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Precautions
Location
Using the unit in the following locations can result in a malfunction.
•In direct sunlight
•Locations of extreme temperature or humidity
•Excessively dusty or dirty locations
•Locations of excessive vibration
•Close to magnetic fields
Power supply
Please connect the designated AC adapter to an AC outlet of the correct voltage. Do not
connect it to an AC outlet of voltage other than that for which your unit is intended.
Interference with other electrical devices
Radios and televisions placed nearby may experience reception interference. Operate this
unit at a suitable distance from radios and televisions.
Handling
To avoid breakage, do not apply excessive force to the switches or controls.
Care
If the exterior becomes dirty, wipe it with a clean, dry cloth. Do not use liquid cleaners such
as benzene or thinner, or cleaning compounds or flammable polishes.
Keep this manual
After reading this manual, please keep it for later reference.
Keeping foreign matter out of your equipment
Never set any container with liquid in it near this equipment. If liquid gets into the equip-
ment, it could cause a breakdown, fire, or electrical shock.
Be careful not to let metal objects get into the equipment. If something does slip into the
equipment, unplug the AC adapter from the wall outlet. Then contact your nearest Korg
dealer or the store where the equipment was purchased.
Notice regarding disposal (EU only)
When this “crossed-out wheeled bin” symbol is dis-
played on the product, owner’s manual, battery, or
battery package, it signifies that when you wish to dis-
pose of this product, manual, package or battery you
must do so in an approved manner. Do not discard
this product, manual, package or battery along with
ordinary household waste. Disposing in the correct
manner will prevent harm to human health and potential
damage to the environment. Since the correct method of dis-
posal will depend on the applicable laws and regulations in
your locality, please contact your local administrative body for
details. If the battery contains heavy metals in excess of the
regulated amount, a chemical symbol is displayed below the
“crossed-out wheeled bin” symbol on the battery or battery
package.
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THE FCC REGULATION WARNING (for USA)
This equipment has been tested and found to comply with the
limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable
protection against harmful interference in a residential instal-
lation. This equipment generates, uses, and can radiate radio
frequency energy and, if not installed and used in accordance
with the instructions, may cause harmful interference to radio
communications. However, there is no guarantee that interfer-
ence will not occur in a particular installation. If this equip-
ment does cause harmful interference to radio or television
reception, which can be determined by turning the equipment
off and on, the user is encouraged to try to correct the interfer-
ence by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that
to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
Unauthorized changes or modification to this system can void
the user’s authority to operate this equipment.
*All product names and company names are the trademarks or registered trademarks of
their respective owners.
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Before you begin ............................................................ 10
Connect the AC adapter ...................................................10
Adjusting the tempo of the demo song .........................14
Using the pedals ................................................................17
Pedal settings in Layer mode ..........................................18
Metronome .........................................................................18
Chapter 4 .......................................................... 21
Other functions .............................................................. 21
Keyboard touch control setting .......................................21
Transpose ...........................................................................21
Pitch control .......................................................................22
Selecting a temperament ..................................................23
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MIDI ................................................................................. 25
What can you do using MIDI? ........................................25
About the maximum polyphony ....................................31
Specifications ................................................................. 32
Assembling the stand ................................................... 33
Caution during assembly .................................................33
Assembly procedure .........................................................33
Check following assembly ...............................................37
Other cautions ...................................................................38
Sound select button function list ................................. 39
Keyboard function list ................................................... 39
MIDI Implementation Chart ........................................... 40
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Main features
30 different high-quality sounds
Thirty richly expressive high-quality sounds are built in, including a stereo concert
grand. In addition to playing one sound at a time, the LP-350 will allow you to layer
two sounds together.
Effects
The LP-350 provides both Reverb, which simulates the natural ambience of a con-
cert hall; and Chorus, which adds richness and motion to the sound.
Pedal simulation
As on an acoustic piano, the LP-350 has three pedals that control the damper, soste-
nuto and soft effects. The damper pedal and soft pedal will respond to half-pedal-
ing, allowing you to vary the depth of the effect by the degree to which you press
the pedal.
Pedal unit
The position of the pedal unit can be adjusted to accommodate any player
or performing style.
Metronome
The built-in metronome lets you adjust the time signature, tempo, and volume; a
bell sound is available for the accent.
Touch control
You can choose from three different “touch-curves” to determine how the sound
will respond to the dynamics of your keyboard playing.
Temperament
In addition to equal temperament, you can select two types of historical tempera-
ment (Kirnberger and Werckmeister) for authentic performances of historical music.
When an acoustic piano sound is selected, the stretched tuning used on pianos is
automatically selected.
Adjustable pitch
You can use the transpose function to transpose the LP-350 into any musical key,
and use the pitch control to make fine adjustments to the pitch.
MIDI connectivity
The LP-350 is equipped with MIDI, the standard way to exchange performance data
between electronic musical instruments and computers. MIDI allows connected
devices to control each other, and also allows the LP-350 to be used as a sixteen-part
multi-timbral sound module.
Robust sound system
The internal sound system features two 10 cm speakers driven by a two 11W amps,
beautifully reproducing the rich sounds and distintive resonance of the instrument.
Dual headphone jacks
Two headphone jacks are provided, allowing two people to listen simultaneously -
parent and child, student and teacher, etc.
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Chapter 1
Front, top, and rear panels
Front panel
Power switch
Headphone jacks
Speakers
1. Power switch: Turns the LP-350 on/off.
2. Headphone jacks: Up to two headphones can be connected here. The jacks
accommodate stereo phone (1/4") jacks.
Use the MASTER VOLUME slider to adjust the volume. When headphones are
connected, the LP-350’s internal speakers are silenced.
3. Speakers: The LP-350’s internal speakers are located here.
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Top panel
Music stand
1. Music rack: This provides a convenient place to rest your sheet music and scores.
Do not apply excessive pressure
to the key cover when securing a
music book in an opened posi-
tion.
2. MASTER VOLUME slider: Controls the volume of the internal speakers, head-
phone jacks, and line output jacks.
3. REVERB button: Turns the reverb on/off, adding ambience to the sound.
4. CHORUS button: Turns the chorus on/off, adding richness to the sound.
5. TOUCH button: Selects the keyboard sensitivity (touch curve).
6. TRANSPOSE/FUNCTION button: This button is used to control the transposi-
tion, pitch, and temperament, and to set MIDI and other parameters.
