Harman Kardon Stereo Receiver AVR 360 User Manual

AVR 460/AVR 360

AUDIO/VIDEO RECEIVER

ADVANCED FUNCTIONS MANUAL

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TABLE OF CONTENTS and FE ATuRES

ADVANCED FUNCTIONS

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Audio Processing and Surround Sound

Analog Audio Signals

Digital Audio Signals

Surround Modes

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choose to be notified about new products and/or special promotions.

Dolby Surround Settings

Manual Speaker Setup

Audio Effects

Video Adjustments

Video Modes

How to Adjust the Custom Picture Settings

Multizone Operation

Operating the Multizone System

System Settings

Advanced Remote Control Functions

Processor Reset

Memory

14 APPENDIX

27 TECHNICAL SPECIFICATIONS

27 Trademark Acknowledgments

Harman Kardon aVr 460/aVr 360

7.2-channel audio/Video receiver

Surround Modes

•

Dolby Digital EX, Dolby Digital Plus, Dolby TrueHD

Dolby Pro Logic® II and IIx (Movie, Music and Game), up to 96kHz

Harman Virtual Speaker

Audio Section

•

AVR 460: 80 Watts x 7, seven channels driven at full power at 8 ohms,

20Hz – 20kHz, <0.07% THD, 560 watts total.

AVR 360: 65 Watts x 7, 455 watts total.

Harman Headphone

•

High-current capability, ultrawide-bandwidth amplifier design with low

negative feedback

DTS-HD High Resolution Audio™, DTS-HD Master Audio™

DTS® (5.1; DTS Stereo; DTS-ES® 6.1 Discrete and Matrix)

DTS 96/24™ (DTS Stereo)

•

All-discrete amplifier circuitry

Quadruple-crossover bass management

Dual 32-bit Cirrus Logic® DSP processor

192kHz/24-bit A/D and D/A conversion

Sampling upconversion to 96kHz

Dolby® Volume processing

DTS Neo:6® (Cinema 5-, 6- or 7-channel; Music 5-, 6- or 7-channel),

up to 96kHz

•

Logic 7® (Movie, Music and Game), up to 96kHz

5- or 7-Channel Stereo, up to 96kHz

Surround Off (DSP or Analog Bypass)

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ADVANCED FuNCTIONS

Much of the AVR 460/AVR 360’s performance is handled automatically, with

Digital audio Signals

little intervention required on your part. The AVR 460/AVR 360 is capable

of being customized to suit your system and your tastes. In this Advanced

Functions Manual, some of the more advanced adjustments available are

described.

Digital audio signals offer greater capacity, which allows the encoding of

center and surround channel information directly into the signal. The result

is improved sound quality and startling directionality, since each channel is

reproduced discretely.

auDIo proceSSInG anD SurrounD

SounD

Audio signals output by sources are encoded in a variety of formats that can

affect not only the quality of the sound but the number of speaker channels

and the surround mode. You may also manually select a different surround

mode, when available.

Even when only two channels are encoded, the digital signal allows for a

higher sampling rate that delivers greater detail. High-resolution recordings

sound extraordinarily distortion-free, especially at high frequencies.

Surround modes

Surround mode selection is dependent upon the format of the incoming

audio signal, as well as personal taste. Table A12 offers a brief description of

each mode and indicates the types of incoming signals or digital bitstreams

the mode may be used with. Additional information about the Dolby and DTS

modes is available on the companies’Web sites: www.dolby.com and www.

dtsonline.com.

analog audio Signals

Analog audio signals usually consist of two channels – left and right. The

AVR 460/AVR 360 offers three options for playback:

1. Analog Bypass Mode: The 2-channel signal is passed directly from

the input to the volume control, without being digitized or undergoing

any processing for bass management or surround sound. To select analog

bypass mode:

When in doubt, check the jacket of your disc for more information on which

surround modes are available. Usually, nonessential sections of the disc, such

as trailers, extra materials or the disc menu, are only available in Dolby Digital

2.0 (2-channel) or PCM 2-channel mode. If the main title is playing and the

display shows one of these surround modes, look for an audio or language

setup section in the disc’s menu. Also, make sure your player’s audio output is

set to the original bitstream rather than 2-channel PCM. Stop play and check

the player’s output setting.

a) The analog audio inputs for the source must be selected. If necessary,

press the Info Button on the remote and use the

to the Audio Input from source setting.

Buttons to scroll

b) The tone controls must be disabled by setting the Tone Control to Off.

Press the Audio Effects Button to access the Tone Control setting.

For any incoming signal, only a limited number of surround modes are

available. Although there is never a time when all of the AVR 460/AVR 360’s

surround modes are available, there is usually a wide variety of modes

available for a given input.

c) The 2-channel Stereo mode must be selected. Press the Surround

Modes Button to access the STEREO line of the Surround Modes

submenu. Press the OK Button to select 2-channel Stereo.

When the Tone Control setting is Off, the front speakers will be set to

Large automatically. When the Tone Control setting is turned On, if

you have set the front speaker crossover to a numeric setting, the front

speakers will return to the Small setting.

Multichannel digital recordings are found in the 5.1-, 6.1- or 7.1-channel

formats. The channels included in a 5.1-channel recording are front left,

front right, center, surround left, surround right and LFE. The LFE channel is

denoted as “.1” to represent the fact that it is limited to the low frequencies.

6.1-Channel recordings add a single surround back channel, and 7.1-channel

recordings add surround back left and surround back right channels to

the 5.1-channel configuration. New formats are available in 7.1-channel

configurations. The AVR 460/AVR 360 is able to play the new audio formats,

delivering a more exciting home theater experience.

NOTE: Audio from The Bridge III source is analog, and when 2-channel

Stereo mode is selected, the audio will be played in Analog Bypass mode.

2. DSP Surround Off Mode: The DSP Surround Off mode digitizes the

incoming signal and applies the bass management settings, including

speaker configuration, delay times and output levels. Select this mode

when your front speakers are small, limited-range satellites and you are

using a subwoofer. To select this mode, use a digital audio input, or turn

the Tone Control setting off, and select 2-channel Stereo mode.

NOTE: To use the 6.1- and 7.1-channel surround modes, the Surround

Back channels must be enabled. See the Manual Speaker Setup section on

page 6 for more information.

3. Analog Surround Modes: The AVR 460/AVR 360 is able to process

2-channel audio signals to produce multichannel surround sound, even

when no surround sound has been encoded in the recording. Among the

available modes are the Dolby Pro Logic II/IIx modes, the Harman Virtual

Speaker modes, the DTS Neo:6 modes, the Logic 7 modes and the Stereo

modes.

The Digital formats include Dolby Digital 2.0 (two channels only), Dolby

Digital 5.1, Dolby Digital EX (6.1), Dolby Digital Plus (7.1), Dolby TrueHD (7.1),

DTS-HD High-Resolution Audio (7.1), DTS-HD Master Audio (7.1), DTS 5.1,

DTS-ES (6.1 Matrix and Discrete), DTS 96/24 (5.1), 2-channel PCM modes in

32kHz, 44.1kHz, 48kHz or 96kHz, and 5.1 or 7.1 multichannel PCM.

When a digital signal is received, the AVR 460/AVR 360 detects the encoding

method and the number of channels, which is displayed briefly as three

numbers, separated by slashes (e.g., “3/2/.1”).

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ADVANCED FuNCTIONS

The first number indicates the number of front channels in the signal:

You may select a different mode. The choice of surround modes depends on

the number of speakers in your system.

“1” represents a monophonic recording, usually an older program that has

been digitally remastered or, more rarely, a modern program for which

the director has chosen a special effect.

•

Virtual Surround: Harman Virtual Speaker

Stereo: 2-channel stereo, 5-channel stereo or 7-channel stereo

“2” indicates the presence of the left and right channels, but no center

channel.

Movie: Logic 7 Movie, DTS Neo: 6 Cinema, Dolby Pro Logic II Movie,

Dolby Pro Logic IIx Movie

“3” indicates that all three front channels (left, right and center) are

present.

•

Music: Logic 7 Music, DTS Neo: 6 Music, Dolby Pro Logic II Music, Dolby

Pro Logic IIx Music

The second number indicates whether any surround channels are present:

“0” indicates that no surround information is present.

“1” indicates that a matrixed surround signal is present.

“2” indicates discrete left and right surround channels.

Video Game: Logic 7 Game, Dolby Pro Logic II Game, Dolby Pro Logic

IIx Game

Once you have programmed the surround mode for each type of audio, select

the line from the Surround Modes menu to override the AVR’s automatic

surround mode selection. The AVR will use the same surround mode the next

time the source is selected.

“3” is used with DTS-ES bitstreams to represent the presence of the

discrete surround back channel, in addition to the side surround left

and right channels.

Please refer to Table A12 in the appendix for more information on which

surround modes are available with different bitstreams.

“4” is used with 7.1-channel digital formats to indicate the presence of

two discrete side surround channels and two discrete back surround

channels.

Dolby Surround Settings

Some additional settings are available for Dolby modes. When the Dolby Pro

Logic II or IIx Music modes have been selected, choose the Edit submenu to

adjust the Center Width, Dimension and Panorama settings. See Figure 29.

The third number is used for the LFE channel:

“0” indicates no LFE channel.

“.1” indicates that an LFE channel is present.

The 6.1-channel signals – Dolby Digital EX and DTS-ES Matrix and Discrete –

each include a flag meant to signal the receiver to decode the surround back

channel, indicated as 3/2/.1 EX-ON for Dolby Digital EX materials, and 3/3/.1

ES-ON for DTS-ES materials.

Dolby Digital 2.0 signals may include a Dolby Surround flag indicating DS-ON

or DS-OFF, depending on whether the 2-channel bitstream contains only

stereo information, or a downmix of a multichannel program that can be

decoded by the AVR’s Dolby Pro Logic decoder. By default, these signals are

played in Dolby Pro Logic IIx Movie mode.

Figure 29 – Dolby Pro Logic II/IIx Music Mode Settings

When a PCM signal is received, the PCM message and the sampling rate

(32kHz, 44.1kHz, 48kHz or 96kHz) will appear.

Center Width: This setting affects how vocals sound through the three

front speakers. A higher number (up to 7) focuses the vocal information

tightly on the center channel. Lower numbers broaden the vocal soundstage.

