Hasselblad Digital Camera XPan II User Manual

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The camera body is robustly built from aluminium and titanium for the long working-life  
expected from such a camera. The interchangeable Hasselblad lenses are made to the most  
exacting standards producing excellent coverage and 'razor' sharpness for top quality images.  
Digital technology controls a host of functions making camera use simplicity itself so you can  
concentrate more on composition and image making.  
This instruction manual describes in detail how to operate your XPan II, so please read it carefully.  
If you have a query please do not hesitate to contact your dealer - we want you to be 100%  
satisfied! Your dealer can also provide you with the latest in news and technical developments  
from Hasselblad. A quarterly magazine - FORUM - is published with the emphasis on photo-  
graphic imagery featuring photographers from all over the world to provide you with inspiration!  
general and technical information concerning Hasselblad products. You can also e-mail us  
- [email protected] - for further inquiries.  
We are sure you have made a wise choice with this exciting camera. Hasselblad have provided  
the possibility, its now up to you to create the images.  
We wish you good luck and look forward to seeing the results!  
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3
Contents  
4 Contents  
13 VIEWFINDER  
24 Film plane index  
24 Self-timer  
5 Introduction  
13 Changing the viewfinder eyepiece  
24 Multi exposure  
25 Infrared photography  
25 Flash  
14 FORMAT  
14 Standard  
14 Panorama  
6 Parts & components  
7 Parts description  
26 Remote release  
26 Mid-roll rewind  
26 Exposure history  
26 Film processing  
8 GETTING STARTED  
8 Attaching the strap  
14 PROGRAMMING  
8 Loading the batteries  
8 Battery check 8 Power  
15 FILM  
15 Film speed (ISO) setting  
16 Film loading  
27 ACCESSORIES  
27 Quick coupling plate  
27 Spirit-level  
10 LENSES  
10 Lens case  
17 Exposure counter  
17 EXPOSURE CONTROL  
18 Automatic  
10 Lens cap  
28 UV-Sky filter  
10 Attaching lenses  
11 Removing lenses  
11 Lens components  
11 Filters  
28 Centre filter XPan for 45 mm  
18 Manual  
29 TIPS & REMINDERS  
31 Viewfinder eyepiece selection  
32 Technical specifications  
36 Troubleshooting  
19 Exposure compensation  
21 Auto-bracketing  
11 Lens shade  
12 Focusing  
23 FILM ADVANCE  
37 Equipment care, service and  
guarantee  
12 Rangefinder focusing  
13 Depth-of-field  
23 GENERAL  
23 LCD illumination  
23 Close-range photography  
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4
of individual procedures. Fluency in operation of  
the camera will allow you to concentrate more on  
picture taking.  
Hasselblad XPan II  
In the text, the main LCD on the back of the camera  
Become familiar with the various components on the  
camera by checking them against figs 1- 3 and the  
component list. Avoid touching the lens surfaces and  
take care regarding the focal plane shutter and format  
blind when opening the camera back.  
is referred to as camLCD and the small exposure  
counter LCD as expLCD and the viewfinder display  
as viewLCD.  
Positions of components and orientation are  
described in relation to the camera as seen when  
taking a photograph, i.e. with the lens at the front,  
unless otherwise stated.  
Begin by loading the batteries so that you can go  
through all the camera's functions. The XPan II is a  
very simple camera to operate following well-es-  
tablished routines and most photographers should be  
able to successfully operate it straight away without any  
problems.  
The relevant illustrations are indicated by the fig-  
ures beside the small headings in the text.  
Please read 'Film processing' before sending your  
exposed film to a film laboratory.  
The mode selector switch is the main ON/OFF control,  
which activates the camera. Information  
is provided by two LCD panels and an LCD display in  
the viewfinder. Read quickly through the main items in  
this manual for a general overview of the information  
system and the mechanics of  
the camera. Then read again more carefully the  
relevant sections to gain a firmer understanding  
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5
Parts & Components  
1. Lens release button  
18. Battery compartment cover  
19. Main LCD display panel (camLCD)  
20. LCD illumination button  
21. Mid-roll rewind button  
2. PC flash terminal  
3. Viewfinder window  
4. Self-timer lamp  
5. Bright frame illumination window  
6. Rangefinder window  
7. Hot shoe  
22. Program MODE button  
23. Up/Down buttons (/)  
24. Shutter speed selector dial  
25. Shutter speed selector lock  
26. Shutter speed selector index  
27. Film plane index  
8. Format selector knob  
9. Format selector release button  
10. Viewfinder eyepiece release button  
11. Viewfinder eyepiece  
12. Viewfinder LCD display (viewLCD)  
13. Cable release socket  
14. Strap lug  
28. Shutter release button  
29. Exposure counter LCD (expLCD)  
30. Shooting mode selector  
31. Shooting mode selector lock  
32. Shooting mode selector lever  
15. Film type window  
16. Camera back release catch  
17. Tripod socket  
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6
13. Cable release socket  
Parts Description  
- for vibration-free or remote shutter-release.  
15. Film type window  
The following is a concise introductory description  
- for confirmation of whether camera is loaded  
and film type.  
of the major parts of the camera (the figures refer  
to the illustrations 1-3). Details of functions and  
procedures can be found under the appropriate sec-  
tions and headings further on in this manual. See  
the main index for details.  
19. Main LCD display panel  
- main information panel. (Referred to in the  
text as camLCD)  
2. PC flash terminal  
20. LCD illumination button  
- information and exposure LCD illumination.  
21. Mid-roll rewind button  
- for rewinding film before completion.  
22. Program MODE button  
- for programming of camera settings.  
23. Up/down buttons  
- for programming of camera settings.  
24. Shutter speed selector dial  
- for manual or automatic shutter modes.  
25. Shutter speed selector lock  
- releases selector from automatic setting.  
- for flash connection via cord.  
4. Self-timer lamp  
- countdown timer for shutter release when set  
at self-timer mode.  
7. Hotshoe  
- accessory shoe with direct contact for flash  
units.  
8. Format selector knob  
- for standard and panorama format.  
12. Viewfinder LCD display  
- (Referred to in the text as viewLCD)  
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27. Film plane index  
Getting Started  
- for critical focusing distance measurement.  
28. Shutter release button  
- for camera activation when pressed halfway  
and shutter release when pressed completely.  
29. Exposure counter LCD  
Attaching the strap  
4░  
With the buckle and retainer already attached to the  
strap, pass the strap end first through the strap lug  
on the camera, then through the retainer and finally  
back through the buckle again. Allow at least 2-3 cm  
of loose strap beyond the buckle. See the illustration  
for details.  
- indicates number of unexposed frames left on  
film and format indication. (Referred to in the  
text as expLCD)  
32. Shooting mode selector lever  
- for choice between S, C and self-timer modes  
Loading the batteries  
5, 6░  
(
).  
Set the shooting mode selector to OFF. Unscrew the  
battery compartment cap – situated on the baseplate  
– counter-clockwise several turns by inserting a small  
coin or similar in the groove. Insert two fresh batteries  
(Lithium CR2- 3V) with the terminals positioned as in  
the illustration. Replace the cap and screw clockwise  
several turns until secure.  
