Harman Kardon Stereo Receiver AVR 135 User Manual

Power for the Digital Revolution.

AVR 135

AUDIO/VIDEO RECEIVER

OWNER’S MANUAL

AVR 135

DIGITAL

LOGIC 7

VID 1

VID 2

VID 3

DVD

PRO LOGIC

3 STEREO

DSP

FMAM

TAPE

6 8 CH

5 CH. STEREO

SURR. OFF

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INTRODUCTION

Thank you for choosing Harman Kardon^®! With

the purchase of a Harman Kardon AVR 135, you are

about to begin many years of listening enjoyment.

Designed to provide all the excitement and detail of

movie soundtracks and every nuance of musical selec-

tions, the AVR 135 accomplishes its mission by har-

nessing advanced technologies usually found only in

higher-priced receivers.

For the ultimate in flexibility, the AVR 135 features

connections for four video devices, all with both com-

posite and S-video inputs. Two additional audio inputs

are available, and six digital inputs make the AVR 135

capable of handling all the latest digital audio sources.

For compatibility with the latest HDTV video sources

and progressive scan DVD players, the AVR 135 also

features two-input, wide-bandwidth, low-crosstalk

component video switching.

I A wide range of digital and matrix surround

modes, including Dolby^®Digital, Dolby Digital EX

Dolby Pro Logic^®II, DTS^®, DTS-ES^®Discrete and

Matrix, and DTS Neo:6^®

I Six channels of high-current amplification

Harman Kardon’s exclusive Logic 7^®processing

available for the first time with both 7.1 and

5.1 processing in a variety of modes, and two

modes of VMAx^®

The AVR 135 has been engineered so that it is easy

to take advantage of all the power of its digital tech-

nology. However, to obtain the maximum enjoyment

from your new receiver, we urge you to read this

manual. A few minutes spent learning the functions of

the various controls will enable you to take advantage

of all the power the AVR 135 is able to deliver.

The front panel offers coax and optical digital inputs

for direct connection to digital recorders. A video

recording output, preamp-out and a color-coded

eight-channel input, with complete digital bass man-

agement, make the AVR 135 virtually future-proof, with

everything needed to accommodate tomorrow’s new

formats right onboard.

I High-bandwidth, HDTV-compatible component

video switching

I Discrete front-panel coaxial and optical digital

inputs for easy connection to portable digital

devices and video game consoles

If you have any questions about this product, its instal-

lation or its operation, please contact your retailer or

custom installer. They are your best local sources of

information.

I Extensive bass management options, includ-

ing three separate crossover groupings

The AVR 135’s powerful amplifier uses traditional

Harman Kardon high-current design technologies

to meet the wide dynamic range of any program

selection.

I On-screen menu and display system

Description and Features

The AVR 135 is versatile and multifeatured, incorpo-

rating a wide range of listening options. In addition to

Dolby* Digital and DTS^®decoding for digital sources,

a broad choice of Matrix surround-encoded or Stereo

surround modes are available for use with sources

such as CD, VCR, TV broadcasts and the AVR 135’s

own FM/AM tuner. Along with Dolby Digital EX, Dolby

Pro Logic* II, DTS Neo:6^®, Dolby 3 Stereo, and Hall

and Theater modes, the AVR 135 offers Harman

International’s exclusive Logic 7^®processing in both

5.1 and 7.1 versions to create a wider, more enveloping

field environment and more defined fly-overs and pans.

Another exclusive is VMAx^®, which uses proprietary

processing to create an open, spacious sound field

even when only two front speakers are available.

Harman Kardon invented the high-fidelity receiver

more than fifty years ago. With state-of-the-art circuitry

and time-honored circuit designs, the AVR 135 is the

perfect combination of the latest in digital audio tech-

nology, a quiet yet powerful analog amplifier in an ele-

gant, easy-to-use package.

For Canadian model

This class B digital apparatus complies with Canadian

ICES-003.

For models having a power cord with a polarized plug:

CAUTION: To prevent electric shock, match wide blade

of plug to wide slot, fully insert.

Modèle pour les Canadien

In addition to providing a wide range of listening

options, the AVR 135 is easy to configure so that it

provides the best results with your speakers and spe-

cific listening-room environment. On-screen menus

make it simple to enter settings for speaker configura-

tions and bass management.

Cet appareil numérique de la classe B est conforme

à la norme NMB-003 du Canada.

Sur les modèles dont la fiche est polarisee:

ATTENTION: Pour éviter les chocs électriques, introduire

la lame la plus large de la fiche dans la borne

correspondante de la prise et pousser jusqu’au fond.

INTRODUCTION 3

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SAFETY INFORMATION

Installation Location

lation. If this equipment does cause harmful interfer-

ence to radio or television reception, which can be

determined by turning the equipment off and on, the

user is encouraged to try to correct the interference by

one or more of the following measures:

Important Safety Information

I To ensure proper operation and to avoid the poten-

tial for safety hazards, place the unit on a firm and

level surface. When placing the unit on a shelf, be

certain that the shelf and any mounting hardware

can support the weight of the product.

Verify Line Voltage Before Use

Your AVR 135 has been designed for use with

120-volt AC current. Connection to a line voltage

other than that for which it is intended can create a

safety and fire hazard and may damage the unit.

I Reorient or relocate the receiving antenna.

I Make certain that proper space is provided both

above and below the unit for ventilation. If this

product will be installed in a cabinet or other

enclosed area, make certain that there is sufficient

air movement within the cabinet. Under some

circumstances a fan may be required.

I Increase the separation between the equipment

and receiver.

If you have any questions about the voltage requirements

for your specific model, or about the line voltage in your

area, contact your selling dealer before plugging the unit

into a wall outlet.

I Connect the equipment into an outlet on a circuit

different from that to which the receiver is connected.

I Consult the dealer or an experienced radio/TV

technician for help.

I Do not place the unit directly on a carpeted

surface.

Do Not Use Extension Cords

To avoid safety hazards, use only the power cord

attached to your unit. We do not recommend that

extension cords be used with this product. As with all

electrical devices, do not run power cords under rugs

or carpets or place heavy objects on them. Damaged

power cords should be replaced immediately by an

authorized service center with a cord meeting factory

specifications.

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

(1) this device may not cause harmful interference,

and (2) this device must accept interference received,

including interference that may cause undesired

operation.

I Avoid installation in extremely hot or cold locations,

or in an area that is exposed to direct sunlight or

heating equipment.

I Avoid moist or humid locations.

I Do not obstruct the ventilation slots on the top of

the unit, or place objects directly over them.

NOTE: Changes or modifications may cause this

unit to fail to comply with Part 15 of the FCC Rules

and may void the user’s authority to operate the

equipment.

I Due to the weight of the AVR 135 and the heat

generated by the amplifiers, there is the remote

possibility that the rubber padding on the bottom

of the unit’s feet may leave marks on certain

wood or veneer materials. Use caution when

placing the unit on soft woods or other materials

that may be damaged by heat or heavy objects.

Handle the AC Power Cord Gently

When disconnecting the power cord from an AC out-

let, always pull the plug; never pull the cord. If you do

not intend to use the unit for any considerable length

of time, disconnect the plug from the AC outlet.

Unpacking

The carton and shipping materials used to protect your

new receiver during shipment were specially designed

to cushion it from shock and vibration. We suggest

that you save the carton and packing materials for

use in shipping if you move, or should the unit ever

need repair.

Do Not Open the Cabinet

Cleaning

There are no user-serviceable components inside this

product. Opening the cabinet may present a shock

hazard, and any modification to the product will void

your guarantee. If water or any metal object such as a

paper clip, wire or a staple accidentally falls inside the

unit, disconnect it from the AC power source immedi-

ately, and consult an authorized service center.

When the unit gets dirty, wipe it with a clean, soft, dry

cloth. If necessary, and only after unplugging the AC

power cord, wipe it with a soft cloth dampened with

mild soapy water, then a fresh cloth with clean water.

Wipe dry immediately with a dry cloth. NEVER use

benzene, aerosol cleaners, thinner, alcohol or any other

volatile cleaning agent. Do not use abrasive cleaners,

as they may damage the finish of metal parts. Avoid

spraying insecticide near the unit.

To minimize the size of the carton in storage, you may

wish to flatten it. This is done by carefully slitting the

tape seams on the bottom and collapsing the carton.

Other cardboard inserts may be stored in the same

manner. Packing materials that cannot be collapsed

should be saved along with the carton in a plastic bag.

CATV or Antenna Grounding

If an outside antenna or cable system is connected to

this product, be certain that it is grounded so as to pro-

vide some protection against voltage surges and static

charges. Section 810 of the National Electrical Code,

ANSI/NFPA No. 70-1984, provides information with

respect to proper grounding of the mast and supporting

structure, grounding of the lead-in wire to an antenna

discharge unit, size of grounding conductors, location

of antenna discharge unit, connection to grounding

electrodes and requirements of the grounding

electrode.

Moving the Unit

Before moving the unit, be certain to disconnect any

interconnection cords with other components, and

make certain that you disconnect the unit from the

AC outlet.

If you do not wish to save the packaging materials,

please note that the carton and other sections of the

shipping protection are recyclable. Please respect the

environment and discard those materials at a local

recycling center.

Important Information for the User

This equipment has been tested and found to comply

with the limits for a Class-B digital device, pursuant to

Part 15 of the FCC Rules. The limits are designed to

provide reasonable protection against harmful interfer-

ence in a residential installation. This equipment gener-

ates, uses and can radiate radio-frequency energy and,

if not installed and used in accordance with the

instructions, may cause harmful interference to radio

communication. However, there is no guarantee that

harmful interference will not occur in a particular instal-

It is important that you remove the protective plastic

film from the front-panel lens. Leaving the film in place

will affect the performance of your remote control.

NOTE TO CATV SYSTEM INSTALLER: This reminder

is provided to call the CATV (Cable TV) system

installer’s attention to article 820-40 of the NEC that

provides guidelines for proper grounding and, in par-

ticular, specifies that the cable ground shall be con-

nected to the grounding system of the building, as

close to the point of cable entry as possible.

4 SAFETY INFORMATION

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FRONT-PANEL CONTROLS

Û Ú

AVR 135

DIGITAL

LOGIC 7

VID 1

DVD

PRO LOGIC

3 STEREO

VID 2

VID 3

DSP

FMAM

TAPE

6 8 CH

5 CH. STEREO

SURR. OFF

(

)



NOTE: To make it easier to follow the instructions that refer to this illustration, a larger copy may be downloaded from the Product Support section for this product

at www.harmankardon.com.

1Main Power Switch

2Power Indicator

3Standby/On Switch

4Headphone Jack

5Tone Mode

@Set Button

ÒBalance Control

ÚTreble Control

ÛChannel Adjust Selector

ÙVolume Control

ıInput Indicators

ˆSpeaker/Channel Input Indicators

˜Upper Display Line

¯Lower Display Line

˘Surround Mode Indicators

¸Remote Sensor Window

#Digital Input Selector

$Preset Station Selector

%Delay Adjust Selector

^Input Source Selector

&Tuner Mode Selector

*Optical 3 Digital Audio Input

(Coaxial 3 Digital Audio Input

ÓVideo 3 Video Input Jacks

ÔVideo 3 Audio Input Jacks

Bass Control

6Speaker Selector

7Surround Mode Group Selector

8Surround Mode Selector

9Tuning Selector

‹/›

)

Buttons

!Tuner Band Selector

1Main Power Switch: Press this button to apply

power to the AVR 135. When the switch is pressed

in, the unit is in a Standby mode, as indicated by the

amber LED 2above the Standby/On Switch 3.

This button MUST be pressed in to operate the unit.

To turn the unit off and prevent the use of the remote

control, this switch should be pressed until it pops

out from the front panel and the word “OFF” is seen

at the top of the switch.

3Standby/On Switch: When the Main Power

6Speaker Selector: Press this button to begin

the process of configuring the unit to match the type

of speakers used in your listening room. (See pages

17–19 for more information on speaker setup and

configuration.)

Switch

is “ON,” press this button to turn on the

AVR 135; press it again to turn the unit off. The Power

Indicator

turns blue when the unit is on.

4Headphone Jack: This jack may be used to listen

to the AVR 135’s output through a pair of headphones.

The speakers will automatically be turned off when the

headphone jack is in use.

7Surround Mode Group Selector: Press this but-

ton to select the top-level group of surround modes.

Each press of the button will select the current or last

used mode in each of the surround mode groups

(e.g., Dolby, DTS, DTS Neo:6, Logic 7, DSP, Stereo).

When the button is pressed so that the name of the

surround mode group appears in the on-screen display

and in the Lower Display Line ¯, press the

Surround Mode Selector 8to cycle through the

individual modes available. For example, press this but-

ton to select Dolby modes, and then press the

Surround Mode Selector 8to choose from the

various mode options.

5Tone Mode: Pressing this button enables or dis-

ables the Bass and Treble tone controls. When the but-

ton is pressed so that TONE IN appears in the

Lower Display Line ¯, the Bass and Treble

Úcontrols may be used to adjust the output signals.

When the button is pressed once or twice so that the

words TONE OUT appear in the Lower Display

Line ¯, the output signal will be “flat,” no matter how

the actual Bass and Treble Controls Úare

adjusted.

NOTE: This switch is normally left in the “ON” position.

2Power Indicator: This LED lights amber when the

unit is in the Standby mode to signal that the AVR is

ready to be turned on. When the unit is in operation,

the indicator is blue.

FRONT-PANEL CONTROLS 5

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FRONT-PANEL CONTROLS

8Surround Mode Selector: Press this button

to select from among the available surround mode

options for the mode group selected. The specific

modes will vary based on the number of speakers

available, the mode group and if the input source is

digital or analog. For example, press the Surround

Mode Group Selector 7to select a main mode

grouping such as Dolby or Logic 7, and then press

this button to see the specific mode choices available.

For more information on mode selection, see page 22.

^Input Source Selector: Press this button to

change the input by scrolling up or down through the

list of Input Indicators ı.

ÛChannel Adjust Selector: Press this button to

begin the process of trimming the channel output lev-

els using an external audio source. (For more informa-

tion on output level trim adjustment, see page 27.)

&Tuner Mode Selector: Press this button to select

Auto or Manual tuning. When the button is pressed so

that the AUTO appears in the Lower Display Line

¯, the tuner will search for the next station with an

acceptable signal when the Tuning Selector 9u

is pressed. When the button is pressed so that

MANUAL appears in the Lower Display Line ¯,

each press of the Tuning Selector 9uwill

increase the frequency. This button may also be used to

switch between Stereo and Mono modes for FM radio

reception. When weak reception is encountered, press

the button so that MANUAL appears in the Lower

Display Line ¯and on the on-screen display to

switch to Mono reception. Press it again to switch back

to Stereo mode. (See page 26 for more information on

using the tuner.)

ÙVolume Control: Turn this knob clockwise to

increase the volume, counterclockwise to decrease the

volume. If the AVR 135 is muted, adjusting the

Volume Control Ù

will automatically release

the unit from the silenced condition.

9Tuning Selector: Press the left side of the button

to tune lower-frequency stations and the right side of

the button to tune higher-frequency stations. When the

tuner is in the Manual mode, each tap will increase or

decrease the frequency by one increment. When the

tuner receives a strong enough signal for adequate

reception, MANUAL TUNED will appear in the

on-screen display and the Lower Display Line ¯.

When the tuner is the Auto mode, press the button

once, and the tuner will scan for a station with accept-

able signal strength. When the next station with a

strong signal is tuned the scan will stop and the

on-screen display and Lower Display Line ¯

will indicate AUTO TUNED. When an FM

Stereo station is tuned, the display will read

ıInput Indicators: The current selected source will

appear as one of these indicators. Note that when the

unit is turned on, the entire list of available modes will

light briefly, and then revert to normal operation with

only the active mode indicator illuminated.

ˆSpeaker/Channel Input Indicators: These indi-

cators are multipurpose, indicating both the speaker

type selected for each channel and the incoming data-

signal configuration. The left, center, right, right surround

and left surround speaker indicators are composed of

three boxes, while the subwoofer is a single box. The

center box lights when a “small” speaker is selected,

and the two outer boxes light when “large” speakers are

selected. When none of the boxes are lit for the center,

surround or subwoofer channels, no speaker has been

assigned that position. (See page 17 for more informa-

tion on configuring speakers.) The letters inside each

box displays the active input channels. For standard

analog inputs, only the L and R will light, indicating a

stereo input. For a digital source, the indicators will light

to display the channels being received at the digital

input. When the letters flash, the digital input has been

interrupted. (See page 25 for more information on the

Channel Indicators.)

*Optical 3 Digital Audio Input: Connect the optical

digital audio output of an audio or video product to this

jack. When the input is not in use, be certain to keep

the plastic cap installed to avoid dust contamination that

might degrade future performance.

AUTO ST TUNED.

(Coaxial 3 Digital Audio Input: This jack is used

for connection to the output of portable audio devices,

video game consoles or other products that have a

coax digital audio jack.

To switch back and forth between the Auto and

Manual tuning modes, press the Tuner Mode

Selector &.

)‹/›Buttons: When configuring the AVR 135’s

settings, use these buttons to select from the available

ÓVideo 3 Video Input Jacks: These jacks may

be used for temporary connection to the composite or

S-video output of video games, camcorders or other

portable video products. You may make a connection

to either jack at any time, but not to both simultaneously.

choices

!Tuner Band Selector: Press this button to turn

the AVR on and to select the Tuner as the input. Press

it again to switch between the AM and FM frequency

bands. (See page 26 for more information on the tuner.)

˜Upper Display Line: Depending on the unit’s sta-

tus, a variety of messages will appear here. In normal

operation, this line will show current input source and

which analog or digital input is in use. When the tuner is

the input, this line will identify the station as AM or FM

and show the frequency and preset number, if any.

ÔVideo 3 Audio Input Jacks: These audio jacks

may be used for temporary connection to video

games or portable audio/video products such as

camcorders and portable audio players.

@Set Button: When making choices during the

setup and configuration process, press this button

to enter the desired setting into the AVR 135’s memory.

Bass Control: Turn this control to modify the low-

frequency output of the left/right channels by as much

as 10dB.

¯Lower Display Line: Depending on the unit’s sta-

tus, a variety of messages will appear here. In normal

operation, the current surround mode will show here.

#Digital Input Selector: Press this button to

select one of the digital inputs or the analog input for

any source. (See pages 23–26 for more information

on digital audio.)

ÒBalance Control: Turn this control to change the

relative volume for the front left/right channels.

˘Surround Mode Indicators: The current selected

surround mode will appear as one of these indicators.

Note that when the unit is turned on, the entire list of

available modes will light briefly, and then revert to

normal operation with only the active mode indicator

illuminated.

$Preset Stations Selector: Press this button to

scroll up or down through the list of stations that have

been entered into the preset memory. (See page 27

for more information on tuner presets.)

NOTE: For proper operation of the surround modes

this control should be at the midpoint or “12 o’clock”

position.

ÚTreble Control: Turn this control to modify the high

frequency output of the left/right channels by as much

as 10dB.

% Delay Adjust Selector: Press this button to

begin the steps required to enter delay settings. (See

pages 19–20 for more information on delay times.)

¸Remote Sensor Window: The sensor behind

this window receives infrared signals from the remote

control. Aim the remote at this area and do not block

or cover it.

6 FRONT-PANEL CONTROLS

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REAR-PANEL CONNECTIONS

j h

· ‡

ﬁ

‹

k i g

›

ﬂ

135

(100W, 11AA MAX)

™

(50W, 0.5A MAX)

∞

⁄

‚

•

NOTE: To make it easier to follow the instructions that refer to this illustration, a larger copy may be downloaded from the Product Support section for this product

at www.harmankardon.com.

¡ FM Antenna Jack

™ CD Audio Inputs

¤ DVD Component Video Inputs

‹ AC Power Cord

d Video 1 S-Video Output

e Video 2 S-Video Input

£ Tape Outputs

¢ Tape Inputs

∞ Subwoofer Output

§ Front Speaker Outputs

¶ Surround Back Speaker Outputs

• Surround Speaker Outputs

ª Center Speaker Outputs

‚ Component Video Monitor Outputs

⁄ Video 2 Component Video Inputs

› Switched AC Accessory Outlet

ﬁ Unswitched AC Accessory Outlet

ﬂ Optical Digital Audio Output

‡ Coaxial Digital Audio Output

° S-Video Monitor Output

· Coaxial Digital Audio Inputs

a DVD S-Video Input

f 6/8-Channel Direct Inputs

g Video Monitor Output

h DVD Audio/Video Inputs

i Video 1 Audio/Video Inputs

j Video 1 Audio/Video Outputs

k Video 2 Audio/Video Inputs

AM Antenna Terminals

b Video 1 S-Video Input

c Optical Digital Audio Inputs

NOTE: To assist in making the correct connections

for multichannel input, output and speaker connec-

tions, all connection jacks and terminals are color-

coded in conformance with the CEA standards as

follows:

Front Right:

Center:

Surround Left:

Surround Right:

Surround Back Left:

Red

Green

Blue

Gray

Brown

Subwoofer:

Coaxial Digital Audio: Orange

Composite Video:

Component Video “Y”: Green

Component Video “Pr”: Red

Component Video “Pb”: Blue

Purple

Yellow

Surround Back Right: Tan

Front Left:

White

terminals on the speakers and the black (–) terminals

on the AVR 135 to the black (–) terminals on the

speakers. See page 12 for more information on

speaker polarity.

¡ FM Antenna Jack: Connect the supplied indoor

(or an optional external) FM antenna to this terminal.

∞ Subwoofer Output: Connect this jack to the line-

level input of a powered subwoofer. If an external sub-

woofer amplifier is used, connect this jack to the sub-

woofer amplifier input.

™ CD Audio Inputs: Connect these jacks to the

analog audio output of a compact disc player or CD

changer.

§ Front Speaker Outputs: Connect these outputs

to the matching + or – terminals on your left and right

speakers. When making speaker connections always

make certain to maintain correct polarity by connecting

the color-coded (white for front left and red for front

right) (+) terminals on the AVR 135 to the red (+)

¶ Surround Back Speaker Outputs: These

speaker terminals are normally used to power the sur-

round back speaker in a 6.1-channel system. Connect

these outputs to the matching + and – terminals on

your surround back channel speaker. In conformance

with the CEA color-code specification, the brown ter-

Tape Outputs: Connect these jacks to the

RECORD/INPUT jacks of an audio recorder.

¢ Tape Inputs: Connect these jacks to the

PLAY/OUT jacks of an audio recorder.

