FBI
Fully Balanced
Integrated Amplifier
Instructions for Use
Owner’s Reference
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Contents
Page
INTRODUCTION
5
REVOLUTIONARY KRELL CAST TECHNOLOGY
DEFINITION OF TERMS
UNPACKING
6
8
10
11
PLACEMENT
AC Power Guidelines
FRONT PANEL / REMOTE CONTROL DESCRIPTION
13
15
REMOTE CONTROL ONLY
Battery Installation and Removal
Remote Control Only Functions
BACK PANEL DESCRIPTION
18
20
CONNECTING THE FBI TO YOUR SYSTEM
Connection Steps
OPERATING YOUR FBI
Amplifier Operation
21
23
Tape Input and Output
OPTIONAL CONFIGURATIONS
Configuring the FBI for Theater Throughput
Preamplifier Output
HOW TO TROUBLESHOOT SYSTEM NOISE
QUESTIONS AND ANSWERS
WARRANTY
25
26
27
RETURN AUTHORIZATION PROCEDURE
SPECIFICATIONS
29
Back Cover
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Illustrations
Page
FIGURE 1 The FBI Front Panel
FIGURE 2 The FBI Remote Control
FIGURE 3 The FBI Back Panel
12
12
17
4
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Introduction
Thank you for your purchase of the Krell FBI Remote Control Inte-
grated Amplifier. This fully integrated amplifier and preamplifier has
a fully balanced signal path from input to output and employs a
wide bandwidth design with low negative feedback for sonic accu-
racy throughout the frequency spectrum. All circuits, including the
amplifier output stage, operate in pure Class A mode.
The Fully Balanced Integrated Amplifier is a large-format integrat-
ed, and as such offers all the power and control afforded by big
Krell amplifiers in a convenient, integrated package that is simple
to operate. The remote control accesses all functions, while a 12 V
trigger connection allows the Fully Balanced Integrated Amplifier to
interface easily with other components. The Theater Throughput
feature provides easy integration into a home theater system.
This owner’s reference manual contains important information on
the placement, installation, and operation of the Fully Balanced
Integrated Amplifier. Please read this information carefully. A thor-
ough understanding of these details will help ensure satisfactory
operation and long life for your Fully Balanced Integrated Amplifier
and related system components.
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Revolutionary Krell CAST Technology
Current Audio Signal Transmission, termed CAST, is a revolutionary
method of connecting analog audio components for unparalleled sonic
performance. Innovative engineering combines the new Krell CAST cir-
cuitry with existing Krell Current Mode technology to create entire
CAST systems that reproduce music with incredible range, tonality,
and precision.
The Voltage Signal Transmission
and the Traditional Audio System
Traditionally, signal is transmitted in the voltage domain between two
components. In an audio system, each component is a discrete entity
with unique characteristics that act upon the musical signal independ-
ently. Each component is unaware of the other components in the sys-
tem. The cables that connect the components also have their own
electrical characteristics, which affect the sonic presentation of the
entire system. CAST transmission unifies individual components and
interconnects into an electrically-linked whole. The original signal
remains unaltered from source to speaker.
CAST Basics
Here is how a CAST audio system works. Internally, each CAST source
transfers, or amplifies, current using Krell Current Mode circuitry. This
current signal is then output using CAST circuitry. When the signal is
received by a CAST input, Krell Current Mode circuitry again takes
over until the signal reaches the loudspeaker. By maintaining the musi-
cal signal in the current domain from beginning to end, an entire CAST
system behaves as if it is one component. With CAST, circuit board
properties and signal transmission aberrations between components
are eliminated. Cable impedances and their effects on the transmitted
signal are non-existent.
How CAST and Krell Current Mode Interact
While CAST is a new method of transferring the musical signal be-
tween components, its origin stems from Krell Current Mode, the tech-
nology developed to transfer the musical signal within a component.
CAST combined with Krell Current Mode takes circuitry signal trans-
mission to the next evolutionary level. In essence, Krell Current Mode
6
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Revolutionary Krell CAST Technology, continued
maintains the integrity of the signal within the component and CAST
preserves the transmitted signal between components. Together, CAST
and Krell Current Mode technologies unify separate Krell components
into a single global circuit. Krell Current Mode technology enjoys band-
width increases up to an order of magnitude greater than their voltage
based counterparts. This dramatic increase in circuit bandwidth deliv-
ers near perfection in the audible band that typically suffers from phase
distortions in voltage circuits.
