Roland Electronic Keyboard HP101 User Guide

Owner’s Manual

Thank you, and congratulations on your choice of the Roland Digital Piano HP101.

Main Features

Piano Sounds with Rich Resonance and Wide-ranging Expressiveness

The stereo sampling piano sound generator realistically reproduces even the sound

of the hammers striking the strings, producing the tones of a high-quality concert

grand piano. Maximum polyphony of 64 notes ensures that you can use the pedal

freely without running out of notes.

Keyboard and Three Pedals Faithfully Reproduce That True Grand

Piano Feel

This instrument features a compact progressive hammer action keyboard, which

duplicates the touch of a grand piano, with a heavier touch in the lower register, and

a lighter touch in the upper register.

The three pedals are designed for good-feeling response, and allows subtle

performance nuances to be expressed.

Luxurious Wood-Grain Design

Featuring an elegant, wood-grain cabinet, the compact design of this fine instrument

ensures it uses a minimum of space.

In addition to a sliding keyboard lid, the HP101 also features a convenient

headphone hook where you can hang your headphones when they are not in use.

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY

INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3, 4), and “IMPORTANT NOTES” (p.

5). These sections provide important information concerning the proper operation of the unit.

Additionally, in order to feel assured that you have gained a good grasp of every feature provided

by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and

kept on hand as a convenient reference.

any form without the written permission of ROLAND CORPORATION.

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USING THE UNIT SAFELY

The

symbol alerts the user to important instructions

Used for instructions intended to alert

the user to the risk of death or severe

injury should the unit be used

improperly.

or warnings.The specific meaning of the symbol is

determined by the design contained within the

triangle. In the case of the symbol at left, it is used for

general cautions, warnings, or alerts to danger.

Used for instructions intended to alert

the user to the risk of injury or material

damage should the unit be used

improperly.

The

symbol alerts the user to items that must never

be carried out (are forbidden). The specific thing that

must not be done is indicated by the design contained

within the circle. In the case of the symbol at left, it

means that the unit must never be disassembled.

* Material damage refers to damage or

other adverse effects caused with

respect to the home and all its

furnishings, as well to domestic

animals or pets.

The ● symbol alerts the user to things that must be

carried out. The specific thing that must be done is

indicated by the design contained within the circle. In

the case of the symbol at left, it means that the power-

cord plug must be unplugged from the outlet.

•

⁰⁰¹Before using this unit, make sure to read the

•

⁰⁰⁹Do not excessively twist or bend the power cord,

nor place heavy objects on it. Doing so can

damage the cord, producing severed elements

and short circuits. Damaged cords are fire and

shock hazards!

instructions below, and the Owner’s Manual.

..........................................................................................................

002a

•

Do not open or perform any internal modifica-

tions on the unit.

..........................................................................................................

•

⁰¹⁰This unit, either alone or in combination with an

..........................................................................................................

amplifier and headphones or speakers, may be

capable of producing sound levels that could

cause permanent hearing loss. Do not operate for

a long period of time at a high volume level, or at

a level that is uncomfortable. If you experience

any hearing loss or ringing in the ears, you should

immediately stop using the unit, and consult an

audiologist.

•

⁰⁰³Do not attempt to repair the unit, or replace parts

within it (except when this manual provides

specific instructions directing you to do so). Refer

all servicing to your retailer, the nearest Roland

Service Center, or an authorized Roland

distributor, as listed on the “Information” page.

..........................................................................................................

⁰⁰⁴Never use or store the unit in places that are:

..........................................................................................................

•

⁰¹¹Do not allow any objects (e.g., flammable

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating

duct, on top of heat-generating equipment); or

are

material, coins, pins); or liquids of any kind

(water, soft drinks, etc.) to penetrate the unit.

• Damp (e.g., baths, washrooms, on wet floors);

or are

..........................................................................................................

012a

•

Immediately turn the power off, remove the

power cord from the outlet, and request servicing

by your retailer, the nearest Roland Service

Center, or an authorized Roland distributor, as

listed on the “Information” page when:

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

..........................................................................................................

• The power-supply cord, or the plug has been

damaged; or

•

⁰⁰⁷Make sure you always have the unit placed so it is

level and sure to remain stable. Never place it on

stands that could wobble, or on inclined surfaces.

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been

spilled onto the unit; or

..........................................................................................................

008a

•

The unit should be connected to a power supply

only of the type described in the operating

instructions, or as marked on the rear of unit.

• The unit has been exposed to rain (or otherwise

has become wet); or

• The unit does not appear to operate normally

or exhibits a marked change in performance.

..........................................................................................................

008e

•

Use only the attached power-supply cord. Also,

the supplied power cord must not be used with

any other device.

..........................................................................................................

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107b

•

⁰¹³In households with small children, an adult

Never handle the power cord or its plugs with

should provide supervision until the child is

capable of following all the rules essential for the

safe operation of the unit.

wet hands when plugging into, or unplugging

from, an outlet or this unit.

..........................................................................................................

108d: Selection

..........................................................................................................

⁰¹⁴Protect the unit from strong impact.

•

If you need to move the instrument, take note of

the precautions listed below. At least two persons

are required to safely lift and move the unit. It

should be handled carefully, all the while keeping it level.

Make sure to have a firm grip, to protect yourself from

injury and the instrument from damage.

•

(Do not drop it!)

..........................................................................................................

⁰¹⁵Do not force the unit’s power-supply cord to

•

share an outlet with an unreasonable number of

other devices. Be especially careful when using

extension cords—the total power used by all

devices you have connected to the extension

cord’s outlet must never exceed the power rating

(watts/amperes) for the extension cord. Excessive

loads can cause the insulation on the cord to heat

up and eventually melt through.

• Check to make sure the screws securing the unit to the

stand have not become loose. Fasten them again

securely whenever you notice any loosening.

• Disconnect the power cord.

• Disconnect all cords coming from external devices.

• Raise the adjusters on the stand (p. 10).

• Close the lid.

..........................................................................................................

⁰¹⁶Before using the unit in a foreign country, consult

•

with your retailer, the nearest Roland Service

Center, or an authorized Roland distributor, as

listed on the “Information” page.

• Remove the music stand.

..........................................................................................................

⁰²⁶Do not put anything that contains water (e.g.,

109a

•

Before cleaning the unit, turn off the power and

unplug the power cord from the outlet (p. 8).

•

flower vases) on this unit. Also, avoid the use of

insecticides, perfumes, alcohol, nail polish, spray

cans, etc., near the unit. Swiftly wipe away any

liquid that spills on the unit using a dry, soft

cloth.

..........................................................................................................

110a

•

Whenever you suspect the possibility of lightning

in your area, pull the plug on the power cord out

of the outlet.

..........................................................................................................

101a

•

¹¹⁶Be careful when opening/closing the lid so you

•

The unit should be located so that its location or

position does not interfere with its proper venti-

lation.

do not get your fingers pinched (p. 8). Adult

supervision is recommended whenever small

children use the unit.

..........................................................................................................

102b

•

^118cKeep any included the music rest’s attachment

•

Always grasp only the plug on the power-supply

cord when plugging into, or unplugging from, an

outlet or this unit.

screws, screws of stand, and wing nut in a safe

place out of children’s reach, so there is no chance

of them being swallowed accidentally.

..........................................................................................................

103a

..........................................................................................................

•

At regular intervals, you should unplug the

power plug and clean it by using a dry cloth to

wipe all dust and other accumulations away from

its prongs. Also, disconnect the power plug from

the power outlet whenever the unit is to remain

unused for an extended period of time. Any

accumulation of dust between the power plug

and the power outlet can result in poor insulation

and lead to fire.

..........................................................................................................

•

¹⁰⁴Try to prevent cords and cables from becoming

entangled. Also, all cords and cables should be

placed so they are out of the reach of children.

..........................................................................................................

•

¹⁰⁶Never climb on top of, nor place heavy objects on

the unit.

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IMPORTANT NOTES

291b

In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2,

3 and 4, please read and observe the following:

Power Supply

Maintenance

301

401b

• Do not connect this unit to same electrical outlet that is being

• To clean the unit, use a dry, soft cloth; or one that is slightly

used by an electrical appliance that is controlled by an

inverter (such as a refrigerator, washing machine, microwave

oven, or air conditioner), or that contains a motor. Depending

on the way in which the electrical appliance is used, power

supply noise may cause this unit to malfunction or may

produce audible noise. If it is not practical to use a separate

electrical outlet, connect a power supply noise filter between

this unit and the electrical outlet.

dampened. Try to wipe the entire surface using an equal

amount of strength, moving the cloth along with the grain of

the wood. Rubbing too hard in the same area can damage the

finish.

402

• Never use benzine, thinners, alcohol or solvents of any kind,

to avoid the possibility of discoloration and/or deformation.

⁴•⁰³The pedals of this unit are made of brass.

307

Brass eventually darkens as the result of the natural

oxidization process. If the brass becomes tarnished, polish it

using commercially available metal polisher.

• Before connecting this unit to other devices, turn off the

power to all units. This will help prevent malfunctions and/

or damage to speakers or other devices.

308

• Although the LCD and LEDs are switched off when the

Additional Precautions

POWER switch is switched off, this does not mean that the

unit has been completely disconnected from the source of

power. If you need to turn off the power completely, first turn

off the POWER switch, then unplug the power cord from the

power outlet. For this reason, the outlet into which you

choose to connect the power cord’s plug should be one that is

within easy reach.