REAR-PANEL CONNECTIONS 7

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REAR-PANEL CONNECTIONS

minal is the positive, or “+,” terminal that should be

connected to the red (+) terminal on the Surround

Back speaker with older color-coding. Connect the

black (–) terminal on the AVR to the matching black

negative (–) terminal on the surround back speaker.

(See page 12 for more information on speaker

polarity.)

ﬂ Optical Digital Audio Output: Connect this jack

to the optical digital input connector on a CD-R/RW,

MiniDisc or other digital recorder.

h DVD Audio/Video Inputs: Connect the composite

video and L/R analog audio outputs of a DVD player or

other video source to these jacks.

‡ Coaxial Digital Audio Output: Connect this jack

to the coaxial digital input of a CD-R/RW, MiniDisc or

other digital recorder.

i Video 1 Audio/Video Inputs: Connect the com-

posite or Video and L/R analog audio PLAY/OUT jacks

of a VCR or other video source to these jacks.

° S-Video Monitor Output: If any of the input

sources used in your system have S-video connec-

tions to the AVR, connect this jack to the S-video input

on your television, projector or other video display.

j Video 1 Audio/Video Outputs: Connect the

composite or Video and L/R analog audio REC/IN

jacks of a VCR or other video recording device such

as a DVD recorder or PVR to these jacks.

• Surround Speaker Outputs: Connect these out-

puts to the matching + and – terminals on your sur-

round channel speakers. In conformance with the CEA

color-code specification, the blue terminal is the posi-

tive, or “+,” terminal that should be connected to the

red (+) terminal on the Surround Left speaker with

older color-coding, while the gray terminal should be

connected to the red (+) terminal on the Surround

Right speaker with the older color-coding. Connect the

black (–) terminal on the AVR to the matching black

negative (–) terminals for each surround speaker. (See

page 12 for more information on speaker polarity.)

· Coaxial Digital Audio Inputs: Connect the coax

digital output from a DVD player, HDTV receiver, LD

player or CD player to these jacks. The signal may be a

Dolby Digital signal, DTS signal or a standard PCM digital

source. Do not connect the RF digital output of an LD

player to these jacks.

k Video 2 Audio/Video Inputs: Connect the com-

posite or Video and L/R analog audio PLAY/OUT jacks

of a cable television box or other video source to

these jacks. z

AM Antenna Terminals: Connect the AM loop

antenna supplied with the receiver to these terminals.

If an external AM antenna is used, make connections

to the AM and GND terminals in accordance with

the instructions supplied with the antenna.

a DVD S-Video Input: Connect the S-video output of

a DVD player or other video source to this jack.

ª Center Speaker Outputs: Connect these outputs

to the matching + and – terminals on your center

channel speaker. In conformance with the CEA

color-code specification, the green terminal is the

positive, or “+,” terminal that should be connected to

the red (+) terminal on speakers with the older color-

coding. Connect the black (–) terminal on the AVR to

the black (–) terminal on your speaker. (See page 12

for more information on speaker polarity.)

b Video 1 S-Video Input: If the product connected to

the Video 1 Audio Inputs i has S-video capability,

connect this jack to the PLAY/OUT S-video jack on

that unit and then make certain that the S-Video

Monitor Output ° is connected as described

above.

Note on video connections: When connecting a

video source product such as a VCR, DVD player,

satellite receiver, cable set-top box, personal video

recorder or video game to the AVR 135, you may

use either a composite or S-video connection,

but not both.

c Optical Digital Audio Inputs: Connect the optical

digital output from a DVD player, HDTV receiver, LD

player or CD player to these jacks. The signal may be a

Dolby Digital signal, a DTS signal or a standard PCM

digital source.

‚ Component Video Monitor Outputs: Connect

these outputs to the component video inputs of a

video projector or monitor. When a source connected

to one of the Component Video Inputs ⁄¤ is

selected, the signal will be sent to these jacks.

d Video 1 S-Video Output: If the product connected

to the Video 1 Audio/Video Outputs j has S-video

capability, connect this jack to the REC/IN S-video jack

on that unit.

⁄ Video 2 Component Video Inputs: Connect the

Y/Pr/Pb component video outputs of an HDTV set-top

converter, satellite receiver or other video source

device with component video outputs to these jacks.

e Video 2 S-Video Input: If the product connected

to the Video 2 Audio/Video Inputs k has S-video

capability, connect this jack to the PLAY/OUT S-video

jack on that unit and then make certain that the

S-Video Monitor Output ° is connected as

described above.

¤ DVD Component Video Inputs: Connect the

Y/Pr/Pb component video outputs of a DVD player to

these jacks.

‹ AC Power Cord: Connect the AC power cord to a

non-switched AC wall outlet.

f 6/8-Channel Direct Inputs: These jacks are

used for connection to source devices such as DVD-

Audio or SACD players with discrete analog outputs.

Depending on the source device in use, all eight jacks

may be used, though in many cases only connections

to the front left/right, center, surround left/right and

LFE (subwoofer input) jacks will be used for standard

5.1 audio signals.

› Switched AC Accessory Outlet: These outlets

may be used to power any device you wish to have

turned on when the AVR 135 is turned on.

ﬁ Unswitched AC Accessory Outlet: This outlet

may be used to power any AC device. The power will

remain on at this outlet regardless of whether the

AVR 135 is on or off.

g Video Monitor Output: Connect this jack to the

composite video input of a TV monitor or video projec-

tor to view the on-screen menus and the output of a

standard video source.

NOTE: The total power consumption of all devices

connected to the accessory outlets should not exceed

100 watts.

8 REAR-PANEL CONNECTIONS

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REMOTE CONTROL FUNCTIONS

aPower Off Button

bIR Transmitter Window

cProgram Indicator

dPower On Button

eInput Selectors

fAVR Selector

gAM/FM Tuner Select

hDim Button

iTest Button

c ba

POWER

MUTE

OFF

AVR

TAPE

DVD

CBL/SAT

VID2

VCR

VID1

jSleep Button

kDSP Surround Mode Selector

lNight Mode

VID3

6/8 CH

T/V

DIM

AM/FM

mChannel Select Button

⁄ ¤

Buttons

TEST

SLEEP

CH.

‹ ›

VOL.

NIGHT

pSet Button

qDigital Select

rNumeric Keys

sTuner Mode

tDirect Button

uTuning Up/Down

vOSD Button

wDolby Mode Selector

xDTS Digital Mode Selector

yLogic 7 Mode Select Button

zSkip Up/Down Buttons

`Transport Controls

SURR.

SET

Stereo Mode Select Button

DTS Neo:6 Mode Select

Macro Buttons

Disc Skip Button

Preset Up/Down

Clear Button

Memory Button

Delay/Prev. Ch.

Speaker Select

Spare Button

TUN-M

MEM

DIRECT

OSD

CLEAR

D.SKIP

TUNING

PRESET

DOLBY SUR

DTS SUR

DTS NEO:6

STEREO

Volume Up/Down

TV/Video Selector

LOGIC 7

40 6-Channel/8-Channel Direct Input

41 Mute

SKIP

DOWN

NOTE:

• The function names shown here are each button’s feature

when used with the AVR 135. Most buttons have additional

functions when used with other devices. See pages 33–34

for a list of these functions.

• To make it easier to follow the instructions that refer to

this illustration, a larger copy may be downloaded from

the Product Support section for this product at

www.harmankardon.com.

135

REMOTE CONTROL FUNCTIONS 9

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REMOTE CONTROL FUNCTIONS

IMPORTANT NOTE: The AVR 135’s remote may be

programmed to control up to seven devices, including

the AVR 135. Before using the remote, it is important to

remember to press the Input Selector Button e

that corresponds to the unit you wish to operate.

In addition, the AVR 135’s remote is shipped from

the factory to operate the AVR 135 and most

Harman Kardon CD or DVD players and cassette

decks. The remote is also capable of operating a

wide variety of other products using the control codes

that are part of the remote. Before using the remote

with other products, follow the instructions on page 30

to program the proper codes for the products in your

system.

fAVR Selector: Pressing this button will switch the

remote so that it will operate the AVR 135’s functions. If

the AVR 135 is in the Standby mode, it will also turn the

AVR 135 on.

lNight Mode: Press this button to activate the

Night mode. This mode is available in specially

encoded digital sources, and it preserves dialogue

(center channel) intelligibility at low volume levels.

gAM/FM Tuner Select: Press this button to select

the AVR 135’s tuner as the listening choice. Pressing

this button when the tuner is already in use will select

between the AM and FM bands.

mChannel Select Button: This button is used to

start the process of setting the AVR 135’s output levels to

an external source. Once this button is pressed, use the

⁄ ¤

Buttons nto select the channel being adjusted,

⁄ ¤

then press the Set Button p, followed by the

hDim Button: Press this button to activate the

Dimmer function, which reduces the brightness of the

front panel display, or turns it off entirely. The first press

of the button shows the default state, which is full bright-

ness by indicating DIMMER FULL in the Lower

Display Line ¯. Press the button again within five

seconds to reduce the brightness by 50%, as indicated

by DIMMER HALF showing in the Lower

Display Line ¯. Press the button again within five

seconds and the main display will go completely dark.

Note that this setting is temporary, in that regardless of

any changes, the display will always return to full bright-

ness when the AVR is turned on. In addition, the Power

Indicator 2will always remain at full brightness

regardless of the setting. This is to remind you that

the AVR is still turned on.

Buttons nagain, to change the level setting. (See

pages 20 and 27 for more information.)

⁄ ¤

Buttons: These multipurpose buttons are

used to change or scroll through items in the on-

screen menus, make configuration settings such as

digital inputs or delay timing, or to select surround

modes. When changing a setting, first press the button

for the function or setting to be changed (e.g., press

the DSP Surround Mode Selector kto select a

sound field mode or the Digital Select Button q

to change a digital input) and then press one of these

buttons to scroll through the list of options or to

increase or decrease a setting. The sections in this

manual describing the individual features and functions

contain specific information on using these buttons

for each application.

It is also important to remember that many of the but-

tons on the remote take on different functions, depend-

ing on the product selected using the Device Control

Selectors. The descriptions shown here primarily detail

the functions of the remote when it is used to operate

the AVR 135. (See pages 31–34 for information about

alternate functions for the remote’s buttons.)

aPower Off Button: Press this button to place the

AVR 135 or a selected device in the Standby mode.

Note that this will turn off the main room functions, but

if the Multiroom system is activated, it will continue

to function.

iTest Button: Press this button to begin the

sequence used to calibrate the AVR 135’s output levels.

(See page 20 for more information on calibrating

the AVR 135.)

o^‹/›Buttons: These buttons are used to change

the menu selection or setting during some of the setup

procedures for the AVR 135.

bIR Transmitter Window: Point this window

towards the AVR 135 when pressing buttons on the

remote to make certain that infrared commands are

properly received.

jSleep Button: Press this button to place the unit

in the Sleep mode. After the time shown in the display,

the AVR 135 will automatically go into the Standby

mode. Each press of the button changes the time until

turn-off in the following order:

pSet Button: This button is used to enter settings

into the AVR 135’s memory. It is also used in the

setup procedures for delay time, speaker configuration

and channel output level adjustment.

cProgram Indicator: This three-color indicator is

used to guide you through the process of program-

ming the remote. (See page 30 for information on

programming the remote.)

qDigital Select: Press this button to assign one

of the digital inputs *(·c to a source. (See

pages 16 and 23 for more information on using digital

inputs.)

dPower On Button: Press this button to turn on

the power to a device selected by pressing one of the

Input Selectors e.

This button is also used to change channels on your

TV when the TV is selected.

rNumeric Keys: These buttons serve as a 10-

button numeric keypad to enter tuner preset positions.

They are also used to select channel numbers when

TV, Cable or SAT has been selected on the remote, or

to select track numbers on a CD, DVD or LD player,

depending on how the remote has been programmed.

eInput Selectors: Pressing one of these buttons

will perform three actions at the same time. First, if the

AVR 135 is not turned on, this will power up the unit.

Next, it will select the source shown on the button as

the input to the AVR 135. Finally, it will change the

remote control so that it controls the device selected.

After pressing one of these buttons you must press

the AVR Selector Button fagain to operate the

AVR 135’s functions with the remote.

When the AVR 135 remote is being programmed with

the codes to operate another device, this button is also

used in the “Auto Search” process. (See page 30 for

more information on programming the remote.)

sTuner Mode: Press this button when the tuner

is in use to select between automatic tuning and

manual tuning. When the button is pressed so that

MANUAL appears in the Lower Display Line ¯,

pressing the Tuning Buttons u9will move the

frequency up or down in single-step increments.

When the FM band is in use, pressing this button when

a station’s signal is weak will change to monaural

reception. (See pages 26–27 for more information.)

kDSP Surround Mode Selector: Press this but-

ton to cycle through the DSP, VMAx and Stereo sur-

round modes such as Hall, Theater, VMAx Near and

Far, and Surround Off. This button is also used to tune

channels when the TV is selected using the device

Input Selector e. When the AVR 135 remote is

being programmed with the codes of another device,

this button is also used in the “Auto Search” process.

(See page 30 for more information on programming

the remote.)

10 REMOTE CONTROL FUNCTIONS

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REMOTE CONTROL FUNCTIONS

left/right stereo mode with no surround processing or

tDirect Button: Press this button when the tuner

is in use to start the sequence for direct entry of a sta-

tion’s frequency. After pressing the button, simply

press the proper Numeric Keys rto select a sta-

tion. (See page 26 for more information on the tuner.)

Speaker Select: Press this button to begin

bass management, as opposed to other modes where

digital processing is used. When the button is pressed

so that SURROUND OFF appears in the Lower

Display Line ¯, you may enjoy a two-channel pre-

sentation of the sound along with the benefits of bass

management. Depending on whether your system is

configured for 5.1 or 6.1/7.1 channels, the next press

of the button will cause either 5 CH STEREO or

7 CH STEREO to appear, and the stereo signal

will be routed to all five (or seven) speaker channels.

(See page 24 for more information on stereo play-

back modes.)

the process of configuring the AVR 135’s bass man-

agement system for use with the type of speakers

used in your system. Once the button has been

⁄ ¤

pressed, use the

Buttons nto select the

channel you wish to set up. Press the Set Button

pand then select another channel to configure.

When all adjustments have been completed, press

the Set Button ptwice to exit the settings and

return to normal operation. (See page 17 for more

information.)

uTuning Up/Down: When the tuner is in use, these

buttons will tune up or down through the selected fre-

quency band. If the Tuner Mode Button s&has

been pressed so that AUTO appears in the on-

screen display and Lower Display Line ¯, pressing

and holding either of the buttons for three seconds will

cause the tuner to seek the next station with acceptable

signal strength for quality reception. When MANUAL

appears in the Lower Display Line ¯, pressing these

buttons will tune stations in single-step increments. (See

page 26 for more information.)

Spare Button: This button has no direct function

for the AVR 135.

DTS Neo:6 Mode Select: Press this button to

38 Volume Up/Down: Press these buttons to raise

or lower the system volume.

select a DTS Neo:6 mode. These modes take a two-

channel stereo- or matrix surround-encoded source

and create a full five-, six- or seven-channel sound

field. (See page 24 for the DTS Neo:6 options.)

TV/Video Selector: This button does not have a

vOSD Button: Press this button to activate the

On-Screen Display (OSD) system used to set up or

adjust the AVR 135’s parameters.

direct function on the AVR 135, but when used with a

compatible VCR, DVD or satellite receiver, pressing this

button will switch between the output of the device

and the external video input.

30 Macro Buttons: Press these buttons to store or

recall a “Macro”, which is a preprogrammed sequence

of commands stored in the remote. (See page 32 for

more information on storing and recalling macros.)

wDolby Mode Selector: This button is used to

select from among the available Dolby Surround pro-

cessing modes. Each press of this button will select

one of the Dolby Pro Logic II modes or Dolby 3

Stereo. When a Dolby Digital-encoded source is in use,

the Dolby Digital mode may also be selected. (See

page 24 for the available Dolby surround mode

options.)

6-Channel/8-Channel Direct Input: Press

this button to select the device connected to the

6/8-Channel Direct Inputs f. (See page 22 for

more information.)

Disc Skip Button: This button has no direct

function for the AVR 135 but is most often used to

change to the next disc in a CD or DVD player when

the remote is programmed for that type of device.

(See page 31 for more information on using the

remote with products other than the AVR 135.)

Mute: Press this button to momentarily silence

the AVR 135 or TV set being controlled, depending on

which device has been selected. When the AVR 135

remote is being programmed to operate another device,

this button is pressed with the Input Selector Button

eto begin the programming process. (See page

30 for more information on programming the remote.)

xDTS Digital Mode Selector: When a DTS-

encoded digital source is selected, each press of this

button will scroll through the available DTS modes. The

specific choice of modes will vary according to whether

or not the source material contains DTS-ES 6.1

Discrete encoding. When a DTS source is not in use,

this button has no function. (See page 24 for the avail-

able DTS Digital options.)

Preset Up/Down: When the tuner is in use,

press these buttons to scroll through the stations

programmed into the AVR 135’s memory. When

some source devices, such as CD players, VCRs and

cassette decks, are selected using the device Input

Selectors e, these buttons may function as

Chapter Step or Track Advance.

Clear Button: Press this button to clear incorrect

entries when using the remote to directly enter a radio

station’s frequency.

yLogic 7 Mode Select Button: Press this button

to select from among the available Logic 7 surround

modes. (See page 24 for the available Logic 7

options.)

34 Memory Button: Press this button to enter a

radio station into the AVR 135’s preset memory. First,

tune the desired station, and then press this button.

Two underline indicators will flash at the right side of

the Upper Display Line ˜, and within five seconds

press the Numeric Keys rfor the preset number

between 01 and 30 that you wish to assign to the

station. (See page 26 for more information.)

zSkip Up/Down Buttons: These buttons do not

have a direct function with the AVR 135, but when

used with a compatibly programmed CD or DVD

changer they will change to the previous disc in the

changer or carousel.

`Transport Controls: These buttons do not have

any functions for the AVR 135, but they may be

programmed for the forward/reverse play operation

of a wide variety of CD or DVD players, and audio or

video cassette recorders. (See page 32 for more

information.)

Delay/Prev Ch.: Press this button to begin

the process for setting the delay times used by the

AVR 135 when processing surround sound. After

pressing this button, the delay times are entered by

pressing the Set Button pand then using the

⁄ ¤

28 Stereo Mode Select Button: When the button

is pressed so that DSP SURR OFF appears in

the Lower Display Line ¯, the AVR will operate in

a bypass mode with true, fully analog, two-channel

Buttons nto change the setting. Press the

Set Button pagain to complete the process.

(See page 19 for more information.)

REMOTE CONTROL FUNCTIONS 11

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INSTALLATION AND CONNECTIONS

external roof antenna, an inside powered or wire-lead

antenna or a connection from a cable TV system. If

the antenna or connection uses 300-ohm twin-lead

cable, you must use the 300-ohm-to-75-ohm adapter

supplied with the unit to make the connection.

use the same length piece of cable to connect the

front-left and front-right or surround-left and sur-

round-right speakers, even if the speakers are a

different distance from the AVR 135.

System Installation

After unpacking the unit, locating it in a place with ade-

quate ventilation and placing it on a solid surface capable

of supporting its weight, you will need to make the con-

nections to your audio and video equipment.

Note that it is not possible to use the AVR 135 in a

7.1-channel configuration. Any source information

that the AVR receives or derives for the surround

back left and right channels, e.g. through the 6/8-

Channel Direct Inputs f or during 7-channel

Stereo processing, is combined and outputted

to the single-channel Surround Back Speaker

Outputs ¶.

7. Connect the front, center, surround and surround

back speaker outputs §¶•ª to the respective

speakers.

IMPORTANT NOTE: For your personal safety and to

avoid possible damage to your equipment and speakers,

it is always a good practice to turn off and unplug the

AVR and ALL source equipment from the AC output

before making any audio or video system connections.

To ensure that all the audio signals are carried to your

speakers without loss of clarity or resolution, we sug-

gest that you use high-quality speaker cable. Many

brands of cable are available and the choice of cable

may be influenced by the distance between your

speakers and the receiver, the type of speakers you

use, personal preferences and other factors. Your dealer

or installer is a valuable resource to consult in select-

ing the proper cable.

Audio Equipment Connections

We recommend that you use high-quality interconnect

cables when making connections to source equipment

and recorders to preserve the integrity of the signals.

8. Connections to a subwoofer are normally made via

a line-level audio connection from the Subwoofer

Output ∞ to the line-level input of a subwoofer with

a built-in amplifier. When a passive subwoofer is used,

the connection first goes to a power amplifier, which

will be connected to one or more subwoofer speakers.

If you are using a powered subwoofer that does not

have line-level input connections, follow the instruc-

tions furnished with the speaker for connection

information.

1. Connect the analog output of a CD player to the

CD Audio Inputs ™.

Regardless of the brand of cable selected, we recom-

mend that you use a cable constructed of multistrand

copper with a gauge of 14 or smaller. Remember that

in specifying cable, the lower the number, the thicker

the cable.

NOTE: When the CD player has both fixed and vari-

able audio outputs, it is best to use the fixed output

unless you find that the input to the receiver is so low

that the sound is noisy, or so high that it is distorted.

9. If an external multichannel audio source with 5.1,

6.1, 7.1 outputs such as an external digital proces-

sor/decoder, DVD-Audio or SACD player is used, con-

nect the outputs of that device to the 6/8-Channel

Direct Inputs f.

2. Connect the analog Play/Out jacks of a cassette

deck, MD, CD-R or other audio recorder to the Tape

Input Jacks ¢. Connect the analog Record/In jacks

on the recorder to the Tape Output Jacks £ on

the AVR 135.

Cable with a gauge of 16 may be used for short runs

of less than 10 feet. We do not recommend that you

use cables with an AWG equivalent of 18 or higher,

due to the power loss and degradation in performance

that will occur.

Video Equipment Connections

3. Connect the output of any digital sources such as

a CD or DVD changer or player, advanced video

game, a digital satellite receiver, HDTV tuner or digital

cable set-top box or the output of a compatible

computer sound card to the Optical and Coaxial

Digital Audio Inputs ·c*(. We recommend

connecting the coaxial digital audio output of your

DVD player to the Coax 1 Digital Audio Input ·,

since that digital input is assigned to the DVD source

by default.

Cables that are run inside walls should have the appro-

priate markings to indicate listing with UL, CSA or other

appropriate testing agency standards. Questions about

running cables inside walls should be referred to your

installer or a licensed electrician who is familiar with

the NEC and/or the applicable local building codes in

your area.

Video equipment is connected in the same manner as

audio components. Again, the use of high-quality inter-

connect cables is recommended to preserve signal

quality.

