x 8mm screws.  
Do not replace them with longer screws as this may damage the rack electronics.  
Page 6  
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X-Rack Installation and Operation  
3.3 Connection  
3.3.1 Power Connection  
The X-Rack unit has an auto-sensing power supply that can operate on 100 – 230V without adjustment.  
The power connection is made via a standard IEC mains cord to an un-switched IEC mains socket on the  
rear panel and a latching power switch is provided on the front panel of the unit.  
3.3.2 Audio Connection  
Generally, each module will have an input connector (normally a female XLR) and an output connector  
(normally a male XLR). Depending upon the type of module other connectors, such as key inputs, may be  
present also. Connect the module inputs to the insert sends of your console or to your workstation outputs.  
Connect the module outputs to the corresponding insert returns or to your workstation inputs.  
Once the unit is connected switch it on, then route a signal to each channel in turn and check that it is  
returned to the correct input on your console or workstation.  
Some module input and output gains can be set to operate at a nominal level of +4dBu or –10dBV using a  
switch on the connector panel. Select the appropriate level for the equipment you are connecting to. If in  
doubt either refer to the section of this manual specific to the particular module or experiment!  
3.3.3 Connection to an AWS 900  
If the X-Rack is being used with an AWS 900 or AWS 900+,  
connect the TOTAL RECALL LINK IN connector (a 9 pin D-  
type) to Serial Port 1 on the conole’s connector panel using the  
supplied 2 metre cable. This may be extended to a maximum of  
15 metres using a suitable pin to pin extension cable.  
TOTAL RECALL  
LINK IN  
TOTAL RECALL  
LINK OUT  
If you have more than one X-Rack unit connect the  
TOTAL RECALL LINK IN connector on the second unit to the  
TOTAL RECALL LINK OUT connector on the first unit using  
the supplied cable. A third unit may be connected to the second  
unit in the same way.  
3.3.4 MIDI Connection  
The MIDI port can be used for several functions:  
MIDI IN  
MIDI OUT  
• Archiving of the 32 internal stores as SysEx (System Exclusive) dumps  
• Remote control of the ‘soft’ functions of the XR622 Master module  
• Updating the system software  
If you wish to use this facility connect the X-Rack MIDI IN connector to a spare MIDI out connector on  
your MIDI interface and the X-Rack MIDI OUT connector to the corresponding MIDI input.  
A separate connection is required for each X-Rack.  
3.3.5 Mix Bus Link  
Some X-Rack modules can route signals onto the X-Rack’s internal mix busses. This 25-way ‘D’ type  
connector is provided to enable access to these buses and, using this connector, multiple X-Racks may be  
connected together enabling a large stereo mix system to be constructed. The pinout for this connector is  
detailed in Section 5.2.  
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X-Rack Owner’s Manual  
4. Operation - Total Recall  
4.1 Overview  
TOTAL RECALL  
The Total Recall computer stores all of the switch and rotary control  
positions for each X-Rack module in one of thirty two internal stores.  
These can be recalled and compared with the current settings using  
front panel LEDs to show which controls do not match. If the module  
layout has changed since the snapshot was taken, only the modules  
that match will be recalled.  
Empty  
2
3
1
4
Wr Prot  
The contents of all the stores can be archived and restored as a MIDI  
system exclusive data dump.  
Additionally the X-Rack can interface with the Total Recall system on  
an AWS 900 or AWS 900+. This allows the settings of up to three X-Rack  
units to be stored along with the AWS 900 settings.  
Push to Select  
Note. Through the rest of this manual, references to ‘AWS 900’ apply equally to  
‘AWS 900+’.  
SAVE  
5
COPY/  
DEL  
SETUP/  
MIDI  
6
7
4.2 Stand-alone Mode  
4.2.1 Saving Stores to Internal Memory  
A maximum of 32 stores can be saved in internal non-volatile memory, provided the stores have not been  
3
write-protected – indicated by the ‘Wr Prot’ LED  
being illuminated.  
4
5
First select a store by turning the D-Pot  
store all of the current control positions.  
, then press SAVE  
to  
If the store has already been used the SAVE LED will flash. Press the  
SAVE  
5
SAVE  
switch a second time to overwrite the store.  
Push to Select  
4.2.2 Recalling and Displaying Stores  
4
To select a store using the D-Pot  
then press the D-Pot to select that store.  
1
The current store is displayed on the dual 7-segment display  
.
2
If the selected store is empty the ‘Empty’ LED  
lights and the unit will not switch to display mode.  
With a valid store selected, the X-Rack module SEL LEDs will light if the module type in the store (EQ,  
Dynamics etc.) matches the module currently fitted in that slot. A flashing SEL LED indicates that some controls  
on that module do not match the stored positions. A steady LED shows that all controls are matched. The  
switch LEDs will light if the current switch position does not match the stored positions. Press or release  
the switch as required to extinguish the LED.  
Above each rotary control is a bi-colour LED:  
The LED lights red if  
the control needs  
turning anti-clockwise.  
The LED lights green if  
the control needs  
turning clockwise.  
or  
The LED extinguishes when the control matches the stored position.  
If a store is already being displayed when you select a different store the display will flash and the new  
store will not become active until you press the D-Pot for a second time.  
4.2.3 Exiting Display Mode  
4
Push the D-Pot  
a second time to exit display mode.  
All SEL LEDs will extinguish and the channel switch LEDs will now show the position of their respective  
switches.  
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X-Rack Installation and Operation  
4.2.4 Copy/Swap  
While displaying a TR setup pressing and holding a module SEL switch  
SEL  
SEL  
SEL  
SEL  
+
+
and then pressing a second SEL switch will swap the setting of the two  
channels.  
Selecting COPY/DEL and then doing the same will copy  
&
settings from the first channel to the second.  
Note that Copy/Swap is only allowed between similar  
modules; the unit will not allow you to swap settings  
between an EQ module and a Dynamics module for  
instance!  
COPY/  
DEL  
4.2.5 Deleting Stores  
Stores can be cleared (to remove unwanted stores before a SysEx dump) by  
holding down COPY/DEL till it’s LED flashes and pressing the D-Pot  
switch (while still holding down the COPY/DEL switch). Additional stores  
can be deleted by holding down the COPY/DEL switch, selecting the  
second store with the D-Pot and pressing the D-Pot again.  
+
+
COPY/  
DEL  
Push to Select  
4.2.6 Delete All  
All stores can be cleared by holding down all three  
switches until their LEDs flash, then pressing the D-Pot  
switch.  
SAVE  
COPY/  
DEL  
SETUP/  
MIDI  
Push to Select  
4.3 AWS Remote Mode  
4.3.1 System Requirements  
The X-Rack ‘TOTAL RECALL LINK IN’ connector must be connected to AWS 900 serial port 1 – see  
Section 3.3 for more details.  
If more than one X-Rack is connected each X-Rack must have a different address – refer to the Setup/MIDI  
Section.  
The AWS 900 must be running V1.2/6 or higher software and have Total Recall enabled for this to function.  
This software can be downloaded from the SSL website.  
4.3.2 Operation  
Pressing the Total Recall STORE switch on the AWS 900 will send a message to all attached X-Racks asking  
for the current control settings to be returned. The returned settings are appended to the AWS 900 Total  
Recall stores and are automatically archived and restored as part of the AWS 900 Total Recall system.  
Similarly pressing SELECT in the AWS TR page will return the  
selected Total Recall setup to the X-Rack unit(s). The remote  
SELECT  
load command will always replace the current setup and the X-  
Rack display will read ‘re’.  
To display the new settings, press the D-Pot as in ‘Standalone’ mode and to exit display mode press the  
D-Pot a second time. If the AWS 900 store does not contain valid data (for example if it was saved on an  
AWS 900 not connected to an X-Rack) the ‘Empty’ LED will light and it will not be possible to select display  
mode.  
Settings can be saved to the local stores and recalled at any time by turning the D-Pot (though see the  
Remote option in the Setup menu section). Pressing STORE in the TR page on the AWS 900 will always  
save the current state of the unit and pressing SELECT will replace the store to be displayed with the store  
from the AWS 900.  
See the Remote and the Address options in the Setup/MIDI Section.  
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X-Rack Owner’s Manual  
4.4 Setup/MIDI Mode  
4.4.1 Overview  
Enter SETUP/MIDI mode by holding down the SETUP/MIDI switch  
till the display reads ‘5e’. The SETUP/MIDI LED flashes to show you  
are in this mode. Press and hold the same switch to return to normal  
operation.  
SETUP/  
MIDI  
Navigating in the Setup menu  
The setup menu contains a number of options. These each contain a number of sub-options. Turn the  
D-Pot to scroll through the main list of options and push the D-Pot to select an option for editing. The D-  
Pot will now scroll through the available list of possible settings for that option. Pressing the D-Pot again  
will save the currently selected setting and return to the normal option menu. The options are:  
Option  
Display  
Setting  
Notes  
Enter Setup  
MIDI  
5e  
m1  
None  
MIDI Channel (ck)  
Select the MIDI channel to listen to for  
remote control of the XR622 Master  
module (01 to 16 or al for all)  
MIDI Learn (le)  
Define which MIDI controls operate  
the XR622 Monitor module controls  
Save (sa) and Load (l0)  
Send or receive SysEx data to save or  
load all internal stores to a MIDI  
sequencer or librarian  
Write Protect  
Remote  
pr  
re  
Off (0f) and On (0n)  
Toggles write protect on and off  
Off (0f), On (0n) or MIDI (m1) Toggles remote Total Recall mode on  
and off or enables MIDI remote control  
of the XR622 Monitor module controls  
Set Address  
ad  
a1, a2, a3, a4  
Sets X-Rack address for AWS Total  
Recall interface  
Show Version  
Test  
ve  
te  
Displays software version  
Test LEDs (tl)  
All module LEDs flash  
Test switches (t5)  
Press TR computer switches to light  
corresponding LEDs  
Test pots (tp)  
Shows position of pots  
Update Software fl  
Program upgrade mode (te)  
The only exit from this mode, without  
updating the X-Rack software, is to  
power-cycle the unit.  
Dim Level  
d1  
–3 (03) to –30 (30) dB  
Sets the ‘DIM’ level for the XR622  
Monitor module  
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X-Rack Installation and Operation  
4.4.2 MIDI (m1)  
Under this menu it is possible to set the MIDI controls which can control parts of the X-Rack XR622 Master  
module and also to save and load all internal stores to and from a MIDI sequencer or librarian as a SysEx  
dump.  
MIDI Remote Channel (ck)  
Under the MIDI menu, use the D-Pot to select MIDI Channel.  
Then press the D-Pot and turn it to select the required channel (‘01’  
to ‘16’ or ‘al’ for all/any channel). This is the MIDI channel that will  
be used for remote control of the XR622 Master module. By default  
X-Rack will listen on all channels.  
