PYLE Audio Home Theater System PYD1920 User Manual

Specifications  
PYD1910/1920/1930/1940/1950  
Input Sensitivity/Impedance  
Equalizer  
Control Frequencies  
30, 60, 120, 250, 500  
1K, 2K, 4K, 8K, and 16KHz  
Mic 1-2  
1.5 mV/600 Ohms, bal/unbal  
3.0 mV/50K Ohms  
Phono 1-2  
Line 1-6  
Boost/Cut Range  
+/- 10 dB from center  
150.0 mV/27K Ohms  
MIC Tone Control  
Output Level  
Amp  
Treble  
Mid  
10kHz; +10/-30dB  
1 kHz; +10/-30dB  
100Hz; +10/-30dB  
2.0 V/10-kOhms  
2.0 V/10-kOhms  
150mV/10-kOhms  
Zone  
Bass  
Record  
Talkover Attenuation -16dB  
PYD-1910/PYD1920  
PYD-1930/PYD-1940  
PYD-1950  
Frequency Response  
20Hz – 20kHz +/- 3 dB  
Echo Delay Time  
50mS-120mS  
S/N Ratio (at 1 kHz)  
(PYD-1920/1940)  
Mic  
Phono  
Line  
>60 dB/1.5mV input  
>70 dB/3.0mV input  
>80 dB/150.0 mV input  
Sampling Length  
12 Seconds  
(PYD-1950)  
Power Source  
120 VAC, 60Hz/230 VAC, 50 Hz  
Distortion  
Mic  
Phono  
Line  
0.20%  
0.05%  
0.03%  
4 channel  
Dimensions, inches  
(mm)  
19.0 x 4.13 x 9.45  
(482 x 105 x 240)  
professional  
Limited Warranty  
All PYLE PRO products are carefully constructed and tested before shipment.  
Units purchased in the USA are warranted to be free of defects in material  
and workmanship for two (2) years from the date of purchase. This warranty  
is limited to the original retail purchaser of the mixer.  
R.A.#: _____________  
PYLE PRO Service Center  
1600 63rd Street  
Brooklyn, NY 11204  
You must also include the following items with your return:  
Should the unit fail due to factory defects in material or workmanship, your  
unit will be repaired or replaced at the sole discretion of PYLE.  
A copy of your sales receipt or other proof of purchase  
A brief letter, indicating the problem you are experiencing with the product  
Include in your letter your return address, daytime phone number and R.A. number  
Also include a check or money order for $15.00 for return  
To obtain warranty service, you must first call our Consumer Return Hotline  
at (718) 236-6948 to obtain a Return Authorization Number. This R.A. # must shipping, handling and insurance, or provide your Visa/MC number with expiration date.  
appear on the outside of your package and on all paperwork relating to your  
return.  
Our obligation under this warranty is limited to the repair or replacement  
of the defective unit when it is returned to us prepaid. This warranty will  
be considered void if the unit was tampered with, improperly serviced or  
subject to misuse, neglect or accidental damage.  
When returning the unit to us for warranty service, it must be carefully  
packed and shipped, prepaid, to:  
Please complete warranty card, detach and return  
Thank you for purchasing this PYLE  
product. To activate your  
warranty registration card  
warranty, please mail this card  
within 10 days.  
PYLE PRO MIXERS  
Name  
Address  
City, State ZIP  
Model No.  
Serial # (if available)  
Date of Purchase  
14 – Pyle Pro Mixer Owner’s Manual  
Purchased at:  
Music Products Store  
Catalog Merchandiser  
Sound Contractor/Installer  
Other  
Mail Order  
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Features and Controls: PYD1920 Mixer  
Features and Controls: PYD1930 Mixer  
Channel Gain Control Lets you adjust the gain of the input source  
Channel Input Selector Lets you choose the input source to play  
for each channel  
Channel CUE Switch Allows you to monitor the selected audio  
MIC 1 Combo Input Jack For  
connecting a balanced or unbalanced  
low impedance microphone with XLR-  
type or 1/4” plug  
Channel Gain Control Lets you adjust the gain of the input source  
MIC 1 Combo Input Jack For  
connecting a balanced or unbalanced  
low impedance microphone with XLR-  
type or 1/4” plug  
input source and prepare it prior to mixing it in.  
