PYLE Audio Music Mixer PYD1808 User Manual

Specifications  
PYD1808/2808/3808  
Input Sensitivity/Impedance  
Equalizer  
Control Frequencies  
60, 150, 400, 1K, 2.4k,  
6k,and 15k  
Mic 1-2  
1.5 mV/600 Ohms, bal/unbal  
3.0 mV/50K Ohms  
Phono 1-2  
Line 1-8  
Boost/Cut Range  
+/- 12 dB from center  
150.0 mV/27K Ohms  
MIC Tone Control  
Output Level  
Amp  
Treble  
10kHz; +12/-12dB  
100Hz; +12/-12dB  
1.5 V/10-kOhms  
1.5 V/10-kOhms  
150mV/10-kOhms  
Booth  
Bass  
Record  
Talkover Attenuation -16dB  
Frequency Response  
20Hz – 20kHz +/- 3 dB  
Echo Delay Time  
20mS-200mS  
S/N Ratio (at 1 kHz)  
P Y D 18 0 8 / P Y D 2 8 0 8  
P Y D 3 8 0 8  
(PYD 2808)  
Mic  
>60 dB/1.5mV input  
>70 dB/3.0mV input  
>80 dB/150.0 mV input  
Phono  
Line  
Sampling Length  
12 Seconds  
(PYD 3808)  
Power Source  
120 VAC, 60Hz/230 VAC, 50 Hz  
Distortion  
Mic  
Phono  
Line  
0.20%  
0.05%  
0.03%  
Dimensions, inches  
(mm)  
19.0 x 3.86 x 9.45  
(482 x 98 x 240)  
Limited Warranty  
All PYLE PRO products are carefully constructed and tested before shipment.  
Units purchased in the USA are warranted to be free of defects in material  
and workmanship for two (2) years from the date of purchase. This warranty  
is limited to the original retail purchaser of the mixer.  
R.A.#: _____________  
PYLE PRO Service Center  
1600 63rd Street  
Brooklyn, NY 11204  
You must also include the following items with your return:  
Should the unit fail due to factory defects in material or workmanship, your  
unit will be repaired or replaced at the sole discretion of PYLE.  
• A copy of your sales receipt or other proof of purchase  
• A brief letter, indicating the problem you are experiencing with the product  
• Include in your letter your return address, daytime phone number and R.A. number  
• Also include a check or money order for $20.00 for return  
To obtain warranty service, you must first call our Consumer Return Hotline  
at (718) 236-6948 to obtain a Return Authorization Number. This R.A. # must shipping, handling and insurance, or provide your Visa/MC number with expiration date.  
appear on the outside of your package and on all paperwork relating to your  
return.  
Our obligation under this warranty is limited to the repair or replacement  
of the defective unit when it is returned to us prepaid. This warranty will  
be considered void if the unit was tampered with, improperly serviced or  
subject to misuse, neglect or accidental damage.  
When returning the unit to us for warranty service, it must be carefully  
packed and shipped, prepaid, to:  
Please complete warranty card, detach and return  
Thank you for purchasing this PYLE  
product. To activate your  
warranty registration card  
warranty, please mail this card  
within 10 days.  
PYLE PRO MIXERS  
Name  
Address  
City, State ZIP  
Model No.  
Serial # (if available)  
Date of Purchase  
12 – Pyle Pro Mixer Owner’s Manual  
Purchased at:  
Music Products Store  
Catalog Merchandiser  
Sound Contractor/Installer  
Other  
Mail Order  
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Features and Controls: PYD 3808 Mixer  
Features and Controls: PYD 2808 Mixer  
Channel Input Selector Lets you choose the input source to play  
for each channel  
Channel CUE Switch Allows you to monitor the selected audio  
Channel Input Selector Lets you choose the input source to play  
input source and prepare it prior to mixing it in.  
for each channel  
MIC 1 Combo Input Jack For  
connecting a balanced or unbalanced  
low impedance microphone with XLR-  
type or 1/4” plug  
Channel CUE Switch Allows you to monitor the selected audio  
input source and prepare it prior to mixing it in.  