CAST Cable Construction
A CAST system uses cables manufactured by Krell and other manu-
facturers specially licensed by Krell. Thin and flexible CAST cables are
constructed with the same build quality as other Krell components and
are aesthetically matched to the components that Krell manufactures.
An all-metal body and locking connectors with gold contacts are part
of the standard no-compromise specification developed for every
CAST cable made.
Evolution CAST
By employing revolutionary current mirror circuitry, the Evolution 222
components elevate the CAST technology to another level. This
advanced use of the technology increases the linearity, transient
speed, and bandwidth of the Evolution components while reducing the
distortion by an order of magnitude.
The Best Musical Performance
When you operate a CAST system, you will hear significant improve-
ments in every performance area: speed, precision, dynamic range,
depth and width of the sound stage, transient impact, tonal balance,
harmonic distortion, and more. The goal for CAST is the same compa-
ny goal used for all Krell products. Krell strives for the delivery of the
best performance of a musical event for you, using the full expression
of technology to date.
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Definition of Terms
Following are the definitions of key terms used in your owner’s
reference manual.
CONFIGURATIONS
Theater Throughput
Theater Throughput is a Krell configuration option that allows the
signal from a surround preamp/processor to pass through a Krell
preamplifier or integrated amplifier input at unity gain and sus-
pends operation of the preamp volume control. When Theater
Throughput is employed, control of the volume is accomplished
through the home theater processor.
INPUT AND OUTPUT
CONNECTIONS
Balanced
A symmetrical input or output circuit that has equal impedance
from both input terminals to a common ground reference point.
The industry standard for professional and sound recording instal-
lations, balanced connections have 6 dB more gain than single-
ended connections and allow the use of long interconnect cables.
Balanced connections are completely immune to induced noise
from the system or the environment.
CAST and Evolution CAST
Krell Current Audio Signal Transmission, or CAST, is a proprietary Krell
circuit technology for connecting analog components, transmitting the
audio waveform between components in the current domain rather than
in the voltage domain. The speed and bandwidth provided by Krell
CAST and its circuitry update, Evolution CAST, yield accurate, realistic
music reproduction, enabling connected components to perform as if
they are all part of a single circuit.
Single-ended
A two-wire input or output circuit. Use care when using single-
ended connections as the ground connection is made last and
broken first. Turn the system off prior to making or breaking sin-
gle-ended connections. Single-ended connections are not recom-
mended for connections requiring long cable runs.
8
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Definition of Terms, continued
OPERATION
Off
The component is off when the AC power cord is unplugged from
the wall receptacle.
Stand-by Mode
A low power consumption status that keeps the audio circuits at
idle. When you plug the AC power cord into the wall receptacle,
and turn on the rear panel breaker switch, the red stand-by LED
illuminates. The component is now ready to be switched to the
operational mode. Krell recommends leaving the component in
the stand-by mode when it is not playing music.
Operational Mode
When the component is in the stand-by mode, and you press the
power button on the front panel or the power key on the remote
control, the blue power LED illuminates. The component is in the
operational mode and is ready to play music.
TECHNOLOGY
Krell Current Mode
A proprietary Krell circuit topology in which the audio gain stages
of a component operate in the current rather than voltage domain.
This unique technology provides the component with exceptional
speed and a wide bandwidth.
See also Revolutionary Krell CAST Technology, on pages 6-7.
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Unpacking
Two people are needed to remove the Fully Balanced Integrated
amplifier from its shipping box safely and easily.
1. Open the shipping carton and remove the top layer of foam.
The carton contains :
1 Fully Balanced Integrated Amplifier
1 AC power cord
1 12 VDC (12 V trigger) cable
1 T-10 Torx wrench
1 FBI remote control
2 AAA 1.5 V batteries
1 Packet containing the Quick Setup Guide and the warranty
registration card
2. Orient the shipping box so that one person stands at the front
of the amplifier and one person stands at the back of the
amplifier. Both people need to grab a pair of the cardboard
handle cutouts (one pair located at the front of the amplifier
and one pair located at the back of the amplifier) and simulta-
neously lift the amplifier straight up, out of the carton. Bend
and lift with your knees, not your back.
3. Place the amplifier in a safe location and remove the protective
plastic wrapping.
Notes
If any of the listed items are not included in the shipping box, please
contact your authorized Krell dealer or distributor.
Save all packing materials. If you need to ship your FBI in the future,
repack the unit in its original packaging to prevent shipping damage. See
Return Authorization Procedure, on page 29, for more information.