⁵•⁵²Unfortunately, it may be impossible to restore the contents of

data that was stored in the unit’s memory once it has been

lost. Roland Corporation assumes no liability concerning

such loss of data.

553

• Use a reasonable amount of care when using the unit’s

buttons, sliders, or other controls; and when using its jacks

and connectors. Rough handling can lead to malfunctions.

Placement

556

• When connecting / disconnecting all cables, grasp the

351

• Using the unit near power amplifiers (or other equipment

connector itself—never pull on the cable. This way you will

avoid causing shorts, or damage to the cable’s internal

elements.

containing large power transformers) may induce hum. To

alleviate the problem, change the orientation of this unit; or

move it farther away from the source of interference.

⁵•⁵⁷A small amount of heat will radiate from the unit during

normal operation.

352a

• This device may interfere with radio and television reception.

Do not use this device in the vicinity of such receivers.

352b

558a

• To avoid disturbing your neighbors, try to keep the unit’s

• Noise may be produced if wireless communications devices,

volume at reasonable levels. You may prefer to use

headphones, so you do not need to be concerned about those

around you (especially when it is late at night).

such as cell phones, are operated in the vicinity of this unit.

Such noise could occur when receiving or initiating a call, or

while conversing. Should you experience such problems, you

should relocate such wireless devices so they are at a greater

distance from this unit, or switch them off.

559a

• When you need to transport the unit, package it in the box

(including padding) that it came in, if possible. Otherwise,

you will need to use equivalent packaging materials.

⁵•⁶⁰Do not apply undue force to the music stand while it is in use.

354a

• Do not expose the unit to direct sunlight, place it near devices

that radiate heat, leave it inside an enclosed vehicle, or

otherwise subject it to temperature extremes. Excessive heat

can deform or discolor the unit.

562

• Use a cable from Roland to make the connection. If using

some other make of connection cable, please note the

following precautions.

355b

• When moved from one location to another where the temper-

565

ature and/or humidity is very different, water droplets

(condensation) may form inside the unit. Damage or

malfunction may result if you attempt to use the unit in this

condition. Therefore, before using the unit, you must allow it

to stand for several hours, until the condensation has

completely evaporated.

• Before opening or closing the keyboard lid, always make sure

that no pets or other small animals are located on top of the

instrument (in particular, they should be kept away from the

keyboard and its lid). Otherwise, due to the structural design

of this instrument, small pets or other animals could end up

getting trapped inside it. If such a situation is encountered,

you must immediately switch off the power and disconnect

the power cord from the outlet. You should then consult with

the retailer from whom the instrument was purchased, or

contact the nearest Roland Service Center.

356

• Do not allow rubber, vinyl, or similar materials to remain on

the unit for long periods of time. Such objects can discolor or

otherwise harmfully affect the finish.

358

• Do not allow objects to remain on top of the keyboard. This

• Some connection cables contain resistors. Do not use cables

that incorporate resistors for connecting to this unit. The use

of such cables can cause the sound level to be extremely low,

or impossible to hear. For information on cable specifications,

contact the manufacturer of the cable.

can be the cause of malfunction, such as keys ceasing to

produce sound.

359

• Do not paste stickers, decals, or the like to this instrument.

Peeling such matter off the instrument may damage the

exterior finish.

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Contents

USING THE UNIT SAFEL Y ........................................3

IMPORTANT NOTES .................................................5

Panel Descriptions....................................................7

Chapter 4. Connecting External Device s............. 25

Connecting to Audio Equipment...................................................25

Connecting to a Computer..............................................................25

Connecting MIDI Device s ...............................................................26

What’s MIDI?.............................................................................26

MIDI Send Channel Settings ...................................................26

Switching Local Control On and Off......................................27

Control Panel ......................................................................................7

Rear Panel............................................................................................7

Before You Start Playin g ..........................................8

Appendices

Connecting the Pedal Cable..............................................................8

Connecting the Power Cord .............................................................8

Opening/Closing the Lid .................................................................8

Setting Up the Music Rest.................................................................8

Connecting Headphones...................................................................9

Using the Headphone Hook......................................................9

Tone List ............................................................................................28

Easy Operation List..........................................................................29

Internal Song List .............................................................................30

Troubleshooting ...............................................................................32

MIDI Implementation Chart...........................................................33

Main Specifications..........................................................................34

Turning the Power On and Of f ........................................................9

Adjusting the Sound’s Volum e ........................................................9

About the Pedals ..............................................................................10

About the Adjuster ..........................................................................10

Index........................................................................ 35

Chapter 1. Enjoying the Internal Song s ................11

Listening to Internal Song s .............................................................11

Selecting the Song to Play Back...............................................11

Chapter 2. Performance..........................................12

Performing with a Variety of Sounds ...........................................12

Applying Effects to the Sound .......................................................13

Adding Reverberation to the Sound (Reverb )......................13

Changing the Depth of the Reverb Effect..............................13

Adjusting the Keyboard Touch (Key Touch )...............................14

Transposing the Key of the Keyboard (Transpose).....................15

Playing Two Sounds Together (Dual Play )..................................16

Adjusting the Volume Balance in Dual Play

(Dual Balance)............................................................................16

Using Metronome ............................................................................17

Sounding the Metronome........................................................17

Changing the Beat of Metronome...........................................18

Changing the Metronome Tempo ..........................................18

Changing the Metronome Volume.........................................19

Splitting the Keyboard Into Two Sections for Four-Hand

Performances (Twin Piano Mode ).................................................20

Chapter 3. Changing Various Settings..................21

Tuning to Other Instruments’ Pitches (Master Tuning ).............21

Lowering/ Raising the Standard Pitc h ..................................21

Setting the Standard Pitch to 440.0 Hz...................................21

Setting the Standard Pitch to 442.0 Hz...................................21

Changing the Temperament...........................................................22

Setting the Tonic........................................................................22

Changing the Damper Pedal’s Resonance....................................23

Setting the Tuning Curve (Stretch Tuning)..................................23

Disabling Everything Except Piano Play (Panel Lock)...............24

Using the V-LINK function ............................................................24

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Panel Descriptions

Control Panel

Rear Panel

Headphones

Jacks

Pedal Jack

AC Inlet

Headphones jacks

A set of headphones can be connected here (p. 9).

AC inlet

Connect the supplied power cord here (p. 8).

Pedal jack

Connect the pedal cable to this jack (p. 8).

Control Panel

[Power On] switch

Turns the power on/off (p. 9).

[Volume] knob

Adjusts the overall volume level (p. 9).

[Demo] button

Plays the internal songs (p. 11).

[Tone] button

Used to choose the tone played by the keyboard (p. 12).

[Metronome] button

Turns the metronome on/off (p. 17).

[Reverb/Key Touch] button

Adds reverberation to the sound (p. 13).

Modifies the playing feel of the keyboard (p. 14).

Rear Panel

10 MIDI Out/In connectors

Connect to external MIDI devices to exchange

performance data (p. 26).

11 Input jacks

These jacks can be connected to another sound

generating device or an audio device, so that the sound

of that device will be output from the HP101’s speakers

(p. 25).

11 12

12 Output jacks

Allows you to output the piano’s sound to sound

reinforcement equipment to obtain a more powerful

sound. These can also be connected to a tape recorder or

other recording device to record a performance (p. 25).

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Before You Start Playing

Connecting the Pedal Cable

Setting Up the Music Rest

Connect the pedal cable to the Pedal jack on the bottom

1. Insert the included music rest attachment screws into

panel of the instrument, at the rear.

the screw holes on top of the HP101, and tighten the

fig.00-01

screws slightly.

fig.00-03

Connecting the Power Cord

2. ^{Put the music rest between the screws and the HP101’s}

1. ^{Insert the included power cord into the AC inlet on the}

body.

bottom panel of the instrument, at the rear.

2. ^{Plug the power cord into a power outlet.}

NOTE

Be sure to use the supplied power cord.

fig.00-02

3. ^{While supporting the music rest with one hand, secure}

it in place by turning the screws.

When attaching the music rest, support it firmly with

one hand to make sure that you don’t drop it. Be careful,

so you don’t get your fingers pinched.

Opening/Closing the Lid

4. ^{To remove the music rest, support it with one hand}

while loosening the screws.

To open the lid, use both hands to lift it lightly, and

slide it away from yourself.

After removing the music rest, don’t forget to retighten

the screws.

To close the lid, pull it gently toward yourself, and

lower it softly after it has been fully extended.

fig.00-05

NOTE

Do not apply excessive force to the installed music rest.

NOTE

Be sure to use the supplied screws for attaching the

music rest.

NOTE

When opening and closing the lid, be careful not to let

your fingers get caught. If small children will be using

the HP101, adult supervision should be provided.

NOTE

Before moving the piano, be sure to remove the music

rest to prevent accidents.

NOTE

If you need to move the piano, make sure the lid is

closed first to prevent accidents.

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Before You Start Playing

Connecting Headphones

Turning the Power On and Off

The HP101 has two jacks for plugging in headphones. This

allows two people to listen through headphones

simultaneously, making it very useful for lessons and when

performing piano pieces for four hands. Additionally, this

allows you to play without having to worry about bothering

others around you, even at night.