All settings will return to their factory settings when you turn off the
power.
7. BANK button: Use this to button between the three sound banks.
8. SOUND SELECTION buttons: Press a button to select a sound. You can press
two buttons at the same time to layer two sounds across the keyboard. There are
a total of thirty sounds (10 x 3 banks).
9. DEMO button: Plays demo songs. Use the SOUND select buttons to select from
thirty different demo songs (10 x 3 groups).
10. METRONOME button: Starts or stops the metronome.
11. TEMPO slider: Adjusts the tempo of the metronome.
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Rear panel
1. MIDI (IN, OUT) connectors: These jacks allow you to connect the LP-350 to
other MIDI devices (e.g., computer, synthesizer, ).
IN:
This receives MIDI messages (connect it to the MIDI OUT of an external
MIDI device that’s controlling the LP-350).
OUT: This transmits MIDI messages (connect it to the MIDI IN of an external
MIDI device that’s being controlled by the LP-350).
2. Line out jack: This jack allows youto connect the LP-350 to an external sound
system, or to the input of an audio recorder. This is a stereo miniature (1/8") jack.
3. Speaker connector: Connect the cable from the speaker box here.
4. Pedal connector: Connect the cable from the pedal unit here.
5. DC IN connector: Connect the power supply (AC adapter) here.
Use only the included AC adapter. Using a different AC adapter may cause
malfunctions.
6. Cable hook: Wrap the AC adapter cable around this hook, so that it stays
securely connected, and does not put any strain on the connector/jack.
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Chapter 2
Before you begin
Connect the AC adapter
1. Make sure that the LP-350 is turnedoff.
2. Connect the AC adapter cable to the included AC adapter.
You must use the included AC adapter and AC adapter power cable. Using
a different AC adapter or cable may cause malfunctions.
AC adapter
Power cable for AC adapter
3. Connect the AC adapter to the DC IN connector located on the LP-350’s rear
panel.
4. Wrap the AC adapter cable around the cable hook.
Don’t pull with excessive force when detaching the cable from the hook.
5. Connect the AC adapter to an AC outlet.
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Opening or closing the key cover
The key cover can be easily opened or closed.
Opening the key cover
1. Using both hands, gently lift the key cover to open it.
Closing the key cover
1. Raise the edge, and gently pull the key cover toward yourself.
2. When the key cover begins to close on its own, release it.
The key cover is designed to close naturally from about mid-way down.
Do not use excessive force to close the key cover. Do not apply pressure to
the top of the key cover.
Be careful not to pinch your fingers or hands when closing the key cover.
The temperature and humidity will affect how fast the key cover closes.
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Using headphones
If you’re using headphones, connect them to the headphone jack. If your head-
phones have a mini (1/8") jack, you’ll need to use a 1/8"
→
1/4" adapter.
Grasp the plug (or adapter), not the cable, when connecting or disconnect-
ing headphones.
If headphones are plugged into the headphone jack, the LP-350’s speakers will not
produce sound. Use headphones at night, or when you don’t want to be heard by
those nearby.
To protect your hearing, don’t listen through headphones at high volumes
for an extended period of time.
Turning the power on
Press the power switch to turn on the LP-350. When you do so, indicators above the
front panel sound select buttons and BANK button etc. will light.
To turn the power off, press the power switch once again.
Adjusting the volume
Use the MASTER VOLUME slider to adjust the volume of the internal speakers,
headphone jacks, and the line out jack.
Move the slider toward the left to decrease the volume, or toward the right to
increase the volume.
When adjusting the volume, start with the MASTER VOLUME slider at the
0 position, and move it gradually toward the right to increase the volume
gradually.
Connecting the line out jack
If you want to connect amplified speakers (other than the LP-350’s own built-in
speakers), or to a PA system or recording setup, connect the line out jack to the input
jack of your equipment.
The line out jack is a stereo mini (1/8") connector. Use a commercially available
cable of the appropriate type for the equipment you’re using.
Turn off the power of the LP-350 and your other equipment before making
connections. Making connections while the power is on may damage the
LP-350 or the connected equipment or cause malfunctions.
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Listening to the demo songs
The LP-350 contains thirty demo songs, with ten songs in each of three groups.
Here’s how to listen to the demo songs and enjoy the LP-350’s rich sounds and
expressive potential.
SOUND button
Group 1
Group 2
Korg original
Reflection
Group 3
C. Debussy
Arabesque no.1
F. Mendelssohn
Prelude op.104a-2
[PIANO 1/L] (1)
F. Chopin
Nocturne op.9-2
S. Joplin
The Entertainer
J.S. Bach
Two-part Invention no.13
[PIANO 2/M] (2)
[E.PIANO 1/H] (3)
C. Debussy
Clair de Lune
Korg original
Jumper
F. Chopin
Fantaisie-Impromptu op.66
Korg original
All the Ones You Don’t Prelude (from Well-Tem-
Know
J.S. Bach
Korg original
Lullaby for a Little Star
[E.PIANO 2] (4)
pered Clavier no.1)
L.v. Beethoven
Fur Elise
J.S. Bach
Italian Concerto
Korg original
Rubber Bob
[HARPSI/CLAV] (5)
[VIBES/GUITAR] (6)
F. Chopin
Tristesse op.10-3
Korg original
Jazz in Spain
R. Schuman
Traumerei op.15-7
W.A. Mozart
(7) Sonata K.331 mvt.3 "Turk-
ish March"
Korg original
Cool “B”
F. Mendelssohn
Spring Song op.62-6
[ORGAN 1]
[ORGAN 2]
F. Chopin
(8) Waltz no.6 in D flat major
“Minute Waltz” op.64-1
F. Mendelssohn
Wedding March
Korg original
Sunflowers
Korg original
Old Feather Blues
J.S. Bach
Air on the G String
P. D. Paradisi
Toccata in A major
[STRINGS/PAD] (9)
[CHOIR] (10)
Korg original
Noise of Time
Korg original
Voice Texture
Korg original
Wet Raccoon Rag
* Korg original compositions and performances: M. Tempia
Playing all of the demo songs
Here’s how you can listen to all of the demo songs.