The camera is wholly battery dependent and so it will  
not function in any way if the batteries have been  
omitted, are exhausted or have been fitted incorrectly.  
Always use fresh batteries and do not mix old with  
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8
new. Please discard used batteries in an environmentally tings and a battery icon, see fig. 9 for example. When  
correct way.  
loaded with film, however, the expLCD will also display  
a figure that shows the number of unexposed frames  
left on the film (fig. 10).  
Battery check  
7░  
Set the shooting mode selector to S, C or  
camLCD will indicate the battery status by the following  
icons:  
• The battery capacity is adequate.  
• The batteries are low. The camera will function but  
replace batteries soon.  
• Flashing battery icon. The batteries are exhausted and the  
camera will not function.  
). The  
When the shutter release button is pressed halfway  
down, the ISO symbol disappears and a TV symbol ap-  
pears (time value) together with the selected shutter  
speed (fig.ll). After ten seconds of no response, the  
ISO symbol appears again, replacing the TV symbol. The  
viewLCD display will show selected shutter speed and  
exposure information.  
The battery check icon is always visible when the cam-  
era is in active mode. Check battery status regularly.  
OFF  
1. Set the shooting mode selector to OFF  
2. All indications on all three LCD's disappear.  
Power  
ON  
8, 9, 10, 11░  
POWER SAVE  
After three minutes of no response from the camera  
controls, all indications on the LCDs will disappear and  
the camera switches over to stand-by status au-  
tomatically.  
Set the shooting mode selector to S, C or ).  
S - single exposure mode  
C - continuous exposure mode  
- self-timer mode  
Without film in the camera, the camLCD will display  
an ISO symbol, the manually set ISO rating (or '100' in  
the case of an automatic DX setting), other camera set  
The camera will reactivate when:  
the shooting mode selector is moved from OFF to S,  
C or  
.
the shutter release button is pressed halfway down  
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9
Lens case  
12░  
the remote release is operated (see 'Remote release')  
The lens case consists of a cover, cover base and an  
integral rear lens cap. The lens cover is unscrewed  
approximately Vs turn counter-clockwise to remove.  
The lens can then be unscrewed approximately turn  
counter-clockwise to remove from the base. If, however,  
you continue to turn the lens counter-clockwise,  
the rear lens cap will also be released from the base.  
As the cap is then also free from the lens, take care not to  
drop it.  
the LCD back light illumination button is pressed  
the camera back is opened or closed  
the MODE button is pressed  
the or button is pressed  
Lenses  
The XPan II uses interchangeable bayonet-fitting  
Hasselblad lenses specifically designed for the Xpan/  
Xpan II cameras. Three lenses are available: a 30mm  
Aspherical, a 45mm and a 90mm. The following is  
general user information for both the 45mm and  
the 90mm lenses. The 30mm lens requires more  
specific information and is therefore supplied with its  
own user manual. See the 'Technical Specifications'  
table towards the end of this manual for further details  
of all three lenses as well as depth of field tables  
for the 45 mm and 90 mm lenses. Further information  
on filters can also be found under 'Accessories'  
towards the end of this manual.  
Lens cap  
13░  
The lens cap is removed and attached by pinching  
inwards the two projections on the rim of the cap to  
release its grip.  
Always replace the camera body protective cover and the lens  
caps when camera and lens are separated.  
Attaching lenses  
14░  
Firstly, turn the protective cover on the camera body  
counter-clockwise and remove it. Align the index on  
the lens with the index on the camera body. Gripping  
the lens by the knurled attachment ring, turn the lens  
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10  
clockwise, when seen from the front, until it clicks and  
locks into position. The camera automatically adjusts the  
frame in the viewfinder to match the focal length of the  
chosen lens.  
Filters  
Standard screw-threaded M49 mm filters should be  
used. Two filters together may be used without problems  
with vignetting. As the XPan II has a TTL exposure  
system, filter factors  
the amount of exposure  
Removing lenses  
Gripping the lens by the knurled attachment ring, turn the  
lens in a counter-clockwise direction while depressing the  
lens release button.  
15a, 15b, 15c░  
increase necessary for each filter- can in general be  
ignored as they are automatically taken into account.  
Tests or alternative exposures should be made in special  
cases, however, to ensure the required result.  
Three dedicated Hasselbad filters are available.  
A
Always grip the lens by the attachment ring when attaching  
and removing and not by the aperture ring, focusing ring or  
lens shade.  
UV/Sky for general purposes and two centre filters  
(with respectively 30mm and 45mm fitting) for critical  
applications using transparency film. Each filter can  
also be combined with one additional filter including  
polfilter type.  
Lens components  
16░  
See under 'Accessories' for further information about  
dedicated UV/Sky and Centre filters for Hasselblad  
XPan lenses.  
1. Aperture scale  
2. Aperture index  
3. Focusing ring  
4. Lens attachment alignment index  
5. Distance scale  
6. Depth-of-field scale  
7. Central index  
When using filters and a hand-held meter, be sure to include  
any filter factors in the exposure calculations.  
8. Infra red index  
9. Attachment ring  
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Lens shade 17, 18, 19Rangefinder focusing  
20, 21░  
Match the red index on the rear of the XPan lens shade The rangefinder is a coupled-type in the form of a  
small, bright rectangle in the centre of the field-of-  
view frame in the viewfinder that provides a superim-  
posed 'ghosted' image of a central part of the subject  
(fig 20). The lens is turned until the 'ghosted' image  
coincides with the subject image (fig 21) producing a  
sharp focus setting for that particular distance from  
the camera. You may find that subjects containing few  
or no lines or sharp contrasts in the image are more  
difficult to focus. Try pointing the camera to other areas  
of the subject containing vertical lines or contrast  
changes that are approximately the same distance  
away from the camera, focus at those points and then  
return to your original composition. You may also find  
it easier to turn the camera on its side if there are only  
horizontal lines within the image, for example, when  
photographing a near horizon.  
(see illustration) with the red index on the lens. Turn  
the lens shade (bayonet fitting) counter-clockwise  
(when seen from behind the camera) until it clicks  
into place and is secured against unintentional rota-  
tion by the locking device. XPan lens shades have been  
specifically designed for XPan lenses; other types of  
lens shade are not recommended. The XPan lens shade  
is designed so that it should be removed first before  
a filter or lens cap is attached, changed or removed.  
Remove the lens shade after first pushing the locking  
device catch counter-clockwise.  
When an XPan lens shade is fitted, there is a partial block-  
ing of view in the bottom right of the viewfinder image.  
However, this in no way affects the results.  
Focusing  
The lens is focused by turning the rubber covered  
focusing ring that surrounds the lens barrel. Focusing  
can be either visual, via the viewfinder/rangefinder  
system, or manual. For the former see 'Rangefinder fo-  
cusing'. For manual focusing align the chosen distance  
on the distance scale against the lens central index.  
Look directly into the viewfinder and not from an angle  
otherwise it can result in inaccurate focusing.  