Dual Display Meter Indicates the levels of Left and Right Master  
Channels  
MIC 1 Combo Input Jack For  
connecting a balanced or unbalanced  
low impedance microphone with XLR-  
type or 1/4”plug  
Dual Display Meter Indicates the levels of Left and Right Master  
Channels  
Master Level Control Lets you control mixer’s overall volume level  
MIC 2 Input Jack (on input panel)  
For connecting a balanced or  
unbalanced low impedance microphone  
with 1/4” plug  
Master Mono/Stereo Switch  
Master Level Control Lets you control mixer’s overall volume level  
MIC 2 Input Jack (on input panel)  
For connecting a balanced or  
unbalanced low impedance microphone  
with 1/4”plug  
7-Band Equalizer Allows you to tailor the mixer output to suit your  
taste or performance environment. Each frequency range can be  
cut or boost by up to 12dB.  
Master Mono/Stereo Switch  
7-Band Equalizer Allows you to tailor the mixer output to suit your  
taste or performance environment. Each frequency range can be  
cut or boost by up to 12dB.  
BNC Lamp Adaptor Allows  
you to connect a 12V/3W  
lamp to light the panel  
BNC Lamp Adaptor Allows  
you to connect a 12V/3W  
lamp to light the panel  
Power Switch  
Power Switch  
Equalizer On/Off Selector  
Equalizer On/Off Selector  
Booth Level Control Lets  
you control the mixer’s overall  
Booth volume level, if you set  
up remote speakers or DJ booth  
monitors  
Booth Level Control Lets  
you control the mixer’s  
overall Booth volume level,  
if you set up remote speakers  
or DJ booth monitors  
Headphone CUE/PGM  
Control Allows you to listen  
simultaneously or separately  
to the CUE material or the  
active program  
Headphone CUE/PGM  
Control Allows you to listen  
simultaneously or separately  
to the CUE material or the  
active program  
Cue Level Control  
-Let you adjust the  
headphone's volume level  
Cue Level Control  
Headphone Jack  
Accepts headphones with  
1/4” plug  
Headphone Jack  
Accepts headphones with  
1/4” plug  
ECHO On/Off Switch  
MIC1/2 Tone Controls  
MIC1/2 Tone Controls  
Sampler Mode Selector Selects the function of  
the sampler section  
ECHO Repeat Control Lets you control the time  
period during which the echo is repeated  
MIC1/2 Level Controls Lets you control  
the MIC levels as they enter the mix  
MIC1/2 Level Controls Lets you control  
the MIC levels as they enter the mix  
ECHO Delay Control Lets you adjust the delay  
time for the echo  
Sampler Start/Stop Controls the start and stop  
ECHO Level Control Controls the depth of the  
MIC Talkover Allows you to lower the  
level of the input sources so you can talk  
them using the DJ Mic  
MIC Talkover Allows you to lower the  
level of the input sources so you can talk  
them using the DJ Mic  
of the sampling process  
echo effect  
Sampler CUE Switch Allows you to monitor the  
desired sample signal  
Sound Effect Volume Control Lets you control  
the volume level of the sound effect within the mix  
Sound Effect Speed Control Lets you control  
the pitch of the selected sound effect  
Sampler Level Control Lets you adjust the volume  
of the desired sample signal as it enters the mix  
Digital Sound Effects Selectors Lets you create  
special sound performance mixes from the six  
preprogrammed special effects  
Sampler Pitch Control Lets you control the  
sampled signal’s pitch  
Channel Assign Switch Lets you select the input source to be mixed  
by the Crossfade Slider Control  
Channel Assign Switch Lets you select the input source to be mixed  
by the Crossfade Slider Control  
Crossfade Slider Control Allows you to smoothly switch between  
the input sources assigned to Channel A and Channel B  
Crossfade Slider Control Allows you to smoothly switch between  
the input sources assigned to Channel A and Channel B  
2 – Pyle Pro Mixer Owner’s Manual  
Pyle Pro Mixer Owner’s Manual – 3  
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Connecting High Level Output Audio Sources  
Presetting the Controls Before Use  
Since sudden high output levels from your PYLE PRO mixer can damage not only audio devices  
connected to the mixer output but your hearing as well (especially if you are using headphones),  
please adjust the mixer’s controls BEFORE connecting AC power or turning on the unit.  
Connect up to 8 such sources (tuner, cassette deck, CD Player, camcorder or VCR) to the input jacks  
for Line 1 (if not being used as Phono 1 input), Line 2, Line 3 (if not being used as Phono 2 input),  
Line 4, Line 5 and Line 6. Please note that Phono 1 and Line 1 (as well as Phono 2 and Line 3) use  
the same jacks. The selector switch(e)s below the jacks should be set to Line position if the jacks  
are used for the High Level input sources described here.  