10
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Placement
Before you install the FBI into your system, please review the fol-
lowing guidelines to choose the proper location for the FBI. This
will facilitate a clean, trouble-free installation.
The FBI does not require any type of special rack or cabinet for
installation. For the dimensions of the FBI, see Specifications, on
the back cover.
Place the FBI on a firm, level surface, away from excessive heat,
humidity, or moisture. The FBI requires at least two inches (5 cm)
of clearance on each side and at least eight inches (20 cm) of
clearance above and below the component to provide adequate
ventilation. The ventilation grids on the FBI must be unobstructed.
If the amplifier is placed in a closed cabinet, more than eight inch-
es (20 cm) of clearance may need to be provided above and
below the component, or small fans may be needed to increase
ventilation. The air space between the chassis and shelf must be
unobstructed.
The Fully Balanced Integrated amplifier drives the lowest imped-
ances with ease. When impedance is added due to long speaker
cable lengths, amplifier power is wasted in the cable. Long speak-
er cables reduce the maximum power that is delivered in the
speakers.
The Fully Balanced Integrated amplifier needs to be operated
from a dedicated AC power line rated at a minimum of 20 amps.
Use only the power cord provided with the Fully Balanced
Integrated amplifier to make this connection. Operation with a
power cord other than the one supplied by Krell can induce noise,
limit current, and otherwise impair the amplifier’s ability to perform
optimally. The use of the Fully Balanced Integrated amplifier with
devices designed to alter or stabilize the AC power also may
impair the amplifier’s ability to perform optimally.
AC Power
Guidelines
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Figure 1 The FBI Front Panel
12
13
4
Power
1
2
3
4
Power Button or Key
Power Indicator
Stand-by LED
Figure 2 The FBI Remote Control
Infrared Sensor
Note
Analog Devices
The numbered remote con-
5
6
7
C-1 Button, Key
and LED
trol keys function with the
FBI. The CD player keys on
this remote control activate
some Krell source compo-
nents.
B-1 Button, Key
and LED
S-1, S-2, S-3, and
B-1, Buttons, Keys
and LEDs
8
9
Tape Button or Key
Tape LED
Mode Indicators
10 Mute Button or Key
11 Mute LED
Volume
12 Level Knob or Keys
Display
13 Front Panel Display
Volume Adjustment
Functions (remote only)
14 Bal (Balance) keys
12
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Front Panel/ Remote Control Description
See Figures 1 and 2 on page 12
Power, analog input selections, and volume control accessed via
the FBI front panel buttons or remote control keys are described
below. The front panel display shows volume and balance levels,
and Theater Throughput status. Most front panel functions also are
activated via the keys on the remote. The volume adjustment func-
tion, a special operational feature of the remote control only, is
described on page 16:
POWER
1 Power Button or Key
Use this button or key to switch the FBI between the stand-by
and the operational modes.
2 Power Indicator
The blue power indicator illuminates when the FBI is in the opera-
tional mode. The blue power indicator also flashes when any
remote control key is pressed.
3 Stand-by LED
The amplifier is in the stand-by mode and ready to be switched to
the operational mode, when the FBI is plugged into a standard
AC wall receptacle, the back panel power breaker switch (24) is in
the up position, and the red stand-by LED illuminates.
4 Infrared Sensor
The infrared sensor receives commands from the FBI remote con-
trol. For proper remote control operation, make sure that nothing
is obstructing the infrared sensor.
ANALOG
5 C-1 Button, Key, and LED
SOURCE
COMPONENTS
Selects a CAST source component (C-1) via a CAST connector.
When the button or key is selected, the red LED illuminates.
6 B-1 Button, Key, and LED
Selects a balanced analog source component via an XLR connec-
tor. When the button or key is selected, the red LED illuminates.
7 S-1, S-2, and S-3 Buttons, Keys, and LEDs
Selects a single-ended analog source component via single-
ended RCA connectors. When the button or key is selected, the
red LED illuminates.
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Front Panel Description, continued
8 Tape Button or Key
Use this button or key to playback pre-recorded tapes and com-
pare the output signal of an analog tape recorder to an audio
source. See Tape Input and Output, on page 22.
9 Tape LED
The red tape monitor LED illuminates when the tape monitor is
activated. The LED does not illuminate when an audio source is
activated.
MODE INDICATORS
10 Mute Button or Key
Use this button or key to interrupt the signal of the input you have
selected. To unmute, press the mute button or key again.
11 Mute LED
The red mute LED illuminates when you press the mute button or
key.