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12  
Depth-of-field  
Depth-of-field – the amount of acceptable sharpness  
produced at a given aperture and focus setting – can be  
calculated as in the following example:  
22░  
Viewfinder  
The viewfinder is a coupled rangefinder type with  
the additional feature of automatic field-of-view  
frame change according to the focal length of the  
lens and chosen format. The field-of-view frame  
also moves automatically to compensate for  
parallax error when photographing close subjects.  
The 90mm lens produces a larger rangefinder  
double-image compared to the 45mm lens. The  
viewfinder eyepiece is interchangeable to suit  
individual eyesight.  
The aperture has been set at f/11 and the focus at 3  
metres. By reading across from the relevant aperture  
markings on the depth-of-field scale on either side of  
the central index to the focusing distance scale, you  
can see the extent of the sharp zone. In this example  
the depth-of-field ranges from approx. 2m to 7m.  
There are two tables at the end of the illustration section  
of this manual that describe the depth-of-field produced  
by the various combinations of aperture settings and  
focus settings regarding 45mm and 90mm lenses. For  
example, when focused at 2m and set at f/8, the depth-of-  
field extends from 1.61 to 2.66m with the 45mm lens and  
from 1.89 to 2.13 with the 90mm lens. See separate user  
manual for 30mm depth-of-field table.  
Changing the viewfinder eyepiece  
23░  
The standard dioptre of the viewfinder eyepiece is -1.0.  
Five other strengths are available: +2D, +0.5D, -2D, -3D  
and -4D. The eyepieces simply slide in and out of the  
viewfinder frame, clicking into position and secured  
by the locking device. Pushing the locking device but-  
ton and simultaneously sliding the eyepiece from its  
locked position can release it.  
Please refer to the 'Viewfinder eyepiece selection' table  
towards the end of this manual for a detailed description  
of choice.  
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13  
Ensure you turn the knob as far as it will go to the stop posi-  
tion when selecting the panorama format.  
A flashing in the expLCD together with a locked shutter  
release indicates that either the format selector knob is not  
positioned correctly or that you have switched from standard  
to panorama format when only one standard sized unex-  
posed frame remained on the film.  
Format  
P
Standard  
24a░  
For the standard 35 mm format (24 mm x 36 mm) turn  
the format selector knob to align the indexes (counter-  
clockwise if already set at the panorama format) while  
keeping the centre button depressed. The viewfinder  
will automatically display the correct format framing  
and the exposure counter will indicate the number of  
frames remaining at that chosen format.  
Programming  
Programming of camera settings  
The following settings can be programmed:  
25░  
Panorama  
24b░  
From the standard format, turn the format selector  
knob clockwise while keeping the centre button de-  
pressed and align the indexes to the panorama format.  
The letter P will be visible on the top of the dial. Again  
the viewfinder will automatically display the correct  
format framing and the exposure counter will indicate  
the number of frames remaining though now for the  
panorama format. The expLCD also displays a P in the  
top left of the window.  
Film speed (ISO 25 -3200, Auto (DX))  
Exposure compensation (-2 to +2 f/stop in 0.5 f/stop  
increments)  
Auto-bracketing f+/- 0.5 f/stop or +/-7 f/stop)  
Multi exposure (2-9 exposures)  
Flash sync (at the beginning "N" or at the end "R" of  
the exposure)  
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14  
Film tip out or film fully spooled back into the  
cassette when rewinding the film (see 'Film loading'  
section for access details).  
Film  
Film speed (ISO) setting  
Access the menu by pushing the MODE button for 1s.  
Select the required function by repeated pushing of the  
MODE button and make the changes by using the or  
buttons. Confirm the selected value (or operational  
mode) by:  
If you want to expose the film at the recommended  
speed (ISO/ASA/DIN) and the film has a DX barcode  
on it (a large pattern consisting of exposed metal sur-  
faces) then set the shooting mode selector to S. Press the  
MODE button on the camLCD for 1s. Press repeatedly  
until ISO appears on the top left of the display. Select  
Auto DX by pressing the / buttons. Confirm by  
pushing MODE again or by pushing the release button  
halfway. A DX symbol is shown on the display and the  
corresponding ISO rating is indicated after loading the  
film.  
Pushing the release button halfway  
Pushing the MODE button (not for all settings)  
Waiting for 5 seconds  
Confirmation using the MODE button accesses the next  
item on the menu, as well as making a new setting.  
Detailed instructions for respective type of settings  
is provided under the respective function headings  
further on in this manual.  
If there is no DX barcode on the cassette or you want to  
alter the recommended ISO rating of the film, set the  
film speed manually before loading the cassette into  
the camera. Do this by entering the film speed  
programming mode as described for DX setting. Set to  
the required value and confirm the setting. The film  
speed can be set at 1/3 intervals from IS0 25 through  
3200 and the selection will be visible on the camLCD.  
Proceed to load the camera as described below.  
Self-timer delay (2s or 10s) can be selected by pushing  
the arrow or buttons after setting the shooting  
mode selector to Self-timer  
All set parameters except for Auto-bracketing and Multi  
exposure remain stored after the camera is switched off.  
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15  
and the cassette opening is pulled down accordingly.  
If the film bows upwards it may pull the film tip back  
and away from the index position. Carefully close the  
camera back. Press the left part of the back towards the  
main camera body until you hear a click to ensure it  
is locked. The film is automatically withdrawn com-  
pletely from the cassette, set at the first frame and the  
camera power turned off.  
Make  
a
manual ISO setting before using an un-coded  
cassette, otherwise the camera will not prewind the film.  
If you make the manual ISO setting with the film tip extracted  
to its automatic loading position, the camera will prewind the  
film only after opening and closing the camera back.  
If you make a manual ISO setting do not forget to make the  
appropriate changes afterwards for the next film.  
The winding of the film back into the cassette after the  
last exposure can be programmed to either wind the  
film fully into the cassette or leave a film tip out of the  
cassette. Make your choice by switching the camera  
from OFF to S while holding down the MODE button on  
the camLCD. A cassette symbol accompanied with the  
text out or in will be shown. Select with the / but-  
tons which type you prefer. Confirm by pushing the  
release button halfway. A cassette symbol illustrating  
your choice will now shown on the display.  
Film loading  
In subdued lighting, lift the camera back release catch as  
in the illustration and push upwards. The camera back  
will now be released.  
26, 27, 28░  
Be careful not touch the shutter or format blinds with your  
fingers or let a film cassette drop onto them!  
With the shooting mode selector set at OFF, insert a  
35 mm film cassette into the film compartment as in  
the illustration. Note which way round the cassette  
is inserted. Tilt the 'top' of the cassette a little at first  
so that the cassette is seated securely in the compart-  
ment. Pull out just enough - but no more-film leader to  
align the tongue of the film against the green 'film tip'  
index line so that it rests on the take-up spool. Ensure  
the film is laying down flat against the shutter housing  
If a non-DX film has been loaded while the ISO programming  
was set at 'Auto' (DX) then it will not be wound forward and  
the camera will not operate. Make  
programming and load the film again.  
a
manual film speed  
Load the camera with the mode setting at 'OFF'  
While the film is being withdrawn, the camLCD will  
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16  
show the film speed while the expLCD will count down setting automatically. This means that by switching  
the exposures. When the film has been completely the format selector knob back and forth, you can see  
withdrawn from the cassette, the camLCD will turn how many frames are remaining in either format at  
off. The expLCD will indicate the number of exposures any time. The figure 1 indicates the last frame and  
remaining (according to format setting).  
when that has been exposed the camera automatically  
rewinds the remainder of the film into the cassette.  
