Lexicon Stereo Amplifier SDP 40 User Manual

SYNTHESIS  
SDP-40  
DIGITAL SURROUND  
PROCESSOR/CONTROLLER  
USER GUIDE  
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IMPORTANT SAFETY INSTRUCTIONS  
1. Read these instructions.  
2. Keep these instructions.  
3. Heed all warnings.  
4. Follow all instructions.  
5. Do not use this apparatus near water.  
6. Clean only with dry cloth.  
7. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.  
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus, (including amplifiers) that produce heat.  
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third  
grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete  
outlet.  
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.  
11. Only use attachments/accessories specified by the manufacturer.  
12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus  
combination to avoid injury from tip-over.  
13. Unplug this apparatus during lightning storms or when unused for long periods of time.  
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as when a power-supply cord or plug is damaged, liquid has  
been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.  
WARNING  
To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.  
This triangle, which appears on your component,  
alerts you to the presence of uninsulated,  
dangerous voltage inside the enclosure -  
voltage that may be sufficient to  
This triangle, which appears on your component,  
alerts you to important operating and  
maintenance instructions in this  
CAUTION  
RISK OF ELECTRIC SHOCK  
DO NOT OPEN  
accompanying literature.  
constitute a risk of shock.  
Refer to the manufacturer's operating instructions for power requirements. Be advised that different operating voltages may require the use of a different line cord and/or attachment plug.  
Do not install the unit in an unventilated rack, or directly above heat producing equipment such as power amplifiers. Observe the maximum ambient operating temperature listed in the  
product specification.  
Never attach audio power amplifier outputs directly to any of the unit's connectors.  
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of FCC Rules. These limits are designed to provide reasonable protection against  
harmful interference in a residential installation. This equipment generates, uses, and radiates radio frequency energy and, if not installed and used in accordance with the instructions, may cause  
harmful interference to radio or television reception, which can be determined by turning the equipment off and on. The user is encouraged to try to correct the interference by one or more of  
the following measures:  
Reorient or relocate the receiving antenna.  
Increase the separation between the equipment and the receiver.  
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.  
Consult the dealer or an experienced radio/television technician for help.  
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Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic”, and the double-D symbol are trademarks of Dolby laboratories.  
Lucasfilm and THX are trademarks or registered trademarks of Lucasfilm, Ltd.  
© Lucasfilm, Ltd. & TM. Surround EX is a jointly developed technology of THX and Dolby Laboratories, Inc. and is a trademark of Dolby Laboratories, Inc. All rights  
reserved. Used under authorization.  
JBL Synthesis  
8500 Balboa Boulevard  
Northridge, CA 91329  
250 Crossways Park Drive  
Woodbury, NY 11797  
800-336-4JBL  
Manufactured under license from Digital Theater Systems, Inc. U.S. Pat. No. 5,451,942; 5,956,674; 5,974,380; 5,978,762 and other world-wide patents issued and  
pending. “DTS”, “DTS-ES Extended Surround” and “Neo:6” are trademarks of Digital Theater Systems, Inc. © 1996, 2000 Digital Theater Systems, Inc. All rights reserved.  
“LOGIC7” and the LOGIC7 symbol are registered trademarks of Lexicon, Inc., a Harman International Company.  
© 2001 JBL Synthesis. All rights reserved.  
This document should not be construed as a commitment on the part of JBL Synthesis. The information it contains is subject to change without notice. JBL Synthesis  
assumes no responsibility for errors that may appear within this document.  
Part No. 070-14991 | Rev 0 | 10/01  
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Introduction  
JBL  
Important Safety Instructions . . . . . . . . . . . . . . . . . . . .vi  
Section 1: Getting Started  
US  
PT  
DE  
ES  
FR  
IT  
Instruções de Segurança Importantes . . . . . . . . . . . . . .vi  
Wichtige Sicherheitsanweisungen . . . . . . . . . . . . . . . .vii  
Instrucciones Importantes de Seguridad . . . . . . . . . . . .vii  
Instructions de Sûreté Importantes . . . . . . . . . . . . . . .viii  
Importanti Norme di Sicurezza . . . . . . . . . . . . . . . . . .viii  
Vigtig Information om Sikkerhed . . . . . . . . . . . . . . . . .ix  
Tärkeitä Turvallisuusohjeita . . . . . . . . . . . . . . . . . . . . . .ix  
Viktig Informasjon om Sikkerhet . . . . . . . . . . . . . . . . . .x  
Viktiga Säkerhetsföreskrifter . . . . . . . . . . . . . . . . . . . . .x  
Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-2  
Highlights . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-3  
Using the Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . .1-4  
Location Considerations . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-4  
Navigating the Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-4  
Two-Line Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-5  
Restoring Factory-Default Settings . . . . . . . . . . . . . . . . . . . . .1-5  
DK  
FI  
NO  
SE  
Section 2: Basic Operation  
Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-2  
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-4  
Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-7  
Understanding the Zones . . . . . . . . . . . . . . . . . . . . . . . . . .2-15  
Understanding Listening Mode Selection . . . . . . . . . . . . . . .2-16  
Unpacking and Inspection . . . . . . . . . . . . . . . . . . . . . .xi  
Desempacotando e Inspeção . . . . . . . . . . . . . . . . . . . .xi  
Auspacken und Überprüfung . . . . . . . . . . . . . . . . . . . .xi  
Desembalaje e inspección . . . . . . . . . . . . . . . . . . . . . .xi  
Contenu de l’emballage et inspection . . . . . . . . . . . . . .xi  
Disimballaggio ed ispezione . . . . . . . . . . . . . . . . . . . . .xi  
US  
PT  
DE  
ES  
FR  
IT  
Section 3: The SETUP Menu  
SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-2  
INPUT SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-3  
SPEAKER SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-18  
REAR PANEL CONFIG . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-30  
DISPLAY SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-31  
VOLUME CONTROL SETUP . . . . . . . . . . . . . . . . . . . . . . . . .3-34  
TRIGGER SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-35  
LOCK OPTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-36  
iv  
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Introduction  
SDP-40  
Section 4: The AUDIO CONTROLS Menu  
AUDIO CONTROLS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4-2  
Section 5: The MODE ADJUST Menu  
MODE ADJUST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-2  
Listening Mode Descriptions . . . . . . . . . . . . . . . . . . . . . . . . .5-2  
OUTPUT LEVELS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-17  
CUSTOM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-17  
STATUS Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-18  
Mode Parameter Descriptions . . . . . . . . . . . . . . . . . . . . . . .5-20  
Section 6: Troubleshooting and Maintenance  
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6-2  
Restoring Factory-Default Settings . . . . . . . . . . . . . . . . . . . . .6-4  
Maintenance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6-4  
Appendix  
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .A-2  
Declaration of Conformity . . . . . . . . . . . . . . . . . . . . . . . . . . .A-4  
Menu Tree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .A-5  
Installation Worksheet . . . . . . . . . . . . . . . . . . . . . . . . . . . . .A-12  
Index  
v
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Introduction  
JBL  
ENGLISH  
IMPORTANT SAFETY INSTRUCTIONS  
PORTUGUESE  
INSTRUÇÕES DE SEGURANÇA IMPORTANTEs  
US  
US  
PT  
PT  
Save these instructions for later use.  
Economize estas instruções para uso posterior.  
Follow all instructions and warnings marked on the unit.  
Siga todas as instruções e advertências marcadas na unidade.  
Always use with the correct line voltage. Refer to the manufacturer’s operating  
instructions for the power requirements. Be advised that different operating  
voltages require the use of a different line cord and/or attachment plug.  
Do not install this unit in an unventilated rack, nor directly above items that  
generate heat, such as power amplifiers. Observe the maximum ambient  
operating temperature listed in the product specification.  
The openings on the case are provided for ventilation; to ensure reliable  
operation and prevent it from overheating, these openings must not be  
blocked or covered. Never push objects of any kind through any of the  
ventilation slots. Never spill any liquids on the unit.  
Never attach audio power amplifier outputs directly to any of the unit’s  
connectors.  
To prevent shock or fire hazard, do not expose the unit to rain or moisture, or  
operate it where it will be exposed to moisture. Do not attempt to operate the  
unit if it has been dropped, damaged, exposed to liquids, or if it exhibits a  
distinct change in performance indicating the need for service. This unit  
should only be opened by qualified service personnel. Removing covers will  
expose you to hazardous voltages.  
Sempre use com a voltagem de linha correta. Se refira ao fabricante está  
operando instruções para as exigências de poder. Seja aconselhado que  
voltagens operacionais diferentes requeiram para o uso uma corda de linha  
diferente ou tomada de anexo.  
Não instale esta unidade em uma prateleira de unventilated, nem diretamente  
sobre artigos que geram calor, como amplificadores de poder. Observe o  
máximo que temperatura operacional ambiente listou na especificação de  
produto.  
São providas as aberturas no caso para ventilação; assegurar operação segura  
e impedir isto de aquecer demais, não devem ser bloqueadas estas aberturas  
ou devem ser cobertas. Nunca empurre objetos de qualquer amável por  
quaisquer das aberturas de ventilação. Nunca derrame qualquer líquido na  
unidade.  
Nunca prenda amplificador de poder auditivo produz diretamente a quaisquer  
dos conectores da unidade.  
Prevenir choque ou perigo de incêndio, não exponha a unidade para chover  
ou umidade, ou opera isto onde será exposto a umidade. Não tente operar a  
unidade se foi derrubado, estragado, exposto a líquidos, ou se exibe uma  
mudança distinta em desempenho que indica a necessidade por serviço. Esta  
unidade só deveria ser aberta através de pessoal de serviço qualificado.  
Removendo coberturas o exporão a voltagens perigosas.  
This triangle, which appears on your component, alerts you to the  
presence of uninsulated, dangerous voltage inside the enclosure -  
voltage that may be sufficient to constitute a risk of shock.  
Este triângulo que se aparece em seu componente o alerta à presença  
de uninsulated, voltagem perigosa dentro do enclosure - voltage que  
pode ser suficiente para constituir um risco de choque.  
This triangle, which appears on your component, alerts you to  
important operating and maintenance instructions in this  
accompanying literature.  
Este triângulo que se aparece em seu componente o alerta a operando  
importantes  
e
instruções de manutenção nesta literatura  
acompanhante.  
vi  
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Introduction  
SDP-40  
DEUTSCH  
ESPAÑOL  
INSTRUCCIONES IMPORTANTES  
DE SEGURIDAD  
DE  
DE  
ES  
ES  
WICHTIGE SICHERHEITSANWEISUNGEN  
Heben Sie sich diese Sicherheitsanweisungen auch für später auf.  
Befolgen Sie alle auf der Vorrichtung stehenden Anweisungen und Warnungen.  
Immer nur mit der richtigen Spannung verwenden! Die  
Gebrauchsanweisungen des Herstellers informieren Sie über die elektrischen  
Anforderungen. Vergessen Sie nicht daß bei verschiedenen  
Betriebsspannungen ggf. auch verschiedene Leitungskabel und/oder  
Verbindungsstecker zu verwenden sind.  
Stellen Sie die Vorrichtung nicht in ein unbelüftetes Gestell oder unmittelbar  
über wärmeerzeugende Geräte wie z.B. Tonverstärker. Halten Sie die in den  
Produktspezifikationen angegebene maximale Umgebungstemperatur bei  
Betrieb ein.  
Schlitze und Öffnungen im Gehäuse dienen der Belüfung; um verläßlichen  
Betrieb sicherzustellen und Überheizen zu vermeiden dürfen diese Öffnungen  
nich verstopft oder abgedeckt werden. Stecken Sie nie irgend einen  
Gegenstand durch die Belüftungsschlitze. Vergießen Sie keine Flüssigkeiten auf  
den Apparat.  
Dieses Produkt is mit einem 3-drahtigen Erdungsstecker ausgerüstet. Diese  
Sicherheitsmaßnahme darf nicht unwirksam gemacht werden.  
Schließen Sie nie Tonverstärker unmittelbar an einen Anschluß des Apparates  
an.  
Um elektrischen Schlag oder Feuer zu vermeiden, setzen Sie den Apparat  
weder Regen noch Feuchtigkeit aus und betreiben Sie ihn nicht dort wo  
Wasser eindringen könnte.  
Versuchen Sie nicht den Apparat zu betreiben falls er fallen gelassen,  
beschädigt, oder Flüssigkeiten ausgesetzt wurde, oder falls sich seine  
Arbeitsweise derart ändert daß daraus ein Bedarf nach Raparatur zu schließen  
ist.  
Guarde esta instrucciones para uso posterior.  
Utilice siempre el voltaje correcto. Diríjase a las instrucciones de operación del  
fabricante para obtener las especificaciones de potencia. Esté al tanto de que  
voltajes de operación distintos requieren el uso de cables y/o enchufes  
distintos.  
No instale esta unidad en un estante sin ventilación, ni tampoco directamente  
encima de equipos que generen calor tales como amplificadores de potencia.  
Fíjese en las temperaturas ambientales máximas de operación que se  
mencionan en las especificaciones del producto.  
Las aperturas y ranuras del chasis sirven para proveer la ventilación necesaria  
para operar la unidad con seguridad y para prevenir sobrecalentamiento, y por  
lo tanto no pueden ser obstruidas o cubiertas. No introduzca objetos de  
ningún tipo a través de las ranuras de ventilación, y nunca deje caer ningún  
líquido sobre la unidad.  
Este producto está equipado con un enchufe de 3 clavijas con conexión a  
tierra. Éste es un elemento de seguridad que no debe ser eliminado.  
Nunca conecte ningún tipo de salida de amplificadores de sonido  
directamente a los conectores de la unidad.  
Para prevenir descargas eléctricas o incendios, mantenga la unidad alejada de  
la lluvia, humedad o cualquier lugar en el que pueda entrar en contacto con  
agua.  
No trate de hacer funcionar la unidad si se ha caído, está dañada, ha entrado  
en contacto con líquidos, o si nota cualquier cambio brusco en su  
funcionamiento que indique la necesidad de hacerle un servicio de  
mantenimiento.  
Esta unidad deberá ser abierta únicamente por personal calificado. Si usted  
quita las coberturas se expondrá a voltajes peligrosos.  
Dieser Apparat sollte nur von qualifizierten Fachleuten geöffnet werden. Das  
Abnehmen von Abdeckungen setzt Sie gefährlichen Spannungen aus.  
Este triángulo que aparece en su componente le advierte sobre la  
existencia dentro del chasis de voltajes peligrosos sin aislantes -  
voltajes que son lo suficientemente grandes como para causar  
electrocución.  
Dieses Dreieck auf Ihrem Apparat warnt Sie vor nicht-isolierter,  
gefährlicher Spannung im Gehäuse  
Berührungsgefahr darzustellen.  
-
stark genug um eine  
Dieses Dreieck auf Ihrem Apparat bedeutet daß wichtige Betriebs - und  
Wartungsanweisungen in der mitgelieferten Dokumentation zu finden  
sind.  
Este triángulo que aparece en su componente lo alerta sobre las  
instrucciones de operación y mantenimiento importantes que están en  
los materiales de lectura que se incluyen.  
vii  
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Introduction  
JBL  
FRANÇAIS  
INSTRUCTIONS DE SÛRETÉ IMPORTANTES  
ITALIANO  
IMPORTANTI NORME DI SICUREZZA  
FR  
FR  
IT  
IT  
Gardez ces instructions pour réference future.  
Conservare le presenti norme per l’utilizzo futuro.  
Observez toutes les instructions et tous les avertissements marqués sur  
l’appareil.  
Branchez uniquements sur un réseau de tension indiquée. Consultez le  
manuel d’instruction du fabriquant pour les spécifications de courant.  
N’oubliez pas que différentes tensions peuvent nécessiter l’utilisation de cables  
et/ou de fiches de connexion différents.  
N’installez pas l’appareil en un compartiment non-aéré ou directement  
au-dessus d’équipements générateurs de chaleur, tels qu’amplificateurs de  
courants, etc. Ne dépassez pas la température ambiante maximale de  
fonctionnement indiquée dans les spécifications du produit.  
Des fentes et ouvertures sont prévues dans le boîtier pour l’aération; Pour  
assurer le bon fonctionnement et pour prévenir l’échauffement, ces ouvertures  
ne doivent pas être couvertes ou bloquées. N’insérez pas d’objets dans les  
fentes d’aération. Empêchez tout liquide de se répandre sur l’appareil.  
Osservare tutte le istruzioni e le avvertenze apposte sull’unità.  
Utilizzare esclusivamente con la tensione di rete corretta. Consultare le  
istruzioni operative fornite dal fabbricante per i dati riguardanti la tensione e  
l’assorbimento di corrente. Potrebbe essere necessario l’uso di cavi di rete e/o  
di spine diverse a seconda della tensione utilizzata.  
Non installare l’unità in uno scaffale privo di ventilazione oppure direttamente  
sopra una fonte di calore, come, ad esempio, un amplificatore. Non superare  
la temperatura ambientale massima di funzionamento riportata nei dati  
tecnici del prodotto.  
Le fessure e le altre aperture nella scatola servono alla ventilazione. Per un  
funzionamento affidabile, e per evitare un eventuale surriscaldamento, queste  
aperture non vanno ostruite o coperte in nessun modo. Evitare in tutti i casi di  
inserire oggetti di qualsiasi genere attraverso le fessure di ventilazione. Non  
versare mai del liquido di nessun tipo sull’unità.  
Ce produit est muni d’une fiche à trois fils pour la mise à terre. Ceci est une  
mesure de sécurité et ne doit pas être contrariée.  
Ne connectez jamais d’amplificateurs audio directement aux connecteurs de  
l’appareil.  
Pour empêcher les chocs électriques et le danger d’incendie, évitez d’exposer  
l’appareil à la pluie ou à l’humidité, et ne le mettez pas en marche en un  
endroit où il serait exposé aux éclaboussures d’eau.  
Questo prodotto viene fornito con una spina a 3 fili con massa. Tale  
dispositivo di sicurezza non va eliminato.  
Evitare sempre di collegare le uscite dell’amplificatore audio direttamente ai  
connettori dell’unità.  
Per prevenire il pericolo di folgorazione e di incendio non esporre l’unità alla  
pioggia o ad un’umidità eccessiva; evitare di adoperare l’unità dove potrebbe  
entrare in contatto con acqua.  
N’essayez pas de faire fonctionner l’appareil s’il est tombé à terre, a été  
endommangé, exposé à un liquide, ou si vous observez des différences nettes  
dans son fonctionnement, indiquant la nécessité de réparations.  
Cet appareil ne doit être ouvert que par un personnel de service qualifié. En  
enlevant les couvercles vous vous exposez à des tensions électriques  
dangereuses.  
Evitare di adoperare l’unità se la stessa è stata urtata violentemente, se ha  
subito un danno, se è stata esposta ad un liquido o in caso di un evidente  
cambiamento delle prestazioni che indichi la necessità di un intervento di  
assistenza tecnica.  
Ogni intervento sull’unità va eseguito esclusivamente da personale qualificato.  
La rimozione della copertura comporta l’esposizione al pericolo di  
folgorazione.  
Ce triangle, sur votre appareil vous avertit de la présence de tension  
dangereuse, non-isolée à l’intérieur du boîtier - une tension suffisante  
pour représenter un danger d’électrocution.  
Il presente triangolo impresso sul componente avverte della presenza  
di tensioni pericolose non isolate all’interno della copertura - tali  
tensioni rappresentano un pericolo di folgorazione.  
Ce triangle sur sur votre appareil vous invite de suivre d’importantes  
instructions d’utilisation et d’entretien dans la documentation livrée  
avec le produit.  
Il presente triangolo impresso sul componente avverte l’utente della  
presenza nella documentazione allegata di importanti istruzioni relative  
al funzionamento ed alla manutenzione.  
viii  
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Introduction  
SDP-40  
DANSK  
SUOMI  
TÄRKEITÄ TURVALLISUUSOHJEITA  
DK  
DK  
FI  
FI  
VIGTIG INFORMATION OM SIKKERHED  
Gem denne vejledning til senere brug.  
Säilytä nämä ohjeet tulevaa käyttöä varten.  
Følg alle anvisninger og advarsler på apparatet.  
Seuraa kaikkia yksikköön merkittyjä ohjeita ja varoituksia.  
Apparatet skal altid tilsluttes den korrekte spænding. Der henvises til  
brugsanvisningen, der indeholder specifikationer for strømforsyning. Der  
gøres opmærksom på, at ved varierende driftsspændinger kan det blive  
nødvendigt at bruge andre lednings- og/eller stiktyper.  
Apparatet må ikke monteres i et kabinet uden ventilation eller lige over andet  
udstyr, der udvikler varme, f.eks. forstærkere. Den maksimale  
omgivelsestemperatur ved drift, der står opført i specifikationerne, skal  
overholdes.  
Der er ventilationsåbninger i kabinettet. For at sikre apparatets drift og hindre  
overophedning må disse åbninger ikke blokeres eller tildækkes. Stik aldrig  
noget ind igennem ventilationsåbningerne, og pas på aldrig at spilde nogen  
form for væske på apparatet.  
Dette apparat er forsynet med et stik med jordforbindelse. Denne  
sikkerhedsforanstaltning må aldrig omgås.  
Udgangsstik fra audioforstærkere må aldrig sættes direkte i apparatet.  
Apparatet må ikke udsættes for regn eller fugt og må ikke bruges i nærheden  
af vand for at undgå risiko for elektrisk stød og brand.  
Apparatet må aldrig bruges, hvis det er blevet stødt, beskadiget eller vådt, eller  
hvis ændringer i ydelsen tyder på, at det trænger til eftersyn.  
Dette apparat må kun åbnes af fagfolk. Hvis dækslet tages af, udsættes man  
for livsfarlig højspænding.  
Käytä aina oikeaa verkkojännitettä. Tehovaatimukset selviävät valmistajan  
käyttöohjeista. Huomaa, että eri käyttöjännitteet saattavat vaatia toisenlaisen  
verkkojohdon ja/tai -pistokkeen käytön.  
Älä asenna yksikköä telineeseen jossa ei ole tuuletusta, tai välittömästi lämpöä  
tuottavien laitteiden, esim. tehovahvistimien, yläpuolelle. Ympäristön  
lämpötila käytössä ei saa ylittää tuotespesifikaation maksimilämpötilaa.  
Kotelo on varustettu tuuletusreiillä ja -aukoilla. Luotettavan toiminnan  
varmistamiseksi ja ylilämpenemisen välttämiseksi näitä aukkoja ei saa sulkea tai  
peittää. Mitään esineitä ei saa työntää tuuletusaukkoihin. Mitään nesteitä ei saa  
kaataa yksikköön.  
Tuote on varustettu 3-johtimisella maadoitetulla verkkopistokkeella. Tämä on  
turvallisuustoiminne eikä sitä saa poistaa.  
Älä kytke audiotehovahvistimen lähtöjä suoraan mihinkään yksikön liittimeen.  
Sähköiskun ja palovaaran välttämiseksi yksikkö ei saa olla sateessa tai  
kosteassa, eikä sitä saa käyttää märässä ympäristössä.  
Älä käytä yksikköä jos se on pudonnut, vaurioitunut, kostunut, tai jos sen  
suorituskyky on huomattavasti muuttunut, mikä vaatii huoltoa.  
Yksikön saa avata vain laitteeseen perehtynyt huoltohenkilö. Kansien poisto  
altistaa sinut vaarallisille jännitteille.  
Tämä kolmio, joka esiintyy komponentissasi, varoittaa sinua  
eristämättömän vaarallisen jännitteen esiintymisestä yksikön sisällä.  
Tämä jännite saattaa olla riittävän korkea aiheuttamaan  
sähköiskuvaaran.  
Denne mærkat på komponenten advarer om uisoleret, farlig spænding  
i apparatet - høj nok til at give elektrisk stød.  
Denne mærkat på komponenten advarer om vigtig driftsog vedlige-  
holdsinformation i den tilhørende litteratur.  
Tämä kolmio, joka esiintyy komponentissasi, kertoo sinulle, että tässä  
tuotedokumentoinnissa esiintyy tärkeitä käyttö- ja ylläpito-ohjeita.  
ix  
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Introduction  
JBL  
NORSK  
VIKTIG INFORMASJON OM SIKKERHET  
SVENSKA  
VIKTIGA SÄKERHETSFÖRESKRIFTER  
NO  
NO  
SE  
SE  
Ta vare på denne veiledningen for senere bruk.  
Spara dessa föreskrifter för framtida bruk.  
Følg alle anvisningene og advarslene som er angitt på apparatet.  
Följ alla anvisningar och varningar som anges på enheten.  
Apparatet skal alltid anvendes med korrekt spenning. Produktbeskrivelsen  
inneholder spesifikasjoner for strømkrav. Vær oppmerksom på at det ved ulike  
driftsspenninger kan være nødvendig å bruke en annen ledning- og/eller  
støpseltype.  
Apparatet skal ikke monteres i skap uten ventilasjon, eller direkte over  
varmeproduserende utstyr, som for eksempel kraftforsterkere. Den maksimale  
romtemperaturen som står oppgitt i produktbeskrivelsen, skal overholdes.  
Apparatet er utstyrt med ventilasjonsåpninger. For at apparatet skal være  
pålitelig i bruk og ikke overopphetes, må disse åpningene ikke blokkeres eller  
tildekkes. Stikk aldri noe inn i ventilasjonsåpningene, og pass på at det aldri  
søles noen form for væske på apparatet.  
Dette apparatet er utstyrt med et jordet støpsel. Dette er en  
sikkerhetsforanstaltning som ikke må forandres.  
Utgangsplugger fra audioforsterkere skal aldri koples direkte til apparatet.  
Unngå brannfare og elektrisk støt ved å sørge for at apparatet ikke utsettes for  
regn eller fuktighet og ikke anvendes i nærheten av vann.  
Apparatet skal ikke brukes hvis det har blitt utsatt for støt, er skadet eller blitt  
vått, eller hvis endringer i ytelsen tyder på at det trenger service.  
Dette apparatet skal kun åpnes av fagfolk. Hvis dekselet fjernes, utsettes man  
for livsfarlig høyspenning.  
Använd alltid rätt nätspänning. Se tillverkarens bruksanvisningar för  
information om effektkrav. Märkväl, att andra matningsspänningar eventuellt  
kräver att en annan typs nätsladd och/eller kontakt används.  
Installera inte enheten i ett oventilerat stativ, eller direkt ovanför utrustningar  
som avger värme, t ex effektförstärkare. Se till att omgivningens temperatur  
vid drift inte överskrider det angivna värdet i produktspecifikationen.  
Behållaren är försedd med hål och öppningar för ventilering. För att garantera  
tillförlitlig funktion och förhindra överhettning får dessa öppningar inte  
blockeras eller täckas. Inga föremål får skuffas in genom ventilationshålen. Inga  
vätskor får spillas på enheten.  
Produkten är försedd med en jordad 3-trådskontakt. Detta är en  
säkerhetsfunktion som inte får tas ur bruk.  
Anslut aldrig audioeffektförstärkarutgångar direkt till någon av enhetens  
kontakter.  
För att undvika elstöt eller brandfara får enheten inte utsättas för regn eller  
fukt, eller användas på ställen där den blir våt.  
Använd inte enheten om den har fallit i golvet, skadats, blivit våt, eller om dess  
prestanda förändrats märkbart, vilket kräver service.  
Enheten får öppnas endast av behörig servicepersonal. Farliga spänningar blir  
tillgängliga när locken tas bort.  
Komponenten er merket med denne trekanten, som er en advarsel om  
at det finnes uisolert, farlig spenning inne i kabinettet - høy nok til å  
utgjøre en fare for elektrisk støt.  
Denna triangel, som visas på din komponent, varnar dig om en  
oisolerad farlig spänning inne i enheten. Denna spänning är eventuellt  
så hög att fara för elstöt föreligger.  
Komponenten er merket med denne trekanten, som betyr at den  
tilhørende litteraturen inneholder viktige opplysninger om drift og ved  
Denna triangel, som visas på din komponent, anger att viktiga  
bruksanvisningar och serviceanvisningar ingår i dokumentationen i  
fråga.  
x
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Introduction  
SDP-40  
Unpacking and Inspection  
Desembalaje e inspección  
US  
ES  
After unpacking the unit, save all packing materials in case you ever  
need to ship the unit. Thoroughly inspect the modules and  
packing materials for signs of damage. Report any damage to the  
carrier at once; report equipment malfunction to your dealer.  
Después de desembalar la unidad, guarde todos los materiales de  
embalaje por si alguna vez transportar la unidad. Inspeccione con  
atención los módulos y los materiales de embalaje para comprobar  
que no muestren desperfectos. Informe inmediatamente de  
cualquier desperfecto al transportista; informe de cualquier  
problema de funcionamiento del equipo a su distribuidor.  
Desempacotando e Inspeção  
PT  
Depois de desempacotar a unidade, economiza todos os materiais  
de embalagem no caso de você já precisa transportar a unidade.  
Completamente inspecione os módulos e empacotando materiais  
para sinais de dano. Informe qualquer dano imediatamente ao  
portador; mau funcionamento de equipamento de relatório para  
seu negociante.  
Contenu de l’emballage et inspection  
FR  
Après avoir ouvert l’emballage, conservez-le pour tout retour.  
Inspectez avec soin les modules et les matériaux d’emballage pour  
tout signe de dommage. Veuillez rapporter immédiatement les  
dommages auprès du transporteur. Les dysfonctionnements du  
matériel doivent être signalés à votre revendeur.  
Auspacken und Überprüfung  
DE  
Disimballaggio ed ispezione  
IT  
Bewahren Sie nach dem Auspacken des Geräts das  
Verpackungsmaterial für den Fall auf, dass Sie das Gerät wieder  
versenden müssen. Überprüfen Sie die Module und die Verpackung  
sorgfältig auf Anzeichen von Beschädigung. Etwaige Schäden sind  
dem Transporteur unverzüglich anzuzeigen; Funktionsstörungen  
sind dem zuständigen Händler zu melden.  
Dopo aver disimballato l’unità, salvi tutto il materiale  
d’imballaggio, in caso Lei abbia bisogno di spedire l’unità. Ispezioni  
attentamente i moduli ed il materiale d’imballaggio per vedere se  
riportano segni di danno. Riporti subito ogni segno di danno al  
corriere; riferisca il malfunzionamento dell’attrezzatura al suo  
rivenditore.  
xi  
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1
Getting Started  
Overview ......................................................................................1-2  
Highlights .....................................................................................1-3  
Using the Documentation.............................................................1-4  
Location Considerations................................................................1-4  
Navigating the Menus ..................................................................1-4  
Two-line Status .............................................................................1-5  
Restoring Factory-Default Settings ................................................1-5  
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Getting Started  
JBL  
Thank you for purchasing the SDP-40 Digital Controller – a  
reference-quality, 12-channel digital surround processor with  
built-in digital audio processing, 12 configurable inputs, and 3  
independent zones. Beyond the standard 5.1-channel outputs, the  
unit features stereo rear and stereo subwoofer outputs.  
Additionally, the SDP-40 provides balanced audio outputs for all  
Main Zone and Zone 2 outputs.  
Four 32-bit DSP engines provide enormous processing power.  
Custom algorithms process 96kHz/24-bit audio in all listening  
modes. A fifth processor, the Crystal 49326 Audio DSP, decodes  
multi-channel compressed audio data sources. Three expansion  
slots make it possible to more than quadruple available processing  
power.  
Analog sources are processed at 96kHz. Digital sources use a  
two-stage phase lock loop for extremely low intrinsic jitter with  
high-jitter rejection. Each MAIN AUDIO OUTPUT incorporates  
24-bit/192kHz digital-to-analog converters operating in dual  
differential mode to ensure the highest quality performance. There  
are two broadcast-quality video switchers. The ultra-wide  
bandwidth component video switcher accepts any analog  
component or RGB video input type. The S- and composite video  
switcher accommodates high-quality NTSC, PAL, or SECAM video  
input types.  
Inside and out, the unit is designed with an eye toward the future.  
The rear panel has stereo auxiliary outputs to provide more audio  
channels, and a removable access plate to accommodate  
connectors for new technologies. Inside, three expansion slots are  
available for future upgrades. The system software can be  
upgraded in the field using the RS-232 port.  
The SDP-40 features LOGIC7™ technology. LOGIC7 creates a  
7.1-channel output from any input signals (except mono input  
signals). Unlike many decoders, LOGIC7 is compatible with most  
input signals and requires no special encoding. Because the  
improvement it provides is clearly audible, LOGIC7 is widely  
recognized as the finest surround decoder available.  
Input configuration allows any source to be assigned to any input.  
The unit will automatically switch between digital and  
analog sources. The intuitive user interface, with color on-screen  
display, makes it easy to configure the unit. Three subwoofer  
outputs and sophisticated routing provide intelligent bass  
management.  
Dolby Digital, THX Surround EX, dts, dts-ES, and Dolby Pro  
Logic II are also included. THX certification guarantees that  
specifications meet the highest standards set forth by Lucasfilm’s  
Home THX division.  
With its unique combination of power, flexibility, and  
expandability, the SDP-40 is equipped for the needs of today and  
the demands of tomorrow.  
1-2  
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Getting Started  
SDP-40  
HIGHLIGHTS  
12 channels  
Broadcast quality video switching  
12 configurable inputs  
LOGIC7 decoding  
3 zones  
Dolby Digital, Dolby Pro Logic II, and Dolby Pro Logic  
decoding  
13 digital audio inputs, including 1 AES/EBU input  
3 subwoofer outputs  
dts and dts-ES (discrete & matrix) decoding  
THX Ultra certification  
2 auxiliary outputs for future expansion  
THX Surround EX decoding  
Dual 24-bit/192kHz digital-to-analog converters for all MAIN  
AUDIO OUTPUTS  
Upgradable software using RS-232  
3 internal slots for future expansion  
Removable access panel for future expansion  
2 digital audio outputs  
5.1-channel analog input  
Analog bypass option (5.1-channel and stereo inputs)  
Auto switching between digital and analog connectors  
4 component video inputs (one BNC) with full HDTV  
compatibility  
RS-232 control  
Rear panel IR IN connector  
BNC component video output  
8 S-video inputs  
4 rear panel microphone inputs for future expansion  
3 trigger outputs  
5 composite video inputs  
4 32-bit DSP engines  
19" rack-mount kit option (included)  
Balanced audio outputs  
1-3  
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Getting Started  
JBL  
USING THE DOCUMENTATION  
LOCATION CONSIDERATIONS  
The SDP-40 has many impressive features. It is designed to be  
customized to individual systems and listening spaces. For these  
reasons, the information contained in this user guide is extensive.  
The unit requires special care during installation to ensure  
optimal performance. The unit should be installed on a shelf or in  
a standard 19” equipment rack using the enclosed optional  
rack-mount kit.  