1. Press the DEMO button.
The indicators above the sound select buttons will blink successively from left to
right, and three seconds later, the demo songs will play consecutively, beginning
with the first song in group 1.
When the last demo song in group 3 ends, the entire cycle will repeat.
You can hear the demo songs in the same order as described above by holding
down the TRANSPOSE/FUNCTION button and pressing the E1 key.
However, you won’t be able to use the operation of step 2 (switching demo
songs within a group).
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2. During playback, you can switch to a different demo song within that group
by pressing the sound select button to which that song is assigned.
For example if the first demo song in group 1 is playing, and you want to switch
to the last demo song (10) in that group, press the [CHOIR] sound button. When
the last demo song in that group ends, the first demo song in the group will
begin, and playback will continue successively.
3. To stop playback, press the DEMO button.
Playing a specific demo song
Here’s how to listen to a specific demo song.
1. Select the group that contains the desired demo song.
To select group 1 ... press the DEMO button once.
The indicators above the sound select buttons will blink consecutively from left
to right.
To select group 2 ... press the DEMO button twice.
The indicators above all of the sound select buttons will all blink simultaneously.
To select group 3 ... press the DEMO button three times.
The indicators above adjacent sound select buttons will blink simultaneously.
2. Press the sound select button assigned to the demo song you want to hear.
For example if you want to start with the group 2-(1) demo song, press the
[PIANO 1/L] sound select button.
When the selected demo song finishes playing, the demo songs in that group
will continue playing consecutively.
If approximately three seconds elapses without a song being selected, play-
back will automatically start with the group 1-(1) demo song, and then the
demo songs will play consecutively. In this case, the song will play repeat-
edly from group 1-(1) to group 3-(10).
3. To stop playback, press the DEMO button.
Pressing the keys will produce sound even while a demo song is playing,
but you won’t be able to use the sound select buttons to change sounds.
Adjusting the tempo of the demo song
You can use the TEMPO slider to adjust the tempo of the demo song. However, the
tempo of the demo song will not match the markings of the TEMPO slider.
When the demo song changes, the tempo will revert to the original tempo
of that song.
You can’t use the metronome while a demo song is playing.
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Chapter 3
Playing the LP-350
Selecting a sound (Single mode)
The LP-350 gives you a choice of thirty (10 x 3 banks) high-quality sounds.
SOUND button
[PIANO 1/L]
Bank 1
Grand piano
#
Bank 2
Bright piano
Detuned piano
Stage electric piano
Digital electric piano
Clavi
#
Bank 3
Mellow piano
Electric grand piano
Thin electric piano
Vintage electric piano
Wah clavi
#
2
2
2
[PIANO 2/M]
[E.PIANO 1/H]
[E.PIANO 2]
Club electric piano
80’s electric piano
Harpsichord
2
2
1
1
2
3
2
1
2
1
1
1
1
2
1
2
2
1
2
1
1
1
2
1
1
2
[HARPSI/CLAV]
[VIBES/GUITAR]
[ORGAN 1]
Vibraphone
Marimba
Acoustic guitar
Jazz organ 3
Church organ 3
Strings
Jazz organ 1
Church organ 1
Slow strings
Jazz organ 2
Church organ 2
Warm pad
[ORGAN 2]
[STRINGS/PAD]
[CHOIR]
Choir “Hoo”
Choir “Doo”
Choir pad
#:This is the number of oscillators used by the sound (“About the maximum polyphony” on
page 31)
1. Press one of the sound select buttons
The indicator above that button will light.
2. Press the [BANK] button several times to select the desired bank.
Each time you press the button, the bank will cycle in the order of 1, 2, 3, 1, ...
The indicators at the right of the BANK button indicate the selected bank.
For example, to select “Electric grand piano”
Press the [PIANO 2/M] sound select button. Then press the BANK button twice.
The indicator above the [PIANO 2/M] sound select button buttonand the indi-
cator at the lower right of the BANK button (bank 3) will light.
The selected bank is remembered for each sound button.
When you turn the power on, bank 1 will be selected for each sound select
button.
Playing two sounds together (Layer mode)
Here’s how to play two sounds simultaneously. This is called Layer mode.
Layering sounds of the same bank
1. Simultaneously press the sound select buttons of the two desired sounds.
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The LP-350 will be in Layer mode, and the indicators above the two sound select
buttons will light.
Layering sounds in different banks
each sound.
For example if you want to layer Mellow Piano with Jazz Organ 2, press the
[PIANO 1/L] sound select button and choose bank 3 (Mellow Piano), and then
press the [ORGAN 1] sound select button and choose bank 2 (Jazz Organ 2).
2. Simultaneously press the two sound select buttons for the sounds you
selected in step 1.
The LP-350 will be in Layer mode, and the indicators above the sound select but-
tonses for the sounds you selected will light.
The polyphony is limited by the number of oscillators used by the sounds
you select. ( “About the maximum polyphony” on page 31,)
You can’t simultaneously select two sounds that are accessed by the same
the [PIANO 1/L] sound select button).
3. To return to Single mode, press a sound select button to select a single sound.
Adjusting the volume balance of two layered sounds
Press the two sound select buttons of the layered sounds. Then while holding down
the sound select button of the sound whose volume you want to decrease, repeat-
edly press the sound select button of the sound whose volume you want to increase.
The settings you make in Layer mode will be cleared when you turn off the
power. You can use the Data Dump function to save your Layer mode set-
tings on an external MIDI data filer (“MIDI data dump” on page 29).
Effects (reverb and chorus)
Reverb adds ambience and depth to the sound, producing the sense of performing
in a concert hall.
Chorus adds modulation to the sound, adding richness and motion.
The effect settings you specify for each sound are remembered, even when you
switch sounds.
However if you change the effect settings while in Layer mode, and then switch to
Single mode, the settings that had been specified in Single mode will return.
Using reverb will decrease the maximum polyphony by 10 notes, and
using chorus will decrease it by 3 notes ( “About the maximum polyph-
ony” on page 31).
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When you turn off the power, the effect settings will return to their factory
settings. You can use the Data Dump function to save your effect mode set-
tings on an external MIDI data filer (“MIDI data dump” on page 29).
You can’t change the effect (reverb, chorus) settings while a demo song is
playing.
1. To turn the reverb on, press the REVERB button. To turn the chorus on, press
the CHORUS button.
