Kodak Film Camera 5218 User Manual

March 2006 H-1-5218t  
TECHNICAL DATA / COLOR NEGATIVE FILM  
KODAK VISION2 500T Color  
Negative Film 5218 / 7218 / SO-218  
KODAK VISION2 500T Color Negative Film 5218 / 7218 /  
SO-218 is a high-speed, tungsten-balanced color negative  
film with the finest grain available in a 500T product. The toe  
speed has been optimized to give enhanced shadow detail  
and improved shadow neutrality. It delivers true, natural  
color over a wide range of exposures. The curve shape of this  
film is very linear contributing to the overall neutrality and  
flesh-to-neutral tone reproduction. This film delivers  
improved performance for special effects and digital  
compositing. The neutral tone scale provides easier color  
timing and grading in postproduction. KODAK VISION2  
500T Color Negative Film delivers clean, crisp images.  
EXPOSURE INDEXES  
Tungsten (3200K) - 500 Daylight1 - 320  
Use these indexes with incident- or reflected-light  
exposure meters and cameras marked for ISO or ASA speeds  
or exposure indexes. These indexes apply for meter readings  
of average subjects made from the camera position or for  
readings made from a gray card of 18-percent reflectance  
held close to and in front of the subject. For unusually light-  
or dark-colored subjects, decrease or increase the exposure  
indicated by the meter accordingly.  
COLOR BALANCE  
These films are balanced for exposure with tungsten  
illumination (3200K). You can also expose them with  
tungsten lamps that have slightly higher or lower color  
temperatures (+/- 150K) without correction filters, since  
final color balancing can be done in printing. For other light  
sources, use the correction filters in the table below.  
BASE  
KODAK VISION2 500T Color Negative Films 5218 and  
7218 have an acetate safety base with rem-jet backing.  
KODAK VISION2 500T Color Negative Film SO-218  
has an ESTAR Safety Base with rem-jet backing  
KODAK Filters on  
Camera 1  
Exposure  
Index  
DARKROOM RECOMMENDATIONS  
Do not use a safelight. Handle unprocessed film in total  
darkness.  
Light Source  
Tungsten (3000 K)  
WRATTEN Gelatin No.  
82B  
320  
500  
500  
Tungsten (3200 K)  
None  
Tungstenphotoflood  
(3400 K)  
STORAGE  
None  
Store unexposed film at 13°C (55°F) or lower. For extended  
storage, store at -18°C (0°F) or lower. Process exposed film  
promptly. Store processed film according to the  
recommendations in ANSI/PIMA IT9.11-1998: for  
medium-term storage (minimum of ten years), store at  
10°C (50°F) or lower at a relative humidity of 20 to 30  
percent; for extended-term storage (for preservation of  
material having permanent value), store at 2°C (35°F) or  
lower at a relative humidity of 20 to 30 percent. For active  
use, store at 25°C (77°F) or lower, at a relative humidity of  
50 +/- 5 percent. This relates to optimized film handling  
rather than preservation; static, dust-attraction and  
curl-related problems are generally minimized at the higher  
relative humidity. After usage, the film should be returned to  
the appropriate medium- or long-term storage conditions as  
soon as possible.  
Daylight (5500 K)  
White-Flame Arcs  
Yellow-Flame Arcs  
WRATTEN Gelatin No.  
85  
320  
200  
WRATTEN Gelatin No.  
85B  
Color Compensating  
20Y  
320  
500  
320  
OPTIMA 32  
VITALITE  
None  
WRATTEN Gelatin No.  
85  
Fluorescent, Cool  
White 2  
WRATTEN Gelatin No.  
85 + 10M  
200  
320  
320  
Fluorescent, Deluxe WRATTEN Gelatin No.  
Cool White 2  
Metal Halide  
85C + 10R  
WRATTEN Gelatin No.  
85  
1 These are approximate corrections only. Make final corrections during  
printing.  
2 These are starting-point recommendations for trial exposures. If the kind  
of lamp is unknown, a KODAK Color Compensating Filter CC 40R can  
be used with an exposure index (EI) of 250.  
