Kodak Printer Accessories E 4028 User Manual

April 2003 E-4028  
TECHNICAL DATA / COLOR PAPER  
KODAK PROFESSIONAL ENDURA  
Metallic Paper  
p.o.p. that pops  
KODAK PROFESSIONAL ENDURA Metallic Paper is a  
color negative paper with a unique metallic appearance. It is  
coated on a patented multi-laminate base that provides  
durable, tear-resistant prints.  
FEATURES  
BENEFITS  
• Metallic look combined  
with a smooth glossy  
surface  
• Distinctive, cutting-edge  
appearance  
• Patented high intensity  
reciprocity characteristics  
• Exposure range of 32 stops -  
from 50 nanoseconds to 10  
minutes  
• Can be used for all types of  
exposing devices, from optical  
enlargers and automatic  
printers to digital exposing  
devices (CRT, LED, Laser)  
• Broad print engine  
applicability for CRT, LED,  
Laser devices  
This paper is ideal for a variety of portrait/social  
applications—for example, glamour, wedding, prom, and  
special-events photography and for many commercial  
applications. It can be exposed both digitally and optically,  
providing consistency and efficiency in the lab.  
Like other KODAK PROFESSIONAL ENDURA Papers  
and Materials, ENDURA Metallic Paper features  
significantly improved image stability. Other improvements  
include process robustness and a dramatic increase in D-max  
in digital applications. The new paper is easily distinquished  
from KODAK PROFESSIONAL Color Metallic Paper by  
its unique watermark on the back. ENDURA Metallic Paper  
has a single gray dot under "PAPER", while Color Metallic  
Paper has two dots separating "PAPER", "PAPIER" and  
"PAPEL".  
• Optimized text and fringing  
characteristics in all digital  
devices  
• More robust processing  
capability in KODAK  
EKTACOLOR RA  
Chemicals  
• Rapid access and convenient  
processing with other papers  
and materials for Process  
RA-4  
• Less sensitive to process  
chemical activity variations  
ENDURA Metallic Paper is available in a variety of roll  
and sheet sizes. It can be intermixed with other KODAK  
PROFESSIONAL Papers in KODAK EKTACOLOR  
Chemicals for Process RA-4.  
• Reducedsensitivity toprocess  
fluctuations caused by:  
– Image density content (low  
key/high key)  
– Inadvertent low level of  
bleach-fix contamination  
– Utilization changes  
– Product mix  
FEATURES  
BENEFITS  
• New emulsion technology • One paper for all exposing  
for digital and optical  
performance  
devices from digital (CRT,  
LED) exposing devices to  
optical enlargers and  
automatic printers  
• Excellent latent image  
keeping from 5 seconds to 24  
hours means improved  
consistency, especially in  
digital devices  
• Excellent print quality in both  
high quality and high  
productivity modes of  
bi-directional printers  
• More complete paper  
development for improved  
consistency  
• Reduced developer  
replenishment rates  
• Lower process RA-4  
processing costs  
• Lower environmental impact  
• 50% less calcium  
• Significantly reduced  
propensity for calcium buildup  
• Reduced maintenance and  
cleaner running paper  
processors  
• Exceptional durability and • Long print life  
tear resistance  
• Patent-pending dual layer • Excellent color accuracy and  
coupler blending  
technology  
brightness  
• Striking prints and flattering  
portraits  
• Minimum curl with humidity • Improved print appearance  
changes  
and handling  
• Improved color saturation for  
blues, cyans and purples  
• Pencil writeability on the  
back  
• Convenience in marking prints  
for identification  
• State-of-the-art image  
stability  
• Improved light stability - over  
100 years before noticeable  
fading in typical home display  
• Improved raw stock color— • Lighter, more neutral raw  
patented technology  
stock color for easier dodging  
and burning  
• Significantly improved dark  
stability - over 200 years  
before noticeable fading under  
most common storage  
conditions  
• Easier printer setup and focus  
• Reduced sensitometric  
variability  
• More consistent quality within  
an emulsion blend  
• Superior performance in  
professional applications  
creating new standards for  
image permanence  
©Eastman Kodak Company, 2003  
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Printer Setup  
If your  
print is  
Subtract these  
filters  
OR Add these filters  
KODAK PROFESSIONAL ENDURA Metallic Paper is  
slightly slower than KODAK PROFESSIONAL PORTRA  
and SUPRA ENDURA Papers. As a starting point, use the  
same printing times and include a density series to determine  
your preferred exposure.  