The indicator above each button will light.
2. To adjust the settings of the reverb or chorus effect, hold down the REVERB
or CHORUS button and press the [PIANO 1/L], [PIANO 2/M], or [E.PIANO 1/
H] sound select button.
The reverb or chorus effect will be set as follows.
Sound button
[PIANO 1/L]
Reverb effect setting
Light
Chorus effect setting
Light
[PIANO 2/M]
[E.PIANO 1/H]
Medium
Deep
Medium
Deep
To check the setting of the reverb effect or chorus effect
Hold down the REVERB button; the indicator above one of the sound select
buttons [PIANO 1/L]–[E.PIANO 1/H] will light to indicate the current setting.
Hold down the CHORUS button; the indicator above one of the sound select
buttons [PIANO 1/L]–[E.PIANO 1/H] will light to indicate the current setting.
3. To turn the reverb off, press the REVERB button. To turn the chorus off, press
the CHORUS button.
The indicator above the button will go dark.
Using the pedals
The LP-350 has three pedals; damper, sostenuto, and soft.
You can use the pedals to make your playing more expressive and realistic.
Soft pedal
Sostenuto pedal
Damper pedal
Damper pedal
The notes will be sustained while you hold down this pedal, and the sound will
have a richer resonance. The degree to which you press this pedal will change the
amount of the damper effect (i.e., half-pedaling is supported).
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Sostenuto pedal
The damper effect will be applied only to the notes that were already being held
down when you pressed this pedal, and those notes will be sustained while you
continue holding down the pedal. The damper effect will not be applied to notes
that were played after you pressed this pedal.
Soft pedal
While you hold down this pedal, the sound will be softer and more mellow. The
degree to which you press this pedal will change the amount of the soft pedal effect
(i.e., half-pedaling is supported).
Pedal settings in Layer mode
If desired, you can make the damper pedal apply only to one of the two sounds in
Layer mode.
This setting will be reset when you turn off the power. You can use the Data
Dump function to save the settings on an external MIDI data filer (“MIDI
data dump” on page 29).
1. While holding down the TRANSPOSE/FUNCTION button, press the damper
pedal.
Each time you press the pedal, the indicator above the sound select buttons
you’ve selected for layering will light alternately or together.
2. When the indicator above the sound select button for the sound that you want
to use the pedal effect is lit, release the TRANSPOSE/FUNCTION button.
Metronome
You can adjust the tempo and time signature of the metronome, and select an accent.
Turning the metronome on/off
When you press the METRONOME button the indicator will light and the metro-
nome will start at the tempo indicated by the TEMPO slider. To stop the metronome,
press the METRONOME button once again.
Adjusting the metronome volume
To lower the volume, hold down the METRONOME button and press the
[STRING/PAD] sound select button (or the B5 key) several times.
To raise the volume, hold down the METRONOME button and press the [CHOIR]
sound select button (or the C6 key) several times.
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To return to the standard volume, hold down the METRONOME button and press
the [STRINGS/PAD] and [CHOIR] sound select buttons (or the B5 and C6 keys)
simultaneously.
B5C6
C4
Button (key)
Setting
Lower the volume
Button (key)
Setting
[STRINGS/PAD] (B5)
[CHOIR] (C6)
Raise the volume
Adjusting the tempo
You can adjust the tempo in a range of
ꢀ
= 40 – 200.
Inputting a numerical tempo value
The TEMPO slider lets you set an approximate tempo. You can use the keyboard to
specify a precise numerical tempo value.
1. Hold down the METRONOME button.
2. Use the C5–A5 keys to enter a three-digit tempo value.
If the desired value has only two digits, select a 0 first.
To set the tempo to 85, hold down the METRONOME button and successively
ꢁ
press the keys C5 (0), G 5 (8), and F5 (5) in that order.
To set the tempo to 168, hold down the METRONOME button and successively
ꢁ
ꢁ
ꢁ
press the keys C 5 (1), F 5 (6), and G 5 (8) in that order.
C4
C5
A5
Key
C5
Numeral
Key
Numeral
0
1
2
3
4
F5
5
6
7
8
9
ꢁ
ꢁ
ꢁ
C 5
F 5
D5
G5
ꢁ
D 5
G 5
E5
A5
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Setting the time signature
An accent will be added to the first beat of each measure.
Sound button
[PIANO 1/L]
Time signature
2 beats (2/4, 2/8...)
3 beats (3/4, 3/8...)
4 beats (4/4, 4/8...)
6 beats (6/4, 6/8...)
[PIANO 2/M]
[E.PIANO 1/H]
[E.PIANO 2]
1. Hold down the METRONOME button, and press the sound select button for
the desired time signature.
An accent will be added at the beginning of each measure.
2. To silence the accent, press the sound select button whose indicator is lit
when you hold down the METRONOME button.
You can check the current metronome setting by holding down the METRO-
NOME button and noting which of the sound select button indicators is lit.
When you turn off the power, the time signature setting will be cleared (to
no accent).
Changing the accent
Here’s how to change the metronome’s accent sound.
1. Hold down the METRONOME button, and press the [VIBES/GUITAR] sound
select button.
The accent will change to a bell sound, and the [VIBES/GUITAR] indicator will
light.
2. To return to the standard accent, hold down the METRONOME button and
press the [HARPSI/CLAV] sound select button.
The [HARPSI/CLAV] indicator will light.
You can check the currently selected accent sound (standard or bell) by holding
down the METRONOME button and noting which of the sound select button
indicators is lit.
When you turn off the power, the accent will revert to the standard sound.
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Chapter 4
Other functions
Keyboard touch control setting
You can change the way in which the sound will
respond to the dynamics of your playing.
Loud
Light
To change the setting, hold down the TOUCH
button and press one of the [PIANO 1/L],
[PIANO 2/M], or [E.PIANO 1/H] sound select
buttons.
Loudness
Normal
Heavy
Strong
If the light or heavy setting is selected, the indi-
cator above the TOUCH button will be lit.
Soft
Playing
strength
Gentle
You can also change the touch control setting by
holding down the TRANSPOSE/FUNCTION
button and pressing the B3, C4, or D2 key
Sound button
[PIANO 1/L]
Key
B3
Touch control setting
Light ... even a light touch can produce loud sounds
Normal ... normal piano touch
[PIANO 2/M]
[E.PIANO 1/H]
C4
D4
Heavy ... strong playing is required to produce loud sounds
You can check the currently selected touch control setting by holding down the
TOUCH button and noting which of the sound select button indicators is lit.