When the motor stops, the exposure counter will in-  
dicate E (empty).  
The number of exposures remaining will depend on the  
format setting. Therefore with  
a
new 36 exposure  
cassette, for instance, the counter will show 36 exposures  
at standard format but only 20 at panorama format.  
If the camera back is opened the camera will rewind  
the remaining unexposed film when closing the back  
again. After the film has been fully rewound expLCD  
will indicate a flashing E (empty) as a warning.  
If the exposure counter does not show how many  
exposures are remaining, it is an indication of a fault.  
Open the camera back and re-align the tip of the film with  
the take-up spool.  
If the exposure counter flashes, it is an indication of a  
fault. Rewind the film and reload the camera.  
The camera will appear to operate normally even if it is  
empty. However, no figures will be visible in the expLCD  
and of course no information can be seen in the film type  
window!  
Exposure Control  
Exposure control can be automatic (aperture prior-  
ity) or manual. Aperture priority means that the  
camera automatically chooses a shutter speed to  
match the aperture that you have set. The TTL ex-  
posure meter provides a centre-weighted, average  
reading and measures the light at the shutter plane.  
Exposure Counter  
29░  
The expLCD indicates the number of unexposed frames  
remaining, automatically changing after every ex-  
posure. It also takes into account the chosen format  
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17  
A yellow LCD display inside the viewfinder shows  
the shutter speed and triangle symbols indicating  
over or under exposure.  
Ensure you check this information when using automatic  
mode in case the lighting conditions are beyond the range  
of the meter/camera settings for the sensitivity of the film  
in use. This might happen when using a fast film in very  
bright conditions or a slow film in poor lighting conditions,  
for example.  
The pattern of the sensitive area remains the same  
for both the normal and panorama formats. It oc-  
cupies a central area of approximately 20 x 30 mm  
(vertically x horizontally) and is suitable for readings  
with the camera in both the horizontal and vertical  
positions. Normal photographic precautions and  
practices apply when taking an exposure reading  
in either manual or automatic mode with regard to  
the tonal value of the chosen metered area, the ef-  
fect of bright skies in landscapes, the contrast range  
of the scene, back light situations, etc.  
In automatic mode, the longest exposure possible is  
seconds.  
4
Holding the shutter release button halfway down will  
lock the exposure reading. When the shutter release  
button returns to its normal position, the camera con-  
tinues to measure light for approximately 10 seconds.  
The camLCD and viewLCD will also show the Tv  
value (shutter speed) for that particular exposure setting  
in ½ EV steps.  
A flashing shutter speed indicates light meter out of range  
(too dark or too bright scene).  
Automatic  
30, 31░  
1. If set within the manual speed range, turn the shut-  
ter speed selector dial to align A against the index on  
the camera body. It will click into position.  
Manual  
32, 33░  
2. Press the shutter release button halfway to activate  
the meter.  
1. If set at A, depress the shutter speed control lock  
button. At the same time, turn the shutter speed  
control to any desired shutter speed except A or B by  
aligning it against the index. You can then turn the  
shutter speed control without having to press the  
3. Adjust the aperture setting according to the signals  
in the viewfinder to ensure the exposure will be  
within the metering range as in the table.  
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18  
(31a) Shutter speed and flashing  
(31b) Shutter speed stable  
= beyond metering range (too dark)  
= correct exposure time  
A
U
T
(31c) Shutter speed 1000 stable and flashing  
= calculated exposure time of less than 1/1000s  
(close the aperture until the symbol disappears  
and the shutter speed is stable)  
O
(31d) Shutter speed 1000 and flashing  
= beyond metering range (too bright) (close the  
aperture until the symbol disappears and the  
shutter speed is stable)  
(32a) Shutter speed and flashing  
(32b) flashing  
= beyond metering range (too dark)  
= more than 1 EV underexposure  
= 0.5 EV underexposure  
M
A
N
U
A
L
(32c) showing  
(32d) /showing  
= correct exposure  
(32e) showing  
= 0.5 EV overexposure  
(32f) flashing  
= more than 1 EV overexposure  
= beyond metering range (too bright)  
(32g) Shutter speed and A flashing  
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19  
ton, return to the desired composition and press the  
button all the way down for exposure.  
lock button again. It remains locked only at the  
A setting. Be sure to set the dial at a specific speed  
and not in between two speeds as this will cause  
exposure errors.  
In situations where this method is not possible - where  
there are no suitable areas to make a reading from or  
where you are taking several pictures in quick succes-  
sion, for example - use programming of the exposure  
compensation instead. Setting in half EV steps, it will  
provide you with the desired amount of correction  
automatically.  
2. Press the shutter release button halfway to activate  
the meter.  
3. Adjust the aperture and/or shutter speed controls  
until the triangle symbols both appear in the  
viewfinder for correct exposure.  
1. Press the MODE button on the camLCD for 1s.  
The camLCD and viewLCD will also indicate the TV  
(shut-ter speed) setting.  
2. Press repeatedly until a combined +/- symbol ap-  
pears in the lower right frame on the display (not the  
AEB± symbol).  
A flashing shutter speed indicates light meter out of range  
(too dark or too bright scene).  
3. Select the amount of compensation with the / ▼  
buttons and confirm by pushing MODE again or by  
pushing the release button halfway.  
Exposure compensation  
In certain situations  
a
preferable exposure may be  
A +/- symbol is shown on the display as well as the  
amount of compensation. A +/- symbol also appears on  
the viewLCD, though not the amount of compensation.  
For example, if you want to photograph a dark figure  
obtained – technically or creatively – by overriding  
the suggested exposure. There are two alternative ways  
to do this in automatic mode, the choice of method  
depending on the type of scene. Where there are large,  
bright areas- a landscape with large white clouds for  
example - point the camera down towards foreground  
tones and press the release button halfway to lock the  
exposure. While maintaining the pressure on the but-  
against  
a
dominant light background, the exposure  
suggested (averaged TTL meter reading) will produce an  
underexposed image. By setting an exposure com-  
pensation of + 1.5, for example, the result will be more  
natural. A common situation is a 'back lit* subject – an  
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20  
interior where a figure is standing in front of a window, having to alter the settings after each exposure. This  
for instance, or against snow, a sandy beach, silhouet- is particularly useful when using reversal film that  
ted against a sky, etc, where the background is very inherently has little tolerance for exposure error. It  
light while a much smaller but important part of the under- and overexposes (by altering the shutter speed)  
image is comparatively much darker.  
using the chosen exposure setting as standard provid-  
ing three separate exposures. Half or full EV step vari-  
ations can be made. Proceed as follows:  
The opposite situation can also be corrected where, for  
example, a light coloured object is positioned in front  
of a very dark background. In this case an averaged  
TTL meter reading will suggest a reading that would  
produce an overexposed image. A decrease compensa-  
tion of -1.5, for example, can be applied producing a  
background tone that was closer to the original and  
darkening the object to a more 'natural' tone. Similar  
situations might be an object placed in sunlight  
against a background in shadow, for example.  