RED  
Cyan  
Magenta  
Yellow  
Magenta + Yellow  
Cyan + Yellow  
GREEN  
BLUE  
Cyan + Magenta  
Initial conversion to this paper from KODAK  
PROFESSIONAL Color Metallic Paper involves  
rebalancing your printers. Since the green speed is about a  
1/2 stop faster than Color Metallic Paper, increase your  
magenta filtration by approximately 15CC.  
5. Remove neutral density from your filter pack. For  
example, if you determine that a filter pack of  
40R + 10Y + 10C will give you a pleasing print:  
a. Convert any primary filters (R, G, B) to their  
subtractive equivalents (C, M, Y):  
40R = 40M + 40Y.  
White-Light Exposure Method  
b. Add filters of the same color: 10Y + 40Y = 50Y.  
Control color balance with dichroic filters built into the  
printer or enlarger, or with KODAK Color Printing (CP)  
Filters (Acetate) placed between the lamp and the negative.  
You can use any number of filters between the light source  
and the negative. If you use cyan filtration, use filters with  
the suffix -2,(e.g. CP10C-2).  
c. If the new filter pack has all three subtractive colors,  
cancel the neutral density by subtracting the  
smallest density value from all three densities:  
10C  
-10  
40M  
-10  
50Y  
-10  
1. Start with a filter pack of 60M + 45Y to make a test  
print.  
filtration without  
neutral density  
30M  
40Y  
=
2. Evaluate the test print under light of the same color and  
brightness that you will use to display the final print.  
(See Viewing.)  
6. Adjust the exposure for the new filter pack. An  
exposure time that produced a print of satisfactory  
density may not produce an acceptable density when  
you change the filter pack. The following table gives  
filter factors for calculating exposure adjustments when  
you use KODAK Color Printing (CP) Filters.  
3. Judge print density first. If necessary, make another  
print by adjusting the exposure as recommended in the  
following table:  
If your  
Do this  
OR  
Do this  
print is  
TOO LIGHT Open the lens  
aperture to increase  
Filter Factors for CP Filters  
Increase the  
exposure time  
Filter  
Factor  
Filter  
Factor  
05Y  
10Y  
20Y  
30Y  
40Y  
50Y  
1.1  
1.1  
1.1  
1.1  
1.1  
1.1  
05R  
10R  
20R  
30R  
40R  
50R  
1.2  
1.3  
1.5  
1.7  
1.9  
2.2  
the light level  
TOO DARK Close the lens  
aperture to  
Decrease the  
exposure time  
decrease the light  
level  
05M  
10M  
20M  
30M  
40M  
50M  
1.2  
1.3  
1.5  
1.7  
1.9  
2.1  
05G  
10G  
20G  
30G  
40G  
50G  
1.1  
1.2  
1.3  
1.4  
1.5  
1.7  
4. Then judge the color balance. You can use the KODAK  
Color Print Viewing Filter Kit, KODAK Publication  
No. R-25, to evaluate your test print. The kit contains  
18 color-print viewing filters and instructions to help  
you determine filter adjustments for the white-light  
exposure method.  
05C  
10C  
20C  
30C  
40C  
50C  
1.1  
1.2  
1.3  
1.4  
1.5  
1.6  
05B  
10B  
20B  
30B  
40B  
50B  
1.1  
1.3  
1.6  
2.0  
2.4  
2.9  
If your  
print is  
Subtract these  
filters  
OR Add these filters  
CYAN  
Magenta + Yellow  
(Red)  
Cyan  
Magenta  
Yellow  
Note: The filter factors listed in the table take into account  
the effects of filter surfaces.  