1. Connect a VCR’s, DVD recorder’s, personal video

recorder’s or other video source’s audio and video

Play/Out jacks to the Video 1 Audio/Video and/or

S-Video Input Jacks bi on the rear panel. The

Audio and Video Record/In jacks on the recorder

should be connected to the Video 1 Audio/Video

and/or S-Video Output Jacks dj on the AVR 135.

Although any video device may be connected to these

jacks, we recommend connecting your video recorder

so that you may take advantage of the fact that the

remote control is preprogrammed with video recorder

product codes for the Video 1 device.

When connecting wires to the speakers, be certain to

observe proper polarity. Note that the positive (+) ter-

minal of each speaker connection may carry a specific

color code, as noted on page 7. However, many

speakers still use a red terminal for the positive (+)

connection. Connect the “negative” or “black” wire

to the same terminal on both the receiver and

the speaker.

4. Connect the Coaxial or Optical Digital Audio

Outputs ﬂ‡ on the rear panel of the AVR 135 to the

matching digital input connections on a CD-R or MiniDisc

recorder.

5. Assemble the AM Loop Antenna supplied with the

unit so that the tabs at the bottom of the antenna loop

NOTE: While most speaker manufacturers adhere to

an industry convention of using black terminals for

negative and red ones for positive, some may vary

from this configuration. To ensure proper phase and

optimal performance, consult the identification plate on

your speaker or the speaker’s manual to verify polarity.

If you do not know the polarity of your speaker, ask

your dealer for advice before proceeding, or consult

the speaker’s manufacturer.

snap into the holes in the base. Connect it to the AM

2. Connect the analog audio and video outputs of a

satellite receiver, cable TV converter, television set or

any other video source to the Video 2 Audio/Video

and S-Video Input Jacks ek. Although any video

device may be connected to these jacks, we recom-

mend connecting your cable TV converter or satellite

receiver so that you may take advantage of the fact

that the remote control is preprogrammed with the

product codes of these device types for the Video 2

device. If your device is capable of switching compo-

Antenna Terminals

6. Connect the supplied FM antenna to the FM (75-

ohm) Connection ¡. The FM antenna may be an

We also recommend that the length of cable used

to connect speaker pairs be identical. For example,

12 INSTALLATION AND CONNECTIONS

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INSTALLATION AND CONNECTIONS

nent video, we particularly recommend connecting it to

the Video 2 Audio Input Jacks k, as the Video 2

Component Video inputs ⁄ are assigned to the

Video 2 device.

connected here is selected as the Video 3 input, and

the digital inputs must be assigned to the Video 3

input. (See page 16 for more information on input

configuration.)

3. Connect the analog audio and video outputs of

a television or other video device to the front-panel

Video 3 Audio and Video Input Jacks ÓÔ.

Although any video or audio device may be connected

to these jacks, we recommend connecting your televi-

sion so that you may take advantage of the fact that

the remote control is preprogrammed with television

product codes for the Video 3 device. Important: If

you are only using the television as a display device

(i.e., if you receive your television programs through

a cable box or satellite receiver), do not connect

the TV’s outputs to the Video 3 Audio and Video

Input Jacks ÓÔ, or to any other inputs on the

AVR 135.

Video Connection Notes:

• When the component video jacks are used, the on-

screen menus are not visible and you must switch

to the standard composite or S-video input on your

TV to view them.

• The AVR 135 will accept either standard composite,

S-video or Y/Pr/Pb component video signals.

However, it will not convert composite or S signals

to component video.

• When connecting a video source to the AVR 135,

you may use either composite, component or

S-video, but only one type of video may be

connected for each device.

4. Connect the analog audio and video outputs of a

DVD or laser disc player to the DVD Audio/Video

and S-Video Inputs ah.

• When more than one video format is used, it is

necessary to make a separate connection from

the AVR to your video display for each format. For

example, if both composite and component sources

are connected to the AVR 135, both the composite

and component video monitor outputs °g must

be connected to the appropriate inputs on your

video display.

5. Connect the digital audio outputs of a DVD player,

satellite receiver, cable box or HDTV converter to the

appropriate Optical or Coaxial Digital Inputs

·c*(.

6. Connect the Video and/or S-Video Monitor

Output °g jacks on the receiver to the composite

or S-video input of your television monitor or video

projector.

AC Power Connections

This unit is equipped with two accessory AC outlets.

They may be used to power accessory devices, but

they should not be used with high-current-draw equip-

ment such as power amplifiers. The total power draw

to each outlet may not exceed 100 watts.

7. If your DVD player and monitor both have compo-

nent video connections, connect the component out-

puts of the DVD player to the DVD Component

Video Inputs ¤. Even when component video con-

nections are used, the audio connections should still

be made to either the analog DVD Audio Inputs h

or any of the Optical or Coaxial Digital Input

Jacks ·c*(.

The Switched AC Accessory Outlet › will receive

power only when the unit is on. This is recommended

for devices that have no power switch or a mechanical

power switch that may be left in the “ON” position.

NOTE: Many audio and video products go into a

Standby mode when they are used with switched out-

lets, and cannot be fully turned on using the outlet

alone without a remote control command.

8. If another device with component video outputs

is available, connect it to the Video 2 Component

Video Inputs ⁄. The audio connections for this

device should be made to either the Video 2 Audio

Inputs k or any of the Optical or Coaxial Digital

The Unswitched AC Accessory Outlet ﬁ will

receive power as long as the unit is plugged into a

powered AC outlet.

Input Jacks ·c*(

9. If the component video inputs are used, connect

the Component Video Monitor Outputs ‚ to

the component video inputs of your TV, projector

or display device.

Once the AC Power Cord ‹ is connected, you are

almost ready to enjoy the AVR 135’s incredible power

and fidelity!

10. If you have a camcorder, video game or other

audio/video device that is connected to the AVR on a

temporary rather than permanent basis, connect the

audio, video and digital audio outputs of that device

to the Front-Panel Inputs *(ÓÔ. A device

INSTALLATION AND CONNECTIONS 13

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SYSTEM CONFIGURATION

When all audio, video and system connections have

been made, there are a few configuration adjustments

that must be made. A few minutes spent to correctly

configure and calibrate the unit will greatly add to your

listening experience.

information is received, for example through the

6/8-Channel Direct Inputs f, or when deriving 7-

Channel Stereo or Logic 7/7.1 surround information,

the AVR 135 combines the left and right surround

back channel information and outputs it as a single

surround back channel.

Speaker Selection and Placement

The placement of speakers in a multichannel home

theater system can have a noticeable impact on the

Subwoofers produce nondirectional sound, so they

may be placed almost anywhere in a room. Actual

placement should be based on room size and shape

and the type of subwoofer used. One method of find-

ing the optimal location for a subwoofer is to begin by

placing it in the front of the room, about six inches

from a wall, or near the front corner of the room.

Another method is to temporarily place the subwoofer

at your normal listening position, and then walk

around the room until you find a spot where the sub-

woofer sounds best. Place the subwoofer in that spot.

You should also follow the instructions of the sub-

woofer’s manufacturer, or you may wish to experi-

ment with the best location for a subwoofer in your

listening room.

A) Front-channel speaker installation with direct-view

TV sets or rear-screen projectors

quality of sound reproduced.

No matter which type or brand of speakers is used,

the same model or brand of speaker should be used

for the left front, center and right front speakers. This

creates a seamless front soundstage and eliminates

the possibility of distracting sonic disturbances that

occur when a sound moves across mismatched

front-channel speakers.

TV or Projection Screen

Center Front

Left Front

Speaker

Right Front

Speaker

Speaker Placement

Depending on the type of center channel speaker in

use and your viewing device, place the center speaker

either directly above or below your TV, or in the center

behind a perforated front projection screen.

System Setup

Once the speakers have been placed in the room and

connected, the remaining steps in the setup process

are to program the AVR 135’s bass management sys-

tem for the type of speakers used in your system,

calibrate the output levels, and set the delay times

used by the surround sound processor.

Once the center channel speaker is installed, position

the front left and front right speakers so that they are

as far away from one another as the center channel

speaker is from the preferred listening position. Ideally,

the front channel speakers should be placed so that

their tweeters are no more than 24" above or below

the tweeter in the center channel speaker.

Rear-Wall Mounting

5.1

6.1

5.1

B) Rear-wall speaker mounting using the positions

marked “5.1” is an alternate location for 5.1 systems.

When a 6.1 speaker configuration is used, the posi-

tion marked “6.1” should be used.

You are now ready to power up the AVR 135 to begin

these final adjustments.

Depending on the specifics of your room acoustics

and the type of speakers in use, you may find that

imaging is improved by moving the left front and right

front speakers slightly forward of the center channel

speaker. If possible, adjust all loudspeakers so that

they are aimed at ear height when you are seated in

the listening position.

1. Make certain that the AC power cord ‹ is firmly

inserted into an unswitched AC outlet. To maintain

the unit’s safety rating, DO NOT replace the

power cord with one that has a lower current

capacity.

The rear wall location may also be used in place of

side-wall mounting in 5.1 systems when it is not prac-

tical to place the main surround speakers at the sides

of the room. The rear surround speaker should be

mounted as close as possible to the center of the rear

wall for a “6.1” system.

2. Press the Main Power Switch 1in until it

latches and the word “OFF” on the top of the

switch disappears inside the front panel. Note that

the Power Indicator 2will turn amber,

Using these guidelines, you’ll find that it takes some

experimentation to find the correct location for the front

speakers in your particular installation. Don’t be afraid to

move things around until the system sounds correct.

Optimize your speakers so that audio transitions across

the front of the room sound smooth, and sounds from

all speakers appear to arrive at the listening position at

the same time (without delay from the center speaker

compared to the left and right speakers).

As with the side speakers, the rear surround speaker

should be located so that the bottom of the cabinet

is at least two feet higher than the listeners’ ears.

The speaker should be no more than six feet behind

the rear of the seating area.

indicating that the unit is in the Standby mode.

3. Remove the protective plastic film from the front-

panel lens. If left in place, the film will affect the

performance of your remote control.

If dipole-type speakers are used on either the side or

rear walls of the room, please note that if there are

arrows on the speakers they should face the front of

the room for the side speakers, or toward the center

of the wall for the rear speakers.

4. Install the three supplied AAA batteries in the

remote as shown. Be certain to follow the (+)

and (–) polarity indicators that are on the top of

the battery compartment.

When the AVR 135 is used in 5.1-channel operation,

the preferred location for surround speakers is on the

side walls of the room, no morre than 10 degrees off

axis from the listening position. In a 6.1-channel sys-

tem, both side surround speakers and a back sur-

round speaker are required. The center of the speaker

should face into the room.

Important Note: It is not possible to configure the

AVR 135 for 7.1-channel operation. Do not connect

more than one speaker to the Surround Back

Speaker Outputs ¶, as doing so may damage your

speakers, the AVR 135 or both. When 7.1-channel

14 SYSTEM CONFIGURATION

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SYSTEM CONFIGURATION

Making Configuration Adjustments

sources. Once these settings are made, they will auto-

The full-OSD system is available by pressing the

OSD Button v. When this button is pressed, the

MASTERMENU(Figure 1) will appear, and

adjustments are made from the individual menus.

matically be recalled whenever you select that input. In

addition to the settings listed above, which always vary

with the input, you may also choose to set different

speaker configurations for size and crossover frequency

for each input. In most cases, this is not required, so

the factory default is to have these settings remain the

same for all inputs. However, should you wish to have

these settings change for any one, or all, inputs, follow

the instructions shown on page 19 to select the

Independent mode for speaker configuration.

MASTER

5. Turn the AVR 135 on either by pressing the

Standby/On Switch 2on the front panel, or

via the remote by pressing the Power On Button

d, the AVR Selector for any of the Input

Selectors egon the remote. When the unit

is turned on, the entire list of options will briefly

light for both the Input Indicators ıand the

Surround Mode Indicators ˘. After a few

seconds, the majority of those indicators will go

dark, leaving only the indications for the active

surround mode and input illuminated. The

Display Lines ˜¯will display the unit’s sta-

tus, the Power Indicator 2will turn blue, and

the accent light inside the Volume Control Ù

will also light up to remind you that the unit is

turned on.

INPUT

SETUP

SURROUND

SPEAKER

SELECT

SETUP

DELAY

ADJUST

CHANNEL

ADVANCED

ADJUST

The factory default settings for the AVR 135 have all

inputs configured for an analog audio input except for

the DVD input, where the Coaxial Digital Audio

Input 1 · is the default. The default speaker settings

are for “Large” speakers at the front left/right, “Small”

at all other positions, and the subwoofer on. However,

once the DSP processing system is used the first time

for any input, the speaker settings will automatically

default to “Small” at all positions with the subwoofer

set to “LFE.” The default setting for all sources using

an analog input is the Logic 7 Music mode, although

Dolby Digital or DTS will automatically be selected as

appropriate when a source with digital encoding is

in use. When a Dolby Digital 2.0 source is detected,

the AVR 135 will automatically add Dolby Pro Logic II

processing.

Figure 1

The semi-OSD system is also available, allowing you

to make adjustments directly, by pressing the appro-

priate buttons on the front panel or remote control for

the specific parameter to be adjusted. For example, to

change the digital input for any of the sources, press

the Digital Select Button qand then press the

⁄ ¤

Buttons nto scroll through the list of

options as they appear in the on-screen display or the

Upper Display Line ˜.

Using the On-Screen Display

When making the following adjustments, you may find

it easier to use the AVR 135’s on-screen display sys-

tem. These easy-to-read displays give you a clear pic-

ture of the current status of the unit and make it easy

to see which speaker, delay, input or digital selection

you are making.

To use the full-OSD menu system, press the OSD

Button v. When the menu is on the screen, press

⁄ ¤

›

Before using the unit, you will probably want to

change the settings for most inputs so that they are

properly configured to reflect the use of digital or ana-

log inputs and the surround mode specifics of your

home theater system. Remember that since the

AVR 135 memorizes these settings for each input

independently, you will need to make these adjust-

ments for each input used. However, once they are

made, further adjustment is only required when system

components are changed.

the

Buttons nuntil the on-screen cursor

is next to the item you wish to adjust, and then press

the Set Button pto adjust that item. The menus

will remain on the screen for 20 seconds, and then

they will “time-out” and disappear from the screen. The

time-out may be increased to as much as 50 seconds

by going to the ADVANCEDmenu, and changing

the item titled FULLOSDTIMEOUT. (See

page 29.)

To view the on-screen menus, make certain that you

have made a connection from the Video or S-Video

Monitor Out Jack °g on the rear panel to the

composite or S-video input of your TV or projector.

In order to view the AVR 135’s displays, the correct

video source must be selected on the video display.

The on-screen menus are not available when a com-

ponent video display is in use.

When the full-OSD menu system is used, OSDON

will appear in the Upper Display Line ˜to remind

you that a video display must be used. When the

semi-OSD system is used in conjunction with the dis-

crete configuration buttons, the on-screen display will

show the current menu selection. That selection will

also be shown in the Upper Display Line ˜or

the Lower Display Line ¯, depending on which

parameter is being adjusted.

To make this process as quick and easy as possible,

we suggest that you use the full-OSD system with the

on-screen menus, and step through each input. Once

you have completed the settings for the first input,

many settings may be duplicated for the remaining

inputs. It is also a good idea to set the configuration

data in the order these items are listed in the MAS-

TERMENU, as some settings require a specific

entry in a prior menu item. Remember that once the

settings are made for one input, they must be made

for all other input sources in your system.

IMPORTANT NOTE: When viewing the on-screen

menus using a CRT-based projector, plasma display or

any direct-view CRT monitor or television, it is important

that they not be left on the screen for an extended period

of time. The constant display of a static image such as

these menus or video game images may cause the

image to be permanently “burned into” the projection

tubes, plasma screen or CRT. This type of damage is not

covered by the AVR 135 warranty and may not be cov-

ered by the projector/TV set’s warranty.

Setting the System Configuration Memory

The AVR 135 features an advanced memory system

that enables you to establish different configurations

for the digital input, surround mode, delay times and

output levels for each input source. This flexibility

enables you to customize the way in which you listen

to each source and have the AVR 135 memorize

those settings. This means, for example, that you

may use different output levels or trims for different

The AVR 135 has two on-screen display modes,

“Semi-OSD” and “Full-OSD.” When making configura-

tion adjustments, it is recommended that the Full-OSD

mode be used. This will place an option listing on the

screen, making it easier to view the available options.

SYSTEM CONFIGURATION 15

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SYSTEM CONFIGURATION

the Set Button pto enter the new digital input

assignment.

SELECT line. Press the Set Button puntil the

SURROUND SELECT menu (Figure 3) is on

the screen.

Input Setup

The first step in configuring the AVR 135 is to configure

each input. Once an input is configured, all settings for

the Digital Input, Surround Mode and Delay Timing will

“attach” themselves to that input and be stored in a

nonvolatile memory. The later selection of that input

will automatically recall those settings. For that reason,

the procedures described below must be repeated

for each input source so that you have the opportunity

to customize each source to your specific listening

requirements. However, once made, they need not be

changed again unless you need to alter a setting.

Some digital video input sources, such as a cable box

or HDTV set-top, may change between analog and

digital outputs, depending on which channel is in use.

The AVR 135’s Auto Polling feature allows you to

avoid losing the audio feed when this happens by

permitting both analog and digital connections to

the same source on the AVR. Digital audio is the

default, and the unit will automatically switch to the

analog audio if the digital audio stream stops.

SURROUND

SELECT

DOLBY

DTS

SURROUND

LOGIC

DSP

(SURR)

VMAX

STEREO

BACK TO

MASTER

Figure 3

In cases where only a digital source is used, you may

wish to disable the Auto Polling feature to prevent the

AVR from trying to “find” an analog source when the

digital source is paused. To turn Auto Polling off for

When using the full-OSD system to make the setup

adjustments, press the OSD Button vonce so that

Each of the option lines on this menu (Figure 3)

selects the surround mode category, and within each

of those categories there will be a choice of the

specific mode options. The choice of modes will

vary according to the speaker configuration in your

system. When the SURR BACK line of the

SPEAKER SETUP menu (Figure 5 on page

18) is set to NONE, the AVR 135 will be configured

for 5.1-channel operation, and only the modes appro-

priate to a five-speaker system will appear. When the

SURR BACK line of the SPEAKER

SETUP menu (Figure 5) is set to SMALL or

LARGE the AVR 135 will be configured for

6.1/7.1-channel operation, and additional modes

such as Dolby Digital EX and DTS-ES will appear, as

they are only available when six main speakers are

present. In addition, some of the modes available in

the AVR 135 will not appear unless a digital source is

selected and is playing the correct bitstream.

Remember that when you use only a single, surround

back speaker, you will get the benefits of a 6.1/7.1

system, but with only one speaker installed at the back

of the room. The mode indications will show 7.1 in

some cases, but no additional adjustment is needed

for 6.1 operation. Remember that the AVR 135 will

combine the left and right surround back channel

information present in 7.1 modes such as Logic 7/7.1

and 7-channel stereo, outputting the information as a

single surround back channel.

›

the MASTERMENU(Figure 1) appears. The

cursor will be next to the INPUTSETUPline.

Press the Set Button pto enter the menu and the

INPUTSETUPmenu (Figure 2) will appear on

‹ ›

›

any input, first make certain that the cursor is point-

ing to the AUTO POLL line on the menu screen.

‹ ›

Next, press the

Navigation Buttons oso that

the screen. Press the

Buttons ountil the

OFF appears. Repeat the procedure at any time so

that ON appears to restore the Auto Polling feature.

desired input name appears in the highlighted video,

as well as being indicated in the front-panel Input

Indicators ı. If the input will use the standard left/

right analog inputs, no further adjustment is needed.

When all needed adjustments have been made, press

›

the Button nuntil the cursor is next to

BACKTOMASTERMENUto continue with

the system configuration.

INPUT

SETUP

INPUT

:VIDEO

DIGITAL

IN:ANALOG

:OFF

Surround Setup

AUTO

POLL

The next step is to set the surround mode you wish

BACK

MASTER

to use with the input that was previously selected in

the INPUTSETUPmenu. Since surround

modes are a matter of personal taste, feel free to

select any mode you wish – you may change it later.

However, to make it easier to establish the initial

parameters for the AVR 135, it is best to select Dolby

Pro Logic II or Logic 7 for most analog inputs and

Dolby Digital for inputs connected to digital sources.

In the case of inputs such as a CD Player, Tape Deck

or Tuner, you may wish to set the mode to Stereo

(“Surround off”) as they are not typically used with

multichannel program material, and it is unlikely that

surround-encoded material will be used. Alternatively,

the Logic 7 Music mode is a good choice for stereo-

only source material. See page 24 for more informa-

tion on available surround modes.

Figure 2

If you wish to associate one of the digital inputs with

the selected input source, press the Button n

on the remote while the INPUTSETUPmenu

(Figure 2) is on the screen, and the on-screen cursor

will drop down to the DIGITALINline. Press

‹ ›

the

Buttons ountil the name of the desired

digital input appears. To return to the analog input,

press the buttons until the word ANALOGappears.

When the correct input source appears, press the

To select the mode that will be used as the initial

default for an input, first press the

›

Button nonce so that the cursor appears next

⁄

Buttons

to BACK TO MASTER MENU, and press the

Set Button p.

nuntil the on-screen cursor is next to the desired

mode’s master category name, such as DOLBY,

DTS, DSP(SURR)or VMAX. Next, press

the Set Button pto view the sub-menu. Press the

‹ ›

When selecting surround modes for digital program

material, the AVR 135 will always examine the data

stream and automatically select Dolby Digital or DTS

as applicable.

To change the digital input at any time using the dis-

crete function buttons and the semi-OSD system,

press the Digital Select Button qon the remote.

Buttons oto scroll through the available

choices, and then press the Button nso that

the cursor is next to BACK TO MASTER

MENU to continue the setup process.

It is easiest to complete the surround setup using the

full-OSD on-screen menus. From the MASTER

⁄ ¤

Within five seconds, make your input selection using

⁄ ¤

the

Buttons nuntil the desired digital or

MENU(Figure 1), press the

Buttons n

analog input is shown in the Upper Display Line ˜

and in the lower line of the on-screen display. Press

›

until the cursor is next to the SURROUND

16 SYSTEM CONFIGURATION

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SYSTEM CONFIGURATION

The following few paragraphs detail the instructions for

surround mode categories with several mode options

or with other available settings.