When only two channels – left and right – are present, the analog surround

modes may be used to decode the signal into the remaining channels. If

you would prefer a different surround format than the native signal’s digital

encoding, press the Surround Modes Button to display the Surround Modes

menu (see Figure 30).

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Use the

Buttons to adjust.

Dimension: This setting affects the depth of the surround presentation,

allowing you to “move” the sound toward the front or rear of the room. The

setting of “0” is a neutral default. Setting “F-3” moves the sound toward the

front of the room, while setting “R-3” moves the sound toward the rear. Use

The Auto Select option uses the native signal’s digital encoding, e.g., Dolby

Digital, DTS, Dolby TrueHD or DTS-HD Master Audio. For 2-channel materials,

the AVR defaults to Logic 7 Movie mode. If you prefer a different surround

mode, select the surround mode category: Virtual Surround, Stereo, Movie,

Music or Video Game. Press the OK Button to change the mode.

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the

Buttons to adjust.

Panorama: With the Panorama mode turned ON, some of the sound from

the front speakers is moved to the surround speakers, creating an enveloping

“wraparound” effect. Each press of the OK Button toggles the setting on or off.

Each category is set to a default surround mode:

•

Virtual Surround: Harman Virtual Speaker

Stereo: 7-channel stereo

Movie: Logic 7 Movie

Music: Logic 7 Music

Video Game: Logic 7 Game

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ADVANCED FuNCTIONS

Step tHree – manual Setup menu

manuaL SpeaKer Setup

Now you are ready to program the receiver. Sit in the usual listening position

and make the room as quiet as possible.

The AVR 460/AVR 360 is flexible and may be configured for most speakers,

and to compensate for the acoustic characteristics of your room.

With the receiver and video display turned on, press the Setup Button to

display the menu system. Use the Button to move the cursor to the

Speaker Setup line, and press the OK Button to display the Speaker Setup

menu. See Figure 20 in the Basic Manual.

The EzSet/EQ process automatically detects the capabilities of each speaker,

and optimizes the AVR 460/AVR 360’s performance. If you are unable to run

EzSet/EQ calibration, or if you wish to make further adjustments, use the

Manual Speaker Setup on-screen menus.

If you have run the EzSet/EQ process, the results were saved. To tweak the

EzSet/EQ results, or to configure the AVR 460/AVR 360 from scratch, select

Manual Setup. A screen similar to the one shown in Figure 30 will appear.

Before beginning, place your loudspeakers as explained in the Speaker

Placement section, and connect them to the AVR. Consult the owner’s guide

for the speakers or the manufacturer’s Web site for the frequency range

specification. Although you may set the output levels “by ear,” an SPL (sound-

pressure level) meter purchased at a local electronics store will provide

greater accuracy.

Record your configuration settings in Tables A3 through A11 in the appendix

for easy re-entry after a system reset, or if the AVR’s Master Power Switch is

turned off or the unit is unplugged for more than four weeks.

NOTE: When using the AVR’s Speaker Setup menus, select a video output

resolution of 720p or higher to view graphics that simplify configuration.

Figure 30 – Manual Speaker Setup Menu

Step one – Determine Speaker crossover

Without using the EzSet/EQ process, the AVR 460/AVR 360 can’t detect how

many speakers you’ve connected to it; nor can it determine their capabilities.

Consult the speaker’s technical specifications and locate the frequency

response, usually given as a range, e.g., 100Hz – 20kHz ( 3dB). Write down

the lowest frequency that each of your main speakers is capable of playing

(100Hz in the example) as the crossover in Table A3 in the appendix. This is

not the same as the crossover frequency listed in the speaker’s specifications.

For the subwoofer, write down the transducer size.

NOTE: All of the speaker setup submenus include the Back option, as

shown at the bottom of Figure 30. To save the current settings, select the

Back option.

To reconfigure the speakers from scratch, select the Reset option.

For best results, adjust the submenus in this order: Number of Speakers,

Crossover (Size), Sub Mode, Distance and Level Adjust.

The receiver’s bass management determines which speakers will be used to

play back the low-frequency (bass) portion of the source program. Sending

the lowest notes to small satellite speakers won’t sound right, and may even

damage the speaker. The highest notes may not be heard at all through the

subwoofer.

number of Speakers

Move the cursor to the Number of Speakers line and press the OK Button. See

Figure 31.

With proper bass management, the AVR 460/AVR 360 divides the source

signal at a crossover point. All information above the crossover point is played

through the satellite speaker, and all information below the crossover point is

played through the subwoofer. Each loudspeaker in your system performs at

its best, delivering an enjoyable sound experience.

Step two – measure Speaker Distances

Ideally, all of your speakers would be placed in a circle, with the listening

position at the center. However, you may have had to place some speakers a

little further away from the listening position than others. Sounds that are

supposed to arrive simultaneously from different speakers may blur, due to

different arrival times.

Figure 31 – Number of Speakers Menu

Program the correct setting for each speaker group: ON when the speakers are

present in the system, and OFF for positions where no speakers are installed.

The Front Left & Right speakers are always ON and may not be disabled. Any

changes will be reflected in the total number of speakers displayed at the top

of the screen.

Use the AVR’s delay adjustment to compensate for real-world speaker

placements.

Measure the distance from each speaker to the listening position, and write

it down in Table A4 in the appendix. Even if all of your speakers are the

same distance from the listening position, enter your speaker distances as

described in Step Three.

The setting for the surround back speakers includes a third option: Zone 2. The

AVR 460/AVR 360 is capable of multizone operation, supporting placement

of a pair of speakers in another room. The AVR 460/AVR 360’s assignable

surround back amplifier channels make multizone operation easier than ever,

since an external power amplifier is not required. Select the Zone 2 option

at this line, and connect the Surround Back Speaker Outputs to loudspeakers

located in the remote room.

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ADVANCED FuNCTIONS

The main room will be configured automatically for up to 5.1 channels. See

the Multizone Operation section for more information.

•

If you set the front speakers to LARGE, select one of the three settings for

the subwoofer.

♦

L/R+LFE: This setting sends all low-frequency information to the

subwoofer, including both information that would normally be

played through the front left and right speakers, and the special low-

frequency effects (LFE) channel information.

NOTE: When the Surround Back speakers are set to “Zone 2”, they will not

be configured during the EzSet/EQ process. To use the speakers in the main

listening area, configure them as “On”, and run the EzSet/EQ process for

a 7.1-channel system. If the speakers will only be used during multizone

operation, configure them manually, as explained below.

♦

Off: Select this setting when no subwoofer is in use. All low-

frequency information will be sent to the front left and right speakers.

The settings in this menu affect the remainder of the speaker setup process

and the availability of various surround modes at any time.

LFE: This setting plays low-frequency information contained in the

left and right program channels through the front speakers, and

directs only the LFE channel to the subwoofer.

When you have finished, select the Back option or use the Back/Exit Button.

NOTE: If you are using a Harman Kardon HKTS Series speaker system,

select the appropriate numeric crossover frequency for the Main Speaker

groups, and the subwoofer will automatically be set to LFE.

adjust crossover frequencies menu

After you have programmed the number of speakers, the AVR will return

to the Manual Speaker Setup menu (see Figure 30). Navigate to the

Crossover (Size) line and press the OK Button to display the Adjust Crossover

Frequencies menu (see Figure 32).

adjust Speaker Distance menu

Placing the speakers at different distances from the listening positions can

muddy the sound, as sounds are heard earlier or later than desired.

Even if all of your speakers are placed the same distance from the listening

position, do not skip this menu.

On the Manual Speaker Setup menu, move the cursor to the Distance line and

press the OK Button to display the Adjust Speaker Distance menu. See Figure

33.

Figure 32 – Adjust Crossover Frequencies Menu

The AVR will only display those speaker groups programmed in the Number of

Speakers menu.

Refer to Table A3 for each speaker’s crossover. For the main speakers, this is

the lowest frequency the speaker reproduces well.

For each main speaker, select one of the seven crossover frequencies: 40Hz,

60Hz, 80Hz, 100Hz, 120Hz, 150Hz or 200Hz. If the crossover frequency is

below 40Hz, select the first option, “Large”. This setting doesn’t refer to the

speaker’s physical size, but to its frequency response, which is also called “full

range”.

Figure 33 – Adjust Speaker Distance Menu

Enter the distance from each speaker to the listening position, as measured

in Step Two – Measure Speaker Distances and recorded in Table A4 in the

appendix (see page 15).

Specify the size of the subwoofer’s transducer as 8, 10, 12 or 15 inches. The

AVR always sets the subwoofer crossover to 100Hz, but uses the transducer

size for equalization. Write down the settings in Table A3 in the appendix.

The default unit of measurement is feet. To change the unit to meters, return

to the main AVR menu. Select the System Settings menu, then scroll down to

the General Setup section and select the Unit of Measure line. Press the OK

Button to change the setting.

When you have finished entering the settings, select Back, or press the Back/

Exit Button.

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Select a speaker, then use the

Buttons to change the measurement.

Sub mode

The values vary between 0 and 10 meters, with a default of 3 meters for all

speakers.

Move the cursor to the Sub Mode line. This setting depends upon how you

programmed the front left and right speakers.

NOTE: If the surround back channels are assigned to the multizone

system, you will not be able to adjust their delay settings.

•

If you set the front speakers to a numeric crossover frequency, the

subwoofer setting will always be SUB. All low-frequency information

will always be sent to the subwoofer. If you don’t have a subwoofer,

either upgrade to full-range speakers or add a subwoofer at the earliest

opportunity.

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ADVANCED FuNCTIONS

When this setting reads Auto, the test tone will automatically circulate to

Step four – Setting channel output Levels

manually

For a conventional 2-channel receiver, the balance control affects the stereo

imaging by adjusting the relative loudness of the left and right channels.

all channels, pausing for a few moments at each channel and then moving

to the next channel several seconds later, as indicated by the highlight bar.

Adjust the level for any channel when the test tone is paused there, using the

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Buttons. Use the

the test tone will follow the cursor.

Buttons to move the cursor to another line, and

With up to seven main channels, plus a subwoofer, imaging becomes both

more critical and more complex. The goal is to ensure that each channel is

heard at the listening position with equal loudness.

