Owner’s Manual
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C-200
Before using this unit, carefully read the sections entitled: “USING THE UNIT
SAFELY” (p. 4) and “IMPORTANT NOTES” (p. 6). These sections provide
important information concerning the proper operation of the unit.
Additionally, in order to feel assured that you have gained a good grasp of every
feature provided by your new unit, owner’s manual should be read in its
entirety. The manual should be saved and kept on hand as a convenient
reference.
Copyright © 2011 ROLAND EUROPE S.p.a.
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND EUROPE Spa.
Roland is either a registered trademark or a trademark of Roland Corporation in the United States and/or other countries
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USING THE UNIT SAFELY
The
symbol alerts the user to important instructions
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
•
Be sure to use only the AC adaptor supplied with
the unit. Also, make sure the line voltage at the
installation matches the input voltage specified on
the AC adaptor’s body. Other AC adaptors may
use a different polarity, or be designed for a
different voltage, so their use could result in
damage, malfunction, or electric shock.
•
002cDo not open (or modify in any way) the unit or its
AC adaptor.
..........................................................................................................
•
Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so).
Refer all servicing to your retailer, the nearest
Roland Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
..........................................................................................................
008e
•
Use only the attached power-supply cord. Also,
the supplied power cord must not be used with
any other device.
..........................................................................................................
•
Never install the unit in any of the following
locations:
..........................................................................................................
•
009 Do not excessively twist or bend the power cord,
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements
and short circuits. Damaged cords are fire and
shock hazards!
• Damp (e.g., baths, washrooms, on wet floors);
or are
..........................................................................................................
•
010 This unit, either alone or in combination with an
• Exposed to steam or smoke; or are
• Subject to salt exposure; or are
• Humid; or are
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
• Exposed to rain; or are
• Dusty or sandy; or are
• Subject to high levels of vibration and shakiness.
..........................................................................................................
•
This unit should be used only with a rack or stand
that is recommended by Roland.
..........................................................................................................
•
011 Do not place containers containing liquid (e.g.
..........................................................................................................
flower vases) on this product. Never allow foreign
objects (e.g., flammable objects, coins, wires) or
liquids (water, juice, etc.) to enter the C-200. Doing
so may cause short-circuits, faulty operation, or
other malfunctions.
•
When using the unit with a rack or stand recom-
mended by Roland, the rack or stand must be
carefully placed so it is level and sure to remain
stable. If not using a rack or stand, you still need to make
sure that any location you choose for placing the unit
provides a level surface that will properly support the
unit, and keep it from wobbling.
..........................................................................................................
..........................................................................................................
•
Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
..........................................................................................................
4
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103b
•
•
Immediately turn the power off, remove the AC
adaptor from the outlet, and request servicing by
your retailer, the nearest Roland Service Center,
or an authorized Roland distributor, as listed on
the “Information” page when:
At regular intervals, you should unplug the AC
adaptor and clean it by using a dry cloth to wipe
all dust and other accumulations away from its
prongs. Also, disconnect the power plug from the
power outlet whenever the unit is to remain
unused for an extended period of time.
Any accumulation of dust between the power
plug and the power outlet can result in poor
insulation and lead to fire.
• The AC adaptor, the power-supply cord, or the
plug has been damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been
spilled onto the unit; or
..........................................................................................................
104 Try to prevent cords and cables from becoming
• The unit has been exposed to rain (or otherwise
has become wet); or
•
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
• The unit does not appear to operate normally or
exhibits a marked change in performance.
..........................................................................................................
106 Never climb on top of, nor place heavy objects on
..........................................................................................................
•
•
In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
the unit.
..........................................................................................................
•
107cNever handle the AC adaptor or its plugs with
..........................................................................................................
wet hands when plugging into, or unplugging
from, an outlet or this unit.
..........................................................................................................
•
014 Protect the unit from strong impact.
(Do not drop it!)
•
Before moving the unit, disconnect the AC
adaptor and all cords coming from external
devices.
..........................................................................................................
•
015 Do not force the unit’s power-supply cord to
..........................................................................................................
109b
share an outlet with an unreasonable number of
other devices. Be especially careful when using
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
•
Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet (p. 17 ).
..........................................................................................................
110b
•
Whenever you suspect the possibility of lightning
in your area, disconnect the AC adaptor from the
outlet.
..........................................................................................................
..........................................................................................................
118a
•
016 Before using the unit in a foreign country, consult
•
Should you remove the screws for the music
stand, keep them in a safe place out of children’s
reach, so there is no chance of them being
swallowed accidentally.
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
..........................................................................................................
..........................................................................................................
•
If you remove the screw from the ground
terminal, be sure to replace it; don’t leave it lying
around where it could accidently be swallowed
by small children. When refastening the screw, make sure
that it is firmly fastened, so it won’t come loose.
101b
•
The unit and the AC adaptor should be located so
their location or position does not interfere with
their proper ventilation.
..........................................................................................................
..........................................................................................................
•
The C-200 is intended for use only with a Roland
CKS-C200 or KS-12 stand. Use with other stands
is capable of resulting in instability causing
possible injury.
..........................................................................................................
•
Even if you observe the cautions given in the
owner’s manual, certain types of handling may
allow this product to fall from the stand, or cause
the stand to overturn. Please be mindful of any safety
issues before using this product.
..........................................................................................................
•
Always grasp only the plug on the AC adaptor
cord when plugging into, or unplugging from, an
outlet or this unit.
..........................................................................................................
5
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In addition to the items listed under “USING THE UNIT SAFELY” on p. 4, please read and observe the following:
• Do not put anything that contains water (e.g., flower vases)
Power Supply
on this unit. Also, avoid the use of insecticides, perfumes,
alcohol, nail polish, spray cans, etc., near the unit. Swiftly
wipe away any liquid that spills on the unit using a dry, soft
cloth.
• Do not connect this unit to same electrical outlet that is being
used by an electrical appliance that is controlled by an
inverter (such as a refrigerator, washing machine, microwave
oven, or air conditioner), or that contains a motor. Depending
on the way in which the electrical appliance is used, power
supply noise may cause this unit to malfunction or may
Maintenance
• To clean the unit, use a dry, soft cloth; or one that is slightly
dampened. Try to wipe the entire surface using an equal
amount of strength, moving the cloth along with the grain of
the wood. Rubbing too hard in the same area can damage the
finish.
• Never use benzine, thinners, alcohol or solvents of any kind,
to avoid the possibility of discoloration and/or deformation.
produce audible noise. If it is not practical to use a separate
electrical outlet, connect a power supply noise filter between
this unit and the electrical outlet.
• The AC adaptor will begin to generate heat after long hours
of consecutive use. This is normal, and is not a cause for
concern.
• Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions and/
or damage to speakers or other devices.
Additional Precautions
• Unfortunately, it may be impossible to restore the contents of
data that was stored on a USB storage device once it has been
lost. Roland Europe assumes no liability concerning such loss
of data.
Placement
• Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
move it farther away from the source of interference.
• Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
• When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you will
avoid causing shorts, or damage to the cable’s internal
elements.
• To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about those
around you (especially when it is late at night).
• When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
• This device may interfere with radio and television reception.
Do not use this device in the vicinity of such receivers.
• Noise may be produced if wireless communications devices,
such as cell phones, are operated in the vicinity of this unit.
Such noise could occur when receiving or initiating a call, or
while conversing. Should you experience such problems, you
should relocate such wireless devices so they are at a greater
distance from this unit, or switch them off.
• Do not expose the unit to direct sunlight, place it near devices
that radiate heat, leave it inside an enclosed vehicle, or
otherwise subject it to temperature extremes. Also, do not
allow lighting devices that normally are used while their light
source is very close to the unit (such as a piano light), or
powerful spotlights to shine upon the same area of the unit
for extended periods of time. Excessive heat can deform or
discolor the unit.
• Do not apply undue force to the music stand while it is in use.
• Use only the specified expression pedal (EV-7 or EV-5; sold
separately). By connecting any other expression pedals, you
risk causing malfunction and/or damage to the unit.
• When moved from one location to another where the temper-
ature and/or humidity is very different, water droplets
(condensation) may form inside the unit. Damage or
malfunction may result if you attempt to use the unit in this
condition. Therefore, before using the unit, you must allow it
to stand for several hours, until the condensation has
completely evaporated.
• Do not allow rubber, vinyl, or similar materials to remain on
the unit for long periods of time. Such objects can discolor or
otherwise harmfully affect the finish.
• Do not allow objects to remain on top of the keyboard. This
can be the cause of malfunction, such as keys ceasing to
produce sound.
• Do not paste stickers, decals, or the like to this instrument.
Peeling such matter off the instrument may damage the
exterior finish.
Using USB Memory
• When connecting USB memory, firmly insert it all the way
into the USB memory port.
• Do not touch the pins of the USB memory port, or allow them
to become dirty.
• USB memory is made using high-precision electronic compo-
nents, so please observe the following points when handling
it.
• To prevent damage from static electrical charges,
discharge any static electricity that might be present in
your body before handling USB memory.
• Do not touch the terminals with your fingers or any metal
object.
• Do not bend or drop USB memory, or subject it to strong
impact.
• Do not leave USB memory in direct sunlight or in
locations such as a closed-up automobile. (Storage
temperature: 0~50°C)
• Do not allow USB memory to become wet.
• Do not disassemble or modify USB memory.
• Depending on the material and temperature of the surface on
which you place the unit, its rubber feet may discolor or mar
the surface. You can place a piece of felt or cloth under the
rubber feet to prevent this from happening. If you do so,
please make sure that the unit will not slip or move acciden-
tally.