1. Set the film transport mode to S or C.  
2. Push the MODE button on the camLCD for 1s.  
Push repeatedly until an AEB and a ± symbol appear  
in the lower right frame on the display. Select the  
exposure deviation with the / buttons. Confirm  
by pressing MODE again or by pressing the release  
button halfway. An AEB symbol is shown on the  
display as well as the set exposure deviation. A +/-  
symbol is also shown on the viewLCD.  
The amount of compensation required will differ from  
case to case dependant on the situation and the desired  
effect.  
3. Determine the exposure as normal in manual or  
'automatic' mode.  
Do not forget to re-set the exposure compensation back to  
zero after use.  
4. Press the shutter release button (or remote release)  
and keep it pressed until the three frames have been  
exposed.  
Auto-bracketing  
The exposures will consecutively be: standard, under,  
over. They are also indicated in the camLCD as follows  
(assuming 0.5 EV is your choice of variation for this  
example):  
The auto-bracketing function allows you to make a  
series of increased and decreased exposures in rapid  
succession to ensure an optimal exposure without  
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21  
ing off the camera. Failure to do so can cause frames to  
be incorrectly exposed as you may have inadvertently  
continued an interrupted sequence or started a new one.  
Exposure #1 displays '± 0.5' (standard)  
Exposure #2 displays '-0.5' (under)  
Exposure #3 displays '+0.5' (over)  
The standard exposure will include any exposure  
compensation you have set. When using both exposure  
compensation and AEB, only the AEB setting will be  
The bracketing function will automatically be deacti-  
vated when the camera is turned off and will have to be  
reactivated when switched on again. The function can  
also be turned off by pressing the MODE button again.  
shown on the camLCD  
.
AEB cannot be activated when only one or two pictures  
remain unexposed on the film.  
If you release the pressure on the shutter release button (or  
remote release) too soon, the operation will not complete.  
When depressed again, the sequence will carry on from  
where it stopped. That is to say, if you release the pressure  
after the first exposure for example, the two final exposures  
remain programmed in the camera. Therefore, when you  
depress the release again (assuming you have not turned  
off the AEB mode or the camera), the first exposure will  
be underexposed by 0.5EV and the exposure after that,  
overexposed by 0.5EV. The information concerning the  
remaining frames remains in the camera even if it has gone  
into the standby mode but the AEB symbol and the figures  
will be visible again in the camLCD when the camera is  
reactivated.  
The shutter will lock and the camLCD will indicate a  
flashing AEB '±' and  
a
number when the bracketing  
function is activated in standard format with only three  
pictures left and the format switch is changed to  
panorama.  
The shutter will lock and a flashing  
expLCD if the format is changed after one or two  
exposures while the camera is set or AEB  
P
will appear in the  
.
You can any time cancel the AEB by pushing the MODE  
button.  
AEB cannot be combined with Multi exposure.  
Pay attention to the information in the camLCD when work-  
ing in the AEB mode and to remember to cancel this mode  
after use either by pressing the AEB button again or by turn-  
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22  
Film advance  
General  
LCD illumination  
When the ambient lighting conditions are too dark too  
read the LCD information panels, press the LCD back  
light illumination button located below the camLCD  
panel, as in the illustration. The panels will be illumi-  
nated and remain so until the camera remains inactive  
for a period of five seconds. The lighting will then go  
out automatically. The button also has a toggle func-  
tion so you can turn the lighting off simply by pressing  
button again.  
The film is advanced automatically to the next  
frame with consistent spacing between frames  
regardless of format. This resetting of the frame  
position can be heard when the format selector is  
moved.  
34░  
When the mode dial is set at S, one exposure is made.  
When the mode dial is set at C, consecutive exposures  
are made as long as the release button remains de-  
pressed. In the C mode the exposure rate is 1.2 frames/s  
in the standard format and 0.9 frames/s in the pano-  
rama format.  
The viewLCD has a backlighting brightness automati-  
cally controlled by the ambient light level.  
If only one unexposed frame is left on the film to cover  
the standard format and the format selector is switched  
to 'panorama', the shutter will lock and a P will flash as a  
warning.  
Close-range photography  
The viewfinder has an integral parallax compensation  
facility. This automatically moves the position of the  
bright frame in the viewfinder in accordance with the  
focusing distance to ensure correct framing of the subject.  
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23  
When set in the automatic mode, do not stand in front of the  
camera when pressing the release button as this could  
adversely affect the exposure reading.  
Film plane index  
The film plane index is situated on the top plate of the  
camera to the left of the flash hot shoe. This provides  
the most accurate mark for distance measurement  
from the subject.  
The exposure reading is fixed at the time of pressing the  
shutter release button, even in AE mode. Check, therefore,  
to see that there has been no change in the lighting  
conditions during the delay time before exposure.  
Self Timer  
1. Set the main selector dial to the  
lustration.  
icon as in the il-  
Multi exposure  
The camera can be programmed to make up to 9 expo-  
sures of the same frame.  
2. The  
icon and set delay time appears in the  
camLCD panel.  
1. To select multi exposure mode push the MODE  
button on the camLCD for 1s. Push repeatedly until  
a flashing double frame symbol appears on the  
display.  
3. Set delay time can be changed (2s or 10s) with the  
up/down buttons on the camLCD panel.  
4. Press the shutter release button.  
5. When delay time is set to 10s, the self-timer lamp,  
located on the front of the camera to the right of  
the viewfinder window, lights up for seven seconds  
and flashes for three seconds as a countdown indi-  
cation. When delay time is set to 2s the self-timer  
lamp start flashing immediately after release.  
2. Select multi exposure with the / buttons to  
select a non-flashing double frame symbol. Confirm  
the setting by pushing the release button halfway and  
a double frame symbol is shown on the camLCD.  
3. By pushing the button repeatedly you can now  
select up to 9 exposures, displayed on the expLCD.  
You can any time cancel the multi exposure function  
by pushing the MODE button. Multi exposure cannot  
be combined with Auto-bracketing.  
6. The shutter will then fire and the film will advance.  
Even if the self-timer operation has started, you can  
stop it simply by turning the mode switch back to S, C  
or OFF.  
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24  
Infrared Photography 37Flash  
38░  
Infrared (IR) rays (wavelengths longer than 800 nm)  
form an image on a plane further away from the lens PC flash socket or hot shoe connector. Please see your  
There is flash sync at all speeds from B to 1/125 via the  
than the image plane for visible light. To compensate  
for this difference you have to align the chosen dis-  
tance against the red IR index and not the normal  
central index. Proceed as follows:  
flash unit's user manual for further information.  
