Operating Manual
Mark Levinson®
Nº26
Dual Monaural
Preamplifier
Madrigal Audio Laboratories, Inc.
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Important safety instructions
Please read all instructions and precautions carefully and completely before operating your Nº26
Dual Monaural Preamplifier.
1. ALWAYS disconnect your entire system from the AC mains before connecting or disconnecting
any cables, or when cleaning any component.
2. This product is equipped with a three-conductor AC mains power cord which includes an earth
ground connection. To prevent shock hazard, all three connections must ALWAYS be used. If
your electrical outlets will not accept this type of plug, an adapter may be purchased. If an
adapter is necessary, be sure it is an approved type and is used properly, supplying an earth
ground. If you are not sure of the integrity of your home electrical system, contact a licensed
electrician for assistance.
3. AC extension cords are not recommended for use with this product. If an extension cord must
be used, be sure it is an approved type and has sufficient current-carrying capacity to power
this product.
4. NEVER use flammable or combustible chemicals for cleaning audio components.
5. NEVER operate this product with any covers removed.
6. NEVER wet the inside of this product with any liquid.
7. NEVER pour or spill liquids directly onto this unit.
8. NEVER block air flow through ventilation slots or heatsinks.
9. NEVER bypass any fuse.
10. NEVER replace any fuse with a value or type other than those specified.
11. NEVER attempt to repair this product. If a problem occurs, contact your Mark Levinson® retailer.
12. NEVER expose this product to extremely high or low temperatures.
13. NEVER operate this product in an explosive atmosphere.
14. ALWAYS keep electrical equipment out of the reach of children.
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From all of us at Madrigal Audio Laboratories, thank you for choosing the Mark Levinson® Nº 26 Dual
Monaural Preamplifier.
A great deal of effort went into the design and construction of this precision device. Used properly, it
will give you many years of enjoyment.
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Table of contents
Front panel ...................................................................................................1
Rear panel ...................................................................................................3
Unpacking and placement .......................................................................5
Unpacking.............................................................................................. 5
Placement ............................................................................................. 5
Ventilation .............................................................................................. 5
Voltage selection ........................................................................................6
PLS-226 bottom-panel label .......................................................... 6
Set-up and installation................................................................................7
Connectors and cables ....................................................................... 7
Internal adjustments: line gain............................................................. 7
Line gain settings ............................................................................ 7
Internal adjustments: phono gain ....................................................... 7
Phono gain settings (high-gain option) ....................................... 7
Phono gain settings (low-gain option) ......................................... 7
Internal adjustments: cartridge loading ............................................. 8
Cartridge loading settings (high-gain option) ............................ 8
Cartridge loading settings (low-gain option) .............................. 8
Internal adjustments: optional load terminals ................................... 8
Terminating the optional load ...................................................... 8
Internal adjustments: varying the input capacitance...................... 9
Internal adjustments: adjusting the balanced input gain ................ 9
Balanced input gain settings ........................................................ 9
Making the internal adjustments ......................................................... 9
Nº26, internal adjustments ............................................................. 9
Power connection and system activation ....................................... 10
AC power cord polarity ............................................................... 10
Turning off the Nº26 ............................................................................. 10
Care and maintenance ...........................................................................11
Specifications ............................................................................................12
Phono section ...................................................................................... 12
Line section .......................................................................................... 12
Dimensions.................................................................................................13
Dimensions, Nº26, top view.......................................................... 13
Dimensions, Nº26, side view......................................................... 13
Dimensions, PLS-226, side view .................................................... 14
Dimensions, PLS-226, top view ..................................................... 14
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0° 180°
STEREO
MONO
5
AUX
1
PHONO/
AUX
MADRIGAL AUDIO LABORATORIES
2
4
6
TUNER
CD
TAPE
1
0dB
0dB
INPUT
TAPE 2
3
7
+1
+5
+1
+5
-1
-5
-1
DEFEAT
MONITOR
TAPE 1
TAPE
2
DUAL MONAURAL
PREAMPLIFIER
Nº 26
-2
-3
+2
-2
-3
+2
+3
8
2
9
1
+3
+4
10
OFF
-4
-4
+4
INPUT
SELECTOR
OUTPUT
LEVEL
-5
RECORD SELECTOR
MONITOR SELECTOR
BALANCE 1
BALANCE 2
2
7
1
3
4
5
6
6
Front panel
1
RECORD SELECTOR
Selects between the program source (selected via the INPUT
SELECTOR), and either of two tape monitor inputs (selected via the
MONITOR SELECTOR).