NOTE

Once the connections have been completed, turn on

power to your various devices in the order specified. By

turning on devices in the wrong order, you risk causing

malfunction and/or damage to speakers and other

devices.

Plug the headphones into the Phones jack located at the

bottom left of the piano.

To turn the power on, turn the [Volume] knob all the

way down, and then press the [Power On] switch.

Connecting headphones will automatically mute the

sound from the internal speakers.

The power will turn on, and the Power indicator at the

left front of the HP101 will light.

The headphone volume is adjusted by the [Volume]

knob (p. 9) of the HP101.

fig.00-04.e

After a few seconds, you will be able to play the

keyboard to produce sound.

Use the [Volume] knob to adjust the volume.

NOTE

This unit is equipped with a protection circuit. A brief

interval (a few seconds) after power up is required

Phones jack x 2

before the unit will operate normally.

fig.00-06.e

NOTE

Use Stereo headphones.

Some notes on using headphones

•

To prevent damage to the cord, handle the headphones only by

the headset or the plug.

•

Connecting the headphones when the volume of connected

equipment is turned up may result in damage to the

headphones. Lower the volume on the HP101 before plugging

in the headphones.

Power Indicator

•

Listening at excessively high volume levels will not only

damage the headphones, but may also cause hearing loss. Use

the headphones at a moderate volume level.

To turn the power off, turn the [Volume] knob all the

way to the left, and press the [Power On] switch.

The Power indicator at the left front of the HP101 will go

dark, and the power will be turned off.

■ Using the Headphone Hook

Whenever you are not using the headphones, you can hang

them on the headphone hook at the lower left of the HP101.

Adjusting the Sound’s

Volume

Attaching the Headphone Hook

Press and twist the headphone hook included with the

HP101 into the hole in the bottom of the HP101 (refer to the

figure below). Turn the wing nut of headphone hook to

secure the headphone hook.

Turn the [Volume] knob to adjust the overall volume.

fig.00-07.e

The volume

decreases

The volume

increases

Wing Nut

Headphone Hook

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Before You Start Playing

About the Pedals

About the Adjuster

The pedals have the following functions, and are used

When you move the HP101 or if you feel that the pedals are

unstable, adjust the adjuster located below the pedals as

follows.

mainly for piano performance.

fig.00-08.e

❍

Rotate the adjuster to lower it so that it is in firm contact

with the floor. If there is a gap between the pedals and

the floor, the pedals may be damaged. In particular

when placing the instrument on carpet, adjust this so

that the pedals firmly contact the floor.

Soft Pedal

Damper Pedal

Sostenuto Pedal

fig.00-09.j

Damper pedal (right pedal)

While this pedal is pressed, notes will be sustained even after

you take your fingers off the keys.

Adjuster

On an acoustic piano, holding down the damper pedal will

allow the remaining strings to resonate in sympathy with the

sounds that you played from the keyboard, adding a rich

resonance.

If the adjuster is difficult to turn, have one person lift

either the left or right side of the stand to make it easier

for another person to turn the adjuster and make the

adjustment.

The HP101 simulates this “damper resonance.”

You can change the amount of resonance applied with

the damper pedal. Please refer to “Changing the Damper

Pedal’s Resonance” (p. 23).

NOTE

After adjusting the adjuster, press the pedals, and if the

front board moves, turn the adjuster further so that it

makes firm contact with the floor.

Sostenuto pedal (center pedal)

This pedal sustains only the sounds of the keys that were

NOTE

already played when you pressed the pedal.

Always readjust the adjuster after moving the piano.

Soft pedal (left pedal)

When you hold down this pedal and play the keyboard, the

sound will have a softer tone.

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Chapter 1. Enjoying the Internal Songs

Listening to Internal Songs

The HP101 comes with 65 piano songs onboard.

For more details, refer to

The songs are played back continuously in sequence.

fig.panel1-1

“Internal Song List” (p. 30).

NOTE

You cannot use the metronome

function after you press the

[Demo] button and the internal

demo songs are playing.

Press the [Demo] button, getting its indicator to light.

The demo songs will play back in succession. When the last song has been played,

playback will return to the first song and begin again.

Stopping the playback

When you play back an

internal song, the reverb effect

will automatically be turned

on (the button’s indicator

lights).

Press the [Demo] button, getting the button to go dark.

Playback will stop.

■ Selecting the Song to Play Back

fig.panel1-2

10 12 14 17 19 22 24 26

58 60 62 65

8 9 11 13 15 16 18 20 21 23 25 27 •••

••• 59 61 63 64

While holding down the [Demo] button, press the key that corresponds

to the demo song you wish to hear.

The demo songs are assigned to the keys in sequential order, starting with the

leftmost key.

The selected song is played back. When the selected song is finished playing, the

next song in the sequence starts. The songs are played back until the last one is

finished, after which playback continues from the first song.

Stopping the playback

Press the [Demo] button, getting the button to go dark.

Playback will stop.

The next time you press the [Demo] button, the stopped song is played back from

the beginning.

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Chapter 2. Performance

Performing with a Variety of Sounds

The HP101 contains 14 different internal tones.

For more details, refer to

“Tone List” (p. 28).

You can select a tone by holding down the [Tone] button and pressing the key to

which the tone is assigned.

The “Grand Piano” tone is selected when the instrument is turned on.

You can switch tones by

holding down the [Tone]

While holding down the [Tone] button, press the corresponding key.

Keys with tone assignments:

white keys A0–G2

button and pressing the “C

”

The tone you’ve selected is heard when you finger the keyboard.

or “D ” key. Press the “C

key to switch to the

”

fig.panel2-1

immediately preceding tone;

pressing the “D ” key

switches to the immediately

following tone.

A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2

NOTE

While the [Tone] button is

pressed, pressing white keys

A0 through G2, “C ” and

“D ”won’t result in the

production of sound.

Key Pressed

Tone Number

Tone

Grand Piano

Mellow Piano

Electric Piano1

Electric Piano2

Vibraphone

Harpsichord

Coupled Harpsichord

Church Organ 1

Organ Flute

Rotary Organ

Church Organ 2

Slow Strings

Strings

Choir

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Chapter 2. Performance

Applying Effects to the Sound

fig.panel2-5

■ Adding Reverberation to the Sound (Reverb)

By applying the reverb effect you can produce a pleasant reverberation, making it

sound as though you were performing in a concert hall.

When you play back an

internal song, the reverb effect

will automatically be turned

on (the button’s indicator

lights).

Press the [Reverb/Key Touch] button.

The button’s indicator will light, and a reverb effect will be applied to the sound.

To cancel the reverb effect, press the [Reverb/Key Touch] button, getting its

indicator to go dark.

■ Changing the Depth of the Reverb Effect

The amount (depth) of the reverb effect can be set to any of eight levels.

You can change the Depth of

the Reverb Effect by pressing

Hold down the [Reverb/Key Touch] button and press the “C ” or “D ”

key.

any “C ” or “D ” key.

Pressing the “C ” key as you hold down the [Reverb/Key Touch] button reduces

the amount of reverb effect applied. Holding down the [Reverb/Key Touch] button

and pressing the “D ” key increases the reverb effect.

C# D#

Press

While holding down

the [Reverb/Key Touch]

buttons...

To restore the depth of the reverb effect at the time the power is turned on, hold

down the [Reverb/Key Touch] button and press the “C ” and “D ” keys

simultaneously.

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Chapter 2. Performance

Adjusting the Keyboard Touch

(Key Touch)

You can adjust the touch (playing feel) of the keyboard.

fig.panel2-7

A0 B0 C1 D1

Hold down the [Reverb/Key Touch] button and press either the “A0,”

“B0,” “C1,” or “D1” key.

The feel of the keyboard will change.

The key touch is set to “Medium” when the instrument is turned on.

Key

Settings

Pressed

Fortissimo (ff) can be produced by playing less

Light

strongly than usual, making the keyboard feel lighter.

This setting makes it easy to play, even for children.

This allows you to play using the most natural touch.

This is the closest to the touch of an acoustic piano.

Medium

Fortissimo (ff) cannot be produced unless you play

more strongly than usual, making the keyboard feel

heavier. Dynamic fingering adds even more feeling to

what you play.

Heavy

Fixed

Sounds at a fixed volume, regardless of your keyboard

playing strength.

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Chapter 2. Performance

Transposing the Key of the Keyboard

(Transpose)

By using the “Transpose function,” you can transpose your performance without

changing the notes you play. For example, even if the song is in a difficult key with

numerous sharps ( ) or flats ( ), you can transpose it to a key that is easier for you

to play.

When accompanying a vocalist, you can easily transpose the pitch to a range that is

comfortable for the singer, while still playing the notes as written (i.e., with the same

fingering positions).

fig.panel2-6

While holding down

two buttons...

Press

Hold down the [Metronome] and [Reverb/Key Touch] buttons, and press

the key for the note you want to set as the tonic.

Keys for Setting the Transposition:

C5–B5

The keyboard will be transposed.

For example, if you want the E pitch to sound when you play the C key, hold down

the [Metronome] and [Reverb/Key Touch] buttons and press the E5 key.

fig.trans.e

If you play C E G

It will sound E G^#

This setting returns to the

original value (0) when you

turn off the power.

To cancel the transposition, hold down the [Metronome] and [Reverb/Key Touch]

buttons and press the “C5” key (transposition 0).