MIDI Remote Learn (ck)  
Under the MIDI menu, use the D-Pot to select  
MIDI Learn (le) and press SAVE. The green  
+
Wr Prot’ LED will flash to indicate you are in MIDI  
Learn mode. Operating any one of the ‘soft’ controls  
SAVE  
on the XR622 Master module will cause the LED of  
the selected control to flash (the module ‘SEL’ LED  
will flash if either of the potentiomenters have been chosen) – indicating it has been chosen. Assign a MIDI  
controller to the selected function by operating the required MIDI controller. To cancel or change the  
assignment either operate the Master module control again, or operate a different control. A successful  
assignment will be indicated by the flashing LED changing to just being illuminated steadily.  
To exit MIDI Learn mode, press the D-Pot – the green ‘Wr Prot’ LED will stop flashing. Switch assignments  
can be reset to the system defaults by pressing COPY/DEL when in MIDI Remote Learn mode; the ‘Empty’  
LED indicating when the assignments have been deleted.  
Default MIDI Controller Mapping  
MIDI Controller Master Module Control  
1
2
3
4
5
6
7
8
9
MIX  
REC  
EXT  
ALT  
MONO  
DIM  
CUT  
AFL Level  
Monitor LEVEL  
MIDI Save and Load  
In order to use the MIDI save and load utility the X-Rack must be connected to a computer running a  
suitable sequencer or MIDI librarian package.  
All the stored setups can be saved as a System Exclusive dump to any software package that supports  
MIDI SysEx dumps. In practice this includes most packages and you would normally save the TR setups  
to an additional track in your current DAW project so that your setups are stored with the rest of the  
project.  
Saving Setups to a Mac or PC (sa)  
With the X-Rack in Setup Mode, saving TR setups to Mac or PC can be achieved as follows:  
• Under the MIDI menu, use the D-Pot to select MIDI Save.  
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• The display will show ‘5a’ and both the ‘SAVE’ LED and display flash.  
&
SAVE  
• Create an additional MIDI track in your DAW program. Select its input and output to be the MIDI port  
connected to your X-Rack.  
• If available select the track to store System Exclusive data and record enable the MIDI track.  
• Press Play and Record on the DAW to put the MIDI track into record.  
• Press the SAVE switch to start transmission of all saved Total Recall setups.  
A ‘rotatingsegment’ display will start and run until all data has been transmitted  
SAVE  
• Once the display changes to ‘m1’ stop the DAW to end recording.  
An unlimited number of Total Recall setups can be stored in this way.  
Loading Setups from a Mac or PC (l0)  
Restoring setups from a Mac or PC is even simpler:  
• Enter MIDI mode as before, and turn the D-Pot until the display  
changes to ‘l0’ and begins to flash.  
Push to Select  
• Locate the DAW to just before the SysEx data containing the setups you wish to load.  
• Play through the SysEx block of data. The display will show a rotating segment while data is received.  
As soon as the X-Rack detects the start of valid data it will delete all the current setups and replace them  
with the stored ones from the MIDI track.  
4.4.3 Write Protect Mode (pr)  
Write Protect prevents existing stores being over  
written or deleted, providing an extra level of  
protection for units that have been programmed  
with particular settings.  
or  
When set to ‘0n’ the Save and Delete functions are  
disabled. When set to ‘0f’ they are enabled. The  
Wr Prot’ LED lights to show this mode has been  
selected.  
SAVE  
COPY/  
DEL  
SETUP/  
MIDI  
4.4.4 Remote Mode (re)  
This mode enables remote  
control of X-Rack, either from an  
or  
or  
AWS 900 for saving and  
recalling Total Recall snapshots  
or from a MIDI controller for control of the XR622 Master module.  
When Remote Mode is ‘0n’, selecting a TR setup on the AWS 900 Total Recall page will change the current  
X-Rack setup to the one saved in the AWS 900. The X-Rack display will change to read ‘re’ (remote).  
Pressing the D-Pot will display the TR setup as normal. When Remote Mode is ‘0f’, turning the D-Pot will  
change the current X-Rack setup to one of the internal stores but when Remote Mode is set to ‘0n’ the D-  
Pot is disabled once the X-Rack has received a setup from an AWS 900. This also prevents saving or  
deleting of local stores.  
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X-Rack Installation and Operation  
When Remote Mode is set to MIDI (‘m1’), the ‘soft’ controls on the XR622 Master module may be remotely  
operated as MIDI controls. The Master module controls will continue to function until a valid MIDI packet  
has been received, after which all of the ‘soft’ controls will be locked out – operating these controls under  
these conditions will result in an ‘re’ message on the X-Rack display. Which MIDI channels and controls  
are used is set through the MIDI learn process (see above).  
Note. Setting Remote Mode to MIDI will disable the AWS 900 Total Recall connection.  
4.4.5 Address Setting (ad)  
If more than one X-Rack is to be connected to an AWS 900 then each must have a different address. Enter  
Address mode and turn the D-Pot so the display reads ‘a1’, ‘a2’, ‘a3’ or ‘a4’ then press the D-Pot to save  
the address:  
or  
or  
or  
The order of addressing is not important, but we recommend you address the racks in the order they are  
connected to the AWS 900. This will increase the chances of data being correctly mapped if you move to a  
different facility.  
4.4.6 Test Mode (te)  
This mode is used for testing the front panel switches and LEDs.  
There are three test modes available, selected using the D-Pot as for the other Setup functions:  
Test LEDs (tl)  
This toggles the bi-colour LEDs above the pots between red and green.  
Test Switches (t5)  
This mode flashes all the channel switch LEDs. Pressing any switch (apart from SEL)  
should make the corresponding LED flash out of time with the other LEDs on the front  
panel.  
Pressing a SEL switch should light the corresponding LED.  
Pressing any of the switches on the TR computer section should flash the corresponding LED. Pressing the  
D-Pot should turn off the flashing ‘Empty’ LED and flash the ‘Wr Prot’ LED.  
Test Pots (tp)  
This mode scans all the modules from the top left to the bottom right of the unit and  
displays the value of the last rotary control not turned fully counter clockwise. If all controls  
are turned counter clockwise then the display shows ‘tp’.  
To use this diagnostic first turn all controls fully counter clockwise. The module SEL LEDs will flash on all  
modules with a control not in the correct position and the individual pot LEDs will light green on all  
controls not in the correct position. Turning any control should make the display change from ’02’ to ‘255’.  
Note that ‘02’ is the lowest value that can be read before the pot is skipped.  
The decimal points on the two displays are used to show numbers greater than ‘99’. The left hand decimal  
point lights to indicate that you should add a 100 to the displayed value and both decimal points light to  
show that you should add 200 to the displayed value, hence:  
101’ will display like this:  
whilst ‘201’ will display like this:  
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4.4.7 Show Version (ve)  
Select Show Version by turning the D-Pot till the display shows ‘ve’.  
Press the D-Pot to show the software version  
in three blocks. As an example, software  
version ‘V1.2/11’ will display in this sequence  
before returning to display ‘ve’.  
4.4.8 Set DIM Level (d1)  
Select DIM Level by turning the D-Pot till the display shows ‘d1’.  
Press the D-Pot to show the current DIM level. The level can be varied from –3dB (‘03’) to –30dB (‘30’).  
Press the D-Pot once more to change the DIM level.  
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X-Rack Installation and Operation  
4.5 Software Download and Installation  
Software to upgrade your X-Rack unit can be downloaded from the SSL website (http://www.solid-state-  
logic.com/plus/utilities.html). To access this page will you will need to be registered with us and logged into the website.  
The X-Rack software is packaged as a 50kB (approximately) Java archive file, the format of which is compatible  
with both PC and Macintosh (OS X only) platforms. Some users may need to install additional files on their computer  
before continuing – see System Requirements overleaf.  
Once the software package has been downloaded, it will need to be moved onto a Mac or PC that is connected  
to the X-Rack via MIDI after which you will be ready to install the new software. The following steps detail this  
process:  
1. Ensure that the X-Rack is turned on and connected to a MIDI port on your PC/Mac.  
2. Enter Setup mode and turn the D-Pot until the display shows ‘fl’  
(‘Flash’).  
Press the D-Pot and the display should change to read ‘te’ (‘Test’).  
To exit from this mode without updating software turn the unit off and on.  
3. Close all current applications on your PC/Mac.  
4. Double click on the X-Rack Software Update File. You should see the SSL X-Rack Software Update  
window appear:  
5. Go to the In MIDI Port menu. Select the MIDI IN port which is connected to your X-Rack from the drop  
down list. In the example shown below this was ‘port 1’ on an 8-Port interface. If nothing appears in the  
list check that you have installed the files listed in the System Requirements section over leaf.  
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6. Go to the Out MIDI Port menu. Select the MIDI OUT port which is connected to your X-Rack:  
Note that the Macintosh will show all MIDI Inputs at the top of the list, MIDI Outputs at the bottom.  
You must scroll to the middle of the list to see the MIDI Out ports.  
7. Click on the Test button. This transmits a packet of data to the X-Rack which should return  
an acknowledgment to the computer. If the test was successful the message ‘Comms test  
passed, now use send’ will be displayed and the display on the X-Rack should change to  
read ‘se’.  
If the test fails check that the correct MIDI port has been selected and that the X-Rack is in software  
download mode, then repeat the test.  
8. Once you have established a valid connection click on the Send button. The new code will now be  
transferred to memory on the X-Rack. This process will take approximately 20 seconds. A progress bar and  
transfer counter will be displayed on screen to enable you to observe the transfer progress and the X-Rack  
displays will show a rotating segment.  
Note. During this time it is important that power to the X-Rack is not interrupted.  
9. Once the software has been saved a message will appear ‘Software update completed’ and the X-Rack  
will re-boot using the new software. Click on ‘Exit’ to close the Update Utility.  
System Requirements  
PC users should ensure that they have the latest version of Java installed. This can be downloaded from  
http://www.java.com. There is a link to this address on the download page.  
Mac OS X users may need to download the ‘plumstoneserv.jar’ file, available from the SSL website  
(http://www.solid-state-logic.com/plus/utilities.html). Drag this file into the ‘/Library/Java/Extensions’  
folder then restart the Macintosh before running the upgrade utility.  
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X-Rack Installation and Operation  
5. Miscellaneous  
5.1 X-Rack Internal Links and Fuses  
5.1.1 Fuses (Mains Inlet)  
The power supply module is internally fused. In the event of this fuse failing the entire unit should be  
returned to your nearest SSL Service agent.  
5.1.2 Internal Fuses  
The internal power rail fuses will automatically reset once the fault condition has been removed and  
should not need to be replaced.  
5.1.3 Links  
There are no user settable links.  
5.2 X-Rack Connector Details  
Total Recall Link In  
Total Recall Link Out  
Location:  
Rear Panel  
Location:  
Rear Panel  
Conn' Type: 9-pin 'D' Type Female  
Conn' Type: 9-pin 'D' Type Male  
Pin  
Description  
Pin  
Description  
1
0V  
1
0V  
2
TX  
2
RX  
3
5
7
9
RX  
3
5
7
9
TX  
4
6
8
DTR (linked to DSR)  
0V  
4
6
8
DTR (linked to DSR)  
0V  
DSR (linked to DTR)  
RTS (linked to CTS)  
CTS (linked to RTS)  
0V  
DSR (linked to DTR)  
RTS (linked to CTS)  
CTS (linked to RTS)  
0V  
MIDI In  
MIDI Out  
Location:  
Rear Panel  
Location:  
Rear Panel  
Conn' Type: 5-pin DIN Female  
Conn' Type: 5-pin DIN Female  
Pin  
Description  
Pin  
Description  
1
n/c  
1
n/c  
2
0V  
2
n/c  
3
5
n/c  
Signal +ve  
Signal –ve  
3
5
n/c  
Signal +ve  
Signal –ve  
4
4
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X-Rack Connector Details (cont.)  