In the DEFEAT position, the tape outputs are disconnected.
In the INPUT position, the tape outputs are connected while still
monitoring the selected source.
In the MONITOR position, the selected tape machine can be
monitored without affecting the signal at the tape outputs.
Note: Because of the switching arrangement employed in
the Nº26, we recommend that while making a critical
recording you don't operate the RECORD SELECTOR switch.
If you wish to monitor the signal from tape, set the RECORD
SELECTOR to MONITOR and use your tape machine's monitor
switch to switch between input and tape.
2
0°/180°
In the 0° position, the signal at the main outputs is in phase with the
input signal. In the 180° position, the output signal is inverted 180
degrees. This allows you to optimize your system's sonic
performance based on recording/mastering processes used for a
specific program.
The 0°/180° switch doesn't affect the tape outputs.
3
4
MONITOR SELECTOR
When the RECORD SELECTOR is in the MONITOR position, this selects
between the TAPE 1 and TAPE 2 inputs.
INPUT SELECTOR
Selects one of the six inputs: CD, TUNER, AUX 1, PHONO/AUX 2
(depending on the installed option), TAPE 1, or TAPE 2.
1
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5
OUTPUT LEVEL
Adjusts volume at the main outputs.
The OUTPUT LEVEL control doesn't affect the tape outputs.
Note: In some systems, particularly those with high-efficiency
loudspeakers, high-gain amplifiers, and balanced
interconnections, it's possible that you may hear some low-
level sound through your loudspeakers even with the Nº26's
OUTPUT LEVEL control set to OFF.
If this occurs with all inputs, reduce the line gain (via the
internal switches). If this occurs only when listening to the
source connected to the Nº26's optional balanced input,
reduce the balanced input gain (via the internal switches).
See "Set-up and installation."
6
7
BALANCE 1, BALANCE 2
Adjusts volume at the main outputs.
The BALANCE controls don't affect the tape outputs.
STEREO/MONO
Selects between monaural or stereo mode at the main output.
The STEREO/MONO switch doesn't affect the tape outputs.
2
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10
2
MAIN OUT
TUNER
4
4
BALANCED OUTPUT
OPTIONAL BALANCED INPUT
R
L
POWER
SUPPLY
INPUT
TAPE 2 OUT
TAPE 1 OUT
DUAL MONAURAL
PREAMPLIFIER
Nº 26
DESIGNED AND MANUFACTURED
IN U.S.A. BY
R
AUX 2
L
MADRIGAL
AUDIO LABORATORIES INC.
PUSH
PUSH
S/N:
R
L
R
L
R
L
CD
AUX 1
PHONO/AUX 2
TAPE 2 IN
TAPE 1 IN
R
L
R
L
R
L
3
5
5 6 7
8
9
1
11
Rear panel
Disconnect all associated equipment from the AC mains BEFORE
making any signal connections and applying power to the Nº26/PLS-
226.
PRECAUTION
1
BALANCED OUTPUT
If your power amplifier is equipped with balanced input
connectors, it's best to connect it to the Nº26 via these connectors,
particularly if long cable lengths are required.
Connect the right-channel and left-channel BALANCED OUTPUT of
the Nº26 to the appropriate balanced inputs of the power
amplifier.
The pin assignments of these XLR-type male outputs are:
PUSH
Pin 1: Signal ground
Pin 2: Signal + (non-inverting)
Pin 3: Signal – (inverting)
2
1
3
Connector ground lug: chassis ground
Refer to your power amplifier's operating manual to verify that the
pin assignments of its input connector correspond to the Nº26. If
not, wire the cable so that the appropriate output pin connects to
the equivalent input pin.
