Meyer Sound Speaker M3D User Manual

OPERATING INSTRUCTIONS  
M SERIES  
M3D™ Line Array Loudspeaker  
M3D-Sub Directional Subwoofer  
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SYMBOLS USED  
These symbols indicate important safety or operating features in this booklet and on the chassis.  
!
Dangerous voltages: risk of electric  
shock  
Important operating instructions  
Frame or chassis  
Masse, châssis  
Protective earth ground  
Terre de protection  
Die schutzerde  
Pour indiquer les risques résultant  
de tensions dangereuses  
Pour indequer important  
instructions  
Zu die gefahren von gefährliche  
spanning zeigen  
Zu wichtige betriebs-anweisung  
und unter-haltsanweisung zeigen  
Rahmen oder chassis  
Armadura o chassis  
Para indicar voltajes peligrosos.  
Instrucciones importantes de  
Tierra proteccionista  
funcionamiento y/o manteniento  
IMPORTANT SAFETY INSTRUCTIONS  
1. Read these instructions.  
2. Keep these instructions.  
3. Heed all warnings.  
11. Only use attachments/accessories specified by Meyer  
Sound.  
12. Use only with the caster rails or rigging specified by Meyer  
Sound, or sold with the loudspeaker. Handles are for  
carrying only.  
4. Follow all instructions.  
5. Do not use this loudspeaker near water.  
6. Clean only with dry cloth.  
CAUTION: Rigging should only be done by  
experienced professionals.  
7. Do not block any ventilation openings. Install in accordance  
with Meyer Sound's installation instructions.  
!
8. Do not install near any heat sources such as radiators, heat  
registers, stoves, or other apparatus that produce heat.  
13. Unplug this loudspeaker during lightning storms or when  
unused for long periods of time.  
9. Do not defeat the safety purpose of the grounding-type  
plug. A grounding type plug has two blades and a third  
grounding prong. The third prong is provided for your  
safety. If the provided plug does not fit into your outlet,  
consult an electrician for replacement of the obsolete  
outlet.  
14. Refer all servicing to qualified service personnel. Servicing  
is required when the loudspeaker has been damaged in any  
way, such as power-supply cord or plug is damaged, liquid  
has been spilled or objects have fallen into the loudspeaker,  
the loudspeaker has been exposed to rain or moisture, does  
not operate normally, or has been dropped.  
10. Protect the power cord from being walked on or pinched  
particularly at plugs, convenience receptacles, and the point  
where they exit from the loudspeaker. The AC mains plug or  
appliance coupler shall remain readily accessable for  
operation.  
15. This loudspeaker provides protection against direct sprays  
of water up to 15 degrees from vertical. Rating IP42 in  
accordance with IEC 60529.  
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SAFETY SUMMARY  
English  
Deutsch  
To reduce the risk of electric shock, disconnect the  
loudspeaker from the AC mains before installing audio  
cable. Reconnect the power cord only after making all signal  
connections.  
Um die Gefahr eines elektrischen Schlages auf ein Minimum  
zu reduzieren, den Lautsprecher vom Stromnetz trennen,  
bevor ggf. ein Audio-Schnittstellensignalkabel  
angeschlossen wird. Das Netzkabel erst nach Herstellung  
aller Signalverbindungen wieder einstecken.  
Connect the loudspeaker to a two-pole, three-wire  
grounding mains receptacle. The receptacle must be  
connected to a fuse or circuit breaker. Connection to any  
other type of receptacle poses a shock hazard and may  
violate local electrical codes.  
Der Lautsprecher an eine geerdete zweipolige Dreiphasen-  
Netzsteckdose anschließen. Die Steckdose muß mit einem  
geeigneten Abzweigschutz (Sicherung oder  
Leistungsschalter) verbunden sein. Der Anschluß der  
unterbrechungsfreien Stromversorgung an einen anderen  
Steckdosentyp kann zu Stromschlägen führen und gegen die  
örtlichen Vorschriften verstoßen.  
Do not install the loudspeaker in wet or humid locations  
without using weather protection equipment from Meyer  
Sound.  
Do not allow water or any foreign object to get inside the  
loudspeaker. Do not put objects containing liquid on or near  
the unit.  
To reduce the risk of overheating the loudspeaker, avoid  
exposing it to direct sunlight. Do not install the unit near  
heat-emitting appliances, such as a room heater or stove.  
This loudspeaker contains potentially hazardous voltages.  
Do not attempt to disassemble the unit. The unit contains no  
user-serviceable parts. Repairs should be performed only  
by factory-trained service personnel.  
Der Lautsprecher nicht an einem Ort aufstellen, an dem sie  
mit Wasser oder übermäßig hoher Luftfeuchtigkeit in  
Berührung kommen könnte.  
Darauf achten, daß weder Wasser noch Fremdkörper in das  
Innere den Lautsprecher eindringen. Keine Objekte, die  
Flüssigkeit enthalten, auf oder neben die  
unterbrechungsfreie Stromversorgung stellen.  
Um ein Überhitzen dem Lautsprecher zu verhindern, das  
Gerät vor direkter Sonneneinstrahlung fernhalten und nicht  
in der Nähe von wärmeabstrahlenden Haushaltsgeräten (z.B.  
Heizgerät oder Herd) aufstellen.  
Im Inneren diesem Lautsprecher herr-schen potentiell  
gefährliche Spannungen. Nicht versuchen, das Gerät zu  
öffnen. Es enthält keine vom Benutzer reparierbaren Teile.  
Reparaturen dürfen nur von ausgebildetem  
Français  
Pour réduire le risque d’électrocution, débrancher la prise  
principale de l’haut-parleur, avant d’installer le câble  
d’interface allant à l’audio. Ne rebrancher le bloc  
d’alimentation qu’après avoir effectué toutes les  
connections.  
Kundenienstpersonal durchgeführt werden.  
Español  
Branchez l’haut-parleur dans une prise de courant à 3  
dérivations (deux pôles et la terre). Cette prise doit être  
munie d’une protection adéquate (fusible ou coupe-circuit).  
Le branchement dans tout autre genre de prise pourrait  
entraîner un risque d’électrocution et peut constituer une  
infraction à la réglementation locale concernant les  
installations électriques.  
Para reducir el riesgo de descarga eléctrica, desconecte de  
la red de voltaje el altoparlante antes de instalar el cable de  
señal de audio. Vuelva a conectar la alimentacion de voltaje  
una vez efectuadas todas las interconexiones de  
señalizacion de audio.  
Conecte el altoparlante a un tomacorriente bipolar y trifilar  
con neutro de puesta a tierra. El tomacorriente debe estar  
conectado a la protección de derivación apropiada (ya sea  
un fusible o un disyuntor). La conexión a cualquier otro tipo  
de tomacorriente puede constituir peligro de descarga  
eléctrica y violar los códigos eléctricos locales.  
No instale el altoparlante en lugares donde haya agua o  
humedad excesiva.  
Ne pas installer l’haut-parleur dans un endroit où il y a de  
l’eau ou une humidité excessive.  
Ne pas laisser de l’eau ou tout objet pénétrer dans l’haut-  
parleur. Ne pas placer de r´cipients contenant un liquide sur  
cet appareil, ni à proximité de celui-ci.  
Pour éviter une surchauffe de l’haut-parleur, conserver-la  
à l’abri du soleil. Ne pas installer à proximité d’appareils  
dégageant de la chaleur tels que radiateurs ou appareils de  
chauffage.  
Ce haut-parleur contient des circuits haute tension  
présentant un danger. Ne jamais essayer de le démonter. Il  
n’y a aucun composant qui puisse être réparé par  
l’utilisateur. Toutes les réparations doivent être effectuées  
par du personnel qualifié et agréé par le constructeur.  
No deje que en el altoparlante entre agua ni ningún objeto  
extraño. No ponga objetos con líquidos encima de la unidad  
ni cerca de ella.  
Para reducir el riesgo de sobrecalentamiento, no exponga la  
unidad a los rayos directos del sol ni la instale cerca de  
artefactos que emiten calor, como estufas o cocinas.  
Este altoparlante contiene niveles de voltaje peligrosos en  
potencia. No intente desarmar la unidad, pues no contiene  
piezas que puedan ser repardas por el usuario. Las  
reparaciones deben efectuarse únicamente por parte del  
personal de mantenimiento capacitado en la fábrica.  
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Operating Instructions  
M3D™ Line Array  
high-frequency manifold system with Meyer’s  
INTRODUCTION  
proprietary, award-winning, directional low-frequency  
technology to precisely control vertical and horizontal  
coverage between 35 Hz and 16 kHz. The result is truly  
optimized line array behavior, affording performance  
that is markedly superior to conventional systems.  