12 Level Knob / Level Keys
VOLUME ADJUSTMENT
FUNCTIONS
The level knob on the front panel or the level keys on the remote
control adjust the amplifier output level. The output level is indi-
cated numerically on the front panel display (13), with a range
from 0-151.
13 Front Panel Display
The front panel display shows volume and balance levels and
Theater Throughput status.
14
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Remote Control Only
See Figure 2 on page 12
The remote control uses 2 AAA-size 1.5 Volt batteries. Batteries are
Battery
Installation
and
included with the shipment. To install the batteries:
1. Remove the remote control backplate, using the supplied T-10 Torx
wrench.
Removal
2. Install the batteries, following the battery position diagram on the
plastic battery receptacle.
3. Replace and secure the backplate.
Notes
Replace batteries when remote control function becomes intermittent.
Remove batteries if the remote control is not used for a long period of
time. Battery leakage can damage the remote control.
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Remote Control Functions, continued
The FBI remote control accesses complete power amplifier and
preamplifier functions. The volume adjustment function is unique
to the FBI remote control.
Remote Control
Only Functions
VOLUME ADJUSTMENT
FUNCTION
14 Bal (Balance) Keys
Use these keys to shift the balance to the left or the right channel.
Balance level is indicated in the front panel display (13). To display
balance, push any key on the remote.
The front panel display indicates:
-C-
when the system is balanced. If the system is not balanced, the
front panel display indicates that the balance is right or left of
center and by how much, on a scale of 1 (least out of balance) to
5 (most out of balance).
Example: A display of:
- - 3
means that the balance is moderately right of center. A display
of:
5 - -
means the balance is severely left of center.
Note
The numbered remote control keys function with the FBI. The CD player
keys on this remote control activate some Krell source components.
16
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Figure 3 The FBI Back Panel
Amplifier Channel Outputs
15 Left and Right
Remote Back Panel Connections
22 RC-5 In
Loudspeaker Outputs
23 12 VDC In/Out
(12 V Trigger)
Analog Inputs
16 Left and Right
CAST Inputs
Power
24 Back Panel Power
Breaker Switch
17 Left and Right Balanced
Analog Inputs
25 IEC Connector
18 Left and Right Single-
ended Analog Inputs
Convenient Lifting Device
26 Handles
19 Left and Right Tape Inputs
Analog Outputs
20 Left and Right Tape
Outputs
21 Left and Right
Preamplifier Outputs
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Back Panel Description
See Figure 3 on page 17
The FBI back panel provides connections for all inputs and out-
puts, power on/off, and additional remote connections.
AMPLIFIER CHANNEL
OUTPUTS
15 Left and Right Loudspeaker Outputs
Two pairs of loudspeaker binding posts are available for each
channel of amplification, facilitating a power-bi-wire connection to
the loudspeaker. Each pair of binding posts is connected internal-
ly via copper buss bars. When only one set of binding posts is
used, the connection can be made from either pair of binding
posts. See the loudspeaker and/or cable manufacture’s instruc-
tion manual for more information about power-bi-wire connec-
tions.
The loudspeaker binding posts accept spade lugs only. Bare wire,
banana lugs, or pins will not work. Use the red terminal for the
positive connection and the blue terminal for the negative con-
nection.
16 Krell CAST Inputs
ANALOG INPUTS
The FBI is equipped with one pair of Krell CAST inputs via 4-pin
bayonet connectors. Krell CAST inputs allow the Fully Balanced
Integrated amplifier to be connected to any Krell CAST-equipped
component.
17 Left and Right Balanced Analog Inputs
The FBI is equipped with one pair of balanced (B-1) inputs via
XLR connectors.
18 Left and Right Single-Ended Analog Inputs
The FBI is equipped with three pairs of single-ended (S-1,
S-2, or S-3) inputs via RCA connectors.
19 Left and Right Tape Inputs
The FBI is equipped with a pair of single-ended tape inputs via
RCA connectors.
ANALOG OUTPUTS
20 Left and Right Tape Outputs
The FBI is equipped with a pair of single-ended tape
outputs via RCA connectors.
21 Left and Right Preamp Outputs
The FBI is equipped with a pair of single-ended pre-
amplifier outputs.
18
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REMOTE
22 RC-5 In
CONNECTIONS
The FBI is equipped with an RC-5 input that makes custom instal-
lation easy and secure by accepting baseband RC-5 input com-
mands from hardwired remote controllers.