• When connecting USB memory, position it horizontally with
the C-200’s USB Memory port and insert it without using
excessive force. The USB memory connector may be damaged
if you use excessive force when inserting USB memory.
6
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IMPORTANT NOTES
• Do not insert anything other than USB memory (e.g., wire,
coins, other types of device) into the USB memory connector.
Doing so will damage the USB memory port.
• Do not apply excessive force to the connected USB memory
or the C-200’s USB Memory port.
• Attach the USB memory cover when you’re not using USB
memory.
• Never connect your USB memory to the C-200 via a USB hub.
Storage devices that can be connected
to the C-200’s USB port
• The C-200 allows you to connect commercially available USB
Flash memory. You can purchase such devices at a computer
store, a digital camera dealer, etc.
• Use USB memory sold by Roland (M-UF-series). We cannot
guarantee operation if any other USB memory is used.
• All product names mentioned in this document are trade-
marks or registered trademarks of their respective owners.
• MMP (Moore Microprocessor Portfolio) refers to a patent
portfolio concerned with microprocessor architecture, which
was developed by Technology Properties Limited (TPL).
Roland has licensed this technology from the TPL Group.
7
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USING THE UNIT SAFELY.......................................................................................... 4
IMPORTANT NOTES.................................................................................................. 6
Introduction............................................................................................................11
Panel Descriptions .................................................................................................12
Rear panel.................................................................................................................................................. 14
Getting Ready to Play ............................................................................................15
Placing the C-200 on a stand................................................................................................................... 15
Connect the AC adaptor.......................................................................................................................... 16
Turning the power on/off....................................................................................................................... 17
Playing <Basic Operation>....................................................................................20
Adjusting the timbre (brightness).......................................................................................................... 21
Choosing a sound..................................................................................................................................... 21
Playing the MANUAL I division................................................................................................ 21
Playing the MANUAL I and II divisions with separate hands.............................................. 22
Playing the Celesta sound............................................................................................................ 25
Saving your organ registration memories................................................................................. 30
Switching all tilt tabs off (CANCEL).......................................................................................... 30
Choosing different organ voices and setting their volume (Voice Palette).......................... 32
Playing back your recorded song ............................................................................................... 35
Saving your song to an optional USB memory......................................................................... 35
Playing back songs on an optional USB memory..................................................................... 36
8
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Using the Visual Control function.............................................................................................. 43
Auto Power Off function......................................................................................................................... 44
Expression pedal assign function........................................................................................................... 44
Division sound list..................................................................................................45
MIDI Implementation Chart ..................................................................................47
Specifications .........................................................................................................48
9
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10
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Introduction
Thank you, and congratulations on your choice of a Roland Classic Organ.
The Roland C-200 Classic Organs is a complete organ with 2-manual simu-
lation and numerous features in a compact cabinet.
■
Two-manual simulation
The C-200’s 76-note keyboard can be split (divided) into two
halves to simulate an instrument equipped with manual I and
manual II.
In order to take full advantage of your C-200 and enjoy trouble-free opera-
tion, please read this owner’s manual carefully.
■
■
Coupler II/I functionality
The C-200’s coupler function allows you to play the Manual I
sound, along with the Manual II sound on the entire keyboard.
About this owner’s manual
Five temperaments to support historically correct
tunings
In addition to equal temperament, you can choose from Werck-
meister, Kirnberger, Vallotti, and Meantone, giving you five
temperaments that can be easily selected by pressing a single
button.
Please read the section “Getting Ready to Play” on p. 15 and make
the correct preparations for turning on the power.
This manual explains what you need to know to take full advantage
of the C-200, divided into a Basic Operation section and an
Advanced Operation section.
There’s also a Transpose function, which makes it easy to trans-
pose the pitch for additional ways to vary your performance.
Conventions used in this manual
■
No maintenance and easy pitch changes
Not only will you never need to replace the plectrums or
strings, you’ll also never need to tune this instrument.
Moreover, the C-200 is not affected by vibration or changes in
humidity or temperature. You’ll always be performing with
precisely accurate pitches guaranteed by digital technology.
It’s also easy to adjust the tuning to match other instruments.
You can furthermore use a single button to easily switch to
Baroque pitch (A= 415Hz), Versailles pitch (A= 392 Hz), Vene-
tian pitch (A= 465Hz) or the default tuning (A= 440Hz).
In order to present information as concisely as possible, this manual
uses the following conventions.
•
Text enclosed in square brackets [ ] indicates the name of a
button (or knob); e.g., “the [8’I] piston.”
•
Text preceded by a symbol such as
or an asterisk (*)
refers to warnings. Please be sure to read these.
•
•
Text preceded by a symbol such as
additional information.
refers to useful
Pages to which you can refer to for further information are
indicated like this: (p. **)
■
■
Reverb that enhances the rich acoustics of
chamber music
The built-in digital reverb lets you choose the reverberation of a
variety of environments, ranging from a small room to a large
hall. You can perform using acoustics that are appropriate for
the space you are in.
Main features
■
Reproduces the beautiful sound of the classic
organ, grand piano, harpsichord, fortepiano,
celesta and orchestral sounds
Adjust the volume and balance as appropriate for
your situation
Whether you’re at home, in a small hall, or in a large hall, you
can adjust the volume as appropriate for your situation or the
ensemble with whom you’re performing. You can also use
headphones, so you’ll feel free to practice at any time.
The [Balance] knob allows you to set the balance between man-
ual II and manual I + pedal.
Grand, glorious sound is the hallmark of the classic organ. Pro-
viding a rich and spacious ensemble sound complemented by
crystal-clear definition, the C-200 will take you to new musical
heights, while sustaining the tradition of quality, craftsmanship
and innovation.
An authentic grand piano sound is included for solo and
ensemble performances. The sound-producing mechanism of
the harpsichord, the sound of the key release, and the resonance
of the sounding board have been carefully analyzed, and digital
technology is used to reproduce faithfully even the sound of the
plectrum contacting the string when a key is released. You’ll be
able to enjoy beautiful and realistic harpsichord sound.
The fortepiano, the precursor of the piano as we know it today,
produces its sounds via its strings that are struck by hammers
operated by a keyboard. The fortepiano is built entirely of
wood, the strings are struck by hammers covered in hide, pro-
ducing a metallic and brilliant sound. It enabled artists to pave
new ways and therefore explore new possibilities of expression.
There is also a Celesta sound, which is similar to a glockenspiel,
but softer and rounder. In addition, there are 12 orchestral
sounds that can be used either in isolation or together with the
organ section for a richer sound.
■
Compact form that encompasses both tradition
and functionality
While reflecting the historical tradition of the classic organ, the
C-200 provides the advantage of a light weight and compact
form.
■
■
Five different classical sections in one instrument
The C-200 comes with five sections for various types of classical
music: “Organ” (PEDAL, MANUAL I, MANUAL II), “Harpsi-
chord”, “Fortepiano”, “Piano” and “Celesta”.
Optional pedal boards
Optional pedal boards are available for musicians in search of
full organ functionality.
11
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Panel Descriptions
Front Panel
[9]
[10]
[11]
[12]
[13]
[14]
[2]
[4]
[3]
[5]
[6]
[7]
[8]
1. [Power] switch
12. [Function] piston
This switch turns the power on/off.
This piston provides access to the Song, Demo, Visual
Control and other functions.
2. [Balance] knob
13. Music Recorder pistons
This knob allows you to set the balance between and
manual I + pedal and manual II.
These pistons allow you to start and stop playback or the
recording of your music. When you hold down [Func-
tion], and [PLAY/PAUSE] allow you to listen to the
demo songs.
3. [Tone] knob
This knob allows you to make the sound darker or
rounder.
14. Harpsichord pistons
4. [Volume] knob
These pistons select harpsichord sounds. The Harpsi-
chord sounds cannot be used at the same time as other
sounds.
This knob adjusts the volume.
5. [Reverb] knob
This knob adjusts the depth of the reverberation effect.
6. [Pitch] button/indicators
Use this button to select the desired reference pitch.
7. [Temperament] button/indicators
Press this button to switch temperaments. The indicator
for the selected temperament will light.
8. Phones jack
This is where you can connect a pair of optional head-
phones (Roland RH-series).
9. PEDAL division tablets
These tilt tabs select stops for the PEDAL division.
10. MANUAL I division tablets
These tilt tabs select stops for the MANUAL I division.
11. [II/I] tablet (coupler)
This allows you to assign the MANUAL I sound along
with the MANUAL II sound on the entire keyboard.
12
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Panel Descriptions
[19]
[15] [16] [17] [18]
15. [Fortepiano] piston
18. [Memory Piston]
This piston selects the fortepiano sound. The Fortepiano
sound cannot be used together with the other sounds.
This piston allows you to save and recall sound combi-
nations to/from the C-200’s memory.
16. [Piano] piston
19. MANUAL II division tablets
This piston selects the piano sound. The Piano sound
cannot be used together with the other sounds.
These tilt tabs select stops for the MANUAL II division.
17. [Celesta] piston
This piston selects the celesta sound. The Celesta sound
cannot be used together with the other sounds.
13
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Panel Descriptions
Rear panel
[1]
[6]
[7]
[8]
[2]
[3]
1. USB MEMORY port
5. Pedal EXP socket
This port is mainly intended for compact storage
devices, like a USB Flash memory (Roland M-UF-series).
You can use it to save the songs you recorded and to
play them back.
You can connect an optional expression pedal (Roland
EV-5, EV-7, etc.) to this socket.