The Night mode may also be adjusted directly any

are not available when either Dolby Digital or DTS

digital soundtracks are in use. See page 24 for a

complete explanation of the Logic 7 modes.

time a Dolby Digital source is playing by pressing the

Night Mode Button l. When the button is

pressed, D-RANGEwill appear in the lower third

On the DOLBY menu (Figure 4), mode choices

include Dolby Digital, Dolby Pro Logic II-Music, Dolby

Pro Logic II-Movie, Dolby Pro Logic and Dolby 3

Stereo. The Dolby Digital EX mode is only available

when the system is set for 6.1/7.1 operation by con-

figuring the Surround Back speakers to “Small” or

“Large” as described on page 18. When a disc is

playing that contains a special “flag” signal in the digital

audio data stream, the EX mode will be selected auto-

matically. It may also be selected using this menu or

through the front panel or remote control as shown on

page 23. A complete explanation of these modes is

found on page 24.

of the video screen and in the Lower Display Line

On the DSP (SURR) menu, the choices made

⁄ ¤

‹ ›

¯. Press the

Navigation Buttons nwith-

with the

Buttons oon the remote select from

in three seconds to select the desired setting.

one of the DSP surround modes that are designed for

use with two-channel stereo programs to create a

variety of sound field presentations. The choices avail-

able are Hall 1, Hall 2, Theater, VMAx Near and VMAx

Far. The Hall and Theater modes are designed for

multichannel installations, while the two VMAx modes

are optimized for use in delivering a full surround field

when only the front left and front right speakers are

installed. See page 24 for a complete explanation of

the DSP surround modes.

When you have completed your selections on the

⁄ ¤

DOLBY menu, press the

Navigation

›

Buttons nuntil the cursor is next to the

BACK TO SURR SELECT line. Press the

Set Button pto return to the SURR

SELECT menu (Figure 3).

‹ ›

On the DTS menu, the choices made with the

Buttons oon the remote are determined by a

combination of the type of program material in use

and whether the 5.1- or 6.1/7.1-channel configura-

tion is in use.

On the STEREO menu, the choices made with the

‹ ›

When the Dolby Digital mode is selected, there are

additional settings available for the Night mode.

Buttons oon the remote may either turn the

surround processing off for a traditional two-channel

stereo presentation, or select 5 STEREO or 7

STEREO depending on whether a 5.1 or 6.1/7.1

configuration is in use. The latter modes feed a two-

channel presentation to all speakers, regardless of

the number of speakers in use. See page 24 for a

complete explanation of the 5 Stereo and 7 Stereo

modes.

When a DTS source is playing, the choice of modes

for 7.1 systems will vary according to the type of pro-

gram source (DTS 5.1, DTS-ES Matrix or DTS-ES

‹ ›

DOLBY

SURROUND

MODE:

DOLBY

Discrete). Press the

Buttons oto scroll

DIGITAL

OFF

through the choices that are available for your system

and the program in use. The DTS Neo:6 Music mode

is available with analog stereo sources and the DTS

Neo:6 Cinema mode is available with analog matrix

surround-encoded sources to deliver an enhanced

5.1-channel sound field.

NIGHT:

BACK

SURR

SELECT

After the selections are made on the Dolby, DTS,

Logic 7, DSP (Surround) or Stereo menus, press the

⁄ ¤

Figure 4

Buttons nso that the cursor moves to the

When the 5.1 configuration is in use, the AVR will

automatically select the 5.1 version of DTS processing

when a DTS data stream is selected. When the

6.1/7.1 mode is selected, the DTS-ES Discrete mode

will automatically be activated when a DTS source with

the ES Discrete “flag” is in use. When a non-ES DTS

disc is in use, you may select the DTS-ES Matrix

mode through this menu to create a full eight-channel

surround mode. See page 24 for a complete explana-

tion of the DTS modes.

BACK TO MASTER MENU line and press

the Set Button p.

The Night mode is a feature of Dolby Digital that uses

special processing to preserve the dynamic range and

full intelligibility of a movie soundtrack while reducing

the peak level. This prevents abruptly loud transitions

from disturbing others, without reducing the sonic

impact of a digital source. The Night mode is only

available when specially encoded Dolby Digital signals

are played.

Speaker Setup

This menu tells the AVR 135 which type of speakers

are in use. This is important as it adjusts the settings

that decide whether your system will use the “5-chan-

nel” or “6-channel/7-channel” modes, as well as

determining which speakers receive low-frequency

(bass) information.

To adjust the Night mode setting, make certain that the

On the LOGIC 7 menu, the choices made with

›

cursor is on the NIGHTline of the DOLBY

‹ ›

the

Buttons oon the remote are determined

For each of these settings, use the LARGEsetting

if the speakers for a particular position are traditional

full-range loudspeakers. Use the SMALLsetting for

smaller, frequency-limited satellite speakers that do not

reproduce sounds below 200Hz. Note that when

“small” speakers are used, a subwoofer is required to

reproduce low-frequency sounds. Remember that the

“large” and “small” descriptions do not refer to the

actual physical size of the speakers, but to their ability

to reproduce low-frequency sounds. If you are in

doubt as to which category describes your speakers,

consult the specifications in the speakers’ owner’s

manual, or ask your dealer.

‹ ›

menu. Next, press

Navigation Buttons oto

by whether the 5.1- or 6.1/7.1-channel configuration

is in use. In either case, the selection of a Logic 7

mode enables Harman Kardon’s exclusive Logic 7

processing to create fully enveloping, multichannel

surround sound from either two-channel Stereo or

Matrix-encoded programming such as VHS cassettes,

laser discs or television broadcasts produced with

Dolby surround.

choose between the following settings, as they appear

in the on-screen display:

OFF: When OFFappears, the Night mode will not

function.

MID: When MIDappears, a mild compression will

be applied.

MAX: When MAXappears, a more severe com-

pression algorithm will be applied.

In the 5.1 configuration, you may select the Logic 7/

5.1 Music, Cinema or Enhance mode. They work best

with two-channel music, surround-encoded programs

or standard two-channel programming of any type,

respectively. For 6.1/7.1 configurations, the Music and

Cinema modes may be selected. The Logic 7 modes

We recommend that you select the MIDsetting as

a starting point and change to the MAXsetting later,

if desired.

SYSTEM CONFIGURATION 17

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SYSTEM CONFIGURATION

This menu screen also allows you to enter the settings

for the AVR 135’s Triple Crossover feature, which

allows a different crossover point to be used for the

front left/right, center and surround speakers. In sys-

tems where full-range or tower speakers are used for

the front soundstage or where different brands or

models are in use at the various speaker positions, this

feature allows you to customize the bass management

and redirection circuits with a precision not previously

possible.

this menu, bass information may also be directed to the

front left/right speakers, a subwoofer or both.

When SMALLis selected, low-frequency surround

channel sounds will be sent to the subwoofer output

only. If you choose this option and there is no sub-

woofer connected, you will not hear any low-frequency

sounds from the surround channel.

NOTE: When the front speakers are set to LARGE,

the SUBWOOFER is set to NONE, and the sur-

round mode is set to “Surround Off,” or pure two-chan-

nel stereo, if an analog audio source is selected, it will be

routed directly from the input to the volume control

without being digitized or processed. If you have full-

range front speakers and wish to remove all digital pro-

cessing from the circuit path, select this configuration.

If you wish to use this option with only one input, such

as a CD player or an optional, external phono preamp,

choose the INDEPENDENT setting on the

BASS MGR line at the bottom of this menu so that

only those inputs where the analog bypass is desired

will be routed in this fashion.

When LARGEis selected, a full-range output will

be sent to the surround channel outputs, and NO sur-

round channel signals will be sent to the subwoofer

output.

It is easiest to enter the proper settings for speaker

setup through the SPEAKERSETUPmenu

(Figure 5). If that menu is not already on your screen

from the prior adjustments, press the OSD Button

vto bring up the MASTERMENU(Figure 1),

and then press the ¤ Button nuntil the cursor is

on the SPEAKERSETUPline. At this point,

press the Set Button pto bring up the

When NONEis selected, surround sound informa-

tion will be split between the front left and front right

outputs. For optimal performance when no surround

speakers are in use, the Dolby 3 Stereo mode should

be used.

When you have completed your selections for the

main surround channels, press the ¤ Button non

the remote to move the cursor to SURR BACK.

This line serves two functions in that it not only config-

ures the setting for the surround back channels when

they are present; it also tells the AVR 135’s processing

system to configure the unit for either 5.1 or 6.1/7.1

operation.

When you have completed your selection for the front

SPEAKERSETUPmenu (Figure 5).

channel, press the Button non the remote to

move the cursor to CENTER.

SPEAKER

SETUP

‹ ›

Press the

Buttons oon the remote to select

MODE

:SIZE

LEFT/RIGHT

CENTER

: LARGE

: SMALL

the option that best describes your system, based on the

speaker definitions shown below.

SURROUND

SURR

SUB

BACK

WOOFER

MGR

NOTE: In order to adjust the speaker settings for the

surround back channels, either a Logic 7 or DTS

Neo:6 mode must first be selected or a multichannel,

Dolby Digital or DTS source must be playing. This

enables the system to activate the surround back

processing mode.

: SUB(LFE)

: GLOBAL

MASTER MENU

BASS

BACK

When SMALLis selected, low-frequency center

channel sounds will be sent only to the subwoofer out-

put. If you choose this option and there is no subwoofer

connected, you will not hear low-frequency sounds from

the center channel.

Figure 5

The first line of the SPEAKER SETUP menu

(Figure 5) allows you to switch the menu to change

either the speaker size setting or the exact crossover

point used for that speaker group. For the first pass

through the menu, leave the setting at its default

option of SIZE, and then proceed as outlined

below. Once the speaker choices have been set, you

may wish to return to this line to change the option so

that the crossover settings may be adjusted.

Press the ‹/›Buttons oon the remote to select

the option that best describes the speaker in use at

the back surround position based on the definitions

shown below:

When LARGEis selected, a full-range output will be

sent to the center speaker output, and NO center

channel signal will be sent to the subwoofer output.

NOTE: If you choose Logic 7 as the surround mode

the “large” option will not be available for the center

speaker. This is due to the requirements of Logic 7

processing, and does not indicate a problem with

your receiver.

When NONE is selected, the system will adjust so

that only 5.1-channel surround processing/decoding

modes are available.

When SMALL is selected, the system will adjust so

Begin the speaker setup process by making certain that

the cursor is pointing toward the LEFT/RIGHT

line, which sets the configuration for the front left and

right speakers. If you wish to make a change to the

‹ ›

that the full complement of 6.1/7.1 surround processing

decoding modes are available, and low-frequency

information below the crossover point will be sent to

the subwoofer output. If you choose this option and

there is no subwoofer connected, you will not hear

any low-frequency sounds from the surround back

channel.

When NONEis selected, no signals will be sent to

the center channel output. The receiver will operate in

a “phantom” center channel mode and center channel

information will be sent to the left and right front chan-

nel outputs. When only front left and right speakers are

used, with no center or surround speakers, VMAx is a

good alternative mode.

front speakers’ configuration, press the

Buttons

oso that either LARGEor SMALLappears,

matching the appropriate description from the definitions

shown above.

When LARGE is selected, the system will adjust so

that the full complement of 6.1/7.1 surround process-

ing/decoding modes are available, and a full-range

signal will be sent to the surround back channels, with

no low-frequency information sent to the subwoofer

output.

When SMALLis selected, low-frequency sounds will

be sent only to the subwoofer output. If you choose this

option and there is no subwoofer connected, you will

not hear any low-frequency sounds from the front

channels.

When you have completed your selection for the cen-

ter channel, press the Button non the remote

to move the cursor to SURROUND.

‹ ›

Press the

Buttons oon the remote to select

the option that best describes the side surround

speakers in your system based on the speaker

definitions shown on this page.

When LARGEis selected, a full-range output will be

sent to the front left and front right outputs. Depending

on the choice made in the SUBWOOFERline in

NOTE: It is not possible to configure the AVR 135 for

7.1-channel operation. Do not connect more than one

speaker to the Surround Back Speaker Outputs

18 SYSTEM CONFIGURATION

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SYSTEM CONFIGURATION

the design and driver complement of your speakers,

left/right speakers will automatically change in tandem

so that the same setting appears for both speaker

positions. This ensures that there is no “hole” in the

sound field due to different crossover points at the

front and subwoofer speakers.

¶, as doing so may damage your speakers, the

AVR 135 or both. When 7.1-channel information is

received, for example through the 6/8-Channel

Direct Inputs f, or when deriving 7-Channel Stereo

or Logic 7/7.1 surround information, the AVR 135

combines the left and right surround back channel

information and outputs it as a single surround back

channel.

it is usually defined as the lowest possible frequency

the speaker is capable of reproducing. Before making

any changes to the settings for the crossover point,

we suggest that you find the crossover point for the

speakers in each of the three groupings, front

left/right, center and surrounds, by looking at the

specifications page of each speakers’ owner’s manual,

or by contacting your dealer or the manufacturer’s

customer service department or Web site. You will

need this figure to accurately configure the next group

of settings.

When all crossover settings have been made, or in

those cases where none are needed, press the

Button nso that the cursor is next to the BASS

MGR line to make the final setting on this menu.

When you have completed your selection for the back

surround channels, press the Button non the

This setting allows you to use the same speaker size

configuration for all inputs, or to have different settings

for each input. In most cases the factory default set-

ting of GLOBAL will be appropriate, as most lis-

teners do not need to have individualized settings.

However, some listeners, particularly those with full-

range front speakers that are used for both movies

and music, may prefer that different bass management

be used when listening to music through a CD player

as opposed to a movie from a DVD player, VCR or

cable/satellite set-top.

remote to move the cursor to SUBWOOFER.

‹ ›

Press the

Buttons oon the remote to select

The factory default setting for all speaker positions is

100Hz. If that setting is acceptable for all channels,

then no adjustments are needed and you may skip

this section. However, should you wish to change one

the option that best describes your system.

The choices available for the subwoofer position will

depend on the settings for the other speakers, particu-

larly the front left/right positions.

⁄

of the settings, please proceed by pressing the

Button nso that the cursor moves back up to the

⁄ ¤

top of the list of setting options. Press the

If the front left/right speakers are set to SMALL,

the subwoofer will automatically be set to SUB,

which is the “on” position.

Buttons nso that X-OVER is highlighted and

the menu data will change to the screen shown in

Figure 6.

If you wish to customize the speaker settings for

each input, make certain that the MODE line of

the SPEAKER SETUP menu is set to

SIZE, and that the cursor is on the BASS

‹ ›

If the front left/right speakers are set to LARGE,

three options are available:

SPEAKER

SETUP

MODE

:X-OVER

• If no subwoofer is connected to the AVR 135,

LEFT/RIGHT:100HZ

‹ ›

MGR line, and press the

Buttons oso that

press the

Buttons oon the remote so

CENTER

:100HZ

:-----

:GLOBAL

SURROUND

INDEPENDENT appears. When this setting is

entered by exiting the menu, you may need to go

back to the INPUT menu to select another input,

and then return to this menu page again to change

the settings for that input. Repeat the procedure for

any input where you wish to have a different set of

speaker configurations.

that NONEappears in the on-screen menu.

When this option is selected, all bass information

will be routed to the front left/right “main” speakers.

SURR

BACK

SUBWOOFER

BASS

BACK

MGR

MASTER

• If a subwoofer is connected and you wish to have

the front left/right “main” speakers reproduce bass

frequencies at all times, and have the subwoofer

operate only when the AVR 135 is being used

with a digital source that contains a dedicated

Low-Frequency Effects, or LFE, soundtrack. Press

‹ ›

Figure 6

To change the setting for any of the three speaker

NOTE: When the INDEPENDENT setting is

activated, you may assign different speaker size set-

tings to each input to accommodate different bass

management settings that match your preferences

with the type of program material normally used with a

particular source (for example, when movies are played

from DVD and music from a CD player). However, the

actual speaker crossover settings are set only once and

do not change with the input selection. The reason is

that, while bass management preferences may vary,

the actual speakers remain the same, regardless of the

bass-management and redirection settings.

⁄ ¤

groups, press the

Buttons nuntil the cursor

is next to the line where you wish to make a change

‹ ›

and then press the

Buttons ountil the

the

Buttons oon the remote so that

desired setting appears. The available choices at which

point low-frequency information will be sent to the

subwoofer, rather than to the main speaker channel,

are 40Hz, 60Hz, 80Hz, 100Hz, 120Hz and 200Hz.

Pick the choice that is identical to the information for

the speakers, or if an exact match is not possible, pick

the closest choice that is ABOVE the speaker’s low-

frequency limit or crossover point to avoid the creation

of a low-frequency “hole” where your system will have

no bass information.

LFEappears in the on-screen menu.

• If a subwoofer is connected and you wish to use it

for bass reproduction in conjunction with the main

front left/right speakers, regardless of the type of

‹ ›

program source or Surround mode, press the

Buttons oon the remote so that SUB

LFE+L/Rappears in the on-screen menu.

When this option is selected, a full-range signal

will be sent to the front left/right “main” speakers,

and the subwoofer will receive the bass frequen-

cies under frequency selected, as described

below, as well as the LFE information.

When all speaker selections have been made, press

In cases where LARGE has been selected as the

front-channel speaker option and LFE+L/R has

been selected as the subwoofer option, the front-

channel sound information below the setting shown

will be sent to BOTH the front-channel speakers and

the subwoofer. Note, also, that when the LARGE-

LFE+L/R setting has been selected, the

the Button nand then the Set Button pto

return to the MASTER MENU.

When all initial speaker “size” settings have been

made, you now have the option to take advantage of

the AVR 135’s Triple Crossover system, which allows

individual crossover settings to be made for each

speaker grouping. The low-frequency crossover point

is set by the design of your speakers. Depending on

Delay Settings

Due to the different distances between the listening

position for the front channel speakers and the sur-

round speakers, the amount of time it takes for sound

to reach your ears from the front versus surround

speakers differs. You may compensate for this differ-

crossover point is set by making adjustments at the

SUBWOOFER line, but the setting for the front

SYSTEM CONFIGURATION 19

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SYSTEM CONFIGURATION

ence through the use of the delay settings to adjust

the timing for the speaker placement and acoustic

conditions in your listening room or home theater.

IMPORTANT NOTES:

Once the DELAYADJUSTmenu is on your

screen, note that the default setting to enter the dis-

tances from the speakers to the listening position is in

feet. If your measurements are in feet, proceed to the

next step; if your measurements are made in meters,

• Listeners are often confused about the operation of

the surround channels. While some assume that

sound should always be coming from each speaker,

most of the time there will be little or no sound in

the surround channels. This is because they are

only used when a movie director or sound mixer

specifically places sound there to create ambience

or a special effect, or to continue action from the

front of the room to the rear. Once the output

levels are properly set, it is normal for surround

speakers to operate only occasionally. Artificially

increasing the volume to the rear speakers may

destroy the illusion of an enveloping sound field

that duplicates the way you hear sound in a movie

theater or concert hall.

The AVR 135’s advanced software enables you to

quickly and easily set delay times without the need to

calculate them using a complex formula. Instead, all

you need to do is measure the approximate distance

between your listening position and each of the

speakers in your system. When you enter those

distances into the AVR’s memory as shown below,

the AVR’s microprocessor does the rest of the work,

calculating the proper delay time. The measurements

need not be accurate to the inch, as the system is

designed to accommodate a typical listening area

rather than require the precise measurement to one

“sweet spot” position.

›

press the Button nuntil the on-screen cursor

is at the UNITline on the menu. Then, press the

‹ ›

Buttons oso that METERis highlighted.

When the change in measurement units is made,

›

⁄ ¤

press the

Buttons nto return the cursor

to the CENTERposition.

›

With the on-screen cursor pointing to CENTER,

‹ ›

press the

Buttons ountil the distance from

the center speaker to the preferred listening position is

entered. Next, press the Button nto move the

‹ ›

cursor to the SURROUNDline and use the

Buttons oagain to enter the distance from the

• When the AVR 135 is configured for 6.1-channel

operation using a single surround back speaker, the

output level adjustments will still provide an adjustment

for separate surround back left and surround back right

positions even though your system has only one

surround back speaker. This means that the Surround

Back channel will seem to appear twice, and in 6.1

operation this is normal. The separate SBL/SBR adjust-

ments for 6.1 operation are needed to optimize the

balance between the two discrete channels within the

AVR as they are mixed for output to a single speaker.

video display at the front of the room to the surround

speakers. Finally, if the system is configured for 7.1

operation by entering LARGEor SMALLon

the SURRBACKline of the SPEAKER

Due to the differences in the way each surround

mode operates, some modes allow for a greater range

of delay times than others. To avoid problems, we

recommend that delay times be adjusted using the

Dolby Digital mode. If a different mode is selected at

a later time, the AVR 135 will automatically restrict

the delay settings to those required by the surround

mode in use.

SETUPmenu, press the Button nagain

‹ ›

and use the

Buttons oto enter the distance

from the listening position to the surround speakers.

Remember that this last adjustment will only be needed

when you have surround back speakers installed and

Dolby Digital chosen as the surround mode.

Delay times are only adjustable for the Dolby modes,

so you will notice that the DELAYmenu may not

be accessed when any other mode, such as a DTS

or Logic 7 option, has been selected. In addition,

when a non-Dolby Digital mode such as Dolby 3

Stereo or Pro Logic II is selected, adjustments may

be made to the Surround speakers only.

When the speaker-to-listening-position distance has

been entered for all active speaker positions, press the

⁄ ¤

Before beginning the output level adjustment process,

make certain that all speaker connections have been

properly made. The system volume should be set to

the level that you will use during a typical listening

session.

Buttons nuntil the on-screen cursor is next

to BACKTOMASTERMENUand press the

Set Button p.

The delay settings may be changed at any time

directly from the remote control by pressing the

Delay Button 35 . CENTERDELAYwill

appear in the Lower Display Line ¯, but you

⁄ ¤

To set the delay time for a specific input, the

Using the Full-OSD System

Follow these steps while seated in the listening posi-

tion that will be used most often:

DELAYADJUSTmenu (Figure 7) should be

visible on your on-screen display. If it is not, press

the OSD Button vto bring up the MASTER

1. Make certain that all speaker positions have been

properly configured for their “large” or “small” set-

tings (as outlined above) and turn off the OSD

system if it is in use.

may press the

Buttons nto select any

MENU, and press the Button nuntil the

of the speaker groups.

›

on-screen cursor is pointing at the DELAY

ADJUSTline. Press the Set Button pto

call up the menu.

Press the Set Button pwhen the desired speaker

⁄ ¤

group appears, and then press the

Buttons

2. Adjust the volume so that it is at -15dB, as

shown in the on-screen display or Lower

Display Line ¯.

nagain to enter the distance from the speaker to

the listening position. Press the Set Button p

NOTE: In order to adjust the Delay settings for the

surround back channels, a Dolby Digital or DTS source

must be playing. This enables the system to activate

the surround back processing mode.