For more information about medium- and long-term  
storage, see ANSI/PIMA IT9.11-1998,  
SMPTE RP131-2002, and KODAK Publications No. H-1,  
KODAK Motion Picture Film available online at http://  
The Book of Film Care.  
Note: Consult the manufacturer of high-intensity ultraviolet  
lamps for safety information on ultraviolet radiation and  
ozone generation.  
1.With a KODAK WRATTEN Gelatin Filter No. 85.  
©Eastman Kodak Company, 2006  
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FILM-TO-VIDEO TRANSFERS  
CURVES  
When you transfer the film directly to video, you can set up  
the telecine using KODAK Telecine Analysis Film (TAF)  
supplied by Eastman Kodak Company. The TAF consists of  
a neutral density scale and an eight-bar color test pattern with  
a LAD gray surround.  
Sensitometric Curves  
LOG EXPOSURE (lux-seconds)  
4.0  
3.0  
3.0  
2.0  
1.0  
0.0  
The TAF gray scale provides the telecine operator  
(colorist) with an effective way to adjust subcarrier balance  
and to center the telecine controls before timing and  
transferring a film. The TAF color bars provide the utility of  
electronic color bars, even though they do not precisely  
match the electronically generated color bars. Using the  
TAF will help obtain optimum quality and consistency in  
the film-to-video transfer. For more information regarding  
TAF, see KODAK Publication No. H-9, TAF User's Guide.  
3200 K Tungsten 1/50 sec  
Process: ECN-2  
Densitometry: Status M  
Exposure:  
2.0  
1.0  
0.0  
B
G
R
IMAGE STRUCTURE  
The modulation-transfer and diffuse rms granularity curves  
were generated from samples of 5218 Film exposed with  
tungsten light and processed as recommended in Process  
ECN-2 chemicals. For more information on image-structure  
characteristics, see KODAK Publication No. H-1, KODAK  
Motion Picture Film available online at http://  
7.0 6.0 5.0 4.0 3.0 2.0 1.0 0.0 1.0 2.0 3.0 4.0 5.0 6.0  
F010_0220AC  
CAMERA STOPS  
The curves describe this film's response to red, green, and  
blue light. Sensitometric curves determine the change in  
density on the film for a given change in log exposure.4  
MTF  
Modulation-Transfer Function Curves  
The "perceived" sharpness of any film depends on various  
components of the motion picture production system. The  
camera and projector lenses and film printers, among other  
factors, all play a role. But the specific sharpness of a film  
can be measured and charted in the Modulation Transfer  
Curve.  
200  
100  
70  
50  
30  
20  
B
G
R
rms Granularity:  
Refer to curve.  
Read with a microdensitometer, (red, green, blue) using a  
48-micrometer aperture.  
10  
7
5
The "perception" of the graininess of any film is highly  
dependent on scene content, complexity, color, and density.  
Other factors, such as film age, processing, exposure  
conditions, and telecine transfer may also have significant  
effects.  
3200 K Tungsten  
Process: ECN-2  
Densitometry: Status M  
Exposure:  
3
2
1
1
2
3
4 5  
10  
20  
50  
100 200  
600  
SPATIAL FREQUENCY (cycles/mm)  
F010_0217AC  
This graph shows a measure of the visual sharpness of this  
film. The x-axis, "Spatial Frequency," refers to the number  
of sine waves per millimeter that can be resolved. The y-axis,  
"Response," corresponds to film sharpness. The longer and  
flatter the line, the more sine waves per millimeter that can  
be resolved with a high degree of sharpness—and, the  
sharper the film.  