MAGENTA  
YELLOW  
Cyan + Yellow  
(Green)  
To use the factors, divide the old exposure time by the  
factor for any filter you remove. If you add a filter, multiply  
the time by the factor. If you add or remove two or more  
filters, multiply the individual factors and use the result as  
your factor. You may need to modify these factors for your  
equipment.  
Magenta + Cyan  
(Blue)  
When you adjust the filtration in equipment that has  
built-in dichroic filters, any noticeable differences in density  
KODAK PROFESSIONAL ENDURA Metallic Paper E-4028  
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are due to differences in the color density of the print. For  
example, you have a print with acceptable density, but a  
magenta balance. When you add magenta filtration to correct  
the color balance, the print will become too light, so you  
must use a longer exposure time.  
A rule of thumb for magenta dichroic filtration is to  
change the exposure time by one percent for every unit of  
change in filtration. For example, if you increase the  
magenta filtration by 20M, increase the exposure time by  
20 percent. Changes in yellow dichroic filtration do not  
usually affect the apparent print density. If you use cyan  
dichroic filtration, use the filter factors in the table above as  
starting points for adjusting exposure.  
LATENT-IMAGE KEEPING  
Under normal conditions, you should not notice shifts in the  
latent image with keeping times from 5 seconds to 24 hours.  
Therefore, you do not need to change your printing  
procedures to compensate for latent-image shifts under  
normal temperature and handling conditions. (If shifts do  
occur, minimize them by keeping the interval between  
exposure and processing as consistent as possible.)  
PROCESSING  
Use KODAK EKTACOLOR RA Chemicals for Process  
RA-4, and use KODAK PROFESSIONAL Pro Srips Color  
Negative Paper Control Strips for Process RA-4 (see  
"Process Control").  
Tricolor Exposure Method  
Use KODAK WRATTEN Gelatin Filters No. 25 (red),  
No. 99 (green), and No. 47B (blue) to give the paper three  
separate exposures. Do not move the paper or the enlarger  
until you have made all three exposures. Typical exposure  
times for making an enlargement from a normally exposed  
negative are given in the table below.  
When fully converted to this paper, your developer  
replenishment rate should be approximately 10% lower than  
with KODAK PROFESSIONAL PORTRA III and SUPRA  
III Papers or KODAK PROFESSIONAL Color Metallic  
Paper. Review your process control charts and make  
adjustments as needed to stay in control.  
Bleach-fix replenishment rates will stay the same for  
Process RA-4. When using KODAK EKTACOLOR PRIME  
Bleach-Fix Replenisher, replenishment rates will need to  
increase.  
Times for an Aperture Setting of f/8* for  
8 X 10 Enlargement of a 120 size KODAK  
PROFESSIONAL PORTRA Film Negative)  
Filter  
Red  
Green  
Blue  
0.7 seconds  
0.9 seconds  
1.2 seconds  
For detailed information on replenishment rates and  
processing this paper in continuous or roller-transport  
processors, see KODAK Publication No. Z-130, Using  
KODAK EKTACOLOR RA Chemicals. For information on  
processing this paper in trays or rotary-tube and drum  
processors, see KODAK Publication No. J-39, Tray, Drum,  
and Rotary-Tube Processing with KODAK EKTACOLOR  
RA Chemicals. Both publications are available through our  
Do not use drying temperatures above 93°C (200°F) to  
avoid damaging prints. Underdrying can produce tackiness  
that tends to make paper stick when it is wound into rolls  
before cutting. Overdrying can cause curl and complicate  
transport in print finishing.  
* For an enlarger equipped with a Photo Enlarger Lamp No. 212 or  
No. 302; the setting may vary with other types of lamps.  
Evaluate the test print under light of the same color and  
brightness that you will use to display the final print.  
(See Viewing.)  
Judge the print density first. If necessary, make another  
print by adjusting the exposure as recommended in the table  
below:  
If your  
Do this  
OR  
Do this  
print is  
TOO LIGHT Open the lens  
aperture to increase  
Increase all  
exposure  
times  
Do not ferrotype this paper-its surface dries to a natural  
gloss without ferrotyping.  