The M3D Line Array is a part of the Meyer Sound M Series,  
which is a fully integrated line of loudspeakers that brings  
singular advantages to real-world applications.  
classic linear array principles and is a hybrid system  
using advanced engineering to optimize line array  
performance for consistent, reliable coverage. As are all  
M Series products, the M3D is self-powered, features  
To reproduce high frequencies, the M3D employs an REM  
(Ribbon Emulation Manifold) to feed a constant-  
directivity horn from two Meyer-manufactured  
compression drivers, each having a 1.5-inch exit (4-inch  
diaphragm). REM controls the output of the drivers and  
introduces it to the horn throat within a three-inch path  
length, dramatically minimizing distortion. The unique  
M3D horn design produces a coherent wave front that is  
characteristic of, but much more powerful than, a large  
ribbon driver. Vertical coverage is restricted to 10˚ ( 5˚)  
and interaction is minimized, yet distortion remains  
extremely low.  
®
Meyer Sound’s QuickFly rigging, and is configurable  
with most other Meyer Sound loudspeakers. RMS™  
(Remote Monitoring System) is standard. The M3D is  
weather-protected for outdoor applications.  
To ensure the smoothest response in the critical  
midrange, the M3D incorporates a complex active  
crossover design. At the lowest frequencies, two front-  
facing ferrofluid cooled, back-vented 15-inch drivers  
combine to reproduce powerful, coherent bass. These  
newly developed drivers feature lightweight neodymium  
magnet structures and are rated to handle 1200 AES  
watts. (Loudspeaker driven with a band-limited noise  
signal [125 Hz to 8 kHz] with 6-dB peak-to-average ratio  
for a period of 2 hours.) In the mid frequencies, the  
crossover feeds only one of the two drivers. This  
technique eliminates interference between the drivers  
that would otherwise occur at shorter wavelengths, and  
maintains optimal polar and frequency response  
characteristics.  
Figure 1. M3D Line Array with BroadBandQ™  
The companion M3D-Sub Directional Subwoofer, shown  
while maintaining low-frequency directional control and  
horizontal arrayability. Use of the M3D-Sub adds low  
frequency headroom to an M3D Line Array.  
At mid and low frequencies, the M3D employs a  
proprietary system of rear-facing 15-inch cone drivers,  
separately driven by a complex phase manipulation  
circuit, to generate a wave front that interacts with that  
produced by the front-facing. high-power 15-inch  
drivers. The result is directional low-frequency output to  
35 Hz and a 25-dB reduction in sound level behind the  
cabinet.  
Figure 2. M3D-Sub Directional Subwoofer  
Arrays of up to 16 cabinets (M3D, M3D-Sub, or a mixture  
of both), having 0˚ to 5˚ of splay between adjacent units,  
provide flexibility to tailor vertical coverage by varying  
the number and splay of cabinets in the array while  
maintaining 90˚ of usable horizontal coverage measured  
at the -6 db points.  
NOTE: Please read this entire manual  
carefully before configuring and deploying  
systems. In particular, please pay careful  
attention to the sections about safety issues.  
To predict the coverage, frequency response, impluse  
response and maximum SPL output of arrayed M3Ds, use  
MAPP (Multipurpose Acoustical Prediction Program)  
The Meyer Sound M3D is the first and only line array  
system to feature state-of-the-art BroadBandQ  
technology. BroadBandQ marries a remarkable new  
Meyer Sound Laboratories
 
Inc  
M3D™ Line Array  
1
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Information and specifications are applicable as of the  
date of printing. Updates and supplementary information  
are posted on the Meyer Sound web site at:  
way, preserving AC line polarity and connecting earth  
ground such that all grounding points are connected to a  
single node or common point using the same cable gauge  
as the neutral and line(s) cables.  
Bad grounding connections between speakers and the  
rest of the audio system may produce noise, hum and/or  
serious damage to the input/output stages in the  
system’s electronic equipment.  
or you may contact Meyer Sound Technical Support at:  
Tel: 510.486.1166  
fax: 510.486.8356  
CAUTION: Before applying AC to any Meyer  
Sound self-powered speaker, be sure that the  
voltage potential difference between neutral  
and earth ground is less than 5 VAC.  
AC POWER  
!
When AC power is applied to the M3D or M3D-Sub, the  
Intelligent AC™ supply automatically selects the correct  
operating voltage, allowing the loudspeakers to be used  
internationally without manually setting voltage  
switches. The Intelligent AC supply performs the  
following protective functions to compensate for hostile  
conditions on the AC mains:  
system, with the load between speakers distributed  
among the three phases and all of the loudspeakers  
connected to common neutral and earth ground points.  
suppresses high-voltage transients up to several  
kilovolts  
filters common mode and difference mode radio  
frequencies (EMI)  
sustains operation temporarily during low-voltage  
periods  
provides soft-start power-up, which eliminates high  
inrush current  
Line 1 Line 2 Line 3  
Neutral  
Earth Ground  
complete listing of power requirements and  
for the M3D-Sub Directional Subwoofer.  
Figure 3. AC power distribution block diagram  
Voltage Requirements  
The M3D or M3D-Sub can withstand continuous voltages  
up to 275 V and allows any combination of voltage to  
GND (that is neutral-line-ground or line-line-ground).  
The M3D or M3D-Sub operates safely and without audio  
discontinuity if the AC voltage stays within either of two  
operating windows: 85-134 V or 165-264 V, at 50 or  
requirements.  
CAUTION: Continuous voltages higher than  
275 V can damage the unit.  
!
After applying AC power, the proper operating voltage is  
automatically selected, but the system is muted. During  
the next three seconds the following events occur:  
The M3D or M3D-Sub uses a NEMA L6-20P, an IEC 309 or  
a multipin VEAM male power connector and satisfies  
worldwide product safety standards.  
1. The primary fans turn on.  
2. The main power supply slowly ramps on.  
3. The green Active LED on the user panel lights up,  
indicating that the system is enabled and ready to  
pass audio signals.  
AC Power Distribution  
All amplifier modules and the rest of the audio equipment  
connected to it (mixing consoles, processors, etc.) must  
be connected to the AC power distribution in a proper  
2
M3D™ Line Array  
Meyer Sound Laboratories
 
Inc  
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The maximum continuous RMS current is the maximum  
RMS current in a period of at least ten seconds. It is used  
to calculate the temperature increase in cables, which is  
used to select cables that conform to electrical code  
standards. It is also used to select the cable size and  
gauge and the rating for slow-reacting thermal breakers.  
CAUTION: If the Active LED does not  
illuminate or the system does not respond to  
audio input after ten seconds, remove AC  
power immediately.  
!
The maximum burst RMS current is the maximum RMS  
current in a period of approximately one second. It is  
used to select the rating for most magnetic breakers. The  
maximum instantaneous peak current during burst is  
used to select the rating for fast-reacting magnetic  
breakers and to calculate the peak voltage drop in long  
AC cables according to the formula  
Verify that the voltage is within the proper  
range. If the problem persists please contact  
Meyer Sound or an authorized service center.  
If the voltage decreases below the lower boundary of  
either operating range (brownout), the supply uses  
stored energy to continue functioning briefly.  
V pk (drop)= I pk x R (cable total)  
The unit turns off only if the voltage does not increase  
above the threshold before the storage circuits are  
depleted. The time that the M3D or M3D-Sub continues to  
operate during brownout depends on how low the  
voltage drops and on the audio source level during this  
period.  
For best performance, the AC Cable voltage drop should  
not exceed 10 Volts, or 10% at 115V and 5% at 230V. Use  
and circuit breaker ratings for your operating voltage.  
Table 1. M3D and M3D-Sub Current Ratings  
If the voltage fluctuates within either operating range,  
automatic tap selection stabilizes the internal operating  
voltage. This tap selection is instantaneous, and there  
are no audible artifacts.  
115 VAC 230 VAC 100 VAC  
Max continuous RMS  
Max. burst RMS  
18A  
32A  
50A  
1.2A  
9A  
20A  
36A  
57A  
16A  
25A  
0.6A  
If the voltage increases above the upper boundary of  
either range, the power supply rapidly turns off,  
preventing damage to the unit.  
Max. peak during burst  
Idle current  
1.3A  
If the M3D or M3D-Sub shuts down due to either low or  
high voltage, the power supply automatically turns on  
after three seconds if the voltage has returned to either  
normal operating range. If the M3D or M3D-Sub does not  
turn back on after ten seconds, remove AC power and  
refer to the previous Caution note.  
