QUAD Stereo Amplifier 99 Series User Guide

9 9 S E R I E S  
...the closest approach to the original sound  
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“It is so much better in terms of high fidelity, in its purest  
sense. It reminded me how Quad retain an almost unique  
grip on the concept.” – Noel Keywood, Hi-Fi World  
The closest approach...  
Since Peter Walker formed the company  
in 1936, all Quad products have  
loudspeakers of the time, the ESL was free of unwanted  
colourations and distortions. This product remained in  
production, virtually unchanged, for 28 years.  
A decade later in 1967 Quad introduced its first  
transistorised amplifiers, the 33 Control Unit and the  
303 power amplifier. These amplifiers introduced a new  
‘Triples’ output stage that solved all the thermal  
instability problems that plagued early transistor  
designs. Radical in both circuit design and appearance,  
they went on to win a prestigious Design Council Award  
in 1969.  
displayed an originality in design, born  
from a full and proper understanding of  
every aspect of sound reproduction. A  
world leader in audio amplifier and  
electrostatic speaker design, Quad has,  
over the years, made a major  
contribution to the improvement of  
sound quality. This contribution has been recognised by  
awards from around the world including the Queen’s  
Award for Technological Achievement in 1978.  
Quad owners enjoy the confidence of knowing that the  
complete system has been engineered to achieve optimal  
performance, free from compatibility problems.  
The history of Quad is one of technical achievement in  
the field of sound reproduction. It is a story that began  
with the Quad 1 amplifier, which brought the benefits of  
15 years knowledge and experience in professional  
audio and industrial products to the task of making the  
most accurate domestic audio amplifier of its age.  
A few years later, in 1953, the product which set the  
standard for amplifiers was the Quad II power amplifier.  
This amplifier pioneered the principle of cathode  
coupling through the output transformer to reduce  
harmonic distortion to almost negligible levels. Such was  
its clear superiority that this model remained in  
production for 18 years.  
Amplifier performance took a further step forward in  
1975 with the arrival of the Quad 405 ‘Current  
Dumping’ amplifier. This remarkable new circuit  
topology remains one of the few truly original amplifier  
designs and has featured in Quad products ever since.  
For this technology Quad was awarded the ‘Queen’s  
Award for Technological Achievement’ in 1978.  
In 1981 Quad announced the ESL-63; a full-range  
electrostatic loudspeaker based upon two sets of  
concentric annular electrodes fed through sequential  
delay lines. This patented system produces a sound  
pressure pattern identical to the theoretical ideal of a  
point source origin. Once again a Quad Electrostatic  
loudspeaker became the reference standard around the  
world.  
These are just some of the highlights from Quad’s  
pedigree line of technological achievement. However, it  
must always be remembered that Quad has never  
indulged in technical ‘one-upmanship’. The technology  
is there for a purpose – and that purpose has remained  
constant over the years. To reproduce music in a form  
that is the closest approach to the original sound.  
Three years later, in 1956, Quad demonstrated the first  
true full-range electrostatic loudspeaker. This  
remarkable product (known later as the ESL-57) used a  
virtually mass-less plastic film as a moving diaphragm  
between two charged plates. Compared to the  
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“For those with a penchant for a spot of Mozart, or an ‘it’s  
been a long day’ wind-down with some Ella or Bird, the  
Quads are hard to beat.” – What Hi-Fi? Sound & Vision  
The Quad  
99 Series  
Quad sound systems have always been able to give their  
owners the utmost pleasure and passion when they  
listen to music. But now the 99 Series brings more.  
Conceived as a fully integrated component system,  
there is an assurance of absolute compatibility and the  
convenience offered by the high levels of intelligence  
exhibited in the control system.  
enjoyment they have brought to the most discerning  
audiophiles.  
The modern design of the 99 Series components has  
been developed to dovetail ease of use, style and  
elegance with one of the finest sounds available today.  
Intelligent control systems are used to create a seamless  
link between the various 99 Series components,  
allowing complete operation from a single remote  
control. Our unique ‘Quad Link’ bus connection system  
transfers not only system commands, but also fully  
balanced audio signals.  
Each component within the 99 Series is one of the  
finest examples of such available today. Excessively  
over-engineered in every respect – highly specified  
transformers, audiophile components, multi-layer  
circuit boards and the most advanced software appear  
in abundance throughout the system.  
