Sherwood Stereo System RD 6108 User Manual

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MASTER VOLUME  
AUDIO/VIDEO RECEIVER RD-6108  
MAIN POWER  
REMOTE  
SENSOR  
STTUNED  
TAPE  
M
PRESET  
MEM  
dB  
kHz  
MHz  
TONE  
DIRECT  
ms  
DIGITAL Pro Logic  
THEATER HALL SLEEP  
DTS  
ON/ OFF  
INPUT SELECTOR  
SURROUND MODE  
DSP MODE  
STANDBY  
DIGITAL  
INPUTS  
TONE  
DIRECT  
AUDIO  
VIDEO  
TAPE MON.  
6CH DIRECT  
AUTO  
STEREO  
ON/STANDBY  
VIDEO  
3
PHONES  
CHANNEL  
SELECTOR  
SPEAKER  
MODE  
DYNAMIC  
RANGE  
SPEAKER  
ON/OFF  
ADJUST  
TONE MODE  
CINEMA EQ MEMO/ENTER  
TUNING/PRESET  
T/P MODE  
FM MODE  
BAND  
-
-
VIDEO  
L
AUDIO  
R
RD-6108  
AUDIO/VIDEO RECEIVER  
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READ THIS BEFORE OPERATING YOUR UNIT  
FOR U.S.A AND CANADA ..............................120 V  
FOR OTHER COUNTRIES ................... 115 V/230 V  
FOR YOUR SAFETY  
FOR YOUR SAFETY  
Units shipped to the U.S.A and Canada are designed  
for operation on 120 V AC only.  
Units shipped to countries other than the above  
countries are equipped with an AC voltage selector  
switch on the rear panel. Refer to the following  
paragraph for the proper setting of this switch.  
Safety precaution with use of a polarized AC plug.  
However, some products may be supplied with a  
nonpolarized plug.  
AC VOLTAGE SELECTION  
This unit operates on 115/230 V AC. The AC voltage  
selector switch on the rear panel is set to the voltage  
that prevails in the area to which the unit is shipped.  
Before connecting the power cord to your AC outlet,  
make sure that the setting position of this switch  
matches your line voltage. If not, it must be set to  
your voltage in accordance with the following  
direction.  
CAUTION : To prevent electric shock, match wide  
blade of plug to wide slot, fully insert.  
FOR EUROPE AND AUSTRALIA .........230V/240V  
FOR YOUR SAFETY  
Units shipped to Australia are designed for operation  
on 240 V AC only.  
To ensure safe operation, the three-pin plug supplied  
must be inserted only into a standard three-pin  
power point which is effectively earthed through the  
normal household wiring. Extension cords used with  
the equipment must be three-core and be correctly  
wired to provide connection to earth.  
AC voltage selector switch  
Improper extension cords are a major cause of  
fatalities. The fact that the equipment operates  
satisfactorily does not imply that the power point is  
earthed and that the installation is completely safe.  
For your safety, if in any doubt about the effective  
earthing of the power point, consult a qualified  
electrician.  
AC 230 V  
AC 115 V  
Move switch lever to match your line voltage with a  
small screwdriver or other pointed tool.  
PAN-EUROPEAN UNIFIED VOLTAGE  
All units are suitable for use on supplies 230~240 V  
AC.  
3
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CONTENTS  
Introduction  
UNPACKING AND INSTALLATION....................................................................................................... 2  
READ THIS BEFORE OPERATING YOUR UNIT................................................................................... 3  
System Connections........................................................................................................................................ 5  
Front Panel Controls...................................................................................................................................... 7  
Remote Controls.............................................................................................................................................. 8  
REMOTE CONTROL OPERATION RANGE............................................................................................ 9  
LOADING BATTERIES.............................................................................................................................. 9  
Operations  
LISTENING TO A PROGRAM SOURCE................................................................................................ 10  
SURROUND SOUND................................................................................................................................ 13  
ENJOYING SURROUND SOUND........................................................................................................... 15  
LISTENING TO RADIO BROADCASTS................................................................................................ 19  
RECORDING............................................................................................................................................. 21  
OTHER FUNCTIONS................................................................................................................................ 22  
Troubleshooting Guide ................................................................................................................................ 23  
Specifications.................................................................................................................................................. 24  
4
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System Connections  
Do not plug the AC input cord into the wall AC outlet until all connections are completed.  
Be sure to connect the white RCA pin cord to the L(left) and the red RCA pin cord to the R(right) jacks when making audio  
connections.  
Change the position of the FM indoor antenna until you get the best reception of your favorite FM stations.  
A 75 outdoor FM antenna may be used to further improve the reception.  
Disconnect the indoor antenna before replacing it with the outdoor one.  
Place the AM loop antenna as far as possible from the receiver, TV set, speaker cords and the AC input cord and set it to a  
direction for the best reception.  
If the reception is poor with the AM loop antenna, an AM outdoor antenna can be used in place of the AM loop antenna.  
Make connections firmly and correctly. If not, it can cause loss of sound, noise or damage to the receiver.  
If the electricity fails or the AC input cord is left unplugged for more than 2 weeks, the memorized contents will be cleared.  
Should this happen, memorize them again.  
CONNECTING ANTENNAS  
MANUFACTURED UNDER LICENSE FROM DIGITAL THEATER SYSTEMS,INC.  
US PAT. NO. 5,451,942, 5,956,674, 5,974,380, 5,978,762 AND OTHER WORLD-WIDE  
PATENTS ISSUED AND PENDING. "DTS" AND "DTS DIGITAL SURROUND" ARE  
REGISTERED TRADEMARKS OF DIGITAL THEATER SYSTEMS, INC.  
SER. NO  
AC INPUT  
120V~60Hz  
200W  
FM  
MODEL NO. RD-6108  
AUDIO/VIDEO RECEIVER  
AVIS  
:
RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.  
COPYRIGHT 1996, 2000 DIGITAL THEATER SYSTEMS, INC. ALL RIGHTS RESERVED.  
WARNING  
WARNING  
:
:
SHOCK HAZARD-DO NOT OPEN.  
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES.  
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,  
MADE IN CHINA  
DESIGNED IN USA  
DIGITAL IN  
OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS:  
(1)THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND  
(2)THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED,  
(OUTDOOR ANTENNA)  
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.  
INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION.  
AM  
LOOP  
6-CH DIRECT INPUT  
PRE OUT  
OPTICAL  
COAX  
1
COAX  
2
FRONT  
SPEAKERS  
(6  
REAR  
SPEAKERS  
(6  
CENTER  
SPEAKER  
(6  
SUB  
SUB  
WOOFER  
CENTER  
WOOFER  
MANUFACTURED UNDER LICENSE FROM DOLBY LABORATORIES.  
“DOLBY”, “PRO LOGIC”, AND THE DOUBLE-D SYMBOL ARE TRADEMARKS OF  
DOLBY LABORATORIES.  
)
)
)
VIDEO  
IN  
VIDEO  
OUT  
CD  
TAPE MON.  
VIDEO  
1
VIDEO  
2
VIDEO  
VIDEO  
2
MONITOR  
L
R
R
ANTENNA  
LISTED  
E208974 7H86  
AUDIO/VIDEO  
EQUIPMENT  
FRONT  
REAR  
AUX  
PLA  
Y
REC  
PLA  
Y
REC  
PLAY  
1
VIDEO  
1
FM  
CONNECTING AUDIO/VIDEO COMPONENTS  
AM loop antenna  
(INDOOR ANTENNA)  
VIDEO OUT  
VIDEO IN  
Monitor TV  
VIDEO IN  
300 ohm  
feeder  
DVD player or additional video component  
POWER  
ON/OFF  
VIDEO OUT  
MULTIPLE COMPACT DISC PLAYER CDC-5080R  
AUDIO OUT  
Video deck 1  
AUDIO IN  
POWER  
ON/OFF  
MULTIPLE COMPACT DISC PLAYER CDC-5080R  
V-CD PBC REVERT PROG AUTO  
GRAPHICS PEAK DELETE  
RANDOM REPEA  
IT SCENE TRACK INDEX STEP  
T
ALL  
1
DISC  
S
A< >B MPX INTRO  
1
4
2
5
8
3
6
SUPPLIED ADAPTOR  
ED  
A B  
7
9
10  
1
1
12  
OPEN/CLOSE  
1
2
3
4
5
1
3
1
4
1
5
PHONES LEVEL  
PHONES  
AUDIO OUT  
MIN  
MAX  
VIDEO  
IN  
VIDEO  
OUT  
CONNECTING 6 CH DIRECT INPUTS  
CD  
TAPE MON.  