Mix Bus Link  
Location:  
Rear Panel  
Conn’ Type:  
25-pin ‘D’ Type Female  
Pin  
1
14  
2
15  
3
16  
4
Description  
Chassis  
AFL/Solo Bus Left (–ve)  
AFL/Solo Bus Left (+ve)  
Chassis  
AFL/Solo Bus Right (–ve)  
AFL/Solo Bus Right (+ve)  
Chassis  
17  
5
18  
6
19  
7
Mix Bus Left (–ve)  
Mix Bus Left (+ve)  
Chassis  
Mix Bus Right (–ve)  
Mix Bus Right (+ve)  
Chassis  
20  
8
21  
9
22  
10  
23  
11  
24  
12  
25  
13  
Record Bus Left (–ve)  
Record Bus Left (+ve)  
Chassis  
Record Bus Right (–ve)  
Record Bus Right (+ve)  
Chassis  
AFL/Solo Enable  
n/c  
n/c  
n/c  
n/c  
n/c  
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X-Rack Installation and Operation  
5.3 Physical Specification *  
Depth:  
180mm / 7.2 inches  
excluding front panel knob(s) and connectors  
including connectors, excluding front panel knob(s)  
255mm / 10.2 inches  
Height:  
Width:  
178mm / 7 inches (4 RU)  
excluding feet  
440mm / 17.4 inches  
483mm / 19 inches  
excluding rack ears  
including rack ears  
Weight:  
2.8kg / 6.2 pounds  
3.5kg / 7.7 pounds  
5.0kg / 11 pounds  
without modules fitted  
with blank panels fitted  
with modules fitted  
Power:  
50 Watts / 60VA  
with 8 modules fitted  
Boxed size:  
Boxed weight:  
540mm x 300mm x 270mm / 21.25" x 12" x 10.63"  
4.3kg / 9.5 pounds  
5.0kg / 11 pounds  
6.5kg / 14.3 pounds  
without modules fitted  
with blank panels fitted  
with modules fitted  
* All values are approximate  
5.4 Environmental Specification  
Temperature  
Operating:  
5 to 30 Deg. C  
Non-operating:  
Max. gradient:  
–20 to 50 Deg. C  
15 Deg. C/Hour  
Relative Humidity  
Operating:  
20 to 80 %  
Non-operating:  
Max. wet bulb:  
5 to 90 %  
29 Deg. C (non-condensing)  
Vibration  
Shock  
Operating:  
< 0.2 G (3 - 100Hz)  
< 0.4 G (3 - 100Hz)  
Non-operating, power off:  
Operating:  
< 2 G (10mSec. Max.)  
< 10 G (10mSec. Max.)  
Non-operating:  
Altitude  
Operating:  
0 to 3000m (above sea level)  
0 to 12000m  
Non-operating:  
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Notes  
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X-Rack Mic Amp Module  
A. The Mic Amp Module  
A.1 Connection  
The rear panel of the module carries the Mic (IN) and Line input (LINE’) XLRs along  
with a single output (OUT) XLR. The Line input and output operate at a nominal  
level of +4dBu although the gain of the Line input can be varied by a front panel  
control. Also contained on the front panel is an additional mono Jack socket for a high  
impedance Instrument input.  
IN  
LINE  
OUT  
A.2 Operation  
The X-Rack Mic module contains three seperate input amplifiers; a Microphone  
amplifier, an Instrument input and a Line input, any one of which may be selected  
at any one time. A set of High and Low Pass filters are also provided.  
XR621  
SEL  
MIC  
INST  
1
1
A.2.1 MIC Section  
Normally, the Microphone input on the rear of the module will be selected (LINE’  
and INST’ switches released); pressing the INST’ switch selects the mono jack  
instrument input on the front of the module. This is a very high impedance  
unbalanced input intended to be used with guitar pickups etc. To help alleviate  
hum, a ground lift (GND LFT’) switch has been provided which places a 1k2  
impedance in series with the sleeve of this connector and audio ground in the  
module. The gain of these inputs is continuously variable between +12dB and  
+75dB.  
IMP  
IN  
LO  
HI  
Z
+48V  
PAD  
+12  
+75  
+20  
dB  
dB  
LINE  
LINE  
2
-20  
9
Ø
HF  
The impedance of the Microphone input can be varied between 1k2and 10kΩ  
by selecting the IMP IN’ switch and adjusting the Z’ control. This allows the  
connection of line level signals to the Microphone input if required, and provides an  
alternative input impedance for some dynamic microphones.  
6
30  
60  
4
IN  
50  
3
KHz  
LF  
160  
300  
The PAD’ switch reduces the signal level of both the Microphone or Instrument  
inputs by 20dB. Phantom power, for microphones requiring this, can be switched on  
using the +48V’ switch. Please note that X-Rack units prior to serial number XRK0110  
are not normally enabled for +48V. However, a field retrofit kit (629620XR) is available for  
these units. Any in-warranty X-Rack units can be upgraded free-of-charge; for units out of  
warranty a charge will be made. Please contact your local distributor to order this kit, if  
required.  
IN  
30  
600  
OUTPUT  
SIGNAL  
REC  
L
REC  
R
INSTRUMENT  
GND  
LIFT  
Note. Please note that connecting a microphone to the X-Rack Mic module with phantom power  
switched on is not advised as it may cause damage to either the microphone or the input  
stage of the X-Rack module. Take care not to connect line level sources (keyboards etc.) to the  
microphone input with phantom power switched on as this may damage the output stage of  
the connected unit.  
2
A.2.2 LINE Section  
The Line input on the rear of the module is selected by pressing the LINE’ switch. The gain of this input  
can be varied by ±20dB from the nominal 0dB.  
The Ø (Phase) switch reverses the phase of the selected input.  
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3
A.2.3 HF/LF Section  
XR621  
This section contains simple high and low pass filters as follows:  
SEL  
HF (Low Pass):  
LF (High Pass):  
Frequency range 50kHz – 3kHz (–3dB point)  
Slope: 12dB/ Octave  
MIC  
INST  
Frequency range 30Hz – 600Hz (–3dB point)  
Slope: 18dB/ Octave  
IMP  
IN  
LO  
HI  
Z
The two filters can be switched into circuit independently.  
+48V  
PAD  
4
A.2.4 OUTPUT Section  
+12  
+75  
+20  
dB  
dB  
LINE  
LINE  
This small section contains a tri-colour signal present indicator and two routing  
switches (REC L’ and REC R’) which route the module signal onto a common  
internal record bus.  
-20  
9
Ø
HF  
The signal present indicator measures signals immediately prior to the output  
amplifier. It will light GREEN for output signals above the lower threshold of  
–60dBu, AMBER for signals between +4dBu and +24dBu and lights RED for signals  
above +24dBu.  
6
30  
60  
4
IN  
3
50  
3
KHz  
LF  
300  
160  
The record bus is not currently used but may be used by forthcoming X-Rack  
modules (such as the XR622 Mix/ Monitor Module, due late 2006).  
IN  
30  
600  
OUTPUT  
SIGNAL  
REC  
L
REC  
R
4
INSTRUMENT  
GND  
LIFT  
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X-Rack Mic Amp Module  
A.3 Performance Specification  
The following pages contain audio performance specification figures for the X-Rack Mic Amp module. No  
other Solid State Logic products are covered by this document and the performance of other Solid State  
Logic products can not be inferred from the data contained herein.  
A.3.1 Measurement Conditions  
For each set of figures on the following pages, the specific unit and test setup will be stated at the  
beginning of that section. Any changes to the specified setup for any particular figure(s) will be detailed  
beside the figures to which that difference applies.  
A.3.2 Measurement References  
Unless otherwise specified the references used in this specification are as follows:  
Reference frequency:  
1kHz  
Reference level:  
0dBu, where 0dBu 0.775V into any load  
Source impedance of Test Set:  
Input impedance of Test Set:  
50Ω  
100kΩ  
All unweighted measurements are specified as 22Hz to 22kHz band limited RMS and are expressed in  
units of dBu  
All distortion measurements are specified with a 36dB/ Octave low pass filter at 80kHz and are  
expressed as a percentage  
The onset of clipping (for headroom measurements) should be taken as 1% THD  
Unless otherwise quoted all figures have a tolerance of ±0.5dB or 5%  
All measurements are made with the operating level switch set for +4dBu  
A.3.3 Microphone Amplifier Performance  
Signal applied to Microphone Input and measured at Output. Pad switched out and Input Gain control  
set to +12dB (minimum).  
Gain  
Continously variable from +12dB to +75dB  
Independently switchable 20dB Pad available  
Input Impedance  
Output Headroom  
Continously variable from 1k2to 10kΩ  
> +26dBu at onset of clipping  
THD + Noise  
(-18dBu applied, +28dB gain)  
< 0.003% at 1kHz  
< 0.006% at 10kHz  
Frequency Response  
+0.05dB/ -0.1dB from 20Hz to 20kHz  
–3dB at 150kHz  
Equivalent Input Noise  
< –127dB at maximum gain  
(input terminated with 150)  
< –90dB at 0dB gain (+20dB with Pad IN)  
Common Mode Rejection  
(-10dBu applied, +30dB gain)  
> 75dB from 50Hz to 1kHz  
> 70dB at 10kHz  
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A.3.4 Instrument Input Performance  
Un-balanced signal applied to Instrument Input and measured at Output. Pad switched out and Input  
Gain control set to +12dB (minimum).  
Gain  
Continously variable from +12dB to +75dB  
Independently switchable 18dB Pad available  
Input Impedance  
Output Headroom  
1MΩ  
> +26dBu at onset of clipping  
THD + Noise  
(-18dBu applied, +28dB gain)  
< 0.03% at 1kHz  
< 0.05% at 10kHz  
Frequency Response  
+0.05dB/ -0.1dB from 20Hz to 20kHz  
–3dB at 150kHz  
Equivalent Input Noise  
< –82dB at +12dB (minimum) gain  
(Input terminated with 150)  
< –88dB at +28dB gain (mid’ position)  
A.3.5 Line Input Performance  
Signal applied to Line Input and measured at Output. Input Gain control set to 0dB (indent).  
Gain  
Continuously variable from –20dB to +20dB  
> 10kΩ  
Input Impedance  
THD + Noise  
< 0.005% from 20Hz to 20kHz  
(+24dBu applied, 0dB gain)  
Frequency Response  
±0.1dB from 20Hz to 20kHz  
–3dB at 150kHz  
Equivalent Input Noise  
< –90dB  
(Input terminated with 150)  
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X-Rack Mic Amp Module  
A.4 Calibration Information  
The X-Rack Mic Amp module is factory calibrated and should only need calibration if a potentiometer or  
other component has been replaced or if it is suspected that there is a problem with calibration.  
