AUDIO/VIDEO MULTI-CHANNEL
RECEIVER
VSX-AX4ASi-G
VSX-AX4ASi-S
VSX-AX2AS-S
Operating Instructions
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CAUTION
This product is for general household purposes. Any
failure due to use for other than household purposes
(such as long-term use for business purposes in a
restaurant or use in a car or ship) and which
The STANDBY/ON switch on this unit will not
completely shut off all power from the AC outlet.
Since the power cord serves as the main disconnect
device for the unit, you will need to unplug it from
the AC outlet to shut down all power. Therefore,
make sure the unit has been installed so that the
power cord can be easily unplugged from the AC
outlet in case of an accident. To avoid fire hazard,
the power cord should also be unplugged from the
AC outlet when left unused for a long period of time
(for example, when on vacation).
requires repair will be charged for even during the
warranty period.
K041_En
If the AC plug of this unit does not match the AC
outlet you want to use, the plug must be removed
and appropriate one fitted. Replacement and
mounting of an AC plug on the power supply cord of
this unit should be performed only by qualified
service personnel. If connected to an AC outlet, the
cut-off plug can cause severe electrical shock. Make
sure it is properly disposed of after removal.
Voltage selector
You can find the voltage selector switch on the rear
panel of multi-voltage models.
The factory setting for the voltage selector is 220 V.
Please set it to the correct voltage for your country
or region.
• Saudi Arabia operates on 127 V and 220 V mains
voltage. Please set to the correct voltage before using.
• For Taiwan, please set to 110 V before using.
The equipment should be disconnected by removing
the mains plug from the wall socket when left
unused for a long period of time (for example, when
on vacation).
D3-4-2-2-1a_A_En
• For Mexico, please set to 120 V to 127 V before using.
Before changing the voltage, disconnect the AC power
cord. Use a medium size screwdriver to change the
voltage selector switch.
TWO VOLTAGE
SELECTORS
Medium size
screwdriver
220 V
230-
240 V
110 V 120-127 V
110 V
220 V
230-240 V
120- 127 V
D3-4-2-1-5_En
For Taiwan exclusively
Taiwanese two pin flat-bladed plug
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Contents
01 Before you start
05 Listening to your system
Checking what’s in the box. . . . . . . . . . . . . . . . . . . . . . . 6
Installing the receiver . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Loading the batteries. . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Auto playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Listening in surround sound . . . . . . . . . . . . . . . . . . . . 28
Standard surround sound . . . . . . . . . . . . . . . . . . . . . 28
Using the Home THX modes. . . . . . . . . . . . . . . . . . . 29
Using the Advanced surround effects . . . . . . . . . . . 29
Listening in stereo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Using Stream Direct . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Selecting MCACC presets . . . . . . . . . . . . . . . . . . . . . . 30
Choosing the input signal . . . . . . . . . . . . . . . . . . . . . . 31
Using surround back channel processing . . . . . . . . . 31
Using the Virtual Surround Back mode . . . . . . . . . . 31
Using the Sound Retriever . . . . . . . . . . . . . . . . . . . . . . 32
02 5 minute guide
Introduction to home theater . . . . . . . . . . . . . . . . . . . . . 7
Listening to Surround Sound . . . . . . . . . . . . . . . . . . . . . 7
Automatically setting up for surround sound
(MCACC). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Problems when using the Auto MCACC Setup . . . . . 9
Playing a source. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Better sound using Phase Control. . . . . . . . . . . . . . . . . 9
06 Using the tuner
03 Connecting your equipment
Listening to the radio . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Improving FM stereo sound. . . . . . . . . . . . . . . . . . . . 33
Tuning directly to a station . . . . . . . . . . . . . . . . . . . . 33
Saving station presets . . . . . . . . . . . . . . . . . . . . . . . . . 33
Naming station presets . . . . . . . . . . . . . . . . . . . . . . . 34
Listening to station presets . . . . . . . . . . . . . . . . . . . . 34
Rear panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
When making cable connections. . . . . . . . . . . . . . . . . 11
About the video converter . . . . . . . . . . . . . . . . . . . . . . . 11
Connecting your TV and DVD player . . . . . . . . . . . . . . 12
Connecting a satellite/cable receiver or other
set-top box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Connecting a DVD/HDD recorder, VCR and other
video sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Using the component video jacks . . . . . . . . . . . . . . . . 14
Connecting digital audio sources . . . . . . . . . . . . . . . . 15
About the WMA9 Pro decoder. . . . . . . . . . . . . . . . . . 15
Connecting analog audio sources . . . . . . . . . . . . . . . . 16
Connecting a component to the front panel inputs . . 16
Installing your speaker system . . . . . . . . . . . . . . . . . . . 17
Connecting the speakers . . . . . . . . . . . . . . . . . . . . . . 17
Placing the speakers. . . . . . . . . . . . . . . . . . . . . . . . . . 18
THX speaker system setup . . . . . . . . . . . . . . . . . . . . . 19
Connecting antennas . . . . . . . . . . . . . . . . . . . . . . . . . . 19
AM loop antenna. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
FM wire antenna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Using an external antenna to improve FM
07 The System Setup menu
Making receiver settings from the System Setup
menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Automatic MCACC (Expert) . . . . . . . . . . . . . . . . . . . . . 35
Surround back speaker setting . . . . . . . . . . . . . . . . . . 37
Manual MCACC setup . . . . . . . . . . . . . . . . . . . . . . . . . 38
Fine Channel Level . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Fine Speaker Distance . . . . . . . . . . . . . . . . . . . . . . . . 39
Standing Wave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Acoustic Calibration EQ. . . . . . . . . . . . . . . . . . . . . . . 40
Professional Acoustic Calibration EQ . . . . . . . . . . . 40
Data Management . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Manual speaker setup . . . . . . . . . . . . . . . . . . . . . . . . . 44
Speaker Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Channel Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Speaker Distance . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Bass Peak Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
X-Curve . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
THX Audio Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
reception . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Using an external antenna to improve AM
reception . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Plugging in the receiver . . . . . . . . . . . . . . . . . . . . . . . . 21
04 Controls and displays
Front panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Operating range of remote control unit . . . . . . . . . . 23
Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Remote control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Sub remote control unit . . . . . . . . . . . . . . . . . . . . . . . . 27
4
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08 Other connections
11 Controlling the rest of your system
Connecting an iPod. . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Connecting your iPod to the receiver . . . . . . . . . . . . 48
iPod playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Watching photos and video content . . . . . . . . . . . . . 49
Connecting using HDMI . . . . . . . . . . . . . . . . . . . . . . . . 50
About HDMI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Using the i.LINK interface. . . . . . . . . . . . . . . . . . . . . . . 51
Checking the i.LINK inputs . . . . . . . . . . . . . . . . . . . . 52
About i.LINK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
About PQLS rate control . . . . . . . . . . . . . . . . . . . . . . 52
Creating an i.LINK network . . . . . . . . . . . . . . . . . . . . 52
Connecting the multichannel analog inputs . . . . . . . 53
Selecting the multichannel analog inputs . . . . . . . . 53
Using the USB interface . . . . . . . . . . . . . . . . . . . . . . . . 54
Second Zone speaker B setup . . . . . . . . . . . . . . . . . . . 55
Switching the speaker system . . . . . . . . . . . . . . . . . . 55
Bi-amping your front speakers . . . . . . . . . . . . . . . . . . . 55
Bi-wiring your speakers. . . . . . . . . . . . . . . . . . . . . . . . . 56
Connecting additional amplifiers. . . . . . . . . . . . . . . . . 56
Multi-room listening . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Making multi-room connections . . . . . . . . . . . . . . . . 57
Using the multi-room controls. . . . . . . . . . . . . . . . . . 58
Connecting an IR receiver . . . . . . . . . . . . . . . . . . . . . . 59
Switching components on and off using the 12 volt
trigger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Using this receiver with a Pioneer plasma display. . . 60
Using the SR+ mode with a Pioneer plasma
Setting the remote to control other components . . . 71
Selecting preset codes directly . . . . . . . . . . . . . . . . . . 71
Programming signals from other remote controls . . 71
Erasing one of the remote control button settings . . 72
Resetting the remote control presets . . . . . . . . . . . . . 72
Confirming preset codes . . . . . . . . . . . . . . . . . . . . . . . 72
Renaming input source names. . . . . . . . . . . . . . . . . . 73
Direct function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Multi Operation and System Off . . . . . . . . . . . . . . . . . 73
Programming a multi-operation or a shutdown
sequence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Using multi operations . . . . . . . . . . . . . . . . . . . . . . . 74
Using System off . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Controls for TVs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Controls for other components . . . . . . . . . . . . . . . . . . 75
Operating other Pioneer components with this
unit’s sensor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
12 Additional information
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Power. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
No sound. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Other audio problems . . . . . . . . . . . . . . . . . . . . . . . . 79
Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Remote control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
i.LINK interface. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
i.LINK messages. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
USB interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
HDMI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
iPod messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Surround sound formats . . . . . . . . . . . . . . . . . . . . . . . 84
Dolby . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
DTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Windows Media® Audio 9 Professional . . . . . . . . . 85
About THX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Listening modes with different input signal
display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Connecting a PC for Advanced MCACC output . . . . . 62
Advanced MCACC output using your PC . . . . . . . . . 62
09 Other Settings
The Input Setup menu. . . . . . . . . . . . . . . . . . . . . . . . . . 63
Input function default and possible settings . . . . . . 64
The Other Setup menu . . . . . . . . . . . . . . . . . . . . . . . . . 64
Multi-Room setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
SR+ Setup for Pioneer plasma displays. . . . . . . . . . 65
OSD Adjustment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
formats. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Stream direct with different input signal formats . . . 88
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Cleaning the unit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Our philosophy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
10 Using other functions
Setting the AV options. . . . . . . . . . . . . . . . . . . . . . . . . . 66
Making an audio or a video recording . . . . . . . . . . . . . 67
Playing a different source when recording. . . . . . . . 68
Reducing the level of an analog signal . . . . . . . . . . . . 68
Watching video and audio sources independently . . 68
Using the sleep timer . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Dimming the display . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Switching the speaker impedance. . . . . . . . . . . . . . . . 69
Checking your system settings. . . . . . . . . . . . . . . . . . . 69
Resetting the system. . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Default system settings . . . . . . . . . . . . . . . . . . . . . . . 70
5
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Before you start
01
Chapter 1:
Before you start
Checking what’s in the box
Loading the batteries
Please check that you've received the following supplied
accessories:
Main remote control unit:
• Setup microphone (cable: 5 m.)
• Remote control unit
• Sub room remote control unit (VSX-AX4ASi only)
• AA/R6P dry cell batteries (VSX-AX4ASi) x4 / (VSX-
AX2AS) x2
• AM loop antenna
• FM wire antenna
Sub room remote control unit (VSX-AX4ASi only):
• iPod cable
• Power cords x2
• Antenna adapter
• Flat-bladed converter plug
• These operating instructions
Caution
Incorrect use of batteries may result in such hazards as
leakage and bursting. Observe the following precautions:
Installing the receiver
• When installing this unit, make sure to put it on a
level and stable surface.
• Never use new and old batteries together.
• Insert the plus and minus sides of the batteries
properly according to the marks in the battery case.
Don’t install it on the following places:
– on a color TV (the screen may distort)
– near a cassette deck (or close to a device that gives off
a magnetic field). This may interfere with the sound.
– in direct sunlight
– in damp or wet areas
– in extremely hot or cold areas
– in places where there is vibration or other movement
– in places that are very dusty
– in places that have hot fumes or oils (such as a kitchen)
• Batteries with the same shape may have different
voltages. Do not use different batteries together.
• When disposing of used batteries, please comply
with governmental regulations or environmental
public instruction’s rules that apply in your country or
area.
• Do not use or store batteries in direct sunlight or
other excessively hot place, such as inside a car or
near a heater. This can cause batteries to leak,
overheat, explode or catch fire. It can also reduce the
life or performance of batteries.
6
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5 minute guide
02
C5hampteri2n: ute guide
3
Plug in the receiver and switch it on, followed by
your DVD player, your subwoofer and the TV.
Make sure you’ve set the video input on your TV to this
receiver. Check the manual that came with the TV if you
don’t know how to do this.
Introduction to home theater
Home theater refers to the use of multiple audio tracks to
create a surround sound effect, making you feel like
you're in the middle of the action or concert. The
surround sound you get from a home theater system
depends not only on your speaker setup, but also on the
source and the sound settings of the receiver.
• Set the subwoofer volume to a comfortable level.
4
Use the on-screen automatic MCACC setup to set up
your system.
See Automatically setting up for surround sound
(MCACC) below for more on this.
This receiver will automatically decode multichannel
Dolby Digital, DTS, or Dolby Surround sources according
to your speaker setup. In most cases, you won’t have to
make changes for realistic surround sound, but other
possibilities (like listening to a CD with multichannel
surround sound) are explained in Listening to your
system on page 28.
5
Play a DVD, and adjust the volume to your liking.
Make sure that DVD/LD is showing in the receiver’s
display, indicating that the DVD input is selected. If it
isn’t, press DVD/LD on the remote control to set the
receiver to the DVD input.
In addition to the basic playback explained in Playing a
source on page 9, there are several other sound options
you can select. See Listening to your system on page 28
for more on this.
Listening to Surround Sound
This receiver was designed with the easiest possible
setup in mind, so with the following quick setup guide,
you should have your system hooked up for surround
sound in no time at all. In most cases, you can simply
leave the receiver in the default settings.
See also Making receiver settings from the System Setup
menu on page 35 for more setup options.
• Be sure to complete all connections before
connecting this unit to an AC power source.
Automatically setting up for surround
sound (MCACC)
1
Connect your TV and DVD player.
The Auto MCACC Setup measures the acoustic
characteristics of your listening area, taking into account
ambient noise, speaker size and distance, and tests for
both channel delay and channel level. After you have set
up the microphone provided with your system, the
receiver uses the information from a series of test tones
to optimize the speaker settings and equalization for your
particular room.
See Connecting your TV and DVD player on page 12 to do
this. For surround sound, you’ll want to hook up using a
digital connection from the DVD player to the receiver.
2
Connect your speakers and place them for optimal
surround sound.
Connect your speakers as shown in Installing your
speaker system on page 17.
Where you place the speakers will have a big effect on the
sound. Place your speakers as shown below for the best
surround sound effect. Also see Placing the speakers on
page 18 for more on this.
Make sure you do this before moving on to Playing a
source on page 9.
Important
Center (C)
Front
Right (R)
• Make sure the microphone and speakers are not
moved during the Auto MCACC Setup.
Front
Left (L)
• Using the Auto MCACC Setup will overwrite any
existing settings for the MCACC preset you select.
Subwoofer (SW)
Surround
Right (SR)
• Before using the Auto MCACC Setup the
headphones should be disconnected.
Surround
Back
Right (SBR)
Listening
position
Caution
Surround
Left (SL)
• The test tones used in the Auto MCACC Setup are
output at high volume.
Surround
Back Left (SBL)
7
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5 minute guide
02
7
Wait for the test tones to finish then confirm the
SYSTEM OFF
INPUT
RECEIVER
SOURCE
D.ACCESS
CLASS
ENTER
speaker configuration in the OSD.
SELECT
+
10
DISC
A progress report is displayed on-screen while the
receiver outputs test tones to determine the speakers
present in your setup. Try to be as quiet as possible while
AV PARAMETER
CH LEVEL
MENU
TOP MENU ì
TUNE
ST
ST
T.EDIT
ì
ENTER
RETURN
SETUP
ꢀ
5
TUNE
GUIDEPTY SEARCH
BAND
it’s doing this.
CD
TV
VIDEO
2
TV CONTROL
DVD
SAT
VIDEO 1
TV CONT
• With error messages (such as Ambient Noise or
Microphone Check) select RETRY after checking for
ambient noise (see Problems when using the Auto
MCACC Setup below) and verifying the mic
connection. If there doesn’t seem to be a problem,
you can simply select OK and continue.
INPUT
SELECT
TV VOL
TV CH
VOL
DVR2
CD-R
i Pod
MULTI IN
TUNER
ROOM2/3
RECEIVER
DVR1
1
2
Switch on the receiver and your TV.
Connect the microphone to the MCACC SETUP MIC
jack on the front panel.
1.Auto MCACC
Now Analyzing
1.Auto MCACC
Check!
Place the microphone so that it’s about ear level at your
normal listening position (use a tripod if possible). Make
sure there are no obstacles between the speakers and
the microphone.
…
(2/9)
Front
[
[
[
[
[
YES
YES
YES
Yx2
YES
]
]
]
]
]
Environment Check
Ambient Noise
Microphone
Center
Surround
SB
[
[
[
OK
]
]
]
Speaker YES/NO
SUB W.
[
OK
]
MULTI
–
ROOM
&
(TUNE +)
SPEAKERS
BAND
SOURCE/REC SEL
VIDEO
SELECT
SIGNAL SBch
SELECT PROCESSING
ꢀ:Cancel
ꢀ:Cancel
STEREO
CONTROL ON/OFF
AV
TUNER
EDIT
PARAMETER
VIDEO/GAME
2
INPUT
PHONES
MCACC
SETUP MIC
(ST –)
ENTER
(ST +)
ꢀ
SETUP
RETURN
DIGITAL IN S-VIDEO
VIDEO
L
AUDIO
R
The configuration shown on-screen should reflect the
actual speakers you have.
(TUNE –)
6
If you see an error message (ERR) in the right side
column (or the speaker configuration displayed isn’t
correct), there may be a problem with the speaker
connection. If selecting RETRY doesn’t work, turn off the
power and check the speaker connections. If there
doesn’t seem to be a problem, you can simply use ꢀ/ꢁ
to select the speaker and ꢂ/ꢃ to change the setting
(and number for surround back) and continue.
3
Press RECEIVER on the remote, then press SETUP 1
.
An on-screen display (OSD) appears on your TV. Use the
ꢀ/ꢁ/ꢂ/ꢃ buttons and ENTER to navigate through the
screens and select menu items. Press RETURN to exit
2
the current menu. Press SETUP at any time to cancel.
4
Select ‘Auto MCACC’ from the System Setup menu
then press ENTER
.
8
Make sure ‘OK’ is selected, then press ENTER.
System Setup
1.Auto MCACC
A progress report is displayed on-screen while the
receiver outputs more test tones to determine the
optimum receiver settings for channel level, speaker
distance, and Acoustic Calibration EQ.
1.Auto MCACC
Surr Back System
2.Surr Back System
3.Manual MCACC
4.Data Management
5.Manual SP Setup
6.Input Setup
[
Normal (SB)
]
]
Data Save to
[M1. MEMORY
1
Setting Start?
ENTER:Next
[OK]
7.Other Setup
[Option]
Again, try to be as quiet as possible while this is
happening. It may take 2 to 6 minutes.
ꢀ:Cancel
ꢀ
:
Exit
3
5
Make sure ‘Normal (SB)’ is selected, select an
9
The Auto MCACC Setup has finished! PressRETURN
4
7
MCACC preset then select OK.
to go back to the System Setup menu.
The settings made in the Auto MCACC Setup should give
you excellent surround sound from your system, but it is
also possible to adjust these settings manually using the
6
Follow the instructions on-screen.
Make sure the microphone is connected, and if you’re
using a subwoofer, make sure it is switched on and set to
a comfortable volume level.
8
System Setup menu (starting on page 35).
Note
1 You can’t use the System Setup menu when the iPod input source is selected (in either the main or sub room).
2 If you cancel the Auto MCACC Setup, or leave an error message for over three minutes, the screen saver will appear.
3 • If you are planning on bi-amping your front speakers, or setting up a separate speaker system in another room, read through Surround back speaker
setting on page 37 and make sure to connect your speakers as necessary before continuing to step 6.
• If you have THX-certified speakers, select Option and choose YES for the THX Speaker setting.
4 The six MCACC presets are used for storing surround sound settings for different listening positions. Simply choose an unused preset for now (you can
rename it later in Data Management on page 43).
5 Do not adjust the volume during the test tones. This may result in incorrect speaker settings.
6 If you’re using the front panel display, the diagram in Listening to Surround Sound above indicates (in bold) how each speaker is displayed.
7 You can also choose to view the settings from the MCACC Data Check screen. See Automatic MCACC (Expert) on page 35 for more on this.
8 • Depending on the characteristics of your room, sometimes identical speakers with cone sizes of around 12 cm will end up with different size settings.
You can correct the setting manually using the Manual speaker setup on page 44.
• The subwoofer distance setting may be farther than the actual distance from the listening position. This setting should be accurate (taking delay and
room characteristics into account) and generally does not need to be changed.
8
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5 minute guide
02
Problems when using the Auto MCACC Setup
If the room environment is not optimal for the Auto
MCACC Setup (too much background noise, echo off the
walls, obstacles blocking the speakers from the
microphone) the final settings may be incorrect. Check
for household appliances (air conditioner, fridge, fan,
etc.), that may be affecting the environment and switch
them off if necessary. If there are any instructions
showing in the front panel display, please follow them.
Better sound using Phase Control
This receiver’s Phase Control feature uses phase
correction measures to make sure your sound source
arrives at the listening position in phase, preventing
unwanted distortion and/or coloring of the sound (see
illustration below).
P
Front speaker
Listening
position
H
A
S
• Some older TVs may interfere with the operation of
the microphone. If this seems to be happening,
switch off the TV when doing the Auto MCACC Setup.
E
?
C
O
N
T
O
F
Sound
source
F
Subwoofer
Playing a source
Here are the basic instructions for playing a source (such
as a DVD disc) with your home theater system.
Front speaker
Listening
position
P
H
A
S
SYSTEM OFF
INPUT
RECEIVER
SOURCE
SELECT
E
AV PARAMETER
CH LEVEL
MENU
DISP
STATUS SIGNAL SEL
CH
PHOTO
SBch
CH
TOP MENU ì
TUNE
C
O
N
T
STEREO
ST
ST
T.EDIT
ì
ENTER
RETURN
SETUP
MULTI OPE
SHIFT
THX
STANDARD ADV. SURR
ꢀ
TUNE
GUIDEPTY SEARCH
BAND
Sound
source
PHASE
MCACC
S.DIRECT
TV CONTROL
O
N
Subwoofer
CD
TV
VIDEO
2
INPUT
TV VOL
TV CH
VOL
DVD
SAT
VIDEO 1
TV CONT
SELECT
REC
DVR2
CD-R
i Pod
MULTI IN
TUNER
ROOM2/3
RECEIVER
DVR1
RECEIVER
MUTE
A
Phase Control technology provides coherent sound
4
reproduction through the use of phase matching for an
optimal sound image at your listening position. The
default setting is on and we recommend leaving Phase
Control switched on for all sound sources.
PHOTO
1
Switch on your system components and receiver.
Start by switching on the playback component (for
example a DVD player), your TV and subwoofer (if you
have one), then the receiver (press ꢁ RECEIVER).
1
STATUS SIGNAL SEL
SBch
STEREO
• Make sure the setup mic is disconnected.
MULTI OPE
SHIFT
THX
STANDARD ADV. SURR
2
Select the input source you want to play.
PHASE
MCACC
S.DIRECT
You can use the input source buttons on the remote
control, INPUT SELECT, or the front panel INPUT
SELECTOR dial.
2
RECEIVER
3
Press S. DIRECT
(
STREAM DIRECT) to select ‘AUTO
•
Press PHASE (PHASE CONTROL) to switch on phase
3
SURROUND’ and start playback of the source.
correction.
If you’re playing a Dolby Digital or DTS surround sound
DVD disc, you should hear surround sound. If you are
playing a stereo source, you will only hear sound from the
front left/right speakers in the default listening mode.
The PHASE CONTROL indicator on the front panel lights.
• See also Listening to your system on page 28 for
information on different ways of listening to sources.
4
Use the volume control to adjust the volume level.
Turn down the volume of your TV so that all sound is
coming from the speakers connected to this receiver.
Note
1 Make sure that the TV’s video input is set to this receiver. (For example, if you connected this receiver to the VIDEO 1 jacks on your TV, make sure that
the VIDEO 1 input is now selected.)
2 If you need to manually switch the input signal type press SIGNAL SEL (page 31).
3 • You may need to check the digital audio output settings on your DVD player or digital satellite receiver. It should be set to output Dolby Digital, DTS
and 88.2 kHz/96 kHz PCM (2 channel) audio, and if there is an MPEG audio option, set this to convert the MPEG audio to PCM.
• Depending on your DVD player or source discs, you may only get digital 2 channel stereo and analog sound. In this case, the receiver must be set to
a multichannel listening mode (see Listening in surround sound on page 28 if you need to do this) if you want multichannel surround sound.
4 Phase matching is a very important factor in achieving proper sound reproduction. If two waveforms are 'in phase', they crest and trough together, re-
sulting in increased amplitude, clarity and presence of the sound signal. If a crest of a wave meets a trough (as shown in the upper section of the diagram
above) then the sound will be 'out of phase' and an unreliable sound image will be produced.
9
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Connecting your equipment
03
CChaoptnern3 ecting your equipment
This receiver provides you with many connection possibilities, but it doesn’t have to be difficult. This page explains the
kinds of components you can connect to make up your home theater system.
Rear panel
This illustration shows the VSX-AX4ASi, however connections for the VSX-AX2AS are the same except where noted.
10
MULTI-ROOM
MULTI-ROOM
& SOURCE
MAIN ROOM(ZONE1)
AUDIO
P
PRE OUT
L
O VOLTAGE
LECTORS
& SOURCE
ANTENNA
AM LOOP
AC IN
/
REC SEL
20
21
1
6
4
FRONT
OUT1
ROOM3
(ZONE3)
FM UNBAL 75 Ω
13
16
S400
IN1
IN
MROOM & SOURCE
ROOM2(ZONE2)
MONITOR
OUT
(
)
AUDIO
ROOM2(ZONE2)
OUT
CENTER
L
OUT2
SUB W.
11
8
CD
IN2
S400
OUT
IN
USB
AUDIO
IN
SUR-
2
3
12 V TRIGGER
HDMI
IN1
ROUND
DVD/
LD
5
7
2
12
1
2
IN
IN
IN
SUR-
1
SAT
IN
(DC OUT 12V TOTAL 50 mA MAX)
ROUND
BACK
(
)
R
OUT
MULTI-ROOM
SOURCE
&
TV
IN
220 V
230-
240 V
8
MONITOR
OUT
2
IN
(ZONE2)
(
)
Single
IN2
IN3
IN4
OUT
110 V 120-127 V
(
CD-R/
TAPE
DVR/
R
L
)
VCR 1
OUT
Y
I
1
2
(
(
2
)
DVD/LD
TV
IN
IN
1
SAT
IN
110 V
220 V
9
)
IN
R
120-127 V
230-240 V
3
IN
L
(
DVR/
)
VCR 2
ASSIGNABLE
FR
FL
i
VIDEO /
GAME1
IN
SPEAKERS
4
PB
PR
PB
PR
17
IN
14
IN
SURROUND BACK /
R
(
)
CD-R
B
FRONT
CENTER
SURROUND
(
L
)
Single
R
L
R
L
1
4
SUB W.
CENTER
19
ASSIGNA-
BLE
OUT
1
1
2
IN
SUR-
DVR/
(
DVD/
ROUND
VCR 1
3
2
IN
)
IN
LD
18
IN
Y
Y
2
CD
IN
R
L
L
(
)
OUT
PB
PB
DVR/
R
RS-232C
SURROUND
BACK
VCR 2
PR
PR
3
IN
MULTI CH
IN
15
SELECTABLE
OUT
IN
R
L
S-VIDEO
VIDEO
ASSIGNABLE
COMPONENT VIDEO
1
CONTROL
DIGITAL
AUDIO
VIDEO
5
HDMI connectors (x4) (VSX-AX2AS) (x5) (VSX-AX4ASi)
Caution
Multiple inputs and one output for high-quality audio/
video connection to compatible HDMI devices.
ꢄ Connecting using HDMI on page 50.
• Before making or changing the connections, switch
off the power and disconnect the power cord from the
power outlet. Plugging in should be the final step.
6
Remote inputs (multi-room and source)
Use for connection to an external remote control sensor
for use in a multi-room setup, for example.
ꢄ Connecting an IR receiver on page 59.
1
Optical digital audio output(s)
Use the OUT1 and (VSX-AX4ASi only) OUT2 jack for
recording to a CD or MiniDisc recorder.
ꢄ Connecting digital audio sources on page 15.
7
12V trigger jacks (total 50 mA max.) (x2)
The OUT1 jack is also used for multi-room connections.
Use to switch components in your system on and off
according to the input function of the receiver.
ꢄ Switching components on and off using the 12 volt
trigger on page 60.
ꢄ Multi-room listening on page 57.
2
USB audio input (VSX-AX4ASi only)
Use to connect your PC as an audio source.
ꢄ Using the USB interface on page 54.
8
Multi-room and source outputs
Use to connect a second amplifier in a separate room.
ꢄ Multi-room listening on page 57.
3
Optical and coaxial digital audio inputs (x6)
Use for digital audio sources, including DVD players/
recorders, digital satellite receivers, CD players, etc.
ꢄ See also The Input Setup menu on page 63 to assign
the inputs.
9
Component video connections (x4)
Use the inputs to connect any video source that has
component video output, such as a DVD recorder. Use
the output for connection to a monitor or TV.
4
S-400 i.LINK connectors (x2) (VSX-AX4ASi only)
ꢄ Using the component video jacks on page 14.
Use to connect other i.LINK audio devices for high-
resolution, multichannel digital audio input/output.
ꢄ Using the i.LINK interface on page 51.
10 AM and FM antenna terminals
Use to connect indoor or outdoor antennas for radio
broadcasts.
ꢄ Connecting antennas on page 19.
10
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Connecting your equipment
03
11 Composite and S-video monitor outputs
Use to connect monitors and TVs.
When making cable connections
ꢄ Connecting your TV and DVD player on page 12.
• To avoid hum, do not lay connected cables over the
top of the receiver.
12 Audio/video source inputs/(outputs) (x6)
Use for connection to audio/visual sources, such as DVD
players/recorders, VCRs, etc. Each set of inputs has jacks
1
for composite video, S-video and stereo analog audio.
ꢄ Connecting a DVD/HDD recorder, VCR and other video
sources on page 13.
13 Stereo analog audio source inputs/(outputs) (x3)
Use for connection to audio sources such as CD players,
tape decks, turntables, etc.
• When connecting optical cables, be careful when
inserting the plug not to damage the shutter
protecting the optical socket.
ꢄ Connecting analog audio sources on page 16.
14 Multichannel analog audio inputs
7.1 channel inputs for connection to a DVD player with
multichannel analog outputs.
ꢄ Connecting the multichannel analog inputs on
page 53.
15 Control input/output
Use to connect other Pioneer components so that you
can control all your equipment from a single IR remote
sensor.
• When storing optical cable, coil loosely. The cable
may be damaged if bent around sharp corners.
ꢄ Operating other Pioneer components with this unit’s
sensor on page 76.
About the video converter
16 Multichannel pre-amplifier outputs
Use to connect separate amplifiers for center, surround,
surround back and subwoofer channels.
ꢄConnecting additional amplifiers on page 56 (see also
Installing your speaker system on page 17 for powered
subwoofer connection).
The video converter ensures that all video sources are
output through all of the MONITOR VIDEO OUT jacks.
The only exception is HDMI and high-definition
component video: since these resolutions cannot be
downsampled, you must connect your monitor/TV to the
receiver’s HDMI/component video outputs when
17 iPod input terminal
2
connecting these video sources.
Use to connect your Apple iPod as an audio or video
source.
If several video components are assigned to the same
input function (see The Input Setup menu on page 63),
the converter gives priority to HDMI, component, S-video,
then composite (in that order).
ꢄ Connecting an iPod on page 48.
18 RS-232C connector
Use for connection to a PC for graphical output when
using Advanced MCACC.
ꢄ Connecting a PC for Advanced MCACC output on
page 62.
• For optimal video performance, THX recommends
switching Digital Video Conversion (in Setting the AV
options on page 66) OFF.
19 Speaker terminals
Use for connection to the main front, center, surround
and surround back speakers.
This product incorporates copyright protection technology
that is protected by U.S. patents and other intellectual
property rights. Use of this copyright protection
technology must be authorized by Macrovision
Corporation, and is intended for home and other limited
consumer uses only unless otherwise authorized by
Macrovision. Reverse engineering or disassembly is
prohibited.
ꢄ Installing your speaker system on page 17.
20 Voltage selector switches
Use these to match the voltage coming into the receiver
with the voltage in your country or region.
ꢄ Voltage selector on page 3.
21 AC IN inlet
Connect the supplied power cord here.
Note
1 You must assign the input source to the S-video input to which you’ve connected your video component (see The Input Setup menu on page 63).
2 If the video signal does not appear on your TV or plasma display, try adjusting the resolution settings on your component or display. Note that some
components (such as video game units) have resolutions that may not be converted. In this case, try switching Digital Video Conversion (in Setting the AV
options on page 66) OFF.
11
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Connecting your equipment
03
component video jacks on page 14 if your TV and/or DVD
player has component video inputs/outputs. If your DVD
player offers multichannel analog audio outputs, see
Connecting the multichannel analog inputs on page 53.
Connecting your TV and DVD player
1
Connect the MONITOR OUT video jack to a video
input on your TV.
Use a standard RCA/phono jack video cable to connect to
the composite video jack, or for higher quality video, use
an S-video cable to connect to the S-video jack.
TV
2
Connect a composite or S-video output on your DVD
player to the DVD/LD VIDEO or DVD/LD S-VIDEO input.
Connect using a standard video cable or an S-video
cable.
VIDEO S-VIDEO
IN
IN
1
1
3
Connect a coaxial-type digital audio output on
your DVD player to the DIGITAL 1 (DVD/LD) input.
Use a coaxial cable designed for digital audio.
4
Connect the stereo audio outputs on your DVD
MULTI-ROOM
& SOURCE
player to the DVD/LD AUDIO inputs.
Connect using a stereo RCA/phono jack cable.
IR
MULTI-ROOM
AUDIO
PHONO
ANTENNA
AM LOOP
&
SOURCE
/
REC SEL
MAIN ROOM(ZONE1)
OUT1
ROOM3
(ZONE3)
BAL 75 Ω
S400
IN1
IN
MONITOR
OUT
MULTI-ROOM & SOURCE
ROOM2(ZONE2)
(
)
AUDIO
ROOM2(ZONE2)
OUT
R
L
OUT2
CD
IN
IN2
S400
• If your DVD player has multichannel analog outputs,
you can connect these instead. See also Connecting
the multichannel analog inputs on page 53.
OUT
USB
AUDIO
IN
12 V TRIGGER
HDMI
IN1
DVD/
LD
1
2
(DC OUT 12V TOTAL 50 mA MAX)
ROOM2
1
2
IN
IN
IN
1
SAT
IN
(
)
OUT
MULTI-ROOM
SOURCE
&
TV
IN
MONITOR
OUT
2
IN
(ZONE2)
IN2
IN3
IN4
OUT
(
CD-R/
TAPE
DVR/
)
VCR 1
1
OUT
Y
IN
Y
)
/LD
IN
IN
1
SAT
IN
)
IN
R
3
IN
(
DVR/
)
VCR 2
ASSIGNABLE
FR
F
VIDEO /
GAME1
IN
4
IN
PB
PR
PB
PR
(
)
CD-R
1
4
SUB W.
ASSIGNA-
BLE
OUT
1
1
2
IN
SUR-
DVR/
(
DVD/
ROUND
VCR 1
3
2
IN
)
IN
LD
IN
Y
Y
2
CD
IN
R
R
(
)
OUT
PB
PB
DVR/
SURR
VCR 2
PR
PR
3
IN
OUT
CONTROL
R
L
S-VIDEO
VIDEO
ASSIGNABLE
1
DIGITAL
COMPONENT VIDEO
VIDEO
AUDIO
VSX-AX4ASi
OPTICAL
COAXIAL
S-VIDEO
VIDEO OUT
R
AUDIO
L
DIGITAL OUT
ANALOG OUT
3
2
4
DVD player
The diagram shows a basic setup of this receiver together
with a TV and DVD player, with S-video or composite
video connections. Different TVs and DVD players may
offer alternative connections. See also Using the
Note
1 If your DVD player only has an optical digital output, you can connect it to one of the optical inputs on this receiver using an optical cable. When you set
up the receiver you’ll need to tell the receiver which input you connected the player to (see The Input Setup menu on page 63).
12
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Connecting your equipment
03
Connecting a satellite/cable receiver
or other set-top box
Connecting a DVD/HDD recorder, VCR
and other video sources
Satellite and cable receivers, and terrestrial digital TV
tuners are all examples of so-called ‘set-top boxes’.
This receiver has two sets of audio/video inputs and
outputs suitable for connecting analog or digital video
devices, including DVD/HDD recorders and VCRs.
VSX-AX4ASi
VSX-AX4ASi
MULTI-ROOM
IR
MULTI-ROOM
SOURCE
MAIN ROOM(ZONE1)
AUDIO
PHONO
& SOURCE
ANTENNA
AM LOOP
&
/
REC SEL
OUT1
ROOM3
(ZONE3)
FM UNBAL 75 Ω
S400
MULTI-ROOM
IR
MULTI-ROOM
SOURCE
MAIN ROOM
(ZONE1)
AUDIO
PHONO
IN1
IN
& SOURCE
ANTENNA
AM LOOP
MULTI-ROOM & SOURCE
&
MONITOR
OUT
MULTI-ROOM & SOURCE
ROOM2(ZONE2)
/
REC SEL
(
)
AUDIO
ROOM2(ZONE2)
OUT
R
L
OUT2
OUT1
ROOM3
(ZONE3)
FM UNBAL 75 Ω
S400
CD
IN
IN2
IN1
IN
S400
OUT
MONITOR
OUT
(
)
AUDIO
USB
AUDIO
IN
ROOM2(ZONE2)
OUT
ROOM2(ZONE2)
R
L
OUT2
12 V TRIGGER
HDMI
IN1
CD
IN
IN2
DVD/
LD
S400
OUT
1
2
(DC OUT 12V TOTAL 50 mA MAX)
ROOM2
USB
AUDIO
IN
2
IN
IN
12 V TRIGGER
1
SAT
HDMI
IN1
IN
(
)
OUT
MULTI-ROOM
SOURCE
DVD/
LD
1
2
&
TV
IN
1
2
IN
IN
IN
MONITOR
OUT
2
1
(
)
DC OUT 12V TOTAL 50 mA MAX
ROOM2
IN
IN
(SAT)
(ZONE2)
IN2
IN3
IN4
OUT
(
CD-R/
TAPE
DVR/
OUT
MULTI-ROOM
SOURCE
MONITOR
OUT
)
VCR 1
1
OUT
Y
IN
Y
&
TV
IN
1
2
(
(
)
DVD/LD
IN
IN
1
SAT
IN
2
)
IN
DVR/
TV
IN
R
3
(
IN
ZONE2
)
IN2
IN3
IN4
OUT
(
CD-R/
TAPE
2
(
DVR/
)
VCR 1
1
OUT
Y
IN
)
VCR 2
ASSIGNABLE
1
2
(DVD/LD)
IN
IN
1
FR
F
SAT
IN
VIDEO /
GAME1
IN
Y
)
IN
R
4
3
IN
PB
PR
PB
PR
IN
(DVR/
L
(
)
CD-R
)
VCR 2
ABLE
1
4
SUB W.
FR
FL
VIDEO /
GAME1
IN
ASSIGNA-
4
IN
(
PB
PB
BLE
OUT
)
CD-R
1
1
2
IN
SUR-
1
4
SUB W.
CENTER
DVR/
(
DVD/
ROUND
VCR 1
3
ASSIGNA-
2
IN
)
IN
LD
BLE
PR
PR
OUT
IN
Y
Y
1
1
2
IN
(
SUR-
2
CD
IN
DVR/
DVD/
ROUND
VCR 1
R
R
3
(
)
2
IN
)
LD
IN
IN
Y
Y
OUT
PB
PB
2
CD
IN
(
R
R
L
L
)
DVR/
SURR
VCR 2
OUT
PB
PB
PR
PR
3
IN
DVR/
SURROUND
BACK
VCR
OUT
R
L
S-VIDEO
VIDEO
ASSIGNABLE
1
P
R
P
R
IN
MULTI CH
IN
CONTROL
DIGITAL
COMPONENT VIDEO
VIDEO
AUDIO
OUT
R
L
S-VIDEO
VIDEO
ASSIGNABLE
COMPONENT VIDEO
1
3
CONTROL
DIGITAL
VIDEO
AUDIO
DIGITAL OUT
R
AUDIO
L
VIDEO
S-VIDEO
OPTICAL COAXIAL
R
AUDIO
L
VIDEO
AV OUT
S-VIDEO
R
AUDIO
L
VIDEO
S-VIDEO
AV OUT
DIGITAL OUT
AV IN
3
1
2
STB
Connect the audio/video outputs on the set-top box
DVR, VCR, etc.