KODAK VISION2 500T Color Negative Film 5218 / 7218 / SO-218 H-1-5218t  
3
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Diffuse rms Granularity Curves  
Spectral Dye Density Curves  
3.0  
2.0  
1.0  
0.0  
1.80  
1.60  
1.40  
1.20  
1.00  
1.80  
0.60  
0.40  
Process: ECN-2  
Process: ECN-2; D-mins subtracted  
B
Midscale Neutral  
G
Minimum  
Density  
.100  
.050  
Cyan  
Magenta  
R
B
.030  
.020  
G
Yellow  
.010  
.007  
.005  
R
.004  
0.20  
0.00  
.003  
.002  
.001  
0.20  
0.0  
F010_0219AC  
1.0  
2.0  
3.0  
4.0  
400  
F010_0221AC  
400  
500  
600  
700  
800  
LOG RELATIVE EXPOSURE  
WAVELENGTH (nm)  
To find the rms Granularity value for a given density, find  
the density on the left vertical scale and follow horizontally  
to the characteristic curve and then go vertically (up or  
down) to the granularity curve. At that point, follow  
horizontally to the Granularity Sigma D scale on the right.  
Read the number and multiply by 1000 for the rms value.  
These curves depict the spectral absorptions of the dyes  
formed when the film is processed. They are useful for  
adjusting or optimizing any device that scans or prints the  
film.  
Note: Cyan, Magenta, and Yellow Dye Curves are  
peak-normalized.  
Note: This curve represents granularity based on modified  
measuring techniques.4  
NOTICE: The sensitometric curves and data in this  
publication represent product tested under the conditions of  
exposure and processing specified. They are representative  
of production coatings, and therefore do not apply directly to  
a particular box or roll of photographic material. They do not  
represent standards or specifications that must be met by  
Eastman Kodak Company. The company reserves the right  
to change and improve product characteristics at any time.  
Spectral Sensitivity Curves  
4.0  
Effective Exposure: 1/25 sec  
Process: ECN-2  
3.0  
Yellow-  
Forming  
Layer  
Magenta-  
Forming  
Layer  
2.0  
1.0  
0.0  
Cyan-  
Forming  
Layer  
Densitometry: Status M  
Density: D=0.2>D-min  
250 300 350 400 450 500 550 600 650 700 750  
WAVELENGTH (nm)  
*Sensitivity = reciprocal of exposure (erg/cm2 ) required  
to produce specified density  
F010_0218AC  
These curves depict the sensitivity of this film to the  
spectrum of light. They are useful for determining,  
modifying, and optimizing exposure for blue- and  
green-screen special-effects work.  
4.NOTE: Sensitometric and Diffuse RMS Granularity curves are  
produced on different equipment. A slight variation in curve shape may  
be noticed.  
4
KODAK VISION2 500T Color Negative Film 5218 / 7218 / SO-218 H-1-5218t  
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SIZES AVAILABLE  
Standard Products Available  
Length in  
Identification No.  
Core  
Description  
Perforations  
Metres (Feet)  
610 (2000)  
30 (100)  
35 mm SP239  
35 mm SP417  
35 mm SP718  
35 mm SP718  
35 mm SP718  
16 mm SP449  
16 mm SP451  
16 mm SP578  
16 mm SP445*  
16 mm SP455  
16 mm SP457  
16 mm SP458  
65 mm SP332  
Y
BH-4740 (BH-1866)  
BH-4740 (BH-1866)  
BH-4740 (BH-1866)  
BH-4740 (BH-1866)  
BH-4740 (BH-1866)  
2R-7605 (2R-2994)  
2R-7605 (2R-2994)  
2R-7605 (2R-2994)  
1R-7620 (1R-3000)  
1R-7605 (1R-2994)  
1R-7605 (1R-2994)  
1R-7605 (1R-2994)  
KS-4740 (KS-1866)  
S-83 100-ft. spool  
61 (200)  
U
122 (400)  
305 (1000)  
30 (100)  
U
U
R-90 100-ft. spool  
122 (400)  
122 (400)  
61 (200)  
T
S-153 400-ft. spool  
A
Winding A  
Winding B  
Winding B  
Winding B  
Emulsion In  
30 (100)  
R-90 100-ft. spool  
122 (400)  
244 (800)  
305 (1000)  
T
Z
P
*for AATON A-MINIMA Cameras  
MORE INFORMATION  
Outside the United States and Canada, please contact your Kodak representative.  
You can also visit our web site at www.kodak.com/go/motion for further information. You may want to bookmark our location  
so you can find us easily the next time.  