In each of the following instructions it is assumed that the lid of the X-Rack has been removed and that  
power has been applied. It is also assumed that unless otherwise specified, all switches are released and  
all front panel potentiometers are at unity or minimum position as appropriate. The required accuracy for  
each adjustment will be specified along with the target value. All level and distortion measurements  
should be made with audio-band 20Hz to 20kHz filters unless otherwise specified.  
All presets are accessible from the top of the unit.  
A.4.1 Microphone Input  
Equipment Required:  
Calibrated audio oscillator and audio level meter  
50Hz sinewave @ –12dBu, common mode  
Test Signal:  
Input and Output:  
Unit Setup:  
Oscillator to Mic Input and Output to the audio level meter  
Set the Mic Gain to 36dB’ (mid-position)  
CMRR Trim  
Adjustment:  
Adjust VR7 (CMRR) for minimum level (normally < –40dBu)  
A.4.2 Line Input  
Equipment Required:  
Test Signal:  
Calibrated audio oscillator and audio level meter  
1kHz sinewave @ 0dBu  
Input and Output:  
Unit Setup:  
Oscillator to Line Input and Output to the audio level meter  
Set the Line Gain to indent (0dB) and select LINE’  
Level Trim  
Adjustment:  
1. Adjust VR6 (0dB) for 0dBu ±0.05dB.  
A.4.3 Output Balance  
Equipment Required:  
Calibrated audio oscillator, audio level meter and a balance’ adaptor (see  
below)  
Test Signal:  
1kHz sine wave at +24dBu  
Input and Output:  
Oscillator to Line Input and Output to the audio level meter via the  
balance’ adaptor  
Unit Setup:  
Adjustment:  
Set the Line Gain to indent (0dB) and select LINE’  
Adjust VR8 (BAL) for minimum level (< 55dBr)  
A.4.4 ‘Balance’ Adaptor  
For the output balance adjustment, a balance’  
adaptor such as that illustrated here will be  
required. This adaptor consists of a pair of close  
tolerance resistors in an in-line cable and is  
used to sum together a balanced output in  
order to correctly adjust the level balance of the  
measured output; perfect balance should result  
in complete signal cancellation.  
1
2
3
3
2
1
0V  
+
1
1
5K01**  
5K01**  
From unit  
under test  
2
To measuring  
equipment  
+
0V  
1.  
2.  
Note  
Resistor tolerance should ideally be 0.01%  
Absolute level measured will depend upon the input  
impedence of the measuring equipment.  
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A.5 Connector Details  
Audio Input  
Audio Output  
Location:  
Rear Panel  
Location:  
Rear Panel  
Conn' Type: XLR Male  
Conn' Type: XLR Female  
Pin  
Description  
Pin  
Description  
1
Chassis  
1
Chassis  
2
Audio +ve  
Audio -ve  
2
Audio +ve  
Audio -ve  
3
3
Instrument Input  
Location:  
Front Panel  
Conn' Type: Mono 1/ 4" Jack Socket  
Pin  
Description  
Tip  
Sleeve  
Guitar Input  
Chassis  
A.6 Physical Specification *  
Depth:  
200mm / 7.9 inches  
275mm / 10.9 inches  
including front panel knobs, excluding connectors  
including front panel knobs and connectors  
Height:  
Width:  
171mm / 6.75 inches  
35mm / 1.4 inches  
49mm / 1.9 inches  
front/rear panels  
overall width (front and rear panels are offset)  
Weight:  
260g / 9.5 ounces  
Boxed size:  
190mm x 290mm x 70mm / 7.5" x 11.5" x 2.5"  
460g / 16.5 ounces  
Boxed weight:  
* All values are approximate  
A.7 Environmental Specification  
As per X-Rack – see page 19.  
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X-Rack EQ Module  
B. The EQ Module  
B.1 Connection  
The module input and output gains can be set to operate at a nominal level of either  
+4dBu or –10dBV, using a switch on the connector panel. To select the appropriate  
level for the equipment you are connecting to, please check the operating manual for  
your mixer or DAW. The switch should be released for +4dBu operation: push it in for  
–10dBV operation.  
IN  
-10dBV  
+4dBu  
OUT  
B.2 Operation  
The EQ module is a 4-band equaliser that can be switched between two different  
sets of curves, one based on the latest version of the classic SSL E Series EQ and the  
other based on SSL’s G Series EQ.  
XR625  
SEL  
dB  
HF  
1
The G-EQ button  
switches the EQ from E’ operation to G’ operation.  
switches the entire section in and out of circuit.  
KHz  
2
The IN button  
-
+
5
10  
22  
2
15  
B.2.1 Frequency Sections  
The different frequency sections are as follows:  
dB  
HMF  
1.5  
KHz  
-
+
HF Section:  
Frequency range 1.5kHz – 22kHz  
Gain ±20dB  
2
3
7
1
5
Q
.6  
LF Section:  
Frequency range 40Hz – 600Hz  
Gain ±16.5dB  
1
G-EQ  
The HF and LF sections provide shelving equalisers with variable turnover  
frequency and a gentle slope. Selecting the G-EQ’ button provides a slightly steeper  
slope for both sections with a degree of overshoot/ undershoot (depending on  
whether you are boosting or cutting) below the selected HF frequency (or above the  
LMF  
dB  
IN  
2
KHz  
-
+
.6  
.2  
1.0  
.3  
1.6  
selected LF frequency). Selecting ‘  
to a peaking curve.  
’ (‘Bell’) in either mode switches the equaliser  
Q
2.0  
HMF Section:  
Centre frequency 600Hz – 7kHz  
Gain ±20dB  
Continuously variable Q (0.7 – 2.5)  
Hz  
220  
600  
60  
LF  
dB  
40  
LMF Section:  
Centre frequency 200Hz to 2.5kHz  
Gain ±20dB  
-
+
Continuously variable Q (0.7 – 2.5)  
Normally, at any Q setting, the bandwidth of the HMF and LMF sections varies with  
gain, whereby an increase in boost or cut increases the selectivity of the EQ. This  
type of EQ can sound effective when used at moderate settings; the gentle Q curve lends itself to the  
application of overall EQ on combined sources and subtle corrective adjustments to instruments and  
vocals.  
When the EQ is switched to G-EQ’ operation, at any given Q setting the bandwidth of the HMF and LMF  
sections varies with gain such that an increase in boost or cut increases the selectivity of the EQ. This type  
of EQ can sound effective when used at moderate settings; the gentle Q curve lends itself to the application  
of overall EQ on combined sources and subtle corrective adjustments to instruments and vocals.  
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X-Rack EQ Module  
B.3 Performance Specification  
The following pages contain audio performance specification figures for the X-Rack EQ Module. No other  
Solid State Logic products are covered by this document and the performance of other Solid State Logic  
products can not be inferred from the data contained herein.  
B.3.1 Measurement Conditions  
For each set of figures on the following pages, the specific unit and test setup will be stated at the  
beginning of that section. Any changes to the specified setup for any particular figure(s) will be detailed  
beside the figures to which that difference applies.  
B.3.2 Measurement References  
Unless otherwise specified the references used in this specification are as follows:  
Reference frequency:  
1kHz  
Reference level:  
0dBu, where 0dBu 0.775V into any load  
Source impedance of Test Set:  
Input impedance of Test Set:  
50Ω  
100kΩ  
All unweighted measurements are specified as 22Hz to 22kHz band limited RMS and are expressed in  
units of dBu  
All distortion measurements are specified with a 36dB/ Octave low pass filter at 80kHz and are  
expressed as a percentage  
The onset of clipping (for headroom measurements) should be taken as 1% THD  
Unless otherwise quoted all figures have a tolerance of ±0.5dB or 5%  
All measurements are made with the operating level switch set for +4dBu  
B.3.3 Performance  
Signal applied to Input and measured at Output. EQ switched In. All EQ controls set centre as appropriate.  
THD + N  
< 0.005% at +20dBu 1kHz  
< 0.007% at +20dBu 10kHz  
Frequency Response  
±0.5dB from 20Hz to 20kHz  
–3dB at 200kHz  
Output Headroom  
Noise  
> +26dBu at onset of clipping  
< –83dBu (+4dBu operating level)  
< –92dBu (–10dBV operating level)  
B.3.4 Curves  
Each channel contains a four band equaliser that can be switched between two different sets of curves, one  
based on the latest version of the classic SSL E Series EQ and the other based on SSL’s G Series EQ. High  
and low pass filters are also available.  
HF Band controls:  
Frequency  
Variable from 1.5kHz to 22kHz  
Variable between ±20dB  
Gain  
Q’  
2.5 (on ‘  
’ setting)  
HMF Band controls:  
Frequency  
Gain  
Variable from 600Hz to 7kHz  
Variable by > ±20dB  
Q’  
Variable from 0.5 to 2.5 (may also vary with gain)  
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LMF Band controls:  
Frequency  
Variable from 200Hz to 2.5kHz  
Variable by > ±20dB  
Gain  
Q’  
Variable from 0.5 to 2.5 (may also vary with gain)  
LF Band controls:  
Frequency  
Gain  
Variable from 40Hz to 600Hz  
Variable between ±16.5dB  
Q’  
2.5 (on ‘  
’ setting)  
The LF and HF bands have variable turnover frequency with switchable bell/ shelving and selectable  
response curves:  
Channel Equaliser Curves  
Amplitude (dBr)  
v
Frequency (Hz)  
25.0  
20.0  
15.0  
10.0  
5.0  
’E type’  
’G type"  
Normal (E type) curves with the G-EQ’  
switch OUT follow conventional cut or  
boost characteristics.  
0.0  
‘G type’ curves with the G-EQ’ switch IN,  
have a modified slope with a degree of  
-5.0  
-10.0  
-15.0  
-20.0  
-25.0  
overshoot/ undershoot  
selectivity.  
for  
increased  
20  
100  
1k  
10k  
100k  
The two parametric bands have selectable characteristics which affect the relationship between frequency  
bandwidth and gain:  
Channel Equaliser Curves  
Amplitude (dBr)  
v
Frequency (Hz)  
25.0  
20.0  
15.0  
’E type’  
’G type’  
Both  
With the G-EQ’ switch OUT, the frequency  
bandwidth is constant at all gains.  
10.0  
5.0  
With the G-EQ’ switch IN, the frequency  
bandwidth reduces with increased gain,  
thereby increasing the selectivity of the EQ  
as the gain is increased.  
0.0  
-5.0  
-10.0  
-15.0  
At full boost or cut both are identical.  
-20.0  
-25.0  
10  
100  
1k  
10k  
20k  
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X-Rack EQ Module  
B.4 Calibration Information  
The X-Rack EQ module is factory calibrated and should only need calibration if a potentiometer or other  
component has been replaced or if it is suspected that there is a problem with calibration.  
In each of the following instructions it is assumed that the lid of the X-Rack has been removed and that  
power has been applied. It is also assumed that unless otherwise specified, all switches are released and  
all front panel potentiometers are at unity or minimum position as appropriate. The required accuracy for  
each adjustment will be specified along with the target value. All level and distortion measurements  
should be made with audio-band 20Hz to 20kHz filters unless otherwise specified.  
All presets are accessible from the top of the unit.  