Connect the audio/video outputs of the video
player/recorder to the DVR/VCR1 AUDIO and VIDEO
inputs.
1
to the SAT AUDIO and VIDEO inputs.
1
Connect using a stereo RCA/phono jack cable and a
1
video or S-video cable.
Use a stereo RCA/phono jack audio cable for the audio
connection and a video or S-video cable for the video
connection.
2
2
Connect an optical-type digital audio output from
4
3
your set-top box to the DIGITAL 1 (SAT) input.
Use an optical cable for the connection.
• For a second recorder, use the DVR/VCR2 IN inputs.
2
If the device can record, connect the DVR/VCR1
AUDIO and VIDEO outputs to the recorder’s audio/
video inputs.
Use a stereo RCA/phono jack audio cable for the audio
connection and a video or S-video cable for the video
connection.
Note
1 See The Input Setup menu on page 63 to assign the S-VIDEO 2 input to the SAT input function if you make this connection.
2 If your set-top box only has a coaxial digital output, you can connect it to one of the coaxial inputs on this receiver using a coaxial digital audio cable.
When you set up the receiver you’ll need to tell the receiver which input you connected the set-top box to (see The Input Setup menu on page 63).
3 If your satellite/cable receiver doesn’t have a digital audio output, you can skip this step.
4 See The Input Setup menu on page 63 to assign the S-VIDEO 2 input to the DVR/VCR1 input function if you make this connection.
13
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Connecting your equipment
03
• For a second recorder, use the DVR/VCR2 outputs.
1
Connect the component video outputs of your
source to a set of ASSIGNABLE COMPONENT VIDEO
inputs.
Connect using a three-way component video cable.
3
If the device can output digital audio, connect an
1
optical-type digital audio output from the recorder to
the DIGITAL 2 (DVR/VCR1) input.
• Since they are assignable, it doesn’t matter which
component video inputs you use for which source.
After connecting everything, you’ll need to assign the
component video inputs—see The Input Setup menu
on page 63.
2
Use an optical cable for the connection.
• For a second recorder, use the DIGITAL 3 (DVR/
VCR2) inputs.
2
Connect the COMPONENT VIDEO OUT jacks to the
Using the component video jacks
component video inputs on your TV or monitor.
Use a three-way component video cable.
Component video should give superior picture quality
when compared to composite or S-video. You can also
take advantage of progressive scan video (if your source
and TV are both compatible), which delivers a very stable,
flicker-free picture. See the manuals that came with your
TV and source component to check whether they are
compatible with progressive-scan video.
VSX-AX4ASi
MULTI-ROOM
IR
MULTI-ROOM
SOURCE
MAIN ROOM(ZONE1)
AUDIO
PHONO
& SOURCE
ANTENNA
AM LOOP
&
/
REC SEL
OUT1
ROOM3
(ZONE3)
FM UNBAL 75 Ω
S400
IN1
IN
MONITOR
OUT
MULTI-ROOM & SOURCE
ROOM2(ZONE2)
(
)
AUDIO
ROOM2(ZONE2)
OUT
R
L
OUT2
CD
IN
IN2
S400
OUT
USB
AUDIO
IN
12 V TRIGGER
HDMI
IN1
DVD/
LD
IN
1
2
(DC OUT 12V TOTAL 50 mA MAX)
ROOM2
1
2
IN
IN
1
SAT
IN
(
)
OUT
MULTI-ROOM
SOURCE
&
TV
IN
MONITOR
OUT
2
IN
(ZONE2)
IN2
N3
OUT
(
CD-R/
TAPE
DVR/
)
VCR 1
1
OUT
Y
IN
1
2
(
(
)
DVD/LD
IN
IN
1
SAT
IN
Y
IN
R
I
L
VCR
ASSIG
FR
FL
VIDEO /
GAME1
IN
4
IN
PB
PR
PB
PR
SUB W.
CENTER
ASSIGNA-
BLE
OUT
SUR-
DVR/
ROUND
VCR 1
3
2
IN
)
LD
IN
IN
Y
Y
2
CD
IN
R
R
L
L
(
)
OUT
PB
PB
DVR/
SURROUND
BACK
VCR 2
PR
PR
3
IN
MULTI CH
IN
OUT
R
L
S-VIDEO
VIDEO
ASSIGNABLE
COMPONENT VIDEO
1
CONTROL
DIGITAL
VIDEO
AUDIO
Y
PB
PR
2
COMPONENT
VIDEO
TV
Y
PB
PR
COMPONENT
VIDEO
1
DVD player
Note
1 • In order to record, you must connect the analog audio cables (the digital connection is for playback only).
• If your video component doesn’t have a digital audio output, you can skip this step.
2 If your recorder only has a coaxial digital output, you can connect it to one of the coaxial inputs on this receiver using a coaxial digital audio cable. When
you set up the receiver you’ll need to tell the receiver which input you connected the recorder to (see also The Input Setup menu on page 63).
14
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Connecting your equipment
03
1
1
Connect an optical-type digital audio output on
your digital component to the DIGITAL 4 (CD-R) input.
Use an optical cable for the connection.
Connecting digital audio sources
This receiver has both digital inputs and outputs,
allowing you to connect digital audio components for
playback and for making digital recordings.
2
For recording equipment, connect one of the
optical-type DIGITAL outputs to a digital input on the
recorder.
Most digital components also have analog connections.
See Connecting analog audio sources on the following
page if you want to connect these too.
Use an optical cable to connect to the DIGITAL OUT1 or
(VSX-AX4ASi only) OUT2 (OUT1 is shown in the
2
illustration).
VSX-AX4ASi
MULTI-ROOM
IR
MULTI-ROOM
SOURCE
MAIN ROOM(ZONE1)
AUDIO
PHONO
& SOURCE
About the WMA9 Pro decoder
ANTENNA
AM LOOP
&
/
REC SEL
OUT1
ROOM3
(3)
FM UNBAL 75 Ω
S400
IN1
IN
®
MONITOR
OUT
MULTI-ROOM & SOURCE
ROOM2(ZONE2)
(
)
AUDIO
ROOM2(ZONE2)
OUT
This unit has an on-board Windows Media Audio 9
R
L
O
CD
IN
IN2
OUT
USB
AUDIO
IN
3
12 V TRIGGER
DMI
IN1
Professional (WMA9 Pro) decoder, so it is possible to
DVD/
LD
1
2
(DC OUT 12V TOTAL 50 mA MAX)
ROOM2
1
2
IN
IN
IN
1
SAT
IN
playback WMA9 Pro-encoded audio using a coaxial or
optical digital connection when connected to a WMA9
Pro-compatible player. However, the connected PC, DVD
player, set-top box, etc. must be able to output WMA9 Pro
format audio signals through a coaxial or optical digital
output.
(
)
OUT
MULTI-ROOM
SOURCE
&
TV
IN
MONITOR
OUT
2
IN
(ZONE2)
IN2
IN3
IN4
OUT
(
CD-R/
TAPE
DVR/
)
VCR 1
1
OUT
Y
IN
Y
1
2
(
(
)
DVD/LD
IN
IN
1
SAT
IN
)
TV
IN
R
3
IN
2
(
DVR/
)
VCR 2
ASSIGNABLE
FR
FL
VIDEO /
GAME1
IN
4
IN
P
B
PB
(
)
CD-R
1
4
SUB W.
CENTE
ASSIGNA-
BLE
P
R
P
R
OUT
1
1
2
IN
SUR-
DVR/
(
DVD/
ROUND
VCR 1
3
2
IN
)
IN
LD
IN
Y
Y
2
CD
IN
R
R
(
)
OUT
P
B
PB
DVR/
SURROUND
BACK
VCR 2
P
R
P
R
IN
MULTI C
IN
OUT
R
L
S-VIDEO
VIDEO
ASSIGNABLE
COMPONENT VIDEO
1
3
CONTROL
DIGITAL
VIDEO
AUDIO
1
2
OPTICAL COAXIAL
DIGITAL OUT
OPTICAL
DIGITAL IN
CD-R, MD, DAT, etc.
Note
1 • If your digital component only has a coaxial digital output, you can connect it to one of the coaxial inputs on this receiver using a coaxial cable. When
you set up the receiver you’ll need to tell the receiver which input you connected the component to (see also The Input Setup menu on page 63).
• The digital outputs from other components can be connected to any spare digital audio inputs on this receiver. You can assign them when setting up
the receiver (see also The Input Setup menu on page 63).
2 • You must switch ROOM 3 ON in Using the multi-room controls on page 58 to hear audio from the DIGITAL OUT1.
• In order to record some digital sources, you must make analog connections as explained in Connecting analog audio sources below.
3 • Microsoft, Windows Media®, and the Windows logo are trademarks, or registered trademarks of Microsoft Corporation in the United States and/or other
countries.
• With WMA9 Pro, sound problems may occur depending on your computer system. Note that WMA9 Pro 96 kHz sources will be downsampled to 48 kHz.
15
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Connecting your equipment
03
2
Turntables only: Connect the stereo audio outputs to
the PHONO inputs.
• If your turntable has a grounding wire, secure it to the
ground terminal on this receiver.
Connecting analog audio sources
This receiver features three stereo audio-only inputs. Two
of these inputs have corresponding outputs for use with
audio recorders.
• If your turntable has line-level outputs (i.e., it has a
built-in phono pre-amp), connect it to the CD inputs
instead.
One of the audio inputs (PHONO) is a dedicated
turntable input which should not be used for any other
type of component. This input also has a grounding
terminal that most turntables require.
Connecting a component to the front
panel inputs
2
The front panel inputs comprise a composite video jack
(VIDEO), an S-Video jack (S-VIDEO), stereo analog audio
inputs (AUDIO L/R) and an optical digital audio input
(DIGITAL). You can use these connections for any kind of
audio/video component, but they are especially
Turntable
convenient for portable equipment such as camcorders,
video games and portable audio/video equipment.
VSX-AX4ASi
MULTI – ROOM &
(TUNE +)
SPEAKERS
BAND
VIDEO
SELECT
SIGNAL
SBch
SOURCE/REC SEL
STEREO
SELECT PROCESSING
CONTROL ON/OFF
AV
TUNER
EDIT
PARAMETER
VIDEO/GAME
2
INPUT
AUDIO
PHONO
PRE OUT
L
ANTENNA
AM LOOP
MCACC
SETUP MIC
PHONES
R
(ST –)
(ST +)
ENTER
FRONT
ꢀ
FM UNBAL 75 Ω
SETUP
RETURN
IN
MONITOR
OUT
MULTI-ROOM & SOURCE
ROOM2(ZONE2)
R
L
CENTER
SUB W.
CD
IN
DIGITAL IN S-VIDEO
VIDEO
L
AUDIO R
(TUNE –)
OUT
SUR-
ROUND
DVD/
LD
1
2
IN
IN
IN
SUR-
ROUND
BACK
OUT
TV
IN
(
)
Single
CD-R/
TAPE
R
L
1
2
(
(
2
)
DVD/LD
N
N
1
SAT
IN
)
TV
IN
R
L
ASSIGNABLE
FR
FL
iPod
SPEAKERS
A
VIDEO /
GAME1
IN
IN
FRONT
CE
R
L
SU
OUT
SUR
DVR/
ROU
VCR 1
IN
R
R
L
L
DIGITAL OUT
VIDEO/AUDIO OUTPUT
OUT
TV game, video camera, etc.
DVR/
RS-232C
SURROUND
BACK
VCR 2
IN
MULTI CH
IN
OUT
IN
• Select these inputs using INPUT SELECT (remote) or
the INPUT SELECTOR dial (front panel) to select
VIDEO/GAME 2.
R
L
S-VIDEO
VIDEO
CONTROL
AUDIO
VIDEO
1
OUT
PLAY
IN
REC
R
L
AUDIO IN/OUT
Tape deck, etc.
Connect the analog audio outputs of the source
1
component to one of the AUDIO inputs.
Connect using a stereo RCA/phono jack audio cable.
• If you’re connecting a tape deck, MD recorder, etc.,
connect the analog audio outputs (OUT) to the
analog audio inputs on the recorder.
16
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Connecting your equipment
Installing your speaker system
03
To take full advantage of the receiver’s surround sound
capabilities connect front, center, surround and
main surround speakers should always be connected as
a pair, but you can connect just one surround back
speaker if you like (it must be connected to the left
surround back terminal). You can use speakers with a
nominal impedance between 6 Ω to 16 Ω (please see
Switching the speaker impedance on page 69 if you plan
to use speakers with an impedance of less than 8 Ω).
surround back speakers, as well as a subwoofer.
Although this is ideal, other configurations with fewer
speakers—no subwoofer or no center speaker, or even
no surround speakers—will work. At the very least, front
left and right speakers only are necessary. Note that your
Front
right
Front
left
Subwoofer
Center
CAUTION
LINE LEVEL
INPUT
These speaker terminals carry
HAZARDOUS LIVE voltage.
To prevent the risk of electric
shock when connecting or
disconnecting the speaker
cables, disconnect the power
cord before touching any
uninsulated parts.
MULTI-ROOM
& SOURCE
IR
MULTI-ROOM
SOURCE
MAIN ROOM(ZONE1)
AUDIO
PHONO
PRE OUT
L
TWO VOLTAGE
AC IN
ANTENNA
AM LOOP
&
/
REC SEL
R
SELECTORS
FRONT
OUT1
ROOM3
(ZONE3)
FM UNBAL 75 Ω
S400
IN1
IN
MONITOR
OUT
MULTI-ROOM & SOURCE
ROOM2(ZONE2)
(
)
AUDIO
ROOM2(ZONE2)
OUT
R
L
CENTER
OUT2
SUB W.
CD
IN
IN2
S400
OUT
USB
AUDIO
IN
SUR-
12
V
TRIGGER
HDMI
IN1
ROUND
DVD/
LD
1
2
(DC OUT 12V TOTAL 50 mA MAX)
ROOM2
1
2
IN
IN
IN
SUR-
1
SAT
IN
ROUND
BACK
(
)
OUT
MULTI-ROOM
SOURCE
&
TV
IN
220
110
V
230-
240
120-127
MONITOR
OUT
V
2
IN
(ZONE2)
(
)
Single
IN2
IN3
IN4
OUT
110
V
V
(
CD-R/
TAPE
DVR/
R
L
)
1
VCR
1
OUT
Y
IN
Y
1
2
(
(
)
DVD/LD
IN
IN
1
SAT
IN
V
220
V
)
TV
IN
R
120- 127
V
230-240
V
3
IN
L
2
(
DVR/
)
2
VCR
ASSIGNABLE
FR
FL
iPod
VIDEO /
GAME1
IN
SPEAKERS
SURROUND BACK /
4
IN
PB
PR
PB
PR
IN
(
)
A
CD-R
B
FRONT
CENTER
SURROUND
(
L
)
Single
R
L
R
L
R
1
4
SUB W.
CENTER
ASSIGNA-
BLE
OUT
1
1
2
IN
SUR-
DVR/
(
DVD/
ROUND
VCR 1
3
2
IN
)
IN
LD
IN
Y
Y
2
CD
IN
R
R
L
L
(
)
OUT
PB
PB
DVR/
RS-232C
SURROUND
BACK
VCR 2
PR
PR
3
IN
MULTI CH
IN
SELECTABLE
OUT
IN
R
L
S-VIDEO
VIDEO
ASSIGNABLE
COMPONENT VIDEO
1
CONTROL
DIGITAL
VIDEO
AUDIO
VSX-AX4ASi
Surround
left
Surround
right
Surround
back left
Surround
back right
Connecting the speakers
Caution
Each speaker connection on the receiver comprises a
positive (+) and negative (–) terminal. Make sure to
match these up with the terminals on the speakers
themselves.
• Make sure that all the bare speaker wire is twisted
together and inserted fully into the speaker terminal.
If any of the bare speaker wire touches the back panel
it may cause the power to cut off as a safety measure.
17
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Connecting your equipment
03
• Place the center speaker above or below the TV so
that the sound of the center channel is localized at
the TV screen. Also, make sure the center speaker
does not cross the line formed by the leading edge of
the front left and right speakers.
Bare wire connections
Make sure that the speaker cable you’re going to use is
properly prepared with about 10 mm of insulator stripped
from each wire, and the exposed wire strands twisted
together (fig. A).
• It is best to angle the speakers towards the listening
position. The angle depends on the size of the room.
Use less of an angle for bigger rooms.
To connect a terminal, unscrew the terminal a few turns
until there is enough space to insert the exposed wire
(fig. B). Once the wire is in position, tighten the terminal
until the wire is firmly clamped (fig. C).
• Surround and surround back speakers should be
positioned 60 cm to 90 cm higher than your ears and
titled slight downward. Make sure the speakers don't
face each other. For DVD-Audio, the speakers should
be more directly behind the listener than for home
theater playback.
fig. A
fig. B
fig. C
10 mm
• Try not to place the surround speakers farther away
from the listening position than the front and center
speakers. Doing so can weaken the surround sound
effect.
Important
• Please refer to the manual that came with your
speakers for details on how to connect the other end
of the speaker cables to your speakers.
• To achieve the best possible surround sound, install
your speakers as shown below. Be sure all speakers
are installed securely to prevent accidents and
improve sound quality.
• Other connections on page 48 provides greater detail
on alternate speaker setups, such as using speaker
system B (page 55), bi-amping (page 55) and bi-
wiring (page 56).
Front
left
Front
right
Center
• If you are using a THX certified subwoofer use the
THX INPUT jack on the subwoofer (if your subwoofer
has one) or switch the filter position to THX on your
subwoofer.
Subwoofer
Surround
left
Surround
right
Placing the speakers
Where you put your speakers in the room has a big effect
on the quality of the sound. The following guidelines
should help you to get the best sound from your system.
Listening position
• The subwoofer can be placed on the floor. Ideally, the
other speakers should be at about ear-level when
you’re listening to them. Putting the speakers on the
floor (except the subwoofer), or mounting them very
high on a wall is not recommended.
Surround back left
Surround back right
Single surround back speaker
Caution
• For the best stereo effect, place the front speakers
2 m to 3 m apart, at equal distance from the TV.
• Make sure that all speakers are securely installed.
This not only improves sound quality, but also
reduces the risk of damage or injury resulting from
speakers being knocked over or falling in the event of
external shocks such as earthquakes.
• When placing speakers near the TV, we recommend
using magnetically shielded speakers to prevent
possible interference, such as discoloration of the
picture when the TV is switched on. If you do not have
magnetically shielded speakers and notice
discoloration of the TV picture, move the speakers
farther away from the TV.
• If you're using a center speaker, place the front
speakers at a wider angle. If not, place them at a
narrower angle.
18
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Connecting your equipment
03
The diagrams below show suggested surround and
surround back speaker orientation. The first diagram (fig.
A) shows orientation with one surround back speaker (or
none) connected. The second (fig. B) shows orientation
with two surround back speakers connected.
Connecting antennas
The supplied antennas provide a simple way to listen to
AM and FM radio. If you find that reception quality is
poor, an outdoor antenna should give you better sound
quality—see Using an external antenna to improve FM
reception below.
90~120
SR
SL
SR
SR
SL
0~60
VSX-AX4ASi
SL
MULTI-ROOM
IR
MULTI-ROOM
SOURCE
MAIN ROOM(ZONE1)
AUDIO
PHONO
PRE OUT
L
SBL
SBR
&
SOURCE
SBL SBR
ANTENNA
AM LOOP
&
SB
/
REC SEL
R
FRONT
OUT1
ROOM3
(ZONE3)
FM UNBAL 75
Ω
S400
(AUDIO)
IN1
IN
MONITOR
OUT
MULTI-ROOM & SOURCE
ROOM2(ZONE2)
ROOM2(ZONE2)
OUT
R
L
CENTER
OUT2
SUB W.
CD
IN
fig. A
fig. B
IN2
S400
OUT
USB
AUDIO
IN
SUR-
12
V
TRIGGER
HDMI
IN1
ROUND
DVD/
LD
1
2
(DC OUT 12V TOTAL 50 mA MAX)
ROOM2
1
2
IN
IN
IN
SUR-
1
IN
(SAT)
ROUND
BACK
OUT
MULTI-ROOM
SOURCE
&
TV
IN
• If you have two surround back speakers THX
recommends placing them together and the same
distance from your listening position (see below).
MONITOR
OUT
2
IN
(ZONE2)
(Single)
IN2
IN3
IN4
OUT
(DVR/
CD-R/
TAPE
R
L
VCR 1)
1
OUT
Y
IN
Y
1
2
(DVD/LD)
(TV)
IN
IN
1
SAT
IN
IN
R
3
IN
L
2
(DVR/
VCR 2)
ASSIGNABLE
FR
FL
iPod
SPEAKERS
A
VIDEO /
GAME1
IN
4
IN
(CD-R)
PB
PR
PB
PR
IN
FRONT
CENT
R
L
1
4
SUB W.
CENTER
ASSIGNA-
BLE
OUT
1
1
2
IN
SUR-
DVR/
(DVD/
ROUND
VCR
1
3
2
IN
IN
LD)
IN
Y
Y
2
IN
(CD)
R
R
L
L
THX speaker system setup
If you have a complete THX speaker system, follow the
diagram below to place your speakers. Note that the
OUT
DVR/
PB
PB
RS-232C
SURROUND
BACK
VCR
2
PR
PR
3
IN
MULTI CH
IN
OUT
IN
R
L
S-VIDEO
VIDEO
ASSIGNABLE
1
CONTROL
DIGITAL
COMPONENT VIDEO
VIDEO
AUDIO
surround speakers ( indicates bi-polar radiating
speakers) should output at an angle parallel to the
listener.
AM loop antenna
1 Assemble the stand as shown in the illustration.
L
C
R
fig. A
fig. B
fig. C
SL
SR
Surround
Surround
• Bend the stand in the direction indicated (fig. A).
• Clip the loop into the stand (fig. B).
SBL
SBR
Surround back
• It’s possible to fix the AM antenna to a wall (fig. C).
Before fixing, make sure that the reception is
satisfactory.
• If you have two surround back speakers THX
recommends placing them together and the same
distance from your listening position for the following
THX modes: THX Select2 CINEMA, THX
2
Pull off the protective shields of both AM antenna
wires.
MUSICMODE and THX GAMES MODE.
3
Press the AM LOOP antenna terminal tabs to open
See also THX Audio Setting on page 47 to make the
settings that will give you the best sound experience
when using the Home THX modes (on page 29).
and insert one wire into each terminal.
4
Release the tabs to secure the AM antenna wires.
5
Place the AM antenna on a flat surface and point in
the direction giving the best reception.
Avoid placing near computers, television sets or other
electrical appliances and do not let it come into contact
with metal objects.
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Connecting your equipment
03
3
Insert the cable as shown, then use a pair of
Important
pliers to wrap the end of the wire around the
binding post. Snip off the excess wire.
• The signal ground (ꢂ) is designed to reduce noise
that occurs when an antenna is connected. It is not
an electrical safety ground.
FM wire antenna
•
Connect the FM wire antenna to the FM UNBAL
75 Ω in the same way as the AM antenna.
For best results, extend the FM antenna fully and fix to a
wall or door frame. Don’t drape loosely or leave coiled up.
4
Use pliers to secure the cable by pinching the
clamps together, as shown.
Using an external antenna to improve FM
reception
Use an F connector to connect an external FM antenna
using a coaxial 75 Ω cable.
5
Push the body cover back on.
ANTENNA
Antenna
adapter
Attaching the antenna adapter
Use the antenna adaptor to terminate the coaxial cable
used with an external FM antenna.
1
Cut and strip the coaxial cable to the
specification shown in the diagram.
Using an external antenna to improve AM
reception
To improve AM reception, connect a 5 m to 6 m length of
vinyl-coated wire to the AM LOOP terminals without
disconnecting the supplied AM loop antenna.
Wire mesh
Wire
Pull back
5
9
10 to 20 mm
For the best possible reception, suspend horizontally
outdoors.
2
Open the adaptor body by pulling apart the tabs
on either side.
Outdoor antenna
Tabs
Indoor antenna
(vinyl-coated wire)
ANTENNA
5 m to 6 m
FM UNBAL 75
Ω
AM LOOP
20
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Connecting your equipment
Plugging in the receiver
03
1
Plug the supplied power cord into the AC IN
socket on the back of the receiver.
2
Plug the other end into a power outlet.
After you’ve finished making all connections, plug the
receiver into an AC outlet. The type of cord and the plug
converter which can be used depends on the power
voltage in each region or country. Please make sure you
use the correct cord and plug converter due to the
possibility of fire or other hazard if used incorrectly (see
below).
AC power cord and converter plug use
Region
Plug type
For European type region
Caution
Do not use this power cord
set in Singapore and
Malaysia.
European two-pin plug
For regions with two pin flat-
bladed plug
Caution
Do not use this power cord
set in Taiwan.
European two-pin plug with two-pin
flat-bladed converter plug
For Taiwan exclusively
Caution
For use in Taiwan only. In
other areas, please do not
use.
Taiwanese two-pin flat-bladed plug
Caution
• Handle the power cord by the plug part. Do not pull
out the plug by tugging the cord, and never touch the
power cord when your hands are wet, as this could
cause a short circuit or electric shock. Do not place
the unit, a piece of furniture, or other object on the
power cord or pinch the cord in any other way. Never
make a knot in the cord or tie it with other cables. The
power cords should be routed so that they are not
likely to be stepped on. A damaged power cord can
cause a fire or give you an electric shock. Check the
power cord once in a while. If you find it damaged,
ask your nearest Pioneer authorized independent
service company for a replacement.
• Do not use any power cord other than the one
supplied with this unit.
• Do not use the supplied power cord for any purpose
other than that described below.
• The receiver should be disconnected by removing the
mains plug from the wall socket when not in regular
use, e.g., when on vacation.
• Make sure the blue ꢁ STANDBY/ON light has gone
out before unplugging.
21
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Controls and displays
04
Chapter 4:
Controls and displays
Front panel
Illustration shows the VSX-AX4ASi front panel
1
2
3
4 5
6 7
8
9
10
11
12
AUDIO/VIDEO MULTI-CHANNEL RECEIVER VSX-AX4ASi
STANDBY/ON
ꢁ
PHASE
CONTROL
DIGITAL PRECISION
PROCESSING
PHASE
CONTROL
MCACC
POSITION
AUTO SURR/
STREAM DIRECT
HOME
THX
STANDARD
SURROUND
ADVANCED
SURROUND
INPUT
SELECTOR
MASTER
VOLUME
14
15
13
16 17 18
19 20
21 22
MULTI – ROOM &
(TUNE +)
ENTER
SPEAKERS
BAND
VIDEO
SELECT
SIGNAL
SBch
SOURCE/REC SEL
STEREO
SELECT PROCESSING
CONTROL ON/OFF
AV
TUNER
EDIT
PARAMETER
VIDEO/GAME 2 INPUT
MCACC
SETUP MIC
PHONES
(ST –)
(ST +)
ꢀ
SETUP
RETURN
DIGITAL IN S-VIDEO
VIDEO
L
AUDIO R
(TUNE –)
23
24
26
25
27
28
1
INPUT SELECTOR dial
5
Remote sensor
Use to select an input source.
Receives the signals from the remote control (see
Operating range of remote control unit on page 23).
2
ꢁ STANDBY/ON
Switches the receiver between on and standby. Power
indicator lights when the receiver is on.
6
HDMI indicator
Blinks when connecting an HDMI-equipped component;
lights when the component is connected (page 50).
3
PHASE CONTROL – Press to switch on/off phase
correction (page 9).
7
Digital Precision Processing indicator
Lights to indicate digital processing (for example, it
disappears when Pure Direct (page 30) is on, or when
listening through the multichannel analog inputs).
MCACC POSITION – Press to switch between
MCACC presets (page 30).
AUTO SURR / STREAM DIRECT – Press to select
Auto Surround (page 28) or Stream Direct (page 30)
listening.
8
Character display
See Display on page 24.
4
PHASE CONTROL indicator
Lights when Phase Control is switched on (page 9).
22
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Controls and displays
04
9
MCACC indicator
20 SIGNAL SELECT
Lights when one of the MCACC presets (page 30) is
selected.
Use to select an input signal (page 31).
21 SBch PROCESSING
10 i.LINK indicator (VSX-AX4ASi only)
Lights when an i.LINK-Audio-equipped component is
selected (page 51).
Selects the surround back channel mode (page 31) or
virtual surround back mode (page 31).
22 STEREO
Switches to stereo playback (page 30).
DIGITAL VIDEO SCALER indicator (VSX-AX2AS only)
Lights when Resolution is set to a setting other than
PURE (for example, when the video input signal is
upscaled)(page 66).
23 PHONES jack
Use to connect headphones. When the headphones are
connected, there is no sound output from the speakers.
11 Listening mode buttons
24 SETUP
HOME THX – Press to select a Home THX listening
mode (page 29).
Press to access the System Setup menu (see page 35).
25 ꢂꢃꢁꢀ (TUNE/ST +/–) /ENTER
STANDARD SURROUND – Press for Standard
decoding and to switch between the various 2Pro
Logic IIx and Neo:6 options (page 28).
Use the arrow buttons when setting up your surround
sound system (see page 35). Use the TUNE +/– buttons
to find radio frequencies and use ST +/– to find preset
stations (page 33).
ADVANCED SURROUND – Use to switch between
the various surround modes (page 29).
26 RETURN
12 MASTER VOLUME dial
Press to confirm and exit the current menu screen.
13 Front panel controls
To access the front panel controls, push gently on the
lower third portion of the panel with your finger.
27 MCACC SETUP MIC jack
Use to connect the supplied microphone.
28 VIDEO/GAME 2 INPUT
See Connecting a component to the front panel inputs on
page 16.
ꢁ ST
A
N
D
B
Y
/
O
N
Operating range of remote control unit
The remote control may not work properly if:
• There are obstacles between the remote control and
the receiver's remote sensor.
• Direct sunlight or fluorescent light is shining onto the
remote sensor.
14 SPEAKERS
Use to change the speaker system (page 55).
• The receiver is located near a device that is emitting
infrared rays.
15 AV PARAMETER
Use to access the AV options (page 66).
• The receiver is operated simultaneously with another
infrared remote control unit.
16 TUNER EDIT
Use with ꢂ/ꢃto memorize and name stations for recall
(page 33).
ꢁ STA
N
D
B
17 BAND
Y/O
N
Switches between AM and FM radio bands (page 33).
A
U
D
IO
30
30
/V
ID
EO
M
U
L
TI
-C
H
A
N
N
E
L
R
E
C
E
IV
E
R
18 MULTI ROOM & SOURCE / REC SEL controls
If you’ve made multi-room connections (see Multi-room
listening on page 57) use these controls to control the
sub room from the main room (see Using the multi-room
controls on page 58).
7m
You will also need to use the REC SEL controls when
recording a source (see Making an audio or a video
recording on page 67).
19 VIDEO SELECT
Press repeatedly to select the video source (page 68).
23
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Controls and displays
04
Display
1
2
3
4 5
6
7
8
9
10
11
SIGNAL
AUTO
VIDEO CONV. V.SB DNR MIDNIGHT TUNED
MULTI-ROOM DIALOGUE LOUDNESS STEREO
OVER ATT Hi-bit/sampling TONE MONO
2DIGITAL DTS
WMA9 Pro 96/24
DSD PCM
L
C
S
R
SL
SR
dB
HDMI
SBL SB SBR
LFE
DIGITAL
ANALOG
STREAM DIRECT
CD
CD-R PHONO
TUNER MULTI IN DVD
iPod TV
SAT VIDEO HDMI
USB
4
[
]
[
]
[
]
[
]
DVR
1
2
3
SR+
Neo : 6
2
PRO LOGIC
THX ADV.SURROUND
STEREO
AB
STANDARD
SLEEP
SP
12 13
14
15 16
17
TUNER indicators
18
1
SIGNAL indicators
9
TUNED – Lights when a broadcast is being received.
STEREO – Lights when a stereo FM broadcast is
being received in auto stereo mode.
Light to indicate the currently selected input signal.
AUTO lights when the receiver is set to select the input
signal automatically (page 31).
MONO – Lights when the mono mode is set using
2
Program format indicators
the MPX button.
These change according to which channels are active in
digital sources.
10 Master volume level
Shows the overall volume level. –80dB indicates the
minimum level, and +12dB indicates the maximum level.
L – Left front channel
C – Center channel
R – Right front channel
SL – Left surround channel
S – Surround channel (mono)
SR – Right surround channel
SBL – Left surround back channel
SB – Surround back channel (mono)
SBR – Right surround back channel
LFE – Low frequency effects channel (the ((( ))) indicators light when
an LFE signal is being input)
11 Input source indicators
Light to indicate the input source you have selected.
12 STREAM DIRECT
Lights when Direct / Pure Direct is selected (page 30).
13 Speaker indicators
Indicate the current speaker system, A and/or B (page 55)
.
14 Listening mode indicators
3
Digital format indicators
THX – Lights when a Home THX mode is selected.
ADV. SURROUND – Lights when an Advanced
Surround mode has been selected.
STEREO – Lights when stereo listening is switched
on (see Listening in stereo on page 30).
STANDARD – Lights when a Standard Surround
mode is switched on (see Listening in surround
sound on page 28).
Light when a signal encoded in the corresponding format
is detected (DSDꢃPCM lights during DSD (Digital
Stream Direct) to PCM conversion with SACDs (VSX-
AX4ASi only)).
4
OVER ATT
/
OVER lights to indicate that the level of an analog source
is too high. ATT lights when you use the attenuator
(ANALOG ATT) to reduce it.
15 SLEEP
5
MULTI-ROOM
Lights when the receiver is in sleep mode (page 69).
Lights when the multi-room feature is active (page 57).
16 Matrix decoding format indicators
6
VIDEO CONV.
2PRO LOGIC IIx – This lights to indicate 2Pro
Logic II / 2Pro Logic IIx decoding (page 28).
Lights when digital video conversion is switched on (see
Setting the AV options on page 66).
Neo:6 – When one of the Neo:6 modes of the receiver is
on, this lights to indicate Neo:6 processing (page 28).
7
V.SB
Lights during Virtual surround back processing (page 31)
.
17 Character display
Displays various system information.
8
Sound processing indicators
Light according to the active AV parameter(s) (page 66).
18 SR+
Lights when the SR+ mode is switched on (page 61).
24
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Controls and displays
Remote control
04
3
Input source buttons
Press to select control of other components (see
Controlling the rest of your system on page 71).
4
Number buttons and other receiver/component
SYSTEM OFF
SOURCE
INPUT
SELECT
RECEIVER
controls
12
13
1
2
Use the number buttons to directly select a radio
frequency (page 33) or the tracks on a CD, DVD, etc.
DISC (ENTER) can be used to enter commands for TV or
DTV, and also to select a disc in a multi-CD player.
Press RECEIVER first to access:
CD
TV
VIDEO 2
VIDEO 1
DVD
SAT
TV CONT
SLEEP – Use to put the receiver in sleep mode and
select the amount of time before sleep (page 69).
DVR2
CD-R
i Pod
MULTI IN
TUNER
ROOM2/3
RECEIVER
3
4
DVR1
14
SLEEP
VIDEO
SEL
ANALOG
ATT
VIDEO SEL – Press repeatedly to select the video
source (page 68).
+
SR
DIMMER
S.RETRIEVER
ANALOG ATT – Attenuates (lowers) the level of an
analog input signal to prevent distortion (page 68).
D.ACCESS
CLASS
ENTER
+
10
DISC
SR+ – Switches the SR+ mode on/off (page 61).
AV PARAMETER
TOP MENU ì
CH LEVEL
MENU
DIMMER – Dims or brightens the display (page 69).
TUNE
5
6
ST
ST
T.EDIT
S. RETRIEVER – Press to restore CD quality sound to
compressed audio sources (page 32).
ì
ENTER
RETURN
SETUP
ꢀ
TUNE
GUIDEPTY SEARCH
BAND
Press TUNER first to access:
TV CONTROL
D.ACCESS – After pressing, you can access a radio
station directly using the number buttons (page 33).
INPUT
TV CH
TV VOL
VOL
SELECT
15
16
7
8
CLASS – Switches between the three banks (classes)
of radio station presets (page 33).
REC
MUTE
A
B
MPX
EON
REC STOP JUKE BOX
C
D
E
5
Tuner/component control buttons/SETUP
AUDIO SUBTITLE HDD
DVD
CH
These button controls can be accessed after you have
selected the corresponding input source button (DVD,
DVR1, SAT etc.). The BAND and T.EDIT tuner controls
are explained from page 33. Press RECEIVER first to
access the following controls:
DISP
CH
PHOTO
STATUS SIGNAL SEL
SBch
STEREO
9
10
17
18
MULTI OPE
SHIFT
THX
STANDARD ADV. SURR
PHASE
MCACC
S.DIRECT
11
AV PARAMETER – Use to access the AV options
(page 66).
RECEIVER
SETUP – Use to access the System Setup menu
(page 35).
The remote has been conveniently color-coded according
to component control using the following system (press
the corresponding input source button to access):
CH LEVEL – Press repeatedly to select a channel,
then use ꢂ/ꢃ to adjust the level (page 46).
RETURN – Press to confirm and exit the current
menu screen (also use to return to the previous menu
with DVDs or to select closed captioning with DTV).
• Green – Receiver controls (see below)
• Red – DVD controls (page 75)
• Blue – Tuner controls (page 33)
• Yellow – iPod controls (page 48)
• White – Other controls (page 75)
6
ꢂꢃꢁꢀ (TUNE/ST) /ENTER
Use the arrow buttons when setting up your surround
sound system (see page 35) and the AV options
(page 66). Also used to control DVD menus/options and
for deck 1 of a double cassette deck player. Use the TUNE
ꢀ/ꢁ buttons to find radio frequencies and use ST ꢂ/ꢃ
to find preset stations (page 33).
1
RECEIVER
ꢁ
This switches between standby and on for this receiver.
2
INPUT SELECT
Use to select the input source (use SHIFT for INPUT
SELECT ).
25
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Controls and displays
04
7
TV CONTROL buttons
DIRECT F – See Direct function on page 73.
These buttons are dedicated to control the TV assigned to
the TV CONT button. Thus if you only have one TV to hook
up to this system assign it to the TV CONT input source
button. If you have two TVs, assign the main TV to the TV
CONT button (see page 71 for more on this).
RENAME – See Renaming input source names on
page 73.
ERASE – See Erasing one of the remote control button
settings on page 72.
RESET – See Resetting the remote control presets on
page 72.
TVꢁ – Use to turn on/off the power of the TV.
TV VOL +/– – Use to adjust the volume on your TV.
INPUT SELECT – Use to select the TV input signal.
TV CH +/– – Use to select channels.
READ ID – See Confirming preset codes on page 72.
14 RECEIVER
Switches the remote to control the receiver (used to
select the green commands above the number buttons
(ANALOG ATT, etc). Also use this button to set up
surround sound (page 7, page 35). With SHIFT, this
selects the multi-room control (page 57), shown in the
display as RCV/RM2, RCV/RM3.
8
Component control buttons
The main buttons (ꢃ, ꢄ, etc.) are used to control a
component after you have selected it using the input
source buttons.
The controls above these buttons can be accessed after
you have selected the corresponding input source button
(for example DVD, DVR1, TV or SAT). The following
controls can be accessed when listening to the built-in
tuner:
15 VOL +/–
Use to set the listening volume.
16 MUTE
Mutes the sound or restores the sound if it has been
muted (adjusting the volume also restores the sound).
MPX – Switches between stereo and mono reception
of FM broadcasts. If the signal is weak then switching
to mono will improve the sound quality (page 33).
17 Receiver controls
SIGNAL SEL – Use to select an input signal (page 31).
DISP – Switches between named station presets and
radio frequencies (page 34).
SBch – Use to select the surround/virtual back
channel mode (page 31).
9
STATUS
STEREO – Switches between direct and stereo
playback. Direct playback bypasses the tone controls
and any other signal processing for the most
accurate reproduction of a source (page 30).
Press to check selected receiver settings (page 69).