Refer to this documentation for assistance with installation,  
calibration, and operation of the unit. Settings that are reached  
during the calibration process can be recorded on the installation  
worksheet located in the Appendix (see page A-12).  
CAUTION  
Observe the following precautions when installing the unit:  
Select a dry, well-ventilated location out of direct sunlight.  
Do not stack the unit directly above heat-producing  
equipment, such as power amplifiers.  
USER GUIDE SYMBOLS  
Following are symbols that appear throughout this user guide:  
Avoid placing the unit near unshielded TV or FM antennas, cable  
TV decoders, and other RF emitting devices. If placed in close  
proximity to the unit, these devices may cause interference.  
WARNING  
CAUTION  
Calls attention to a procedure, practice, condition, or  
the like that, if not correctly performed or adhered  
to, could result in injury or death.  
Do not obstruct the front panel IR Receiver window (see pages  
2-2 and 2-6 for illustrations). The remote control must be in  
line-of-sight with the receiver for proper operation. If line-of-  
sight is impractical, an infrared remote system can be used  
with the rear panel IR IN connector. The unit can be placed  
inside a glass cabinet. However, smoked glass will reduce the  
range of the remote control as well as the readability of the  
front panel display.  
Calls attention to a procedure, practice, condition, or  
the like that, if not correctly performed or adhered  
to, could result in damage to or destruction of part or  
all of the product.  
Calls attention to information that is essential to  
highlight.  
Note:  
NAVIGATING THE MENUS  
The remote control must be used to navigate  
through the extensive menu structure (see  
page 2-8 for more information about the  
remote control). Pressing the MENU button  
accesses the MAIN MENU (pictured at the  
right), which can be used to access the three primary menus:  
MODE ADJUST, AUDIO CONTROLS, and SETUP. These menus are  
discussed in Sections 5, 4, and 3. The complete menu structure is  
illustrated in the Appendix, beginning on page A-5.  
MAIN MENU  
SETUP  
INPUTS  
DVD1  
NAME  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
Represents a menu path. The steps in grey boxes  
illustrate a series of selections that must be made to  
reach the destination in the black box. In the  
example above, the SETUP, INPUTS, and DVD1  
options must be selected to reach the NAME menu.  
1-4  
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Getting Started  
SDP-40  
The MENU arrows navigate through all menus when the MAIN  
command bank is active (see page 2-8 for more information about  
command banks). Press the up and down MENU arrows to scroll  
through menu items. A scroll bar will appear on the right side of  
the screen when these items exceed the on-screen margins. Press  
the right MENU arrow to select the highlighted item. Press the left  
MENU arrow to exit the current menu.  
2. If the unit is on, place it into standby by pressing the  
(standby) button on the remote control. If the unit is in  
standby, skip ahead to Step 3.  
3. Power the unit on by pressing the@@@((standby) button  
on the remote control.  
4. Quickly press and hold the MUTE button on the remote  
control until the following hidden menu appears:  
TWO-LINE STATUS  
The two-line status (pictured at the right)  
appears on the on-screen display whenever  
the unit receives a command or whenever  
the input type changes, unless the STATUS parameter on the  
ON-SCREEN DISPLAY menu is set to OFF (see page 3-31). Pressing  
the STAT button on the remote control will also display the two-line  
status. The two-line status that appears depends on which remote  
control command bank is active (see page 2-8).  
DVD1 DD D  
5.1 L7 FILM  
VOL  
-30dB  
FACTORY SETTINGS  
EXIT  
RESTORE DEFAULTS  
The MUTE button must be pressed within 3s of powering  
the unit on. If the message “MUTE ON” appears in the top-  
left corner of the screen when the MUTE button is pressed,  
too much time has passed. Begin again with Step 2.  
The two-line status shows the current input name (top-left); the  
current listening mode name (bottom-left); the current input type  
(top-center); and the current volume level (right).  
5. Use the up and down MENU arrows to highlight RESTORE  
DEFAULTS, then press the right MENU arrow to restore  
factory-default settings. (Selecting the EXIT option with the  
right MENU arrow will cancel the restoration of factory-  
default settings.)  
RESTORING FACTORY-DEFAULT SETTINGS  
The procedure below outlines the process to restore factory-default  
settings. Before performing these steps, record custom settings on  
the installation worksheet (see page A-12). All parameters will be  
reset to their factory-default value. This procedure should be  
performed before setup begins.  
6. The message “FACTORY SETTINGS HAVE BEEN  
RESTORED” will appear on the screen. Press any front  
panel or remote control button to restart the unit.  
To restore factory-default settings:  
1. Record user-defined settings on the installation worksheet  
(see page A-12).  
1-5  
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2
Basic Operation  
Front Panel ...................................................................................2-2  
Rear Panel.....................................................................................2-4  
Remote Control ............................................................................2-6  
Understanding the Zones............................................................2-15  
Understanding Listening Mode Selection....................................2-16  
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Basic Operation  
JBL  
FRONT PANEL  
2
4
5
7
9
11  
3
1
6
8
10  
12  
IR RECEIVER  
1
(Standby) toggles the unit between on and standby. When  
the unit is on, pressing this button places the unit into standby  
and lights the red LED on this button. Power is still supplied to  
the unit when it is in standby. When the unit is in standby,  
pressing this button activates all zones that were active in the  
previous operating session.  
Amber LED  
Red LED  
Blue LED  
2-2  
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Basic Operation  
SDP-40  
2
The second press restores the volume in the Main Zone to its  
original level. Mute level can be set in the VOLUME  
CONTROL SETUP menu (see page 3-34).  
The Front Panel Display indicates the current input name  
(top-left); the current listening mode name (bottom-left); the  
current input type (top-center); and the current volume level  
(right). This 2 by 20 character display can be used to view the  
menus, one menu item at a time. The up and down MENU  
arrows can be used to scroll through all menu items, provided  
the Main remote control command bank is active (see page  
2-8)  
The Mute LED lights whenever mute is activated either  
manually or automatically by the unit. For example, the unit  
will briefly activate mute when changing input types or  
listening modes.  
3
The IR Receiver receives infrared commands from the remote  
control. There are three LEDs located in this area: an amber  
LED blinks when an infrared command is received; a red LED  
lights when the analog-to-digital converters are overloading;  
and a blue LED lights when the unit is on (even when the front  
panel display is deactivated).  
7
Main Input Selection Buttons select the input in the Main  
Zone, and light a corresponding blue LED. When the unit is in  
standby, pressing one of these buttons also activates the Main  
Zone. (Zone 2 and the Record Zone will remain deactivated  
until one of those inputs is selected.)  
8
9
Main Off deactivates the Main Zone.  
4
5
The Volume Knob adjusts the volume level in the Main Zone.  
When adjustments are made, volume level is shown in dB on  
the on-screen and front panel displays. A horizontal bar graph  
illustrates adjustments.  
Zone 2 Input Selection Buttons select the input in Zone 2,  
and light a corresponding amber LED. When the unit is in  
standby, pressing one of these buttons also activates Zone 2.  
(The Main and Record Zones will remain deactivated until one  
of those inputs is selected.)  
The Mode Up and Down Buttons scroll through available  
listening modes in the Main Zone. Pressing the Mode Up  
button selects the previous listening mode; pressing the Mode  
Down button selects the next listening mode. See page 2-17  
for more information about mode selection using the Mode up  
and down buttons.  
10  
11  
Zone 2 Off deactivates Zone 2.  
Record Input Selection Buttons select the input in the Record  
Zone, and light a corresponding red LED. When the unit is in  
standby, pressing one of these buttons also activates the  
Record Zone. (The Main Zone and Zone 2 will remain  
deactivated until one of those inputs is selected.)  
6
Mute toggles between muting the volume level in the Main  
Zone, and restoring the volume to its original level. The first  
press lowers the volume level in the Main Zone and lights the  
amber LED on this button. The message “MUTE ON” appears  
in the top-left corner of the on-screen and front panel displays.  
12  
Record Off deactivates the Record Zone.  
2-3  
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Basic Operation  
JBL  
REAR PANEL  
3
1
5
8
7
9
15  
INPUTS  
COMPONENT VIDEO  
PB  
MAIN OUTPUTS  
RECORD OUTPUTS  
INPUT 1  
PR  
INPUT 2  
PR  
INPUT 3  
1
1
2
3
3
4
5
5
Y
PB  
Y
Y
PR  
PB  
SERIAL NO.  
1 (OSD)  
2
1
2
INPUT 4  
OUTPUT  
REAR  
Y
PR  
PB  
Y
PR  
PB  
R
C
US  
LISTED  
AUDIO  
EQUIPMENT  
24PB  
VIDEO  
VIDEO  
2
4
6
7
8
FRONT  
CENTER  
SUBWOOFER  
SIDE  
AUX  
Fix ZONE 2 Var  
L
Fix  
Var  
CAUTION  
(L)  
(C)  
(LS)  
RISK OF ELECTRIC  
L
L
L
L
L
SHOCK DO NOT OPEN  
ATTENTION  
RISQUE DE CHOC  
ELECTRIQUE  
NE PAS OUVRIR  
(R)  
(SUB)  
(RS)  
R
R
R
R
R
R
AC 100-240V~, 50-60 Hz, 90W  
LFE  
MICROPHONE INPUTS  
MAIN AUDIO OUTPUTS  
AUDIO  
TRIGGER OUTPUTS  
AUDIO  
S/PDIF  
1
4
2
3
1
2
3
4
1
4
2
5
3
6
1
2
IR IN  
5
6
OMJ  
RS 232  
geprufte  
Sicherheit  
PRODUCT SERVICE  
4
6
L
FRONT  
R
CENTER  
LFE  
L
SUBWOOFER  
R
L
SIDE  
R
L
REAR  
R
L
AUX  
R
L
ZONE 2  
R
2
10  
11  
12  
13  
14  
Never make or break connections to the unit unless the  
power switch and all associated equipment are  
powered off.  
CAUTION  
2-4  
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Basic Operation  
SDP-40  
1
7
The MAIN VIDEO OUTPUTS provide video output in the Main  
Zone. One component (BNC), two composite, and two  
S-video outputs are available. The component video output is  
only available when component video inputs are used.  
Composite video outputs are available when composite or  
S-video inputs are used. S-video outputs are only available  
when S-video inputs are used. Output 1 (OSD) incorporates  
the on-screen display; output 2 does not.  
The Power Switch disconnects power to the AC input  
connector.  
2
3
The AC Input Connector provides power to the unit via the  
supplied power cord (3 wire, 10 amp, IEC 320).  
The VIDEO INPUTS provide video input in the Main and  
Record Zones. Eight S-video, five composite video, and four  
component video inputs are available in the Main Zone. All can  
be assigned in the INPUT SETUP menu (see page 3-3). S-video  
and composite video inputs are available in the Record Zone.  
8
9
The ZONE 2 AUDIO OUTPUTS provide analog audio output in  
Zone 2. Two stereo outputs (one fixed, one variable) are  
available. The variable output includes a built-in volume  
control; the fixed output does not.  
4
The AUDIO INPUTS provide analog audio input in all zones.  
Eight stereo analog input pairs labeled 1 to 8 are available.  
Pairs 6, 7, and 8 can be configured as a 5.1-channel analog  
input. These pairs function as (L)/(R), (C)/(SUB), and (LS)/(RS)  
when the 5.1-channel analog input is selected (see page 3-30).  
The RECORD AUDIO and VIDEO OUTPUTS provide audio  
and video output in the Record Zone. Two composite, two  
S-video, two analog stereo (one fixed, one variable), one  
S/PDIF coaxial, and one S/PDIF optical outputs are available.  
5
6
The MAIN AUDIO OUTPUTS provide analog audio output in  
the Main Zone. Ten outputs labeled FRONT L/R, CENTER, LFE,  
SUBWOOFER L/R, SIDE L/R, and REAR L/R are available. The  
AUX L/R outputs are reserved for future expansion.  
Note:  
When analog input sources are used, the ZONE 2  
and RECORD AUDIO OUTPUTS are about 2dB higher  
than the MAIN AUDIO OUTPUTS labelled FRONT  
L/R. When digital input sources are used, the ZONE 2  
and RECORD AUDIO OUTPUTS are about 8dB higher  
than the MAIN AUDIO OUTPUTS labelled FRONT  
L/R. This is to accommodate THX level requirements.  
The balanced MAIN and ZONE 2 AUDIO OUTPUTS provide  
analog audio output in the Main Zone and Zone 2. Ten  
outputs labeled FRONT L/R, CENTER, LFE, SUBWOOFER L/R,  
SIDE L/R, and REAR L/R are available in the Main Zone. The  
AUX L/R outputs are reserved for future expansion. Two  
connectors labeled ZONE 2 L/R are available as a variable  
stereo output for Zone 2.  
10  
The AES/EBU and S/PDIF INPUTS provide digital audio input.  
One AES/EBU, six S/PDIF coaxial, and six S/PDIF optical  
(including one optical mini jack) inputs are available.  
. . . continued on page 2-6  
2-5  
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Basic Operation  
JBL  
REAR PANEL (continued)  
11  
The MICROPHONE INPUTS are provided for future expansion.  
Four 3.5mm T/R/S or balanced inputs are available.  
12  
The TRIGGER OUTPUTS provide DC output. These outputs are  
available on a 5-pin DIN connector. The PWR trigger is on  
when the unit is on, and off when the unit is in standby or off.  
Triggers 1 and 2 can be configured in the TRIGGER SETUP  
menu (see page 3-35). The default trigger settings are  
preconfigured for use in JBL Synthesis systems with switching  
transducers for cinema and music modes.  
GROUND  
TRIGGER 2  
GROUND  
TRIGGER 1  
POWER TRIGGER  
13  
14  
The RS-232 Connector labelled 1 is provided for serial control  
and software upgrades. The RS-232 connector labelled 2 is  
provided for future expansion.  
The IR IN Connector is provided for input of infrared data  
from industry-standard infrared distribution equipment. A  
3.5mm T/R/S input is available.  
15  
A Removable Access Panel is provided for future expansion.  
2-6  
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Basic Operation  
SDP-40  
REMOTE CONTROL  
The SDP-40 remote control (pictured at the left) provides full operation of the unit, executing  
functions such as on-screen menu navigation that are not available from the front panel. For best  
results, make sure the front panel IR Receiver window is not obstructed (see pages 2-2 and 2-6 for  
illustrations). The remote control must be in line-of-sight with this receiver for proper operation.  
If the unit is placed inside a glass cabinet, smoked glass will reduce the range of the remote con-  
trol.  
1
2
3
MAIN  
ZONE  
REC  
SHIFT  
DVD-1  
DVD-2  
SAT  
L D  
TV  
CD  
VCR  
GAME  
AUX  
4
PVR  
The remote control requires two AA batteries that must be changed on a regular basis. When the  
batteries are low on power, the remote control will enter a low-voltage condition that prevents it  
from operating the unit. Operation will be restored when new batteries are installed.  
6
9
TAPE  
TUNER  
5
8
FP  
MODE  
BLUE  
OSD  
VOL  
COMMAND BANK SELECTION  
The four remote control command banks can be accessed by pressing the MAIN, ZONE, REC, or  
SHIFT buttons. Each button accesses a separate bank of commands until another bank is  
selected. Pressing a bank selection button instructs the unit to engage the selected command  
bank. Command bank selection buttons themselves do not send commands to the unit.  
7
STAT  
MUTE  
10  
12  
13  
14  
11  
MENU  
7 / 5  
2 CH  
The unit indicates the last remote control command bank from which it received a command in  
the top-right corner of the on-screen display, provided the REMOTE STATE parameter on the ON-  
SCREEN DISPLAY menu is set to ON (see page 3-32). A yellow “Z” will appear when a command  
from the ZONE bank was received last. A red “R” will appear when a command from the REC bank  
was received last. A blue “S” will appear when a command from the SHIFT bank was received last.  
Nothing will appear when a command from the MAIN bank was received last.  
15  
16  
MUSIC  
The chart that begins on the next page explains the functions performed by remote control  
buttons when each command bank is active.  
Note:  
The MAIN, ZONE, REC, or SHIFT buttons should be pressed and released to access  
their corresponding command banks. Do not hold them down.  
2-7  
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Basic Operation  
JBL  
BANK:  
MAIN  
ZONE  
REC  
SHIFT  
1
2
MAIN  
ZONE  
REC  
Toggles the unit between on and standby. When the unit is on, pressing this  
button places the unit into standby and lights the red LED on the front panel  
standby button. When the unit is in standby, pressing this button activates all  
zones that were active in the previous operating session.  
1
3
SHIFT  
Standby  
DVD-1  
DVD-2  
SAT  
L D  
TV  
CD  
VCR  
GAME  
AUX  
2
PVR  
Activates the remote control backlight, making buttons more visible in the dark.  
The backlight also activates whenever any button is pressed, and deactivates  
automatically.  
LIGHT  
TAPE  
TUNER  
FP  
3
MODE  
BLUE  
OSD  
VOL  
MAIN  
ZONE  
REC  
Accesses a bank of commands that control the Main Zone.  
Bank  
Selection  
Buttons  
STAT  
MUTE  
Accesses a bank of commands that control Zone 2 and the Main Zone.  
Accesses a bank of commands that control the Record and Main Zones.  
Accesses a bank of commands that control the Main Zone.  
MENU  
7 / 5  
2 CH  
SHIFT  
MUSIC  
Note:  
The buttons included on the chart above perform the same function regardless of which  
command bank is active.  
2-8  
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Basic Operation  
SDP-40  
BANK:  
MAIN  
ZONE  
REC  
SHIFT  
MAIN  
ZONE  
REC  
Deactivates the Main Zone.  
Selects the input for the zone.  
Selects the input for the zone.  
Selects the input for the zone.  
Selects the input for the zone.  
Selects the input for the zone.  
Selects the input for the zone.  
Selects the input for the zone.  
Selects the input for the zone.  
Selects the input for the zone.  
Selects the input for the zone.  
Selects the input for the zone.  
Selects the input for the zone.  
4
D VD -1  
D VD -2  
L D  
SHIFT  
Input  
Selection  
Buttons  
Deactivates Zone 2.  
DVD-1  
DVD-2  
SAT  
L D  
TV  
CD  
VCR  
GAME  
AUX  
4
Deactivates the Record Zone.  
PVR  
TAPE  
TUNER  
T V  
Sets LOUDNESS to ON.*  
FP  
MODE  
BLUE  
OSD  
VOL  
SA T  
VC R  
Sets LOUDNESS to OFF.*  
STAT  
MUTE  
Reserved for future expansion.  
Increases BASS in 0.5dB increments.*  
Increases TREBLE in 0.5dB increments.*  
Increases TILT EQ in 0.2dB increments.*  
Decreases BASS in 0.5dB increments.*  
Decreases TREBLE in 0.5dB increments.*  
Decreases TILT EQ in 0.2dB increments.*  
MENU  
C D  
7 / 5  
2 CH  
PV R  
G A M E  
MUSIC  
TA PE  
TU N ER  
A U X  
*See Section 4 for more information about these AUDIO CONTROLS menu parameters.  
2-9  
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Basic Operation  
JBL  
BANK:  
MAIN  
ZONE  
REC  
SHIFT  
MAIN  
ZONE  
REC  
Toggles the  
FRONT PANEL  
DISPLAY menu  
Sets Zone 2  
Sets Record Zone Sets Main Zone  
5
FP  
volume to -15dB. volume to -15dB. volume to -15dB.  
@@@@@@@@@@ @@@@ @@@  
SHIFT  
FP  
DVD-1  
DVD-2  
SAT  
L D  
STATUS parameter @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@  
between ALWAYS @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@  
OFF and its  
current setting  
(see page 3-32).  
TV  
CD  
VCR  
GAME  
AUX  
@@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@  
@@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@  
@@@@@@  
PVR  
6
7
TAPE  
TUNER  
@
@@@@  
5
FP  
6
Toggles the  
Sets Zone 2  
Sets Record Zone Sets Main Zone  
BLU E  
MODE  
BLUE  
OSD  
VOL  
ON-SCREEN  
DISPLAY menu  
BACKGROUND  
parameter  
volume to -30dB. volume to -30dB. volume to -30dB.  
@@@@@@@@@@ @@@@@@ @@@@@  
@@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@  
@@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@  
BLUE  
STAT  
MUTE  
between ON and @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@  
MENU  
OFF (see  
@@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@  
page 3-32).  
@@@  
@@@  
@@@  
7 / 5  
2 CH  
7
Toggles the  
Reserved for  
future  
expansion.  
Reserved for  
future  
expansion.  
Sets BASS,  
TREBLE, and TILT  
EQ to +0.0dB.*  
O SD  
ON-SCREEN  
DISPLAY menu  
STATUS  
MUSIC  
OSD  
parameter  
between ALWAYS  
OFF and its  
current setting  
(see page 3-31).  
*See Section 4 for more information about these AUDIO CONTROLS menu parameters.  
2-10  
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Basic Operation  
SDP-40  
BANK:  
MAIN  
ZONE  
REC  
SHIFT  
MAIN  
ZONE  
REC  
MODE +  
Scroll through  
available  
listening modes  
in the Main  
Zone. Pressing  
the Mode +  
button selects the  
previous listening  
mode; pressing  
the Mode -  
button selects the  
next listening  
mode. See page  
2-17 for more  
information  
MODE +  
MODE +  
8
SHIFT  
Activates  
Trigger 1 when  
TRIGGER 1 is set  
to REMOTE in the to REMOTE in the  
TRIGGER SETUP  
menu.  
Activates  
Trigger 2 when  
TRIGGER 2 is set  
Powers the unit  
on.  
MODE +/-  
DVD-1  
DVD-2  
SAT  
L D  
MODE  
TV  
CD  
VCR  
GAME  
AUX  
MODE -  
TRIGGER SETUP  
menu.  
PVR  
Places the unit  
into standby.  
TAPE  
TUNER  
FP  
MODE -  
MODE -  
(See page 3-39 for  
more information  
about the  
TRIGGER SETUP  
menu.)  
8
MODE  
BLUE  
OSD  
VOL  
9
Deactivates  
Trigger 1 when  
TRIGGER 1 is set  
to REMOTE in the to REMOTE in the  
TRIGGER SETUP  
menu.  
Deactivates  
Trigger 2 when  
TRIGGER 2 is set  
STAT  
MUTE  
TRIGGER SETUP  
menu.  
about mode  
@@@@@@@@@@  
@@@@@@@@@@  
@@@@@@@@@@  
@@@@@@@@@@  
@@@@@@@@@@  
@@@@@@@@@@  
@@@@@@@@@@  
@@@@@@@@@@  
@@@@  
MENU  
selection using  
the Mode + and -  
buttons.  
@@@@@@@@@@  
@@@@@@@@@@  
@@@@@@@@@@  
@@@@@@@@@@  
@@@@@@@@  
7 / 5  
2 CH  
(See page 3-35 for (See page 3-35 for  
more information  
about the  
TRIGGER SETUP  
menu.)  
more information  
about the  
TRIGGER SETUP  
menu.)  
MUSIC  
9
Adjusts Main  
Zone volume in  
1dB increments.  
Adjusts Zone 2  
volume in 1dB  
increments.  
Adjusts Record  
Zone volume in  
1dB increments.  
Adjusts Main  
Zone volume in  
3dB increments.  
VOL  
VOL +/-  
2-11  
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Basic Operation  
JBL  
BANK:  
MAIN  
ZONE  
REC  
SHIFT  
MAIN  
ZONE  
REC  
Displays the two- Displays the two- Displays the two- Toggles between  
10  
S T A T  
line status of the  
Main Zone for  
two seconds.  
line status of  
Zone 2 for two  
seconds.  
line status of the  
Record Zone for  
two seconds.  
accessing and  
exiting the  
STATUS menu.*  
SHIFT  
STAT  
DVD-1  
DVD-2  
SAT  
L D  
TV  
CD  
VCR  
GAME  
AUX  
11  
M U TE  
PVR  
Toggles between Toggles between  
lowering the  
volume level in  
the Main Zone,  
and restoring the restoring the  
Toggles between  
fully muting the  
volume level in  
the Record Zone,  
and restoring the  
volume to its  
Toggles between  
fully muting the  
volume level in  
the Main Zone,  
and restoring the  
volume to its  
fully muting the  
volume level in  
Zone 2, and  
MUTE  
TAPE  
TUNER  
FP  
MODE  
BLUE  
OSD  
VOL  
volume to its  
original level.  
volume to its  
original level.  
original level.  
original level.  
STAT  
MUTE  
10  
12  
11  
12  
Toggles between Centers ZONE 2  
Centers RECORD Centers Main  
M EN U  
MENU  
accessing and  
exiting the MAIN  
MENU.  
BALANCE.**  
BALANCE.**  
Zone BALANCE  
and FADER.**  
MENU  
7 / 5  
2 CH  
*See Section 5 for more information about STATUS menus.  
**See Section 4 for more information about these AUDIO CONTROLS menu parameters.  
MUSIC  
2-12  
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Basic Operation  
SDP-40  
BANK:  
MAIN  
ZONE  
REC  
SHIFT  
MAIN  
ZONE  
REC  
Scrolls upward  
through menu  
items.  
Reserved for  
Reserved for  
Adjusts Main Zone  
13  
SHIFT  
future expansion. future expansion. FADER forward.*  
@@@@  
MENU  
Arrows  
@@@@@@  
@@@@@@@  
DVD-1  
DVD-2  
SAT  
L D  
TV  
CD  
VCR  
GAME  
AUX  
Scrolls downward Reserved for  
through menu  
items.  
Reserved for  
Adjusts Main Zone  
PVR  
future expansion. future expansion. FADER backward.*  
@@@@  
TAPE  
TUNER  
@@@@  
@@@@  
FP  
Exits the current  
menu.  
Adjusts ZONE2  
BALANCE left.*  
Adjusts RECORD  
BALANCE left.*  
Adjusts Main Zone  
BALANCE left.*  
MODE  
BLUE  
OSD  
VOL  
STAT  
MUTE  
Selects the  
highlighted menu BALANCE right.*  
item. @@@@@  
Adjusts ZONE2  
Adjusts RECORD  
BALANCE right.*  
@@@@@  
Adjusts Main  
Zone BALANCE  
right.*  
MENU  
13  
14  
7 / 5  
2 CH  
14  
7 / 5  
Toggles between Reserved for  
Reserved for  
Reserved for  
15  
7 and 5-channel  
playback.  
future expansion. future expansion. future expansion.  
@@@@  
7/5  
@@@@  
********  
MUSIC  
@@  
15  
Toggles between Reserved for  
Reserved for  
Reserved for  
2 C H  
the selected  
listening mode  
and the  
future expansion. future expansion. future expansion.  
2CH  
2-CHANNEL  
listening mode.**  
*See Section 4 for more information about these AUDIO CONTROLS menu parameters.  
**See Section 5 for more information about listening modes.  
2-13  
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Basic Operation  
JBL  
BANK:  
MAIN  
ZONE  
REC  
SHIFT  
MAIN  
ZONE  
REC  
Selects the THX  
mode family.  
Reserved for  
Reserved for  
Toggles the  
16  
future expansion. future expansion. SURROUND EX  
parameter ON  
SHIFT  
Mode  
Family  
Selection  
Buttons  
@@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@  
@@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@  
DVD-1  
DVD-2  
SAT  
L D  
and OFF.*  
TV  
CD  
VCR  
GAME  
AUX  
@@@@  
@@@@  
@@@@  
PVR  
Selects the Dolby Reserved for  
Reserved for  
Reserved for  
mode family.  
future expansion. future expansion. future expansion.  
TAPE  
TUNER  
@
FP  
Selects the  
LOGIC7 film  
mode family.  
Reserved for  
future expansion. future expansion. future expansion.  
Reserved for  
Reserved for  
MODE  
BLUE  
OSD  
VOL  
@@@  
@@@  
@@@  
STAT  
MUTE  
Selects the  
LOGIC7 TV  
mode family.  
Reserved for  
Reserved for  
Reserved for  
future expansion. future expansion. future expansion.  
@@@@  
MENU  
@@@@  
@@@@  
7 / 5  
2 CH  
Selects the  
dts(-ES) mode  
family.  
Reserved for  
Reserved for  
Reserved for  
future expansion. future expansion. future expansion.  
16  
MUSIC  
@@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@  
@@@@  
@@@@  
@@@@  
Selects the  
Reserved for  
Reserved for  
Reserved for  
M U SIC  
LOGIC7 music  
mode family.  
future expansion. future expansion. future expansion.  
*See page 5-24 for more information about the SURROUND EX parameter.  
See page 2-18 for more information about mode selection using Mode Family Selection Buttons.  
2-14  
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Basic Operation  
SDP-40  
Audio will mute for up to 2 seconds when:  
UNDERSTANDING THE ZONES  
-
The same input is selected in the Main Zone that is  
already selected in Zone 2 or the Record Zone.  
Likewise, when the input is deselected in the Main  
Zone.  
The SDP-40 features three zones: the Main Zone, Zone 2, and the  
Record  
Zone.  
The  
Main  
Zone  
is  
designed  
to  
control audio and video signals in the primary listening space,  
Zone 2 is designed to control audio signals in the secondary  
listening space, and the Record Zone is designed to control audio  
and video signals for recording devices. The Record Zone can also  
function as a third zone, controlling audio and video signals in a  
third listening space.  
-
The same input is selected in Zone 2 or the Record  
Zone that is already selected in the Main Zone.  
Likewise, when the input is deselected in Zone 2 or the  
Record Zone.  
All three zones utilitize separate digital audio receivers, analog-to-  
digital converters, and digital-to-analog converters. This allows  
independent input selection in each zone with most input types.  
For instance, the unit can play a DVD in the Main Zone, play a CD  
in Zone 2, and send signals from a satellite receiver to a VCR  
through the Record Zone - all at the same time.  
When the 5.1 BYPASS listening mode is selected for the  
Main Zone, the same input can be utilized by Zone 2 or  
the Record Zone. However, only the FRONT L/R input  
signals will be available.  
The following exceptions apply to independent zone function:  
The same Dolby Digital or dts(-ES) input type can be  
selected in all zones simultaneously. However, when a  
Dolby Digital or dts(-ES) input type is active in the Main  
Zone, a different Dolby Digital or dts(-ES) input type  
cannot be active in Zone 2 or the Record Zone.  
Zone 2 and the Record Zone will provide a downmix (a  
2-channel version of multi-channel digital audio) only  
when using the same input that is selected in the Main  
Zone.  
Use caution when switching from a Dolby Digital input  
type to a dts(-ES) input type in the Record Zone. A loud,  
brief noise may occur.  
2-15  
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Basic Operation  
JBL  
UNDERSTANDING LISTENING MODE SELECTION  
MODE BUTTONS  
There are three different methods of selecting listening modes in  
the Main Zone:  
This type of listening mode selection occurs each time the Mode  
Up and Down buttons are pressed on the front panel, or the MODE  
+/- buttons are pressed on the remote control. This type of mode  
scrolling allows auditioning of all listening modes available for the  
current input type.  
The INPUT SETUP Menu  
The Mode up and down buttons on the front panel or the  
MODE +/- buttons on the remote control  
The Mode Family Selection Buttons on the remote control:  
Pressing the Mode Up/MODE + button selects the previous  
listening mode on the list. Pressing the Mode Down/MODE -  
button selects the next listening mode on the list. 2-channel  
listening modes are listed on page 3-10. Dolby Digital and dts(-ES)  
listening modes are listed on page 3-11. These lists are not visible  
on the on-screen and front panel displays during scrolling.  
MUSIC  
Listening mode selection only applies to the Main Zone.  
INPUT SETUP MENU  
Note:  
This type of listening mode selection occurs each time a listening  
mode is changed in the INPUT SETUP menu, and each time an  
input is selected using the input selection buttons on the front  
panel or the remote control.  
When the input type changes, the unit will  
automatically revert to the default listening modes  
selected in the INPUT SETUP menu. If USE LAST is  
selected in the INPUT SETUP menu when the input  
format changes, the unit will revert to the listening  
mode that was last used for the input type.  
The INPUT SETUP menu can be used to select a preferred  
2-channel, Dolby Digital, and dts(-ES) listening mode for each  
input. When an input type is recognized, the unit automatically  
defaults to the appropriate listening mode. (See page 3-3 for more  
information about the INPUT SETUP menu. See Section 5 for more  
information about listening modes.)  
For example, the 2-CH parameter on the INPUT SETUP menu is set  
to LOGIC7 FILM and the DOLBY D parameter is set to 5.1 LOGIC7  
MUSIC. When the input type changes from 2-channel to Dolby  
Digital, the listening mode will automatically change from LOGIC7  
FILM to 5.1 LOGIC7 MUSIC.  
2-16  
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Basic Operation  
SDP-40  
MODE FAMILY SELECTION BUTTONS  
Note:  
This type of mode selection occurs each time one of the Mode  
Family Selection buttons is pressed on the remote control. The  
matrix below shows how this type of mode selection determines  
the listening mode:  
Mode Family Selection will be overridden under the  
following conditions:  
An input is selected using the input selection  
buttons on the front panel or remote control.  
The Mode Up and Down buttons on the front  
panel or the MODE +/- buttons on the remote  
control are pressed.  
Input  
Type:  
DOLBY  
DIGITAL  
2-CHANNEL  
dts(-ES)  
DOLBY PRO  
LOGIC II THX  
5.1 THX  
SURROUND EX  
dts(-ES) THX  
The listening mode for the current input type is  
changed in the INPUT SETUP menu.  
DOLBY PRO  
LOGIC II  
DOLBY  
DIGITAL  
*INPUT SETUP  
Menu  
LOGIC7  
5.1 LOGIC7  
dts(-ES) LOGIC7  
FILM  
FILM  
FILM  
LOGIC7 TV  
5.1 LOGIC7  
TV  
*INPUT SETUP  
Menu  
*INPUT SETUP  
Menu  
*INPUT SETUP  
Menu  
dts(-ES)  
LOGIC7  
MUSIC  
5.1 LOGIC7  
MUSIC  
dts(-ES) LOGIC7  
MUSIC  
M U SIC  
*Reverts to the mode selected in the designated parameter on the  
INPUT SETUP menu.  
2-17  
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3
The SETUP Menu  
SETUP ...........................................................................................3-2  
INPUT SETUP ................................................................................3-3  
SPEAKER SETUP...........................................................................3-18  
REAR PANEL CONFIG..................................................................3-30  
DISPLAY SETUP ...........................................................................3-31  
VOLUME CONTROL SETUP.........................................................3-34  
TRIGGER SETUP ..........................................................................3-35  
LOCK OPTIONS ..........................................................................3-36  
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The SETUP Menu  
JBL  
SETUP  
DISPLAYS  
SETUP  
DISPLAYS  
Selecting SETUP on the MAIN MENU  
accesses the SETUP menu, which contains  
options that access available setup  
submenus. Use the up and down MENU  
arrows to scroll through the complete list of  
options. Press the right MENU arrow to  
select the highlighted option. Press the left  
MENU arrow to return to the MAIN MENU.  