VIDEO  
1
VIDEO  
2
VIDEO 2  
MONITOR  
CENTER CH OUT  
AUX  
PLAY  
REC  
PLAY  
REC  
PLAY  
VIDEO 1  
VIDEO 1  
SUBWOOFER CH OUT  
REC(LINE IN)  
-
6
CH DIRECT INPUT  
SUB  
WOOFER  
*Tape deck or graphic equalizer  
CENTER  
DIGI-LINK STEREO DOUBLE CASSETTE DECK DD-5080C  
COUNTER  
RESET  
A/B  
MODE  
B
C
H
I
G
H
N
O
R
M
M
RELAY  
P
T
SIZE  
MEMORY  
B/C/OFF  
C
D
S
Y
N
M
P
X
MIN  
-6  
SEC  
REC  
REC  
L
dB -00  
R
R
PLAY  
REVERSE  
-20  
-10  
-3  
0
+3  
+6  
EJECT  
DUBBING  
O/O  
C
D
S
U
N
R
E
C
AUTO REVERSE  
AUTO REVERSE  
NORMAL  
HIGH  
HX-PRO  
AMS  
AMS  
PLAY/AUTO TAPE SELECTOR  
RECORD  
&
PLAY/AUTO TAPE SELECTOR  
B
A
POWER  
PHONES  
R
E
C
L
E
V
E
L
R
E
C
B
A
L
A
M
C
E
M
I
C
M
I
X
MIC  
0
10  
L
R
SOURCE  
MIC  
REAR  
PLAY(LINE OUT)  
CH OUT  
L
CD player  
6 CH decoder  
MULTIPLE COMPACT DISC PLAYER CDC-5080R  
OPEN/CLOSE  
V
-CD PBC REVERT PROG AUTO  
GRAPHICS PEAK DELETE EDIT SCENE TRACK  
INDEX STEP  
R
A
N
D
O
M
R
E
P
E
A
T
ALL  
1
DISC  
S
A< >B MPX INTRO  
1
4
2
5
8
3
6
POWER  
ON/OFF  
A
B
7
9
10  
1
1
12  
1
2
3
4
5
1
3
1
4
1
5
PHONES LEVEL  
REMOTE SENSOR  
P
R
O
G
R
A
M
/
R
E
V
I
E
W
R
A
N
D
O
M
REPEAT  
MIN  
MAX  
PHONES  
R
FRONT  
REAR  
Tape deck or additional audio component  
DIGI-LINK STEREO DOUBLE CASSETTE DECK DD-5080C  
COUNTER  
RESET  
A/B  
MODE  
B
C
H
I
G
H
N
O
R
M
M
RELAY  
P
T
SIZE  
MEMORY  
B/C/OFF  
REVERSE  
C
D
S
Y
N
M
P
X
MIN  
-6  
SEC  
REC  
REC  
L
dB -00  
R
R
PLAY  
PLAY(LINE OUT)  
-20  
-10  
-3  
0
+3  
+6  
EJECT  
DUBBING  
O/O  
C
D
S
U
N
R
E
C
AUTO REVERSE  
AUTO REVERSE  
NORMAL  
HIGH  
HX-PRO  
AMS  
AMS  
PLAY/AUTO TAPE SELECTOR  
RECORD  
&
PLAY/AUTO TAPE SELECTOR  
B
A
POWER  
PHONES  
R
E
C
L
E
V
E
L
R
E
C
B
A
L
A
M
C
E
M
I
C
M
I
X
MIC  
0
10  
L
R
SOURCE  
MIC  
FRONT CH OUT  
The VIDEO 2 jacks may also be connected to an  
additional video component such as a cable TV tuner, a  
LD player or satellite system.  
The TAPE MONITOR PLAY/REC jacks may also be  
connected to the LINE OUT/IN jacks of an optional  
graphic equalizer.  
•Use these jacks to connect the corresponding analog  
outputs of 6 CH decoder or DVD player with 6 CH  
output for Dolby Digital or DTS, etc.  
(For details, see the operator's manual of the component  
to be connected.)  
5
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AC INPUT CORD  
Plug this cord into a wall AC  
outlet.  
SUBWOOFER PRE OUT connection  
PRE OUT  
SUB  
WOOFER  
MANUFACTURED UNDER LICENSE FROM DIGITAL THEATER SYSTEMS,INC.  
US PAT. NO. 5,451,942, 5,956,674, 5,974,380, 5,978,762 AND OTHER WORLD-WIDE  
PATENTS ISSUED AND PENDING. "DTS" AND "DTS DIGITAL SURROUND" ARE  
SER. NO  
AC INPUT  
120V~60Hz  
200W  
Powered subwoofer  
REGISTERED TRADEMARKS OF DIGITAL THEATER SYSTEMS, INC.  
MODEL NO. RD-6108  
AUDIO/VIDEO RECEIVER  
AVIS  
:
RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.  
COPYRIGHT 1996, 2000 DIGITAL THEATER SYSTEMS, INC. ALL RIGHTS RESERVED.  
WARNING  
WARNING  
:
:
SHOCK HAZARD-DO NOT OPEN.  
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES.  
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,  
MADE IN CHINA  
DESIGNED IN USA  
DIGITAL IN  
OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS:  
(1)THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND  
(2)THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED,  
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.  
INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION.  
AM  
LOOP  
DIRECT INPUT  
PRE OUT  
OPTICAL  
COAX  
1
COAX  
2
FRONT  
SPEAKERS  
(6  
REAR  
SPEAKERS  
(6  
CENTER  
SPEAKER  
(6  
SUB  
SUB  
WOOFER  
CENTER  
WOOFR  
MANUFACTURED UNDER LICENSE FROM DOLBY LABORATORIES.  
DOLBY, PRO LOGIC, AND THE DOUBLE-D SYMBOL ARE TRADEMARKS OF  
DOLBY LABORATORIES.  
)
)
)
VIDEO  
IN  
VIDEO  
OUT  
To emphasize the deep bass sounds, connect a  
powered subwoofer.  
CD  
TAPE MON.  
VIDEO  
1
VIDEO  
2
VIDEO  
VIDEO  
2
MONITOR  
L
L
R
R
R
ANTENNA  
ANTENNA  
LISTED  
E208974 7H86  
AUDIO/VIDEO  
EQUIPMENT  
F
R  
AUX  
PLA  
Y
REC  
PLA  
Y
REC  
PLAY  
1
VIDEO  
1
CONNECTING SPEAKERS  
CONNECTING DIGITAL INPUTS  
DIGITAL IN  
Rear left  
Front left  
Component with  
COAXIAL DIGITAL OUT  
OPTICAL  
COAX 1  
COAX 2  
Component with  
COAXIAL DIGITAL OUT  
Component with  
OPTICAL DIGITAL OUT  
FRONT  
SPEAKERS  
REAR  
SPEAKERS  
CENTER  
SPEAKER  
(6  
(
)
(
)
)
6
6
The COAXIAL or the OPTICAL DIGITAL OUTs  
of the components that are connected to CD and  
VIDEO 1~3 of this unit can be connected to these  
DIGITAL INPUTS.  
A digital input should be connected to the  
components such as a CD player, LD player, DVD  
player, etc. capable of outputting DTS Digital  
Surround, Dolby Digital or PCM format digital  
signals.  
For details, refer to the operating instructions of the  
component connected.  
When making the COAXIAL DIGITAL  
connection, be sure to use a 75COAXIAL cord,  
not a conventional AUDIO cord.  
Center  
Rear right  
Front right  
All of the commercially available optical fiber cords  
cannot be used for the equipment. If there is an  
optical fiber cord which cannot be connected to your  
equipment, consult your dealer or nearest service  
organization.  
Never short-circuit the + and - speaker cords.  
Be sure to connect speakers firmly and correctly according to  
the channel (left and right) and the polarity (+ and -).  
Be sure to use the speakers with the impedance of over 6.  
For installing the speakers, refer to "Speaker placement" on  
page 14.  