6. Output R, L/Mono sockets
These sockets can be connected to an external amplifier,
2. PK In socket
This is where you can connect an optional pedal key-
board unit (Roland PK-25A, PK-7A, etc.).
7. DC IN socket
also p. 16.
3. MIDI In/Out connectors
Use these when you want to transmit or receive MIDI
messages to or from an external MIDI device.
8. Ground terminal
See p. 16 for details about this terminal.
4. Pedal Sustain socket
You can connect an optional DP-series damper pedal to
this jack.
14
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Getting Ready to Play
Placing the C-200 on a stand
If you place the C-200 on a stand, you must use the CKS-C200 or the KS-12 (sold separately).
• When placing the C-200 on the stand, be careful not to pinch your fingers between the instrument and the stand.
• When lifting the C-200 onto the stand, make sure to enlist the help of at least one other person.
• Using the C-200 with any other stand may produce an unstable situation, possibly causing the instrument to fall or overturn,
and resulting in injury or damage.
• For details on how to assemble the stand, refer to the owner’s manual that accompanied the stand.
Placing on the CKS-C200 stand
1. Align the screws on the bottom of the C-200 (one each at left and right) with the metal brackets on the side boards of
CKS-C200 stand, and while keeping the front of the instrument slightly raised, pull it toward yourself to engage the
screws in the metal brackets.
We recommended the Bench BNC-23-BK when using an optional
PK-25A pedal keyboard with CKS-C200 stand.
We recommended the Bench BNC-15-BK when using an optional
PK-5A or PK-7A pedal keyboard with CKS-C200 stand.
Right screw at
the bottom
Please don’t get your
fingers pinched.
Right knob bolt
2. Fasten the C-200 to the stand with the two knob bolts (one each at left and right) supplied with the CKS-C200 stand.
Placing on the KS-12 stand
1. Place the C-200 in the position shown in the illustration.
The height of the KS-12 can be set to 3 levels. Please set it to
the lowest or medium height for the C-200. Avoid selecting
the highest level (760mm, 29-15/16 inch) for the C-200.
Front side (keyboard)
A
A
Rear panel side
2. Position rubber feet “A” so they fit inside the holes on the stand.
15
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Getting Ready to Play
Connect the AC adaptor
1. Turn the [VOLUME] knob all the way to the left to
minimize the volume.
2. Connect the included power cord to the AC
adaptor.
The indicator will light when you plug the AC
adaptor into an AC outlet.
AC adaptor
Power cord
Place the AC adaptor so the side with the indicator
(see illustration) faces upwards and the side with
textual information faces downwards.
AC Outlet
Indicator
3. Connect the AC adaptor to the DC IN jack on the C-200’s rear panel.
4. Plug the power cord connected to the AC adaptor into an electrical outlet.
• Depending on the region, the included power cord may differ from the one shown.
• If you won’t be using the C-200 for an extended period of time, disconnect the power cord from the electrical outlet.
■ Ground Terminal
Depending on the circumstances of a particular
setup, you may experience a discomforting
sensation, or perceive that the surface feels gritty to
the touch when you touch this device, microphones
connected to it, or the metal portions of other
objects, such as guitars. This is due to an
Ground terminal
infinitesimal electrical charge, which is absolutely
harmless. However, if you are concerned about this,
connect the ground terminal (see figure) with an
external ground. When the unit is grounded, a
slight hum may occur, depending on the particulars
of your installation. If you are unsure of the
connection method, contact the nearest Roland
Service Center, or an authorized Roland distributor, as listed on the “Information” page.
Unsuitable places for connection
• Water pipes (may result in shock or electrocution)
• Gas pipes (may result in fire or explosion)
• Telephone-line ground or lightning rod (may be dangerous in the event of lightning)
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Getting Ready to Play
Turning the power on/off
Once the connections have been completed (see p. 16), turn on the power to your various devices in the order specified. By
turning on the devices in the wrong order, you risk malfunctions and/or damage to the speakers and other devices.
■ Turning the power on
1. Turn the [VOLUME] knob all the way to the left to minimize the volume.
Before switching the power on/off, always make sure to have the volume level turned down. Even with the volume all the
way down, you may still hear some sound when the power is switched on/off, but this is normal. This does not indicate a
malfunction.
2. Press the [Power] switch.
This unit is equipped with a protection
circuit. A brief interval (a few seconds) after
power up is required before the unit will
3. Select a tilt tab or piston.
See “Choosing a sound” on p. 21.
4. Use the [Volume] knob to set the desired
listening level.
If an optional expression pedal is connected
to the EXP socket, press it all the way down
(maximum volume).
5. Start playing.
■ Turning the power off
1. Turn the [VOLUME] knob all the way to the left to minimize the volume.
2. Press the [Power] switch.
■ Energy saving function
NOTE
This unit has an Auto Power Off function,
which automatically switches off the power
after a certain amount of time has passed
without any buttons being operated.
You can disable the Auto Power Off function.
For more about the Auto Power Off function,
refer to “Auto Power Off function” on p. 44.
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Getting Ready to Play
Using optional headphones
If you connect optional headphones, sound will no longer be produced from the C-200’s internal speakers. You will hear only the
other people nearby.
1. Turn the [VOLUME] knob all the way to the left to minimize the volume.
2. As shown in the illustration, connect the
plug of your optional headphones to the
Phones jack.
This switches off the C-200’s internal
speakers.
3. Use the [Volume] knob to adjust the volume
of the headphones.
*
Use stereo headphones.
Stereo
headphones
Please be aware that excessively high volume
or extended use may contribute to hearing
loss.
Listening to the demo songs
The C-200 contains 22 pieces that allow you to audition its sounds. These pieces are called “demo songs”, because they
demonstrate the C-200’s capabilities. The demo songs are divided over 4 banks (see the table on p. 19).
■ Listening to all demo songs
1. While holding down the [Function] piston,
press the [Demo] (PLAY/PAUSE) piston.
The C-200 starts playing all demo songs.
The first piston in the Harpsichord section
flashes to indicate that Bank 1 is selected. Tilt
tab “1” also flashes to indicate that the first
song of that bank is playing.
Demo playback will continue repeating all
available songs until you stop it.
You can’t control the voices while a demo performance is in progress.
■ Listening to a specific demo song
2. Press the Harpsichord piston of the desired
bank.
The tilt tabs that can be used to select demo
songs now light. See the table below for the
correspondence between the tilt tabs and the
demo song banks.
The demo songs are divided over four banks:
the first bank contains demonstrations of the
Organ sounds, the second showcases the
Harpsichord sounds, the third contains demo songs for the Fortepiano sound and the fourth showcases the Piano sound.
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Getting Ready to Play
3. Press the lower part of the PEDAL or lit MANUAL I tab that is assigned to the demo song you want to listen to.
Playback of the selected song starts immediately (the corresponding tab flashes).
Demo playback will continue repeating all available songs until you stop it.
The four banks contain the following demo songs:
Harpsichord button
Bank 1 (8’ I)
Bank 2 (8’ II)
Bank 3 (4’)
Bank 4 (Lute)
(Piano songs)
Type
(Organ songs)
(Harpsichord songs)
(Fortepiano songs)
J.S. Bach – Goldberg-Variationen
Aria
J.S. Bach – Choral BWV147
W.A. Mozart – Sonata KV285
J. Maul – Miniature No. 1
1
J. Maul – Miniature No. 2 for
Dynamic Harpsichord
E. Grieg – Peer Gynt, Suite
no. 1, Anitra’s Dance
J.S. Bach – Choral BWV731
C. Franck – Prélude Op. 18
J.S. Bach – Invention No. 1
J.S. Bach – Invention No. 4
J.S. Bach – Invention No. 13
2
3
4
----
----
----
----
W. Boyce – Trumpet Voluntary
in D
J.S. Bach – Französische Suiten,
No. 5 Allemande
J.P. Sweelinck – Malle Sijmen
----
----
----
----
----
----
5
6
7
H. Purcell & J. Clarke –
Trumpet Voluntary
J.S. Bach – Das wohltemperierte
Klavier 1– 1 (Ave Maria)
F. Mendelssohn – Sonata No. 2
Op. 65
F. Couperin – Le Roseau
G.F Händel – Allegro Finale
J.S. Bach – Dorisch BWV 538a
J. Duphly – Allemande
----
----
----
----
8
9
A. Forquerai – Le Rameau
*
*
*
All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.
No data for the music that is played will be output from MIDI Out.
Regarding “Das Wohltemperierte Klavier, 1-1 (Ave Maria)”, this song is arranged for ensemble with a flute or recorder melody. For play-
along purposes, the songs do not include the flute, recorder, organ, or harpsichord (main theme) parts.
■ Stopping or pausing playback
4. Press the [PLAY/PAUSE] button to temporarily stop (and then resume) demo song playback.
You can also stop demo song playback by pressing the upper part of any tilt tab.
5. Press the [STOP] piston to stop demo song playback without leaving the demo function.
6. Press a different Harpsichord piston and PEDAL or MANUAL I tab to listen to other demo songs.
7. Press the [Function] piston to leave the C-200’s demo function.
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Playing <Basic Operation>
Adjusting the volume
◆ Turn the [Volume] knob to adjust the over-
all volume.
Turning the knob clockwise will increase the
volume, and turning it counterclockwise will
decrease the volume.
The [Volume] knob changes the level of both
the internal speakers, optional headphones
and external powered monitors you may
have connected.