Channel Input Selector Lets you choose the input source to play  
for each channel  
Dual Display Meter Indicates the levels of Left and Right Master  
Channels  
Master Level Control Lets you control mixer’s overall volume level  
Channel CUE Switch Allows you to monitor the selected audio  
MIC 2 Input Jack (on input panel)  
For connecting a balanced or  
unbalanced low impedance microphone  
with 1/4” plug  
MIC 2 Input Jack (on input panel)  
For connecting a balanced or  
unbalanced low impedance microphone  
with 1/4” plug  
input source and prepare it prior to mixing it in.  
Master Mono/Stereo Selector  
Master Balance Control  
Dual Display Meter Indicates the levels of Left and Right Master  
Channels  
MIC Frequency Kill Switches Allows  
you to kill the selected frequency range  
instantly for interesting effects. LED  
lights to indicate kill is activated.  
10-Band Equalizer Allows you to tailor the mixer output to suit  
your taste or performance environment. Each frequency range can  
be cut or boost by up to 10dB.  
MIC Frequency Kill Switches Allows  
you to kill the selected frequency range  
instantly for interesting effects. LED  
lights to indicate kill is activated.  
10-Band Equalizer Allows you to tailor the mixer output to suit  
your taste or performance environment. Each frequency range can  
be cut or boost by up to 10dB.  
BNC Lamp Adaptor Allows  
you to connect a 12V/3W  
lamp to light the panel  
BNC Lamp Adaptor Allows  
you to connect a 12V/3W  
lamp to light the panel  
Power Switch and LED  
Indicator  
Power Switch and LED  
Indicator  
Equalizer On/Off Switch  
Equalizer On/Off Switch  
Effect Switch  
Effect Switch  
(Send/Receive) Lets you  
connect a sound effect  
device, such as reverb,  
sampler, etc. and either play  
the signal from it or play  
another input through it.  
(Send/Receive) Lets you  
connect a sound effect  
device, such as reverb,  
sampler, etc. and either play  
the signal from it or play  
another input through it.  
Headphone Level Control  
Headphone Level Control  
Headphone Jack  
Accepts headphones with  
1/4” plug  
Headphone Jack  
Accepts headphones with  
1/4” plug  
Headphone CUE/PGM  
Control Allows you to listen  
simultaneously or separately  
to the CUE material or the  
active program  
Headphone CUE/PGM  
Control Allows you to listen  
simultaneously or separately  
to the CUE material or the  
active program  
MIC Talkover Allows you to lower the  
MIC Talkover Allows you to lower the  
Zone Balance Control  
level of the input sources so you can talk  
them using the DJ Mic  
level of the input sources so you can talk  
them using the DJ Mic  
ECHO Level Control Controls the depth of the echo effect  
Zone Mono/Stereo Selector  
MIC1/2 Level Controls Lets you control  
the MIC levels as they enter the mix  
MIC1/2 Level Controls Lets you control  
the MIC levels as they enter the mix  
ECHO Repeat Control Lets you control the time period  
during which the echo is repeated  
Zone Level Control Lets you control the mixer’s  
overall ZONE volume level, if you set up remote  
speakers or DJ booth monitors  
MIC1/2 Tone Controls  
MIC1/2 Tone Controls  
ECHO Delay Control Lets you adjust the delay time for  
the echo  
ECHO On/Off Switch  
Sound Effect CUE Switch Lets you monitor the  
selected sound effect before mixing it in  
Sound Effect Volume Control Lets you control  
the volume level of the sound effect within the mix  
Zone Level Control Lets you control the mixer’s overall ZONE  
volume level, if you set up remote speakers or DJ booth monitors  
Sound Effect Speed Control Lets you control  
the pitch of the selected sound effect  
Zone Mono/Stereo Selector  
Digital Sound Effects Selectors Lets you create  
special sound performance mixes from the eight  