Note. The unit should be allowed to warm up with power applied for at least 15 minutes prior to making any adjustments.  
B.4.1 EQ Alignment  
Equipment Required:  
Test Signal:  
Calibrated audio oscillator and audio level meter  
Sine wave @ –6dBu, frequencies as specified below  
Oscillator to Input, Output to the audio level meter  
1. Switch the EQ IN and release all other EQ switches.  
2. Release the +4dBu/ 10dBV switch on the rear panel.  
Input and Output:  
Unit Setup:  
3. Set all of the Q and Frequency controls fully anti-clockwise and all Gain  
controls to their centre indent.  
HF EQ - Maximum Gain  
Adjustment:  
1. Set HF Gain to maximum and select HF  
. Set the audio oscillator for  
12kHz and adjust HF Frequency to find the maximum level on the audio  
level meter.  
2. Adjust VR13 (HF Q) for +20dBu ±0.25dB.  
3. Reset HF Gain to its centre indent position, de-select HF  
the audio level meter for 0dBu.  
and re-check  
HMF EQ - Maximum Gain  
Adjustment:  
1. Set HMF Gain to maximum and HMF Q fully anti-clockwise. Set the  
audio oscillator for 3kHz and adjust HMF Frequency to find the  
maximum level on the audio level meter.  
2. Adjust VR11 (HMF Q) for +21dBu ±0.25dB.  
3. Reset HMF Gain to its centre indent position, re-check the audio level  
meter for 0dBu.  
LMF EQ - Maximum Gain  
Adjustment:  
1. Set LMF Gain to maximum and LMF Q fully anti-clockwise. Set the audio  
oscillator for 1kHz and adjust LMF Frequency to find the maximum level  
on the audio level meter.  
2. Adjust VR12 (LMF Q) for +21dBu ±0.25dB.  
3. Reset LMF Gain to its centre indent position, re-check the audio level  
meter for 0dBu.  
(continued)  
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LF EQ - Maximum Gain  
Adjustment:  
1. Set LF Gain to maximum and select LF  
. Set the audio oscillator for  
80Hz and adjust LF Frequency to find the maximum level on the audio  
level meter.  
2. Adjust VR14 (LF Q) for +16.5dBu ±0.25dB.  
3. Reset LF Gain to its centre indent position, de-select LF  
the audio level meter for 0dBu.  
and re-check  
B.4.2 Output Balance  
Equipment Required:  
Calibrated audio oscillator, audio level meter and a balance’ adaptor (see  
below).  
Test Signal:  
1kHz sine wave at +24dBu.  
Input and Output:  
Oscillator to the Input of the channel being tested, Output to the level  
meter via the balance’ adaptor.  
Unit Setup:  
Adjustment:  
Ensure that all front panel switches are off and all controls are set fully  
anti-clockwise.  
Connect the test equipment to the each channel in turn and adjust VR15  
(BAL) for minimum level (< 55dBr).  
B.4.3 ‘Balance’ Adaptor  
For the output balance adjustment, a balance’  
1
2
3
3
2
1
0V  
+
adaptor such as that illustrated here will be  
required. This adaptor consists of a pair of close  
tolerance resistors in an in-line cable and is  
used to sum together a balanced output in  
order to correctly adjust the level balance of the  
measured output; perfect balance should result  
in complete signal cancellation.  
1
1
5K01**  
5K01**  
From unit  
under test  
2
To measuring  
equipment  
+
0V  
1.  
2.  
Note  
Resistor tolerance should ideally be 0.01%  
Absolute level measured will depend upon the input  
impedence of the measuring equipment.  
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X-Rack EQ Module  
B.5 Connector Details  
Audio Input  
Audio Output  
Location:  
Rear Panel  
Location:  
Rear Panel  
Conn' Type: XLR Male  
Conn' Type: XLR Female  
Pin  
Description  
Pin  
Description  
1
Chassis  
1
Chassis  
2
Audio +ve  
Audio -ve  
2
Audio +ve  
Audio -ve  
3
3
B.6 Physical Specification *  
Depth:  
200mm / 7.9 inches  
275mm / 10.9 inches  
including front panel knobs, excluding connectors  
including front panel knobs and connectors  
Height:  
Width:  
171mm / 6.75 inches  
35mm / 1.4 inches  
49mm / 1.9 inches  
front/rear panels  
overall width (front and rear panels are offset)  
Weight:  
260g / 9.5 ounces  
Boxed size:  
190mm x 290mm x 70mm / 7.5" x 11.5" x 2.5"  
460g / 16.5 ounces  
Boxed weight:  
* All values are approximate  
B.7 Environmental Specification  
As per X-Rack – see page 19.  
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X-Rack Dynamics Module  
D. The Dynamics Module  
D.1 Connection  
The module input and output gains can be set to operate at a nominal level of either  
+4dBu or –10dBV, using a switch on the connector panel. Select the appropriate level  
for the equipment you are connecting to. If in doubt experiment!  
IN  
To check the input and output gains, set the compressor Ratio and Threshold controls  
fully clockwise and send a signal close to the nominal operating level of your mixer or  
DAW to the dynamics module. The lower three LEDs of the compression meter should  
light if the input level matches the selected operating level. Release the switch for  
+4dBu operation: push it in for –10dBV operation.  
-10dBV  
+4dBu  
KEY  
OUT  
D.2 Operation  
Each dynamics module comprises a compressor/ limiter and a gate/ expander, both  
of which use the same gain element.  
XR618  
SEL  
1
The IN button  
switches the entire section in and out of circuit.  
COMPRESSOR  
PK  
RATIO  
2
D.2.1 Compressor/Limiter Section  
1
THRESHOLD  
RATIO – When turned to 1:1, the compressor/ limiter section is inactive. Turning  
the control clockwise increases the compression ratio, giving a true limiter at the  
fully clockwise position. The compressor normally has an over-easy’ characteristic.  
Pressing the PK button switches this to peak sensing, and replaces the over-easy’  
characteristic with a hard knee.  
2
-20  
RELEASE +10  
FAST  
ATT  
4
0.1  
20  
14  
10  
6
THRESHOLD – Whenever a signal exceeds the level set by this control, the  
compressor will start to act at the ratio set by the RATIO control. The  
THRESHOLD and RATIO controls also provide automatic make-up gain, so as  
you lower the threshold and introduce more compression, the output level is  
increased, maintaining a steady output level regardless of the amount of  
compression.  
KEY  
3
RANGE  
GATE/  
EXPANDER  
0
40  
THRESHOLD  
3
EXP  
FST ATK Normally the attack time is program dependent (3mS – 30mS). Press this  
button to select a fixed fast attack time (3mS for 20dB gain reduction).  
-30  
+10  
RELEASE  
FAST  
ATT  
RELEASE – Sets the time constant (speed) with which the compressor returns to  
4
0.1  
normal gain settings once the signal has passed its maximum.  
HOLD  
LINK  
3
D.2.2 Gate/Expander Section  
0
4
1
IN  
This section can act as a :1 Gate or as a 2:1 Expander when the EXP button is  
pressed.  
RANGE – Determines the depth of gating or expansion. When turned fully  
anticlockwise (Range = 0), this section is inactive. When turned fully clockwise, a  
gate depth of 40dB can be obtained.  
THRESHOLD – Determines the level at which the gate opens or below which gain reduction begins (EXP  
selected), adjustable from +10dBu to –20dBu. Variable hysteresis is incorporated in the threshold circuitry  
to prevent spurious triggering of the gate when the signal is close to the threshold level. This means that  
the signal has to decay roughly 2dB below the threshold level before the gate will start to close.  
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FST ATK Normally, a controlled linear attack time of 1.5ms per 40dB is provided.  
XR618  
Press this button to select a fast attack time (100µs per 40dB). The attack time is the  
time taken for the Gate/ Expander to recover’ once the signal level is above the  
threshold. When gating signals with a steep rising edge, such as drums, a slow  
attack may effectively mask the initial THWACK’, so you should be aware of this  
when selecting the appropriate attack time.  
SEL  
COMPRESSOR  
PK  
RATIO  
1
THRESHOLD  
RELEASE – This determines the time constant (speed), variable from 0.1 to 4  
seconds, at which the Gate/ Expander reduces the signal level once it has passed  
below the threshold. Note that this control interacts with the Range control.  
-20  
RELEASE +10  
FAST  
ATT  
HOLD – Determines the time after the signal has decayed below the threshold  
4
0.1  
before the gate starts to close. Variable from 0 to 4 seconds.  
20  
14  
10  
6
KEY  
KEY – Switches the Dynamics side chain to the KEY’ input on the rear panel of the  
unit.  
3
RANGE  
GATE/  
EXPANDER  
LINK – The side chain control signals of multiple modules can be linked by  
pressing the LINK switch on those modules you wish to gang. When two (or more)  
Dynamics sections are linked, the control voltages of each section sum together, so  
that whichever section has the most gain reduction will control the other section.  
0
40  
THRESHOLD  
EXP  
-30  
+10  
RELEASE  
Dont try to link two gates using the LINK button when you want the signal on one  
to open the other. If you need to achieve this effect, take a keying signal from one  
section to trigger the other. The easiest way to do this is by patching from the  
‘source’ signal to the Key input of the destination’ channel, and selecting KEY (see  
above) on this channel.  
FAST  
ATT  
4
0.1  
HOLD  
LINK  
0
4
IN  
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X-Rack Dynamics Module  
D.3 Performance Specification  
The following pages contain audio performance specification figures for the X-Rack Dynamics Module.  
No other Solid State Logic products are covered by this document and the performance of other Solid State  
Logic products can not be inferred from the data contained herein.  
D.3.1 Measurement Conditions  
For each set of figures on the following pages, the specific unit and test setup will be stated at the  
beginning of that section. Any changes to the specified setup for any particular figure(s) will be detailed  
beside the figures to which that difference applies.  
D.3.2 Measurement References  
Unless otherwise specified the references used in this specification are as follows:  
Reference frequency:  
1kHz  
Reference level:  
0dBu, where 0dBu 0.775V into any load  
Source impedance of Test Set:  
Input impedance of Test Set:  
50Ω  
100kΩ  
All unweighted measurements are specified as 22Hz to 22kHz band limited RMS and are expressed in  
units of dBu  
All distortion measurements are specified with a 36dB/ Octave low pass filter at 80kHz and are  
expressed as a percentage  
The onset of clipping (for headroom measurements) should be taken as 1% THD  
Unless otherwise quoted all figures have a tolerance of ±0.5dB or 5%  
All measurements are made with the operating level switch set for +4dBu  
D.3.3 Compressor/Limiter  
Controls:  
Ratio (slope)  
Threshold  
Attack Time  
Release  
Variable from 1 to infinity (limit)  
Variable from +10dB to –30dB  
Normally auto sensing, switchable to 1mS  
Variable from 0.1 to 4 seconds  
The XLogic Channel unit Compressor/ Limiter has two modes of signal detection, Peak and RMS. As their  
names suggest these modes of detection either act on peaks of the incoming signals or on their RMS levels.  
This gives two very different modes of compression and limiting with Peak Mode giving far more  
dramatic compression characteristics.  