⁄ ¤

again to enter the data. You may then press the

Buttons nto select another speaker group to

repeat the procedure as needed, or wait five seconds

for the system to return to normal operation.

3. Output level adjustment is most easily done

through the CHANNELADJUSTmenu

(Figure 8). If you are already at the MASTER

DELAY

ADJUST

MENU, press the Button nuntil the

Output Level Adjustment

FRONT

:10FT

:FEET

›

on-screen cursor is next to the CHANNEL

CENTER

SURROUND

Output level adjustment is a key part of the configura-

tion of any surround sound product. It is particularly

important for a digital receiver such as the AVR 135,

as correct outputs ensure that you hear soundtracks

with the proper directionality and intensity.

ADJUSTline. If you are not at the

MASTERMENU, press the OSD Button

vto bring up the MASTERMENU

SURR

UNIT

BACK

MASTER

(Figure 1), and then press the Button n

›

until the on-screen cursor is next to the

CHANNELADJUSTline. Press the Set

Figure 7

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SYSTEM CONFIGURATION

release the button, the circulation will resume

after five seconds.

When all channels have the same output level, press

the Test Button iagain to complete the process.

Button pto bring the CHANNEL

ADJUSTmenu (Figure 8) to the screen.

Continue to adjust the individual channels until the

volume level sounds the same from each speaker.

‹ ›

If you find that the output levels are either uncomfort-

ably low or high, you may repeat the procedure, but

first adjust the master volume either slightly higher or

lower (but not higher than 0dB) to compensate. Do

not adjust the volume during the procedure, as that will

cause the output levels to be higher or lower for only

some channels, resulting in uneven balance.

CHANNEL

ADJUST

Adjustments should be made with the

Buttons

SBR :0

SBL :0

CEN

oon the remote only, NOT the main volume con-

trols. If you are using a sound-pressure level (SPL)

meter for precise level adjustment, set the volume

so that the meter reads 75dB on the C-Weighting,

Slow scale.

SUB :0

CHANNEL

RESET

TONE

TO MASTER

:OFF

TEST

BACK

:OFF

NOTE: Output level adjustment is not available for the

VMAx or Surround Off modes.

If you find that the output levels are either uncomfort-

ably low or high, you may repeat the procedure.

Return to Step 2 and adjust the master volume either

slightly higher or lower to accommodate your particu-

lar room layout and your tastes. You may repeat this

procedure as many times as necessary to achieve a

desired result. In order to prevent possible damage to

your hearing or your equipment, we emphasize that

you should avoid setting the master volume above

0dB.

Figure 8

4. When the CHANNELADJUSTmenu

appears, press the Button nuntil the on-

screen cursor is next to the TESTTONE

line. Press the

shown and the AVR’s internal test tone will begin

to circulate from speaker to speaker in a clock-

wise direction into all speakers. The test noise will

play for two seconds in each speaker before cir-

culating, and a blinking on-screen cursor will

appear next to the name of each speaker location

when the sound is at that speaker.

Additional Input Adjustments

After one input has been adjusted for Surround mode,

digital input (if any), speaker type, and output levels,

go back to the INPUTSETUPline on the

MASTERMENU(Figure 1) and enter the set-

tings for each input that you will use. In most cases,

only the digital input and surround mode will be differ-

ent from one input to the next, while the speaker type,

crossover frequency, Night mode and output level

settings will usually be the same and may be quickly

entered by entering the same data used for the

original input.

›

‹ ›

Buttons oso that ONis

When all channels have an equal volume level, the

⁄ ¤

adjustment is complete. Use the

Navigation

›

Buttons nto move the cursor next to the

‹ ›

TEST TONE line, and press the

5. Verify that the speakers have been properly con-

nected. As the test noise circulates, listen to make

certain that the sound comes from the speaker

Navigation Buttons ountil the word OFF

appears to stop the test tone. Copy down the final

level settings for each channel so that you can easily

When all settings and adjustments have been made,

press the OSD Button vto return to normal oper-

ation of the AVR.

›

position shown next to the cursor in the on-

set them for the other source inputs. To exit this menu,

screen display and by the flashing indication in

the Speaker/Channel Input Indicators ˆ.

If the sound from a speaker location does NOT

match the position indicated in the display, turn

the AVR 135 off using the Main Power Switch

1and check the speaker wiring or connections

to external power amplifiers to make certain that

each speaker is connected to the correct output

terminal.

⁄ ¤

press the

Navigation Buttons nuntil the

Once the settings outlined on the previous pages have

been made, the AVR 135 is ready for operation. While

there are some additional settings to be made, these

are best done after you have had an opportunity to lis-

ten to a variety of sources and different kinds of pro-

gram material. These advanced settings are described

on pages 28 and 29 of this manual. In addition, any

of the settings made in the initial configuration of the

unit may be changed at any time. As you add new or

different sources or speakers, or if you wish to change

a setting to better reflect your listening taste, simply

follow the instructions for changing the settings for that

parameter as shown in this section.

›

on-screen cursor is next to the BACKTO

MASTER MENUline, and then press the Set

Button pto return to the MASTERMENU.

NOTE: The subwoofer level is not adjustable when the

normal test tone is in use. The subwoofer output level

may also be adjusted when the channel levels are

being trimmed to an external program source rather

than the test tone, as shown on page 27.

Note: Remember that when your system has only a

single Surround Back speaker and is thus configured

for 6.1-channel operation, you will hear the test tone

twice from the back speaker, once with the SBL indi-

cation and once with the SBR indication. This is nor-

mal, and it allows you to adjust the output balance for

the mixing circuit that creates a 6.1 output when 7.1

modes such as Logic 7/7.1 are used.

Using the Semi-OSD System

The output levels may also be adjusted at any time

using the remote control and semi-OSD system. To

adjust the output levels in this fashion, press the Test

Button i. As soon as the button is pressed, the

test tone will begin to circulate as indicated earlier. The

correct channel from which the test noise should be

heard will be shown in the lower third of the video

screen and in the Lower Display Line ¯. While the

test noise is circulating, the proper channel position will

also be indicated in the Speaker/Channel Input

Indicators ˆby a blinking letter within the correct

channel.

Having completed the setup and configuration process

for your AVR 135, you are about to experience the

finest in music and home theater listening. Enjoy!

6. After checking for speaker placement, let the test

noise circulate again, and listen to see which

channels sound louder than the others. Using the

‹ ›

front left speaker as a reference, press the

Buttons oon the remote to bring all speakers

‹ ›

to the same volume level. When one of the

⁄ ¤

To adjust the output level, press the

Buttons

Buttons ois pushed, the test noise circulation

will pause on the channel being adjusted to give

you time to make the adjustment. When you

nuntil the desired level is shown in the display or

on-screen. Once the buttons are released, the test

noise will begin to circulate again in five seconds.

SYSTEM CONFIGURATION 21

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OPERATION

When you will be away from home for an extended

period of time it is always a good idea to completely

turn the unit off with the front-panel Main Power

conversion and it mutes the unused input jacks to

prevent unwanted noise from interfering with sys-

tem performance.

Basic Operation

Once you have completed the initial setup and configu-

ration of the AVR 135, it is simple to operate and

enjoy. The following instructions will help you maximize

the enjoyment of your new receiver:

Switch

I 8 CH DIRECT should be used when an

input is connected to all eight 8-Channel Direct

Inputs f. The AVR assumes that the input

source device has its own internal bass manage-

ment system. This input passes the input from the

source directly through to the volume control

without any analog-to-digital conversion and it

mutes the unused input jacks to prevent unwanted

noise from interfering with system performance.

NOTE: All preset memories are lost if the unit is left

turned off by using the Main Power Switch

for

Turning the AVR 135 On or Off

• When using the AVR 135 for the first time, you must

first press the Main Power Switch

panel to turn the unit on. This places the unit in a

Standby mode, as indicated by the amber color of the

more than four weeks.

on the front

Source Selection

• To select a source, press any of the Input

Selector Buttons eg

on the remote.

Power Indicator . Once the unit is in Standby, you

may begin a listening session by pressing the

• The input source may also be changed by pressing

the front-panel Input Source Selector Button ^.

Each press of the button will move the input

selection through the list of available inputs.

Standby/On Switch

on the front panel, or the

Volume Control

• Adjust the volume to a comfortable level using the

front-panel Volume Control Ùor remote Volume

Up/Down Buttons

Power On Button dor AVR Selector fon the

remote. The Power Indicator

will turn the unit on and return it to the input source that

was last used. The unit may also be turned on from

Standby by pressing any of the Input Selector

Buttons egon the remote or the Input Source

will turn blue. This

• As the input is changed, the AVR 135 will automati-

cally switch to the digital input (if selected), surround

mode, output levels and night mode status as well

as any speaker configuration settings established by

using the INDEPENDENT Bass Manage-

ment setting, that were entered during the configu-

ration process for that source.

• To temporarily silence all speaker outputs, press the

Mute Button . This will interrupt the output to

Selector Button

on the front panel.

all speakers and the headphone jack, but it will not

affect any recording or dubbing that may be in

progress. When the system is muted, the word

MUTEwill flash in the Upper Display Line ˜.

Press the Mute Button 42 again to return to

normal operation.

NOTE: After pressing one of the Input Selector

Buttons egto turn the unit on, press the AVR

Selector fto set the remote control to the AVR 135

functions.

• The front-panel Video 3 Inputs ÓÔ, Optical 3

To turn the unit off at the end of a listening session,

simply press the Standby/On Switch 3on the front

panel or the Power Off Button aon the remote.

Power will be shut off to any equipment plugged into

the rear-panel Switched AC Accessory Outlet ‡

and the Power Indicator 2will turn amber.

(

Digital Input

or the Coaxial 3 Digital Input

may be used to connect a device such as a video

game or camcorder to your home entertainment

system on a temporary basis.

• You may adjust the bass and treble tone controls

at any point during a listening session by simply

turning the Bass Control or Treble Control

Úuntil the desired setting is achieved. You may

also totally remove the tone controls from the circuit

so that the output is “flat” at any time by pressing

the Tone Mode Button 5and then pressing the

‹/› Button )so that TONE OFF appears

in the on-screen display and the Lower Display

Line ¯.

• As the input source is changed, the new input name

will appear momentarily as an on-screen display in

the lower third of the video display. The input name

will also appear in the Upper Display Line ˜in

the on-screen display and in the front-panel Input

Indicators ı.

When the remote is used to turn the unit “off” it is

actually placing the system in a Standby mode, as indi-

cated by the amber color of the Power Indicator 2.

• To program the AVR 135 for automatic turn-off,

press the Sleep Button jon the remote. Each

press of the button will decrease the time before

shut-down in the following sequence:

• When an audio source is selected, the last video input

used remains routed to the Video 1 Video and S-

• For private listening, plug the 1/4" stereo phone

plug from a pair of stereo headphones into the

front-panel Headphone Jack . When the

Video Outputs

and Video and S-Video

Monitor Outputs °g. This permits simultaneous

headphone’s plug is connected, the phrase

viewing and listening to different sources.

HEADPHONESINwill scroll once across

the Lower Display Line ¯ and all speakers will

be silenced. When the headphone plug is removed,

the audio feed to the speakers will be restored.

6-Channel/8-Channel Direct Input

The sleep time will be displayed in the Lower

Display Line ¯and it will count down until the

time has elapsed.

• There are two input choices available for use with

sources such as a DVD-Audio or SACD player that

are connected to the 6/8-Channel Direct Inputs

f. Select the appropriate input according to

the way your system and source equipment are

configured:

Surround Mode Selection

One of the most important features of the AVR 135

is its ability to reproduce a full multichannel surround

sound field from digital sources, analog matrix

surround-encoded programs and standard stereo

programs.

When the programmed sleep time has elapsed, the

unit will automatically turn off. The front-panel display

will dim to one-half brightness when the Sleep function

press

is programmed. To cancel the Sleep function,

I 6 CH DIRECT should be used when the

SBR and SBL inputs are NOT in use. The AVR

assumes that the input source device has its own

internal bass management system. This input

passes the input from the source directly through

to the volume control without any analog to digital

and hold the Sleep Buttonjuntil the information

display returns to normal brightness; the Sleep

indicator numbers will disappear and the words

SLEEPOFFwill appear in the Lower Display

Selection of a surround mode is based on personal

taste, as well as the type of program source material

being used. For example, motion pictures or TV pro-

Line ¯

22 OPERATION

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OPERATION

grams bearing the logo of one of the major surround-

encoding processes, such as Dolby Surround or DTS

Stereo, may be played in either the Dolby Digital, Dolby

Pro Logic II Cinema, DTS Neo:6 Cinema, or Logic 7

Cinema surround modes depending on the source

material.

when a digital source is present, the AVR 135 will

automatically select and switch to the correct mode,

regardless of the mode that has been previously

selected. For more information on selecting digital

sources, see the Digital Audio Playback section below.

DTS

DTS is another digital audio system that is capable of

delivering 5.1 or 6.1 discrete or matrix sound field

reproduction. Although both DTS and Dolby Digital are

digital, they use different methods of encoding the sig-

nals, and thus they require different decoding circuits

to convert the digital signals back to analog.

When the 6-channel/8-channel direct inputs are in

use there is no surround processing, as these inputs

take the analog output signals from an optional, exter-

nal DVD-Audio or SACD player, or another source

device and carry them straight through to the volume

control without any further digital processing.

NOTE: Once a program has been encoded with matrix

surround information, it retains the surround information

as long as the program is broadcast in stereo. Thus,

movies with surround sound may be decoded via any of

the analog surround modes such as Dolby Pro Logic II

Cinema, Logic 7 Cinema or DTS Neo:6 Cinema, when

they are broadcast via conventional TV stations, cable,

pay-TV and satellite transmission. In addition, a growing

number of made-for-television programs, sports broad-

casts, radio dramas and music CDs are also recorded in

surround sound.

DTS-encoded soundtracks are available on select DVD

and LD discs, as well as on special audio-only DTS

discs. You may use any LD or CD player equipped

with a digital output to play DTS-encoded discs with

the AVR 135. All that is required is to connect the

player’s output to either an Optical or Coaxial Input

on the rear panel ·c or front panel *(.

To listen to a program in traditional two-channel stereo,

using the front left and front right speakers only (plus

the subwoofer, if installed and configured), press the

Stereo Button 28 until SURROFFappears in the

Lower Display Line ¯, or press the Surround Mode

Group Selector 7until the Stereo modes appear in

the on-screen display and Lower Display Line ¯.

Next, press the Surround Mode Select Button 8

until SURROUND OFF appears in the on-screen

display and Lower Display Line ¯.

In order to listen to DVDs encoded with DTS sound-

tracks, the DVD player must be compatible with the

DTS signal as indicated by a DTS logo on the player’s

front panel. Early DVD players may not be able to play

DTS-encoded DVDs. This does not indicate a problem

with the AVR 135, as some players cannot pass the

DTS signal through to the digital outputs. If you are in

doubt as to the capability of your DVD player to handle

DTS discs, consult the player’s owner’s manual.

Even when a program is not listed as carrying inten-

tional surround information, you may find that the Dolby

Pro Logic II, Logic 7 Enhanced or DTS Neo:6, VMAx

and the Hall or Theater modes often deliver enveloping

surround presentations through the use of the natural

information present in all stereo recordings.

Digital Audio Playback

Digital audio is a major advancement over older analog

surround processing systems such as Dolby Pro Logic.

It delivers five discrete channels: left front, center, right

front, left surround and right surround. Each channel

reproduces full frequency range (20Hz to 20kHz) and

offers dramatically improved dynamic range and signifi-

cant improvements to signal-to-noise ratios. In addition,

digital systems have the capability to deliver an additional

channel that is specifically devoted to low-frequency

information. This is the “.1” channel referred to when you

see these systems described as “5.1,” “6.1” or “7.1”.

The bass channel is separate from the other channels,

but since it is intentionally bandwidth-limited, sound

designers have given it that unique designation.

Surround modes may be changed at any time by

using either the front panel or remote control. Any

changes made to the surround mode will be retained

in the AVR’s menu, even after the AVR is placed in

Standby mode. To select a new surround mode from

the front panel, first press the Surround Mode Group

Selector Button 7until a mode from the desired

major surround mode group such as Dolby, DTS or

Logic 7 is selected. Next, press the Surround Mode

Selector Button 8to choose the specific individual

surround mode.

IMPORTANT NOTE: Many DVD players have a default

setting that does not pass through the DTS data, even

though the machine is capable of doing so. If your

DVD player has the “DTS Digital Out” logo but does

not trigger DTS playback in the AVR 135, change the

player's settings in the “Audio” or “Bitstream” configu-

ration menu so that DTS playback is enabled. The

method for doing this will vary with each player. In

some cases, the proper menu choice will be “Original,”

while in others it will be “DTS.” Consult the owner's

manual for your player to find the specific information

to find the proper setting.

To select a surround mode using the remote, press

the button for the major surround mode group that

includes the mode you wish to choose from: Dolby

Selecting a Digital Source

To utilize either digital mode, you must have properly

connected a digital source to the AVR 135. Connect

the digital outputs from DVD players, HDTV receivers,

satellite systems or CD players to the Optical or

Coaxial Inputs *(·c. In order to provide a

backup signal and a source for analog stereo recording,

the analog outputs provided on digital source equipment

should also be connected to their appropriate inputs on

the AVR 135 rear panel (e.g., connect the analog stereo

audio output from a DVD to the DVD Audio Inputs h

on the rear panel when you connect the source’s

digital outputs).

Dolby Digital

w, DTS Surround x, DTS Neo:6

Dolby Digital is a standard part of DVD, and is available

on specially encoded LD discs and satellite broadcasts

and it is a part of the high-definition television (HDTV)

system.

Logic 7 y, Stereo

or DSP Surround k.

The first press of the button will show the current

mode from that group. To cycle through the available

modes in that group, press the button again until the

desired mode appears in the Lower Display Line

¯, the on-screen display and in the Surround

Mode Indicators ˘.

An optional, external RF demodulator is required to

use the AVR 135 to listen to the Dolby Digital sound-

tracks available on laser discs. Connect the RF output

of the LD player to the demodulator and then connect

the digital output of the demodulator to the Optical or

Coaxial Inputs *(·c of the AVR 135. No

demodulator is required for use with DVD players or

DTS-encoded laser discs.

As the surround modes change, the choice will be

displayed in the on-screen display, in the Lower

Display Line ¯and in the Surround Mode

Indicators ˘.

If you have not already configured an input for a digital

source using the on-screen menus as shown on page

16, first select the input using the remote or front-

panel controls as outlined in this manual. Next, select

(Continued on p. 25)

The Dolby Digital, Dolby Digital EX and DTS 5.1,

DTS-ES Matrix and DTS-ES Discrete modes may only

be selected when a digital input is in use. In addition,

OPERATION 23

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OPERATION

Surround Mode Chart

MODE

FEATURES

Dolby Digital

Available only with digital input sources encoded with Dolby Digital data. It provides up to five separate main audio channels and

a special dedicated Low-Frequency Effects channel.

Dolby Digital EX

DTS 5.1

Available when the receiver is configured for 6.1/7.1-channel operation, Dolby Digital EX is the latest version of Dolby Digital. When used with

movies or other programs that have special encoding, Dolby Digital EX reproduces specially encoded soundtracks so that a full 6.1/7.1 sound field is

available. When the receiver is set for 6.1/7.1 operation and a Dolby Digital signal is present, the EX mode is automatically selected. Even if specific

EX encoding is not available to provide the additional channel, the special algorithms will derive a 6.1/7.1 output.

When the speaker configuration is set for 5.1-channel operation, the DTS 5.1 mode is available when DVD, audio-only music or laser discs encoded

with DTS data are played. DTS 5.1 provides up to five separate main audio channels and a special dedicated low-frequency channel.

DTS-ES 6.1 Matrix

DTS-ES 6.1 Discrete

When the speaker configuration is set for 6.1/7.1 operation, playback of a DTS-encoded program source will automatically trigger the selection

of one of the two DTS-ES modes. Newer discs with special DTS-ES discrete encoding will be decoded to provide six discrete, full-bandwidth

channels plus a separate low-frequency channel. All other DTS discs will be decoded using the DTS-ES Matrix mode, which creates a 6.1-channel

sound field from the original 5.1-channel soundtrack.

Dolby Pro Logic II

Movie

Music

Dolby Pro Logic II is the latest version of Dolby Laboratory’s benchmark surround technology that decodes full-range, discrete left, center right,

right surround and left surround channels from either matrix surround-encoded programs and conventional stereo sources when an analog input

is in use. The Dolby Pro Logic II Movie mode is optimized for movie soundtracks, while the Pro Logic II Music mode should be used with

musical selections. The Pro Logic mode activates original Pro Logic processing for those who prefer that presentation.

Pro Logic

Logic 7 Cinema

Logic 7 Music

Logic 7 Enhance

Exclusive to Harman Kardon for A/V receivers, Logic 7 is an advanced mode that extracts the maximum surround information from either

surround-encoded programs or conventional stereo material. Depending on the number of speakers in use and the selection made in the

SURROUND SELECT menu, the “5.1” versions of Logic 7 modes are available when the 5.1 option is chosen, while the “7.1” versions of

Logic 7 produce a full sound field presentation, including back surround speakers when the “6.1/7.1” option is chosen. The Logic 7 C (or Cinema)

mode should be used with any source that contains Dolby Surround or similar matrix encoding. Logic 7 C delivers increased center-channel

intelligibility, and more accurate placement of sounds with fades and pans that are much smoother and more realistic than with other decoding

techniques. The Logic 7 M or Music mode should be used with analog or PCM stereo sources. Logic 7 M enhances the listening experience by

presenting a wider front soundstage and greater rear ambience. Both Logic 7 modes also direct low-frequency information to the subwoofer

(if installed and configured) to deliver maximum bass impact. The Logic 7 E (or Enhance) mode, available only when the 5.1 option is chosen,

is an extension of the Logic 7 mode that is primarily used with musical programs. Logic 7 adds additional bass enhancement that circulates low

frequencies in the 40Hz to 120Hz range to the front and surround speakers to deliver a less localized soundstage that appears broader and wider

than when the subwoofer is the sole source of bass energy.

DTS Neo:6 Cinema

DTS Neo:6 Music

These two modes are available when any analog source is playing to create a six-channel surround presentation from conventional Matrix-encoded

and traditional Stereo sources. Select the Cinema version of Neo:6 when a program with any type of analog Matrix surround encoding is present.

Select the Music version of Neo:6 for optimal processing when a nonencoded, two-channel stereo program is being played.