preprogrammed special effects  
Zone Balance Control  
Master Level Control Lets you control mixer’s overall volume level  
Master Mono/Stereo Selector  
Master Balance Control  
Channel Assign Switch Lets you select the input source to be mixed  
by the Crossfade Slider Control  
Channel Assign Switch Lets you select the input source to be mixed  
by the Crossfade Slider Control  
Crossfade Slider Control Allows you to smoothly switch between  
the input sources assigned to Channel A and Channel B  
Crossfade Slider Control Allows you to smoothly switch between  
the input sources assigned to Channel A and Channel B  
2 – Pyle Pro Mixer Owner’s Manual  
Pyle Pro Mixer Owner’s Manual – 3  
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Features and Controls: PYD1950 Mixer  
Features and Controls: PYD1940 Mixer  
Channel Gain Control Lets you adjust the gain of the input source  
Channel Gain Control Lets you adjust the gain of the input source  
Channel Input Selector Lets you choose the input source to play  
for each channel  
Channel Input Selector Lets you choose the input source to play  
for each channel  
Channel CUE/Sample Switch Allows you to monitor the selected  
audio input source and set up the destination channel for the sampled  
signal  
Channel CUE Switch Allows you to monitor the selected audio  
input source and prepare it prior to mixing it in.  
Dual Display Meter Indicates the levels of Left and Right Master  
Channels  
Dual Display Meter Indicates the levels of Left and Right Master  
Master Level Control Lets you control mixer’s overall volume level  
Channels  
Master Level Control Lets you control mixer’s overall volume level  
Master Mono/Stereo Selector  
Master Balance Control  
Master Mono/Stereo Selector  
Master Balance Control  
MIC 1 Combo Input Jack For  
connecting a balanced or unbalanced  
low impedance microphone with XLR-  
type or 1/4”plug  
MIC 1 Combo Input Jack For  
connecting a balanced or unbalanced  
low impedance microphone with XLR-  
type or 1/4” plug  
10-Band Equalizer Allows you to tailor the mixer output to suit  
your taste or performance environment. Each frequency range can  
be cut or boost by up to 10dB.  
10-Band Equalizer Allows you to tailor the mixer output to suit  
your taste or performance environment. Each frequency range can  
be cut or boost by up to 10dB.  
MIC 2 Input Jack (on input panel)  
For connecting a balanced or  
unbalanced low impedance microphone  
with 1/4”plug  
MIC 2 Input Jack (on input panel)  
For connecting a balanced or  
unbalanced low impedance microphone  
with 1/4” plug  
Zone Balance Control  
Zone Balance Control  
Zone Mono/Stereo Selector  
Zone Mono/Stereo Selector  
MIC Frequency Kill Switches Allows  
you to kill the selected frequency range  
instantly for interesting effects. LED  
lights to indicate kill is activated.  
MIC Frequency Kill Switches Allows  
you to kill the selected frequency range  
instantly for interesting effects. LED  
lights to indicate kill is activated.  
Zone Level Control Lets you control the mixer’s  
overall ZONE volume level, if you set up remote  
speakers or DJ booth monitors  
Zone Level Control Lets you control the mixer’s  
overall ZONE volume level, if you set up remote  
speakers or DJ booth monitors  
BNC Lamp Adaptor Allows  
you to connect a 12V/3W  
lamp to light the panel  
BNC Lamp Adaptor Allows  
you to connect a 12V/3W  
lamp to light the panel  
Power Switch and LED  
Indicator  
Power Switch and LED  
Indicator  
Equalizer On/Off Switch  
Equalizer On/Off Switch  
Effect Switch  
Effect Switch  
(Send/Receive) Lets you  
connect a sound effect  
device, such as reverb,  
sampler, etc. and either play  
the signal from it or play  
another input through it.  