SETUP  
Selecting DISPLAYS accesses the DISPLAY SETUP menu, which  
contains options and parameters to adjust the on-screen and front  
panel displays, as well as audio-video synchronization and the  
customized unit name. (See page 3-31 for more information.)  
INPUTS  
SPEAKERS  
REAR PANEL CONFIG  
DISPLAYS  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
VOLUME CONTROLS  
SETUP  
VOLUME CONTROLS  
Selecting VOLUME CONTROLS accesses the VOLUME CONTROL  
SETUP menu, which contains parameters for adjusting volume setup  
in the Main Zone, Zone 2, and the Record Zone. (See page 3-34  
for more information.)  
INPUTS  
SETUP  
INPUTS  
Selecting INPUTS prompts the selection of the desired input for  
configuration. Selecting a specific input accesses the INPUT SETUP  
menu, which contains options and parameters for configuring the  
selected input. (See page 3-3 for more information.)  
TRIGGERS  
SETUP  
TRIGGERS  
Selecting TRIGGERS accesses the TRIGGER SETUP menu, which  
contains parameters for configuring TRIGGERS 1 and 2. (See page  
3-35 for more information.)  
SPEAKERS  
SETUP  
SPEAKERS  
Selecting SPEAKERS accesses the SPEAKER SETUP menu, which  
contains options to configure the MAIN AUDIO OUTPUTS. (See  
page 3-18 for more information.)  
LOCK OPTIONS  
SETUP  
LOCK OPTIONS  
Selecting LOCK OPTIONS accesses the LOCK OPTIONS menu,  
which contains parameters for locking and unlocking the MODE  
ADJUST, AUDIO CONTROLS, and SETUP menus. (See page 3-36 for  
more information.)  
REAR PANEL CONFIG  
SETUP  
REAR PANEL CONFIG  
Selecting REAR PANEL CONFIG accesses the REAR PANEL CONFIG  
menu, which contains options that configure the function of  
analog input pairs 6, 7, and 8 on the rear panel. (See page 3-30 for  
more information.)  
3-2  
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The SETUP Menu  
SDP-40  
MAIN MENU  
SETUP  
INPUT SETUP  
DVD1 INPUT SETUP  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
DVD1  
DVD2  
LD  
NAME  
DVD1  
COAX-1  
NONE  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
REAR PANEL CONFIG  
DISPLAYS  
TV  
SAT  
AUTO  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
VIDEO IN  
COMPONENT IN  
S-VIDEO-1  
1
L7 FILM  
VCR  
CD  
2-CH  
D
PVR  
GAME  
TAPE  
TUNER  
AUX  
5.1 L7 FILM  
dts L7 FILM  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
DVD1 is used as an example in this illustration, and will continue to be used as an example  
throughout this section. Whenever “DVD1” appears as a step in a menu path, any other input  
may be substituted.  
INPUT SETUP  
The unit has 12 inputs, each of which can be associated with any  
of its 13 digital audio, 8 analog audio, and 17 video input  
connectors. Selecting the INPUTS option on the SETUP menu  
prompts the selection of the desired input for configuration.  
Selecting an input accesses the INPUT SETUP menu.  
The DVD1 INPUT SETUP menu is used as an example above, and  
will continue to be used as an example throughout this section.  
The parameters on the left side of the INPUT SETUP menu are  
identical regardless of which input is selected. The values on the  
right side of the menu are adjustable. (See page A-6 for an  
illustration of all INPUT SETUP menus.)  
3-3  
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The SETUP Menu  
JBL  
MAIN MENU  
SETUP  
INPUT SETUP  
DVD1 INPUT SETUP  
DVD1 INPUT NAME  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
DVD1  
DVD2  
LD  
NAME  
DVD1  
COAX-1  
NONE  
EDIT INPUT NAME  
RESTORE DEFAULT NAME  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
REAR PANEL CONFIG  
DISPLAYS  
TV  
SAT  
AUTO  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
VIDEO IN  
COMPONENT IN  
S-VIDEO-1  
1
L7 FILM  
VCR  
CD  
2-CH  
D
PVR  
GAME  
TAPE  
TUNER  
AUX  
5.1 L7 FILM  
dts L7 FILM  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
DVD1 is used as an example in this illustration, and will continue to be used as an example  
throughout this section. Whenever “DVD1” appears as a step in a menu path, any other input  
may be substituted.  
The input name will change on the on-screen and front panel  
displays. However, the input name will not change on the INPUT  
SETUP menu that prompts the selection of the desired input for  
configuration (pictured above, third menu from the left).  
NAME  
SETUP  
INPUTS  
DVD1  
NAME  
Selecting NAME accesses the INPUT NAME menu, which can be  
used to customize and restore input names.  
RESTORE DEFAULT NAME  
EDIT INPUT NAME  
RESTORE DEFAULT NAME restores the factory-default name of the  
selected input. Factory-default names correspond to the labels on  
the front panel and remote control. Selecting this option accesses  
a pulldown menu that reads “PRESS MENU V TO RESTORE INPUT  
NAME.” Press the right MENU arrow to restore the factory-default  
name of the selected input. Press the left MENU arrow to exit the  
pulldown menu without restoring the factory-default name of the  
selected input.  
EDIT INPUT NAME allows the customization of  
input names. Selecting this option accesses the  
pulldown menu pictured at the right.  
DVD1 INPUT NAME  
EDIT INPUT NAME  
DVD1  
^
W Y BUTTONS TO EDIT  
UP TO 8 CHARACTERS  
Use the up and down MENU arrows to  
change the character above the ^. Up to  
eight characters (including blank spaces) can  
V BUTTON TO ADVANCE  
be entered. Use the right MENU arrow to advance to the next  
character. The ^ will automatically wrap to the first character space  
after the eighth character space is passed. When finished, press the  
left MENU arrow to close the pulldown menu.  
3-4  
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The SETUP Menu  
SDP-40  
MAIN MENU  
SETUP  
INPUT SETUP  
DVD1 INPUT SETUP  
DVD1 DIGITAL IN  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
DVD1  
DVD2  
LD  
NAME  
DVD1  
COAX-1  
NONE  
COAX-1  
COAX-2  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
REAR PANEL CONFIG  
DISPLAYS  
COAX-3  
COAX-4  
TV  
SAT  
AUTO  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
VIDEO IN  
COMPONENT IN  
S-VIDEO-1  
1
L7 FILM  
COAX-5  
COAX-6  
VCR  
CD  
2-CH  
D
OPTICAL-1  
OPTICAL-2  
OPTICAL-3  
OPTICAL-4  
OPTICAL-5  
OPTICAL-6  
AES/EBU  
NONE  
PVR  
GAME  
TAPE  
TUNER  
AUX  
5.1 L7 FILM  
dts L7 FILM  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
DVD1 is used as an example in this illustration, and will continue to be used as an example  
throughout this section. Whenever “DVD1” appears as a step in a menu path, any other input  
may be substituted.  
DIGITAL IN  
SETUP  
INPUTS  
DVD1  
DIGITAL IN  
Note:  
Selecting DIGITAL IN accesses the DIGITAL IN menu, which can be  
used to assign the digital connector for the selected input. Digital  
input selection will take precedence over analog input selection  
unless:  
When DIGITAL IN is set to NONE, the INPUT SELECT  
parameter on the MAIN ADV menu is automatically  
set to ANALOG (see page 3-13).  
No valid digital input signal is present.  
When a connector is selected for both the DIGITAL IN  
and ANALOG IN parameters, all INPUT SELECT  
parameters will automatically be set to AUTO. The  
INPUT SELECT parameters are located on the MAIN  
ADV, ZONE 2 ADV, and REC ADV menus (see pages  
#-# to #-#).  
The DIGITAL IN parameter is set to NONE.  
The INPUT SELECT parameter on the MAIN ADV menu is set to  
ANALOG (see page 3-13).  
3-5  
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The SETUP Menu  
JBL  
MAIN MENU  
SETUP  
INPUT SETUP  
DVD1 INPUT SETUP  
DVD1 ANALOG IN  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
DVD1  
DVD2  
LD  
NAME  
DVD1  
COAX-1  
NONE  
ANALOG-1  
ANALOG-2  
ANALOG-3  
ANALOG-4  
ANALOG-5  
ANALOG-6 *  
ANALOG-7 *  
ANALOG-8 *  
NONE  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
REAR PANEL CONFIG  
DISPLAYS  
TV  
SAT  
AUTO  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
VIDEO IN  
COMPONENT IN  
S-VIDEO-1  
1
L7 FILM  
VCR  
CD  
2-CH  
D
PVR  
GAME  
TAPE  
TUNER  
AUX  
5.1 L7 FILM  
dts L7 FILM  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
When REAR PANEL CONFIG  
is set to 5 STEREO & 5.1  
ANLG (see page 3-30), 5.1  
ANALOG will appear in  
place of these menu items.  
*
DVD1 is used as an example in this illustration, and will continue to be used as an example  
throughout this section. Whenever “DVD1” appears as a step in a menu path, any other input  
may be substituted.  
ANALOG IN  
ANLG IN LVL  
SETUP  
INPUTS  
DVD1  
ANALOG IN  
SETUP  
INPUTS  
DVD1  
ANLG IN LVL  
Selecting ANALOG IN accesses the ANALOG IN menu, which can  
be used to assign the analog input connector for the selected  
input. The appearance of the ANALOG IN menu depends on the  
REAR PANEL CONFIG setting (see page 3-30). When 8 STEREO  
INPUTS is selected on the REAR PANEL CONFIG menu, the  
ANALOG IN menu will appear as it does in the illustration above.  
When 5 STEREO & 5.1 ANLG is selected on the REAR PANEL  
CONFIG menu, ANALOG-6, 7, and 8 on the ANALOG IN menu will  
be replaced with 5.1 ANALOG.  
Selecting ANLG IN LVL accesses the ANLG IN LVL menu, which can  
be used to adjust analog input levels. Despite industry attempts at  
standardization, analog sources have a wide range of output  
levels. To compensate for this, each of the eight analog inputs on  
the unit can be assigned a different analog input level. This assures  
optimum performance regardless of source.  
Default  
Value  
Parameter  
AUTO  
Values  
ON  
ON, OFF  
-18 to +12dB  
Note:  
MANUAL  
+0dB  
When ANALOG IN is set to NONE, the INPUT SELECT  
parameter on the MAIN ADV menu is automatically  
set to DIGITAL (see page 3-13).  
AUTO  
(ON, OFF)  
AUTO provides automatic control of analog input levels. When set  
to ON, the unit monitors and automatically optimizes analog input  
3-6  
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The SETUP Menu  
SDP-40  
MAIN MENU  
SETUP  
INPUT SETUP  
DVD1 INPUT SETUP  
DVD1 ANLG IN LVL  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
DVD1  
DVD2  
LD  
NAME  
DVD1  
COAX-1  
NONE  
AUTO  
MANUAL  
ON  
+0dB  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
REAR PANEL CONFIG  
DISPLAYS  
TV  
SAT  
AUTO  
AUTO GAIN  
C
+0.0dB  
SL SR LFE  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
VIDEO IN  
COMPONENT IN  
S-VIDEO-1  
1
L7 FILM  
dB  
L
R
0
VCR  
CD  
-6  
2-CH  
D
-15  
X
X
X
X
X
X
PVR  
GAME  
TAPE  
TUNER  
AUX  
5.1 L7 FILM  
dts L7 FILM  
-30  
-45  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
DVD1 is used as an example in this illustration, and will continue to be used as an example  
throughout this section. Whenever “DVD1” appears as a step in a menu path, any other input  
may be substituted.  
levels. When the signal is too high, ANLG IN LVL is quickly  
decreased to avoid overload. When the signal is too low, ANLG IN  
LVL is slowly increased to maximize the signal-to-noise ratio and  
dynamic range. The AUTO parameter setting will never exceed the  
current MANUAL parameter setting. The current AUTO parameter  
setting is shown in the INPUT GAIN parameter. When the AUTO  
parameter is set to OFF, the ANLG IN LVL parameter can be  
adjusted manually.  
The current setting is shown in the MANUAL and INPUT GAIN  
parameters. When switching from AUTO to MANUAL adjustment,  
the INPUT GAIN parameter will continue to reflect the last AUTO  
setting until the MANUAL setting is adjusted.  
The level meters in the lower-left corner indicate fluctuating input  
levels in the left (L) and right (R) channels. These meters indicate  
signal levels for the selected input, whether the input signal is  
analog or digital. For example, if the input signal is digital only, the  
level meters will indicate the digital input signal levels.  
MANUAL  
(-18 to +12dB)  
MANUAL provides manual adjustment of analog input levels in the  
Main Zone when the AUTO parameter is set to OFF. When  
MANUAL is selected, a white horizontal bar graph will appear on  
the screen below the parameter. This graph illustrates the position  
at which the current setting falls within the -18 to +12dB  
parameter range. Press the up and down MENU arrows to increase  
and decrease the setting in 1dB increments. Press the left MENU  
arrow to close the graph and return to the ANLG IN LVL menu.  
These level meters appear in combinations of green, yellow, and  
red on the blue-screen background. Green indicates normal input  
levels; yellow indicates the onset of overload; and red  
indicates overload. The yellow arrow to the right of each bar  
indicates the current input peak level. The INPUT GAIN parameter  
also shows the current input level, whether AUTO or MANUAL is  
selected.  
3-7  
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The SETUP Menu  
JBL  
MAIN MENU  
SETUP  
INPUT SETUP  
DVD1 INPUT SETUP  
DVD1 VIDEO IN  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
DVD1  
DVD2  
LD  
NAME  
DVD1  
COAX-1  
NONE  
COMPOSITE-1  
COMPOSITE-2  
COMPOSITE-3  
COMPOSITE-4  
COMPOSITE-5  
S-VIDEO-1  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
REAR PANEL CONFIG  
DISPLAYS  
TV  
SAT  
AUTO  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
VIDEO IN  
COMPONENT IN  
S-VIDEO-1  
1
L7 FILM  
VCR  
CD  
2-CH  
D
S-VIDEO-2  
S-VIDEO-3  
PVR  
GAME  
TAPE  
TUNER  
AUX  
5.1 L7 FILM  
dts L7 FILM  
S-VIDEO-4  
S-VIDEO-5  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
S-VIDEO-6  
S-VIDEO-7  
S-VIDEO-8  
NONE  
DVD1 is used as an example in this illustration, and will continue to be used as an example  
throughout this section. Whenever “DVD1” appears as a step in a menu path, any other input  
may be substituted.  
VIDEO IN  
SETUP  
INPUTS  
DVD1  
VIDEO IN  
Selecting VIDEO IN accesses the VIDEO IN menu, which can be  
used to select the composite video or S-video connector  
associated with the selected input.  
Note:  
Composite video outputs are available when  
composite or S-video inputs are used. S-video outputs  
are only available when S-video inputs are used.  
Output 1 (OSD) incorporates the on-screen display;  
output 2 does not.  
3-8  
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The SETUP Menu  
SDP-40  
MAIN MENU  
SETUP  
INPUT SETUP  
DVD1 INPUT SETUP  
DVD1 COMPONENT  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
DVD1  
DVD2  
LD  
NAME  
DVD1  
COAX-1  
NONE  
COMPONENT 1  
COMPONENT 2  
COMPONENT 3  
COMPONENT 4  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
REAR PANEL CONFIG  
DISPLAYS  
TV  
SAT  
AUTO  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
VIDEO IN  
COMPONENT IN  
S-VIDEO-1  
1
L7 FILM  
VCR  
CD  
2-CH  
D
PVR  
GAME  
TAPE  
TUNER  
AUX  
5.1 L7 FILM  
dts L7 FILM  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
DVD1 is used as an example in this illustration, and will continue to be used as an example  
throughout this section. Whenever “DVD1” appears as a step in a menu path, any other input  
may be substituted.  
COMPONENT IN  
SETUP  
INPUTS  
DVD1  
COMPONENT IN  
Selecting COMPONENT IN accesses the COMPONENT IN menu,  
which can be used to select the component video connectors  
associated with the selected input.  
Note:  
The component video output is only available when  
component video inputs are used.  
3-9  
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The SETUP Menu  
JBL  
MAIN MENU  
SETUP  
INPUT SETUP  
DVD1 INPUT SETUP  
DVD1 2-CH MODE  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
DVD1  
DVD2  
LD  
NAME  
DVD1  
COAX-1  
NONE  
FILM  
TV  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
REAR PANEL CONFIG  
DISPLAYS  
MUSIC  
PL II  
TV  
SAT  
AUTO  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
VIDEO IN  
COMPONENT IN  
S-VIDEO-1  
1
L7 FILM  
PRO LOGIC II  
PL II MUSIC  
PRO LOGIC  
2-CHANNEL  
PARTY  
VCR  
CD  
2-CH  
D
PVR  
GAME  
TAPE  
TUNER  
AUX  
5.1 L7 FILM  
dts L7 FILM  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
MONO  
MONO LOGIC  
MONO SURROUND  
USE LAST  
DVD1 is used as an example in this illustration, and will continue to be used as an example  
throughout this section. Whenever “DVD1” appears as a step in a menu path, any other input  
may be substituted.  
2-CH  
SETUP  
DOLBY D  
SETUP  
INPUTS  
DVD1  
2-CH  
INPUTS  
DVD1  
D
Selecting 2-CH accesses the 2-CH MODE menu (pictured above),  
which can be used to select the listening mode for 2-channel input  
types. Listening modes are explained in further detail in Section 5.  
Selecting DOLBY D accesses the DOLBY D MODE menu (pictured  
on the top of the next page), which can be used to select the  
listening mode for Dolby Digital input types. Listening modes are  
explained in further detail in Section 5.  
Note:  
dts(-ES)  
SETUP  
When the 2-CH parameter is set to USE LAST,  
pressing the 2CH button on the remote control  
selects the 2-CHANNEL listening mode. However,  
pressing the 2CH button again does not select the  
previous listening mode. To deselect the 2-CHANNEL  
listening mode, press another mode family selection  
button on the remote control or reselect the input.  
(See page 2-# for more information about the 2CH  
button.)  
INPUTS  
DVD1  
Selecting dts(-ES) accesses the dts(-ES) MODE menu (pictured on  
the bottom of the next page), which can be used to select the  
listening mode for dts(-ES) input types. Listening modes are  
explained in further detail in Section 5.  
3-10  
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The SETUP Menu  
SDP-40  
MAIN MENU  
SETUP  
INPUT SETUP  
DVD1 INPUT SETUP  
DVD1  
D MODE  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
DVD1  
DVD2  
LD  
NAME  
DVD1  
COAX-1  
NONE  
5.1  
5.1  
5.1  
5.1  
FILM  
TV  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
REAR PANEL CONFIG  
DISPLAYS  
MUSIC  
SUR EX  
DIGITAL  
TV  
SAT  
AUTO  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
VIDEO IN  
COMPONENT IN  
S-VIDEO-1  
1
L7 FILM  
VCR  
CD  
5.1 2-CHANNEL  
5.1 MONO  
2-CH  
D
PVR  
GAME  
TAPE  
TUNER  
AUX  
5.1 L7 FILM  
dts L7 FILM  
5.1 MONO LOGIC  
5.1 MONO SURR  
USE LAST  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
DVD1 is used as an example in this illustration, and will continue to be used as an example  
throughout this section. Whenever “DVD1” appears as a step in a menu path, any other input  
may be substituted.  
MAIN MENU  
SETUP  
INPUT SETUP  
DVD1 INPUT SETUP  
NAME  
DVD1  
MODE  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
DVD1  
DVD2  
LD  
DVD1  
FILM  
MUSIC  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
VIDEO IN  
COMPONENT IN  
2-CH  
COAX-1  
NONE  
AUTO  
REAR PANEL CONFIG  
DISPLAYS  
TV  
SAT  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
S-VIDEO-1  
1
2-CHAN  
USE LAST  
VCR  
CD  
L7 FILM  
5.1 L7 FILM  
dts L7 FILM  
PVR  
GAME  
TAPE  
TUNER  
AUX  
D
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
DVD1 is used as an example in this illustration, and will continue to be used as an example  
throughout this section. Whenever “DVD1” appears as a step in a menu path, any other input  
may be substituted.  
3-11  
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The SETUP Menu  
JBL  
MAIN MENU  
SETUP  
INPUT SETUP  
DVD1 INPUT SETUP  
DVD1 MAIN ADV  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
DVD1  
DVD2  
LD  
NAME  
DVD1  
COAX-1  
NONE  
INPUT SELECT  
ANALOG BYPASS  
S-VIDEO 16:9  
DIGITAL  
OFF  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
REAR PANEL CONFIG  
DISPLAYS  
AUTO  
ON  
OFF  
TV  
SAT  
AUTO  
S-VIDEO OSD 4:3  
COMPONENT OSD  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
VIDEO IN  
COMPONENT IN  
S-VIDEO-1  
1
L7 FILM  
VCR  
CD  
2-CH  
D
PVR  
GAME  
TAPE  
TUNER  
AUX  
5.1 L7 FILM  
dts L7 FILM  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
DVD1 is used as an example in this illustration, and will continue to be used as an example  
throughout this section. Whenever “DVD1” appears as a step in a menu path, any other input  
may be substituted.  
MAIN ADVANCED  
SETUP  
INPUTS  
DVD1  
MAIN ADVANCED  
Note:  
Selecting MAIN ADVANCED accesses the MAIN ADV menu, which  
can be used to configure advanced settings in the Main Zone.  
The unit will automatically select the 5.1 BYPASS  
listening mode when all of the following conditions  
are met:  
5 STEREO & 5.1 ANLG is selected on the REAR  
PANEL CONFIG menu (see page 3-30).  
Default  
Parameter  
Value  
DIGITAL  
OFF  
Values  
The ANALOG IN parameter on the INPUT SETUP  
menu is set to 5.1 ANALOG (see page 3-6).  
INPUT SELECT  
ANALOG BYPASS  
S-VIDEO 16:9  
AUTO, ANALOG, DIGITAL  
ON, OFF  
The INPUT SELECT parameter on the MAIN ADV  
menu is set to either AUTO or ANALOG. When  
set to AUTO, no digital input types can be  
present.  
AUTO  
ON  
AUTO, OFF  
ON, OFF  
S-VIDEO 4:3 OSD  
COMPONENT OSD  
The ANALOG BYPASS parameter on the MAIN  
ADV menu is set to ON.  
OFF  
ON, OFF  
3-12  
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The SETUP Menu  
SDP-40  
INPUT SELECT  
(AUTO, ANALOG, DIGITAL)  
The INPUT SETUP menu allows the selection of two audio  
connector types - one analog, one digital. INPUT SELECT specifies  
how these connectors interact. The following settings are available:  
Note:  
Some sources supply valid digital audio input types  
that remain active even when no audio is present in  
the signal. Because the unit recognizes these as valid  
digital audio input types, it will not switch to the  
ANALOG IN connector. For these sources, it is  
recommended to configure two different inputs - one  
for digital audio input types, and a second for analog  
audio input types.  
The DIGITAL setting forces the unit to utilize the DIGITAL  
IN connector for the Main Zone. If an ANALOG IN  
connector is also selected, it will be ignored. The unit will  
mute when an invalid digital audio input type is received.  
Valid digital audio input types include PCM, Dolby Digital,  
and dts(-ES). The DIGITAL setting will automatically be  
selected when the ANALOG IN parameter on the INPUT  
SETUP menu is set to NONE (see page 3-6).  
ANALOG BYPASS  
(ON, OFF)  
ANALOG BYPASS allows analog input types to bypass analog-to-  
digital conversion and internal processing. When set to ON, the  
unit passes the analog input signal to the corresponding analog  
outputs.  
The ANALOG setting forces the unit to utilize the selected  
ANALOG IN connector for the Main Zone. If a DIGITAL IN  
connector is also selected, it will be ignored. The ANALOG  
setting will automatically be selected when the DIGITAL IN  
parameter on the INPUT SETUP menu is set to NONE (see  
page 3-5).  
For stereo analog sources, the input is sent to the FRONT L/R  
outputs. For a 5.1-channel analog source, the (L) input is sent to  
the FRONT L output. The (R) input is sent to the FRONT R output.  
The (C) input is sent to the CENTER output. The (SUB) input is sent  
to the SUBWOOFER L/R and LFE outputs. The (LS) input is sent to  
the SIDE and REAR L outputs. The (RS) input is sent to the SIDE and  
REAR R outputs.  
The AUTO setting allows the unit to switch between the  
selected DIGITAL IN and ANALOG IN connectors. The  
DIGITAL IN connector is utilized when a valid digital audio  
input type is present. When invalid digital audio input  
types are received, the unit automatically switches to the  
ANALOG IN connector. INPUT SELECT will automatically  
be set to AUTO when a connect or selected for both the  
DIGITAL IN and ANALOG IN parameters. This setting is  
recommended for input sources that utilize both digital  
and analog audio input types, such as a laser disc player.  
Note:  
It is not possible to record from an analog input  
source on the S/PDIF outputs when the Main Zone is  
utilizing the 5.1-channel analog input.  
. . . continued on page 3-14  
3-13  
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The SETUP Menu  
JBL  
MAIN ADVANCED (continued)  
Note:  
SETUP  
INPUTS  
DVD1  
MAIN ADVANCED  
The menu will appear horizontally stretched across  
the entire screen if the following conditions are met:  
ANALOG BYPASS (continued)  
(ON, OFF)  
The S-VIDEO OSD 4:3 parameter is set to OFF.  
An anamorphic trigger signal is present.  
When ANALOG BYPASS is set to OFF, the unit routes the analog  
input signal through analog-to-digital conversion, internal  
processing, and digital-to-analog conversion. This makes it possible  
to utilize internal processing, including listening modes, crossovers,  
and equalization.  
The on-screen display is shown on a 16:9 display  
device.  
COMPONENT OSD  
(ON, OFF)  
Neither Zone 2 nor the Record Zone provide multi-channel  
outputs. If the 5.1-channel analog input is selected for Zone 2 or  
the Record Zone, only the front left and right (L)/(R) inputs will be  
available.  
COMPONENT OSD activates and deactivates the on-screen display,  
provided the display device is utilizing the COMPONENT VIDEO  
OUTPUT. When set to ON, the COMPONENT VIDEO OUTPUT  
displays the on-screen menus as a 480i video signal on a full  
blue-screen background. The component on-screen display  
includes the two-line status. When set to OFF, the component on-  
screen display is deactivated. The component on-screen display will  
be automatically deactivated when the BACKGROUND parameter  
on the ON-SCREEN DISPLAY menu is set to OFF (see page 3-32).  
S-VIDEO 16:9  
(AUTO, OFF)  
S-VIDEO 16:9 controls the passage of anamorphic video trigger  
signals. When set to AUTO, the unit allows anamorphic trigger  
signals to pass through the S-video switcher. This enables  
compatible display devices to automatically switch between  
anamorphic and non-anamorphic display modes. When set to OFF,  
the unit prevents anamorphic trigger signals from passing through  
the S-video switcher. This disables compatible display devices from  
switching between anamorphic and non-anamorphic display  
modes.  
ZONE2 ADVANCED  
SETUP  
INPUTS  
DVD1  
ZONE2 ADVANCED  
Selecting ZONE2 ADVANCED accesses the ZONE 2 ADV menu,  
which can be used to configure advanced settings in Zone 2.  
Default  
Value  
S-VIDEO OSD 4:3  
(ON, OFF)  
Parameter  
Values  
S-VIDEO OSD 4:3 controls the appearance of the on-screen  
display. When set to ON, the on-screen display utilizing the  
S-video output is displayed in a 4:3 aspect ratio regardless of the  
aspect ratio of the incoming signal. When set to OFF, the on-screen  
display utilizing the S-video output is displayed in the same aspect  
ratio as the incoming signal.  
INPUT SELECT  
DIGITAL  
AUTO, ANALOG, DIGITAL  
3-14  
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The SETUP Menu  
SDP-40  
MAIN MENU  
SETUP  
INPUT SETUP  
DVD1 INPUT SETUP  
DVD1 ZONE 2 ADV  
INPUT SELECT DIGITAL  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
DVD1  
DVD2  
LD  
NAME  
DVD1  
COAX-1  
NONE  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
REAR PANEL CONFIG  
DISPLAYS  
TV  
SAT  
AUTO  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
VIDEO IN  
COMPONENT IN  
S-VIDEO-1  
1
L7 FILM  
VCR  
CD  
2-CH  
D
PVR  
GAME  
TAPE  
TUNER  
AUX  
5.1 L7 FILM  
dts L7 FILM  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
DVD1 is used as an example in this illustration, and will continue to be used as an example  
throughout this section. Whenever “DVD1” appears as a step in a menu path, any other input  
may be substituted.  
INPUT SELECT  
(AUTO, ANALOG, DIGITAL)  
DIGITAL IN connector is utilized when a valid digital audio  
input type is present. When invalid digital audio input  
types are received, the unit automatically switches to the  
ANALOG IN connector. INPUT SELECT will automatically  
be set to AUTO when a connect or selected for both the  
DIGITAL IN and ANALOG IN parameters. This setting is  
recommended for input sources that utilize both digital  
and analog audio input types, such as a laser disc player.  
The INPUT SETUP menu allows the selection of two audio  
connector types - one analog, one digital. INPUT SELECT specifies  
how these connectors interact. The following settings are available:  
The DIGITAL setting forces the unit to utilize the DIGITAL  
IN connector for Zone 2. If an ANALOG IN connector is  
also selected, it will be ignored. The unit will mute when  
an invalid digital audio input type is received. Valid digital  
audio input types include PCM, Dolby Digital, and  
dts(-ES). See page 2-16 for more information about using  
the DIGITAL setting in multiple zones.  
Note:  
Some sources supply valid digital audio input types  
that remain active even when no audio is present in  
the signal. Because the unit recognizes these as valid  
digital audio input types, it will not switch to the  
ANALOG IN connector. For these sources, it is  
recommended to configure two different inputs - one  
for digital audio input types, and a second for analog  
audio input types.  
The ANALOG setting forces the unit to utilize the selected  
ANALOG IN connector for Zone 2. If a DIGITAL IN  
connector is also selected, it will be ignored.  
The AUTO setting allows the unit to switch between the  
selected DIGITAL IN and ANALOG IN connectors. The  
3-15  
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The SETUP Menu  
JBL  
MAIN MENU  
SETUP  
INPUT SETUP  
DVD1 INPUT SETUP  
DVD1 RECORD ADV  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
DVD1  
DVD2  
LD  
NAME  
DVD1  
COAX-1  
NONE  
INPUT SELECT  
ANLG IN LVL  
DIGITAL  
+0dB  
OFF  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
REAR PANEL CONFIG  
DISPLAYS  
DIGITAL BYPASS  
DIG OUT RATE  
RECORD  
TV  
SAT  
AUTO  
44.1kHz  
ENABLED  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
VIDEO IN  
COMPONENT IN  
S-VIDEO-1  
1
L7 FILM  
VCR  
CD  
2-CH  
D
PVR  
GAME  
TAPE  
TUNER  
AUX  
5.1 L7 FILM  
dts L7 FILM  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
DVD1 is used as an example in this illustration, and will continue to be used as an example  
throughout this section. Whenever “DVD1” appears as a step in a menu path, any other input  
may be substituted.  
INPUT SELECT  
(AUTO, ANALOG, DIGITAL)  
RECORD ADVANCED  
SETUP  
INPUTS  
DVD1  
RECORD ADVANCED  
The INPUT SETUP menu allows the selection of two audio  
connector types - one analog, one digital. INPUT SELECT specifies  
how these connectors interact. The following settings are available:  
Selecting RECORD ADVANCED accesses the RECORD ADV menu,  
which can be used to configure advanced settings in the Record  
Zone.  
The DIGITAL setting forces the unit to utilize the DIGITAL  
IN connector for the Record Zone. If an ANALOG IN  
connector is also selected, it will be ignored. The unit will  
mute when an invalid digital audio input type is received.  
Valid digital audio input types include PCM, Dolby Digital,  
and dts(-ES). See page 2-16 for more information about  
using the DIGITAL setting in multiple zones.  
Default  
Parameter  
Value  
DIGITAL  
+0dB  
Values  
INPUT SELECT  
ANLG IN LVL  
DIGITAL BYPASS  
DIG OUT RATE  
AUTO, ANALOG, DIGITAL  
-18 to +12dB  
ON, OFF  
OFF  
The ANALOG setting forces the unit to utilize the selected  
ANALOG IN connector for the Record Zone. If a DIGITAL  
IN connector is also selected, it will be ignored.  
44.1kHz  
44.1kHz, 48kHz, 88.2kHz,  
96kHz, INPUT  
RECORD  
3-16  
ENABLED  
ENABLED, BLOCKED  
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The SETUP Menu  
SDP-40  
The AUTO setting allows the unit to switch between the  
selected DIGITAL IN and ANALOG IN connectors. The  
DIGITAL IN connector is utilized when a valid digital audio  
input type is present. When invalid digital audio input  
types are received, the unit automatically switches to the  
ANALOG IN connector. INPUT SELECT will automatically  
be set to AUTO when a connect or selected for both the  
DIGITAL IN and ANALOG IN parameters. This setting is  
recommended for input sources that utilize both digital  
and analog audio input types, such as a laser disc player.  
DIGITAL BYPASS  
(ON, OFF)  
DIGITAL BYPASS allows direct digital recording. When set to ON,  
the unit passes the digital input signal - unaltered - to the S/PDIF  
outputs. When set to OFF, the unit sends digital audio output  
through a sample rate converter before passing it to the S/PDIF  
outputs. This allows the digital output signal to match the input of  
a digital recording device.  
Note:  
Changing the setting of the DIG OUT RATE  
parameter will cause the RECORD AUDIO OUTPUT  
labelled S/PDIF to mute momentarily. Otherwise, DIG  
OUT RATE parameter settings will be ineffective when  
the DIGITAL BYPASS parameter is set to ON.  
Note:  
Some sources supply valid digital audio input types  
that remain active even when no audio is present in  
the signal. Because the unit recognizes these as valid  
digital audio input types, it will not switch to the  
ANALOG IN connector. For these sources, it is  
recommended to configure two different inputs - one  
for digital audio input types, and a second for analog  
audio input types.  
DIG OUT RATE  
(44.1kHz, 48kHz, 88.2kHz, 96kHz, INPUT)  
DIG OUT RATE sets the S/PDIF output sampling rate for analog or  
digital inputs. When set to INPUT, the unit varies the S/PDIF audio  
output rate to match the sampling rate of the input signal. When  
set to a numerical value, the output sampling rate remains at the  
selected value. This is useful for recording devices that operate on  
a single sampling rate, such as CD-R (44.1kHz).  
