SRM150 CoMpaCt
aCtive pa SySteM
USeR’S ManUal
SRM150
COMPACT ACTIVE PA SYSTEM
MAIN EQ
U
U
U
HIGH
12kHz
-15
-15
-15
+15
+15
+15
OFF
MAX
LEVEL
PHANTOM POWER
MID
2.5kHz
48V
INSTRUMENT (CH 1)
LOW
100Hz
1
2
3
MIN
MAX
MIN
MAX
MIN
MAX
MIC/LINE
MIC/LINE
L
R
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Contents
IMPORTANT SAFETY INSTRUCTIONS..................................................................................................2
3. Channel Gain Controls.................................................................................................................................................. 8
4. INSTRUMENT Switch (CH 1)........................................................................................................................................ 8
13. MAIN IN..........................................................................................................................................................................10
PLACEMENT................................................................................................................................................11
THERMAL CONSIDERATIONS................................................................................................................11
AC POWER CONSIDERATIONS .............................................................................................................12
CARE AND MAINTENANCE....................................................................................................................12
Repair....................................................................................................................................................................................15
SRM150 BLOCK DIAGRAM.....................................................................................................................18
for more information about this and other Mackie products.
Part No. SW0615 Rev. E 08/10
©2006-2010 LOUD Technologies Inc. All Rights Reserved.
3
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The Cabinet
INTRODUCTION
The SRM150 cabinet was designed with the same
material as our SRM350 and SRM450 loudspeakers, the
strongest molded composite cabinet on the planet. It
has an insert in the bottom for mic stand mounting (us-
ing the mic stand adapter included with your SRM150),
and a threaded insert in the top for mounting a micro-
phone boom (using the included boom extender).
Thank you for choosing a Mackie compact active PA
system for your sound reinforcement applications.
The SRM150 is an active PA system that provides a
built-in mixer, high sound pressure levels, and is de-
signed to give you the best performance of any compact
PA system in its class and price range.
Our design goal was to build a compact PA system with:
1. High precision, high output, and accurate playback.
Its light weight and durable finish make it ideal for
portable sound system use. In addition, the unique de-
sign of the cabinet makes it easy to use as a floor wedge
for stage monitor applications.
2. Controlled, smooth dispersion of mid and high
frequencies.
3. Ultra-clean, high-headroom mic preamps.
4. High-output Class-D amplification.
5. Onboard Mackie mixer with 3-band EQ.
The Active Advantage
There are a number of advantages to using an active
speaker system over a passive loudspeaker:
•
•
•
The amplifiers are designed specifically for the speaker
load impedance. There is no guesswork as to what load
the amplifier has to drive, so it can provide maximum
acoustic output from the speaker, yet minimize the
danger of speaker damage due to overdriving a lesser
amplifier.
The connecting wires between the amplifier output and
the driver is kept to a minimum, so the damping factor
of the amplifier isn’t compromised by the resistance of
long speaker cables. In addition, all the power from the
amplifier is transferred directly to the driver with no
speaker cable losses.
Through the combined resources of our top-notch me-
chanical and analog engineers, we were able to achieve
our design goals in every aspect. The result is a sound re-
inforcement PA system equally at home in a concert setting,
in the studio, or impromptu concerts on the studio roof.
The Transducer
The SRM150 active loudspeaker features a full-range
5.25-inch neodymium driver.
Power Amplifier
The presence of active circuits within the speaker
cabinet allow the designer to add on extra details, such
as a high quality mic/line input section.
Each SRM150 includes a Class-D power amplifier
capable of producing 150 watts peak before clipping.
In short, all the complex interconnected components
The amplifier includes the following features:
in the system are designed to work in harmony with
each other to produce the best possible sound.
•
•
The amplifier produces up to 100 watts rms continuous
before clipping (150 watts peak).
A built-in limiter acts when the input signal is large
enough to cause clipping, distortion, and excessive
voice coil heat. The limiter will automatically decrease
the signal going to the amplifier to a safe level.
Warning: Although the amplifier has
a limiter protection circuit, you must
still make sure you don’t overdrive
the amplifier. If you hear any distor-
tion, turn down the input (MIC/LINE)
gain control, or turn down the MAIN
LEVEL control.
4
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QUICK START
1. Start with the following settings on the front of the
SRM150:
connections from microphones. Channel 3 has ste-
reo RCA jacks [2] specifically for a stereo line-level
input from a tape deck or CD player.