Set up the mixer controls like this before you start:  
CONTROL  
SETTING  
Power On/Off  
Tone Controls, Treble, Bass  
MIC 1/2, CH 1/2/3/4, Master & Cue Levels 0  
OFF  
0
Use RCA type  
patch cables  
T
Crossfader  
CENTER  
CH 1  
CAUTION:  
TO PREVENT ELECTRIC SHOCK DO NOT USE THIS (POLARIZED)  
PLUG WITH AN EXTENSION CORD RECEPTACLE  
OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY  
INSERTED TO PREVENT BLADE EXPOSURE  
CAN:  
CAUN:  
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE.  
FOR CONTINUED PROTECTION AGAINST RISK OF FIRE  
REPLACE ONLY WITH SAME TYPE FUSE.  
FUSE  
VOLTAGE  
OUTPUT  
INPUT  
CH 4  
CH 3  
CH 2  
CH 1  
AMP BOOTH REC  
Connecting the Mixer Inputs  
GROUND  
BALANCED  
L
L
R
L
MIC  
2
INPUT  
INPUT  
SELECT  
SELECT  
This mixer permits connection of up to eight (8) audio input sources,and two microphones. Such a  
system might include, for example:  
R
R
~N  
115/230/50 Hz  
NPUT  
SELECT  
INPUT  
SELECT  
LINE  
8
LINE  
7
LINE  
6
LINE  
5
LINE  
4
LINE  
3
PHONO  
2
LINE  
2
LINE  
1
PHONO  
1
Two Microphones  
Two Turntables  
Six CD players  
Two Microphones  
Two Microphones  
Two Microphones  
Eight CD players  
Two Turntables  
Two Turntables  
High Level Output  
Audio Source  
Three CD players  
Three Cassette Decks  
Four CD players  
One Rhythm Synth  
One Cassette Deck  
HONO 2 LINE 2 LINE 1 PHONO  
LEFT output  
NOTE!  
Do not connect any audio source with a HIGH LEVEL OUTPUT to the  
LOW LEVEL PHONO 1 or PHONO 2 mixer audio input jacks (an audio  
source output with a volume control is HIGH LEVEL).  
If you use a High Level Output Audio Source(s)  
in the Phono1/Line1 (and/or Phono2/Line3)  
input jack(s), be sure to place the Input Select  
switch in the LINE1 (and/or LINE3) position(s)!  
RIGHT output  
Please observe  
the following:  
CD player, cassette deck, camcorder, VCR, etc.  
Connecting Microphones  
Microphone 1. Connect a balanced/unbalanced low impedance (600 Ohm) XLR type mic OR a low  
impedance mic with a 1/4” plug to the MIC 1 jack in the upper left corner of the mixer control panel.  
Connecting Turntables and Other Level Output Audio Sources  
Connect up to 2 turntables to the Phono 1 and Phono 2 input jacks. Please note that Phone 1 and  
Line 1 (as well as Phono 2 and Line 3) use the same jacks. The selector switch below the jacks should  
be set to Phono position if the jacks are used for phono inputs.  
Use 1/4” or  
XLR-type jack  
When using a turntable, you should also securely connect its ground wire (usually green or black)  
to the Ground screw on the input panel of the mixer.  
Use RCA type  
patch cables  
MIC 1  
CAUTION:  
TO PREVENT ELECTRIC SHOCK DO NOT USE THIS (POLARIZED)  
PLUG WITH AN EXTENSION CORD RECEPTACLE  
OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY  
INSERTED TO PREVENT BLADE EXPOSURE  
CAUTION:  
CAUTION:  
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE.  
FOR CONTINUED PROTECTION AGAINST RISK OF FIRE  
REPLACE ONLY WITH SAME TYPE FUSE.  
FUSE  
VOLTAGE  
OUTPUT  
PUT  
CH 4  
CH 3  
CH 2  
CH 1  
T
AMP BOOTH REC  
GROUND  
BALANCED  
L
L
R
L
MIC  
2
INPUT  
SELECT  
INPUT  
SELECT  
R
R
CH 1  
~
115/23/50 Hz  
LINE  
8
LINE  
7
LINE  
6
LINE  
5
LINE  
4
LINE  
3
PHONO  
2
LINE  
2
LINE  
1
PHONO  
1
Magnetic cartridge turntable  
LEFT output  
NPUT  
SELECT  
INPUT  
SELECT  
Microphone 2. Connect a high quality balanced/unbalanced low impedance (600 Ohm) microphone  
with a 1/4” plug to the MIC 2 jack on the lower left corner of the mixer’s back panel.  
