PYD6070/PYD1270
6/12 channel 2 Bus
professional
mixing console
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Safety Instructions
CAUTION: To reduce the risk of electronic shock, do not remove the cover (or back). No user
serviceable parts inside; refer servicing to qualified personnel.
WARNING: To reduce the risk of fire electric shock, do not expose this device to rain and moisture.
This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous
voltage inside the enclosure-voltage that may be sufficient to constitute a risk of shock.
This symbol, wherever it appears, alerts you to important operating and maintenance
instructions in the accompanying literature. Please read the manual.
This device should be kept away from water or liquid to be spilled into the unit.
This device should be kept away from heat sources such as raditors, heat registers, stoves, etc.
This device should be situated so that its location or position does not interfere with its proper
ventilation.
Care and Maintenance
Your PYLE PRO mixer is an example of superior design and craftsmanship.
The following suggestions will help you care for your mixer so you can
enjoy years of use:
• Keep the mixer dry, if it gets wet, wipe immediately.
• Use the mixer only in well ventilated installations.
• Handle the mixer gently and carefully-do not drop.
• Keep the mixer away from dust and dirt.
• Wipe occasionally with a damp cloth to keep it looking new. Do not use harsh chemicals,
solvents or detergents.
Pyle Pro Mixer PYD6070/1270 Owner’s Manual – 1
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Features and Controls: PYD6070 Mixer
MIC1 & MIC2 Balanced XLR Input Connector
For connecting a balanced low impedance microphone with XLR type plug.
EFX SEND/RETURN Jacks
Permit you to either include externally generated effects
(such as a digital sampler or synth) IN the mix, or to
process the mixed sound (echo reverb, etc.).
HEADPHONES Jack
Accepts the headphones with 1/4" plug.
CTRL ROOM OUT Jacks
To connect the mixer to a second receiver
or amplifier powering speakers in the
control room or in a remote location.
POWER ON
Indicator
MAIN OUT Jacks
To connect the
mixer to a receiver
or amplifier.
LINE 1 & LINE 2
BAL or UNBAL
1/4" (TRS)
Input Jack
For connecting a
balanced or
unbalanced line
level sources.
LINE 3/4 & LINE
5/6 BAL or
UNBAL 1/4"
(TRS) Input
Jacks
For connecting a
balanced or
MIC1/LINE 1 &
MIC2/LINE 2
GAIN Control
Lets you adjust
the gain of the
input source.
unbalanced stereo
line level sources.
Use LEFT input jack
only for each
channel, if the
source signal is
mono.
TAPE IN & OUT
Jacks
To connect the
mixer to a tape deck
for recording the
mixed program and
for auditioning mix
playback from tape.
CH1, CH2,
CH3/4, & CH5/6
Tone Controls
(EQ)
TAPE TO MIX
Switch
Press to route the
signal playback from
tape to the MAIN
mix bus.
CH1, CH2,
CH3/4, & CH5/6
EFX Control
Lets you adjust the
channel signal level
sent to the external
effect.
CH1 & CH2
PAN Control
Lets you adjust
the channel signal
level feeding the
L & R mix bus.
DUAL LED
DISPLAY METER
Indicates the levels
of left and right
MAIN outputs.
PHANTOM +48V
DC Switch with
Indicator
Press to accept the
use of condenser
microphones.
CH1 & CH2
PEAK Indicator
Indicates the channel
signal is going into
overload.
MASTER Level Control
Lets you adjust the signal level
of MAIN and TAPE outputs.
CH1, CH2, CH3/4, &
CH5/6 LEVEL Control
Lets you adjust the channel
signal level sent to the MAIN
mix bus.
EFX RETURN Level Control
Lets you adjust the effects signal
level sent to the MIAN mix bus.
CONTROL ROOM/PHONES Level Control
Lets you adjust the signal level sent to the
control room and headphones.
TAPE TO CONTROL ROOM Switch
Press to route the signal playback from
tape to the control room.
CH3/4 & CH5/6 BAL Control
Lets you adjust the channel signal levels of left and
right relative to each other before both signals are
then sent to the MAIN mix bus.
It allows you to balance the source in the stereo image.
2 – Pyle Pro Mixer PYD6070/1270 Owner’s Manual
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Features and Controls: PYD1270 Mixer
EFX SEND/RETURN (LINE 11/12 Input) Jacks
Permit you to either include externally generated effects (such as a digital
sampler or synth) IN the mix, or to process the mixed sound (echo reverb,
etc.). Use two 1/4" (TRS) jacks of LINE 11/12 as effect return path, turn
the EFX GAIN of CH 11/12 fully down to avoid undesirable feedback.