10 MULTIOPE
Use this button to perform multi operations (page 73).
11 SHIFT
THX – Press to select a Home THX listening mode
Press to access the controls outlined in white boxes (for
(page 29).
example, INPUT SELECT
selected input source in the remote control LCD.
), or to display the currently
STANDARD – Press for Standard decoding and to
switch between the various Pro Logic IIx and Neo:6
options (page 28).
12 SOURCEꢁ
Press to turn on/off other components connected to the
receiver (see page 71 for more on this).
ADV.SURR – Use to switch between the various
surround modes (page 29).
13 Character display (LCD)
18 PHASE – Press to switch on/off phase correction
This display shows information when transmitting
control signals.
(page 9).
MCACC – Press to switch between MCACC presets
The following commands are shown when you’re setting
the remote to control other components (see Controlling
the rest of your system on page 71):
(page 30).
S.DIRECT – Press to select Auto Surround (page 28)
or Stream Direct (page 30) listening.
SETUP – Indicates the setup mode, from which you
choose the options below.
PRESET – See Selecting preset codes directly on
page 71.
LEARNING – See Programming signals from other
remote controls on page 71.
MULTI OP – See Multi Operation and System Off on
page 73.
SYS OFF – See Multi Operation and System Off on
page 73.
26
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Controls and displays
04
6
DISP
Switches between named station presets and radio
frequencies (page 34).
Sub remote control unit
VSX-AX4ASi only
7
Component control buttons
The second remote control supplied with this receiver is
for use with the multi-room listening feature, as
explained on page 57. Note that you must connect a
separate IR receiver as explained in Connecting an IR
receiver on page 59 for remote control in your sub
room(s).
These are used to control a component after you have
selected it using the input source buttons.
8
MUTE
Mutes the sound or restores the sound if it has been
muted (adjusting the volume also restores the sound).
9
Multi-room select
Selects the room you want to control using this remote.
RECEIVER
HDMI
TV
i.LINK
SAT
10 T.EDIT
1
2
MAIN
Use with ꢂ/ꢃ to memorize and name stations for
recall (page 33).
DVD
9
ROOM2
ROOM3
DVR1
DVR2
CD
VIDEO1
VIDEO2
CD-R
USB
Selects the repeat mode of an iPod (page 48).
MULTI IN
PHONO
iPod
TUNER
11 RETURN
TOPMENU
TUNE
T.EDIT
ST
Press to confirm and exit the current menu screen.
3
4
10
BAND
ST
ENTER
ꢀ
PTY
SEARCH
RETURN
Switches between AM and FM radio bands (page 33).
5
11
12
TUNE
BAND
12 CLASS
DISP
CLASS
6
7
PHOTO
Switches between the three banks (classes) of radio
station presets (page 33).
PHOTO
Press to view iPod photos and video content (page 49)
.
MUTE
VOLUME
13 VOLUME +/–
Use to set the listening volume.
13
8
RECEIVER
1
RECEIVER
ꢁ
This switches between standby and on for this receiver.
2
Input source buttons
Press to select control of other components (see
Controlling the rest of your system on page 71).
3
TOP MENU
Displays the top menu of an iPod.
4
ꢂꢃꢁꢀ (TUNE/ST) /ENTER
Use the arrow buttons when setting up your surround
sound system (see page 35) and the AV options
(page 66). Also used to control iPod menus. Use the
TUNE ꢀ/ꢁ buttons to find radio frequencies and use
ST ꢂ/ꢃ to find preset stations (page 33).
5
Selects the shuffle mode of an iPod (page 48).
27
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Listening to your system
05
Chapter 5:
Listening to your system
•
While listening to a source, press STANDARD
Important
(STANDARD SURROUND).
If necessary, press repeatedly to select a listening mode.
• The listening modes and many features described in
this section may not be available depending on the
current source, settings and status of the receiver.
See Listening modes with different input signal
formats on page 86 for more on this.
• If the source is Dolby Digital, DTS, or Dolby Surround
encoded, the proper decoding format will
4
automatically be selected and shows in the display.
With two channel sources, you can select from:
• 2Pro Logic IIx MOVIE – Up to 7.1 channel sound,
especially suited to movie sources
Auto playback
There are many ways to listen back to sources using this
receiver, but for the simplest, most direct listening option
is the Auto Surround feature. The receiver automatically
detects what kind of source you’re playing and selects
• 2Pro Logic IIx MUSIC – Up to 7.1 channel sound,
5
especially suited to music sources
• 2Pro Logic IIx GAME– Up to 7.1 channel sound,
especially suited to video games
1
multichannel or stereo playback as necessary.
MULTI OPE
THX
STANDARD ADV. SURR
• 2PRO LOGIC – 4.1 channel surround sound (sound
from the surround speakers is mono)
SHIFT
PHASE
MCACC
S.DIRECT
• Neo:6 CINEMA – 6.1 channel sound, especially
suited to movie sources
RECEIVER
• Neo:6 MUSIC – 6.1 channel sound, especially suited
6
•
While listening to a source, press S.DIRECT (AUTO
to music sources
SURR/STREAM DIRECT)2 for auto playback of a source.
AUTO SURROUND shows briefly in the display before
showing the decoding or playback format. Check the
digital format indicators in the front panel display to see
how the source is being processed.
With multichannel sources, if you have connected
surround back speaker(s) and have selected SBch ON, you
can select (according to format):
• 2Pro Logic IIx MOVIE – See above (only available
when you’re using two surround back speakers)
• 2Pro Logic IIx MUSIC – See above
Listening in surround sound
• Dolby Digital EX – Creates surround back channel
sound for 5.1 channel sources and provides pure
decoding for 6.1 channel sources (like Dolby Digital
Surround EX)
Using this receiver, you can listen to any source in surround
sound. However, the options available will depend on your
speaker setup and the type of source you’re listening to.
If you connected surround back speakers, see also Using
surround back channel processing on page 31.
• DTS-ES – Allows you to hear 6.1 channel playback
with DTS-ES encoded sources
• DTS Neo:6 – Allows you to hear 6.1 channel playback
with DTS encoded sources
Standard surround sound
The following modes provide basic surround sound for
3
stereo and multichannel sources.
MULTI OPE
THX
STANDARD ADV. SURR
SHIFT
PHASE
MCACC
S.DIRECT
RECEIVER
Note
1 • Stereo surround (matrix) formats are decoded accordingly using Neo:6 CINEMA or 2Pro Logic IIx MOVIE (see Listening in surround sound above
for more on these decoding formats).
• The Auto Surround feature is canceled if you connect headphones or select the multichannel analog inputs.
2 For more options using this button, see Using Stream Direct on page 30.
3 In modes that give 6.1 channel sound, the same signal is heard from both surround back speakers.
4 If surround back channel processing (page 31) is switched OFF, or the surround back speakers are set to NO (this happens automatically if the Surround
back speaker setting on page 37 is set to anything but Normal (SB)), 2Pro Logic IIx becomes 2Pro Logic II (5.1 channel sound).
5 When listening to 2-channel sources in Dolby Pro Logic IIx Music mode, there are three further parameters you can adjust: Center Width, Dimension,
and Panorama. See Setting the AV options on page 66 to adjust them.
6 When listening to 2-channel sources in Neo:6 Music mode, you can also adjust the center image effect (see Setting the AV options on page 66).
28
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Listening to your system
05
Using the Home THX modes
Using the Advanced surround effects
The Advanced surround effects can be used for a variety
of additional surround sound effects. Most Advanced
Surround modes are designed to be used with film
soundtracks, but some modes are also suited for music
sources. Try different settings with various soundtracks
to see which you like.
THX and Home THX are technical standards created by
THX Ltd. for cinema and home theater sound. Home THX
is designed to make home theater audio sound more like
what you hear in a cinema.
Different THX options will be available depending on the
source and the setting for surround back channel
processing (see Using surround back channel processing
on page 31 for more on this).
STATUS SIGNAL SEL
SBch
STEREO
MULTI OPE
SHIFT
THX
STANDARD ADV. SURR
STATUS SIGNAL SEL
SBch
STEREO
PHASE
MCACC
S.DIRECT
MULTI OPE
SHIFT
THX
STANDARD ADV. SURR
PHASE
MCACC
S.DIRECT
RECEIVER
•
Press ADV.SURR
(
ADVANCED SURROUND
)
RECEIVER
2
repeatedly to select a listening mode.
1
• ACTION – Designed for action movies with dynamic
soundtracks
•
Press THX
(
HOME THX) to select a listening mode.
With two channel sources, press THX
(
HOME THX
)
repeatedly to select a matrix-decoding process for the
THX CINEMA mode (see Listening in surround sound
above for an explanation of each process):
• SCI-FI – Designed for science fiction with lots of
special effects
• DRAMA – Designed for movies with lots of dialog
• 2Pro Logic IIx MOVIE+THX
• 2PRO LOGIC+THX
• MUSICAL – Creates a concert hall-type sound for
musicals
• Neo:6 CINEMA+THX
• THX GAMES MODE
• MONOFILM – Creates surround sound from mono
soundtracks
• 7-D THEATER – Creates an extra wide stereo field
• CLASSICAL – Gives a large concert hall-type sound
• CHAMBER – Creates a space with alot of reverb
• JAZZ – Creates the sound of a small jazz club
• ROCK – Creates a live concert sound for rock music
• DANCE – Designed for music with lots of bass
With multichannel sources, press THX (HOME THX)
repeatedly to select from:
• THX CINEMA – Gives you cinema-quality sound from
your home theatre system using all the speakers in
your setup
• 2Pro Logic IIx MOVIE+THX – Especially suited to
movie sources, this allows you to hear 7.1 channel
playback with 5.1 channel sources
• 7ch STEREO – Allows you to hear stereo sources
from all the speakers in your setup
• THX Surround EX – Allows you to hear 6.1 or 7.1
channel playback with 5.1 channel sources
• ADV. VIR. SURR. – A virtual surround effect using
just the subwoofer and/or the front speakers
• THX Select2 CINEMA – Allows you to hear 7.1
channel playback with 5.1 channel sources
• PhonesSurround – When listening through
headphones, you can still get the effect of overall
surround
• THX MUSICMODE – Allows you to hear 7.1 channel
playback with 5.1 channel sources
• THX GAMES MODE – Allows you to hear 7.1 channel
playback from the output of a video game console
Tip
• When an Advanced Surround listening mode is
selected (except ADV. VIR. SURR.), the effect level
can be adjusted using the EFFECT parameter in
Setting the AV options on page 66.
Note
1 • If you only have one surround back speaker connected, 2Pro Logic IIx MOVIE+THX, THX Select2 CINEMA, THX MUSICMODE and THX GAMES
MODE are not available.
• You can’t use the THX modes when headphones are connected.
2 • Depending on the source and the sound mode you have selected, you may not get sound from the surround back speakers in your setup. For more on
this, refer to Using surround back channel processing on page 31.
• If you press ADV. SURR when the headphones are connected, the PhonesSurround mode will automatically be selected.
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Listening to your system
Listening in stereo
05
Selecting MCACC presets
When you select STEREO, you will hear the source
through just the front left and right speakers (and
possibly your subwoofer depending on your speaker
settings). Dolby Digital and DTS multichannel sources
are downmixed to stereo.
• Default setting: MEMORY 1
If you have calibrated your system for different listening
2
positions , you can switch between settings to suit the
kind of source you’re listening to and where you’re sitting
(for example, watching movies from a sofa, or playing a
video game close to the TV).
PHOTO
STATUS SIGNAL SEL
SBch
STEREO
MULTI OPE
SHIFT
THX
STANDARD ADV. SURR
STATUS SIGNAL SEL
SBch
STEREO
PHASE
MCACC
S.DIRECT
MULTI OPE
SHIFT
THX
STANDARD ADV. SURR
PHASE
MCACC
S.DIRECT
RECEIVER
RECEIVER
•
While listening to a source, pressSTEREO for stereo
playback.
•
While listening to a source, press MCACC
(MCACC
POSITION).
3
Press repeatedly to select one of the six MCACC presets
or to switch calibration off. See Data Management on
page 43 to check and manage your current settings.
Using Stream Direct
Use the Stream Direct modes when you want to hear the
truest possible reproduction of a source. All unnecessary
signal processing is bypassed, and you’re left with the
pure analog or digital sound source (see Stream direct
with different input signal formats on page 88).
STATUS SIGNAL SEL
SBch
STEREO
MULTI OPE
SHIFT
THX
STANDARD ADV. SURR
PHASE
MCACC
S.DIRECT
RECEIVER
1
While listening to a source, press S.DIRECT
(
AUTO SURR STREAM DIRECT to select the mode
/
)
you want.
Check the digital format indicators in the front panel
display to see how the source is being processed.
• AUTO SURROUND – See Auto playback on page 28.
• DIRECT – Sources are heard according to the
settings made in the Surround Setup (speaker
setting, channel level, speaker distance, acoustic
calibration EQ, and X-curve), as well as with dual
mono, the input attenuator, and any sound delay and
hi-bit/hi-sampling settings. You will hear sources
according to the number of channels in the signal.
• PURE DIRECT – Analog and PCM sources are heard
1
without any digital processing. No sound is output
from the Second Zone in this mode.
Note
1 There are cases where a brief noise is heard before playback of sources other than PCM. Please select AUTO SURROUND or DIRECT if this is a problem.
2 Different presets might also have separate calibration settings for the same listening position, depending on how you’re using your system. These pre-
sets can be set in Automatically setting up for surround sound (MCACC) on page 7 or Automatic MCACC (Expert) on page 35, either of which you should
have already completed.
3 You can’t use these settings when MULTI CH IN is switched on, and they has no effect when headphones are connected.
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Listening to your system
Choosing the input signal
05
The table below indicates when you will hear the
surround back channel when playing various kinds of
sources. (ì=Sound plays through surround back
speaker(s))
You need to hook up a component to both analog and
digital inputs on the receiver to select between input
STATUS SIGNAL SEL
SBch
STEREO
1
signals.
MULTI OPE
SHIFT
THX
STANDARD ADV. SURR
STATUS SIGNAL SEL
SBch
STEREO
PHASE
MCACC
S.DIRECT
MULTI OPE
SHIFT
THX
STANDARD ADV. SURR
PHASE
MCACC
S.DIRECT
RECEIVER
RECEIVER
•
Press SBch (SBch PROCESSING) repeatedly to cycle
the surround back channel options.
Each press cycles through the options as follows:
•
Press SIGNAL SEL (SIGNAL SELECT) to select the
input signal corresponding to the source component.
Each press cycles through the options as follows:
• SBch ON – 6.1 or 7.1 decoding is always used (for
example, a surround back channel will be generated
for 5.1 encoded material)
• AUTO – This is the default setting. The receiver
selects the first available signal in the following
• SBch AUTO – Automatically switches to 6.1 or 7.1
decoding for 6.1 encoded sources (for example,
Dolby Digital EX or DTS-ES)
order: ; HDMI; DIGITAL; ANALOG.
• ANALOG – Selects an analog signal.
• DIGITAL – Selects an optical or coaxial digital signal.
• SBch OFF – Maximum 5.1 playback
2
• HDMI – Selects an HDMI signal.
Using the Virtual Surround Back mode
•
– Selects an i.LINK signal (VSX-AX4ASi only).
When you’re not using surround back speakers,
3
• PCM – Only PCM signals are output. The receiver
selecting this mode allows you to hear a virtual surround
back channel through your surround speakers. You can
choose to listen to sources with no surround back
channel information, or if the material sounds better in
the format (for example, 5.1) for which it was originally
encoded, you can have the receiver only apply this effect
selects the first available signal in the following
order: ; HDMI; DIGITAL.
When set to DIGITAL or AUTO, 2DIGITAL lights with
Dolby Digital decoding, DTS lights with DTS decoding,
and WMA9 Pro lights to indicate decoding of a WMA9
Pro signal.
4
to 6.1 encoded sources like Dolby Digital EX or DTS-ES.
The table indicates when you will hear the virtual
surround back channel. (ì=Virtual surround back
channel is active)
Using surround back channel processing
• Default setting: SBch ON
•
Press SBch (SBch PROCESSING) repeatedly to cycle
You can have the receiver automatically use 6.1 or 7.1
decoding for 6.1 encoded sources (for example, Dolby
Digital EX or DTS-ES), or you can choose to always use
6.1 or 7.1 decoding (for example, with 5.1 encoded
material). With 5.1 encoded sources, a surround back
channel will be generated, but the material may sound
better in the 5.1 format for which it was originally
encoded (in which case, you can simply switch surround
back channel processing off).
the virtual surround back channel options.
Each press cycles through the options as follows:
• VirtualSB ON – Virtual Surround Back is always used
(for example, on 5.1 encoded material)
• VirtualSB AUTO – Virtual Surround Back is
automatically applied to 6.1 encoded sources (for
example, Dolby Digital EX or DTS-ES)
Note
1 • This receiver can only play back Dolby Digital, PCM (32 kHz to 96 kHz), DTS (including DTS 96 kHz/24 bit) and WMA9 Pro digital signal formats. With
other digital signal formats, set to ANALOG (the MULTI CH IN, TUNER, PHONO and iPod input functions are all fixed to ANALOG).
• You may get digital noise when a LD or CD player compatible with DTS is playing an analog signal. To prevent noise, make the proper digital connec-
tions (page 15) and set the signal input to DIGITAL.
• Some DVD players don’t output DTS signals. For more details, refer to the instruction manual supplied with your DVD player.
• Even when i.LINK is selected and the i.LINK indicator lights, you won’t hear any sound if the output settings of your i.LINK device are off.
• The input signal for unassigned i.LINK-equipped components is fixed to . See Checking the i.LINK inputs on page 52.
2 When the HDMI option in Setting the AV options on page 66 is set to THROUGH, the sound will be heard through your TV, not from this receiver.
3 • This is useful if you find there is a slight delay before AUTO recognizes the PCM signal on a CD, for instance.
• When PCM is selected, noise may be output during playback of non-PCM sources. Please select another input signal if this is a problem.
4 • You can’t use the Virtual Surround Back mode with headphones, or with the THX, STEREO or Stream Direct modes.
• You can only use the Virtual Surround Back mode if the surround speakers are on and the Surr Back setting is set to NO in the Speaker Setting on
page 45.
• The Virtual Surround Back mode cannot be applied to sources that do not have surround channel information.
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Listening to your system
05
• VirtualSB OFF – Virtual Surround Back mode is
switched off
Standard / THX
Stereo sources
SBch
Processing /
Virtual SB
mode
Advanced
surround
Type of source
Multichannel
sources
2Pro Logic II x
2Pro Logic
Neo:6
Dolby Digital EX/DTS-ES encoded
multichannel sources with 6.1ch surround
ON
AUTO
ON
ì
ì
ì
ì
ì
ì
ì
ì
Dolby Digital/DTS/WMA9 Pro encoded, DVD-
a
Audio and SACD multichannel sources
AUTO
ON
b
Dolby Digital/DTS/PCM/WMA9 Pro encoded,
ì
ì
ì
a
DVD-Audio and SACD stereo sources
c
c
AUTO
ON
ì
ì
ì
ì
ì
b
Analog 2-channel (stereo) sources
ì
ì
ì
ì
c
AUTO
ì
a. VSX-AX4ASi only.
b.Only applicable when using the Virtual Surround Back mode.
c. Not applicable when using the Virtual Surround Back mode.
Using the Sound Retriever
When audio data is removed during the WMA/MP3/
MPEG-4 AAC compression process, sound quality often
suffers from an uneven sound image. The Sound
Retriever feature employs new DSP technology that
helps bring CD quality sound back to compressed 2-
channel audio by restoring sound pressure and
smoothing jagged artifacts left over after compression.
DVD
SAT
VIDEO 1
TV CONT
DVR2
CD-R
i Pod
MULTI IN
TUNER
ROOM2/3
RECEIVER
DVR1
SLEEP
VIDEO
SEL
ANALOG
ATT
+
SR
DIMMER
S.RETRIEVER
•
Press RECEIVER then press S. RETRIEVER (SOUND
RETRIEVER) to switch the sound retriever on or off.
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Using the tuner
06
Chapter 6:
Using the tuner
Tuning directly to a station
Sometimes, you'll already know the frequency of the
station you want to listen to. In this case, you can simply
enter the frequency directly using the number buttons on
the remote control.
Listening to the radio
The following steps show you how to tune in to FM and
AM radio broadcasts using the automatic (search) and
manual (step) tuning functions. If you already know the
frequency of the station you want, see Tuning directly to a
station below. Once you are tuned to a station you can
memorize the frequency for recall later—see Saving
station presets on page 33 for more on how to do this.
1
Press the TUNER button to select the tuner.
2
Use the BAND button to change the band (FM or
AM), if necessary.
Each press switches the band between FM and AM.
MPX
EON
REC STOP JUKE BOX
B
C
D
E
SYSTEM OFF
SOURCE
INPUT
SELECT
3
Press D.ACCESS (Direct Access).
RECEIVER
D.ACCESS
CLASS
ENTER
+
10
DISC
AUDIO SUBTITLE HDD
DVD
CH
DISP
CH
AV PARAMETER
TOP MENU ì
CH LEVEL
MENU
PHOTO
4
Use the number buttons to enter the frequency of
STATUS SIGNAL SEL
SBch
STEREO
TUNE
ST
ST
T.EDIT
the radio station.
For example, to tune to 106.00 (FM), press 1, 0, 6, 0, 0.
MULTI OPE
SHIFT
THX
STANDARD ADV. SURR
ì
ENTER
RETURN
SETUP
ꢀ
TUNE
PHASE
MCACC
S.DIRECT
GUIDEPTY SEARCH
BAND
TV CONTROL
CD
TV
VIDEO
2
If you make a mistake halfway through, press D.ACCESS
twice to cancel the frequency and start over.
DVD
SAT
VIDEO 1
TV CONT
INPUT
SELECT
TV VOL
TV CH
VOL
DVR2
CD-R
i Pod
MULTI IN
TUNER
ROOM2/3
RECEIVER
DVR1
RECEIVER
1
2
Press the TUNER button to select the tuner.
Use the BAND button to change the band (FM or
Saving station presets
If you often listen to a particular radio station, it's
convenient to have the receiver store the frequency for
easy recall whenever you want to listen to that station.
This saves the effort of manually tuning in each time. This
receiver can memorize up to 30 stations, stored in three
banks, or classes, (A, B and C) of 10 stations each. When
saving an FM frequency, the MPX setting (see page 33) is
also stored.
AM), if necessary.
Each press switches the band between FM and AM.
3
Tune to a station.
There are three ways to do this:
Automatic tuning
To search for stations in the currently selected band,
press and hold TUNE ꢀ/ꢁ for about a second. The
receiver will start searching for the next station,
stopping when it has found one. Repeat to search for
other stations.
MPX
EON
REC STOP JUKE BOX
SYSTEM OFF
SOURCE
B
C
D
E
INPUT
SELECT
RECEIVER
AUDIO SUBTITLE HDD
DVD
CH
D.ACCESS
CLASS
ENTER
+
10
DISC
DISP
CH
PHOTO
STATUS SIGNAL SEL
SBch
STEREO
AV PARAMETER
TOP MENU ì
CH LEVEL
MENU
TUNE
Manual tuning
To change the frequency one step at a time, press
TUNE ꢀ/ꢁ.
MULTI OPE
SHIFT
THX
STANDARD ADV. SURR
ST
ST
T.EDIT
ì
ENTER
RETURN
SETUP
PHASE
MCACC
S.DIRECT
ꢀ
CD
TV
VIDEO
2
TUNE
GUIDEPTY SEARCH
BAND
DVD
SAT
VIDEO 1
TV CONT
TV CONTROL
DVR2
CD-R
i Pod
MULTI IN
TUNER
ROOM2/3
RECEIVER
DVR1
INPUT
SELECT
TV VOL
TV CH
VOL
RECEIVER
High speed tuning
SLEEP
VIDEO
ANALOG
Press and hold TUNE ꢀ/ꢁ for high speed tuning.
Release the button at the frequency you want.
1
Tune to a station you want to memorize.
See Listening to the radio on page 33 for more on this.
Improving FM stereo sound
2
Press T.EDIT (TUNER EDIT).
If the TUNED or STEREO indicators don't light when
tuning to an FM station because the signal is weak, press
the MPX button to switch the receiver into mono
reception mode. This should improve the sound quality
and allow you to enjoy the broadcast.
The display shows STATION MEMORY, then a blinking
memory class.
3
Press CLASS to select one of the three classes then
press ST ꢂ/ꢃ to select the station preset you want.
You can also use the number buttons to select a station
preset.
4
Press ENTER.
After pressing ENTER, the preset class and number stop
blinking and the receiver stores the station.
33
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Using the tuner
06
Naming station presets
For easier identification, you can name your station
presets.
1
Choose the station preset you want to name.
See Listening to station presets below for how to do this.
2
Press T.EDIT (TUNER EDIT).
The display shows STATION NAME, then a blinking
cursor at the first character position.
3
Input the name you want.
Choose from the following characters for a name up to
four characters long.
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789
!”#$%&’()∗+,–./:;<=>?@[ \ ]^_{|} ˜ [space]
• Use the ST ꢂ/ꢃ buttons (remote) to select
characters.
• Press ENTER to confirm a character. If no character
is input, a space is input.
• The name is stored when ENTER is pressed after
choosing the fourth character.
Tip
• To erase a station name, simply repeat steps 1-3 and
input four spaces instead of a name.
• Once you have named a station preset, you can press
DISP when listening to a station to switch the display
between name and frequency.
Listening to station presets
You will need to have some presets stored to do this. See
Saving station presets above if you haven’t done this
already.
1
Press TUNER to select the tuner.
2
Press CLASS to select the class in which the station
is stored.
Press repeatedly to cycle through classes A, B and C.
3
Press ST ꢂ/ꢃ to select the station preset you want.
• You can also use the number buttons on the remote
control to recall the station preset.
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The System Setup menu
07
Chapter 7:
The System Setup menu
• Surr Back System – Specify how you are using your
surround back speakers (see Surround back speaker
setting on page 37).
Making receiver settings from the
System Setup menu
• Manual MCACC – Fine tune your speaker settings
and customize the Acoustic Calibration EQ (see
Manual MCACC setup on page 38).
The following section shows you how to make detailed
settings to specify how you’re using the receiver (for
example, if you want to set up two speaker systems in
separate rooms), and also explains how to fine-tune
individual speaker system settings to your liking.
• Data Management – Check your MCACC presets
and manage them through copying, renaming or
deleting (see Data Management on page 43).
SYSTEM OFF
INPUT
• Manual SP Setup – Specify the size, number,
distance and overall balance of the speakers you’ve
connected (see Manual speaker setup on page 44).
RECEIVER
SOURCE
SELECT
D.ACCESS
CLASS
ENTER
+
10
DISC
AV PARAMETER
TOP MENU ì
CH LEVEL
MENU
TUNE
ST
ST
T.EDIT
• Input Setup – Specify what you’ve connected to the
digital and component video inputs (see The Input
Setup menu on page 63).
ì
ENTER
RETURN
SETUP
ꢀ
TUNE
GUIDEPTY SEARCH
BAND
CD
TV
VIDEO
2
TV CONTROL
DVD
SAT
VIDEO 1
TV CONT
INPUT
TV VOL
TV CH
VOL
DVR2
CD-R
i Pod
MULTI IN
TUNER
ROOM2/3
RECEIVER
• Other Setup – Make customized settings to reflect
how you are using the receiver (see The Other Setup
menu on page 64).
SELECT
DVR1
SLEEP
VIDEO
ANALOG
1
Switch on the receiver and your TV.
1
Use the ꢁ RECEIVER button to switch on.
• If headphones are connected to the receiver,
disconnect them.
Automatic MCACC (Expert)
If your setup requires more detailed settings than those
provided in Automatically setting up for surround sound
(MCACC) on page 7, you can customize your setup
options below. You can calibrate your system differently
2
Press RECEIVER on the remote control, then press
2
the SETUP button.
An on-screen display (OSD) appears on your TV. Use the
ꢀ/ꢁ/ꢂ/ꢃ buttons and ENTER to navigate through the
screens and select menu items. Press RETURN to
confirm and exit the current menu.
3
for up to six different MCACC presets , which are useful
if you have different listening positions depending on the
type of source (for example, watching movies from a sofa,
or playing a video game close to the TV).
4
• Press SETUP at any time to exit the System Setup
menu.
Important
3
Select the setting you want to adjust.
• Make sure the microphone and speakers are not
moved during the Auto MCACC Setup.
System Setup
1.Auto MCACC
2.Surr Back System
3.Manual MCACC
4.Data Management
5.Manual SP Setup
6.Input Setup
• Using the Auto MCACC Setup will overwrite any
existing settings for the MCACC preset you select.
5
7.Other Setup
• The screen saver will automatically appear after three
minutes of inactivity.
ꢀ
:
Exit
• Auto MCACC – See Automatically setting up for
surround sound (MCACC) on page 7 for a quick and
effective automatic surround setup. See Automatic
MCACC (Expert) below for a more detailed setup.
Caution
• The test tones used in the Auto MCACC Setup are
output at high volume.
Note
1 Make sure not to switch off the power when using the System Setup menu.
2 • Note that when editing items in the Manual MCACC menu, you will need to first specify the MCACC preset you want to adjust by pressing MCACC
before pressing SETUP
.
• You can’t use the System Setup menu when the iPod input source is selected (in either the main or sub room).
3 These are stored in memory and referred to as MEMORY1–6 (or M1–6) until you rename them in Data Management on page 43.
4 You may also want to have separate calibration settings for the same listening position, depending on how you’re using your system.
5 Except in cases where you are only adjusting one parameter (i.e. channel level) from the Option setup screen (step 3).
35
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The System Setup menu
07
5
1
Connect the microphone to the MCACC SETUP MIC
weighting is given to any one channel. Optionally,
jack on the front panel.
Make sure there are no obstacles between the speakers
and the microphone.
FRONT ALIGN sets all speakers in accordance with
the front speaker settings (no equalization is applied
to the front left and right channels), and OFF (only
available when ALL is selected) allows you to save
calibration settings (such as speaker distance and
channel level) with no EQ or standing wave
MULTI
–
ROOM
&
(TUNE +)
ENTER
SPEAKERS
BAND
SOURCE/REC SEL
VIDEO
SIGNAL
SBch
CONTROL ON/OFF
SELECT
SELECT PROCESSING
STEREO
AV
TUNER
EDIT
PARAMETER
VIDEO/GAME
2
INPUT
PHONES
MCACC
SETUP MIC
(ST –)
(ST +)
ꢀ
SETUP
RETURN
DIGITAL IN S-VIDEO
VIDEO
L
AUDIO R
(TUNE –)
adjustment to your selected preset.
• Multi-Point (only available when the Auto Mode
above is Acoustic Cal EQ or Aco Cal EQ Pro.) – In
addition to measurements at the listening position,
you can use two more reference points for which test
tones will be analyzed for standing waves. This is
useful if you want to get a balanced ‘flat’ calibration
If you have a tripod, use it to place the microphone so that
it’s about ear level at your normal listening position.
Otherwise, place the microphone at ear level using a
table or a chair.
2
Select ‘Auto MCACC’ from the System Setup menu
6
for several seating positions in your listening area.
then press ENTER
.
Place the microphone at the reference point
indicated on-screen and note the last microphone
placement will be at your main listening position:
System Setup
1.Auto MCACC
1.Auto MCACC
Surr Back System
2.Surr Back System
3.Manual MCACC
4.Data Management
5.Manual SP Setup
6.Input Setup
[
Normal (SB)
]
]
Data Save to
[M1. MEMORY
1
Setting Start?
ENTER:Next
[OK]
2nd reference
3rd reference
7.Other Setup
[Option]
point
point
ꢀ:Cancel
ꢀ
:
Exit
1
2
1
3
Make sure ‘Normal (SB)’ is selected, select an
2
MCACC preset then select OK.
3
For a fully customized Auto MCACC setup, select Option
and set the following parameters:
Main listening
position
1.Auto MCACC Option
Auto Mode
1. Auto MCACC Option
1.Auto MCACC Option
Auto Mode
When you’re finished settings the options, press
RETURN to go back to the Auto MCACC main setup.
(
Back
)
[
ALL
]
[
Aco Cal EQ Pro.
]
Speaker settings
will be updated.
EQ Type
:
FRONT ALIGN
EQ Type
Data Save to
M2. MEMORY
OFF
Data Save to
[ALL CH ADJUST]
2
Multi-Point
NO
4
Follow the instructions on-screen.
THX Speaker
NO
EQ Type
:
If you are using THX
speakers, select YES.
[
–
–
.
–
–
–
]
• Make sure the microphone is connected.
(
Next
)
ꢀ: Return to Auto MCACC
ꢀ
:
Return to Auto MCACC
ꢀ
:
Return to Auto MCACC
• If you’re using a subwoofer, it is automatically
detected every time you switch on the system. Make
sure it is on and the volume is turned up.
• Auto Mode – The default is ALL (recommended), but
you can limit the system calibration to only one
3
setting (to save time) if you want. The available
• See Problems when using the Auto MCACC Setup on
page 9 for notes regarding high background noise
levels and other possible interference.
4
options are ALL, ALL (Keep SPsetting), Speaker
Setting, Channel Level, Speaker Distance,
Acoustic Cal EQ, and Aco Cal EQ Pro.
5
Wait for the Auto MCACC Setup to finish outputting
• THX Speaker (only available when the Auto Mode
above is ALL or Speaker Setting) – Select YES if you
are using THX speakers (set all speakers to SMALL),
otherwise leave it set to NO.
test tones.
A progress report is displayed on-screen while the
receiver outputs test tones to determine the speakers
present in your setup. Try to be as quiet as possible while
it’s doing this.
• EQ Type (only available when the Auto Mode above is
Acoustic Cal EQ or Aco Cal EQ Pro.) – This
determines how the frequency balance is adjusted.
ALL CH ADJUST (default) is a ‘flat’ setting where all
the speakers are set individually so no special
• Do not adjust the volume during the test tones. This
may result in incorrect speaker settings.
Note
1 If you are planning on bi-amping your front speakers, or setting up a separate speaker system in another room, read through Surround back speaker set-
ting on page 37 and make sure to connect your speakers as necessary before continuing to step 4.
2 The six MCACC presets are used for storing surround sound settings for different listening positions. Simply choose an unused preset for now (you can
rename it later in Data Management on page 43).
3 The Aco Cal EQ Pro. measurement is also taken when ALL is selected. See Professional Acoustic Calibration EQ on page 40 for more on this.
4 The ALL (Keep SPsetting) option allows you to calibrate your system while leaving your current speaker setting (page 45) unchanged.
5 If you selected ALL as your Auto Mode setting, you can specify the MCACC preset where you want to save the FRONT ALIGN and/or OFF settings.
6 Switch the Multi-Point setting OFF if you only use one listening position.
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The System Setup menu
07
• With error messages (such as Ambient Noise or
Microphone Check) select RETRY after checking for
ambient noise (see Problems when using the Auto
MCACC Setup on page 9) and verifying the mic
connection. If there doesn’t seem to be a problem,
you can simply select OK and continue.
8
The Auto MCACC Setup has finished! PressRETURN
to go back to the System Setup menu.
4a.MCACC Data Check
1.Speaker Setting
2.Channel Level
3.Speaker Distance
4.Standing Wave
5.Acoustic Cal EQ
6
If necessary, confirm the speaker configuration in
ENTER:Next
ꢀ:Return
1
the OSD.
The configuration shown on-screen should reflect the
actual speakers you have.
The settings made in the Auto MCACC Setup should give
you excellent surround sound from your system, but it is
also possible to adjust these settings manually using the
1.Auto MCACC
Now Analyzing
1.Auto MCACC
Check!
2
…
(2/9)
System Setup menu (starting on page 35).
Front
[
[
[
[
[
YES
YES
YES
Yx2
YES
]
]
]
]
]
Environment Check
Ambient Noise
Microphone
Center
Surround
SB
You can also choose to view the settings by selecting
individual parameters from the MCACC Data Check
screen:
[
[
[
OK
]
]
]
Speaker YES/NO
SUB W.
[
OK
]
ꢀ:Cancel
ꢀ:Cancel
• Speaker Setting – The size and number of speakers
you’ve connected (see page 45 for more on this)
If you see an error message (ERR) in the right side
column (or the speaker configuration displayed isn’t
correct), there may be a problem with the speaker
connection. If selecting RETRY doesn’t work, turn off the
power and check the speaker connections. If there
doesn’t seem to be a problem, you can simply use ꢀ/ꢁ
to select the speaker and ꢂ/ꢃ to change the setting
(and number for surround back) and continue.
• Channel Level – The overall balance of your speaker
system (see page 45 for more on this)
• Speaker Distance – The distance of your speakers
from the listening position (see page 46 for more on
3
this)
• Standing Wave – Filter settings to control lower
‘boomy’ frequencies (see page 39 for more on this)
7
Make sure ‘OK’ is selected, then press ENTER.
• Acoustic Cal EQ – Adjustments to the frequency
balance of your speaker system based on the
acoustic characteristics of your room (see page 40
for more on this)
A progress report is displayed on-screen while the
receiver outputs more test tones to determine the
optimum receiver settings for channel level, speaker
distance, and Acoustic Calibration EQ.
Press ENTER after you have finished checking each
screen. When you’re finished, select RETURN to go back
to the System Setup menu.
1.Auto MCACC
Now Analyzing
Subwoofer Check
1.Auto MCACC
Now Analyzing
…
…
(6/9)
Surround Analyzing
Speaker System
Channel Level
[
[
[
OK
OK
]
]
]
Speaker Distance
ꢀ:Cancel
ꢀ:Cancel
Surround back speaker setting
• Default setting: Normal (SB)
Again, try to be as quiet as possible while this is
happening. It may take 2–6 minutes.
There are several ways you can use the surround back
speaker channels with this system. In addition to a
normal home theater setup where they are used for the
surround back speakers, they can be used for bi-amping
the front speakers or as an independent speaker system
in another room.
• If you selected a Multi-Point setup (in step 3), you
will be asked to place the mic at the 2nd and 3rd
reference points before finally placing it at your main
listening position.
Note
1 This screen is only shown if you selected ALL or Speaker Setting in Auto Mode from the Auto MCACC Option menu.
2 • Depending on the characteristics of your room, sometimes identical speakers with cone sizes of around 12 cm will end up with different size settings.
You can correct the setting manually using the Manual speaker setup on page 44.
• The subwoofer distance setting may be farther than the actual distance from the listening position. This setting should be accurate (taking delay and
room characteristics into account) and generally does not need to be changed.
3 Since the distance measurements have been set according to the sound characteristics of your speakers, there are cases where (for optimal surround
sound) the actual distance may differ from the speaker distance setting.
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The System Setup menu
07
1
Select ‘Surr Back System’ from the System Setup
on page 7 if you’re unsure how to do this. Also see
Problems when using the Auto MCACC Setup on
page 9 for notes regarding high background noise
levels and other possible interference.
menu.
See Making receiver settings from the System Setup menu
above if you’re not already at this screen.
• If you’re using a subwoofer, switch it on and turn up
the volume to the middle position.
System Setup
1.Auto MCACC
2.Surround Back System
2.Surr Back System
3.Manual MCACC
4.Data Management
5.Manual SP Setup
6.Input Setup
Surround Back System
Normal (SB)
1
Select ‘Manual MCACC’ from the System Setup
menu.
7.Other Setup
See Making receiver settings from the System Setup menu
on page 35 if you’re not already at this screen.
ꢀ:Return
ꢀ
:
Exit
2
Select the surround back speaker setting.
• Normal (SB) – Select for normal home theater use
with surround back speakers in your main (speaker
system A) setup.
System Setup
1.Auto MCACC
3.Manual MCACC
a.Fine Ch Level
b.Fine SP Distance
c.Standing Wave
d.EQ Adjust
2.Surr Back System
3.Manual MCACC
4.Data Management
5.Manual SP Setup
6.Input Setup
e.EQ Professional
7.Other Setup
• 2nd Zone – Select to use the (surround back) B
speaker terminals to listen to stereo playback in
another room (see Second Zone speaker B setup on
page 55).
ꢀ
:
Exit
ꢀ:Return
2
Select the setting you want to adjust.
If you’re doing this for the first time, you might want to
make these settings in order.
• Front Bi-Amp – Select this setting if you’re bi-
amping your front speakers (see Bi-amping your front
speakers on page 55).
• Fine Ch Level – Make fine adjustments to the overall
balance of your speaker system (see Fine Channel
Level below).