(Send/Receive) Lets you  
connect a sound effect  
device, such as reverb,  
sampler, etc. and either play  
the signal from it or play  
another input through it.  
Headphone Level Control  
Headphone Level Control  
Headphone Jack  
Accepts headphones with  
1/4” plug  
Headphone Jack  
Accepts headphones with  
1/4” plug  
Headphone CUE/PGM  
Control Allows you to listen  
simultaneously or separately  
to the CUE material or the  
active program  
Headphone CUE/PGM  
Control Allows you to listen  
simultaneously or separately  
to the CUE material or the  
active program  
MIC Talkover Allows you to lower the  
MIC Talkover Allows you to lower the  
level of the input sources so you can talk  
them using the DJ Mic  
level of the input sources so you can talk  
them using the DJ Mic  
ECHO Delay Control Lets you adjust the delay  
MIC1/2 Level Controls Lets you control  
the MIC levels as they enter the mix  
MIC1/2 Level Controls Lets you control  
the MIC levels as they enter the mix  
time for the echo  
ECHO Repeat Control Lets you control the time  
period during which the echo is repeated  
MIC1/2 Tone Controls  
MIC1/2 Tone Controls  
Sampler Start/Stop Controls the start and stop  
of the sampling process  
ECHO Level Control Controls the depth of the  
echo effect  
Sampler Mode Selector Selects the function of  
the sampler section  
ECHO On/Off Switch  
Sampler Pitch Control Lets you control the  
sampled signal’s pitch  
Sound Effect CUE Switch Lets you monitor the  
selected sound effect before mixing it in  
Sampler CUE Switch Allows you to monitor the  
desired sample signal  
Sound Effect Volume Control Lets you control  
the volume level of the sound effect within the mix  
Sampler Level Control Lets you adjust the volume  
of the desired sample signal as it enters the mix  
Sound Effect Speed Control Lets you control  
the pitch of the selected sound effect  
Digital Sound Effects Selectors Lets you create  
special sound performance mixes from the eight  
preprogrammed special effects  
Channel Assign Switch Lets you select the input source to be mixed  
by the Crossfade Slider Control  
Crossfade Slider Control Allows you to smoothly switch between  
the input sources assigned to Channel A and Channel B  
Channel Assign Switch Lets you select the input source to be mixed  
by the Crossfade Slider Control  
Crossfade Slider Control Allows you to smoothly switch between  
the input sources assigned to Channel A and Channel B  
4 – Pyle Pro Mixer Owner’s Manual  
Pyle Pro Mixer Owner’s Manual – 5  
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Presetting the Controls Before Use  
Connecting High Level Output Audio Sources  
Since sudden high output levels from your Pyle Pro mixer can damage not only audio devices connected  
to the mixer output but your hearing as well (especially if you are using headphones), please adjust  
the mixer’s controls BEFORE connecting AC power or turning on the unit.  
Connect up to 8 such sources (tuner, cassette deck, CD Player, camcorder or VCR) to the input jacks  
for Line 1 (if not being used as Phono 1 input), Line 2, Line 3 (if not being used as Phono 2 input),  
Line 4, Line 5 and Line 6. Please note that Phono 1 and Line 1 (as well as Phono 2 and Line 3) use  
the same jacks. The selector switch(e)s below the jacks should be set to Line position if the jacks  
are used for the High Level input sources described here.  