When you turn off the power, this will revert to the standard setting.
Transpose
The LP-350’s Transpose function lets you shift the pitch of the LP-350 into any musi-
cal key, allowing you to play using simpler fingering, or to accompany a vocal or
different instrument without changing the fingering you’ve learned.
You can transpose the key within a range of eleven semitones.
If you’ve transposed the key a semitone upward, playing the notes shown at left
will actually produce the pitches shown at right.
Transposition will be cancelled when you turn off the power.
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1. While holding down the TRANSPOSE/FUNCTION button, press one of the
F#6–F7 keys to specify the desired transposition.
If you press a key other than C7, the TRANSPOSE/FUNCTION button indicator
will light, and pitch of the entire keyboard will be shifted.
2. To return to the original pitches, hold down the TRANSPOSE/FUNCTION
button and press the C7 key.
The button indicator will go dark, and transposition will be cancelled.
ꢁ
F 6 key
C7 key
0.
The normal state.
F7 key
+5 semitones. The C7 key
will sound the F7 pitch.
–6 semitones. The C7 key
will sound the Fꢁ
6 pitch.
Key
Keyboard pitch
ꢁ
ꢁ
F 6–B6
6–1 semitones lower
Normal (no transposition)
1–5 semitones higher
C7
C 7–F7
Pitch control
Here’s how to make fine adjustments to the pitch.
If you’re performing together with other instruments and there’s a slight difference
in pitch between instruments, you can adjust the pitch of the LP-350 in 0.5 Hz steps
over a range of 12.5 Hz (427.5 Hz–452.5 Hz). The standard pitch is A=440 Hz.
When you turn off the power, this will revert to the standard setting (A=
440 Hz).
1. Hold down the TRANSPOSE/FUNCTION button and press the B5 or C6 key.
2. The pitch will go down by 0.5 Hz each time you press the B5 key, and go up by
0.5 Hz each time you press the C6 key.
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3. To return to the standard pitch, hold down the TRANSPOSE/FUNCTION but-
ton and press the B5 and C6 keys simultaneously.
C4
B5 C6
Key
Pitch
B5
Pitch falls by 0.5 Hz each time you press
Standard pitch (A4=440 Hz)
B5+C6
C6
Pitch rises by 0.5 Hz each time you press
Selecting a temperament
Many compositions of classical music were created with a specific historical temper-
ament (tuning method) in mind. In order to reproduce the original beauty of these
compositions, the LP-350 lets you choose from three temperaments: Kirnberger,
Werckmeister, and the equal temperament most widely used for keyboard instru-
ments used today.
1. Hold down the TOUCH button and press the [HARPSI/CLAV] or [VIBES/
GUITAR] sound select button.
The indicator above the button you selected will light.
Sound button
Temperament
Werckmeister: This is the Werckmeister III scale, cre-
ated by the German organist and musical theoretician
Andreas Werckmeister.
This temperament was developed during the late
Baroque era to allow relatively flexible modulation
between keys.
[HARPSI/CLAV]
Kirnberger: This is the Kirnberger III scale, created by
Johann Phillip Kirnberger in the early 18th century.
It is used mainly for tuning harpsichords.
[VIBES/GUITAR]
Equal temperament: Nearly all of today’s keyboard
instruments use equal temperament. It places the notes
of the chromatic scale at equal intervals, allowing the
same scale to be played in every key.
Both [HARPSI/CLAV] and
[VIBES/GUITAR] indica-
tors unlit
2. To return to equal temperament, hold down the TOUCH button and press the
[HARPSI/CLAV] or [VIBES/GUITAR] sound select button whose indicator is
lit.
You can check the currently selected temperament by holding down the TOUCH
button and noting which sound select button indicator is lit.
When you turn off the power, the temperament will revert to equal tem-
perament.
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About stretched tuning
The [PIANO 1/L] and [PIANO 2/M] sounds use stretched tuning. In order to obtain
a more natural sound, stretched tuning tunes the lower notes slightly flatter and the
higher notes slightly sharper than the equal tempered pitches. Acoustic pianos are
normally tuned using stretched tuning.
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Chapter 5
MIDI
What’s MIDI?
MIDI (Musical Instrument Digital Interface) is a world-wide standard for transfer-
ring performance-related information between electronic musical instruments and
computers.
What can you do using MIDI?
By using MIDI, you can control another MIDI device from the LP-350 or play the
LP-350’s sound generator from another MIDI device. You can also use the LP-350 in
conjunction with a sequencer or multiple MIDI devices to enjoy complex ensembles.
MIDI connections
MIDI cables (sold separately) are used to transfer MIDI data. Connect the cable
between the LP-350’s MIDI connector and the MIDI connector of your external
MIDI device. There are two types of MIDI connector.
MIDI sound module
LP-350 rear
MIDI keyboard
MIDI OUT: This transmits MIDI data. The MIDI messages transmitted when you
play the LP-350’s keyboard can play or control an external MIDI
device.
Connect a MIDI cable from the LP-350’s MIDI OUT connector to your
external MIDI device’s MIDI IN connector.
MIDI IN:
This receives MIDI data. MIDI messages transmitted from an external
MIDI device (e.g., MIDI keyboard or sequencer) can control or play
the LP-350’s sound generator.
Connect a MIDI cable from the LP-350’s MIDI IN connector to your
external MIDI device’s MIDI OUT connector.
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Basic MIDI settings
When you turn on the power, the LP-350’s MIDI parameters are set as follows.
Parameter
Transmit channel
Receive channel
Local On
Setting
1
Receive all (1-16)*
Omni Off
ꢁ
* The metronome sound (D5 , E5) is assigned to be received on channel 10. For this reason,
channel 10 will not receive program change messages.
Changing the transmit channel
MIDI has sixteen channels (1–16) on which data can be transmitted and received.
When you turn on the power, the transmit channel is automatically set to 1. If you
want to change the transmit channel, hold down the TRANSPOSE/FUNCTION
ꢁ
button and press one of the keys C2–D 3 to which the desired channel is assigned.