ANLG IN LVL  
(-18 to +12dB)  
ANLG IN LVL allows manual adjustment of the analog input level of  
the RECORD AUDIO OUTPUT labelled S/PDIF. It is used to prevent  
the internal analog-to-digital converter from overloading. It can be  
adjusted while listening to an input source.  
RECORD  
(ENABLED, BLOCKED)  
RECORD prevents feedback loops with recording devices. When set  
to ENABLED, the unit allows record signals from the selected input  
to pass to the RECORD AUDIO and VIDEO OUTPUTS. When set to  
BLOCKED, the RECORD AUDIO OUTPUTS are blocked, preventing  
feedback loops. However, the unit will still pass video signals to the  
RECORD VIDEO OUTPUTS.  
When ANLG IN LVL is selected, a white horizontal bar graph will  
appear on the screen below the ANLG IN LVL parameter. This  
graph illustrates the position at which the current setting falls  
within the -18 to +12dB parameter range. Press the up and down  
MENU arrows to increase and decrease the setting in 1dB  
increments. Press the left MENU arrow to close the graph and  
return to the RECORD ADV menu.  
3-17  
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The SETUP Menu  
SPEAKER SETUP  
CUSTOM SETUP  
JBL  
Determining Crossover Settings  
The CUSTOM SETUP menu allows different crossover points to be  
set for the following MAIN AUDIO OUTPUTS: FRONT L/R, CENTER,  
SIDE L/R, REAR L/R, and SUBWOOFER L/R. Crossover points can be  
set in 10Hz increments within a 30 to 120Hz range. All crossover  
settings activate a 24dB per octave filter, with the exception of THX  
80Hz, which activates a 12dB per octave filter. The graphs on the  
next page illustrate the frequency response of the crossover  
settings.  
SETUP  
SPEAKERS  
CUSTOM SETUP  
The CUSTOM SETUP menu can be used to configure the MAIN  
AUDIO OUTPUTS for a custom speaker system. For a Synthesis 7-  
channel setup that requires THX-certified loud speakers, use the  
SYNTHESIS 7CH SETUP menu (see page 3-24).  
For each output, select the crossover setting closest to the  
low-frequency rating of the corresponding speaker. For the  
SUBWOOFER L/R outputs, select the crossover setting that  
matches the lowest setting of the other speakers in the system.  
Crossover settings determine how the unit redirects low-frequency  
signals.  
Default  
Value  
Parameter  
Values  
FRONT L/R  
40Hz  
FULL, 30Hz to 120Hz,  
THX 80Hz  
CENTER  
SIDE L/R  
REAR L/R  
SUB L/R  
SUB XOVER  
LFE  
60Hz  
60Hz  
60Hz  
MONO  
40Hz  
OFF  
FULL, 30Hz to 120Hz,  
THX 80Hz, NONE  
In general, low frequencies will be redirected from the outputs with  
the highest crossover setting to the outputs with the lowest  
crossover setting. Remaining low frequencies below the lowest  
crossover setting will be redirected to the SUBWOOFER L/R  
outputs. If the lowest crossover setting is FULL, no low frequencies  
will be redirected to the SUBWOOFER L/R outputs.  
FULL, 30Hz to 120Hz,  
THX 80Hz, NONE  
FULL, 30Hz to 120Hz,  
THX 80Hz, NONE  
MONO, STEREO, NONE  
FULL, 30Hz to 120Hz,  
THX 80Hz  
ON, OFF  
3-18  
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The SETUP Menu  
SDP-40  
FREQUENCY RESPONSE CURVES  
dB  
0
dB  
0
0
-12  
0
-12  
-24  
-36  
-48  
-24  
-36  
-48  
0
0
0
0
-60  
-60  
10  
20  
50  
100  
Hz  
200  
500  
1k  
10  
20  
50  
100  
Hz  
200  
500  
1k  
Lowpass Filter  
Highpass Filter  
The lowpass filter attenuates high frequencies at 24dB per octave.  
The curves show the frequency response of each crossover setting.  
From left to right, the curves represent crossover settings from 30Hz to  
120Hz.  
The highpass filter attenuates low frequencies at 24dB per octave.  
The curves show the frequency response of each crossover setting.  
From left to right, the curves represent crossover settings from 30Hz to  
120Hz. This graph does not illustrate the THX 80Hz setting, which is  
12dB per octave.  
3-19  
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The SETUP Menu  
JBL  
MAIN MENU  
SETUP  
SPEAKER SETUP  
CUSTOM SETUP  
FRONT L/R SPEAKERS  
FULL  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
CUSTOM SETUP  
FRONT L/R  
CENTER  
SIDE L/R  
REAR L/R  
SUB L/R  
SUB XOVER  
LFE  
80Hz  
80Hz  
80Hz  
80Hz  
MONO  
80Hz  
OFF  
SYNTHESIS 7CH SETUP  
SPEAKER DISTANCES  
LEVELS CALIBRATION  
30Hz  
40Hz  
50Hz  
60Hz  
70Hz  
80Hz  
CENTER SPEAKER  
REAR PANEL CONFIG  
DISPLAYS  
FULL  
30Hz  
40Hz  
50Hz  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
R
C
L
SR  
RR  
80Hz  
80Hz  
80Hz  
80Hz  
80Hz  
THX 80Hz 60Hz  
90Hz  
M
SUB  
70Hz  
80Hz  
SL  
RL  
80Hz  
80Hz  
80Hz  
100Hz  
110Hz  
120Hz  
THX 80Hz  
90Hz  
100Hz  
110Hz  
120Hz  
NONE  
CENTER  
(FULL, 30Hz to 120Hz, THX 80Hz, NONE)  
CUSTOM SETUP (continued)  
The CENTER parameter sets the crossover setting for the MAIN  
AUDIO OUTPUT labelled CENTER. When set to FULL, the unit sends  
a full-range audio signal to the CENTER output. When set to a  
numerical crossover setting, the unit activates a crossover at the  
selected frequency. Choose the setting closest to the low-  
frequency rating of the center speaker. See pages 3-18 and 3-19 for  
more information about crossover settings. When set to NONE, the  
unit redirects center channel signals to the FRONT L/R outputs.  
SETUP  
SPEAKERS  
CUSTOM SETUP  
FRONT L/R  
(FULL, 30Hz to 120Hz, THX 80Hz)  
The FRONT L/R parameter sets the crossover setting for the MAIN  
AUDIO OUTPUTS labelled FRONT L/R. When set to FULL, the unit  
sends a full-range audio signal to the FRONT L/R outputs. When set  
to a numerical crossover setting, the unit activates a crossover at  
the selected frequency. Choose the setting closest to the low-  
frequency rating of the front left and right speakers. See pages  
3-18 and 3-19 for more information about crossover settings.  
3-20  
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The SETUP Menu  
SDP-40  
MAIN MENU  
SETUP  
SPEAKER SETUP  
CUSTOM SETUP  
SIDE L/R SPEAKERS  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
CUSTOM SETUP  
FRONT L/R  
CENTER  
SIDE L/R  
REAR L/R  
SUB L/R  
SUB XOVER  
LFE  
80Hz  
80Hz  
80Hz  
80Hz  
MONO  
80Hz  
OFF  
FULL  
30Hz  
40Hz  
50Hz  
60Hz  
70Hz  
80Hz  
SYNTHESIS 7CH SETUP  
SPEAKER DISTANCES  
LEVELS CALIBRATION  
REAR L/R SPEAKERS  
REAR PANEL CONFIG  
DISPLAYS  
FULL  
30Hz  
40Hz  
50Hz  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
R
C
L
SR  
RR  
80Hz  
80Hz  
80Hz  
80Hz  
80Hz  
THX 80Hz 60Hz  
90Hz  
M
SUB  
70Hz  
80Hz  
SL  
RL  
80Hz  
80Hz  
80Hz  
100Hz  
110Hz  
120Hz  
NONE  
THX 80Hz  
90Hz  
100Hz  
110Hz  
120Hz  
NONE  
SIDE L/R  
(FULL, 30Hz to120Hz, THX 80Hz, NONE)  
REAR L/R  
(FULL, 30Hz to 120Hz, THX 80Hz, NONE)  
The SIDE L/R parameter sets the crossover setting for the MAIN  
AUDIO OUTPUTS labelled SIDE L/R. When set to FULL, the unit  
sends a full-range audio signal to the SIDE L/R outputs. When set  
to a numerical crossover setting, the unit activates a crossover at  
the selected frequency. Choose the setting closest to the low-  
frequency rating of the side left and right speakers. See pages 3-18  
and 3-19 for more information about crossover settings.  
The REAR L/R parameter sets the crossover setting for the MAIN  
AUDIO OUTPUTS labelled REAR L/R. When set to FULL, the unit  
sends a full-range audio signal to the REAR L/R outputs. When set  
to a numerical crossover setting, the unit activates a crossover at  
the selected frequency. Choose the setting closest to the low-  
frequency rating of the rear left and right speakers. See pages 3-18  
and 3-19 for more information about crossover settings.  
When set to NONE, the unit redirects side channel signals to the  
REAR L/R outputs. When both the SIDE L/R and REAR L/R  
parameters are set to NONE, the unit redirects surround channel  
signals to the FRONT L/R outputs.  
When set to NONE, the unit redirects rear channel signals to the  
SIDE L/R outputs. When both the SIDE L/R and REAR L/R  
parameters are set to NONE, the unit redirects surround channel  
signals to the FRONT L/R outputs.  
3-21  
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The SETUP Menu  
JBL  
MAIN MENU  
SETUP  
SPEAKER SETUP  
CUSTOM SETUP  
SUBWOOFERS L/R  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
CUSTOM SETUP  
FRONT L/R  
CENTER  
SIDE L/R  
REAR L/R  
SUB L/R  
SUB XOVER  
LFE  
80Hz  
80Hz  
80Hz  
80Hz  
MONO  
80Hz  
OFF  
MONO  
STEREO  
NONE  
SYNTHESIS 7CH SETUP  
SPEAKER DISTANCES  
LEVELS CALIBRATION  
REAR PANEL CONFIG  
DISPLAYS  
SUB XOVER  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
FULL  
30Hz  
R
C
L
SR  
RR  
80Hz  
80Hz  
80Hz  
80Hz  
80Hz  
40Hz  
50Hz  
M
SUB  
SL  
RL  
60Hz  
70Hz  
80Hz  
80Hz  
80Hz  
80Hz  
THX 80Hz  
90Hz  
100Hz  
110Hz  
120Hz  
When set to NONE, low frequencies from the FRONT L/R, CENTER,  
SIDE L/R, and REAR L/R outputs will not be passed to the  
SUBWOOFER L/R ouputs and will be filtered at the lowest crossover  
setting selected.  
CUSTOM SETUP (continued)  
SETUP  
SPEAKERS  
CUSTOM SETUP  
SUB L/R  
(MONO, STEREO, NONE)  
The SUB L/R parameter determines the configuration of the MAIN  
AUDIO OUTPUTS labelled SUBWOOFER L/R. When set to MONO,  
the front left and right, center, side left and right, and rear left and  
right channels are combined and sent to the SUBWOOFER L/R  
outputs. This setting is recommended for all Synthesis systems,  
regardless of the number of subwoofers being used.  
SUB XOVER  
(FULL, 30Hz to 120Hz, THX 80Hz)  
The SUB XOVER parameter sets the crossover setting for the MAIN  
AUDIO OUTPUTS labelled SUB L/R. When set to FULL, the unit  
sends a full-range audio signal to the SUB L/R outputs. When set to  
a numerical crossover setting, the unit activates a crossover at the  
selected frequency. Choose the setting that matches the  
lowest crossover setting in the system. See pages 3-18 and 3-19 for  
more information about crossover settings.  
When set to STEREO, low frequencies from the front left, center,  
side left, and rear left channels are combined and sent to the  
SUBWOOFER L output. Low frequencies from the front right,  
center, side right, and rear right are combined and set to the  
SUBWOOFER R output.  
3-22  
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The SETUP Menu  
SDP-40  
MAIN MENU  
SETUP  
SPEAKER SETUP  
CUSTOM SETUP  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
CUSTOM SETUP  
FRONT L/R  
CENTER  
SIDE L/R  
REAR L/R  
SUB L/R  
SUB XOVER  
LFE  
80Hz  
80Hz  
SYNTHESIS 7CH SETUP  
SPEAKER DISTANCES  
LEVELS CALIBRATION  
REAR PANEL CONFIG  
DISPLAYS  
80Hz  
80Hz  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
MONO  
80Hz  
R
C
L
SR  
RR  
80Hz  
80Hz  
80Hz  
80Hz  
80Hz  
OFF  
M
SUB  
SL  
RL  
80Hz  
80Hz  
80Hz  
LFE  
(ON, OFF)  
For example, LFE is set to OFF, SUBWOOFER L/R is set to NONE,  
FRONT L/R is set to 40Hz, and the rest of the MAIN AUDIO  
OUTPUTS are set to 60Hz. The LFE channel will be sent to the  
FRONT L/R outputs, utilizing the 40Hz crossover point.  
LFE (Low Frequency Effects) activates and deactivates the MAIN  
AUDIO OUTPUT labelled LFE. Selecting this parameter accesses the  
pulldown menu pictured above. Use the up and down MENU  
arrows to switch between the ON and OFF settings. Press the right  
MENU arrow to select the desired setting. Press the left MENU  
arrow to close the pulldown menu and return to the  
CUSTOM SETUP menu.  
When the LFE parameter is set to ON, the unit sends the LFE  
channel to the LFE output. When set to OFF, the unit deactivates  
the LFE output and sends the LFE channel to the SUBWOOFER L/R  
outputs. If the SUBWOOFER L/R outputs are set to NONE, the LFE  
channel is sent to the MAIN AUDIO OUTPUTS with the lowest  
crossover setting.  
3-23  
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The SETUP Menu  
JBL  
MAIN MENU  
SETUP  
SPEAKER SETUP  
SYNTHESIS 7CH SETUP  
SYNTHESIS 7CH SETUP  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
CUSTOM SETUP  
FRONT L/R  
CENTER  
SIDE L/R  
REAR L/R  
SUB L/R  
SUB XOVER  
LFE  
80Hz  
PRESSING THE RIGHT V  
BUTTON WILL  
SYNTHESIS 7CH SETUP  
SPEAKER DISTANCES  
LEVELS CALIBRATION  
80Hz  
80Hz  
80Hz  
MONO  
80Hz  
OFF  
REAR PANEL CONFIG  
DISPLAYS  
AUTOMATICALLY CHANGE  
THE OUTPUTS TO A  
SYNTHESIS 7CH SPEAKER  
CONFIGURATION  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
R
C
L
SR  
RR  
80Hz  
80Hz  
80Hz  
80Hz  
80Hz  
M
SUB  
SL  
RL  
80Hz  
80Hz  
80Hz  
The SYNTHESIS 7CH SETUP menu can be used to configure the  
MAIN AUDIO OUTPUTS for a 5.1 or 7.1-channel Synthesis system,  
which incorporates THX-certified loud speakers. For a non-  
THX-certified speaker system, use the CUSTOM SETUP menu (see  
page 3-18). When SYNTHESIS 7CH SETUP is selected, a message  
will appear cautioning that, if the right MENU arrow is pressed  
again, the MAIN AUDIO OUTPUTS will automatically change to a  
SYNTHESIS 7CH speaker configuration. This will override custom  
speaker settings that have been chosen. Press the right MENU  
arrow to activate a SYNTHESIS 7CH speaker configuration. Press  
the left MENU arrow to cancel SYNTHESIS 7CH speaker  
configuration and return to the SPEAKER SETUP menu.  
SYNTHESIS 7CH SETUP  
SETUP  
SPEAKERS  
SYNTHESIS 7CH SETUP  
Default  
Parameter  
FRONT L/R  
CENTER  
SIDE L/R  
REAR L/R  
SUB L/R  
Value  
80Hz  
80Hz  
80Hz  
80Hz  
MONO  
80Hz  
OFF  
Values  
80Hz  
80Hz  
80Hz  
80Hz, NONE  
MONO  
80Hz  
If a SYNTHESIS 7CH speaker configuration is activated, the  
SYNTHESIS 7CH SETUP menu will display the SYNTHESIS 7CH  
configuration settings. The unit will automatically set all outputs to  
80Hz with a 24dB per octave filter. The only exceptions are SUB  
L/R and LFE. SUB L/R will be set to MONO (see page 3-22) and LFE  
will be set to OFF (see page 3-23). SYNTHESIS 7CH speaker  
configuration applies to all inputs and listening modes.  
SUB XOVER  
LFE  
OFF  
3-24  
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The SETUP Menu  
SDP-40  
MAIN MENU  
SETUP  
SPEAKER SETUP  
SPEAKER DISTANCES  
Note:  
When a JBL Digital Equalizer is  
used in the system, speaker  
distances should remain at their  
factory-default settings (left). The  
digital equalizer will perform  
arrival time correction when  
calibrated.  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
CUSTOM SETUP  
FRONT LEFT  
CENTER  
0.0ft  
0.0ft  
0.0ft  
0.0ft  
0.0ft  
0.0ft  
0.0ft  
0.0ft  
0.0ft  
0.0ft  
FEET  
SYNTHESIS 7CH SETUP  
SPEAKER DISTANCES  
LEVELS CALIBRATION  
REAR PANEL CONFIG  
DISPLAYS  
FRONT RIGHT  
SIDE RIGHT  
REAR RIGHT  
REAR LEFT  
SIDE LEFT  
SUB (MONO) *  
SUB RIGHT  
LFE SUB  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
R
C
L
SR  
RR  
1.5ft  
1.5ft  
1.5ft  
1.5ft  
1.5ft  
M
SUB  
SL  
RL  
1.5ft  
1.5ft  
1.5ft  
UNITS  
When SUB L/R is set to  
STERE0 or NONE (see page  
3-22), the SUB MONO  
parameter will appear as  
SUB LEFT.  
*
The parameters on the SYNTHESIS 7CH SETUP menu are not  
adjustable, with the exception of REAR L/R. The default value of  
REAR L/R is 80Hz, which activates the rear speakers for use in a  
SYNTHESIS 7CH setup. This setup requires rear speakers to be  
operational. When set to OFF, the REAR L/R outputs are deactivated  
and the Surround EX parameter (page 5-24) cannot be set to ON.  
speakers. The unit features a speaker distance control, used for  
entering distances for all speakers. This feature is not a substitute  
for proper speaker placement, though it does help to ensure  
accurate signal arrival times at the primary listening position.  
Speaker distances can be set within a range of 0 to 30ft or 0 to  
12m. The UNITS parameter selects the desired unit of  
measurement. The unit will automatically convert feet to meters or  
meters to feet when the parameter setting is changed. To  
determine the appropriate setting, measure the distance between  
the primary listening position and the front baffle of each speaker.  
Enter the closest available value in the corresponding parameter.  
Note:  
The SYNTHESIS 7CH SETUP menu is not adjustable,  
with the exception of the REAR L/R parameter. To  
customize settings, use the CUSTOM SETUP menu  
(see page 3-18).  
Press the right MENU arrow to select the desired speaker for  
adjustment. Press the up and down MENU arrows to increase and  
decrease the distance in 0.5ft or 0.2m increments. Press the left  
MENU arrow once to exit the selected parameter, and twice to exit  
the SPEAKER DISTANCES menu.  
SPEAKER DISTANCES  
SETUP  
SPEAKERS  
SPEAKER DISTANCES  
Selecting SPEAKER DISTANCES accesses the SPEAKER DISTANCES  
menu, which can be used to set the listener position relative to the  
3-25  
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The SETUP Menu  
JBL  
MAIN MENU  
SETUP  
SPEAKER SETUP  
LEVELS CALIBRATION  
SPEAKER LEVEL ADJUST  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
CUSTOM SETUP  
INTERNAL NOISE TEST  
DACS CALIBRATION  
SUB LIMITERS  
FRONT LEFT  
CENTER  
+0.0dB  
SYNTHESIS 7CH SETUP  
SPEAKER DISTANCES  
LEVELS CALIBRATION  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
REAR PANEL CONFIG  
DISPLAYS  
FRONT RIGHT  
SIDE RIGHT  
REAR RIGHT  
REAR LEFT  
SIDE LEFT  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
R
C
L
SR  
RR  
0.0dB  
0.0dB  
0.0dB  
0.0dB  
0.0dB  
SUB (MONO) *  
SUB RIGHT  
LFE SUB  
M
SUB  
SL  
RL  
0.0dB  
0.0dB  
0.0dB  
Note:  
When SUB L/R is set to  
STERE0 or NONE (see page  
3-22), the SUB MONO  
parameter will appear as  
SUB LEFT.  
*
Front panel and remote control buttons - except the MENU  
button and MENU arrows - will not function while the  
SPEAKER LEVEL ADJUST menu is selected. All buttons will  
regain functionality when the menu is exited.  
Measure output levels from the primary listening position,  
placing the SPL meter at the approximate spot where the  
listener’s head will be during listening.  
LEVELS CALIBRATION  
SETUP  
SPEAKERS  
LEVELS CALIBRATION  
Properly calibrated output levels are critical. Setting output levels is  
a simple procedure using a Sound Pressure Level (SPL) meter. This  
device measures the relative loudness of the speakers so that  
output levels can be calibrated accurately. An SPL meter can be  
purchased at Radio Shack (catalog no. 33-2050).  
INTERNAL NOISE TEST  
Selecting either INTERNAL NOISE TEST or DACS CALIBRATION  
accesses the SPEAKER LEVEL ADJUST menu  
INTERNAL NOISE  
(pictured above). When INTERNAL NOISE  
TEST is selected, a cautionary message  
(pictured at the right) will appear on the  
!CAUTION!  
HIGH AUDIO LEVELS  
To ensure the most accurate calibration levels:  
Eliminate extraneous noises in the listening space, such as  
conversation, air conditioners, and sounds that filter in from  
open doors and windows.  
screen. This serves as a reminder that the INTERNAL NOISE TEST  
generates loud calibration noises. When the message appears,  
press the right MENU arrow to proceed to the SPEAKER LEVEL  
ADJUST menu. Press the left MENU arrow to return to the LEVELS  
CALIBRATION menu.  
Remove objects (including people) that obstruct the  
line-of-sight path between the SPL meter and the speaker  
being measured.  
As the INTERNAL NOISE TEST is conducted, a noise signal will  
move from output to output following the order on the SPEAKER  
3-26  
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The SETUP Menu  
SDP-40  
LEVEL ADJUST menu. The cursor will automatically scroll through  
the menu highlighting each output as it is tested. Each output is  
tested for approximately 4s. It is possible to manually select a  
speaker just as the unit is about to automatically scroll to the next  
speaker, causing the unit to send the noise signal to both outputs.  
If this occurs, reselect the desired speaker.  
DACS CALIBRATION  
Selecting either INTERNAL NOISE TEST or DACS CALIBRATION  
accesses the SPEAKER LEVEL ADJUST menu (pictured on the  
previous page).  
DACS CALIBRATION requires an external noise source. In JBL  
Synthesis systems, this source is the JBL Digital Acoustical  
Calibration System (DACS®). However, an alternate source such as  
an audio calibration disc can also be used. As the noise test is  
conducted, the SDP-40 loads the DOLBY Pro Logic II, Dolby Digital,  
or dts(-ES) utilizing the signal from the DACS® calibration system  
or audio calibration disc.  
The calibration noise will pass briefly through the SUB R output  
when the SUB L/R parameter on the CUSTOM SETUP or  
SYNTHESIS 7CH SETUP menu is set to MONO, or the SUB RIGHT  
parameter on the SPEAKER LEVELS ADJUST menu is manually  
selected during the test.  
Before making adjustments, set the SPL meter to “C” weighting  
and “SLOW” response. Use the up and down MENU arrows to  
temporarily interrupt automatic scrolling and manually select an  
output. Press the right MENU arrow to select an output for  
adjustment, then use the up and down MENU arrows to increase  
and decrease the level of the selected output in 0.5dB increments  
within a range of -18 to +12dB. Adjust all output levels to achieve  
a 75dB reading on the SPL meter from the primary listening  
position. Press the left MENU arrow to exit the selected output and  
resume automatic scrolling.  
For example, if an analog or PCM input type is coming into the unit  
when DACS CALIBRATION is conducted, the unit will activate the  
DOLBY Pro Logic II listening mode. If a Dolby Digital input type is  
coming in, the unit will activate the DOLBY DIGITAL listening  
mode. And if a dts(-ES) input type is coming in, the unit will acti-  
vate the dts(-ES) listening mode. When DACS CALIBRATION is  
selected, these listening modes will retain their factory-default  
settings. The unit will temporarily disregard customized listening  
mode settings.  
For system optimization using DACS® and a JBL Synthesis Digital  
Equalizer, connect the left and right RCA outputs of the DACS®  
signal generator (EVP-1) to the #1 analog input (which is active in  
the TAPE input) and set the front panel volume level to 0dB. This  
will provide the correct signal path and reference output level.  
Note:  
Speakers that are set to NONE on the CUSTOM  
SETUP menu cannot be adjusted during the  
INTERNAL NOISE TEST. These speakers can be  
adjusted during DACS CALIBRATION, but this is not  
recommended.  
3-27  
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The SETUP Menu  
JBL  
MAIN MENU  
SETUP  
SPEAKER SETUP  
LEVELS CALIBRATION  
SUB LIMITERS  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
CUSTOM SETUP  
INTERNAL NOISE TEST  
DACS CALIBRATION  
SUB LIMITERS  
CAL NOISE  
ON  
OFF  
SYNTHESIS 7CH SETUP  
SPEAKER DISTANCES  
LEVELS CALIBRATION  
L/R LIMITER  
L/R LIMIT ADJ  
LFE LIMITER  
LFE LIMIT ADJ  
REAR PANEL CONFIG  
DISPLAYS  
100dB  
OFF  
100dB  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
R
C
L
SR  
RR  
0.0dB  
0.0dB  
0.0dB  
0.0dB  
0.0dB  
!CAUTION!  
HIGH AUDIO LEVELS  
M
SUB  
SL  
RL  
0.0dB  
0.0dB  
0.0dB  
LEVELS CALIBRATION (continued)  
Note:  
SETUP  
SPEAKERS  
LEVELS CALIBRATION  
SDP-40 Balanced output levels must be recalibrated  
when output connections are changed from  
unbalanced to balanced or vice versa. The balanced  
outputs are approximately 6dB louder than the  
unbalanced outputs.  
DACS CALIBRATION (continued)  
Before making adjustments, set the SPL meter according to the  
DACS® Installers Manual or audio calibration disc instructions. If no  
setting is recommended, set the SPL meter to “C” weighting and  
“SLOW” response. Use the up and down MENU arrows to  
manually scroll through menu items. Press the right MENU arrow  
to select an output for adjustment, then use the up and down  
MENU arrows to increase and decrease the level of the selected  
output in 0.5dB increments within a range of -18 to +12dB. Adjust  
all output levels to achieve the appropriate reading on the SPL  
meter from the primary listening position. Press the left MENU  
arrow to exit the selected output and return to the SPEAKER LEVEL  
ADJUST menu.  
SUB LIMITERS  
Dolby Digital and dts(-ES) input types can produce low-frequency  
peaks at much higher levels than 2-channel input types. In home  
listening spaces, the subwoofer and its associated amplifier are  
sometimes unable to reproduce these levels without overloading.  
For this reason, the unit is equipped with internal sub limiters that  
help prevent subwoofer signals from exceeding a designated value.  
This parameter can be adjusted within a 75 to 115dB range.  
Separate limiters are provided for the SUBWOOFER L/R and the LFE  
outputs.  
3-28  
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The SETUP Menu  
SDP-40  
Default  
Value  
L/R LIMIT ADJ  
(75 to 115dB)  
Parameter  
Values  
L/R LIMIT ADJ specifies the output level restriction placed on the  
SUBWOOFER L/R outputs, as well as any low-frequency signals  
redirected to other MAIN AUDIO OUTPUTS, when the L/R LIMITER  
parameter is set to ON. Press the right MENU arrow to select this  
parameter for adjustment. Its setting will automatically change to  
75dB. Use the up and down MENU arrows to increase and  
decrease the setting in 1dB increments. Gradually increase the  
setting until the subwoofer begins to overload, then reduce the  
setting until the subwoofer stops overloading. Press the left MENU  
arrow to accept the setting and exit the parameter.  
CAL NOISE  
ON  
ON, OFF  
ON, OFF  
75 to 115dB  
ON, OFF  
75 to 115dB  
L/R LIMITER  
L/R LIMIT ADJ  
LFE LIMITER  
LFE LIMIT ADJ  
OFF  
100dB  
OFF  
100dB  
Note:  
LFE LIMITER  
(ON, OFF)  
In cases where the left and right subwoofers have  
built-in limiter protection, the L/R LIMITER parameter  
should be set to OFF. In cases where the LFE  
subwoofer has built-in limiter protection, the LFE  
LIMITER parameter should be set to OFF.  
LFE LIMITER affects the LFE output. When set to ON, the output  
level of the LFE output will be restricted to the limit specified in the  
LFE LIMIT ADJ parameter. When set to OFF, the output level of the  
LFE output will not be restricted. The LFE LIMITER should be set to  
OFF when the LFE subwoofer has built-in limiter protection.  
CAL NOISE  
(ON, OFF)  
LFE LIMIT ADJ  
(75 to 115dB)  
CAL NOISE determines whether limiters will be set using an  
internal or external noise signal. When set to ON, the unit activates  
the internal calibration noise to set the limiters. When set to OFF,  
the unit deactivates the internal calibration noise, requiring the use  
of an audio calibration disc to set the limiters.  
LFE LIMIT ADJ specifies the output level restriction placed on the  
LFE output when the LFE LIMITER parameter is set to ON. Press the  
right MENU arrow to select this parameter for adjustment. Its  
setting will automatically change to 75dB. Use the up and down  
MENU arrows to increase and decrease the setting in 1dB  
increments. Gradually increase the setting until the subwoofer  
begins to overload, then reduce the setting until the subwoofer  
stops overloading. Press the left MENU arrow to accept the setting  
and exit the parameter.  
L/R LIMITER  
(ON, OFF)  
L/R LIMITER affects the SUBWOOFER L/R outputs, as well as any  
low-frequency signals redirected to other MAIN AUDIO OUTPUTS.  
When set to ON, these outputs will be restricted to the limit  
specified in the L/R LIMIT ADJ parameter. When set to OFF, the  
output level of these outputs will not be restricted. The L/R LIMITER  
should be set to OFF when the left and right subwoofers have built-  
in limiter protection.  
3-29  
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The SETUP Menu  
JBL  
MAIN MENU  
SETUP  
REAR PANEL CONFIG  
Note:  
If 5 STEREO & 5.1 ANLG is selected on the REAR PANEL CONFIG  
menu, the unit will automatically select the 5.1 BYPASS listening  
mode if the following conditions are also met:  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
8 STEREO INPUTS  
OR  
5 STEREO & 5.1 ANLG  
REAR PANEL CONFIG  
DISPLAYS  
The ANALOG IN parameter on the INPUT SETUP menu is  
set to 5.1 ANALOG (see page 3-6).  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
The INPUT SELECT parameter on the MAIN ADV menu is set  
to either AUTO or ANALOG (see page 3-13). When set to  
AUTO, no digital input types can be present.  
The ANALOG BYPASS parameter on the MAIN ADV menu  
is set to ON (see page 3-13).  
REAR PANEL CONFIG  
5 STEREO & 5.1 ANLG  
5 STEREO & 5.1 ANLG  
SETUP  
REAR PANEL CONFIG  
The REAR PANEL CONFIG menu can be used to configure AUDIO  
INPUT pairs 1 to 8 on the rear panel. These inputs can be set up to  
function as eight stereo analog input pairs, or as five stereo analog  
input pairs and one 5.1-channel analog input.  
When set to 5 STEREO & 5.1 ANLG, the AUDIO INPUTS are  
configured as five stereo analog input pairs and one 5.1-channel  
analog input. The 5.1-channel analog input consists of AUDIO  
INPUT pairs 6, 7, and 8. Pair 6 becomes the front left and right  
(L)/(R) inputs. Pair 7 becomes the center (C) and subwoofer (SUB)  
inputs. And Pair 8 becomes the surround left and right (LS)/(RS)  
inputs. Input types that are assigned to stereo analog input pairs  
6, 7, and 8 will be reassigned to the 5.1-channel analog input.  
8 STEREO INPUTS  
8 STEREO INPUTS  
SETUP  
REAR PANEL CONFIG  
8 STEREO INPUTS is the default setting for REAR PANEL CONFIG.  
When set to 8 STEREO INPUTS, the AUDIO INPUTS are configured  
as eight stereo analog input pairs. Pairs 6, 7, and 8 are not  
available as a 5.1-channel analog input. Input types that are  
assigned to the 5.1-channel analog input will be reassigned to  
stereo input Pair 6.  
When selected for the Main Zone, these input signals are sent to  
the corresponding outputs. However, neither Zone 2 nor the  
Record Zone provide multi-channel outputs. If the 5.1-channel  
analog input is selected for Zone 2 or the Record Zone, only the  
front left and right (L)/(R) inputs will be available.  
3-30  
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The SETUP Menu  
SDP-40  
MAIN MENU  
SETUP  
DISPLAY SETUP  
ON-SCREEN DISPLAY  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
ON-SCREEN DISPLAY  
FRONT PANEL DISPLAY  
A/V SYNC DELAY  
STATUS  
POSITION  
2 SECONDS  
TOP  
NTSC  
ON  
REAR PANEL CONFIG  
DISPLAYS  
OFF  
OFF  
FORMAT  
BACKGROUND  
REMOTE STATE  
CUSTOM NAME  
EDIT CUSTOM NAME  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
ON  
STATUS  
(ALWAYS ON, 2 SECONDS, ALWAYS OFF)  
DISPLAY SETUP  
STATUS activates and deactivates the on-screen display, provided  
the display device is utilizing the MAIN VIDEO OUTPUT labelled 1  
(OSD). When set to ALWAYS ON, the on-screen display remains on  
at all times. When set to 2 SECONDS, the on-screen display will  
appear for two seconds when the unit receives a command or the  
input type changes. When set to ALWAYS OFF, the on-screen  
display remains off at all times.  