When the panorama format is selected, the flash  
should be adjusted to cover the field of view. With the  
45mm lens you should choose an angle that would  
normally be suitable for a 25 mm lens in the 35 mm  
1. Focus as usual.  
2. Note the distance on the focusing scale that is op- format. With the 90mm lens you should choose an  
posite the central index line on the lens. angle that would normally be suitable for a 50 mm lens  
3. Now rotate the focusing ring to set this distance op- in the 35 mm format.  
posite the red IR index spot instead of the central  
index line.  
The flash can be programmed to be triggered either  
at the beginning or at the end of the exposure. Press  
the MODE button on the camLCD for 1s. Press  
repeatedly until a flash symbol appears on the lower left  
of the display accompanied by N (triggering at the begin-  
ning of the exposure) or R (triggering at the end of the  
exposure). Select your choice with the / buttons.  
Confirm by pushing MODE again or by pressing the  
release button halfway. A flash symbol is shown on the  
display as well as your choice (N or R).  
The illustration shows a lens focused at approx. 4  
metres for infrared film. See specific film instruction  
leaflet for details of filters, film storage, handling and  
development.  
Please make tests with your choice of infrared film before  
use. High speed black and white infrared film, for example,  
can be slightly fogged on the edge of the film frame by the  
film transport emitter / sensor system.  
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25  
the mid-roll rewind button located below the camLCD  
Remote release  
39░  
panel. The button is recessed to prevent unintentional  
use, so use the tip of a ball-point pen or similar to ac-  
cess it.  
A variety of remote releases can be attached to the  
XPan II, which has a standard cable release port. Any  
type of release is suitable on condition that the final  
connector has a standard fitting, as in the illustra-  
tion. There is also an optional electrical release cord  
for XPan II. It uses the same port as for the standard  
mechanical cable releases  
Exposure history  
The total number of exposures taken with the camera  
can be checked on the camLCD. With the camera turned  
off, depress the button and keep it depressed while  
you switch the shooting mode selector to S.  
The use of  
a
remote release activates the camera  
(including the exposure meter) and fires the shutter  
immediately. In Auto mode you can see which shutter  
speed was chosen by the camera on the viewLCD and  
camLCD; in Manual mode press the shutter release but-  
ton halfway to activate the exposure meter and adjust  
the settings before making an exposure with a cable  
release.  
Each unit signifies ten exposures. You may find that  
even a brand new camera indicates around 200 expo-  
sures taken. This is a result of testing during manufac-  
ture and is not a sign of used equipment.  
This facility is a handy check to see whether the cam-  
era should be serviced.  
When the shutter speed is set at 'B', the drain on the  
batteries is substantial. The maximum exposure time at this  
setting is 540 seconds.  
Film processing  
41░  
If you have panorama format exposures or a mixture  
of standard and panorama format exposures on the  
same roll of film, be sure to use a film processing labo-  
ratory that is aware of the situation and is qualified to  
handle such cases. Normal consumer film processing  
facilities are not suitable as their systems cannot allow  
for the mix of formats and will cut the film incorrectly.  
Mid-roll rewind  
40░  
Normally the film is automatically rewound into the  
cassette after the last frame has been exposed. To  
remove the film beforehand, however, you must press  
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26  
Films containing only standard format images, how-  
ever, remain unaffected and you may use a normal  
consumer lab.  
Accessories  
The XPan II is supplied with a front protective cap,  
a Quick-coupling plate XPan (together with a hex  
wrench/Alien key and fixing bolt), a spirit-level and  
a strap. At the end of this manual you will find a list  
containing the optional accessories available for  
the XPan II, some of which are described below.  
Various flash guns can be attached to the hot shoe  
and flash brackets can be attached via the tripod  
screw on the baseplate. Remote releases - cable,  
pneumatic or electric - can be attached via the  
cable release socket.  
The lab stickers are provided as a convenient way of  
informing or reminding the film lab of the situation.  
Ensure that the sticker covers the film type bar code  
and the DX code strip on the cassette. Additional stick-  
ers are available from your Hasselblad dealer. You may  
of course mark the cassettes very clearly in some other  
way to ensure that the film is cut manually.  
Always check with the laboratory first to avoid problems.  
Further information about panorama format printing  
and the location of suitable processing labs can be ob-  
tained from your local Hasselblad dealer.  
Quick-coupling plate  
The Quick-coupling plate XPan (3044410) allows you to  
use the Hasselblad Tripod quick-coupling S (3045144)  
- an optional accessory available from the Hasselblad  
V system range - for rapid and secure attachment to a  
tripod and is only necessary for use in this case.  
The plate is supplied together with a fixing bolt and  
a hexagonal 'Allen key' wrench. Align the plate along  
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27  
the length of the camera's baseplate and screw the bolt 4/90mm lenses. The filter absorbs some of the ultra-  
clockwise into the tripod socket a few turns. Ensure violet rays present in light, which cause the appear-  
the alignment pin on the plate matches its respective ance of haze, particularly noticeable in photography at  
socket in the camera baseplate and continue to screw high altitudes, for example. The use of a UV-Sky filter  
the bolt until it is securely attached.  
can reduce this effect somewhat and also cause a slight  
warming of tone on colour film.  
Spirit Level  
42, 43░  
The filter can safely be left on the lens for most photo-  
graphic applications as it provides some protection for  
the lens' front element not only against dust and rain  
etc but also against scratches and accidental damage.  
The dual-directional spirit level simply fits into the  
flash hot-shoe and provides a check for both horizontal  
and vertical photography. This can be particularly  
useful when photographing buildings, for example. In  
these cases the use of a tripod or stable camera support  
is particularly recommended.  
The filter is multi-coated to ensure high anti-reflection  
quality. No degradation in MTF is seen and there is no  
shift in focus.  
Ensure, however, that it is fitted correctly; see illustra-  
tions. Note the difference depending on whether the  
camera is in the horizontal or the vertical position.  
Check that the spirit-level has been pushed all the  
way into the shoe as far as it will go. Remember that  
the spirit level is intended to be an aid in levelling and  
cannot guarantee complete accuracy. Check the image  
carefully in the viewfinder.  
Centre filter XPan for 45mm  
The Centre filter XPan for 45 mm (3054453) is de-  
signed for use only with the Hasselblad 4/45-mm lens  
(3024015).  
The 45 mm lens is free from vignetting with panorama  
format images at lens aperture settings smaller than  
f/8. However, natural light fall-off (a basic law of phys-  
ics) reduces the exposure at the corners of the image by  
roughly 1 f-stop.  
UV-Sky filter  
The UV-Sky filter XPan (3054460) is designed for This light fall-off at the corners causes visible effects  
use with the Hasselblad 4/45mm and the Hasselblad in critical photography when using transparency film.  
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28  
When using negative film, however, natural light fall-  
off present in traditional optical printing set-ups (most  
film labs and mini-labs) automatically compensates  
for this to a greater extent in the print. Therefore, when  
using negative film and with the lens stopped down,  
there may be no need to use a centre filter.  
Tips & Reminders  
cameras should particularly check that the lens cap has  
been removed when making exposures. Flashing shut-  
ter speed and flashing low exposure symbol warning  
appear in the viewfinder.  