6
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Front Panel Controls  
6 CH DIRECT BUTTON  
REMOTE SENSOR  
AUDIO INPUT SELECTOR BUTTON  
VIDEO INPUT SELECTOR BUTTON  
TONE DIRECT BUTTON/INDICATOR  
TAPE MONITOR BUTTON  
DIGITAL INPUT BUTTON  
STANDBY BUTTON/  
INDICATOR  
STEREO BUTTON  
POWER SWITCH  
MASTER VOLUME  
CONTROL KNOB  
MASTER VOLUME  
AUDIO/VIDEO RECEIVER RD-6108  
MAIN POWER  
STTUNED  
DIGITAL Pro Logic  
6CH DIRECT  
TAPE  
M
PRESET  
MEM  
REMOTE  
SENSOR  
dB  
kHz  
MHz  
TONE  
DIRECT  
ms  
THEATER HALL SLEEP  
DTS  
ON/ OFF  
INPUT SELECTOR  
VIDEO TAPE MON.  
SURROUND MODE  
DSP MODE  
STANDBY  
DIGITAL  
INPUTS  
TONE  
DIRECT  
AUDIO  
AUTO  
STEREO  
ON/STANDBY  
VIDEO  
3
PHONES  
CHANNEL  
SELECTOR  
SPEAKER  
MODE  
DYNAMIC  
RANGE  
SPEAKER  
ON/OFF  
ADJUST  
TONE MODE  
CINEMA EQ MEMO/ENTER  
TUNING/PRESET  
T/P MODE  
FM MODE  
BAND  
-
-
VIDEO  
L
AUDIO  
R
DSP MODE BUTTON  
AUTO BUTTON  
HEADPHONE  
JACK  
SPEAKER BUTTON/INDICATOR  
CHANNEL SELECTOR BUTTON  
ADJUST UP/DOWN  
BAND BUTTON  
FM MODE BUTTON  
TUNING/PRESET MODE BUTTON  
(
/
) BUTTONS  
TUNING/PRESET UP/DOWN  
) BUTTONS  
(
/
TONE MODE BUTTON  
SPEAKER MODE BUTTON  
DYNAMIC RANGE BUTTON  
MEMORY/ENTER BUTTON  
CINEMA EQ BUTTON  
INPUT, FREQUENCY, VOLUME LEVEL, OPERATING INFORMATION, etc.  
VIDEO 3  
TAPE MONITOR INDICATOR  
MEMORY INDICATOR  
STEREO INDICATOR  
TUNED INDICATOR  
-
-
VIDEO  
L
AUDIO  
R
ST TUNED  
TAPE  
dB  
M
PRESET  
MEM  
Additional video component  
OUT  
OUT  
kHz  
MHz  
ms  
SLEEP  
DIGITAL Pro Logic  
THEATER HALL  
DTS  
The VIDEO 3 jacks may be also connected to an  
additional video component such as a camcorder, a  
LD player or a video game player, etc.  
DTS INDICATOR  
DOLBY( ) DIGITAL  
THEATER INDICATOR  
HALL INDICATOR  
INDICATOR  
DOLBY( ) PRO LOGIC INDICATOR  
PRESET NUMBER, SLEEP TIME, DELAY TIME DISPLAY  
7
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Remote Controls  
DISPLAY BUTTON  
POWER BUTTON  
SLEEP BUTTON  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
4
2
5
8
0
3
6
9
INPUT SELECTOR BUTTONS  
In the standby mode, when pressing an input  
selector button, the unit is turned on automatically  
NUMERIC(1~0) BUTTONS  
For selecting preset stations in tuner mode.  
and the desired input source is selected.  
7
PRESET SCAN BUTTON  
DELAY ADJUST BUTTON  
MUTE BUTTON  
T.TONE  
P.SCAN TUNER  
TEST TONE BUTTON  
DSP MODE D.TIME ADJUST  
AUX  
DSP MODE BUTTON  
DELAY TIME BUTTON  
MUTE  
T.MON  
AUTO  
CH. SEL  
AUTO BUTTON  
CHANNEL SELECTOR BUTTON  
CH. LEVEL  
MASTER VOLUME  
MASTER VOLUME  
CHANNEL LEVEL  
UP/DOWN(  
/
) BUTTONS  
UP/DOWN(+/-) BUTTONS  
REMOTE CONTROL UNIT RM-105  
8
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REMOTE CONTROL OPERATION RANGE  
AUDIO/VIDEO RECEIVER RD-6108  
MASTER VOLUME  
MAIN POWER  
ST TUNED  
TAPE  
M
PRESET  
MEM  
REMOTE  
SENSOR  
dB  
kHz  
MHz  
TONE  
DIRECT  
ms  
DTS  
DIGITAL Pro Logic  
THEATER HALL SLEEP  
ON/ OFF  
INPUT SELECTOR  
VIDEO TAPE MON.  
SURROUND MODE  
DSP MODE  
STANDBY  
DIGITAL  
INPUTS  
TONE  
DIRECT  
AUDIO  
6CH DIRECT  
AUTO  
STEREO  
ON/STANDBY  
VIDEO  
3
PHONES  
CHANNEL  
SELECTOR  
SPEAKER  
MODE  
DYNAMIC  
RANGE  
SPEAKER  
ON/OFF  
ADJUST  
TONE MODE  
CINEMA EQ MEMO/ENTER  
TUNING/PRESET  
T/P MODE  
FM MODE  
BAND  
VIDEO  
L
-
AUDIO  
-
R
7m  
POWER DISPLAY  
SLEEP  
VIDEO1  
1
4
2
5
8
0
3
6
9
VIDEO2  
VIDEO3  
CD  
7
T.TONE  
P.SCAN TUNER  
DSP MODE D.TIME ADJUST  
AUX  
AUTO  
CH. SEL  
MUTE  
T.MON  
Use the remote control unit within a range of about  
7 meters (23 feet) and angles of up to 30 degrees  
aiming at the remote sensor.  
CH. LEVEL  
MASTER VOLUME  
REMOTE CONTROL UNIT RM-105  
LOADING BATTERIES  
Remove the cover.  
Load two batteries matching the polarity.  
1
2
Remove the batteries when they are not used for a  
long time.  
Do not use the rechargeable batteries(Ni-Cd type).  
9
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Operations  
LISTENING TO A PROGRAM SOURCE  
Select the desired input source.  
Before operation  
3
MAIN POWER  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
Enter the standby mode.  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
4
2
5
8
0
3
6
9
INPUT SELECTOR  
VIDEO TAPE MON.  
ON/ OFF  
AUDIO  
7
T.TONE  
P.SCAN TUNER  
DSP MODE D.TIME ADJUST  
AUX  
AUTO  
CH. SEL  
MUTE  
T.MON  
CH. LEVEL  
MASTER VOLUME  
REMOTE CONTROL UNIT RM-105  
TUNER  
AUX  
or  
The STANDBY indicator lights up.  
This means that the receiver is not disconnected from  
the AC mains and a small amount of current is  
retained to support the memorized contents and  
operation readiness.  
T.MON  
Each time the “AUDIO” button is pressed, the input  
source changes as follows;  
To switch the power off, push the POWER switch again.  
Then the power is cut off and the STANDBY  
indicator goes off.  
TUNER  
CD AUX  
(frequency display)  
Each time the “VIDEO” button is pressed, the input  
source changes as follows;  
In the standby mode, turn the power on.  
VIDEO 1 VIDEO 2 VIDEO 3  
1
When the TAPE MONITOR button is set to on so that  
“TAPE M” indicator lights up, other inputs can not be  
heard from the speakers.  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
POWER  
1
4
2
5
8
0
3
6
9
7
STANDBY  
T.TONE  
P.SCAN TUNER  
DSP MODE D.TIME ADJUST  
AUX  
AUTO  
CH. SEL  
MUTE  
T.MON  
ON/STANDBY  
CH. LEVEL  
MASTER VOLUME  
To listen to an input source other than TAPE MONITOR,  
be sure to set the TAPE MONITOR button to off.  
REMOTE CONTROL UNIT RM-105  
or  
TAPE MONITOR function  
You can connect either a tape deck or a graphic equalizer to  
the receiver’s TAPE MONITOR jacks.  
Each time the STANDBY button on the front panel  
or the POWER button on the remote control is  
pressed, the receiver is turned on to enter the  
operating mode or off to enter the standby mode.  
In the standby mode, if the INPUT SELECTOR  
button is pressed, the receiver is turned on  
Only when you listen to the component connected to these  
jacks, set the TAPE MONITOR button to on.  
If you connect a 3-head tape deck, you can listen to the sound  
being recorded during recording, not the source sound.  
For further details, refer to the operating instructions of the  
component connected.  
automatically and the desired input is selected.  
When selecting the 6 CH DIRECT as desired,  
6CH DIRECT  
Switch the speakers on.  