ON-SCREEN DISPLAY  
SETUP  
DISPLAYS  
ON-SCREEN DISPLAY  
Default  
Value  
Parameter  
Values  
STATUS  
2 SECONDS  
ALWAYS ON, 2 SECONDS,  
ALWAYS OFF  
POSITION  
(TOP, CENTER, BOTTOM)  
POSITION controls the vertical position of the two-line status (see  
page 1-5) on the display device. When set to TOP, the two-line sta-  
tus appears near the top of the display device screen. When set to  
CENTER, the two-line status is centered on the display device  
screen. This setting is recommended when the top and bottom of  
the on-screen display appears cropped (not visible). When set to  
BOTTOM, the two-line status appears near the bottom of the  
display device screen.  
POSITION  
FORMAT  
TOP  
NTSC  
ON  
TOP, CENTER, BOTTOM  
NTSC, PAL, SECAM  
ON, OFF  
BACKGROUND  
REMOTE STATE  
ON  
ON, OFF  
3-31  
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The SETUP Menu  
JBL  
ON-SCREEN DISPLAY (continued)  
FRONT PANEL DISPLAY  
SETUP  
DISPLAYS  
FRONT PANEL DISPLAY  
FORMAT  
(NTSC, PAL, SECAM)  
The FORMAT parameter has three settings: NTSC, PAL, and  
SECAM. These settings make the video switcher and on-screen  
display compatible with NTSC, PAL, or SECAM formats. The  
appropriate setting varies from country to country. Consult the  
display device user guide to determine the correct setting.  
Default  
Value  
Parameter  
Values  
STATUS  
ALWAYS ON  
ALWAYS ON, 2 SECONDS,  
ALWAYS OFF  
BRIGHTNESS  
75%  
100%, 75%, 50%, 25%  
BACKGROUND  
(ON, OFF)  
BACKGROUND activates and deactivates the menu background.  
When set to ON, the menu appears over a solid blue or grey  
background. When set to OFF, the menu appears over the  
incoming video signal. Setting this parameter to OFF will  
automatically deactivate the on-screen display if the display device  
is utilizing the COMPONENT VIDEO OUTPUT.  
STATUS  
(ALWAYS ON, 2 SECONDS, ALWAYS OFF)  
STATUS activates and deactivates the front panel display. When set  
to ALWAYS ON, the front panel display remains on at all times.  
When set to 2 SECONDS, the front panel display will appear for  
two seconds when the unit receives a command or the input type  
changes. When set to ALWAYS OFF, the front panel display remains  
off at all times.  
REMOTE STATE  
(ON, OFF)  
The REMOTE STATE parameter controls whether or not the active  
remote control command bank will be indicated on the on-screen  
display. When set to ON, the active command bank is indicated in  
the top-right corner of the on-screen display. A yellow “Z” will  
appear when the ZONE command bank is active. A red “R” will  
appear when the REC command bank is active. A blue “S” will  
appear when the SHIFT command bank is active. Nothing will  
appear when the MAIN command bank is active. When set to OFF,  
the active command bank is not indicated on the on-screen display.  
BRIGHTNESS  
(100%, 75%, 50%, 25%)  
BRIGHTNESS adjusts the brightness of the front panel display. The  
front panel display will adjust accordingly when a setting is  
selected.  
A/V SYNC DELAY  
SETUP  
DISPLAYS  
A/V SYNC DELAY  
A/V SYNC DELAY synchronizes the delay  
time between audio and video signals. This  
parameter is useful when using a video  
processor or line scaler. These products  
introduce a delay in the video signal, which  
causes the audio and video signals to  
DISPLAY SETUP  
ON-SCREEN DISPLAY  
FRONT PANEL DISPLAY  
A/V SYNC DELAY  
OFF  
EDIT CUSTOM NAME  
3-32  
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The SETUP Menu  
SDP-40  
MAIN MENU  
SETUP  
DISPLAY SETUP  
FRONT PANEL DISPLAY  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
ON-SCREEN DISPLAY  
FRONT PANEL DISPLAY  
A/V SYNC DELAY  
STATUS  
BRIGHTNESS  
ALWAYS ON  
75%  
REAR PANEL CONFIG  
DISPLAYS  
OFF  
OFF  
CUSTOM NAME  
EDIT CUSTOM NAME  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
become unsynchronized in a system. Setting a corresponding  
audio delay with A/V SYNC DELAY restores synchronization.  
EDIT CUSTOM NAME  
SETUP  
DISPLAYS  
EDIT CUSTOM NAME  
EDIT CUSTOM NAME allows the creation of a  
customized name that scrolls across the  
on-screen and front panel displays when the  
unit is powered on, provided the CUSTOM  
parameter is set to ON. Selecting EDIT  
CUSTOM NAME accesses the pulldown  
menu pictured at the right.  
DISPLAY SETUP  
A/V SYNC DELAY can be set in 1ms increments within its 1 to 60ms  
parameter range. When setting the A/V SYNC DELAY parameter, it  
is recommended to use a news broadcast or another source that  
does not utilize Automated Dialog Replacement. When set to OFF,  
the parameter is deactivated.  
ON-SCREEN DISPLAY  
FRONT PANEL DISPLAY  
A/V SYNC DELAY  
OFF  
OFF  
CUSTOM NAME  
EDIT CUSTOM NAME  
SDP-40  
^
W Y BUTTONS TO EDIT  
UP TO 13 CHARACTERS  
CUSTOM NAME  
Use the up and down MENU arrows to  
change the character above the ^. Up to 13  
SETUP  
DISPLAYS  
CUSTOM NAME  
V BUTTON TO ADVANCE  
CUSTOM NAME displays the text entered in  
the EDIT CUSTOM NAME parameter. When  
set to ON, the custom name will scroll  
across the on-screen and front panel  
displays when the unit is powered on. When  
set to OFF, the custom name will not appear  
when the unit is powered on.  
DISPLAY SETUP  
characters (including blank spaces) can be entered. Use the right  
MENU arrow to advance to the next character. The ^ will  
automatically wrap to the first character space after the thirteenth  
character space is passed. When finished, press the left MENU  
arrow to close the pulldown menu.  
ON-SCREEN DISPLAY  
FRONT PANEL DISPLAY  
A/V SYNC DELAY  
CUSTOM NAME  
OFF  
OFF  
3-33  
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The SETUP Menu  
JBL  
MAIN MENU  
SETUP  
VOLUME CONTROL SETUP  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
MAIN PWR ON  
MUTE LEVEL  
ZONE PWR ON  
REC PWR ON  
FULL  
-30dB  
-30dB  
-30dB  
REAR PANEL CONFIG  
DISPLAYS  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
MUTE LEVEL  
(FULL, -40dB, -30dB, -20dB, -10dB)  
VOLUME CONTROL SETUP  
MUTE LEVEL establishes the amount of attenuation that occurs in  
the Main Zone whenever the Mute button is pressed. When set to  
FULL, the Main Zone volume level will be fully attenuated.  
Default  
Parameter  
Value  
-30dB  
FULL  
Values  
MAIN PWR ON  
MUTE LEVEL  
LAST LVL, -80 to +6dB  
ZONE PWR ON  
(LAST LVL, -80 to +6dB)  
FULL, -40dB, -30dB,  
-20dB, -10dB  
ZONE PWR ON establishes the volume level that will be active in  
Zone 2 whenever the unit is powered on. When set to LAST LVL,  
Zone 2 will power on at the last volume level that was active  
in that zone during the previous operating session.  
ZONE PWR ON  
REC PWR ON  
-30dB  
-30dB  
LAST LVL, -80 to +6dB  
LAST LVL, -80 to +6dB  
REC PWR ON  
(LAST LVL, -80 to +6dB)  
MAIN PWR ON  
(LAST LVL, -80 to +6dB)  
REC PWR ON establishes the volume level that will be active in the  
Record Zone whenever the unit is powered on. When set to LAST  
LVL, the Record Zone will power on at the last volume level that  
was active in that zone during the previous operating session.  
MAIN PWR ON establishes the volume level that will be active in  
the Main Zone whenever the unit is powered on. When set to LAST  
LVL, the Main Zone will power on at the last volume level that was  
active in that zone during the previous operating session.  
3-34  
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The SETUP Menu  
SDP-40  
MAIN MENU  
SETUP  
TRIGGER SETUP  
TRIGGER 1 SETUP  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
TRIGGER 1  
TRIGGER 2  
PROGRAM  
PROGRAM  
REMOTE CONTROL  
DVD1  
DVD2  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
ON  
REAR PANEL CONFIG  
DISPLAYS  
Selecting either TRIGGER 1  
or TRIGGER 2 accesses an  
identical TRIGGER SETUP  
menu.  
LD  
TV  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
SAT  
VCR  
CD  
PVR  
GAME  
TAPE  
TRIGGER SETUP  
TUNER  
AUX  
There are three 12V DC TRIGGER OUTPUTS on the rear panel that can be used to control other devices with  
compatible trigger inputs. The trigger labelled PWR is not configurable, and is always on when the unit is on and  
always off when the unit is in standby or off. The TRIGGER OUTPUTS labelled 1 and 2 represent the two configurable  
triggers on the unit, and can be programmed for REMOTE or PROGRAM operation in the TRIGGER SETUP menu.  
Selecting the TRIGGERS option on the SETUP menu prompts the selection of the desired TRIGGER for configuration.  
Selecting either TRIGGER 1 or TRIGGER 2 accesses the TRIGGER SETUP menu (pictured at the right). Use the up and  
down MENU arrows to scroll through the menu items. Press the right MENU arrow to select the highlighted MENU  
arrow, then use the up and down MENU arrows to toggle between the ON and OFF settings. Press the left MENU  
arrow to select the desired setting.  
ZONE2 INPUTS  
RECORD INPUTS  
FILM  
TV  
MUSIC  
PL II  
ON  
ON  
ON  
ON  
PRO LOGIC II  
PL II MUSIC  
PRO LOGIC  
2-CHANNEL  
PARTY  
ON  
ON  
OFF  
OFF  
ON  
MONO  
MONO LOGIC  
MONO SURROUND  
ON  
ON  
REMOTE OPERATION  
5.1  
5.1 TV  
FILM  
ON  
ON  
When the REMOTE parameter is set to ON, the selected trigger will be configured for REMOTE operation. The unit  
will ignore all other parameter settings on the TRIGGER SETUP menu. Use the remote control commands described  
on page 2-12 to activate and deactivate the selected trigger. When the REMOTE parameter is set to OFF, the  
selected trigger will automatically be configured for PROGRAM operation.  
5.1  
5.1  
MUSIC  
SUR EX  
DIGITAL  
ON  
ON  
ON  
5.1 2-CHANNEL  
5.1 MONO  
OFF  
ON  
5.1 MONO LOGIC  
5.1 MONO SURR  
FILM  
ON  
ON  
PROGRAM OPERATION  
ON  
ON  
When the REMOTE parameter is set to OFF, the selected trigger will automatically be configured for  
PROGRAM operation. Triggers can be activated upon the selection of associated Main Zone inputs, Zone 2 input  
selection, Record Zone input selection, and Main Zone listening modes. (Triggers cannot be associated with  
individual inputs in Zone 2 or the Record Zone.)  
MUSIC  
ON  
ON  
2-CHAN  
OFF  
3-35  
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The SETUP Menu  
JBL  
MAIN MENU  
SETUP  
LOCK OPTIONS  
MODES UNLOCKED  
Note:  
Locking settings in the MODE ADJUST, AUDIO CONTROLS, and  
SETUP menus will prevent accidental changes. These menus can  
be unlocked at any time to adjust settings.  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
INPUTS  
SPEAKERS  
AUDIO CNTRL UNLOCKED  
SETUP UNLOCKED  
REAR PANEL CONFIG  
DISPLAYS  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
5.1 THX menu. This parameter setting can still be toggled by  
pressing the THX button on the remote control when the SHIFT  
command bank is active. When set to UNLOCKED, these settings  
can be adjusted.  
LOCK OPTIONS  
The LOCK OPTIONS menu can be used to lock and unlock settings  
in the three primary menus: MODE ADJUST, AUDIO CONTROLS,  
and SETUP.  
AUDIO CNTRL  
(LOCKED, UNLOCKED)  
Default  
Value  
AUDIO CNTRL controls AUDIO CONTROLS menu settings. When  
set to LOCKED, these settings cannot be adjusted. When set to  
UNLOCKED, these settings can be adjusted.  
Parameter  
MODES  
Values  
UNLOCKED  
UNLOCKED  
UNLOCKED  
LOCKED, UNLOCKED  
LOCKED, UNLOCKED  
LOCKED, UNLOCKED  
AUDIO CNTRL  
SETUP  
SETUP  
(LOCKED, UNLOCKED)  
SETUP controls SETUP menu settings. When set to LOCKED, these  
settings cannot be adjusted, with the exception of the STATUS  
parameters on the ON-SCREEN DISPLAY and FRONT PANEL  
DISPLAY menus. These parameters can still be set using the FP,  
BLUE, and OSD buttons on the remote control. When set to  
UNLOCKED, all SETUP menu settings can be adjusted.  
MODES  
(LOCKED, UNLOCKED)  
MODES controls MODE ADJUST menu settings. When set to  
LOCKED, these settings cannot be adjusted, with the exception of  
the SURROUND EX parameter on the 5.1 THX SURROUND EX or  
3-36  
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4
The AUDIO CONTROLS Menu  
AUDIO CONTROLS.......................................................................4-2  
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The AUDIO CONTROLS Menu  
JBL  
BASS  
AUDIO CONTROLS  
(-6.0 to +6.0dB)  
AUDIO CONTROLS  
BASS  
Selecting AUDIO CONTROLS on the MAIN  
AUDIO CONTROLS  
MENU accesses the AUDIO CONTROLS  
menu, which contains adjustable parameters.  
Use the up and down MENU arrows to scroll  
through the complete list. Press the right  
MENU arrow to select the highlighted  
parameter for adjustment. Press the left  
MENU arrow to return to the MAIN MENU.  
BASS controls the amount of low-frequency boost or cut applied to  
the FRONT L/R, CENTER, SUBWOOFER L/R, and LFE outputs. When  
BASS is selected, a horizontal graph will appear on the screen  
below the parameter. This graph illustrates the position at which  
the current setting falls within the -6.0 to +6.0dB parameter range.  
Press the up and down MENU arrows to increase and decrease the  
setting in 0.5dB increments. Press the left MENU arrow to close the  
graph and return to the AUDIO CONTROLS menu.  
BASS  
TREBLE  
TILT EQ  
+0.0dB  
+0.0dB  
+0.0dB  
ON  
LOUDNESS  
BALANCE  
FADER  
<|>  
<|>  
ZONE2 BALANCE  
RECORD BALANCE  
<|>  
<|>  
Default  
Parameter  
BASS  
Value  
+0.0dB  
+0.0dB  
+0.0dB  
ON  
Values  
The graph pictured below shows the frequency response of all  
BASS settings.  
-6.0 to +6.0dB  
-6.0 to +6.0dB  
-3.0 to +3.0dB  
ON, OFF  
TREBLE  
+6.0  
+5.5  
+5.0  
+4.5  
+4.0  
+3.5  
+3.0  
+2.5  
+2.0  
+1.5  
+1.0  
+0.5  
TILT EQ  
LOUDNESS  
BALANCE  
FADER  
<|>  
L<, <|>, >R *  
B<, <|>, >F *  
L<, <|>, >R *  
L<, <|>, >R *  
<|>  
+0.0  
-0.5  
-1.0  
-1.5  
-2.0  
-2.5  
-3.0  
-3.5  
-4.0  
-4.5  
-5.0  
-5.5  
-6.0  
+0.0  
ZONE2 BALANCE  
RECORD BALANCE  
<|>  
<|>  
*Scale shown below. When FADER is selected, the L will be replaced by  
a B and the R will be replaced by an F.  
L
R
10  
20  
50  
100  
200  
500  
Hz  
1k  
2k  
5k  
10k 20k  
4-2  
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The AUDIO CONTROLS Menu  
SDP-40  
TREBLE  
(-6.0 to +6.0dB)  
TILT EQ  
(-3.0 to +3.0dB)  
AUDIO CONTROLS  
TILT EQ  
AUDIO CONTROLS  
TREBLE  
TREBLE controls the amount of boost or cut applied to the FRONT  
L/R and CENTER outputs. When TREBLE is selected, a horizontal  
graph will appear on the screen below the parameter. This graph  
illustrates the position at which the current setting falls within the  
-6.0 to +6.0dB parameter range. Press the up and down MENU  
arrows to increase and decrease the setting in 0.5dB increments.  
Press the left MENU arrow to close the graph and return to the  
AUDIO CONTROLS menu.  
TILT EQ controls the amount of tilt equalization applied to the  
FRONT L/R, CENTER, SUBWOOFER L/R, and LFE outputs. When  
TILT EQ is selected, a horizontal graph will appear on the screen  
below the parameter. This graph illustrates the position at which  
the current setting falls within the -3.0 to +3.0dB parameter range.  
Press the up and down MENU arrows to increase and decrease the  
setting in 0.5dB increments. Press the left MENU arrow to close the  
graph and return to the AUDIO CONTROLS menu.  
The graph pictured below shows the frequency response of all  
TREBLE settings.  
TILT EQ affects the entire frequency spectrum with a hinge point at  
1kHz. As it is increased, frequencies above 1kHz are boosted, while  
frequencies below 1kHz are simultaneously cut. As it is decreased,  
frequencies above 1kHz are cut, while frequencies below 1kHz are  
simultaneously boosted. The graph pictured below shows the  
frequency response of all TILT EQ settings.  
+6.0  
+5.5  
+5.0  
+4.5  
+4.0  
+3.5  
+3.0  
+2.5  
+2.0  
+1.5  
+1.0  
+0.5  
-3.0  
-2.8  
+3.0  
+2.8  
+2.6  
+2.4  
+2.2  
+2.0  
+1.8  
+1.6  
+1.4  
+1.2  
+1.0  
+0.8  
+0.6  
+0.4  
+0.2  
+0.0  
-0.2  
-0.4  
-0.6  
-0.8  
-1.0  
-1.2  
-1.4  
-1.6  
-1.8  
-2.0  
-2.2  
-2.4  
-2.6  
-2.8  
-3.0  
-2.6  
-2.4  
-2.2  
-2.0  
-1.8  
-1.6  
-1.4  
+0.0  
-0.5  
-1.0  
-1.5  
-2.0  
-2.5  
-3.0  
-3.5  
-4.0  
-4.5  
-5.0  
-5.5  
-6.0  
+0.0  
-1.2  
-1.0  
-0.8  
-0.6  
-0.4  
-0.2  
+0.0  
+0.2  
+0.4  
+0.6  
+0.8  
+1.0  
+1.2  
+1.4  
+1.6  
+1.8  
+2.0  
+2.2  
+2.4  
+2.6  
+2.8  
+3.0  
10  
20  
50  
100  
200  
500  
Hz  
1k  
2k  
5k  
10k 20k  
50  
100  
200  
500  
Hz  
1k  
2k  
5k  
10k 20k  
4-3  
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The AUDIO CONTROLS Menu  
JBL  
LOUDNESS  
(ON, OFF)  
BALANCE  
AUDIO CONTROLS  
LOUDNESS  
AUDIO CONTROLS  
BALANCE  
LOUDNESS controls the amount of low-frequency boost that is  
automatically applied to the FRONT L/R, CENTER, SUBWOOFER L/R,  
and LFE outputs. When set to ON, loudness compensation is  
automatically applied based on the current volume level. As volume  
is decreased, the amount of boost is automatically increased. The  
loudness contour is optimized for sources calibrated to Dolby  
reference levels. When set to OFF, loudness compensation is not  
applied.  
BALANCE controls the left-to-right balance of the Main Zone.  
When BALANCE is selected, a horizontal graph (pictured on page  
4-2) will appear on the screen below the parameter. This graph  
illustrates the position at which the current setting falls within the  
entire parameter range. Press the up MENU arrow to move the  
setting toward the right, and the down MENU arrow to move the  
setting toward the left. Press the left MENU arrow to close the  
graph and return to the AUDIO CONTROLS menu.  
The graph pictured below shows the frequency response that is  
automatically applied when Main Zone volume is adjusted.  
FADER  
AUDIO CONTROLS  
FADER  
FADER controls the front-to-back balance of the Main Zone. When  
FADER is selected, a horizontal graph (pictured on page 4-2) will  
appear on the screen below the parameter. This graph illustrates  
the position at which the current setting falls within the entire  
parameter range. Press the up MENU arrow to move the setting  
forward, and the down MENU arrow to move the setting back-  
ward. Press the left MENU arrow to close the graph and return to  
the AUDIO CONTROLS menu.  
dB  
0
0
+12  
0
0
+9  
0
0
+6  
ZONE2 BALANCE  
AUDIO CONTROLS  
ZONE2 BALANCE  
0
ZONE2 BALANCE controls the left-to-right balance of the ZONE2  
AUDIO OUTPUTS. When ZONE2 BALANCE is selected, a horizontal  
graph (pictured on page 4-2) will appear on the screen below the  
parameter. This graph illustrates the position at which the current  
setting falls within the entire parameter range. Press the up MENU  
arrow to move the setting toward the right, and the down MENU  
arrow to move the setting toward the left. Press the left MENU  
arrow to close the graph and return to the AUDIO CONTROLS  
menu.  
0
+3  
0
0
10  
20  
50  
100  
200  
500  
Hz  
1k  
2k  
5k  
10k  
20k  
4-4  
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The AUDIO CONTROLS Menu  
SDP-40  
RECORD BALANCE  
AUDIO CONTROLS  
RECORD BALANCE  
RECORD BALANCE controls the left-to-right balance of the  
RECORD AUDIO OUTPUTS. When RECORD BALANCE is selected, a  
horizontal graph (pictured on page 4-2) will appear on the screen  
below the parameter. This graph illustrates the position at which  
the current setting falls within the entire parameter range. Press the  
up MENU arrow to move the setting toward the right, and the  
down MENU arrow to move the setting toward the left. Press the  
left MENU arrow to close the graph and return to the AUDIO  
CONTROLS menu.  
4-5  
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5
The MODE ADJUST Menu  
MODE ADJUST..............................................................................5-2  
Listening Mode Descriptions.........................................................5-2  
OUTPUT LEVELS..........................................................................5-17  
CUSTOM ....................................................................................5-17  
STATUS Menus............................................................................5-18  
Mode Parameter Descriptions .....................................................5-20  
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The MODE ADJUST Menu  
JBL  
Derives seven channels from 2-channel input types.  
MODE ADJUST  
MODE ADJUST  
Derives full-frequency stereo surrounds, realistically increasing  
the perceived width of the listening space. With side and rear  
speakers selected, LOGIC7 FILM also increases the perceived  
length and sense of envelopment of the listening space.  
Selecting MODE ADJUST on the MAIN  
MENU accesses the MODE ADJUST menu,  
which appears highlighting the name of the  
active listening mode. Use the up and down  
MENU arrows to scroll through the  
complete list of listening modes. Press the  
right MENU arrow to select the highlighted  
listening mode for configuration. Press the  
left MENU arrow to return to the MAIN  
MENU.  
FILM  
TV  
MUSIC  
PL II  
PRO LOGIC II  
PL II MUSIC  
PRO LOGIC  
Provides remarkable improvement compared to other  
decoders.  
2-CHANNEL  
PARTY  
Recommended for 2-channel film sources, even when only one  
pair of surround speakers is selected.  
MONO  
MONO LOGIC  
MONO SURROUND  
5.1 FILM  
5.1 TV  
Default  
Value  
Parameter  
Values  
5.1  
5.1  
MUSIC  
SUR EX  
DIGITAL  
All listening modes can be selected from the  
MODE ADJUST menu. Selecting the desired  
listening mode accesses a menu containing  
specific options and parameters that can be  
adjusted to customize the selected mode.  
These menus are pictured on pages A-10  
and A-11. Other methods of listening mode  
selection are reviewed on pages 2-17 and  
2-18.  
AUTO AZIMUTH  
VOCAL ENHANCE  
RE-EQUALIZER  
SOUND STAGE  
5 SPKR ENHANCE  
BASS ENHANCE  
SURR ROLLOFF  
REAR DLY OFFSET  
OUTPUT LEVELS  
CUSTOM  
ON  
ON, OFF  
5.1 2-CHANNEL  
5.1 MONO  
+0.0dB  
ON  
+0.0dB, +3.0dB, +6.0dB  
ON, OFF  
5.1 MONO LOGIC  
5.1 MONO SURR  
FILM  
REAR  
OFF  
FRONT, NEUTRAL, REAR  
ON, OFF  
MUSIC  
2-CHAN  
5.1 BYPASS  
2CH BYPASS  
OFF  
ON, OFF  
15.3kHz  
15ms  
500Hz to 20.0kHz, OFF  
0 to 30ms  
See page 5-17 for more information  
See page 5-17 for more information  
LISTENING MODE DESCRIPTIONS  
LOGIC7 FILM  
MODE ADJUST  
An alphabetical listing of parameter descriptions begins on page 5-20.  
L7 FILM  
A proprietary Lexicon listening mode.  
Designed for playback of 2-channel stereo or matrix encoded  
stereo film sources.  
5-2  
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The MODE ADJUST Menu  
SDP-40  
LOGIC7 TV  
MODE ADJUST  
LOGIC7 MUSIC  
MODE ADJUST  
L7 TV  
MUSIC  
A proprietary Lexicon listening mode.  
A proprietary Lexicon listening mode.  
Designed for playback of 2-channel stereo or matrix encoded  
stereo TV sources.  
Designed for playback of 2-channel stereo or matrix encoded  
stereo music sources.  
Based on LOGIC7 FILM, but specifically tailored for TV sources.  
Based on LOGIC7 FILM, but specifically tailored for music  
sources.  
Recommended for 2-channel TV sources, even when only one  
pair of surround speakers is selected.  
Recommended for 2-channel music sources, even when only  
one pair of surround speakers is selected.  
Default  
Value  
Parameter  
Values  
Default  
Parameter  
Value  
Values  
AUTO AZIMUTH  
VOCAL ENHANCE  
FRONT STEERING  
RE-EQUALIZER  
SOUND STAGE  
5 SPKR ENHANCE  
BASS ENHANCE  
SURR ROLLOFF  
REAR DLY OFFSET  
OUTPUT LEVELS  
CUSTOM  
ON  
ON, OFF  
VOCAL ENHANCE  
FRONT STEERING  
SOUND STAGE  
5 SPKR ENHANCE  
BASS ENHANCE  
SURR ROLLOFF  
REAR DLY OFFSET  
OUTPUT LEVELS  
CUSTOM  
+0.0dB  
MUSIC  
NEUTRAL  
OFF  
+0.0dB, +3.0dB, +6.0dB  
OFF, MUSIC, FILM  
FRONT, NEUTRAL, REAR  
ON, OFF  
+0.0dB  
MUSIC  
OFF  
+0.0dB, +3.0dB, +6.0dB  
OFF, MUSIC, FILM  
ON, OFF  
REAR  
OFF  
FRONT, NEUTRAL, REAR  
ON, OFF  
OFF  
ON, OFF  
15.3kHz  
15ms  
500Hz to 20.0kHz  
0 to 30ms  
OFF  
ON, OFF  
15.3kHz  
15ms  
500Hz to 20.0kHz, OFF  
0 to 30ms  
See page 5-17 for more information  
See page 5-17 for more information  
See page 5-17 for more information  
See page 5-17 for more information  
An alphabetical listing of parameter descriptions begins on page 5-20.  
An alphabetical listing of parameter descriptions begins on page 5-20.  
5-3  
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The MODE ADJUST Menu  
JBL  
DOLBY PRO LOGIC II THX  
DOLBY PRO LOGIC II  
MODE ADJUST  
L7 PRO LOGIC II  
MODE ADJUST  
PL II  
Designed for playback of Dolby Surround encoded sources.  
Designed for playback of Dolby Surround encoded sources.  
Utilizes Dolby Pro Logic II to decode five channels from Dolby  
Surround encoded input types.  
Decodes five channels from Dolby Surround encoded input  
types.  
Applies re-equalization and timbre matching. Re-equalization  
simulates the high-frequency rolloff that occurs in a movie  
theater as sound travels from the front speakers to the  
listeners. Most films are mixed for movie theaters, and may  
sound too bright when played back in a home theater without  
re-equalization. Timbre matching helps minimize the timbre  
differences between the front and side channels, which results  
in smoother sound movements between these channels.  
Similar to DOLBY PRO LOGIC, except it utilizes full-frequency  
stereo surround channels to realistically increase the perceived  
width of the listening space.  
Provides impressive enhancement compared to DOLBY PRO  
LOGIC.  
Appropriate for Dolby Surround encoded film sources.  
Default  
Value  
Recommended for home theaters with a THX-certified speaker  
system.  
Parameter  
Values  
OUTPUT LEVELS  
CUSTOM  
See page 5-17 for more information  
See page 5-17 for more information  
Default  
Value  
Parameter  
Values  
An alphabetical listing of parameter descriptions begins on page 5-20.  
RE-EQUALIZER  
OUTPUT LEVELS  
CUSTOM  
ON  
ON, OFF  
See page 5-17 for more information  
See page 5-17 for more information  
An alphabetical listing of parameter descriptions begins on page 5-20.  
5-4  
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The MODE ADJUST Menu  
SDP-40  
DOLBY PRO LOGIC II MUSIC  
DOLBY PRO LOGIC  
MODE ADJUST  
L7 PL II MUSIC  
MODE ADJUST  
L7 PRO LOGIC  
Designed for playback of stereo music sources.  
Designed for playback of Dolby Surround encoded sources.  
Identical to DOLBY PRO LOGIC II, except specifically tailored  
for stereo music sources.  
Decodes four channels from Dolby Surround encoded input  
types.  
Utilizes a mono surround channel with a high-frequency rolloff  
above 7kHz.  
Default  
Values  
Parameter  
Default Value  
ON, OFF  
Available for comparison purposes, particularly with the  
LOGIC7 FILM and DOLBY PRO LOGIC II listening modes.  
PANORAMA  
CTR WIDTH  
DIMENSION  
SURROUND DLY  
OUTPUT LEVELS  
CUSTOM  
OFF  
3
MIN, 1 to 6, MAX  
FRONT, NEUTRAL, REAR  
0 to 15ms  
Default  
Value  
Parameter  
Values  
NEUTRAL  
5ms  
OUTPUT LEVELS  
CUSTOM  
See page 5-17 for more information  
See page 5-17 for more information  
See page 5-17 for more information  
See page 5-17 for more information  
An alphabetical listing of parameter descriptions begins on page 5-20.  
An alphabetical listing of parameter descriptions begins on page 5-20.  
5-5  
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The MODE ADJUST Menu  
JBL  
2-CHANNEL  
MODE ADJUST  
PARTY  
MODE ADJUST  
2-CHANNEL  
PARTY  
Designed for playback of stereo sources.  
Designed for playback of stereo sources.  
Sends stereo sources to all channels.  
Recommended for background music.  
Sends stereo sources to the FRONT L/R outputs only.  
Available for audio purists and for comparison purposes.  
Default  
Values  
Default  
Values  
Parameter  
SUB L/R LVL  
CUSTOM  
Default Value  
Parameter  
Default Value  
+0dB  
OFF, -30 to +12dB  
OUTPUT LEVELS  
CUSTOM  
See page 5-17 for more information  
See page 5-17 for more information  
See page 5-17 for more information  
An alphabetical listing of parameter descriptions begins on page 5-20.  
An alphabetical listing of parameter descriptions begins on page 5-20.  
5-6  
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The MODE ADJUST Menu  
SDP-40  
MONO  
MONO LOGIC  
MODE ADJUST  
MONO  
MODE ADJUST  
MONO LOGIC  
Designed for playback of mono sources.  
Designed for playback of mono sources.  
Sends mono sources to the center channel only.  
Utilizes proprietary Lexicon reverb technology to realistically  
expand mono input types to utilize all channels, dramatically  
increasing the perceived length and sense of envelopment of  
the listening space.  
Default  
Value  
Parameter  
Values  
SUB L/R  
+0dB  
OFF, -30 to +12dB  
Default  
Parameter  
Value  
Values  
An alphabetical listing of parameter descriptions begins on page 5-20.  
EFFECT LVL  
-9dB  
-12 to +6dB  
ON, OFF  
ACADEMY FILTER  
SURR ROLLOFF  
OUTPUT LEVELS  
CUSTOM  
ON  
3.1kHz  
500Hz to 20.0kHz, OFF  
See page 5-17 for more information  
See page 5-17 for more information  
An alphabetical listing of parameter descriptions begins on page 5-20.  
5-7  
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The MODE ADJUST Menu  
JBL  
MONO SURROUND  
5.1 LOGIC7 FILM  
MODE ADJUST  
MONO SURROUND  
5.1L7 FILM  
MODE ADJUST  
Designed for playback of mono sources.  
Sends mono sources to all channels.  
A proprietary Lexicon listening mode.  
Designed for playback of 5.1-channel Dolby Digital film  
sources.  
Utilizes several techniques to derive seven channels from  
5.1-channel input types. With side and rear speakers selected,  
5.1 LOGIC7 FILM also increases the perceived length and sense  
of envelopment of the listening space.  
Default  
Values  
Parameter  
Default Value  
OUTPUT LEVELS  
CUSTOM  
See page 5-17 for more information  
See page 5-17 for more information  
Provides remarkable improvement compared to other  
decoders.  
An alphabetical listing of parameter descriptions begins on page 5-20.  
Recommended for 5.1-channel Dolby Digital film sources, even  
when only one pair of surround speakers is selected.  
Default  
Parameter  
Value  
+0.0dB  
OFF  
Values  
VOCAL ENHANCE  
5 SPKR ENHANCE  
BASS ENHANCE  
RE-EQUALIZER  
REAR DLY OFFSET  
COMPRESSION  
LFE MIX  
+0.0dB, +3.0dB, +6.0dB  
ON, OFF  
OFF  
ON, OFF  
ON  
ON, OFF  
15ms  
OFF  
0 to 30ms  
AUTO, ON, OFF  
-10.0 to +0.0dB  
+0.0dB  
OUTPUT LEVELS  
CUSTOM  
See page 5-17 for more information  
See page 5-17 for more information  
An alphabetical listing of parameter descriptions begins on page 5-20.  
5-8  
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The MODE ADJUST Menu  
SDP-40  
5.1 LOGIC7 TV  
5.1 LOGIC7 MUSIC  
MODE ADJUST  
5.1L7 TV  
MODE ADJUST  
5.1L7 MUSIC  
A proprietary Lexicon listening mode.  
A proprietary Lexicon listening mode.  
Designed for playback of 5.1-channel Dolby Digital TV sources.  
Designed for playback of 5.1-channel Dolby Digital music  
sources.  
Based on 5.1 LOGIC7 FILM, but specifically tailored for TV  
sources.  
Based on 5.1 LOGIC7 FILM, but specifically tailored for music  
sources.  
Recommended for 5.1-channel Dolby Digital TV sources, even  
when only one pair of surround speakers is selected.  