The minimum electrical service amperage required by a  
system of M3D or M3D-Subs is the sum of their maximum  
continuous RMS current. We recommend allowing an  
additional 30% above the minimum amperage to prevent  
peak voltage drops at the service entry.  
NOTE: It is recommend that the supply be  
operated in the rated voltage windows, at least  
a few volts away from the turn on/off points so  
that small AC voltage variations do not cause  
the amplifier to cycle on and off.  
CAUTION: In the unlikely event that the  
circuit breakers trip (the white center buttons  
pop out), disconnect the AC power cable. Do  
not reset the breakers with the AC  
connected. Contact Meyer Sound for repair  
information.  
!
CURRENT REQUIREMENTS  
The M3D or M3D-Sub presents a dynamic load to the AC  
mains, which causes the amount of current to fluctuate  
between quiet and loud operating levels. Since different  
cables and circuit breakers heat up at varying rates, it is  
essential to understand the types of current ratings and  
how they correspond to circuit breaker and cable  
specifications.  
Power Connector Wiring Conventions  
The M3D or M3D-Sub requires a grounded outlet. It is  
very important that the system be properly grounded for  
both safety and proper operation. Use the following  
wiring diagram to create power cables and distribution  
systems.  
Meyer Sound Laboratories
 
Inc  
M3D™ Line Array  
3
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neutral (blue)  
line (brown)  
ground (green/yellow)  
WARNINGS:  
THIS PRODUCT MUST BE GROUNDED  
This surface may reach high tempuratures white in use.  
Figure 6. IEC 309 power connector pin-out  
To ensure proper operation, allow at least  
6
inches  
GROUND (GREEN/YELLOW)  
clearance from this surface and adequate ventilation.  
To reduce the risk of electric shock do not remove cover.  
No operator or serviceable parts inside.  
Refer servicing to qualified personnel.  
To reduce the risk of fire or electric shock  
do not expose this appliance to rain or moisture.  
ATENCI N: ACCESO INTERNO SOLO  
AUTHORIZADO  
A
PERSONAL  
T
CNICO CALIFICO  
ACHTUNG: GEHˆUSE NICHT OFFENE WARTUNG  
UND REPARATUR NUR DURCH ELEKTROFˆCHKRAFTE  
line (brown)  
ATTENTION: ENTRETIENET REPARATIONS  
INTERNES NE SONT AUTORISEES QU’AU  
PERSONNEL TECHNIQUE QUALIFI  
ground (green/yellow)  
U.K. WARNING: THIS APPARATUS MUST BE EARTHED.  
NO OPERATOR SERVICEABLE PARTS INSIDE.  
REFER SERVICING TO QUALIFIED PERSONNEL.  
neutral (blue)  
Y - LINE (BROWN)  
Figure 7. VEAM multipin connector power pin-out  
X - NEUTRAL (BLUE)  
For M3D or M3D-Sub loudspeakers fitted with the VEAM  
multipin connector please refer to the Meyer Sound  
document, VEAM Cable Wiring Reference, part number  
06.033.113, for the wiring conventions and pinouts for  
the AC, audio, and RMS connections. Use the information  
in this document to create power cables and distribution  
systems.  
Figure 4. M3D user rear panel with L6-20 power  
connector  
Meyer Sound offers the VIM (VEAM interface module) to  
distribute power, audio, and RMS to M3D or M3D-Sub  
FRONT  
WARNINGS:  
THIS PRODUCT MUST BE GROUNDED  
This surface may reach high tempuratures white in use.  
1
2
3
Push to Reset  
10A Max.  
To ensure proper operation, allow at least  
6
inches  
GROUND (GREEN/YELLOW)  
VIM-  
3
clearance from this surface and adequate ventilation.  
To reduce the risk of electric shock do not remove cover.  
No operator or serviceable parts inside.  
Push to Reset  
10A Max.  
Push to Reset  
10A Max.  
Refer servicing to qualified personnel.  
To reduce the risk of fire or electric shock  
do not expose this appliance to rain or moisture.  
Connect only to  
Meyer Sound  
Self-Powered Series  
or Self-Powered  
UltraSeries  
!
ATENCI N: ACCESO INTERNO SOLO  
Loudspeakers.  
AUTHORIZADO  
A
PERSONAL  
T
CNICO CALIFICO  
ACHTUNG: GEHˆUSE NICHT OFFENE WARTUNG  
UND REPARATUR NUR DURCH ELEKTROFˆCHKRAFTE  
ATTENTION: ENTRETIENET REPARATIONS  
INTERNES NE SONT AUTORISEES QU’AU  
PERSONNEL TECHNIQUE QUALIFI  
WARNINGS: THIS APPARATUS MUST BE EARTHED. IMPORTANT: The wires in this mains lead are  
coloured in accordance with the following code --green-and-yellow: earth --blue:neutral --brown: live  
To reduce the risk of fire or electric shock do not expose this appliance to rain or moisture  
U.K. WARNING: THIS APPARATUS MUST BE EARTHED.  
NO OPERATOR SERVICEABLE PARTS INSIDE.  
REFER SERVICING TO QUALIFIED PERSONNEL.  
RISK OF ELECTRIC SHOCK-- DO NOT OPEN  
AC Input 230V~  
50-60Hz 32A Max.  
CAUTION  
!
ATENCI  
ACHTUNG  
ATTENTION  
N
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CHANNEL  
Input  
3
CHANNEL  
Input  
2
CHANNEL  
1
Loop  
Loop  
Input Loop  
Y - LINE (BROWN)  
Remote Monitor System  
Network  
Terminator  
On  
Off  
X - NEUTRAL (BLUE)  
REAR  
Figure 8. VIM-3 module  
Figure 5. M3D-Sub user rear panel with L6-20 power  
connector  
4
M3D™ Line Array  
Meyer Sound Laboratories
 
Inc  
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SAFETY ISSUES  
TIP: Use the rings located in the rear above  
the amplifier on the M3D or M3D-Sub to  
provide strain relief for the power and signal  
cables.  
Pay close attention to these important electrical and  
safety issues.  
CAUTION: Do not use a power cord adapter  
to drive the M3D or M3D-Sub from a standard  
!
AUDIO INPUT  
three-prong Edison outlet since that connector  
is rated for only 15 amps (NEMA 5-15R; 125 VAC  
max.)  
The M3D or M3D-Sub presents a 10k ohm balanced input  
impedance to a three-pin XLR connector with the  
following connectors:  
Pin 1 — 220k ohm to chassis and earth ground (ESD  
clamped)  
Pin 2 — Signal ( + )  
Pin 3 — Signal ( - )  
Case — Earth (AC) ground and chassis  
Figure 9. Do not use AC adapters  
CAUTION: Shorting an input connector pin to  
the case can form a ground loop and cause  
hum.  
!
CAUTION: The M3D or M3D-Sub requires a  
ground connection. Always use a grounding  
outlet when connecting these units.  
!
Pins 2 and 3 carry the input as a differential signal; pin 2  
is hot relative to pin 3, resulting in a positive pressure  
wave when a positive signal is applied to pin 2. Use  
standard audio cables with XLR connectors for balanced  
signal sources. Make sure that pin 1 (shield) is always  
connected on both ends of the cable. Telescoping  
grounding schemes are not recommended.  
earth  
ground  
chassis  
ground  
TIP: If abnormal noises such as hiss and  
popping are produced by the loudspeaker,  
disconnect the audio cable from the speaker. If  
the noise stops, then most likely the problem is  
not with the loudspeaker. Check the audio  
cable, source, and AC power for the source of  
the problem.  
Figure 10. Grounded outlet and plug  
WARNING: Keep all liquids away from the  
M3D or M3D-Sub amplifier to avoid hazards  
from electrical shock. Please refer to the  
Audio signals can be daisy-chained using the loop output  
connector on the user panel of the M3D or M3D-Sub.  
A single source can drive multiple M3Ds or M3D-Subs  
with a paralleled input loop, creating an unbuffered  
hard-wired loop connection.  
CAUTION: Do not operate the unit if the  
power cables are frayed or broken.  
!
When driving multiple M3Ds or M3D-Subs in an array,  
make certain that the source device can drive the total  
load impedance presented by the paralleled input circuit  
of the array. The audio source must be capable of  
producing a minimum of 20 dBV (10-Vrms into 600  
ohms) in order to produce the maximum peak SPL over  
the operating bandwidth of the loudspeaker.  