LINE 1, LINE 2, LINE 3, & LINE 4 BAL or
UNBAL 1/4" (TRS) Input Jack
For connecting a balanced or unbalanced line
level sources.
LINE 5/6, LINE 7/8, LINE 9/10, & LINE 11/12 BAL or UNBAL 1/4"
(TRS) Input Jacks
For connecting a balanced or unbalanced stereo line level sources.
Use LEFT input jack only for each channel, if the source signal is mono.
CTRL ROOM OUT Jacks
MIC1/MIC2/MIC3 & MIC4 Balanced XLR
Input Connector
For connecting a balanced low impedance
microphone with XLR type plug.
To connect the mixer to a second receiver
or amplifier powering speakers in the
control room or in a remote location.
HEADPHONES Jack
Accepts the headphones with 1/4" plug.
POWER ON
Indicator
MAIN OUT Jacks
To connect the
mixer to a receiver
or amplifier.
MIC1/LINE 1,
MIC2/LINE 2,
MIC3/LINE 3, &
MIC4/LINE 4
GAIN Control
Lets you adjust the
gain of the input
source.
TAPE IN & OUT
Jacks
To connect the
mixer to a tape
deck for recording
the mixed
program and for
auditioning mix
playback from
tape.
CH1, CH2,
CH3, & CH4
Tone Controls
(EQ)
TAPE TO MIX
Switch
Press to route the
signal playback
from tape to the
MAIN mix bus.
CH1, CH2, CH3,
CH4, CH5/6,
EFX TO
CONTROL ROOM
Switch
CH7/8, CH9/10,
& CH11/12 EFX
Control
Press to route the
EFX SEND signal
to the control
room.
Lets you adjust
the channel signal
level sent to the
external effect.
DUAL LED
DISPLAY METER
Indicates the
levels of left and
right MAIN
outputs.
PHANTOM +48V
DC Switch with
Indicator
Press to accept the
use of condenser
CH1, CH2, CH3, & CH4
PEAK Indicator
microphones.
CH5/6, CH7/8, CH9/10,
& CH11/12 GAIN
Switch
Press to increase the
channel gain by +12dB.
Indicates the channel signal
is going into overload.
MASTER Level Control
Lets you adjust the signal level
of MAIN and TAPE outputs.
CH1, CH2, CH3, & CH4 LO
CUT Switch
Press to eliminate unwanted
low-frequency signal
components.
EFX SEND Level Control
Lets you adjust the EFFECTS signal
level sent to the EFX SEND.
CONTROL ROOM/PHONES Level Control
Lets you adjust the signal level sent to the
control room and headphones.
TAPE TO CONTROL ROOM Switch
Press to route the signal playback from tape to the
control room.
CH5/6, CH7/8, CH9/10, & CH11/12 BAL Control
Lets you adjust the channel signal levels of left and
right relative to each other before both signals are
then sent to the MAIN mix bus.
CH1, CH2, CH3, CH4, CH5/6, CH7/8,
CH9/10, & CH11/12 LEVEL Control
Lets you adjust the channel signal level
sent to the MAIN mix bus.
It allows you to balance the source in the stereo image.
CH1, CH2, CH3, & CH4 PAN Control
Lets you adjust the channel signal level
feeding the L & R mix bus.
Pyle Pro Mixer PYD6070/1270 Owner’s Manual – 3
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INSTALLATION, PYD6070 Mixers
4 – Pyle Pro Mixer PYD6070/1270 Owner’s Manual
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INSTALLATION, PYD1270 Mixers
Pyle Pro Mixer PYD6070/1270 Owner’s Manual – 5
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Mono Input Channel Controls
CH1/CH2 For PYD6070
CH1/CH2/CH3/CH4 For PYD1270
MIC
EQ (HI/MID/LO)
Each mono input channel comes with an XLR
balanced microphone input connector and also
offers a +48V PHANTOM switch to supply power
for condenser microphones. Please mute the
playback/PA loudspeakers system before switching
on +48V PHANTOM power to prevent the switch-
on thumps being directed to the loudspeakers.
Please connect the microphones before switching
on the +48V PHANTOM power supply, do not
connect microphones to the mixer as long as the
phantom power supply is switched on. Wait for
approximately one minute to get the system
stabilized.
ALL the mono input channels has a 3-band
equalizer, all bands provide up to 15dB of cut and
boost, with a centre detent for OFF. The cut-off
frequencies of HI and LO band are 10 kHz and 100
Hz respectively. The MID band is configured as a
peak filter with a center frequency at 1 kHz .
EFX
It enable you to feed channel signal to the external
effect.
PAN
It determines the amount of the channel signal
feeding the left and right mix bus, to locate the
source smoothly across the stereo image. Its
constant-power design ensure the signal is always
maintained at a constant level.