23 12 VDC In/ Out (12 V Trigger)
The FBI has one output that sends, and one input that receives 12 VDC
power on/off (12 V trigger) signals to and from other Krell components,
and other devices that incorporate a 12 V trigger. This allows you to
turn other components on or off, or to and from stand-by. When an
amplifier is switched to operational mode and is connected to other
components through the 12 V trigger, it sends a signal that will switch
other components, allowing whole systems or parts of systems to be
easily coordinated. Mono 3.5 mm connectors are used in the following
configuration: Tip = +12 V, Sleeve = GND.
When the FBI is in the operational mode, the 12 V trigger provides 12 Volts
of DC output. When the FBI is in the stand-by mode or off, the DC output
is 0 Volts. A maximum of 30 mA is available from the 12 V trigger output.
Notes
Consult the owner's reference of the components used in a custom instal-
lation to take full advantage of the remote capabilities of the FBI.
24 Back Panel Power Breaker Switch
POWER
Place the back panel power breaker switch in the up position to
put the FBI in stand-by mode. Krell recommends that the amplifier
remain on, in stand-by mode, when not in use.
25 IEC Connector
The connector is for use with the provided AC power cord.
26 Handles
CONVENIENT
LIFTING DEVICE
The FBI is equipped with two handles to help to move the inte-
grated amplifier easily and safely.
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Connecting the FBI
to Your System
USING BALANCED
CONNECTIONS
Krell recommends using balanced interconnect cables. Balanced
interconnect cables not only can minimize sonic loss but are also
immune to induced noise, especially with installations using long
cables. Balanced connections have 6 dB more gain than single-
ended connections. When level matching is critical, keep this gain
value in mind.
Follow these steps to connect the FBI to your system.
Connection
Steps
1. Make sure all power sources and components are off before
connecting inputs and outputs.
2. Neatly organize the wiring between the FBI and all system
components. Separate AC wires from audio cables to
prevent hum or other unwanted noises from being introduced
into the system.
3. Connect the left and right outputs of your source components
to the appropriate analog inputs (15, 16, 17) on the FBI. The
FBI is equipped with one CAST input (C-1) (16), one balanced
input (B-1) (17), three single-ended inputs (S-1, S-2, or S-3)
(18), and one tape input (19). The C-1, B-1, S-1, S-2, and S-3
inputs can be configured for Theater Throughput. See
Optional Configurations, on page 23 for information on con-
figuring an input for Theater Throughput.
Pin 1 Shield (ground)
Pin assignments for the
XLR connectors
Pin 2 Non-inverting (hot) (0°)
Pin 3 Inverting (cold) (180°)
4. Connect the loudspeaker cables to the loudspeaker binding
posts (15) of the FBI, located on the back panel. Loudspeaker
binding posts accept spade lugs only.
6. Plug the AC power cord into the IEC connector (25) on the
back panel of the FBI. Plug the other end of the power cord
into the AC wall receptacle.
20
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Operating Your FBI
This section provides information about operating the Fully
Balanced Integrated amplifier. The FBI provides basic input selec-
tion and volume control operation from the front panel. The
remote control includes additional preamplifier and volume func-
tions as well as compact disc transport and amplifier controls.
See Remote Control Functions, on page 16, for more informa-
tion.
Amplifier
Operation
The FBI is easy to operate. However, great care should be exer-
cised when operating a system that includes the FBI, because of
the amplifier’s power output. Switching between active sources
without muting the preamplifier output, or bumping/miscuing a
device, can generate large transients at low frequencies. The FBI
may generate enough power with these transients to damage
most loudspeakers. To avoid damage, be sure to switch all
sources with the preamplifier level either muted or fully attenuat-
ed. Do not change inputs to the amplifier while it is on.
Note
Krell amplifiers have large reserves of clean power and can safely drive
loudspeakers to higher sound pressure levels than other amplifiers.
However, use care when setting high playback levels and lower the vol-
ume level at any sign of loudspeaker distress.
ON/OFF AND
STAND-BY OPERATION
When powering up any system, always turn amplifiers on last.
When powering down, always turn amplifiers off first.
1. After the FBI is connected to AC power, place the back panel
power breaker switch in the up position. The red stand-by
LED (3) on the front panel is illuminated.
2. When the amplifier is in stand-by mode, turn the FBI on by
pressing the power button on the front panel or the power key
on the remote control (1). There is a short wait period, while
the amplifier power stages are started. The front panel display
counts down the wait period and shows 000 (zero volume)
The blue power LED (2) illuminates, and the red stand-by LED
(3) turns off. The FBI is now in the operational mode.