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Chapter 2. Performance

Playing Two Sounds Together

(Dual Play)

Simultaneously playing two tones when one key is pressed is called “Dual play.”

fig.panel2-5

A0 B0 C1

Hold down the [Tone] button and press a key to which a tone is assigned

to select the fundamental tone (p. 12).

Hold down the [Tone] button and press the [Metronome] button.

Another tone (the Dual Tone) is played together with the tone selected in Step 1.

To cancel Dual play, press the [Tone] button.

Changing the Dual Tones

Hold down the [Tone] and [Metronome] buttons, and press either the

“A0,” “B0,” or “C1” key.

Key Pressed

Dual Tone

Slow Strings

Strings

Choir

The Dual Tone is changed.

■ Adjusting the Volume Balance in Dual Play

(Dual Balance)

You can change the volume balance between the two layered sounds in Dual play.

fig.panel2-2

C# D#

Press

While holding down

two buttons...

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Chapter 2. Performance

Hold down the [Tone] and [Metronome] buttons and press the “C ” or

You can change the Dual

“D ” key.

Balance by pressing any “C

or “D ” key.

”

The volume balance changes.

Hold down the [Tone] and [Metronome] buttons and press the “C ” key to lower

the volume of the Dual Tone.

Holding down the [Tone] and [Metronome] buttons and pressing the “D ” key

raises the Dual Tone volume.

To return to the original volume balance, hold down the [Tone] and [Metronome]

buttons and press both the “C ” and “D ” keys simultaneously.

Using Metronome

■ Sounding the Metronome

The HP101 features a built-in metronome.

fig.panel2-4

Press the [Metronome] button, getting its indicator to light.

The metronome will sound.

The button flashes in red and green in time with the beat selected at that time. The

button lights in red on the downbeats, and in green on weak beats.

The beat is set to “weak beats

only” when the power is

Stopping the metronome

turned on. When the beat is set

to “weak beats only,” the

[Metronome] button only

flashes in green.

Once again press the [Metronome] button, getting the button to go dark.

The metronome will stop.

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Chapter 2. Performance

While holding down the [Metronome] button, press the corresponding key.

Tap Tempo

–

0/4 2/4 3/4 4/4 6/4

1 2 3 4 5 6 7 8 9 0

C4 C5

1 2 3 4 5 6 7 8

C7 C8

Beat

Preset Tempo

Keys used for setting

the metronome tempo.

Metronome Volume

■ Changing the Beat of Metronome

Hold down the [Metronome] button and press either the “A0,” “B0,”

“C1,” “D1,” or “E1” key.

Key Pressed

Beat

Only weak beats (0/4)

2/4

3/4

4/4

4/6

■ Changing the Metronome Tempo

Changing the Tempo in Single Beat Increments

Hold down the [Metronome] button and press the “C ” or “D ” key.

You can change the tempo by

pressing any “C ” or “D

key.

”

The metronome tempo changes.

Holding down the [Metronome] button and pressing the “C ” key once increases

the metronome speed by one increment; continue pressing for consecutive increases.

Holding down the [Metronome] button and pressing the “D ” key once decreases

the metronome speed by one increment; continue pressing for consecutive

decreases.

Slows down

the tempo

Speeds up

the tempo

C# D#

Press

While holding down

two buttons...

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Chapter 2. Performance

Selecting the Preset Tempo

Hold down the [Metronome] button and press the white keys in the “C2”

to “C3” range.

The metronome tempo changes.

Key Pressed

Tempo

108

120

138

160

Setting the Tempo Value

Hold down the [Metronome] button and press the white keys in the “C4”

to “E5” range.

The tempo can be adjusted in a range of =20–250.

Key Pressed C4 D4 E4 F4 G4 A4 B4 C5 D5 E5

Tempo

Enter

Hold down the [Metronome] button and press the “F5” key to set that

tempo.

Example: Setting the Tempo to

= 130

While holding down the [Metronome] button, press the “C4 (1)” key, the “E4 (3)”

key, and the “E5 (0)” key, in that sequence, then press the “F5” key to set the tempo.

Setting the Tempo According to the Interval a Key is Pressed as you

Hold Down the [Metronome] Button (Tap Tempo)

You can set the tempo according to the interval a key is pressed as you hold down

the [Metronome] button. This function is called “Tap Tempo.” This feature allows

you to set the tempo you have in mind quickly and easily, without indicating the

tempo numerically.

Hold down the [Metronome] button and press the “B 0” key at least

twice.

The tempo is set to the interval between presses of the key.

■ Changing the Metronome Volume

The volume of the metronome can be adjusted, with eight volume levels available.

This is set to “4” when the

instrument is turned on.

Hold down the [Metronome] button and press a white key in the “C7” to

“C8” range.

Key Pressed

Volume

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Chapter 2. Performance

Splitting the Keyboard Into Two

Sections for Four-Hand Performances

(Twin Piano Mode)

You can divide the keyboard into two separate sections, allowing two people to

perform in the same registers.

While holding down the [Tone] button and press the “C8” key.

While holding down

the [Tone] button...

Off

B7 C8

Press

NOTE

The keyboard is divided into two separate sections, and the pitch changes.

The damper resonance

function is not operational in

Twin Piano Mode.

The right pedal now functions as the damper pedal for the right keyboard section,

and the left pedal functions as the damper pedal for the left keyboard section.

To exit the function, hold down the [Tone] button and press the “B7”

key.

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Chapter 3. Changing Various Settings

■ Setting the Standard Pitch to

Tuning to Other Instruments’

Pitches (Master Tuning)

In situations such as when playing ensemble with other

instruments, you can tune the HP101’s standard pitch to the

pitch of another instrument. The standard pitch generally

refers to the pitch of the note that’s played when you finger

the middle A key. This tuning of all the instruments to a

standard pitch is called “tuning.”

440.0 Hz

1. ^{While holding down the [Metronome] and [Reverb/}

Key Touch] buttons, press the “C1” key on the

keyboard.

You can set the standard pitch anywhere in a range of 415.3

Hz to 466.2 Hz.

When the instrument is turned on, the standard pitch is set to

“440.0 Hz.”

■ Lowering/ Raising the

While holding down

Press

Standard Pitch

two buttons...

The standard pitch will be set to 440.0 Hz. This is the

most commonly used setting. The A4 (Middle A) key

will sound at 440.0 Hz.

1. ^{While holding down the [Metronome] and [Reverb/}

Key Touch] buttons, press the “C 1” note to lower the

standard pitch, or the “D 1” note to raise it.

■ Setting the Standard Pitch to

Lower

Raise

442.0 Hz

the pitch

1. ^{While holding down the [Metronome] and [Reverb/}

Key Touch] buttons, press the “D1” key on the

keyboard.

While holding down

two buttons...

Press

Each time you press the “C 1” key, the pitch will fall by

0.1 Hz. If you continue holding the key, the pitch will

continue falling.

While holding down

Press

two buttons...

Each time you press the “D 1” key, the pitch will rise

by 0.1 Hz. If you continue holding the key, the pitch will

continue rising.

The standard pitch will be set to 442.0 Hz. This setting is

often used for concert pianos. The A4 (Middle A) key

will sound at 442.0 Hz.

You can confirm the pitch of A4 by holding down the

[Metronome] and [Reverb/Key Touch] buttons and

pressing either the A0, B 0, or B0 key.

A0 B0

While holding down

two buttons...

Press

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Chapter 3. Changing Various Settings

While holding down the [Metronome] button and

[Reverb/Key Touch] button, press the corresponding key.

Temperament

Tonic

Temper-

ament

Changing the Temperament

Key

Qualities

You can play classical styles such as Baroque using historic

temperaments (tuning methods).

The Just tunings differ from major

and minor keys. You can get the

same effect with the minor scale as

with the major scale.

Just

Minor

Today, compositions are generally created with equal

temperament in mind and are played using equal

temperament. However in past ages of classical music, a

variety of temperaments were used. Playing a composition

with its original tuning lets you enjoy the sonorities of the

chords that the composer originally intended.

This scale makes some compromises

in just intonation, enabling

transposition to other keys.

Mean

Tone

This temperament combines the

Mean Tone and Pythagorean

tunings. Performances are possible in

all keys (first technique, III).

Werck-

meister

This is set to “Equal” when the instrument is turned on.

1. ^{While holding down the [Metronome] and [Reverb/}

Key Touch] buttons, press the appropriate key (F3–B3)

on the keyboard.

This is an improvement of the Mean

Tone and Just tunings that provides a

high degree of freedom of

modulation. Performances are

possible in all keys (III).

Kirn-

berger

You can choose from among the seven temperaments

described below.

■ Setting the Tonic

Temper-

ament

Key

Qualities

When playing with tuning other than equal temperament,

you need to specify the tonic note for tuning the song to be

performed (that is, the note that corresponds to C for a major

key or to A for a minor key).

In this tuning, each octave is divided

into twelve equal steps. Every

interval produces about the same

amount of slight dissonance.

Equal

If you choose an equal temperament, there’s no need to select

a tonic note.

This tuning, devised by the

philosopher Pythagoras, eliminates

dissonance in fourths and fifths.

Dissonance is produced by third-

interval chords, but melodies are

euphonious.

Pythagor

ean

1. ^{While holding down the [Metronome] and [Reverb/}

Key Touch] buttons, press the tonic (root) of the key

(C4–B4).