•
•
MAIN LEVEL [6] control down.
PHANTOMPOWER[5]switchout(unlessyouare
3. Connect the supplied AC power cord to the AC
power receptacle [10] on the back of the SRM150.
Plug the other end into an AC outlet properly con-
figured with the correct voltage for your particular
model. (The SRM150 has a universal power supply
that accepts an AC mains voltage ranging from 100V
to 240 V.)
using condenser microphones).
•
INSTRUMENT[4]switchout(unlessyouhavean
electric guitar connected to channel 1).
•
•
Channels 1-3 gain [3] controls down.
EQ [7] controls centered.
And on the rear panel:
4. Turn on your signal source. Make sure its Master
Volume control (if it has one) is turned all the way
down.
•
•
Turn the POWER [8] switch off (down).
MIC/LINE [12] switch out.
5. Turn on the SRM150 POWER [8] switch.
WARNING: Turn the MAIN LEVEL
[6]control down (counterclockwise)
before every use. If not, you could be
in for a startling surprise, especially
if the last time you used it was with
a microphone and now you want to
connect a line-level source.
6. Start the signal source, whether it be speaking into
a microphone, playing a guitar, or starting a CD
player. Adjust any volume controls on the signal
source for normal operation.
7. Turn up the MAIN LEVEL [6] control about halfway
(12 o’clock).
2. Connect the output from your signal source (mixing
console, microphone, preamp, or other mic- or line-
level source) directly to the MIC/LINE [1] combo
connector on the front of the SRM150. It accepts
balanced line-level signals from mixers, preamplifi-
ers, CD players, tape decks, etc., and accepts direct
8. Slowly turn up the gain [3] controls for the input
channels until the desired volume is reached.
9. If it gets really loud, really fast, try turning down
the MAIN LEVEL control (or the input source
volume control, if it has one).
If it doesn’t get very loud, even with the input chan-
nel gain control all the way up, try turning up the
MAIN LEVEL control (or the input source volume
control, if it has one).
SRM150
COMPACT ACTIVE PA SYSTEM
MAIN
EQ
U
U
U
HIGH
12kHz
10. If there is no sound, always turn down the SRM150
MAIN LEVEL control before investigating. There
may be a mixer or preamplifier mute or tape switch
engaged, or a mic switch off.
-15
-15
-15
+15
+15
+15
OFF
MAX
LEVEL
PHANTOM POWER
MID
2.5kHz
48V
INSTRUMENT (CH 1)
LOW
100Hz
1
2
3
MIN
MAX
MIN
MAX
MIN
MAX
MIC/LINE
MIC/LINE
L
POWER
FUSE
LINE
MIC
3
R
A
M
P
SRM150
5
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Vocal Mic
HOOKUP DIAGRAMS
Boom Extender
(Included)
MP3 Player
SRM150
COMPACT ACTIVE PA SYSTEM
MAIN
EQ
Electric Guitar
PHANTOM POWER
INSTT (CH 1)
3
MICNE
M
Mic Stand
Adapter
This illustrates how to use the SRM150 as a per-
sonal monitor. Mount the SRM150 on a microphone
stand using the Mic Stand Mounting Bracket in-
cluded with the SRM150. Attach the Boom Extender
(also included) to the top of the SRM150 and use a
microphone boom to hold your microphone.
(Included)
Po wer
Cord
Connect the microphone and an instrument to the
SRM150 (Channels 1 and 2), and a playback device
like an MP3 player to Channel 3.
SRM150: PRACTICE SETUP USING MIC STAND AND BOOM
Vocal Mic
SRM450
Boom Extender
(Included)
SRM150
Electric Guitar
3
THRU Out
Mic Stand
Adapter
To Input
(Included)
P o wer
Cord
P o wer
Cord
Here the SRM150 is used
as a personal monitor and
the SRM450 is the main PA
speaker.
