M Audio Speaker CX8 User Manual

Studiophile™  
CX8  
English  
User Guide  
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IMPORTANT SAFETY INSTRUCTION  
1.  
2.  
3.  
4.  
5.  
READ INSTRUCTIONS  
All the safety and operating instructions should  
be read before the appliance is operated.  
12. POWER CORD PROTECTION  
Power-supply cord should be routed so that they  
are not likely to be walked on or pinched by items  
placed upon or against them, playing particular  
attention to cords at plugs, convenience  
receptacles, and the point where they exit from  
the appliance.  
RETAIN INSTRUCTIONS  
The safety and operating instructions should be  
retained for future reference.  
HEED WARNINGS  
All warning on the appliance and in the operating  
instructions should be adhered to.  
13. POLARIZED PLUG  
Do not defeat the safety purpose of the polarized  
or grounding-type plug. A polarized plug has  
two blades with one wider than the other. A  
grounding type plug has two blades and a  
third grounding prong. The wide blade or the  
third prong are provided for your safety. When  
the provided plug does not fit into your outlet,  
consult an electrician for replacement of the  
obsolete outlet.  
FOLLOW INSTRUCTIONS  
All operating and use instructions should be  
followed.  
WATER AND MOISTURE  
The appliance should not be used near water –  
for example, near a bathtub, washbowl, kitchen  
sink, laundry tub, in a wet basement, or near a  
swimming pool, etc.  
14. UNPLUG POWER CORD  
Unplug this apparatus during lightning storms or  
when unused for long periods of time.  
6.  
CARTS AND STANDS  
The appliance should be used only with a cart or  
stand that is recommended by the manufacturer.  
15. OBJECT AND LIQUID ENTRY  
No object filled with liquids, such as vases, etc.  
shall be placed on the apparatus.  
6A. An appliance and cart combination should be moved  
with care. Quick stops, excessive force, and uneven  
sTurfaces may cause the appliance and cart  
combination to overturn.  
16. ACCESSORIES  
Only use attachments/accessories specified by  
the manufacturer.  
7.  
WALL OR CEILING MOUNTING  
This equipment is not designed  
for use mounted on a wall or a  
ceiling.  
17. SERVICING  
The user should not attempt to service the  
appliance beyond that described in the operating  
instructions. All other servicing should be referred  
to qualified service personnel.  
8.  
VENTILATION  
The appliance should be situated so that its  
location or position does not interfere with its  
proper ventilation. For example, the appliance  
should not be situated on a bed, sofa, rug, or  
similar surface that may block the ventilation  
openings, or places in a built-in installation, such  
as bookcase or cabinet that may impede the flow  
of air through the ventilation openings.  
18. DAMAGE REQUIRING SERVICE  
The appliance should be serviced by qualified  
service personnel when:  
a) The power-supply cord or the plug has been  
damaged; or  
b) Objects have fallen, or liquid has been spilled  
into the appliance; or  
At least 30 cm free space around the unit for  
normal ventilation is required.  
c) The appliance has been exposed to rain; or  
9.  
HEAT  
d) The appliance does not appear to operate  
normally or exhibits a marked change in  
performance; or  
Do not install near any heat sources such  
as radiators, heat registers, stoves, or other  
apparatus (including amplifiers) that produce  
heat.  
e) The appliance has been dropped, or the  
enclosure is damaged.  
10. CLEANING  
The appliance should be cleaned only with dry  
cloth.  
11. POWER SOURCES  
The appliance should be connected to a power  
supply only of the type described in the operating  
instructions or as marked on the appliance.  
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English  
1. Introduction  
Thank you for choosing the M-Audio CX8 bi-amplified studio monitors. The CX line of  
loudspeakers build on M-Audio’s legacy of high performance studio monitors and provide  
accurate, high-resolution playback that is free of audible distortion and coloration. This  
allows you to hear everything that is in your source recordings so that you can create better  
mixes.  