The 99 CD-P combined with  
the 99 Stereo Power  
amplifier and the 11L  
Loudspeakers is a perfect  
entry to Quad and a  
stunning system in every  
respect.  
With the 99 Series, you are assured exquisite  
performance; convenience of use; quality of  
construction; enviable support, but most of all, the  
pedigree of a company that has built a long-term  
reputation on the ability to reproduce music in a manner  
that is the closest approach to the original sound.  
Our reputation, however, is based upon more than  
good engineering and innovation. Quad Hi-Fi units are  
famous the world over, not just for their high  
specifications and attention to detail, but more for the  
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The 99 series is timeless in  
design and quality. Newer  
models such as the multiple  
award-winning CD-P and  
timeless classics such as the 909  
(which is still winning awards to  
this day) ensure that when you  
choose Quad, you invest in a  
piece of audio equipment that  
will not only last a lifetime, but  
will retain as much value and  
relevance for future generations  
as well.  
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“The neutral, self-  
music flow. It has p  
resolve masses of d  
low frequencies and  
– What Hi-Fi? S  
99 CD-P  
99 CD-S  
The 99 CD-P is an exceptional CD player –  
without doubt, one of the finest and most  
advanced machines available. It uses a state-  
of-the-art transport and DAC, and  
The 99 CD-S is a brand new model, offering  
a similar level of sound quality to the CD-P,  
but in a simple format. This model  
dispenses with the additional digital inputs  
and the variable output level of the full CD-P.  
Using a brand new transport, our own  
proprietory loading mechanism, control  
software and the most advanced decoding  
with the emphasis on reading data correctly,  
the CD-S produces a sensational  
incorporates both fixed and variable level  
outputs so it can be used both with a Pre-  
Amplifier, or to maintain the very cleanest  
signal path, directly into a Power Amplifier.  
The transport has a remarkable specification  
with an ultra-smooth servo to dramatically  
reduce ‘clock jitter’. The three laser pickup  
reads the disc with exceptional accuracy  
ensuring transparency and neutrality in  
reproduction.  
performance without fuss.  
Mains powered and offered with standard  
RCA connector or with a ‘bus-link’ to be  
connected through a Quad pre-amplifier,  
the CD-S is as versatile as it is practical.  
When used with the ‘bus-link’ system, the  
CD player is operated through the system  
remote control (supplied with the pre-  
amplifier) and dovetails seamlessly into the  
system. Power triggers, system commands  
and balanced audio signals are all  
The very latest 24 bit/192 kHz upsampling  
Crystal DAC produces breathtaking detail  
and resolution, opening a window to the  
recording to squeeze out every last subtle  
effect and sensation.  
Six digital inputs, three coaxial and thee  
optical allow other sources to benefit from  
the on-board DACs and in certain  
communicated through the bus system. The  
CD-S uses Crystal 24bit/96kHz DACs for a  
high resolution, detailed soundstage.  
applications, negate the need for a pre-  
amplifier altogether.  
Stereo Power Amplifier  
Mono Power Amplifier  
Quad power amplifiers have always been  
amongst the finest in the world. Over the  
years, they have earned a reputation for  
being ‘straight wires with gain’, because they  
neither add nor take anything away from the  
original music signal.  
Power is something that this 99 Mono  
Power Amplifier has in abundance. Into a  
nominal 8 Ohm load it delivers well over  
150 Watts and a breathtaking 220 Watts into  
a 4 Ohm load.  
In all other respects, this amplifier is close  
to the 99 Stereo Power Amplifier and shares  
its technology and topology as well as its  
excellent standards of performance.  
The 99 Stereo Power Amplifier uses a dual  
complementary feedback circuit with  
exceptional stability margins to achieve  
exemplary performance and an output of  
over 80 watts per channel. Overload  
recovery is instantaneous and the amplifier  
is fully protected against over-driving or  
misuse, without resorting to output line  
fuses or relays.  
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-effacing Quad lets  
plenty of poke, can  
detail, and has taut  
d a smooth treble.”  
Sound & Vision  
FM Tuner  
Pre-Amplifier  
In many countries FM radio still has the  
potential to provide the highest fidelity  
programme quality. The Quad 99 FM Tuner  
has been designed to make the best use of  
that potential.  
State of the art performance combined with  
unique operating features sets the Quad 99  
Pre-Amplifier apart from competing products.  