When this setting reads Manual, the test tone will not move to the next

channel until you use the

Buttons.

EzSet/EQ calibration can handle this critical task for you, simply and

automatically. However, the AVR’s Adjust Speaker Levels menu allows you

to calibrate the levels manually, either using the system’s test tone or while

playing source material.

Individual Channels: If you are using an external source to set your

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output levels, navigate to each channel and use the

the level, between –10dB and +10dB.

Buttons to adjust

When you have finished adjusting the speaker levels, select the Back option

or press the Back/Exit Button. Record the level settings in Table A3 in the

appendix.

1. Make sure all speakers have been placed and connected correctly.

2. Adjust the number of speakers, crossover, distance and sub mode for each

speaker in your system, as described in Step Three.

auDIo effectS

3. Measure the channel levels in one of these ways, and adjust the channel

levels using the Adjust Speaker Levels menu:

To adjust other audio settings, such as the tone controls, press the Audio

Effects Button to display the Audio Effects menu (see Figure 26 in the Basic

Manual). The menu may also be accessed from the Setup Source menu by

pressing the Info Settings Button and selecting Audio Effects.

a) Preferably, use a handheld SPL meter set to the C-Weighting, Slow

scale. Adjust each channel so that the meter reads 75dB.

b) By ear. Adjust the levels so that all channels sound equally loud.

NOTE: The settings in the Audio Effects menu affect each source

independently.

c) If you are using a handheld SPL meter with source material, such as

a test disc or an audio selection, play it and adjust the AVR’s master

volume control until the meter measures 75dB.

Dolby Volume: See page 29 in the Basic Manual for an explanation of

Dolby Volume processing and its benefits. Refer to Table 3 on that page for an

explanation of each of the Dolby Volume settings.

Press the Setup Button to display the menu system, and then navigate to the

Speaker Setup line. Press the OK Button to display the Speaker Setup menu.

Select Manual Setup, press the OK Button, and then navigate to the Level

Adjust line. Press the OK Button to display the Adjust Speaker Levels menu.

See Figure 34.

Tone Control: Determines whether the treble and bass controls are active.

When it’s off, the tone controls are “flat”, with no changes. When it’s on, the

bass and treble frequencies are boosted or cut, depending upon the tone-

control settings. When an analog audio source is in use and the 2-Channel

Stereo surround mode is selected, setting the Tone Control to “Off” places the

unit in analog bypass mode.

Treble and Bass: Boost or cut the high or low frequencies by up to 10dB

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by using the

setting is 0dB, at the center of the temperature bar.

Buttons to change the temperature bar setting. The default

LFE Trim: Attenuates the loudness of the subwoofer. Effective only when an

LFE channel is present. The setting defaults to the maximum of 0dB. Press the

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Buttons to reduce the level by up to 10dB; the setting will appear as a

Figure 34 – Adjust Speaker Levels Menu

negative number.

All of the speaker channels will appear with their current level settings.

MP3 Enhancer: Enhances the frequency range of MP3 tracks. Select On, or

leave at the default Off setting for non-MP3 audio.

Reset Levels: To reset all levels to their factory defaults of 0dB, scroll down

to this line at the bottom of the menu and press the OK Button.

EQ On/Off: This setting activates or deactivates the equalization settings

obtained when the EzSet/EQ II process was run. The settings are saved for

reactivation at a later listening session.

To set your levels using the AVR 460/AVR 360’s internal test tone, adjust the

TEST TONE line as follows:

When you have finished, press the Audio Effects Button or the Back/Exit

Button.

Test Tone: Determines whether the test tone is active. To begin, press the

OK Button repeatedly to select the Off, Auto or Manual setting. Manually

moving the cursor out of the channel listings area of the screen automatically

stops the test tone.

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ADVANCED FuNCTIONS

Plasma and CRT monitors may suffer from “burn-in” when the same image,

such as the horizontal or vertical bars, is left on screen for a long period of

time. Adjust the picture so that it fills the display’s screen. Highlight this

VIDeo aDjuStmentS

The AVR 460/AVR 360 uses leading-edge Faroudja DCDi Cinema video

processing technology. Incoming video may be upscaled up to 1080p (1080i

with component video outputs) for outstanding video quality, even with

analog video sources. The Faroudja DCDi Cinema Dual 3D comb filters and

10-bit video processing eliminate the jagged edges and moiré patterns seen

with less advanced processing.

setting and press the OK Button. Each press of the

setting. Press the OK Button when the desired setting appears.

Buttons changes the

•

Auto Fit: The AVR automatically adjusts the image, as required, to fit the

display’s capabilities.

Height Fit: Adjusts the image to eliminate any bars above or below it.

Bars may remain at the sides.

The “Torino” video processing chip generates on-screen graphics in high

definition, and blends it with the incoming video, so that you can continue to

watch a program while using system menus.

Width Fit: Adjusts the image to eliminate any bars on the sides. Bars

may remain above and below the image.

The video processor automatically provides the best picture based on the

capabilities of your video display and the incoming source video. You may

experiment with the Video Modes menu adjustments to try to improve the

picture further.

Zoom 1x: Displays the image as received from the source. If the image

is in the 4:3 aspect ratio, on widescreen displays pillarbox format may be

used. If the image is in the 16:9 aspect ratio, on full-screen (4:3) displays

letterbox format may be used.

Video modes

•

Zoom 2x and Zoom 3x: Stretches the image evenly to completely fill

the screen. The outer portions of the image may be cropped.

Adjust the picture settings on your video display before adjusting the AVR.

Access the picture settings from the Video Modes menu. Press the Video

Modes Button, and the screen shown in Figure 35 will appear. The menu may

also be accessed from the Info Settings menu.

Experiment with this setting until you find a pleasing display format for each

program.

Overscan: For historical reasons, there is a convention to reserve an area

around the border of a video frame, called “overscan”, that may be viewed on

newer high-definition displays, although it was not visible on older analog

television sets. However, since not all displays are capable of showing this

portion of the frame, directors avoid placing important information in that

area.

NOTE: The settings in the Video Modes menu affect each source

independently.

If your video display is capable of displaying the overscan area, turn this

setting on to avoid seeing a black border around the image which could cause

unwanted “burn-in” on some plasma and CRT displays. The AVR turns this

setting off by default when the source device is connected to one of the HDMI

Inputs. The setting is turned on by default when the source is connected to

one of the analog video inputs.

Advanced Video Settings: Press the or OK Button to display the

Advanced Video Modes submenu (see Figure 36). This submenu is not

accessible when the video processor (Video Mode setting) is turned off.

Figure 35 – Video Modes Menu

Video Mode: The default setting of Off passes the video signal through to

the display with only basic video processing. Video scaling cannot be turned

off, but selecting the HDMI Bypass mode in the Info Settings menu for a

source connected to one of the HDMI Inputs passes the video signal directly

from the HDMI Input to the HDMI Output, bypassing all video processing.

Select one of these processing options to optimize the picture for the current

program by applying adjustments to the brightness, contrast, color and

sharpness:

•

Sports: For sporting events.

Nature: For programs shot outdoors, in a natural setting.

Movie: For movies and many television broadcasts.

Figure 36 – Advanced Video Modes Menu

Noise Reduction: Adjust this setting to Low, Medium or High to filter out

signal noise, or turn it off.

Custom: Allows manual adjustment of the picture settings. The

Brightness, Contrast, Color and Sharpness settings appear as sliders with

values ranging from 0 to 100. The default setting for each adjustment is

M N

50. Use the

Buttons to change each setting’s value.

Picture Adjust: Changes the aspect ratio of the displayed image.

Widescreen (16:9) images are displayed on a full-screen (4:3) device in

letterbox format. Black bars may appear above and below the image.

When displaying full-screen images on a widescreen device, black or gray

bars may appear to the left and right of the image (pillarboxing).

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ADVANCED FuNCTIONS

MPEG Noise Reduction: This setting is designed to address two specific

types of video distortion, mosquito noise and blocking artifacts. If you see

haziness or shimmering around the edges of objects or the scrolling credits

in a film, or if the image appears to “pixellate” into blocks, change the MPEG

Noise Reduction setting from Off to Low, Medium or High.

•

Color adjustments using the color bars, which may be (left to right) black,

white, yellow, cyan (turquoise), green, magenta, red, blue, black.

•

The color transition, seen as sharp separation of the bars.

The performance of the color circuits in your TV (with “Video” signals); bar

edges should show no vertical crawling dots.

Cross Color Suppressor: Turn this setting on to remove cross color

artifacts, which can occur when high-frequency luminance (brightness)

signals are misinterpreted as chroma (color) signals, causing unwanted

flickering, flashing colors or rainbow patterns. This setting is not available

with HDMI sources, or when no video signal is present.

Use the gray scale and the black/white fields in the test pattern to adjust the

brightness and contrast.

Brightness Adjustment

1. Turn down the color control on your TV until the color bars appear in black

and white.

Black Level: This setting is only effective when used with the Composite

Video Output. Turn it on for a full black-level setting that provides the full

dynamic range of black as presented on most DVDs. When turned off, the

setting complies with standards for video with “setup”, and may be more

appropriate when your video display has limited video processing capability.

2. Adjust the contrast to the lowest level where you still can see all gray scale

bars separately and clearly.

3. Adjust the brightness so that the bars in the gray scale are all visible. The

bar farthest to the left has to be as black as possible rather than gray but

the next gradation must clearly be distinct from it. The bars in the gray

scale should gradually and evenly change from black to white.

Deinterlacing: For historical reasons, video information was interlaced.

That is, each refresh of the television screen displayed only half the pixels in

a frame, alternating between all of the even rows of pixels and all of the odd

rows. Modern displays are capable of displaying the complete frame all at

once by progressively scanning all of the rows of pixels from top to bottom.

For optimal viewing on a progressive-scan display (most flat-panel displays),

the video images must be deinterlaced. When viewing images via the

Composite Video Monitor Output, any time the AVR’s video output resolution

is 576i, this setting may be turned off.

Contrast Adjustment

1. Adjust the contrast on your TV until you see a bright white bar in the lower

right corner of the screen and a deep-dark-black bar to the left.