Set up the mixer controls like this before you start:  
CONTROL  
SETTING  
Power On/Off  
Balance  
Gain  
Tone Controls, Treble, Mid & Bass  
MIC 1/2, CH 1/2/3/4, Master & Cue Levels  
Crossfader  
OFF  
MID  
MID  
0
Use RCA type  
patch cables  
0
CENTER  
Connecting the Mixer Inputs  
This mixer permits connection of up to eight (8) audio input sources,and two microphones. Such a  
system might include, for example:  
High Level Output  
Audio Source  
Two Microphones  
Two Turntables  
Six CD players  
Two Microphones  
Eight CD players  
Two Microphones  
Two Microphones  
Two Turntables  
Two Turntables  
LEFT output  
Three CD players  
Three Cassette Decks  
Four CD players  
One Rhythm Synth  
One Cassette Deck  
NOTE!  
If you use a High Level Output Audio Source(s)  
RIGHT output  
in the Phono1/Line1 (and/or Phono2/Line3)  
input jack(s), be sure to place the Input Select  
switch in the LINE1 (and/or LINE3) position(s)!  
Do not connect any audio source with a HIGH LEVEL OUTPUT to the  
LOW LEVEL PHONO 1 or PHONO 2 mixer audio input jacks (an audio  
source output with a volume control is HIGH LEVEL).  
CD player, cassette deck, camcorder, VCR, etc.  
Please observe  
the following:  
Connecting Microphones  
Connecting Turntables and Other Level Output Audio Sources  
Microphone 1. Connect a balanced/unbalanced low impedance (600 Ohm) XLR type mic OR a low  
Connect up to 2 turntables to the Phono 1 and Phono 2 input jacks. Please note that Phone 1 and  
Line 1 (as well as Phono 2 and Line 3) use the same jacks. The selector switch below the jacks should  
be set to Phono position if the jacks are used for phono inputs.  
impedance mic with a 1/4” plug to the MIC 1 jack in the upper left corner of the mixer control panel.  
When using a turntable, you should also securely connect its ground wire (usually green or black)  
to the Ground screw on the input panel of the mixer.  
Use 1/4” or  
XLR-type jack  
Use RCA type  
patch cables  
MIC 1  
Magnetic cartridge turntable  
LEFT output  
Microphone 2. Connect a high quality balanced/unbalanced low impedance (600 Ohm) microphone  
with a 1/4” plug to the MIC 2 jack on the lower left corner of the mixer’s back panel.  
RIGHT output  
GROUND wire from turntable  
MIC 2  
Use 1/4”  
jack  
NOTE!  
If you use a Turntable in the Phono1/Line1  
(and/or Phono2/Line3) input jack(s), be sure  
to place the Input Select switch in the PHONO1  
(and/or PHONO2) position(s)!  
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Using Headphones  
Plug a pair of stereo headphones (not supplied) with a 1/4” jack into the Phones input. Using  
headphones not only affords you the opportunity to listen privately, but also enables you to monitor  
(”cue”) the incoming audio sources so you can locate an exact passage or section before mixing it  
in. It also gives you the opportunity to set up the relative volume level of the upcoming passage  
before it joins the mix.  
Using the Channel Input Gain Controls  
Adjusting the Gain controls for each channel permits you to fine tune the level of each of the audio  
inputs, since input levels usually vary. Rotate the Gain controls clockwise to increase levels. After  
you preset the gain levels for each input, it is recommended that you do not adjust them further,  
as you can cause sound level imbalances during a mix.  
Listen Safely! Please observe the following:  
Connecting the Mixer Outputs  
Do not listen at extremely high volume levels. Extended,  
high-volume listening can lead to permanent hearing loss.  
Follow these guidelines to protect your hearing, especially  
when using headphones.  
Output to an Amplifier  
To play the mixer’s output signal through your speaker system (for events such as parties, dances,  
conferences, etc.) connect an audio patch cord (not supplied) from the mixers AMP L and R jacks  
to your receiver amplifier’s left and right input jacks.  
Always start by setting the volume level to the lowest  
possible level before listening.  
This mixer features two kinds of output jacks for you to choose from: RCA style and 1/4” type. DO  
NOT USE BOTH SIMULTANEOUSLY.  
Put headphones on, and then gradually increase the  
volume as necessary.  