SRM150: SMALL CLUB SETUP WITH SRM450
6
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Stereo line-level output
Keyboard or other line-level instrument
SRM150
SRM150
COMPACT ACTIVE
COMPACT ACTIVE
PA
SYSTEM
PA
SYSTEM
MAIN
EQ
MAIN
EQ
PHANTOM POWER
PHANTOM POWER
INSTRUMENT (CH 1)
INSTRUMENT (CH 1)
1
2
3
1
2
3
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
MAIN IN
MAIN IN
Stereo
Monitor
Out
P o wer
P o wer
Cord
Vocal Mics
Cord
Electric Guitar
1
2
3
4
L
L
IN
R
OUT
R
1
2
1
LEFT
RIGHT
AUX SEND
AURETURN
MAIN OUT
TAPE
PHONES
LINE IN 5-6
LINE IN 7-8
L
LINE 9-10
LIIN 11 -12
HI-Z
1
HI-Z
2
LINE
3
LINE
4
L
L
L
Two SRM150s are used as floor
R
R
R
R
CONTROL
ROOM/
PHONES
SOURCE
LEFT RIGHT
20
10
7
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
4
monitors to provide a stereo
monitor mix for the keyboard
player.
2
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
0
2
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
4
7
10
20
30
MID
MID
MID
MID
RUDE
SOLO
MID
MID
MID
MID
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
CONTROL
ROOM
PHONES
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX MASTER
AUX RETURN
1
1
1
1
1
1
1
1
1
2
1
2
2
2
2
2
2
2
2
2
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
TALK
BACK
MIC
MAIN
MIX
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
TALKBACK
1
2
3
4
5
6
7
8
9
11
12
10
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
TWO SRM150s: STEREO MONITORING
SRM150
COMPACT ACTIVE PA SYSTEM
MAIN
EQ
U
U
U
HIGH
12kHz
LEVEL
PHANTOM POWER
MID
2.5kHz
48V
INSTRUMENT (CH 1)
LOW
100Hz
1
2
3
TV Monitor
Audio
MIC/LINE
MIC/LINE
L
R
Mic Stand
Adapter
(Included)
Po wer
Cord
DVD Player
SRM150: A/V CART
7
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FRONT PANEL DESCRIPTION
Most of the connections and controls on the SRM150
are located on the front panel for easy access.
Plugging a guitar straight into a
typical line-level input can result in
the loss of gain, especially at high
frequencies, resulting in a dull sound.
Normally, you must use a direct box
1. MIC/LINE Inputs
between a guitar and a mixer’s or preamplifier’s input,
which serves to convert the impedance of the guitar
from high to low. The Instrument input on channel 1
makes the need for a direct box unnecessary. It’s like it
has its own built-in direct box!
However: The Instrument input is unbalanced, so if you
are running a long cord between the instrument and the
SRM150 (say over 20 feet), it is best to use a direct box
with a balanced output to avoid picking up noise over
the length of the cord.
Channels 1 and 2 have combo connectors, which
accept balanced microphone inputs from an XLR
connector, or balanced and unbalanced line-level inputs
from a 1/4" TRS or TS connector.
The XLR inputs are wired as follows:
Pin 1 = Shield or ground
Pin 2 = Positive (+ or hot)
Pin 3 = Negative (– or cold)
The 1/4" inputs are wired as follows and will accept
both balanced and unbalanced inputs:
Sleeve = Shield or ground
5. 48V PHANTOM POWER Switch and
Indicator
Tip = Positive (+ or hot)
Ring = Negative (– or cold)
Most professional condenser microphones require phan-
tom power, which is a low-current DC voltage delivered
to the microphone on pins 2 and 3 of the XLR micro-
phone connector. Push in the 48V button if your micro-
phone requires phantom power. An LED lights next to
the button to indicate that phantom power is active.
2. Stereo Input
Channel 3 has a pair of RCA connectors, which accept
a stereo line-level input from a CD player or MP3 player
(or any other line-level device).
3. Channel Gain Controls
SRM150
These are used to adjust the signal level for each
individual channel. Since the SRM150 incorporates
Mackie’s world-class low-noise mic preamp technology,
you can connect either a line-level or a microphone-level
signal to the input, and use this control to adjust the
level correctly.
COMPACT ACTIVE PA SYSTEM
MAIN
EQ
U
U
U
HIGH
12kHz
-15
-15
-15
+15
+15
+15
OFF
MAX
LEVEL
PHANTOM POWER
MID
2.5kHz
Follow the Quick Start guide on page 4 for setting
the gain controls. For most applications, it will be in
the 12 o’clock position. If you have a particularly high
line-level signal connected to the SRM150, you may
need to turn the control down to the 9 o’clock position.