2. If the brightness of the white bar no longer increases when the contrast

is turned up or the borders of white letters bloom (overlight) into the

black areas (drastically decreasing the sharpness of the type), the contrast

has been turned up too much. Reduce the contrast until these effects

disappear and the video still looks realistic.

Film Mode Detect: This setting is only accessible when the Deinterlacing

setting is turned on. It compensates for the different frame rates in which

film and video are shot. Film is shot at a rate of 24 frames per second

(progressive scan), while video is shot at slightly less than 60 frames per

second (interlaced). The AVR is able to detect whether the program was

originally shot on film and transferred to video (e.g., to create a DVD), and to

compensate appropriately for any authoring errors in the conversion. Select a

setting of 3:2 (for NTSC materials), 2:2 (for PAL materials), Off or Auto.

3. If you are watching TV with ambient daylight, adjust the contrast so that

a normal video picture looks the same as the surroundings in your room;

that way the eye is relaxed when watching the TV picture. Reduce the

setting when the surrounding light is dimmed to improve the sharpness

of the picture.

4. The gray scale in the middle line should retain the same distinction

between each bar as before the contrast adjustment. If not, repeat both

Step 3 of the Brightness Adjustment and the Contrast Adjustment.

How to adjust the custom picture Settings

Set the Video Mode to Custom to display the picture settings, as shown in

Figure 37.

Color Adjustment

1. When the brightness and contrast are set optimally, adjust the color

control. Set the level so that the colors look strong but still natural, not

overdone. If the color level is too high, depending on the TV, some of the

bars will seem wider or the color intensity will not increase when the

control is turned up. Test the color intensity with a video of pictures of

faces, flowers, fruit and vegetables.

2. Refer to a large white bar in your test pattern to tweak the warmth of the

picture using the Tint control on your TV.

Sharpness Adjustment

Figure 37 – Video Modes Custom Processing

Contrary to intuition, the picture will appear sharper and clearer with the

sharpness backed off from the maximum setting. Reduce the sharpness

setting on your television, and the setting on the AVR 460/AVR 360, if

necessary, to minimize the appearance of any white lines between the bars in

the gray scale portion of the test screen.

With a color bar test pattern from a test disc or other source on screen, the

following adjustments may be made:

•

The color intensity setting on your TV.

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ADVANCED FuNCTIONS

Volume: The volume is controlled separately for the remote zone.

Convergence and Edge Focus

Surround Back Amps: Reassign the surround back channels to the

multizone system. When this line is set to Zone 2, you may only configure the

main listening room for up to 5.1 channels. The EzSet/EQ process will only

configure the main system. Use the Manual Setup section of the Speaker

Setup menu to configure the remote speakers with this setting at Main Room,

then return this setting to Zone 2.

The crosshatch pattern that may surround the test screen may be used to

evaluate edge focus and convergence in front- or rear-projection video

displays. If you are unable to improve the picture using the available controls,

contact the video display manufacturer’s authorized service representative for

assistance.

When you have finished making any video adjustments, press the Back/Exit

Button.

To operate the multizone system using the main remote, slide the Zone Select

Switch at the bottom of the remote to the “2” position. To select a zone using

the Zone 2 remote (AVR 460 only), press the Zone Selector, and the Zone

Indicator will turn green when the remote is set to operate Zone 1, or red to

operate Zone 2.

muLtIzone operatIon

With the multizone system in use, you may enjoy an exciting 5.1-channel

home theater presentation in the main listening area, while others listen to

the same materials or an entirely different presentation in another room.

SyStem SettInGS

Although installation of a multizone system is not complicated, it requires

running wires inside walls. Check your local building codes and comply with

the requirements for in-wall wiring systems, to prevent the possibility of a

dangerous situation. If you have any questions about installing a multizone

system, it is strongly recommended that you contact a professional custom

installer. See Step Eight of the Installation section on page 22 in the Basic

Manual for instructions on installing a multizone system.

The AVR 460/AVR 360 offers system settings for ease of use. These settings

may be accessed from the System Settings menu, which is selected by

pressing the Setup Button and navigating to the System line. Press the OK

Button to display the System Settings menu. See Figure 39.

operating the multizone System

The AVR 460/AVR 360’s multizone system is accessed using the on-screen

Zone 2 menu. Press the Setup Button, and use the

Buttons to navigate

to the Zone 2 line. Press the OK Button to display the Zone 2 menu. See Figure

38.

Figure 39 – Systems Settings Screen

Front-Panel Dimmer: Select On 100% for full brightness, dim to 50% or

25% of full brightness or select Off to fully darken the display. The light inside

the Volume Control will go out when the display is partly or fully dimmed,

but the Power Indicator will always remain lit to remind you that the AVR is

powered on.

GeneraL aVr SettInGS

Figure 38 – Zone 2 Menu

Volume Units: Select whether volume is displayed in the conventional

decibel scale or on a numeric scale from 0 to 90. When the decibel scale

is used, 0dB is the maximum recommended volume, with lower volumes

displayed as negative values.

Status: Turns the multizone system on or off. When no one is listening in the

remote room, leave this setting at the default of OFF.

Source: Indicates the source input for the remote zone. You may select a

different source from the main listening area. However, if the same source has

been selected for both the main listening area and the remote zone, listeners

in both areas will hear the same content.

Volume Default and Volume Default Level: These two settings are

used together to program the volume level at turn-on. Turn Volume Default

on, and then set the Volume Default Level to the desired turn-on volume.

When the Volume Default setting is left off, the AVR will play at the last-used

volume setting from the previous listening session.

NOTE: Only analog audio sources, including The Bridge III, are available

to the multizone system. To hear digital devices, such as a CD player, in the

remote zone, follow these steps:

Unit of Measure: Adjusts the speaker-distance settings for Manual

Speaker Setup. Select between meters and feet.

Language: Select the preferred language for the AVR’s on-screen menus

and displays: English, French, Spanish, German, Italian or Russian.

1. In addition to a digital audio connection, connect the source device’s

analog audio outputs to the AVR. Make a note in Table A5 in the

appendix which set of inputs was used.

2. In the Info Settings menu, leave the Audio Input From Source setting

at the digital audio input. Scroll down to the Zone 2 Audio setting and

select the analog audio input.

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ADVANCED FuNCTIONS

HDMI Audio to TV: Determines whether HDMI audio signals are passed

aDVanceD remote controL

through the HDMI Output to the video display. In normal operation, leave

this setting Off, as audio will be played through the AVR. To use the TV by

itself, without the home theater system, turn this setting On. Mute the TV’s

speakers when using the AVR for audio.

functIonS

The AVR 460/AVR 360 remote control also serves as a universal remote that

may be programmed to operate other components. Refer to the Function

List (Table A13 in the appendix) for assistance in operating your other

components. The function of each button will not necessarily correspond to

the label printed on the button.

Dolby Volume Calibration: This setting determines the Dolby Volume

Calibration Offset, as described on page 30 in the Basic Manual.. Its default

of 0dB is best when the system’s loudspeakers have a sensitivity rating of

88dB (8 ohms, 1 watt, 1 meter). If your loudspeakers have a higher sensitivity

rating, increase the Dolby Volume Calibration setting by the difference

between your speakers’ sensitivity and 88dB. If your speakers have a lower

sensitivity, decrease the Dolby Volume Calibration setting by the difference

between 88dB and your speakers’ sensitivity.

punch-through programming

The punch-through feature allows you to operate one component, while

setting certain groups of controls to operate another component. For

example, while using the AVR controls for surround modes and other audio

functions, you may operate the transport controls of your DVD player. Or

while using the remote to control video functions on your TV, you may use

your cable box to change channels.

menu appearance

Menu Transparency: Select whether video programs will be visible

when the menu system is in use. Select Normal for a fully transparent

background, Medium for partial transparency or Opaque to block video

programs while the menus are on screen.

To program punch-through control while operating any device:

1. Press and hold the Source Selector (or Setup Button) for the main device

the remote will be operating. The Source Selector will light, go dark and

then light up again, indicating the remote is in Program mode and that

you may release the button.

Volume/Status Messages: When the AVR is turned on, the volume

is adjusted or the source is changed, or if a change in the input signal is

detected, a status message will be displayed on screen. Select how long the

message remains visible, from 2 to 10 seconds, with a default of 3 seconds.

Select “Off” if you do not wish to see the status messages.

2. Select the type of punch-through programming.

a) For channel control punch-through, press the Channel Up Button.

b) To program transport control punch-through, press the Play Button.

Menus: This setting governs how long the Surround Modes, Video Modes

and Audio Effects menus remain visible after the last adjustment: 5, 10 or

30 seconds, 1 minute or 5 minutes. Select “No Time-Out” to view the menus

indefinitely, but this setting is not recommended, due to the danger of “burn-

in” on some video displays.

3. Press the Source Selector for the device whose channel or transport

controls will be used while operating the device selected in the first step.

The Source Selector will flash to confirm.

For example, to watch the TV while changing channels using the cable box,

press and hold the TV Button until it lights. Then press the Channel Up Button,

followed by the Cable/SAT Button.

Setup and Slide-In Menus: This setting determines how long the setup

menus (Main Menu, Speaker Setup Menu, Zone 2 Menu, all slide-in menus)

remain visible after the last adjustment. Select a time-out period of 5, 10 or

15 (the default) minutes, or no time-out, which leaves the menus on screen

until manually cleared. A time-out period avoids the possibility of burn-in

damage to plasma or CRT displays.

To undo punch-through programming, follow the same steps as above, but

press the same Source Selector in Steps 1 and 3.

NOTE: The Volume and Mute controls are always dedicated to the AVR.

Screen Saver: Program a time-out period for no activity (with no menus

displayed) before the AVR’s built-in screen saver begins. Select a period of 5,

10, 20 or 30 minutes or 1 hour, or turn off the screen saver. A time-out period

avoids the possibility of burn-in damage to plasma or CRT displays.

activities (macros)

Activities are used to program sequences of up to 19 commands that are

executed with a single button press. Activities are well suited for power on

and off commands, to send out a multidigit channel number with one button

press, or to control another device with more flexibility than the built-in

punch-through controls. Up to eleven activities may be programmed.