Recommended for 5.1-channel Dolby Digital music sources,  
even when only one pair of surround speakers is selected.  
Default  
Parameter  
Value  
+0.0dB  
OFF  
Values  
Default  
Parameter  
Value  
+0.0dB  
OFF  
Values  
VOCAL ENHANCE  
5 SPKR ENHANCE  
BASS ENHANCE  
RE-EQUALIZER  
REAR DLY OFFSET  
COMPRESSION  
LFE MIX  
+0.0dB, +3.0dB, +6.0dB  
ON, OFF  
VOCAL ENHANCE  
5 SPKR ENHANCE  
BASS ENHANCE  
RE-EQUALIZER  
REAR DLY OFFSET  
COMPRESSION  
LFE MIX  
+0.0dB, +3.0dB, +6.0dB  
ON, OFF  
OFF  
ON, OFF  
OFF  
ON, OFF  
OFF  
ON, OFF  
OFF  
ON, OFF  
15ms  
OFF  
0 to 30ms  
15ms  
OFF  
0 to 30ms  
AUTO, ON, OFF  
-10.0 to +0.0dB  
AUTO, ON, OFF  
-10.0 to +0.0dB  
+0.0dB  
+0.0dB  
OUTPUT LEVELS  
CUSTOM  
See page 5-17 for more information  
See page 5-17 for more information  
OUTPUT LEVELS  
CUSTOM  
See page 5-17 for more information  
See page 5-17 for more information  
An alphabetical listing of parameter descriptions begins on page 5-20.  
An alphabetical listing of parameter descriptions begins on page 5-20.  
5-9  
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The MODE ADJUST Menu  
JBL  
Utilizes Dolby Digital to decode 5.1 discrete channels from 5.1  
Dolby Digital encoded input types.  
5.1 THX SURROUND EX or 5.1 THX  
MODE ADJUST  
5.1  
SUR EX  
The SURROUND EX parameter activates and deactivates the 5.1  
THX SURROUND EX listening mode, provided both side and rear  
speakers are selected (see page 3-18). The default value of this  
parameter is ON, which activates the 5.1 THX SURROUND EX  
listening mode. When set to OFF, the 5.1 THX SURROUND EX  
listening mode becomes 5.1 THX. Toggling the setting of the  
SURROUND EX parameter produces low-level clicks in the front  
speakers.  
Applies re-equalization, timbre matching, and adaptive  
decorrelation. Re-equalization simulates the high-frequency  
rolloff that occurs in a movie theater as sound travels from the  
front speakers to the listeners. Most films are mixed for movie  
theaters, and may sound too bright when played back in a  
home theater without re-equalization. Timbre matching helps  
minimize the timbre differences between the front and side  
channels, which results in smoother sound movements  
between these channels.  
5.1 THX SURROUND EX  
Designed for playback of Dolby Digital Surround EX encoded  
sources.  
Adaptive decorrelation increases the perceived width of the  
listening space. Since movie theaters utilize surround speaker  
arrays and most home theaters do not, decorrelation of the  
mono surround channel increases the perceived width of the  
surround field in a home theater.  
Similar to 5.1 THX, but utilizes Dolby Pro Logic to decode three  
surround channels from Dolby Digital Surround EX-encoded  
input types.  
Applies re-equalization and timbre matching. Re-equalization  
simulates the high-frequency rolloff that occurs in a movie the-  
ater as sound travels from the speakers to the listeners. Most  
films are mixed for movie theaters, and may sound too bright  
when played back in a home theater without re-equalization.  
Timbre matching helps minimize the timbre differences  
between the front and side channels, which results in smoother  
sound movements between these channels.  
Recommended for Dolby Digital encoded sources.  
Default  
Value  
Parameter  
Values  
RE-EQUALIZER  
SURROUND EX  
COMPRESSION  
LFE MIX  
ON  
ON, OFF  
Recommended for Dolby Digital Surround EX encoded  
sources.  
ON  
ON, OFF  
OFF  
AUTO, ON, OFF  
-10.0 to +0.0dB  
+0.0dB  
5.1 THX  
Designed for playback of 5.1-channel Dolby Digital encoded  
sources.  
OUTPUT LEVELS  
CUSTOM  
See page 5-17 for more information  
See page 5-17 for more information  
An alphabetical listing of parameter descriptions begins on page 5-20.  
5-10  
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The MODE ADJUST Menu  
SDP-40  
DOLBY DIGITAL  
5.1 2-CHANNEL  
MODE ADJUST  
L7 DIGITAL  
MODE ADJUST  
5.1 2-CHANNEL  
Designed for playback of 5.1 Dolby Digital encoded sources.  
Designed for conversion of 5.1-channel Dolby Digital input  
types to LOGIC7 encoded 2-channel output types.  
Decodes 5.1 discrete channels from 5.1 Dolby Digital  
encoded input types. The five main channels are full-  
frequency. The .1 channel, often referred to as the LFE or  
subwoofer channel, has a limited frequency range of 120Hz.  
Allows 5.1-channel Dolby Digital sources to be listened to  
through the front left and right channels.  
Reproduces the original 5.1 performance through playback of  
LOGIC7 listening modes.  
Appropriate for Dolby Digital encoded film sources.  
Recommended for recording purposes.  
Default  
Value  
Parameter  
COMPRESSION  
LFE MIX  
Values  
Default  
Parameter  
Value  
+0dB  
+0dB  
+0  
Values  
OFF  
AUTO, ON, OFF  
-10.0 to +0.0dB  
CENTER MIX  
SURROUND MIX  
CNTR DLY SAMPLES  
MASTER LEVEL  
COMPRESSION  
LFE MIX  
-25 to +5dB  
-5 to +5dB  
+0.0dB  
OUTPUT LEVELS  
CUSTOM  
See page 5-17 for more information  
See page 5-17 for more information  
-127 to +127  
-5 to +5dB  
+0dB  
OFF  
An alphabetical listing of parameter descriptions begins on page 5-20.  
AUTO, ON, OFF  
-20.0 to +0.0dB  
OFF, -30 to +12dB  
+0.0dB  
+0dB  
SUB L/R LVL  
CUSTOM  
See page 5-17 for more information  
An alphabetical listing of parameter descriptions begins on page 5-20.  
5-11  
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The MODE ADJUST Menu  
JBL  
5.1 MONO  
5.1 MONO LOGIC  
MODE ADJUST  
5.1 MONO  
MODE ADJUST  
5.1 MONO LOGIC  
Designed for playback of Dolby Digital mono sources.  
Sends mono sources to the center channel only.  
Designed for playback of Dolby Digital mono sources.  
Utilizes proprietary Lexicon reverb technology to realistically  
expand Dolby Digital mono sources to utilize all channels,  
dramatically increasing the perceived length and sense of  
envelopment of the listening space.  
No parameters are available for the MONO listening mode.  
Note:  
Default  
Parameter  
Value  
Values  
The 5.1 MONO, 5.1 MONO LOGIC, and 5.1 MONO  
SURR listening modes are designed for playback of  
Dolby Digital mono sources. Mono material can be  
found on both Dolby Digital 1.0 and 2.0 input types.  
These modes are also available, but not  
recommended, for 5.1 Dolby Digital sources. The unit  
will automatically select 5.1 MONO LOGIC when a  
1.0 Dolby Digital input type is preset.  
EFFECT LVL  
-9dB  
-12 to +6dB  
ON, OFF  
ACADEMY FILTER  
SURR ROLLOFF  
OUTPUT LEVELS  
CUSTOM  
ON  
3.1kHz  
500Hz to 20.0kHz, OFF  
See page 5-17 for more information  
See page 5-17 for more information  
An alphabetical listing of parameter descriptions begins on page 5-20.  
5-12  
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The MODE ADJUST Menu  
SDP-40  
5.1 MONO SURROUND  
dts(-ES) LOGIC7 film  
MODE ADJUST  
5.1 MONO SURR  
MODE ADJUST  
dts(ES) FILM  
Designed for playback of Dolby Digital mono sources.  
Sends mono signals to all channels.  
A proprietary Lexicon listening mode.  
Designed for playback of 5.1 and 6.1-channel dts(-ES) film  
sources.  
Utilizes an advanced matrix to derive seven channels from 5.1  
or 6.1-channel input types. With side and rear speakers  
selected, dts(-ES) LOGIC7 FILM increases the perceived length  
and sense of envelopment of the listening space.  
Default  
Value  
Parameter  
Values  
OUTPUT LEVELS  
CUSTOM  
See page 5-17 for more information  
See page 5-17 for more information  
Provides remarkable improvement compared to other  
decoders.  
An alphabetical listing of parameter descriptions begins on page 5-20.  
Recommended for 5.1 and 6.1-channel dts(-ES) film sources,  
even when only one pair of surround speakers is selected.  
The unit will automatically activate ES decoding when a dts-ES  
input type is identified.  
Default  
Parameter  
Value  
+0.0dB  
OFF  
Values  
VOCAL ENHANCE  
5 SPKR ENHANCE  
BASS ENHANCE  
RE-EQUALIZER  
REAR DLY OFFSET  
LFE MIX  
+0.0dB, +3.0dB, +6.0dB  
ON, OFF  
OFF  
ON, OFF  
ON  
ON, OFF  
15ms  
+0.0dB  
0 to 30ms  
-10.0 to +0.0dB  
OUTPUT LEVELS  
CUSTOM  
See page 5-17 for more information  
See page 5-17 for more information  
An alphabetical listing of parameter descriptions begins on page 5-20.  
5-13  
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The MODE ADJUST Menu  
JBL  
dts(-ES) LOGIC7 Music  
dts(-ES) THX  
MODE ADJUST  
MODE ADJUST  
dts(ES) MUSIC  
A proprietary Lexicon listening mode.  
Designed for playback of 5.1 and 6.1-channel dts(-ES)-  
encoded sources.  
Designed for playback of 5.1 and 6.1-channel dts(-ES) music  
sources.  
Utilizes dts(-ES) to decode 5.1 or 6.1 discrete channels from  
dts(-ES) encoded input types.  
Based on dts(-ES) LOGIC7 FILM, but specifically tailored for  
music sources.  
Applies re-equalization and timbre matching. Re-equalization  
simulates the high-frequency rolloff that occurs in a movie  
theater as sound travels from the speakers to the listeners. Most  
films are mixed for movie theaters, and may sound too bright  
when played back in a home theater without re-equalization.  
Timbre matching helps minimize the timbre differences  
between the front and side channels, which results in smoother  
sound movements between these channels.  
Recommended for 5.1 and 6.1-channel dts(-ES) music sources,  
even when only one pair of surround speakers is selected.  
The unit will automatically activate ES decoding when a dts-ES  
input type is identified.  
Default  
Parameter  
Value  
+0.0dB  
OFF  
Values  
Recommended for home theaters with a THX-certified speaker  
system.  
VOCAL ENHANCE  
5 SPKR ENHANCE  
BASS ENHANCE  
REAR DLY OFFSET  
LFE MIX  
+0.0dB, +3.0dB, +6.0dB  
ON, OFF  
The unit will automatically activate ES decoding when a dts-ES  
input type is identified.  
OFF  
ON, OFF  
Default  
15ms  
+0.0dB  
0 to 30ms  
Parameter  
RE-EQUALIZER  
LFE MIX  
Value  
Values  
-10.0 to +0.0dB  
ON  
ON, OFF  
OUTPUT LEVELS  
CUSTOM  
See page 5-17 for more information  
See page 5-17 for more information  
+0.0dB  
-10.0 to +0.0dB  
OUTPUT LEVELS  
CUSTOM  
See page 5-17 for more information  
See page 5-17 for more information  
An alphabetical listing of parameter descriptions begins on page 5-20.  
An alphabetical listing of parameter descriptions begins on page 5-20.  
5-14  
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The MODE ADJUST Menu  
SDP-40  
dts and dts-ES  
dts(-ES) 2-CHANNEL  
MODE ADJUST  
2-CHAN  
MODE ADJUST  
The unit will automatically switch between the dts and dts-ES  
listening modes, activating ES decoding when a dts-ES input  
type is identified.  
Designed for conversion of 5.1 or 6.1-channel dts(-ES) input  
types to LOGIC7 encoded 2-channel input types.  
Allows 5.1 or 6.1-channel dts(-ES) sources to be listened to  
through the front left and right channels.  
dts  
Reproduces the original 5.1 performance through playback of  
LOGIC7 listening modes.  
Designed for playback of 5.1-channel dts encoded sources.  
Recommended for recording purposes.  
Decodes 5.1 discrete channels from dts encoded input types.  
The five main channels are full-frequency. The .1 channel, often  
referred to as the LFE or subwoofer channel, has a limited  
frequency range of 120Hz.  
The unit will automatically activate ES decoding when a dts-ES  
input type is identified.  
Appropriate for dts encoded film sources.  
Default  
Parameter  
Value  
+0dB  
+0dB  
+0  
Values  
dts-ES  
CENTER MIX  
SURROUND MIX  
CNTR DLY SAMPLES  
MASTER LEVEL  
LFE MIX  
-25 to +25dB  
-5 to +5dB  
Designed for playback of 6.1-channel dts-ES encoded sources.  
Decodes 6.1 channels from dts-ES encoded input types. The six  
main channels are full-frequency. The surround back  
channel can be either discrete or matrix encoded. The  
.1 channel, often referred to as the LFE or subwoofer channel,  
is filtered above 120Hz.  
-127 to +127  
-5 to +5db  
+0dB  
+0.0dB  
+0dB  
-10.0 to +0.0dB  
OFF, -30 to +12dB  
Appropriate for dts-ES encoded film sources.  
SUB L/R LVL  
CUSTOM  
See page 5-17 for more information  
Default  
Value  
Parameter  
LFE MIX  
Values  
An alphabetical listing of parameter descriptions begins on page 5-20.  
+0.0dB  
-10.0 to +0.0dB  
OUTPUT LEVELS  
CUSTOM  
See page 5-17 for more information  
See page 5-17 for more information  
An alphabetical listing of parameter descriptions begins on page 5-20.  
5-15  
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The MODE ADJUST Menu  
JBL  
5.1 BYPASS  
2-CHANNEL BYPASS  
MODE ADJUST  
2CH BYPASS  
MODE ADJUST  
5.1 BYPASS  
Designed for playback of 5.1-channel analog input sources,  
such as DVD-A or SACD players.  
Designed for playback of 2-channel analog input sources.  
When selected, the input signal bypasses internal processing  
and bypasses to the FRONT L/R outputs.  
When selected, the (L) input is sent to the FRONT L output.  
The (R) input is sent to the FRONT R output. The (C) input is  
sent to the CENTER output. The (SUB) input is sent to the  
SUBWOOFER L/R and LFE outputs. The (LS) input is sent to the  
SIDE and REAR L outputs. The (RS) input is sent to the SIDE and  
REAR R outputs.  
The 2CH BYPASS listening mode is not available unless, and will be  
automatically selected when, all of the following conditions are  
met:  
The ANALOG IN parameter on the INPUT SETUP menu is set to  
the connector utilized by the input source (see page 3-6).  
The 5.1 BYPASS listening mode is not available unless, and will be  
automatically selected when, all of the following conditions are  
met:  
The INPUT SELECT parameter on the MAIN ADV menu is set to  
either AUTO or ANALOG (see page 3-13). When set to AUTO,  
no digital input types can be present.  
5 STEREO & 5.1 ANLG is selected on the REAR PANEL CONFIG  
menu (see page 3-30).  
The ANALOG BYPASS parameter on the MAIN ADV menu is set  
to ON (see page 3-13).  
The ANALOG IN parameter on the INPUT SETUP menu is set to  
5.1 ANALOG (see page 3-6).  
No parameters are available for the 2CH BYPASS listening mode.  
The INPUT SELECT parameter on the MAIN ADV menu is set to  
either AUTO or ANALOG (see page 3-13). When set to AUTO,  
no digital input types can be present.  
The ANALOG BYPASS parameter on the MAIN ADV menu is set  
to ON (see page 3-13).  
Default  
Value  
Parameter  
Values  
OUTPUT LEVELS  
CUSTOM  
See page 5-17 for more information  
See page 5-17 for more information  
An alphabetical listing of parameter descriptions begins on page 5-20.  
5-16  
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The MODE ADJUST Menu  
SDP-40  
OUTPUT LEVELS  
CUSTOM  
MODE ADJUST  
MODE ADJUST  
(LISTENING MODE)  
OUTPUT LEVELS  
(LISTENING MODE)  
CUSTOM  
The OUTPUT LEVELS menu contains parameters for adjusting  
CENTER, SIDE L/R, REAR L/R, SUBWOOFER L/R, and LFE output  
levels on a per-mode basis.  
The CUSTOM menu can be used to  
compare modified listening mode versions  
to their original, factory-default versions.  
CUSTOM  
CUSTOM VS PRESET  
RESET MODE  
The OUTPUT LEVELS menu is not available for listening modes that  
do not accommodate multi-channel outputs, such as MONO. For  
these listening modes, the OUTPUT LEVELS menu option appears  
as an output-specific parameter, such as CENTER LVL.  
CUSTOM VS PRESET  
CUSTOM VS PRESET allows comparison  
listening of the modified and factory-default  
versions of the selected listening mode. This  
option is available even when no  
CUSTOM  
CUSTOM VS PRESET  
CUSTOM  
modifications have been made to the selected listening mode. But  
the custom and preset versions of the listening mode will sound the  
same until modifications are made.  
Default  
Parameter  
CENTER  
SIDE L/R  
REAR L/R  
SUB L/R  
*LFE  
Value  
+0dB  
+0dB  
+0dB  
+0dB  
+0dB  
Values  
OFF, -30 to +12dB  
OFF, -30 to +12dB  
OFF, -30 to +12dB  
OFF, -30 to +12dB  
OFF, -30 to +12dB  
Selecting CUSTOM VS PRESET accesses the pulldown menu  
pictured at the right. Pressing the up and down MENU arrows  
toggles between the modified and factory-default versions of the  
selected listening mode. The message “CUSTOM” appears when  
the modified version of the listening mode is selected, and the  
message “PRESET” appears when the factory-default version of the  
listening mode is selected. Press the left MENU arrow to close the  
CUSTOM VS PRESET pulldown menu.  
*The LFE parameter is only available for 5.1-channel listening modes.  
An alphabetical listing of parameter descriptions begins on page 5-20.  
RESET MODE  
RESET MODE restores the selected listening  
mode to its factory-default condition.  
Selecting this option accesses the pulldown  
menu pictured at the right. Press the right  
MENU arrow to restore the factory-default  
When a SYNTHESIS 7CH SETUP is selected, the LFE parameter will  
appear on the OUTPUT LEVELS menu for the 5.1 THX SURROUND  
EX or 5.1 THX and dts(-ES) THX listening modes. This parameter  
only has an effect when the LFE parameter on the CUSTOM SETUP  
menu is set to ON (page 3-23).  
CUSTOM  
CUSTOM VS PRESET  
PRESS RIGHT V  
TO RESTORE MODE  
version of the selected listening mode. Press the left MENU arrow  
to exit the RESET MODE pulldown menu without restoring the  
selected listening mode to its factory-default settings.  
5-17  
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The MODE ADJUST Menu  
JBL  
STATUS MENUS  
2CH STATUS MENU  
SHIFT  
STAT  
then  
The 2CH STATUS menu will appear when a 2-channel listening  
mode is selected. It features L and R level meters (see previous  
column for more information).  
Unlike other menus, the listening mode STATUS menu can only be  
accessed with the above remote control command sequence. Press  
the SHIFT button, then the STAT button to check the STATUS of the  
active listening mode at any time. Press the STAT button again to  
exit the menu. Use the MENU arrows for front panel display  
viewing of STATUS menu parameters.  
Parameter  
INPUT  
Values  
The name of the selected input  
The name of the selected listening mode  
ANLG, DOLBY D, PCM  
MODE  
STATUS menu parameters provide current information about the  
active input and the unit, and cannot be adjusted. These  
parameters will vary depending on whether a 2-channel, Dolby  
Digital, or dts(-ES) input type is present. 5.1 BYPASS and 2CH  
BYPASS input types have individual STATUS menus. Additionally,  
the 5.1 ANALOG STATUS menu will appear when certain  
conditions are met.  
INPUT TYPE  
SAMPLE RATE  
44.1kHz, 48kHz, 88.2kHz, 96kHz  
An alphabetical listing of parameter descriptions begins on page 5-20.  
2CH BYPASS STATUS MENU  
The 2CH BYPASS STATUS menu will appear when the 2CH BYPASS  
listening mode is selected. It features L and R level meters (see  
previous column for more information).  
Level Meters  
All listening mode STATUS menus feature level meters, which  
indicate fluctuating input levels in the left (L), center (C), right (R),  
surround left (SL), surround right (SR), surround back (SB), and LFE  
channels. Different combinations of level meters appear on each  
STATUS menu. Only the L and right R level meters appear on the  
2CH STATUS menu. The SB level meter will not appear unless a  
6.1-channel input type is present.  
Parameter  
INPUT  
Values  
The name of the selected input  
MODE  
2CH BYPASS  
BYP  
INPUT TYPE  
An alphabetical listing of parameter descriptions begins on page 5-20.  
All level meters appear in combinations of green, yellow, and red on  
the blue-screen background. Green indicates normal input levels;  
yellow indicates the onset of overload; and red indicates overload.  
The yellow arrow to the right of each bar indicates the current input  
peak level.  
5-18  
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The MODE ADJUST Menu  
SDP-40  
DOLBY DIGITAL STATUS MENU  
5.1 ANALOG STATUS MENU  
The DOLBY DIGITAL STATUS menu will appear when a Dolby  
Digital listening mode is selected. It features L, C, R, SL, SR, and LFE  
level meters (see page 5-18 for more information).  
The 5.1 ANALOG STATUS menu features L, C, R, SL, SR, and LFE  
level meters (see page 5-18 for more information). It will appear  
when all of the following conditions are met:  
5 STEREO & 5.1 ANLG is selected on the REAR PANEL CONFIG  
menu (see page 3-30).  
Parameter  
CHANNELS  
ENCODING  
SAMPLE RATE  
REF OFFSET  
Values  
The ANALOG IN parameter on the INPUT SETUP menu is set to  
5.1 ANALOG (see page 3-6).  
3/2.1, 3/2, 3/1, 2/2, 2/1, 2/0, 1/0  
MATRIX, NONE  
48kHz  
The INPUT SELECT parameter on the MAIN ADV menu is set to  
either AUTO or ANALOG (see page 3-13). When set to AUTO,  
no digital input types can be present.  
-4dB  
The ANALOG BYPASS parameter on the MAIN ADV menu is set  
to OFF (see page 3-13).  
An alphabetical listing of parameter descriptions begins on page 5-20.  
Parameter  
INPUT  
Values  
5.1 BYPASS STATUS MENU  
The 5.1 BYPASS STATUS menu will appear when the 5.1 BYPASS  
listening mode is selected. It features L, C, R, SL, SR, and LFE level  
meters (see page 5-18 for more information).  
The name of the selected input  
MODE  
The name of the selected listening mode  
INPUT TYPE  
SAMPLE RATE  
ANLG  
96kHz  
Parameter  
INPUT  
Values  
The name of the selected input  
An alphabetical listing of parameter descriptions begins on page 5-20.  
MODE  
5.1 BYPASS  
BYP  
INPUT TYPE  
An alphabetical listing of parameter descriptions begins on page 5-20.  
5-19  
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The MODE ADJUST Menu  
JBL  
dts STATUS MENU  
MODE PARAMETER DESCRIPTIONS  
The dts STATUS menu will appear when a dts(-ES) listening mode  
is selected. It features L, C, R, SL, SR, SB, and LFE level meters (see  
page 5-18 for more information). The SB level meter will not  
appear unless a 6.1-channel input type is selected.  
5 SPKR ENHANCE  
(ON, OFF)  
5 SPKR ENHANCE (Five Speaker Enhance) simulates seven speaker  
playback through a five speaker system. When set to ON, the unit  
provides an increased sense of spaciousness and envelopment  
through two surround speakers. This enhancement is most  
noticeable when these surround speakers are positioned to the side  
of the listening position, or when the listening position is located  
against the rear wall. The effectiveness of this parameter varies  
within the listening space. For optimum results, position the side  
speakers to the left and right of the primary listening position.  
Parameter  
INPUT  
Values  
The name of the selected input  
The name of the selected listening mode  
3/3.1, 3/2.1  
MODE  
CHANNELS  
ES DECODE  
SAMPLE RATE  
MATRIX, DISCRETE, OFF  
44.1kHz, 48kHz  
ACADEMY FILTER  
(ON, OFF)  
When set to ON, ACADEMY FILTER restores the proper tonal  
balance of older mono film sources, which generally have much  
narrower frequency responses than current mono film sources.  
An alphabetical listing of parameter descriptions begins on page 5-20.  
AUTO AZIMUTH  
(ON, OFF)  
AUTO AZIMUTH maximizes the output accuracy of the listening  
mode. When set to ON, the unit continually monitors the  
2-channel input signal. It automatically adjusts the relative level  
and time offset of the input channels to ensure that signals are sent  
to the appropriate channels with maximum separation. When set  
to OFF, the accuracy of the listening mode varies depending on the  
input source. This parameter should be set to ON for film and TV  
sources, and OFF for music sources.  
5-20  
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The MODE ADJUST Menu  
SDP-40  
BASS ENHANCE  
(ON, OFF)  
CENTER MIX  
(-25 to +5dB)  
BASS ENHANCE creates stereo bass, which results in low-frequency  
reproduction that is less localizable and more realistic in the  
listening space. When set to ON, the unit processes the low  
frequencies sent to the FRONT L/R, SIDE L/R, and REAR L/R outputs  
to create stereo low frequencies. This also includes the  
SUBWOOFER L/R outputs when the SUB L/R parameter on the  
CUSTOM SETUP menu is set to STEREO.  
CENTER MIX adjusts the relative level of the center channel that is  
encoded into the front left and right channels. The recommended  
settings are +0dB for film sources and -5dB for music sources.  
CHANNELS  
(3/3.1, 3/2.1, 3/2, 3/1, 2/2, 2/1, 2/0, 1/0)  
CHANNELS indicates the number of channels present in the input  
type. On the DOLBY DIGITAL STATUS menu, the value of the  
CHANNELS parameter will be 3/2.1, 3/2, 3/1, 2/2, 2/1, 2/0, or 1/0.  
On the dts STATUS menu, the value of the CHANNELS parameter  
will be 3/3.1 or 3/2.1. The first digit indicates the number of front  
channels, the digit after the / represents the number of surround  
channels, and the .1 indicates the presence of the LFE channel.  
The crossover setting of the CENTER parameter on the CUSTOM  
SETUP menu is critical to the effectiveness of BASS ENHANCE . It is  
recommended to set the CENTER parameter to 120Hz and the SUB  
L/R parameter to STEREO (if utilizing two subwoofers) to maximize  
the effectiveness of BASS ENHANCE. If SUB L/R is set to MONO, it  
is recommended to use FRONT L/R, SIDE L/R, or REAR L/R speakers  
that are capable of reproducing frequencies at 40Hz or lower. See  
page 3-18 for more information about CUSTOM SETUP menu  
parameters.  
CNTR DLY SAMPLES  
(-127 to +127)  
CNTR DLY SAMPLES (Center Delay Samples) adjusts the relative  
time offset of the CENTER output that is encoded into the FRONT  
L/R outputs. The recommended setting for the CNTR DLY SAMPLES  
parameter is +0, unless the CENTER channel is not properly timed  
and the value of the error is known.  
Note:  
BASS ENHANCE results will vary depending on room  
acoustics. Most listening spaces will have a 2-3dB  
reduction in low frequency energy when BASS  
ENHANCE is set to ON. Use the BASS control to  
compensate for this reduction.  
COMPRESSION  
(AUTO, ON, OFF)  
COMPRESSION increases dialog intelligibility at lower volume  
levels. When set to AUTO, Dolby Digital input types are  
automatically compressed based on volume level. When set to ON,  
full compression is applied regardless of volume level. When set to  
OFF, compression is not applied. This parameter should be set to  
AUTO or ON for Dolby Digital sources that are listened to at lower  
volume levels.  
CENTER  
(OFF, -30 to +12dB)  
CENTER adjusts the output level of the center channel.  
5-21  
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The MODE ADJUST Menu  
JBL  
CTR WIDTH  
(MIN, 1 to 6, MAX)  
ES DECODE  
(DISCRETE, MATRIX, OFF)  
CTR WIDTH (Center Width) adjusts the center image. When set to  
MIN, the center image is heard from only the center speaker. When  
set to MAX, the center image is heard from only the front left and  
right speakers as a “phantom” center image. When set on the 1 to  
6 scale, the center image is heard in various combinations of all  
three front speakers.  
ES DECODE indicates the presence or absence of dts-ES decoding.  
When the parameter value is DISCRETE, the unit is decoding a  
6.1-channel discrete input type. When the parameter value is  
MATRIX, the unit is decoding a 5.1-channel input type with a  
matrix encoded sixth channel. When the parameter value is OFF,  
the unit is decoding a standard dts (non-ES) input type.  
CUSTOM  
FRONT STEERING  
(OFF, MUSIC, FILM)  
See page 5-17 for information about CUSTOM.  
FRONT STEERING adjusts front steering to match the input source.  
When set to FILM, maximum front steering is applied. When set to  
MUSIC, minimal front steering is applied. When set to OFF, no front  
steering is applied. This parameter should be set to FILM for film  
sources and to MUSIC or OFF for music sources.  
DIMENSION  
(FRONT, NEUTRAL ,REAR)  
DIMENSION adjusts the relative balance of the soundfield, which  
can be useful to achieve a more suitable balance from all speakers  
with certain recordings. When set to FRONT, the soundfield is  
balanced toward the front of the listening space. When set to  
NEUTRAL, the soundfield is balanced at the center of the listening  
space. When set to REAR, the soundfield is balanced toward the  
rear of the listening space.  
INPUT  
(INPUT)  
INPUT indicates the name of the selected input.  
INPUT TYPE  
(ANLG, DOLBY D, PCM)  
INPUT TYPE indicates the current input type. When the parameter  
value is ANLG, a 2-channel analog audio input source is present.  
When the parameter value is PCM, a 2-channel digital audio input  
source is present. When the parameter value is DOLBY D, a Dolby  
Digital audio input source is present.  
EFFECT LVL  
(-12 to +6dB)  
EFFECT LVL (Effect Level) adjusts the amount of ambience applied  
to the listening mode.  
ENCODING  
(MATRIX, NONE)  
LFE  
(OFF, -30 to +12dB)  
ENCODING indicates the presence (MATRIX) or absence (NONE)  
of Dolby Surround encoding.  
LFE (Low-frequency Effects) adjusts the output level of the LFE out-  
put.  
5-22  
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The MODE ADJUST Menu  
SDP-40  
LFE MIX  
(-20.0 or -10.0 to +0.0dB)  
RE-EQUALIZER  
(ON, OFF)  
LFE MIX adjusts the level of the LFE channel (the .1 channel in a 5.1  
or 6.1-channel source) that is sent to the SUBWOOFER L/R outputs.  
Low frequencies from as many as five other channels may be  
combined with the LFE channel to create the SUBWOOFER L/R  
output signal, significantly raising subwoofer output levels. Careful  
adjustment of this parameter allows achievement of proper tonal  
balance and reduces the risk of subwoofer overload.  
RE-EQUALIZER simulates the high-frequency rolloff that occurs in a  
movie theater as sound travels from speakers to the listeners. When  
set to ON, the unit applies a high-frequency rolloff. When set to  
OFF, the unit does not apply a high-frequency rolloff. Most films are  
mixed for movie theaters, and may sound too bright when played  
back in home theaters without re-equalization. RE-EQUALIZER  
should be set to ON for such film sources.  
MASTER LEVEL  
(-5 to +5dB)  
REAR DLY OFFSET  
(0 to 30ms)  
MASTER LEVEL adjusts the output level of LOGIC7 encoded  
2-channel signals.  
REAR DLY OFFSET (Rear Delay Offset) increases the perceived depth  
of the listening space by delaying the arrival time of signals from  
the rear speakers. This time delay can be set within a range of 0 to  
30ms. Increasing this time is recommended when using SIDE L/R  
and REAR L/R speakers that are located close together, or when a  
greater sense of depth is desired in the listening space.  
MODE  
(MODE)  
MODE indicates the name of the selected listening mode.  
OUTPUT LEVELS  
REAR L/R  
(OFF, -30 to +12dB)  
See page 5-17 for information about OUTPUT LEVELS.  
REAR L/R (Rear Left/Right) adjusts the output level of the REAR L/R  
outputs.  
PANORAMA  
(ON, OFF)  
REF OFFSET  
(-4dB)  
When set to ON, PANORAMA extends the front stereo image to  
include the surround speakers for a “wraparound” effect with side  
wall imaging.  
REF OFFSET (Reference Offset) indicates the dialog normalization  
value that is present in Dolby Digital input types.  
SAMPLE RATE  
(44.1kHz, 48kHz, 88.2kHz, 96kHz)  
SAMPLE RATE indicates the sample rate of the input type.  
SIDE L/R  
(OFF, -30 to +12dB)  
SIDE L/R (Side Left/Right) can be used to adjust the output level of  
the SIDE L/R outputs.  
5-23  
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The MODE ADJUST Menu  
JBL  
SOUND STAGE  
(FRONT, NEUTRAL, REAR)  
SURROUND EX  
(ON, OFF)  
SOUND STAGE dynamically adjusts the relative balance of the  
outputs when no surround signals are present. When set to FRONT,  
the SIDE L/R and REAR L/R outputs are attenuated, shifting the per-  
ceived balance of the sound field to the front of the listening space.  
When set to NEUTRAL, the SIDE L/R and REAR L/R outputs are  
attenuated slightly, shifting the perceived balance of the sound  
field to the center of the listening space. When set to REAR, the  
SIDE L/R and REAR L/R outputs are not attenuated, preserving the  
intended balance of the sound field.  
SURROUND EX activates and deactivates the 5.1 THX SURROUND  
EX listening mode, provided both side and rear speakers are select-  
ed (see page 3-18). The default value of the SURROUND EX  
parameter is ON, which activates 5.1 THX SURROUND EX. When  
set to OFF, the 5.1 THX SURROUND EX listening mode becomes  
5.1 THX. (See page 5-10 for more information.) Toggling the  
setting of the SURROUND EX parameter produces low-level clicks  
in the front speakers.  
SURROUND MIX  
(-5 to +5dB)  
SUB L/R and SUB L/R LVL  
(OFF, -30 to +12dB)  
SURROUND MIX adjusts the relative level of the surround channels  
that are encoded into the FRONT L/R outputs. The recommended  
setting is +2 to +3dB for all input types.  