2
3
MAIN OUT
Connect these outputs to the right-channel and left-channel
inputs of your power amplifier or electronic crossover.
These outputs are affected by the OUTPUT LEVEL control on the
front panel of the Nº26.
TUNER
Accepts right-channel and left-channel signal leads from a tuner
or other line-level source equipment.
3
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4
5
TAPE 1 OUT, TAPE 2 OUT
Connect these outputs to the right-channel and left-channel tape
inputs of your tape machine.
TAPE 1 IN, TAPE 2 IN
Accept right-channel and left-channel signal leads from the tape-
output connectors of a tape machine. These inputs can also be
used with other line-level source equipment.
These outputs are unaffected by the OUTPUT LEVEL control on the
front panel of the Nº26.
6
7
8
9
POWER SUPPLY INPUT
Accepts one end of the DC cable that connects the Nº26 to the
PLS-226.
CD
Accepts right-channel and left-channel balanced signal leads
from a CD player or other line-level source equipment.
AUX 1
Accepts right-channel and left-channel signal leads from line-level
source equipment.
PHONO/AUX 2
If your Nº26 is equipped with the phono option, connect your
turntable's right-channel and left-channel signal leads to these
inputs.
If your Nº26 isn't equipped with a phono option, these inputs will
accept signal leads from any line-level source equipment.
10 Ground binding post
Connect your tonearm's ground lead to this binding post.
11 OPTIONAL BALANCED INPUT
If your Nº26 is equipped with the balanced input option, connect
the right-channel and left-channel balanced line-level signal leads
from source equipment with balanced output.
The pin assignments of these XLR-type female input connectors
are:
Pin 1: Signal ground
Pin 2: Signal + (non-inverting)
Pin 3: Signal – (inverting)
1
2
3
Connector ground lug: chassis ground
Refer to the operating manual of your balanced-output line-level
source to verify that the pin assignments of its output connector
correspond to the Nº26. If not, wire the cable so that the
appropriate output pin connects to the equivalent input pin.
4
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Unpacking and placement
Unpacking
Placement
Unpack your Nº26 Preamplifier and PLS-226 Power Supply, and keep all
packing materials for future transport. Remove all accessories from the
cartons.
Carefully inspect the product for damage and flaws. If you find any,
see your Mark Levinson dealer immediately.
Place the Nº26 as close as possible to the source equipment, thus
keeping interconnect cabling as short as possible. It may be placed
on a shelf or in a cabinet where it's convenient to operate.
A one-meter DC cable is provided to connect the PLS-226 to the Nº26.
This allows you to place the PLS-226 so that it won't induce hum in the
Nº26 and other sensitive components. If you're placing the Nº26 and
PLS-226 adjacent to each other, place the PLS-226 to the right of the
Nº26 (viewed from the front). You should also place associated
equipment so that it doesn't induce hum in the Nº26 and other
sensitive components.
Be sure to allow 3 to 4 inches of clearance above both the Nº26 and
the PLS-226, to allow heat dissipation through air circulation.
Ventilation
Drawings are included in this manual to facilitate special installations
and custom cabinetry (see "Dimensions").
PRECAUTION
For your protection, review "Important safety instructions" before you
install your Nº26.
5
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Voltage selection
The PLS-226 is factory-set (internally) for 100V, 120V, 200V, 220V, or
240V AC mains operation @ 50 or 60Hz. Make sure that the label on
the bottom of the PLS-226 indicates the correct AC operating voltage
for your location.
PLS-226 POWER SUPPLY
PLS-226 bottom-panel
label
DC OUTPUTS
AC INPUT
WARNING: BEFORE ATTEMPTING TO
OPERATE THIS DEVICE, REFER TO
OWNER'S MANUAL FOR PROPER
OPERATING INSTRUCTIONS AND SAFETY
PRECAUTIONS. HAZARDOUS VOLTAGE
AVAILABLE INSIDE; DISCONNECT AC~
MAINS CABLE BEFORE REMOVING COVER.