If you have a low line-level or mic-level signal con-
nected, you may need to turn the gain control up to the
3 o’clock position.
48V
INSTRUMENT (CH 1)
LOW
100Hz
1
2
3
MIN
MAX
MIN
MAX
MIN
MAX
MIC/LINE
MIC/LINE
4. INSTRUMENT Switch (CH 1)
L
Push in this button to change the 1/4" line input
on channel 1 to an instrument input. When the but-
ton is out, the 1/4" input accepts normal line-level
signals from low-impedance sources. When the button
is pushed in, the 1/4" input accepts high-impedance
signals from instruments with electric pickups, which
you would normally run through a DI box.
R
8
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This is a global phantom power switch and applies 48V
to the XLR input connectors on channels 1 and 2.
7. HIGH, MID, and LOW EQ
Use the EQ controls to make overall adjustments to
the sound of the SRM150.
Dynamic microphones, like Shure’s SM57 and SM58, do
not require phantom power. However, phantom power
will not harm most dynamic microphones should you
accidentally plug one in while the phantom power is
turned on. Be careful with older ribbon microphones.
Check the manual for your microphone to find out for
sure whether or not phantom power can damage it.
The HIGH EQ provides a boost or cut of up to 15
dB for the very high frequencies, above 12 kHz. These
frequencies include the sizzle of cymbals, the edge of
a guitar, or the upper harmonics of vocals. In general,
boosting the HIGH EQ will brighten the sound of the
loudspeaker.
6. MAIN LEVEL
The MID EQ provides a boost or cut of up to 15 dB for
the mid-range frequencies around 2.5 kHz. Most vocals
are located in the mid-range frequencies, so this can be
used to bring the vocals up or down in the mix.
This is used to adjust the signal level from the
SRM150 mixer, going into the built-in power amplifier.
Follow the Quick Start guide on page 4 for setting the
MAIN LEVEL control.
The LOW EQ provides a boost or cut of up 15 dB for
the very lowest frequencies, below 100 Hz. These fre-
quencies are represented by the punch in bass drums,
bass guitar, and some really serious male singers.
SRM150
COMPACT ACTIVE PA SYSTEM
MAIN
EQ
U
U
U
HIGH
12kHz
-15
-15
-15
+15
+15
+15
OFF
MAX
LEVEL
PHANTOM POWER
MID
2.5kHz
48V
INSTRUMENT (CH 1)
LOW
100Hz
1
2
3
MIN
MAX
MIN
MAX
MIN
MAX
MIC/LINE
MIC/LINE
L
R
9
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REAR PANEL DESCRIPTION
8. POWER Switch
Switch up to turn the SRM150 on. Make sure the
MAIN LEVEL [6] control is down before you turn it on.
Note: If you happen to lose the AC linecord, replace-
ments are readily available at any office or computer
supply store. Always use a three-pin plug with a ground
pin.
Press the bottom of this switch to put the SRM150
into standby mode. It will not function, but the circuits
are still live. To remove AC power, either turn off the
AC mains supply, or unplug the power cord from the
SRM150 and the AC mains supply.
11. THRU Connector
This is a male XLR connector that produces the main
signal just prior to the EQ [7] controls and the MAIN
LEVEL [6] control. The signal at the THRU connector
includes the input signals connected to channels 1-3
[1/2] and the MAIN IN [13] signal.
When the POWER switch is turned on, and the line-
cord is connected to an active AC Mains supply, the cool
blue LED on the front of the speaker glows to let you
know that you’re ready to rock and roll.
Use this connector to patch the signal from the
SRM150 to another SRM150 or other active loudspeaker
(like an SRM350 or SRM450), or to a mixer.
9. FUSE
This is a resettable circuit breaker that monitors the
amount of current being drawn by the SRM150. Under
normal operating conditions, this should never pop. An
unusual condition may cause the breaker to pop, such
as a mains voltage surge occurring at the same time as a
peak amplifier output.
12. MIC/LINE Switch
The MIC/LINE switch affects the output level of the
THRU connector. Leave the switch out (LINE) when
connecting the THRU connector to another SRM150
or to a line-level input on a mixer. Push the switch in
(MIC) when connecting the THRU connector to a mi-
crophone input on a mixer or a stage snake.
To reset the breaker:
•
Turn the POWER [8] switch off and push the FUSE
switch to its UP position.