• Multi Room & Source – Select to use the (surround
back) B speaker terminals for an independent system
in another room (see Multi-room listening on
page 57).
• Fine SP Distance – Make precise delay settings for
your speaker system (see Fine Speaker Distance on
page 39).
3
When you’re finished, press RETURN.
• Standing Wave – Control overly resonant low
frequencies in your listening room (see Standing
Wave on page 39).
You will return to the System Setup menu.
The last two settings are specifically for customizing the
parameters explained in Acoustic Calibration EQ on
page 40:
Manual MCACC setup
You can use the settings in the Manual MCACC setup
menu to make detailed adjustments when you’re more
familiar with the system. Before making these settings,
you should have already completed Automatically setting
up for surround sound (MCACC) on page 7.
• EQ Adjust – Manually adjust the frequency balance
of your speaker system while listening to test tones
(see Acoustic Calibration EQ on page 40).
• EQ Professional – Calibrate your system based on
the direct sound coming from the speakers and make
detailed settings according to your room’s reverb
characteristics (see Professional Acoustic Calibration
EQ on page 40).
You only need to make these settings once (unless you
change the placement of your current speaker system or
add new speakers).
Caution
Fine Channel Level
• Default setting: 0dB (all channels)
• The test tones used in the System Setup are output at
high volume.
You can achieve better surround sound by properly
adjusting the overall balance of your speaker system. The
following setting can help you make detailed
adjustments that you may not achieve using the Manual
speaker setup on page 44.
Important
• You will need to first specify the MCACC preset you
want to adjust by pressing MCACC before pressing
SETUP (step 2 in Making receiver settings from the
System Setup menu on page 35).
1
Select ‘Fine Ch Level’ from the Manual MCACC setup
menu.
• For some of the settings below, you’ll have to connect
the setup microphone to the front panel and place it
about ear level at your normal listening position. See
Automatically setting up for surround sound (MCACC)
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The System Setup menu
07
The volume increases to the 0dB reference level.
1
Select ‘Fine SP Distance’ from the Manual MCACC
setup menu.
3.Manual MCACC
3a.Fine Channel Level
a.Fine Ch Level
b.Fine SP Distance
c.Standing Wave
d.EQ Adjust
3.Manual MCACC
3b.Fine SP Distance
MCACC:M1. MEMORY
Please Wait... 20
a.Fine Ch Level
b.Fine SP Distance
c.Standing Wave
d.EQ Adjust
1
e.EQ Professional
Caution!
Loud test tones
will be output.
L(Reference)
e.EQ Professional
3.0
m
ꢀ:Cancel
ꢀ:Return
ꢀ:Return
Enter:Next
ꢀ:Cancel
2
Adjust the level of the left channel.
This will be the reference speaker level, so you may want
to keep the level around 0dB so that you’ll have plenty of
room to adjust the other speaker levels.
2
Adjust the distance of the left channel from the
listening position.
3
Select each channel in turn and adjust the distance
as necessary.
3a.Fine Channel Level
MCACC:M1. MEMORY
1
Use ꢂ/ꢃto adjust the delay of the speaker you selected
to match the reference speaker. The delay is measured in
terms of speaker distance from 0.1 to 9.0 meters.
L(Reference)
+0.5dB
3b.Fine SP Distance
Enter:Next
ꢀ:Cancel
( )
Reference
L
3.0
3.0
2.5
3.0
3.0
3.0
3.0
3.0
m
m
m
m
m
m
m
m
R
[
]
C
• After pressing ENTER, test tones will be output.
SL
SR
SBL
SBR
SW
[
[
[
[
[
]
]
]
]
]
3
Select each channel in turn and adjust the levels (+/
– 10dB ) as necessary.
ꢀ:Finish
Use ꢂ/ꢃ to adjust the volume of the speaker you
selected to match the reference speaker. When it sounds
like both tones are the same volume, press ꢁ to confirm
and continue to the next channel.
Listen to the reference speaker and use it to measure the
target channel. From the listening position, face the two
speakers with your arms outstretched pointing at each
speaker. Try to make the two tones sound as if they are
arriving simultaneously at a position slightly in front of
3a.Fine Channel Level
L
+0.5dB (Reference)
R
[
0.0dB
+1.0dB
-3.0dB
]
1
you and between your arm span.
C
SL
SR
SBL
SBR
SW
[
[
[
[
[
]
]
]
]
]
+10.0dB
-10.0dB
+9.5dB
-1.5dB
ꢀ:Finish
• For comparison purposes, the reference speaker will
change depending on which speaker you select.
• If you want to go back and adjust a channel, simply
use ꢀ/ꢁ to select it.
When it sounds like the delay settings are matched up,
press ꢁ to confirm and continue to the next channel.
4
When you're finished, press RETURN.
• For comparison purposes, the reference speaker will
change depending on which speaker you select.
You will return to the Manual MCACC setup menu.
• If you want to go back and adjust a channel, simply
use ꢀ/ꢁ to select it.
Fine Speaker Distance
• Default setting: 3.0 m (all speakers)
4
When you're finished, press RETURN.
You will return to the Manual MCACC setup menu.
For proper sound depth and separation with your system,
it is necessary to add a slight bit of delay to some
speakers so that all sounds will arrive at the listening
position at the same time. The following setting can help
you make detailed adjustments that you may not achieve
using the Manual speaker setup on page 44.
Standing Wave
• Default setting: ON
Acoustic standing waves occur when, under certain
conditions, sound waves from your speaker system
resonate mutually with sound waves reflected off the
walls in your listening area. This can have a negative
effect on the overall sound, especially at certain lower
Note
1 • If you can’t seem to achieve this by adjusting the distance setting, you may need to change the angle of your speakers very slightly.
• For better audibility, the subwoofer emits a continuous test tone (oscillating pulses are heard from your other speakers). Note that it may be difficult
to compare this tone with the other speakers in your setup (depending on the low frequency response of the reference speaker).
39
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The System Setup menu
07
frequencies. Depending on speaker placement, your
listening position, and ultimately the shape of your room,
it results in an overly resonant (‘boomy’) sound. The
Standing Wave Control uses filters to reduce the effect of
overly resonant sounds in your listening area. During
playback of a source, you can customize the filters used
for Standing Wave Control for each of your MCACC
1
Select ‘EQ Adjust’ from the Manual MCACC setup
menu.
3.Manual MCACC
3d.EQ Adjust
a.Fine Ch Level
b.Fine SP Distance
c.Standing Wave
d.EQ Adjust
MCACC:M1. MEMORY
1
[
e.EQ Professional
Setting Start?
OK
]
1
ꢀ:Return
Enter:Next
ꢀ:Cancel
presets.
1
Select ‘Standing Wave’ from the Manual MCACC
2
Confirm that the MCACC preset shown in the
setup menu.
display is the one you want to adjust, then select OK.
3.Manual MCACC
3c.Standing Wave
MCACC M1. MEMORY
3
Select the channel(s) you want and adjust to your
a.Fine Ch Level
b.Fine SP Distance
c.Standing Wave
d.EQ Adjust
:
1
]
liking.
Standing Wave Control
[
ON
MAIN
Filter Ch
e.EQ Professional
3d.EQ Adjust
unit:dB
No.
1
2
3
63Hz
M1 125Hz
[
[
[
[
0.0]
0.0]
0.0]
0.0]
0.0
f
[
[
[
68Hz
5.0
]
]
]
[
[
[
120Hz
5.0
]
]
]
[
[
[
201Hz
5.0
]
]
]
MCACC
Ch
:
Q
A
T
T
[SBL] 250Hz
500Hz
1kHz
0.0dB
0.0dB
0.0dB
ꢀ:Return
ꢀ:Finish
2kHz
4kHz
[
[
[
[
-1.0]
-2.0]
-4.5]
-7.0]
8kHz
16kHz
2
Select ‘ON’ (if it is not already selected) then adjust
TRIM [ 0.0]
ꢀ:Finish
the parameters for the Standing Wave Control.
• Filter Ch – Select the channel to which you will apply
the filter(s): Main (all except center channel and
subwoofer), Center or SUB W. (subwoofer).
Use the ꢂ/ꢃ buttons to select the channel.
Use the ꢀ/ꢁ buttons to select the frequency and ꢂ/ꢃ
to boost or cut the EQ. When you’re finished, go back to
the top of the screen and use the ꢂ/ꢃ buttons to select
the next channel.
• TRIM (only available when the filter channel above is
SUB W.) – Adjust the subwoofer channel level (to
compensate for the difference in output post-filter).
• The OVER! indicator shows in the display if the
frequency adjustment is too drastic and might
distort. If this happens, bring the level down until
OVER! disappears from the display.
• f / Q / ATT – These are the filter parameters where f
represents the frequency you will be targeting and Q
is the bandwidth (the higher the Q, the narrower the
bandwidth, or range) of the attenuation (ATT, the
amount of reduction to the targeted frequency).
Tip
3
When you're finished, press RETURN.
You will return to the Manual MCACC setup menu.
• Changing the frequency curve of one channel too
drastically will affect the overall balance. If the
speaker balance seems uneven, you can raise or
lower channel levels using test tones with the TRIM
feature. Use ꢀ/ꢁ to select TRIM then use ꢂ/ꢃ to
raise or lower the channel level for the current
speaker.
Acoustic Calibration EQ
Acoustic Calibration Equalization is a kind of room
equalizer for your speakers (excluding the subwoofer). It
works by measuring the acoustic characteristics of your
room and neutralizing the ambient characteristics that
can color the original source material (providing a ‘flat’
equalization setting). If you’re not satisfied with the
adjustment provided in Automatically setting up for
surround sound (MCACC) on page 7 or Automatic
MCACC (Expert) on page 35, you can also adjust these
settings manually to get a frequency balance that suits
your tastes.
4
When you're finished, press RETURN.
You will return to the Manual MCACC setup menu.
Professional Acoustic Calibration EQ
This setup minimizes the unwanted effects of room
reverberation by allowing you to calibrate your system
based on the direct sound coming from the speakers. It
can also provide you with a graphical output of the
2
frequency response of your room.
Note
1 • Since they will be overwritten, you may want to save the standing wave settings made with the Auto MCACC Setup to another MCACC preset.
• Standing Wave control filter settings cannot be changed during playback of sources using the HDMI connection.
2 This system allows you to customize your system calibration with the help of a graphical output that can be displayed on-screen, or using a computer
(with software available from Pioneer—see Connecting a PC for Advanced MCACC output on page 62 for more on this).
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The System Setup menu
07
As soon as audio is output from your speaker system, it
is influenced by room characteristics, such as walls,
furniture, and the dimensions of the room. The sooner
the frequency analysis, the less it is influenced by the
room. We recommend an earlier time setting of
20~40ms to compensate for two major factors that will
influence the sound of most rooms:
How to use Professional Acoustic Calibration EQ
If you find that lower frequencies seem overly reverberant
in your listening room (i.e. it sounds `boomy'), or that
different channels seem to exhibit different reverb
characteristics, select Aco Cal EQ Pro. (or ALL) for the
Auto Mode setting in Automatic MCACC (Expert) on
page 35 to calibrate the room automatically. This should
provide a balanced calibration that suits the
• Reverberance of high vs. low frequencies –
Depending on your room, you may find that lower
frequencies seem overly reverberant compared to
higher frequencies (i.e. your room sounds ‘boomy’).
This may result in a skewed frequency analysis if the
measurement is done too late.
characteristics of your listening room.
If you still aren't satisfied with the results, the manual
Advanced EQ setup (below) provides a more customized
calibration of your system using the direct sound of the
speakers. This is done with the help of a graphical output
that can be displayed on-screen, or using a computer
(with software available from Pioneer — see Connecting
a PC for Advanced MCACC output on page 62).
Low
frequencies
Level
High
frequencies
How to interpret the graphical output
The graph shows decibels on the vertical axis and time
(in milliseconds) on the horizontal axis. A straight line
indicates a flat-response room (no reverb), whereas a
sloping line indicates the presence of reverberation when
outputting test tones. The sloping line will eventually
flatten out when the reverberant sound stabilizes (this
usually takes about 100 ms or so).
Acoustic Cal. EQ Pro
calibration range
Standard Acoustic Cal.
EQ calibration range
Time
(in msec.)
0
80
160
• Reverb characteristics for different channels –
Reverb characteristics can be somewhat different for
each channel. Since this difference increases as the
sound is influenced by the various room
characteristics, it is often better to capture a
frequency analysis early on for smoother mixing of
channel frequencies/sounds.
By analyzing the graph, you should be able to see how
your room is responding to certain frequencies.
Differences in channel level and speaker distance are
taken into account automatically (compensation is
provided for comparison purposes), and the frequency
measurements can be examined both with and without
Left
surround
Level
1
the equalization performed by this receiver.
Right
Surround
Setting Professional Acoustic Calibration EQ
according to your room characteristics
Using the manual setup, you can set the time period at
which the frequency response is analyzed, pinpointing
the time that is best for system calibration with your
particular room characteristics.
Acoustic Cal. EQ Pro
calibration range
Standard Acoustic Cal.
EQ calibration range
Time
(in msec.)
0
80
160
If your room isn’t affected by the factors above, it is often
not necessary to make a 20~40ms setting. Later time
settings may provide a more detailed sound experience
with your speaker system. It is best to try and see what
works best for your particular room.
The graph below shows the difference between standard
acoustic calibration and professional calibration (the
gray circles represent the point at which the microphone
captures the sound for frequency analysis).
Note that changing the room (for example, moving
furniture or paintings) will affect the calibration results.
In such cases, you should recalibrate your system.
Level
Test tone
Acoustic Cal. EQ Pro
calibration range
Standard Acoustic Cal.
EQ calibration range
Time
(in msec.)
0
80
160
Note
1 Note that due to an effect known as ‘group delay’, lower frequencies will take longer to be generated than higher frequencies (this is most obvious when
comparing the frequencies at 0 ms). This initial slope is not a problem (i.e. excessive reverb) with your listening room.
41
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The System Setup menu
07
When the reverb measurement is finished, you can
select Reverb View to see the results on-screen. See
Professional Calibration EQ graphical output on page 80
for troubleshooting information.
Using Professional Acoustic Calibration EQ
1
Select ‘EQ Professional’ then press ENTER.
3.Manual MCACC
3e.EQ Professional
a.Fine Ch Level
b.Fine SP Distance
c.Standing Wave
d.EQ Adjust
1.Reverb Measurement
2.Reverb View
3.Reverb Output PC
4.Advanced EQ Setup
4
If you selected ‘Reverb View’, you can check the
reverb characteristics for each channel. Press
RETURN when you’re done.
e.EQ Professional
ꢀ:Return
ENTER:Next
ꢀ:Return
3e2.Reverb View
M1
:
EQ OFF
Ch
Fq
[
[
L
]
63Hz
]
dB
2
Select an option and press ENTER.
• Reverb Measurement – Use this to measure the
reverb characteristics of your room (for graphical
output using a PC, see Connecting a PC for Advanced
MCACC output on page 62 to connect an RS-232C
cable before selecting this option).
0
80
160ms
ꢀ:Return
This appears according to the setting you chose in
Reverb Measurement (step 3 above). Use the ꢂ/ꢃ
buttons to select the channel and the frequency you want
to check. Use the ꢀ/ꢁ buttons to go back and forth
between the two. Note that the markers on the vertical
axis indicate decibels in 2 dB steps.
• Reverb View – You can check the reverb
measurements made for specified frequency ranges
in each channel.
• Reverb Output PC – See Connecting a PC for
Advanced MCACC output on page 62 for more on this.
5
If you selected ‘Advanced EQ Setup’, input the
• Advanced EQ Setup – Use this to select the time
period that will be used for frequency adjustment and
calibration, based on the reverb measurement of
your listening area. Note that customizing system
calibration using this setup will alter the settings you
made in Automatically setting up for surround sound
(MCACC) on page 7 or Automatic MCACC (Expert) on
page 35 and is not necessary if you’re satisfied with
these settings.
time setting you want to use for calibration, then
select ‘Go’. Select ‘Start’ from the next screen.
Based on the reverb measurement above, you can
choose the time period that will be used for the final
frequency adjustment and calibration. Even though you
can make this setting without reverb measurement, it is
best to use the measurement results as a reference for
your time setting. For an optimal system calibration
based on the direct sound coming from the speakers, we
recommend using the 20~40ms setting.
3
If you selected ‘Reverb Measurement’, select EQ
ON or OFF and then OK.
3e4. Adv. EQ Setup (1/2)
3e4. Adv. EQ Setup (2/2)
Back
Ch
Fq
[
[
L
]
(
)
3e1.Reverb Measurement
3e1.Reverb Measurement
63Hz
]
dB
EQ Type
Tm [60~80ms]
[ALL CH ADJUST]
…
MCACC: M1.MEMORY
1
Now Analyzing
(1/5)
Multi-Point
NO
Measure with
EQ OFF
[OK]
Setting Start?
[OK]
M1. MEMORY
1
EQ:ON
OK
Setting Start?
Ambient Noise
Microphone
Speaker Level
Delay Check
Reverb
[
[
[
[
]
]
]
]
0
80
160ms
(
Next)
ꢀ:Cancel
ꢀ
:
Cancel
ꢀ:Cancel
ꢀ:Cancel
Use the ꢂ/ꢃ buttons to select the channel, frequency,
and time setting. Use the ꢀ/ꢁ buttons to switch
between them.
You can switch between your connected speakers
(excluding the subwoofer), and display the
The following options determine how the reverb
characteristics of your listening area are displayed in
Reverb View and Reverb Output PC:
• EQ OFF – You will see the reverb characteristics of
your listening area without the equalization
performed by this receiver (before calibration).
measurements for the following frequencies: 63 Hz, 125
Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz and 16 kHz.
Select the setting from the following time periods (in
milliseconds): 0~20ms, 10~30ms, 20~40ms, 30~50ms,
40~60ms, 50~70ms and 60~80ms. This setting will be
applied to all channels during calibration.
When you’re finished, select OK. It will take about 1 to 4
minutes for the calibration to finish.
• EQ ON – You will see the reverb characteristics of
your listening area with the equalization performed
1
by this receiver (after calibration). Note that the EQ
response may not appear entirely flat due to
adjustments necessary for your listening area.
After the Acoustic Calibration Equalization is set, you are
given the option to check the settings on-screen.
Note
1 The calibration corresponding to the currently selected MCACC preset will be used when EQ ON is selected. To use another MCACC preset, exit the
System Setup menu and press MCACC to select it before pressing SETUP.
42
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The System Setup menu
Data Management
07
2
3
Select the setting you want to check.
• It is useful to do this while a source is playing so you
can compare the different settings.
This system allows you to store up to six MCACC presets,
allowing you to calibrate your system for different
listening positions (or frequency adjustments for the
Select the MCACC preset that you want to check.
Use the ꢀ/ꢁ buttons if necessary to switch speakers/
settings.
1
same listening position). This is useful for alternate
settings to match the kind of source you’re listening to
and where you’re sitting (for example, watching movies
from a sofa, or playing a video game close to the TV).
4a4.EQ Data Check
63Hz
M1 125Hz
[SBL] 250Hz
500Hz
:
:
:
:
:
:
:
:
:
:
0.0
0.0
MCACC
Ch
0.0
0.0
0.0
-1.0
-2.0
-4.5
-7.0
0.0
1kHz
2kHz
From this menu you can check your current settings,
copy from one preset to another, name presets for easier
identification and clear any ones you don’t need.
4kHz
8kHz
16kHz
TRIM
ꢀ:Return
1
Select ‘Data Management’ from the System Setup
4
Press RETURN to go back to the Data Check menu,
menu.
repeating steps 2 and 3 to check other settings.
See Making receiver settings from the System Setup menu
on page 35 if you’re not already at this screen.
4a2.Speaker Distance
4a3.Standing Wave
MCACC
L
M1. MEMORY
1
MCACC
M1. MEMORY
1
3
:
:
:
:
:
:
:
:
2.0m
2.0m
2.0m
2.5m
3.0m
3.0m
2.5m
2.3m
Sranding Wave Control
C
:
[
ON
SUB W.
System Setup
1.Auto MCACC
2.Surr Back System
3.Manual MCACC
4.Data Management
5.Manual SP Setup
6.Input Setup
4.Data Management
R
SR
Filter Ch
TRIM
]
:+12.0dB
2
a.MCACC Data Check
b.MCACC Data Copy
c.Memory Rename
d.Memory Clear
SBR
SBL
SL
No.
f
Q
1
:
:
:
110Hz
3.0
:
:
110Hz
3.0
:
:
:
110Hz
3.0
12.0dB
ꢀ:Return
A
T
T
SW
12.0dB : 10.0dB
ꢀ:Return
7.Other Setup
5
When you're finished, press RETURN.
ꢀ
:
Exit
ꢀ:Return
You will return to the Data Management setup menu.
2
Select the setting you want to adjust.
• MCACC Data Check – Check the settings for any of
your MCACC presets using the on-screen display
(see Checking MCACC preset data below).
Copying MCACC preset data
If you want to manually adjust the Acoustic Calibration
EQ (see Manual MCACC setup above), we recommend
2
• MCACC Data Copy – Copy settings from one
MCACC preset to another (see Copying MCACC
preset data below).
copying your current settings to an unused MCACC
preset. Instead of just a flat EQ curve, this will give you a
reference point from which to start.
• Memory Rename – Name your MCACC presets for
easy identification (see Renaming MCACC presets
below).
1
Select ‘MCACC Data Copy’ from the Data
Management setup menu.
4.Data Management
4b.MCACC Data Copy
From
• Memory Clear – Clear any MCACC presets that you
don’t want (see Clearing MCACC presets below).
a.MCACC Data Check
b.MCACC Data Copy
c.Memory Rename
d.Memory Clear
[
M1. MEMORY 1 ]
To
[
M2. MEMORY 2 ]
Start Copy
[Cancel]
Checking MCACC preset data
After you have completed Automatically setting up for
surround sound (MCACC) on page 7 or Automatic
MCACC (Expert) on page 35, you can check your
calibrated settings using the on-screen display.
ꢀ:Return
ꢀ:Cancel
2
Select the MCACC preset you’ll be copying the
settings ‘From’ then specify where you want to copy
them (‘To’).
Make sure you don’t overwrite an MCACC preset you’re
currently using (this can’t be undone).
1
Select ‘MCACC Data Check’ from the Data
Management setup menu.
4a.MCACC Data Check
4.Data Management
3
Select ‘Copy’ to confirm and copy the settings.
a.MCACC Data Check
b.MCACC Data Copy
c.Memory Rename
d.Memory Clear
1.Speaker Setting
2.Channel Level
3.Speaker Distance
4.Standing Wave
5.Acoustic Cal EQ
Copy Complete! shows in the OSD to confirm the
MCACC preset has been copied, then you automatically
return to the Data Management setup menu.
ꢀ:Return
ENTER:Next
ꢀ:Return
Note
1 This can be done in Automatically setting up for surround sound (MCACC) on page 7 or Automatic MCACC (Expert) on page 35, either of which you should
have already completed.
2 The settings made in Automatically setting up for surround sound (MCACC) on page 7 or Automatic MCACC (Expert) on page 35.
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The System Setup menu
07
Renaming MCACC presets
If you have several different MCACC presets that you’re
using, you may want to rename them for easier
identification.
Manual speaker setup
This receiver allows you to make detailed settings to
optimize the surround sound performance. You only
need to make these settings once (unless you change the
placement of your current speaker system or add new
speakers).
1
Select ‘Memory Rename’ from the Data
Management setup menu.
4.Data Management
4c.Memory Rename
These settings are designed to customize your system,
but if you’re satisfied with the settings made in
Automatically setting up for surround sound (MCACC) on
page 7, it isn’t necessary to make all of these settings.
a.MCACC Data Check
b.MCACC Data Copy
c.Memory Rename
d.Memory Clear
MCACC Position Rename
M1
M2
M3
M4
M5
M6
[
[
[
[
[
[
MEMORY
MEMORY
MEMORY
MEMORY
MEMORY
MEMORY
1
2
3
4
5
6
]
]
]
]
]
]
ꢀ:Return
ꢀ:Finish
Caution
2
Select the MCACC preset you want to rename, then
• The test tones used in the System Setup are output at
high volume.
select an appropriate preset name.
Use ꢀ/ꢁ to select the preset, then ꢂ/ꢃ to select a
preset name.
1
Select ‘Manual SP Setup’ then press ENTER.
3
Repeat for as many MCACC presets as necessary,
System Setup
1.Auto MCACC
5.Manual SP Setup
then press RETURN when you're finished.
You will return to the Data Management setup menu.
a.Speaker Setting
b.Channel Level
c.Speaker Distance
d.Bass Peak Level
e.X-Curve
2.Surr Back System
3.Manual MCACC
4.Data Management
5.Manual SP Setup
6.Input Setup
f.THX Audio Setting
7.Other Setup
Clearing MCACC presets
If you are no longer using one of the MCACC presets
stored in memory, you can choose to clear the calibration
settings of that preset.
ꢀ
:
Exit
ꢀ:Return
2
Select the setting you want to adjust.
If you are doing this for the first time, you may want to
adjust these settings in order:
1
Select ‘Memory Clear’ from the Data Management
setup menu.
• Speaker Setting – Specify the size and number of
speakers you’ve connected (see below).
4.Data Management
4d.Memory Clear
Clear
a.MCACC Data Check
b.MCACC Data Copy
c.Memory Rename
d.Memory Clear
• Channel Level – Adjust the overall balance of your
speaker system (page 45).
M1. MEMORY
1
Start Clear
[Cancel]
ꢀ:Cancel
• Speaker Distance – Specify the distance of your
speakers from the listening position (page 46).
ꢀ:Return
• Bass Peak Level – Prevent bass tones from distorting
the sound from your speakers (page 46).
2
Select the MCACC preset you want to clear.
Make sure you don’t clear an MCACC preset you’re
currently using (this can’t be undone).
• X-Curve – Adjust the tonal balance of your speaker
system for movie soundtracks (page 47).
3
Select ‘Clear’ to confirm and clear the preset.
• THX Audio Setting – Specify whether you are using
a THX speaker setup (page 47).
Clear Complete! shows in the OSD to confirm the
MCACC preset has been cleared, then you automatically
return to the Data Management setup menu.
3
Make the adjustments necessary for each setting,
pressing RETURN to confirm after each screen.
44
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The System Setup menu
07
• Subwoofer – LFE signals and bass frequencies of
channels set to SMALL are output from the
Speaker Setting
Use this setting to specify your speaker configuration
(size, number of speakers and crossover frequency). It is
a good idea to make sure that the settings made in
Automatically setting up for surround sound (MCACC) on
subwoofer when YES is selected. Choose the PLUS
setting if you want the subwoofer to output bass
sound continuously or you want deeper bass (the
bass frequencies that would normally come out the
front and center speakers are also routed to the
1
page 7 are correct. Note that this setting applies to all
MCACC presets, and cannot be set independently.
4
subwoofer). If you did not connect a subwoofer
choose NO (the bass frequencies are output from
1
Select ‘Speaker Setting’ from the Manual SP Setup
other speakers).
menu.
5
3
Select ‘X. OVER’ and set the crossover frequency.
5.Manual SP Setup
5a.Speaker Setting
a.Speaker Setting
b.Channel Level
c.Speaker Distance
d.Bass Peak Level
e.X-Curve
Front
Center
Surr
SMALL
SMALL ]
SMALL ]
SMALL x2
YES
Frequencies below this point will be sent to the
subwoofer (or LARGE speakers).
[
[
SB
[
]
]
SUB W.
[
[
f.THX Audio Setting
X. OVER
80Hz
]
4
When you’re finished, press RETURN.
(THX:ALL SMALL )
You will return to the Manual SP Setup menu.
ꢀ:Finish
ꢀ:Return
2
Choose the set of speakers that you want to set
Channel Level
then select a speaker size.
Use ꢂ/ꢃ to select the size (and number) of each of the
following speakers:
Using the channel level settings, you can adjust the
overall balance of your speaker system, an important
factor when setting up a home theater system.
2
• Front – Select LARGE if your front speakers
reproduce bass frequencies effectively, or if you
didn’t connect a subwoofer. Select SMALL to send
the bass frequencies to the subwoofer.
• Center – Select LARGE if your center speaker
reproduces bass frequencies effectively, or select
SMALL to send bass frequencies to the other
speakers or subwoofer. If you didn’t connect a center
speaker, choose NO (the center channel is sent to
the front speakers).
• Surround – Select LARGE if your surround speakers
reproduce bass frequencies effectively. Select
SMALL to send bass frequencies to the other
speakers or subwoofer. If you didn’t connect
surround speakers choose NO (the sound of the
surround channels is sent to the front speakers or a
subwoofer).
1
Select ‘Channel Level’ from the Manual SP Setup
menu.
5.Manual SP Setup
5b.Channel Level
Test Tone
a.Speaker Setting
b.Channel Level
c.Speaker Distance
d.Bass Peak Level
e.X-Curve
Manual
f.THX Audio Setting
ENTER:Next
ꢀ:Cancel
ꢀ:Return
2
3
Select a setup option.
• Manual – Move the test tone manually from speaker
to speaker and adjust individual channel levels.
• Auto – Adjust channel levels as the test tone moves
from speaker to speaker automatically.
Confirm your selected setup option.
The test tones will start after you press ENTER.
• Surr Back – Select the number of surround back
speakers you have (one, two or none). Select LARGE
5b.Channel Level
3
Test Tone
[
.
Manual
]
if your surround back speakers reproduce bass
frequencies effectively. Select SMALL to send bass
frequencies to the other speakers or subwoofer. If
you didn’t connect surround back speakers choose
NO.
Setting Start
Please Wait
.
.
20
Caution!
Loud test tones
will be output.
ꢀ:Cancel
Note
1 If you’re using a THX speaker setup, set all speakers to SMALL.
2 If you select SMALL for the front speakers the subwoofer will automatically be fixed to YES. Also, the center and surround speakers can’t be set to LARGE
if the front speakers are set to SMALL. In this case, all bass frequencies are sent to the subwoofer.
3 • If you selected 2nd Zone or Front Bi-Amp (in Surround back speaker setting on page 37) you can’t adjust the surround back settings.
• If the surround speakers are set to NO, the surround back speakers will automatically be set to NO.
• If you select one surround back speaker only, make sure that speaker is hooked up to the left surround back terminal.
4 If you have a subwoofer and like lots of bass, it may seem logical to select LARGE for your front speakers and PLUS for the subwoofer. This may not,
however, yield the best bass results. Depending on the speaker placement of your room you may actually experience a decrease in the amount of bass
due low frequency cancellations. In this case, try changing the position or direction of speakers. If you can’t get good results, listen to the bass response
with it set to PLUS and YES or the front speakers set to LARGE and SMALL alternatively and let your ears judge which sounds best. If you’re having prob-
lems, the easiest option is to route all the bass sounds to the subwoofer by selecting SMALL for the front speakers.
5 • This setting decides the cutoff between bass sounds playing back from the speakers selected as LARGE, or the subwoofer, and bass sounds playing
back from those selected as SMALL. It also decides where the cutoff will be for bass sounds in the LFE channel.
• If you’re using a THX speaker setup, confirm that the crossover frequency is set to 80Hz.
45
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The System Setup menu
07
4
Adjust the level of each channel using the ꢂ/ꢃ
Bass Peak Level
buttons.
Some audio sources (for example, Dolby Digital and DTS)
include ultra-low bass tones. Set the bass limiter as
needed to prevent the bass from distorting the sound.
If you selected Manual, use ꢀ/ꢁto switch speakers. The
Auto setup will output test tones in the order shown on-
screen:
1
Select ‘Bass Peak Level’ from the Manual SP Setup
5b.Channel Level
menu.
L
0.0dB
The current setting is displayed. When OFF is displayed
the attenuator is off (bass output is not affected).
C
R
[
[
[
[
[
[
[
0.0dB ]
0.0dB ]
0.0dB ]
0.0dB ]
0.0dB ]
0.0dB ]
0.0dB ]
SR
SBR
SBL
SL
SW
5.Manual SP Setup
5d.Bass Peak Level
a.Speaker Setting
b.Channel Level
c.Speaker Distance
d.Bass Peak Level
e.X-Curve
Bass Peak Level
[Setting Start
[Setting Clear
:OFF
ꢀ:Finish
]
]
Adjust the level of each speaker as the test tone is
f.THX Audio Setting
1
emitted.
ꢀ:Return
ꢀ:Return
5
When you’re finished, press RETURN.
You will return to the Manual SP Setup menu.
2
Select a setup option.
5d.Bass Peak Level
Tip
Bass Peak Level
[Setting Start
[Setting Clear
:OFF
]
]
• You can change the channel levels at any time by
pressing CH LEVEL then using ꢂ/ꢃ on the remote
control.
Enter:Setting Start
ꢀ:Return
Speaker Distance
• Setting Start – The volume is set to –60 dB, a test
tone plays back and you make the setting.
For good sound depth and separation from your system,
you need to specify the distance of your speakers from
the listening position. The receiver can then add the
proper delay needed for effective surround sound.
• Setting Clear – Clears any previous setting and
switches limiting off.
1
Select ‘Speaker Distance’ from the Manual SP Setup
3
If you selected ‘Setting Start’, use ꢂ/ꢃ to adjust
menu.
the test tones and specify the bass peak level then press
ENTER.
5.Manual SP Setup
5c.Speaker Distance
a.Speaker Setting
b.Channel Level
c.Speaker Distance
d.Bass Peak Level
e.X-Curve
L
3.0
3.0 m ]
3.0 m ]
3.0
3.0 m ]
3.0
3.0 m ]
3.0 m ]
m
5d.Bass Peak Level
C
[
[
[
[
[
[
[
R
Bass Peak Level
-60dB
SR
SBR
SBL
SL
SW
m
]
f.THX Audio Setting
m
]
Increase the Bass
Peak Level to
a
comfortable volume
ꢀ:Finish
ꢀ:Return
(-80dB no sound)
=
ENTER:Finish ꢀ:Cancel
2
Adjust the distance of each speaker using theꢂ/ꢃ
buttons.
Set the bass peak level gradually, then press ENTER at
the point just before the tone starts to distort.
2
You can adjust the distance of each speaker in 0.1 meter
increments.
The display on the receiver shows RESUME while the
volume returns to its original position, then you
automatically return to the main Bass Peak Level menu.
3
When you’re finished, press RETURN.
You will return to the Manual SP Setup menu.
4
When you're finished, press RETURN
.
Tip
You will return to the Manual SP Setup menu.
• For best surround sound, make sure the surround
back speakers are the same distance from the
listening position.
Note
1 • If you are using a Sound Pressure Level (SPL) meter, take the readings from your main listening position and adjust the level of each speaker to 75 dB
SPL (C-weighting/slow reading).
• The subwoofer test tone is output at low volumes. You may need to adjust the level after testing with an actual soundtrack.
2 If the YES or PLUS setting on the subwoofer is selected (in Speaker Setting on page 45), the test tone will only play back from the subwoofer. If not, the
test tone will play back from the front and surround speakers set to LARGE.
46
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The System Setup menu
07
X-Curve
THX Audio Setting
Most soundtracks mixed for cinema sound too bright
when played back in large rooms. The X-Curve setting
acts as a kind of re-equalization for home theater
listening, and restores proper tonal balance of movie
For the most effective results when using the THX Select2
Cinema and THX MusicMode listening modes (see Using
the Home THX modes on page 29) with the Advanced
Speaker Array (ASA) system (see About THX on page 85),
it is required that you make the setting. See Placing the
speakers on page 18 for more on THX speaker
1
soundtracks.
1
Select ‘X-Curve’ from the Manual SP Setup menu.
2
placement.
5.Manual SP Setup
5e.X-Curve
X-Curve
1
Select ‘THX Audio Setting’ from the Manual SP
a.Speaker Setting
b.Channel Level
c.Speaker Distance
d.Bass Peak Level
e.X-Curve
-2.0dB/oct
Setup menu.
f.THX Audio Setting
5.Manual SP Setup
a.Speaker Setting
b.Channel Level
c.Speaker Distance
d.Bass Peak Level
e.X-Curve
ꢀ:Finish
ꢀ:Return
f.THX Audio Setting
2
Choose the X-Curve setting you want.
Use ꢂ/ꢃto adjust the setting. The X-Curve is expressed
as a downwards slope in decibels per octave, starting at
2 kHz. The sound becomes less bright as the slope
increases (to a maximum of -3.0dB/oct). Use the
following guidelines to set the X-Curve according to your
room size:
ꢀ:Return
2
Specify the distance of your surround back speakers
from each other.
5f.THX Audio Setting
SB SP Position
0.0-0.3m
Room size (m2)
≤
≤
48
≤
60
≤
72
≤
≤
36
300 1000
SBL-SBR
X-Curve (dB/oct) –0.5
–1
–1.5
–2
–2.5 –3
ꢀ:Finish
• If you select OFF, the frequency curve will be flat and
the X-Curve has no effect.
• 0.0 – 0.3m – Surround speakers within 30 cm apart
(best for THX surround sound).
3
Select ‘Return’ then press ENTER to finish.
• > 0.3 – 1.2m – Surround speakers between 30 cm
and 1.2 m apart.
• 1.2m < – Surround speakers more than 1.2 m apart.
3
When you're finished, press RETURN.
You will return to the Manual SP Setup menu.
Note
1 Since the principal is the same, X-Curve isn’t applied when you’re using any of the Home THX modes (see Using the Home THX modes on page 29).
2 If you don't have surround back speakers, or just have one, you won't be able to select this setting (Cannot select shows in the display).
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Other connections
08
Chapter 8:
Other connections
1
Switch the receiver into standby then use the
Caution
2
supplied iPod control cable to connect your iPod to the
iPod jack on the rear of the receiver.
Push the connector in until you hear it click home. To
disconnect, squeeze the connector (as shown) to release
the catch, then pull out.
• Make sure the power is switched off before making or
changing the connections.
Connecting an iPod
2
Switch the receiver on and press the iPod input
This receiver has a dedicated iPod terminal that will allow
you to control playback of audio and video from your iPod
source button to switch the receiver to the iPod.
The front panel display shows Loading while the receiver
verifies the connection and retrieves data from the iPod.
1
using the controls of this receiver.
3
Use the TOP MENU button to display iPod Top
menu.
Connecting your iPod to the receiver
When the display shows Top Menu you’re ready to play
music from the iPod.
3
• If after pressing iPod the display shows No
Connection, try switching off the receiver and
reconnecting the iPod to the receiver.
AM LO
MULTI-ROO
ROO
R
OUT
iPod playback
DVD/
LD
IN
SUR-
To navigate music, photos or video on your iPod it’s
easiest if you have your TV switched on to take advantage
ROUND
BACK
OUT
TV
IN
(
)
Single
CD-R/
TAPE
R
L
SAT
IN
4
IN
R
L
of the OSDs. If you are only listening to music you can,
FR
FL
iPod
SPEAKERS
A
VIDEO /
GAME1
IN
IN
however, use just the receiver’s front panel display to do
everything if you prefer.
FRONT
CENTER
SURROUND
R
L
R
L
SUB W.
CENTER
OUT
SUR-
DVR/
ROUND
VCR 1
IN
R
R
L
L
OUT
Finding what you want to play
DVR/
RS-232C
SURROUND
BACK
VCR 2
When connected to this receiver, you can browse music,
photos or video stored on your iPod. When browsing
music, you can browse by playlist, artist, album name,
song name, genres or composers, similar to using the
iPod directly.
IN
MULTI CH
IN
OUT
IN
R
L
CONTROL
AUDIO
iPod cable
(1.6 m / 110 g)
iPod
Music
Extras
Settings
Shuffle Songs
Backlight
>
>
>
iPod Top
[ Playlists
[ Artists
]
]
]
]
]
]
]
[
Albums
MENU
[ Songs
[
Genres
ꢇ
ꢆ
[ Composers
[ Shuffle Songs
ꢃꢅ
iPod
1
Use the ꢀ/ꢁbuttons to select a category then press
ENTER to browse that category.
• To return to the previous level any time, press RETURN.
Note
1 This system is compatible with an iPod, iPod mini and iPod Photo portable device (third generation and above), however, compatibility may vary depend-
ing on the software version of your iPod. This receiver does not support software versions prior to iPod update 2004-10-20. For supported versions, consult
your local Pioneer dealer.
2 • This product is the Pioneer Control Cable for use with an iPod® (third generation and above), iPod Mini or iPod Photo.
• This cable is for connection only to the dock connector port of the iPod.