OR  
the light level  
proportionally  
TOO DARK Close the lens  
aperture to  
Decrease all  
exposure  
times  
OR  
decrease the light  
level  
proportionally  
Then judge color balance:  
If your  
print is  
Subtract these  
filters  
Add these  
filters  
OR  
CYAN  
Red  
Green  
Blue + Green  
Red + Blue  
Red + Green  
Red  
MAGENTA  
YELLOW  
RED  
Blue  
Blue + Green  
Red + Blue  
Red + Green  
GREEN  
BLUE  
Green  
Blue  
4
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PROCESS CONTROL  
ILLUMINATION FOR EVALUATION OF  
PRINTS  
To produce high-quality color prints consistently and with a  
minimum of waste, you need to match your process to a  
standard for density, color, and contrast each time you  
process paper. In addition to monitoring process parameters  
such as solution times, temperature, replenishment rates,  
solution concentrations, etc., you should regularly run  
control strips to ensure best results.  
KODAK PROFESSIONAL Pro Strips Color Negative  
Paper Control Strips / for Process RA-4 (CAT 129 8587) are  
designed specifically for use with KODAK  
PROFESSIONAL Papers and KODAK PROFESSIONAL  
Print and Display Materials in professional labs. These  
control strips are designed to detect process conditions that  
can degrade the quality of your finished prints. They are  
better able to track the papers that are processed in  
professional finishing laboratories.  
Evaluation of prints for color and density requires higher  
illumination levels than those used in normal display  
conditions. A good average condition is a light source with  
a color temperature of 5000 K ± 1000, a Color Rendering  
Index of 85 to 100, and an illuminance of at least 50  
footcandles (538 lux). Fluorescent lamps such as cool white  
deluxe (made by several manufacturers) meet these  
conditions.  
You can also use a mixture of incandescent and  
fluorescent lamps. For each pair of 40-watt cool white  
deluxe fluorescent lamps, use a 75-watt frosted, tungsten  
bulb.  
Viewing conditions should meet ANSI Standard  
PH2.30-1989.  
For more information, see KODAK Publication No.  
CIS-202, Using KODAK PROFESSIONAL Pro Strips  
Color Negative Paper Control Strips / for Process RA-4.  
RETOUCHING  
If possible, do any required retouching on color negatives  
before you make printsespecially if you plan to make more  
than one print from each negative. For information on  
retouching negatives, see KODAK Publication No. E-71,  
Retouching Color Negatives.  
If the negative image is small, you can make corrections  
much more easily by applying dry or liquid dyes to small or  
large areas of the enlarged print. Although youll probably  
do most retouching with dyes, you may sometimes want to  
use black lead, colored pencils, or opaque. Because color  
prints have separate dye layers, you cant use an etching  
knife to reduce density as you can with black-and-white  
materials. For information on retouching prints, see  
KODAK Publication No. E-70, Retouching Prints on  
KODAK EKTACOLOR and EKTACHROME Papers.  
SCANNER TOOLS  
The KODAK Q-60 Color Input Targets are available on  
KODAK EKTACHROME Professional Film in both 35 mm  
and 4 x 5 inch formats and on KODAK EKTACOLOR Paper.  
Developed primarily for use by prepress houses in the  
printing industry, this target can also be used by professional  
photographers, desktop publishers, and in the emerging  
hybrid imaging area.  
The target is designed for use in the commercial and  
desktop arenas as a comparative control tool to help  
customers calibrate their input product to the final output.  
This target maps the gamut of color space that KODAK  
EKTACHROME Film and EKTACOLOR Paper can  
reproduce.  
When used properly, customers will be able to compare  
their outputwhether it is separations for the printed page  
and four-color printing, or second-generation originals from  
a film recorder to the originals. This will help customers  
optimize the capabilities of their system for color  
reproduction of an extreme range of color gamut.  
Scanner color characterization targets produced in  
accordance with ANSI IT8.7/1 (transmission) and IT8.7/2  
(reflection) Standards (or ISO 12641) are available from  
Kodak.  