This tuning eliminates ambiguities in

the fifths and thirds. It is unsuited to

playing melodies and cannot be

transposed, but is capable of

beautiful sonorities.

When performing in ensemble with other instruments, be

aware that depending on the key, there may be some shifting of

the pitch. Tune the HP101 to the standard pitch of the other

instruments.

Just

Major

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Chapter 3. Changing Various Settings

While holding down the [Metronome] button and

[Reverb/Key Touch] button, press the corresponding key.

Damper Resonance

Stretch Tuning

1. While holding down the [Metronome] and [Reverb/

Changing the Damper

Pedal’s Resonance

Key Touch] buttons, the “B 7” note to turn the setting

On, or press the “A7” note to turn the setting Off.

On an acoustic piano, depressing the damper pedal makes

the notes you play resonate with other strings, adding rich

reverberations and fatness to the sound. The damper pedal

on the HP101 recreates this resonance (damper resonance)

when depressed.

While holding down

two buttons...

You can select from eight levels of depth for the resonant

sound (resonance level).

This is set to “5” when the instrument is turned on.

Off

This setting is enabled only with the piano tones. You cannot

set this for other tones.

1. ^{While holding down the [Metronome] and [Reverb/}

Key Touch] buttons, press the appropriate key (C2–G2)

on the keyboard.

Larger values will produce a deeper effect.

Key

E 2

Press

Depthof

Effect

Key

Values

Descriptions

This is the standard tuning curve.

This is the right choice when using

Dual play (p. 16), or when playing in

ensemble with other instruments.

Off

Setting the Tuning Curve

(Stretch Tuning)

A piano is generally tuned to a pitch with a lower bass range

and a higher treble range than equal temperament. This

special tuning method for pianos is called “Stretch Tuning.”

This tuning curve expands the bass

and treble ends somewhat. It is suit-

able for performances such as piano

solos. This setting is in effect when

you turn on the power.

→ This effect works only with the piano tones.

Stretch Tuning is set to ON when the instrument is turned

on.

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Chapter 3. Changing Various Settings

Disabling Everything Except

Piano Play (Panel Lock)

The “Panel Lock” function locks the HP101 in a state where

only piano performance can be used, and all buttons will be

disabled. This prevents the settings from being inadvertently

modified even if children press the buttons accidentally.

In the Panel Lock state, only the grand piano sound can be

played.

Using the V-LINK function

Connecting the HP101 to a V-LINK compatible image device

allows you to control the images with the HP101.

V-LINK

V-LINK (

) is a function that allows music and

images to be performed together. By using MIDI to connect

two or more V-LINK compatible devices, you can easily

enjoy a wide range of visual effects that are linked to the

expressive elements of a music performance.

1. ^{Turn the volume to the minimum, and press the [Power}

On] switch to turn off the power.

V-LINK (

) is a trademark of Roland

2. ^{Hold down the [Tone] button and press the [Power On]}

Corporation.

switch to turn on the power.

How to Use the V-LINK

V-LINK is set to OFF when the instrument is turned on.

1. ^{While holding down the [Metronome] and [Reverb/}

Key Touch] buttons, the “G 7” note to turn the setting

On, or press the “G7” note to turn the setting Off.

While holding down the [Tone] button,

press the [Power On] switch.

While holding down

two buttons...

V-LINK

Off

V-LINK

All buttons are disabled.

Adjust the volume.

When you play the keyboard, the grand piano sound

will be heard.

To defeat the Panel Lock function, turn the volume

down to the minimum, and turn on the power once

again.

Press

Key

Values

Descriptions

Off

The V-LINK function is switched off.

The V-LINK function is switched on.

You can control images using the

twelve keys at the left end of the key-

board.

While V-LINK is switched on, no sound is produced when you

press any of the twelve keys at the left end of the keyboard.

All button indicators light up when the V-LINK function is

on.

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Chapter 4. Connecting External Devices

❍ Use the following procedure when turning on the power.

Connecting to Audio Equipment

You can connect audio devices to play the sound of the

1. Turn on the power of the connected device.

HP101 through the speakers of your audio system, or to

2. ^{Turn on the power of the HP101.}

record your performance on a tape recorder or other

3. ^{Adjust the volume of each device.}

recording device.

When connecting, please use an audio cable with a standard

phone plug (sold separately).

You cannot use the HP101 to adjust the volume of the

connected sound generating device.

Turning off the power

Connection Examples

1. ^{Set the volume of the HP101 and of the connected}

To prevent malfunction and/or damage to speakers or other

devices, always turn down the volume, and turn off the power

on all devices before making any connections.

devices to the minimum position.

2. ^{Turn off the power to the HP101.}

3. ^{Turn off the connected equipment.}

Playing the sound of the HP101 through the

speakers of an audio system/Recording the

performance of the HP101 on a recording device

fig.audio1.e

Input R/L

(Line In, Aux In)

Connecting to a Computer

You can use a USB MIDI interface cable (sold separately) to

connect the HP101 to your computer.

HP101

You can connect the HP101 to a computer that has Roland’s

Visual MT or other sequencer software installed, and then

play performances from the software through the HP101.

Connection Examples

❍ Use the following procedure when turning on the power.

1. ^{Turn on the power of the HP101.}

To prevent malfunction and/or damage to speakers or other

devices, always turn down the volume, and turn off the power

on all devices before making any connections.

2. ^{Turn on the power of the connected device.}

3. ^{Adjust the volume of each device.}

In order to make connections to your computer, you must

install “MIDI driver” software on your computer. For details,

refer to the owner’s manual for your MIDI interface.

→ You can adjust the volume of a connected sound module with

the HP101.

Use a USB MIDI interface cable to connect the USB

connector of your computer to the MIDI connectors of

the HP101.

When Recording HP101 Performances on a Recording

Device

4. ^{Start recording with the connected device.}

5. ^{Perform on the HP101.}

fig.comp.e

USB Connector

of your Computer

6. ^{When the performance ends, stop recording on the}

USB MIDI

interface cable

connected equipment.

Computer

Playing the sound of an audio device through the

speakers of the HP101

fig.audio2.e

HP101

MIDI IN

MIDI OUT

Output R/L

(Line Out, Aux Out)

HP101

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Chapter 4. Connecting External Devices

Perform on the HP101 to play a MIDI sound

generator

fig.midi1.e

Connecting MIDI Devices

By connecting an external MIDI device and exchanging

performance data, you can control the performances on one

device from the other. For instance, you can output sound

from the other instrument or switch tones on the other

instrument.

Sound Module

MIDI

THRU

OUT

HP101

■ What’s MIDI?

MIDI stands for Musical Instrument Digital Interface, an

international standard which allows performance

information to be communicated among electronic musical

instruments and computers.

The HP101 provides MIDI connectors, which allow

performance data to be exchanged with external devices.

When these connectors are used to connect the HP101 to

external devices, an even wider range of possibilities

becomes available.

■ MIDI Send Channel Settings

MIDI features sixteen MIDI channels, numbered 1–16.

Simply connecting a cable is not enough for communication

to take place. The connected devices must be set to use the

same MIDI channels. Otherwise, no sound will be produced,

and no sounds can be selected.

A separate publication titled “MIDI Implementation” is also

available. It provides complete details concerning the way

MIDI has been implemented on this unit. If you should require

this publication (such as when you intend to carry out byte-

level programming), please contact the nearest Roland Service

Center or authorized Roland distributor.

The HP101 receives all channels 1–16.

When the HP101 is turned on, Channel “1” is selected.

1. While holding down the [Metronome] and [Reverb/

Connection Examples

Key Touch] buttons, press the appropriate key (C6–

To prevent malfunction and/or damage to speakers or other

devices, always turn down the volume, and turn off the power

on all devices before making any connections.

7) on the keyboard.

The MIDI transmit channel will switch to the number

that corresponds to the note you pressed.

Playing the HP101 from a MIDI sequencer/

Recording an HP101 performance on a MIDI

sequencer

fig.midi2.e

MT Series

While holding down

two buttons...

* MT-90s has no MIDI Out connector.

Out

MIDI

HP101

11 14 16

Set Local Off if you have connected the HP101 to a MIDI

sequencer. Refer to “Switching Local Control On and Off” (p.

27). Also set your MIDI sequencer to MIDI Thru mode (so

that messages received at MIDI IN will be re-transmitted

without change from MIDI OUT). For details, refer to the

owner’s manual of your MIDI sequencer.

8 10 12 13 15

Press

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Chapter 4. Connecting External Devices

Local On is set when the power is switched on.

■ Switching Local Control On

and Off

1. While holding down the [Metronome] and [Reverb/

Key Touch] buttons, the “C8” note to turn the setting

On, or press the “B7” note to turn the setting Off.

When connecting a MIDI sequencer, set Local Control to

“OFF.”

As illustrated, information describing what has been played

on the keyboard is passed to the internal sound generator

over two different routes, (1) and (2). As a result, you hear

overlapping or intermittent sounds. To prevent this from

happening, route (1) must be severed, by setting the unit to

While holding down

two buttons...

what is known as “Local Off.”

fig.localcont.e

Local On

Local Off

Local On

(1)

Sequencer

Memory

MIDI

OUT

MIDI

Sound

Generator

MIDI

OUT

MIDI

(2) Thru function On

Each note played

is sounded twice

B7 C8

Local Control ON: The keyboard and the internal sound

generator are in a linked state.

fig.localon.e

Press

Sound is emitted

Sound Generator

Local On

Local Control OFF: The keyboard and the internal sound

generator are in an unlinked state. No sound will be

produced by the keyboard when it is played.

fig.localoff.e

No sound produced

Sound Generator

Local Off

→ When a Roland MT series instrument is connected, it is not

necessary to make the Local Off setting. MT units transmit

Local Off messages when their power is switched on. If you

turn on the power in the order of the HP101 → MT series,

Local Off will be set automatically.