LINE
Each mono input channel comes with a balanced
1/4" (TRS) line level input jack. The unbalanced
devices can also be connected to this input.
PEAK
It illuminates to warm you the input channel signal
is driven too high, which could cause distortion.
Use the GAIN control to adjust until the LED does
not light.
NOTE
Please use only either the MIC or LINE input of
a channel at any one time, do not use both
simultaneously.
LEVEL
GAIN
It determines the level of channel signal in the
MAIN mix bus and provides a clear visual indication
of channel level.
This rotary GAIN control adjusts the channel input
gain level. Proper gain setting gives the mixer to
work in the best operating level. Please turn it
to 0 completely whenever you connect or
LO CUT (PYD1270)
disconnect a signal source to one of the inputs.
It is a steep LO CUT filter designed to eliminate
unwanted low frequency hum. It is useful on live
vocals to reduce stage rumble or "popping" noise
from microphone.
6 – Pyle Pro Mixer PYD6070/1270 Owner’s Manual
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Stereo Input Channel Controls
CH3/4 & CH5/6 For PYD6070
CH5/6, CH7/8, CH9/10
& CH11/12 For PYD1270
LINE, LEFT & RIGHT
BAL
Each stereo input channel comes with two balanced
1/4" (TRS) line level input jacks. The unbalanced
devices can also be connected to this input. If
only the jack marked "LEFT" is used, the channel
operate in mono. The stereo channels are designed
to handle typical line level signals.
It determines the level of left and right input
signals relative to each other before both signals
are then routed to the MAIN stereo mix bus,
allows you to balance the source in the stereo
image. If a stereo channel is run in mono (only
the left input connected), the balance control acts
as a pan in the normal way.
EQ (PYD6070)
LEVEL
It is similar to those of the mono channels, except
that the EQ is stereo. It is preferable of using two
mono equalizer when EQ-ing a stereo signal to
avoid the discrepancies occurred oftenly between
left and right setting.
It determines the level of channel signal in the
MAIN mix bus and provides a clear visual indication
of channel level.
GAIN (PYD1270)
It is an input sensitivity switch which used to
select between +12dB (press on) for studio level
and 0dB (press off) for home-recording level.
EFX
It is similar to those of the mono channels, except
that the EFX SEND buses are both mono, a mono
sum is first taken from the stereo input before
it is sent to the EFX bus.
Pyle Pro Mixer PYD6070/1270 Owner’s Manual – 7
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Main Section Connections and Controls
PYD6070
PYD1270
EFX SEND Jack
It is a 1/4" unbalanced jack sends out the signals from mix bus to the external effects unit.
EFX RETURN Jacks/Control (PYD6070)
The EFX RETURN Jacks bring the output of the external effects unit back into the mixer. These jacks
can be used instead as additional line level inputs, but any external effects signal will have to be
brought back into the mixer via a normal stereo channel, it does allow you to use the channel EQ
on the effects return signal. When a normal stereo channel is used as effects return path, the EFX
control of the relevant channel should be turned fully down to
avoid undesirable feedback. If only the LEFT jack is used, the EFX RETURN is operated in MONO
mode. Use the EFX RETURN rotary control to adjust the effects signal levelsent to the MAIN mix
bus.
NOTE:PYD1270 uses two 1/4" (TRS) jacks of LINE 11/12 as EFX RETURN, turn the EFX GAIN of CH
11/12 fully down to avoid undesirable feedback when using this path.
PHONES/CTRL ROOM OUT Jacks
The stereo PHONES jack sends the mix signals to the headphones. The two unbalanced CTRL ROOM
OUT jacks carry the summed effects, main mix signals, and soloed channel signals to the control
room speakers.
POWER ON Indicator
The large size LED indicator illuminated when the mixer power is on.
MAIN OUT Jacks
The MAIN OUT jacks send line level signals from mixer to external devices, for examples, equalizer
or power amplifier.
8 – Pyle Pro Mixer PYD6070/1270 Owner’s Manual
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TAPE IN Jacks
The TAPE IN jacks are used to bring the external signal source (Tape Recorder or CD Player) into
the mixer. Like the EFX RETURN jacks, they also can be used as a standard stereo line level input,
in other words, the line or tape output of an power amplifier with source selection switch can also
be connected here for you to listen to additional source.
TAPE OUT Jacks
The TAPE OUT jacks are used send the MAIN mix signal to your recording device. The output level
is adjusted by the MASTER level control.
TAPE TO CONTROL ROOM Switch
Press this switch to monitor signals coming back from tape recorder (TAPE IN) to ensure that they
are recording correctly. Do not use the TAPE TO MIX switch doing this to avoid the feedback loop.