The KODAK PROFESSIONAL Q-60 Color Input  
Target Q-60R2 is manufactured on KODAK  
PROFESSIONAL ENDURA Paper, and is likewise  
identified by a watermark with a single grey dot under  
PAPER. This target can be used with both the newer  
ENDURA Papers and older papers. The older Q-60R1  
target, which has the same two-dot watermark as the older  
papers, can be used with the newer papers.  
KODAK PROFESSIONAL ENDURA Metallic Paper E-4028  
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POST-PROCESS TREATMENTS  
PRINTER CONTROL TOOLS  
The following tools are manufactured by Kodak for  
optimization of printer balance and slope controls of  
KODAK PROFESSIONAL PORTRA Films printed on  
KODAK PROFESSIONAL Papers.  
Mounting Prints  
You can mount prints with dry mounting tissue. The  
temperature across the heating platen should be 82 to 93°C  
(180 to 200°F). Preheat the cover sheet that you use over the  
face of the print to remove moisture. Apply pressure for 30  
seconds, or up to 3 minutes in the case of a thick mount.  
Features /  
Product  
CAT No.  
Description  
KODAK PROFESSIONAL  
PORTRA  
Printer Control  
Size 135 Film  
Includes one of  
each: Very Under,  
Under, Normal,  
Over, Very Over  
Caution  
179 8511  
Temperatures above 93°C (200°F) for long peroids of time  
can cause physical and color changes in prints. Excessive  
moisture can also cause color shifts. To minimize these  
changes, mount at the lowest temperature and over the  
shortest possible time.  
Negative Set / Size 135  
KODAK PROFESSIONAL  
PORTRA  
Printer Control  
Size 120 Film  
Normal  
846 0958  
107 1398  
841 1902  
177 1302  
144 5741  
Negative - Normal  
Note: Images on KODAK PROFESSIONAL ENDURA  
Metallic Paper may shift towards a pink balance after heated  
to excessive temperatures, but will return to normal color  
balance when completely cooled to room temperature.  
KODAK PROFESSIONAL  
PORTRA  
Printer Control  
Size 120 Film  
Very Under  
Negative - Very Under  
You can also use contact-type adhesive or cement for  
cold-mounting.  
KODAK PROFESSIONAL  
PORTRA  
Printer Control  
Size 120 Film  
Under  
For information on lacquering and other post-process  
treatments, see KODAK Publication No. E-176,  
Post-Processing Treatment of Color Prints—Effects on  
Image Stability, available through our website at  
Negative - Under  
KODAK PROFESSIONAL  
PORTRA  
Printer Control  
Size 120 Film  
Over  
Negative - Over  
KODAK PROFESSIONAL  
PORTRA  
Printer Control  
Size 120 Film  
Very Over  
DISPLAY  
Negative - Very Over  
KODAK PROFESSIONAL ENDURA Metallic Paper has  
been formulated to provide improved dye stability and print  
longevity for prints displayed under typical home lighting  
conditions (i.e., 120 lux for 12 hours a day) and typical home  
dark storage conditions (i.e., 20 to 30°C [68 to 73.4°F] and  
50% humidity).  
The following tools are manufactured by Kodak for  
optimization of printer balance and slope controls of  
KODAK PROFESSIONAL PORTRA Films printed on  
KODAK PROFESSIONAL Papers.  
Photographic dyes, like all dyes, can change with time and  
exposure to sunlight, ultraviolet radiation, excessive heat,  
and high humidity. To help prevent changes in photographic  
dyes, follow these guidelines:  
Features /  
Description  
Product  
CAT No.  
KODAK PROFESSIONAL  
PORTRA 400BW  
Printer Control  
Size 135 Film  
Includes one of  
each: Very Under,  
Under, Normal,  
Over, Very Over  
156 8286  
Negative Set / Size 135  
Illuminate prints with tungsten light whenever possible.  
Display prints in the lowest light level consistent with  
your viewing needs.  
KODAK PROFESSIONAL  
PORTRA 400BW  
Printer Control  
Size 135 Film  
Includes one of  
each: Very Under,  
Under, Normal,  
Over, Very Over  
114 4419  
If a print is exposed to direct or indirect sunlight or  
fluorescent light, use an ultraviolet-absorbing filter  
(such as glass) between the light source and the print.  