Adjusting the reverb
Reverberation is the sound that you hear reflected from the walls or other surface of a hall or room in addition to the sound that
reaches your ears directly from the instrument.
The C-200 provides a reverb effect that lets you simulate the reverberation of a variety of environments ranging from a small
room to a large hall.
◆ Turn the [Reverb] knob to adjust the amount
of reverb effect.
• Turning the knob clockwise will increase the
reverb level.
• Turning the knob counterclockwise will
lower the reverb level.
Adjusting the volume balance of the PEDAL/MANUAL I and MANUAL II
divisions
◆ Turn the [Balance] knob to adjust the bal-
ance.
• Turning the knob clockwise will decrease the
level of the PEDAL and MANUAL I divi-
sions.
• Turning the knob counterclockwise will
decrease the level of the MANUAL II divi-
sion.
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Playing <Basic Operation>
Adjusting the timbre (brightness)
◆ Turn the [Tone] knob to adjust the bright-
ness of the sound.
• Turning the knob clockwise will make the
sound brighter.
• Turning the knob counterclockwise will make
the sound rounder.
Choosing a sound
The C-200 provides five separate sound divisions: Organ and orchestra (PEDAL, MANUAL I, MANUAL II), Harpsichord,
Fortepiano, Piano and Celesta. Only one of the following sections can be used at any one time: Organ or Harpsichord or
Fortepiano or Piano or Celesta.
Playing the MANUAL I division
The C-200 comes with 28 organ and 8 orches-
tabs (PRINCIPAL~USER ORCH). There are 4
organ voices per tilt tab, one of which can be
assigned at a time (see p. 32). The USER
ORCH tilt tab not only allows you to select
one of 4 organ voices, but also one of 8 orchestral sounds.
1. Press the lower part of the tilt tabs you wish to use.
The tilt tabs you activate light. You can activate several sounds at once if you like.
2. To switch off the selected organ sounds, press the upper part of all tilt tabs that are lit.
The tilt tabs go dark.
See also “Additional functions for the Classic Organ sounds” on p. 29.
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Playing <Basic Operation>
Adding the MANUAL II division
The C-200’s MANUAL II division can be added to the MANUAL I division. (You can also play it via separate keys, see
below.) The MANUAL II division provides 20 organ and 8 orchestral sounds that can be selected using the 5 tilt tabs (STILL
GEDACKT~USER ORCH). The USER ORCH tilt tab not only allows you to select one of 4 organ voices, but also one of 8
orchestral sounds. When active, the MANUAL II division performs the function of the Swell manual on a church organ. The
MANUAL I division, for its part, replaces the Great section.
Let us first look at how to couple those two sections, which means that they are played together.
1. Press the lower part of the [II/I] tilt tab (the
“coupler”) in the MANUAL I division to
switch it on.
Its indicator lights to signal that you can now
add a second division to the MANUAL I reg-
istration. This simulates the coupling of two
manuals on a church organ.
When you switch on the C-200, this II/I coupler is automatically activated.
2. Press the lower part of the MANUAL II tilt
tab you wish to use.
If the indicator of a tab lights, the correspond-
ing register is audible. You can activate as
many registers as you like. It is also possible
to switch off all MANUAL I registers (except
[II/I]) and only use one or several MANUAL
II registers to simulate a church organ’s Swell
manual.
3. To switch off the selected sounds, press the upper part of all tilt tabs that are lit.
Playing the MANUAL I and II divisions with separate hands
If you prefer, you can assign the MANUAL I
division to the left half of the keyboard and the
MANUAL II division to the right half.
1. Press the upper part of the [II/I] tilt tab (the
“coupler”) in the MANUAL I division to
switch it off.
Its indicator goes dark.
Range of the Manual I division
Range of the Manual II division
2. Press the lower part of the MANUAL I tilt
tabs you wish to use.
The tilt tabs you press in this way light. You can switch on as many tilt tabs as you like.
3. Press the lower part of the MANUAL II tilt tabs you wish to use.
The tilt tabs you press in this way light. You can switch on as many tilt tabs as you like.
4. Start playing.
The left half of the keyboard plays the MANUAL I division (up to the C key with the “MANUAL I MANUAL II” arrow). The
right half is assigned to the MANUAL II division.
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Playing <Basic Operation>
Using the Tremulant to add expression
A “tremulant” creates a change in pitch
(vibrato), amplitude (volume) and timbre (tone
quality). The use of the tremulant adds warmth
and expressiveness to solo or small ensemble
combinations. It is not common to use
tremulants in larger classical ensembles. In some
romantic ensembles, tremulants are used
judiciously. In some gospel and evangelical
musical traditions, tremulants with a wider and
deeper excursion are frequently used.
The C-200 provides a tremulant function for the MANUAL II division. It only affects the tilt tabs of that division (and requires
that you switch on at least one tilt tab).
The TREMULANT status can be saved to one of the memories.
dynamic MIDI pedal unit (see p. 40). (Roland recommends connecting the pedal keyboard to the C-200’s PK IN socket.)
Here again, there are 4 organ voices for each tab. And again, one of those voices can be assigned to the tilt tab in question (see
p. 32). The USER ORCH tilt tab not only allows you to select one of 4 organ voices, but also one of 8 orchestral sounds.
If you only use the keyboard (without a pedal
unit), the PEDAL division is monophonic and
doubles the lowest note you play using the
MANUAL I and/or MANUAL II stops.
Range of the Manual I and/or II divisions
Range of the monophonic bass part
1. Press the lower part of the PEDAL tilt tabs
you wish to use.
Now you can play the selected bass sound.
Inside the “BASS” range, the bass sound is
added to the sounds selected for MANUAL I
and MANUAL II (if the [Coupler II/I] tilt tab
lights). It sounds the lowest note you play with your left hand (it is monophonic).
2. To switch off the selected PEDAL sound, press the upper part of the tilt tab that lights.
The tilt tab goes dark.
By connecting an optional PK-5A, PK-7A or PK-25A MIDI pedal board to the C-200’s PK IN connector, you can play the bass organ part in
polyphonic mode. In that case, the left half of the C-200’s keyboard no longer triggers the PEDAL part.
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Playing <Basic Operation>
Playing a harpsichord sound
1. Press the Harpsichord piston for the sound
that you want to play.
The Harpsichord piston you pressed lights.
The PEDAL, MANUAL I, MANUAL II, Forte-
piano, Piano and Celesta sections are
switched off.
Now you can play the selected harpsichord
sound.
2. To switch off the selected Harpsichord sound, select a sound in the PEDAL, MANUAL I, MANUAL II, Fortepiano, Piano
or Celesta section.
The sounds of the Harpsichord division can be layered and played together. See p. 33 for details.
Playing the Fortepiano sound
The fortepiano is the precursor of the grand piano as we know it today, with a rather more metallic sound.
1. Press the [Fortepiano] piston.
The piston lights, the PEDAL, MANUAL I,
MANUAL II, Harpsichord, Piano and Celesta
sections are switched off.
Now you can play the Fortepiano sound.
2. To switch off the Fortepiano sound, select a
sound in the PEDAL, MANUAL I,
MANUAL II, Harpsichord, Piano or Celesta section.
Playing the Piano sound
The C-200 also contains an authentic grand piano sound that can be used for solo and ensemble playing.
1. Press the [Piano] piston.
The piston lights, the PEDAL, MANUAL I,
MANUAL II, Harpsichord, Fortepiano and
Celesta sections are switched off.
Now you can play the Piano sound.
2. To switch off the Piano sound, select a
sound in the PEDAL, MANUAL I,
MANUAL II, Harpsichord, Fortepiano or
Celesta section.
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Playing <Basic Operation>
Playing the Celesta sound
The C-200 also contains an authentic celesta sound. A celesta is an instrument that often looks like an upright piano, but its
hammers strike metal plates, making it sound somewhat like a soft glockenspiel.
1. Press the [Celesta] piston.
The piston lights, the PEDAL, MANUAL I,
MANUAL II, Harpsichord, Fortepiano and
Piano sections are switched off.
Now you can play the Celesta sound.
2. To switch off the Celesta sound, select a
sound in the PEDAL, MANUAL I,
MANUAL II, Harpsichord, Fortepiano or
Piano section.
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Playing <Basic Operation>
Selecting a classical tuning (Pitch)
If you’re playing the C-200 together with other instruments in an ensemble, you can adjust the pitch of the C-200 to match the
other instruments if necessary.
• You can adjust the C-200’s reference pitch by choosing one of four fixed settings: 465Hz (Venetian pitch), 440Hz (default),
415Hz (Baroque pitch), or 392Hz (Versailles pitch).
• When you turn on the power, the pitch is set to 440Hz (the “440Hz” indicator lights).
◆ Press the [Pitch] button repeatedly until the
indicator of the desired pitch lights.
Selecting a temperament
The C-200 allows you to easily change the temperament. By using historical temperaments to play music that is appropriate for
the characteristics of each temperament, you can more strongly bring out the beauty or tension inherent in a composition. In
particular, when playing a composition that uses a transposable temperament and includes transpositions, the sonority of the
chords will change when a transposition occurs, creating subtle changes in the coloration of the piece.
“Werckmeister” is a temperament that combines Meantone and Pythagorean scales to enhance the degree of transposability, and
has been used ever since Bach up to the present. “Kirnberger” was conceived using similar methods, and is used mainly when
playing the organ works of Bach.
“Vallotti” is the most recent of the temperaments described here. It is close to equal temperament, but since it is somewhat pure,
it blends easily with other instruments, and today is often used in ensembles.