C3
C2
C4
Key
C2
Channel
Key
Channel
ꢁ
ꢁ
1
2
3
4
5
6
7
8
G 2
A2
9
ꢁ
C 2
10
11
12
13
14
15
16
D2
A 2
ꢁ
D 2
B2
C3
E2
ꢁ
ꢁ
F2
C 3
ꢁ
F 2
D3
G2
D 3
If you’re in Layer mode, selecting the transmit channel will specify the channel
whose MIDI program change number (PC#) is lower. The transmit channel of the
higher PC# will automatically be set to the next-numbered channel. For example if
you assign MIDI channel 7 for the sound whose MIDI program change number
(PC#) is lower, MIDI channel 8 will automatically be selected for the sound whose
PC# is higher. If you assign MIDI channel 16 to the sound whose PC# is lower, MIDI
channel 1 will automatically be selected for the sound whose PC# is higher.
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Using the LP-350 as a multi-timbral sound module
By using an external MIDI device to control the LP-350’s internal sound generator,
you can use the LP-350 as a 16-part multi-timbral sound module.
1. Use a MIDI cable to connect the LP-350’s MIDI IN connector to the MIDI
OUT connector of your sequencer or other MIDI device.
2. Transmit MIDI data from the connected sequencer or MIDI device.
For details on how to transmit data from the connected sequencer, refer to its
owner’s manual.
If the LP-350 receives program change messages along with the performance data, it
will play the notes using the internal sound that corresponds to that program num-
ber. However, the project change setting must be enabled for this to happen.
Local on/off
With the Local On setting, playing the LP-350’s keyboard will make the internal
sound generator produce sound and will also transmit MIDI data. With the Local
Off setting, playing the LP-350’s keyboard will not make the internal sound genera-
tor produce sound; only MIDI data will be transmitted. Normally you’ll leave this
setting at Local On.
You can use the Local Off setting if you’re using the LP-350 as a master keyboard,
for example to play sounds on MIDI equipment (a keyboard or sound module etc.)
that’s connected to the LP-350. The LP-350 will not produce sound, but your perfor-
mance will be sounded by the connected MIDI device.
You can also use the Local Off setting if you’re using the LP-350 as a sound module
(for example when the LP-350 is connected to a computer), so that the LP-350 will
not sound each note in duplicate; once when you play its keyboard and a second
time in response to the data echoed-back (retransmitted) from the computer.
To switch between the Local On/Off settings, hold down the TRANSPOSE/FUNC-
TION button and press the [PIANO 1/L] sound select button. Each time you press
it, the Local setting will alternate between On and Off.
Local setting
Local On
PIANO 1 indicator
lit
Local Off
dark
When you turn off the power, this setting will revert to Local On.
Program change
You can transmit MIDI program change messages from the LP-350 to switch pro-
grams on a connected MIDI device. The LP-350 will also switch programs when it
receives MIDI program change messages from a connected MIDI device. For the
correspondence between program change numbers and sounds, refer to “program
change” below.)
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Program change transmission
When you select a sound on the LP-350 using the sound select buttons and BANK
button, a MIDI program change message of the corresponding number 0–29 will be
transmitted.
Program change reception
When the LP-350 receives a program change number 0–29, it will switch to the cor-
responding sound.
Program change numbers and sounds
PC#
Sound button
Sound bank
Sound
0
1
2
3
1
2
3
1
2
3
1
2
3
1
2
3
1
2
3
1
2
3
1
2
3
1
2
3
1
2
3
Grand piano
Bright piano
1
[PIANO 1/L]
2
Mellow piano
Honky-tonk piano
Detuned piano
Electric grand piano
Club electric piano
Stage electric piano
Thin electric piano
80’s electric piano
Digital electric piano
Vintage electric piano
Harpsichord
3
4
[PIANO 2/M]
[E.PIANO 1/H]
[E.PIANO 2]
[HARPSI/CLAV]
[VIBES/GUITAR]
[ORGAN 1]
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
Clavi
Wah clavi
Vibraphone
Marimba
Acoustic guitar
Jazz organ 1
Jazz organ 2
Jazz organ 3
Church organ 1
Church organ 2
Church organ 3
Slow strings
[ORGAN 2]
[STRINGS/PAD]
[CHOIR]
Warm pad
Strings
Choir "Hoo"
Choir "Doo"
Choir pad
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Enabling/disabling program changes
Enable this setting if you want program change messages to be transmitted and
received, or disable it if you don’t want these messages to be transmitted or
received.
To enable or disable program changes, hold down the TRANSPOSE/FUNCTION
button and press the [PIANO 2/M] sound select button. Each time you do so, the
setting will switch between Enabled and Disabled.
Setting
Enabled
Disabled
PIANO 2 indicator
lit
dark
When you turn off the power, the setting will revert to Enable.
Control changes
Messages such as operations of the LP-350’s damper pedal can be transmitted to a
connected external MIDI device to control it, and these messages can be received
from an external MIDI device to control the LP-350.
Enabling/disabling control changes
Enable this setting if you want control change messages to be transmitted and
received, or disable it if you don’t want these messages to be transmitted or
received.
To enable or disable control changes, hold down the TRANSPOSE/FUNCTION but-
ton and press the [E.PIANO 1/H] sound select button. Each time you do so, the set-
ting will switch between Enabled and Disabled.
Setting
Enabled
Disabled
E.PIANO 1 indicator
lit
dark
When you turn off the power, the setting will revert to Enable.
MIDI data dump
The LP-350 can transmit its sound settings and effect settings to an external MIDI
data filer (storage device) for saving. When desired, you can load this data back into
the LP-350 to reproduce the saved settings.
Carefully read the owner’s manual for your data filer, and be sure not to
delete important data that you want to keep.
Do not touch the LP-350’s keyboard or buttons while a data dump is being
executed.
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The following table shows the data that will be saved by a data dump.
Type
Data
Single mode
Layer mode
Reverb and chorus settings (on/off and effect depth)
Volume balance, and damper on/off setting for each sound
Saving data on your data filer
1. Use a MIDI cable to connect the LP-350’s MIDI OUT connector to your data
filer’s MIDI IN connector.
2. Operate your data filer so that it is waiting to receive MIDI data from the LP-
350.
3. On the LP-350, hold down the TRANSPOSE/FUNCTION button and press
the [VIBES/GUITAR] sound select button.