• For detailed instructions on using the iPod, please refer to the manual supplied with the iPod.
• The connected iPod should be updated with iPod updater software higher than version 2004-10-20.
3 The controls of your iPod will be inoperable when connected to this receiver (Pioneer shows in the iPod display). Features such as the equalizer cannot
be controlled using this receiver, and we recommend switching the equalizer off before connecting.
4 • Note that non-roman characters in playlists will be displayed as #.
• When watching video content from your iPod, you can only use the iPod controls, and the receiver OSD doesn’t appear (iPod video takes priority).
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Other connections
08
2
Use the ꢀ/ꢁ buttons to browse the selected
Watching photos and video content
To view photos or video on your iPod, since video control
is not possible using this receiver, you must use the main
controls of your iPod instead.
category (e.g., albums).
• Use ꢂ/ꢃ to move to previous/next levels.
3
Continue browsing until you arrive at what you
1
want to play, then press
ꢃ
to start playback.
1
Press PHOTO to switch to the iPod controls for
Navigation through categories on your iPod looks like
photo and video playback.
The receiver controls will be unavailable while you are
watching iPod videos or browsing photos.
this:
Playlist ꢄ Song
Artist ꢄ Album ꢄ Song
Album ꢄ Song
2
Press PHOTO again to switch back to the receiver
Song
controls when you’re done.
Genre ꢄ Artist ꢄ Album ꢄ Song
Composer ꢄ Album ꢄ Song
Shuffle Songs
iPod® is a trademark of Apple Computer, Inc., registered in
the U.S. and other countries.
Tip
• You can play all of the songs in a particular category
by selecting the All item at the top of each category
list. For example, you can play all the songs by a
particular artist.
Basic playback controls
The following table shows the basic playback controls for
your iPod:
Button
What it does
ꢃ
Press to start playback.
If you start playback when something other
than a song is selected, all the songs that fall
into that category will play.
ꢄ
ꢅ
Press to stop playback.
Pauses playback, or restarts playback when
paused.
ꢈ/ꢉ Press and hold during playback to start scanning.
ꢇ/ꢆ Press to skip to previous/next song.
Press repeatedly to switch between Repeat
One, Repeat All and Repeat Off.
Press repeatedly to switch between Shuffle
Songs, Shuffle Albums and Shuffle Off.
DISP
Press repeatedly to change the song playback
information displayed.
ꢂ/ꢃ
During playback, press to skip to previous/next
playlist; when browsing, press to move to
previous/next levels.
TOP MENU Press to return to the iPod Top menu screen.
RETURN Press to return to the previous level.
Note
1 If you’re in the song category, you can also press ENTER to start playback.
49
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Other connections
08
2
Use an HDMI cable to connect the HDMI OUT
interconnect on this receiver to an HDMI interconnect
on a HDMI-compatible monitor.
• The arrow on the cable connector body should be
facing right for correct alignment with the connector
on the player.
Connecting using HDMI
If you have a HDMI or DVI (with HDCP) equipped compo-
nent, you can connect it to this receiver using a commer-
1
cially available HDMI cable.
The HDMI connection transfers uncompressed digital
video, as well as almost every kind of digital audio that the
connected component is compatible with, including
DVD-Video, DVD-Audio (see below for limitations), Video
CD/Super VCD, CD and MP3. See About the video
converter on page 11 for more on HDMI compatibility.
3
Use the INPUT SELECT button to select the HDMI
input you’ve connected to (for example, HDMI 2).
You can also use the front panel INPUT SELECTOR dial.
HDMI/DVI-equipped component
• Set the HDMI parameter in Setting the AV options on
page 66 to THROUGH if you want to hear HDMI
audio output from your TV or plasma display (no
sound will be heard from this receiver).
HDMI OUT
MULTI-ROOM
IR
MULTI-ROOM
SOURCE
MAIN ROOM(ZONE1)
AUDIO
PHONO
& SOURCE
ANTENNA
AM LOOP
&
/
REC SEL
• If the video signal does not appear on your TV or
plasma display, try adjusting the resolution settings
on your component or display. Note that some
components (such as video game units) have
resolutions that may not be converted. In this case,
use an analog video connection.
OUT1
ROOM3
(ZONE3)
FM UNBAL 75 Ω
S400
IN1
IN
MONITOR
OUT
MULTI-ROOM & SOURCE
ROOM2(ZONE2)
(
)
AUDIO
ROOM2(ZONE2)
OUT
R
L
OUT2
CD
IN
IN2
S400
OUT
USB
AUDIO
IN
12 V TRIGGER
HDMI
IN1
DVD/
LD
1
2
(DC OUT 12V TOTAL 50 mA MAX)
ROOM2
1
2
IN
IN
IN
OUT
MULTI-ROOM
SOURCE
&
TV
IN
MONITOR
OUT
2
IN
(ZONE2)
IN2
IN3
IN4
OUT
(
CD-R/
TAPE
DVR/
)
VCR 1
1
OUT
Y
IN
Y
1
2
(
(
)
DVD/LD
IN
IN
1
SAT
IN
)
TV
IN
R
3
IN
2
(
DVR/
)
VCR 2
ASSIGNABLE
FR
FL
VIDEO /
GAME1
IN
• You can’t hear HDMI audio through this receiver’s
digital out jacks.
4
IN
PB
PR
PB
PR
(
)
CD-R
1
4
SUB W.
C
ASSIGNA-
BLE
OUT
1
1
2
IN
SUR-
DVR/
(
DVD/
ROUND
VCR 1
3
2
IN
)
IN
LD
IN
Y
Y
2
CD
IN
R
R
(
)
OUT
PB
PB
DVR/
SURROUN
BAC
About HDMI
VCR 2
PR
PR
3
IN
MUL
IN
OUT
CONTROL
HDMI (High Definition Multimedia Interface) supports
both video and audio on a single digital connection for
use with DVD players, DTV, set-top boxes, and other AV
devices. HDMI was developed to provide the technolo-
gies of High Bandwidth Digital Content Protection
(HDCP) as well as Digital Visual Interface (DVI) in one
specification. HDCP is used to protect digital content
transmitted and received by DVI-compliant displays.
R
L
S-VIDEO
VIDEO
ASSIGNABLE
1
DIGITAL
COMPONENT VIDEO
VIDEO
AUDIO
VSX-AX4ASi
HDMI has the capability to support standard, enhanced,
or high-definition video plus standard to multi-channel
surround-sound audio. HDMI features include uncom-
pressed digital video, a bandwidth of up to 2.2 gigabytes
per second (with HDTV signals), one connector (instead
of several cables and connectors), and communication
between the AV source and AV devices such as DTVs.
HDMI IN
HDMI/DVI-compatible monitor
or plasma display
1
Use an HDMI cable to connect the HDMI IN
interconnect on this receiver to an HDMI output on your
HDMI component.
HDMI appears on the front panel when an HDMI-
equipped component is connected.
HDMI, the
logo and High-Definition Multi-
media Interface are trademarks or registered trademarks of
HDMI licensing LLC.
Note
1 • An HDMI connection can only be made with DVI-equipped components compatible with both DVI and High Bandwidth Digital Content Protection
(HDCP). If you choose to connect to a DVI connector, you will need a separate adaptor (DVIꢄHDMI) to do so. A DVI connection, however, does not support
audio signals. Consult your local audio dealer for more information.
• This unit has been designed to be compliant with HDMI (High Definition Multimedia Interface) Version 1.2. Depending on the component you have
connected, using a DVI connection may result in unreliable signal transfers. Also, when using a component with HDMI version 1.0, it is not possible to
output copy-controlled DVD-Audio CPPM sources from the HDMI connection.
50
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Other connections
08
1
Use an i.LINK cable to connect one of the i.LINK
connectors on this receiver to an i.LINK connector on
your i.LINK component.
Using the i.LINK interface
VSX-AX4ASi only
If you have a component with an i.LINK connector, you
can connect it to this receiver using an i.LINK cable.
MULTI-ROOM
IR
MULTI-ROOM
SOURCE
MAIN ROOM(ZONE1)
AUDIO
PHONO
&
SOURCE
ANTENNA
AM LOOP
&
/
REC SEL
OUT1
ROOM3
(ZONE3)
FM UNBAL 75
Ω
S400
IN1
IN2
IN
(
)
MONITOR
OUT
MULTI-ROOM & SOURCE
ROOM2(ZONE2)
AUDIO
Since the i.LINK interface does not transmit video
signals, the video signal of i.LINK-connected compo-
nents must be connected with other cables (see
Connecting your equipment on page 10 for more on
making video connections). If you’ve already hooked up
the video signal from the component, assign the i.LINK
input to the input function to which you’ve connected the
video signals (see The Input Setup menu on page 63). See
Checking the i.LINK inputs below to confirm your i.LINK
settings.
ROOM2
(ZONE2)
OUT
R
L
OUT2
CD
IN
S400
OUT
USB
AUDIO
IN
12
V
TRIGGER
IN1
DVD/
LD
2
(DC OT 12V TOTAL 50 mA MAX)
ROOM2
1
2
IN
IN
IN
1
IN
(SAT)
OUT
MULTI-ROOM
SOURCE
&
TV
IN
MONITOR
OUT
2
IN
(DVR/
(ZONE2)
IN2
IN3
IN4
OUT
CD-R/
TAPE
)
1
VCR
1
OUT
Y
IN
Y
1
2
(DVD/LD)
(TV)
IN
IN
1
SAT
IN
IN
R
3
IN
(DVR/
VCR 2)
L
2
ASSIGNABLE
FR
FL
VIDEO /
GAME1
IN
4
IN
(CD-R)
PB
PR
PB
PR
1
4
SUB W.
CENTER
ASSIGNA-
BLE
OUT
1
1
2
IN
SUR-
DVR/
(DVD/
ROUND
VCR 1
3
2
IN
IN
LD)
IN
Y
Y
2
IN
(CD)
R
R
L
L
OUT
PB
PB
DVR/
SURROUND
BACK
VCR 2
PR
PR
3
IN
MULTI CH
IN
OUT
R
L
S-VIDEO
VIDEO
ASSIGNABLE
1
CONTROL
DIGITAL
COMPONENT VIDEO
VIDEO
AUDIO
The two i.LINK connectors on the rear of your receiver are
4-pin connectors. Use a 4-pin, S400 i.LINK cable to
connect i.LINK-equipped components.
VSX-AX4ASi
S400
(AUDIO)
Caution
• If your i.LINK connector comes into contact with
metallic parts of the receiver other than the i.LINK
terminal, an electrical short may occur. Some cables
have metal parts that may touch the unit when
connected. Please take care to use a suitable i.LINK
cable only.
i.LINK-equipped component
• The arrow on the cable connector body should be
lined up with the arrow (to the left of the connector)
on the receiver for correct alignment. The i.LINK
cable should be inserted straight into the connector
so that it snaps easily into place. If not connected
properly the receiver will not be able to recognize any
connected components. Note that the i.LINK cable is
fragile and can be broken easily if too much force is
used when connecting.
Important
• Please use 4-pin, S400 cables less than 3.5 meters
long. Although longer ones are available, they may
not work reliably.
• There may be cases where the PQLS/rate control
function and/or the i.LINK audio does not work prop-
erly even when connected to i.LINK Audio-compat-
ible equipment.
• Do not connect/disconnect i.LINK cables or switch
on/off any components connected using i.LINK when
the receiver is on.
2
Assign the i.LINK component to the input you want,
then make any necessary output settings on the
component.
See The Input Setup menu on page 63 to assign the
component to an input function on this receiver. Follow
the operating instructions that came with the component
to make any necessary output settings.
• You can connect several components together using
i.LINK. See Creating an i.LINK network below.
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Other connections
08
Checking the i.LINK inputs
About PQLS rate control
If you have several i.LINK-equipped components and
have assigned them to input functions in The Input Setup
menu on page 63, you can confirm the settings you made
below.
Pioneer's PQLS (Precision Quartz Lock System)
technology provides high-precision digital audio from
DVD-A, SACD and audio CD sources when you use the
i.LINK interface. A precision quartz controller in this
receiver eliminates distortion caused by timing errors
(jitter), giving you the best possible digital-to-analog
conversion from the digital source.
1
Select ‘i.LINK Check’ from the Other Setup menu
and press ENTER.
See The Other Setup menu on page 64 for more on
navigating this menu screen.
To take advantage of PQLS, you must have a player
compatible with rate-control, and it must be switched on
and connected to this receiver through the i.LINK
network.
• If no i.LINK-equipped components are connected
i.LINK Check cannot be selected.
7.Other Setup
7d.i.LINK Check
(1/2)
a.Multi Room Setup
(
DVD-Audio5
DVD-Audio1
DVD-Audio2
DVD-Audio3
DVD-Audio4
DVD-Video1
(
End
)
)
b.SR+ Setup
*
:
:
:
:
:
:
TV
DVD
Creating an i.LINK network
c.OSD Adjustment
d.i.LINK Check
1
2
3
4
5
DVR
Using i.LINK it is possible to chain up to 17 components
together so that the digital audio and control signals
from each component is available to other components
in the network. With the addition of an i.LINK repeater,
it’s possible to connect up to 63 components.
i.LINK
i.LINK
----
Next
ꢀ:Return
ꢀ:Return
2
Scroll through the list to confirm your settings.
When a number of i.LINK-equipped components are
connected to your receiver, the i.LINK-equipped
component you are looking for might be listed on
additional display screens.
i.LINK connectors come in 4-pin and 6-pin configura-
tions. This player uses the 4-pin connection, but the two
types can be mixed on a network.
This receiver is compatible with i.LINK Audio (A&M
protocol) components, such as DVD players. Note that
when connected to i.LINK MPEG-II TS equipment (such
as a digital satellite tuner), i.LINK DV equipment (such as
a DVD recorder or DV camcorder), or an i.LINK-equipped
personal computer, audio and video signals are not
transmitted, and connecting to these devices sometimes
causes network interruptions. Check the operating
instructions supplied with your other i.LINK components
for compatibility information.
• i.LINK is displayed after unassigned device names
(e.g. DV-868AVi [i.LINK]).
• If a connected devices cannot output (playback) a
source using the i.LINK connection, [- - - -] is
displayed after the input device name (e.g. DV-
868AVi [- - - -]). Non-compatible devices cannot be
assigned to inputs.
• When the cables for an assigned input device
become loose or the power is cut to the device, an
asterisk (*) appears before the device name (e.g.
*DV-868AVi [CD]).
This receiver is DTCP (Digital Transmission Content
Protection) compliant, so you can play DVD-A, DVD-
Video, and SACD i.LINK audio.
3
When you're finished, press RETURN.
When setting up an i.LINK network, it’s important that
the components form an open ended chain (fig. 1), or a
tree (fig. 2).
You will return to the Other Setup menu.
About i.LINK
i.LINK cable
fig. 1
i.LINK is a trademark name for IEEE1394, a high-speed
interface for digital audio, video and other data found on
personal computers, digital camcorders, and other kinds
of audio and audio/visual equipment. A single i.LINK
connector can both send and receive data at the same
time, so only one cable is required to connect compo-
nents for two-way communication.
i.LINK cable
fig. 2
“i.LINK” and the “i.LINK” logo are trademarks of Sony
Corporation.
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Other connections
08
The system will not work if the connected components
form a loop. If a loop is detected, the message LOOP
CONNECT shows in the display. Figs. 3 and 4 show
connections that form a loop.
Connecting the multichannel analog inputs
For DVD Audio and SACD playback, your DVD player may
have 5.1, 6.1 or 7.1 channel analog outputs (depending
on whether your player supports surround back
i.LINK cable
fig. 3
1
channels). Make sure that the player is set to output
multichannel analog audio.
1
Connect the front, surround, center and subwoofer
outputs on your DVD player to the corresponding
MULTI CH input jack on this receiver.
• Use standard RCA/phono jack cables for the
connections.
i.LINK cable
fig. 4
2
If your DVD player also has outputs for surround
back channels, connect these to the corresponding
MULTI CH input jacks on this receiver.
• Use standard RCA/phono jack cables for the
connections.
Another consideration when connecting i.LINK devices
is the speed of the interface. At present there are three
speeds; S100 (slowest), S200 and S400 (fastest). This
receiver uses the S400 type. Although you can use
components with different speeds together, we
recommend connecting slower-speed components at
the edge of the network if possible (shown by the shaded
boxes in figs. 1 and 2). This will keep the network free of
bottlenecks.
• If there is a single surround back output, connect it to
the SURROUND BACK L (Single) jack on this
receiver.
Selecting the multichannel analog inputs
If you have connected a decoder or a DVD player as
above, you must select the analog multichannel inputs
When used within an i.LINK network, this receiver must
be on for the i.LINK connection to be maintained. Other
components in the network may or may not maintain the
connection in standby (none will when the power is
completely off)—check the operating instructions
supplied with individual components. Note that the audio
may be momentarily interrupted if a component in the
i.LINK network is switched on/off, or its i.LINK
2
for surround sound playback.
SYSTEM OFF
INPUT
RECEIVER
SOURCE
SELECT
connection is switched on/off.
CD
TV
VIDEO
2
This product complies with the following i.LINK interface
specifications:
DVD
SAT
VIDEO 1
TV CONT
1
Make sure you have set the playback source to the
1) IEEE Std. 1394a-2000, Standard for a High Performance
Serial Bus
proper output setting.
For example, you might need to set your DVD player to
output multichannel analog audio.
2) Audio and Music Data Transmission Protocol 2.0
Following the standard for AM824 sequence adaptation
layers, the product is compatible with IEC60958 bitstream,
DVD-A and SACD.
2
Use the INPUT SELECT button to select MULTI CH IN.
You can also use the INPUT SELECTOR dial on the front
panel.
• Depending on the DVD player you’re using, the
analog output level of the subwoofer channel may be
too low. In this case switch the receiver into standby,
then press ꢁ STANDBY/ON while holding down
VIDEO SELECT on the front panel. This switches
between SW IN +10dB (increase of 10 decibels) and
SW IN 0dB (default) in the subwoofer channel.
Note
1 To listen to multichannel analog audio you’ll need to switch the input signal selector to MULTI CH INPUT (see Selecting the multichannel analog inputs
above for more on this).
2 • When playback from the multichannel inputs is selected, you can’t use Midnight/Loudness, Dialog Enhancement or the SIGNAL SELECT and ANA-
LOG ATT buttons, as well as any of the listening modes (including STEREO and the surround back channel processing).
• When playback from the multichannel inputs is selected, only the volume and channel levels can be set.
• You can’t listen to your speaker B (Second Zone) system during playback from the multichannel inputs.
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Other connections
08
5
Make any necessary settings required to select the
USB interface as your computer audio output.
You will need to make sure the correct speaker setting is
selected with the audio software you’re using. Please
refer to the manual that came with the software to make
these settings.
Using the USB interface
VSX-AX4ASi only
It is possible to listen to two channels of audio from your
computer by connecting to the USB interface on the rear
of this receiver. Depending on your model of computer
and the software installed, you can listen to the stereo
audio source through the speaker setup you’ve
6
Turn up the volume control on your computer and
this receiver.
You may want to start with a fairly low volume on this
receiver and turn it up as necessary after you’ve checked
your levels.
1
connected to this receiver.
MULTI-ROOM
IR
MULTI-ROOM
SOURCE
MAIN ROOM(ZONE1)
AUDIO
PHONO
& SOURCE
ANTENNA
AM LOOP
MULTI-ROOM & SOURCE
7
Start playback of a source on your computer.
&
/
REC SEL
OUT1
ROOM3
(ZONE3)
FM UNBAL 75 Ω
S400
IN1
IN
MONITOR
OUT
(
)
AUDIO
ROOM2(ZONE2)
OUT
ROOM2(ZONE2)
R
L
OUT2
CD
IN
IN2
S400
OUT
USB
AUDIO
12
V
TRIGGER
HDMI
IN1
DVD/
LD
IN
Caution
1
2
(DC OUT 12V TOTAL 50 mA MAX)
ROOM2
1
2
IN
IN
S
I
(
OUT
MULTI-ROOM
SOURCE
&
TV
IN
MONITOR
OUT
2
IN
• Make sure you don’t switch off the computer or
unplug the USB cable during playback.
(ZONE2)
IN2
IN3
IN4
OUT
(
CD-R/
TAPE
DVR/
)
1
VCR
1
OUT
Y
IN
1
2
(
(
2
)
DVD/LD
IN
IN
1
SAT
IN
Y
)
TV
IN
R
3
IN
L
(
DVR/
)
2
VCR
ASSIGNABLE
FR
FL
VIDEO /
GAME1
IN
4
IN
PB
PB
(
)
1
CD-R
4
SUB W.
CENTER
• To prevent noise being output, don’t use other
software on your computer during playback.
ASSIGNA-
BLE
PR
PR
OUT
1
1
2
IN
(
SUR-
DVR/
DVD/
ROUND
VCR 1
3
2
IN
)
LD
IN
IN
Y
Y
2
CD
IN
R
R
L
L
(
)
• Pioneer is not responsible for computer system
damage, software crashes or failures, or any other
possible computer problems due to this
configuration.
OUT
PB
PB
DVR/
SURROUND
BACK
VCR 2
PR
PR
IN
MULTI CH
IN
OUT
R
L
S-VIDEO
VIDEO
ASSIGNABLE
1
3
CONTROL
DIGITAL
COMPONENT VIDEO
VIDEO
AUDIO
B-type USB
connector
A-type USB
connector
Microsoft®, Windows® XP, Windows® 2000, Windows®
Millennium Edition, Windows® 98, and Windows NT® are
either registered trademarks or trademarks of Microsoft
Corporation in the United States and/or other countries.
Personal computer
1
Connect your computer’s USB terminal to the USB
terminal on the rear panel of this receiver.
2
3
Switch on your computer and this receiver.
If you’re connecting for the first time, wait for the
USB driver installation to finish.
The installation may take a minute or two to complete.
Make sure you leave the USB cable connected until the
dialog box indicates that the USB setup is finished. Note
that some older operating systems may require a disc for
2
installation.
4
Use the INPUT SELECT button to select USB.
You can also use the INPUT SELECTOR dial on the front
panel.
Note
1 • Windows® XP, Windows® 2000, Windows® Millennium Edition and Windows® 98 Second Edition operating systems have been tested for compatibility
with this interface, but depending on your computer setup, you may find that your system is not compatible.
• Make sure you use a USB cable that connects from an A-type connector (from your PC) to a 4-pin B-type connector (to the receiver).
• The USB specification is version 1.1 compatible, and the USB Audio Class specification is 1.0 compatible.
• Any computer alert sounds will also be heard through the speakers unless you switch them off from the computer’s control panel.
• You won’t be able to hear the audio from the USB connection through the digital outputs of this receiver.
• Note that using hubs or extensions may cause connection problems.
2 If your PC doesn’t recognize the receiver, try disconnecting the USB cable and connecting it again. If it is still unrecognized, restart the computer.
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Other connections
08
• SPꢃA – Sound is output from speaker system A and
the same signal is output from the pre-out terminals.
Second Zone speaker B setup
• SPꢃB – Sound is output from the two speakers
connected to speaker system B. Multichannel
sources will not be heard. The same signal is output
from the surround back channel pre-out terminals.
Caution
• Before making or changing the connections, switch off
the power and disconnect the power cord from the
power outlet. Plugging in components should be the
last connection you make with your system.
• SPꢃAB – Sound is output from speaker system A (up
to 5 channels, depending on the source), the two
speakers in speaker system B, and the subwoofer.
The sound from speaker system B will be the same as
the sound from speaker system A (multichannel
sources will be downmixed to 2 channels).
• Be careful not to allow any contact between speaker
wires from different terminals.
• You can use speakers with a nominal impedance
between 6 Ω to 16 Ω (please see Switching the
speaker impedance on page 69 if you plan to use
speakers with an impedance of less than 8 Ω).
• SPꢃ(off) – No sound is output from the speakers. The
same sound is output from the pre-out terminals
(including from your subwoofer, if connected) as
when selecting speaker system A (above).
After selecting 2nd Zone in Surround back speaker
setting on page 37, you can use the speakers connected
to the (surround back) B speaker terminals on the rear
panel to listen to stereo playback in another room. See
Switching the speaker system below for the listening
options with this setup.
Bi-amping your front speakers
Bi-amping is when you connect the high frequency driver
and low frequency driver of your speakers to different
amplifiers (in this case, to both front and surround back
terminals) for better crossover performance. Your
speakers must be bi-ampable to do this (having separate
terminals for high and low) and the sound improvement
will depend on the kind of speakers you’re using.
1
Connect a pair of speakers to the surround back
speaker terminals on the rear panel.
Connect them the same way you connected your
speakers in Installing your speaker system on page 17.
Make sure to review Placing the speakers on page 18
when placing the speakers in another room.
1
Connect your speakers as shown below.
This illustration below shows the connections for bi-
amping your front left speaker. Hook up your front right
speaker in the same way.
2
Select ‘2nd Zone’ from the ‘Surr Back System’ menu.
See Surround back speaker setting on page 37 to do this.
SPEAKERS
Switching the speaker system
SURROUND BACK
/
B
A
FRONT
CENTER
SURROUND
R
L
R
L
R
L(Single)
If you selected 2nd Zone in Surround back speaker setting
on page 37, three speaker system settings are possible
using the SPEAKERS button. If you selected Normal (SB)
or Front Bi-Amp, the button will simply switch your main
speaker system on or off. The options below are for the
Front left
speaker
SELECTABLE
High
1
2nd Zone setting only.
•
Use the SPEAKERS button on the front panel to
Low
select a speaker system setting.
As mentioned above, if you have selected Normal (SB),
the button will simply switch your main speaker system
(A) on or off.
Since both front and surround back speaker terminals
output the same audio, it doesn’t matter which set (front
or surround back) is powering which part (High or Low)
of the speaker.
MULTI – ROOM &
(TUNE +)
SPEAKERS
BAND
VIDEO
SELECT
SIGNAL
SBch
SOURCE/REC SEL
STEREO
SELECT PROCESSING
CONTROL ON/OFF
AV
TUNER
EDIT
PARAMETER
VIDEO/GAME
2
INPUT
MCACC
SETUP MIC
PHONES
(ST –)
(ST +)
ENTER
• Make sure that the + / – connections are properly
ꢀ
SETUP
RETURN
inserted.
DIGITAL IN S-VIDEO
VIDEO
L
AUDIO R
(TUNE –)
Press repeatedly to choose a speaker system option:
Note
1 • The subwoofer output depends on the settings you made in Manual speaker setup on page 44. However, if SPꢃB is selected above, no sound is heard
from the subwoofer (the LFE channel is not downmixed).
• Depending on the settings in Surround back speaker setting on page 37 output from the surround back pre-out terminals may change.
• All speaker systems (except 2nd Zone connections) are switched off when headphones are connected.
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Other connections
08
2
Select the ‘Front Bi-Amp’ setting from the ‘Surr Back
System’ menu.
See Surround back speaker setting on page 37 to specify
how you’re using the surround back speaker terminals.
Connecting additional amplifiers
This receiver has more than enough power for any home
use, but it’s possible to add additional amplifiers to every
channel of your system using the pre-outs. Make the
connections shown below to add amplifiers to power
your speakers.
Caution
• Most speakers with both High and Low terminals
have two metal plates that connect the High to the
Low terminals. These must be removed when you are
bi-amping the speakers or you could severely
damage the amplifier. See your speaker manual for
more information.
• Before making or changing the connections, switch
off the power and disconnect the power cord from the
AC outlet.
ANALOG
INPUT
L
R
• If your speakers have a removable crossover network,
make sure you do not remove it for bi-amping. Doing
so may damage your speakers.
PRE OUT
L
Front channel
amplifier
R
FRONT
CENTER
SUB W.
ANALOG
INPUT
SUR-
ROUND
Center channel
amplifier (mono)
SUR-
ROUND
BACK
Bi-wiring your speakers
ANALOG
INPUT
(
)
Single
R
L
Powered
The reasons for bi-wiring are basically the same as bi-
amping, but additionally, interference effects within the
wire could be reduced, producing better sound. Again, to
do this your speakers must be bi-wireable (that is they
must have separate terminals for the high and low
frequencies). When bi-wiring, make sure you’ve selected
Normal (SB) or 2nd Zone in Surround back speaker
setting on page 37.
L
subwoofer
iPod
SPEAKERS
A
IN
FRONT
R
CENTER
ANALOG
INPUT
L
R
Surround channel
amplifier
L
L
ANALOG
INPUT
RS-232C
UND
ACK
L
R
ULTI CH
IN
Surround back
channel amplifier
•
To bi-wire a speaker, connect two speaker cords to
VSX-AX4ASi
the speaker terminal on the receiver.
• You can use the additional amplifier on the surround
back channel pre-outs for a single speaker as well. In
this case plug the amplifier into the left (L (Single))
terminal only.
• The sound from the surround back terminals will
depend on how you have configured the Surround
back speaker setting on page 37.
• To hear sound only from the pre-outs, switch the
speaker system to OFF, or simply disconnect any
speakers that are connected directly to the receiver.
Caution
• Make sure you use a parallel (not series, which are
fairly uncommon) connection when bi-wiring your
speakers.
• If you’re not using a subwoofer, change the front
speaker setting (see Speaker Setting on page 45) to
large.
• Don't connect different speakers from the same
terminal in this way.
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Other connections
Multi-room listening
08
Multi-room listening options
The following table shows what you can listen to in each
sub room:
This receiver can power up to three independent systems
in separate rooms after you have made the proper multi-
room connections. An example multi-room setup is
shown below, but the number of multi-room connections
(and the way you choose to connect them) depends on
how you want to set up your system.
Sub room
Input sources available
ROOM2 (ZONE2) iPod, the built-in tuner and other analog audio
sources (except MULTI CH IN). With video
sources, only composite video is possible.
ROOM3 (ZONE3) Only digital audio sources (the input source
must already be assigned using the The Input
Setup menu on page 63) are available.
MULTI-ROOM
IR
MULTI-ROOM
SOURCE
MAIN ROOM(ZONE1)
A
&
SOURCE
ANTENNA
&
/
REC SEL
PHON
OUT1
ROOM3
(ZONE3)
FM UNBAL 75
Ω
AM LOOP
S400
(AUDIO)
IN1
IN
MONITOR
OUT
MULTI-ROOM & SOURCE
ROOM2(ZONE2)
ROOM2(ZONE2)
OUT
R
L
OUT2
CD
IN
IN2
S400
OUT
USB
AUDIO
IN
12
V
TRIGGER
HDMI
IN1
Basic multi-room setup (ROOM 2)
DVD/
LD
IN
1
2
(DC OUT 12V TOTAL 50 mA MAX)
ROOM2
1
2
IN
IN
1
IN
(SAT)
OUT
MULTI-ROOM
SOURCE
&
TV
IN
MONITOR
OUT
2
IN
1
Connect a separate amplifier to the MULTI-ROOM &
(ZONE2)
IN2
(DVR/
CD-R/
TAPE
VCR 1)
1
OUT
Y
IN
1
2
(DVD/LD)
(TV)
IN
IN
1
SAT
IN
Y
IN
R
3
IN
SOURCE OUT jacks and a TV monitor to the MULTI-
ROOM & SOURCE MONITOR OUT jacks, both on the rear
of this receiver.
2
(DVR/
VCR 2)
ASSIGNABLE
Sub room (ZONE 3)
Sub room (ZONE 2)
Main room
You should have a pair of speakers attached to the sub
room amplifier as shown in the following illustration.
M
U
L
TI-ROOM
IR
MULTI-ROOM
SOURCE
MAIN ROOM(ZONE1)
AUDIO
PHONO
&
S
O
URCE
&
ANTENNA
/
R
E
C
SEL
OUT1
FM UNBAL 75
Ω
AM LOOP
R
O
O
M
3
S400
(AUDIO)
(
ZONE3
)
IN1
IN
MONITOR
OUT
MULTI-ROOM SOURCE
&
ROOM2(ZONE2)
OUT
R
ROOM2(ZONE2)
L
OUT2
CD
IN
IN2
S400
OUT
USB
AUDIO
IN
HDMI
IN1
12
V
TRIGGER
DVD/
LD
IN
1
2
(DC OUT 12V TOTAL 50 mA MAX)
ROOM2
MULTI-ROOM
IN
IN
1
2
IN
(SAT)
1
OUT
&
SOURCE
TV
IN
PHONO
MONITOR
OUT
IN
(DVR/
VCR 1)
2
(ZONE2)
IN2
IN3
IN4
OUT
CD-R/
TAPE
MAIN ROOM(ZONE1)
IN
Y
1
OUT
Y
IN
IN
1
1
2
DVD/LD)
(TV)
SA
T
FM UNBAL 75 Ω
AM LOOP
IN
R
IN
3
IN
S400
L
2
(DVR/
VCR 2)
ASSIGNABLE
FR
FL
VIDEO
/
IN1
IN2
IN
IN
(CD-R)
4
PB
PB
PR
GAME1
IN
MONITOR
OUT
MULTI-ROOM & SOURCE
( )
AUDIO
1
4
SUB
W.
CENTER
ASSIGNA-
BLE
PR
2
OUT
ROOM2(ZONE2)
OUT
ROOM2(ZONE2)
R
L
IN
1
1
2
SUR-
DVR/
(DVD/
ROUND
R
IN
3
VCR
1
LD)
IN
CD
IN
Y
Y
IN
IN
2
(CD)
L
L
S400
PB
PB
OUT
DVR/
OUT
R
SURROUND
BACK
VCR
2
PR
PR
3
IN
MULTI CH
IN
12 V TRIGGER
HDMI
IN1
DIGITAL IN
OUT
R
L
S
-
VIDEO
VIDEO
ASSIGNABLE
COMPONENT VIDEO
1
CONTROL
DIGITAL
VIDEO
AUDIO
DVD/
LD
1
2
1
2
IN
IN
IN
(
)
DC OUT 12V TOTAL 50 mA MAX
ROOM2
OUT
MULTI-ROOM
SOURCE
MONITOR
OUT
&
TV
IN
(ZONE2)
IN2
CD-R/
TAPE
1
OUT
Y
IN
1
2
(
(
2
)
DVD/LD
IN
IN
1
SAT
IN
Y
)
TV
IN
R
IR receiver
ASSIGNABLE
FR
FL
Sub room
Main room
Different sources can be playing in three rooms at the
same time or, depending on your needs, the same source
can also be used. The main and sub rooms have
independent power (the main room power can be off
while one (or both) of the sub rooms is on) and the sub
rooms can be controlled by the remote or front panel
controls. However, you may need to specify the volume
settings in Multi-Room setup on page 65.
M
U
L
TI-ROOM
IR
MULTI-ROOM
SOURCE
MAIN ROOM(ZONE1)
AU
&
S
O
URCE
ANTENNA
&
/
R
E
C
SEL
PHONO
OUT1
FM UNBAL 75
Ω
AM LOOP
R
O
O
M
3
S400
(AUDIO)
(
ZONE3
)
IN1
IN
MONITOR
OUT
MULTI-ROOM SOURCE
&
ROOM2
(ZONE2)
OUT
ROOM2(ZONE2)
OUT2
R
L
CD
IN
IN2
S400
OUT
USB
AUDIO
IN
HDMI
IN1
12
V
TRIGGER
DVD/
LD
IN
1
2
(DC OUT 12V TOTAL 50 mA MAX)
ROOM2
IN
IN
1
2
IN
(SAT)
1
OUT
MULTI-ROOM
SOURCE
&
TV
IN
MONITOR
OUT
IN
2
(ZONE2)
IN
Y
IN2
IN3
IN4
OUT
(DVR/
CD-R/
TAPE
VCR 1)
1
OUT
Y
(DVD/LD)
(TV)
IN
IN
1
1
SAT
IN
2
IN
R
IN
3
2
(DVR/
VCR 2)
ASSIGNABLE
FR
VIDEO
/
IN
(CD-R)
4
PB
PB
PR
GAME1
IN
1
4
SUB
W.
ASSIGNA-
BLE
OUT
PR
2
IN
1
1
2
SUR-
DVR/
(DVD/
ROUND
3
VCR
1
IN
IN
LD)
Y
Y
IN
IN
(CD)
2
R
PB
PB
OUT
DVR/
R
S
VCR
2
PR
PR
3
IN
OU
R
L
S
-
VIDEO
VIDEO
ASSIGNABLE
1
CONTR
DIGITAL
COMPONENT VIDEO
VIDEO
AUDIO
Making multi-room connections
It is possible to make these connections if you have a
separate TV and speakers for your primary (ROOM 2) sub
room, and a separate amplifier (and speakers) for your
secondary (ROOM 3) sub room. You will also need a
separate amplifier if you are not using the Surround Back
System setup (see below) for your primary sub room.
There are two primary sub room setups possible with this
system. Choose whichever works best for you.
Surround Back System multi-room setup (ROOM 2)
You must select MR&S in Surround back speaker setting
on page 37 to use this setup. Note that the sound in the
sub room will be temporarily interrupted when
controlling the main room (for example, changing the
input source or starting playback).
1
Note
1 You can't use sound controls (such as the tone controls or Midnight listening) or any surround modes with a separate amplifier in the sub room. You
can, however, use the features available with your sub room amplifier.
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Other connections
08
•
Connect a TV monitor to the MULTI-ROOM &
Using the multi-room controls
SOURCE MONITOR OUT jacks on the rear of this
receiver.
You should have a pair of speakers attached to the
surround back speaker terminals as shown below.
The following steps use the front panel controls to adjust
the sub room volume and select sources. See Multi-room
remote controls below and (VSX-AX4ASi only) Sub remote
control unit on page 27 for more on using the remote
control with the multi-room feature.
MULTI – ROOM &
(TUNE +)
SPEAKERS
BAND
VIDEO
SELECT
SIGNAL
SBch
SOURCE/REC SEL
Sub room
Main room
STEREO
SELECT PROCESSING
CONTROL ON/OFF
AV
TUNER
EDIT
PARAMETER
VIDEO/GAME
2
INPUT
MCACC
SETUP MIC
PHONES
(ST –)
(ST +)
ENTER
ꢀ
M
U
L
TI-ROOM
IR
MULTI-ROOM
SOURCE
MAIN ROOM(ZONE1)
AUDIO
PHONO
PRE OUT
L
&
S
O
URCE
TWO VOL AGE
T
&
ANTENNA
AM LOOP
A
A
C
C
IN
IN
/
R
E
C
SEL
SELECTORS
R
FRONT
OUT1
SETUP
RETURN
FM UNBAL 75
Ω
R
O
O
M
3
S400
(AUDIO)
(
ZONE3
)
IN1
IN
MONITOR
OUT
MULTI-ROOM SOURCE
&
ROOM2(ZONE2)
OUT
R
ROOM2(ZONE2)
L
CENTER
OUT2
SUB
W.
CD
IN
IN2
S400
OUT
USB
AUDIO
IN
SUR-
HDMI
IN1
12
V
TRIGGER
ROUND
DVD/
LD
1
2
TOTAL 50 mA MAX)
MULTI-ROOM
IN
IN
1
2
IN
DIGITAL IN S-VIDEO
VIDEO
L
AUDIO R
1
(DC OUT 12V
ROOM2
SUR-
(TUNE –)
IN
(SAT)
ROUND
BACK
OUT
&
SOURCE
TV
IN
220
V
230-
240 V
120-127
MONITOR
OUT
IN
(DVR/
VCR 1)
2
(ZONE2)
(Single)
IN2
IN3
IN4
OUT
CD-R/
TAPE
110
V
V
R
L
IN
Y
1
OUT
Y
IN
IN
1
1
2
(DVD/LD)
(TV)
SA
T
1
1
0
V
220
V
IN
R
IN
3
IN
1
20-127
V
230-240
V
L
2
(DVR/
VCR 2)
ASSIGNABLE
FR
FL
iPod
VIDEO
/
SPEAKERS
A
IN
(CD-R)
4
PB
PB
PR
GAME1
IN
IN
SURROUND BACK
/
FRONT
CENTER
SURROUND
B
1
4
SUB
W.