Meantone was popular throughout Europe during the Baroque era, and was used customarily by Baroque musicians such as
Handel as well as in compositions of the Renaissance period.
◆ Press the [Temperament] button repeatedly
until the indicator of the desired tempera-
ment lights.
If you proceed past Meantone, you will
“wrap around” to Equal.
The [Temperament] button only lights when a
temperament other than “Equal” is selected.
“Equal” will be selected every time the power is turned on.
Equal temperament
Werckmeister temperament
Kirnberger temperament
Vallotti
Equal
Werckmeister
Kirnberger
Vallotti
Meantone temperament (Eb)
Meantone
The difference between the various temperaments may not always be obvious.
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Additional Convenient Functionality
<Advanced Operation>
Changing the pitch of the keyboard (Transpose)
You can transpose your playing without changing the position at which you play the keys. For example, if you’re playing a song
in a difficult key signature that contains numerous sharps (#) or flats (b), you can transpose the pitch of the keyboard and play
the piece in an easier key.
1. Press and hold the [Pitch] button until the indicator on
the button starts flashing in green.
3. Release the [Pitch] button.
If this is set to any key other than C, the [Pitch] button
will light green.
2. While holding down the [Pitch] button, play the tonic
note of the key to which you want to transpose the
keyboard.
For example, if you want the Eb pitch to sound when you
play the C key, hold down the [Pitch] button and press
the Eb key.
4. To return the keyboard to its normal state, hold down
the [Pitch] button and press a C key.
The [Pitch] button goes dark to indicate that the key-
board is no longer transposed.
*
*
You can transpose the keyboard in a range of five semitones
upward (F) or six semitones downward (F#) relative to C.
You can specify the transpose setting by pressing a key of any
octave.
C4
Immediately after you turn on the power, the key
transpose setting will be in the normal state.
Matching the pitch of another instrument (Tuning)
If you’re playing the C-200 together with other instruments in an ensemble, you can adjust the pitch of the C-200 to match the
other instruments if necessary.
Do not press and hold the [Pitch] button for too long to
• When you turn on the power, the tuning is set to
avoid activating Transpose mode. (Otherwise, press a C
A= 440Hz (for the A above middle C).
key on the keyboard to leave Transpose mode and repeat
this step.)
◆ While holding down the [Pitch] button, turn the [Tone]
knob.
Immediately after you turn on the power, the tuning will
be in the normal state (A= 440Hz).
• The center position of the knob corresponds to the
following:
• 465Hz if the “465Hz” indicator lights (Venetian pitch)
• 440Hz if the “440Hz” indicator lights (Normal pitch)
• 415Hz if the “415Hz” indicator lights (Baroque pitch)
• 392Hz if the “392Hz” indicator lights (Versailles pitch).
Turn the knob clockwise to raise the overall pitch, or
counterclockwise to lower it.
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Additional Convenient Functionality <Advanced Operation>
Changing the split points
■ Changing the BASS split point
■ Changing the MANUAL I/MANUAL II split
point
You can change the note range assigned to the PEDAL
division (see the “BASS” indication above the keyboard) by
proceeding as follows:
You can move the split point that separates the MANUAL I
division from the MANUAL II division by proceeding as
follows:
1. Press and hold the upper part of the [SUBBASS 16] tilt
tab so that it flashes.
1. Switch off the [Coupler II/I] tilt tab if it lights.
2. While holding down the [SUBBASS 16] tilt tab, press
the key that should become the new split point.
2. Press and hold the upper part of [STILL GEDACKT 8]
tilt tab so that it flashes.
3. While holding down the [STILL GEDACKT 8] tilt tab,
press the key that should become the new split point.
C4
C4
3. Release the [SUBBASS 16] tilt tab.
The PEDAL division can now be played in the range up
to the note immediately to the left of the key you
pressed.
4. Release the [STILL GEDACKT 8] tilt tab.
The separation between the MANUAL I and
MANUAL II division is now located at the key you just
pressed (this is the lowest note of the MANUAL II sec-
tion).
The “BASS” split point cannot be moved beyond the B3.
Pressing a key to the right of the B3 has no effect.
To preserve this setting even after switching the C-200
off, you need to save it to the Global area (see p. 33).
The split point between the MANUAL I and
MANUAL II divisions cannot be moved below the C4.
Pressing a key to the left of the C4 has no effect.
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Additional Convenient Functionality <Advanced Operation>
Additional functions for the Classic Organ sounds
Using the organ registration memories
The C-200 comes with 8 factory-set memories (4 memories in the M1 bank and 4 memories in the M2 bank) that contain useful
organ registrations ranging from very soft (pianissimo) to loud (fortissimo). If you like, you can replace the contents of these
memories with your own registrations and settings (see p. 30) and recall them in the same way as described here.
If you haven’t yet overwritten the factory settings, the
[Fortepiano/M1] and Harpsichord [8’ I] pistons select
the softest registration (“pianissimo”), while the [Piano/
M2] and [Lute/4] pistons call up the loudest (“fortis-
simo”).
1. Press the [Memory Piston].
The [Memory Piston] lights green.
4. Press the [Memory Piston] (it goes dark) to leave organ
registration mode.
2. Press the [Fortepiano/M1] or [Piano/M2] piston to select
the desired memory bank.
The piston you activate lights green.
3. Briefly press the Harpsichord piston that is assigned to
the registration memory you want to use.
Do not hold it for too long to avoid overwriting the
memory in question.
The pistons correspond to the available memories as fol-
lows:
Harpsichord
Pistons
M1 Bank
[Fortepiano/M1]
M2 Bank
[Piano/M2]
8’ I
8’ II
4’
Memory 1
Memory 2
Memory 3
Memory 4
Memory 5
Memory 6
Memory 7
Memory 8
Lute
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Additional Convenient Functionality <Advanced Operation>
Saving your organ registration memories
To save your own registration (PEDAL, MANUAL I,
MANUAL II), follow the instructions below.
3. Press and hold the Harpsichord piston that corresponds
to the memory where you want to save your settings.
1. Press the [Memory Piston].
The Harpsichord piston corresponding to the selected
memory lights. The [Memory Piston] flashes for a few
seconds to indicate that the settings are being saved.
When it stops flashing, the operation is completed.
The [Memory Piston] lights green.
2. Press the [Fortepiano/M1] or [Piano/M2] piston to select
the memory bank where you want to save your
registration.
4. Press the [Memory Piston] (it goes dark) to leave this
mode.
The piston you activate lights green.
Switching all tilt tabs off (CANCEL)
Sometimes, switching off all active tilt tabs to completely change the organ registration may take too long. That is why the C-200
provides a “Cancel” function that switches off all tilt tabs simultaneously. (The “Cancel” function has no effect on the
[Coupler II/I] tilt tab.)
1. Press the [Memory Piston].
2. Press the [Celesta/0] piston.
The [Memory Piston] lights green.
All tilt tabs go dark, and the keyboard no longer
responds to your playing (this is the “CANCEL” func-
tion).
3. Press the [Memory Piston] again (it goes dark) to leave
this mode.
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Additional Convenient Functionality <Advanced Operation>
Saving your registration set to an optional USB memory
■ Saving you registration set
■ Loading you registration set
The C-200 allows you to save the contents of its 8 regis-
tration memories to an optional USB memory.
Here is how to transfer the registration settings on an
optional USB memory back to the C-200’s internal mem-
ory (a process called “loading”).
1. Insert an optional USB memory into the C-200’s USB
Memory port.
Loading a registration set will overwrite (replace) the
settings in the C-200’s internal memories. Be sure to save
them to a different optional USB memory before pro-
ceeding.
2. While holding down the [Function] piston, press the
[Memory Piston].
1. Insert an optional USB memory into the C-200’s USB
Memory port.
2. While holding down the [Function] piston, press the
[Memory Piston].
The [Function] piston and [Memory Piston] start flash-
ing.
3. Release the [Function] piston and [Memory Piston].
Be sure to proceed with step (4) within 10 seconds. If
you wait longer, the [Function] piston and [Memory
Piston] go dark. After that, you need to return to step (2)
if you still want to save the registration settings.
The [Function] piston and [Memory Piston] start flash-
ing.
4. While holding down the lower part of the
3. Release the [Function] piston and [Memory Piston].
[SUBBASS 16] tilt tab, press the [Fortepiano] piston.
Be sure to proceed with step (4) within 10 seconds. If
you wait longer, the [Function] piston and [Memory Pis-
ton] go dark. After that, you need to return to step (2) if
you still want to load the registration settings.
4. While holding down the lower part of the
[SUBBASS 16] tilt tab, press the [Piano] piston.
The [Fortepiano] piston starts flashing. When it stops
flashing, your registration has been saved to the “C200”
folder on the USB memory (“CS200_MEM.DAT”). If that
folder doesn’t yet exist, it will be created automatically.
The [Piano] piston starts flashing. When it stops flashing,
your registration set (the contents of all eight memories)
has been loaded into the C-200’s internal memories.
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Additional Convenient Functionality <Advanced Operation>
Choosing different organ voices and setting their volume (Voice Palette)
■ Selecting a sound variation (Voice Palette)
The piston you press lights, while the remaining pistons
flash. You can play on the keyboard to audition the voice
you selected. See p. 45 for the available sounds.
The C-200 contains 4 different organ voices for each tilt
tab. You can specify which variation sound will be heard
when you activate a given tilt tab.