Dolby 3 Stereo

Uses the information contained in a surround-encoded or two-channel stereo program to create center-channel information. In addition, the

information that is normally sent to the rear-channel surround speakers is carefully mixed in with the front-left and front-right channels for increased

realism. Use this mode when you have a center channel speaker but no surround speakers.

Theater

The Theater mode creates a sound field that resembles the acoustic feeling of a standard live-performance theater.

The two Hall modes create sound fields that resemble a small (Hall 1) and medium-sized (Hall 2) concert hall.

Hall 1, Hall 2

VMAx Near

VMAx Far

When only the two front-channel loudspeakers are used, Harman’s patented VMAx mode delivers a three-dimensional sound space with the illusion

of “phantom speakers” at the center and surround positions. The VMAx N, or “Near Field,” mode should be selected when your listening position is

less than five feet from the speakers. The VMAx F, or “Far Field,” mode should be selected when your listening position is greater than five feet from

the speakers. The VMAx modes are also available using the Headphones Output 4. When headphones are being used, the Far Field mode will

appear to push the sound field away from your ears, reducing the “inside the head” sensation often experienced when using headphones.

5-Channel Stereo

7-Channel Stereo

This mode takes advantage of multiple speakers to place a stereo signal at both the front and back of a room. Depending on whether the AVR

has been configured for either 5.1 or 6.1/7.1 operation, one of these modes, but not both, is available at any time. Ideal for playing music in

situations such as a party, it places the same signal at the front-left and surround-left, and front-right and surround-right speakers.

The center channel is fed a summed mono mix of the in-phase material of the left and right channels.

Surround

This mode turns off all surround processing and presents the pure left- and right-channel presentation of two-channel stereo programs.

Off (Stereo)

24 OPERATION

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OPERATION

the digital source by pressing the Digital Select

Dolby Digital bitstreams that have matrix encoding.

are changed or when a cable box switches from a

channel with a digital data stream to a channel with

analog audio only. The UNLOCK message is nor-

mal, and does not indicate any problem with your

receiver. Rather, it tells you that the incoming data has

simply been paused or is not present for a variety of

possible reasons.

⁄ ¤

Button q#and then using the

non the remote or the ^{‹ ›}

Buttons

• A “0” indicates that there is no surround channel

information. This will be displayed for two-channel

stereo programs.

Selector Buttons

)on the front panel to choose any of the

OPTICALor COAXIALinputs, as they

appear in the Upper Display Line ˜or on-screen

display. When the digital source is playing, the

AVR 135 will automatically detect which type of digital

data stream is being decoded and display that infor-

mation in the Upper Display Line ˜.

The last number indicates whether there is a discrete

low-frequency effects (LFE) channel. This is the “.1”

in the common abbreviation of “5.1” sound and is a

special channel that contains only bass frequencies.

PCM Playback Indications

PCM is the abbreviation for Pulse Code Modulation,

which is the type of digital signal used for standard CD

playback and other non-Dolby Digital and non-DTS

digital sources such as Mini-Disc. When a PCM signal

is detected, the Lower Display Line ¯will briefly

show a message with the letters PCM, in addition to a

readout of the sampling frequency of the digital signal.

• A “1” tells you that an LFE channel is present.

This will be displayed for Dolby Digital 5.1 and

DTS 5.1 programs, as available.

Digital Bitstream Indications

When a digital source is playing, the AVR 135 senses

the type of bitstream data that is present. Using this

information, the correct surround mode will automati-

cally be selected. For example, DTS bitstreams will

cause the unit to switch to DTS decoding, and Dolby

Digital bitstreams will enable Dolby Digital decoding.

When the unit senses PCM data from CDs or LDs, you

may select any of the standard surround modes, such

as Dolby Pro Logic II or Logic 7. Since the range of

available surround modes is dependent on the type of

digital data that is present, the AVR 135 uses a variety

of indicators and messages to let you know what type

of signal is present. These messages will appear shortly

after an input or surround mode is changed, and they

will remain in the Lower Display Line ¯for about

five seconds before that portion of the display returns

to the normal surround mode indication.

• A “0” indicates that there is no LFE channel infor-

mation available. However, even when there is no

dedicated LFE channel, low-frequency sound will

be present at the subwoofer output when the

speaker configuration is set to show the presence

of subwoofer.

In most cases this will be 48kHz, though in the

case of specially mastered, high-resolution audio discs

you will see a 96kHz indication.

• The information in the right side of the display will

tell you if the digital audio data contains a special

flag signal that will automatically activate the appro-

priate 6.1 or 7.1 mode. This will be shown as

EX-ON or EX-OFF for Dolby Digital bit-

streams and ES-ON or ES-OFF for DTS

bitstreams.

Some DVD discs are recorded with both “5.1” and

“2.0” versions of the same sound-track. When playing

a DVD, always be certain to check the type of material

on the disc. Most discs show this information in the

form of a listing or icon on the back of the disc jacket.

When a disc does offer multiple soundtrack choices

you may have to make some adjustments to your

DVD player (usually with the “Audio Select” button or in

a menu screen on the disc) to send a full 5.1 feed to

the AVR 135. It is also possible for the type of signal

feed to change during the course of a DVD playback.

In some cases the previews of special material will

only be recorded in 2.0 audio, while the main feature

is available in 5.1 audio. As long as your DVD player is

set for 6-channel output, the AVR 135 will automati-

cally sense changes to the bitstream and channel

count and reflect them in these indicators.

When Dolby Digital 3/2/.1 or DTS 3/2/.1 signals are

being played, the AVR will automatically switch the

proper surround mode, and no other processing may

be selected. When a Dolby Digital signal with a 3/1/0

or 2/0/0 signal is detected you may select any of the

Dolby surround modes.

Surround Mode Types

For Dolby Digital and DTS sources, a three digit indi-

cation will appear, showing the number of channels

present in the data. An example of this type of display

is 3/2/.1.

It is always a good idea to check the readout for the

channel data to make certain that it matches the audio

logo information shown on the back of a DVD pack-

age. In some cases you will see indication for “2/0/0”

even when the disc contains a full 5.1, or 3/2/.1 sig-

nal. When this happens, check the audio output set-

tings for your DVD player or the audio menu selections

for the specific disc being played to make certain that

the player is sending the correct signal to the AVR.

The first number indicates how many discrete front

channel signals are present.

• A “3” tells you that separate front left, center and

front right signals are available. This will be displayed

for Dolby Digital 5.1 and DTS 5.1 programs.

Speaker/Channel Indicators

In addition to the bitstream indicators, the AVR 135

features a set of unique channel-input indicators that

tell you how many channels of digital information are

being received and/or whether the digital signal is

interrupted. (See Figure 9.)

• A “2” tells you that separate front left and right

signals are available, but there is no discrete center

channel signal. This will be displayed for Dolby

Digital bitstreams that have stereo program

material.

An UNLOCK message may appear in the Lower

Display Line ¯. This is your indication that the digital

audio data stream has been interrupted or is no longer

present. When that occurs, the unit’s digital signal

processor has no signal to lock onto, and is thus

“unlocked.” You may see this message when a DVD is

first started until the stream is playing and the proces-

sor determines which mode to apply; or any time the

data stream is stopped or paused, such as when the

menus of some discs are displayed or when the player

is switching between the different sections of a disc.

You may also see the message when a satellite

• A “1” tells you that there is only a mono channel

available in the Dolby Digital bitstream.

The middle number indicates how many discrete sur-

round channel signals are present.

Figure 9

• A “2” tells you that separate surround left and right

signals are available. This will be displayed for Dolby

Digital 5.1 and DTS 5.1 programs.

These indicators are the L/C/R/LFE/SL/SR/SBL/SBR

letters that are inside the center boxes of the Speaker/

Channel Input Indicators ˆon the front panel.

Remember that the AVR 135 is capable of processing

a 7.1-channel signal, although you may only connect

receiver, cable set-top or HDTV tuner is in use if the

digital audio is temporarily interrupted when channels

• A “1” tells you that there is only a single, surround-

encoded surround channel. This will appear for

OPERATION 25

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OPERATION

one surround back speaker to it. It will automatically

combine the left and right surround back channel

information, and output it through the single surround

back speaker, if you have configured that speaker

using the SPEAKER SETUP menu (Figure 6

on page 18).

The Night mode may be engaged when a Dolby

Digital DVD is playing by pressing the Night Mode

Connections may be made to either the rear-panel

Optical or Coaxial Inputs ·c or the front-panel

Digital Inputs *(.

⁄ ¤

Button lon the remote. Next, press the

Buttons nto select either the middle range or

full compression versions of the Night mode. To turn

To listen to a PCM digital source, first select the input for

the desired source (e.g., CD). Next press the Digital

⁄ ¤

the Night mode off, press the

Buttons n

⁄ ¤

until the message in the lower third of the video dis-

play and in the Lower Display Line ¯reads

D-RANGEOFF.

Select Button #qand then use the

Buttons non the remote, or the ^{‹ ›}

When a standard analog signal is in use, only the “L”

and “R” indicators will light, as analog signals have

only left and right channels.

Selector

Buttons )on the front panel, until the desired choice

appears in the Upper Display Line ˜.

The Night mode may also be selected to always be on

at either level of compression using the options in the

DOLBYmenu. See page 17 for information on

using the menus to set this option.

Digital signals, however, may have two, five, six or

seven channels, depending on the program material,

the method of transmission and the way in which it

was encoded. When a digital signal is playing, the let-

ters in these indicators will light in response to the

specific signal being received. It is important to note

that although Dolby Digital, for example, is referred to

as a “5.1” system, not all Dolby Digital DVDs or pro-

grams are encoded for 5.1. Thus, it is sometimes nor-

mal for a DVD with a Dolby Digital soundtrack to trig-

ger only the “L” and “R” indicators.

During PCM playback, you may select any Surround

mode except Dolby Digital or DTS.

Tuner Operation

IMPORTANT NOTES ON DIGITAL PLAYBACK:

The AVR 135’s tuner is capable of tuning AM, FM and

FM Stereo broadcast stations. Stations may be tuned

manually, or they may be stored as favorite station pre-

sets and recalled from a 30-position memory.

• When the digital playback source is stopped, or

in a pause, fast-forward or chapter-search mode,

the digital audio data will momentarily stop, the

channel position letters inside the Speaker/

Channel Input Indicators ˆwill flash, and the

UNLOCK message will appear in the Lower

Display Line ¯. This is normal and does not indi-

cate a problem with either the AVR 135 or the

source machine. The AVR 135 will return to digital

playback as soon as the data is available and when

the machine is in a standard play mode.

Station Selection

1. Press the AM/FM Tuner Select Button gon

the remote to select the tuner as an input. The

tuner may be selected from the front panel by

either pressing the Input Source Selector ^

until the tuner is active or by pressing the Tuner

Band Selector !.

NOTE: Many DVD discs are recorded with both “5.1”

and “2.0” versions of the same soundtrack. When

playing a DVD, always be certain to check the type of

material on the disc. Most discs show this information

in the form of a listing or icon on the back of the disc

jacket. When a disc does offer multiple soundtrack

choices, you may have to make some adjustments to

your DVD player (usually with the “Audio Select” button

or in a menu screen on the disc) to send a full 5.1

feed to the AVR 135. It is also possible for the type of

signal feed to change during the course of a DVD

playback. In some cases, the previews of special

material will only be recorded in 2.0 audio, while the

main feature is available in 5.1 audio. The AVR 135

will automatically sense changes to the bitstream and

channel count and reflect them in these indicators.

2. Press the AM/FM Tuner Select Button gor

Tuner Band Selector !again to switch between

AM and FM so that the desired frequency band is

selected.

• Although the AVR 135 will decode virtually all current

DVD movies, CDs and HDTV sources, it is possible

that some future digital sources may not be compati-

ble with the AVR 135.

3. Press the Tuner Mode Button

sto select

manual or automatic tuning.

• Not all digitally encoded programs contain full 5.1-

or 6.1-channel audio. Consult the program guide

that accompanies the DVD or laser disc to deter-

mine which type of audio has been recorded on the

disc. The AVR 135 will automatically sense the type

of digital surround encoding used and adjust to

accommodate it.

When the button is pressed so that AUTO

appears in the Lower Display Line ¯each

press of the Tuning Selectors 9uwill put the

tuner in a scan mode that seeks the next higher or

lower frequency station with acceptable signal

strength. An AUTO ST TUNED indication will

momentarily appear when the station stops at a

stereo FM station, and an AUTO TUNED indi-

cation will momentarily appear when an AM or

monaural FM station is tuned. Press the Tuning but-

tons again to scan to the next receivable station.

The letters used by the Speaker/Channel Input

Indicators ˆalso flash to indicate when a bitstream

has been interrupted. This will happen when a digital

input source is selected before the playback starts, or

when a digital source such as a DVD is paused. The

flashing indicators remind you that the playback has

stopped due to the absence of a digital signal and not

through any fault of the AVR 135. This is normal, and

the digital playback will resume once the playback is

started again.

• When some digital sources are playing, you may not

be able to select some of the analog surround

modes such as Dolby Pro Logic II, Dolby 3, Stereo,

Hall, Theater or Logic 7.

• When a Dolby Digital or DTS source is playing,

it is not possible to make an analog recording using

the Tape Outputs £ and Video 1 Audio Outputs

j. However, the digital signals will be passed

through to the Digital Audio Outputs ﬂ‡.

When the button is pressed so that MANUAL

appears in the Lower Display Line ¯each tap

of the Selector will increased or decrease the fre-

quency by one increment. When the tuner receives

a strong enough signal for adequate reception,

MANUAL TUNED will appear in the Lower

Display Line ¯.

Night Mode

PCM Audio Playback

A special feature of Dolby Digital is the Night mode,

which enables specially encoded Dolby Digital input

sources to be played back with full digital intelligibility

while reducing the minimum peak level by 1/4 to 1/3.

This prevents abruptly loud transitions from disturbing

others, without reducing the impact of the digital

source. The Night mode is available only when Dolby

Digital signals with special data are being played.

PCM (Pulse Code Modulation) is the noncompressed

digital audio system used for compact discs and laser

discs. The digital circuits in the AVR 135 are capable of

high-quality digital-to-analog decoding, and they may

be connected directly to the digital audio output of your

CD or LD player.

4. Stations may also be tuned directly in either the

automatic or manual mode. To enter a station’s fre-

quency directly, first select the AM or FM band as

desired be pressing the AM/FM Tuner Select

Button g. Next, press the Direct Button t.

26 OPERATION

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OPERATION

NOTES:

Within five seconds of seeing the DIRECT IN

scroll in the Upper Display Line ˜, enter the

station frequency by pressing the Numeric Keys

r. If you press an incorrect button while entering

Button vto bring up the MASTERMENU

(Figure 1). Press the Button nuntil the on-

• The digital outputs are active only when a digital sig-

nal is present, and they do not convert an analog

input to a digital signal, or change the format of the

digital signal. In addition, the digital recorder must

be compatible with the output signal. For example,

the PCM digital input from a CD player may be

recorded on a CD-R or MiniDisc, but Dolby Digital or

DTS signals may not.

›

screen cursor is next to the CHANNEL

ADJUSTline. Press the Set Button pto

activate the CHANNELADJUSTmenu.

a direct frequency, press the Clear Button

start over.

Once the menu appears on your video screen, first

⁄ ¤

NOTE: When the FM reception of a station is weak,

audio quality will be increased by switching to Mono

use the

Buttons nto move the on-screen

›

cursor so that it is next to the TEST TONE

‹ ›

mode by pressing the Tuner Mode Button s

so that MANUAL appears momentarily in the

Lower Display Line ¯goes out. This will also

activate manual tuning mode.

line. Press the

Buttons oso that OFF

• Please make certain that you are aware of any

Unauthorized duplication of copyrighted materials is

prohibited by federal law.

appears. This will turn off the test tone and allow you

to use your external test disc or other source material

⁄ ¤

as the reference. Then, use the

Buttons n

to select the channels to be adjusted. At each channel

Preset Tuning

‹ ›

position, use the

Buttons oto change the out-

Output Level Trim Adjustment

Using the remote, up to 30 stations may be stored in

the AVR 135’s memory for easy recall using the front

panel controls or the remote.

put level. Remember, the goal is to have the output

level at each channel be equal when heard at the lis-

tening position. Regardless of the method used to

adjust the output levels, whether the test tone or an

external source is used, remember that when the AVR

is configured for 6.1 operation with only a single sur-

round back speaker, you will still have an output

adjustment for both a surround back left and surround

back right speaker location even though there is only

one speaker. This is not a duplicate adjustment.

Rather, it is needed so that the proper balance is

achieved for 7.1-channel processing modes when

the discrete surround back channels are mixed to a

single output.

Normal output level adjustment for the AVR 135 is

established using the test tone, as outlined on pages

20–21. In some cases, however, it may be desirable

to adjust the output levels using program material such

as a test disc, or a selection you are familiar with.

Additionally, the output level for the subwoofer can

only be adjusted using this procedure.

To enter a station into the memory, first tune the

station using the steps outlined above. Then:

1. Press the Memory Button

on the remote.

Two underscore lines will appear at the far right

side of the Upper Display Line ˜.

To adjust the output levels using program material, first

set the reference volume for the front left and front right

channels using the Volume Control Ù

2. Within five seconds, press the Numeric Keys r

corresponding to the location where you wish to

store this station’s frequency. Once entered, the

preset number will appear in the Upper Display

Line ˜.

If you are using a disc with test signals or an external

signal generator as the source from which to trim the

output levels, you may use a handheld SPL meter to

guide you to the correct SPL levels. Set the meter to

the C-Weighting Slow scale, and adjust the volume

until the meter reads 75dB.

If you wish to reset all the levels to their original

3. Repeat the process after tuning any additional

stations to be preset.

⁄ ¤

factory default of 0dB offset, press the

Buttons

nso that the on-screen cursor is next to the

‹ ›

CHANNEL RESET line and press the

Recalling Preset Stations

Buttons oso that the word ON appears. After the

levels are reset, resume the procedure outlined above

to reset the levels to the desired settings. When all

⁄ ¤

• To manually select a station previously entered in

the preset memory, press the Numeric Keys r

that correspond to the desired station’s memory

location.

Once the reference level has been set, press the

Channel Select Button

and FRONTL

LEVELwill appear in the Lower Display Line

¯. To change the level, first press the Set Button

⁄ ¤

adjustments are done, press the

Buttons

›

to move the on-screen cursor so that it is next to

BACKTOMASTERMENUand then press

the Set Button pif you wish to go back to the

main menu to make other adjustments. If you have no

other adjustments to make, press the OSD Button

vto exit the menu system.

p, and then use the

Buttons

to raise

• To manually tune through the list of stored preset

stations one by one, press the Preset Stations

or lower the level. DO NOT use the volume control,

as this will alter the reference setting.

Selector Buttons $

on the front panel or

remote.

Once the change has been made, press the Set

⁄ ¤

Button p and then press the

Buttons

Recording

to select the next output channel location that you

wish to adjust. To adjust the subwoofer level, press

⁄ ¤

NOTE: The output levels may be separately trimmed for

each digital and analog surround mode. If you wish to

have different trim levels for a specific mode, select that

mode and then follow the instructions in the steps shown

earlier.

In normal operation, the audio or video source

selected for listening through the AVR 135 is sent to

the record outputs. This means that any program you

are watching or listening to may be recorded simply

by placing machines connected to the Tape Outputs

£ or Video 1 Audio/Video and S-Video Outputs

dj in the Record mode.

the

Buttons

until WOOFERLEVEL

appears in the Lower Display Line ¯.

Repeat the procedure as needed until all channels

requiring adjustment have been set. When all adjust-

ments have been made and no further adjustments

are made for five seconds, the AVR 135 will return to

normal operation.

Memory Backup

This product is equipped with a memory backup sys-

tem that preserves the system configuration information

and tuner presets if the unit is accidentally unplugged

or subjected to a power outage. This memory will last

for approximately four weeks, after which time all infor-

mation must be reentered.

When a digital audio recorder is connected to the

Digital Audio Outputs ﬂ‡, you are able to record

the digital signal using a CD-R, MiniDisc or other digital

recording system.

The channel output for any input may also be adjusted

using the full-OSD on-screen menu system. First, set

the volume to a comfortable listening level using the

Volume Control Ù

. Then, press the OSD

OPERATION 27

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ADVANCED FEATURES

The AVR 135 is equipped with a number of advanced

features that add extra flexibility to the unit’s operation.

While it is not necessary to use these features to

operate the unit, they provide additional options that

you may wish to use.

ment to another menu. If you have completed all

adjustments, press the OSD Button vto exit the

menu system.

Turn-On Volume Level

As is the case with most audio/video receivers, when

the AVR 135 is turned on, it will always return to the

volume setting in effect when the unit was turned off.

However, you may prefer to always have the AVR 135

turn on at a specific setting, regardless of what was

last in use when the unit was turned off. To change the

default condition so that the same volume level is

always used at turn-on, you will need to make an

adjustment in the ADVANCEDSELECT

menu. To start the adjustment, press the OSD Button

vto bring the MASTER MENU(Figure 1)

Display Brightness

The AVR 135’s front-panel display is set at a default

brightness level that is sufficient for viewing in a nor-

mally lit room. However, in some home theater instal-

lations, you may wish to occasionally lower the bright-

ness of the display, or turn it off completely. To change

the display brightness setting for a specific listening

session, you will need to make an adjustment in the

ADVANCEDSELECTmenu. To start the

adjustment, press the OSD Button vto bring the

ADVANCED

SELECT

VFD

FADE TIME

OUT:OFF

VFD:FULL

VOLUME

DEFAULT:OFF

DEFAULT

VOL

SET:Ð25DB

SEMI

FULL

OSD

TIME

OUT:3

OSD

OUT:20

BACK

MASTER

to the screen. Press the Button n, until the on-

›

screen cursor is next to the ADVANCEDline.

MASTERMENUto the screen. Press the

Press the Set Button pto enter the ADVANCED

SELECTmenu (Figure 10).

›

Figure 10

Button nuntil the on-screen cursor is next to

the ADVANCEDline. Press the Set Button p

to enter the ADVANCEDSELECTmenu

(Figure 10).

Front-Panel-Display Fade

At the ADVANCEDSELECTmenu make

certain that the on-screen cursor is next to the

VOLUMEDEFAULTline by pressing the

In normal operation, the front-panel displays and indi-

cators remain on at full brightness, although you may

also dim them or turn them off as shown in the next

section. As an additional option, you may also set the

AVR so that the displays are on whenever a button is

pressed on the front panel or remote, but then fade

out after a set period of time.