Even if you are experienced with recording and mixing, please take a moment to read  
through this guide. It will give you valuable information about how to set up your CX  
monitors and will help you get the most out of your new purchase.  
2. What’s in the Box?  
This package contains:  
CX8 studio monitor (1)  
IEC power cable (1)  
This User Guide  
3. About CX Studio Monitors  
Typical mass-market loudspeakers sound pleasing because their designs incorporate a  
deliberately uneven, non-linear frequency response that artificially enhances certain bass  
and treble frequencies. While it may be quite enjoyable to hear finished albums on such  
speakers, actually mixing on this type of monitor is not recommended since such speakers  
tend to “smooth over” problem areas and do not reveal everything that should be fixed  
during a mix.  
Unlike typical mass-market speakers, M-Audio’s CX line of bi-amplified studio monitors  
have been designed to provide accurate, highly detailed, reliable playback that is free of  
distortion or coloration. This is done by having a tightly integrated system in which the CX  
drivers, internal electronics (amplifiers, crossover, etc.), and enclosure all work together  
to provide accurate bass, smooth high-frequency transient response, and a highly linear  
frequency response through the entire audible range of the speaker. This allows you to  
hear everything in your recorded tracks—the good and the bad things—so that you can spot  
and fix problems and ultimately create great mixes that “translate” well to other speakers  
and audio playback systems.  
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StudiophileTM CX8  
User Guide  
Note that the placement and  
orientation of the CX monitors  
within your studio is important  
and correctly placed speakers will  
result in improved imaging, clarity,  
and overall performance. This  
topic is covered in detail in the  
“Setting up CX Monitors” section  
of this guide.  
*About anechoic chambers:  
An anechoic chamber is a room in which the  
floor, ceiling, and all walls are covered with  
sound-absorbent acoustical wedges. These  
wedges prevent sounds created within the room  
from reflecting back and influencing the acoustic  
measurement of the loudspeaker.  
Anechoic chambers are considered to be  
acoustically “neutral” spaces since the room itself  
does not impart any kind of sound to an acoustical  
source contained within the room. Because of  
this, loudspeakers (including CX monitors) are  
commonly measured and tuned in such rooms.  
Also note that the CX monitors  
feature several switches that  
help you contour the speaker  
to your specific studio. When  
these switches are left in  
their default position, the CX  
monitor will closely resemble the response characteristics shown in the acoustic  
frequency response graph in the appendix. These anechoic* measurements represent  
performance of the speaker in an “ideal” environment similar to that found in a  
high-end recording studio with carefully tuned acoustics. In the real world, however, the  
acoustics of your specific studio (or the placement of your speakers within the studio)  
may cause your monitors to exhibit too little (or too much) bass, midrange, or treble.  
To help compensate for this, the rear-panel switches contour the frequency response  
of the speaker specifically to your studio. These switches are covered in detail in the  
“About the Rear-Panel EQ Contour Switches” section of this guide.  
It’s in the details:  
Did you know the shape and materials of a speaker cabinet can greatly affect the overall  
sound of a speaker?  
Your CX monitors feature thick walls and a carefully placed internal brace to prevent the  
speaker from resonating at low frequencies. This means that the speaker cabinet itself will  
not ring along with the low frequency sounds in your mix (such as a kick drum or a bass).  
This translates into more accurate bass response.  
Furthermore, the rounded (“radiused”) edges and contoured waveguide surrounding the  
tweeter are not just cosmetic touches intended to improve the appearance of the speaker.  
These features help spread high frequencies evenly around the room and widen the “sweet  
spot” between the two speakers.  