3. With the amplifier in the mute position, or the volume control
fully attenuated, select a source from the front panel or the
remote control (5, 6, or 7).
4. Start playing the source.
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Operating Your FBI, continued
ON/OFF AND STAND-BY
OPERATION, continued
5. Set the volume to a comfortable listening level using the level
knob on the front panel or the level keys on the remote control
(12).
6. To turn the FBI off, press the power button on the front panel
or the power key on the remote control (1). The red stand-by
LED (3) illuminates, and the FBI is in the stand-by mode.
It is now safe to turn off the rest of the system.
The FBI has a discrete tape input and output. The tape output is
used to send an input signal from C-1, B-1, S-1, S-2, or S-3 to a
recording device or processor. You can use the tape feature in
three ways:
Tape Input and
Output
1. Use the tape button on the front panel or the tape key on the
remote (6) to playback pre-recorded tapes.
2. Use the tape input to compare the output signal of a three-
head analog tape recorder to the output signal of an audio
source, when making a recording. To activate this function,
select an audio source for recording using the C-1, B-1, S-1,
S-2, or S-3 analog input buttons or keys (5). Press the tape
button on the front panel or tape key on the remote on the to
switch between the tape recorder output (red tape monitor
LED [7] illuminated) and the input source (red tape monitor
LED not illuminated).
3. Use the tape output to create a processor loop, when the FBI
is connected to a graphic equalizer or other ancillary equip-
ment. To activate this function, connect the equipment to the
FBI tape outputs (18) as described in the equipment manufac-
turer’s manual. Press the tape button on the front panel or
tape key on the remote to switch between the processor out-
put (red tape monitor LED [7] illuminated) and the input source
(red tape monitor LED not illuminated).
Note
When changing sources, lower the volume to off or mute the output.
This ensures that the next source played does not damage your system
with a high output transient.
22
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Optional Configurations
To simplify the integration of an audio/video surround sound proces-
Configuring
the FBI
for Theater
Throughput
sor into your system, set any input on the FBI (C-1, B-1,S-1, S-2, or
S-3) to operate as a unity gain stage. Krell calls this configuration
Theater Throughput.
When you configure a FBI input for Theater Throughput, the FBI
volume and balance controls are transferred to the audio/video
surround sound processor, for integrated volume and balance
management as well as ease of operation. As long as the FBI
input is configured for Theater Throughput and connected to the
audio/video surround sound processor’s input configured for
Theater Throughput, all FBI volume and balance adjustments are
made through the surround sound processor. When you disen-
gage the FBI input from Theater Throughput, the volume and bal-
ance controls revert to the FBI.
1. Turn on the FBI power.
HOW TO ACTIVATE
AN INPUT FOR
THEATER
2. Press and release the button on the front panel or the key on
the remote for the device you wish to configure for Theater
Throughput. The LED illuminates.
THROUGHPUT
3. Press the button or key again and hold it for 4 seconds. The
front panel display (13) shows “thr.”
IMPORTANT
Make sure the level on the source component is set to zero when
configuring the FBI input set for Theater Throughput. Source com-
ponents without level controls should not be connected to an input
configured for Theater Throughput. Doing so can result in excessive
and possibly damaging volume levels when the source is played.
Always turn off the source component before you configure any
input on the FBI for Theater Throughput.
When you disengage the Fully Balanced Integrated amplifier input
from Theater Throughput, the volume and balance controls revert
to the Fully Balanced Integrated amplifier.
HOW TO DISENGAGE
AN INPUT FOR
THEATER
THROUGHPUT
1. Turn on the FBI power.
2. Press and release the button on the front panel or the key on
the remote for the device you wish to disengage from Theater
Throughput. The LED illuminates.
3. Press the button or key again and hold it for 4 seconds. The
phrase "thr" disappears from the front panel display (13), indi-
cating that Theater Throughput is disengaged.
Krell FBI
23
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Optional Configurations, continued
The FBI is equipped with a pair of single-ended preamplifier out-
puts (19). These outputs enable the FBI to be used as a preampli-
fier when it is connected to a separate amplifier.
Preamplifier
Outputs
Note
The amplifier channel outputs are always active, even when the FBI is
being used only as a preamplifier.
24
Krell FBI
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How to Troubleshoot System Noise
AC grounding becomes critical when connecting high perform-
ance audio components. When you mix and match audio compo-
nents, each with its own ground potential, a low frequency hum
may occur in one or both loudspeakers. This sometimes occurs
when introducing a new component into a system.