•
Turn the POWER switch back on and the SRM150
should resume normal operation. If the circuit
breaker pops again, there may be something wrong
inside the SRM150. Refer to “Repair” on page 15.
13. MAIN IN
This is a combo connector that accepts a balanced
line-level signal from an XLR connector or a 1/4" TRS
connector. The signal is mixed with the signals from
channels 1-3 on the main mix bus, just prior to the
THRU [11] output, EQ [7] controls and the MAIN
LEVEL [6] control.
10. AC Power Receptacle
This is a standard 3-prong IEC connector. Connect
the detachable linecord (included with your SRM150)
to the power receptacle, and plug the other end of the
linecord into an AC outlet. The SRM150 has a universal
power supply that can accept any AC voltage ranging
from 100VAC to 240 VAC. No need for voltage select
switches. It will work virtually anywhere in the world.
THRU
MAIN IN
POWER
FUSE
LINE
MIC
3
A
M
P
SRM150
10
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PLACEMENT
The SRM150 compact active PA systems are designed
to sit on the floor, a tabletop, or to fit on a standard
microphone stand.
Here are some other placement tips:
•
•
Avoid placing loudspeakers in the corners of a room.
This increases the low-frequency output and can cause
the sound to be muddy and indistinct.
Avoid placing loudspeakers against a wall. This, too,
increases the low frequency output, though not as
much as corner placement. However, if you do need to
reinforce the low frequencies, this is a good way to do it.
Avoid placing the active loudspeaker directly on a hol-
low stage floor. A hollow stage can resonate at certain
frequencies, causing peaks and dips in the frequency
response of the room. It’s better to place the active
loudspeaker on a sturdy table or microphone stand.
You can place the SRM150 on the floor and angle
it back to use it as a floor monitor. The unique shape
of the cabinet provides a perfect angle for aiming up
toward performers from the front of the stage.
You can also use the Mic Stand Adapter (included),
which allows you to mount the SRM150 onto a standard
microphone stand.
•
MIC STAND ADAPTER
Insert into the bottom
of the SRM150
THERMAL CONSIDERATIONS
5/8” adapter threads onto mic stand
The amplifier inside the SRM150
is convection cooled by a large
heatsink. For efficient cooling, it is
important to allow at least six inches
of free space behind the SRM150.
In addition, there is a threaded insert on top of the
cabinet for mounting the boom extender (included).
This allows you to attach a microphone boom on top of
the SRM150 for your microphone.
If the ambient temperature in the room is high, it
could cause the amplifier to overheat. In this case, you
should try aiming a fan at the heatsink to increase the
air flow through the fins.
BOOM EXTENDER
Mount Mic Boom on this end
In the unlikely event that the amplifier does over-
heat, a built-in thermal switch will activate, placing
the SRM150 amplifier into standby. When the amplifier
has cooled down to a safe operating temperature, the
thermal switch will reset and the SRM150 will resume
normal operation.
Thread into the top
of the SRM150
5/8” threaded boom extension
As with any powered components, protect them from
moisture. If you are setting them up outdoors, make
sure they are under cover if you expect rain.
11
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AC POWER CONSIDERATIONS CARE AND MAINTENANCE
Be sure the SRM150 is plugged into an outlet that is
able to supply enough current for the amplifier.
Your Mackie active loudspeaker will provide many
years of reliable service if you follow these guidelines:
Under maximum SPL conditions, where musical peaks
are just hitting the limiter, the SRM150 model draws 2
amps on average. Under normal conditions, the current
draw is below 1 amp.
Avoid exposing the loudspeaker to
moisture. If it is set up outdoors, be
sure it is under cover if you expect rain
or you live in Washington.
We recommend that a stiff (robust) supply of AC
power be used because the amplifier places high cur-
rent demands on the AC line. The more power that is
available on the line, the louder the speaker will play
and the more peak output power will be available for
cleaner, punchier bass. A suspected problem of “poor
bass performance” is often caused by a weak AC supply
to the amplifier.
•
•
Avoid exposure to extreme cold (below freezing
temperatures). If you must operate the loudspeaker
in a cold environment, warm up the voice coil slowly
by sending a low-level signal through it for about 15
minutes prior to high-power operation.