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4. Product Features & Specifications  
CX8  
8” woofer with 1½” voice coil  
Waveguide loaded silk-dome tweeter with 1¼” voice coil  
Bi-amplified class A/B amplifiers  
80W woofer  
40W tweeter  
Frequency response: 38Hz to 30kHz (+/- 3dB)  
XLR, 1/4” TRS, and RCA inputs  
Magnetically shielded for placement near CRT (tube-based) monitors and  
televisions  
Rear panel contour switches to optimize placement within any studio  
Sturdy, acoustically inert 1” front and rear MDF baffles to prevent cabinet  
resonances  
Flared rear firing port for audibly increased system headroom  
Optimized internal bracing to minimize sonic “coloration” caused by the cabinet  
Radiused (rounded) cabinet edges and acoustical waveguide for even high-  
frequency dispersion  
Speaker protection:  
• Output current limiting  
• Over-temperature  
• Transient on/off protection to prevent speaker “pops”  
• Subsonic filter  
• External mains fuse  
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StudiophileTM CX8  
User Guide  
5. Hardware Controls and Indicators  
Rear Panel  
1
Input Gain Knob: This knob adjusts the  
10 9  
8
7
2
3
gain level of the XLR/TRS and RCA  
inputs. The gain is at minimum when the  
knob is turned fully counter-clockwise; the  
gain is set to its maximum level when the  
knob is turned fully clockwise.  
2
3
1
2
3
RCA Input (-10dBV): This connector  
accepts line-level signals from audio sources  
with unbalanced RCA-style outputs.  
XLR/TRS Input (+4dBu): This “combo”  
input jack accepts both XLR and 1/4”  
TRS-type connectors. Connect your audio  
interface, mixer, or other line-level audio  
source to this jack.  
4
5
6
NOTE: The XLR/TRS and RCA inputs are summed (i.e., mixed together) before arriving  
at the CX amplifier and it is possible to have two sound sources connected to a speaker  
at the same time. However, it is recommended that you do not play audio through both  
connectors simultaneously as this may overload the inputs and result in clipping (distortion)  
at the inputs.  
4
5
6
Power Switch: This switch powers your  
TIP: Power outlets in North  
CX monitors on and off.  
America, Japan, and many parts  
Power Connector: This socket accepts a  
of South America usually supply  
between 100V and 120V whereas  
outlets in Europe and most of Africa  
and Asia provide between 220V and  
240V. If you are not sure about your  
region, be sure to check your power  
outlet’s rating and set the Input  
standard IEC-type power cable.  
Input Voltage Selector: This recessed  
switch adjusts the input voltage from  
100-120V or 220-240V and allows your  
CX monitor to be used worldwide. Make  
sure this switch is set correctly for your  
country to prevent damage to the speaker.  
Voltage selector before connecting  
and switching on your CX monitors.  
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7
8
Acoustic Space Switch: This switch allows you to set a “shelf” EQ to tailor low  
frequency response to your specific studio. See the section entitled “About the  
Rear-Panel EQ Contour Switches” to learn more about this switch.  
HF Trim Switch: This switch allows you to adjust the high-frequency response  
of the speaker to your specific studio. See the section entitled “About the Rear-  
Panel EQ Contour Switches” to learn more about this switch.  
9
MF Boost Switch: This switch allows you to contour the midrange response of  
the speaker to your specific studio. See the section entitled “About the  
Rear-Panel EQ Contour Switches” to learn more about this switch.  
10  
LF Cutoff Switch: This switch sets the low-frequency cutoff point of your CX  
monitor. See the section entitled “About the Rear-Panel EQ Contour Switches”  
to learn more about this switch.  
Front Panel  
11  
Power LED: This blue LED illuminates when the monitor is receiving power and  
4
the rear panel Power Switch is in the “ON” position.  
11  
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StudiophileTM CX8  
User Guide  
6. Connection Diagram  
M-Audio CX monitors feature balanced XLR/TRS “Combo” and unbalanced RCA-type  
analog inputs on the rear panel. Connect the outputs of your mixer, audio interface, or  
other line-level device to these inputs.  