Photographers normally used to working with SLR  
The only way to eliminate light fall-off at the corners is  
to reduce the amount of exposure at the centre of the  
image. The Centre filter XPan works by a concentra-  
tion of neutral density at the centre and a progressive  
reduction of density towards the outer edge. The effect  
at the centre of the filter corresponds to a 1 f-stop re-  
duction in exposure.  
Take care if using other types of lens shade or filter hold-  
ers. As the XPan II does not have a TTL viewing system  
it will be difficult to judge effects and possible vignetting.  
They may also obscure the rangefinder optics and cause  
visual focusing difficulties through the viewfinder.  
Regularly check that the controls are set correctly be-  
fore you take a photograph. For example, you may have  
set the camera at ASA/ISO override for a previous film  
and have forgotten to reset the Auto DX code setting.  
Or perhaps you have forgotten to reset an exposure  
compensation.  
The filter is multi-coated to ensure high anti-reflection  
quality. No degradation in MTF is seen and there is no  
shift in focus.  
The filter performance is optimised to give even illu-  
mination at larger or medium sized apertures.  
When using the panorama format, ensure that you com-  
pose accurately, or at least allow a margin for error. If  
you decide to crop an image later, to level a horizon for  
instance, you may be forced to mask off slightly more  
than normal compared to a similar correction in the  
standard format, owing to the panorama format's greater  
length.  
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29  
decrease appears as slight light fall-off for critical ap-  
If you open the camera back by mistake before  
you have finished the film, you will only have lost the  
last exposed frame and the unexposed frames. The  
exposed frames have already been wound back into the  
cassette as the XPan II starts by withdrawing all of the  
film first and progressively rewinding it frame by frame.  
plications. This is quite natural and is not due to lens  
vignetting for a stopped-down lens. To minimize this  
effect use an aperture of f/8 or smaller and avoid un-  
derexposure. The effect can be completely eliminated by  
using the Centre filter/Pan for 45 mm (3054453).  
Remember that it is roughly the central 20x30 mm area  
that is used in light metering. This is particularly im-  
portant when using the panorama format if the scene  
contains a wide range of lighting or tonal, contrasts.  
Make a habit of turning off the camera when not in use.  
The power save function will put the camera in stand-  
by mode automatically after three minutes of inactivity  
but it may reactivate if something presses against it; in a  
camera bag for example.  
When objects are very close to the lens, remember that  
their position in relation to the background will also be  
subject to parallax and therefore, dependent on dis-  
tance, will not be exactly as seen in the viewfinder This  
effect is mainly of concern with the 30mm lens.  
Check battery status regularly and always keep some  
spare batteries in your camera bag.  
At very low temperatures, the batteries may not provide  
sufficient power for the camera. Keep some spare bat-  
teries in your pocket, for example, to keep them warm.  
These can then be exchanged and be used alternately  
while the cold batteries are being warmed.  
Landscapes can often include a great deal of sky in  
wide-angle photography. If pale in tone or with large  
white clouds for example, such skies can affect the  
exposure meter sufficiently to cause under-exposure  
of the image. Dependant on the desired effect, take an  
exposure reading from a more appropriate part of the  
subject, excluding most of the sky, or use an external  
exposure meter.  
The dependable working range for the camera is -10° C  
– +40° C.  
The LCD's may look dark at temperatures around 60° C  
and react slowly at very low temperatures. This is quite  
normal and does not signify a fault.  
Do not forget to remove the lens cap when  
making an exposure!  
When using a combination of the 45mm lens, pano-  
rama format and transparency film, the natural light  
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30  
Please note that the eyepiece, including the correction  
Ophthalmology  
Recommended eyepiece  
glass holder, is constructed from a rubber coated plas-  
tic material to minimise the risk of scratching eyeglass  
lenses.  
prescription  
SPHERICAL  
+3.0 – +2.5  
+2.25 – +1  
+0.75 – -0.5  
-0.75 – -1.5  
-1.75 – -2.5  
-2.75 – -3.75  
Power  
Code  
+2  
3054437  
3054434  
3054440  
3054431  
3054428  
3054425  
+0.5  
-1(std)  
-2  
-3  
-4  
Viewfinder eyepiece selection  
42, 43░  
The table below provides the choice of correction  
eyepieces available in connection with an eyeglass  
prescription. Firstly, decide which eye you would nor-  
mally use for viewing. Then check your prescription  
bearing in mind that in ophthalmic terms O.D stands  
for the right eye and O.S stands for the left eye. In the  
table, read off the appropriate eyepiece that is along-  
side your prescription figures.  
If your cylindrical eyeglass prescription is more than  
0.5 dioptres, it is recommended that you always wear  
your eyeglasses for viewing and focusing.  
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31  
Technical Specifications - XPan 11  
Camera  
Coupled rangefinder with interchangeable lenses.  
type:  
Design:  
Viewfinder:  
Aluminium and titanium camera body.  
Bright frame viewfinder (ambient light), automatic parallax compensation, automatic  
standard / panoramic switch over via format selector dial, automatic bright frame  
switch-over according to lens fitted, integral LCD display showing shutter speed and  
exposure metering indications. Field of view 85% or more.  
Focusing:  
Lens helicoid interlocked to coupled rangefinder.  
Film  
transport:  
Pre-wind type, automatic positioning according to format, automatic wind-on,  
automatic rewind. Programmable selection of full rewinding of the film into the cassette  
or leaving a film tip exposed for easy film extraction. Film advance of 1.2 frames per  
second in standard format, 0.9 frames per second in panorama format Programmable  
multiexposure mode with up to 9 exposures per frame.  
Film type:  
Format:  
35mm  
24x36 mm and 24x65 mm.  
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32  
Frames per film:  
36, 24 and 12 frames In standard format or 20, 13 and 6 frames in  
panorama format from 36 exp, 24 exp and 12 exp cassettes respectively  
Exposure counter:  
Shutter:  
LCD. Automatic, shows number of frames remaining. Illuminated.  
Panorama format indication.  
Focal plane shutter, B (max 540s) -1 /1000 s, flash synchro from B –  
1/125 s. Flash sync programmable at the beginning or the end of the  
exposure. 1 EV step control on manual, 1/12 EV step control on  
automatic, self-timer with 2s or 10s delay. Activated by button or cable  
release socket.  
Exposure control:  
TTL measured at shutter plane, centre weighted averaging system,  
aperture priority automatic/manual switch over, EV4 (f4) - EV19 (f22) at  
IS0 100.  
Exposure compensation:  
Auto bracketing  
±2 EV at 1/2 EV step intervals.  
0.5 EV or 1.0 EV step intervals. Order: standard, under, over.  
Film speed:  
Programmable auto DX setting and manual setting. IS0 25-3200, ±1/3 EV  
accuracy.  
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33  
Camera LCD  
information:  
ISO, shutter speed (Tv), exposure compensation, auto bracketing, self-timer delay  
time, sync mode, rewind mode, multi exposure, battery status and exposure  
history. Illuminated  
Batteries:  
CR2 x 2 (6V total).  
External  
dimensions:  
Camera body only: 51 mm L x 166 mm W x 82 mm H. (2.04 x 6.64 x 3.28")  
45 mm lens: 47 mm L (1.88"), Ø 60 mm. 90 mm lens: 73 mm L (2.92"), Ø 60 mm.  