CENTER
R
L
R
L
R
L
(Single)
ASSIGNA-
BLE
PR
2
OUT
IN
1
1
2
SUR-
DVR/
(DVD/
ROUND
R
IN
3
VCR
1
LD)
IN
Y
Y
IN
IN
2
(CD)
L
L
AUDIO/VIDEO MULTI-CHANNEL RECEIVER VSX-AX4ASi
PB
PB
OUT
DVR/
R
SURROUND
BACK
RS-232C
VCR
2
PR
PR
3
IN
MULTI CH
IN
SELECTABLE
OUT
IN
R
L
S
-
VIDEO
VIDEO
AABLE
CNENT VIDEO
1
CONTROL
DIGITAL
VIDEO
AUDIO
ꢁ
STANDBY/ON
PHASE
CONTROL
DIGITAL PRECISION
PROCESSING
S400
PHASE
CONTROL
MCACC
POSITION
AUTO SURR/
STREAM DIRECT
HOME
THX
STANDARD
SURROUND
ADVANCED
SURROUND
12 V TRIGGER
INPUT
SELECTOR
MASTER
VOLUME
HDMI
IN1
1
2
SURROUND BACK /
B
(
L
)
Single
L
R
(
)
DC OUT 12V TOTAL 50 mA MAX
ROOM2
MULTI-ROOM
SOURCE
&
MONITOR
OUT
(ZONE2)
IN2
1
OUT
Y
IN
IN
IN
Y
1
Press the MULTI ROOM & SOURCE ON/OFF button
on the front panel.
Each press selects a multi-room option:
• ROOM 2 ON – Selects your primary (ROOM 2) sub
Secondary multi-room setup (ROOM 3)
Connect a separate amplifier to the OUT1 ROOM3
room
•
• ROOM 2&3 ON – Select both sub rooms
(ZONE3) digital output on the rear of this receiver.
The amplifier must have an optical digital input to make
this connection. This will allow you to hear the digital
• ROOM 3 ON – Selects your secondary (ROOM 3)
sub room
• Off – Switches the multi-room feature off
The MULTI ROOM indicator lights when the multi-room
1
output of a component in a second sub room.
control has been switched on.
MULTI-ROOM
IR
2
& SOURCE
/
REC SEL
2
Press CONTROL to select the sub room(s) you want.
OUT1
ROOM3
(ZONE3)
S400
If you selected ROOM 2&3 ON above, you can toggle
between ROOM 2 and ROOM 3.
IN1
IN2
(
)
AUDIO
OUT2
USB
S400
3
• When the receiver is on, make sure that any
operations for the sub room are done while ZONE
Main room
Sub room (ROOM 3)
and your selected sub room(s) show in the display. If
this is not showing, the front panel controls affect the
main room only.
M
U
L
TI-ROOM
IR
MULTI-ROOM
SOURCE
&
S
O
URCE
ANTENNA
AM LOOP
&
/
R
E
C
SEL
MAIN ROOM(ZONE1)
OUT1
FM UNBAL 75
Ω
R
O
O
M
3
S400
(AUDIO)
(
ZONE3
)
IN1
MONITOR
OUT
MULTI-ROOM SOURCE
&
ROOM2
(ZONE2)
OUT
ROOM2(ZONE2)
OUT2
R
L
IN2
S400
OUT
USB
AUDIO
IN
HDMI
IN1
12
V
TRIGGER
DVD/
LD
1
2
(DC OUT 12V TOTAL 50 mA MAX)
ROOM2
IN
IN
1
2
3
Use the INPUT SELECTOR dial to select the source
IN
IN
1
(SAT)
MULTI-ROOM
SOURCE
&
TV
IN
MONITOR
OUT
IN
(DVR/
VCR 1)
2
(ZONE2)
IN
Y
IN2
IN3
IN4
OUT
C
T
1
OUT
Y
IN
IN
1
1
2
(DVD/LD)
(TV)
SAT
IN
for the room you have selected.
IN
3
2
(DVR/
VCR 2)
ASSIGNABLE
VIDEO
/
IN
4
(CD-R)
PB
PB
PR
GAME1
IN
1
4
ASSIGNA-
BLE
OUT
PR
2
For example, ROOM 2 CD-R sends the source connected
to the CD-R inputs to the primary (ROOM 2) sub room.
IN
1
1
2
DVR/
(DVD/
IN
IN
3
VCR
1
LD)
Y
Y
IN
IN
(CD)
2
PB
PB
OUT
DVR/
VCR
2
PR
PR
3
IN
DIGITAL IN
R
L
S
-
VIDEO
VIDEO
ASSIGNABLE
1
DIGITAL
COMPONENT VIDEO
VIDEO
AUDIO
• If you select TUNER, you can use the front panel
TUNER controls to select a preset station (see Saving
station presets on page 33 if you’re unsure how to do
4
this).
Note
1 Only one sub room is possible if you connect the OUT1 ROOM3 (ZONE3) digital output to your second sub room.
2 Note that when recording, this also selects the RECOUT input source. See Making an audio or a video recording on page 67 for more on this.
3 If the receiver is in standby, the display is dimmed, and ZONE and your selected sub room(s) continue to show in the display.
4 The tuner cannot be tuned to more than one station at a time. Therefore, changing the station in one room also changes the station in the other room.
Please be careful not to change stations when recording a radio broadcast.
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Other connections
08
4
Use the MASTER VOLUME dial to adjust the
volume.
Connecting an IR receiver
This is only possible if you selected the VARIABLE
volume control in Multi-Room setup on page 65.
If you keep your stereo components in a closed cabinet or
shelving unit, you can use an optional IR receiver (such
as a Niles or Xantech unit) to control your system instead
1
5
When you’re finished, press CONTROL again to
3
return to the main room controls.
of the remote sensor on the front panel of this receiver.
You can also press the MULTI ROOM & SOURCE ON/
OFF button on the front panel to switch off all output to
the sub room(s).
You may need to specify your IR receiver type in Multi-
Room setup on page 65.
2
1
Connect the IR receiver sensor to the MULTI-ROOM
& SOURCE IR IN (MAIN ROOM) jack on the rear of this
receiver.
Multi-room remote controls
The following table shows the possible multi-room
remote controls:
If you also plan to use a separate IR receiver in the sub
room, connect this to the ROOM2(ZONE2) jack. This will
allow you to use the sub room remote control as
explained in (VSX-AX4ASi only) Sub remote control unit
on page 27.
Button
What it does
Selects the sub room you want to control,
shown in the display as RCV/RM2 (ZONE/
ROOM2) or RCV/RM3 (ZONE/ROOM3).
SHIFT+
RECEIVER
Closet or shelving unit
Switches on/off power in the currently selected
sub room.
ꢁ
Non-Pioneer
IR
component
Use to select the input source in the currently
selected sub room.
INPUT
SELECT
IN
Pioneer
CONTROL
component
Use to select the input source directly (this may
not work for some functions) in the currently
selected sub room.
Input
source
buttons
IN
OUT
IR
MULTI-ROOM
SOURCE
MAIN ROOM(ZONE1)
&
FM UNBAL 7
M
U
L
TI-ROOM
IR
MULTI-ROOM
SOURCE
AUDIO
PHONO
PRE OUT
L
&
S
O
URCE
ANTENNA
AM LOOP
&
/
R
E
C
SEL
R
IN1
FRONT
MAIN ROOM(ZONE1)
OUT1
FM UNBAL 75
Ω
R
O
O
M
3
S400
(AUDI)
MONIT
OUT
(
ZONE3
)
IN1
IN
MONITOR
OUT
MULTI-ROOM SOURCE
&
ROOM2(ZONE2)
OUT
ROOM2
(ZONE2)
OUT
ROOM2(ZONE2)
CENTER
OUT2
R
L
SUB
W.
CD
IN
IN2
Use to set the listening volume in the currently
selected sub room (ZONE/ROOM2 only).
VOL +/–
S400
OUT
USB
IN2
SUR-
AUDIO
IN
12
V
TRIGGER
HDMI
IN1
ROUND
DVD/
LD
IN
1
2
(DC OUT 12V TOTAL 50 mA MAX)
ROOM2
1
2
IN
IN
SUR-
1
IN
(SAT)
ROUND
BACK
12 V TRIGGER
OUT
HDMI
N1
MULTI-ROOM
SOURCE
&
TV
IN
MONITOR
OUT
2
IN
(DVR/
VCR 1)
(ZONE2)
(Single)
IN2
IN3
IN4
OUT
CD-R/
TAPE
R
L
1
2
1
OUT
Y
IN
1
2
(DVD/LD)
(TV)
IN
IN
1
SAT
IN
Y
IN
R
1
3
IN
L
2
(DVR/
VCR 2)
ASSIGNABLE
FR
FL
iPod
VIDEO
/
SPEAKERS
A
4
PB
PB
PR
IN
(CD-R)
1
GAME1
IN
IN
FRONT
R
L
4
SUB W.
CENTER
ASSIGNA-
BLE
OUT
PR
2
1
1
2
IN
SUR-
DVR/
(DVD/
ROUND
VCR
1
3
IN
IN
LD)
Y
Y
IN
2
IN
(CD)
R
R
L
L
PB
PB
OUT
DVR/
SURROUND
BACK
RS-232C
VCR
2
PR
PR
3
IN
MULTI CH
IN
OUT
IN
R
L
S
-
VIDEO
VIDEO
ASSIGNABLE
COMPONENT VIDEO
1
CONTROL
DIGITAL
VIDEO
AUDIO
L
SURROUND
BACK
MULTI CH
IN
OUT
CONTROL
IR receiver
2
Connect the IR IN jack of another component to the
MULTI-ROOM & SOURCE IR OUT jack on the rear of this
receiver to link it to the IR receiver.
Please see the manual supplied with your IR receiver for
the type of cable necessary for the connection.
• If you want to link a Pioneer component to the IR
receiver, see Operating other Pioneer components
with this unit’s sensor on page 76 to connect to the
CONTROL jacks instead of the IR OUT jack.
Note
1 The volume levels of the main and sub rooms are independent.
2 • You won’t be able to switch the main room off completely unless you’ve switched off the multi-room control first.
• If you don’t plan to use the multi-room feature for awhile, turn off the power in both the sub and main rooms so that this receiver is in standby.
3 • Remote operation may not be possible if direct light from a strong fluorescent lamp is shining on the IR receiver remote sensor window.
• Note that other manufacturers may not use the IR terminology. Refer to the manual that came with your component to check for IR compatibility.
• If using two remote controls (at the same time), the IR receiver’s remote sensor takes priority over the remote sensor on the front panel.
59
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Other connections
08
Switching components on and off using
the 12 volt trigger
Using this receiver with a Pioneer
plasma display
You can connect components in your system (such as a
screen or projector) to this receiver so that they switch on
or off using 12 volt triggers when you select an input
function. However, you must specify which input
functions switch on the trigger using the The Input Setup
menu on page 63. Note that this will only work with
components that have a standby mode.
If you have a Pioneer plasma display, you can use an
1
SR+ cable to connect it to this unit and take advantage
of various convenient features, such as automatic video
input switching of the plasma display when the input is
2
changed.
12V
TRIGGER
CONTROL
OUT
MULTI-ROOM
IR
MULTI-ROOM
SOURCE
& SOURCE
&
/
REC SEL
MAIN ROOM(ZONE1)
OUT1
FM UNBAL 75 Ω
AM
S400
ROOM3
(ZONE3)
IN1
MONITOR
OUT
MULTI-R
R
(
)
AUDIO
ROOM2(ZONE2)
OUT
OUT2
Pioneer plasma
display
IN2
S400
OUT
USB
AUDIO
IN
12 V TER
HDMI
IN1
DVD/
LD
IN
1
2
(DC OUT 12V TOTAL 50 mA MAX)
ROOM2
1
2
IN
IN
1
SAT
IN
(
)
MULTI-ROOM
SOURCE
&
TV
IN
MONITOR
OUT
2
IN
IR
MULTI-ROOM
SOURCE
MAIN ROOM(ZONE1)
AUDIO
PHONO
PRE OUT
L
(ZONE2)
IN2
ANTENNA
AM LOOP
&
(
DVR/
R
FM UNBAL 75
Ω
S400
(AUDIO)
IN1
IN
MONITOR
OUT
MULTI-ROOM & SOURCE
ROOM2(ZONE2)
ROOM2(ZONE2)
OUT
R
L
C
SUB W.
CD
IN
IN2
S400
OUT
12
V
TRIGGER
HDMI
IN1
•
Connect the 12V TRIGGER jack of this receiver to
DVD/
LD
1
2
(DC OUT 12V TOTAL 50 mA MAX)
ROOM2
1
2
IN
IN
IN
OUT
MULTI-ROOM
SOURCE
&
the 12V trigger of another component.
Use a cable with a mono mini-plug on each end for the
connection.
TV
IN
MONITOR
OUT
(ZONE2)
IN2
IN3
IN4
OUT
CD-R/
TAPE
R
L
1
OUT
Y
IN
1
2
(DVD/LD)
(TV)
IN
IN
1
SAT
IN
Y
IN
R
L
2
ASSIGNABLE
FR
FL
iPod
VIDEO /
GAME1
IN
PB
PR
PB
PR
IN
4
NA-
SUB W.
CENTER
OUT
2
SUR-
• The trigger maximum power is DC OUT 12 V/50 mA
total.
DVR/
ROUND
VCR
1
3
2
IN
IN
IN
Y
Y
R
R
L
L
OUT
DVR/
PB
PB
RS-232C
SURROUND
BACK
VCR
2
After you’ve specified the input functions that will switch
on the trigger, you’ll be able to switch the component on
or off just by pressing the input function(s) you’ve set on
page 63.
PR
PR
3
IN
CH
IN
OUT
IN
R
L
S-VIDEO
VIDEO
ASSIGNABLE
COMPONENT VIDEO
1
CONTROL
DIGITAL
VIDEO
AUDIO
Important
• If you connect to a Pioneer plasma display using an
SR+ cable, you will need to point the remote control
at the plasma display remote sensor to control the
receiver. In this case, you won’t be able to control the
receiver using the remote control if you switch the
plasma display off.
• Before you can use the extra SR+ features, you need
to make a few settings in the receiver. See The Input
Setup menu on page 63 and SR+ Setup for Pioneer
plasma displays on page 65 for detailed instructions.
Note
1 The 3-ringed SR+ cable from Pioneer is commercially available under the part number ADE7095. Contact the Pioneer Customer Support division for
more information on obtaining an SR+ cable (you can also use a commercially available 3-ringed mini phone plug for the connection).
2 This receiver is compatible with all SR+ equipped Pioneer plasma displays from 2003 onward.
60
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Other connections
08
•
Use a 3-ringed miniplug SR+ cable to connect the
CONTROL IN jack of this receiver with the CONTROL
OUT jack of your plasma display.
Using the SR+ mode with a Pioneer
plasma display
When connected using an SR+ cable, a number of
features become available to make using this receiver
with your Pioneer plasma display even easier. These
features include:
• On-screen displays when making receiver settings,
such as speaker setup, MCACC setup, and so on.
VIDEO
INPUT 1
VIDEO
INPUT 2
Pioneer plasma
display
• On-screen volume display.
• On-screen display of listening mode.
• Automatic video input switching on the plasma
display.
DVD player
Satellite receiver, etc
• Automatic volume muting on the plasma display.
See also SR+ Setup for Pioneer plasma displays on
page 65 for more on setting up the receiver.
DVD/LD
AUDIO IN
SAT
AUDIO IN
Important
AUDIO/VIDEO MULTI-CHANNEL RECEIVER VSX-AX4ASi
ꢁ
STANDBY/ON
PHASE
CONTROL
• The additional SR+ features do not work when the
iPod function is selected.
PHASE
CONTROL
MCACC
POSITION
AUTO SURR/
STREAM DIRECT
HOME
THX
STANDARD
SURROUND
ADVANCED
SURROUND
INPUT
SELECTOR
MASTER
VOLUME
SLEEP
VIDEO
SEL
ANALOG
ATT
SYSTEM OFF
SOURCE
INPUT
SELECT
RECEIVER
+
SR
DIMMER
S.RETRIEVER
This receiver
D.ACCESS
CLASS
ENTER
+
10
DISC
To make the most of the SR+ features, you should
connect your source components (DVD player, etc.) in a
slightly different way to that described in this chapter. For
each component, connect the video output directly to the
plasma display, and just connect the audio (analog and/
or digital) to this receiver.
AV PARAMETER
CH LEVEL
MENU
TOP MENU ì
TUNE
CD
TV
VIDEO
2
DVD
SAT
VIDEO 1
TV CONT
ST
ST
T.EDIT
ì
ENTER
RETURN
SETUP
DVR2
CD-R
i Pod
MULTI IN
TUNER
ROOM2/3
RECEIVER
ꢀ
DVR1
TUNE
GUIDEPTY SEARCH
BAND
1
Make sure that the plasma display and this receiver
are switched on and that they are connected with the
SR+ cable.
See Using this receiver with a Pioneer plasma display
above for more on connecting these components.
• Make sure you have also selected the display input to
which you’ve connected the receiver in The Input
Setup menu on page 63.
2
To switch SR+ mode on/off, press RECEIVER, then
the SR+ button.
The front panel display shows SR+ ON or SR+ OFF.
• The automatic volume muting feature is enabled
separately; see SR+ Setup for Pioneer plasma displays
on page 65.
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Other connections
08
Advanced MCACC output using your PC
Before continuing, make sure you have completed steps
1–3 in Professional Acoustic Calibration EQ on page 40.
Note that transmission data is erased when the receiver
is turned off.
Connecting a PC for Advanced MCACC
output
If you use the Professional Acoustic Calibration EQ (see
page 40) to measure the reverb characteristics of your
listening room, you can check the results graphically
using a computer connected to this receiver. Use a
commercially-available RS-232C cable to connect the RS-
232C jack on your computer to the 9-pin RS-232C jack on
the back panel of this receiver (the cable must be cross
type, female–female).
1
Select ‘Reverb Output PC’ and press ENTER.
When the receiver is ready for transmission, Start the
MCACC application on your PC shows on the OSD.
3e.EQ Professional
3e3.Reverb Output PC
MCACC:M1. MEMORY
1.Reverb Measurement
2.Reverb View
1
3.Reverb Output PC
4.Advanced EQ Setup
Start the MCACC
application on your PC
The software to output the results is available by
contacting the Pioneer Authorized Distributor for your
area (as listed on the back page of this manual) as well
as the instructions necessary for using it.
ENTER:Next
ꢀ:Return
ꢀ:Cancel
2
Start the MCACC application on your computer.
Please make sure your system meets the following
requirements:
Follow the instructions provided with the application. It
will take about ten seconds for the transmission to
complete, then you will be able to analyze the output on
your computer. Since the data will be cleared from the
receiver when you restart reverb measurement or turn off
the receiver, you might want to save the information on
your PC after measurement.
®
®
• Operating system must be Windows XP, Windows
®
®
2000, Windows Millennium Edition, Windows 98
Second Edition, or Windows NT 4.0 (Service pack 6).
®
• CPU must be at least Pentium 3 / 300 MHz or AMD
K6 / 300 MHz (or equivalent) with at least 128 MB of
memory, and your monitor must be able to display a
minimum resolution of 800x600.
3
When you’re finished, press RETURN.
You’ll be taken to the Advanced EQ Setup. Depending on
the results, you may want to continue with the Advanced
EQ setup (see Using Professional Acoustic Calibration EQ
on page 42 for more on this). You can also simply press
RETURN again to exit the Professional Acoustic
Calibration EQ setup.
• An RS-232C port connector is necessary for
graphical output. Refer to the operating instructions
and/or the PC manufacturer for more information on
making the proper port settings.
• System must have internet access.
•
Connect your computer to the RS-232C jack on
the rear panel of the receiver.
Make sure that the receiver and all connected
components are switched off and disconnected from the
1
power outlet when you do this.
Use a commercially-available cable to connect the RS-
232C jack on your computer to the 9-pin RS-232C jack on
this receiver. See the documentation provided with the
Advanced MCACC application for more information.
RS-232C
Personal computer
Note
1 Make sure that you do this before continuing to the Reverb Measurement option in Using Professional Acoustic Calibration EQ on page 42 (measure-
ment data is cleared if you switch off the power).
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Other Settings
09
Chapter 9:
Other Settings
4
Select the input function that you want to set up.
The default names correspond with the names next to the
terminals on the rear panel (such as DVD/LD or VIDEO
1/GAME 1) which, in turn, correspond with the names
on the remote control.
The Input Setup menu
You only need to make settings in the Input Setup menu
if you didn’t hook up your digital equipment according to
the default settings (see Input function default and
possible settings below). In this case, you need to tell the
receiver what equipment is hooked up to which terminal
so the buttons on the remote correspond to the
components you’ve connected.
6.Input Setup
Input
(1/2)
6.Input Setup
(
(2/2)
DVD
Back)
TV Game
Input Name Default
M.ROOM
ROOM
Input-1
Digital In
[
[
[
[
COAX-1
Input-2
Comp-2
Input-1
]
]
]
]
HDMI Input
Component In
S-Video In
i.LINK In
12V Trigger1
12V Trigger2
PDP In (SR+)
[
[
[
]
]
]
2
[
DV-S969A
Next
]
(
)
ꢀ:Finish
ENTER
:
Next
ꢀ:Finish
SYSTEM OFF
INPUT
RECEIVER
SOURCE
D.ACCESS
CLASS
ENTER
SELECT
+
10
DISC
5
Select the input(s) to which you’ve connected your
AV PARAMETER
CH LEVEL
MENU
TOP MENU ì
TUNE
component.
ST
ST
T.EDIT
ì
ENTER
For example, if your DVD player only has an optical
output, you will need to change the DVD/LD input
function’s Digital In setting from COAX 1 (default) to the
optical input you’ve connected it to. The numbering
(OPT1–4) corresponds with the numbers beside the
inputs on the back of the receiver.
RETURN
SETUP
ꢀ
TUNE
GUIDEPTY SEARCH
BAND
TV CONTROL
CD
TV
VIDEO
2
DVD
SAT
VIDEO 1
TV CONT
INPUT
TV VOL
TV CH
VOL
SELECT
DVR2
CD-R
i Pod
MULTI IN
TUNER
ROOM2/3
RECEIVER
DVR1
1
Switch on the receiver and your TV.
Use the ꢁ RECEIVER button to switch on.
• If you change the setting to an input that has been
previously assigned to another function (for example,
SAT) then the setting for that function will
automatically be switched off.
2
Press RECEIVER on the remote control, then press
the SETUP button.
An on-screen display (OSD) appears on your TV. Use the
ꢀ/ꢁ/ꢂ/ꢃ buttons and ENTER to navigate through the
screens and select menu items. Press RETURN to
confirm and exit the current menu.
• If you used component video cords to connect your
component you must tell the receiver which input
you connected it to, or else you may see the S-video
or composite video input instead of the component
1
3
Select ‘Input Setup’ from the System Setup menu.
video signal.
• If you have more than one iLINK component
connected, you can assign each one to a different
input function in the same way (to check your
settings after doing so, see Checking the i.LINK
System Setup
1.Auto MCACC
6.Input Setup
Input
(1/2)
DVD
2.Surr Back System
3.Manual MCACC
4.Data Management
5.Manual SP Setup
6.Input Setup
Digital In
[
[
[
[
COAX-1
Input-2
Comp-2
Input-1
]
]
]
]
HDMI Input
Component In
S-Video In
i.LINK In
7.Other Setup
2
[
DV-S969A
Next
]
inputs on page 52).
(
)
ꢀ:Finish
ꢀ
:
Exit
6
When you’re finished, select ‘Next’ to continue to
the next screen.
The second screen of the Input setup has three optional
settings:
• Input name – You can choose to rename the input
function for easier identification. Select Rename to
do so, or Default to return to the system default.
Note
1 For high-definition video (using component video connections), or when digital video conversion is switched off (in Setting the AV options on page 66),
you must connect your TV to this receiver using the same type of video cable as you used to connect your video component.
2 • If you assign i.LINK-equipped components to an input (for example DVD/LD), you will be able to select both audio and video signals from i.LINK-
equipped components using the corresponding input source button (or the INPUT SELECT button / INPUT SELECTOR dial). Assigning i.LINK sources also
allows you to keeps the sound settings you’ve made for other input functions.
• An i.LINK-equipped video component should be assigned to the input function to which you have connected the video signal from the component.
• If you assign an i.LINK input to a certain function (for example DVD/LD) then any digital inputs previously assigned to that function will automatically
be set to i.LINK (not assigned).
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Other Settings
09
• 12V Trigger 1 / 2 – After connecting a component to
one of the 12 volt triggers (see Switching components
on and off using the 12 volt trigger on page 60), select
M. ROOM, ROOM2, ROOM3 or OFF for the
corresponding trigger setting to switch it on
automatically along with the (main or sub) room
specified.
The Other Setup menu
The Other Setup menu is where you can make
customized settings to reflect how you are using the
receiver.
SYSTEM OFF
INPUT
RECEIVER
SOURCE
D.ACCESS
CLASS
ENTER
SELECT
+
10
DISC
• PDP In (SR+) – To control certain functions on this
AV PARAMETER
TOP MENU ì
CH LEVEL
MENU
receiver from a plasma display, select the display
TUNE
1
input to which you’ve connected the receiver.
ST
ST
T.EDIT
ì
RETURN
ENTER
SETUP
ꢀ
TUNE
7
When you're finished, press RETURN.
GUIDEPTY SEARCH
BAND
TV CONTROL
CD
TV
VIDEO
2
You will return to the System Setup menu.
DVD
SAT
VIDEO 1
TV CONT
INPUT
SELECT
TV VOL
TV CH
VOL
DVR2
CD-R
i Pod
MULTI IN
TUNER
ROOM2/3
RECEIVER
DVR1
Input function default and possible settings
The terminals on the rear of the receiver generally
correspond to the name of one of the input source
functions. If you have connected components to this
receiver differently from (or in addition to) the defaults
below, see The Input Setup menu above to tell the
receiver how you’ve connected up. The dots (ì) indicate
1
Switch on the receiver and your TV.
Use the ꢁ RECEIVER button to switch on.
2
Press RECEIVER on the remote control, then press
the SETUP button.
An on-screen display (OSD) appears on your TV. Use the
ꢀ/ꢁ/ꢂ/ꢃ buttons and ENTER to navigate through the
screens and select menu items. Press RETURN to
confirm and exit the current menu.
possible assignments.
Input Terminals
Digital i.LINK HDMI
Input
source
Component S-Video
3
Select ‘Other Setup’ then press ENTER.
DVD/LD
TV
COAX 1
ì
ì
ì
ì
ì
ì
ì
ì
ì
ì
ì
ì
ì
ì
IN 1
IN 2
System Setup
1.Auto MCACC
7.Other Setup
a.Multi Room Setup
b.SR+ Setup
c.OSD Adjustment
d.i.LINK Check
ì
ì
2.Surr Back System
3.Manual MCACC
4.Data Management
5.Manual SP Setup
6.Input Setup
SAT
OPT 1
OPT 2
OPT 3
ì
ì
7.Other Setup
DVR/VCR1
DVR/VCR2
VIDEO/GAME1
VIDEO/GAME2
HDMI 1
ì
(Fixed)
(Fixed)
ì
ꢀ
:
Exit
ꢀ:Return
ì
4
Select the setting you want to adjust.
If you are doing this for the first time, you may want to
adjust these settings in order:
ì
(Fixed)
ì
ì
(Fixed)
ì
(HDMI-1
)
• Multi Room Setup – Specify your volume setting for
a multi-room setup (see Multi-Room setup below).
HDMI 2
HDMI 3
ì
ì
ì
ì
(HDMI-2)
• SR+ Setup – Specify how you want to control your
Pioneer plasma display (see SR+ Setup for Pioneer
plasma displays below).
(HDMI-3
)
HDMI 4
(VSX-AX4ASi )
ì
ì
(
HDMI-4)
• OSD Adjustment – Adjust the position of the on-
screen display on your TV (see OSD Adjustment
below).
USB
CD
COAX 2
OPT 4
ì
ì
• i.LINK Check (VSX-AX4ASi only) – Check which i.LINK-
equipped components you have connected, and
which input function they are assigned to (Checking
the i.LINK inputs on page 52).
CD-R/TAPE/MD
TUNER
PHONO
MULTI CH IN
iPod
5
Make the adjustments necessary for each setting,
pressing RETURN to confirm after each screen.
i.LINK
Note
1 You will have to make an SR+ cable connection from a CONTROL OUT jack on the display to the CONTROL IN jack on this receiver (opposite from the
setup in Using this receiver with a Pioneer plasma display on page 60). Note that to control this receiver using the remote, you will have to point it at the
plasma display’s remote sensor after making this connection.
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Other Settings
09
• ON – When the receiver is switched to one of the
inputs that use the plasma display (DVD/LD, for
example), the volume on the plasma display is muted
so only sound from the receiver is heard.
Multi-Room setup
• Default setting: Variable
If you’ve made multi-room connections (see Multi-room
listening on page 57) you may need to specify your
volume setting.
3
Assign any input source connected to the plasma
display to the corresponding input number.
This matches the receiver’s input source with a
numbered video input on the plasma display. For
example, assign DVD/LD to input-2 if you have
connected the your DVD video output to video input 2 on
the plasma display.
1
Select ‘Multi-Room’ from the System Setup
menu.
7.Other Setup
7a.Multi Room Setup
Volume Level
a.Multi Room Setup
b.SR+ Setup
Variable
c.OSD Adjustment
d.i.LINK Check
Be careful of loud
volume when "FIXED"
is selected.
• The Monitor Out Connect should be set to the input
that you’ve used to connect this receiver to your
plasma display.
ꢀ:Return
ꢀ:Finish
1
7b.SR+ Setup
2
Select the volume level setting.
PDP Volume Control
[
OFF
]
• Variable – Use this setting if you’ve connected a
power amplifier in the sub room (this receiver is
simply being used as a pre-amp) and you will be
using this receiver’s controls to adjust the volume.
Monitor Out Connect
OFF
ꢀ:Finish
• Fixed – Use this setting if you’ve connected a fully
integrated amplifier (such as another Pioneer VSX
receiver) in the sub room and want to use that
receiver’s volume controls. (This setting is not
available if the surround back system setting is set to
Multi Room & Source.)
4
When you're finished, press RETURN.
You will return to the Other Setup menu.
OSD Adjustment
Use this feature to adjust your TV display if it seems
difficult to see all the instructions on the screen.
With the Fixed setting, the source is sent from this
receiver at maximum volume, so make sure the volume is
quite low in the sub room at first and then experiment to
find the correct level.
1
Select ‘OSD Adjustment’ from the Other Setup
menu.
7.Other Setup
3
When you're finished, press RETURN.
a.Multi Room Setup
b.SR+ Setup
You will return to the Other Setup menu.
c.OSD Adjustment
d.i.LINK Check
X=0
,
Y=0
[
Finish
]
SR+ Setup for Pioneer plasma displays
Make the following settings if you have connected a
Pioneer plasma display to this receiver using an SR+
cable. Note that the number of function settings available
will depend on the plasma display you’ve connected.
ꢀ:Cancel
ꢀ:Return
2
Use ꢀ/ꢁ/ꢂ/ꢃ to move the display field around
until you get one that you feel best suits your TV.
3
When you're finished, press ENTER
.
See also Using this receiver with a Pioneer plasma display
on page 60 and Using the SR+ mode with a Pioneer
plasma display on page 61.
You will return to the Other Setup menu.
1
Select ‘SR+ Setup’ from the Other Setup menu.
7.Other Setup
7b.SR+ Setup
a.Multi Room Setup
b.SR+ Setup
PDP Volume Control
OFF
c.OSD Adjustment
d.i.LINK Check
Monitor Out Connect
OFF
[
]
ꢀ:Return
ꢀ:Finish
2
Select the ‘PDP Volume Control’ setting you want.
• OFF – The receiver does not control the volume of the
plasma display.
Note
1 If you selected MR&S in the Surround back speaker setting on page 37, you won’t be able to change the volume level.
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Using other functions
10
Chapter 10
Using other functions
Setting
What it does
Option(s)
Setting the AV options
Center
Adjusts the center image to create a
wider stereo effect with vocals.
Adjust the effect from 0 (all center
channel sent to front right and left
speakers) to 10 (center channel sent
to the center speaker only).
0 to 10
Default: 3
Imageb
There are a number of additional sound and picture
settings you can make using the AV Parameter menu.
The defaults, if not stated, are listed in bold.
(Applicable
only when
usingacenter
speaker)
Important
Effect
Sets the effect level for the currently
selected Advanced Surround mode
(each mode can be set separately).
10 to 90
• Note that if a setting doesn’t appear in the AV
Parameter menu, it is unavailable due to the current
source, settings and status of the receiver.
High Bit /
High
Sampling
Creates a wider dynamic range with
digital sources like CDs or DVDs.
OFF
ON
1
2
Press AV PARAMETER
.
Use ꢀ/ꢁ to select the setting you want to adjust.
Digital
Noise
Reduction
(DNR)
May improve the quality of sound in a
noisy source (for example, cassette
or video tape with lots of background
noise) when switched on.
OFF
ON
Depending on the current status / mode of the receiver,
certain options may not be able to be selected. Check the
table below for notes on this.
3
Use ꢂ/ꢃ to set it as necessary.
Dual Mono Specifies how dual mono encoded
Dolby Digital and DTS soundtracks
should be played. Dual mono is not
widely used, but is sometimes
CH1 – Channel
1 is heard only
See the table below for the options available for each
setting.
CH2 – Channel
2 is heard only
4
Press RETURN to confirm and exit the menu.
necessary when two languages need
to be sent to separate channels.
CH1 CH2 –
Both channels
heard from
Setting
What it does
Option(s)
Midnight
Allows you to hear effective surround MID/LDN OFF
sound of movies at low volumes.
front speakers
MIDNIGHT ON
Dynamic
Range
Control
Specifies the amount of dynamic
range adjustment to Dolby Digital
and DTS movie soundtracks (you
may want to use this when listening
to surround sound at low volumes).
OFF
MAX
MID
Used to get good bass and treble
from music sources at low volumes.
Loudness
LOUDNESS ON
(DRC)
Tone
control
Applies the treble and bass tone
controls to a source, or bypasses
them completely.
BYPASS
ON
Dialog
Enhance-
menta
Localizes dialog in the center
channel to make it stand out from
other background sounds in a TV or
movie soundtrack.
OFF
Bass
Adjusts the amount of bass.
–6 to +6 (dB)
default: 0 (dB)
ON
Treble
Center
Adjusts the amount of treble.
–6 to +6 (dB)
default: 0 (dB)
SACD Gainc
Brings out detail in SACDs by
maximizing the dynamic range
(during digital processing).
0 to 6 (dB)
default: 0 (dB)
Provides a better blend of the front
speakers by spreading the center
channel between the front right and
left speakers, making it sound wider
(higher settings) or narrower (lower
settings).
0 to 7
default: 3
Widtha
(Applicable
only when
usingacenter
speaker)
Sound
Delay
Some monitors have a slight delay
when showing video, so the
0.0 to 6.0
(frames)
1 second = 30
frames (NTSC)/
25 frames (PAL)
soundtrack will be slightly out of sync
with the picture. By adding a bit of
delay, you can adjust the sound to
match the presentation of the video.
Dimensionb
Adjusts the depth of the surround
sound balance from front to back,
making the sound more distant
(minus settings), or more forward
(positive settings).
–3 to +3
default: 0
HDMId
Specifies the routing of the HDMI
audio signal out of this receiver (amp)
or through to a TV or plasma display.
AMP
THROUGH
Panoramab
Extends the front stereo image to
include the surround speakers for a
‘wraparound’ effect.
OFF
Digital
Video
Conversion
Converts video signals for output
from the MONITOR OUT jacks for all
video types.
ON
ON
OFF
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Using other functions
10
Setting
What it does
Option(s)
Making an audio or a video recording
Brightness Adjusts the overall brightness.
–10 to +10
default: 0
You can make an audio or a video recording from the
built-in tuner, or from an audio or video source
Adjusts the contrast between light
and dark.
–10 to +10
default: 0
Contrast
Hue
1
connected to the receiver (such as a CD player or TV).
Keep in mind you can't make a digital recording from an
analog source or vice-versa, so make sure the
components you are recording to/from are hooked up in
the same way (see Connecting your equipment on
page 10 for more on connections).
Adjusts the red/green balance.
–10 to +10
default: 0
Resolutione
Specifies the output resolution of the
video signal (select this according to
the resolution of your monitor and
the disc you wish to watch).
PURE
480p (NTSC)
or 576p (PAL)
Since the video converter is not available when making
recordings (from the video OUT jacks) make sure to use
the same type of video cable for connecting your recorder
as you used to connect your video source (the one you
want to record) to this receiver. For example, you must
connect your recorder using S-video if your source has
also been connected using S-video.
720p
1080i
Aspect
Specifies the aspect ratio of an
analog video signal (if the image
doesn’t match your monitor type,
cropping occurs as indicated in
parentheses at left).
THROUGH
(none)
4:3 (left/right)
For more information about video connections, see
Connecting a DVD/HDD recorder, VCR and other video
sources on page 13.
ZOOM
(top/bottom)
a.Only when listening to 2-channel sources in Dolby Pro Logic IIx Music /
Dolby Pro Logic II Music mode.
b.Only when listening to 2-channel sources in Neo:6 Music mode.
c.You shouldn't have any problems using this with most SACD discs, but
if the sound distorts, it is best to switch the gain setting back to 0 dB
(VSX-AX2AS only – The feature is intended for use with future improvements
with the HDMI interface).
SYSTEM OFF
INPUT
RECEIVER
SOURCE
SELECT
d.When THROUGH is selected, the Resolution is automatically set to
PURE (regardless of the setting).
CD
TV
VIDEO
2
DVD
SAT
VIDEO 1
TV CONT
e.There are cases where (depending on the resolution of the video signal
and your monitor) you may not be able to see a picture after selecting a
resolution setting. If this happens, select a different resolution setting.
Also, depending on the source component or the monitor you are using
the output resolution may be different from the setting you’ve made here.
Note that analog input signals are unaffected when using the 720p and
1080i resolution settings.
DVR2
CD-R
i Pod
MULTI IN
TUNER
ROOM2/3
RECEIVER
DVR1
1
Select the source you want to record.
Use the input source buttons (or INPUT SELECT).
• If necessary, press SIGNAL SELECT to select the
input signal corresponding to the source component
(see Choosing the input signal on page 31 for more
on this).
2
Prepare the source you want to record.
Tune to the radio station, load the CD, video, DVD etc.
3
Prepare the recorder.
Insert a blank tape, MD, video etc. into the recording
device and set the recording levels.
Refer to the instructions that came with the recorder if
you are unsure how to do this. Most video recorders set
the audio recording level automatically—check the
component's instruction manual if you're unsure.
4
Start recording, then start playback of the source
component.
Note
1 • The receiver's volume, AV parameters (the tone controls, for example), and surround effects have no effect on the recorded signal.
• Some digital sources are copy-protected, and can only be recorded in analog.
• Some video sources are copy-protected. These cannot be recorded.
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Using other functions
10
Playing a different source when recording
Using this receiver, it’s possible to listen to a different
source than the one you’re recording.
Reducing the level of an analog signal
The input attenuator lowers the input level of an analog
signal when it’s too strong. You can use this if you find
the that the OVER indicator is lights often, or you can
MULTI – ROOM &
(TUNE +)
SPEAKERS
BAND
VIDEO
SELECT
SIGNAL
SBch
SOURCE/REC SEL
STEREO
SELECT PROCESSING
CONTROL ON/OFF
AV
TUNER
EDIT
PARAMETER
VIDEO/GAME
2
INPUT
3
MCACC
SETUP MIC
PHONES
(ST –)
(ST +)
ENTER
hear distortion in the sound.
ꢀ
SETUP
RETURN
DIGITAL IN S-VIDEO
VIDEO
L
AUDIO R
SLEEP
VIDEO
SEL
ANALOG
ATT
(TUNE –)
+
SR
DIMMER
S.RETRIEVER
1
During recording, press the REC SELECT CONTROL
button on the front panel until RECOUT shows in the
D.ACCESS
CLASS
ENTER
+
10
DISC
1
display.
•
Press ANALOG ATT to switch the input attenuator
2
While RECOUT shows in the display, use the
on or off.
INPUT SELECTOR dial to select the source you want
to record.
The default, RECOUT SOURCE, records the source you’re
currently listening to (as in Making an audio or a video
recording above).
Watching video and audio sources
independently
• Note that the setting you make here is stored in
memory, even if you switch off the receiver, so if you
want to record a different input source later, you
must do so with REC SELECT, or by selecting
RECOUT SOURCE.
You can listen to a sound source and select a different
video source on your TV.
SLEEP
VIDEO
SEL
ANALOG
ATT
+
SR
DIMMER
S.RETRIEVER
3
After RECOUT disappears from the display, select
D.ACCESS
CLASS
ENTER
+
10
the input source you want to listen to.