Negative Set / Size 120  
The following tools are manufactured by Kodak for  
optimization of printer balance and slope controls of  
KODAK PROFESSIONAL T400 CN Film printed on  
KODAK PROFESSIONAL Papers.  
If prints are displayed behind glass, maintain a slight  
separation between the prints and the glass.  
Keep the temperature and humidity as low as possible.  
Use album materials described in KODAK Publication  
No. E-30, Storage and Care of KODAK Photographic  
Materials - Before and After Processing.  
Features /  
Description  
Product  
CAT No.  
KODAK T400 CN  
Printer Balancing Kit /  
Sizes 135 and 120  
Sizes 135, 120  
865 3552  
6
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CURVES  
Spectral-Dye-Density Curves  
Characteristic Curves  
2.5  
2.0  
4.0  
Process: RA-4  
0.5 sec.  
Exposure:  
Process: RA-4, 95°F (35°C), 45 sec.  
Densitometry: Status A  
3.0  
2.0  
1.0  
R
G
1.5  
1.0  
B
Cyan  
Magenta  
Yellow  
0.5  
0.0  
0.0  
400  
500  
600  
700  
3.0  
2.0  
1.0  
0.0  
1.0  
WAVELENGTH (nm)  
LOG EXPOSURE (lux-seconds)  
Spectral-Sensitivity Curves  
4.0  
3.0  
2.0  
1.0  
Magenta-  
Forming  
Layer  
Yellow-  
Forming  
Layer  
Cyan-  
Forming  
Layer  
0.5 sec.  
Effective Exposure:  
Process: RA-4  
0.0  
250 300 350 400 450 500 550 600 650 700 750  
WAVELENGTH (nm)  
*Sensitivity = reciprocal of exposure (erg/cm2 ) required  
to produce specified density  
NOTICE: The sensitometric curves and data in this publication represent product tested  
under the conditions of exposure and processing specified. They are representative of  
production coatings, and therefore do not apply directly to a particular box or roll of  
photographic material. They do not represent standards or specifications that must be met  
by Eastman Kodak Company. The company reserves the right to change and improve  
product characteristics at any time.  
KODAK PROFESSIONAL ENDURA Metallic Paper E-4028  
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KODAK PROFESSIONAL ENDURA Metallic Paper  
MORE INFORMATION  
Kodak has many publications to assist you with information  
on Kodak products, equipment, and materials.  
For the latest version of technical support publications for  
KODAK PROFESSIONAL Products, visit Kodak on-line at:  
Additional information is available on the Kodak website  
and through the U.S.A./Canada faxback system.  
The following publications are available from dealers who  
sell Kodak products, or you can contact Kodak in your  
country from more information.  
If you have questions about KODAK PROFESSIONAL  
Products, call Kodak.  
In the U.S.A.:  
1-800-242-2424, Ext. 19, MondayFriday  
9 a.m.7 p.m. (Eastern time)  
In Canada:  
E-30  
E-70  
Storage and Care of KODAK Photographic  
Materials—Before and After Processing  
1-800-465-6325, MondayFriday  
8 a.m.5 p.m. (Eastern time)  
Retouching Prints on KODAK EKTACOLOR  
and EKTACHROME Papers  
E-71  
Retouching Color Negatives  
Note: The Kodak materials described in this publication for  
use with KODAK PROFESSIONAL ENDURA Metallic  
Paper are available from dealers who supply KODAK  
PROFESSIONAL Products. You can use other materials,  
but you may not obtain similar results.  
E-176  
Post-Processing Treatment of Color Prints—  
Effects on Image Stability  
J-39  
Tray, Drum, and Rotary-Tube Processing with  
KODAK EKTACOLOR RA Chemicals  
K-4  
How Safe is Your Safelight?  
Z-130  
Using KODAK EKTACOLOR RA Chemicals  
KODAKPROFESSIONALENDURA  
Metallic Paper  
Kodak, Kodak Professional, Ektachrome, Ektacolor, Endura, Portra, Supra and Wratten  
New 2-03  
Printed in U.S.A.  
are trademarks.  
KODAK Publication No. E-4028  
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