Use a slighty damp cloth with a mild soap solution
to clean the cabinet. Only do this when the power
is turned off. Avoid getting moisture into any of the
openings of the cabinet, particularly where the driver is
located.
If lighting is used in a show, it is preferable to power
the lights from a separate AC circuit than the one
powering the audio equipment. This will help minimize
noise from the lights coupling into the audio (particu-
larly if SCRs, or light-dimmer switches, are used).
Wherever possible, connect all of your audio equip-
ment to the same electrical circuit. This will help
reduce the possibility of a ground loop problem causing
an annoying hum in your speakers.
A maximum of five SRM150s can be connected per
15A service (120 VAC). This allows each SRM150 to be
safely operated at its maximum level.
When turning your system on, turn on the SRM150s
last. This will stop any turn-on thumps and bangs from
your source equipment being amplified.
When turning off your system, turn off the SRM150s
first. This will prevent any turn-off thumps and bangs
from your source equipment being amplified.
When setting up for a show, often
you are plugging into an AC power
distribution system you know nothing
about. You may even be faced with 2-
wire outlets that are missing the third
safety ground pin. It’s a good idea to have a three-wire AC
outlet tester in your toolbox so you can check the outlets
yourself to make sure they are wired correctly. These
testers will tell you if the polarity of the hot and neutral
wires is reversed and if the safety ground is disconnected.
Don’t use an outlet if it is wired im-
properly! This is to protect yourself
as well as your equipment.
Never remove the ground pin on the
power cord of the SRM150 or any other
component. This is very dangerous.
12
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CONNECTIONS
XLR Connectors
1/4" TS Phone Plugs and Jacks
Inputs 1-2 accept 3-pin male XLR connectors on the
combo inputs. They are wired as follows, according to
standards specified by the AES (Audio Engineering
Society).
“TS” stands for Tip-Sleeve, the two connection points
available on a mono 1/4" phone jack or plug. They are
used for unbalanced line-level signals and the high-
impedance instrument input on Channel 1.
2
SHIELD
HOT
SLEEVE
SLEEVE
TIP
TIP
1
3
COLD
TIP
SHIELD
1
SLEEVE
3
COLD
2
1/4" TS Unbalanced Wiring:
Sleeve = Shield
Tip = Hot (+)
HOT
SHIELD
COLD
HOT
1
3
2
XLR Balanced Wiring:
Pin 1 = Shield
Pin 2 = Hot (+)
Pin 3 = Cold (–)
RCA Plugs and Jacks
RCA-type plugs (also known as phono plugs) and jacks
are often used in home stereo and video equipment, and
to make S/PDIF connections on consumer digital audio
devices. They are unbalanced and electrically equiva-
lent to a 1/4" TS phone plug.
1/4" TRS Phone Plugs and Jacks
The combo inputs also accept 1/4" TRS connectors.
“TRS” stands for Tip-Ring-Sleeve, the three connection
points available on a stereo 1/4" or balanced phone
jack or plug. TRS jacks and plugs are used for balanced
signals and stereo headphones.
TIP
SLEEVE TIP SLEEVE
RCA Unbalanced Wiring:
Sleeve = Shield
Balanced Mono
Tip = Hot (+)
RING SLEEVE
TIP
SLEEVE RING TIP
RING
TIP
SLEEVE
1/4" TRS Balanced Mono Wiring:
Sleeve = Shield
Tip = Hot (+)
Ring = Cold (–)
Stereo Headphones
RING SLEEVE
TIP
SLEEVE RING TIP
RING
TIP
SLEEVE
1/4" TRS Stereo Unbalanced Wiring:
Sleeve = Shield
Tip = Left
Ring = Right
13
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SERVICE INFORMATION
If you think your Mackie product has a problem,
please check out the following troubleshooting tips and
do your best to confirm the problem. Visit the Support
where you will find lots of useful information such as
FAQs and other documentation. You may find the answer
to the problem without having to send your Mackie
product away.
Bad sound!
•
Is it loud and distorted? Follow the procedures de-
scribed in the “Quick Start” section to verify that the
levels are set properly.
•
Is the input connector plugged completely into the
jack? Be sure all connections are secure. It’s a good
idea to periodically clean all electrical connections with
a non-lubricating electrical contact cleaner.
Noise
Troubleshooting
•
Make sure all connections to the active speakers are
No power!
good.
•
Make sure none of the signal cables are routed near
AC cables, power transformers, or other EMI-inducing
devices.