SUB L/R (Subwoofer Left/Right) and SUB L/R LVL (Subwoofer  
Left/Right Level) adjust the output level of the SUBWOOFER L/R  
outputs.  
VOCAL ENHANCE  
(+0.0dB, +3.0dB, +6.0dB)  
SURR ROLLOFF  
(500Hz to 20.0kHz, OFF)  
VOCAL ENHANCE adjusts the level of dialog boost in the CENTER  
output. Increasing this level is recommended for listening at lower  
volume levels or for increasing dialog intelligibility.  
SURR ROLLOFF (Surround Rolloff) simulates the high frequency  
rolloff that occurs in real spaces. When set within its 500Hz to  
20kHz range, the unit applies a high-frequency rolloff to the SIDE  
L/R and REAR L/R outputs. When set to OFF, the unit does not apply  
this high-frequency rolloff.  
SURROUND DLY  
(0 to 15ms)  
SURROUND DLY (Surround Delay) increases the perceived depth of  
the listening space by delaying the arrival time of the SIDE L/R and  
REAR L/R outputs. This time delay can be set within a range of 0 to  
15ms. Increasing this time is recommended when a greater sense  
of depth is desired in the listening space.  
5-24  
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6
Troubleshooting and Maintenance  
Troubleshooting ...........................................................................6-2  
Restoring Factory-Default Settings ................................................6-4  
Routine Maintenance....................................................................6-4  
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Troubleshooting and Maintenance  
TROUBLESHOOTING  
Note:  
JBL  
THE UNIT IS ON, BUT THERE IS NO AUDIO.  
1. Make sure the full mute setting is not activated. The  
message “FULL MUTE ON” will appear in the top-left  
corner of the on-screen and front panel displays when the full  
mute setting is activated. Press the Mute button or adjust the  
volume level to deactivate the full mute setting.  
The SDP-40 does not support MPEG input types.  
Some DVD players will produce audio artifacts  
when switching audio formats.  
2. Increase the volume level to make sure it is set to an  
audible level.  
3. Check the STATUS menu to ensure a signal is coming into the  
unit. (Press SHIFT, then STAT on the remote control to access  
the STATUS menu.)  
THE UNIT DOES NOT POWER ON.  
1. Attempt to power the unit on with both  
(standby) buttons,  
the one on the front panel, and the one on the remote control.  
4. Make sure the associated power amplifier(s) are powered on.  
2. Check the line cord to ensure a good connection between the  
electrical outlet and the AC input connector. Make sure the  
rear panel power switch is set to on. (See pages 2-4 and 2-7  
for rear panel illustrations.)  
THE UNIT IS ON, BUT THERE IS NO VIDEO.  
1. Check the video cables, particularly the S-video cables, to  
ensure good connections.  
THE REMOTE CONTROL DOESN’T WORK.  
2. Check the VIDEO IN and COMPONENT IN parameters on the  
INPUT SETUP menu (see pages 3-8 and 3-9). Make sure the  
appropriate connector is assigned to the selected input.  
1. Make sure the front panel IR Receiver window is not  
obstructed (see pages 2-2 and 2-6 for illustrations). The  
remote control must be in line-of-sight with this receiver for  
proper operation. If the unit is placed inside a glass cabinet,  
smoked glass will reduce the range of the remote control.  
DIALOG SOUNDS MUFFLED.  
1. If the system does not include a center channel, make sure the  
CENTER parameter on the CUSTOM SETUP menu is set to  
NONE (see page 3-20).  
2. Make certain the batteries are inserted correctly with the  
proper polarity. Are the batteries low on power? When the  
they are, the remote control will enter a low-voltage condition  
that prevents it from operating the unit. Operation will be  
restored when new batteries are installed.  
6-2  
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Troubleshooting and Maintenance  
SDP-40  
A HUMMING SOUND IS PRESENT IN THE AUDIO.  
IF ALL ELSE FAILS . . .  
1. Disconnect the cable television connector (if present) from the  
wall outlet. If this eliminates the humming sound, an isolation  
device is required. Contact the cable provider for assistance.  
1. Power the rear panel power switch off. Wait 10 seconds.  
Power the rear panel power switch on. (See pages 2-4 and  
2-7 for rear panel illustrations.)  
2. Disconnect source components to isolate the problem. Once  
the problematic component is identified, make sure it is  
properly grounded and connected to the same electrical circuit  
as the SDP-40.  
2. Document all user-defined settings on the installation  
worksheet (see pages A-12). Restore factory-default settings  
(see pages 1-5 or 6-4).  
3. Contact an authorized JBL Synthesis dealer.  
4. Contact JBL Synthesis customer service at 818-830-8757.  
RF INTERFERENCE IS PRESENT IN THE AUDIO OR VIDEO.  
1. Move antennas away from the unit.  
Note:  
2. Move RF emitting devices away from the unit.  
Visit www.jblsynthesis.com for additional information.  
3. Replace unshielded cables with shielded cables wherever  
possible.  
THE UNIT IS EXHIBITING ERRATIC BEHAVIOR.  
1. Power the rear panel power switch off. Wait 10 seconds.  
Power the rear panel power switch on. (See pages 2-4 and  
2-7 for rear panel illustrations.)  
2. Document all user-defined settings on the installation  
worksheet (see page A-12). Restore factory-default settings  
(see pages 1-5 or 6-4).  
6-3  
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Troubleshooting and Maintenance  
JBL  
5. Use the up and down MENU arrows to highlight RESTORE  
DEFAULTS, then press the right MENU arrow to restore  
factory-default settings. (Selecting the EXIT option with the  
right MENU arrow will cancel the restoration of factory-  
default settings.)  
RESTORING FACTORY-DEFAULT SETTINGS  
The procedure below outlines the process to restore factory-default  
settings. Before performing these steps, record custom settings on  
the installation worksheet (see page A-12). All parameters will be  
reset to their factory-default value. This procedure should be  
performed before setup begins.  
6. The message “FACTORY SETTINGS HAVE BEEN  
RESTORED” will appear on the screen. Press any front  
panel or remote control button to restart the unit.  
To restore factory-default settings:  
1. Record user-defined settings on the installation worksheet  
(see page A-12).  
ROUTINE MAINTENANCE  
The following routine maintenance should be performed on a  
periodic basis:  
2. If the unit is on, place it into standby by pressing the  
(standby) button on the remote control. If the unit is in  
standby, skip ahead to Step 3.  
Clean the exterior surfaces of the unit with a soft, lint-free  
cloth. Do not use alcohol, benzene, acetone-based  
cleaners, or strong commercial cleaners. Do not use a cloth  
made with steel wool or metal polish. If the unit is exposed to  
a dusty environment, a low-pressure blower may be used to  
remove dust from its exterior.  
3. Power the unit on by pressing the@@@(standby) button  
on the remote control.  
4. Quickly press and hold the MUTE button on the remote  
control until the following hidden menu appears:  
Change the remote control batteries as needed. When the bat-  
teries are low on power, the remote control will enter a low-  
voltage condition that prevents it from operating the unit.  
Operation will be restored when new batteries are installed.  
FACTORY SETTINGS  
EXIT  
RESTORE DEFAULTS  
The MUTE button must be pressed within 3s of powering  
the unit on. If the message “MUTE ON” appears in the top-  
left corner of the screen when the MUTE button is pressed,  
too much time has passed. Begin again with Step 2.  
6-4  
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A
Appendix  
Specifications................................................................................A-2  
Declaration of Conformity ............................................................A-4  
Menu Tree ....................................................................................A-5  
Installation Worksheet.................................................................A-12  
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Appendix  
JBL  
Performance (Main Zone)  
Performance (Zone 2 and Record Zone)  
SPECIFICATIONS  
Analog-to-Digital  
Conversion  
24-bit, 96kHz, dual-bit  
Sarchitecture  
Analog-to-Digital  
Conversion  
24-bit, 44.1 to 96kHz,  
dual-bit Sarchitecture  
(Record Zone only)  
Audio Inputs and Outputs  
Digital-to-Analog  
Conversion  
24-bit, 44.1 to 192kHz,  
multi-bit Sarchitecture,  
operating in dual-mono  
mode  
Digital-to-Analog  
Conversion  
24-bit, 44.1 to 192kHz,  
multi-bit Sarchitecture  
Audio Inputs  
8 stereo pairs (RCA) or  
5 stereo pairs and one  
5.1-channel analog input  
Frequency Response  
10Hz to 20kHz,  
+0.1dB/-0.25dB,  
-0.75dB at 40kHz,  
reference 1kHz  
Digital Audio Inputs  
6 coaxial (RCA), 6 optical  
(5 TosLink, and 1 optical  
mini jack), 1 AES/EBU;  
coaxial and optical inputs  
conform to IEC-958,  
S/PDIF standards  
Frequency Response  
10Hz to 20kHz,  
+0.1dB/-0.25dB,  
-0.75dB at 40 kHz,  
reference 1kHz  
THD + Noise  
Below 0.008% at 1kHz,  
maximum output level  
THD + Noise  
Below 0.008% at 1kHz,  
maximum output level  
Dynamic Range  
Signal-to-Noise Ratio  
Input Sensitivity  
Input Impedance  
Output Level  
105dB minimum, 108dB  
typical, 22kHz bandwidth  
Sample Rates: 44.1, 48, 88.2, 96kHz  
Dynamic Range  
Signal-to-Noise Ratio  
Input Sensitivity  
108dB minimum, 111dB  
typical, 22kHz bandwidth  
Accepts: 16-24 bits PCM audio,  
Dolby Digital, dts and  
dts-ES discrete data  
formats  
105dB minimum, 108dB  
typical, 22kHz bandwidth  
108dB minimum, 111dB  
typical, 22kHz bandwidth  
200mVrms (4Vrms for  
maximum output level)  
Main Audio Outputs  
12 unbalanced (RCA) and  
12 balanced (XLR) for  
Front L/R, Center, LFE,  
Subwoofer L/R, Side L/R,  
Rear L/R, Auxiliary L/R  
200mVrms (2Vrms for  
maximum output level) at  
0dB input gain  
100kin parallel with  
150pF  
Input Impedance  
Output Level  
100kin parallel with  
150pF  
200mVrms typical, 4Vrms  
maximum (RCA outputs);  
400mVrms typical, 8Vrms  
maximum (XLR outputs,  
Zone 2 only); maximum  
value with full-scale input  
signal and volume at 0dB  
Zone 2 Audio Outputs  
Record Audio Outputs  
2 stereo pairs (RCA, one  
fixed and one variable  
output level); 2 balanced  
(XLR) for L/R variable  
output  
150mVrms typical, 6Vrms  
maximum (RCA outputs);  
300mVrms typ, 12Vrms  
maximum (XLR outputs);  
maximum value with  
full-scale input signal and  
volume at +6dB  
2 stereo pairs (RCA, one  
fixed and one variable  
output level); 1 coaxial  
(RCA) and 1 optical  
(TosLink) S/PDIF output  
(in parallel)  
Output Impedance  
100in parallel with  
150pF (RCA outputs);  
50in parallel with 150pF  
(XLR outputs, Zone 2  
only)  
Output Impedance  
100in parallel with 150pF  
(RCA outputs); 50in  
parallel with 150pF (XLR  
outputs)  
A-2  
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Appendix  
SDP-40  
Video Inputs and Outputs  
Other  
Other (continued)  
Video Inputs  
5 composite (RCA),  
8 S-video, and  
4 component video  
(3 RCA, 1 BNC)  
Microphone Inputs  
4 3.5mm miniature phone  
jacks  
Environment  
Operating Temp: 0° to 35°C (32° to 95°F)  
Storage Temp: -30° to 75°C (-22° to  
167°F)  
Relative Humidity: 95% maximum without  
condensation  
Input sensitivity: 10mVrms (400mV  
maximum input level)  
Video Outputs  
4 composite (RCA,  
Input Impedance: 20k(accepts balanced or  
2 monitor and 2 record),  
4 S-video (2 monitor and  
2 record), and  
unbalanced input  
signals)  
Remote Control  
Hand-held, battery-  
powered infrared remote  
control unit  
1 component (BNC)  
Trigger Outputs  
1 power on/off trigger,  
2 programmable triggers;  
+12 VDC, 0.5 amps each;  
detachable screw  
Batteries: Two AA  
Performance (Composite & S-video)  
terminals  
NTSC M, PAL, and SECAM compatible  
RS-232 Serial  
Input/Output  
2 9-pin D-sub connectors  
for system control and  
software upgrades  
Switching  
Active  
Output Level  
Impedance  
1.0V peak-to-peak  
75Ω  
Power Requirements  
90-250 VAC, 50-60Hz,  
90W (universal line input),  
detachable power cord  
Input Return Loss  
Differential Gain  
Differential Phase  
Bandwidth  
>40dB  
<0.5%  
Dimensions  
<0.5°  
Width: 17.3 inches (440mm)  
Height: 6.63 inches (169mm)  
Depth: 14.85 inches (377mm)  
>25MHz  
<0.3%  
K Factor  
Weight  
45lbs (20.5kg)  
Gain  
0.15dB  
>70dB  
Rack Mounting  
Brackets are available for  
mounting the unit in a  
standard 19 inch  
Signal/Noise Ratio  
Frequency Response  
10Hz to 10MHz + 0.1/  
-0.3dB  
equipment rack  
Performance (Component Video)  
3-channel (Y, Pr, Pb), format-independent  
Switching  
Passive  
75Ω  
Impedance  
Bandwidth  
Insertion Loss  
>300MHz  
<3dB  
A-3  
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Appendix  
JBL  
DECLARATION OF CONFORMITY  
Application of Council Directive(s):  
89/336/EEC and 93/68/EEC  
Standard(s) to which Conformity is Declared:  
EN55022:1998, EN55024:1998, EN6100-3-2 and -3:1999, and EN60065:1998  
Manufacturer:  
Lexicon, Inc.  
3 Oak Park  
Bedford, MA 01730-1441 USA  
The equipment identified here conforms to the Directive(s) and Standard(s) specified  
above.  
Type of Equipment:  
Model:  
SDP-40 Digital Surround Processor/Controller  
JBL Synthesis SDP-40  
Date:  
June 1, 2001  
Lexicon, Inc.  
Vice President of Engineering  
3 Oak Park  
Bedford, MA 01730-1441 USA  
Tel: 781-280-0300  
Fax: 781-280-0490  
A-4  
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Appendix  
SDP-40  
MAIN MENU  
MENU TREE  
MODE ADJUST  
AUDIO CONTROLS  
SETUP  
AUDIO CONTROLS  
SETUP  
MODE ADJUST  
BASS  
TREBLE  
TILT EQ  
+0.0dB  
+0.0dB  
+0.0dB  
ON  
INPUTS  
SPEAKERS  
FILM  
TV  
REAR PANEL CONFIG  
DISPLAYS  
MUSIC  
PL II  
LOUDNESS  
BALANCE  
FADER  
<|>  
<|>  
VOLUME CONTROLS  
TRIGGERS  
LOCK OPTIONS  
PRO LOGIC II  
PL II MUSIC  
PRO LOGIC  
2-CHANNEL  
PARTY  
ZONE2 BALANCE  
RECORD BALANCE  
<|>  
<|>  
MONO  
MONO LOGIC  
MONO SURROUND  
INPUT SETUP  
SPEAKER SETUP  
REAR PANEL CONFIG  
DISPLAY SETUP  
5.1  
5.1 TV  
FILM  
DVD1  
DVD2  
LD  
CUSTOM SETUP  
8 STEREO INPUTS  
OR  
5 STEREO & 5.1 ANLG  
ON-SCREEN DISPLAY  
FRONT PANEL DISPLAY  
A/V SYNC DELAY  
SYNTHESIS 7CH SETUP  
SPEAKER DISTANCES  
LEVELS CALIBRATION  
5.1  
5.1  
MUSIC  
SUR EX  
DIGITAL  
OFF  
OFF  
TV  
SAT  
CUSTOM NAME  
EDIT CUSTOM NAME  
R
C
L
SR  
RR  
5.1 2-CHANNEL  
5.1 MONO  
VCR  
CD  
80Hz  
80Hz  
80Hz  
80Hz  
80Hz  
Continued on page A-9.  
5.1 MONO LOGIC  
5.1 MONO SURR  
FILM  
PVR  
GAME  
TAPE  
TUNER  
AUX  
M
SUB  
SL  
RL  
80Hz  
80Hz  
80Hz  
MUSIC  
Continued on page A-8.  
Continued on page A-6.  
2-CHAN  
5.1 BYPASS  
2CH BYPASS  
VOLUME CONTROL SETUP  
TRIGGER SETUP  
LOCK OPTIONS  
MODES  
Continued on page A-10.  
MAIN PWR ON  
-30dB  
FULL  
-30dB  
-30dB  
TRIGGER 1  
TRIGGER 2  
PROGRAM  
PROGRAM  
UNLOCKED  
MUTE LEVEL  
ZONE PWR ON  
REC PWR ON  
AUDIO CNTRL UNLOCKED  
SETUP UNLOCKED  
Continued on page A-9.  
A-5  
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Appendix  
JBL  
The menu pictured at the left prompts the selection of the desired input for configuration. Selecting an input accesses  
the corresponding INPUT SETUP menu pictured below. The parameters on the left side of this menu are identical  
regardless of which input is selected. The values on the right side of the menu can be adjusted. Selecting a parameter  
for adjustment accesses the corresponding menu pictured on the next page.  
Continued from page A-5.  
INPUT SETUP  
DVD1  
DVD2  
LD  
TV  
SAT  
VCR  
CD  
PVR  
GAME  
TAPE  
DVD1 INPUT SETUP  
LD INPUT SETUP  
SAT INPUT SETUP  
NAME  
CD INPUT SETUP  
GAME INPUT SETUP  
NAME  
TUNER INPUT SETUP  
TUNER  
AUX  
NAME  
DVD1  
COAX-1  
NONE  
NAME  
LD  
COAX-3  
SAT  
NAME  
CD  
COAX-4  
NONE  
GAME  
NAME  
TUNER  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
VIDEO IN  
COMPONENT IN  
2-CH  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
VIDEO IN  
COMPONENT IN  
2-CH  
OPTICAL-2  
ANALOG-3  
AUTO  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
VIDEO IN  
OPTICAL-4  
ANALOG-6  
AUTO  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
VIDEO IN  
COMPONENT IN  
2-CH  
NONE  
ANALOG-8  
AUTO  
ANALOG-1  
AUTO  
AUTO  
AUTO  
COMPOSITE-1  
VIDEO IN  
COMPONENT IN  
S-VIDEO-1  
1
L7 FILM  
S-VIDEO-3  
1
L7 FILM  
S-VIDEO-5  
4
L7 TV  
VIDEO IN  
COMPOSITE-2  
1
L7 FILM  
NONE  
1
L7 MUSIC  
COMPONENT IN  
2-CH  
1
L7 MUSIC  
COMPONENT IN  
2-CH  
D
2-CH  
D
5.1 L7 FILM  
dts L7 FILM  
D
5.1 L7 FILM  
dts L7 FILM  
D
5.1 L7 TV  
dts L7 FILM  
D
5.1 L7 MUSIC  
dts L7 MUSIC  
5.1 L7 FILM  
dts L7 FILM  
D
5.1 L7 MUSIC  
dts L7 MUSIC  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
DVD2 INPUT SETUP  
TV INPUT SETUP  
VCR INPUT SETUP  
PVR INPUT SETUP  
NAME  
TAPE INPUT SETUP  
NAME  
AUX INPUT SETUP  
NAME  
NAME  
DVD2 NAME  
TV  
OPTICAL-1  
ANALOG-2  
AUTO  
NAME  
DIGITAL IN  
VCR  
NONE  
PVR  
TAPE  
AUX  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
COAX-2 DIGITAL IN  
NONE ANALOG IN  
AUTO ANLG IN LVL  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
VIDEO IN  
COMPONENT IN  
2-CH  
OPTICAL-3  
ANALOG-5  
AUTO  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
VIDEO IN  
OPTICAL-5  
ANALOG-1  
AUTO  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
VIDEO IN  
OPTICAL-6  
NONE  
AUTO  
ANALOG IN  
ANLG IN LVL  
VIDEO IN  
COMPONENT IN  
2-CH  
ANALOG-4  
AUTO  
VIDEO IN  
COMPONENT IN  
S-VIDEO-2 VIDEO IN  
S-VIDEO-4  
3
L7 TV  
S-VIDEO-6  
1
S-VIDEO-7  
1
L7 TV  
NONE  
COMPOSITE-3  
1
L7 MUSIC  
2 COMPONENT IN  
L7 FILM 2-CH  
COMPONENT IN 1  
2-CH PRO LOGIC  
COMPONENT IN  
2-CH  
2-CH  
D
L7 FILM  
5.1 L7 FILM  
dts L7 FILM  
5.1 L7 FILM  
dts L7 FILM  
D
5.1 L7 TV  
dts L7 FILM  
D
D
5.1 L7 TV  
dts L7 FILM  
D
5.1 L7 MUSIC  
dts L7 MUSIC  
D
5.1 L7 MUSIC  
dts L7 MUSIC  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
A-6  
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Appendix  
SDP-40  
The DVD1 INPUT SETUP menu is used as an example  
on this page. The menus pictured below are accessible  
from all INPUT SETUP menus (pictured on the previous  
page). These menus are identical regardless of which  
input is selected.  
DVD1 INPUT SETUP  
NAME  
DVD1  
COAX-1  
NONE  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
AUTO  
S-VIDEO-1  
1
VIDEO IN  
COMPONENT IN  
2-CH  
D
L7 FILM  
5.1 L7 FILM  
dts(ES) L7 FILM  
MAIN ADVANCED  
ZONE2 ADVANCED  
RECORD ADVANCED  
DVD1 INPUT NAME  
DVD1 ANALOG IN  
DVD1 VIDEO IN  
DVD1 2-CH MODE  
DVD1  
D MODE  
FILM  
TV  
DVD1 MAIN ADV  
EDIT INPUT NAME  
RESTORE DEFAULT NAME  
ANALOG-1  
ANALOG-2  
ANALOG-3  
ANALOG-4  
ANALOG-5  
ANALOG-6 *  
ANALOG-7 *  
ANALOG-8 *  
NONE  
COMPOSITE-1  
COMPOSITE-2  
COMPOSITE-3  
COMPOSITE-4  
COMPOSITE-5  
S-VIDEO-1  
FILM  
TV  
5.1  
5.1  
5.1  
5.1  
INPUT SELECT  
ANALOG BYPASS  
S-VIDEO 16:9  
DIGITAL  
OFF  
MUSIC  
PL II  
MUSIC  
SUR EX  
DIGITAL  
AUTO  
ON  
OFF  
S-VIDEO OSD 4:3  
COMPONENT OSD  
DVD1 DIGITAL IN  
PRO LOGIC II  
PL II MUSIC  
PRO LOGIC  
5.1 2-CHANNEL  
5.1 MONO  
COAX-1  
COAX-2  
S-VIDEO-2  
S-VIDEO-3  
DVD1 ZONE 2 ADV  
INPUT SELECT  
2-CHANNEL  
PARTY  
MONO  
5.1 MONO LOGIC  
5.1 MONO SURR  
USE LAST  
COAX-3  
COAX-4  
S-VIDEO-4  
S-VIDEO-5  
DIGITAL  
COAX-5  
COAX-6  
S-VIDEO-6  
S-VIDEO-7  
MONO LOGIC  
MONO SURROUND  
USE LAST  
DVD1 ANLG IN LVL  
DVD1 RECORD ADV  
OPTICAL-1  
OPTICAL-2  
OPTICAL-3  
OPTICAL-4  
OPTICAL-5  
OPTICAL-6  
AES/EBU  
NONE  
DVD1  
MODE  
S-VIDEO-8  
NONE  
AUTO  
MANUAL  
ON  
+0dB  
INPUT SELECT  
ANLG IN LVL  
DIGITAL  
+0dB  
OFF  
FILM  
MUSIC  
DIGITAL BYPASS  
DIG OUT RATE  
RECORD  
DVD1 COMPONENT  
AUTO GAIN  
dB  
+0.0dB  
SL SR LFE  
44.1kHz  
ENABLED  
L
C
R
COMPONENT 1  
COMPONENT 2  
COMPONENT 3  
COMPONENT 4  
0
2-CHAN  
USE LAST  
-6  
-15  
X
X
X
X
X
X
-30  
-45  
When REAR PANEL CONFIG is set to 5 STEREO & 5.1 ANLG, 5.1 ANALOG will appear  
in place of these menu items.  
*
A-7  
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Appendix  
JBL  
SPEAKER SETUP  
CUSTOM SETUP  
SYNTHESIS 7CH SETUP  
SPEAKER DISTANCES  
LEVELS CALIBRATION  
R
C
L
SR  
RR  
CUSTOM SETUP  
SYNTHESIS 7CH SETUP  
SPEAKER DISTANCES  
LEVELS CALIBRATION  
80Hz  
80Hz  
80Hz  
80Hz  
80Hz  
FRONT L/R  
CENTER  
SIDE L/R  
REAR L/R  
SUB L/R  
SUB XOVER  
LFE  
80Hz  
80Hz  
80Hz  
80Hz  
MONO  
80Hz  
OFF  
FRONT LEFT  
CENTER  
0.0ft  
0.0ft  
0.0ft  
0.0ft  
0.0ft  
0.0ft  
0.0ft  
0.0ft  
0.0ft  
0.0ft  
FEET  
INTERNAL NOISE TEST  
DACS CALIBRATION  
SUB LIMITERS  
PRESSING THE RIGHT V  
BUTTON WILL  
M
SUB  
SL  
RL  
80Hz  
80Hz  
80Hz  
AUTOMATICALLY CHANGE  
THE OUTPUTS TO A  
SYNTHESIS 7CH SPEAKER  
CONFIGURATION  
FRONT RIGHT  
SIDE RIGHT  
REAR RIGHT  
REAR LEFT  
SIDE LEFT  
SUB (MONO) *  
SUB RIGHT  
LFE SUB  
Continued from page A-5.  
Continued on page A-9.  
SYNTHESIS 7CH SETUP  
FRONT L/R  
CENTER  
SIDE L/R  
REAR L/R  
SUB L/R  
SUB XOVER  
LFE  
80Hz  
80Hz  
80Hz  
80Hz  
MONO  
80Hz  
OFF  
UNITS  
When SUB L/R is set to  
STERE0 or NONE (see page  
3-22), the SUB MONO  
parameter will appear as  
SUB LEFT.  
*
FRONT L/R SPEAKERS  
CENTER SPEAKER  
SIDE L/R SPEAKERS  
REAR L/R SPEAKERS  
SUBWOOFERS L/R  
SUB XOVER  
FULL  
30Hz  
FULL  
30Hz  
FULL  
30Hz  
FULL  
30Hz  
MONO  
STEREO  
NONE  
FULL  
30Hz  
40Hz  
50Hz  
40Hz  
50Hz  
40Hz  
50Hz  
40Hz  
50Hz  
40Hz  
50Hz  
60Hz  
70Hz  
60Hz  
70Hz  
60Hz  
70Hz  
60Hz  
70Hz  
60Hz  
70Hz  
80Hz  
THX 80Hz  
90Hz  
80Hz  
THX 80Hz  
90Hz  
80Hz  
THX 80Hz  
90Hz  
80Hz  
THX 80Hz  
90Hz  
80Hz  
THX 80Hz  
90Hz  
100Hz  
110Hz  
120Hz  
100Hz  
110Hz  
120Hz  
NONE  
100Hz  
110Hz  
120Hz  
NONE  
100Hz  
110Hz  
120Hz  
NONE  
100Hz  
110Hz  
120Hz  
A-8  
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Appendix  
SDP-40  
LEVELS CALIBRATION  
TRIGGER SETUP  
TRIGGER (#) SETUP  
INTERNAL NOISE TEST  
DACS CALIBRATION  
SUB LIMITERS  
TRIGGER 1  
TRIGGER 2  
PROGRAM  
PROGRAM  
REMOTE CONTROL  
DVD1  
DVD2  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
OFF  
ON  
Continued from page A-5.  
LD  
TV  
Continued from page A-8.  
SAT  
VCR  
CD  
PVR  
INTERNAL NOISE  
SPEAKER LEVEL ADJUST  
SUB LIMITERS  
GAME  
TAPE  
!CAUTION!  
HIGH AUDIO LEVELS  
FRONT LEFT  
CENTER  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
CAL NOISE  
ON  
OFF  
L/R LIMITER  
L/R LIMIT ADJ  
LFE LIMITER  
LFE LIMIT ADJ  
TUNER  
AUX  
FRONT RIGHT  
SIDE RIGHT  
REAR RIGHT  
REAR LEFT  
SIDE LEFT  
100dB  
OFF  
100dB  
ZONE2 INPUTS  
RECORD INPUTS  
FILM  
SPEAKER LEVEL ADJUST  
!CAUTION!  
HIGH AUDIO LEVELS  
FRONT LEFT  
CENTER  
+0.0dB  
TV  
MUSIC  
PL II  
ON  
ON  
SUB (MONO) *  
SUB RIGHT  
LFE SUB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
+0.0dB  
FRONT RIGHT  
SIDE RIGHT  
REAR RIGHT  
REAR LEFT  
SIDE LEFT  
ON  
ON  
PRO LOGIC II  
PL II MUSIC  
PRO LOGIC  
2-CHANNEL  
PARTY  
(DACS CALIBRATION)  
When SUB L/R is set to  
STERE0 or NONE (see page  
3-22), the SUB MONO  
parameter will appear as  
SUB LEFT.  
ON  
ON  
*
OFF  
OFF  
ON  
SUB (MONO) *  
SUB RIGHT  
LFE SUB  
MONO  
MONO LOGIC  
MONO SURROUND  
ON  
ON  
DISPLAY SETUP  
When SUB L/R is set to  
STERE0 or NONE (see page  
3-22), the SUB MONO  
parameter will appear as  
SUB LEFT.  
*
5.1  
5.1 TV  
FILM  
ON  
ON  
ON-SCREEN DISPLAY  
FRONT PANEL DISPLAY  
A/V SYNC DELAY  
5.1  
5.1  
MUSIC  
SUR EX  
DIGITAL  
ON  
ON  
OFF  
OFF  
CUSTOM NAME  
EDIT CUSTOM NAME  
ON  
5.1 2-CHANNEL  
5.1 MONO  
OFF  
ON  
Continued from page A-5.  
5.1 MONO LOGIC  
5.1 MONO SURR  
FILM  
ON  
ON  
ON  
ON  
ON-SCREEN DISPLAY  
FRONT PANEL DISPLAY  
MUSIC  
ON  
ON  
STATUS  
POSITION  
2 SECONDS  
TOP  
STATUS  
BRIGHTNESS  
ALWAYS ON  
75%  
2-CHAN  
OFF  
FORMAT  
BACKGROUND  
REMOTE STATE  
NTSC  
ON  
ON  
A-9  
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Appendix  
JBL  
FILM  
PL II  
5.1 MUSIC  
5.1 MONO  
MONO LOGIC  
AUTO AZIMUTH ON  
VOCAL ENHANCE +0.0dB  
RE-EQUALIZER  
OUTPUT LEVELS  
CUSTOM  
ON  
VOCAL ENHANCE +0.0dB  
NO PARAMETERS  
EFFECT LVL  
-9dB  
ON  
5 SPKR ENHANCE  
BASS ENHANCE  
RE-EQUALIZER  
OFF  
OFF  
OFF  
MODE ADJUST  
ACADEMY FILTER  
SURR ROLLOFF  
OUTPUT LEVELS  
CUSTOM  
RE-EQUALIZER  
SOUND STAGE  
5 SPKR ENHANCE  
BASS ENHANCE  
SURR ROLLOFF  
ON  
REAR  
OFF  
3.1kHz  
5.1 MONO LOGIC  
FILM  
TV  
REAR DLY OFFSET 15ms  
COMPRESSION  
LFE MIX  
PRO LOGIC II  
EFFECT LVL  
-9dB  
ON  
OFF  
15.3kHz  
OFF  
+0.0dB  
MUSIC  
PL II  
ACADEMY FILTER  
SURR ROLLOFF  
OUTPUT LEVELS  
CUSTOM  
OUTPUT LEVELS  
CUSTOM  
MONO SURROUND  
3.1kHz  
REAR DLY OFFSET 15ms  
OUTPUT LEVELS  
CUSTOM  
OUTPUT LEVELS  
CUSTOM  
PRO LOGIC II  
PL II MUSIC  
PRO LOGIC  
2-CHANNEL  
PARTY  
OUTPUT LEVELS  
CUSTOM  
PL II MUSIC  
5.1  
SUR EX  
5.1 MONO SURR  
TV  
PANORAMA  
CTR WIDTH  
OFF  
3
5.1 FILM  
MONO  
MONO LOGIC  
MONO SURROUND  
RE-EQUALIZER  
SURROUND EX  
COMPRESSION  
LFE MIX  
ON  
ON  
OUTPUT LEVELS  
CUSTOM  
AUTO AZIMUTH  
ON  
DIMENSION  
SURROUND DLY  
OUTPUT LEVELS  
CUSTOM  
NEUTRAL  
5ms  
VOCAL ENHANCE +0.0dB  
VOCAL ENHANCE +0.0dB  
FRONT STEERING MUSIC  
OFF  
+0.0dB  
5 SPKR ENHANCE  
BASS ENHANCE  
RE-EQUALIZER  
OFF  
OFF  
ON  
5.1 FILM  
5.1 TV  
RE-EQUALIZER  
SOUND STAGE  
5 SPKR ENHANCE  
BASS ENHANCE  
SURR ROLLOFF  
OFF  
REAR  
OFF  
FILM  
OUTPUT LEVELS  
CUSTOM  
5.1  
5.1  
MUSIC  
SUR EX  
DIGITAL  
REAR DLY OFFSET 15ms  
COMPRESSION  
LFE MIX  
VOCAL ENHANCE +0.0dB  
OFF  
+0.0dB  
PRO LOGIC  
OFF  
15.3kHz  
5 SPKR ENHANCE  
BASS ENHANCE  
RE-EQUALIZER  
OFF  
OFF  
ON  
5.1 2-CHANNEL  
5.1 MONO  
DIGITAL  
OUTPUT LEVELS  
CUSTOM  
OUTPUT LEVELS  
CUSTOM  
REAR DLY OFFSET 15ms  
OUTPUT LEVELS  
CUSTOM  
5.1 MONO LOGIC  
5.1 MONO SURR  
FILM  
COMPRESSION  
LFE MIX  
OFF  
+0.0dB  
REAR DLY OFFSET 15ms  
+0.0dB  
LFE MIX  
OUTPUT LEVELS  
CUSTOM  
OUTPUT LEVELS  
CUSTOM  
5.1 TV  
2-CHANNEL  
MUSIC  
MUSIC  
VOCAL ENHANCE +0.0dB  
SUB L/R LVL  
CUSTOM  
+0dB  
5 SPKR ENHANCE  
BASS ENHANCE  
RE-EQUALIZER  
OFF  
OFF  
OFF  
5.1 2-CHANNEL  
MUSIC  
VOCAL ENHANCE +0.0dB  
FRONT STEERING MUSIC  
SOUND STAGE NEUTRAL  
2-CHAN  
5.1 BYPASS  
2CH BYPASS  
CENTER MIX  
SURROUND MIX  
CNTR DLY SAMPLES  
MASTER LEVEL  
COMPRESSION  
LFE MIX  
+0dB  
+0dB  
+0  
VOCAL ENHANCE +0.0dB  
PARTY  
REAR DLY OFFSET 15ms  
COMPRESSION  
LFE MIX  
5 SPKR ENHANCE  
BASS ENHANCE  
OFF  
OFF  
5 SPKR ENHANCE  
BASS ENHANCE  
SURR ROLLOFF  
OFF  
OFF  
OFF  
+0.0dB  
Continued from page A-5.  