System Information

Software Version: This line is informational only. From time to

time, Harman Kardon, Inc., may release software upgrades that improve

performance or add features. If you are experiencing difficulties with the AVR,

a customer service representative may ask for the software version of your

product to determine whether a later upgrade is available.

NOTE: Use caution when programming complicated activities. It isn’t

possible to program a pause or delay before sending commands after

Power On, and the component may not be ready to respond to commands

immediately after powering on.

Upgrade Software: If a software upgrade is released for the AVR 460/

AVR 360, installation instructions will be available in the Product Support

section of the Web site or from Harman Kardon Customer Service. At that

time, you may access this submenu to install the upgrade software.

NOTE: During a system upgrade, do not power off the AVR or use any of its

controls. Doing so could permanently damage the AVR.

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ADVANCED FuNCTIONS

To program, or “record” an activity, follow these steps:

proceSSor reSet

If the unit behaves erratically after a power surge, first turn off the Main

Power Switch and unplug the AC power cord for at least 3 minutes. Plug the

cord back in and turn the receiver on. If this doesn’t help, reset the AVR.

1. To enter Program mode, simultaneously press and hold the Activity

Button and the Alphanumeric Key or AVR Power On or Off Button to which

the activity will be assigned.

2. Press the Source Selector (or Setup Button) for each device before you

enter individual commands. This step counts as one of the 19 commands

allowed for each activity.

NOTE: A system reset erases all user configurations, including video

resolution, speaker and level settings, and tuner presets. After a reset,

reenter all of these settings from your notes in the appendix worksheets.

3. For Power On, press the AVR or Device Power On Button.

4. Press the AVR or Device Power Off Button for Power Off.

To reset the AVR 460/AVR 360, place it in Standby mode (press the front-

panel Standby/On Switch so that the Power Indicator turns amber). Then

press and hold the front-panel OK Button for at least 5 seconds until the

RESET message appears.

5. Press the Activity Button to end the programming process, and the last

Source Selector (or the Setup Button) will flash three times.

It isn’t possible to “edit” a command within an activity. To erase the activity:

If the receiver does not function correctly ofter a processor reset, contact an

authorized Harman Kardon service center for assistance. Authorized service

centers may be located by visiting the Web site at www.harmankardon.com.

1. Press and hold the Activity Button and the Alphanumeric Key or AVR

Power On or Off Button until the Source Selector or Setup Button lights.

2. Press the Activity Button to erase the activity.

NOTE: After performing a system reset, wait at least 1 minute before

pressing any Source Selectors.

To execute an activity, press the Activity Button, then press the Alphanumeric

Key (or the AVR Power On or Off Button) for the Activity.

Learning (aVr 460 only)

If you have programmed a product’s codes into the remote and find that some

functions are missing, the AVR 460 remote may “learn” individual codes from

the product’s original remote. See page 24 in the Basic Manual.

memory

If the AVR 460/AVR 360 is unplugged or experiences a power outage, it will

retain user settings for up to four weeks.

resetting the remote

To reset the remote to its factory defaults, simultaneously press and hold

the TV Source Selector and the “0” Alphanumeric Key. When the TV Button

relights, enter the code “333”. When the TV Button goes out, and all of the

Source Selectors flash, the remote control will be reset.

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APPENDIX

appendix – Default settings, worksheets, remote product codes

Table A1 – Recommended Source Component Connections

Device Type

AVR 460/AVR 360 Source

Digital Audio Connection

Analog Audio Connection

Video Connections

Cable TV, satellite TV, HDTV

or other device that delivers

television programs

CBL/SAT

HDMI 2

Analog 1

HDMI 2

DVD Audio/Video, SACD, Blu- DVD

ray Disc, HD-DVD player

HDMI 1

HDMI 4

Analog 2

Analog 5

HDMI 1

HDMI 4

Media Server, including

Harman Kardon DMC 1000

Media Server

Optical 1

HDMI 3

Coax Front

Analog 3

Analog 4

Analog Front

Component 1*

HDMI 3

Composite Front (not used for

audio-only devices)

Video game console

Any audio or video device,

e.g., CD player, camcorder,

cassette deck

Game

AUX

Recorder

Any

Coaxial 2 input and Coaxial

Output

None

Analog 4 inputs and outputs Composite Video 2 input and

output

iPod or iPhone

The Bridge III

The Bridge III for photo- and

video-capable iPod and

iPhone models

* Make this connection only when using the TV source for a non-display device. Do not connect your television’s or video display’s video output to the AVR at any time.

Table A2 – Source Setting Defaults

Cable/Sat

DVD

Media Server Radio

Game

AUX

The Bridge

Surround

Modes (Auto

Select)

Logic 7 Movie Logic 7 Movie Logic 7 Music Logic 7 Movie Logic 7 Movie Logic 7 Movie Logic 7 Music Logic 7 Music

Video Input

HDMI 2

HDMI 1

HDMI 4

N/A

Component 1 HDMI 3

Composite

Front

Coaxial Front

576i/480i

The Bridge III

Audio Input

Resolution to 576i/480i

Display*

HDMI 1

576i/480i

HDMI 4

576i/480i

N/A

576i/480i

Optical 1

576i/480i

HDMI 3

576i/480i

The Bridge III

576i/480i

Audio Auto

Polling

Off

N/A

Off

N/A

Zone 2 Audio Analog 1

Dolby Volume Medium

* Video output resolution may vary for HDMI connections.

Analog 2

Low

Analog 5

Medium

Radio

Medium

Analog 3

Medium

Analog 4

Medium

Analog Front

Low

The Bridge III

Medium

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APPENDIX

Table A3 – Speaker/Channel Setting Defaults

All Digital and 2-Chan- 6-/8-Channel Analog

nel Analog Audio Inputs Audio Inputs*

Your Settings

Position 1

Your Settings

Position 2

Left/Right Speakers

Center Speaker

Left/Right Surround Speakers

Left/Right Surround Back Speakers

Subwoofer 1

OFF

Subwoofer 2

Left/Right Speakers Crossover

Center Speaker Crossover

Left/Right Surround Speakers Crossover

100Hz

Large*

LFE*

Left/Right Surround Back Speakers Crossover 100Hz

Subwoofer Mode

Subwoofer Size

LFE

25 cm/10 inch

0dB

Front Left Level

0dB

Center Level

0dB

Front Right Level

Surround Right Level

Surround Back Right Level

Surround Back Left Level

Surround Left Level

Sub Level

0dB

* Note: The 6-/8-Channel Inputs are “direct” inputs whose signals are passed directly to the volume control without any bass management processing. Thus, the speakers are always full-range

and cannot be adjusted. The settings are global for the remaining audio inputs.

Table A4 – Delay Setting Defaults

Distance From Speaker to

Listening Position

Your Delay Settings

Position 1

Your Delay Settings

Position 2

Speaker Position

Front Left

4 meter

Center

4 meter

Front Right

4 meter

Surround Right

Surround Left

Surround Back Right

Surround Back Left

Subwoofer

3,3 meter

4 meter

A/V Lip Sync Delay (See Info Settings Menu) 0 mS

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APPENDIX

Table A5 – Source Settings

Cable/Sat

Device Type

DVD

Media Server Radio

Game

AUX

The Bridge

Surround Modes

Video Input

The Bridge III

Audio Input

Resolution to Display

Adjust Lip Sync

Change Name

N/A

Audio Auto Polling

Zone 2 Audio

N/A

The Bridge III

Dolby Volume

Table A6 – Audio Effects Settings

Media

Server

Default

Cable/Sat DVD

Radio

Game

AUX

The Bridge

Dolby Volume

Tone Control

Treble

See Source

Off

0dB

Bass

0dB

LFE Trim

0dB

MP3 Enhancer

Off

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APPENDIX

Table A7 – Video Modes Settings

Media

Server

Default

Cable/Sat DVD

Radio

Game

AUX

The Bridge

Video Mode

Off

Brightness*

Contrast*

Color*

Sharpness*

Picture Adjust

Overscan

Auto Fit

Noise Reduction**

MPEG Noise Reduction**

Cross Color Suppressor**

Black Level**

Deinterlacing**

Film Mode Detect**

Low

Off

3:2

* Note: These settings are only available when the Video Mode is set to Custom.

** Note: These settings are only displayed when Advanced Video Settings is selected.

Table A8 – Surround Modes

Media

Server

Default

Cable/Sat DVD

Radio

Game

AUX

The Bridge

Auto Select

Logic 7 Movie

or native digital

format

Virtual Surround Harman Virtual

Speaker

Stereo

5 CH Stereo

Movie

Logic 7 Movie

Music

Logic 7 Music

Game

Logic 7 Game

Center Width*

Dimension*

Panorama*

Off

* Note: These settings are only available when Dolby Pro Logic II or IIx Music mode has been selected. Access these settings by selecting the Edit option.

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APPENDIX

Table A9 – Remote Control Codes

Source Input

Cable/Sat

DVD

Device Type (if changed)

Product Brand and Code Number

Media Server

Game

AUX

Table A10 – System Settings

Feature

Default

On 100%

Your Settings

Front-Panel Dimmer

Volume Units

Volume Default

Volume Default Level

Unit of Measure

Language

Off

-25dB

Meter

English

Off

HDMI Audio to TV

Dolby Volume Calibration

Menu Transparency

Volume/Status Messages

Menus

0dB

Medium

3 seconds

1 minute

15 minutes

10 minutes

Check your product

Setup and Slide-In Menus

Screen Saver

Software Version

Table A11 – Zone 2 Settings

Source Input

Status

Default

Off

Your Settings

Source

FM Radio

-25dB

Volume

Surround Back Amps

Main Room

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APPENDIX

Table A12 – Surround Modes

Surround Mode

Description

Incoming Bitstream or Signal

Dolby Digital

Provides up to five separate main audio channels and a dedicated low- • Dolby Digital 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1,

frequency effects (LFE) channel.

2/1/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1

• Dolby Digital EX (played as 5.1)

• Dolby Digital Plus decoded and delivered via coax or

optical connection

Dolby Digital EX

An expansion of Dolby Digital 5.1 that adds a surround back channel

which may be played through one or two surround back speakers. May

be manually selected when a non-EX Dolby Digital stream is detected.