Voltage
indication
OPERATING VOLTAGE:
90 – 110VAC~
105 – 125VAC~
180 – 220VAC~
210 – 240VAC~
230 – 250VAC~
~50 – 60HZ
100 – 120VAC~
2A SLO–BLO 250VAC 3AB
200 – 240VAC~
MAINS
FUSES:
1A SLO–BLO 250VAC 3AB
SERIAL NO.
DESIGNED AND MANUFACTURED IN U.S.A. BY
MADRIGAL AUDIO LABORATORIES INC.
If the voltage indicated is incorrect, see your Mark Levinson dealer.
If you wish to change the AC operating voltage of the Nº26/PLS-226,
see your Mark Levinson dealer.
The Nº26/PLS-226 can be powered by a normal 15-ampere AC mains
line. If other devices are also powered from the same AC line, their
additional power consumption must be taken into account.
6
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Set-up and installation
Connectors and cables The Nº26 incorporates RCA-type and XLR-type connectors for audio
signal input and output.
The Madrigal-designed RCA-type connectors used for single-ended
audio interconnection are a great improvement over ordinary RCA-
type connectors. The gold-plated XLR-type connectors employed are
of European design, and are made to professional standards.
When connecting the Nº26 to source equipment and power
amplifiers, we recommend Madrigal Audio Laboratories HPC
Interconnect Cable. HPC is available in various lengths, terminated
with RCA, XLR, and Camac connectors. See your Mark Levinson
dealer for more information.
Internal adjustments: The Nº26 offers internal gain adjustment of the line amplifiers, in 6dB
line gain steps via two four-pole miniature rocker switches (one for each
channel). These switches have been factory-adjusted at the lowest
gain position (6dB of line gain in single-ended operation, and 12dB of
line gain in balanced operation). In practice, you should have enough
gain so that normal listening is possible with the OUTPUT LEVEL set at
approximately 6.
If you wish to increase the line gain, see "Making the internal
adjustments;" refer to the table below for the proper switch positions
for each gain setting.
Line gain settings
Switch
Gain
#1
#2
#3
#4
Single-Ended Output
Balanced Output
On
Off
Off
On
On
Off
Off
On
On
Off
Off
On
18dB
12dB
6 dB
24dB
18dB
12dB
The Nº26 is available with either a high-gain or low-gain phono option.
Each option offers two internally adjustable gain settings via two two-
pole miniature rocker switches, one for each channel. The high-gain
and low-gain phono options have been factory-adjusted at the lowest
gain settings (58dB and 38dB, respectively).
Internal adjustments:
phono gain
If you wish to increase the gain, see "Making the internal adjustments;"
refer to the tables below for the proper switch positions for each gain
settings.
Phono gain settings
(high-gain option)
Switch
#1
#2
Off
On
Gain
58dB
64dB
Nominal Cartridge Output (3.54 cm/sec)
.2mV - .6mV
On
Off
.2mV and Lower
Phono gain settings
(low-gain option)
Switch
#1
#2
Off
On
Gain
38dB
44dB
Nominal Cartridge Output (3.54 cm/sec)
Greater than 2.0mV
On
Off
2.0mV and Lower
7
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Internal adjustments:
cartridge loading
The high-gain and low-gain phono options offer internally selectable
cartridge loading via two four-pole miniature rocker switches, one for
each channel. The high-gain and low-gain options have been factory-
adjusted at 825Ω and 47KΩ, respectively.
If you wish to change the factory-adjusted cartridge loading, see
"Making the internal adjustments;" refer to the table below for the
proper switch positions for each load setting.