Films  
Cinematographer’s Field Guide  
KODAK Publication No. H-2  
Image Structure  
Specification Numbers  
Storage  
KODAK Motion Picture Film  
KODAK Publication No. H-1  
Cinematographer’s Field Guide  
KODAK Publication No. H-2  
KODAK Motion Picture Film  
KODAK Publication No. H-1  
The Book of Film Care  
KODAK Publication No. H-23  
LAD  
LAD—Laboratory Aim Density  
KODAK Publication No. H-61  
Transfer  
KODAK Telecine Analysis Film User’s Guide  
KODAK Publication No. H-822  
KODAK Telecine Exposure Calibration Film User’s Guide  
KODAK Publication No. H-807  
KODAK VISION2 500T Color Negative Film 5218 / 7218 / SO-218 H-1-5218t  
5
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KODAK VISION2 500T Color Negative Film 5218 / 7218 / SO-218  
Kodak Locations  
FOR DIRECT ORDERING IN THE UNITED STATES  
AND CANADA: 1-800-621-FILM  
EUROPEAN, AFRICAN, AND ME  
REGION  
Eastman Kodak Company  
Kodak Ltd. Kodak House  
Hemel Hempstead  
Herts, HP1 1JU England  
Local: 01442-845-945  
Fax: 01442-844-458  
CHICAGO, ILLINOIS  
Information: 630-910-4929  
DALLAS, TEXAS  
Information: 972-346-2979  
Eastman Kodak SA  
29-31 Route de l'aeroport  
Case postale 271  
Le grand Sacconex, 1215  
Geneve 15  
HOLLYWOOD, CALIFORNIA  
6700 Santa Monica Boulevard  
Los Angeles, California  
90038-1203  
Information: 323-464-6131  
Information: +41-22-747-2000  
Fax: +41-22-747-2200  
NEW YORK, NEW YORK  
360 West 31st Street  
New York, New York  
10001-2727  
ASIA PACIFIC REGION  
Information: 212-631-3418  
AUSTRALIA  
LATIN AMERICA REGION  
8600 NW 17th Street  
Suite 200  
Miami, Florida 33126-1006  
Phone: 305-507-5146  
Melbourne: 613-9353-2561  
Toll free: 1-800-337-935  
CHINA (Peoples Republic)  
Beijing: 8610-6561-6561  
Shanghai: 8621-6350-0888  
Guangzhou: 8620-8319-8888  
VERDUN, QUEBEC  
Kodak Canada, Inc.  
4 Place du Commerce, Suite 100  
Ile des Soeurs  
Verdun, Quebec  
Canada H3E 1J4  
HONG KONG  
Tel: 852-2564-9352  
INDIA  
91-22-652-6826  
Information: 514-761-7001  
Fax: 514-768-1563  
Orders: 1-800-621-FILM (3456)  
Fax Orders: 1-866-211-6311  
INDONESIA  
62-21-570-5212  
JAPAN  
81-3-5644-5348  
TORONTO, ONTARIO  
Kodak Canada Inc.  
3500 Eglinton Avenue West  
Toronto, Ontario  
Canada M6M 1V3  
1-800-621-FILM (3456)  
KOREA  
82-2-708-5561  
MALAYSIA  
60-3-757-2722  
NEW ZEALAND  
BURNABY, BRITISH COLUMBIA  
Kodak Canada, Inc.  
4185 Still Creek Drive  
64-9-302-8665  
PAKISTAN  
92-21-561-0150  
Suite C150  
PHILIPPINES  
632-810-0331  
Burnaby, British Columbia  
Canada V5C 6G9  
Tel: 1-800-621-FILM (3456)  
SINGAPORE  
65-476-9688  
TAIWAN  
886-2-2893-8108  
THAILAND  
66-2-271-3040 Ext. 310  
KODAK VISION2 500T Color  
Kodak, Eastman, Keykode, Vision, and Wratten are trademarks.  
Revised 3-06  
Negative Film 5218 / 7218 / SO-218  
KODAK Publication No. H-1-5218t  
Printed in U.S.A.  
CAT 177 6426  
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