If a low frequency hum emanates from the loudspeakers when
you place the FBI amplifier into the system, follow these simple
troubleshooting steps:
1. Check all cable terminations, making sure they have solid sol-
der joints and are of sound construction.
2. With the amplifier off, remove the interconnect cables, then
turn the amplifier on. If the hum disappears, turn the amplifier
off and reinsert one of the interconnect cables. Turn the
amplifier back on. If the hum reappears with one or both
cables reinserted, there may be a defective cable. Have the
interconnect cables checked before proceeding.
3. If the interconnect cables are sound, you may be experiencing
a ground loop. Please contact your authorized Krell dealer,
distributor, or Krell for suggestions on how to solve this
problem.
Krell FBI
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Questions and Answers
Q. Should I leave my FBI on at all times?
A. Krell recommends leaving the amplifier in the stand-by mode,
ready to play music. If you are not going to play music for a
long time, you may disconnect the amplifier from AC power
supply.
Q. When I turn on the amplifier there is a loud hum through the
loudspeakers. What should I do?
A. When a new component is introduced into a system, a low
frequency hum may occur in one or both loudspeakers. Check
all input and output connections, making sure they are of
sound construction. See How to Troubleshoot System
Noise, on page 25. If the interconnects and cables are sound,
you may be experiencing a ground loop. This can often be
easily eliminated. Please contact your authorized Krell dealer,
distributor, or Krell for suggestions on how to solve this
problem.
Q. When I use the FBI’s Theater Throughput capability with my
surround sound processor, where should I set the
volume on the FBI?
A. You do not need to set the volume on the FBI because the
amplifier’s volume and balance controls are not active in the
Theater Throughput mode. When using the FBI’s Theater
Throughput capability, the surround sound processor controls
the system volume. See Optional Configurations, on page
23.
26
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Warranty
To register your product for
warranty benefits, please
complete and return the
Warranty Registration Card
enclosed in the shipping
box within 15 days of
Krell products have a limited warranty. Amplifiers, preamplifiers, preamp/
processors, and receivers carry a limited warranty of five years for parts
and labor on circuitry. Loudspeakers carry a limited warranty of five
years for parts and labor. CD and DVD players carry a limited warranty
of five years for parts and labor on circuitry, and three years for parts
and labor on mechanical parts.
purchase. Thank you.
Should the product fail to perform at any time during the warranty, Krell
will repair it at no cost to the owner, except as set forth in this warranty.
This warranty does not apply to damage caused by acts of God or
nature.
This warranty shall be in lieu of any other warranty, expressed or
implied, including, but not limited to, any implied warranty of mer-
chantability or fitness for a particular purpose. There are no warranties
which exceed beyond those described in this document, if the product
does not perform as warranted herein, the owner’s sole remedy shall be
repair. In no event will Krell be liable for incidental or consequential
damages arising from purchase, use, or inability to use the product,
even if Krell has been advised of the possibility of such damages.
Proof of purchase in the form of a bill of sale or receipted invoice sub-
stantiating that the product is within the warranty period must be pre-
sented to obtain warranty service. The warranty begins on the date of
the original retail purchase, as noted on the bill of sale or receipted
invoice from an authorized Krell dealer or distributor. Previously owned
equipment, when re-purchased from an authorized Krell dealer or dis-
tributor, has the balance of the original warranty, based on the original
date of manufacture.
The warranty for a Krell product is valid only in the country to which it
was originally shipped, through the authorized Krell distributor for that
country, and at the factory. There may be restrictions on or changes to
Krell’s warranty because of regulations within a specific country. Please
check with your distributor for a complete understanding of the warran-
ty in your country.
If the product is serviced by a distributor who did not import the unit,
there may be a charge for service, even if the product is within the war-
ranty period.
Krell FBI
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Warranty, continued
Freight to the factory is your responsibility. Return freight within the
United States (U.S.A.) is included in the warranty. If you have purchased
your Krell product outside the U.S.A. and wish to have it serviced at the
factory, all freight and associated charges to the factory are your
responsibility. Krell will pay return freight to the U.S.A.-based freight for-
warder of your choice. Freight and other charges to ship the product
from the freight forwarder to you are also your responsibility.
Krell is not responsible for any damage incurred in transit. Krell will file
claims for damages as necessary for a product damaged in transit to
the factory. You are responsible for filing claims for shipping damages
during the return shipment.