OUTPUT LEVELS  
CUSTOM  
+0dB  
OFF  
REAR DLY OFFSET 15ms  
LFE MIX  
15.3kHz  
OUTPUT LEVELS  
CUSTOM  
+0.0dB  
REAR DLY OFFSET 15ms  
OUTPUT LEVELS  
CUSTOM  
+0.0dB  
+0dB  
OUTPUT LEVELS  
CUSTOM  
MONO  
SUB L/R LVL  
CUSTOM  
NO PARAMETERS  
A-10  
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Appendix  
SDP-40  
ADDITIONAL LISTENING MODE MENUS  
OUTPUT LEVELS  
2CH STATUS  
RE-EQUALIZER  
LFE MIX  
ON  
+0.0dB  
DIGITAL STATUS  
5.1 ANALOG STATUS  
CENTER  
SIDE L/R  
REAR L/R  
SUB L/R  
LFE  
+0dB  
+0dB  
+0dB  
+0dB  
+0dB  
OUTPUT LEVELS  
CUSTOM  
INPUT  
MODE  
INPUT TYPE  
(see page 5-18)  
(see page 5-18)  
(see page 5-18)  
CHANNELS  
ENCODING  
(see page 5-19)  
(see page 5-19)  
48kHz  
INPUT  
MODE  
(see page 5-19)  
(see page 5-19)  
SAMPLE RATE  
REF OFFSET  
INPUT TYPE  
SAMPLE RATE  
ANLG  
96kHz  
SAMPLE RATE (see page 5-18)  
-4dB  
dB  
L
R
dB  
L
C
R
SL SR LFE  
dB  
L
C
R
SL SR LFE  
See page 5-17 for more  
information about the  
OUTPUT LEVELS menu.  
LFE MIX  
OUTPUT LEVELS  
CUSTOM  
+0.0dB  
0
0
0
-6  
-6  
-6  
-15  
X
X
-15  
X
X
X
X
X
X
-15  
X
X
X
X
X
X
-30  
-45  
-30  
-45  
-30  
-45  
CUSTOM  
2-CHAN  
CUSTOM VS PRESET  
RESET MODE  
CENTER MIX  
SURROUND MIX  
CNTR DLY SAMPLES  
MASTER LEVEL  
LFE MIX  
+0dB  
+0dB  
+0  
2CH BYPASS STATUS  
5.1 BYPASS STATUS  
STATUS  
See page 5-17 for more  
information about the  
CUSTOM menu.  
INPUT  
MODE  
INPUT TYPE  
(see page 5-18)  
2CH BYPASS  
BYP  
INPUT  
MODE  
INPUT TYPE  
(see page 5-19)  
5.1 BYPASS  
BYP  
INPUT  
MODE  
(see page 5-20)  
(see page 5-20)  
(see page 5-20)  
(see page 5-20)  
+0dB  
+0.0dB  
+0dB  
CHANNELS  
DECODE  
SUB L/R LVL  
CUSTOM  
dB  
L
R
dB  
L
C
R
SL SR LFE  
SAMPLE RATE (see page 5-20)  
0
0
-6  
-6  
5.1 BYPASS  
dB  
L
C
R
SL SR SB LFE  
-15  
X
X
-15  
X
X
X
X
X
X
0
-6  
-30  
-45  
-30  
-45  
OUTPUT LEVELS  
CUSTOM  
-15  
X
X
X
X
X
X
X
-30  
-45  
2CH BYPASS  
NO PARAMETERS  
See pages 5-18 to 5-20 for more information about listening mode STATUS menus.  
A-11  
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Appendix  
JBL  
INSTALLATION WORKSHEET  
INPUT SETUP  
DVD1  
DVD2  
LD  
TV  
SAT  
VCR  
CD  
PVR  
GAME  
TAPE  
TUNER  
AUX  
NAME  
DIGITAL IN  
ANALOG IN  
ANLG IN LVL  
VIDEO IN  
COMPONENT IN  
2-CH  
DOLBY D  
dts-ES  
Main Advanced  
INPUT SELECT  
ANALOG BYPASS  
SVIDEO 16:9  
SVIDEO 4:3 OSD  
COMPONENT OSD  
Zone 2 Advanced  
INPUT SELECT  
Record Advanced  
INPUT SELECT  
ANLG IN LVL  
DIGITAL BYPASS  
DIG OUT RATE  
RECORD  
A-12  
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Appendix  
SDP-40  
TRIGGER SETUP  
REAR PANEL CONFIG  
8 STEREO INPUTS  
(circle one)  
SPEAKER SETUP  
SETTING  
SETTING  
CUSTOM SETUP  
SYNTHESIS SETUP  
TRIGGER 1  
TRIGGER 2  
5 STEREO & 5.1 ANLG  
FRONT L/R  
CENTER  
SIDE L/R  
REAR L/R  
SUB L/R  
SUB XOVER  
LFE  
80Hz  
80Hz  
80Hz  
DISPLAY SETUP  
LOCK OPTIONS  
SETTING  
On-Screen  
MONO  
80Hz  
MODES  
STATUS  
AUDIO CNTRL  
SETUP  
POSITION  
OFF  
FORMAT  
OUTPUT LEVEL  
DISTANCE  
BACKGROUND  
REMOTE STATE  
Front Panel  
STATUS  
FRONT LEFT  
CENTER  
AUDIO CONTROLS  
SETTING  
FRONT RIGHT  
SIDE RIGHT  
REAR RIGHT  
REAR LEFT  
SIDE LEFT  
SUB LEFT  
BASS  
TREBLE  
BRIGHTNESS  
A/V SYNC DELAY  
CUSTOM  
TILT EQ  
LOUDNESS  
BALANCE  
FADER  
CUSTOM NAME  
SUB RIGHT  
LFE  
ZONE2 BALANCE  
RECORD BALANCE  
VOLUME CONTROL SETUP  
SETTING  
SETTING  
MAIN PWR ON  
MUTE LEVEL  
CAL NOISE  
L/R LIMITER  
L/R LIMIT ADJ  
LFE LIMITER  
LFE LIMIT ADJ  
ZONE PWR ON  
REC PWR ON  
A-13  
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I
Index  
(Standby Button) . . . . . . . . . . . . . . . . .2-2, 2-8  
2-CH . . . . . . . . . . . . . . . . . . . . . . . . . .2-16, 3-10  
2-CHANNEL . . . . . . . . . . . . . . . . . . . . . .2-13, 5-6  
2-CHANNEL BYPASS . . . . . . . . . . . . . . . . . . .5-16  
2CH Button . . . . . . . . . . . . . . . . . . . . . . . . . .2-13  
2CH BYPASS STATUS Menu . . . . . . . . . . . . . .5-18  
2CH STATUS Menu . . . . . . . . . . . . . . . . . . . .5-18  
5 SPKR ENHANCE . . . . . . . . . . . . . . . . . . . . .5-20  
5 STEREO & 5.1 ANLG . . . . . . . . . . . . . . . . .3-30  
5.1 2-CHANNEL . . . . . . . . . . . . . . . . . . . . . .5-11  
5.1 ANALOG STATUS Menu . . . . . . . . . . . . . .5-19  
5.1 BYPASS . . . . . . . . . . . . . . . . . . . . . .2-15, 5-16  
5.1 BYPASS STATUS Menu . . . . . . . . . . . . . . .5-19  
5.1 LOGIC7 FILM . . . . . . . . . . . . . . . . . .2-17, 5-8  
5.1 LOGIC7 MUSIC . . . . . . . . . . . . . . . .2-17, 5-9  
5.1 LOGIC7 TV . . . . . . . . . . . . . . . . . . . .2-17, 5-9  
5.1 MONO . . . . . . . . . . . . . . . . . . . . . . . . . .5-12  
5.1 MONO LOGIC . . . . . . . . . . . . . . . . . . . .5-12  
5.1 MONO SURROUND . . . . . . . . . . . . . . . . .5-13  
5.1 THX . . . . . . . . . . . . . . . . . . . . . . . .2-17, 5-10  
5.1 THX SURROUND EX . . . . . . . . . . . .2-17, 5-10  
7/5 Button . . . . . . . . . . . . . . . . . . . . . . . . . .2-13  
8 STEREO INPUTS . . . . . . . . . . . . . . . . . . . . .3-30  
AC Input Connector . . . . . . . . . . . . . . . . . . . .2-5  
ACADEMY FILTER . . . . . . . . . . . . . . . . . . . . .5-20  
Access Panel . . . . . . . . . . . . . . . . . . . . . . . . . .2-6  
AES/EBU Input . . . . . . . . . . . . . . . . . . . . . . . . .2-5  
ANALOG BYPASS . . . . . . . . . . . . . . . .3-13 to 3-14  
ANALOG IN . . . . . . . . . . . . . . . . . . . . . . . . . .3-6  
ANLG IN LVL . . . . . . . . . . . . . . . .3-6 to 3-7, 3-17  
Arrows . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-13  
Audio Calibration Disc . . . . . . . . . . . .3-27 to 3-28  
AUDIO CNTRL . . . . . . . . . . . . . . . . . . . . . . . .3-36  
AUDIO CONTROLS . . . . . . . . . . . . . . . . . . . . .4-2  
AUDIO CONTROLS Menu . . . . . . . . . . .4-1 to 4-5  
AUDIO INPUTS . . . . . . . . . . . . . . . . . . . . . . . .2-5  
AUTO AZIMUTH . . . . . . . . . . . . . . . . . . . . . .5-20  
AUX Button . . . . . . . . . . . . . . . . . . . . . . .2-3, 2-9  
A/V SYNC DELAY . . . . . . . . . . . . . . . .3-32 to 3-33  
Back Panel . . . . . . . . . . . . . . . . . .(see Rear Panel)  
BACKGROUND . . . . . . . . . . . . . . . . . . .2-10, 3-32  
BALANCE . . . . . . . . . . . . . . . . . . .2-12, 2-13, 4-4  
Balanced Audio Outputs . . . . . . . . . . . . . . . . .2-5  
Bank Selection Buttons . . . . . . . . . . . . . . .2-7, 2-8  
BASS . . . . . . . . . . . . . . . . . . . . . . . .2-9, 2-10, 4-2  
BASS ENHANCE . . . . . . . . . . . . . . . . . . . . . .5-21  
BLUE Button . . . . . . . . . . . . . . . . . . . . . . . . .2-10  
BRIGHTNESS . . . . . . . . . . . . . . . . . . . . . . . . .3-32  
CAL NOISE . . . . . . . . . . . . . . . . . . . . . . . . . .3-29  
CD Button . . . . . . . . . . . . . . . . . . . . . . . .2-3, 2-9  
CENTER . . . . . . . . . . . . . . .3-20, 3-24, 5-17, 5-21  
CENTER MIX . . . . . . . . . . . . . . . . . . . . . . . . .5-21  
CHANNELS . . . . . . . . . . . . . . . . . . . . . . . . . .5-21  
CNTR DLY SAMPLES . . . . . . . . . . . . . . . . . . .5-21  
Command Bank Selection . . . . . . . . . . . . .2-7, 2-8  
COMPONENT IN . . . . . . . . . . . . . . . . . . . . . .3-9  
COMPONENT OSD . . . . . . . . . . . . . . . . . . . .3-14  
COMPRESSION . . . . . . . . . . . . . . . . . . . . . . .5-21  
Connectors . . . . . . . . . . . . . . . . . . . . . .2-4 to 2-6  
Crossover Settings, Determining . . . . . . . . . . .3-18  
CTR WIDTH . . . . . . . . . . . . . . . . . . . . . . . . .5-22  
CUSTOM Menu . . . . . . . . . . . . . . . . . . . . . . .5-17  
CUSTOM NAME . . . . . . . . . . . . . . . . . . . . . .3-33  
CUSTOM SETUP Menu . . . . . . . . . . .3-18 to 3-23  
CUSTOM VS PRESET . . . . . . . . . . . . . . . . . . .5-17  
DACS CALIBRATION . . . . . . . . . . . . .3-27 to 3-28  
Declaration of Conformity . . . . . . . . . . . . . . . .A-4  
DIG OUT RATE . . . . . . . . . . . . . . . . . . . . . . .3-17  
DIGITAL BYPASS . . . . . . . . . . . . . . . . . . . . . .3-17  
DIGITAL IN . . . . . . . . . . . . . . . . . . . . . . . . . . .3-5  
DIMENSION . . . . . . . . . . . . . . . . . . . . . . . . .5-22  
Display, Front Panel . . . . . . . .2-2 (illustration), 2-3  
DISPLAY SETUP Menu . . . . . . . . . . . .3-31 to 3-33  
DISPLAYS . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-2  
Documentation, About the . . . . . . . . . . . . . . .1-4  
DOLBY Button . . . . . . . . . . . . .2-14, 2-16 to 2-17  
DOLBY D . . . . . . . . . . . . . . . . .2-16, 3-10 to 3-11  
DOLBY DIGITAL . . . . . . . . . . . . . . . . . .2-17, 5-11  
DOLBY DIGITAL STATUS Menu . . . . . . . . . . . .5-19  
DOLBY PRO LOGIC . . . . . . . . . . . . . . . . . . . . .5-5  
DOLBY PRO LOGIC II MUSIC . . . . . . . . . . . . . .5-5  
DOLBY PRO LOGIC II THX . . . . . . . . . . .2-17, 5-4  
DOLBY PRO LOGIC II . . . . . . . . . . . . . . .2-17, 5-4  
dts Button . . . . . . . . . . . . . . . .2-14, 2-16 to 2-17  
dts STATUS Menu . . . . . . . . . . . . . . . . . . . . .5-20  
dts(-ES) 2-CHANNEL . . . . . . . . . . . . . . . . . . .5-15  
dts(-ES) LOGIC7 FILM . . . . . . . . . . . . . .2-17, 5-13  
dts(-ES) LOGIC7 MUSIC . . . . . . . . . . . .2-17, 5-14  
dts(-ES) Listening Mode . . . . . . . . . . . .2-17, 5-15  
dts(-ES) Parameter . . . . . . . . . .2-16, 3-10 to 3-11  
dts(-ES) THX . . . . . . . . . . . . . . . . . . . . .2-17, 5-14  
DVD1 Button . . . . . . . . . . . . . . . . . . . . . .2-3, 2-9  
DVD2 Button . . . . . . . . . . . . . . . . . . . . . .2-3, 2-9  
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Index  
JBL  
EDIT CUSTOM NAME . . . . . . . . . . . . . . . . . .3-33  
EDIT INPUT NAME . . . . . . . . . . . . . . . . . . . . .3-4  
EFFECT LVL . . . . . . . . . . . . . . . . . . . . . . . . . .5-22  
ENCODING . . . . . . . . . . . . . . . . . . . . . . . . . .5-22  
ES DECODE . . . . . . . . . . . . . . . . . . . . . . . . . .5-22  
Factory-Default Settings, Restoring . . . . . .1-5, 6-4  
FADER . . . . . . . . . . . . . . . . . . . . . .2-12, 2-13, 4-4  
FORMAT . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-32  
FP Button . . . . . . . . . . . . . . . . . . . . . . . . . . .2-10  
Frequency Response Curves . . . . .3-19 (Illustration)  
FRONT L/R . . . . . . . . . . . . . . . . . . . . . .3-20, 3-24  
Front Panel . . . . . . . . . . . . .2-2 (Illustration) to 2-3  
Front Panel Display . . . . . . . .2-2 (Illustration), 2-3  
FRONT PANEL DISPLAY Menu . . . . . .3-32 to 3-33  
FRONT STEERING . . . . . . . . . . . . . . . . . . . . .5-22  
GAME Button . . . . . . . . . . . . . . . . . . . . . .2-3, 2-9  
Help . . . . . . . . . . . . . . . . . . . . . . . . . . .6-2 to 6-3  
Highpass Filter . . . . . . . . . . . . . .3-19 (Illustration)  
INPUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-22  
INPUT SELECT . . . . . . . . .3-13, 3-15, 3-16 to 3-17  
Input Selection Buttons . . . . . . . . . . . . . . .2-3, 2-9  
INPUT SETUP Menu . . . .2-16 to 2-17, 3-3 to 3-17  
INPUT TYPE . . . . . . . . . . . . . . . . . . . . . . . . . .5-22  
Inputs . . . . . . . . . . . . . . . . . . . . . . . . . .2-4 to 2-6  
INPUTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-2  
Installation Worksheet . . . . . . . . . . . .A-12 to A-13  
INTERNAL NOISE TEST . . . . . . . . . . .3-26 to 3-27  
IR IN Connector . . . . . . . . . . . . . . . . . . . . . . .2-6  
IR Receiver . . . . . . . . . . . . . . .2-2 (Illustration), 2-3  
L/R LIMIT ADJ . . . . . . . . . . . . . . . . . . . . . . . .3-29  
L/R LIMITER . . . . . . . . . . . . . . . . . . . . . . . . .3-29  
L7 . . . . . . . . . . . . . . . . . . . . . .(See also LOGIC7)  
L7 Button . . . . . . . . . . . . . . . . .2-14, 2-16 to 2-17  
LD Button . . . . . . . . . . . . . . . . . . . . . . . .2-3, 2-9  
LEDs, Front Panel . . . . . . . . . .2-2 (Illustration), 2-3  
Level Meters (STATUS Menus) . . . . . . . . . . . .5-18  
LEVELS CALIBRATION Menu . . . . . . . .3-26 to 3-29  
LFE . . . . . . . . . . . . . . . . . . .3-23, 3-24, 5-17, 5-22  
LFE LIMIT ADJ . . . . . . . . . . . . . . . . . . . . . . . .3-29  
LFE LIMITER . . . . . . . . . . . . . . . . . . . . . . . . .3-29  
LFE MIX . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-23  
LIGHT Button . . . . . . . . . . . . . . . . . . . . . . . . .2-8  
Limited Warranty . . . . . . . . . . . .Inside Back Cover  
Listening Mode . . . . . . . . . . . . . . .(see also Mode)  
Listening Mode Descriptions . . . . . . . .5-2 to 5-16  
Listening Mode Selection . . . . . . . . . .2-16 to 2-17  
Listening Mode STATUS Menus . . . . .5-18 to 5-20  
Location Considerations . . . . . . . . . . . . . . . . . .1-4  
LOCK OPTIONS . . . . . . . . . . . . . . . . . . . . . . .3-2  
LOCK OPTIONS Menu . . . . . . . . . . . . . . . . . .3-36  
LOGIC7 FILM . . . . . . . . . . . . . . . . . . . . .2-17, 5-2  
LOGIC7 MUSIC . . . . . . . . . . . . . . . . . . .2-17, 5-3  
LOGIC7 TV . . . . . . . . . . . . . . . . . . . . . . .2-17, 5-3  
LOUDNESS . . . . . . . . . . . . . . . . . . . . . . .2-9, 4-4  
Lowpass Filter . . . . . . . . . . . . . . .3-19 (Illustration)  
MAIN ADVANCED . . . . . . . . . . . . . . .3-12 to 3-14  
MAIN AUDIO OUTPUTS . . . . . . . . . . . . . . . . . .2-5  
MAIN Button . . . . . . . . . . . . . . . . . . . . . . . . .2-8  
Main Input Selection Buttons . . . . . . . . . . . . . .2-3  
MAIN MENU . . . . . . . . . . . . . . . . . . . . .1-4, 2-12  
Main Off Button . . . . . . . . . . . . . . . . . . . . . . .2-3  
MAIN PWR ON . . . . . . . . . . . . . . . . . . . . . . .3-34  
MAIN VIDEO OUTPUTS . . . . . . . . . . . . . . . . . .2-5  
Maintenance . . . . . . . . . . . . . . . . . . . . . . . . . .6-4  
MASTER LEVEL . . . . . . . . . . . . . . . . . . . . . . .5-23  
MENU Arrows . . . . . . . . . . . . . . . . . . . . . . . .2-13  
MENU Button . . . . . . . . . . . . . . . . . . . . . . . .2-12  
Menu Navigation . . . . . . . . . . . . . . . . .1-4 to 1-5  
Menu Tree . . . . . . . . . . . . . . . . . . . . .A-5 to A-11  
MICROPHONE INPUTS . . . . . . . . . . . . . . . . . .2-6  
Mode . . . . . . . . . . . . . . .(see also Listening Mode)  
MODE . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-23  
MODE +/- Buttons . . . . . . . . . .2-11, 2-16 to 2-17  
MODE ADJUST . . . . . . . . . . . . . . . . . . . . . . . .5-2  
MODE ADJUST Menu . . . . . . . . . . . . .5-1 to 5-24  
Mode Family Selection Buttons . .2-14, 2-16 to 2-17  
Mode Parameter Descriptions . . . . . .5-20 to 5-24  
Mode Selection . . . . . . . . . . . . . . . . .2-16 to 2-17  
Mode Up and Down Buttons . . .2-3, 2-16 to 2-17  
MODES . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-36  
MONO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-7  
MONO LOGIC . . . . . . . . . . . . . . . . . . . . . . . .5-7  
MONO SURROUND . . . . . . . . . . . . . . . . . . . .5-8  
MUSIC Button . . . . . . . . . . . . .2-14, 2-16 to 2-17  
MUTE Button . . . . . . . . . . . . . . . . . . . . .2-3, 2-12  
MUTE LEVEL . . . . . . . . . . . . . . . . . . . . . . . . .3-34  
NAME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-4  
Navigating the Menus . . . . . . . . . . . . . .1-4 to 1-5  
ON-SCREEN DISPLAY Menu . . . . . . . .3-31 to 3-32  
OSD Button . . . . . . . . . . . . . . . . . . . . . . . . .2-10  
OUTPUT LEVELS Menu . . . . . . . . . . . . . . . . .5-17  
Outputs . . . . . . . . . . . . . . . . . . . . . . . .2-4 to 2-6  
PANORAMA . . . . . . . . . . . . . . . . . . . . . . . . .5-23  
PARTY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-6  
POSITION . . . . . . . . . . . . . . . . . . . . . . . . . . .3-31  
Power Switch (Rear Panel) . . . . . . . . . . . . . . . .2-5  
PROGRAM Operation (Triggers) . . . . . . . . . . .3-35  
PVR Button . . . . . . . . . . . . . . . . . . . . . . .2-3, 2-9  
RE-EQUALIZER . . . . . . . . . . . . . . . . . . . . . . . .5-23  
REAR DLY OFFSET . . . . . . . . . . . . . . . . . . . . .5-23  
REAR L/R . . . . . . . .3-21, 3-24 to 3-25, 5-17, 5-23  
Rear Panel . . . . . . . . . . . . .2-4 (Illustration) to 2-6  
REAR PANEL CONFIG . . . . . . . . . . . . . . . . . . . .3-2  
REAR PANEL CONFIG Menu . . . . . . . . . . . . . .3-30  
Rear Panel Power Switch . . . . . . . . . . . . . . . . .2-5  
REC Button . . . . . . . . . . . . . . . . . . . . . . . . . . .2-8  
REC PWR ON . . . . . . . . . . . . . . . . . . . . . . . .3-34  
RECORD . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-17  
RECORD ADVANCED . . . . . . . . . . . . .3-16 to 3-17  
RECORD AUDIO OUTPUTS . . . . . . . . . . . . . . .2-5  
RECORD BALANCE . . . . . . . . . . . .2-12, 2-13, 4-5  
Record Input Selection Buttons . . . . . . . . . . . .2-3  
Record Off Button . . . . . . . . . . . . . . . . . . . . . .2-3  
RECORD VIDEO OUTPUTS . . . . . . . . . . . . . . . .2-5  
I-2  
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Index  
SDP-40  
REF OFFSET . . . . . . . . . . . . . . . . . . . . . . . . . .5-23  
Remote Control . . . . . . . . . . . . . . . . . .2-7 to 2-14  
REMOTE Operation (Triggers) . . . . . . . . . . . .3-35  
REMOTE STATE . . . . . . . . . . . . . . . . . . . . . . .3-32  
Removable Access Panel . . . . . . . . . . . . . . . . .2-6  
RESET MODE . . . . . . . . . . . . . . . . . . . . . . . .5-17  
RESTORE DEFAULT NAME . . . . . . . . . . . . . . . .3-4  
Restoring Factory-Default Settings . . . . . . .1-5, 6-4  
RS-232 Connectors . . . . . . . . . . . . . . . . . . . . .2-6  
S/PDIF INPUTS . . . . . . . . . . . . . . . . . . . . . . . .2-5  
S-VIDEO 16:9 . . . . . . . . . . . . . . . . . . . . . . . .3-14  
S-VIDEO OSD 4:3 . . . . . . . . . . . . . . . . . . . . .3-14  
Safety Instructions . . .Inside Front Cover, vi to xi, 1-4  
SAMPLE RATE . . . . . . . . . . . . . . . . . . . . . . . .5-23  
SAT Button . . . . . . . . . . . . . . . . . . . . . . . .2-3, 2-9  
SDP-40, About the . . . . . . . . . . . . . . . .1-2 to 1-3  
SETUP . . . . . . . . . . . . . . . . . . . . . . . . . .3-2, 3-36  
SETUP Menu . . . . . . . . . . . . . . . . . . . .3-1 to 3-36  
SHIFT Button . . . . . . . . . . . . . . . . . . . . . . . . . .2-8  
SIDE L/R . . . . . . . . . . . . . . .3-21, 3-24, 5-17, 5-23  
Sound Pressure Level (SPL) Meter . . . . . . . . . .3-26  
SOUND STAGE . . . . . . . . . . . . . . . . . . . . . . .5-24  
SPEAKER DISTANCES Menu . . . . . . . . . . . . . .3-25  
SPEAKER LEVEL ADJUST Menu . . . . . . . . . . . .3-26  
SPEAKER SETUP Menu . . . . . . . . . . . .3-18 to 3-29  
SPEAKERS . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-2  
Specifications . . . . . . . . . . . . . . . . . . . .A-2 to A-3  
Standby Button . . . . . . . . . . . . . . . . . . . .2-2, 2-8  
STAT Button . . . . . . . . . . . . . . . . . . . . . . . . .2-12  
STATUS . . . . . . . . . . . . . . . . . . . .2-10, 3-31, 3-32  
Status Menu Level Meters . . . . . . . . . . . . . . .5-18  
STATUS Menus . . . . . . . . . . . . .2-12, 5-18 to 5-20  
SUB L/R . . . . . . . . . . . . . . .3-22, 3-24, 5-17, 5-24  
SUB L/R LVL . . . . . . . . . . . . . . . . . . . . . . . . .5-24  
SUB LIMITERS Menu . . . . . . . . . . . . .3-28 to 3-29  
SUB XOVER . . . . . . . . . . . . . . . . . . . . .3-22, 3-24  
SURR ROLLOFF . . . . . . . . . . . . . . . . . . . . . . .5-24  
SURROUND DLY . . . . . . . . . . . . . . . . . . . . . .5-24  
SURROUND EX . . . . . . . . . . . . . .2-14, 3-25, 5-24  
SURROUND MIX . . . . . . . . . . . . . . . . . . . . . .5-24  
SYNTHESIS 7CH SETUP Menu . . . . . .3-24 to 3-25  
Table of Contents . . . . . . . . . . . . . . . . . . . .iv to v  
TAPE Button . . . . . . . . . . . . . . . . . . . . . . .2-3, 2-9  
THX Button . . . . . . . . . . . . . . .2-14, 2-16 to 2-17  
TILT EQ . . . . . . . . . . . . . . . . . . . . . .2-9, 2-10, 4-3  
TREBLE . . . . . . . . . . . . . . . . . . . . . .2-9, 2-10, 4-3  
TRIGGER 1 . . . . . . . . . . . . . . . . . . . . . .2-11, 3-35  
TRIGGER 2 . . . . . . . . . . . . . . . . . . . . . .2-11, 3-35  
TRIGGER OUTPUTS . . . . . . . . . . . . . . . . . . . . .2-6  
TRIGGER SETUP Menu . . . . . . . . . . . . . . . . . .3-35  
TRIGGERS . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-2  
Troubleshooting . . . . . . . . . . . . . . . . . .6-2 to 6-3  
TUNER Button . . . . . . . . . . . . . . . . . . . . .2-3, 2-9  
TV Button . . . . . . . . . . . . . . . . . . . . . . . .2-3, 2-9  
TVL Button . . . . . . . . . . . . . . . .2-14, 2-16 to 2-17  
Two-Line Status . . . . . . . . . . . . . . . . . . .1-5, 2-12  
Unbalanced Audio Outputs . . . . . . . . . . . . . . .2-5  
Unpacking and Inspection Instructions . . . . . . . .xi  
User Guide, About the . . . . . . . . . . . . . . . . . . .1-4  
VCR Button . . . . . . . . . . . . . . . . . . . . . . .2-3, 2-9  
VIDEO IN . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-8  
VIDEO INPUTS . . . . . . . . . . . . . . . . . . . . . . . .2-5  
VOCAL ENHANCE . . . . . . . . . . . . . . . . . . . . .5-24  
VOL +/- Buttons . . . . . . . . . . . . . . . . . . . . . .2-11  
VOLUME CONTROL SETUP Menu . . . . . . . . .3-34  
VOLUME CONTROLS . . . . . . . . . . . . . . . . . . . .3-2  
Volume Knob . . . . . . . . . . . . . . . . . . . . . . . . .2-3  
Warranty . . . . . . . . . . . . . . . . . .Inside Back Cover  
ZONE Button . . . . . . . . . . . . . . . . . . . . . . . . .2-8  
ZONE PWR ON . . . . . . . . . . . . . . . . . . . . . . .3-34  
ZONE2 ADVANCED . . . . . . . . . . . . . .3-14 to 3-15  
ZONE2 BALANCE . . . . . . . . . . . . .2-12, 2-13, 4-4  
ZONE 2 AUDIO OUTPUTS . . . . . . . . . . . . . . . .2-5  
Zone 2 Input Selection Buttons . . . . . . . . . . . .2-3  
Zone 2 Off Button . . . . . . . . . . . . . . . . . . . . . .2-3  
Zones, Understanding the . . . . . . . . . . . . . . .2-15  
I-3  
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or selling location in the same country. Either way, you’ll need to present the  
original bill of sale to establish the date of purchase. Please do not ship your  
JBL product to the factory without our prior authorization. In the United  
States, please call 1-818-830-8757 for the location of the authorized  
warranty station nearest you.  
SYNTHESIS LIMITED WARRANTY  
The following JBL Synthesis products are warranted for 2 years from the date  
of original purchase: Amplifiers, Equalizers, and Surround Sound Processors.  
Who is protected by this warranty?  
Your JBL warranty protects the original owner and all subsequent owners, so  
long as the original bill of sale is presented when warranty service is requested.  
If service under this warranty is not necessary, but you have questions  
regarding the Installation or operation of this unit, please contact your  
authorized JBL dealer or call 1-818-830-8757 for further assistance.  
What is covered by the JBL warranty?  
Your JBL warranty covers all defects in the material and workmanship with  
the following specified exceptions:  
1. Damage caused by accident, unreasonable use, or neglect (including  
the lack of reasonable and necessary maintenance.  
Who pays for what?  
JBL will be happy to pay all labor and material expenses for all repairs  
covered by this warranty. If necessary repairs are not covered by this  
warranty or if a unit is examined which is not in need of repair, you will be  
charged for the repairs or the examination.  
2. Damage caused by improper installation or adjustment.  
3. Damage occurring during shipment (claims must be presented to the  
carrier).  
4. Damage to or deterioration of any accessory or decorative surface.  
5. Damage resulting from failure to follow instructions contained in your  
user guide.  
Although you must pay any shipping charges incurred in getting your JBL  
product to an Authorized Warranty Station or to the factory, we will pay  
return shipping charges within the United States if the repairs are covered  
by the warranty. Please be sure to save the original shipping cartons  
because a nominal charge will be made for additional cartons.  
6. Damage resulting from the performance of repairs by someone other  
than an authorized JBL warranty station  
Limitation on implied warranties  
7. Any JBL unit on which the serial number has been effaced,  
modified, or removed.  
8. Units which have been altered or modified in design, appearance, or  
construction.  
Implied warranties of merchantability and fitness for particular purpose are  
limited in duration to the length of this warranty, unless otherwise  
provided by state law.  
9. Products sold on an "as-is" or final sale basis.  
Exclusion of certain damages  
JBL’s liability is limited to the repair or replacement at our option, of any  
defective product and shall in no event include incidental or consequential  
commercial damages of any kind. Some states do not allow limitations on  
how long an implied warranty lasts and/or do not allow the exclusion of  
incidental or consequential damages, so they above limitations and  
exclusions may not apply to you.  
This warranty covers only the actual defects within the product itself, and  
does not cover the costs of installation or removal from a fixed installation,  
normal set-up, or adjustments, claims based on any misrepresentation by  
the seller, or performance variations resulting from installation related  
circumstances such as program source quality or AC power.  
This warranty gives you specific legal rights, and you may also have other  
rights which vary from state to state.  
How to obtain warranty service  
If your JBL product ever needs service, we may direct you to an Authorized  
JBL Warranty Station, or ask you to send your unit to the factory for repair,  
in which case we’ll also supply a Service Return Authorization and  
complete shipping instructions. If the product was purchased in a country  
other than the USA, it is necessary to return the product to the distributor  
We sincerely thank you for your expression of confidence in JBL products.  
This equipment has been painstakingly assembled by highly trained  
craftspeople. It should give you many years of musical enjoyment.  
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JBL Synthesis  
8500 Balboa Boulevard  
Northridge, CA 91329  
250 Crossways Park Drive  
Woodbury, NY 11797  
800-336-4JBL  
Part No. 070-14991 | Rev 0 | 10/01  
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