›

To change the brightness setting, at the ADVANCED

SELECTmenu, make certain that the on-screen

⁄ ¤

Buttons nas needed. Next, press the

›

Button oso that the word ONis shown in

›

cursor is next to the VFDline, and press the

the video display. Next, press the Button n

once so that the on-screen cursor is next to the

DEFAULTVOLSETline. To set the desired

turn-on volume, press the

desired volume level is shown on the DEFAULT

VOLSETline. This setting may NOT be made

with the regular volume controls.

Button ountil the desired brightness level is shown

in the video display. When FULLappears, the dis-

play is at normal brightness. When HALFis shown,

the display is at half the normal brightness level. When

OFFis shown, all of the front-panel indicators will go

dark. However, the Power Indicator 3will always

remain lit to remind you that the unit is turned on.

›

‹ ›

To set the front-panel displays to the Fade mode,

press the OSD Button vto bring the Master

⁄ ¤

Buttons ountil the

Menu (Figure 1) to the screen. Press the

›

Navigation Buttons nso that the cursor is

pointed to the ADVANCED line, and press the

Set Button qto enter the ADVANCED

SELECT menu (Figure 10).

NOTE: Since the setting for the turn-on volume can-

not be heard while the setting is being made, you may

wish to determine the setting before making the

adjustment. To do this, listen to any source and adjust

the volume to the desired level using the regular

Once the desired brightness level is selected, it will

remain in effect until it is changed again or until the

unit is turned off.

With the ADVANCED SELECT menu on

⁄ ¤

your video display, press the

Navigation

›

Buttons nso that the cursor is pointing to the

VFD FADE TIME OUT line. Next, press the

‹ ›

If you wish to make other adjustments, press the

Volume Controls Ù

. When the desired

⁄ ¤

›

Buttons nuntil the on-screen cursor is

volume level to be used at turn-on is reached, make a

note of the setting as it appears in the lower third of

the video screen or in the Lower Display Line ¯.

(A typical volume level will appear as a negative num-

ber such as –25dB.) When making the adjustment,

‹ ›

Navigation Buttons oso that the amount

next to the desired setting or the BACKTO

MASTERMENUline and press the Set Button

p. If you have no other adjustments to make, press

the OSD Button vto exit the menu system.

of time that you wish the displays to fade out after

a button is pressed is shown. Select OFF if you do

not wish to have the front-panel displays fade out.

use the

Buttons oto enter this setting.

Once this time is set and the unit returned to normal

operation, the displays will remain on for the time peri-

od selected whenever a button is pressed on the front

panel or remote. After that time they will gradually fade

out, with the exception of the Power Indicator 2,

which will remain on to remind you that the AVR is

turned on. Note that if the displays have been turned

completely off using the Dim Button, as shown in the

next section, the Fade function will not operate.

Unlike some of the other adjustments in this menu,

the turn-on volume default will remain in effect until it

is changed or turned off in this menu, even when the

unit is turned off.

If you wish to make other adjustments, press the

⁄ ¤

›

Buttons nuntil the on-screen cursor

is next to the desired setting or the BACKTO

MASTERMENUline and press the Set Button

p. If you have no other adjustments to make, press

the OSD Button vto exit the menu system.

If you wish to make adjustments to other items on

the ADVANCED SELECT menu, press the

›

⁄ ¤

Navigation Buttons nto place the cur-

›

sor next to the desired item, or place the cursor

next to the BACK TO MASTER MENU line

and press the Set Button pto make an adjust-

28 ADVANCED FEATURES

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ADVANCED FEATURES

Semi-OSD Settings

Full-OSD Time-Out Adjustment

The semi-OSD system places one-line messages at

the lower third of the video display screen whenever

the Volume, Input Source, Surround mode, tuner

frequency or any of the configuration settings are

changed. The semi-OSD system is helpful in that it

provides feedback on any control changes or remote

commands using the video display when it is difficult

to view the front-panel displays. However, you may

occasionally prefer to turn these displays off or adjust

the length of time the displays remain on the screen.

Both of those options are possible with the AVR 135.

The FULLOSDmenu system is used to simplify

the setup and adjustment of the AVR 135, using a

series of on-screen menus. The factory default setting

for these menus leaves them on the screen for 20

seconds after a period of inactivity before they disap-

pear from the screen (Time-Out). Time-Out is a safety

measure to prevent image retention of the menu text

in your monitor or projector, which might happen if it

were left on indefinitely. However, some viewers may

prefer a slightly longer or shorter period before the

Time-Out display.

To change the length of time that the semi-OSD

displays remain on the screen, or to turn them off, go to

the ADVANCEDSELECTmenu as outlined

⁄ ¤

To change the full-OSD Time-Out, you will need to

make an adjustment in the ADVANCED

SELECTmenu (Figure 10). To start the adjust-

ment, press the OSD Button vto bring the

earlier, and press the

Buttons nas needed,

›

until the on-screen cursor is next to the SEMI

MASTERMENUto the screen. Press the

‹ ›

OSDTIMEOUTline. Next, press the

Button n, until the on-screen › cursor is next to

the ADVANCEDline. Press the Set Button p

to enter the ADVANCEDmenu (Figure 10).

Buttons ountil the desired time in seconds or the

word OFF is displayed. This is a permanent setting

change, and the time-out entry will remain in effect

until it is changed, even when the unit is turned off.

At the ADVANCEDSELECTmenu (Figure

10) make certain that the on-screen ^›cursor is next

If you wish to make other adjustments, press the

to the FULLOSDTIMEOUTline by press-

›

⁄ ¤

Buttons nuntil the on-screen cursor is

ing the

Buttons nas needed. Next, press

‹ ›

next to the desired setting or the BACKTO

MASTERMENUline and press the Set Button

p. If you have no other adjustments to make, press

the OSD Button vto exit the menu system.

the

Buttons ountil the desired time is dis-

played in seconds. This is a permanent setting change,

and the Time-Out entry will remain in effect until it is

changed, even if the unit is turned off.

If you wish to make other adjustments, press the

⁄ ¤

›

Buttons nuntil the on-screen cursor is

next to the desired setting or the RETURNTO

MASTERMENUline and press the Set Button

p. If you have no other adjustments to make, press

the OSD Button vto exit the menu system.

ADVANCED FEATURES 29

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PROGRAMMING THE REMOTE

The AVR 135 is equipped with a powerful remote

control that will control not only the receiver’s func-

tions, but also most popular brands of audio and video

equipment, including CD players, cassette decks, TV

sets, cable boxes, VCRs, satellite receivers and other

home theater equipment. Once the AVR 135’s remote

is programmed with the codes for the products you

own, it is possible to eliminate most other remotes and

replace them with the convenience of a single, universal

remote control.

different combinations of codes, so it is a good

1. Press and hold both the Input Selector e

for the device you wish to find the code for and

idea to make certain that not only the power

control, but the volume, channel and transport

controls work as they should. If functions do not

work properly, you may need to use a different

remote code.

the Mute Button

at the same time. The

Program Indicator cwill turn amber and

begin flashing, and the red light under the Input

Selector ewill stay lit. Release the buttons

and begin the next step within 20 seconds.

7. If a code cannot be entered to turn the unit off, if

the code for your product does not appear in the

tables in this manual, or if not all functions oper-

ate properly, try programming the remote with

the Auto Search Method.

2. Press the Set Button p. The Program

Indicator cwill then blink green in a sequence

that corresponds to the three-digit code, with a one-

second pause between each digit. Count the num-

ber of blinks between pauses to determine the digit

of the code. One blink is the number 1, two blinks is

the number 2, and so forth. Ten blinks are used to

indicate a “0.”

Programming Device Codes

Auto Search Method

The AVR 135 remote is factory-programmed for all AVR

functions, as well as those of most Harman Kardon CD

changers, DVD players, CD players and cassette decks.

In addition, by following one of the methods below, you

may program the remote to operate a wide range of

devices from other manufacturers.

If the unit you wish to include in the AVR 135’s remote

is not listed in the code tables in this manual or if the

code does not seem to operate properly, you may wish

to program the correct code using the Auto Search

method that follows:

Example: One blink, followed by a one-second pause,

followed by six blinks, followed by a one-second

pause, followed by ten blinks indicates that the code

has been set to 160.

1. Turn on the unit that you wish to include in the

AVR 135 remote.

Direct Code Entry

This method is the easiest way to program your

remote to work with different products.

2. Press the Input Selector efor the type of

product to be entered (e.g., VCR, TV) and the

For future reference, enter the setup codes for the

equipment in your system here:

1. Use the tables in the following pages to determine

the three-digit code or codes that match both the

product type (e.g., VCR, TV) and the specific brand

name. If there is more than one number for a

brand, make note of the different choices.

Mute Button

at the same time. Hold both

buttons until the red light under the Input Selector

estays lit and the Program Indicator cturns

amber and begins flashing. The next step must

take place while the red light is on, and it must

begin within 20 seconds after the light appears.

DVD ____________ CD ________________

VID1/VCR __________ VID2/TV __________

VID3/CBL ________ VID3/SAT __________

TAPE ______________________________

2. Turn on the unit you wish to program into the

AVR 135 remote.

3. Point the AVR 135 remote toward the unit to be

⁄

programmed, and press either the or Button

nrepeatedly. Each press will send out a series of

codes from the remote’s built-in database. When

the unit being programmed turns off, stop pressing

⁄/¤

3. Press and hold both the Input Selector efor

the product you wish to control (e.g., VCR, TV) and

Macro Programming

the Mute Button

at the same time. When

the red light under the Input Selector estays

lit and the Program Indicator cturns amber

and begins flashing, release the buttons. It is

important that you begin the next step within 20

seconds.

the

Buttons n, as that is your indication

Macros enable you to easily repeat frequently used

combinations of commands with the press of a single

button on the AVR 135’s remote control. Once pro-

grammed, a macro will send out up to 19 different

remote codes in a predetermined sequential order

enabling you to automate the process of turning on

your system, changing devices, or other common

tasks. The AVR 135’s remote can store up to five

separate macro command sequences: one that is

associated with the Power On Button aand four

more that are accessed by pressing the Macro

that the correct code is in use.

4. Press the Input Selector e; the red light under

the Input Selector will flash three times before

going dark to confirm the entry.

4. Point the AVR 135’s remote toward the unit to be

programmed, and enter the first three-digit code

using the Numeric Keys r. If the unit turns off,

the correct code has been entered. Press the Input

Selector eagain, and note that the red light

will flash three times before going dark to confirm

the entry.

5. Try all of the functions on the remote to make cer-

tain that the product operates. Keep in mind that

many manufacturers use a number of different

combinations of codes, and it is a good idea to

make certain that not only the power control

works, but also the volume, channel and transport

controls, as appropriate. If all functions do not work

properly, you may need to Auto-Search for a dif-

ferent code, or enter a code via the Direct Code

Entry method.

Buttons

1. Press the Mute Button

and the Macro

to be programmed or the Power On

5. If the device to be programmed in does NOT turn

off, continue to enter three-digit codes until the

equipment turns off. At this point, the correct code

has been entered. Press the Input Selector e

again and note that the red light under the Input

Selector ewill flash three times before going

dark to confirm the entry.

Button

Button aat the same time. An Input Selector

efwill light red, and the Program

Indicator cwill flash amber.

Code Readout

When the code has been entered using the Auto

Search method, it is always a good idea to find out the

exact code so that it may be easily reentered if neces-

sary. You may also read the codes to verify which

device has been programmed to a specific Control

Selector button.

2. Enter the steps for the macro sequence by press-

ing the button for the actual command step.

Although the macro may contain up to 19 steps,

each button press, including those used to change

devices, counts as a step. The Program Indicator

6. Try all of the functions on the remote to make cer-

tain that the product operates properly. Keep in

mind that many manufacturers use a number of

30 PROGRAMMING THE REMOTE

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PROGRAMMING THE REMOTE

cwill flash green to confirm each button press

as you enter commands.

4. The red LED under the AVR Selector fwill

go out, and the Program Indicator cwill turn

Programmed Device Functions

Once the AVR 135’s remote has been programmed for

the codes of other devices, press the appropriate Input

Selector eto change the remote from controlling

the AVR 135 to controlling the additional product. When

you press any one of the selectors, it will briefly flash in

red to indicate that you have changed the device being

controlled.

green and flash three times before it goes out.

NOTE: While entering commands for Power On/Off of

any device during a macro sequence, press the Mute

5. When the Program Indicator cgoes out, the

Macro has been erased.

Button

. DO NOT press the actual Power button.

3. When all the steps have been entered, press the

Sleep Button jto enter the commands. The

red light under the Input Selectors efwill

blink and then turn off.

When operating a device other than the AVR 135, the

controls may not correspond exactly to the function

printed on the remote or button. Some commands,

such as the volume control, are the same as they are

with the AVR 135. Other buttons will change their

function so that they correspond to a secondary label

on the remote. For example, the Sleep and Surround

mode selector buttons also function as the Channel Up

and Channel Down buttons when operating most TV

sets, VCRs or cable boxes. The Channel Up/Down

indication is printed directly on the remote. For many

standard CD players, cassette decks, VCRs and DVD

functions, the standard function icons are printed on

top of the buttons.

Example: To program the Macro 1 button so that it

turns on the AVR 135, TV and a cable box, follow

these steps:

• Press the Macro 1 Button

and Mute

Button

at the same time and then release

them.

• Note that the Program Indicator cwill flash

amber.

• Press the AVR Selector f.

• Press the Mute Button 41 to store the

AVR 135’s Power On command.

For some products, however, the function of a particu-

lar button does not follow the command printed on

the remote. In order to see which function a button

controls, consult the Function List tables on pages 33

and 34. To use those tables, first check the type of

device being controlled (e.g., TV, VCR). Next, look at

the remote control diagram in Figure 11. Note that

each button has a number on it.

• Press the VID 3 Input Selector Button eto

indicate the next command is for “TV Power On.”

• Press the Mute Button 41 to store the TV

Power On Command.

• Press the VID 2 Input Selector Button eto

indicate the next command is for “Cable Power On.”

o find out what function a particular button has for

• Press the Mute Button

Power On command.

to store the Cable

a specific device, find the button number on the

Function List and then look in the column for the device

you are controlling. For example, button number 44

is the Direct button for the AVR 135, but it is the

“Favorite” button for many cable television boxes

and satellite receivers. Button number 30 is the Delay

button for the AVR 135, but the Open/Close button for

CD players.

• Press the Sleep/Channel Up Button jto

complete the process and store the macro

sequence.

After following these steps, each time you press

the Macro 1 Button

, the remote will send

the Power On/Off command.

NOTE: The numbers used to describe the button

functions in Figure 11 for the purposes of describing

how a button operates are a different set of numbers

than those used in the rest of this manual to describe

the button functions for the AVR 135.

Erasing Macro Commands

To remove the commands that have been pro-

grammed into one of the Macro buttons, follow these

steps:

135

Notes on Using the AVR 135 Remote With

Other Devices.

1. Press the Mute Button

and the Macro

that contains the commands you

Button

wish to erase.

• Manufacturers may use different code sets for the

same product category. For that reason, it is impor-

tant that you check to see whether the code set you

have entered operates as many controls as possible.

If it appears that only a few functions operate, check

to see whether another code set will work with more

buttons.

Figure 11

2. The Program Indicator cwill flash amber,

and the LED under the AVR Selector fwill

turn red.

3. Within ten seconds, press the Surround Mode

Selector/Channel Down Button k.

PROGRAMMING THE REMOTE 31

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PROGRAMMING THE REMOTE

• When a button is pressed on the AVR 135 remote,

the red light under the Input Selector effor

the product being operated should flash briefly. If

the Device Control Selector flashes for some but

not all buttons for a particular product, it does NOT

indicate a problem with the remote but rather that

no function is programmed for the button being

pushed.

trolling the VCR, you may wish to change channels on a

3. Press and release the Input Selector Button e

for the device that will be used to change the chan-

nels. The Program Indicator cwill blink green

three times and then go out to confirm the data

entry.

cable box or satellite receiver without having to change

the device selected by the AVR 135 or the remote.

To program the remote for Channel Control Punch-

Through, follow these steps:

1. Press the Input Selector Button effor the

device you wish to have the channel control associ-

Example: To control the transport of a DVD player

while the remote is set to control the TV, first press

the VID 3/TV Input Selector Button eand the

ated with and the Mute Button

at the same

Volume Punch-Through

time until the red light appears under the Input

Selector efand the Program Indicator

cflashes amber.

Mute Button

them and press the Play Button `, followed by

the DVD Input Selector Button e.

at the same time. Next, release

The AVR 135’s remote may be programmed to oper-

func-

ate the Volume Control

and Mute

tions of either the TV or the AVR 135 in conjunction

with any of the devices controlled by the remote. For

example, since the AVR 135 will likely be used as the

sound system for TV viewing, you may wish to have

the AVR 135’s volume activated, although the remote

is set to run the TV. Either the AVR 135 or TV volume

control may be associated with any of the remote’s

devices. The factory default setting is to have the AVR

135’s volume activated for all devices except TAPE.

To program the remote for Volume Punch-Through,

follow these steps:

2. Press the Volume Down Button 38 . The

Program Indicator cwill stop flashing and

stay amber.

NOTES:

• To remove the Channel Control Punch-Through and

return the remote to its original configuration, repeat

the steps in the example above. However, press the

same Input Selector in Steps 1 and 3.

3. Press and release the Input Selector Button e

for the device that will be used to change the

channels. The Program Indicator cwill blink

green three times and then go out to confirm the

data entry.

• Before programming the remote for Volume, Channel

or Transport Punch-Through, make certain that any

programming needed for the specific TV, CD, DVD,

cable or satellite receivers has been completed.

Example: To control the channels using your cable

box or satellite receiver while the remote is set to

control the VCR, first press the VID 1/VCR Input

• The AVR 135 remote is preprogrammed at the

factory so that the Transport Control Functions

`operate the DVD player whenever the AVR

device is selected.

1. Press the Input Selector efor the unit you wish

to have associated with the volume control and the

Selector Button eand the Mute Button

at the same time. Next, release them and press the

Mute Button

at the same time until the red

Volume Down Button

, followed by the VID 2/

light appears under the Input Selector e; the

Program Indicator cwill flash amber.

Resetting the Remote Memory

Cable/Sat Input Selector Button e.

As you add components to your home theater system,

occasionally you may wish to totally reprogram the

remote control without the confusion of any commands,

macros or “Punch-Through” programming that you may

have done. To do this, it is possible to reset the remote

to the original factory defaults and command codes by

following these steps. However, once the remote is

reset, all commands or codes that you have entered will

be erased and will need to be reentered:

NOTE: To remove the Channel Control Punch-Through

and return the remote to its original configuration, repeat

the steps shown in the example above. However, press

the same Input Selector in Steps 1 and 3.

2. Press the Volume Up Button

; the Program

Indicator cwill stop flashing and stay amber.

3. Press either the AVR Selector for the Input

Selector e, depending on which system’s

volume control you wish to have attached for the

punch-through mode. The Program Indicator c

will blink green three times and then go out to con-

firm the data entry.

Transport Control Punch-Through

The AVR 135’s remote may be programmed to operate

so that the Transport Control Functions `(Play,

Stop, Fast Forward, Rewind, Pause and Record) for a

VCR, DVD or CD will operate in conjunction with one of

the other devices controlled by the remote. For exam-

ple, while using and controlling the TV, you may wish to

start or stop your VCR or DVD without having to change

the device selected by the AVR 135 or the remote. The

factory default setting is to have the DVD’s transport

controls activated when the AVR, VID2/CABLE or SAT

or VID3/TV devices have been selected. To program

the remote for Transport Control Punch-Through, follow

these steps:

1. Press any of the Input Selector Buttons eand

the “O” Button rat the same time until the

Program Indicator cbegins to flash amber.

Example: To have the AVR 135’s volume control

activated even though the remote is set to control

the TV, first press the Video 3/TV Input Selector

eand the Mute Button

at the same time.

2. Press the “3” Button rthree times.

Next, press the Volume Up Button

by the AVR Selector f.

, followed

3. The red LED under the Input Selector ewill go

out and the Program Indicator cwill stop flash-

ing and turn green.

NOTE: Should you wish to return the remote to the

original configuration after entering a Volume Punch-

Through, you will need to repeat the steps shown

above. However, press the same Input Selector in

Steps 1 and 3.

4. The Program Indicator cwill remain green until

the remote is reset. Note that this may take a while,

depending on how many commands are in the

memory that need to be erased.

1. Press the Input Selector effor the device

you wish to have the channel control associated with

Channel Control Punch-Through

and the Mute Button

at the same time until

the red light appears under the Input Selector e

and the Program Indicator cflashes amber.

5. When the Program Indicator cgoes out, the

remote has been reset to the factory settings.

The AVR 135’s remote may be programmed to operate

so that the channel control function for either the TV,

cable or satellite receiver used in your system may be

used in conjunction with one of the other devices con-

trolled by the remote. For example, while using and con-

2. Press the Play Button `. The Program

Indicator cwill stop flashing and stay amber.