D.3.4 Expander/Gate  
Controls:  
Range  
Variable from 0 to 40dB  
Threshold  
Variable from –30dB to +10dB  
Normally auto-sensing, switchable to 150µs  
Variable from 0 to 4 seconds  
Attack Time  
Hold Time  
Release Time  
Variable from 0.1 to 4 seconds  
The side chain signal can be sourced either from the signal feeding the dynamic or the external Key input.  
Filters and/ or Equaliser can be inserted in the sidechain.  
LED meters independently indicate amount of compression and expansion.  
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D.3.5 Measurement Conditions  
Signal applied to Input, output measured at Output. All pots anti-clockwise and switches out’ except for  
Dynamics in.  
THD + N (+10dBu applied)  
< 0.01% at 1kHz  
Signal at +20dBu applied to Input, Compressor Threshold set at –20, Compressor Ratio adjusted to give  
+4dBu at Output. RMS sensing mode selected.  
THD + N  
< 0.3% at 1kHz  
(Fast Attack Mode) †  
< 0.05% at 10kHz  
THD + N  
(Slow Attack Mode)  
< 0.03% at 1kHz  
< 0.05% at 10kHz  
† LF distortion is consistent with attack and release time constants.  
Output Headroom  
> +26dBu at onset of clipping  
Frequency Response  
–3dB at 130kHz  
±0.2dB from 20Hz to 20kHz  
Noise  
< –88dBu  
D.4 Calibration Information  
The X-Rack Dynamics module is factory calibrated and should only need calibration if a potentiometer or  
other component has been replaced or if it is suspected that there is a problem with calibration.  
In each of the following instructions it is assumed that the lid has been removed and that power has been  
applied. It is also assumed that unless otherwise specified, all switches are released and all front panel  
potentiometers are at unity or minimum position as appropriate. The required accuracy for each  
adjustment will be specified along with the target value. All level and distortion measurements should be  
made with audio-band 20Hz to 20kHz filters unless otherwise specified.  
All presets are accessible from the top of the unit.  
Note. The unit should be allowed to warm up with power applied for at least 15 minutes prior to any adjustments being  
made.  
D.4.1 Dynamics Adjustments  
If the dynamics circuitry requires adjustment the following procedure should be followed in the order  
shown. All presets are on the 629618 card.  
Equipment Required:  
Calibrated audio oscillator, audio distortion analyser, audio level meter,  
oscilloscope and a (digital) DC volt meter.  
Test Signal:  
1kHz sine wave unless specified otherwise, level as specified.  
Input and Output:  
Oscillator to Input A (or B), Output to either the distortion analyser or the  
level meter, as specified below. Use the oscilloscope to monitor the  
measured signal.  
Unit Setup:  
Switch the dynamics IN and the EQ and Filter sections OUT, set all of the  
dynamics controls anti-clockwise and release all switches.  
D.4.2 Distortion  
Adjustment:  
1. Connect the distortion analyser to the Output and set the oscillator level  
for +20dBu.  
2. Adjust VR12 for minimum distortion (< 0.02%).  
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X-Rack Dynamics Module  
D.4.3 Compressor Threshold  
Adjustment:  
1. Connect the level meter to the Output and set the oscillator level for  
–28.35dBu.  
2. Measure the DC voltage at test point TP14 relative to 0VA and adjust VR9  
(COMP_THOLD) for 0V ±10mV.  
D.4.4 Compressor Law  
Adjustment:  
1. Set the oscillator level for +20dBu.  
2. Connect the level meter to the Output. Check for +20dBu ±0.5dB.  
3. Set the compressor ratio control fully clockwise and press in the  
compressor FST ATT and PK switches.  
4. Adjust VR10 (COMP_LAW) for a level of 14dBu ±0.1dB.  
5. Reset the compressor ratio control fully anti-clockwise.  
D.4.5 Gate Threshold  
Adjustment:  
1. Set the oscillator level for +10dBu and connect the level meter to the  
Output.  
2. Set the gate/ expander to gate’ by releasing the EXP switch, set the gate  
range and gate threshold controls fully clockwise.  
3. Adjust VR8 (GATE_THOLD) so that the gate just switches on.  
4. Check this adjustment by changing the oscillator level a little. Re-adjust  
VR8 if necessary so that the gate just opens when a +10dBu signal @ 1kHz  
is applied.  
D.4.6 Output Balance  
Equipment Required:  
Calibrated audio oscillator, audio level meter and a balance’ adaptor (see  
below).  
Test Signal:  
1kHz sine wave at +24dBu.  
Input and Output:  
Oscillator to the Input of the channel being tested, Output to the level  
meter via the balance’ adaptor.  
Unit Setup:  
Adjustment:  
Ensure that all front panel switches are off and all controls are set fully  
anti-clockwise.  
Connect the test equipment to the each channel in turn and adjust VR13  
(BAL) for minimum level (< 55dBr).  
D.4.7 ‘Balance’ Adaptor  
For the output balance adjustment, a balance’  
adaptor such as that illustrated here will be  
required. This adaptor consists of a pair of close  
tolerance resistors in an in-line cable and is  
used to sum together a balanced output in  
order to correctly adjust the level balance of the  
measured output; perfect balance should result  
in complete signal cancellation.  
1
2
3
3
2
1
0V  
+
1
1
5K01**  
5K01**  
From unit  
under test  
2
To measuring  
equipment  
+
0V  
1.  
2.  
Note  
Resistor tolerance should ideally be 0.01%  
Absolute level measured will depend upon the input  
impedence of the measuring equipment.  
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X-Rack Owner’s Manual  
D.5 Connector Details  
Audio Input  
Audio Output  
Location:  
Rear Panel  
Location:  
Rear Panel  
Conn' Type: XLR Male  
Conn' Type: XLR Female  
Pin  
Description  
Pin  
Description  
1
Chassis  
1
Chassis  
2
Audio +ve  
Audio -ve  
2
Audio +ve  
Audio -ve  
3
3
Key Input  
Location:  
Rear Panel  
Conn' Type: XLR Female  
Pin  
Description  
1
Chassis  
2
Audio +ve  
Audio -ve  
3
D.6 Physical Specification *  
Depth:  
200mm / 7.9 inches  
275mm / 10.9 inches  
including front panel knobs, excluding connectors  
including front panel knobs and connectors  
Height:  
Width:  
171mm / 6.75 inches  
35mm / 1.4 inches  
49mm / 1.9 inches  
front/rear panels  
overall width (front and rear panels are offset)  
Weight:  
260g / 9.5 ounces  
Boxed size:  
190mm x 290mm x 70mm / 7.5" x 11.5" x 2.5"  
460g / 16.5 ounces  
Boxed weight:  
* All values are approximate  
D.7 Environmental Specification  
As per X-Rack – see page 19.  
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X-Rack Line Return Module  
E. The Line Return Module  
E.1 Introduction  
The X-Rack Line Return module is designed to operate in conjunction with the X-Rack XR622 Master  
module to create an expandable, rack mounted, stereo line level mixer. The X-Rack Master module  
provides the monitoring facilities that would be expected; mix amps, monitor outputs and a headphone  
feed – please refer to the X-Rack Master module documentation for a full description.  
E.2 Connection  
The rear panel of the module carries a pair of 25-way ‘D’ connectors. The left-hand  
connector provides four balanced Line Inputs whilst the right-hand connector  
provides access to the Insert Send and Insert Returns for each of the four Line Inputs.  
LINE IN  
INSERT  
SEND/  
RTN  
1 - 4  
This module operates at a nominal level of +4dBu although the gain of each Line Input  
or Insert Return can be varied by a front panel control.  
E.3 Operation  
The X-Rack Line Return module contains four separate input amplifiers, each  
equipped with individual Gain and Pan controls as well as Insert, Solo and  
Record/Mix bus switches.  
XR623  
SEL  
PAN  
LINE 1  
INS  
1
The ‘LEVEL’ control  
allows the gain of each input to be varied from –∞ to +10dB  
with an indent at unity gain. A signal present indicator measures the signal level  
immediately prior to the ‘LEVEL’ control. It will light GREEN for signals above the  
lower threshold of –60dBu, AMBER for signals between +4dBu and +24dBu and  
lights RED for signals above +24dBu.  
LEVEL  
REC  
1
2
SOLO  
PAN  
PAN  
PAN  
LINE 2  
INS  
Signals applied to the input of the module will be permanently available on the  
Insert Send; the Insert Return can be selected in place of the Line Input by pressing  
2
the ‘INS’ switch  
. Note that the Insert Return can also be used to provide an  
LEVEL  
alternative input to each input amplifier.  
REC  
3
4
Each input can be individually routed to either the Mix Bus (‘REC’ switch released)  
SOLO  
3
LINE 3  
INS  
or the Record Bus (‘REC’ switch pressed)  
. The ‘SOLO’ switch feeds signal, post  
Level and Pan, to the X-Rack Solo Bus. Each of the three busses feed the X-Rack  
Master Module, located either in the same X-Rack or remotely if multiple X-Rack  
units have been linked by the ‘MIX BUS LINK’ connector (please note that X-Rack  
units prior to serial number XRK0110 are not equipped with an ‘MIX BUS LINK’  
connector).  
LEVEL  
REC  
SOLO  
LINE 4  
INS  
4
The ‘PAN’ control  
will pan between Left and Right of the selected bus.  
LEVEL  
REC  
SOLO  
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X-Rack Line Return Module  
E.4 Performance Specification  
The following page contains audio performance specification figures for the X-Rack Line Return module.  
No other Solid State Logic products are covered by this document and the performance of other Solid State  
Logic products can not be inferred from the data contained herein.  
E.4.1 Measurement Conditions  
For each set of figures on the following pages, the specific unit and test setup will be stated at the  
beginning of that section. Any changes to the specified setup for any particular figure(s) will be detailed  
beside the figures to which that difference applies.  
E.4.2 Measurement References  
Unless otherwise specified the references used in this specification are as follows:  
• Reference frequency:  
1kHz  
• Reference level:  
0dBu, where 0dBu ≈ 0.775V into any load  
• Source impedance of Test Set:  
• Input impedance of Test Set:  
50Ω  
100kΩ  
• All unweighted measurements are specified as 22Hz to 22kHz band limited RMS and are expressed in  
units of dBu  
• All distortion measurements are specified with a 36dB/Octave low pass filter at 80kHz and are  
expressed as a percentage  
• The onset of clipping (for headroom measurements) should be taken as 1% THD  
• Unless otherwise quoted all figures have a tolerance of 0.5dB or 5%  
• All measurements are made with the operating level switch set for +4dBu  
E.4.3 Line Input Performance  
Signal applied to Line Input and measured at Mix Bus Insert Send on an X-Rack Master module. Input  
Gain control set to 0dB (indent). Line Input under test routed to Mix Bus, all other Line Inputs routed to  
Rec Bus.  
Gain  
Continuously variable from –∞ to +10dB  
> 10kΩ  
Input Impedance  
THD + Noise  
(+24dBu applied, 0dB gain)  
< 0.005% from 20Hz to 20kHz  
Frequency Response  
0.1dB from 20Hz to 20kHz  
–3dB at 150kHz  
Equivalent Input Noise  
(Input terminated with 150Ω)  
< –88dBu  
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X-Rack Owner’s Manual  
E.5 Calibration Information  
The X-Rack Line Return module is factory calibrated and should only need calibration if a potentiometer  
or other component has been replaced or if it is suspected that there is a problem with calibration.  