The combination of universal phono-socket  
connectors and Quad Link inputs gives the  
ability to connect an almost unlimited  
number of sources, each with optimal  
matching. All inputs, including those for  
moving-coil and moving-magnet cartridges,  
have adjustable sensitivity.  
The UK has gained a world-wide reputation  
for the high-quality music broadcasts  
transmitted by the BBC, and as a result  
British manufacturers such as Quad have  
considerable experience in designing tuners  
that receive and reproduce music  
realistically. The Quad 99 FM Tuner  
incorporates that experience in full.  
The 99 FM Tuner and 99 CD Player are both  
connected to the rest of the system via our  
‘Quad Link’ bus system, which combines  
complete system control with balanced line  
audio transmission. Not only does this  
make the entire system remarkably easy to  
control, but provides the cleanest audio  
signal possible.  
This flexibility also extends to the wide  
range of precise tone-control adjustments  
that can be made. In addition to the usual  
high-frequency filter, there are adjustments  
for the bass response, and the unique Quad  
‘Tilt’ control which skews the entire  
frequency response to give a preferred tonal  
balance.  
The Quad 99 Pre-Amplifier is packed with  
technical innovation including noiseless  
solid state signal switching and digitally  
addressed analogue volume and balance  
controls. These track both left and right  
channels with a previously unattainable  
accuracy of better than 0.1dB.  
909 Stereo Power Amplifier  
The 909 Stereo Power Amplifier  
the current or ‘muscle’ to generate the  
sound. The low power output amplifier is  
arranged to generate a signal that  
incorporates Quad’s patented current  
dumping technology and is one of the finest  
audio amplifiers available today.  
compensates for errors between the input  
signal, and the signal fed to the  
The current dumping technique eliminates  
many of the problems associated with  
transistor amplifiers giving a consistent and  
predictable performance without a need for  
the fine tuning adjustments on the  
production line.  
loudspeakers. The result is that the quality  
and accuracy of the output signal depends  
only upon the performance of the low  
power amplifier. In the Quad 909 this low  
power output amplifier has been  
engineered to the highest standards.  
The problems of crossover distortion;  
quiescent current adjustment; thermal  
tracking and transistor matching all  
disappear. If such a thing as a perfect  
amplifier were to exist, then the Quad 909  
would be very close to that perfection.  
In current dumping amplifiers there is a  
very high quality low power output  
amplifier and a very high power output  
amplifier whose performance is not critical.  
This high power output amplifier controls  
the loudspeaker at all times and provides  
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Specifications  
Model CD-P  
CD-S  
Max. Line Output Level (RCA)  
Max. Output Level (QuadLink)  
Frequency Response  
2.4V RMS  
2.4V RMS  
5.3V RMS, Balanced  
20Hz to 20kHz (+0dB/-0.5dB)  
0.002% at 1kHz  
5.3V RMS, Balanced  
20Hz to 20kHz (+0dB/-0.5dB)  
0.002% at 1kHz  
Total harmonic distortion (THD)  
Signal to noise ratio (S/N))  
110dB, 24bit (20Hz – 20kHz)  
95dB, 16bit (20Hz – 20kHz)  
110dB, 24bit (20Hz – 20kHz)  
95dB, 16bit (20Hz – 20kHz)  
Crosstalk  
Gain Error  
-100dB at 1kHz  
-100dB at 1kHz  
0.5dB (@-90dB, f=500Hz)  
0.5dB (@-90dB, f=500Hz)  
D/A Convertor  
Maximum resolution  
Maximum sampling frequency  
24 bit  
192kHz  
24 bit  
96kHz  
Upsampling  
x2  
x2  
Digital Audio Inputs  