SPEAKER  
2
ON/OFF  
“6-DIRECT” is displayed and the 6 separate analog  
signals from 6 CH decoder connected to this unit pass  
through the tone (bass, treble) and volume circuits  
only and directly transfer to the speakers. (In case that  
the TAPE MONITOR button is set to on, the TAPE  
MONITOR button is automatically set to off.)  
Press the 6 CH DIRECT button or select the desired  
input source to cancel the 6 CH direct function.  
These 6 separate analog signals can be heard only, not  
recorded.  
Then the SPEAKER indicator lights up and the  
sound can be heard from the speakers connected to  
the speaker terminals.  
When using the headphone for private listening,  
press the SPEAKER button again to switch the  
speakers off.  
10  
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To compensate for edgy or shrill movie  
sound tracks.  
When CD, VIDEO 1~3 is selected as an  
input source  
7
Select the digital or analog input  
connected as desired.  
CINEMA EQ  
4
DIGITAL  
INPUTS  
Then “C-EQ ON” is displayed.  
Each time this button is pressed, the corresponding  
input is selected as follows ;  
Press it again to cancel, the “C-EQ OFF” is  
displayed.  
When the 6 CH DIRECT is selected as an input  
source, the cinema EQ function does not work.  
o(ptical) 1 c(oaxial) 1 c(oaxial) 2  
A(nalog) ꢃ  
To listen to a DTS or Dolby Digital program source  
in the 2-CH downmix mode, in the stereo mode, the  
corresponding digital input should be selected. (For  
details, refer to “Downmixing into 2 front channels”  
on page 18.)  
To mute the sound.  
8
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
4
2
5
8
0
3
6
9
7
T.TONE  
P.SCAN TUNER  
Notes :  
DSP MODE D.TIME ADJUST  
AUX  
MUTE  
AUTO  
CH. SEL  
MUTE  
T.MON  
CH. LEVEL  
MASTER VOLUME  
When the selected optical or coaxial digital input is  
not connected, the selected digital input display is  
flickering, meaning no sound. (Refer to  
“ENJOYING SURROUND SOUND” on page 15.)  
The sound from the component connected to the  
selected digital input can be heard regardless of the  
selected input source.  
REMOTE CONTROL UNIT RM-105  
“MUTE” will flicker.  
To resume the previous sound level, press it again.  
Operate the selected component for  
To listen with the headphones.  
playback.  
5
9
PHONES  
When playing back the program sources with  
surround sound, refer to “ENJOYING SURROUND  
SOUND” on page 15.  
Adjust the (overall) volume.  
Ensure that the SPEAKER button is set to off.  
When listening to a DTS or Dolby Digital program  
source, if the headphones are plugged in and the  
SPEAKER button is set to off, it enters the 2-CH  
downmix mode automatically. (For details, refer to  
“Downmixing into 2 front channels”on page 18.)  
6
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
4
2
5
8
0
3
6
9
MASTER VOLUME  
7
T.TONE  
P.SCAN TUNER  
DSP MODE D.TIME ADJUST  
AUX  
MASTER VOLUME  
AUTO  
CH. SEL  
MUTE  
T.MON  
CH. LEVEL  
MASTER VOLUME  
or  
REMOTE CONTROL UNIT RM-105  
DOWN  
UP  
11  
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At the desired tone mode, adjust the tone  
as desired.  
Adjusting the tone(bass and treble)  
11  
Enter the tone mode.  
ADJUST  
10  
TONE MODE  
If the tone display disappears, start from the step 10  
again.  
Each time this button is pressed, the corresponding  
tone mode is selected and shown for 3 seconds as  
follows:  
Notes:  
Extreme settings at high volume may damage your  
speakers.  
BASS TRBL(treble)  
When the digital signals from DTS or Dolby  
Digital program sources are input in available  
surround mode, the tone cannot be adjusted and the  
tone direct function is automatically switched to  
ON.  
Note: When the TONE DIRECT indicator is  
lighting up, the tone mode cannot be  
entered.  
To listen to a program source without the  
tone effect.  
12  
TONE  
DIRECT  
The TONE DIRECT indicator lights up and the  
sound that bypasses the tone circuitry will be  
heard.  
To cancel the tone direct function, press this  
button again.  
12  
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SURROUND SOUND  
This receiver incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound  
quality and sound atmosphere in your personal Home Theater.  
Surround modes  
DTS Digital Surround  
Dolby Pro Logic  
DTS Digital Surround(also called simply DTS) is a multi-  
channel digital signal format which can handle more  
amount of data than Dolby Digital, providing better audio  
quality. Though the number of audio channels is 5.1(front  
left, front right, center, rear(surround) left, rear(surround)  
right and Low Frequency Effects) which is same as Dolby  
Dolby Pro Logic is a specially encoded two channel  
surround format which consists of four channels (front  
left, center, front right and surround). Sources bearing the  
DOLBY SURROUND  
” provide the theater-like surround  
sound.  
The surround channel is monaural, but is played through  
two surround speakers.  
Digital, discs bearing the “  
” provides fat sound  
and better signal - to - noise ratio, thanks to the lower audio  
compression ratio format.  
It also provides wide dynamic range and better separation,  
resulting in magnificent sound.  
“DTS” and “DTS Digital Surround” are registered  
trademarks of Digital Theater Systems,Inc.  
Dolby Virtual  
This mode employs sophisticated digital processing to  
create the illusion of “phantom” speakers, this mode  
allows you to experience surround sound effects from the  
Dolby Digital, Dolby Surround or 2-channel(recorded in  
digital PCM or analog stereo) sources, through just a  
single pair of front speakers.  
Dolby Digital  
Dolby Digital is the multi-channel digital signal format  
developed by Dolby Laboratories. Discs bearing the  
Manufactured under license from Dolby Laboratories.  
“Dolby”, “Pro Logic”, and the double-D symbol are  
trademarks of Dolby Laboratories.  
DOLBY  
D I G I T A L  
” includes the recording of up to 5. 1 channels  
• The following modes apply conventional 2-channel  
signals such as digital PCM or analog stereo signals to  
high performance Digital Processor to recreate sound  
fields artificially.  
of digital signals, which can reproduce much better sound  
quality, spatial expansion and dynamic range characteristics  
than the previous Dolby Surround effect.  
Dolby Pro Logic II surround  
THEATER  
This mode applies conventional 2- channel signals such as  
digital PCM or analog stereo signals as well as Dolby  
Surround signals, etc. to surround processing to offer  
improvements over conventional Dolby Pro Logic circuits.  
Dolby Pro Logic ll surround includes 4 modes as follows:  
• Dolby Pro Logic ll MOVIE  
When enjoying movies, this mode allows you to further  
enhance the cinematic quality by adding processing that  
emphasizes the sounds of the action special effects.  
• Dolby Pro Logic ll MUSIC  
This mode provides the effect of being in a movie theater  
when watching a movie source.  
HALL  
This mode provides the ambience of a concert hall for  
classical music sources such as orchestral, chamber music,  
or an instrumental solo.  
STADIUM  
When listening to music, this mode allows you to further  
enhance the sound quality by adding processing that  
emphasizes the musical effects.  
This mode provides the expansive sound field to achieve  
the true stadium effect when watching baseball or soccer  
games.  
• Dolby Pro Logic ll MATRIX  
When listening to poor FM broadcasts, this mode allows  
you to further enhance the sound quality by the ultimate  
cure for poor FM stereo signals.  
CHURCH  
This mode provides the ambience of a church for baroque,  
string orchestral or choral group music.  
• Dolby Pro Logic ll CUSTOM  
This mode reproduces a delayed signals from the surround  
channels to emphasize the sense of expansion.  
• When the 6 CH DIRECT INPUTs are connected to the 6 CH decoder for a surround sound such as Dolby Digital or DTS,  
etc., you can enjoy the corresponding surround sound, too. (For details, see the operator’s manual of the component to be  
connected.)  
13  
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Delay time  
When the center speaker or the rear speakers is(are) closer to the listener than the front speakers, the sound from  
the center speaker or the rear speakers can arrive at the listener’s ears earlier than the sound from the front  
speakers.  
In this case, the imaging is not as sharp and stable as it could be.  
For audible improvement, the sound from center speaker can be delayed with the center delay time setting so that  
the sound from the front and the center speakers will be heard at the same time and the sound from the rear  
speakers can be also delayed with the rear delay time setting so that the sound from the front and the rear speakers  
will be heard at the same time.  
The optimum delay time will be different according to the room size and the acoustic properties. It is  
recommended that you try several times to obtain the best effect.  