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The HP-4 amplifier utilizes complementary-power  
MOSFET output stages (class AB/H). All the specific  
functions for the M3D and M3D-Sub such as crossovers,  
frequency, phase response, and driver protection are  
determined by the control card installed inside the HP-4  
amplifier.  
All Meyer Sound loudspeakers are shipped with the  
drivers in correct alignment. However, if a driver needs  
to be replaced, make sure the replacement is reinstalled  
with the correct polarity. Incorrect driver polarity impairs  
the system performance and may damage the drivers.  
audio input  
loop out  
M3D Interconnections  
Each front 4 ohm, 15-inch, low-frequency driver is  
powered by one channel of the HP-4/M3D amplifier.  
While both rear 8 ohm, 15 inch low-frequency drivers are  
connected in parallel and driven by a single amplifier  
channel. The two 4-inch diaphragm high-frequency  
drivers share the fourth channel of the HP-4 amplifier.  
Figure 11. M3D rear panel audio input connectors  
The input impedance for a single M3D or M3D-Sub is  
10k ohms; if n represents the number of M3D or M3D-Sub  
loudspeakers in an array, paralleling the inputs of n M3Ds  
or M3D-Subs will produce a balanced input load of  
10k ohms divided by n.  
connected to the amplifier in the M3D.  
To avoid distortion from the source, make sure the  
source equipment provides an adequate drive circuit  
design for the total paralleled load impedance presented  
by the array. Most source equipment is safe for driving  
loads no smaller than ten times the source’s output  
impedance.  
Right Front MS-415N  
Left Front MS-415N  
MS-2001L  
-
-
+
+
+
-
+
-
-
-
+
+
For example, cascading an array of ten units consisting  
of M3Ds and M3D-Subs produces an input impedance of  
1000 ohms (10k ohms divided by 10). The source  
equipment should have an output impedance of 100  
ohms or less.  
(Low)  
(Low-mid)  
Left Rear MS-815  
Right Rear MS-815  
This is also true when connecting in parallel (loop out)  
M3Ds or M3D-Subs with other self-powered Meyer  
Sound loudspeakers (M3D-Subs, 650-Ps, MSL-4s, and so  
on.)  
-
+
+
-
An LD-1A, LD-2, or LD-3 line driver is highly  
recommended when driving systems using multiple  
For details on the M3D audio input characteristics,  
amplification, and protection circuitry, refer to Appendix  
Audio Input Characteristics, Amplification, and Protection  
(Positions are in reference to front of enclosure)  
AMPLIFICATION AND PROTECTION  
CIRCUITRY  
Figure 12. M3D internal wiring harness diagram  
The M3D or M3D-Sub is powered by the Meyer Sound  
HP-4 amplifier, a high-power four-channel amplifier  
(1125 watts/ch. RMS) with a total power of 4500 watts.  
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SPL across its entire frequency range. TPL extends the  
lifetime of the drivers by controlling the temperature of  
the voice coil. In addition, TPL eliminates power  
compression when the system is operated at high levels  
for extended periods.  
M3D-Sub Interconnections  
Each front 4 ohm, 18-inch, low-frequency driver is  
powered by one channel of the HP-4/M3D-Sub amplifier;  
also, each rear 8 ohm, 15-inch low-frequency driver is  
the drivers are connected to the amplifier in the  
M3D-Sub.  
The true power is monitored for each of the four  
amplifier channels. When the safe continuous power level  
is exceeded, the TPL limiter controlling that amplifier  
channel engages. TPL activity is indicated by the LEDs on  
the user panel.  
Left Front MS-418 N  
Right Front MS-418 N  
-
+
The M3D and M3D Sub perform within their acoustical  
specifications and operate at a normal temperature if the  
limit LEDs are lit for no longer than two seconds, and off  
for at least one second. If either LED remains on for  
longer than three seconds, that channel is hard limiting  
with the following negative consequences:  
-
+
+
-
-
+
Increasing the input level will not increase the  
Right Rear MS-815  
Left Rear MS-815  
volume.  
The system distorts due to clipping and nonlinear  
driver operation.  
-
+
+
-
The lifespan of the drivers is reduced because they  
are subjected to excessive heat.  
Fans  
Upper Control Card (Front)  
M3D TPL Limiters  
24.033.042.32  
The left-and-right front low-frequency drivers are  
driven by separate amplifier channels but are routed to  
one limiter; the LO TPL F LED on the user panel indicates  
TPL activity for the front drivers. The two rear low-  
frequency drivers are driven by one amplifier channel;  
the LO TPL R LED indicates TPL activity for the rear low-  
frequency drivers. The two high-frequency drivers are  
driven by one amplifier channel; the HI Limit LED, shown  
high-frequency drivers.  
Lower Control Card (Rear)  
24.033.042.31  
M3D-Sub  
HP Amplifier Chassis  
(Top View)  
User Panel  
Figure 13. M3D-Sub internal wiring harness diagram  
The limiters cease operation when the power level in the  
channel returns to normal and do not affect the signal  
when the LED is inactive.  
THE TRUPOWER™ LIMITING SYSTEM  
Conventional limiters assume that the impedance of a  
speaker remains constant and set the limiting threshold  
by measuring voltage only. This method is inaccurate,  
because the speaker’s impedance changes in response to  
the frequency content of the source material and thermal  
variations in the speaker’s voice coil and magnet.  
Conventional limiters begin limiting prematurely, which  
under utilizes system headroom and deprives the  
speaker of its full dynamic range.  
The TruPower Limiting (TPL) system accounts for varying  
speaker impedance by measuring current, in addition to  
voltage, to compute the actual power dissipation in the  
voice coil. TPL improves performance before and during  
limiting by allowing each driver to produce its maximum  
Figure 14. M3D Limit LEDs  
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fixed level for that frequency, protecting the drivers and  
minimizing negative sonic effects. The LED, shown in  
voltage at each frequency is reached. This circuit works  
for all frequencies, not just very low frequencies where  
the drivers are more vulnerable overexcursion.  
NOTE: The TPL LEDs indicate when the safe  
power level is exceeded. If an entire system of  
M3Ds begins to limit before reaching the  
required sound pressure level (SPL), you  
should consider adding more loudspeakers.  
The M3D-Sub operates safely if the Exc. Clamp LED is on  
for no longer than two seconds, and off for one second.  
M3D Peak Limiter  
When engaged, the Peak Limiter prevents signal peaks  
from causing distortion in the high channel, preserving  
headroom and maintaining smooth frequency response  
at high levels. Peak limiting is indicated by the Hi Peak  
LED on the user panel; the same on/off cycle discussed  
for the TPL limiters applies to the Peak Limiter.  
FANS AND COOLING SYSTEM  
The M3D uses a forced-air cooling system with four fans  
to prevent the amplifier modules from overheating. The  
fans draw air in through ducts on the front of the cabinet,  
over the heatsinks, and out the rear of the cabinet.  
Because dust does not accumulate in the amplifier  
circuitry, its lifespan is increased significantly. The front  
grill surface acts as an air filter for the cooling system  
and should always be in place during operation.  
M3D-Sub TPL Limiters  
The 18-inch front low-frequency drivers are driven by  
separate amplifier channels but are fed by one limiter;  
the LO TPL F LED on the user panel indicates TPL activity  
for these drivers. The rear 15-inch drivers are connected  
in parallel and driven by a single amplifier channel that is  
fed by one limiter; the Rear TPL LED on the user panel  
indicates TPL activity for the rear drivers. The limiters  
cease operation when the power level returns to normal,  
and do not affect the signal when the LED is inactive.  
M3D-Sub Excursion Clamp  
The drivers in the M3D-Sub are protected by an  
excursion clamping circuit that provides instantaneous  
braking for the drivers without the pumping effects  
commonly produced by compressor/limiters.  
Figure 16. Airflow of M3D  
Despite the filtering, extensive use or a dusty operating  
environment can allow dust to accumulate along the path  
of the airflow, preventing normal cooling. We  
recommend periodically removing the grill and amplifier  
module and using a vacuum cleaner to clear dust from  
the grill, fans, and heatsinks.  
WARNINGS:  
THIS PRODUCT MUST BE GROUNDED  
This surface may reach high tempuratures white in use.  
To ensure proper operation, allow at least  
6
inches  
clearance from this surface and adequate ventilation.  
To reduce the risk of electric shock do not remove cover.  
No operator or serviceable parts inside.  
Refer servicing to qualified personnel.  
To reduce the risk of fire or electric shock  
do not expose this appliance to rain or moisture.  