Krell does not supply replacement parts and/or products to the owner
of the product. Replacement parts and/or products will be furnished
only to the distributor performing service on this product on an
exchange basis only; any parts and/or products returned to Krell for
exchange become the property of Krell.
No expressed or implied warranty is made for any Krell product dam-
aged by accident, abuse, misuse, natural or personal disaster, or unau-
thorized modification.
Any unauthorized voltage conversion, disassembly, component
replacement, perforation of chassis, updates, or modifications per-
formed to the product will void the warranty.
The operating voltage of the product is determined by the factory and
can only be changed by an authorized Krell distributor or at the factory.
The voltage for this product in the U.S.A. cannot be changed until six
months from the original purchase date.
In the event that Krell receives a product for warranty service that has
been modified in any way without Krell authorization, all warranties on
that product will be void. The product will be returned to original factory
layout specifications at the owner’s expense before it is repaired. All
repairs required after the product has been returned to original factory
specifications will be charged to the customer, at current parts and
labor rates.
All operational features, functions, and specifications and policies are
subject to change without notification.
28
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Return Authorization
Procedure
If you believe there is a problem with your component, please
HOW TO EXPEDITE
SERVICE
contact your dealer, distributor, or the Krell factory to discuss the
problem before you return the component for repair. To expedite
service, you may wish to complete and e-mail the Service
Request Form in the Service section of our website at:
To contact the Krell Service Department:
TEL
203-298-4020
Monday-Friday, 9:00 am to 5:00 pm EST
203-795-2287
FAX
E-MAIL
service@krellonline.com
HOW TO RETURN
A PRODUCT
To return a product to Krell, please follow this procedure so that
we may serve you better:
1. Obtain a Return Authorization Number (R/A number) and ship-
ping address from the Krell Service Department.
2. Insure and accept all liability for loss or damage to the prod-
uct during shipment to the Krell factory and ensure all freight
(shipping) charges are prepaid.
The product may also be hand delivered if arrangements with the
Service Department have been made in advance. Proof of pur-
chase will be required for warranty validation at the time of hand
delivery.
IMPORTANT
Use the original packaging to ensure the safe transit of the product
to the factory, dealer, or distributor. Krell may, at its discretion,
return a product in new packaging and bill the owner for such pack-
aging if the product received by Krell was boxed in nonstandard
packaging or if the original packaging was so damaged that it was
unusable. If Krell determines that new packaging is required, the
owner will be notified before the product is returned.
HOW TO PURCHASE
ADDITIONAL PACKING
To purchase additional packaging, please contact your authorized
Krell dealer, distributor, or the Krell Service Department for assis-
tance.
Krell FBI
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Krell Industries, Inc.
FBI
Remote Control
Integrated Amplifier
v 06.0
45 Connair Road
Orange, CT 06477-3650 USA
TEL 203-298-4000, FAX 203-891-2028
E-MAIL krell@krellonline.com
Specifications
All operational features, functions,
FREQUENCY RESPONSE
20 Hz–20 kHz
OUTPUTS
4 loudspeaker via 5-standard
specifications, and policies are
subject to change without
notification.
+0.0 -0.05 dB
binding posts
SIGNAL-TO-NOISE RATIO
“A” weighted
1 pair single-ended preamp
via RCA connectors
-108 dB
TAPE INPUT AND OUTPUT
1 pair single-ended via RCA
connectors
TOTAL HARMONIC
DISTORTION (THD)
1 kHz <0.04%
OUTPUT VOLTAGE
Peak to peak 138 V
20 kHz <0.3%
GAIN
36.4 dB
OUTPUT POWER
8 Ohms 300 W
INPUT SENSITIVITY
4 Ohms 600 W
0.741 V rms
12 Ohms....1200 W
INPUT IMPEDANCE
REMOTE CONTROL
210 kOhms
1 handheld wireless IR remote
POWER CONSUMPTION
1 12 VDC Out/In (12 V trigger)
Stand-by 70 W
1 remove IR sensor input via 1/8” mini
stereo connector
Idle 185 W
Max. 1,800 W
1 RC-5 input via a DC power
connector
INPUTS
All with Theater Throughput
1 pair CAST via 4-pin bayonet
connectors.
DIMENSIONS
17.3 in. W x 10.3 in. H x 20.5 in. D
483 mm W x 260 mm H x 521 mm D
1 pair balanced via XLR connectors
WEIGHT
3 pair single-ended via RCA
connectors
Shipped
124 lb., 56.3 kg
Unit only
104 lb., 47.2 kg
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