DISC
This will be heard from the main system without affecting
2
•
While listening to a source, press VIDEO SEL (VIDEO
your recording.
SELECT) to select the video source you want to watch.
Press repeatedly to cycle through the possible video
sources. You can select DVD, TV, SAT, DVR1, DVR2,
Tip
4
• If you have a digital recorder connected to the
DIGITAL OUT1 (ROOM3) digital output and ROOM
3 is switched on (see Using the multi-room controls
on page 58), you can also select a different input
source for this output while ROOM 3 shows in the
display.
VIDEO1, VIDEO2 or OFF (no video signal).
Note
1 If RECOUT does not appear in the display, you may have to switch ROOM 2 off by pressing MULTI ROOM & SOURCE ON/OFF and selecting either
ROOM 3 or off (the MULTI-ROOM indicator disappears). See Using the multi-room controls on page 58 for more on this.
2 • Note that switching the ROOM 2 input source (as explained in Multi-room listening on page 57) also changes the RECOUT input source.
• If RECOUT SOURCE is selected, changing the input source likewise changes the input source used for your recording.
3 The attenuator isn’t available with digital sources, or when using the Stream Direct modes.
4 • Note that this feature will not work with video sources assigned to either of the HDMI video inputs.
• This feature is not available when watching photos or video content from a connected iPod (see page 49).
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Using other functions
Using the sleep timer
10
Checking your system settings
The sleep timer switches the receiver into standby after a
specified amount of time so you can fall asleep without
worrying about the receiver being left on all night. Use
the remote control to set the sleep timer.
Use the status display screen to check your current
settings for features such as surround back channel
processing and your current MCACC preset.
AUDIO SUBTITLE HDD
DVD
CH
DISP
STATUS SIGNAL SEL
CH
PHOTO
SLEEP
VIDEO
SEL
ANALOG
ATT
SBch
STEREO
+
SR
DIMMER
S.RETRIEVER
MULTI OPE
SHIFT
THX
STANDARD ADV. SURR
PHASE
MCACC
S.DIRECT
D.ACCESS
CLASS
ENTER
+
10
DISC
1
Press STATUS to check the system settings.
•
Press SLEEP repeatedly to set the sleep time.
These appear on both the OSD and the front panel
display.
2
30 min
Off
60 min
90 min
STATUS
96kHz STEREO
Signal Select
:
AUTO
SBch Processin : OFF
• You can check the remaining sleep time at any time
Retriever
:
ON
Video Select
: OFF
by pressing SLEEP once. Pressing repeatedly will
MCACC Position : M1
Room2/REC SEL : SOURCE
1
Room3
: SOURCE
cycle through the sleep options again.
The front panel display shows each of the following
settings for two seconds each:
Dimming the display
You can choose between four brightness levels for the
front panel display. Note that when selecting sources,
the display automatically brightens for a few seconds.
Input source
Signal Select
Sound Retriever
MCACC Position
Room3
Listening mode
Surround Back Processing
Video Select
SLEEP
VIDEO
SEL
ANALOG
ATT
+
SR
DIMMER
S.RETRIEVER
Room2 / REC SEL
D.ACCESS
CLASS
ENTER
+
10
DISC
2
When you’re finished, press STATUS again to
•
Press DIMMER repeatedly to change the brightness
switch off the display.
of the front panel display.
Switching the speaker impedance
We recommend using speakers of 8 Ω with this system,
but it is possible to switch the impedance setting if you
plan to use speakers with a 6 Ω impedance rating. Use
the front panel controls to do this.
•
With the receiver in standby, press ꢁ STANDBY/
ON while holding down the SPEAKERS button.
Each time you do this, you switch between the
impedance settings:
• SP 6 OHM – Use this setting if your speakers are
rated at 6 Ω.
• SP 8 OHM – Use this setting if your speakers are
rated at 8 Ω or more.
Note
1 You can also switch off the sleep timer simply by switching off the receiver.
2 If the Pure Direct mode is switched on, some settings above will show OFF, even though they are on.
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Using other functions
Resetting the system
10
Setting
Default
M1: MEMORY 1
ON
MCACC Position Memory
Use this procedure to reset all the receiver’s settings to
the factory default. Use the front panel controls to do this.
Surround back channel
Processing
1
Switch the receiver into standby.
Phase Control
Sound Delay
Sound Retriever
Dual Mono
DRC
On
0 frame
Off
2
While holding down the front panel AV
PARAMETER button, press and hold
for about three seconds.
The display shows RESET?.
ꢁ
STANDBY/ON
CH1
OFF
0 dB
OFF
90
3
Press the front panel ENTER button.
The display shows RESET OK?.
SACD Gain
Digital Safety
4
Press SETUP to confirm.
OK appears in the display to indicate that the receiver
has been reset to the factory default settings.
Effect Level
7 ch Stereo
Other modes
• Note that all settings will be saved, even if the
receiver is unplugged.
50
2PL II Music Options Center Width
3
Default system settings
Dimension
Panorama
0
Setting
Default
OFF
3
HDMI Audio
Amp
Neo:6 Options
All Inputs
Center Image
Digital Video Conversion
Speakers
On
A
Listening Mode (2 ch) AUTO SURROUND
Listening Mode (x ch) AUTO SURROUND
Surround Back System
Speaker System
Normal (SBch)
SMALL
SMALL
SMALL
SMALLx2
YES
Listening Mode (HP)
STEREO
Front
Center
Surr.
SB
See also Setting the AV options on page 66 for other default DSP
settings.
MCACC
Channel level (M1–M6)
0 dB
3.0 m
ON
Speaker Distance (M1–M6)
SW
Standing Wave
(M1–M6)
Standing Wave On/
Off
Crossover
80 Hz
Bass Peak Level
X-Curve
OFF
ATT
0 dB
0.0
OFF
SWch Wide Trim
All channels/bands
THX Audio Setting
Inputs
0.0–0.3 m
EQ Data (M1–M6)
0 dB
0.0 dB
EQ Wide Trim (M1–M6)
See Input function default and possible settings on page 64.
Multi Room
Room 2 Volume Type
Room 2 Volume
SR+
Variable
-60
SR+ Control On/Off
SR+ Volume Control On/Off
Monitor Out
OFF
OFF
OFF
DSP
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Controlling the rest of your system
11
Chapter 11:
Controlling the rest of your system
4
Use ꢀ/ꢁ to select the first letter of the brand name
of your component then press ENTER
.
Setting the remote to control other
components
This should be the manufacturer’s name (for example, P
for Pioneer).
Most components can be assigned to one of the input
source buttons (such as DVD/LD or CD) using the
component’s manufacturer preset code stored in the
remote.
5
Use ꢀ/ꢁ to select the manufacturer’s name from
the list then press ENTER
.
6
Use ꢀ/ꢁ to select the proper code from the list,
then try using this remote with your component.
The code should start with the component type (for
example, DVD 020). If there is more than one, start with
However, there are cases where only certain functions
may be controllable after assigning the proper preset
code, or the codes for the manufacturer in the remote
control will not work for the model that you are using.
2
the first one.
If you can’t find a preset code that matches the
component you want to control, you can still teach the
remote individual commands from another remote
control (see Programming signals from other remote
controls below).
To try out the remote control, switch the component on or
off (into standby) by pressing SOURCE ꢁ. If it doesn’t
seem to work, select the next code from the list (if there
is one).
• If you can’t find or properly enter a preset code, you
can still teach the remote individual commands from
another remote control (see Programming signals
from other remote controls below).
Note
• You can cancel or exit any of the steps by pressing
RECEIVER. To go back a step, press RETURN.
7
If your component is controlled successfully, press
ENTER to confirm.
The remote LCD display shows OK.
• After one minute of inactivity, the remote
automatically exits the operation.
Programming signals from other
remote controls
Selecting preset codes directly
SYSTEM OFF
INPUT
If the preset code for your component is not available, or
the available preset codes do not operate correctly, you
can program signals from the remote control of another
component. This can also be used to program additional
operations (buttons not covered in the presets) after
RECEIVER
SOURCE
D.ACCESS
CLASS
ENTER
SELECT
+
10
DISC
AV PARAMETER
TOP MENU ì
CH LEVEL
MENU
TUNE
ST
ST
T.EDIT
ì
RETURN
ENTER
SETUP
ꢀ
TUNE
GUIDEPTY SEARCH
BAND
3
CD
TV
VIDEO
2
TV CONTROL
assigning a preset code.
DVD
SAT
VIDEO 1
TV CONT
INPUT
SELECT
TV VOL
TV CH
VOL
DVR2
CD-R
i Pod
MULTI IN
TUNER
ROOM2/3
RECEIVER
1
While pressing the RECEIVER button, press SETUP
.
DVR1
The remote LCD display shows SETUP.
1
While pressing the RECEIVER button, press SETUP
.
2
Use ꢀ/ꢁ to select LEARNING then press ENTER.
The remote LCD display shows SETUP.
The LCD on the remote prompts you for the component
you want to control (for example DVD or VIDEO 1).
2
3
Use ꢀ/ꢁ to select PRESET then press ENTER
.
3
Press the input source button for the component
Press the input source button for the component
you want to control then press ENTER
.
you want to control then press ENTER
The LCD on the remote displays the component you want
to control (for example DVD or VIDEO 1).
.
4
PRES KEY shows in the LCD display.
1
Note
1 You can’t assign the RECEIVER, TUNER or iPod buttons.
2 • When using a Pioneer HDD recorder, please select PIONEER DVR 487, 488, 489 or 493.
• When using a Pioneer plasma display released prior to summer 2005, please select preset codes 600 or 231.
The remote can store about 200 preset codes (this has been tested with codes of Pioneer format only).
3
4 • You can’t assign the RECEIVER, TUNER or iPod buttons.
• TV CONTROL buttons (TVꢁ,TV VOL +/–, TV CH +/– and INPUT SELECT) can only be learned after selecting TV CONT.
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Controlling the rest of your system
11
4
Point the two remote controls towards each other
then press the button that will be doing the learning on
this receiver’s remote control.
PRES KEY starts flashing to indicate the remote is ready
to accept a signal.
Erasing one of the remote control
button settings
This erases one of the buttons you have programmed and
restores the button to the factory default.
• The remote controls should be 3 cm to 5 cm apart.
1
While pressing the RECEIVER button, press SETUP
.
3 cm to 5 cm
The remote LCD display shows SETUP.
2
Use ꢀ/ꢁ to select ERASE then press ENTER.
The LCD on the remote prompts you for the component
corresponding to the button setting to be erased.
5
Press the corresponding button on the other remote
control that is sending (teaching) the signal to this
receiver’s remote control.
3
Press the input source button corresponding to the
For example, if you want to learn the playback control
command to be erased then press ENTER
The LCD display flashes PRES KEY.
.
signal, press and hold ꢃ briefly. The LCD display will
1
show OK if the operation has been learned.
4
Press and hold the button to be erased for two
If for some reasons the operation hasn’t been learned the
LCD will display ERROR briefly and then display PRES
KEY again. If this happens, keep pressing the (teaching)
button as you vary the distance between the two remotes,
seconds.
The LCD display shows OK or NO CODE to confirm the
button has been erased.
2
5
Repeat step 4 to erase other buttons.
until the LCD display shows OK.
Certain buttons represent operations that cannot be
learned from other remote controls. The buttons
6
Press and hold the RECEIVER button for a couple of
3
seconds when you’re done.
available are shown below (with the exception of the TV
controls, a combination of SHIFT and these buttons can
also be learned):
Resetting the remote control presets
This will erase all preset remote control preset codes and
programmed buttons.
SYSTEM OFF
INPUT
RECEIVER
SOURCE
SELECT
1
While pressing the RECEIVER button, press SETUP
.
The remote LCD display shows SETUP.
2
Use ꢀ/ꢁ to select RESET then press ENTER
.
CD
TV
VIDEO
2
RESET flashes in the LCD display.
DVD
SAT
VIDEO 1
TV CONT
DVR2
CD-R
i Pod
MULTI IN
TUNER
ROOM2/3
RECEIVER
3
Press and hold ENTER for about two seconds.
DVR1
The LCD shows OK to confirm the remote presets have
been erased.
SLEEP
VIDEO
SEL
ANALOG
ATT
TV CONTROL
INPUT
+
SR
DIMMER
S.RETRIEVER
TV VOL
TV CH
VOL
SELECT
D.ACCESS
CLASS
ENTER
+
10
DISC
REC
MUTE
Confirming preset codes
A
B
AV PARAMETER
TOP MENU ì
CH LEVEL
MENU
MPX
EON
REC STOP JUKE BOX
C
D
E
Use this feature to check which preset code is assigned
to an input source button.
TUNE
ST
ST
T.EDIT
AUDIO SUBTITLE HDD
DVD
CH
ì
RETURN
ENTER
SETUP
DISP
CH
ꢀ
PHOTO
TUNE
STATUS SIGNAL SEL
SBch
STEREO
GUIDEPTY SEARCH
BAND
1
While pressing the RECEIVER button, press SETUP
.
TV CONTROL
The remote LCD display shows SETUP.
6
To program additional signals for the current
2
Use ꢀ/ꢁ to select READ ID then press ENTER.
component repeat steps 4 and 5.
To program signals for another component, exit and
repeat steps 1 through 5.
The LCD on the remote prompts you for the input source
button you want to check.
3
Press the button of the component for which you
7
Press and hold the RECEIVER button for a couple of
want to check the preset code, then press ENTER.
The brand name and preset code appears in the display
for three seconds.
seconds to exit and store the operation(s).
Note
1 Note that interference from TVs or other devices will sometimes result in the remote control learning the wrong signal.
2 • Some commands from other remote controls cannot be learned, but in most cases the remotes just need to be moved closer together or farther apart.
• If the remote LCD shows FULL, it means the memory is full. See Erasing one of the remote control button settings below to erase a programmed button
you’re not using to free up more memory (note that some signals may take more memory than others).
3 Note that the number key decimal button (+10/D.ACCESS) may not be learned with some components.
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Controlling the rest of your system
Renaming input source names
11
Multi Operation and System Off
You can customize the names that appear on the remote
LCD when you select an input source (for example, you
could change the name of DVR 1 to HDD/DVR).
The Multi Operation feature allows you to program a
series of up to 5 commands for the components in your
system. For example, you could turn on your TV, turn on
your DVD player and start playing the loaded DVD using
only two buttons on the remote control.
1
While pressing the RECEIVER button, press SETUP
.
The remote LCD display shows SETUP.
Similar to multi operations, System Off allows you to use
one button to stop and switch off a series of components
2
Use ꢀ/ꢁ to select RENAME then press ENTER.
The LCD on the remote prompts you for the button of the
input source you want to rename.
2
in your system at the same time.
3
Press the input source button you want to rename
Programming a multi-operation or a
shutdown sequence
then press ENTER
.
4
Use ꢀ/ꢁ to select NAME EDT then press ENTER.
To reset the button to its original (default) name, select
NAME RST above.
SYSTEM OFF
INPUT
RECEIVER
SOURCE
D.ACCESS
CLASS
ENTER
SELECT
+
10
DISC
AV PARAMETER
TOP MENU ì
CH LEVEL
MENU
5
Edit the name of the input source in the remote
TUNE
control LCD, pressing ENTER when you’re finished.
Use ꢀ/ꢁ to change the character and ꢂ/ꢃ to move
forward/back a position. The name can be up to eight
characters (the possible characters are listed below).
ST
ST
T.EDIT
ì
ENTER
RETURN
SETUP
ꢀ
TUNE
GUIDEPTY SEARCH
BAND
CD
TV
VIDEO
2
TV CONTROL
DVD
SAT
VIDEO 1
TV CONT
INPUT
SELECT
TV VOL
TV CH
VOL
DVR2
CD-R
i Pod
MULTI IN
TUNER
ROOM2/3
RECEIVER
DVR1
ABCDEFGHIJKLMNOPQRSTUVWXYZ
0123456789 \ / * + – [space]
1
While pressing the RECEIVER button, press SETUP
.
The remote LCD display shows SETUP.
Direct function
2
Use ꢀ/ꢁ to select MULTI OP or SYS OFF from the
• Default setting: ON
menu and press ENTER
.
If you selected Multi Operation (MULTI OP), the LCD on
the remote prompts you for an input source button.
You can use the direct function feature to control one
component using the remote control while at the same
time, using your receiver to playback a different
component. This could let you, for example, use the
remote control to set up and listen to a CD on the receiver
and then use the remote control to rewind a tape in your
VCR while you continue to listen to your CD player.
If you selected System Off (SYSOFF), go to step 4.
3
Press the input source button for the component
that will start the multi-operation then press ENTER
For example, if you want to start the sequence by
switching on your DVD player, press DVD.
.
When direct function is on, any component you select
(using the input source buttons) will be selected by both
the receiver and the remote control. When you turn direct
function off, you can operate the remote control without
4
Use ꢀ/ꢁ to select CODE EDT then press ENTER.
To erase any previously stored multi-operations (or
shutdown sequences) select CODE ERS above.
1
affecting the receiver.
5
Use ꢀ/ꢁ to select a command in the sequence then
1
While pressing the RECEIVER button, press SETUP
.
press ENTER
.
The remote LCD display shows SETUP.
If this is the first command in the sequence, select 1ST
CODE. Otherwise, simply choose the next command in
the sequence. PRES KEY flashes after you press ENTER.
2
Use ꢀ/ꢁ to select DIRECT F then press ENTER.
The LCD on the remote prompts you for the button of the
input source you want to control.
6
If necessary, press the input source button for the
3
Press the input source button for the component
component whose command you want to input.
This is only necessary if the command is for a new
component (input source).
you want to control then press ENTER
.
4
Use ꢀ/ꢁ to switch direct function ON or OFF then
press ENTER
.
The LCD shows OK to confirm the setting.
Note
1 You can’t use direct function with the TV CONT function.
2 • Before Multi Operation and System Off will work correctly, you must setup the remote to work with your TV and other components (see Setting the
remote to control other components on page 71 for more on this).
• Some units may take some time to power up, in which case multiple operations may not be possible.
• Power on and off commands only work with components that have a standby mode.
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Controlling the rest of your system
11
7
Select the button for the command you want to
Using multi operations
input.
You can start multi operations with the receiver switched
The following remote control commands can be
selected:
on, or in standby.
PHOTO
STATUS SIGNAL SEL
SBch
STEREO
MULTI OPE
SHIFT
THX
STANDARD ADV. SURR
SYSTEM OFF
INPUT
RECEIVER
SOURCE
SELECT
PHASE
MCACC
S.DIRECT
RECEIVER
CD
TV
VIDEO
2
1
Press MULTI OPE.
DVD
SAT
VIDEO 1
TV CONT
DVR2
CD-R
i Pod
MULTI IN
TUNER
ROOM2/3
RECEIVER
MULTI OP flashes in the display.
DVR1
SLEEP
VIDEO
SEL
ANALOG
ATT
2
Press an input source button that has been set up
+
with a multi operation.
The receiver switches on (if it was in standby) and the
programmed multi operation is performed automatically.
SR
DIMMER
S.RETRIEVER
TV CONTROL
INPUT
TV VOL
TV CH
VOL
SELECT
D.ACCESS
CLASS
ENTER
+
10
DISC
REC
MUTE
A
B
AV PARAMETER
CH LEVEL
MENU
TOP MENU ì
Using System off
TUNE
MPX
EON
REC STOP JUKE BOX
C
D
E
ST
ST
T.EDIT
ì
ENTER
RETURN
SETUP
AUDIO SUBTITLE HDD
DVD
CH
ꢀ
DISP
CH
PHOTO
STATUS SIGNAL SEL SBch
SYSTEM OFF
SOURCE
TUNE
PHOTO
STATUS SIGNAL SEL
GUIDEPTY SEARCH
BAND
INPUT
SELECT
STEREO
RECEIVER
SBch
STEREO
TV CONTROL
MULTI OPE
SHIFT
THX
STANDARD ADV. SURR
PHASE
MCACC
S.DIRECT
• You don't need to program the receiver to switch on
or off. This is done automatically.
With Pioneer components, you don’t need to:
CD
TV
VIDEO
2
RECEIVER
DVD
SAT
VIDEO 1
TV CONT
• program the power to switch off in a shutdown
sequence (except DVD recorders);
1
Press MULTI OPE.
MULTI OP flashes in the display.
• program the power to switch on if it’s the source
component selected in step 3;
2
Press SOURCEꢁ.
The command sequence you programmed will run, then
all Pioneer components will switch off , followed by this
receiver.
• program a Pioneer TV or monitor to switch on if the
input function (selected in step 2) has video input
terminals;
1
These take priority in multi operations (not shutdown).
8
Repeat steps 5–7 to program a sequence of up to
five commands.
9
When you’re finished, use ꢀ/ꢁ to select EDITEXIT
from the menu and press ENTER
.
You will return to the remote control SETUP menu. Select
* EXIT * again to exit.
Note
1 In order to avoid accidently switching off a DVD recorder that is currently recording, no DVD recorder power off codes are sent.
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Controlling the rest of your system
11
Controls for TVs
Controls for other components
This remote control can control components after
entering the proper codes or teaching the receiver the
commands (see Setting the remote to control other
components on page 71 for more on this). Use the input
source buttons to select the component.
This remote control can control these components after
entering the proper codes or teaching the receiver the
commands (see Setting the remote to control other
components on page 71 for more on this). Use the input
source buttons to select the component.
• The TV CONTROL buttons on the remote control are
dedicated to control the TV assigned to the TV CONT
button. If you have two TVs, assign the main TV to the
TV CONT button.
Button (s) Function
Components
SOURCEꢁ Press to switch the component
CD/MD/CD-R/
VCR/DVD/LD/
DVR player/
between standby and on.
Cassette deck
Button(s) Function
Components
ꢇ
ꢆ
ꢅ
Press to return to the start of the
current track or chapter.
CD/MD/CD-R/
DVD/LD player
TVꢁ
Press to switch the component
assigned to the TV CONT
Cable TV/Satellite
TV/TV
Repeated presses skips to the start
of previous tracks or chapters.
button on or off.
Press to advance to the start of the CD/MD/CD-R/
INPUT
SELECT
Switches the TV input. (Not
possible with all models.)
TV
next track or chapter.
DVD/LD player
Repeated presses skips to the start
of following tracks or chapters.
TV CH +/– Selects channels.
Cable TV/Satellite
TV/TV
Pause playback or recording.
CD/MD/CD-R/
VCR/DVD/LD/
DVR player/
TV VOL +/– Adjust the TV volume.
Cable TV/Satellite
TV/TV
Cassette deck
SOURCEꢁ Switches the TV or CATV between Cable TV/Satellite
standby and on. TV/TV
ꢃ
Start playback.
CD/MD/CD-R/
VCR/DVD/LD/
DVR player/
ꢈ
Use to choose the ‘A’ commands Satellite TV
on a Satellite TV menu.
Cassette deck
ꢇ
Use to choose the RED/B
commands on a Satellite TV/TV
menu.
Satellite TV/TV
Satellite TV/TV
Satellite TV/TV
Satellite TV/TV
Satellite TV/TV
ꢉ
ꢈ
ꢄ
Hold down for fast forward
playback.
CD/MD/CD-R/
VCR/DVD/LD/
DVR player/
Cassette deck
ꢆ
ꢅ
Use to choose the CYAN/E
commands on a Satellite TV/TV
menu.
Hold down for fast reverse
playback.
CD/MD/CD-R/
VCR/DVD/LD/
DVR player/
Use to choose the GREEN/C
commands on a Satellite TV/TV
menu.
Cassette deck
Stops playback.
Starts recording.
CD/MD/CD-R/
VCR/DVD/LD/
DVR player/
ꢄ
Use to choose the YELLOW/D
commands on a Satellite TV/TV
menu.
Cassette deck
ì REC
(SHIFT+ꢃ)
MD/CD-R/VCR/
DVR player/
Cassette deck
AUDIO / DISP Use to switch audio tracks.
SUBTITLE
Use to return to the previously
selected channel.
Cable TV/Satellite
TV/TV
REC STOP Stops recording.
(SHIFT+ꢄ)
DVR player
DVR player
GUIDE
Use as the GUIDE button for
navigating.
Cable TV/Satellite
TV/TV
JUKEBOX Switches to the Jukebox feature.
(SHIFT+ꢆ)
Switches TEXT OFF for TVs.
TV
Number
buttons
Directly access tracks on a
program source.
CD/MD/CD-R/
VCR/LD player
RETURN
Use to select RETURN or EXIT.
Satellite TV/TV
Number
buttons
Use to select a specific TV
channel.
Cable TV/Satellite
TV/TV
Use the number buttons to
navigate the on-screen display.
DVD/DVR player
+10 button Use to add a decimal point when Satellite TV/TV
+10 button Selects tracks higher than 10. (For CD/MD/CD-R/
selecting a specific TV channel.
example, press +10 then 3 to
VCR/LD player
select track 13.)
ENTER/
DISC
Use to enter a channel.
Select the menu screen.
Cable TV/Satellite
TV/TV
ENTER/
DISC
Chooses the disc.
Multiple CD
player
MENU
Cable TV/Satellite
TV/TV
Use as the ENTER button.
VCR/DVD
ꢀ/ꢁ/ꢂ/ꢃ Press to select or adjust and
Cable TV/Satellite
TV/TV
Displays the setup screen for DVR DVR player
players.
& ENTER
navigate items on the menu
screen.
Changes sides of the LD.
LD player
TOP MENU Switches TEXT ON for TVs.
TV
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Controlling the rest of your system
11
Button (s) Function
Components
Operating other Pioneer components
with this unit’s sensor
TOP MENU Displays the disc ‘top’ menu of a DVD/DVR player
DVD player.
MENU
Displays menus concerning the
current DVD or DVR you are using.
DVD/DVR player
Many Pioneer components have SR CONTROL jacks
which can be used to link components together so that
you can use just the remote sensor of one component.
When you use a remote control, the control signal is
ꢀ
Pauses the tape.
Stops the tape.
Starts playback.
Cassette deck
Cassette deck
Cassette deck
Cassette deck
ꢁ
1
ENTER
ꢂ/ꢃ
passed along the chain to the appropriate component.
Fast rewinds/fast forwards the
tape.
Important
ꢀ/ꢁ/ꢂ/ꢃ Navigates DVD menu/options.
DVD/DVR player
DVD/DVR player
& ENTER
• Note that if you use this feature, make sure that you
also have at least one set of analog audio or video jacks
connected to another component for grounding
purposes.
GUIDE
Press to access the DVD player
setup screen.
CH +/–
Selects channels.
VCR/DVD/DVR
player
1
Decide which component you want to use the
AUDIO
SUBTITLE
Changes the audio language or
channel.
DVD/DVR player
remote sensor of.
When you want to control any component in the chain,
this is the remote sensor at which you’ll point the
corresponding remote control.
Displays/changes the subtitles on DVD/DVR player
multilingual DVDs.
SHIFT
+SUBTITLE
Switches to the VCR controls when VCR/DVD/DVR
using a VCR/DVD/HDD recorder.
player
2
Connect the CONTROL OUT jack of that component
HDD
(SHIFT +
CH–)
Switches to the hard disk controls DVR player
when using a DVD/HDD recorder.
to the CONTROL IN jack of another Pioneer component.
Use a cable with a mono mini-plug on each end for the
connection.
DVD(SHIFT Switches to the DVD controls
DVR player
+ CH+)
when using a DVD/HDD recorder.
AUDIO
PHONO
PRE OUT
L
ANTENNA
R
P
IN
&
SOURCE
L
2(ZONE2)
SUB W.
CD
IN
CONTROL
CONTROL
IN
OUT
IN
OUT
OUT
CD-R/
TAPE
R
L
IN
R
L
FR
FL
iPod
IN
SUB W.
CENTER
SUR-
ROUND
R
R
L
L
232C
SURROND
BACK
MULTI CH
IN
OUT
IN
L
CONTROL
UDIO
3
Continue the chain in the same way for as many
components as you have.
Note
1 • If you want to control all your components using this receiver’s remote control, refer to Setting the remote to control other components on page 71.
If you have connected a remote control to the CONTROL IN jack (using a mini-plug cable), you won't be able to control this unit using the remote sensor.
• See Using this receiver with a Pioneer plasma display on page 60 if you are connecting a Pioneer plasma display.
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Additional information
12
Chapter 12:
Additional information
Troubleshooting
Incorrect operations are often mistaken for trouble and malfunctions. If you think that there is something wrong with
this component, check the points below. Sometimes the trouble may lie in another component. Investigate the other
components and electrical appliances being used. If the trouble cannot be rectified even after exercising the checks
listed below, ask your nearest Pioneer authorized independent service company to carry out repair work.
Power
Symptom
Remedy
The power does not turn on.
• Make sure that the power cable is plugged in to an active power outlet.
• Try disconnecting from the power outlet, then plugging back in.
The receiver suddenly switches • Check that there are no loose strands of speaker wire touching the rear panel or another set of wires. If
off or the Phase Control indicator so, re-attach the speaker wires, making sure there are no stray strands.
blinks.
• The receiver may have a serious problem. Disconnect from the power and call a Pioneer authorized
independent service company.
During loud playback the power • Turn down the volume.
suddenly switches off. • Lower the 63 Hz and 125 Hz equalizer levels in the Manual MCACC setup on page 38.
• Try switching on the digital safety feature (put the receiver into standby, hold down the SETUP button on
the front panel and press ꢁ STANDBY/ON to switch between SAFETY 1 (medium effect), SAFETY 2 (more
effect) and SAFETY OFF. If the power switches off even with SAFETY 2 switched on, turn down the volume.
With SAFETY 1 or SAFETY 2 on, some features may be unavailable.
The unit does not respond when • Try switching the receiver off then back on again.
the buttons are pressed.
• Try disconnecting the power cable, then connect again.
AMP ERR blinks in the display,
then the power automatically
switches off. The MCACC blinks
and the power does not turn on.
• The receiver may have a serious problem. Do not try switching the receiver on. Contact a Pioneer
authorized independent service company for help.
FAN STOP blinks in the display, • Something is obstructing the fan. Remove the obstruction and try switching the receiver back on. If the
then the power automatically
switches off.
fan is still not working, or you can't remove the object, unplug the receiver from the wall and call a Pioneer
authorized independent service company.
• The fan is malfunctioning. Unplug the receiver from the wall and call a Pioneer authorized independent
service company.
OVERHEAT blinks in the display • Allow the unit to cool down in a well-ventilated place before switching back on. Check the safety
then the power automatically
switches off.
precautions on pages 2–3 for information on improving heat dispersal.
The receiver suddenly switches • The receiver may have a serious problem. Disconnect from the power and call a Pioneer authorized
off or DIGITAL PRECISION
PROCESSING blinks in the
display.
independent service company.
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Additional information
12
No sound
Symptom
Remedy
No sound is output when an
input source is selected.
• Check the volume, mute setting (press MUTE) and speaker setting (press SPEAKERS).
• Make sure the correct input source is selected.
No sound output from the front • Check that the MCACC setup microphone is disconnected.
speakers. • Make sure the correct input signal is selected (press SIGNAL SELECT). Note that when PCM is selected,
you won’t be able to hear any other signal format.
• Check that the source component is connected properly (see Connecting your equipment on page 10).
• Check that the speakers are connected properly (see Connecting the speakers on page 17).
No sound from the surround or • Check that the Stereo listening mode isn’t selected; select one of the surround listening modes (see
center speakers.
Listening in surround sound on page 28).
• Check that the surround/center speakers are not set to NO (see Speaker Setting on page 45).
• Check the channel level settings (see Channel Level on page 45).
• Check the speaker connections (see Connecting the speakers on page 17).
No sound from surround back
speakers.
• Check that the surround back speakers are set to LARGE or SMALL (see Speaker Setting on page 45).
• Make sure surround back processing is set to SBch ON (see Using surround back channel processing on
page 31).
• If the source is Dolby Surround EX or DTS ES with no flag to indicate 6.1 compatibility, then with surround
back processing set to SBch Auto, there will be no sound from the surround back speakers. In this case,
set to SBch ON (see Using surround back channel processing on page 31).
• If the source does not have 6.1 playback channels, make sure that surround back processing is set to
SBch ON and a surround mode is selected (see Listening in surround sound on page 28).
• Check the speaker connections (see Connecting the speakers on page 17). If only one surround back
speaker is connected, make sure it’s connected to the left channel speaker terminal.
No sound from subwoofer.
• Check that the subwoofer is connected properly, switched on and the volume turned up.
• If your subwoofer has a sleep function, make sure it is switched off.
• Make sure that the Subwoofer setting is YES or PLUS (see Speaker Setting on page 45).
• The crossover frequency may be set too low; try setting it higher to match the characteristics of your other
speakers (see Speaker Setting on page 45)
• If there is very little low frequency information in the source material, change your speaker settings to
Front: SMALL / Subwoofer: YES, or Front: LARGE / Subwoofer: PLUS (see Speaker Setting on page 45).
• Check that the LFE channel is not set to –80 dB, or a very quiet setting (see Bass Peak Level on page 46).
• Check the speaker level settings (see Channel Level on page 45).
No sound from one speaker.
• Check the speaker connection (see Connecting the speakers on page 17).
• Check the speaker level settings (see Channel Level on page 45).
• Check that the speaker hasn’t been set to NO (see Speaker Setting on page 45).
• The channel may not be recorded in the source. By using one of the advanced effect listening mode, you
may be able to create the missing channel (see Listening in surround sound on page 28).
Sound is produced from analog • Check that the input signal type is set to DIGITAL (see Choosing the input signal on page 31).
components, but not from digital • Make sure that the digital input is assigned correctly for the input jack the component is connected to
ones (DVD, LD, CD-ROM etc.).
(see The Input Setup menu on page 63).
• Check the digital output settings on the source component.
• If the source component has a digital volume control, make sure this is not turned down.
• Make sure that the multichannel analog inputs are not selected. Select any other input source.
No sound is output or a noise is • Check that your DVD player is compatible with Dolby Digital/DTS discs.
output when Dolby Digital/DTS
software is played back.
• Check the digital output settings of your DVD player. Make sure that the DTS signal output is set to On.
• If the source component has a digital volume control, make sure this is not turned down.
No sound when using the System • If the HDMI input source is selected, sound is muted until exiting either menu.
Setup or Status menu.
• If sound is muted in the sub room (ROOM 2), it will be restored after exiting the System Setup menu.
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Additional information
12
Other audio problems
Symptom
Remedy
Broadcast stations cannot be
For FM broadcasts
selected automatically, or there is • Fully extend the FM wire antenna, adjust the position for best reception and secure to a wall, etc.
considerable noise in radio
broadcasts.
• Use an outdoor antenna for better reception (see page 20).
For AM broadcasts
• Adjust the position and direction of the AM antenna.
• Use an outdoor antenna for better reception (see page 20).
• Noise may be caused by interference from other equipment, such as a fluorescent light, motor, etc.
Switch off or move the other equipment, or move the AM antenna.
A multichannel DVD source
appears to be downmixed to 2
channels during playback.
• Make sure that the multichannel analog inputs are selected (see Selecting the multichannel analog inputs
on page 53).
Noise is output when scanning a • This is not a malfunction of the receiver. The scan function of your player alters the digital information,
DTS CD.
making it unreadable, resulting in noise being output. Lower the volume when scanning.
When playing a DTS format LD
there is audible noise on the
soundtrack.
• Make sure that the input signal type is set to DIGITAL (see Choosing the input signal on page 31).
Can't record audio.
• You can only make a digital recording from a digital source, and an analog recording from an analog
source.
• For digital sources, make sure that what you’re recording isn’t copy protected.
• Check that the OUT jacks are properly connected to the recorders input jacks (see Connecting analog
audio sources on page 16).
Recorded audio is different from • The RECOUT source is set to an input source other than the source you’re listening to. Select RECOUT
the current source, or inaudible. SOURCE to record the current input source (see Playing a different source when recording on page 68).
Subwoofer output is very low.
• To route more signal to the subwoofer, set it to PLUS or set the front speakers to SMALL (see Speaker
Setting on page 45).
Everything seems to be set up
correctly, but the playback sound
is odd.
• The speakers may be out of phase. Check that the positive/negative speaker terminals on the receiver are
matched with the corresponding terminals on the speakers (see Connecting the speakers on page 17).
The PHASE CONTROL feature
• If applicable, check that the lowpass filter switch on your subwoofer is off, or the lowpass cutoff is set to
doesn’t seem to have an audible the highest frequency setting. If there is a PHASE setting on your subwoofer, set it to 0º (or depending on
effect.
the subwoofer, the setting where you think it has the best overall effect on the sound).
• Make sure the speaker distance setting is correct for all speakers (see Speaker Distance on page 46).
Noise or hum can be heard even • Check that personal computers or other digital components connected to the same power source are not
when there is no sound being
input.
causing interference.
There seems to be a time lag
between the speakers and the
output of the subwoofer.
• See Automatically setting up for surround sound (MCACC) on page 7 to set up your system again using
MCACC (this will automatically compensate for a delay in the subwoofer output).
The maximum volume available • This is not a malfunction. If the levels in Channel Level on page 45 have been adjusted, the maximum
(shown in the front panel display) volume will change accordingly.
is lower than the +12dB
maximum.
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Additional information
12
Video
Symptom
Remedy
No image is output when an
input is selected.
• Check the video connections of the source component (see page 13).
• For high-definition video (using component video connections), or when digital video conversion is
switched off (in Setting the AV options on page 66), you must connect your TV to this receiver using the same
type of video cable as you used to connect your video component.
• Make sure the input assignment is correct for components connected using component or S-video cables
(see The Input Setup menu on page 63).
• A separate video source has been selected using VIDEO SELECT (see Watching video and audio sources
independently on page 68).
• Check the video output settings of the source component.
• Check that the video input you selected on your TV is correct.
• Some components (such as video game units) have resolutions that may not be converted. If adjusting
this receiver’s Resolution setting (in Setting the AV options on page 66) and/or the resolution settings on
your component or display doesn’t work, try switching Digital Video Conversion (in Setting the AV options
on page 66) OFF.
Can’t record video.
• Check that the source is not copy-protected.
• The video converter is not available when making recordings. Check that the same type of video cable is
used for connecting both the recorder and the video source (the one you want to record) to this receiver.
Settings
Symptom
Remedy
The Auto MCACC Setup
continually shows an error.
• The ambient noise level may be too high. Keep the noise level in the room as low as possible (see also
Problems when using the Auto MCACC Setup on page 9). If the noise level cannot be kept low enough, you
will have to set up the surround sound manually (page 44).
After using the Auto MCACC
Setup, the speaker size setting is
incorrect.
• There may have been some low frequency noise in the room from an air-conditioner, motor, etc. Switch
off all other appliances in the room and use Auto MCACC Setup again.
• Depending on a number of factors (room size, speaker placement, etc.) this may occur in some cases.
Change the speaker setting manually in Speaker Setting on page 45, and use the ALL (Keep SPsetting)
option for the Auto Mode in Automatic MCACC (Expert) on page 35 if this is a recurring problem.
Can’t adjust the Fine Speaker
Distance setting (page 39)
properly.
• Check that the speakers are all in phase (make sure the positive (+) and negative (–) terminals are
matched up properly).
The display shows KEY LOCK
ON when you try to make
settings.
• With the receiver in standby, press ꢁ STANDBY/ON while holding down the MULTI-ROOM&SOURCE
CONTROL button to disable the key lock.
Most recent settings have been • The power cord was disconnected from the wall while adjusting this setting.
erased.
Professional Calibration EQ graphical output
Symptom
Remedy
The EQ response displayed in the • There are cases where the graph does not appear flat (even when selecting ALL CH ADJUST in the Auto
graphical output following
calibration does not appear
entirely flat.
MCACC Setup) due to adjustments made to compensate for room characteristics to achieve optimal sound.
• Areas of the graph may appear identical (before and after) when there is little or no adjustment needed.
• The graph may appear to have shifted vertically when comparing before and after measurements.
EQ adjustments made using the • Despite level adjustments being made, the filters used for analysis may not display these adjustments in
Manual MCACC setup on
page 38 do not appear to change
the graphical output.
the graphical output. However, these adjustments are taken this into account by the filters dedicated to
overall system calibration.
Lower frequency response
curves do not seem to have been
calibrated for SMALL speakers.
• Low frequencies used in bass management (the subwoofer channel) will not change for speakers that
have been specified as SMALL in the configuration, or do not output these frequencies.
• Calibration is performed, but due to your speakers’ low frequency limitations, no measurable sound is
output for display.