It is adjustable in Dolby Digital, Dolby Pro Logic II, Dolby Pro Logic or Dolby Virtual modes. (For details,  
refer to “In Dolby Digital, Dolby Pro Logic II, Dolby Pro Logic or Dolby Virtual mode, adjusting delay times of  
the speakers” on page 18)  
Speaker placement  
To obtain the best surround sound effect in your home, place the speakers as  
follows;  
TV set  
FRONT  
LEFT  
FRONT  
RIGHT  
SUB  
WOOFER  
CENTER  
SPEAKER  
Front speakers: Place each front speaker about 1m (40) from the TV set.  
Center speaker: Place the center speaker either above or below the TV set to  
assure good visualization of center channel program.  
Rear speakers: Place the rear speakers approximately 1m above the ear level  
of a seated listener on the direct left and right of them or  
slightly behind.  
Subwoofer: Reproduces powerful deep bass sounds. Place a powered  
subwoofer anywhere in the front as desired.  
REAR  
LEFT  
The ideal surround system needs all the speakers listed above.  
To obtain the best surround effects, the speakers except the subwoofer should  
be full range speakers.  
REAR  
RIGHT  
Note: To avoid interference with the TV picture, use only magnetically  
shielded center and front speakers.  
For your reference, the sound from each channel can be reproduced according  
to the surround modes as follows:  
Modes  
DTS  
Dolby Digital  
Dolby Pro Logic II  
Dolby Pro Logic  
Dolby Virtual  
Other Surround  
Stereo  
6 CH DIRECT  
Channels  
Front L/R  
-
-
-
-
Center  
Rear L/R  
Subwoofer  
• Depending on the speaker settings, the sound from the corresponding channels cannot be reproduced.  
(For details, refer to “Adjusting the speaker settings” on page 16.)  
14  
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ENJOYING SURROUND SOUND  
Surround sound effect will not work properly if the signal passes through a graphic equalizer.  
Please refer to your equalizer operating instructions for guidance on switching off (or defeating) the equalizer.  
Depending on the input digital signal format, select the  
desired decoding mode.  
When canceling the surround mode for stereo operation.  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
1
4
2
5
8
0
3
6
9
STEREO  
AUTO  
7
T.TONE  
P.SCAN TUNER  
DSP MODE D.TIME ADJUST  
AUX  
AUTO  
AUTO  
CH. SEL  
MUTE  
T.MON  
CH. LEVEL  
MASTER VOLUME  
or  
REMOTE CONTROL UNIT RM-105  
• Each time the AUTO button is pressed, the decoding mode changes as  
• Then the stereo mode is selected.  
follows:  
• To cancel the stereo mode, select the desired surround mode with using  
the DSP MODE button.  
IN-AUTO : The input digital signal format(DTS, Dolby Digital or  
PCM(2 channel stereo), etc.) used by the selected digital input  
source is detected automatically to perform the necessary  
decoding process for optimum surround modes.  
Adjusting the Dolby Pro Logic II parameters  
IN-DTS : The DTS signal processing is performed only when DTS  
signals are input.  
• When selecting the Dolby Pro Logic II Music and Custom modes, you  
can adjust the various surround parameters for optimum surround effect.  
IN-PCM : The PCM signal processing is performed only when PCM  
signals are input.  
Notes:  
While scrolling “PL II MUSIC”(for Dolby Pro Logic II  
Music mode) or “PL II CUSTOM”(for Dolby Pro  
Logic II Custom mode), press the MEMORY/ENTER  
• Only when the digital input is selected as signal input for the input sources  
except TUNER, AUX and TAPE MONITOR, the decoding mode can be  
selected.  
• Noise may be generated at the beginning of playback and while searching  
during DTS playback in the IN-AUTO mode. In this case, try playing in  
the IN-DTS mode.  
3
button to select the desired parameter.  
MEMO/ENTER  
Select the desired surround mode.  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
4
2
5
8
0
3
6
9
2
DSP MODE  
7
T.TONE  
P.SCAN TUNER  
DSP MODE D.TIME ADJUST  
AUX  
DSP MODE  
AUTO  
CH. SEL  
MUTE  
T.MON  
CH. LEVEL  
MASTER VOLUME  
or  
REMOTE CONTROL UNIT RM-105  
• Each time this button is pressed, the parameter changes and is displayed  
for 5 seconds as follows:  
Panorama mode(“PANO”) : This mode extends the front stereo image  
to include the surround speakers for an exciting “wraparound”effect  
with side wall imaging. Select “OFF” or “ON”.  
Center width control(“C-WID”) : This control adjusts the center image  
so it may be heard only from the center speaker, only from the  
left/right speakers as a phantom image, or from all three front speakers  
to varying degrees. The control can be set in 8 steps from 0 to 7.  
Dimension control(“DIMEN”) : This control gradually adjusts the  
soundfield either towards the front or towards the rear. The control can  
be set in 7 steps from - 4 to +2.  
• Each time the DSP MODE button is pressed, the surround mode changes  
depending on the input signal format and the selected decoding mode as  
follows:  
When Dolby Digital signals are input in the IN-AUTO mode, one of the  
following modes can be selected depending on the number of the recorded  
channels.  
• Dolby Digital 5.1-channel sources: DOLBY DIGITAL and DOLBY VIRTUAL.  
• Dolby Digital 2-channel sources: DOLBY PRO LOGIC II MOVIE, DOLBY PRO  
LOGIC, DOLBY PRO LOGIC II MUSIC, DOLBY PRO LOGIC II MATRIX,  
DOLBY PRO LOGIC II CUSTOM and DOLBY VIRTUAL.  
7 kHz Low Pass Filter(“LPF”) : Select “OFF” or “ON” to turn off or  
on the pass filter on the surround channels.  
Shelf Filter(“SH - F”) : Select “OFF” or “ON” to turn off or on the  
shelf filter on the surround channels.  
When PCM(2 channel stereo) signals are input in the IN-PCM mode, one of  
the following modes can be selected :  
DOLBY PRO LOGIC II MOVIE, DOLBY PRO LOGIC, DOLBY PRO LOGIC II MUSIC,  
DOLBY PRO LOGIC II MATRIX, DOLBY PRO LOGIC II CUSTOM, DOLBY VIRTUAL,  
CHURCH, THEATER,HALL and STADIUM.  
Right Surround Channel Polarity Inversion(“PO - I”) : Select “OFF” or  
“ON” to turn off or on the polarity inversion.  
Automatic Balancing(“BAL”) : Select “ OFF” or “ON” to turn off or  
on the automatic balancing  
• If the Dolby Pro Logic II Music or Custom display disappears, you  
cannot select the parameter. In this case, select the desired surround  
mode again by pressing the DSP MODE button.  
• When the analog input is selected as signal input and analog stereo signals  
are input, you can select the desired of these above surround modes, too.  
• However, when DTS signals are input in the IN-AUTO or IN-DTS mode,  
the DTS mode will be selected regardless of using the DSP MODE button.  
• In the Dolby Pro Logic II Music mode, you cannot select the 7 kHz Low  
Pass Filter, Shelf Filter, Right Surround Channel Polarity Inversion and  
Automatic Balancing.  
• For your reference, the initial settings for parameters are as follows:  
“PANO” : “OFF”, “C-WID” : “0”, “DIMEN” : “0”, “LPF” : “OFF”,  
“SH-F” : “OFF”, “PO-I” : “ON”, “BAL” : “OFF”.  
Notes:  
• When the selected decoding mode is not matched to the input signal format,  
no sound is heard. Therefore, be sure to select the required decoding mode  
and the available surround mode according to the input signal format.  
• When the 6 CH DIRECT is selected as an input source, the decoding and  
surround modes cannot be selected.  
15  
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ADJUST  
Repeat the above steps 3 and 4 to adjust  
other parameters.  
At the desired parameter,  
adjust it as desired.  
5
4
Note:  
In the Dolby Pro Logic II Customer mode, you cannot set both of  
the 7 kHz Low Pass Filter and Shelf Filter to ON simultaneously.  
If so, the filter set previously is automatically changed to OFF.  
If the parameter display disappears, start from the  
step 3 again.  
ADJUST  
Select the desired speaker  
Adjusting the speaker settings  
setting.  
7
Adjust the settings of front, center ,rear speakers and  
subwoofer connected.  
If the speaker setting is adjusted to “S”, the low range  
bass sound of the channel(s) is redirected to the  
subwoofer or the front channels and if the speaker  
setting is adjusted to “N”, the sound of the channel(s)  
is redirected to other channels.  