Audio Interface  
(Balanced TRS to Balanced TRS)  
Mixer
(Balanced XLR to Balanced TRS)  
ControlRoomRouter  
(Balanced TRS to Balanced XLR)  
PreamplierProcessor  
(Unbalanced RCA to Unbalanced RCA)  
NOTE: the XLR/TRS and RCA inputs are summed (i.e., mixed together) before arriving  
at the CX amplifier and it is possible to have two sound sources connected to a speaker  
at the same time. However, it is recommended that you do not play audio through  
both connectors simultaneously as this may overload the inputs and result in clipping  
(distortion) at the inputs.  
TIP: If your mixer, interface, or other audio source features both XLR/TRS  
and RCA-type outputs, use the XLR or TRS connectors instead of the RCA  
connectors whenever possible. XLR and TRS cables incorporate a “balanced”  
design that carries a signal over three conductors (“hot,” “cold,” and “ground”)  
instead of two conductors as found in RCA cables (“hot,” and “ground”). This  
results in lower noise, higher rejection of radio-frequency (RF) interference, and  
better overall fidelity. If XLR/TRS jacks are unavailable, use RCA-style cables  
but try to keep the cables as short as possible.  
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7. Setting up CX Monitors  
TIP: If possible, place your  
CX monitors on speaker stands  
instead of your desk top. Desks  
tend to resonate sympathetically  
at low frequencies and may  
adversely affect the bass response  
of your monitors. If speaker  
stands are not possible due to  
space restrictions and you notice  
a buildup in bass, try placing  
the monitors on “speaker pads”  
to acoustically de-couple the  
monitors from the desk.  
The configuration and placement of your CX monitors  
within your studio may affect the performance of the  
speakers. Use the following tips to achieve the best  
possible performance out of your CX monitors:  
Speaker Placement  
Place the CX monitors so that the two speakers  
and the engineer form an equilateral triangle when  
viewed from above. Angle the speakers slightly  
inward so that the woofer and tweeter face the  
engineer.  
In general, it is recommended that CX monitors  
be placed at least one foot away from the nearest  
wall, ceiling, or any other large, flat surface (the reason  
for this is covered in detail in the following chapter of this  
guide). If practical considerations such as limited studio  
space make this impossible, CX monitors include an  
Left Monitor  
Right Monitor  
7
Acoustic Space Switch to compensate for placement  
near walls and corners. See the following chapter of this  
guide to learn more about this switch.  
Speaker Height  
Position the speakers so that they are parallel to the ground and that your ears are  
between the midpoint of the woofer and the tweeter.  
Speaker Orientation  
If possible, place CX monitors in their upright position and  
avoid laying the speakers on their sides. The CX woofer  
and tweeter are vertically aligned and will provide the best  
performance when the speakers are placed upright. Placing  
them on their sides may create strong reflections from  
nearby surfaces resulting in spectrally unbalanced sound.  
If your CX monitors must be oriented horizontally due to  
space or line-of-sight considerations, place the speakers so that their tweeters are on  
the “inside” to improve imaging.  
Tweeters  
10  
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StudiophileTM CX8  
User Guide  
About the Rear-Panel EQ Contour Switches  
These switches allow you to tailor  
the EQ curve of your CX monitors  
to complement the frequency  
response of your studio.  
Since studio monitors (including  
the CX series) are designed to  
have a flat frequency response, you may be wondering why these speakers include  
additional EQ switches. These switches are included for three reasons:  
1. Size, shape, and acoustical treatment of your specific studio:  
CX monitors are tested and tuned in an anechoic chamber to be as linear (flat)  
as possible. This means that leaving the switches set to their default settings will  
closely resemble the printed acoustic frequency response graph (see Appendix)  
when monitoring takes place in an “ideal” environment similar to those found in high-  
end recording studios. In these studios, acousticians carefully determine the size  
and shape of the control room, placement of the studio monitors and large furniture,  
construction materials of the walls and ceiling, as well as all acoustical treatments  
that must be applied to various parts of the room. All this ensures that studio  
monitors will sound as flat and accurate as possible at the “mixing position.”  