In addition, each division (PEDAL, MANUAL I and
which you can assign either one of the 4 available organ
variations or one of the 8 available orchestral sounds. See
p. 45 for a complete list of the available voices. To select
a different voice for one of the tilt tabs, proceed as fol-
lows:
3. If you are satisfied with the newly selected voice, you
can press the lower part of the flashing tilt tab you
selected earlier.
selected voice by pressing the upper part of the tilt tab.)
4. Repeat steps (1)~(3) above to change the voicing of
other tilt tabs.
1. Press and hold the lower part of the tilt tab for which
you wish to select a different voice.
back on again, save your settings to the Global area (see
p. 33). Your settings can also be saved to one of the 8
memories (see p. 30).
■ Changing the volume of each Palette voice
You can also set the volume of the newly selected voice
(see above) to set the desired balance with respect to the
remaining organ voices you may be using simulta-
neously (by switching on other tilt tabs).
If you press a tilt tab other than [USER/ORCH]: After a few
seconds, the tilt tab flashes and one of the 4 pistons at the
center of the front panel lights steadily to indicate which
organ voice is currently assigned to that tilt tab. (The
other 3 pistons flash.)
1. Press and hold the lower part of the tilt tab for which
you wish to change the volume setting (the tilt tab
flashes).
If you press the [USER/ORCH] tilt tab: After a few seconds,
the tilt tab flashes and one of the 12 pistons on the front
panel lights steadily to indicate which voice is currently
assigned to that tilt tab. (The other 11 pistons flash.)
2. To change the volume of the currently selected voice,
rotate the [Tone] knob.
3. Press the lower part of a tilt tab that flashes.
The first 4 pistons ([Function], [STOP], [PLAY/PAUSE]
and [REC]) allow you to select an organ sound. The 8
remaining pistons to the right allow you to select an
orchestral sound.
That tilt tab now lights steadily.
The volume settings of the various voices can be stored
in the C-200’s Global area (see p. 33).
32
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Additional Convenient Functionality <Advanced Operation>
Saving your settings to the Global area
Some of the settings you make can be saved to the C-200’s
Global area. The C-200 recalls those settings each time you
switch it on.
The [Function] piston and [Memory Piston] flash to indi-
cate that the C-200 is saving your settings. You can now
release these two pistons.
More specifically, the following can be saved to the Global
area: Voice Palette, volume of each Palette, split point,
expression assign and Auto Power Off setting.
To save your settings, proceed as follows:
Do not power off the C-200 while the [Function] piston
and the [Memory Piston] flash. Always wait until it goes
dark.
If the [Memory Piston] currently lights, press it to switch
it off before proceeding.
1. While holding down the [Function] piston, press the
[Memory Piston].
Layering harpsichord sounds
The C-200 allows you to play up to three harpsichord sounds simultaneously, creating a richer sound.
1. Simultaneously press the Harpsichord pistons for the
You cannot use four harpsichord sound simultaneously.
sounds you want to layer, making their indicators light.
2. To return to only one harpsichord sound, press only the
desired Harpsichord piston.
33
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Additional Convenient Functionality <Advanced Operation>
Using the C-200’s internal recorder
The C-200 contains a “Song Recorder” function you can use to record your own performances that you can save (and play back)
as many songs as the optional USB memory device connected to the USB Memory port will hold, for a maximum of 99 songs.
The recorder not only memorizes the notes you play, but also the sounds you use (organ, harpsichord, fortepiano, piano, etc.).
Recording
1. Select the sound(s) you want to use for your recording.
While the C-200 is recording, it is impossible to assign
See p. 21 and following for details.
different voices to the PEDAL, MANUAL I or
MANUAL II tilt tabs (Voice Palette).
The C-200 has only one internal song memory. If you
5. Press the [STOP] piston to stop recording and return to
the beginning of the song.
you perform the next step. To keep that song, you need
to save it before continuing. See “Saving your song to an
optional USB memory” on p. 35. Also note that your last
recording (in the temporary memory) is erased when
you switch off the C-200.
The [PLAY/PAUSE] and [REC] pistons go dark.
The C-200 now processes your recording, which may
take a few seconds.
Once the memory has become full, recording stops auto-
matically.
2. Press the [REC] piston (it flashes red).
Your recording is erased when you switch off the C-200
or load another song. You can, however, save it to an
optional USB memory (see p. 35).
Press the [STOP] piston if decide not to record.
3. You can now activate the recording in 2 ways:
• By pressing a key on the keyboard: The [PLAY/PAUSE]
and [REC] pistons light and the recording will begin
immediately.
• By pressing the [PLAY/PAUSE] piston: The [PLAY/
PAUSE] piston lights. The [REC] piston continues to flash
during four beats (count-in). After the last flash, the
[REC] piston lights steadily and recording starts.
4. Start playing.
Feel free to select different sounds and sections while
recording. All changes will be performed when you play
back your recording.
34
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Additional Convenient Functionality <Advanced Operation>
Playing back your recorded song
To listen to your new (or a previously recorded) song, proceed as follows:
1. Press the [PLAY/PAUSE] piston (it lights) to start
playback.
2. Press the [STOP] piston to stop playback and return to
the beginning of your song.
The [PLAY/PAUSE] piston goes dark.
The recorded song data are transmitted to the C-200’s
MIDI Out port.
To temporarily stop playback, press [PLAY/PAUSE]
again (the piston flashes). Press it again to resume play-
back from where you halted it.
Saving your song to an optional USB memory
At first, the C-200 uses a temporary memory for the data you record. That memory is erased when you redo your recording,
load another song or when you switch off the C-200. Therefore, you need to save recordings you want to keep and play back at a
later stage. To this end, the C-200 provides a USB Memory port located on the rear panel. The C-200 allows you to save up to 99
songs to an optional USB memory.
See the numbers on the tilt tabs. (The [USER/ORCH]
(“10”) tilt tab is used to enter the number “0”.)
1. Insert the optional USB memory into the C-200’s USB
Memory port.
Example: To enter “01”, press the [USER/ORCH] and
[SUBBASS] tilt tabs. The [USER/ORCH] (“10”) and
[SUBBASS] (“1”) tilt tabs flash sequentially to indicate
that you have entered the value “01”.
To enter “39”, press [USER/ORCH] (“3”) and [TRUM-
PET] (“9”) in that order. The [USER/ORCH] (“3”) and
[TRUMPET] (“9”) tilt tabs flash sequentially.
A similar flashing pattern is also used for any other
number you select here.
Carefully insert the USB memory all the way into the
port until it is firmly in place.
The C-200 uses the number you selected as file name to
save your song to the optional USB memory.
2. Hold down the [REC] piston until the [STILL
GEDACKT 8] (ENTER) tilt tab starts flashing.
Never remove a USB memory while the C-200’s power is
on. Doing so may corrupt the C-200’s data or the data on
the USB memory.
4. Press the lower part of the [STILL GEDACKT 8]
(ENTER) tilt tab to save your recording.
3. Enter a number between “01” and “99” using the
PEDAL and MANUAL I tilt tabs.
The C-200 saves the song, and the tilt tabs of the last con-
figuration you have been using light. The song is saved
to the “C200/SONG” folder on the USB memory. If that
folder does not yet exist, it will be created automatically.
1
2
3
4
5
6
7
8
9
0
35
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Additional Convenient Functionality <Advanced Operation>
If the file name with a number you selected already
exists, the [STILL GEDACKT 8] tilt tab and the [STOP],
[PLAY/PAUSE], and [REC] pistons start flashing. You
can overwrite the “old” song on your USB memory by
pressing [STILL GEDACKT 8] again.
To select a different number, enter it using the PEDAL
and MANUAL I tilt tabs and press [STILL GEDACKT 8]
again.
Never remove the USB memory while the C-200 is sav-
ing data.
Use USB memory sold by Roland (M-UF-series). We can-
not guarantee operation if any other USB memory is
used.
Playing back songs on an optional USB memory
You can play back the songs stored on an optional USB memory connected to the C-200. Given the possibility to work with
external USB memories, you might be tempted to copy Standard MIDI Files to that device (using your computer, for instance)
and play them back using the C-200.
The C-200 does not conform to the GS standard or General MIDI format. Songs not specifically prepared with/for the C-200 may
therefore use the wrong sounds.
The song you selected is loaded, and the tilt tabs of the
configuration used in that song light up.
1. While holding down the [Function] piston, press the
[STOP/Song] tilt tab until the [STILL GEDACKT 8]
(ENTER) tilt tab starts flashing.
memory, [STOP], [PLAY/PAUSE], and [REC] start flash-
ing. In that case, enter a different number and repeat step
(3) above.
4. Press the [PLAY/PAUSE] piston to start playback.
You can also simply hold down the [PLAY/PAUSE] pis-
ton until the [STILL GEDACKT 8] (ENTER) tilt tab starts
flashing.
2. Enter a number between “01” and “99” using the
PEDAL and MANUAL I tilt tabs.
The [PLAY/PAUSE] piston lights and playback starts.
5. Press [PLAY/PAUSE] again to temporarily halt
playback (it flashes). Press it again to continue
playback from that point.
1
2
3
4
5
6
7
8
9
0
6. Press [STOP] to stop playback and return to the
See the numbers on the tilt tabs. (The [USER/ORCH]
(“10”) tilt tab is used to enter the number “0”.)
Example: To enter “01”, press the [USER/ORCH] and
[SUBBASS] tilt tabs. The [USER/ORCH] (“10”) and
[SUBBASS] (“1”) tilt tabs flash sequentially to indicate
that you have entered the value “01”.
Use USB memory sold by Roland (M-UF-series). We can-
not guarantee operation if any other USB memory is
used.