The indicators above each button will blink; the LP-350 is waiting to transmit a
data dump.
If you decide to cancel the data dump, press the TRANSPOSE/FUNCTION but-
ton or the [VIBES/GUITAR] sound select button.
4. Press the TOUCH button.
The data dump will begin, and the data will be transmitted to your data filer.
When transmission is finished, the data will be stored on your data filer and the
LP-350 will return to the normal state in which it can be played.
The LP-350 will not produce sound while waiting to transmit a data dump, or
while transmitting data to a data filer.
Loading data from your data filer
1. Use a MIDI cable to connect your data filer’s MIDI OUT connector to the LP-
350’s MIDI IN connector.
2. On the LP-350, hold down the TRANSPOSE/FUNCTION button and press
the [VIBES/GUITAR] sound select button.
The indicators above each button will blink; the LP-350 is waiting to receive a
data dump.
If you decide to cancel the data dump, press the TRANSPOSE/FUNCTION but-
ton or the [VIBES/GUITAR] sound select button.
3. Operate your data filer to transmit the previously-saved LP-350 data.
For details on how to transmit data, refer to the owner’s manual of your data
filer.
The LP-350 will receive the data, and when all data has been received, it will
return to the normal state in which it can be played.
The LP-350 will not produce sound while waiting to receive a data dump, or
while receiving data to a data filer.
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Chapter 6
Appendix
Troubleshooting
If you experience a problem, please check these points first. If the LP-350 still does
not operate correctly, contact a Korg service center.
Problem
Action
Make sure that the AC adapter is correctly connected to
the LP-350 and to an AC outlet.
Power does not turn on.
Make sure that the LP-350’s volume is not set at zero. If
it is, raise the volume to an appropriate level.
Make sure that MIDI Local Control is not turned Off. If
Local Control is Off, turn it On.
No sound.
Make sure that nothing is plugged into a headphone
jack. If something is plugged into a headphone jack,
unplug it.
You’re exceeding the maximum polyphony. Refer to the
section "About the maximum polyphony," below.
Notes are interrupted.
The piano sounds are designed to reproduce the sound
of an actual piano as faithfully as possible.This may give
you the impression that there is something wrong with
the pitch or tone, such as some overtones appearing to
be louder in certain ranges of the keyboard, but this is
not a malfunction.
Something is wrong with the
pitch or tone of the piano
sound in a specific range.
A connected MIDI device
does not respond to transmit-
ted MIDI data.
Make sure that all MIDI cables are connected correctly.
Make sure that the LP-350 is receiving MIDI data on the
About the maximum polyphony
The LP-350’s maximum polyphony is 60 notes, but this will change depending on
the number of oscillators (individual notes in the sound generation circuitry) used
by the selected sound, and on the effects you’re using.
If you’re not using effects, and you select a sound such as [HARPSI/CLAVI] that
consists of a single oscillator, the maximum polyphony will be 60 notes. However if
you select a sound such as [PIANO 1/L] that consists of two oscillator, the maxi-
mum polyphony will be 30 notes. The number of oscillators used by each sound is
shown in the table “Selecting a sound (Single mode)” on page 15 .
If you’re using effects, the polyphony will decrease by 10 notes when using reverb,
or by 3 notes when using chorus.
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Keep the maximum polyphony in mind and choose your sounds carefully when
using Layer mode to play two sounds simultaneously, or when using the damper
pedal or applying effects.
You can use the following equation to calculate the maximum polyphony when
using different combinations of sounds and effects.
(60 – polyphony used by effects)
usable polyphony
÷
number of sound oscillator = maximum
Example 1:[PIANO 1/L] bank 1 (Grand Piano) is selected and reverb is on
(60 – 10) 2 = 25 (maximum usable polyphony is 25)
Example 2:[HARPSI/CLAV] bank 2 (Clavi) is selected and chorus is on
(60 – 3) 1 = 57 (maximum usable polyphony is 57)
÷
÷
Since the LP-350 is designed to turn off the oldest sounding notes and give priority
to newly played notes, currently-sounding notes will be interrupted when you
exceed the maximum polyphony.
Specifications
88-note, velocity sensitive with Korg RH3, Real weighted
hammer action 3
Keyboard
Touch control
Pitch
Light, normal, heavy
Transpose, Fine tuning
Temperaments
Sound generation
Polyphony
Sounds
Equal temperament, Kirnberger, Werckmeister
Stereo PCM sound generation
60 (maximum)
30 (10 x 3 banks)
Metronome
Pedals
Tempo, time signature, accent, volume
Damper pedal, soft pedal, sostenuto pedal
Line out, MIDI (IN, OUT), headphone x 2, pedal, speaker connector
Connectors
Power switch, master volume, reverb, chorus, touch, trans-
pose/function, bank, sound, tempo, metronome, demo
Controls
Amp output
Speakers
11W x 2
10 cm x 2
Power supply
DC 12V, AC adapter (included)
1,353 x 277 x 777 mm / 53.27 x 10.91 x 30.59 inches
1,353 x 353 x 946 mm / 53.27 x 13.90 x 37.24 inches (key
cover open, anti-tipping blocks installed)
Dimensions (W x D x H)
Weight
42.5 kg / 93.70 lbs.
Included items
AC adapter (12V,
)
Specifications and appearance are subject to change without notice for improvement.
Sound Processed with INFINITY
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Assembling the stand
Warning
At least one other person must help you assemble the stand.
Caution during assembly
In order to assemble the stand safely, please observe the following points.
• Make sure that you have the correct part in the correct orientation, and per-
form the assembly in the order given.
• If you apply excessive force to the front of the digital piano before fastening it
to the stand, it may fall down. Please use caution.
Assembly procedure
You’ll need a Phillips (+) screwdriver.
1. Make sure that you have all of the following parts.
Speaker box
Side panel (right)
Side panel (left)
Pedal box
Anti-tipping block (right)
Anti-tipping block (left)
Screws (M6) ... 10 pcs.
Caps ... 10 pcs.
Knob bolts ... 2 pcs.
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2. Using screws (M6), attach the left and right side panels, the speaker box, and
the pedal box.
Position the speaker box with its speaker cable upward (the speakers facing
yourself). You will re-tighten all the screws after the entire piano is assembled.