In the real-world, however, most project and home-based studios are set up in  
preexisting rooms where the size/shape of the room cannot be easily modified to  
improve acoustics. This means that the design of the room itself may have adverse  
effects on the frequency response of the monitors (i.e, sound reflections from flat  
surfaces in the room may cause the monitors to not sound linear). For that reason,  
the CX line features “corrective” EQ switches to compensate for adverse effects  
that may be caused by your room.  
2. Placement of the CX monitors within your studio:  
The proximity of your CX monitors to the walls (and floors/ceilings) may adversely  
affect the frequency response of what you hear at the mixing position. This is  
because all speakers radiate low-frequency sounds in all directions—not just toward  
the mixing position. If there are large, flat surfaces (such as walls or ceilings) within  
one foot of the speaker, these surfaces act as low frequency “sound reflectors” that  
return bass energy projected from the rear of the speaker back into the studio. This  
can result in bass that sounds “tubby” and exaggerated.  
11  
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3. Using a subwoofer:  
If you plan to use a subwoofer with your CX monitors, you will need to filter out low  
frequency sounds so that only the subwoofer plays low-frequency sounds (the CX  
monitors will only play midrange and high-frequency sounds, in this scenario). This  
needs to be done so that the subwoofer and CX monitors do not both play the same  
low-frequency sounds, causing a greatly exaggerated bass response within your  
studio.  
The CX line of monitors address all three of these issues with the following switches:  
7
Acoustic Space Switch  
As stated earlier in this section, your CX  
TIP: Be sure to leave at least  
monitors should ideally be placed at least one  
3” of space between the rear of  
foot away from the nearest wall, ceiling, or  
other large, flat surface. In the real-world, this  
may be impractical due to space limitations  
within your studio. For that reason, CX  
the speaker and a wall to allow  
the rear-firing port to “breathe”  
properly. Placing the speaker  
any closer than 3” may adversely  
affect low-frequency response.  
monitors feature an Acoustic Space Switch.  
This switch compensates for placement near  
walls by “shelving” (reducing) frequencies below 200 Hz. This switch should be set  
as follows:  
0dB This default setting should be used if the monitors are placed at least one  
foot away from the nearest wall.  
-2dB This setting reduces frequencies below 200 Hz by 2dB. Use this setting if  
the speakers must be placed closer than one foot from the nearest wall.  
-4dB This setting reduces frequencies below 200 Hz by 4dB. Use this setting if  
the speakers must be placed within one foot of the corner of a room (i.e.,  
the intersection of two walls).  
12  
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StudiophileTM CX8  
User Guide  
8
HF Trim Switch  
This control allows you to boost or attenuate (reduce) your CX monitors’ high  
frequency response above 3kHz. This switch can be set in the following ways:  
0dB  
This default setting leaves high-frequency signals unaffected (high  
frequency sounds are neither boosted nor attenuated).  
+2dB This setting boosts signals above 3kHz by 2dB.  
-2dB This setting attenuates signals above 3kHz by 2dB.  
To configure the HF Trim switch, begin by mixing a few songs with this switch set  
to the default “0dB” position. If your mixes sound good in the studio and on other  
speakers (car stereos, “multimedia” computer speakers, etc.), leave this switch in the  
default position.  
If your mixes sound good in the studio but they sound “dull” and lack high-frequency  
“sparkle” on other playback systems, set this switch to “-2dB. Alternatively, if your  
mixes sound good in the studio but sound too “crispy” or “brittle” and contain too  
much high-frequency content, set this switch to “+2dB. Setting this switch to either  
“+2dB” or “-2dB” allows the CX monitors to compensate for a mixing environment  
that is either too “live” (i.e., too much high-frequency reflection from the walls and  
other surfaces) or too “dead” (i.e., not enough high frequency sound is being  
reflected around the room).  
9
MF Boost Switch  
This control engages a midrange boost from 1.5 KHz - 2.5 kHz with a 2 dB peak at  
2 kHz. This switch can be set in the following ways:  
Out This default setting allows incoming signals to bypass the midrange boost  
circuitry (the midrange of a signal is not affected).  