RIGHT output  
HONO 2 LINE 2 LINE 1 PHONO  
MIC 2  
Use 1/4”  
jack  
GROUND wire from turntable  
NOTE!  
If you use a Turntable in the Phono1/Line1  
(and/or Phono2/Line3) input jack(s), be sure  
to place the Input Select switch in the PHONO1  
(and/or PHONO2) position(s)!  
CAUTION:  
TO PREVENT ELECTRIC SHOCK DO NOT USE THIS (POLARIZED)  
PLUG WITH AN EXTENSION CORD RECEPTACLE  
CAUTION:  
CAUTION:  
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE.  
OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY  
INSERTED TO PREVENT BLADE EXPOSURE  
FOR CONTINUED PROTECTION AGAINST RISK OF FIRE  
REPLACE ONLY WITH SAME TYPE FUSE.  
FUSE  
VOLTAGE  
OUTPUT  
INPUT  
CH 4  
CH 3  
CH 2  
CH 1  
AMP BOOTH REC  
GROUND  
BALANCED  
L
L
R
L
MIC 2  
INPUT  
SELECT  
INPUT  
SELECT  
R
R
~AN  
115/2300/50 Hz  
LINE  
8
LINE  
7
LINE  
6
LINE  
5
LINE  
4
LINE  
3
PHONO  
2
LINE  
2
LINE  
1
PHONO  
1
4 – Pyle Pro Mixer Owner’s Manual  
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Connecting the Mixer Outputs  
Output to an Amplifier  
To play the mixer’s output signal through your speaker system (for events such as parties, dances,  
conferences, etc.) connect an audio patch cord (not supplied) from the mixers AMP L and R jacks  
to your receiver amplifier’s left and right input jacks.  
Using Headphones  
Plug a pair of stereo headphones (not supplied) with a 1/4” jack into the Phones input. Using  
headphones not only affords you the opportunity to listen privately, but also enables you to monitor  
(”cue”) the incoming audio sources so you can locate an exact passage or section before mixing it  
in. It also gives you the opportunity to set up the relative volume level of the upcoming passage  
before it joins the mix.  
This mixer features two kinds of output jacks for you to choose from: RCA style and 1/4” type. DO  
NOT USE BOTH SIMULTANEOUSLY.  
Output to a Tape or Digital Audio Recorder  
To play the mixer’s output signal through your speaker system (for events such as parties, dances,  
conferences, etc.) connect an audio patch cord (not supplied) from the mixers REC L and R jacks  
to your receiver/amplifier’s left and right input jacks.  
Booth Output  
To monitor the mixer output to a second set of speakers in the DJ booth (or in a remote location)  
connect an audio patch cord (not supplied) from the mixers Booth L and R jacks to your secondary  
amplifier’s left and right input jacks.  
Stereo Headphones  
Listen Safely! Please observe the following:  
Do not listen at extremely high volume levels. Extended,  
high-volume listening can lead to permanent hearing loss.  
Follow these guidelines to protect your hearing, especially  
when using headphones.  
CAUTION: In order to avoid sudden unpleasant sound output,  
adjust the output devices controls to these settings before you  
connect the mixer’s output jacks to these devices’ input jacks.  
Always start by setting the volume level to the lowest  
possible level before listening.  
OUTPUT DEVICE  
CONTROL  
SETTING  
Put headphones on, and then gradually increase the  
volume as necessary.  
Tape Deck  
Amplifier/Receiver  
POWER  
POWER  
TONE  
OFF  
OFF  
FLAT  
Once you set the volume level do not increase it. Over  
a period of time, your ears adapt to a volume level and there  
is a temptation to increase it. Even though such an increase  
may not cause discomfort, it might still damage your hearing.  
Connecting the Lamp  
If you wish to intall a console lamp (not supplied), simply insert the plug end of an appropriate  
12V/3W gooseneck style or similar lamp into the lamp socket provided in the upper right corner of  
the mixer control panel. Power is supplied to this lamp when the mixer power switch is turned on.  
12V/3W lamp  
6 – Pyle Pro Mixer Owner’s Manual  
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Adding Equalization to the Mix  
You can further tailor the sound processed through the mixer to match your acoustic surroundings  
or suit your personal preferences by using the ten frequency sliders for each channel. To engage  
the equalization module, press the Equalization On/Off Switch.  