• Dolby Digital EX

• Dolby Digital 2/2/.0 or .1, 3/2/.0 or .1

Dolby Digital Plus

An enhanced version of Dolby Digital encoded more efficiently, Dolby

Digital Plus has the capacity for additional discrete channels and for

streaming audio from the Internet, all with enhanced audio quality.

Source material may be delivered via an HDMI connection, or decoded

to Dolby Digital or PCM and transmitted via S/P-DIF coaxial or optical

digital audio.

• Dolby Digital Plus via HDMI connection (source device

decodes to Dolby Digital when a coax or optical

connection is used)

Dolby TrueHD

Dolby TrueHD is an expansion of MLP Lossless™ audio, the same format • Blu-ray Disc or HD-DVD encoded with Dolby TrueHD,

used on DVD Audio discs. Dolby TrueHD adds the features found in Dolby delivered via HDMI

Digital, such as night mode settings, while delivering fully lossless

audio that is a true reproduction of the studio master recording.

Dolby Digital Stereo

Delivers a 2-channel downmix of Dolby Digital materials.

• Dolby Digital 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1,

2/1/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1

• Dolby Digital EX

Dolby Pro Logic II

Mode Group

Analog decoder that derives five full-range, discrete main audio

channels from matrix surround-encoded or 2-channel analog sources.

Four variants are available.

See below

Dolby Pro Logic II

Movie

Variant of Dolby Pro Logic II that is optimized for movie and television • Dolby Digital 2.0 or 2.1

programs.

• Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

Dolby Pro Logic II

Music

Variant of Dolby Pro Logic II that is optimized for music selections.

Allows adjustment of sound field presentation in three dimensions:

• Dolby Digital 2.0 or 2.1

• Analog (2-channel)

• Tuner

• Center Width (adjusts width of vocal soundstage)

• Dimension (adjusts depth of soundstage)

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

• Panorama (adjusts wraparound surround effect)

Dolby Pro Logic II

Game

Variant of Dolby Pro Logic II that emphasizes use of the surround

channels and subwoofer for total immersion in the video gaming

experience.

• Dolby Digital 2.0 or 2.1

• Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

Dolby Pro Logic

Original version of Dolby Pro Logic that steered a mono signal

containing information below 7kHz to the surround channels.

• Dolby Digital 2.0 or 2.1

• Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

Dolby Pro Logic IIx

Mode Group

An expansion of Dolby Pro Logic II that adds a surround back channel

which may be played through one or two surround back speakers. The

Dolby Pro Logic IIx modes may be selected not only with Dolby Digital

bitstreams, but thanks to the AVR 460/AVR 360’s post-processor, they

may also be used with some DTS bitstreams to add a surround back

channel to 5.1 modes.

See below

Dolby Pro Logic IIx

Movie

This mode is similar to Dolby Pro Logic II Movie, with an added surround • Dolby Digital 2/0/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1, EX

back channel.

• Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

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APPENDIX

Table A12 – continued

Surround Mode

Description

Incoming Bitstream or Signal

Dolby Pro Logic IIx

Music

This mode is similar to Dolby Pro Logic II Music, including the

availability of center width, dimension and panorama adjustments.

Dolby Pro Logic IIx Music adds a surround back channel.

• Dolby Digital 2/0/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1, EX

• Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

Dolby Pro Logic IIx

Game

This mode is similar to Dolby Pro Logic II Game, with the added benefit • Dolby Digital 2/0/.0 or .1

of a surround back channel.

• Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz)

Harman Virtual Speaker Simulates 5.1 channels when only two speakers are present, or a more • Dolby Digital enveloping sound field is desired.

enveloping sound field is desired.

• Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz or 48kHz)

Dolby Virtual Speaker

Reference

When only two main speakers are present, the Reference mode

virtualizes a full surround presentation with accurate localization.

• Dolby Digital (uses only two-speaker mode when

signal does not contain center channel information)

• Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz or 48kHz)

Dolby Virtual Speaker

Wide

When only two main speakers are present, the Reference mode

virtualizes a full surround presentation with accurate localization.

• Dolby Digital (uses only two-speaker mode when

signal does not contain center channel information)

• Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz or 48kHz)

DTS Digital

DTS-HD

Using a different encoding/decoding method than Dolby Digital, it also • DTS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1, 3/1/.0 or .1,

provides up to five discrete main channels, plus an LFE channel.

2/2/.0 or .1, 3/2/.0 or .1

• DTS-ES Matrix (played as 5.1)

• DTS-ES Discrete (played as 5.1)

DTS-HD is a new high-definition audio format that complements the

high-definition video found on Blu-ray Disc and HD-DVD discs. It is

transmitted using a DTS core with high-resolution extensions. Even

when only DTS 5.1 surround sound is desired (or available, if the

multizone system is in use), the higher capacity of high-resolution discs

serves up DTS at twice the bit rate used on DVD-Video discs.

• Blu-ray Disc or HD-DVD discs encoded with DTS-HD

modes, delivered via HDMI

DTS-HD Master Audio

DTS-ES Matrix

DTS-HD Master Audio technology delivers bit-for-bit reproductions

of the studio master recording in up to 7.1 channels, for an incredibly

accurate performance.

• Blu-ray Disc or HD-DVD discs encoded with DTS-HD

Master Audio technology, delivered via HDMI

DTS Extended Surround adds a single surround back channel to DTS 5.1 • DTS-ES Matrix

digital surround sound. The Matrix version includes the surround back

channel information “matrixed” into the left and right (side) surround

channels, for compatibility with 5.1-channel systems.

DTS-ES Discrete

DTS Stereo

DTS-ES Discrete is another Extended Surround mode that adds a

surround back channel, but this information is encoded discretely on

the disc, and is not derived from information contained in the surround

channels.

• DTS-ES Discrete

Delivers a 2-channel downmix of DTS Digital materials, or presents a

matrix-encoded surround presentation.

• DTS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1, 3/1/.0 or .1,

2/2/.0 or .1, 3/2/.0 or .1

• DTS 96/24

• DTS-ES Matrix

• DTS-ES Discrete

DTS Neo:6

Mode Group

DTS Neo:6 analog processing is available with DTS and DTS 96/24 signals See below

and 2-channel analog or PCM signals to create a 3-, 5- or 6-channel

presentation.

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APPENDIX

Table A12 – continued

Surround Mode

Description

Incoming Bitstream or Signal

DTS Neo:6

Cinema

Depending on the number of speakers in your system, select 3-, 5- or

6-channel modes, enhanced for movie or video presentations.

• DTS 2/2/.0 or .1, 3/2/.0 or .1

• DTS 96/24

• Analog (2-channel)

• PCM (32kHz, 44.1kHz or 48kHz)

DTS Neo:6

Music

Available only in 5- and 6-channel modes, creates a surround

presentation suitable for music recordings.

• DTS 2/2/.0 or .1, 3/2/.0 or .1

• DTS 96/24

• Analog (2-channel)

• PCM (32kHz, 44.1kHz or 48kHz)

Logic 7

Mode Group

A Harman International proprietary technology, Logic 7 technology

enhances 2-channel and matrix-encoded recordings by deriving

separate information for the surround back channels. This provides more

accurate placement of sound, improves panning and expands the sound

field, even when used with 5.1-channel systems. Logic 7 technology

uses 96kHz processing, and is available in 5.1-or 7.1-channel modes.

Three variants are available.

See below

Logic 7

Movie

Especially suited to 2-channel sources containing Dolby Surround

or matrix encoding, Logic 7 Movie mode increases center channel

intelligibility.

• Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

Logic 7

Music

The AVR 460/AVR 360 is programmed at the factory to default to

this mode for 2-channel signals. Logic 7 Music mode is well suited to

conventional 2-channel music recordings.

• Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

Logic 7

Game

Use Logic 7 Game mode to enhance enjoyment of video game consoles. • Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

5-Channel Stereo

7-Channel Stereo

2-Channel Stereo

Useful for parties, the left- and right-channel information is played

through both the front and surround speakers on each side, while the

center speaker plays a summed mono mix.

• Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz, 192kHz)

Expands the 5-Channel Stereo presentation to include the surround

back channels.

• Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz, 192kHz)

Turns off all surround processing and plays a pure 2-channel signal

or a downmix of a multichannel signal. The signal is digitized and

bass management settings are applied, making it appropriate when a

subwoofer is used.

• Analog (2-channel; DSP downmix available for

multichannel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

2-Channel Stereo

(Analog Bypass)

Maintains an analog input signal in that form, bypassing all digital

processing (i.e., surround and bass management). Requires Tone Control

setting to be off.

• Analog (2-channel)

• Tuner

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APPENDIX

Table A13 – Remote Control Function List

Radio

No. Button Name

01 AVR Power On

02 AVR Power Off

03 Device Power On

04 Device Power Off

05 Cable/SAT

06 DVD

AVR

AVR Power On

DVD

AVR Power On

AVR Power Off

Power On

Power Off

Input Sel

07 The Bridge

08 Radio

Input Sel

Radio

09 TV

Input Sel

10 11 12

10 Game

Input Sel

11 Media Server

12 AUX

Input Sel

13 Audio Effects

14 Video Modes

15 Surround Modes

Audio Effects

Video Modes

Surround Modes

Last

25 Last

Last

27 Activity

28 Back/Exit

29 Menu

30 Up

Activity

Back/Exit

Activity

Back/Exit

Tune Up

Preset/Down

Activity

Back/Exit

Tune Up

Preset/Down

Activity

Back/Exit

Activity

Clear

Channel/Preset Up

37 38 39 40

31 Left

Left

Preset/Category

Down

Left

32 OK

Preset/Category Up

Light

Enter

Right

Light

Down

33 Right

34 Light

35 Down

Right

Light

Down

Preset/Up

Light

Preset/Up

Light

Tune Down

Channel/Preset

Down

36 Disc Menu

37 Red

Disc Menu

Angle

38 Green

Subtitle

39 Yellow

40 Blue

Audio

Zoom

41 Volume +

Volume –

AVR Volume +

AVR Volume –

AVR Mute

AVR Volume +

AVR Volume –

AVR Mute

AVR Volume +

AVR Volume –

AVR Mute

AVR Volume +

AVR Volume –

AVR Mute

Page Up

42 Mute

43 Channel/Page Up

Channel/Preset Up

Preset Up

52 53 54

Channel/Page Down Channel/Preset Down

Preset Down

Page Down

Prev. Step

Pause

44 Previous

45 Pause

46 Next

Next Step

47 Rew

48 Play

Rew

Play

Figure 40 – Remote Control Function List

Reference

49 FF

50 Record

51 Stop

Stop

AVR Sel and Setup AVR Sel and Setup AVR Sel and Setup AVR Sel and Setup AVR Sel and Setup

Refer to the numbered buttons in

Figure 40 when using the Function List.