Each time this button is pressed, one of 11 different  
speaker settings is selected and displayed for 8  
seconds as follows;  
FL-CS-RS, FL-CL-RS, FL-CL-RL,  
FL-CL-RN, FL-CS-RL, FL-CN-RL,  
FL-CS-RN, FL-CN-RS, FS-CS-RS,  
FS-CS-RN and FS-CN-RS  
SPEAKER  
MODE  
Press the SPEAKER  
MODE button for more  
than 2 seconds to enter the  
front-center-rear speaker  
mode.  
6
In the displays, F stands for Front, C for Center, R  
for Rear, L for Large, S for Small and N for None.  
When judging whether a speaker is Large or Small,  
please note that a standard large speaker can fully  
reproduce sounds below 80 Hz.  
The following speaker settings cannot be selected.  
Front :Small, Center : Large and Rear : Large(FS-  
CL-RL) or Center : None and Rear : None(CN-RN)  
setting.  
The front-center-rear speaker setting is displayed.  
When the SPEAKER button is set to off or the 6 CH  
DIRECT is selected as an input source, the speaker  
mode function cannot be available.  
When it is in the stereo or Dolby Virtual mode, only  
the subwoofer setting can be adjusted.  
ADJUST  
MEMO/ENTER  
Select the desired  
Memorize the desired  
subwoofer setting.  
speaker setting  
while it is displayed.  
9
8
Each time this button is pressed, the subwoofer setting  
changes and is displayed for 8 seconds as follows;  
The desired speaker setting is memorized and then  
it enters the subwoofer mode.  
If the speaker setting display disappears, start from  
the above step 6 again.  
SUB W(oofer) - Y(es): When using a subwoofer.  
SUB W(oofer) - N(o) : When not using a subwoofer.  
In case that the front speaker is set to “S”, the  
subwoofer is automatically set to “Y”.  
MEMO/ENTER  
Memorize the subwoofer  
setting while it is  
displayed.  
Checking the speaker setting  
SPEAKER  
MODE  
10  
If the subwoofer setting display disappears, start  
Each time this button is pressed briefly, the front-  
from the above step 6 again.  
center-rear speaker or subwoofer setting is displayed.  
16  
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Adjust the level of the selected channel  
as desired.  
Adjusting each channel level  
12  
Select the desired channel.  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
4
2
5
8
0
3
6
9
11  
7
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
ADJUST  
T.TONE  
P.SCAN TUNER  
1
4
2
5
8
0
3
6
9
CH. LEVEL  
DSP MODE D.TIME ADJUST  
AUX  
CHANNEL  
SELECTOR  
AUTO  
CH. SEL  
MUTE  
T.MON  
7
CH. LEVEL  
MASTER VOLUME  
T.TONE  
P.SCAN TUNER  
DSP MODE D.TIME ADJUST  
AUX  
CH. SEL  
REMOTE CONTROL UNIT RM-105  
AUTO  
CH. SEL  
MUTE  
T.MON  
or  
CH. LEVEL  
MASTER VOLUME  
or  
REMOTE CONTROL UNIT RM-105  
The LFE level can be adjusted within the range of  
-10~0 dB and other channel levels within the range  
of -15~+15 dB.  
In general, we recommend the LFE level to be  
adjusted to 0 dB. (However, the recommend LFE  
level for some early DTS software is -10 dB.) If the  
recommended levels seems too high, lower the  
setting as necessary.  
Each time this button is pressed, the corresponding  
channel is selected and displayed for 3 seconds as  
follows;  
Front Left Center Front Right Rear Right  
(Dolby Digital or DTS L(FE) )SubWoofer Rear Left ꢃ  
( ): Adjustable only when the digital signals from Dolby Digital or  
DTS program source that includes LFE signal are input in the  
available surround mode.  
If the channel display disappears, start from the  
above step 11 again.  
When it is in the stereo or Dolby Virtual mode, or  
the speaker setting is “N”, center, rear or subwoofer  
channel will not be selected.  
Repeat the above steps 11 and 12 to  
adjust other channel levels.  
13  
Adjusting each channel level with  
test tone  
Only when it is in available surround modes except  
the Dolby Virtual and stereo modes, the volume  
level of each channel can be adjusted easily with the  
test tone function.  
At each channel, adjust the level as desired  
until the sound level of each speaker is  
heard to be equally loud.  
15  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
4
2
5
8
0
3
6
9
7
ADJUST  
T.TONE  
P.SCAN TUNER  
CH. LEVEL  
DSP MODE D.TIME ADJUST  
AUX  
AUTO  
CH. SEL  
MUTE  
T.MON  
CH. LEVEL  
MASTER VOLUME  
Note: When the 6 CH DIRECT is selected as an input  
source, the test tone function does not work.  
REMOTE CONTROL UNIT RM-105  
or  
Enter the test tone mode.  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
14  
1
4
2
5
8
0
3
6
9
You can select the desired channel and adjust its  
level with repeating the steps 11 and 12 in  
“Adjusting each channel level” procedure.  
7
T.TONE  
P.SCAN TUNER  
T.TONE  
DSP MODE D.TIME ADJUST  
AUX  
AUTO  
CH. SEL  
MUTE  
T.MON  
CH. LEVEL  
MASTER VOLUME  
REMOTE CONTROL UNIT RM-105  
Cancel the test tone function.  
The test tone will be heard from the speaker of each  
channel for 2 seconds as follows;  
Front Left Center Front Right  
SUBwoofer Rear Left Rear Right ꢃ  
16  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
4
2
5
8
0
3
6
9
7
T.TONE  
P.SCAN TUNER  
T.TONE  
DSP MODE D.TIME ADJUST  
AUX  
AUTO  
CH. SEL  
MUTE  
T.MON  
CH. LEVEL  
MASTER VOLUME  
REMOTE CONTROL UNIT RM-105  
When the speaker setting is “N”, the test tone of the  
corresponding channel is not available.  
When the selected decoding mode is not matched to the  
input signal format, the test tone function cannot work.  
17  
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Adjust the delay time.  
In Dolby Digital, Dolby Pro Logic II, Dolby  
Pro Logic or Dolby Virtual mode, adjusting  
delay times of the speakers  
18  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
4
2
5
8
0
3
6
9
In case of Dolby Digital, Dolby Pro Logic II or Dolby  
Pro Logic mode, when the distances from the prime  
listening position to front left, center, front right, rear  
left and rear right speakers are same, the basic settings  
are as follows according to the surround modes;  
- In the Dolby Digital mode,  
7
T.TONE  
P.SCAN TUNER  
DSP MODE D.TIME ADJUST  
AUX  
ADJUST  
AUTO  
CH. SEL  
MUTE  
T.MON  
CH. LEVEL  
MASTER VOLUME  
REMOTE CONTROL UNIT RM-105  
Center delay time : 0 ms, Rear delay time : 0 ms  
- In the Dolby Pro Logic II Music, Matrix or Custom mode,  
Rear delay time : 0 ms  
- In the Dolby Pro Logic II Movie, Dolby Pro Logic mode,  
Rear delay time : 10 ms  
Each time this button is pressed in the Dolby  
Digital, Dolby Pro Logic II or Dolby Pro Logic  
mode, the delay time changes in regular intervals.  
Each time this button is pressed in the Dolby Virtual  
mode, the delay mode changes as follows:  
If the center or the rear speaker(s) is(are) not at the  
same distance from the prime listening position as the  
front speakers, increase or decrease the center delay  
time by 1 ms for every about 30 cm(1 foot) it is closer  
or farther away and increase or decrease the rear delay  
time by 5 ms for every about 1~1.5 m(3~5 feet) it is  
closer or farther away.  
NARROW: Relatively long distance from the  
prime listening position to front  
speakers.  
WIDE: Relatively short distance.  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
2
5
8
0
3
6
9
Check the delay time  
to be adjusted.  
4
7
T.TONE  
P.SCAN TUNER  
DSP MODE D.TIME ADJUST  
AUX  
D.TIME  
If the delay time disappears, start from the step 17  
again.  
AUTO  
CH. SEL  
MUTE  
T.MON  
CH. LEVEL  
MASTER VOLUME  
17  
REMOTE CONTROL UNIT RM-105  
The delay time will be displayed for 5 seconds.  
The corresponding delay time is displayed. The  
center delay time can be adjusted in the Dolby  
Digital mode only.  
In the Dolby Virtual mode, “NARROW” or  
“WIDE” is displayed.  
In Dolby Digital mode, repeat the above  
steps 17 and 18 to adjust the rear delay  
time.  