Using the Mixer Controls  
Turning on the Mixer  
1. Turn on the output amplifier and temporarily set its volume to the minimum setting.  
2. On the mixer, turn ON the power switch. The adjacent power LED will illuminate.  
Each one of the sliding controls boosts or cuts the selected frequency by up to 12 dB. If you leave  
a slider at the center (”0”) position, the corresponding frequency range for that stereo channel will  
be left unaffected (”flat”). Please note that in order to provide a smooth range of control, the frequency  
ranges overlap slightly. Therefore, for example, if you raise the level in the 1K range, the 400 and  
2.4K ranges are also slightly affected.  
3. Turn on the audio input sources you wish to mix, and set them to play (or talk continuously into  
the microphone).  
4. To monitor the audio input sources so that you can decide when to mix in each input, see “Monitoring  
‘Cueing’ the Inputs.”  
5. To mix the audio input sources so that you can play them through your amplifier system or record  
them on your tape deck, see “Mixing the Inputs.”  
Using the Microphone  
Incorporating Voice into the Mix  
To blend voice from the microphones with the audio program material, first be sure the MIC/TALKOVER  
switch is set to the ON position. (In this position, the MIC channel is mixed into the program like  
any other audio input source.)  
Monitoring (”Cueing”) the Inputs  
1. Set the CUE ASSIGN switch of the input source (MIC , CH1, CH2, CH3 or CH 4) you wish to  
monitor.  
Then adjust the corresponding MIC level controls to increase or decrease the microphone level (this  
will not affect the main volume inputs). When a microphone is not in use, set the MIC/TALKOVER  
switch to OFF.  
2. Adjust the Headphone Level control to a comfortable listening level.  
3. The Headphone CUE/PGM control permits you to switch easily from listening to CUE material to  
the playing PROGRAM sound. You can also listen to both simultaneously by moving the Headphone  
CUE/PGM control to a point midway between the two ends.  
Talkover Mode  
Talkover mode allows a voice to be heard clearly through the microphone by attenuating all the other  
audio input sources. This mode is engaged by setting the Talkover Switch to the TALKOVER position.  
PYD 3008: This model has an additional CUE on the sampler module for you monitor the sampled  
signal being applied. To monitor a sampled signal, press the SAMPLE ASSIGN button for the  
channel to which the sample has been saved, and then press the SAMPLE CUE button to audition  
this sound.  
Microphone Tone Controls  
These BASS and TREBLE controls, permit you to tailor the tone frequencies of the MIC inputs processed  
through the mix. Left in their center positions, the sound is unaffected (”flat”).  
Mixing the Inputs  
Microphone Level Controls  
There are a maximum of ten input sources available at one time, including two microphone inputs.  
Both microphone input sources are always available as part of the mix, if desired. Each of the four  
audio channels can be linked to two different input sources, and one of these sources for each channel  
is available for mixing.Turn on all the available audio sources and be sure they are providing sound  
before continuing.  
The independent MIC1 and MIC2 controls permit you to increase or decrease the levels of these  
microphones within the mix.  
1. Select the Channel Input Selectors for each channel, choose the audio sources you want to mix  
for each channel (i.e., choose PHONO1/LINE1 or LINE2).  
2. Set the Mic and Channel Level controls all to within the 8 - 10 range.  
3. Slide the MASTER volume control toward 10 until you get an average reading of 0 on both Output  
Level LED Meters. The output level displayed in the meters represents the TOTAL output from all  
the channels supplying audio to the mix. NOTE: Once you set this level, we suggest you do not  
change it!  
4. If you add or change input sources, adjust the corresponding MIC1, 2 or CH1, CH2, CH3 or CH4 level  
control(s) to maintain the average reading of 0 on the LED meters.  
5. To change the overall sound level, adjust the RECEIVER/AMPLIFIER (NOT THE MIXER) volume  
control to the desired volume.  
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4. To playback the recorded sample ONCE, turn the SAMPLER MODE switch to SINGLE, and press  
START/STOP. The LED will go on, indicating that a sample is playing. Pressing START/STOP  
during playback will stop the playback.  
Using the Mono/Stereo Mode Switch  
When the MASTER MONO/STEREO switch is in the MONO position, the mixer combines the right  
and left channels and sends them to the OUTPUT R and L jacks. These combined outputs can be  
used by a monoaural amplifier, such as a PA amp.  