ATENCI N: ACCESO INTERNO SOLO  
AUTHORIZADO  
A
PERSONAL  
T
CNICO CALIFICO  
ACHTUNG: GEHˆUSE NICHT OFFENE WARTUNG  
UND REPARATUR NUR DURCH ELEKTROFˆCHKRAFTE  
ATTENTION: ENTRETIENET REPARATIONS  
INTERNES NE SONT AUTORISEES QU’AU  
PERSONNEL TECHNIQUE QUALIFI  
U.K. WARNING: THIS APPARATUS MUST BE EARTHED.  
NO OPERATOR SERVICEABLE PARTS INSIDE.  
REFER SERVICING TO QUALIFIED PERSONNEL.  
CAUTION: Be sure to unplug power to the  
unit before cleaning the air filter.  
!
Figure 15. M3D-Sub limit LEDs  
Make sure that the air ducts are clear.  
The circuit uses sophisticated filters to minimize the  
distortion normally caused by clamping and clipping. As  
the M3D-Sub’s input signal is increased past the clamping  
point at each frequency, the output signal remains at a  
NOTE: Always use the rain hood in the fully  
open position to maintain proper cooling of  
the amplifier.  
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Two variable-speed primary fans run continuously with  
an inaudible operating noise of 22 dBA at 1 m at their  
slowest speed. The primary fans begin increasing speed  
when either of the two heatsinks reaches 42˚C. The fans  
reach full speed at 62˚C and are barely audible near the  
cabinet, even without an audio signal. In the event that  
the heatsink temperature reaches 74˚C, the secondary  
fans turn on and are clearly audible without an audio  
signal. The secondary fans turn on in response to:  
pocket  
top stifener  
pocket  
1 ea. side  
primary fan failure (check status immediately)  
high source levels for a prolonged period  
accumulation of dust along the cooling path  
FRONT  
Figure 17. Rain hood stiffener pockets  
The secondary fans turn off when the temperature  
decreases to 68˚C.  
NOTE: In the highly unlikely event that the  
secondary fans do not keep the temperature  
below 85˚ C, the M3D automatically shuts down  
until AC power is removed and reapplied. If the  
M3D shuts down again after cooling and  
reapplying AC power, contact Meyer Sound for  
repair information.  
USING AND REPLACING THE RAIN HOOD  
The rain hood installed on the M3D user panel is provided  
to protect the loudspeaker’s electronics from direct  
exposure to rainfall. Before using the M3D, open the rain  
hood as described in the following procedure.  
Opening the Rain Hood  
1. Pull the exterior Velcro straps off the hood, allowing  
it to open.  
Figure 18. Fully open rain hood installed on a M3D  
2. Lift the flap fully outward, and unfold the fabric rain  
hood.  
CAUTION: Always be sure the rain hood is  
fully open when operating an M3D. Leaving the  
3. With your other hand, reach into the hood and free  
the two PVC supports from their corner pockets in the  
outer flap.  
!
hood partially open will limit the airflow  
through the amplifier, which could cause it to  
overheat and shut down.  
4. Fold both supports out and reinsert them into the two  
the soft side flaps. This will hold the rain hood fully  
open for use, which is necessary for proper cooling of  
the M3D electronics.  
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5. Start all eight screws into the holes before tightening  
them.  
Removing the M3D/M3D-Sub Amplifier  
If you need to remove the M3D amplifier, you must first  
remove the rain hood, as follows:  
6. Use the screws to sandwich the fabric and its gasket  
reinforcement bar over the external gasket.  
1. Using a #2 Phillips screwdriver, remove all eight  
screws from the rain hood. This will free both the rain  
hood and the HP-4 electronics module from the M3D  
7. Once all eight screws are started, tighten them using  
a #2 Phillips screwdriver.  
8. Tighten the inner four screws first, and then tighten  
the remaining four corners.  
CAUTION: Never use power tools to remove  
or replace the stainless steel rain hood screws  
on the M3D or M3D-Sub.  
!
How Do Line Arrays Work?  
Though hybrid line array systems are relatively new to  
the sound reinforcement industry, line arrays have been  
used since the 1950s. They have been described as a  
group of radiating elements arrayed in a straight line,  
closely spaced and operating with equal amplitude and in  
phase.  
Figure 19. Location of eight screws securing rain  
hood  
Line arrays achieve directivity through constructive and  
destructive interference. A simple thought experiment  
illustrates how this occurs.  
2. Lift off the rain hood carefully, pulling all eight screws  
through the panel.  
Consider a speaker comprising a single 12-inch cone  
radiator in an enclosure. We know from experience that  
this speaker’s directivity varies with frequency: at low  
frequencies, it is omnidirectional; as the sound  
wavelength grows shorter, its directivity narrows; and  
above about 2 kHz, it becomes too beamy for most  
applications. (This is why practical system designs  
employ crossovers and multiple elements to achieve  
more or less consistent directivity across the audio  
band.)  
3. Carefully slide the amplifier out using care not to  
stress the cables.  
4. Disconnect the two 4-pin speaker connectors.  
Replacing the M3D/M3D-Sub Amplifier  
When you replace the amplifier and rain hood on the M3D  
cabinet, use the following procedure:  
1. Gently slide the amplifier partially back into the M3D  
and connect the 2 speaker connectors. Make sure they  
are connected into the right connector. Please refer  
Stacking two of these speakers one atop the other and  
driving both with the same signal results in a different  
radiation pattern. At points on-axis of the two there is  
constructive interference, and the sound pressure  
increases by 6 dB relative to a single unit. At other points  
off-axis, path length differences produce cancellation,  
resulting in a lower sound pressure level. In fact, if you  
drive both units with a sine wave, there will be points  
where the cancellation is complete (this is best  
demonstrated in an anechoic chamber). This is  
destructive interference, sometimes referred to as  
combing.  
2. Check to be sure that all three steel bars are correctly  
inserted in the three fabric pockets of the hood.  
NOTE: The bars must be inside the fabric  
pockets to achieve proper water protection.  
3. Carefully install the fabric rain hood, using the  
1.75-inch stainless steel screws and washers  
provided in the kit.  
A line array is a line of woofers carefully spaced so that  
constructive interference occurs on-axis of the array  
and destructive interference (combing) is aimed to the  
sides. While combing has traditionally been considered  
undesirable, line arrays use combing to work; without  
combing, there would be no directivity.  
4. Align all eight screws so that the washers are over the  
fabric.  
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vertical column, they throw high-frequency energy more  
effectively through coupling. The amount of energy can  
then be controlled using the relative splay between the  
elements.  
HYBRID LINE ARRAYS  
The M3D is a high-powered BroadbandQ™ loudspeaker  
system. In order to effectively array, drive, and optimize  
a system to produce optimal results, it’s important to  
understand how a hybrid line array loudspeaker works.  
For high frequencies, the M3D takes advantage of the  
control that wave guide horns provide. In the horizontal  
pattern of the array, these horns work just as any wave  
guide does to produce a consistent beamwidth of  
For the mid-to-low frequencies, it’s important to  
understand that even though the M3D’s Broadband Q™  
technology will maintain front-to-back attenuation from  
580 Hz down to 35 Hz, line arrays must be coupled  
together to narrow their vertical polar response and  
throw mid and low energy to the far field. The more  
elements used, the narrower the vertical beamwidth  
coverage. In the vertical, however, the REM™ is designed  
to produce very narrow coverage in order to minimize  
destructive interference between adjacent elements and  
maximize throw. As more elements are arrayed in a  
eight  
M3Ds  
sixteen  
M3Ds  
250 Hz  
eight  
M3Ds  
sixteen  
M3Ds  
125 Hz  
Figure 20. Eight versus sixteen M3D line arrays  
produce a higher-Q vertical beamwidth, while wider  
splay lowers the Q. The following is a case example  
showing a design where this principle is applied to a  
sloped outdoor venue.  
Adjusting a Line Array’s Coverage  
The most effective method for adjusting a hybrid line  
array’s vertical coverage is to adjust the mechanical  
splay between the elements. (Horizontal coverage for a  
single array is constant.) Narrower vertical splay angles  
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Figure 21. Using vertical splay to adjust a line array’s coverage  
With these two technologies (low-frequency line array  
with multiple equalization channels. It is best to maintain  
a similar or identical equalization in the low-frequency  
filters, even though different equalization is being  
applied to each zone in the high frequencies.  
and high-frequency wave guide) combined in a single  
product, it's important to understand how to best  
electronically drive a hybrid line array. The high-  
frequency section can, and usually should, be zoned for  
implementing different equalization into zones. The first  
step is to optimize the coverage using the relative  
mechanical splay between the array's elements. MAPP  
Online is an ideal tool for doing this and determining  
what will work best for the application. MAPP can also  
help to determine how to break up the electronic drive of  
the system using its Virtual SIM feature. For the far field,  
a smaller mechanical splay angle achieves superior  
throw to compensate for energy lost over distance.  