TAPE TO MIX Switch
Press this switch to route the signals from TAPE IN to the MAIN mix.
EFX TO CONTROL ROOM Switch (PYD1270)
Press this switch to monitor the EFX SEND signal in the control room or headphone. The MAIN mix
signal will be muted while routing the EFX SEND signal to the control room.
EFX SEND Control (PYD1270)
Use it to adjust the overall EFX SEND signal level.
PHANTOM Switch/LED Indicator
Press to activate +48V DC power supply on the MIC XLR connectors of all mono channels. The red
LED lights when phantom power is on.
DUAL LED DISPLAY METER
A pair of 5-segment bargraph peak meters displays the MAIN mix level LEFT and RIGHT.
PHONE/CONTROL ROOM Control
Use it to adjust the level of both headphones and main monitor outputs.
MASTER control
Use it to adjust the MAIN mix signal level.
Pyle Pro Mixer PYD6070/1270 Owner’s Manual – 9
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Specifications
MONO INPUT CHANNELS
Mic Input
electronically balanced
Sensitivity/Impedance ..............................................1.5 mV/600 Ohms
Frequency Response .................................................20 Hz to 20 kHz, +/- 3dB
Distortion ................................................................0.2%, 1 kHz/1.5 mV input
S/N Ratio ................................................................60 dB (with A-WTD)
Line Input
electronically balanced
Frequency Response. ................................................20 Hz to 20 kHz, +/- 3dB
Distortion ................................................................0.03%, 1 kHz/150 mV input
Equalization
HI shelving..............................................................10 kHz, +/- 15 dB
Mid Range ...............................................................1 kHz, +/- 15 dB
Lo Shelving .............................................................100 Hz, +/- 15 dB
STEREO INPUTS CHANNELS
Line Input
balanced
Frequency Response .................................................20 Hz to 20 kHz, +/- 3dB
Distortion ................................................................0.03%, 1 kHz/150 mV input
Equalization
HI shelving..............................................................10 kHz, +/- 15 dB
Mid Range ...............................................................1 kHz, +/- 15 dB
Lo Shelving .............................................................100 Hz, +/- 15 dB
MAIN MIX SECTION
Max Output .............................................................2V unbalanced
EFX Send Max Out....................................................2V unbalanced
Control Room Out.....................................................2V unbalanced
Signal to Noise Ratio.................................................80 dB (with A-WTD)
POWER SOURCE.......................................................AC 15V
DIMENSIONS (W x H x D mm):..................................PYD6070 213x40x226
.............................................................................PYD1270 270x40x226
10 – Pyle Pro Mixer PYD6070/1270 Owner’s Manual
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Please complete warranty card, detach and return
Place
Stamp
Here
PYLE PRO Audio, Inc.
1600 63rd Street
Brooklyn, NY 11204
Pyle Pro Mixer PYD6070/1270 –11
Owner’s Manual
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Limited Warranty
All PYLE PRO products are carefully constructed and tested before shipment.
Units purchased in the USA are warranted to be free of defects in material
and workmanship for two (2) years from the date of purchase. This warranty
is limited to the original retail purchaser of the mixer.
R.A.#: _____________
PYLE PRO Service Center
1600 63rd Street
Brooklyn, NY 11204
You must also include the following items with your return:
Should the unit fail due to factory defects in material or workmanship, your
unit will be repaired or replaced at the sole discretion of PYLE.
•
•
•
•
A copy of your sales receipt or other proof of purchase
A brief letter, indicating the problem you are experiencing with the product
Include in your letter your return address, daytime phone number and R.A. number
Also include a check or money order for $20.00 for return
To obtain warranty service, you must first call our Consumer Return Hotline
at (718) 236-6948 to obtain a Return Authorization Number. This R.A. # must shipping, handling and insurance, or provide your Visa/MC number with expiration date.
appear on the outside of your package and on all paperwork relating to your
return.
Our obligation under this warranty is limited to the repair or replacement
of the defective unit when it is returned to us prepaid. This warranty will
be considered void if the unit was tampered with, improperly serviced or
subject to misuse, neglect or accidental damage.
When returning the unit to us for warranty service, it must be carefully
packed and shipped, prepaid, to:
Please complete warranty card, detach and return
Thank you for purchasing this PYLE
product. To activate your
warranty registration card
warranty, please mail this card
within 10 days.
PYLE PRO MIXERS
Name
Address
City, State ZIP
Model No.
Serial # (if available)
Date of Purchase
12 – Pyle Pro Mixer PYD6070/1270
Owner’s Manual
Purchased at:
Music Products Store
Catalog Merchandiser
Sound Contractor/Installer
Other
Mail Order
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