Is there a light dimmer or other SCR-based device on
the same AC circuit as the SRM150? Use an AC line
filter or plug the SRM150 into a different AC circuit.
•
•
•
Our favorite question: Is it plugged in? Make sure the
AC outlet is live (check with a tester or lamp).
Our next favorite question: Is the POWER switch on? If
not, try turning it on.
Is the blue light on the front panel illuminated? If not,
make sure the AC outlet is live. If so, refer to “No sound”
below.
•
Hum
•
The resettable circuit breaker has popped. Refer to
“FUSE” [9] on page 10 for information on the circuit
breaker.
•
Turn the MAIN LEVEL control all the way down. If the
noise disappears, it’s coming from the signal source. If
not, try disconnecting the cables connected to the input
jacks one at a time. If the noise disappears, it could be a
“ground loop,” rather than a problem with the SRM150.
Try some of the following troubleshooting ideas:
Use balanced connections throughout your system for
the best noise rejection.
Whenever possible, plug all the audio equipment’s line-
cords into outlets which share a common ground. The
distance between the outlets and the common ground
should be as short as possible.
No sound!
•
Is the input gain control [3] or the MAIN LEVEL [6]
control turned all the way down? Follow the procedures
in the “Quick Start” section on page 4 to verify that all
the volume controls in the system are properly adjusted.
Is the signal source working (and making union scale)?
Make sure the connecting cables are in good repair and
securely connected at both ends. Make sure the output
volume (gain) control on whatever is connected to the
SRM150 is turned up sufficiently to drive the inputs of
the speaker.
•
•
•
Never remove the ground pin on the
power cord of the SRM150 or any other
component. This is very dangerous.
14
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Repair
For warranty service, refer to the warranty infor-
mation on page 19.
Non-warranty service for Mackie products is
available at a factory-authorized service center. To
locate your nearest service center, visit www.mackie.
com, click “Support” and select “Locate a Service
Center.” Service for Mackie products living outside
the United States can be obtained through local deal-
ers or distributors.
If you do not have access to our website, you can
call our Tech Support department at 1-800-898-3211,
Monday-Friday, during normal business hours, Pa-
cific Time, to explain the problem. Tech Support will
tell you where the nearest factory-authorized service
center is located in your area.
Need Help?
•
FAQs (Frequently Asked Questions), manuals and addendums.
•
•
Email us at: [email protected].
Telephone 1-800-898-3211 to speak with one of our splendid
technical support representatives (Monday through Friday,
normal business hours, PST).
15
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SRM150 SPECIFICATIONS
System Specifications
Transducer
Frequency Response (–3 dB) 100 Hz – 17.5 kHz
Diameter
5.25 in/134 mm
Frequency Range (–10 dB)
Max SPL Long-term @ 1m
Max SPL Peak @ 1m
60 Hz – 22 kHz
110 dB
Voice Coil Diameter 1.0 in/25.4 mm
Sensitivity (1W@1m) 90 dB
120 dB
Nominal Impedance 8 ohms
Power Handling
Frequency Range
Magnet Type
150 watts
Mixer Section
90 Hz – 20 kHz
Neodymium
Frequency Response (–3 dB)
Mic Input to Line Out (Gain at 0 dB)
5 Hz – 40 kHz (+0, –1 dB)
Safety Features
Input Impedance
Overload Protection Limiter
Mic
Hi-Z
Instrument
Line
Stereo
3 kohm balanced
20 kohm balanced
1 Mohm
10 kohm balanced
10 kohm balanced
Thermal Protection Amplifier shutdown, auto-reset
Construction Features
Material
Finish
Handle
Grille
Polypropylene
Maximum Voltage Gain
Mic Input 1
Grey textured finish
Top mounted
51 dB
51 dB
9 dB
Mic Input 2
Stereo Input
Perforated metal with weather-
resistant coating
Maximum Input Level
Mic
–28 dBu, gain at +50 dB
+15 dBu, gain at +6 dB
–8 dBu, gain at +30 dB
+35 dBu, gain at –15 dB
+20 dBu, gain at 0 dB
Physical Properties
Height
8.0 in/20.3 cm
11.2 in/28.4 cm
6.8 in/17.3 cm
7.6 lb/3.4 kg
Line
Width
Stereo
Depth
3-Band Equalization
Weight
High
Mid
Low
15 dB @ 12 kHz
15 dB @ 2.5 kHz
15 dB @ 100 Hz
Mounting Methods
Mic stand mountable via the built-in
socket on the bottom of the cabinet
with the supplied adapter.