In  
This setting engages the midrange boost circuitry and creates a 2dB peak  
at 2kHz with a 1 kHz bandwidth (i.e., signals between 1.5 kHz - 2.5 kHz  
are boosted).  
To configure the MF Boost switch, leave the switch set to the “out” position  
and mix a few songs. If you notice your mixes sound good in the studio but the  
midrange tends to be too prominent (e.g., the vocals/guitars are too loud) on  
other speakers, set this switch to “in. This will make the midrange of your CX  
monitors slightly more pronounced in the studio and will result in more balanced  
mixes since you will be less inclined to “push” the midrange of your mixes.  
13  
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10  
LF Cutoff Switch  
This control allows you to engage a high-pass filter that removes low-frequency  
sounds from the monitors. This switch can be set in the following ways:  
Flat  
This default setting allows your  
monitors to play their entire  
frequency spectrum with no low-  
frequency filtering.  
TIP: Many subwoofers feature  
a low-pass cutoff frequency of  
80Hz. If you are not sure about  
your subwoofer, use this setting  
as a starting point.  
60Hz  
80Hz  
This setting engages a second-  
order (12dB/octave) filter that rolls  
off frequencies below 60Hz.  
This setting engages a second-  
order (12dB/octave) filter that rolls  
off frequencies below 80Hz.  
If you are using your CX monitors with a  
subwoofer that does not have a built-in  
crossover, set this switch as close as  
possible to the low-pass cutoff frequency of  
your subwoofer. The low-pass cutoff of the  
subwoofer should be listed in the “technical  
specifications” section of the subwoofer’s  
User Guide.  
TIP: This switch can also be  
engaged if you wish to hear what  
your mixes would sound like on  
speakers with smaller woofers  
(such as those found in most  
televisions).  
If your subwoofer has an internal crossover that sends high-frequency signals out  
to your main monitors through a pair of outputs, leave the LF Cutoff Switch on  
your CX monitors set to “Flat.”  
14  
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StudiophileTM CX8  
User Guide  
8. Appendix A - Technical Specifications  
Frequency response:  
Crossover frequency:  
38Hz-30kHz (+/-3dB)  
2.7kHz  
Low-frequency amplifier 80 watts with 14 gauge wiring to this transducer  
power:  
High-frequency  
amplifier power:  
40 watts with 14 gauge wiring to this transducer  
LF cutoff  
Flat, 60Hz, and 80Hz  
MF boost  
HF trim  
In/Out of 2dB centered at 2kHz  
+2dB, 0dB, -2dB above 3kHz  
0dB, -2dB, and -4dB  
Acoustic space  
Maximum  
> 97 dB (typical A-weighted)  
signal-to-noise  
(dynamic range):  
Polarity:  
positive signal at + input produce outward LF cone displacement  
Input impedance:  
20k ohms balanced,  
10k ohms unbalanced  
Input sensitivity:  
100 mV pink noise input produces 95 dBA output SPL at one meter with volume  
control at maximum  
Power:  
factory programmed for either 115V ~50/60Hz or 230V ~50/60Hz  
Protection:  
RF interference, output current limiting, over temperature,  
turn-on/off transient, subsonic filter, external mains fuse  
Cabinet:  
Front and rear baffle 1” MDF with ¾” MDF wrap. Black lacquer paint on enclosure  
with soft touch black paint on curved front plate.  
Size:  
17” (H) x 11” (W) x 13” (D); 43.2cm x 28cm x 33cm  
30.42 lbs./unit; 13.8 kg  
Weight:  
Above specifications subject to change without notice  
15  
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CX8 - Frequency Response  
dBSPL  
105  
100  
95  
90  
85  
80  
75  
70  
65  
20 Hz  
50  
100  
200  
500  
1K  
2K  
5K  
10K  
20K  
30K  
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StudiophileTM CX8  
User Guide  
9. Warranty  
Warranty Terms  
M-Audio warrants products to be free from defects in materials and workmanship,  
under normal use and provided that the product is owned by the original, registered  
specific product.  