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Tone List

[Tone] button’s Tone: While holding down the [Tone] button, press the corresponding key.

Dual Tone: While holding down the [Tone] button and [Metronome] button, press the corresponding key.

These select

the Dual Tones

[Tone] button’s

tone (p. 12)

Dual Tone

(p. 16)

While holding down the [Tone] button, press the corresponding key.

Key Pressed

Tone Number

Tone

Grand Piano

Mellow Piano

Electric Piano1

Electric Piano2

Vibraphone

Harpsichord

Coupled Harpsichord

Church Organ 1

Organ Flute

Rotary Organ

Church Organ 2

Slow Strings

Strings

Choir

Dual Tone

While holding down the [Tone] button and [Metronome] button, press the corresponding key.

Key Pressed

Tone

Slow Strings

Strings

Choir

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Easy Operation List

Metronome Settings

While holding down the [Metronome] button, press the corresponding key.

Tap Tempo (p. 19)

–

0 2 3 4 6

1 2 3 4 5 6 7 8 9 0

C4 C5

1 2 3 4 5 6 7 8

C7 C8

Beat (p. 18)

Metronome Tempo

(Reference Tempo) (p. 19)

Metronome Tempo (Tempo Value)

(p. 19)

Metronome Volume

(p. 19)

Other Settings

While holding down the [Metronome] button and [Reverb/Key Touch] button,

press the corresponding key.

Master Tuning

(p. 21)

Damper Resonance

(p. 23)

Temperament/

Tonic Note (p. 22)

Key Transpose

(p. 15)

Setting the MIDI

Channel (p. 26)

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Internal Song List

Song

No.

Key

Song Name

Composer

1ére Arabesque

C. Debussy

F. Chopin/

Late Night Chopin

Arranged by John Maul

Sonate für Klavier No. 15

Fly Free

W. A. Mozart

John Maul

Liebesträume III

Étude, op.10-3

Je te veux

F. Liszt

F. Chopin

E. Satie

Valse, op.64-1

F. Chopin

Golliwog’s Cake walk

C. Debussy

Fantaisie-Impromptu

An der schönen, blauen Donau

Auf Flügeln des Gesanges

Mazurka No.5

F. Chopin

J. Strauss (II)

F. Mendelsshon

F. Chopin

1ère Gymnopédie

E. Satie

Étude, op.25-1

Clair de Lune

F. Chopin

C. Debussy

Étude, op.10-5

F. Chopin

C. Debussy

F. Chopin

Doctor Gradus ad Parnassum

Grande Valse Brillante

La prière d'une Vierge

Course en Troïka

T. Badarzewska

P. Tchaikovsky

To The Spring

E. Grieg

Valse, op.64-2

F. Chopin

Radetzky Marsch

Träumerei

J. Strauss (I)

R. Schumann

F. Schubert

Moments Musicaux III

Prélude, op.28-15

F. Chopin

G. Handel

The harmonious blacksmith

Ungarische Tänze V

Türkischer Marsch (Beethoven)

Nocturne No.2

J. Brähms

L. v. Beethoven

F. Chopin

Frühlingslied

Präludium

F. Mendelsshon

J. S. Bach

Jägerlied

F. Mendelsshon

M. Ravel

Menuet Antique

Für Elise

L. v. Beethoven

W. A. Mozart

F. Schubert

Türkischer Marsch (Mozart)

Ständchen

Humoreske

A. Dvorák

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Internal Song List

Song

No.

Key

Song Name

Composer

Blumenlied

G. Lange

Alpenglöckchen

T. Oesten

Menuett G dur (Beethoven)

Venezianisches Gondellied

L. v. Beethoven

F. Mendelsshon

Alpenabendröte

T. Oesten

Farewell to the Piano

L. v. Beethoven

Brautchor

R. Wagner

W. Anderson

C. Czerny

Battle of Waterloo

Wiener Marsch

Le Coucou

L. C. Daquin

J. S. Bach

Menuett G dur (Bach)

Spinnerlied

Gavotte

A. Ellmenreich

F. Gossec

Heidenröslein

Zigeuner Tanz

La Cinquantaine

G. Lange

H. Lichner

G. Marie

Csikos Post

H. Necke

T. Oesten

Dolly’s Dreaming Awakening

La Violette

L. Streabbog

R. Schumann

M. Clementi

F. Kuhlau

Fröhlicher Landmann

Sonatine op.36-1 (Clementi)

Sonatine op.20-1 (Kuhlau)

Sonatine No.5 (Beethoven)

L. v. Beethoven

Hungarian Rag: Hungarian Dance No. 5 Ragtime Ar-

rangement For Solo Piano

J. Brahms/

Arranged by John Maul

Paganoogie Variation: Jazz Variation Based on “Caprice

No. 24 in A Minor”

N. Paganini/

Arranged by John Maul

Masashi &

L'éveil del l'amour

Kazuko Hirashita

Profile

John Maul

John Maul is a musician, composer and arranger having graduated from the Royal Academy of Music in London. John’s work

encompasses studio recordings and live performances including work with top UK Jazz artists.

His writing credits include commercial music for BBC radio and television, as well as scoring jazz and classical works.

Having been a product specialist for Roland U.K., John is now actively involved in music software composing/programming for

both Roland Japan and various music publishers. Quite recently his “Musical Picture Book,” a volume of original piano music

encompassing all standards of musical ability, which included the piano and orchestral accompaniment data in SMF format, was

published and printed.

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Troubleshooting

If you think there’s a problem, read this first.

Case

Cause/Remedy

Case

Cause/Remedy

On an acoustic piano, notes in the upper one

and a half octaves of the keyboard continue

to sound until they decay naturally,

regardless of the damper pedal. There is a

difference in the timbre as well. Roland

pianos faithfully simulate such

The power doesn’t

come on

Is the power cord connected and plugged in

correctly? (p. 8)

The button doesn’t

work

Is the panel locked? (p. 24)

In the upper range,

the sound changes

abruptly beyond a

certain key

Turn the power off, then back on.

Is the volume level of the HP101 turned all

the way down? (p. 9)

characteristics of the acoustic piano. On the

HP101, the range that is unaffected by the

damper pedal will change depending on the

Key Transpose setting.

Are headphones plugged in? (p. 9)

Has a plug remained connected to the

Phones jack?

When listening through headphones:

Some of the more flamboyant and

effervescent piano tones feature an

ample high-end component, which may

make the sound appear to have metallic

reverberation added. Since this

Plugging headphones or other plugs into the

headphone jack stops sounds from playing

through the speakers.

No sound is heard

Is Local Off selected?

When Local Control is set to OFF, no sound

is produced by playing the keyboard. Set

Local Control to “On” (p. 27).

reverberation becomes particularly

audible when supplemented by heavy

reverb, you may be able to diminish the

problem by reducing the amount of

reverb applied to the sound.

A High-pitched

Is V-LINK switched on?

whine is produced

While V-LINK is switched on, no sound is

produced when you press any of the twelve

keys at the left end of the keyboard (p. 24).

When listening through speakers:

Here, a different cause (such as

Have all devices been switched on?

No sound is heard

(when a MIDI

instrument is

connected)

resonance produced by the HP101)

would be suspect. Consult your Roland

dealer or nearest Roland Service Center.

Are the MIDI cables connected correctly?

Does the MIDI channel match the connected

instrument? (p. 26)

When listening through speakers:

Playing at loud volumes may cause

instruments near the HP101 to resonate.

Resonation can also occur with

fluorescent light tubes, glass doors, and

other objects. In particular, this problem

occurs more easily when the bass

component is increased, and when the

sound is played at higher volumes. Use

the following measures to suppress such

resonance.

Is the HP101 in Dual play? (p. 16)

Sounds are heard

twice (doubled)

when the keyboard

is played

When the HP101 is connected to an external

sequencer, set it to the Local OFF mode

(p. 27).

Alternatively, the sequencer could be set so

its MIDI Thru feature is OFF.

Tone doesn’t

change

Is the panel locked? (p. 24)

Turn the power off, then back on.

The bass range

sounds odd, or

there is a vibrating

resonance

The maximum number of notes that the

HP101 can play simultaneously is 64.

Frequent use of the damper pedal when

playing along with a song may result in

performance data with too many notes,

causing some notes to drop out.

• Place speakers so they are 10–15 cm

from walls and other surfaces.

• Reduce the volume.

Not all played notes

are sounded

• Move the speakers away from any

resonating objects.

Have you set Transpose? (p. 15)

When listening through headphones:

Here, a different cause would be

suspect. Consult your Roland dealer or

nearest Roland Service Center.

The tuning or pitch

of the keyboard or

song is off

Are the settings for the “Temperament” and

“Stretch Tuning” correct? (p. 22)

Is the setting for the “Master Tuning”

correct? (p. 21)

The volume level of

the instrument

Could you be using a connection cable that

contains a resistor?