3. Press the lower part of the [STILL GEDACKT 8]
(ENTER) tilt tab to confirm your selection.
36
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Additional Convenient Functionality <Advanced Operation>
Loading the factory settings
If necessary, you can erase all settings you have saved inside the C-200 and instead load the settings the C-200 contained when
you first bought it.
3. While holding down the lower part of the [SUBBASS
The following procedure will erase all settings you have
made up to this point.
16] tilt tab, press the [Lute] piston.
1. While holding down the [Function] piston, press the
[Memory Piston].
The [Lute] piston starts flashing.
4. Wait until the [Function] piston, [Memory Piston] and
[Lute] piston go dark.
The [Function] piston and [Memory Piston] start flash-
ing.
5. Switch off the C-200, wait a few seconds, then switch it
back on again to use the factory settings.
2. Release the [Function] piston and [Memory Piston].
Be sure to proceed with step (3) within 10 seconds. If
you wait longer, the [Function] piston and [Memory Pis-
ton] go dark. After that, you need to return to step (1) if
you still want to load the factory settings.
37
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Additional Convenient Functionality <Advanced Operation>
Playing through external amplifiers/Recording your performance using
an audio device
You can connect an external amplifier or a mixing console to the Output jacks for performance on stage, or connect a recorder to
record your playing.
Audio Recorder
(Only one of these can be connected:
either a recorder or an amplifier.)
Amplification system
To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power
on all devices before making any connections.
■ Turning the power on
■ Turning the power off
1. Set the volume of the C-200 and the connected audio
device to the minimum level.
1. Minimize the volume of the C-200 and of the connected
device.
2. Switch on the C-200’s power.
3. Switch on the connected device.
2. Switch off the connected device.
3. Switch off the C-200.
4. Adjust the volume of the C-200 and the external audio
device.
■ Recording a performance from the C-200
onto an audio recorder
1. Start recording on the connected device.
2. Perform on the C-200.
3. When you've finished performing, stop recording on
the connected device.
38
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Additional Convenient Functionality <Advanced Operation>
Using an optional sustain pedal
An optional sustain pedal can be connected to the C-200’s Sustain socket and used as the damper pedal of a piano.
If you press the pedal while performing, the decay will extend even after you take your fingers off the keyboard. This function is
only available when you select a Harpsichord, the Fortepiano, Piano, Celesta or an orchestral sound.
Set the pedal’s select switch to “Continuous.”
Use only the specified sustain pedal (DP-series, sold separately). By connecting any other sustain pedal, you risk causing
malfunction and/or damage to the unit.
Using an optional expression pedal
An optional expression pedal can be connected to the C-200’s EXP jack and used to set the volume of the organ and orchestral
sounds you are using. It has no effect on the Harpsichord, Fortepiano, Piano or Celesta section.
Use the knob on the pedal to set the
volume range that can be influenced
by the expression pedal.
Use only the specified expression pedal (EV-5 or EV-7, sold separately). By connecting any other expression pedal, you risk
causing malfunction and/or damage to the unit.
39
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Additional Convenient Functionality <Advanced Operation>
Connecting a pedal keyboard
By connecting a MIDI pedal keyboard to the C-200, you can play the C-200’s PEDAL division with your feet. (It can then no
longer be played via the keyboard, p. 23).
To a AC outlet
MIDI CABLE
PK OUT
MIDI OUT
External pedal keyboard
(PK-25A, PK-7A, etc.)
(PK-5A)
To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power
on all devices before making any connections.
■ Connecting an optional pedal keyboard
■ Connecting a MIDI pedal keyboard unit
that has a PK OUT socket
(PK-5A)
1. Before making any connections, make sure that all
devices are turned off.
1. Before making any connections, make sure that all
devices are turned off.
2. Use a commercially available MIDI cable to connect the
C-200’s PK In connector to the MIDI OUT connector of
your MIDI pedal keyboard unit.
2. Using the special cable supplied with the pedal board,
connect the C-200’s PK In connector to the PK OUT
connector of your pedal keyboard unit.
See the illustration above.
Do not forget to connect the pedal keyboard’s adaptor to
a suitable wall outlet.
If the special cable is connected, it is not necessary to
turn the power of the pedal keyboard unit on/off.
3. Turn on the MIDI pedal keyboard unit.
4. Turn on the power on the C-200.
3. Turn on the power on the C-200.
The left side of the C-200’s can no longer be used to play
the PEDAL part. You must therefore play it using the
pedal board. In return, the PEDAL part can now be
played polyphonically.
The left side of the C-200’s keyboard can no longer be
used to play the PEDAL part. You must therefore play it
using the pedal board. In return, the PEDAL part can
now be played polyphonically.
40
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Additional Convenient Functionality <Advanced Operation>
Connecting the C-200 to MIDI equipment
You can use the C-200’s MIDI Out socket to connect external devices, like a sequencer, you want to control. You can use the
MIDI In socket to connect external devices, like a sequencer.
What is MIDI?
“MIDI” stands for “Musical Instrument Digital Interface,” and is a worldwide standard for exchanging performance data
between electronic musical instruments and computers. The C-200 provides MIDI connectors that can send and receive
performance data to and from an external device. By connecting the C-200 to other devices via these connectors, you can take
advantage of a wide range of possibilities.
■ Connecting a MIDI sequencer to the C-200
• To prevent malfunction and/or damage to
speakers or other devices, always turn down
the volume, and turn off the power on all
devices before making any connections.
• Before you carry out any operations using
the C-200’s panel, stop the MIDI sequencer.
MIDI sequencer
MIDI IN
MIDI OUT
The C-200’s MIDI channels are fixed. Refer to the MIDI implementation chart on p. 47 for the channel assignments and the
MIDI data the C-200 can manage.
41
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Additional Convenient Functionality <Advanced Operation>
Local On/Off setting
If you’ve connected the C-200 to a MIDI sequencer, you should set the C-200 to the Local Off state.
Most sequencers enable their Thru function, so that the notes that you play on the keyboard or that are played back by the
recorder will reach the sound generator section by both routes (1) and (2) if the C-200 is in the Local On state, causing notes to be
sounded in duplicate, or to be cut off unnaturally.
To prevent this, choose the “Local Off” setting so that route (1) is disconnected.
Local On
Local Off
(1) Local On
Sequencer
Memory
MIDI
OUT
MIDI
IN
Sound is emitted
No sound produced
Sound
Generator
Sound Generator
Sound Generator
MIDI
OUT
MIDI
IN
Local On
Local Off
(2) Soft Thru On
Each note played is
sounded twice
◆ While holding down the [Function] piston, press the
Harpsichord [4’] piston to switch off the Local function.
Repeat this operation to select Local On again.
*
If you’ve selected Local Off and no sequencer is connected, you
won’t hear any sound when you play the C-200’s keyboard.
The Local On setting is selected when you turn on the
power.
42
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Additional Convenient Functionality <Advanced Operation>
Using the Visual Control function
“Visual Control” is a function that allows music and images to be performed together. When MIDI Visual Control- or V-LINK
compatible devices are connected via MIDI, you’ll be able to easily switch clips are linked to the expressive elements of your
performance.
■ Turning Visual Control on/off
■ Selecting clips on an optional MIDI Visual
Control/V-LINK-compatible device
1. Connect the C-200’s MIDI Out socket to the MIDI In
socket of your optional MIDI Visual Control/V-LINK
video device.
Visual Control messages are transmitted on MIDI chan-
nel “16”.
1. Press a key in the highest octave (G#6~G7) to select the
desired clips on the external optional MIDI Visual
Control/V-LINK-compatible device.
2. While holding down the [Function] piston, press the
[REC/Visual Control] piston switch on the Visual
Control function.
G#6
G7
3. To turn Visual Control off, once again hold down
[Function] and press the [REC/Visual Control] piston.
Visual Control key range
Press key
MIDI Visual Control/V-LINK
MIDI
Message
G#6
A6
Switch images (Clip 1)
Switch images (Clip 2)
Switch images (Clip 3)
Switch images (Clip 4)
Switch images (Clip 5)
Switch images (Clip 6)
Switch images (Clip 7)
Switch images (Clip 8)
Switch images (Clip 9)
Switch images (Clip 10)
Switch images (Clip 11)
Switch images (Clip 12)
CF 00
CF 01
CF 02
CF 03
CF 04
CF 05
CF 06
CF 07
CF 08
CF 09
CF 0A
CF 0B
A#6
B6
C7
C#7
D7
D#7
E7
F7
F#7
G7
When the Visual Control Function is active, the G#6~G7
keys are temporarily unavailable for playing notes.
Visual Control messages are transmitted on MIDI chan-
nel “16”.
43
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Additional Convenient Functionality <Advanced Operation>
Auto Power Off function
The C-200 has an Auto Power Off function that automatically switches off the instrument after approximately 240 minutes of
inactivity. The following procedure allows you to switch this function off.
The [8’ I] piston lights steadily to indicate that the func-
tion has been switched off.
1. Switch on the C-200 while holding down the [Function]
piston.
Harpsichord piston
(lights steadily)
Auto Power Off
8’ I
Disabled
8” II (default)
240 minutes
To reset the Auto Power Off function to 240 minutes,
switch off the instruments and repeat this procedure,
this time pressing the [8’ II] piston in step (2).
The C-200 activates function edit mode.
2. Press the [8’ I] piston to disable the Auto Power Off
function.
This setting is automatically saved to the Global area and
will be recalled whenever you switch on the C-200.