Warranty Registration  
Immediately registering your new M-Audio product entitles you to full warranty  
coverage and helps M-Audio develop and manufacture the finest quality products  
updates and for the chance to win M-Audio giveaways.  
Documentation Feedback  
At M-Audio, we’re always looking for ways to improve our documentation. If you have  
comments, corrections, or suggestions regarding our documentation, email us at  
CX8  
Tested to comply with  
FCC standards  
FOR HOME OR STUDIO USE  
WARNING: This product contains chemicals, including lead, known to the State of  
California to cause cancer, and birth defects or other reproductive harm. Wash hands  
after handling.  
© 2009 Avid Technology, Inc. All rights reserved. Product features, specifications, system  
requirements and availability are subject to change without notice. Avid, M-Audio and  
CX8 are either trademarks or registered trademarks of Avid Technology, Inc. All other  
trademarks contained herein are the property of their respective owners.  
17  
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M-Audio USA  
Avid Technology • M-Audio  
5795 Martin Rd., Irwindale, CA 91706  
web               www.m-audio.com/tech fax (shipping)                   (626) 633-9032  
tel (pro products)         (626) 633-9055 tel (consumer products)       (626) 633-9066  
Technical Support  
Sales  
tel                               (866) 657-6434  
e-mail                 [email protected]  
fax                                (626) 633-9070  
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Avid Technology • M-Audio  
Pinewood Studios, Pinewood Road, Iver Heath, Bucks, SL0 0NH, United Kingdom  
Technical Support e-mail              [email protected] tel (Mac/PC support)     +44 (0)1753 658630  
Sales  
tel                  +44 (0) 1753 659590  
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M-Audio Benelux  
Avid Technology • M-Audio  
Vreelandseweg 42 A, 1216 CH Hilversum, The Netherlands  
Technical Support Belgium / Luxemburg tel      +32 22 54 88 93 Netherlands tel            +31 35 625 0097  
tel                       +31 (0)35 625 0093  
fax                       +31 (0)35 625 0090  
Sales  
e-mail                 [email protected]  
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M-Audio France  
Avid Technology • M-Audio  
44 Avenue Georges Pompidou, 92300 Levallois-Perret, France  
Renseignements  
Commerciaux  
email                              [email protected] tel                             0 810 001 105  
PC                            0 820 000 731  
e-mail (PC)               [email protected]  
Assistance  
Technique  
Mac                           0 820 391 191  
email (Mac)                     [email protected]  
fax                     +33 (0)1 72 72 90 52  
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M-Audio Germany  
Avid Technology • M-Audio  
Zeppelinstr. 1, D-85399 Hallbergmoos, Germany  
Technical Support email                        [email protected] tel                   +49 (0)7941 - 9870030  
tel                     +49 (0)811 5520 555  
fax                     +49 (0)811 5520 599  
Sales  
e-mail                           [email protected]  
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M-Audio Canada  
Avid Technology • M-Audio  
1400 St-Jean Baptiste Ave. #150, Quebec City, Quebec G2E 5B7, Canada  
tel                            (418) 872-0444  
fax                            (418) 872-0034  
Technical Support e-mail               [email protected]  
tel                            (866) 872-0444  
fax                            (418) 872-0034  
Sales  
e-mail                 [email protected]  
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エムオーアビテクノロジー株式会社  
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www m-audio jp  
4F 4F ATT Bldg  2-11-7 Akasaka, Minato-ku Tokyo 107-0052 Japan  
M-Audio Japan  
東京都港区赤坂  
新館ビル  
2-11-7 ATT  
107-0052  
テクニカサポト  
tel                             03-3505-4034  
fax                             03-3505-3417  
Technical  
e-mail                [email protected]  
Support  
tel                             03-3505-7963  
fax                             03-3505-3417  
セール(  
Sales  
e-mail                          [email protected]  
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