3 x RCA Coax 75ohm, SPDIF  
3 x Optical TosLink, SPDIF  
n/a  
Digital Audio Output  
Disc Compatibility  
Optical TosLink SPDIF  
Optical TosLink SPDIF  
CD-DA Conventional Audio CD  
CD-DA Conventional Audio CD  
CD-R Recordable CD (finalised & unfinalised)  
CD-RW Rewritable CD (finalised & unfinalised)  
CD-R Recordable CD (finalised & unfinalised)  
Dimensions ( H x W x D )  
Weight  
80 x 321 x 310mm  
4.5kg  
80 x 321 x 310  
4.5kg  
909 Stereo Power Amplifier  
Model 99 Stereo Power Amplifier  
99 Mono Power Amplifier  
Maximum Power Output  
90 WRMS -8 ohms(0.5% THD)  
120 WRMS -4 ohms(0.5% THD)  
150 WRMS -8 ohms(0.5% THD)  
220 WRMS -4 ohms(0.5% THD)  
140 WRMS -8 ohms(0.5% THD)  
250 WRMS -4 ohms(0.5% THD)  
Maximum Output Current  
Total Harmonic Distortion  
11 Amps peak each channel  
11 Amps peak each channel  
11 Amps peak each channel  
‹0.05%  
‹0.05%  
‹0.02%  
(70 watts into 8 ohms; 20 Hz to 20 kHz)  
(140 watts,8 ohms; 20 Hz to 20 kHz)  
(140 watts, 8 ohms; 20 Hz to 20 kHz)  
Input Sensitivity ( phono )  
Output Impedance  
775 mV  
775 mV  
775 mV  
1.5uH parallel with 0.05 ohms  
less than 10 mV  
1.5uH parallel with 0.05 ohms  
less than 10 mV  
1.5uH parallel with 0.05 ohms  
less than 10 mV  
DC offset voltage  
Frequency Response  
Signal-to-noise ratio (70W)  
Dimensions ( H x W x D )  
3 Hz to 50 kHz (+0dB/-3dB)  
110dB (20 Hz to 20 kHz)  
(70mm x 321mm x 310mm)  
3 Hz to 50 kHz (+0dB/-3dB)  
110dB (20 Hz to 20 kHz)  
(70mm x 321mm x 310mm)  
13 Hz to 40 kHz (+0dB/-1dB)  
108dB (20 Hz to 20 kHz)  
(140mm x 321mm x 240mm)  
10  
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The 99 Pre-amplifier has an  
intelligent control system to  
communicate with all  
components connected via  
the ‘Quad-Link’ connector.  
FM Tuner  
Pre-Amplifier  
Tuning range  
Channel spacing  
88 to 108 MHz  
50 kHz  
3 Aux & tape inputs  
Sensitivity  
100, 300 or 775 mV  
›97 dB (A) ref.775 mV  
‹0.002%  
Signal-to-Noise-Ratio  
Distortion  
Sensitivity (30dB quieting)  
Sensitivity (50dB quieting)  
Mono 8 dBuV  
Mono 18 dBuV  
Stereo 18 dBuV  
Phono inputs - MM (MC)  
Sensitivity  
Signal-to-Noise-Ratio  
Distortion  
Full limiting  
<1 uV (1.2 dBf)  
1,3 or 7.75 mV (100, 300 or 775 uV)  
78 dB (A) ref.775 mV (775 uV)  
‹0.005% (‹0.01%)  
Signal-to-noise ratio  
(1mV, 1kHz)  
Mono 72 dB (A)  
Stereo 67 dB (A)  
Distortion  
(1kHz, 25kHz deviation)  
Mono 0.03%  
Stereo 0.05%  
Pre-Amp Output  
Level  
775 mV (3.3 volts maximum)  
100 ohms  
Capture ratio  
IF rejection  
1.5 dB  
Source Impedance  
>100 dB  
AMPBUS Output  
Level  
Source Impedance  
AM surpression  
Image rejection  
Pilot tone surpression  
Cross-talk  
>60 dB  
2 volts (8 volts maximum)  
20 ohms  
>80 dB  
>60 dB  
Tape Output  
Level  
Source impedance  
-40 dB at 1 kHz  
50 uS or 75 uS  
2 x 75 ohms un-balanced  
(70mm x 321mm x 310mm)  
100, 300 or 775mV (10V maximum)  
330 ohms  
De-emphasis  
Frequency response  
All inputs except  
MM & MC  
Aerial input  
10 Hz to 20 kHz +0dB /- 0.3 dB  
Dimensions ( H x W x D )  
3 Hz to 56 kHz  
20 Hz to 20 kHz  
+0dB/- 3 dB  
+/- 0.5 dB  
MM & MC inputs  
7 Hz to 53 kHz +0.5dB/- 3 dB  
Dimensions ( H x W x D )  
70mm x 321mm x 310mm  
11  
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Quad Electroacoustics Ltd, IAG House, Sovereign Court, Ermine Business Park, Huntingdon, PE29 6XU  
Tel :- 0845 4580011, Fax :- 01480 431767  
www.quad-hifi.co.uk  
The information in this brochure is subject to change without notice.  
All rights reserved © 2004 Quad  
Qu.99.03.11.2004  
Quad is a member of the International Audio Group  
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