19  
Downmixing into 2 front channels  
Allows the multi-channel DTS or Dolby Digital signals  
to be reproduced through only two speakers or through  
headphones.  
To cancel the 2-CH downmix mode, select the  
desired surround mode with using the DSP MODE  
button.  
When the digital signals from the DTS or Dolby Digital  
program sources are input in available surround mode,  
press the STEREO button.  
When the playback of the source on the player is  
stopped or interrupted, etc., the 2-CH downmix  
mode is not canceled even though “ST” and the  
DTS or Dolby Digital indicators go off.  
STEREO  
If the headphones are plugged and the SPEAKER  
button is set to off while the digital signals from the  
DTS and Dolby Digital program sources are being  
input, it will enter the 2-CH downmix mode  
automatically(but only the DTS or Dolby Digital  
indicator lights up still) and if the headphones are  
unplugged and the SPEAKER button is set to on in  
the 2-CH downmix mode, it will return to the  
previous mode.  
“ST” and the DTS or Dolby Digital indicators light up,  
meaning it enters the 2-CH downmix mode, and then the  
discrete multi-channels(except LFE) are mixed down into  
2 front channels.  
18  
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LISTENING TO RADIO BROADCASTS  
Select the desired band.  
Auto tuning  
2
Select the tuner.  
BAND  
1
MHz  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
4
2
5
8
0
3
6
9
AUDIO  
7
T.TONE  
P.SCAN TUNER  
TUNER  
BAND  
FREQUENCY  
DSP MODE D.TIME ADJUST  
AUX  
AUTO  
CH. SEL  
MUTE  
T.MON  
CH. LEVEL  
MASTER VOLUME  
or  
REMOTE CONTROL UNIT RM-105  
Each time this button is pressed, the band is changed  
to FM or AM.  
When pressing the BAND button without selecting  
the TUNER, the tuner will be selected automatically.  
Press the TUNING/PRESET UP() or  
Select the tuning mode.  
DOWN() button for more than 0.5  
second.  
4
3
T/P MODE  
TUNING/PRESET  
Each time this button is pressed, the mode changes  
as follows;  
The tuner will now search until a station of  
sufficient strength has been found. The display  
shows the tuned frequency and “TUNED”.  
If the station found is not the desired one, simply  
repeat this operation.  
Tuning mode : “PRESET” goes off.  
Preset mode : “PRESET” lights up. ꢃ  
Weak stations are skipped during auto tuning.  
Manual tuning  
TUNING/PRESET  
Manual tuning is useful when you already know the frequency of  
the desired station.  
Perform the steps 1 to 3 in “Auto tuning” procedure and press the  
TUNING/PRESET UP() or DOWN() button repeatedly until  
the right frequency has been reached.  
Press the MEMORY/ENTER button.  
Presetting radio stations  
2
You can store up to 30 preferred stations in the  
memory.  
MEMO/ENTER  
Tune in the desired station with auto or  
manual tuning.  
1
“MEM” is flickering for 5 seconds.  
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Repeat the above steps 1 to 3 to memorize  
other stations.  
Select the desired preset number (1~30) and  
press the MEMORY/ENTER button.  
4
3
MEMO/ENTER  
TUNING/PRESET  
MEMORY BACKUP FUNCTION  
When using the NUMERIC buttons on the remote  
The following items, set before the receiver is turned  
off, are memorized.  
INPUT SELECTOR settings  
Surround mode settings  
control.  
3
Examples) For “3” :  
1
0
5
within 2 seconds  
For “15” :  
Preset stations,etc.  
For “30” :  
Note : If the electricity fails or the AC input cord is  
disconnected for more than 2 weeks, they are all  
cleared. So you should memorize them again.  
The station has now been stored in the memory.  
When using the NUMERIC buttons, the station is  
stored automatically without pressing the  
MEMORY/ENTER button.  
A stored frequency is erased from the memory by  
storing another frequency in its place.  
If “MEM” goes off, start again from the above step 2.  
TUNING/PRESET  
Select the desired  
Tuning to preset stations  
preset number.  
2
After selecting the tuner as an input  
source, select the preset tuning mode.  
1
When using the NUMERIC buttons on the remote  
control.  
T/P MODE  
3
Examples) For “3”:  
1
0
within 2 seconds  
5
For “15”:  
3
0
within 2 seconds  
(or  
)
For “30”:  
Then “PRESET” lights up.  
When selecting the desired preset number with the  
NUMERIC buttons, the desired preset station will be  
tuned to automatically without selecting the preset  
tuning mode.  
Listening to FM stereo broadcasts  
Scanning preset stations in sequence  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
FM MODE  
While listening to FM broadcasts.  
1
4
2
5
8
0
3
6
9
7
T.TONE  
P.SCAN TUNER  
P.SCAN  
DSP MODE D.TIME ADJUST  
AUX  
AUTO  
CH. SEL  
MUTE  
T.MON  
Each time this button is pressed,  
CH. LEVEL  
MASTER VOLUME  
REMOTE CONTROL UNIT RM-105  
the FM mode changes as follows;  
Stereo mode : “ST” lights up.  
Mono mode : “ST” goes off. ꢃ  
The receiver will start scanning the stations in the preset  
sequence and each station is received for 5 seconds.  
At the desired station, press this button again to stop  
scanning.  
When FM stereo broadcasts are poor because of  
weak broadcast signals, select the FM mono mode to  
reduce the noise, then FM broadcasts are reproduced  
in monaural sound.  
20  
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RECORDING  
The analog signals from the 6 CH DIRECT inputs as well as the digital signals from the coaxial or optical digital  
input can be heard but cannot be recorded.  
The volume and tone (bass, treble) settings have no effect on the recording signals.  
Start recording on the TAPE MONITOR.  
Recording with TAPE MONITOR  
2
Select the desired input as a recording  
source except for TAPE MONITOR.  
1
VIDEO1  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
4
2
5
8
0
3
6
9
VIDEO2  
VIDEO3  
CD  
AUDIO  
VIDEO  
Start play on the desired input.  
7
T.TONE  
P.SCAN TUNER  
DSP MODE D.TIME ADJUST  
AUX  
AUTO  
CH. SEL  
MUTE  
T.MON  
CH. LEVEL  
MASTER VOLUME  
or  
3
REMOTE CONTROL UNIT RM-105  
TUNER  
AUX  
For tape monitor function, refer to “TAPE  
MONITOR function” on page 10.  
Be sure that “TAPE M” goes off.  
Start recording on the VIDEO 1.  
Dubbing from video components onto  
VIDEO 1  
2
Select VIDEO 2 or VIDEO 3 as a recording  
source.  
1
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
4
2
5
8
0
3
6
9
VIDEO2  
VIDEO3  
Start play on the VIDEO 2 or the VIDEO 3.  
VIDEO  
7
T.TONE  
P.SCAN TUNER  
DSP MODE D.TIME ADJUST  
AUX  
AUTO  
CH. SEL  
MUTE  
T.MON  
CH. LEVEL  
MASTER VOLUME  
3
or  
REMOTE CONTROL UNIT RM-105  
The audio and video signals from the VIDEO 2 or the  
VIDEO 3 will be dubbed onto the VIDEO 1 and you  
can enjoy them on the TV set and from the speakers.  
Select CD as an audio recording source.  
Dubbing the audio and video signals  
separately onto VIDEO 1  
2
Example) When dubbing the VIDEO 2 video signal  
and the CD audio signal separately onto  
VIDEO 1.  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
4
2
5
8
0
3
6
9
AUDIO  
7
CD  
T.TONE  
P.SCAN TUNER  
DSP MODE D.TIME ADJUST  
AUX  
AUTO  
CH. SEL  
MUTE  
T.MON  
Select VIDEO 2 as a video recording source.  
CH. LEVEL  
MASTER VOLUME  
or  
REMOTE CONTROL UNIT RM-105  
1
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
1
4
2
5
8
0
3
6
9
VIDEO2  
VIDEO  
7
T.TONE  
P.SCAN TUNER  
DSP MODE D.TIME ADJUST  
AUX  
AUTO  
CH. SEL  
MUTE  
T.MON  
CH. LEVEL  
MASTER VOLUME  
or  
REMOTE CONTROL UNIT RM-105  
21  
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Start play on the VIDEO 2 and the CD  
respectively.  
Start recording on the VIDEO 1.  
4
3
The audio signal from the CD and the video signal  
from the VIDEO 2 will be dubbed and you can  
enjoy them on the TV set and from the speakers.  
Note : Be sure to observe the order of the above steps  
1 and 2.  