Expression pedal assign function
When you connect an optional expression pedal to the C-200 (see p. 39), you can use it to set the level of the MANUAL II
division (default). The following function allows you to assign the expression pedal to all organ sections (PEDAL, MANUAL I
and MANUAL II).
To assign the expression to the MANUAL II section only,
switch off the instruments and repeat this procedure,
this time pressing the [Celesta] piston in step (2).
1. Switch on the C-200 while holding down the [Function]
piston.
This setting is automatically saved to the Global area and
will be recalled whenever you switch on the C-200.
The C-200 activates function edit mode.
2. Press the [Memory Piston] to assign the expression
pedal to the PEDAL, MANUAL I and MANUAL II
divisions.
The [Memory Piston] lights steadily to indicate that the
expression pedal now affects the sections mentioned
above.
Piston
(lights steadily)
Expression pedal
Celesta
MANUAL II
PEDAL/MANUAL I/
MANUAL II
Memory Piston (default)
3. Press the [Function] piston to leave function edit mode.
44
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Division sound list
PEDAL division
Tablet name
Organ voices
VP0 (default)
VP1
VP2
VP3
SUBBASS 16
BOURDON 8
Subbass 16
Bourdon 8
Principal 16
Octave 8
Bourdon 16
Flute 8
Open Wood 16
Octava 8
User Organ voices
VP0 (default)
VP1
VP2
VP3
Lieb Gedackt 16
Bombarde 16
Principals + Mix
Reeds + Mix
User Orchestral voices
USER/ORCH
VP4
Bass Pizzicato
VP8
VP5
Bowed Strings
VP9
VP6
VP7
String Bass
VP11
Violin Cello
VP10
Orch Strings
Choir
Organ Harp
E. Piano
MANUAL I division
Tablet name
Organ voices
VP0 (default)
Principal 8
Octava 4
VP1
VP2
VP3
PRINCIPAL 8
OCTAVA 4
Open Diapason 8
Principal 4
Gamba 8
Bourdon 8
Fugara 4
Flûte à Bec 4
Dolce Cornet II
Piccolo 2
2/3
2/3
2/3
Sharf II
QUINTE 2
Quinte 2
Twelfth 2
SUPEROCTAV 2
MIXTUR IV
Superoctav 2
Mixtur IV
Fifteenth 2
Tierce Mixture IV
Waldhorn 8
Doublette 2
Rauschqunt. IV
Trumpet 16+8
Sesqualtiera II
Cromorne 8
TRUMPET 8
Trumpet 8
User Organ voices
VP0 (default)
VP1
VP2
VP3
Principal 16
Unda Maris III
Schwebung II
Dulzian 8
User Orchestral voices
USER/ORCH
VP4
Strings
VP8
VP5
Choir
VP9
VP6
Synth Harp
VP10
VP7
Chime
VP11
Trumpet
Oboe
Flute
E. Piano
45
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Division sound list
MANUAL II division
Tablet name
Organ voices
VP0 (default)
Still Gedackt 8
Nachthorn 4
VP1
VP2
VP3
STILL GEDACKT 8
NACHTHORN 4
Stopped Diapason 8
Flute 4
Spitzgeigen 8
Spillflute 4
Mixture III
Schwegel 2
Celeste III
Flute Trav 4
Cymbal III
Gemshorn 2
2/3
2/3
2/3
NAZARD 2
Nazard 2
Nasat 2
PICCOLO 2
Piccolo 2
Wald Flute 2
User Organ voices
VP0 (default)
VP1
VP2
VP3
3/5
Cor d’Amor 8
Trompette 8
Vox Humana
Tierce 1
User Orchestral voices
USER/ORCH
VP4
Strings
VP8
VP5
Choir
VP9
VP6
Organ Harp
VP10
VP7
Chime
VP11
Trumpet
Oboe
Flute
E. Piano
Other Sounds
Harpsichord 8’ I
Harpsichord 8’ II
Harpsichord 4’
Harpsichord Lute
Fortepiano
Piano
Celesta
46
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MIDI Implementation Chart
[Classic Keyboard]
Model: C-200
Date: March 2011
Version: 1.00
Function...
Transmitted
Recognized
Remarks
Basic
Channel
Default
Changed
1, 12, 13, 14, 16
X
1, 12, 13, 14, 11
X
1= Harpsichord, Fortepiano,
Piano, Celesta
12= MANUAL I, 13= MANUAL II,
14= PEDAL, 11= Reverb,
16= Visual Control
Mode
Default
Message
Altered
Mode 3
X
*****
Mode 3
X
*****
Note
Number
22~108
*****
0~127
O
True Voice
Note ON
Velocity
O (Fortepiano,
Harpsichord, Piano,
Celesta)
O (Fortepiano,
Harpsichord, Piano,
Celesta)
Note OFF
O
O
After
Touch
Key’s
Ch’s
X
X
X
X
Pitch Bend
X
X
Control
Change
0,32
6
X
X
O
X
O
O
X
X
X
X
Bank Select
Data entry
Volume
7
O
*3
10
11
64
66
67
X
Panpot
Expression
Hold 1
O
*3
*4
O
X
Sostenuto
Soft
X
O (Reverb)
91 O (Reverb)
93 X (Chorus)
*5
Effect 1 Depth
Effect 3 Depth
NRPN LSB, MSB
RPN LSB, MSB
X (Chorus)
X
98, 99
100, 101
X
O
O
Program
Change
O (1~12)
*****
X
Only on MIDI channel 16
True #
System Exclusive
O
*1
O
*1
*2
System
Common
Song Position Pointer
Song Sel
Tune
X
X
X
X
X
X
System
Real Time
Clock
Commands
X
X
X
O
Only FAh
Aux
Messages
All Sounds Off
X
X
X
X
O
X
X
X
X
X
O
X
Reset All Controllers
Local On/Off
All Notes Off
Active Sensing
Reset
Notes
*1 SysEx for voice changes.
*2 Received Start sends selected voice and expression status
*3 Ignored when received on channel 1
*4 Only on MIDI channels 1, 12, 13, 14 (12 and 14 only for
orchestral sounds)
*5 Only on MIDI channel 11
Mode 1: OMNI ON, POLY
Mode 3: OMNI OFF, POLY
Mode 2: OMNI ON, MONO
Mode 4: OMNI OFF, MONO
O:Yes
X: No
47
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Specifications
C-200: Classic Keyboard
Keyboard
76 keys
<Sound Generator>
MANUAL I division
24 organ voices (6 tilt tabs x 4 voices) + 4 User organ voices (USER/ORCH tilt tab)
8 orchestral sounds (USER/ORCH tilt tab)
MANUAL II division
16 organ voices (4 tilt tabs x 4 voices) + 4 User organ voices (USER/ORCH tilt tab)
8 orchestral sounds (USER/ORCH tilt tab)
Tones
PEDAL division
8 organ voices (2 tilt tabs x 4 voices) + 4 User organ voices (USER/ORCH tilt tab)
8 orchestral sounds (USER/ORCH tilt tab)
4 hapsichord sounds (8’ I, 8’ II, 4’, Lute)
1 fortepiano sound (Fortepiano)
1 piano sound (Piano)
1 celeste sound (Celesta)
Coupler
II/I
8 memories (4 x 2 banks) + CANCEL
(Settings can be saved to, and loaded from, an optional USB memory)
Registration memories
Reverb
Effect
1 Tremulant tilt tab (on MANUAL II)
Controls
VOLUME knob, REVERB knob, BALANCE knob TONE knob
–6 to +5 (semitone steps)
Key Transpose
Temperaments
Pitch
5 types: Equal (default setting), Werckmeister, Kirnberger, Vallotti, Meantone
4 Types (Versailles: 392 Hz, Baroque: 415 Hz, Modern: 440 Hz, Venetian: 465 Hz)
415.3 to 466.2Hz (adjustable in increments of 0.1Hz)
Master tuning
<Others>
Song recorder
Data storage
Speakers
1 track, Controls: STOP, PLAY/PAUSE, REC pistons
Optional USB memory (M-UF-series)
2 speaker boxes with bass reflex
Phones jack: Stereo 1/4” phone type
Output jacks R, L/Mono: 1/4” phone jacks
MIDI connectos (In, Out)
Connectors
PK In connector
Pedal jacks (Sustain, EXP)
DC IN connector (use Roland PSB-7U adaptor only)
USB memory port
Power Supply
DC 12 V (supplied PSB-7U AC adaptor)
30W
Power Consumption
1251 (W) x 444 (D) x 323 (H) mm / 49-1/4 (W) x 17-1/2 (D) x 12-3/4 (H) inches
(including the music rest)
1251 (W) x 348 (D) x 140 (H) mm / 49-1/4 (W) x 13-3/4 (D) x 5-9/16 (H) inches
(without the music rest)
Dimensions
48
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Specifications
Weight
12 kg/26 lbs 8 oz. including the music rest
Accessories
Owner’s manual, PSB-7U(S) AC adaptor, Power cord, Music rest
Configuration no. 1
Stand CKS-C200
Pedal Keyboard PK-25A/PK-7A/PK-5A
Bench BNC-23-BK (recommended when using a PK-25A pedal keyboard)
Bench BNC-15-BK (recommended when using a PK-5A, PK-7A pedal keyboard)
(Note: either bench is suitable if no pedal keyboard is used.)
Options
Configuration no. 2
Stand KS-12
Bench BNC-29
Other Options
EV-series expression pedal, DP-series sustain/hold pedal, Stereo headphones, USB memory
(M-UF-series)
*
In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
49
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For EU Countries
For China
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r
602.00.0480.02 RES 85 9-11 C-200 English
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