Cartridge loading settings
(high-gain option)
Switch
#1
#2
#3
#4
10KΩ
Off
Off
Off
Off
825Ω
On
Off
Off
Off
100Ω
Off
On
Off
Off
30Ω
Off
Off
On
Off
Optional
Off
Off
Off
On
Cartridge loading settings
(low-gain option)
Switch
#1
47KΩ
Off
22KΩ
On
10KΩ
Off
825Ω
Off
Optional
Off
#2
#3
Off
Off
Off
Off
On
Off
Off
On
Off
Off
#4
Off
Off
Off
Off
On
Internal adjustments:
optional load terminals
Resistance values other than those listed above can be
accommodated via the optional load terminals. Load resistors can be
inserted into these terminals, allowing virtually any load desired.
Optional load
component
Solder
Solder
Terminating the
optional load
PC board
See "Making the internal adjustments;" refer to the "Cartridge loading
settings" tables for the proper switch positions for the optional load.
Because the inherent input resistance (all switches off) is in parallel with
the optional load terminals, use this formula to calculate the actual
resistor needed:
R = 1/ (1/RD - X)
RD = Desired resistance in ohms
X = 0.00002 for Low-gain Phono Option,
0.0001 for High-gain Phono Option
Note: We recommend precision metal-film resistors; see your
Mark Levinson dealer.
8
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Internal adjustments:
varying the input
capacitance
If you wish to vary the input capacitance of the phono option to
obtain the optimal value for a particular cartridge, a capacitor may
also be inserted into the optional load terminals (see "Terminating the
optional load" and "Making the internal adjustments").
Because the inherent input capacitance (all switches off) is in parallel
with the optional load terminals, use the following formula to calculate
the actual capacitor needed.
C = CR - CT - CP
C = The capacitor value
CR = Recommended capacitance value
CT = Tonearm capacitance including leads
CP = Preamplifier inherent shunt capacitance
(Low-gain phono option = 100pf; high-gain phono option = 1000pf)
Note: We recommend high-quality polypropylene, polystyrene
or Teflon capacitors; see your Mark Levinson dealer.
Internal adjustments: The Nº26's optional balanced input module allows you to adjust the
adjusting the input gain. If you wish to adjust the balanced input gain, see "Making
balanced input gain the internal adjustments;" refer to the table below for the proper switch
positions for each gain setting.
Balanced input
Switch
#1
–1.1dB
Off
–7.1dB
On
gain settings
#2
#3
On
Off
Off
On
#4
On
Off
1. Make sure all associated equipment is disconnected from the AC
mains, and that the PLS-226 is disconnected from the AC mains.
Making the
internal adjustments
Nº26, internal adjustments
1
2
O
N
O
F
F
Phono gain
(right channel)
Optional load pins
1
2
3
4
Cartridge loading OR
balanced input gain
(right channel)
OFF
Phono gain
(left channel)
Optional load pins
Cartridge loading OR
balanced input gain
(left channel)
Line gain
(right channel)
Line gain
(left channel)
9
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2. Using a 3/32" Allen key, remove the four 4-40 socket-head cap
screws securing the end caps on the read of the Nº26's chassis.
3. Using a Phillips screwdriver, remove the four 4-40 screws securing
the Nº26's top plate. Carefully slide the top plate to the rear and
remove it.
4. Adjust the gain switches (using a ballpoint pen or similar
instrument) and install optional loads as desired.
5. Reassemble the Nº26.
Power connection and Be sure all associated equipment is disconnected from the AC mains.
system activation
After making all signal connections and internal adjustments, connect
the DC cable to either of the DC connectors on the rear panel of the
PLS-226.
Connect the other end of the DC cable to the POWER SUPPLY INPUT
connector on the rear panel of the Nº26.
Connect the AC cord to the male IEC connector on the rear panel of
the PLS-226, then connect the AC cord to the AC mains.
To PLS-226
To AC mains
AC power cord polarity
1 = Line (hot)
1
2
1
2
2 = Neutral
3 = Earth ground
3
3
The LEDs on the PLS-226 and Nº26 will light. Allow the Nº26's circuitry to
stabilize for 1 to 2 minutes, then connect all associated equipment to
the AC mains and activate it.