Depressing a pedal

has no effect, or the

pedal effect doesn’t

stop

Is the pedal connected correctly?

Make sure the pedal cord is securely

connected to the pedal jack on the bottom of

the unit, at the rear (p. 8).

Use a connection cable that does not contain

a resistor.

connected to Input

jacks is too low

Adjust the adjuster underneath the pedal so

that the adjuster presses firmly against the

floor surface (p. 10).

The pedal rattles

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MIDI Implementation Chart

DIGITAL PIANO

Date : Jul. 1, 2004

Version : 1.00

Model HP101

MIDI Implementation Chart

Transmitted

Recognized

Remarks

Function...

Basic

Channel

Default

Changed

1–16

Default

Messages

Altered

Mode 3

Mode

**************

Note

Number :

15–113

**************

0–127

15–113

True Voice

Note ON

Note OFF

Velocity

8n v=64

After

Touch

Key’s

Ch’s

Pitch Bend

6, 38

Data entry

Volume

Expression

Hold 1

Sostenuto

Soft

Effect 1 (Reverb)

RPN LSB, MSB

Control

Change

100, 101

Prog

Change

O (0...57)

**************

O (0–127)

0...57

: True Number

System Exclusive

: Song Pos

: Song Sel

: Tune

System

Common

System

Real Time

: Clock

: Commands

: All sound off

Reset all controllers

Aux

Message

: Local Control

: All Notes OFF

: Active Sense

: Reset

O (123–127)

Notes

Mode 1 : OMNI ON, POLY

Mode 2 : OMNI ON, MONO

O : Yes

X : No

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO

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Main Specifications

Keyboard

88 keys (Compact Progressive Hammer Action Keyboard)

Touch Sensitivity

Keyboard Modes

Sound Generator

Max. Polyphony

Tones

Touch: Light, Medium, Heavy, Fixed

Whole, Dual (volume balance adjustable)

64 voices

14 tones

Temperament

Stretched Tuning

Master Tuning

Transpose

7 types, selectable tonic

2 types

415.3 Hz–466.2 Hz (adjustable in increments of 0.1 Hz)

Key Transpose (-6–+5 in semitones)

Reverb (8 levels), Chorus (for E. Piano only), Damper Resonance (8 levels)

Effects

Metronome

Beat

0/4, 2/4, 3/4, 4/4, 6/4

8 levels

Volume

Tempo

Quarter note = 20–250

65 songs

Preset Songs

Others

Rated Power Output

Speakers

20 W x 2

12 cm x 2

Display

Beat LED

Control

Volume

Pedals

Damper, Soft, Sostenuto

Other Functions

Connectors

Power Supply

Power Consumption

Panel Lock, Twin Piano Mode

Output jacks (L/Mono, R), Input jacks (L/Mono, R), Headphones jack x 2 (Stereo), MIDI connectors (In, Out)

AC 117 V/AC 230 V/AC 240 V

48 W

1,388 (W) x 397 (D) x 810 (H) mm

54-11/16 (W) x 15-11/16 (D) x 31-15/16 (H) inches

Dimensions

(including piano stand)

1,388 (W) x 397 (D) x 1,000 (H) mm (including music rest)

54-11/16 (W) x 15-11/16 (D) x 39-3/8 (H) inches (including music rest)

Weights

42 kg / 93 lbs

(including piano stand)

Accessories

Owner’s manual, Power Cord, Headphones Hook, Music Rest, Music Rest’s attachment screws

In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

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Index

Numerics

440.0 Hz .......................................................................... 21

442.0 Hz .......................................................................... 21

Reverb ............................................................................. 13

Depth ......................................................................... 13

AC Inlet ............................................................................. 8

Adjuster .......................................................................... 10

Audio Equipment .......................................................... 25

Soft Pedal ........................................................................ 10

Sostenuto Pedal ............................................................. 10

Standard Pitch ................................................................ 21

Stretch Tuning ................................................................ 23

Beat .................................................................................. 18

Tap Tempo ..................................................................... 19

Temperament ................................................................. 22

Tempo ............................................................................. 18

Tone ................................................................................. 12

[Tone] Button ................................................................. 12

Transpose ........................................................................ 15

Tuning Curve ................................................................. 23

Twin Piano Mode .......................................................... 20

Computer ....................................................................... 25

Damper Pedal ................................................................ 10

Resonance ................................................................. 23

Damper Resonance ................................................. 10, 23

Dual Balance .................................................................. 16

Dual Play ........................................................................ 16

V-LINK ............................................................................ 24

Volume .............................................................................. 9

Metronome ............................................................... 19

[Volume] Knob ................................................................ 9

Effects (Reverb) .............................................................. 13

Headphone Hook ............................................................ 9

Headphones ..................................................................... 9

Internal Song .................................................................. 11

Key Touch ...................................................................... 14

Lid ...................................................................................... 8

Local Control ................................................................. 27

Master Tuning ............................................................... 21

Metronome ..................................................................... 17

Volume ...................................................................... 19

MIDI ................................................................................ 26

MIDI Channel ................................................................ 26

MIDI Devices ................................................................. 26

Music Rest ........................................................................ 8

Panel Lock ...................................................................... 24

Pedal ................................................................................ 10

Pedal Cable ....................................................................... 8

Pedal Jack ......................................................................... 8

Phones Jack ...................................................................... 9

Play

Selecting a Song ....................................................... 11

Power ................................................................................ 9

Power Cord ...................................................................... 8

Power Indicator ............................................................... 9

[Power On] Switch .......................................................... 9

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MEMO

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MEMO

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Information

When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as

shown below.

MEXICO

IRELAND

PHILIPPINES

IRAN

AFRICA

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar

de los Padres 01780 Mexico D.F.

MEXICO

Roland Ireland

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue

Makati, Metro Manila 1200,

PHILIPPINES

MOCO, INC.

G2 Calmount Park, Calmount

Avenue, Dublin 12

Republic of IRELAND

TEL: (01) 4294444

No.41 Nike St., Dr.Shariyati Ave.,

Roberoye Cerahe Mirdamad

Tehran, IRAN

EGYPT

Al Fanny Trading Office

9, EBN Hagar A1 Askalany Street,

ARD E1 Golf, Heliopolis,

Cairo 11341, EGYPT

TEL: (55) 5668-6699

TEL: (02) 899 9801

TEL: (021) 285-4169

PANAMA

SINGAPORE

ISRAEL

ITALY

SUPRO MUNDIAL, S.A.

Boulevard Andrews, Albrook,

Panama City, REP. DE PANAMA

TEL: 315-0101

TEL: 20-2-417-1828

Swee Lee Company

150 Sims Drive,

Halilit P. Greenspoon &

Roland Italy S. p. A.

Viale delle Industrie 8,

20020 Arese, Milano, ITALY

TEL: (02) 937-78300

Sons Ltd.

REUNION

SINGAPORE 387381

TEL: 6846-3676

8 Retzif Ha'aliya Hashnya St.

Tel-Aviv-Yafo ISRAEL

TEL: (03) 6823666

Maison FO - YAM Marcel

25 Rue Jules Hermann,

Chaudron - BP79 97 491

Ste Clotilde Cedex,

CRISTOFORI MUSIC PTE

PARAGUAY

NORWAY

LTD

Distribuidora De

JORDAN

Roland Scandinavia Avd.

Blk 3014, Bedok Industrial Park E,

#02-2148, SINGAPORE 489980

TEL: 6243-9555

Instrumentos Musicales

J.E. Olear y ESQ. Manduvira

Asuncion PARAGUAY

TEL: (021) 492-124

REUNION ISLAND

TEL: (0262) 218-429

AMMAN Trading Agency

245 Prince Mohammad St.,

Amman 1118, JORDAN

TEL: (06) 464-1200

Kontor Norge

Lilleakerveien 2 Postboks 95

Lilleaker N-0216 Oslo

NORWAY

SOUTH AFRICA

TAIWAN

That Other Music Shop

TEL: 2273 0074

ROLAND TAIWAN

URUGUAY

(PTY) Ltd.

11 Melle St., Braamfontein,

Johannesbourg, SOUTH AFRICA

KUWAIT

ENTERPRISE CO., LTD.

Room 5, 9fl. No. 112 Chung Shan

N.Road Sec.2, Taipei, TAIWAN,

R.O.C.

Todo Musica S.A.

Francisco Acuna de Figueroa 1771

C.P.: 11.800

Easa Husain Al Yousifi Est.

Abdullah Salem Street,

Safat, KUWAIT

POLAND

MX MUSIC SP.Z.O.O.

UL. Gibraltarska 4.

P.O.Box 32918, Braamfontein 2017

Johannesbourg, SOUTH AFRICA

TEL: (011) 403 4105

Montevideo, URUGUAY

TEL: (02) 924-2335

TEL: 243-6399

PL-03664 Warszawa POLAND

TEL: (022) 679 44 19

TEL: (02) 2561 3339

LEBANON

THAILAND

VENEZUELA

Paul Bothner (PTY) Ltd.

17 Werdmuller Centre,

Main Road, Claremont 7708

SOUTH AFRICA

Chahine S.A.L.

PORTUGAL

Theera Music Co. , Ltd.

330 Verng NakornKasem, Soi 2,

Bangkok 10100, THAILAND

TEL: (02) 2248821

Musicland Digital C.A.