Line Out Pad
–30 dB
Common Mode Rejection Ratio (CMRR)
55 dB @ 1 kHz, gain at unity
AC Power Requirements
100 VAC – 240 VAC, 50/60 Hz, 35 VA
Noise (20 Hz to 20 kHz BW, 150 ohm source impedance)
Equivalent Input Noise (EIN)
–129 dBu
AC Connector
3-pin IEC 250 VAC
Residual Output Noise
(Line out, channel and master levels off)
–85 dBu
Disclaimer
Since we are always striving to make our products better by
incorporating new and improved materials, components, and manu-
facturing methods, we reserve the right to change these specifica-
tions at any time without notice.
Power Amplifier
Rated Power
100 watts rms continuous,
20 Hz to 20 kHz
“Mackie.” and the “Running Man” figure are registered trade-
marks of LOUD Technologies Inc.
Maximum Power
Rated THD
Cooling
150 watts peak
0.05%
All other brand names mentioned are trademarks or registered
trademarks of their respective holders, and are hereby acknowl-
edged.
Convection Extrusion
Class D
Design
©2006-2010 LOUD Technologies Inc.
All Rights Reserved.
16
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SRM150
COMPACT ACTIVE PA SYSTEM
MAIN
EQ
U
U
U
HIGH
12kHz
-15
-15
-15
+15
+15
+15
OFF
MAX
LEVEL
PHANTOM POWER
MID
2.5kHz
48V
INSTRUMENT (CH 1)
LOW
100Hz
1
2
3
MIN
MAX
MIN
MAX
MIN
MAX
MIC/LINE
MIC/LINE
L
R
SRM150
C O M PA C T A C T IV E PA S Y S T E M
M A IN
E Q
HIGH
MID
LEVEL
P H A N T O M P O W E R
4 8 V
IN S T R U M E N T ( C H 1 )
LOW
8.0 in/
6.8 in/
17.3 cm
1
2
3
M IC / L IN E
M IC / L IN E
20.3 cm
6.8 in/
17.3 cm
11.2 in/
28.4 cm
11.2 in/
28.4 cm
THRU
MAIN IN
POWER
FUSE
LINE
MIC
7
A
M
P
SRM150
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Mackie Limited Warranty
Please keep your sales receipt in a safe place.
This Limited Product Warranty (“Product Warranty”) is provided by LOUD Technologies Inc. (“LOUD”)
and is applicable to products purchased in the United States or Canada through a LOUD-authorized
reseller or dealer. The Product Warranty will not extend to anyone other than the original purchaser of
the product (hereinafter, “Customer,” “you” or “your”).
For products purchased outside the U.S. or Canada, please visit www.mackie.com/warranty to find
contact information for your local distributor, and information on any warranty coverage provided by the
distributor in your local market.
LOUD warrants to Customer that the product will be free from defects in materials and workmanship
under normal use during the Warranty Period. If the product fails to conform to the warranty then LOUD
or its authorized service representative will at its option, either repair or replace any such nonconforming
product, provided that Customer gives notice of the noncompliance within the Warranty Period to the
Company at: www.mackie.com/support or by calling LOUD technical support at 1.800.898.3211 (toll-
free in the U.S. and Canada) during normal business hours Pacific Time, excluding weekends or LOUD
holidays. Please retain the original dated sales receipt as evidence of the date of purchase. You will need it
to obtain any warranty service.
For full terms and conditions, as well as the specific duration of the Warranty for this product, please visit
www.mackie.com/warranty.
The Product Warranty, together with your invoice or receipt, and the terms and conditions located
agreements between LOUD and Customer related to the subject matter hereof. No amendment,
modification or waiver of any of the provisions of this Product Warranty will be valid unless set forth in a
written instrument signed by the party to be bound thereby.
19
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16220 Wood-Red Road NE • Woodinville, WA 98072 • USA
United States and Canada: 800.898.3211
Europe, Asia, Central and South America: 425.487.4333
Middle East and Africa: 31.20.654.4000
Fax: 425.487.4337 • www.mackie.com
E-mail: [email protected]
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