Once you set the volume level do not increase it. Over  
a period of time, your ears adapt to a volume level and there  
is a temptation to increase it. Even though such an increase  
may not cause discomfort, it might still damage your hearing.  
Output to a Tape or Digital Audio Recorder  
To play the mixer’s output signal through your speaker system (for events such as parties, dances,  
conferences, etc.) connect an audio patch cord (not supplied) from the mixers REC L and R jacks  
to your receiver/amplifier’s left and right input jacks.  
Stereo Headphones  
Zone Output  
To monitor the mixer output to a second set of speakers in the DJ booth (or in a remote location)  
connect an audio patch cord (not supplied) from the mixers ZONE L and R jacks to your secondary  
amplifier’s left and right input jacks.  
12V/3W lamp  
Connecting the Lamp  
If you wish to intall a console lamp  
(not supplied), simply insert the  
plug end of an appropriate 12V/3W  
gooseneck style or similar lamp into  
the lamp socket provided in the  
upper right corner of the mixer  
control panel. Power is supplied to  
this lamp when the mixer power  
switch is turned on.  
CAUTION: In order to avoid sudden unpleasant sound output,  
adjust the output devices controls to these settings before you  
connect the mixer’s output jacks to these devices’ input jacks.  
OUTPUT DEVICE  
CONTROL  
SETTING  
Tape Deck  
POWER  
OFF  
Amplifier/Receiver  
POWER  
TONE  
OFF  
FLAT  
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Adding Equalization to the Mix  
You can further tailor the sound processed through the mixer to match your acoustic surroundings  
or suit your personal preferences by using the ten frequency sliders for each channel. To engage the  
equalization module, press the Equalization On/Off Switch. The LED next to the switch will be  
illuminated, indicated the EQ mode has been engaged.  
Using the Mixer Controls  
Turning on the Mixer  
1. Turn on the output amplifier and temporarily set its volume to the minimum setting.  
2. On the mixer, turn ON the power switch. The adjacent power LED will illuminate.  
Each one of the sliding controls boosts or cuts the selected frequency by up to 12 dB. If you leave  
a slider at the center (”0”) position, the corresponding frequency range for that stereo channel will  
be left unaffected (”flat”). Please note that in order to provide a smooth range of control, the frequency  
ranges overlap slightly. Therefore, for example, if you raise the level in the 2K range, the 1K and  
4K ranges are also slightly affected.  
3. Turn on the audio input sources you wish to mix, and set them to play (or talk continuously into  
the microphone).  
4. To monitor the audio input sources so that you can decide when to mix in each input, see “Monitoring  
‘Cueing’ the Inputs.”  
Adding External Effects to the Mix  
5. To mix the audio input sources so that you can play them through your amplifier system or record  
them on your tape deck, see “Mixing the Inputs.”  
To connect a sound effect device such as an echo reverb or digital sampler processor, first connect  
the EFFECTS SEND jacks to the external device’s AUDIO IN jacks using RCA type cables. Then connect  
the device’s audio outputs to the EFFECTS RECEIVE jacks on the mixer.  
Monitoring (”Cueing”) the Inputs  
1. Set the CUE ASSIGN switch of the input source (MIC , CH1, CH2, CH3 or CH 4) you wish to  
monitor.  
To activate the loop with which now has an outboard processor, press the Effects Switch.The effect  
devices are now in the audio chain. Be sure the device is ON.  
2. Adjust the Headphone Level control to a comfortable listening level.  
3. The Headphone CUE/PGM control permits you to switch easily from listening to CUE material to  
the playing PROGRAM sound. You can also listen to both simultaneously by moving the Headphone  
CUE/PGM control to a point midway between the two ends.  
PYD-1930 and PYD-1940: These models also have an F/X CUE for you to monitor the sound  
Using the Microphone  
effect being applied.  