Each time you press the START/STOP control, the unit will replay the recorded sample from the  
beginning and play it through the end of the recorded sound. Rapid, consecutive pressing of the  
START/STOP button will create an interesting stuttering effect.  
In the STEREO position, right and left channels remain separate. The mixer outputs can be used by  
a stereo amplifier or recorder.  
5. To playback the record sample repeatedly (”looping”), set the SAMPLER MODE switch to  
REPEAT, and press START/STOP. The mixer will play the sampled recording all the way through,  
and thenrepeat it until you press the START/STOP button.  
Using the Crossfader with the Assign Switches  
6. To adjust the speed of the playback signal, rotate the SAMPLE PITCH control to reduce or  
increase the pitch of the sample during playback.  
For crossfading effects, you can assign any of the four channels to either A or B sides of the crossfade  
mix using the Crossfade assign knobs.  
7. To adjust the level of the sample playback as it enters the mix, rotate the SAMPLE LEVEL  
to increase or decrease the level.  
When the crossfade slider is in the center position, the two assigned channels play equally. Sliding  
the control towards the A position will increase the level of A and fade out B proportionally to the  
distance from center. Likewise, sliding the control towards the B position will increase the level of  
B and fade out A.  
Troubleshooting  
Your mixer should require very little maintenance. If you have problems, refer to the chart below  
for possible solutions. If you cannot solve the problem, contact a qualified technician for assistance.  
Using the Echo Controls (PYD 2808)  
PROBLEM  
POSSIBLE SOLUTION  
The built-in Echo effect is applied to the total mix. To turn on the Echo mode and activate the  
DELAY/REPEAT cycle, press the ECHO ON/OFF switch.  
Nothing works  
• Check the AC connection. Make sure the AC outlet is “live.”  
• Check the power connection to the rest of the system (receiver/amplifier, etc.)  
No signal from an  
audio input  
source  
• Check the control setting  
• Check the connection between the mixer and the input source  
To change the length of time a sound is repeated, increase of decrease the REPEAT control.  
To vary the time in between the repeats, increase or decrease the DELAY control.  
To adjust the output level of the echo, increase or decrease the LEVEL control.  
• Check that the turntable’s ground wire (usually black or green) is fastened securely to the GROUND  
SCREW on the mixer input panel  
Hum from PHONO  
Hum from other  
source  
• Make sure there are no low level inputs connected to the LINE input jacks  
Feedback is  
present  
• Move the microphone further away from the output speakers, or use a directional microphone  
Using the Sound Effects (PYD 2808)  
There are six pre-programmed sound effects for your selection. Press and hold any button to generate  
a sound which is added to the mix. The sound will play continuously until you release the button.  
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Care and  
The SPEED control lets you raise or lower the pitch of the sound effect, and the VOLUME control  
allows you to increase or decrease the effect’s volume level within the mix.  
Maintenance  
Your Pyle Pro Mixer is an example  
of superior design and  
craftsmanship. The following  
suggestions will help you care for  
your mixer so you can enjoy years  
of use:  
Place  
Stamp  
Here  
Using the Digital Sampler (PYD 3808)  
The PM 3008 mixer contains a digital sampler circuit which can record samples to the internal recording  
IC. These samples can then be assigned to CH 1, CH 2, CH 3, CH 4 and the MIC channel for playback.  
At the time of playback, the PITCH control can be adjusted to change the pitch of the sample.  
• Keep the mixer dry. If it gets wet,  
wipe immediately.  
Follow these steps to record a sample:  
• Use the mixer only in well-  
ventilated installations.  
1. Play the audio source for recording as a sample.  
• Handle the mixer gently and  
carefully - do not drop!  
2. While it is playing, press the desired cue/sample channel assign button (i.e., CH 1, CH 2, CH 3,  
CH 4 or MIC).  
• Keep the mixer away from dust  
and dirt.  
PYLE PRO Audio, Inc.  
1600 63rd Street  
3. To record the source to that channel, set the SAMPLER MODE switch to the RECORD position and  
press the START/STOP button to begin recording. The LED will go on, indicating recording is in  
progress. To stop recording, press the START/STOP button again. Please note that the recording  
IC is limited to 12-second samples, so in the event you do not press stop, it will automatically  
stop after 12 seconds  
• Wipe occasionally with a damp  
cloth to keep it looking new. Do not  
use harsh chemicals, solvents or  
detergents!  
Brooklyn, NY 11204  
Pyle Pro Mixer Owner’s Manual –11  
10 – Pyle Pro Mixer Owner’s Manual  
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