This is also why gain tapering is not recommended for  
line arrays. Adjusting the various zones with an overall  
amplitude control for each zone results in the following:  
1. Directionality decreases.  
2. Overall low-frequency headroom decreases.  
3. The length of the line array column is effectively  
shortened.  
The following is a sample M3D system block diagram  
showing one method of driving an array, along with  
additional fill loudspeakers and subwoofers. Digital  
delays are included to provide a time adjustment to  
compensate for the various subsystems and subwoofers  
being geometrically out of plane with one another.  
While wave guides provide isolated control over various  
coverage areas, the low-frequency section of a line  
array still requires mutual coupling—with equal  
amplitude and phase—to achieve a narrow beamwidth.  
This is important to remember when optimizing the array  
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Figure 22. Wiring diagram of a typical M3D installation  
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CABLING  
USING THE M3D-SUB WITH THE M3D  
LINE ARRAY LOUDSPEAKER  
One method of cabling the system is using the Meyer  
Sound/VEAM cable system. This system incorporates  
power, signal, and RMS monitoring system all in one  
heavy-duty cable and connector per M3D cabinet.  
The M3D system will provide full bandwidth frequency  
response without M3D-Sub directional subwoofers. The  
height of the array (number of cabinets) and the desired  
SPL will determine how much sub-bass energy can be  
provided, proportional to the upper-frequency spectrum.  
The electrical, signal, and RMS cables for each cabinet  
can be consolidated to create a “three-pair” multi-  
conductor cable. This can be accomplished by using  
separate electrical and signal XLR cable. The electrical,  
signal, and RMS cable for each box can be loomed  
together per box to create a “three-pair” multi-  
conductor cable for each cabinet. This ensures no  
patching errors and a minimum of cables behind the  
array.  
If higher SPL is necessary or the program content  
requires additional sub-bass energy, then M3D-Sub  
direction subwoofers can be used to augment the M3D  
line arrays.  
There is no polarity switch on either the M3D Line Array  
or the M3D-Sub directional subwoofer. Both are wired  
pin 2 “hot” (positive acoustic pressure when a positive  
pulse is applied to pin 2).  
Two ring/stud fittings are provided on the back panel of  
each M3D and M3D-Sub for the purpose of strain  
relieving all cabling. Insert the signal, data, and AC  
connections into each loudspeaker as the array is being  
rigged, swag all cables under the rain hood’s side flaps,  
and tie them off onto either the left or right rings of the  
reliefs will minimize the chance of cables being damaged  
during installation of the sound system.  
The M3D Line Array frequency response operates down  
to 35 Hz, while the M3D-Sub operates in the range of  
30 Hz to 80 Hz. The M3D-Sub therefore does not extend  
the system response appreciably; rather, it increases the  
acoustic power of the system in the lowest frequencies.  
This can be very useful in applications that require large  
amounts of low-frequency energy, such as the  
reinforcement of popular music.  
Both the M3D Line Array and the M3D-Sub have a  
cardioid directional pattern and are designed to provide  
maximum cancellation from six to twelve meters behind  
the cabinet (-20 dB at 8 meters). When they are used  
together, in addition to increased forward power, the  
rear power cancellation also improves.  
Driving the M3D-Sub  
All Meyer Sound products have been optimized with  
internal crossover networks. When most Meyer Sound  
loudspeakers are used together, these networks provide  
maximum power addition through their respective  
overlapping frequency ranges when used in close  
proximity and co-planar to one another.  
Figure 23. Tying off cables to rings.  
CAUTION: The rear ring/stud fittings shown  
!
You may loop connections between the M3D Line Array  
and the M3D-Sub. This will result in 6 dB greater sound  
pressure in the 40 Hz to 100 Hz range, as shown in  
meters.  
system cabling. These fittings are not intended  
to be used for system rigging or a pull-back  
motor (pulling the bottom of the array  
backward to increase downward tilt). The  
points are mounted on each side of the  
amplifier area, so as not to interfere with the  
rain hood and the amplifier fan exhaust area.  
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Figure 24. M3D Line Array and M3D-Sub with looped connections  
When the two are driven with the same signal but the  
M3D-Sub is attenuated by 6 dB, the response is identical  
to the M3D Line Array alone but extends to 30 Hz, as  
Figure 25. M3D Line Array and M3D-Sub with M3D-Sub attenuated by 6 dB  
The third option provides optimal headroom to the M3Ds,  
while adding an often preferred frequency response  
bump centered around 65 Hz. This configuration, shown  
loudspeakers in the array while letting the M3D Subs use  
their normal internal crossover frequencies. If the 65 Hz  
bump in the spectrum isn’t desired, an equalization filter  
can be used to flatten the overall response, while still  
optimizing system headroom.  
The DS-2 & Sub Crossover network is composed of a  
low-pass and an elliptical filter. Pushing the switch in  
activates the two-way crossover, sending frequencies  
below 80 Hz to the Sub output and above 80 Hz to the  
DS-2 output. With the switch out, a full-range signal is  
sent to both the DS-2 and Sub outputs. Since this filter  
affects the DS-2 out and the SUB out the M3D-Subs need  
to be connected to the Mid-Hi output receiving a full  
range signal.  
To achieve this, drive the M3D loudspeakers using the  
DS-2 (or mid bass) output of the LD-1A line driver, as  
polarity reversal. This provides a crossover function by  
rolling off the M3D Loudspeakers below 80 Hz, as shown  
frequencies.  
NOTE: Full-range signals may be applied to  
Meyer self powered subwoofers because they  
have built-in active crossovers that filter mid-  
hi frequencies; external crossovers are  
unnecessary.  
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LD-1A  
ALL POLARITY SETTINGS FOR  
LD-1A & LOUDSPEAKERS  
REMAIN THE SAME  
M3D  
DS-2 & Sub Crossover (IN)  
DS-2 OUTPUT  
MID-HI OUTPUT (LOW CUT OUT, ARRAY EQ OUT)  
M3D-Sub  
Figure 26. M3D and M3D-Sub headroom optimization using an LD-1A line driver  
produce the same results as the LD-1A line driver shown  
MID-BASS & Sub  
Crossover (IN)  
LD-2  
ALL POLARITY SETTINGS FOR  
LD-2 & LOUDSPEAKERS  
MID-BASS OUTPUT  
REMAIN THE SAME  
M3D  
MID-HI OUTPUT (LOW CUT OUT, ARRAY EQ OUT)  
M3D-Sub  
Figure 27. M3D and M3D-Sub headroom optimization using an LD-2 line driver  
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Figure 28. M3D driven from the mid-bass output of LD-1 line driver with the M3D-Sub driven with a full-range signal  
®
Applications  
You can use the SIM System II in the following  
applications:  
SIM SYSTEM II  
SIM System II is a powerful, compact instrumentation  
product line comprising the SIM-2201 Sound Analyzer,  
SIM-2403 Interface Network, and a selection of software  
options, microphones and accessory cables. The  
instrument is optimized for making audio-frequency  
measurements of an acoustical system and applying  
precise electronic corrections to adjust the system  
response.  
Loudspeaker system testing and alignment  
Microphone calibration  
Architectural acoustics  
Transducer evaluation and correction  
Echo detection and analysis  
Vibration analysis  
SIM System II implements the Meyer Sound Source  
Independent Measurement technique, a dual-channel  
method that accommodates statistically unpredictable  
excitation signals. Any excitation signal that  
Underwater acoustics  
encompasses the frequency range of interest (even  
intermittently) may be employed to obtain highly  
accurate measurements of acoustical or electronic  
systems. (For example, concert halls and loudspeaker  
systems may be characterized during a musical  
performance, using the program as the test signal.)  
Measurement Modes and Features  
Measurement data may be displayed as amplitude versus  
time (impulse response), or amplitude and phase versus  
frequency (frequency response). A single-channel  
spectrum mode is provided, and frequency domain data  
are displayed with a logarithmic frequency axis. A Delay  
Finder function determines and internally compensates  
for propagation delays.  