Speaker cable
Screws
Pedal cable
Screws
You must attach the anti-tipping blocks to the rear edge of the left and right
side panels unless you will be placing the LP-350 against a wall.
To attach the anti-tipping blocks to the side panels, fasten each block with a
screw from behind. Make sure that the area of contact between the side
panel and anti-tipping block is flat.
Anti-tipping block
Screw
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If you’ve attached the anti-tipping blocks to the left and right side panels, you’ll
have the option of moving the pedal box toward the rear if desired. Attach the
pedal box in the position that’s most comfortable for your height, build and
playing style.
Speaker cable
Screws
Pedal cable
Screws
Anti-tipping block
3. With another person helping you, lift the keyboard unit and place it on the
stand. Then use the two knob bolts to fasten the keyboard unit to the stand
through the metal brackets.
When placing the keyboard unit on the stand, align the corners of the keyboard
unit with the stand.
Be careful not to pinch your fingers.
Knob bolts
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4. Make sure that there are no gaps or misalignments in the stand, and securely
tighten all of the screws.
5. Attach the caps to the screw holes of the left and right side panels.
Caps
6. Unscrew the adjuster until it firmly contacts the floor.
If the adjuster is not in firm contact with the floor, you may hear buzzes in the
sound, or malfunctions may occur.
Adjuster
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7. Connect the pedal cable and speaker cable to the connectors on the LP-350’s
rear panel. Then use the cable holder to secure the pedal cable.
Pay attention to the orientation of the connectors when connecting the
pedal cable and speaker cable.
Speaker cable
Cable holder
Pedal cable
8. Connect the dedicated cable to the AC adapter. Then plug the AC adapter into the
DC IN connector, and wrap the cable around the cable hook of the digital piano.
For details, refer to “Connect the AC adapter” on page 10 .
9. Place the digital piano where you intend to use it. Make sure to place it in a
safe location where the floor is flat and stable.
When setting the digital piano in place, make sure that the stand does not
rest on the AC adapter cable or pedal cable.
For greater safety, we recommend that you always attach the anti-tipping
blocks to the rear of the left and right side panels.
Check following assembly
• Are any parts left over?
If any parts are left over, carefully review the assembly procedure to see
where those parts should have been used.
• Make sure that all screws are tight.
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Other cautions
Please check the following points after assembly.
• Loosened screws
The screws may loosen as time passes after assembly. You should periodically
check whether any screws have become loose. If you feel that the stand
vibrates excessively, it is possible that screws have come loose. If so, re-
tighten them.
• When moving the digital piano to another location
Remove the keyboard unit from the stand, and transport the keyboard unit
and stand separately. Afterward, reassemble them as described in “Assem-
bling the stand.”
• Disassembly
If you need to disassemble the stand, do so by reversing the steps of the
assembly procedure. After disassembly, keep the screws and other parts in a
safe place so that they are not lost.
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Sound select button function list
By pressing a sound select button while holding down the REVERB, CHORUS,
TOUCH, METRONOME, or TRANSPOSE/FUNCTION buttons, you can adjust the
parameters shown in the following table.
[PIANO [PIANO [E.PIANO [E.PIANO[HARPSI/ [VIBES/ [ORGAN [ORGAN [STRINGS/
Sound switch
CHOIR
1/L]
2/M]
1/H]
2]
CLAV]
GUITAR]
1]
2]
PAD]
Light
Medium
Medium
Normal
REVERB
CHORUS
TOUCH
Deep
Deep
Light
Light
Werck-
meister
Heavy
Kirnberger
Bell sound
Lower
Raise
metro-
metro-
Standard
accent
METRONOME 2/4 time 3/4 time 4/4 time 6/4 time
Program
nome
nome
volume volume
Control
change change
TRANSPOSE/ Local
FUNCTION On/off
Data dump
enable/ enable/
disable disable
Keyboard function list
By pressing a key while holding down the METRONOME or TRANSPOSE/FUNC-
TION buttons, you can adjust the parameters shown in the following table.
* is the MIDI note number.
Tempo value entry
Metronome volume
B5 = softer (–)
C6 = louder (+)
(Press both simultaneously
to reset)
METRONOME switch
ꢁ
C5=0
C 5=1 F5=5
E5=4F G 5=8
ꢁ
A5=9
ꢁ
D5=2
F 5=6
ꢁ
D 5=3 G5=7
Start demo songs
MIDI channel Keyboard touch Pitch fine adjustment
Transpose
ꢁ
TRANSPOSE/
FUNCTION
switch
C2=Ch 01
B3 = light
B5 = 0.5 Hz down (–) F 6…B6=-6…–1 step
C4 = normal
D4 = heavy
C6 = 0.5 Hz up (+)
(Press both simultaneously
to reset)
C7= 0
ꢁ
ꢁ
D 3=Ch 16
C 7…F7=+1…+5 step
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[Digital Piano]
MIDI Implementation Chart
Function ...
Transmitted
Received
Remarks
Default
Changed
1
1
Basic channel:
Mode
1–16
1–16
Default
3
Messages
Altered
15–113
0–127
Note numbers:
Velocity:
True voice
21–108
Note ON
Note OFF
9n, V=1–127
9n, V=1–127
Polyphonic
Channel
After Touch:
Pitch Bender
Control Change
7
11
64
66
Volume
*1
*1
Expression
Damper pedal
*1, *3
*1
Sostenuto pedal
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Soft pedal
*1, *3
91
93
Reverb
*1
*1
Chorus
120, 121
All sound off, Reset all control
0–29
0–29
0–29
*2
Program
Change:
True#
System Exclusive
System Common:
Sound data dump
Song Pos
Song Sel
Tune
Clock
Commands
System Realtime:
Local ON/OFF
All Notes OFF
Active Sense
Reset
*4
Aux Messages:
Notes
*1: Transmitted and received if control changes are enabled.
*2: Transmitted and received if program changes are enabled.
*3: Half-pedal output values (0, 38, 74, 127).
*4: Transmitted when returning from Layer mode to Single mode, and when Local is turned Off.
Mode 1: OMNI ON, POLY
Mode 2: OMNI ON, MOMO
O:Yes
X: No
Mode 3: OMNI OFF, POLY
Mode 4: OMNI OFF, MOMO
Consult your local Korg distributor for more information on MIDI implementation.
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42
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