Weight:  
Body only: 735 g (25.7oz) without batteries. 30 mm lens: 310 g (10.85oz).  
45 mm lens: 235 g (8.23oz). 90 mm lens: 365 g (12.78oz).  
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34  
LENSES:  
Hasselblad 5.6/30 mm Aspherical lens:  
bayonet fitting, f5.6 - f22, 8 components, 10 elements, focusing range 0.7m – , filter  
Ø 58mm. Angle of view - diag./hor. 72°/62° (standard format) 98°/94° (panorama  
format) 17 mm lens in 35 mm camera terms when camera set at panorama format.  
Hasselblad 4/45 mm lens:  
bayonet fitting, f4 - f22, 6 components, 8 elements, focusing range 0.7m – , filter  
Ø 49mm. Angle of view-diag./hor. 51°/47° (standard format) 74°/71° (panorama  
format) 25mm lens in 35 mm camera terms when camera set at panorama format.  
Hasselblad 4/90 mm lens:  
bayonet fitting, f4 - f22, 7 components, 9 elements, focusing range 1.0m – , filter  
Ø 49mm. Angle of view-diag./hor. 27°/23° (standard format) 42°/40° (panorama  
format) 50mm lens in 35 mm camera terms when camera set at panorama format.  
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35  
Troubleshooting  
Your XPan II is a fully professional camera and should provide many years of service particularly if the advice is followed  
under 'Equipment Care, Service and Guarantee'. If a problem arises, however, check back in this manual to the relevant  
section first taking particular note of the specific warnings. Then check the table below to see if you can solve it. Refer to a  
Hasselblad Authorised Service Centre if the problem persists.  
Problem  
Possible cause / solution  
Camera does not react when  
the release button is pressed.  
Mode selector in 'OFF7 position.  
Batteries omitted or exhausted.  
You cannot attach the lens.  
You cannot remove the lens.  
Ensure lens indexes are aligned.  
Depress lens release button while turning lens.  
New film has not wound on to  
first frame.  
Film tip incorrectly positioned before closing camera back.  
ISO setting to DX position with a non-DX coded film cassette.  
Whole film under/ overexposed.  
Some frames unexposed.  
Manual film speed (ISO) set incorrectly.  
Exposure compensation not set at zero.  
Lens cap not removed.  
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36  
Equipment Care, Service and Guarantee  
EQUIPMENT CARE  
should be treated with great caution. In some cases  
they may be removed with a high quality lens cleaning  
solution on a tissue but be careful not to scratch  
the lens or touch any of the glass surfaces with your  
fingers. If in any doubt, do not attempt to clean  
lens glass surfaces yourself but allow a "Hasselblad  
Authorized Service Center" to treat them.  
The Hasselblad XPan II is designed to withstand the  
rigours of professional use in most environments. To  
avoid the possibility of damage however, it should  
be protected from the following:  
Extremes of temperature. High temperatures  
can have an adverse effect on both film and equip-  
ment. Try to avoid frequent and severe temperature  
changes. Be particularly careful in humid environ-  
ments. Corrosion of electrical contacts may occur in  
these situations if sufficient care is not taken. Allow  
the equipment to acclimatize before disassembly.  
Try to ensure the storage conditions in such environ-  
ments are as dry as possible.  
Impact. Your equipment can be damaged by severe  
physical shocks so practical protective precautions  
should be taken. When not in use, try to make  
a habit of storing your camera equipment in some  
form of protective case or bag to avoid accidental  
damage.  
Loss. Hasselblad equipment is much sought after  
and you should take obvious steps to prevent  
theft. Never leave it visible in an unattended car, for  
example. Separate and specific camera insurance  
cover should be considered by professional users.  
Dust and grit. You should take care to prevent dust  
and grit from getting into your equipment. In coastal  
areas take measures to protect your equipment  
from sand and salt-water spray. Dust on the lens  
glass can be removed with a blower brush or very  
soft lens brush if necessary. Smears on the lens glass  
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37  
SERVICE  
You should return your equipment to a service centre Hasselblad XPan II camera  
3014020  
for occasional checking and preventive maintenance  
to ensure optimal reliability. If your camera is used  
constantly and intensively, periodic check-ups every six  
months are recommended at one of the "Hasselblad  
Authorized Service Centers". They have the expert staff  
and specialised equipment necessary to ensure that  
your equipment remains in perfect working order.  
supplied with the following equipment:  
Front protective cap, XPan  
Quick-coupling plate, XPan (with hex  
wrench)  
Strap, XPan  
Spirit-level, XPan  
3054415  
3044410  
3054403  
3054418  
Batteries (2 xCR2)  
GUARANTEE  
Provided that you bought your equipment from an  
authorised Hasselblad outlet, it is covered by an  
international guarantee for one year. The guarantee  
document and a registration card are supplied with the  
camera. Keep the guarantee document carefully, but fill  
in the registration card and return it to your Hasselblad  
distributor.  
Hasselblad XPan II kit  
Complete camera with supplied equipment as 3014470  
3014020, plus Hasselblad 4/45 mm lens (com-  
plete with supplied equipment as 3054415)  
plus Lens shade, XPan 3054405.  
Hasselblad 5.6/30 mm aspherical lens 3024013  
supplied with the following equipment:  
Viewfinder XPan 30 mm  
fitted with a 'neutral' correction lens  
Lens shade XPan 30 mm  
Centre filter XPan for 30 mm  
Lens pouch  
3054472  
3054482  
3054407  
3054451  
3058408  
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38  
Viewfinder pouch XPan 30 mm  
Front lens cap for XPan  
Rear lens cap XPan  
3054463  
3054410  
3054412  
Optional Accessories  
Lens shade, XPan (for 45 and 90 mm)  
Centre filter XPan for 45 mm  
UV-Sky filter XPan  
Release cord XPan II  
Leather case 580  
3054405  
3054453  
3054460  
3054510  
3054468  
3054536  
3054425  
3054428  
3054431  
3054440  
3054434  
3054437  
Optional Accessories - XPan 30  
Correction lens, XPan 30, - 4  
Correction lens, XPan 30, - 2.5  
Correction lens, XPan 30, -1 (neutral)  
Correction lens, XPan 30, + 0.5  
Correction lens, XPan 30,+2  
3054476  
3054479  
3054482  
3054485  
3054488  
Ever ready case XPan  
Correction lens, XPan, - 4  
Correction lens, XPan, - 3  
Correction lens, XPan, - 2  
Correction lens, XPan, -1 (neutral)  
Correction lens, XPan, +0.5  
Correction lens, XPan, +2  
Hasselblad 4/45 mm lens  
supplied with the following equipment:  
3024015  
Front lens cap, XPan  
Rear lens cap, XPan (integral)  
Protective lens cover, XPan  
3054409  
3054412  
3054421  
Hasselblad 4/90 mm lens  
3024019  
supplied with the following equipment:  
Front lens cap, XPan  
Rear lens cap, XPan (integral)  
Protective lens cover, XPan  
3054409  
3054412  
3054421  
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39  
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