Incorporating Voice into the Mix  
PYD-1950: This model has an additional CUE on the sampler module for you monitor the sampled  
signal being applied. To monitor a sampled signal, press the SAMPLE ASSIGN button for the  
channel to which the sample has been saved, and then press the SAMPLE CUE button to audition  
this sound.  
To blend voice from the microphones with the audio program material, first be sure the MIC/TALKOVER  
switch is set to the ON position. (In this position, the MIC channel is mixed into the program like  
any other audio input source.)  
Then adjust the corresponding MIC level controls to increase or decrease the microphone level (this  
will not affect the main volume inputs). When a microphone is not in use, set the MIC/TALKOVER  
switch to OFF.  
Mixing the Inputs  
There are a maximum of ten input sources available at one time, including two microphone inputs.  
Both microphone input sources are always available as part of the mix, if desired. Each of the four  
audio channels can be linked to two different input sources, and one of these sources for each channel  
is available for mixing.Turn on all the available audio sources and be sure they are providing sound  
before continuing.  
Talkover Mode  
Talkover mode allows a voice to be heard clearly through the microphone by attenuating all the other  
audio input sources. This mode is engaged by setting the Talkover Switch to the TALKOVER position.  
1. Select the Channel Input Selectors for each channel, choose the audio sources you want to mix  
for each channel (i.e., choose PHONO1/LINE2 or LINE2).  
Microphone Tone Controls  
These BASS, MID and TREBLE controls, permit you to tailor the tone frequencies of the MIC inputs  
processed through the mix. Left in their center positions, the sound is unaffected (”flat”).  
2. Set the Mic and Channel Level controls all to within the 8 - 10 range.  
3. Slide the MASTER volume control toward 10 until you get an average reading of 0 on both Output  
Level LED Meters. The output level displayed in the meters represents the TOTAL output from all  
the channels supplying audio to the mix. NOTE: Once you set this level, we suggest you do not  
change it!  
Microphone Level Controls  
The independent MIC1 and MIC2 controls permit you to increase or decrease the levels of these  
microphones within the mix.  
4. If you add or change input sources, adjust the corresponding MIC1, 2 or CH1, CH2, CH3 or CH4 level  
control(s) to maintain the average reading of 0 on the LED meters.  
Using the MIC Frequency Kill Switches  
For unique circumstances or interesting special effects, you can completely eliminate the bass, mid  
or treble frequency range from the MIC channels by pressing the Kill button for that range. When  
the Kill mode is active, the LED above the button will be illuminated.  
5. To change the overall sound level, adjust the RECEIVER/AMPLIFIER (NOT THE MIXER) volume  
control to the desired volume.  
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Using the Mono/Stereo Mode Switch  
When the MASTER MONO/STEREO switch is in the MONO position, the mixer combines the right and  
left channels and sends them to the OUTPUT R and L jacks. These combined outputs can be used  
by a monoaural amplifier, such as a PA amp.  
4. To playback the recorded sample ONCE, turn the SAMPLER MODE switch to SINGLE, and press  
START/STOP. The LED will go on, indicating that a sample is playing. Pressing START/STOP  
during playback will stop the playback.  
In the STEREO position, right and left channels remain separate. The mixer outputs can be used by  
a stereo amplifier or recorder.  
Each time you press the START/STOP control, the unit will replay the recorded sample from the  
beginning and play it through the end of the recorded sound. Rapid, consecutive pressing of the  
START/STOP button will create an interesting stuttering effect.  
The ZONE MONO/STEREO switch works similarly, except that its setting affects the ZONE R & L Outs.  
5. To playback the record sample repeatedly (”looping”), set the SAMPLER MODE switch to  
REPEAT, and press START/STOP. The mixer will play the sampled recording all the way through,  
and thenrepeat it until you press the START/STOP button.  
Using the Crossfader with the Assign Switches  
For crossfading effects, you can assign any of the four channels to either A or B sides of the crossfade  
mix using the Crossfade assign knobs.  