Graphical output data seems to • If the power is switched off, the measurement data for graphical output to a PC is cleared.
have disappeared.
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Additional information
12
Display
Symptom
Remedy
The display is dark or off.
• Press DIMMER on the remote control repeatedly to select a different brightness.
After making an adjustment the • Press DIMMER on the remote control repeatedly to select a different brightness.
display goes off.
You can't get DIGITAL to display • Check the digital connections and make sure that the digital inputs are assigned correctly (see The Input
when using the SIGNAL SELECT Setup menu on page 63).
button.
• If the multichannel analog inputs are selected, select a different input source.
The Dolby/DTS indicator doesn't • These indicators do dot light if playback is paused.
light when playing Dolby/DTS
software.
• Check the playback (especially the digital output) settings of the source component.
When playing a DVD-Audio disc, • This is not a malfunction. 96 kHz audio from DVD-Audio discs is only output from the analog outputs of
the DVD player display shows
96 kHz. However, the receiver’s
display does not.
the DVD player. This receiver cannot show the playback sample rate when using the analog inputs.
During playback of a DTS 96/24 • Make sure that the receiver is set to AUTO or DIGITAL (see Choosing the input signal on page 31).
source, the display doesn't show
96 kHz.
When playing Dolby Digital or
DTS sources, the receiver’s
format indicators do not light.
• Check that the player is connected using a digital connection.
• Make sure that the receiver is set to AUTO or DIGITAL (see Choosing the input signal on page 31).
• Check that the player isn’t set up so that Dolby Digital and DTS sources are converted to PCM.
• Ensure that if there are several audio tracks on the disc, the Dolby Digital or DTS is selected.
When playing certain discs, none • The disc may not contain 5.1/6.1 channel material. Check the disc packaging for more on what audio
of the receiver’s format
indicators light.
tracks are recorded on the disc.
When playing a disc, the
• Make sure that the receiver is set to AUTO or DIGITAL (see Choosing the input signal on page 31).
2PL II or Neo:6 indicator lights • If a two channel soundtrack is currently playing (including Dolby Surround encoded), then this is not a
on the receiver.
malfunction. Check the disc packaging for details about the audio tracks available.
During playback of a Surround
•The source may be Dolby Surround EX / DTS ES software, but it has no flag to indicate it is 6.1
EX or DTS ES source on the SBch compatible. Set to SBch ON (see Using surround back channel processing on page 31) then switch to the
AUTO setting, the EX and ES
indicators don’t light, or the
signal is not properly processed.
THX Surround EX or Standard EX listening mode (see Listening in surround sound on page 28).
During playback of DVD-Audio, •This will occur when playing DVD-Audio material over the HDMI connection. This is not a malfunction.
the display shows PCM.
Remote control
Symptom
Remedy
Cannot be remote controlled.
• Try replacing the batteries in the remote control (see Loading the batteries on page 6).
• Be sure to operate within 7 meters and a 30º angle of the remote sensor on the front panel (see Operating
range of remote control unit on page 23).
• Check that there are no obstacles between the receiver and the remote control.
• Make sure that there is no fluorescent or other strong light shining on to the remote sensor.
• Check the connections of the CONTROL IN jack (see Operating other Pioneer components with this unit’s
sensor on page 76).
Other components can't be
operated with the system remote.
• If the battery ran down, the preset codes may have been cleared. Re-enter the preset codes.
• The preset code may be incorrect. Redo the procedure for entering preset codes.
The SR cable is connected, but
the connected components can’t plasma display on page 60).
be operated with the remote.
• Reinsert the SR cable, making sure it’s connected to the right jack (see Using this receiver with a Pioneer
• Make sure that there is an analog connection between the units. This is necessary for the SR feature to
work.
• Check that the other component is made by Pioneer. The SR feature only works with Pioneer equipment.
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i.LINK interface
Symptom
Remedy
No sound is output.
• Check that the source player is compatible with i.LINK audio.
• Check the output settings of the source player.
• Make sure that i.LINK or AUTO is selected using the SIGNAL SELECT button (see Choosing the input
signal on page 31).
The i.LINK indicator does not
light up even when an i.LINK-
equipped component is selected.
• Make sure that i.LINK or AUTO is selected using the SIGNAL SELECT button (see Choosing the input
signal on page 31).
• Check the i.LINK connections; use an i.LINK cable of less than 3.5 m.
• Check that the source components conforms to the i.LINK Audio format.
• Make sure that all components connected between the receiver and the source are switched on.
PQLS OFF or PQLS ON is
displayed temporarily on your
player and the sound output is
discontinued.
• During playback through an i.LINK connection, if you change the settings for other i.LINK components,
the sound will be discontinued momentarily. This is not a malfunction.
The program format indicators
don’t disappear when SACD
playback stops.
• The program format indicators remain lit until another format source is input. This is not a malfunction.
You can’t get i.LINK to display
when using the SIGNAL SELECT
button.
• Make sure your i.LINK source components are switched on.
• Check that i.LINK is assigned correctly (see The Input Setup menu on page 63).
After upgrading a component, it • You may need to reset the i.LINK database memory in the receiver (use the front panel):
is not recognized and cannot be With the receiver in standby, press ꢁ STANDBY/ON while holding down RETURN. When you see DB
selected using the i.LINK
connection.
CLEAR? appear in the display, press ENTER, then SETUP again to confirm. When you’ve reset the i.LINK
database memory, DB CLEAR SET shows in the display. If DB ERROR is displayed, step through the
procedure again.
i.LINK messages
You may see the following messages displayed in the front panel display when using the i.LINK interface.
Message
Explanation
BUS FULL
The i.LINK bus has reached its capacity and cannot transmit any more data.
CANNOT LINK 1
The connection between the receiver and the selected i.LINK-equipped component is unstable. If the
i.LINK cables appear to be connected properly and both the receiver and i.LINK-equipped component are
on, switch both units off, then on again to re-establish the connection between them.
CANNOT LINK 2
LINK CHECK
LOOP CONNECT
NO NAME
The receiver can’t identify the selected i.LINK-equipped component. For example, the receiver may not be
able to identify an i.LINK-equipped personal computer.
The receiver is checking the i.LINK network. It does this when components are added to, or removed from
the network. The sound may be interrupted if this happens during playback.
The i.LINK network cannot function because the connected components form a loop. See Creating an
i.LINK network on page 52 for more on this.
When an i.LINK-equipped component has no name, this message is displayed instead of the proper
component name.
NO SIGNAL
PQLS OFF
A component is outputting an i.LINK signal that the receiver cannot reproduce. This receiver can only
reproduce signals from i.LINK-Audio-equipped components. See About i.LINK on page 52 for more on this.
This is displayed on a playback component when PQLS turns off during playback. The sound may be
interrupted momentarily when this happens.
PQLS ON
This is displayed on a playback component when PQLS turns on during playback. The sound may be
interrupted momentarily when this happens.
UNKNOWN
When an i.LINK-equipped component name cannot be recognized, this message is displayed instead of
the proper component name.
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USB interface
Symptom
Remedy
No sound.
• Make sure you have set up your computer system to output through the USB interface (see Using the USB
interface on page 54).
• Make sure your computers output level is turned up.
• Update to a more recent version of your software, try a different audio program, or try a different source.
HDMI
Symptom
Remedy
The HDMI indicator blinks
continuously.
• Check all the points below.
No picture or sound.
• This receiver is HDCP-compatible. Check that the components you are connecting are also HDCP-
compatible. If they are not, please connect them using the component, S-video or composite video jacks.
• Depending on the connected source component, it’s possible that it will not work with this receiver (even
if it is HDCP-compatible). In this case, connect using the component, S-video or composit video jacks
between source and receiver.
• If the problem still persists when connecting your HDMI component directly to your monitor, please
consult the component or monitor manual or contact the manufacturer for support.
No picture.
• Try changing the Resolution setting (in Setting the AV options on page 66).
No sound, or sound suddenly
ceases.
• Check that the HDMI AV setting is set to AMP/THROUGH.
• If the component is a DVI device, use a separate connection for the audio.
• If analog video is being output over HDMI then there will be no HDMI audio output. Please use a separate
connection for the audio.
• Check the audio output settings of the source component.
Noisy or distorted picture.
• Sometimes a video deck may output a noisy video signal (during scanning, for example), or the video
quality may just be poor (with some video game units, for example). The picture quality may also depend on
the settings, etc. of your display device. Switch off the video converter and reconnect the source and display
device using the same type of connection (component, S-video or composite), then start playback again.
• If the problem still persists when connecting your HDMI component directly to your monitor, please
consult the component or monitor manual or contact the manufacturer for support.
iPod messages
Symptom
Error I1
Cause
Action
There is a problem with the signal path from the Switch off the receiver and reconnect the iPod to the receiver.
iPod to the receiver.
If this doesn’t seem to work, try resetting your iPod.
Error I2
The software version being used with the iPod
needs to be updated.
Update the software being used with the iPod (software
versions prior to iPod update 2004-10-20 are not supported).
No Track
There are no playable songs currently stored in Input some music files compatible with iPod playback.
the iPod.
Note
• If the unit does not operate normally due to external effects such as static electricity disconnect the power plug
from the outlet and insert again to return to normal operating conditions.
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Surround sound formats
12
Dolby Surround is an encoding system which embeds
surround sound information within a stereo soundtrack,
which a Dolby Pro Logic decoder can then use for enhanced
surround listening with greater sound detail.
Below is a brief description of the main surround sound
formats you’ll find on DVDs, satellite, cable and terrestrial
broadcasts, and video cassettes.
Manufactured under license from Dolby Laboratories. “Dolby”,
“Pro Logic”, “Surround EX”, and the double-D symbol are
trademarks of Dolby Laboratories.
Dolby
The Dolby technologies are explained below. See
DTS
The DTS technologies are explained below. See
Dolby Digital
DTS Digital Surround
Dolby Digital is a multichannel digital audio coding system
widely used in cinemas, and in the home for DVD and digital
broadcast soundtracks. It can deliver up to six discrete audio
channels, comprising five full range channels and a special
LFE (low frequency effects) channel used mainly for deep,
rumbling sound effects; hence the term “5.1-channel” Dolby
Digital.
DTS Digital Surround is a 5.1-channel audio coding system
from Digital Theater Systems Inc. now widely used for DVD-
Video, DVD-Audio, 5.1 music discs, digital broadcasts, and
video games. It can deliver up to six discrete audio channels,
comprising five full range channels, including an LFE
channel. Higher sound quality is achieved through the use of
a low compression rate, and high rates of transmittance
during playback.
In addition to the format features above, Dolby Digital
decoders offer downmixing for compatibility with mono,
stereo and Dolby Pro Logic audio from a number of bit rates
and channels. Another feature, called Dialog Normalization,
attenuates programs based on the average level of dialog in
a program relative to its peak level (also known as Dialnorm)
in order to achieve uniform playback level.
DTS-ES
DTS-ES (the ES stands for Extended Surround) is a decoder
that is capable of decoding both DTS-ES Discrete 6.1 and
DTS-ES Matrix 6.1 encoded sources. DTS-ES Discrete 6.1
gives ‘true’ 6.1 channel sound, with a completely separate
(discrete) surround back channel. DTS-ES Matrix 6.1 has a
surround back channel matrixed into the surround left/right
channels. Both sources are also compatible with a
conventional DTS 5.1 channel decoder.
Dolby Digital Surround EX
Dolby Digital Surround EX (the EX stands for EXtended) is an
extension of Dolby Digital encoding whereby a surround
back channel is matrixed into the surround left/right
channels for 6.1 channel playback. This allows for
compatibility with Dolby Digital 5.1 channel decoding, as
well as for decoding using Dolby Digital EX.
DTS Neo:6
DTS Neo:6 can generate 6.1 channel surround sound from
any matrixed stereo source (such as video or TV) and from
5.1 channel sources. It uses both the channel information
already encoded into the source, as well as its own
processing to determine channel localization (with two
channel sources, the “.1” subwoofer channel is generated by
bass management in the receiver). Two modes (Cinema and
Music) are available using DTS Neo:6 with two channel
sources.
Dolby Pro Logic IIx and Dolby Surround
Dolby Pro Logic IIx is an improved version of the Dolby Pro
Logic II (and Dolby Pro Logic) decoding system. Using the
innovative “steering logic” circuit, this system extracts
surround sound from sources as follows:
DTS 96/24
• Dolby Pro Logic – 4.1 channel sound (mono surround)
DTS 96/24 is an extension of the original DTS Digital
Surround which offers high quality 96 kHz/24-bit audio using
a DTS 96/24 decoder. This format is also fully backward
compatible with all existing decoders. This means that DVD
players can play this software using a conventional DTS 5.1
channel decoder.
from any stereo source
• Dolby Pro Logic II – 5.1 channel sound (stereo
surround) from any stereo source
• Dolby Pro Logic IIx – 6.1 or 7.1 channel sound (stereo
surround and surround back) from two channel or
5.1(and 6.1) channel sources
“DTS”, “DTS-ES”, “Neo:6” and “DTS 96/24” are trademarks of
Digital Theater Systems, Inc.
With two channel sources, the “.1” subwoofer channel is
generated by bass management in the receiver.
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Additional information
12
speakers. This ensures seamless panning between the front and
surround speakers.
Windows Media® Audio 9 Professional
Windows Media Audio 9 Professional (WMA9 Pro) is a
discrete surround format developed by Microsoft
Corporation.
®
•
Adaptive Decorrelation
In a movie theatre, a large number of surround speakers help create
an enveloping surround sound experience, but in a home theatre
there are usually only two speakers. This can make the surround
speakers sound like headphones that lack spaciousness and
envelopment. The surround sounds will also collapse into the closest
speaker as you move away from the middle seating position. Adaptive
Decorrelation slightly changes one surround channel's time and
phase relationship with respect to the other surround channel. This
expands the listening position and creates—with only two speakers—
the same spacious surround experience as in a movie theatre.
WMA9 Pro can support up to 5.1/7.1 channel playback with
sampling rates up to 24-bit/96 kHz. Using the unique WMA
compression techniques, WMA9 Pro can deliver
multichannel music and soundtracks over high-speed
internet networks at low bit rates with minimal audio
degradation. Playback may be enjoyed with the Windows
Media Player 9 Series (or above) and other third-party
media players on a personal computer, or with an AV
amplifier with on-board WMA9 Pro decoding.
•
THX Select2
Before any home theatre component can be THX Select2 certified, it
must incorporate all the features above and also pass a rigorous
series of quality and performance tests. Only then can a product
feature the THX Select2 logo, which is your guarantee that the Home
Theatre products you purchase will give you superb performance for
many years to come. THX Select2 requirements cover every aspect of
the product including pre-amplifier and power amplifier performance
and operation, and hundreds of other parameters in both the digital
and analog domain.
®
®
Windows Media and the Windows logo are trademarks or
registered trademarks of Microsoft Corporation in the United
States and/or other countries.
•
THX Surround EX
THX Surround EX - Dolby Digital Surround EX is a joint development
of Dolby Laboratories and the THX Ltd. In a movie theater, film
soundtracks that have been encoded with Dolby Digital Surround EX
technology are able to reproduce an extra channel which has been
added during the mixing of the program. This channel, called
Surround Back, places sounds behind the listener in addition to the
currently available front left, front center, front right, surround right,
surround left and subwoofer channels. This additional channel
provides the opportunity for more detailed imaging behind the
listener and brings more depth, spacious ambience and sound
localization than ever before. Movies that were created using the
Dolby Digital Surround EX technology, when released into the home
consumer market may exhibit wording to that effect on the
packaging. A list of movies created using this technology can be
Only receiver and controller products bearing the THX Surround EX
logo, when in the THX Surround EX mode, faithfully reproduce this
new technology in the home.
This product may also engage the “THX Surround EX” mode during
the playback of 5.1 channel material that is not Dolby Digital
Surround EX encoded. In such case the information delivered to the
Surround Back channel will be program dependent and may or may
not be very pleasing depending on the particular soundtrack and the
tastes of the individual listener.
About THX
The THX technologies are explained below. See
•
THX Cinema processing
THX is an exclusive set of standards and technologies established by
THX Ltd. THX grew from George Lucas' personal desire to make your
experience of the film soundtrack, in both movie theatres and in your
home theatre, as faithful as possible to what the director intended.
Movie soundtracks are mixed in special movie theatres called
dubbing stages and are designed to be played back in movie theatres
with similar equipment and conditions. This same soundtrack is then
transferred directly onto Laserdisc, VHS tape, DVD, etc., and is not
changed for playback in a small home theatre environment. THX
engineers developed patented technologies to accurately translate
the sound from the movie theatre environment into the home,
correcting the tonal and spatial errors that occur. On this product,
when the THX indicator is on, THX features are automatically added
in Cinema modes (e.g. THX Cinema, THX Surround EX).
•
Advanced Speaker Array (ASA)
ASA is a proprietary THX technology which processes the sound fed
to 2 side and 2 back surround speakers to provide the optimal
surround sound experience. When you set up your home theater
system using all eight speaker outputs (Left, Center, Right, Surround
Right, Surround Back Right, Surround Back Left, Surround Left and
Subwoofer) placing the two Surround Back speakers close together
facing the front of the room as shown in the diagram will provide the
largest sweet spot. If for practical reasons you have to place the
Surround Back speakers apart, you will need to go THX Audio Set-up
screen and choose the setting that most closely corresponds to the
speaker spacing, which will re-optimize the surround sound-field.
ASA is used in three new modes; THX Select2 Cinema, THX
MusicMode and THX Games Mode.
•
Re-Equalization
The tonal balance of a film soundtrack will be excessively bright and
harsh when played back over audio equipment in the home because
film soundtracks were designed to be played back in large movie
theaters using very different professional equipment. Re-Equalization
restores the correct tonal balance for watching a movie soundtrack in
a small home environment.
•
Timbre Matching
The human ear changes our perception of a sound depending on the
direction from which the sound is coming. In a movie theatre, there is
an array of surround speakers so that the surround information is all
around you. In a home theatre, you use only two speakers located to
the side of your head. The Timbre Matching feature filters the
information going to the surround speakers so that they more closely
match the tonal characteristics of the sound coming from the front
•
THX Select2 Cinema mode
THX Select2 Cinema mode plays 5.1 movies using all 8 speakers
giving you the best possible movie watching experience. In this mode,
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ASA processing blends the side surround speakers and back
surround speakers providing the optimal mix of ambient and
directional surround sounds.
channels of all 5.1 encoded music sources such as DTS, Dolby Digital
and DVD-Audio to provide a wide stable rear soundstage.
•
THX Games Mode
DTS-ES (Matrix and 6.1 Discrete) and Dolby Digital Surround EX
encoded soundtracks will be automatically detected in Select2
Cinema mode if the appropriate flag has been encoded.
Some Dolby Digital Surround EX soundtracks are missing the digital
flag that allows automatic switching. If you know that the movie that
you are watching is encoded in Surround EX, you can manually select
the THX Surround EX playback mode, otherwise THX Select2 Cinema
mode will apply ASA processing to provide optimum replay.
For the replay of stereo and multi-channel game audio the THX
Games Mode should be selected. In this mode THX ASA processing
is applied to the surround channels of all 5.1 and 2.0 encoded game
sources such as analog, PCM, DTS and Dolby Digital. This accurately
places all game audio surround information, providing a full 360
degree playback environment. THX Games Mode is unique as it gives
you a smooth transition of audio in all points of the surround field.
The THX logo is a trademark of THX Ltd. which may be
registered in some jurisdictions. All rights reserved.
•
THX MusicMode
For the replay of multi-channel music the THX MusicMode should be
selected. In this mode THX ASA processing is applied to the surround
Listening modes with different input signal formats
The following charts outline the listening modes available with different input signal formats, depending on the surround back
channel processing and decoding method you have selected.
Stereo (2 channel) signal formats
SBch Processing
Input signal format
Standard
THX
Auto Surround
SBch
Dolby Digital Surround
2Pro Logic IIx MOVIE
2Pro Logic IIx MUSIC
2Pro Logic IIx GAME
2Pro Logic IIx MOVIE+THX
2Pro Logic IIx MOVIE
a
Processing
2PRO LOGIC+THX
ON/AUTO
Neo:6 CINEMA+THX
a
(Automatically
selects 6.1/7.1
channel decoding)
b
2PRO LOGIC
Neo:6 CINEMA
Neo:6 MUSIC
THX GAMES MODE
DTS Surround
As above
As above
As above
As above
As above
–
Neo:6 CINEMA
Stereo playback
Stereo playback
Other stereo sources
c
DVD-A and SACD
SBch
Processing
OFF
(Maximum 5.1
channel playback)
Dolby Digital Surround
2Pro Logic II MOVIE
2Pro Logic II MUSIC
2Pro Logic II GAME
2PRO LOGIC
Neo:6 CINEMA
Neo:6 MUSIC
2Pro Logic II MOVIE+THX
2PRO LOGIC+THX
Neo:6 CINEMA+THX
2Pro Logic II MOVIE
a
a
DTS Surround
As above
As above
As above
As above
As above
–
Neo:6 CINEMA
Stereo playback
Stereo playback
Other stereo sources
c
DVD-A and SACD
a.2PRO LOGIC has a maximum of 5.1 channel playback.
b.Unavailable with only one surround back speaker connected.
c.VSX-AX4ASi only.
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Multichannel signal formats
SBch Processing
Input signal format
Standard
THX
Auto Surround
SBch
Processing
ON
(7.1 channel
decoding used for
all sources)
WMA9 Pro (6.1/7.1 channel)
Straight decoding
WMA+THX CINEMA
Straight decoding
Dolby Digital EX (6.1 channel
flagged)
Dolby Digital EX
2Pro Logic IIx MOVIE
2Pro Logic IIx MUSIC
THX SURROUND EX
Dolby Digital EX
2Pro Logic IIx MOVIE
a
a
a
2Pro Logic IIx MOVIE+THX
a
THX Select2 CINEMA
THX MUSICMODE
THX GAMES MODE
a
a
DTS-ES (6.1 channel sources/6.1
channel flagged)
DTS-ES (Matrix/Discrete)
DTS+2Pro Logic IIx MOVIE
DTS+2Pro Logic IIx MUSIC
DTS-ES+THX (Matrix/Discrete)
DTS-ES (Matrix/Discrete)
DTS+Neo:6
a
a
a
DTS+2Pro Logic IIx MOVIE+THX
a
THX Select2 CINEMA
THX MUSICMODE
THX GAMES MODE
a
a
DTS and DTS 96/24
(5.1 channel encoding)
DTS+Neo:6
DTS+2Pro Logic IIx MOVIE
DTS+2Pro Logic IIx MUSIC
DTS+Neo:6+THX
a
DTS+2Pro Logic IIx MOVIE+THX
a
THX Select2 CINEMA
THX MUSICMODE
THX GAMES MODE
a
a
Dolby Digital
WMA9 Pro
(5.1 channel encoding)
Dolby Digital EX
2Pro Logic IIx MOVIE
2Pro Logic IIx MUSIC
THX SURROUND EX
2Pro Logic IIx MOVIE+THX
Dolby Digital EX
2Pro Logic IIx MOVIE
a
a
a
a
THX Select2 CINEMA
a
THX MUSICMODE
a
THX GAMES MODE
b
a
Dolby Digital EX
2Pro Logic IIx MOVIE
2Pro Logic IIx MUSIC
Dolby Digital EX
2Pro Logic IIx MOVIE
DVD-A and SACD
THX MUSICMODE
a
a
(5.1 channel encoding)
SBch
Processing
WMA9 Pro (6.1/7.1 channel)
Straight decoding
WMA+THX CINEMA
THX SURROUND EX
Straight decoding
Dolby Digital EX
(6.1 channel flagged)
Dolby Digital EX
2Pro Logic IIx MOVIE
Dolby Digital EX
2Pro Logic IIx MOVIE
AUTO
a
a
(Automatically
selects 6.1/7.1
channel decoding)
DTS-ES (6.1 channel sources/6.1
channel flagged)
DTS-ES (Matrix/Discrete)
DTS-ES+THX (Matrix/Discrete)
DTS-ES (Matrix/Discrete)
Dolby Digital
DTS and DTS 96/24
WMA9 Pro
Straight decoding
THX Select2 CINEMA
Straight decoding
(Maximum 5.1 channel
playback)
(Maximum 5.1 channel playback) (Maximum 5.1 channel THX CINEMA
playback with only one surround back
speaker)
(5.1 channel encoding)
b
a
Straight decoding
Straight decoding
(Maximum 5.1 channel
playback)
DVD-A and SACD
THX MUSICMODE
THX CINEMA
(Maximum 5.1 channel playback)
(5.1 channel encoding)
SBch
WMA9 Pro (6.1/7.1 channel)
Straight decoding
Straight decoding
Processing
Dolby Digital EX
(6.1 channel flagged)
DTS-ES (6.1 channel sources/6.1
channel flagged)
c
OFF
(Maximum 5.1
channel playback)
Dolby Digital
DTS and DTS 96/24
WMA9 Pro
(5.1 channel encoding)
b
Straight decoding
–
Straight decoding
DVD-A and SACD
(5.1 channel encoding)
a.Unavailable with only one surround back speaker connected.
b.VSX-AX4ASi only.
c.Automatically selected if no surround back speakers are connected.
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Stream direct with different input signal formats
The following charts show what you will hear with different input signal formats, depending on the Stream Direct mode (see
Using Stream Direct on page 30) you have selected.
Stereo (2 channel) signal formats
Surround Back speaker(s)
Input signal format
DIRECT
PURE DIRECT
Connected
(Maximum 7.1 channel playback)
Dolby Digital Surround
DTS Surround
2Pro Logic IIx MOVIE
Neo:6 CINEMA
Stereo playback
As above
2Pro Logic IIx MOVIE
Neo:6 CINEMA
Other stereo sources
Analog sources
PCM sources
Stereo playback
ANALOG DIRECT (stereo)
PCM DIRECT (stereo)
PCM DIRECT (stereo)
SACD DIRECT (stereo)
As above
DVD-A sources
As above
a
As above
SACD sources
Not connected
(Maximum 5.1 channel playback)
Dolby Digital Surround
DTS Surround
2Pro Logic II MOVIE
Neo:6 CINEMA
Stereo playback
As above
2Pro Logic II MOVIE
Neo:6 CINEMA
Other stereo sources
Analog sources
PCM sources
Stereo playback
ANALOG DIRECT (stereo)
PCM DIRECT (stereo)
PCM DIRECT (stereo)
SACD DIRECT (stereo)
As above
DVD-A sources
As above
a
As above
SACD sources
a.VSX-AX4ASi only.
Multichannel signal formats
Surround Back speaker(s)
Input signal format
DIRECT
PURE DIRECT
Connected
(Maximum 7.1 channel playback)
WMA9 Pro (6.1/7.1 channel)
Straight decoding
Straight decoding
Dolby Digital EX (6.1 channel flagged)
Dolby Digital EX
2Pro Logic IIx MOVIE
Dolby Digital EX
2Pro Logic IIx MOVIE
a
a
DTS-ES (6.1 channel sources/6.1 channel flagged)
DTS-ES (Matrix/Discrete)
DTS-ES (Matrix/Discrete)
Dolby Digital
DTS and DTS 96/24
WMA9 Pro
Straight decoding
Straight decoding
(5.1 channel encoding)
DVD-A sources
As above
As above
PCM DIRECT
SACD DIRECT
b
SACD sources
(5.1 channel encoding)
Not connected
(Maximum 5.1 channel playback)
WMA9 Pro (6.1/7.1 channel)
Straight decoding
Straight decoding
Dolby Digital EX
(6.1 channel flagged)
As above
As above
DTS-ES (6.1 channel sources/6.1 channel flagged)
As above
As above
As above
As above
Dolby Digital
DTS and DTS 96/24
WMA9 Pro
(5.1 channel encoding)
DVD-A sources
As above
As above
PCM DIRECT
SACD DIRECT
b
SACD sources
(5.1 channel encoding)
a.Unavailable with only one surround back speaker connected.
b.VSX-AX4ASi only.
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Additional information
Specifications
12
FM Tuner Section
Frequency Range . . . . . . . . . . . . . . . . .87.5 MHz to 108 MHz
Usable Sensitivity . . . . . . Mono: 15.2 dBf, IHF (1.6 µV/75 Ω)
50 dB Quieting Sensitivity . . . . . . . . . . . . . . Mono: 20.2 dBf
Stereo: 41.2 dBf
Amplifier Section
Maximum Output Power (1 kHz, THD 10.0 %, 6 Ω)
. . . . . . . .270 W/channel (AX4ASi), 250 W/channel (AX2AS)
Sensitivity (DIN) . . . . . . . . . . . . . . . Mono: 1.1 µV (S/N 26 dB)
Stereo: 50 µV (S/N 46 dB)
Signal-to-Noise Ratio . . . . . . . . . . . Mono: 76 dB (at 85 dBf)
Stereo: 72 dB (at 85 dBf)
Continuous Power Output
Signal-to-Noise Ratio (DIN). . . . . . . . . . . . . . . . Mono: 62 dB
Stereo: 58 dB
Distortion . . . . . . . . . . . . . . . . . . . . . . . .Stereo: 0.6 % (1 kHz)
Alternate Channel Selectivity . . . . . . . . . . . 70 dB (400 kHz)
Stereo Separation . . . . . . . . . . . . . . . . . . . . . . . 40 dB (1 kHz)
Frequency Response . . . . . . . . . . . . 30 Hz to 15 kHz 1dB
Antenna Input . . . . . . . . . . . . . . . . . . . . . . .75 Ω unbalanced
(DIN 1 kHz, THD 1 %, 6 Ω)
Front. . . 180 W + 180 W (AX4ASi), 170 W + 170 W (AX2AS)
Center . . . . . . . . . . . . . . . . .180 W (AX4ASi), 170 W (AX2AS)
Surround . . . . . . . . . . . . . . . . . . . . .180 W + 180 W (AX4ASi)
170 W + 170 W (AX2AS)
Surround back . . . . . . . . . . . . . . . .180 W + 180 W (AX4ASi)
170 W + 170 W (AX2AS)
AM Tuner Section
(DIN 1 kHz, THD 1 %, 8 Ω)
Frequency Range . . . . . . .531 kHz to 1602 kHz (9 kHz step)
Sensitivity (IHF, Loop antenna) . . . . . . . . . . . . . . . 350 µV/m
Selectivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 dB
Signal-to-Noise Ratio . . . . . . . . . . . . . . . . . . . . . . . . . . 50 dB
Antenna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Loop antenna
Front. . . 150 W + 150 W (AX4ASi), 140 W + 140 W (AX2AS)
Center . . . . . . . . . . . . . . . . .150 W (AX4ASi), 140 W (AX2AS)
Surround . . . . . . . . . . . . . . . . . . . . .150 W + 150 W (AX4ASi)
140 W + 140 W (AX2AS)
Surround back . . . . . . . . . . . . . . . .150 W + 150 W (AX4ASi)
140 W + 140 W (AX2AS)
Miscellaneous
Power Requirements. . . . . . . . AC 110 V/AC 120 V to 127 V/
AC 220 V/AC 230 V to 240 V, 50 Hz/60 Hz
Power Consumption . . . . . . . . . . . . . . . . . . . . . . . . . . . 460 W
In standby . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0.65 W
Dimensions . . . . . 420 (W) mm x 187 (H) mm x 462 (D) mm
Weight (without package). . . . . . . . . . . . . . 16.4 kg (AX4ASi)
16.3 kg (AX2AS)
Rated Power Output (20 Hz to 20 kHz, 0.09 %, 8 Ω)
. . . . . . . . . 140 W+140 W (AX4ASi), 130 W+130 W (AX2AS)
Audio Section
Input (Sensitivity/Impedance)
LINE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335 mV/47 kΩ
Frequency Response (LINE). . . . . . 5 Hz to 100 000 Hz dB
Output (Level/Impedance)
Furnished Parts
Setup microphone (for Auto MCACC setup) . . . . . . . . . 1
AA/R6P dry cell batteries
REC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335 mV/2.2 kΩ
Tone Control
BASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 dB (100 Hz)
TREBLE . . . . . . . . . . . . . . . . . . . . . . . . . . 6 dB (10 kHz)
LOUDNESS. . . . . . . . . . . .+4 dB/+2 dB (100 Hz/10 kHz)
(at volume position –40 dB)
VSX-AX4ASi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4
VSX-AX2AS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
Remote control unit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1
Sub room remote control unit (VSX-AX4ASi only) . . . . . . . . .1
AM loop antenna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1
FM wire antenna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1
iPod cable. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1
Power cords . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
Antenna adapter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1
Flat-bladed converter plug . . . . . . . . . . . . . . . . . . . . . . . . . . .1
These operating instructions
Signal-to-Noise Ratio (IHF, short circuited, A network)
LINE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103 dB
Signal-to-Noise Ratio
[DIN (continuous rated power output/50 mW)]
LINE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 dB/65 dB
Composite Video / S-Video Section
Input (Sensitivity/Impedance) . . . . . . . . . . . . . . . 1 Vp-p/75 Ω
Output (Level/Impedance) . . . . . . . . . . . . . . . . . . 1 Vp-p/75 Ω
Signal-to-Noise Ratio . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 dB
Frequency Response . . . . . . . . . . . . . . . . . . . 5 Hz to 10 MHz
Note
• Specifications and the design are subject to possible
modifications without notice, due to improvements.
Component Video Section
Input (Sensitivity/Impedance) . . . . . . . . . . . . . . . 1 Vp-p/75 Ω
Output (Level/Impedance) . . . . . . . . . . . . . . . . . . 1 Vp-p/75 Ω
Signal-to-Noise Ratio . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 dB
Frequency Response . . . . . . . . . . . . . . . . . . 5 Hz to 100 MHz
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Additional information
Cleaning the unit
12
•
Phase correction
The Phase Control technology incorporated into this
receiver’s design provides coherent sound reproduction
through the use of phase matching for an optimal sound
image at your listening position.
• Use a polishing cloth or dry cloth to wipe off dust and
dirt.
• When the surface is dirty, wipe with a soft cloth
dipped in some neutral cleanser diluted five or six
times with water, and wrung out well, and then wipe
again with a dry cloth. Do not use furniture wax or
cleansers.
•
i.LINK digital interface (VSX-AX4ASi only)
The i.LINK interface makes it possible to connect this
receiver to i.LINK-equipped components, allowing you to
enjoy high sampling rate (up to 192 kHz) PCM
multichannel digital audio from DVD-Audio and SACD
discs, as well as digital audio from DVD-Video, CD and
Video CD discs, all with a single cable.
• Never use thinners, benzine, insecticide sprays or
other chemicals on or near this unit, since these will
corrode the surface.
•
HDMI and digital video conversion
This receiver is compatible with the HDMI digital video
format, providing you high-definition digital video and
digital audio via a single cable. Also, using this receiver’s
built-in digital video converter, de-interlacing and up-
scaling are both possible, and analog video signals can
be output through the HDMI terminal as digital video.
Our philosophy
Pioneer is dedicated to making your home theater
listening experience as close as possible to the vision of
the moviemakers and mastering engineer when they
created the original soundtrack. We do this by focusing
on three important steps:
•
DCDi
Faroudja’s DCDi Processing is selectable and ensures
that images are smooth and natural, without staircasing
or jaggies.
1
Achieving the highest possible sound quality
2
Allowing for customized acoustic calibration
according to any listening area
•
iPod Ready
3
Fine-tuning the receiver with the help of world-
With the new iPod terminal, you’ll be up and running in
no time, now that this receiver’s enhanced compatibility
makes on-screen control of your iPod an added
possibility.
1 With the cooperation of AIR Studios, this receiver has been designated
AIR Studios Monitor Reference:
1
class studio engineers
Features
•
Easy setup using Advanced MCACC
The Auto MCACC Setup provides a quick but accurate
surround sound setup, which includes the advanced
features of Professional Acoustic Calibration EQ. This
innovative technology measures the reverb
characteristics of your listening area, allowing you to
customize your system calibration with the help of a
graphical output that can be displayed on-screen, or
using a computer. With the additional benefits of
numerous MCACC preset memories, standing wave
control and microphone measurements from a series of
reference points, your home theater experience can be
truly customized for optimal surround sound.
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Pioneer Authorized Distributors
REP. OF SOUTH AFRICA
THAILAND
AFRICATEK (PTY) LTD.
29 Heronmere Road, Reuven Booysens.
Johannesburg 2091
P.O.Box 121 Linmeyer 2105
TEL: 490 9202
PIONEER ELECTRONICS (THAILAND) CO.,
LTD.
FL. 1 & 7 Chaiyo Building.
91/1 Rama 9Rd.
Huaykwang, Bangkok 10320,
TEL: 02-6439511
HONG KONG
PIONEER (HK) LTD.
U.A.E.
PIONEER GULF FZE
Lob 11-017, Jebel Ali Free Zone,
P.O. Box 61226, Jebel Ali, Dubai, U.A.E.
TEL: 971-4-881-5756
Suites 901-906, 9/F, World Commerce Centre,
Harbour City, 11 Canton Road, Tsim Sha Tsui,
Kowloon, Hong Kong
TEL: 2848-6488
INDONESIA
AUSTRALIA
P.T. ADAB ALAM ELECTRONIC
Jl. K.H. Zainul Arifin No. 13A Jakarta-Pusat
TEL: + (021) 6331924, 6331859, 6337665,
6337767
PIONEER ELECTRONICS AUSTRALIA PTY.
LTD.
Melbourne: 178-184 Boundary Rd., Braeside,
Victoria. 3195
TEL: (03)9586 6300
MALAYSIA
PIONEER TECHNOLOGY (M) SDN. BHD
16th Floor, Menara Uni. Asia
1008, Jalan Sultan Ismail 50250, Kuala Lumpur
TEL: 03 2697 2920
Sydney:
Unit D. 15 Rodborough Rd, French
Forest, New South Wales, 2086
TEL: (02)9452 0200
NEW ZEALAND
MONACO CORP. LTD.
10 Rothwell Ave., Albany. Auckland
P.O. Box 4399, Auckland 1
TEL: 94157444
PHILIPPINES
MGM ELECTRONICS CORP.
708 Apelo Cruz St. Malibay
P.O. Box 473, Pasay city
TEL: (02)8526706
MEXICO
PIONEER ELECTRONICS DE MEXICO,
S.A.DE C.V.
SINGAPORE
Blvd. Manuel Avila Camacho138 piso 10
Colonia Lomas de Chapultepec, Mexico,
D.F. 11000
PIONEER ASIACENTRE PTE LTD. Domestic
Service Dept.
253, Alexandra Road #04-01 Singapore, 159936
TEL: 64727555
TEL: 52-55-9178-4270
REP. OF PANAMA
TAIWAN
PIONEER INTERNATIONAL LATIN
PIONEER HIGH FIDELITY TAIWAN CO., LTD.
13th Floor, No44, Chung Shan North Rd
Sec.2, Taipei
AMERICA, S.A.
P.O. Box 5140, Panama 5, Republic of Panama
TEL: 507-210-1466
TEL: (02)25213166
When using the Advanced MCACC setup, you have the option of displaying the results using a computer. To obtain
the software for this feature (as referred to in Connecting a PC for Advanced MCACC output on page 62), please
contact the Pioneer Authorized Distributor for your area as listed above.
Published by Pioneer Corporation.
Copyright © 2006 Pioneer Corporation.
All rights reserved.
PIONEER CORPORATION
4-1, Meguro 1-Chome, Meguro-ku, Tokyo 153-8654, Japan
PIONEER ELECTRONICS (USA) INC.
P.O. BOX 1540, Long Beach, California 90810-1540, U.S.A. TEL: (800) 421-1404
PIONEER ELECTRONICS OF CANADA, INC.
300 Allstate Parkway, Markham, Ontario L3R OP2, Canada TEL: 1-877-283-5901
PIONEER EUROPE NV
Haven 1087, Keetberglaan 1, B-9120 Melsele, Belgium TEL: 03/570.05.11
PIONEER ELECTRONICS ASIACENTRE PTE. LTD.
253 Alexandra Road, #04-01, Singapore 159936 TEL: 65-6472-7555
PIONEER ELECTRONICS AUSTRALIA PTY. LTD.
178-184 Boundary Road, Braeside, Victoria 3195, Australia, TEL: (03) 9586-6300
PIONEER ELECTRONICS DE MEXICO S.A. DE C.V.
Blvd.Manuel Avila Camacho 138 10 piso Col.Lomas de Chapultepec, Mexico,D.F. 11000 TEL: 55-9178-4270
K002_A_En
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