Housed in a four-space rack-mountable industrial  
chassis, the SIM-2201 Sound Analyzer performs 32-bit  
floating-point audio signal measurements with >100-dB  
dynamic range (actual input signal range is greater  
because of selectable gain). The instrument permits two-  
port measurements between any two of three front-  
panel inputs (one microphone with switchable phantom  
power, two isolated line level), and incorporates a rear-  
panel multipin interface for automated measurements of  
two-channel systems. Optional hardware and software  
upgrades permit up to sixty-four analysis channel  
capacity.  
The SIM-2201 incorporates a front-panel–controllable  
precision signal generator with low-distortion sine  
wave, pink noise, and modulated, weighted pulse  
outputs; multi-segment level meters for each  
measurement input; a removable hard disk and DOS  
format 1.44-Mbyte floppy disk drive for data storage;  
high-resolution color monitor output; and dedicated  
rear-panel multipin system interface connectors. A  
headphone output is provided for aural monitoring of the  
measurement inputs. User-friendly software with pull-  
down menus streamlines operation, and measurement  
data may be exported to disk in ASCII format for post-  
processing or laser printed for presentation.  
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equalization settings. Its accurate, high-resolution  
predictions eliminate unexpected onsite adjustments and  
coverage problems. With MAPP Online, every sound  
system installation has the maximum chance of success.  
MEYER SOUND MAPP ONLINE™  
MAPP (Multipurpose Acoustical Prediction Program)  
Online is a powerful, cross-platform, Java-based  
application for accurately predicting the coverage  
pattern, frequency response, impulse response, and  
maximum SPL output of arrayed Meyer Sound  
loudspeakers. Residing on the local host computer, the  
Java application facilitates configuring arrays of a wide  
variety of Meyer Sound products and, optionally, defines  
the environment in which they will operate, including air  
temperature, pressure, and humidity, as well as the  
location and composition of walls. You can find MAPP  
Online at:  
MAPP Online is compatible with Windows, Linux, Unix,  
and Apple Macintosh computers running Mac OS X  
version 10.1.2 or higher. MAPP Online requires Java Web  
Start version 1.0.1_02 (included with Mac OS X).  
RMS™ (REMOTE MONITORING SYSTEM)  
Once an installation is complete, use Meyer Sound’s RMS  
system to monitor system performance.  
RMS is a real-time monitoring system that connects the  
Meyer Sound self-powered speakers with an  
IBM-compatible computer at the sound mix position or  
other location. RMS software delivers extensive status  
and system performance data directly to the operator  
from every installed speaker.  
NOTE: You will need to apply for use of MAPP  
Online by clicking on the appropriate link on  
the screen at the URL above. Once your  
registration is complete, you will be given a  
user name and password, which will be  
returned to you by email along with the  
address for the MAPP Online program itself.  
Follow the online instructions to install the  
program on your computer.  
RMS displays include amplifier voltages, limiting activity,  
power output, temperature, fan and driver status,  
warning alerts, and other key data for up to sixty-two  
speakers, without a network repeater, at a display  
update rate of two to five times per second. More  
information is available, and with greater convenience  
than from conventional monitor systems. The RMS  
Monitor Program interface can be learned quickly, and  
runs in a Microsoft Windows 95 or Windows 98, 2nd  
Edition environment.  
When a prediction is requested, data are sent over the  
Internet to a high-powered server computer at Meyer  
Sound that runs a sophisticated acoustical prediction  
algorithm using high-resolution, complex (magnitude  
and phase) polar data. Predicted responses are returned  
over the Internet and displayed on the local host in color.  
Monitor Displays  
With MAPP Online, you can:  
Each speaker appears on the computer’s color monitor as  
a “view” in the form of a status icon, bar graph meter, or  
text meter (numerical values), depending on user  
preference.  
Plan an entire portable or fixed loudspeaker system  
and determine delay settings for fill loudspeakers  
Clearly see interactions among loudspeakers and  
Each view contains speaker identification information  
and data from the amplifier, controller, driver, and  
power supply of that particular unit. System status  
conditions cause changes in Icon and bar graph  
indicators, alerting the operator to faults or excessive  
levels. The views are moveable and typically are  
minimize destructive interference  
Place microphones anywhere in the sound field and  
predict the frequency response, impulse response,  
and sound pressure at the microphone position  
Refine your system design to provide the best  
arranged on the screen to reflect the physical layout of  
the loudspeakers. A user can design a screen “panel” of  
computer’s hard disk, conveniently named for a unique  
arrangement or performer. If the speaker installation  
pattern changes completely, a new screen panel can be  
built. If a different subset of already installed speakers is  
to be used at the next show, only selected speakers need  
appear on the monitoring screen for that performance.  
coverage of the intended audience area  
Use a virtual VX-1 Program Equalizer to predetermine  
the correct control settings for best system response  
Gain valuable load information about the array to  
determine rigging capacities  
MAPP Online enables sound system designers to come to  
an installation prepared with a wealth of information  
that ensures the system will satisfy their requirements  
“out of the box” – including basic system delay and  
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Figure 29. Sample RMS display panel  
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APPENDIX A - M3D LINE ARRAY SPECIFICATIONS  
Table 2. M3D Line Array Specifications  
Acoustical  
Note: The low-frequency power response of the system will increase according to the length and configuration of the array  
Operating frequency range 35 Hz to 16 kHz  
Free field  
4 dB 42 Hz - 16 kHz; -6 dB @ 35 Hz and 16 kHz  
Note: Measured with 1/3 octave frequency resolution in fixed ISO bands at 4 meters.  
Phase response  
30˚ 300 Hz - 14 kHz  
Maximum peak SPL  
145 dB  
Note: Measured with 1/3 octave frequency resolution in fixed ISO bands at 4 meters.  
Dynamic range  
> 110 dB  
Horizontal coverage  
Low frequency: Cardioid, with active pattern control  
High frequency: 90˚  
Note: MAPP Online data available  
Vertical coverage  
Vertical coverage varies, depending on array length and configuration.  
Acoustical crossover  
580 Hz  
Note: At this frequency, the high- and low-frequency transducers produce equal sound pressure levels.  
Transducers  
Low/mid frequency (front) 2 each 15-inch diameter cone drivers with Neodynium Magnets  
Nominal impedance: 4 ohms  
Voice coil size: 4 inches  
Power-handling capability: 1200 W  
Note: Power handling is measured under AES standard conditions: transducer driven continuously for two  
hours with a band-limited noise signal (125 Hz to 8 kHz) having a 6 dB peak-to-average ratio.  
Note: To eliminate interference at short wavelengths, the two front-facing 15-inch drivers work in combination at low frequencies (35  
Hz to 140 Hz). At mid frequencies (140 Hz to 580 Hz) only one driver is fed from the crossover to maintain optimal polar and frequency  
response characteristics.  
Low/mid frequency (rear) 2 each 15-inch diameter cone drivers  
Nominal impedance: 8 ohms  
Coil size: 3 inches  
Power-handling capability: 600 W  
Note: AES transducer rating wattage; loudspeakers driven with a band-limiting noise signal (125 Hz to 8  
kHz) with 6-dB peak-to-average ratio for two hours.  
Note: At low/mid frequencies the two rear-facing 15-inch drivers produce a wave front that interacts with, and is additive to, the wave  
front produced by the two front-facing drivers, while reducing sonic energy directed from the rear of the cabinet. The resultant  
directional low-frequency output extends to 35 Hz, with a 25 dB reduction in SPL behind the cabinet.  
High frequency  
Two 4 inch diaphragm compression drivers coupled to a constant-directivity horn through a proprietary  
acoustical combining manifold  
Nominal impedance: 8 ohms  
Voice coil size: 4 inches  
Diaphragm size: 4 inches  
Throat size: 1.5 inches  
Power-handling capability: 200 W  
Note: AES transducer rating wattage; loudspeakers driven with a band-limiting noise signal (125 Hz to 8  
kHz) with 6-dB peak-to-average ratio for two hours.  
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Table 2. M3D Line Array Specifications (continued)  
Audio input  
Type  
Differential, electronic balanced  
Maximum common mode  
range  
15 V DC, clamped to earth for voltage transient protection  
Connectors  
Input impedance  
Wiring  
Female XLR input with male XLR loop output  
10k ohms differential between pins 2 and 3  
Pin 1: Chassis/earth through 220k ohm, 1000 pF, 15 V clamp network to provide virtual ground lift at audio  
frequencies  
Pin 2: Signal +  
Pin 3: Signal -  
Case: Earth ground and chassis  
CMRR  
> 50 dB, typically 80 dB (50 Hz–500 Hz)  
RF filter  
Common mode: 425 kHz  
Differential mode: 142 kHz  
TIM filter  
< 80 kHz (integral to signal processing)  
Input level  
Audio source must be capable of producing a minimum of 20 dBV (10 Vrms, 14 Vpk) into 600 ohms in  
order to produce maximum peak SPL over the operating bandwidth of the speaker.  