6. To adjust the speed of the playback signal, rotate the SAMPLE PITCH control to reduce or  
increase the pitch of the sample during playback.  
When the crossfade slider is in the center position, the two assigned channels play equally. Sliding  
the control towards the A position will increase the level of A and fade out B proportionally to the  
distance from center. Likewise, sliding the control towards the B position will increase the level of  
B and fade out A.  
7. To adjust the level of the sample playback as it enters the mix, rotate the SAMPLE LEVEL  
to increase or decrease the level.  
Troubleshooting  
Your mixer should require very little maintenance. If you have problems, refer to the chart below  
for possible solutions. If you cannot solve the problem, contact a qualified technician for assistance.  
Using the Echo Controls (PYD-1920 and PYD-1940)  
The built-in Echo effect is applied to the total mix. To turn on the Echo mode and activate the  
DELAY/REPEAT cycle, press the ECHO ON/OFF switch.  
PROBLEM  
POSSIBLE SOLUTION  
Nothing works  
• Check the AC connection. Make sure the AC outlet is “live.”  
• Check the power connection to the rest of the system (receiver/amplifier, etc.)  
To change the length of time a sound is repeated, increase of decrease the REPEAT control.  
To vary the time in between the repeats, increase or decrease the DELAY control.  
To adjust the output level of the echo, increase or decrease the LEVEL control.  
No signal from an  
audio input  
source  
• Check the control setting  
• Check the connection between the mixer and the input source  
• Check that the turntable’s ground wire (usually black or green) is fastened securely to the GROUND  
SCREW on the mixer input panel  
Hum from PHONO  
Hum from other  
source  
• Make sure there are no low level inputs connected to the LINE input jacks  
Using the Sound Effects (PYD-1930 and PYD-1940)  
There are eight pre-programmed sound effects for your selection. Press and hold any button to  
generate a sound which is added to the mix. The sound will play continuously until you release the  
button.  
Feedback is  
present  
• Move the microphone further away from the output speakers, or use a directional microphone  
Please complete warranty card, detach and return  
Care and  
The SPEED control lets you raise or lower the pitch of the sound effect, and the VOLUME control allows  
you to increase or decrease the effect’s volume level within the mix.  
Maintenance  
Your Pyle Pro Mixer is an example  
of superior design and  
Using the Digital Sampler (PYD-1950)  
craftsmanship. The following  
suggestions will help you care for  
your mixer so you can enjoy years  
of use:  
Place  
Stamp  
Here  
The PYD-1950 mixer contains a digital sampler circuit which can record 5 different samples to the  
internal recording IC. These samples can then be assigned to CH 1, CH 2, CH 3, CH 4 and the MIC  
channel for playback. At the time of playback, the SPEED control can be adjusted to change the pitch  
of the sample.  
• Keep the mixer dry. If it gets wet,  
wipe immediately.  
Follow these steps to record a sample:  
• Use the mixer only in well-  
ventilated installations.  
1. Play the audio source for recording as a sample.  
• Handle the mixer gently and  
carefully - do not drop!  
2. While it is playing, press the desired cue/sample channel assign button (i.e., CH 1, CH 2, CH 3,  
CH 4 or MIC).  
• Keep the mixer away from dust  
and dirt.  
PYLE PRO Audio, Inc.  
1600 63rd Street  
Brooklyn, NY 11204  
3. To record the source to that channel, set the SAMPLER MODE switch to the RECORD position and  
press the START/STOP button to begin recording. The LED will go on, indicating recording is in  
progress. To stop recording, press the START/STOP button again. Please note that the recording  
IC is limited to 12-second samples, so in the event you do not press stop, it will automatically  
stop after 12 seconds  
• Wipe occasionally with a damp  
cloth to keep it looking new. Do not  
use harsh chemicals, solvents or  
detergents!  
12 – Pyle Pro Mixer Owner’s Manual  
Pyle Pro Mixer Owner’s Manual –13  
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