OTHER FUNCTIONS  
Compressing the dynamic range (Dolby Digital sources only)  
Each time this button is pressed, the mode changes  
and disappears in 3 seconds as follows:  
This function compresses the dynamic range of previously  
specified parts of the Dolby Digital sound track(with  
extremely high volume) to minimize the difference in  
volume between the specified and non-specified parts.  
This makes it easier to hear all of the sound track when  
watching movies at night at low levels.  
DYNR 0.0 : Off  
DYNR 0.5 : Low compression  
DYNR 1.0 : High compression  
When the digital signals from Dolby Digital program  
source are input in available surround mode.  
DYNAMIC  
RANGE  
In some Dolby Digital software, this function may  
not be available.  
Operating the sleep timer  
Adjusting the brightness of the  
fluorescent displays  
The sleep timer allows the system to continue to  
operate for a specified period of time before  
automatically shutting off.  
To set the receiver to automatically turn off after  
the specified period of time.  
POWER DISPLAY  
SLEEP  
VIDEO1  
VIDEO2  
VIDEO3  
CD  
4
2
5
8
0
3
6
9
DISPLAY  
7
T.TONE  
P.SCAN TUNER  
DSP MODE D.TIME ADJUST  
AUX  
POWER DISPLAY  
SLEEP  
VIDEO1  
VID
VIDEO3  
CD  
AUTO  
CH. SEL  
MUTE  
T.MON  
1
4
2
5
8
0
3
6
9
SLEEP  
CH. LEVEL  
MASTER VOLUME  
7
REMOTE CONTROL UNIT RM-105  
T.TONE  
P.SCAN TUNER  
DSP MODE D.TIME ADJUST  
AUX  
AUTO  
CH. SEL  
MUTE  
T.MON  
CH. LEVEL  
MASTER VOLUME  
REMOTE CONTROL UNIT RM-105  
Each time this button is pressed, the brightness of  
Each time this button is pressed, the sleep time  
fluorescent display changes as follows;  
changes and disappears in 3 seconds as follows;  
ON  
dim  
OFF  
10  
20  
30  
60  
90  
OFF  
Unit : minutes  
In the display OFF mode, pressing any button will  
restore the display ON mode.  
While operating the sleep timer, “SLEEP” lights up.  
22  
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Troubleshooting Guide  
If a fault occurs, run through the table below before taking your receiver for repair.  
If the fault persists, attempt to solve it by switching the receiver off and on again. If this fails to resolve the situation, consult  
your dealer. Under no circumstances should you attempt to repair the receiver yourself. This could void the warranty.  
PROBLEM  
POSSIBLE CAUSE  
REMEDY  
No power  
Connect the cord securely.  
Check the outlet using a lamp or  
another appliance.  
The AC input cord is disconnected.  
Poor connection at AC wall outlet or the  
outlet is inactive.  
No sound  
Check the speaker connections.  
Adjust the master volume.  
Press the MUTE button to cancel the  
muting effect.  
The speaker cords are disconnected.  
The master volume is adjusted too low.  
The MUTE button on the remote control  
is pressed to ON.  
Press the SPEAKER button to ON.  
Select the desired input source correctly.  
Make connections correctly.  
Speakers are not switched on.  
Incorrect selection of the input source.  
Incorrect connections between the  
components.  
No sound from the rear  
speakers  
Select a surround mode.  
Surround mode is switched off(stereo  
mode).  
Master volume and rear level are too  
low.  
A monaural source is used.  
Rear speaker setting is “N”.  
Adjust master volume and rear level.  
Select a stereo or surround source.  
Select the desired rear speaker setting.  
No sound from the center  
speaker  
Select the desired surround.  
Surround mode is switched off(stereo  
mode).  
Center speaker setting is “N”.  
Master volume and center level are too  
low.  
Select the desired center speaker setting.  
Adjust master volume and center level.  
Stations cannot be received  
Connect an antenna.  
Tune in the desired station frequency.  
No antenna is connected.  
The desired station frequency is not  
tuned in.  
Move the antenna and retry tuning.  
Memorize the correct station frequency.  
Memorize the stations again.  
The antenna is in wrong position.  
Preset stations cannot be  
received  
An incorrect station frequency has been  
memorized.  
The memorized stations are cleared.  
Poor FM reception  
Connect an antenna.  
Change the position of the antenna.  
No antenna is connected.  
The antenna is not positioned for the  
best reception.  
Continuous hissing noise  
during FM reception,  
especially when a stereo  
broadcast is received.  
Change the position of the antenna.  
Install an outdoor antenna.  
Weak signals.  
Keep the receiver away from noise  
sources.  
Install an outdoor AM antenna.  
Noise is caused by motors, fluorescent  
lamps or lightning, etc.  
Continuous or intermittent  
hissing noise during AM  
reception, especially at night.  
Remote control unit does  
not operate.  
Replace the batteries.  
Remove the obstacle.  
Batteries are not loaded or exhausted.  
The remote sensor is obstructed.  
23  
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Specifications  
AMPLIFIER SECTION  
Power output, stereo mode, 6 , THD 0.7%, 40 Hz~20 kHz .................................................................................. 2×100 W  
Total harmonic distortion, 6 , 100 W, 1 kHz ............................................................................................................... 0.09%  
Intermodulation distortion  
60 Hz : 7 kHz= 4 : 1 SMPTE, 6 , 100 W ...................................................................................................................... 0.1%  
Input sensitivity, 47 kΩ  
Line (CD, TAPE, VIDEO) .......................................................................................................................................... 200 mV  
Signal to noise ratio, IHF “A” weighted  
Line (CD, TAPE, VIDEO) ............................................................................................................................................. 92 dB  
Frequency response  
Line (CD, TAPE, VIDEO), 20 Hz~50 kHz ........................................................................................................ +0 dB, -3 dB  
Output level  
TAPE REC, 2.2 k..................................................................................................................................................... 200 mV  
PRE OUT(Front, Center, Rear, Subwoofer), 1 k.......................................................................................................... 1.0 V  
Bass/Treble control, 100 Hz/10 kHz ........................................................................................................................... ±10 dB  
Surround mode, only channel driven  
Front power output, 6 , 1 kHz, THD 0.7 % ................................................................................................... 125 W+125 W  
Center power output, 6 , 1 kHz, THD 0.7 % .............................................................................................................. 125 W  
Rear power output, 6 , 1 kHz, THD 0.7 % .................................................................................................... 125 W+125 W  
DIGITAL AUDIO SECTION  
Sampling frequency ................................................................................................................................. 32, 44.1, 48, 96 kHz  
Digital input level  
Coaxial, 75 ........................................................................................................................................................... 0.5 Vp-p  
Optical, 660 nm ................................................................................................................................................. -15~-21 dBm  
FM TUNER SECTION  
Tuning frequency range .................................................................................................................................... 87.5~108 MHz  
Usable sensitivity, THD 3%, S/N 30 dB .................................................................................................................... 12.8 dBf  
50 dB quieting sensitivity, mono/stereo ............................................................................................................. 20.2/45.3 dBf  
Signal to noise ratio, 65 dBf, mono/stereo ................................................................................................................. 70/65 dB  
Total harmonic distortion, 65 dBf,1 kHz, mono/stereo .............................................................................................. 0.5/0.8%  
Frequency response, 30 Hz~15 kHz ............................................................................................................................. ±3 dB  
Stereo separation, 1 kHz ................................................................................................................................................. 42 dB  
Capture ratio ...................................................................................................................................................................... 4 dB  
IF rejection ratio .............................................................................................................................................................. 80 dB  
AM TUNER SECTION  
Tuning frequency range .................................................................................................................................... 520~1710 kHz  
Usable sensitivity ...................................................................................................................................................... 500 μV/m  
Signal to noise ratio ......................................................................................................................................................... 40 dB  
Selectivity ........................................................................................................................................................................ 25 dB  
GENERAL  
Power supply ................................................................................................................................................ AC 120 V, 60 Hz  
Power consumption ........................................................................................................................................................ 200 W  
Dimensions (W×H×D) ............................................................................ 440×141×330 mm(17-3/8×5-1/2×13 inches)  
Weight (Net) .................................................................................................................................................... 9.6 kg(21.2 lbs)  
Note: Design and specifications are subject to change without notice for improvements.  
24  
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O
P
E
R
A
T
I
N
G
I
N
S
T
R
U
C
T
I
O
N
S
RD-6108  
AUDIO/VIDEO RECEIVER  
5707-04735-008-0  
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