Av. Francisco de Miranda,

Centro Parque de Cristal, Nivel

C2 Local 20 Caracas

Gerge Zeidan St., Chahine Bldg.,

Achrafieh, P.O.Box: 16-5857

Beirut, LEBANON

Tecnologias Musica e Audio,

Roland Portugal, S.A.

Cais Das Pedras, 8/9-1 Dto

4050-465 PORTO

TEL: (01) 20-1441

P.O.BOX 23032, Claremont 7735,

SOUTH AFRICA

TEL: (021) 674 4030

VENEZUELA

TEL: (212) 285-8586

PORTUGAL

TEL: (022) 608 00 60

VIETNAM

QATAR

Saigon Music

Al Emadi Co. (Badie Studio

& Stores)

Suite DP-8

ROMANIA

EUROPE

40 Ba Huyen Thanh Quan Street

Hochiminh City, VIETNAM

Tel: (08) 930-1969

P.O. Box 62, Doha, QATAR

TEL: 4423-554

ASIA

FBS LINES

Piata Libertatii 1,

AUSTRIA

535500 Gheorgheni, ROMANIA

TEL: (266) 364 609

CHINA

Roland Elektronische

Musikinstrumente HmbH.

SAUDI ARABIA

Roland Shanghai Electronics

aDawliah Universal

AUSTRALIA/

NEW ZEALAND

Co.,Ltd.

Austrian Office

RUSSIA

Electronics APL

5F. No.1500 Pingliang Road

Shanghai 200090, CHINA

TEL: (021) 5580-0800

Eduard-Bodem-Gasse 8,

A-6020 Innsbruck, AUSTRIA

TEL: (0512) 26 44 260

MuTek

Corniche Road, Aldossary Bldg.,

1st Floor, Alkhobar,

SAUDI ARABIA

3-Bogatyrskaya Str. 1.k.l

107 564 Moscow, RUSSIA

TEL: (095) 169 5043

AUSTRALIA

Roland Shanghai Electronics

Co.,Ltd.

(BEIJING OFFICE)

10F. No.18 Anhuaxili

Chaoyang District, Beijing 100011

CHINA

Roland Corporation

Australia Pty., Ltd.

38 Campbell Avenue

Dee Why West. NSW 2099

AUSTRALIA

BELGIUM/HOLLAND/

LUXEMBOURG

Roland Benelux N. V.

Houtstraat 3, B-2260, Oevel

(Westerlo) BELGIUM

TEL: (014) 575811

P.O.Box 2154, Alkhobar 31952

SAUDI ARABIA

TEL: (03) 898 2081

SPAIN

Roland Electronics

de España, S. A.

Calle Bolivia 239, 08020

Barcelona, SPAIN

TEL: (93) 308 1000

SYRIA

TEL: (02) 9982 8266

Technical Light & Sound

TEL: (010) 6426-5050

Center

NEW ZEALAND

Roland Shanghai Electronics

Co.,Ltd.

(GUANGZHOU OFFICE)

2/F., No.30 Si You Nan Er Jie Yi

Xiang, Wu Yang Xin Cheng,

Guangzhou 510600, CHINA

Tel: (020) 8736-0428

Rawda, Abdul Qader Jazairi St.

Bldg. No. 21, P.O.BOX 13520,

Damascus, SYRIA

CZECH REP.

K-AUDIO

Kardasovska 626.

CZ-198 00 Praha 9,

CZECH REP.

Roland Corporation Ltd.

32 Shaddock Street, Mount Eden,

Auckland, NEW ZEALAND

TEL: (09) 3098 715

SWEDEN

Roland Scandinavia A/S

SWEDISH SALES OFFICE

Danvik Center 28, 2 tr.

S-131 30 Nacka SWEDEN

TEL: (0)8 702 00 20

TEL: (011) 223-5384

TURKEY

TEL: (2) 666 10529

CENTRAL/LATIN

AMERICA

Ant Muzik Aletleri Ithalat

Ve Ihracat Ltd Sti

Siraselviler Caddesi Siraselviler

Pasaji No:74/20

Taksim - Istanbul, TURKEY

TEL: (0212) 2449624

DENMARK

HONG KONG

SWITZERLAND

Roland Scandinavia A/S

Nordhavnsvej 7, Postbox 880,

DK-2100 Copenhagen

DENMARK

Tom Lee Music Co., Ltd.

Roland (Switzerland) AG

Landstrasse 5, Postfach,

CH-4452 Itingen,

Service Division

22-32 Pun Shan Street, Tsuen

Wan, New Territories,

HONG KONG

ARGENTINA

Instrumentos Musicales S.A.

Av.Santa Fe 2055

SWITZERLAND

TEL: (061) 927-8383

TEL: 3916 6200

U.A.E.

(1123) Buenos Aires

ARGENTINA

TEL: (011) 4508-2700

TEL: 2415 0911

Zak Electronics & Musical

FRANCE

UKRAINE

Instruments Co. L.L.C.

Zabeel Road, Al Sherooq Bldg.,

No. 14, Grand Floor, Dubai, U.A.E.

TEL: (04) 3360715

Parsons Music Ltd.

8th Floor, Railway Plaza, 39

Chatham Road South, T.S.T,

Kowloon, HONG KONG

TEL: 2333 1863

Roland France SA

TIC-TAC

4, Rue Paul Henri SPAAK,

Parc de l'Esplanade, F 77 462 St.

Thibault, Lagny Cedex FRANCE

TEL: 01 600 73 500

BRAZIL

Mira Str. 19/108

P.O. Box 180

295400 Munkachevo, UKRAINE

TEL: (03131) 414-40

Roland Brasil Ltda

Rua San Jose, 780 Sala B

Parque Industrial San Jose

Cotia - Sao Paulo - SP, BRAZIL

TEL: (011) 4615 5666

FINLAND

INDIA

NORTH AMERICA

UNITED KINGDOM

Rivera Digitec (India) Pvt. Ltd.

409, Nirman Kendra Mahalaxmi

Flats Compound Off. Dr. Edwin

Moses Road, Mumbai-400011,

INDIA

Roland Scandinavia As,

Filial Finland

Roland (U.K.) Ltd.

Atlantic Close, Swansea

Enterprise Park, SWANSEA

SA7 9FJ,

CANADA

COSTA RICA

Elannontie 5

Roland Canada Music Ltd.

JUAN Bansbach

FIN-01510 Vantaa, FINLAND

TEL: (0)9 68 24 020

(Head Office)

Instrumentos Musicales

Ave.1. Calle 11, Apartado 10237,

San Jose, COSTA RICA

TEL: 258-0211

UNITED KINGDOM

TEL: (01792) 702701

TEL: (022) 2493 9051

5480 Parkwood Way Richmond

B. C., V6V 2M4 CANADA

TEL: (604) 270 6626

GERMANY

INDONESIA

Roland Elektronische

PT Citra IntiRama

J1. Cideng Timur No. 15J-150

Jakarta Pusat

Musikinstrumente HmbH.

Oststrasse 96, 22844 Norderstedt,

GERMANY

Roland Canada Music Ltd.

CHILE

MIDDLE EAST

(Toronto Office)

170 Admiral Boulevard

Mississauga On L5T 2N6

CANADA

Comercial Fancy S.A.

Rut.: 96.919.420-1

INDONESIA

TEL: (021) 6324170

TEL: (040) 52 60090

Nataniel Cox #739, 4th Floor

Santiago - Centro, CHILE

TEL: (02) 688-9540

BAHRAIN

GREECE

Moon Stores

KOREA

TEL: (905) 362 9707

STOLLAS S.A.

No.16, Bab Al Bahrain Avenue,

P.O.Box 247, Manama 304,

State of BAHRAIN

Cosmos Corporation

1461-9, Seocho-Dong,

Seocho Ku, Seoul, KOREA

TEL: (02) 3486-8855

Music Sound Light

155, New National Road

Patras 26442, GREECE

TEL: 2610 435400

U. S. A.

EL SALVADOR

Roland Corporation U.S.

5100 S. Eastern Avenue

Los Angeles, CA 90040-2938,

U. S. A.

TEL: 211 005

OMNI MUSIC

75 Avenida Norte y Final

CYPRUS

Alameda Juan Pablo

Edificio No.4010 San Salvador,

EL SALVADOR

MALAYSIA

HUNGARY

Radex Sound Equipment Ltd.

17, Diagorou Street, Nicosia,

CYPRUS

TEL: (323) 890 3700

BENTLEY MUSIC SDN BHD

140 & 142, Jalan Bukit Bintang

55100 Kuala Lumpur,MALAYSIA

TEL: (03) 2144-3333

Roland East Europe Ltd.

Warehouse Area ‘DEPO’ Pf.83

H-2046 Torokbalint, HUNGARY

TEL: (23) 511011

TEL: 262-0788

TEL: (022) 66-9426

As of May 1, 2004 (Roland)

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For EU Countries

This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the

FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential

installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in

accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee

that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or

television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the

interference by one or more of the following measures:

–

Reorient or relocate the receiving antenna.

Increase the separation between the equipment and receiver.

Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) This device may not cause harmful interference, and

(2) This device must accept any interference received, including interference that may cause undesired operation.

Unauthorized changes or modification to this system can void the users authority to operate this equipment.

This equipment requires shielded interface cables in order to meet FCC class B Limit.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

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This owner’s manual is printed on recycled paper.

03781323

’04-9-2N

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