Turning off the Nº26 For optimal sonic performance and longevity, the Nº26/PLS-226 is
designed to remain powered at all times (a power-on/power-off
switch isn't provided).
Before connecting or disconnecting the PLS-226 from the AC
mains, be sure that the Nº26's OUTPUT LEVEL is set to OFF (the
lowest position), and that your power amplifiers are turned off.
10
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Care and maintenance
To remove dust from the cabinet of the Nº26, use a feather duster. To
remove dirt and fingerprints, we recommend isopropyl alcohol and a
soft cloth.
11
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Specifications
The correlation between published specifications and sonic quality is
unreliable. A list of numbers reveals virtually nothing. All technical
measurements must be subject to qualitative as well as quantitative
interpretation.
Measurements of the Nº26 yield excellent results by any standards.
However, only those specifications that apply to its actual operation
are included here.
■ Power consumption:
■ Mains voltage:
50W maximum, depending on options
100V, 120V, 200V, 220V, or 240VAC @ 50/60Hz
See "Dimensions"
■ Overall dimensions:
■ Shipping weight (2 boxes):
■ Connector complement:
30 lbs. (13.6kg)
18 female RCA-type connectors
2 XLR-type female connectors
2 XLR-type male connectors
1 binding post (turntable ground)
3 nine-pin connectors
1 IEC mains connector
Phono section ■ Gain:
Selectable (see "Set-up and installation")
■ Moving-magnet phono option:
38dB, 44dB
58dB, 64dB
■ Moving-coil phono option:
■ Input impedance:
■ Output impedance:
■ Maximum output (TAPE output):
■ Recommended load (TAPE outputs):
Selectable (see "Set-up and installation")
10Ω
6V
10KΩ or greater
Line section
■ Gain:
Selectable (see "Set-up and installation")
6dB, 12dB, 18dB
■ Single-ended:
■ Balanced:
■ Input impedance:
■ Maximum output (MAIN outputs):
■ Recommended load (TAPE outputs):
12dB, 18dB, 24dB
14KΩ shunted by 220pf
6V
600Ω or greater
For more information, see your Mark Levinson dealer, or contact:
Madrigal Audio Laboratories, Inc.
2081 South Main Street (Route 17), P.O. Box 781
Middletown, Connecticut 06457 USA
Telephone (203) 346-0896
(FAX (203) 346-1540
If purchased in North America, this Mark Levinson product’s warranty is owner-transferable.
Warranty conditions are valid only in the country where the product was originally purchased.
For warranty information and conditions on products purchased outside of North America,
contact your local dealer or regional distributor.
12
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Dimensions
3/8"
(9.5)
7/64"
(2.5)
1-1/8"
(28.7)
Dimensions, Nº26, top view
3/4" dia.
(19.1)
17-19/64"
(439.4)
15-3/64"
(382.0)
17-1/2"
(444.5)
1-1/4"
(31.8)
10-1/2"
(266.7)
13-1/8"
(333.4)
Dimensions, Nº26, side view
2-35/64"
(64.8)
2-3/4"
(69.9)
7/16"
(11.1)
7/64"
(2.5)
13
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3/8"
(9.5)
7/64"
(2.5)
Dimensions, PLS-226,
top view
1-1/8"
(26.7)
3/4" dia.
(19.1)
7-13/32"
(187.9)
7-39/64"
(193.0)
5-9/64"
(130.6)
1-1/4"
(31.8)
10-1/2"
(266.7)
13-1/8"
(333.4)
Dimensions, PLS-226,
side view
2-35/64"
(64.8)
2-3/4"
(69.9)
7/16"
(11.1)
7/64"
(2.5)
14
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MADRIGAL AUDIO LABORATORIES
2081 South Main Street, P.O. Box 781
Middletown, Connecticut 06457 USA
Telephone: (203) 346-0896
Fax: (203) 346-1540
®
is a registered trademark of Madrigal Audio Laboratories, Inc.
©1993 Madrigal Audio Laboratories, Inc. All rights reserved.
630031-1
Printed in U.S.A.
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