Nominal input sensitivity  
0 dBV (1 Vrms, 1.4 pk) continuous is typically the onset of TPL limiting for noise and music.  
Amplifiers  
Amplifier type  
Output power  
Complementary power MOSFET output stages (class AB/H) based on 95 Vpk into 4 ohms  
4500 watts (1125 watts/channel, xfour channels)  
Note: Amplifier wattage rating is based on the maximum unclipped burst sine-wave RMS voltage the  
amplifier will produce into the nominal load impedance; in this case, 67 Vrms (95 Vpk) into 4 ohms.  
THD, IM TIM  
Load capacity  
Cooling  
< .02%  
4 ohms minimum impedance each channel  
Forced air cooling, four fans total (two ultra high-speed reserve fans)  
AC Power  
AC power connector  
250VAC NEMA L6-20 (twistlock) inlet or IEC 309 male inlet  
Optional VEAM connector (integrates AC, audio and network)  
Voltage selection  
Automatic, two ranges, each with high-low voltage tap (uninterrupted)  
95 VAC–125 VAC, 208 VAC to 235 VAC, 50/60 Hz  
Safety agency rated  
operating voltage  
Turn on/turn off points  
Current Draw  
85 VAC–134 VAC; 165 VAC - 264 VAC  
Idle current  
1.2A RMS (115 VAC)  
0.6A RMS (230 VAC)  
1.3A RMS (100 VAC)  
Max. long-term continuous 18 A RMS (115 V)  
current (>10 sec)  
9 A RMS (230 V)  
20 A RMS (280 V)  
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Table 2. M3D Line Array Specifications (continued)  
Burst current (<1 sec)  
32 A RMS (115 V)  
16 A RMS (230 V)  
36A RMS (100 V)  
Note: AC power cabling must be of sufficient gauge so that under burst current conditions, cable  
transmission losses do not drop voltage below specified operating range at the speaker.  
Ultimate short-term peak  
current draw  
50 A pk (115 VAC)  
25 A pk (230 VAC)  
57 A pk (100 VAC)  
Inrush current  
< 12 A at 115 VAC  
Equipped for simple two conductor twisted-pair network, reporting all operating parameters of  
amplifiers to operator’s host computer.  
RMS™ Network  
Physical  
Enclosure  
Finish  
Multi-ply hardwood  
Black textured (weather protected)  
Note: Customer color available upon request  
Powder-coated Hex stamped steel  
Protective grill  
Rigging  
QuickFly MRF-3D rigging frame with integral CamLinks, rear connecting bars and captive quick-release  
pins  
Weather protection  
Dimensions  
Standard  
54" W x 20" H x 30.5" D (1372 mm x 508 mm x 762.5 mm)  
Figure 30. M3D Loudspeaker physical dimensions  
Weight  
Net: 415 lbs (188 kg)  
Shipping: 500 lbs (228 kg)  
Safety Agency Recognitions  
CE  
Compliant  
UL  
Listed  
IEC 60065 (1998)  
Compliant  
22  
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APPENDIX B - M3D-SUB DIRECTIONAL SUBWOOFER SPECIFICATIONS  
Table 3. M3D-Sub Directional Subwoofer  
Acoustical  
Operating frequency range 4dB 30 Hz - 88 Hz  
-6 dB at 29 Hz and 95 Hz  
Phase response  
30˚ Hz - 95 Hz; + 90˚ at 30 Hz  
>140 dB at 1 meter  
Maximum peak SPL  
Horizontal coverage  
Cardioid response pattern  
Transducers  
Low frequency  
Two each 18 inch diameter cone drivers  
Nominal impedance: 4 ohms Voice coil size: 4 inches  
Power-handling capability: 1200 W  
Two 15" cone drivers  
Nominal impedance: 8 ohms  
Coil size: 3 inches  
Power-handling capability: 600 W  
Note: Power handling is measured under AES standard conditions: transducer driven continuously for two  
hours with a band-limited noise signal (125 Hz to 8 kHz) having a 6 dB peak-to-average ratio.  
Audio Input  
Type  
Differential, Electronic balanced”  
Maximum common mode  
range  
15 VDC, clamped to earth for voltage transient protection  
Connectors  
Input impedance  
Wiring  
Female XLR input with male XLR loop output  
10k ohms differential between pins 2 and 3  
Pin 1: Chassis/earth through 220k ohm, 1000 pF, 15 V clamp network to provide virtual ground lift at audio  
frequencies  
Pin 2: Signal +  
Pin 3: Signal -  
Case: Earth ground and chassis  
CMRR  
> 50 dB, typically 80 dB (50 Hz–500 Hz)  
RF filter  
Common mode: 425k Hz  
Differential mode: 142 kHz  
TIM filter  
< 80 kHz (integral to signal processing)  
Input level  
Audio source must be capable of producing a minimum of 20 dBV (10 Vrms, 14 V pk) into 600 ohms in  
order to produce maximum peak SPL over the operating bandwidth of the speaker.  
Nominal input sensitivity  
0 dBV (1 Vrms, 1.4 pk) continuous average is typically the onset of TPL limiting for noise and music.  
Amplifiers  
Amplifier type  
Output power  
Complementary power MOSFET output stages (class AB/H) based on 95 Vpk into 4 ohms  
4500 watts (1125 watts/channel, four channels)  
Note: Amplifier wattage rating is based on the maximum unclipped burst sine-wave RMS voltage the  
amplifier will produce into the nominal load impedance; in this case, 67 Vrms (95 V pk) into 4 ohms.  
THD, IM TIM  
< .02%  
Load capacity  
4 ohms minimum impedance each channel  
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Table 3. M3D-Sub Directional Subwoofer (continued)  
Cooling  
Forced air cooling, four fans total, two ultra high-speed reserve fans  
AC Power  
AC power connector  
250VAC NEMA L6-20 (twistlock) inlet or IEC 309 male inlet  
Optional VEAM connector (integrates AC, audio and network)  
Voltage selection  
Automatic, two ranges, each with high-low voltage tap (uninterrupted)  
95 VAC to 125 VAC, 208 VAC to 235 VAC, 50/60 Hz  
Safety agency rated  
operating voltage  
Turn on/turn off points  
Current Draw  
85 VAC–134 VAC; 165 VAC–264 VAC  
Idle current  
1.2Arms (115 VAC)  
0.6Arms (230 VAC)  
1.3ArmS (100 VAC)  
Max. long-term continuous 18 Arms (115 VAC)  
current (>10 sec)  
9 Arms (230 VAC)  
20 Arms (280 VAC)  
Burst current (<1 sec)  
32 Arms (115 VAC)  
16 Arms (230 VAC)  
36Arms (100 VAC)  
Note: AC power cabling must be of sufficient gauge so that under burst current conditions, cable  
transmission losses do not drop voltage below specified operating range at the speaker.  
Ultimate short-term peak  
current draw  
50 A pk (115 VAC)  
25 A pk (230 VAC)  
57 A pk (100 VAC)  
Inrush current  
< 12 A at 115 VAC  
Equipped for simple two conductor twisted-pair network, reporting all operating parameters of  
amplifiers to operator’s host computer.  
RMS Network  
Physical  
Enclosure  
Finish  
Multi-ply hardwood  
Black textured (weather protected)  
Note: Custom color available upon request  
Powder-coated hex stamped steel  
Protective grill  
Rigging  
QuickFly MRF-3D rigging frame with integral CamLinks, rear connecting bars and captive quick-release  
pins  
Weather protection  
Dimensions  
Standard  
54" W x 20" H x 30.5" D (1372 mm x 508 mm x 762.5 mm)  
24  
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Table 3. M3D-Sub Directional Subwoofer (continued)  
Figure 31. M3D-Sub Directional Subwoofer physical dimensions  
Weight  
Net: 395 lbs (179 kg)  
Net: 480 lbs (219 Kgs)  
Shipping weight  
Safety Agency Recognitions  
CE  
Compliant  
UL  
Listed  
IEC 60065 (1998)  
Compliant  
Meyer Sound Laboratories
 
Inc  
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CONTACT INFORMATION  
Meyer Sound Laboratories, Inc.  
2832 San Pablo Avenue  
Berkeley, CA 94702  
tel: 510.486.1166  
fax: 510.486.8356  
Part Number: 05.105.022.01 Rev. A (08/02)  
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