52 Setup

53 Info Settings

54 Sleep

Info Settings

Sleep

Info Settings

Sleep

Info Settings

Sleep

Info Settings

Sleep

Info Settings

Sleep

55 Zone Select

56 Learn

Zone Select

Learn

Zone Select

Learn

Zone Select

Learn

Zone Select

Learn

Zone Select

Learn

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APPENDIX

Media Server

DMC1000

AVR Power On

AVR Power Off

AUX

The Bridge

AVR Power On

AVR Power Off

Power On

Power Off

Input Sel

Cable/SAT

AVR Power On

AVR Power Off

Power On

Power Off

Input Sel

Game

AVR Power On

AVR Power Off

Play

HDTV

AVR Power On

AVR Power Off

Power On

Power Off

Input Sel

PVD

AVR Power On

AVR Power Off

Power On

Power Off

Input Sel

TiVo

AVR Power On

AVR Power Off

Power On

Power Off

Input Sel

VCR

AVR Power On

AVR Power Off

Power On

Power Off

Input Sel

AVR Power On

AVR Power Off

Power On

Power Off

Input Sel

AVR Power On

AVR Power Off

Power On

Power Off

Input Sel

Off

Stop

Input Sel

Radio

Input Sel

Radio

Input Sel

Radio

Input Sel

Audio Effects

Video Modes

Input Sel

Audio Effects

Video Modes

Input Sel

Audio Effects

Video Modes

Audio Effects

Video Modes

Audio Effects

Video Modes

Audio Effects

Video Modes

Audio Effects

Video Modes

Audio Effects

Video Modes

Audio Effects

Video Modes

Audio Effects

Video Modes

Surround Modes Surround Modes Surround Modes Surround Modes Surround Modes Surround Modes Surround Modes Surround Modes Surround Modes Surround Modes

Prev. Ch

Last

Prev. Ch

Enter

Prev. Ch

Instant Replay

Enter/Last

Activity

Back

Activity

Exit

Activity

Back/Exit

Activity

Bypass

Activity

Clear

Start

Activity

Exit/Cancel

Activity

Exit

Activity

Cancel

Left

Enter

Right

Light

Down

Select

Right

Light

Down

Enter

Right

Light

Down

Setup

Right

Light

Down

Select

Right

Light

Down

Enter

Right

Light

Down

Right

Light

Down

Right

Light

Down

Right

Light

Down

Light

Disc Menu

Angle

OSD

Guide

DVD Menu

OSD

Caption

TiVo

Window

OSD

Open/Close

Random Play

Repeat

Mark

Subtitle

PPV

Fav. Ch

Repeat

Live TV

Audio

Fav. Ch

MTS

Jump Up

Slow

Zoom

Music

Intro Scan

AVR Volume +

AVR Volume –

AVR Mute

(+10)

Aspect

Jump Down

AVR Volume +

AVR Volume –

AVR Mute

Channel Up

Channel Down

Last Clip

Skip

AVR Volume +

AVR Volume –

AVR Mute

AVR Volume +

AVR Volume –

AVR Mute

AVR Volume +

AVR Volume –

AVR Mute

Page Up

AVR Volume +

AVR Volume –

AVR Mute

Channel Up

Channel Down

AVR Volume +

AVR Volume –

AVR Mute

Scan Up

AVR Volume +

AVR Volume –

AVR Mute

Channel Up

Channel Down

Back

AVR Volume +

AVR Volume –

AVR Mute

Channel Up

Channel Down

Thumb Down

Pause

AVR Volume +

AVR Volume –

AVR Mute

Channel Up

Channel Down

Scan Down

Pause

Channel Down

Page Down

Scan Down

Slow Down

Pause

Disc Skip

Pause

Skip Down

Pause

Next Step

Slow Up

Skip Up

Replay

Next Clip

Thumb Up

Scan Up

Rew

Play

Rew

Play

Prev.

R. Search

Rew

Play

Rew

Play

Rew

Play

Rew

Play

F. Search

Time

Record

Stop

Subtitle

Stop

Record

Stop

Record

Stop

Record

Stop

Record

Stop

AVR Sel and

Setup

AVR Sel and

Setup

AVR Sel and

Setup

AVR Sel and

Setup

AVR Sel and

Setup

AVR Sel and

Setup

AVR Sel and

Setup

AVR Sel and

Setup

AVR Sel and

Setup

AVR Sel and

Setup

Info Settings

Sleep

Info Settings

Sleep

Info Settings

Sleep

Info Settings

Sleep

Info Settings

Sleep

Info Settings

Sleep

Info Settings

Sleep

Info Settings

Sleep

Info Settings

Sleep

Info Settings

Sleep

Zone Select

Learn

Zone Select

Learn

Zone Select

Learn

Sleep

Learn

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APPENDIX

Refer to Tables A14 through A24 when programming the codes for your components into the remote.