In each of the following instructions it is assumed that an X-Rack Master module is also fitted to the  
X-Rack and that power has been applied. It is also assumed that unless otherwise specified, all switches  
are released and all front panel potentiometers are at unity or minimum position as appropriate. The  
required accuracy for each adjustment will be specified along with the target value. All level and  
distortion measurements should be made with audio-band 20Hz to 20kHz filters unless otherwise  
specified.  
These presets are not accessible from the top of the unit, access to the right-hand side of the module will  
be required for adjustment.  
E.5.1 Line Input  
Equipment Required:  
Calibrated audio oscillator and audio level meter  
1kHz sinewave @ 0dBu  
Test Signal:  
Input and Output:  
Oscillator to Line Input  
Output to the audio level meter from Master module Mix Bus Insert Send  
(use Left or Right as instructed below)  
Unit Setup:  
1. Set each Level control to indent (0dB).  
2. Set each Pan control Left.  
E.5.2 Line 1  
Adjustment:  
1. Measure Insert Send Left and adjust VR9 for 0dBu 0.1dB.  
2. Set the Pan control to Centre and adjust VR14 for –4.5dBu 0.1dB.  
3. Measure Insert Send Right and adjust VR13 for –4.5dBu 0.1dB.  
4. Repeat each step until correct.  
E.5.3 Line 2  
Adjustment:  
1. Measure Insert Send Left and adjust VR10 for 0dBu 0.1dB.  
2. Set the Pan control to Centre and adjust VR16 for –4.5dBu 0.1dB.  
3. Measure Insert Send Right and adjust VR15 for –4.5dBu 0.1dB.  
4. Repeat each step until correct.  
E.5.4 Line 3  
Adjustment:  
1. Measure Insert Send Left and adjust VR11 for 0dBu 0.1dB.  
2. Set the Pan control to Centre and adjust VR17 for –4.5dBu 0.1dB.  
3. Measure Insert Send Right and adjust VR18 for –4.5dBu 0.1dB.  
4. Repeat each step until correct.  
E.5.5 Line 4  
Adjustment:  
1. Measure Insert Send Left and adjust VR12 for 0dBu 0.1dB.  
2. Set the Pan control to Centre and adjust VR19 for –4.5dBu 0.1dB.  
3. Measure Insert Send Right and adjust VR20 for –4.5dBu 0.1dB.  
4. Repeat each step until correct.  
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X-Rack Line Return Module  
E.6 Connector Details  
Line In  
Insert Send/Return  
Location:  
Rear Panel  
Location:  
Rear Panel  
Conn’ Type: 25-pin ‘D’ Type Female  
Conn’ Type: 25-pin ‘D’ Type Female  
Pin  
Description  
Pin  
Description  
1
Insert Return 4 (–ve)  
Insert Return 4 (+ve)  
0V  
Insert Return 3 (–ve)  
Insert Return 3 (+ve)  
0V  
Insert Return 2 (–ve)  
Insert Return 2 (+ve)  
0V  
Insert Return 1 (–ve)  
Insert Return 1 (+ve)  
0V  
Line Input 4 (–ve)  
Line Input 4 (+ve)  
0V  
Line Input 3 (–ve)  
Line Input 3 (+ve)  
0V  
Line Input 2 (–ve)  
Line Input 2 (+ve)  
0V  
Line Input 1 (–ve)  
Line Input 1 (+ve)  
0V  
1
Insert Return 4 (–ve)  
Insert Return 4 (+ve)  
0V  
Insert Return 3 (–ve)  
Insert Return 3 (+ve)  
0V  
Insert Return 2 (–ve)  
Insert Return 2 (+ve)  
0V  
Insert Return 1 (–ve)  
Insert Return 1 (+ve)  
0V  
Insert Send 4 (–ve)  
Insert Send 4 (+ve)  
0V  
Insert Send 3 (–ve)  
Insert Send 3 (+ve)  
0V  
Insert Send 2 (–ve)  
Insert Send 2 (+ve)  
0V  
Insert Send 1 (–ve)  
Insert Send 1 (+ve)  
0V  
14  
15  
16  
17  
18  
19  
20  
21  
22  
23  
24  
25  
14  
15  
16  
17  
18  
19  
20  
21  
22  
23  
24  
25  
2
3
2
3
4
4
5
5
6
6
7
7
8
8
9
9
10  
11  
12  
13  
10  
11  
12  
13  
n/c  
n/c  
Note The Insert Send is a parallel of the Line Input.  
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X-Rack Owner’s Manual  
E.7 Physical Specification *  
Depth:  
200mm / 7.9 inches  
including front panel knobs, excluding connectors  
including front panel knobs and connectors  
275mm / 10.9 inches  
171mm / 6.75 inches  
Height:  
Width:  
35mm / 1.4 inches  
49mm / 1.9 inches  
front/rear panels  
overall width (front and rear panels are offset)  
Weight:  
260g / 9.5 ounces  
Boxed size:  
190mm x 290mm x 70mm / 7.5" x 11.5" x 2.5"  
460g / 16.5 ounces  
Boxed weight:  
* All values are approximate  
E.8 Environmental Specification  
As per X-Rack – see page 19.  
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X-Rack Master Module  
F. The Master Module  
F.1 Introduction  
Used in conjunction with the XR623 X-Rack Line Return module, the XR622 X-Rack Master module  
provides a complete small scale mix and monitor system for studios seeking a compact solution for mixing  
and monitoring in the analogue domain. A single X-Rack can provide up to 28 line level inputs. Additional  
racks can be connected via the ‘MIX BUS LINK’ connector on the rear of the X-Rack unit, allowing  
additional inputs to be added to the system if required.  
Note. X-Rack units prior to serial number XRK0110 are not equipped with a ‘MIX BUS LINK’ connector.  
The X-Rack Total Recall system allows session setups to be recalled instantly and can be archived as a  
MIDI SysEx dump to any MIDI sequencer. The monitor section controls can also be controlled remotely  
using MIDI controller commands from any MIDI controller. Up to three racks can be connected to an  
AWS 900 or AWS 900+ and integrated with the AWS 900 Total Recall system via the serial port. Connecting  
the MIX and REC outputs of the XR-622 to the MIX and REC Insert Returns of the AWS 900 and selecting  
INSERT SUM mode allows almost unlimited expansion of the number of line level inputs to the console.  
F.2 Connection  
The rear panel of the module carries a pair of 25-way ‘D’ connectors. The left-hand  
INS RTN INS SND  
connector provides the main and alternate Monitor outputs as well as a stereo External  
EXT  
MON  
MIX  
REC  
Input and the Mix Bus Insert Return. The right-hand connector provides Mix and  
Record Bus outputs along with the Mix Bus Insert Send and a Follow-Monitor (pre-  
level control) output.  
ALT MON FOL MON  
All outputs (apart from the headphone output) operate at a nominal level of +4dBu  
and are configured to drive standard line level inputs. Level compensation for feeding  
600Ω inputs from the Bus, Insert and Monitor outputs is provided by removable  
jumpers – refer to Section F.3.4 for details.  
XR622  
SEL  
0
3
6
9
F.3 Operation  
12  
15  
18  
24  
As well as a compact stereo monitor section, the X-Rack Master module contains the  
mix amps and outputs for the X-Rack’s internal Mix, Record and Solo/AFL busses.  
The Mix bus is intended to be used as the main mix bus and includes a balanced  
insert point immediately before the Mix level control. The Record bus provides a  
direct path to a DAW (or any other recorder), allowing the Mix bus to be used to  
provide a monitor mix while recording one or more inputs via the Record bus.  
30  
36  
42  
48  
MONITOR  
MIX  
SUM  
REC  
1
MON  
INS  
MIX LEVEL  
INS  
If the X-Rack is fitted with XR621 Mic Amp modules these can be routed directly to  
the Record bus using the ‘REC L’ and ‘REC R’ switches on the XR621 module.  
SUM  
MONITOR  
MIX  
SOLO  
AFL  
1
F.3.1 Mix Section  
REC  
EXT  
This section carries all of the Mix bus controls; the ‘MIX LEVEL’ control allows the  
overall gain of the Mix bus to be adjusted (the Record bus level is fixed).  
LEVEL  
The ‘INS’ switch brings the Mix Bus Insert Return into circuit (the Insert Send is  
permanently active) whilst the ‘SUM REC’ and ‘INS SUM’ switches allow the  
Record bus and Insert Return to be summed with the Mix bus to allow for summing  
of additional mix sources.  
ALT  
MONO  
DIM  
CUT  
The ‘MON’ switch enables the Mix output to be replaced with whichever source(s)  
have been selected for the Monitor section.  
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2
F.3.2 Monitor Section  
XR622  
The Monitor Section enables the Mix and Record busses or a stereo external input to  
be monitored, the source to monitor being set by either the ‘MIX’, ‘REC’ or ‘EXT’  
switches either seperately or together, allowing great flexibility in recording and  
montitoring signals. The ‘EXT’ input would normally be playback from the main  
recorder or DAW. The selected monitor signals can be routed back to the Mix output  
using the MON switch in the Mix Section, allowing composite mixes to be easily  
recorded back to the master recorder or DAW ADC.  
SEL  
0
3
6
9
12  
15  
18  
24  
30  
36  
42  
48  
3
MONITOR  
MIX  
If one of the ‘SOLO’ switches on any other X-Rack modules is active, the ‘SOLO’  
LED will illuminate and the AFL bus will be switched to the monitor output in place  
of the selected signal. The level of the AFL signal can be adjusted with the ‘AFL’  
control.  
SUM  
REC  
MON  
INS  
MIX LEVEL  
INS  
SUM  
The overall monitor level is set by the ‘LEVEL’ control and the ‘MONO’ switch  
allows quick mono compatibility checking. The ‘DIM’ and ‘CUT’ switches provide  
either partial (between –3 and –30dB) or full attenuation of the monitored signal as  
required.  
MONITOR  
MIX  
SOLO  
AFL  
REC  
EXT  
Metering of the selected source (or sources) is provided by the stereo bargraph  
2
LEVEL  
3
meter  
which measures the signal level immediately prior to the ‘LEVEL’ control.  
ALT  
Two sets of stereo loudspeaker outputs plus a headphone amplifier are provided.  
The headphone socket is driven by a fixed gain amplifier immediately post the  
‘LEVEL’ control and is un-affected by the loudspeaker ‘ALT’ switch.  
MONO  
DIM  
CUT  
F.3.3 Expansion  
Each of the three X-Rack busses (Mix, Record and Solo/AFL) are accessible  
externally through the ‘MIX BUS LINK’ connector on the rear of the X-Rack.  
Additional X-Racks can be connected via this connector, allowing additional inputs  
to be mixed together and feed a single Master module. The pinout for this connector  
is detailed in Section 5.2 of the X-Rack Owner’s Manual; if the connector listing is not present in your  
manual, a more recent copy may be downloaded from the Solid State Logic website ( http://solid-state-  
Note. Only one XR622 master module is required per system – connecting two or more X-Rack units fitted with XR622  
modules together will cause serious gain errors and distortion (though it will not damage the system electronics).  