TANDY

TATUNG

TECHNICS

TECHWOOD

TEKNIKA

TELERENT

TERA

THOMSON

TIVO

077

063

181

128

Table A14 – Remote Control Product Codes: TV

TV Manufacturer/Brand Setup Code Number

ADMIRAL

ANAM

192

045 106 109 112 122

045 069 115 123 128 132

069

156

190 191

051 052 and See Table A24

128

063 129 202

132

160

AOC

037 122 123 128

AUDIOVOX

BLAUPUNKT

BROKSONIC

CITIZEN

012

084

205 206

045 123 128 132

TMK

CONTEC

045

TOSHIBA

TOTEVISION

VIDEO CONCEPTS

VIDTECH

VIEWSONIC

VIZIO

CRAIG

045 157 158 159

CROWN

045 132

CURTIS MATHES

DAEWOO

DAYTRON

DYNATECH

DYNEX

123 128 132

128

045 087 102 105 106 108 111 114 116 119 127 128 132

128 132

063

014

011 038 039 047

001 002

069 128 132 148

017 018 023

123 128

128

WARDS

WESTINGHOUSE

YAMAHA

YORK

ELECTROHOME

EMERSON

FUJITSU

funai

115 132

045 123 128 132 139 157 158 159 162 205

041 042

045

ZENITH

069 090

FUTURETECH

045

029 087 121 123 128 133 145 159 163

GRUNDIG

HALL MARK

HARMAN KARDON

HITACHI

HYTEK

INKEL

JC PENNEY

JENSEN

JVC

KEC

KLH

KTV

LG/GOLDSTAR

LLOYTRON

LODGENET

LXI

MAGNAVOX

MARANTZ

MEMOREX

METZ

MGA

MITSUBISHI

MTC

NATIONAL

NEC

OLEVIA

OPTONICA

ORION

PANASONIC

PHILCO

PHILIPS

PIONEER

POLAROID

PORTLAND

PROSCAN

PROTON

QUASAR

RADIO SHACK

RCA

REALISTIC

RUNCO

SAMPO

SAMSUNG

SANYO

SCOTT

193

128

201

Table A15 – Remote Control Product Codes: AUX-HDTV

TV Manufacturer/Brand Setup Code Number

APEX

614 616

123 128 132 144 147

016

120

115 123 128 132 145

019

079 087 134

045

DISH NETWORK

612

604

MAGNAVOX

MOTOROLA

RCA

SAMSUNG

TATUNG

TIVO

607 608 609 610 611

605

601 612

603

618

006

See Table A24

602 606 619

045 123 132 162

002 013 101 110 122 128 132

172 173

069

077 145 148

030 040 123 128 132 145 148

115 123 148

069 128

084

115 123 128

077 115 123 128 160 167 168

175 176

148 177 179 180 181 182

010 115 121 123 125

007

ZENITH

Table A16 – Remote Control Product Codes: AUX-VCR

VCR Manufacturer/Brand Setup Code Number

AIWA

340

AKAI

348 408 409 426

AUDIO DYNAMICS

BROKSONIC

CANON

318 348

410 447

435 440

CAPEHART

CITIZEN

394

434

CRAIG

345 416

DAEWOO

DAYTRON

DBX

317 394 404

394

318 348

077

207 208 209 210 211

087 148 169

045 115 123 128 132 148

033 034 035 036 123 128 132 145 148

024 123 128

003 004 005 006 043

128 132

133

008 059 122 128 132 165

032 087

045 128 132 180 196 197

021 115 123 128 133 145 161 163

045 167 196

044 046 152 153

059 123 128

020 022 124 128 132 145

026 054

DYNATECH

EMERSON

FISHER

340

313 340 342 410 412

317

FUNAI

340

376 395 424

HARMAN KARDON

HITACHI

JC PENNEY

JENSEN

302 303 318 349

340 348

318 345

348

JVC

318 348 411 432

KENWOOD

LG/GOLDSTAR

LLOYD

320 348

318 407

340

LXI

320 340

MAGNAVOX

MARANTZ

MEMOREX

MGA

340

318

045 128 132

128 132 145

077 128 132

084

317 320 340 352 353 354 376 442

349

SEARS

SHARP

MITSUBISHI

MULTITECH

NAD

349 431

340

439

SIEMENS

SIGNATURE

SONY

SOUNDESIGN

SYLVANIA

SYMPHONIC

069

028 031 117 130 136 194 212

045 128

025 123 128 145 148

184

NATIONAL

NEC

NORDMENDE

440

318 348

348

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APPENDIX

OPTIMUS

ORION

459

447

NEC

NIKKO

069

053 055

PANASONIC

PHILCO

PHILIPS

PORTLAND

PULSAR

QUASAR

RADIO SHACK

RCA

425 450 467 472

340

340 375

394

376

301 425

355 434 440 442 458 459

395 424 425 457 472

ONKYO

037 038 045 046 171 175 202 203

065 089 091 092 099 104 212

075 109 119 158 183 204

039 138 149 209

071 094 100 112 123 131 161 162 215

210

126 166 213

024 081 093 150

OPTIMUS

PANASONIC

PHILIPS

PIONEER

PROTON

RADIO SHACK

RCA

REALISTIC

SAMSUNG

SANSUI

SANYO

SCOTT

SEARS

SHARP

SONY

SOUNDESIGN

SYLVANIA

SYMPHONIC

TANDY

317 320 340 345 459

REALISTIC

SANSUI

SANYO

SCOTT

SHARP

SHERWOOD

SONY

SOUNDSTREAM

SYMPHONIC

TAEKWANG

TEAC

THETA DIGITAL

TOSHIBA

VECTOR RESEARCH

VICTOR

058 093 095 104 105 108 164 166

047 081 134 157 172

033 082 095

108

058 105 114 151 159 167 180 181

003 041 058 105 133

103 115 116 118 132 139 163 205 206 207 208 212 217

124

345 351 395 405 409

348 416 447

317 320

410 412

317 320

429 456

380 429

340

317 340

340 348

340

See Table A24

313

412 455

345

318

318 340

345

340 345 412

318 340 348

340 350 376 383

059 110

177

011 058 085 086 106 107 110 121 137 146 154

039

013 074 097 151 155 173

087

120 130

095

019 031 053 061 135 169

166

TEAC

TEKNIKA

THOMAS

TIVO

WARDS

YAMAHA

YORK

TMK

TOSHIBA

TOTEVISION

UNITECH

VECTOR RESEARCH

VIDEO CONCEPTS

VIDEOSONIC

WARDS

Table A18 – Remote Control Product Codes: DVD

DVD Manufacturer/Brand Setup Code Number

APEX DIGITAL

DENON

061

019 020 051

003 004

YAMAHA

ZENITH

HARMAN KARDON

JVC

001 002

006

LG/GOLDSTAR

MAGNAVOX

MARANTZ

MITSUBISHI

NAD

005 010 055 064 066

056

059

023

Table A17 – Remote Control Product Codes: AUX-CD

CD Manufacturer/Brand Setup Code Number

ADCOM

063 069

AIWA

072 111 118 156 170

062

AKAI

050 177 184

ONKYO

009 048

AUDIO TECHNICA

AUDIOACCESS

AUDIOFILE

BSR

CALIFORNIA AUDIO

CAPETRONIC

CARRERA

CARVER

053

125

211

044

109

070

087

PANASONIC

PHILIPS

PIONEER

PROCEED

PROSCAN

RCA

008 024 030 044

016 056

018 027 041 065

060

003 004

017 053 054

028

SAMSUNG

SHARP

136 140 141 143 144 145 185 186

CASIO

117 166

SONY

011 012 015 043 045

CLARINETTE

DENON

EMERSON

FISHER

166

187 188 213

052 093 108

055 095

THOMSON

TOSHIBA

YAMAHA

ZENITH

003 004

009 058 067

030 063

005 055 064

FUNAI

HAITAI

126

164

099 214

STARCOM

STARGATE

TANDY

002 011 163

120

024

HARMAN KARDON

HITACHI

INKEL

001 002 025 054 190

093

216

TELECAPATION

TEXSCAN

TFC

028

036

122

JC PENNEY

JENSEN

098 147

153

TIVO

TOCOM

029 030 and See Table A24

170 205

JVC

176 195 196

030 062 078 079 148 151 176 178 181

016 087

108

077 102

164

UNITED CABLE

UNIVERSAL

VIDEOWAY

VIEWSTAR

ZENITH

011

KENWOOD

LG/GOLDSTAR

LOTTE

LUXMAN

LXI

033 034 039 042 113

124 211

019 025 053 086 089 190

065 125 211 219

MAGNAVOX

MARANTZ

MCINTOSH

MCS

MITSUMI

MODULAIRE

NAD

039 113

058 084 191 192 193

194

080 098

152

166

013 074 197 198

199 200 201

NAKAMICHI

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APPENDIX

Table A22 – Remote Control Product Codes: Media Server

Manufacturer/Brand

Setup Code Number

APPLE

008 009

BEYOND

003

ESCIENT (FIREBALL)

HARMAN KARDON

MICROSOFT

004 005 006 007

001 002

003

REQUEST

010

Table A23 – Remote Control Product Codes: AUX-Cable/SAT

Recorder (PVR)

Manufacturer/Brand

Setup Code Number

DAEWOO

701 704

ECHOSTAR

EXPRESSVU

HUGHES

714 715 716

714

717 727

HYUNDAI

PANASONIC

PHILIPS

PROSCAN

RCA

718

710 723

711 717 724 727

719

719 727

REPLAYTV

SONICBLUE

SONY

708 710 712 725 726

710 712

707 713 720 721 722 723 724

Table A24 – Remote Control Product Codes: AUX- TiVo

Manufacturer/Brand

COMCAST TIVO

COX TIVO

DIRECTV TIVO

HUMAX TIVO

Nero LiquidTV TIVO

PIONEER TIVO

TIVO HD XL DVR

TIVO HD DVR

TIVO SERIES2™ DT DVR

TOSHIBA TIVO

Setup Code Number

808

806

803

805

801

807

804

802

803

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TECHNICAL SPECIFICATIONS

Audio Section

Video Section

Stereo Mode, Continuous Average Power (FTC)

AVR 360: 70 Watts per channel, 20Hz - 20 kHz

AVR 460: 75 Watts per channel, 20Hz - 20 kHz

@ < 0.07% THD, both channels driven into 8 ohms

Television Format

PAL

1Vp-p/75 ohms

Input Level/Impedance

Output Level/Impedance

Video Frequency Response

(Composite)

Video Frequency Response

(Component Video)

HDMI™

10Hz–8MHz (–3dB)

7 Channel Surround Modes

Power Per Individual Channel, with all channels driven

10Hz–100MHz (–3dB)

Version 1.3a with 10-bit Deep Color

Front L&R channels:

AVR 360: 55 Watts per channel

AVR 460: 60 Watts per channel

@ < 0.07% THD, 20Hz–20kHz into 8 ohms

General

Power Requirement

Power Consumption

AC 230-240V/50Hz

Center channel:

AVR 360: 55 Watts

AVR 460: 60 Watts

@ < 0.07% THD, 20Hz–20kHz into 8 ohms

AVR 360: Standby < 1W,

540W maximum

AVR 460: Standby < 1W,

890W maximum

Surround (L & R Side, Back) channels:

AVR 360: 55 Watts per channel

AVR 460: 60 Watts per channel

(7 channels driven)

Dimensions (Max)

Width

Height

@ < 0.07% THD, 20Hz–20kHz into 8 ohms

440mm

165mm

382mm

AVR 360 : 13,4 kg

AVR 460 : 13,5 kg

AVR 360: 130 watts per channel into 6 ohms

AVR 460: 140 watts per channel into 6 ohms

@1kHz, <1% THD, one channel driven.

Depth

Weight net

Input Sensitivity/Impedance

Linear (High-Level)

200mV/47k ohms

100dB

Signal-to-Noise Ratio (IHF-A)

Depth measurement includes knobs, buttons and terminal connections.

Height measurement includes feet and chassis.

Surround System Adjacent Channel Separation

Analog Decoding

(Pro Logic, etc.)

Dolby Digital (AC-3)

DTS

40dB

Features, specifications and appearance are subject to change without notice.

55dB

Frequency Response

@ 1W (+0dB, –3dB)

10Hz –130kHz

35 Amps

High Instantaneous

Current Capability (HCC)

Transient Intermodulation

Distortion (TIM)

Unmeasurable

16µsec

Harman Kardon and Logic 7 are trademarks of Harman International Industries,

Incorporated, registered in the United States and/or other countries. EzSet/EQ, Designed

to Entertain and The Bridge III logo are trademarks of Harman International Industries,

Incorporated.

Rise Time

Slew Rate

40V/µsec

FM Tuner Section

Apple, iPod, iPhone, iTunes and Macintosh are trademarks of Apple Inc., registered

in the U.S. and other countries. iPod not included. “Made for iPod” means that an

electronic accessory has been designed to connect specifically to iPod and has

been certified by the developer to meet Apple performance standards. Apple is not

responsible for the operation of this device or its compliance with safety and regulatory

standards.

Frequency Range

Usable Sensitivity

Signal-to-Noise Ratio

Distortion

Stereo Separation

Selectivity

87.5–108.0MHz

IHF 1.3µV/13.2dBf

Mono/Stereo 70/68dB (DIN)

Mono/Stereo 0.2/0.3%

40dB @ 1kHz

400kHz: 70dB

80dB

90dB

A-BUS is a registered trademark of Leisure Tech Electronics Pty Ltd.

Blu-ray Disc is a trademark of the Blu-ray Disc Association.

Image Rejection

IF Rejection

CEA is a registered trademark of the Consumer Electronics Association.

Manufactured under license from Dolby Laboratories. Dolby, the double-D symbol and

Pro Logic are registered trademarks of Dolby Laboratories. MLP Lossless is a trademark

of Dolby Laboratories.

AM Tuner Section

Frequency Range

Signal-to-Noise Ratio

Usable Sensitivity

Distortion

522–1710kHz

45dB

Loop 500µV

1kHz, 50% Mod 0.8%

9kHz, 30dB

Manufactured under license under U.S. Patent #’s 5,451,942; 5,956,674; 5,974,380;

5,978,762; 6,226,616; 6,487,535; 7,212,872; 7,333,929; 7,392,195; 7,272,567 and other

U.S. and worldwide patents issued and pending. DTS is a registered trademark and the

Selectivity

Faroudja DCDi Cinema is a trademark of Genesis Microchip Inc.

HD-DVD is a trademark of the DVD Format/Logo Licensing Corporation (DVD FLLC).

HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or

registered trademarks of HDMI Licensing LLC.

Please register your AVR 460/AVR 360 at www.harmankardon.com.

NOTE: You’ll need the product’s serial number. At the same time, you can

choose to be notified about new products and/or special promotions.

SACD is a trademark of Sony Corporation.

TiVo is a registered trademark of TiVo Inc.

Download from Www.Somanuals.com. All Manuals Search And Download.

8500 Balboa Blvd., Northridge, CA 91329

www.harmankardon.com

Part No. CQX1A1431Z A

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