F.3.4 Configuration  
Dim Level  
The attenation applied to the monitor signal when the ‘DIM’ switch is active is set by the Total Recall  
processor. The default level is –15dB, it can be adjusted as follows:  
• Press and hold SETUP/MIDI until the SETUP/MIDI LED flashes.  
• Use the D-Pot to select ‘d1’ (DIM Level). Press the D-Pot to select this option.  
• Use the D-Pot to set the required level (between –3dB and –30dB).  
• Press the D-Pot once more to set the selected value and return to the setup menu or press and hold  
SETUP/MIDI until the SETUP/MIDI LED stops flashing to return to normal operation.  
MIDI Remote  
Controlling the ‘soft’ controls on the XR622 Master module via MIDI will require MIDI controls to be  
mapped onto the required Master module functions. This is accomplished as follows:  
• Press and hold SETUP/MIDI until the SETUP/MIDI LED flashes.  
• Use the D-Pot to select ‘m1’ (MIDI Setup). Press the D-Pot to select the MIDI Setup menu.  
• Use the D-Pot to select ‘ck’ (MIDI Channel). Press the D-Pot to select this option.  
• Use the D-Pot to set the MIDI Channel to listen to (‘01’ to ‘16’ or ‘al’ for ‘all’). Press the D-Pot to leave  
this option.  
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X-Rack Master Module  
• Use the D-Pot to select ‘le’ (MIDI Remote Learn) and press SAVE to enable learn mode.  
• Operate any one of the ‘soft’ controls on the XR622 Master module. This will cause the LED of the  
selected control to flash (the ‘SEL’ LED will flash if either of the potentiomenters have been chosen).  
Assign a MIDI controller to the selected function by operating the required MIDI controller. Repeat the  
‘operate – assign’ process for all required controls.  
• Press the D-Pot again to leave this option and return to the setup menu or press and hold SETUP/MIDI  
until the SETUP/MIDI LED stops flashing to return to normal operation.  
• Switch assignments can be reset to the system defaults by pressing COPY/DEL when in MIDI Remote  
Learn mode; the ‘Empty’ LED indicating when the assignments have been deleted.  
Default MIDI Controller Mapping  
MIDI Controller Master Module Control  
1
2
3
4
5
6
7
8
9
MIX  
REC  
EXT  
ALT  
MONO  
DIM  
CUT  
AFL Level  
Monitor LEVEL  
Note. These configuration options are also covered in the main X-Rack manual.  
Level Compensation  
Each of the Insert Send, Mix Bus, Record Bus and Monitor outputs are provided with level compensation  
for driving low (600Ω) inputs. Level compensation is activated by removing a jumper for each output as  
follows:  
600Ω Output Level Compensation  
Link  
LK1  
Output  
Alt/Main Monitor Right  
Record Bus Left  
Record Bus Right  
Alt/Main Monitor Left  
Insert Send Left  
Insert Send Right  
Mix Bus Left  
LK2  
LK3  
LK4  
LK5  
LK6  
LK7  
LK8  
Mix Bus Right  
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X-Rack Owner’s Manual  
F.4 Performance Specification  
The following page contains audio performance specification figures for the X-Rack Master module. No  
other Solid State Logic products are covered by this document and the performance of other Solid State  
Logic products can not be inferred from the data contained herein.  
F.4.1 Measurement Conditions  
For each set of figures on the following pages, the specific unit and test setup will be stated at the  
beginning of that section. Any changes to the specified setup for any particular figure(s) will be detailed  
beside the figures to which that difference applies.  
F.4.2 Measurement References  
Unless otherwise specified the references used in this specification are as follows:  
• Reference frequency:  
1kHz  
• Reference level:  
0dBu, where 0dBu ≈ 0.775V into any load  
• Source impedance of Test Set:  
• Input impedance of Test Set:  
50Ω  
100kΩ  
• All unweighted measurements are specified as 22Hz to 22kHz band limited RMS and are expressed in  
units of dBu  
• All distortion measurements are specified with a 36dB/Octave low pass filter at 80kHz and are  
expressed as a percentage  
• The onset of clipping (for headroom measurements) should be taken as 1% THD  
• Unless otherwise quoted all figures have a tolerance of 0.5dB or 5%  
• All measurements are made with the operating level switch set for +4dBu  
F.4.3 Mix Bus Performance  
Signal applied to one channel of an X-Rack Line Input module and routed to Mix Bus. Signal measured  
on Mix Output. All other inputs un-routed from the bus under test. Mix Bus Gain control set to 0dB.  
Gain  
Continuously variable from –∞ to 0dB  
THD + Noise  
(+24dBu applied, 0dB gain)  
< 0.005% from 20Hz to 10kHz,  
< 0.008% at 20kHz  
Frequency Response  
0.1dB from 20Hz to 20kHz  
–3dB at 150kHz  
Equivalent Input Noise  
(Input terminated with 150Ω)  
< –88dBu  
F.4.4 Record Bus Performance  
Signal applied to one channel of an X-Rack Line Input module and routed to Record Bus. Signal measured  
on Record Output. All other inputs un-routed from the bus under test.  
THD + Noise  
(+24dBu applied, 0dB gain)  
< 0.005% from 20Hz to 20kHz  
Frequency Response  
0.1dB from 20Hz to 20kHz  
–3dB at 150kHz  
Equivalent Input Noise  
(Input terminated with 150Ω)  
< –88dBu  
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X-Rack Master Module  
F.5 Calibration Information  
The X-Rack Master module is factory calibrated and should only need calibration if a potentiometer or  
other component has been replaced or if it is suspected that there is a problem with calibration.  
In each of the following instructions it is assumed that the lid of the X-Rack has been removed and that  
power has been applied. It is also assumed that, unless otherwise specified, all switches are released and  
all front panel potentiometers are at unity or minimum position as appropriate. The required accuracy for  
each adjustment will be specified along with the target value. All level and distortion measurements  
should be made with audio-band 20Hz to 20kHz filters unless otherwise specified.  
All presets are accessible from the top of the unit.  
F.5.1 Mix Level Tracking  
Equipment Required:  
Calibrated audio oscillator and audio level meter  
1kHz sinewave @ +24dBu  
Test Signal:  
Input and Output:  
Oscillator to Insert Return Left  
Output to the audio level meter from Mix Bus Output (use Left or Right  
as instructed below)  
Unit Setup:  
Adjustment:  
Select ‘INS’ and set ‘MIX LEVEL’ to centre.  
1. Measure Mix Bus Output Left and note the reading.  
2. Connect the oscillator to Insert Return Right.  
3. Measure Mix Bus Output Right and adjust VR6 (‘TRACKING’) for a level  
which matches that measured in step 1.  
F.5.2 Meter Level  
Equipment Required:  
Calibrated audio oscillator and audio level meter  
1kHz sinewave @ +24dBu  
Test Signal:  
Input and Output:  
Oscillator to Insert Return Left  
Output to the audio level meter from Follow Mon Output (use Left or  
Right as instructed below)  
Unit Setup:  
Adjustment:  
1. Select ‘INS’ and set ‘MIX LEVEL’ to maximum.  
2. Select  
1. Measure the Left ‘Follow Mon’ Output. Adjust the oscillator level to  
obtain +24dBu, if necessary.  
2. Adjust VR5 (‘0dB LEFT’) so that that the top left hand ‘red’ LED on the  
bargraph meter just illuminates.  
3. Connect the oscillator to Insert Return Right.  
4. Measure the Right ‘Follow Mon’ Output. Adjust the oscillator level to  
obtain +24dBu, if necessary.  
5. Adjust VR4 (‘0dB RIGHT’) so that that the top right hand ‘red’ LED on the  
bargraph meter just illuminates.  
Page F-5  
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X-Rack Owner’s Manual  
F.6 Connector Details  
Ins Rtn, Ext, Mon, Alt Mon  
Ins Snd, Mix, Rec, Fol Mon  
Location:  
Rear Panel  
Location:  
Rear Panel  
Conn’ Type:  
25-pin ‘D’ Type Female  
Conn’ Type:  
25-pin ‘D’ Type Female  
Pin  
1
14  
2
Description  
Pin  
1
14  
2
Description  
Alt Monitor Out Right (+ve)  
Alt Monitor Out Right (–ve)  
0V  
Follow Monitor Right (+ve)  
Follow Monitor Right (–ve)  
0V  
15  
3
16  
4
17  
5
Alt Monitor Out Left (+ve)  
Alt Monitor Out Left (–ve)  
0V  
Main Monitor Out Right (+ve)  
Main Monitor Out Right (–ve)  
0V  
15  
3
16  
4
17  
5
Follow Monitor Left (+ve)  
Follow Monitor Left (–ve)  
0V  
Record Output Right (+ve)  
Record Output Right (–ve)  
0V  
18  
6
19  
7
20  
8
Main Monitor Out Left (+ve)  
Main Monitor Out Left (–ve)  
0V  
External Input Right (+ve)  
External Input Right (–ve)  
0V  
18  
6
19  
7
20  
8
Record Output Left (+ve)  
Record Output Left (–ve)  
0V  
Mix Output Right (+ve)  
Mix Output Right (–ve)  
0V  
21  
9
External Input Left (+ve)  
External Input Left (–ve)  
0V  
Mix Insert Return Right (+ve)  
Mix Insert Return Right (–ve)  
0V  
Mix Insert Return Left (+ve)  
Mix Insert Return Left (–ve)  
0V  
21  
9
Mix Output Left (+ve)  
Mix Output Left (–ve)  
0V  
Mix Insert Send Right (+ve)  
Mix Insert Send Right (–ve)  
0V  
Mix Insert Send Left (+ve)  
Mix Insert Send Left (–ve)  
0V  
22  
10  
23  
11  
24  
12  
25  
13  
22  
10  
23  
11  
24  
12  
25  
13  
n/c  
n/c  
Headphones  
Location:  
PL2  
Front Panel  
Location:  
Internal  
Conn’ Type:  
Stereo 1/4" Jack Socket  
Conn’ Type:  
16-pin IDC Plug  
Pin  
Tip  
Ring  
Sleeve  
Description  
Left  
Pin  
Description  
n/a  
For Future Expansion  
0V  
Page F-6  
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X-Rack Master Module  
F.7 Physical Specification *  
Depth:  
200mm / 7.9 inches  
including front panel knobs, excluding connectors  
including front panel knobs and connectors  
275mm / 10.9 inches  
171mm / 6.75 inches  
Height:  
Width:  
35mm / 1.4 inches  
49mm / 1.9 inches  
front/rear panels  
overall width (front and rear panels are offset)  
Weight:  
260g / 9.5 ounces  
Boxed size:  
190mm x 290mm x 70mm / 7.5" x 11.5" x 2.5"  
460g / 16.5 ounces  
Boxed weight:  
* All values are approximate  
F.8 Environmental Specification  
As per X-Rack – see page 19.  
Page F-7  
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X-Rack Owner’s Manual  
Page F-8  
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