32 PROGRAMMING THE REMOTE

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FUNCTION LIST

No. Button Name

AVR Function

DVD

CD/CD-R

Tape

VCR (VID1)

CBL (VID2)

SAT (VID2)

TV (VID3)

Power On

Power Off

Mute

Power Off

Mute

Power Off

Mute

Power Off

Mute

Power Off

Mute

Power Off

Mute

Power Off

Mute

Power Off

Mute

AVR

AVR Select

DVD Select

CD Select

Tape Select

VCR Select

AVR Select

DVD Select

CD Select

Tape Select

VCR Select

AVR Select

DVD Select

CD Select

Tape Select

VCR Select

CBL Select

TV Select

Dim

AVR Select

DVD Select

CD Select

Tape Select

VCR Select

SAT Select

TV Select

Dim

AVR Select

DVD Select

CD Select

Tape Select

VCR Select

CBL/SAT Select

TV Select

Dim

DVD

DVD Input Select

CD Input Select

Tape Input Select

Video 1 Select

DVD Select DVD Select

CD Select CD Select

Tape

Tape Select Tape Select

VCR Select VCR Select

CBL/SAT Select CBL/SAT Select

VID 1 (VCR)

VID 2 (CBL/SAT) Video 2 Select

CBL/SAT Select CBL/SAT Select

10 VID 3 (TV)

11 Dim

Video 3 Select

Dim

TV Select

Dim

TV Select

Dim

TV Select

Dim

TV Select

Dim

12 AM/FM

13 6CH/8CH

14 Sleep/CH+

15 Test Tone

16 T/V

Tuner Select

6/8 Ch. Input Select

Sleep

Tuner Select Tuner Select

6/8 Ch. Input Select 6/8 Ch. Input Select

Channel +

Tuner Select

6/8 Ch. Input Select

Channel +

Tuner Select

6/8 Ch. Input Select

Channel +

Tuner Select

6/8 Ch. Input Select

Channel +

6/8 Ch. Input Select 6/8 Ch. Input Select

Test Tone

TV/DVD

Input Select

Volume Up

CDR Select

TV/VCR

TV/CBL

TV/SAT

TV/VCR

17 Vol Up

Volume Up

Channel –

Volume Up

Channel –

Volume Up

Channel –

Volume Up

Channel –

18 Surr/CH–

19 Night

Surround Mode Select Disc Menu

Night Mode Select

Subtitle On/Off CDP Select

Subtitle On/Off

20 Spare

21 Vol Down

22 CH./Guide

Volume Down

Volume Down Volume Down

Info/Guide

Volume Down Volume Down

Info/Guide

Channel Trim

Title

Continuous Play

⁄

Move/Adjust Up

24 Speaker/Menu

Speaker Adjust

Intro Scan

Left

26 Set

ﬁ

Move/Adjust Left

Left

Set

Enter

Right

Enter

Right

Enter

Right

Enter

Right

ﬂ

Move/Adjust Right

Right

28 Digital/Exit

Digital Input Select

Open/Close

Move/Adjust Down

Down

30 Delay/Prev. Ch.

Delay Adjust

Return

Open/Close

Prev Channel

39 Tun-M

Tuner Mode

Chapter

Repeat

42 Memory

Memory

Tune Up

Audio

Time

43 Tuning Up

Next Chapter Track Direct

Cancel

PPV

Cancel

Sleep

FUNCTION LIST 33

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FUNCTION LIST

No. Button Name

AVR Function

DVD

CD/CD-R

Tape

VCR (VID1)

CBL (VID2)

SAT (VID2)

TV (VID3)

44 Direct

Direct Tuner Entry

Clear

Angle

Clear

Random Play

Clear

FAV

Alt

45 Clear

Clear

Bypass

Music

Clear

46 Preset Up

47 Tuning Down

48 OSD

Preset Tune Up

Tune Down

OSD

Slow Forward +10

Prev Chapter Track Increment

Program

OSD

49 D. Skip

50 Preset Down

51 M1

Disc Skip

Slow Rev

Macro 1

Macro 2

Macro 3

Macro 4

Disc Skip

Preset Tune Down

Macro 1

Macro 2

Macro 3

Macro 4

Macro 1

Macro 2

Macro 3

Macro 4

Macro 1

Macro 2

Macro 3

Macro 4

Macro 1

Macro 2

Macro 3

Macro 4

Macro 1

Macro 2

Macro 3

Macro 4

Macro 1

Macro 2

Macro 3

Macro 4

52 M2

Macro 2

53 M3

Macro 3

54 M4

Macro 4

55 Dolby Sur

56 DTS Sur

57 DTS Neo:6

58 Logic 7

59 Stereo

60 Skip Down

61 Skip Up

62 Rewind (‹‹)

63 Play (‹›)

64 F F (››)

65 Record

66 Stop

Dolby Modes

DTS Digital Modes

DTS Neo:6 Select

Logic 7 Select

Stereo Mode Select

Skip – (DVD)

Skip + (DVD)

R. Search (DVD)

Play (DVD)

Skip –

Skip +

R. Search

Play

Scan –

Scan +

Rewind

Skip – (DVD)

Skip + (DVD)

R. Search (DVD)

Play (DVD)

Skip – (DVD)

Skip + (DVD)

Skip – (DVD)

Skip + (DVD)

Skip +

R. Search

Play

Rewind

R. Search (DVD) R. Search (DVD)

Play (DVD) Play (DVD)

F. Search (DVD) F. Search (DVD)

R. Play/F. Play Play

F. Search (DVD)

F. Search

Record

Stop

Fast Fwd

F. Search (DVD)

Record/Pause Record

Stop (DVD)

Stop

Stop (DVD)

67 Pause

Pause (DVD)

Pause

Pause (DVD)

34 FUNCTION LIST

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SETUP CODE TABLE: TV

Manufacturer/Brand

Setup Code Number

AIWA

027

A MARK

122 132

ADMIRAL

AKAI

192

123 160

AMPRO

164

ANAM

045 106 109 112 122

AOC

122 123 128

BLAUPUNKT

BROKSONIC

CANDLE

CAPEHART

CENTURION

CENTRONIC

CITIZEN

084

205 206

123 128

059

123 171

045

045 123 128 132

CLASSIC

CONCERTO

CONTEC

CORANDO

CORONADO

CRAIG

045

128

045

172

132

045 157 158 159

045 132

CROWN

CURTIS MATHES

CXC

123 128 132

045

DAEWOO

DAYTRON

DIGI LINK

DYNASTY

DYNATECH

ELECTROHOME

EMERSON

FUNAI

045 087 102 105 106 108 111 114 116 119 127 128 132

128 132

200

045

063

115 132

045 123 128 132 139 157 158 159 162 205

045

FUTURETECH

045

029 087 121 123 128 133 145 159 163

GOLDSTAR/LG

GRUNDIG

HALL MARK

HARMAN KARDON

HITACHI

101 110 122 128 132

193

128

201

123 128 132 144 147

INFINITY

148

INKEL

120

JBL

148

JC PENNEY

JENSEN

115 123 128 132 145

019

JVC

079 087 134

KAWASHO

KEC

173

045

KENWOOD

KMC

123 204

132

KTV

045 123 132 162

LLOYTRON

LODGENET

172 173

069

SETUP CODES 35

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SETUP CODE TABLE: TV

Manufacturer/Brand

Setup Code Number

LOGIK

069

LUXMAN

LXI

128

077 145 148

MAGNAVOX

MARANTZ

MATSUI

030 123 128 132 145 148

115 123 148

148

MEMOREX

METZ

069 128

084

MGA

115 123 128

MINERVA

MITSUBISHI

MTC

084

077 115 123 128 160 167 168

175 176

NATIONAL

NEC

148 177 179 180 181 182

115 121 123 125

NIKEI

045

ONKING

ONWA

045

OPTONICA

ORION

077

207 208 209 210 211

PANASONIC

PHILCO

087 148 169

045 115 123 128 132 148

PHILIPS

PIONEER

PORTLAND

PROSCAN

PROTON

QUASAR

RADIO SHACK

RCA

033 034 035 036 123 128 132 145 148

024 123 128

128 132

133

059 122 128 132 165

032 087

045 128 132 180 196 197

021 115 123 128 133 145 161 163

REALISTIC

RUNCO

045 167 196

152 153

SAA

183

SAMPO

059 123 128

SAMSUNG

SANYO

020 022 124 128 132 145

026 054

SCOTT

045 128 132

SEARS

128 132 145

SHARP

077 128 132

SIEMENS

SIGNATURE

SONY

084

069

028 031 117 130 136 194 212

SOUNDESIGN

SPECTRICON

SSS

045 128

122

045

SYLVANIA

SYMPHONIC

TANDY

025 123 128 145 148

184

077

063

181

128

TATUNG

TECHNICS

TECHWOOD

36 SETUP CODES

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SETUP CODE TABLE: TV

Manufacturer/Brand

Setup Code Number

TEKNIKA

TELERENT

TERA

045 069 115 123 128 132

069

156

THOMSON

TMK

190 191

128

TOSHIBA

TOTEVISION

VIDEO CONCEPTS

VIDTECH

WARDS

063 129 202

132

160

128

069 128 132 148

YAMAHA

YORK

123 128

128

YUPITERU

ZENITH

045

069 090

122

ZONDA

SETUP CODES 37

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SETUP CODE TABLE: VCR

Manufacturer/Brand

Setup Code Number

AIWA

040

AKAI

048 108 109 126

AMPRO

076

ASA

134

AUDIO DYNAMICS

BROKSONIC

CANDLE

CANON

018 048

110 147

134 135

135 140

CAPEHART

CITIZEN

094

134

CRAIG

045 116

DAEWOO

DAYTRON

DBX

017 094 104

094

018 048

DYNATECH

EMERSON

FISHER

040

013 040 042 110 112

017

FUNAI

040

076 095 124

GO VIDEO

GOLDSTAR/LG

HARMAN KARDON

HITACHI

113

018 107

018 049

040 048

JC PENNEY

JENSEN

JVC

018 045

048

018 048 111 132

KENWOOD

LLOYD

020 048

040

LXI

020 040

MAGIN

045

MAGNAVOX

MARANTZ

MEMOREX

MGA

040

018

017 020 040 052 053 054 076

049

MITSUBISHI

MULTITECH

NAD

049 131

040

139

NATIONAL

NEC

140

018 048

NORDMENDE

OPTIMUS

ORION

048

159

147

PANASONIC

PHILCO

125 150 167 172

040

PHILIPS

040 075

PORTLAND

PULSAR

QUASAR

RADIO SHACK

RCA

094

076

001 125

055 134 140 142 158 159

095 124 125 157 172

017 020 040 045 159

REALISTIC

38 SETUP CODES

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SETUP CODE TABLE: VCR

Manufacturer/Brand

Setup Code Number

SALORA

SAMSUNG

SANSUI

SANYO

SCOTT

SEARS

SHARP

SONY

SOUNDESIGN

SYLVANIA

SYMPHONIC

TANDY

TASHICO

TATUNG

020

045 051 095 105 109

048 116 147

017 020

110 112

017 020

129 156

080 129

040

017 040

134

048

TEAC

040 048

040

TEKNIKA

THOMAS

TiVo

012

TMK

013

TOSHIBA

TOTEVISION

UNITECH

VECTOR RESEARCH

VIDEO CONCEPTS

VIDEOSONIC

WARDS

112 155

045

018

018 040

045

040 045 112

018 040 048

040 050 076 083

YAMAHA

ZENITH

SETUP CODES 39

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SETUP CODE TABLE: CD

Manufacturer/Brand

ADCOM

Setup Code Number

063 069

AIWA

072 111 118 156 170

AKAI

050 177 184

AUDIO TECHNICA

AUDIOACCESS

AUDIOFILE

BSR

053

125

211

044

CALIFORNIA AUDIO

CAPETRONIC

CARRERA

CARVER

109

070

087

136 140 141 143 144 145 185 186

CASIO

117 166

CLARINETTE

DENON

166

187 188 213

EMERSON

FISHER

052 093 108

055 095

FRABA

117

FUNAI

126

164

GENEXXA

GOLDSTAR/LG

HAITAI

108

016 087

099 214

HARMAN KARDON

HITACHI

001 002 025 054 190

093

INKEL

216

JC PENNEY

JENSEN

098 147

153

JVC

176 195 196

KENWOOD

LOTTE

030 062 078 079 148 151 176 178 181

108

LUXMAN

LXI

077 102

164

MAGNAVOX

MARANTZ

MCINTOSH

MCS

039 113

058 084 191 192 193

194

080 098

MITSUMI

MODULAIRE

NAD

152

166

013 074 197 198

NAKAMICHI

NEC

199 200 201

069

NIKKO

053 055

ONKYO

037 038 045 046 171 175 202 203

065 089 091 092 099 104 212

075 109 119 158 183 204

039 138 149 209

OPTIMUS

PANASONIC

PHILIPS

PIONEER

PROTON

QUASAR

RADIO SHACK

RCA

071 094 100 112 123 131 161 162 215

210

109

126 166 213

024 081 093 150

40 SETUP CODES

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SETUP CODE TABLE: CD

Manufacturer/Brand

RCX

Setup Code Number

169

REALISTIC

SANSUI

SANYO

058 093 095 104 105 108 164 166

047 081 134 157 172

033 082 095

SCOTT

108

SHARP

SHERWOOD

SONY

058 105 114 151 159 167 180 181

003 041 058 105 133

103 115 116 118 132 139 163 205 206 207 208 212 217

SOUNDSTREAM

SYMPHONIC

TAEKWANG

TEAC

124

059 110

177

011 058 085 086 106 107 110 121 137 146 154

THETA DIGITAL

TOSHIBA

039

013 074 097 151 155 173

VECTOR RESEARCH

VICTOR

087

120 130

WARDS

095

YAMAHA

YORK

019 031 053 061 135 169

166

SETUP CODE TABLE: DVD

Manufacturer/Brand

APEX DIGITAL

DENON

Setup Code Number

061

019 051

003 004

005

GOLDSTAR/LG

HARMAN KARDON

JVC

001

006

005 055 064 066

056

059

023

062

MAGNAVOX

MARANTZ

MITSUBISHI

NAD

ONKYO

PANASONIC

PHILIPS

009 048

024 030 044

056

PIONEER

PROCEED

PROSCAN

RCA

SAMSUNG

SHARP

041 065

060

003 004

053 054

028

SONY

043 045

003 004

009 058 067

030 063

005 055 064

THOMSON

TOSHIBA

YAMAHA

ZENITH

SETUP CODES 41

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SETUP CODE TABLE: SAT

Manufacturer/Brand

Setup Code Number

ALPHASTAR

ALPHASTAR DBS

ALPHASTAR DSR

BIRDVIEW

472

450

442

425

CHANNEL MASTER

CHAPARRAL

CITOH

320 321 325 361

315 316 451

360

DRAKE

313 317 318 413 481

DX ANTENNA

ECHOSTAR

ELECTRO HOME

FUJITSU

331 352 362 379 483

395 397 452 453 463 477 478 484 485

392

324 329 334

GENERAL INSTRUMENT

HITACHI DBS

HOUSTON TRACKER

HUGHES

303 311 323 365 403 454 468 474

455

463

437 489

JANIEL

366

JERROLD

454 468 484

KATHREIN

410

LEGEND

453

MACOM

317 365 369 370 371

MAGNAVOX

MEMOREX

461 473

453

NEXTWAVE

NORSAT

423

373

OPTIMUS

466

PACE DSS

487

PANASONIC

PANASONIC DBS

PANSAT

366 469

457

420

PERSONAL CABLE

PHILIPS

418

375

PICO

407

PRESIDENT

PRIMESTAR

RCA

381 404

412 454 468 475

301 439 465 490

RCA DSS

458

REALISTIC

349 480

SAMSUNG

442

SATELLITE SERVICE CO

SCIENTIFIC ATLANTA

SONY

335 388

339

405

STAR CHOICE DBS

STARCAST

SUPER GUIDE

TEECOM

459

347

327 423

330 333 390 391 393 409

TOSHIBA

302 426 460 461 462 470

UNIDEN

ZENITH

323 332 348 349 350 351 354 355 381 383 389 403 466 479 480

384 385 387 394 419 488

42 SETUP CODES

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SETUP CODE TABLE: TAPE

Manufacturer/Brand

Setup Code Number

HARMAN KARDON

001

SETUP CODE TABLE: CBL

Manufacturer/Brand

Setup Code Number

ABC

001 011

ALLEGRO

AMERICAST

ARCHER

111

212

112

BELCOR

113

CABLE STAR

CITIZEN

033 113

111

COLOUR VOICE

DIGI

085 090

114

EAGLE

186

EASTERN

ELECTRICORD

EMERSON

FOCUS

066 070

039

112

116

G.I.

001 011 017 096 097

GC ELECTRONICS

GEMINI

113

032 060

GENERAL

GENERAL INSTRUMENT

GOODMIND

HAMLIN

210

112

056 099 100 101 117 175 208

HITACHI

001 188

JASCO

111

JERROLD

LINDSAY

001 002 011 017 073 096 097 162 188 210

118

MACOM

191

MAGNAVOX

MOVIE TIME

NSC

017 019 068

035 039

035 190

OAK

197 220

PACE

179

PANASONIC

PANTHER

PHILIPS

053 176 177 189 214

114

013 019 020 085 090

PIONEER

001 041 119 171 209 215 216

POPULAR MECHANICS

PRELUDE

PRIMESTAR

RADIO SHACK

RCA

116

120

162

111 112 213

053 214

RECOTON

REGAL

116

056 099 100 101 208

SETUP CODES 43

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SETUP CODE TABLE: CBL

Manufacturer/Brand

Setup Code Number

REMBRANT

SAMSUNG

SCIENTIFIC ATLANTA

SEAM

032

072 186

183 203 221 222

121

SIGNATURE

SPRUCER

STARCOM

STARGATE

TANDY

001 188

053 081 177 189

002 011 163

120

024

TELECAPATION

TEXSCAN

TFC

028

036

122

TIMELESS

TOCOM

123

170 205

UNITED CABLE

UNIVERSAL

VIDEOWAY

VIEWSTAR

ZENITH

011

033 034 039 042 113

124 211

019 025 086 089 190

065 125 211 219

116

ZENTEK

44 SETUP CODES

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TROUBLESHOOTING GUIDE

SYMPTOM

CAUSE

SOLUTION

Unit does not function when Main

Power Switch is pushed

• No AC Power

• Make certain AC power cord is plugged into

a live outlet

• Check to see whether outlet is switch-controlled

Display lights, but no sound

or picture

• Intermittent input connections

• Make certain that all input and speaker connections

are secure

• Press Mute Button

• Mute is on

• Volume control is down

• Turn up volume control

Unit turns on, but front panel

display does not light up

• Display brightness is turned off

• Follow the instructions in the Display Brightness section

on page 28 so that the display is set to VFDFULL

No sound from any speaker;

light around power switch is red

• Amplifier is in protection mode

due to possible short

• Check speaker wire connections for shorts at receiver and

speaker ends

• Amplifier is in protection mode

due to internal problems

• Contact your local Harman Kardon service center

No sound from surround or

center speakers

• Incorrect surround mode

• Input is monaural

• Incorrect configuration

• Stereo or Mono program material

• Select a mode other than Stereo

• There is no surround information from mono sources

• Check speaker mode configuration

• The surround decoder may not create center- or rear-channel

information from nonencoded programs

Unit does not respond to

remote commands

• Weak batteries in remote

• Wrong device selected

• Remote sensor is obscured

• Change remote batteries

• Press the AVR selector

• Make certain front panel sensor is visible to remote

or connect remote sensor

Intermittent buzzing in tuner

• Local interference

• Move unit or antenna away from computers, fluorescent

lights, motors or other electrical appliances

Letters flash in the channel indicator

display and digital audio stops

• Digital audio feed paused

• Resume play for DVD

• Check that Digital Input is selected

In addition to the items shown above, additional information on troubleshooting possible problems with your AVR 135, or installation-related issues, may be found in the list of

"Frequently Asked Questions" which is located in the Product Support section of our Web site at www.harmankardon.com.

NOTE: Resetting the processor will erase any configu-

ration settings you have made for speakers, output

Processor Reset

In the rare case where the unit’s operation or the dis-

plays seem abnormal, the cause may involve the erratic

operation of the system’s memory or microprocessor.

levels, surround modes, digital input assignments as

well as the tuner presets. The unit will be returned to

the factory presets, and all settings for these items

must be reentered.

To correct this problem, first unplug the unit from the

AC wall outlet and wait at least three minutes. After the

pause, reconnect the AC power cord and check the

unit’s operation. If the system still malfunctions, a sys-

tem reset may clear the problem.

If the system is still operating incorrectly, there may

have been an electronic discharge or severe AC line

interference that has corrupted the memory or

microprocessor.

To clear the AVR 135’s entire system memory includ-

ing tuner presets, output level settings, delay times and

speaker configuration data, press and hold the Tone

Mode Button 5button for three seconds. The unit

will turn on automatically.

If these steps do not solve the problem, consult an

authorized Harman Kardon service center.

TROUBLESHOOTING GUIDE 45

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AVR 135 TECHNICAL SPECIFICATIONS

Audio Section

Stereo Mode

Continuous Average Power (FTC)

AM Tuner Section

Frequency Range

Signal-to-Noise Ratio

Usable Sensitivity

Distortion

520–1720kHz

45dB

Loop 500µV

1kHz, 50% Mod 0.8%

10kHz, 30dB

50 Watts per channel, 20Hz–20kHz,

@ <0.07% THD, both channels driven into 8 ohms

Selectivity

Six-Channel Surround Modes

Power per Individual Channel

Video Section

Front L&R channels:

40 Watts per channel

@ <0.07% THD, 20Hz–20kHz into 8 ohms

Television Format

NTSC

1Vp-p/75 ohms

Input Level/Impedance

Output Level/Impedance

Video Frequency Response

(Composite and S-Video)

Center channel:

40 Watts @ <0.07% THD, 20Hz–20kHz into 8 ohms

10Hz–8MHz (–3dB)

10Hz–50MHz (–3dB)

Video Frequency Response

(Component Video)

Surround (L & R Side, Back) channels:

40 Watts per channel

@ <0.07% THD, 20Hz–20kHz into 8 ohms

General

Power Requirement

Power Consumption

AC 120V/60Hz

65W idle, 540W maximum

(6 channels driven)

Input Sensitivity/Impedance

Linear (High-Level)

200mV/47k ohms

100dB

Signal-to-Noise Ratio (IHF-A)

Dimensions

Width

Height

(Product)

(Shipping)

Surround System Adjacent Channel Separation

17.3 inches (440mm)

6.6 inches (168mm)

15 inches (382mm)

21.5 inches (545mm)

9.9 inches (251mm)

17.9 inches (455mm)

Pro Logic I/II

Dolby Digital (AC-3)

DTS

40dB

55dB

Depth

(Product)

(Shipping)

Frequency Response

@ 1W (+0dB, –3dB)

Weight

24.4 lb (11.1kg)

29.3 lb (13.3kg)

10Hz –130kHz

25 Amps

Depth measurement includes knobs, buttons and terminal connections.

Height measurement includes feet and chassis.

All features and specifications are subject to change without notice.

High Instantaneous

Current Capability (HCC)

Transient Intermodulation

Distortion (TIM)

Unmeasurable

40V/µsec

Harman Kardon and Power for the Digital Revolution are registered trademarks of

Harman International Industries, Incorporated.

Slew Rate

*Manufactured under license from Dolby Laboratories. “Dolby,” “Pro Logic” and the Double-D symbol

are trademarks of Dolby Laboratories.

FM Tuner Section

Frequency Range

Usable Sensitivity

Signal-to-Noise Ratio

Distortion

87.5–108.0MHz

IHF 1.3µV/13.2dBf

Mono/Stereo 70/68dB

Mono/Stereo 0.2/0.3%

40dB @ 1kHz

400kHz, 70dB

80dB

DTS, DTS Surround, DTS-ES and DTS Neo:6 are registered trademarks of Digital Theater Systems, Inc.

VMAx is a registered trademark of Harman International Industries, Incorporated, and is an

implementation of Cooper Bauck Transaural Stereo under patent license.

Stereo Separation

Selectivity

Image Rejection

IF Rejection

Logic 7 is a registered trademark of Harman International Industries, Incorporated.

Cirrus is a registered trademark of Cirrus Logic, Inc.

90dB

46 TECHNICAL SPECIFICATIONS

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INDEX

5-Channel Stereo 17, 24

6-Channel/8-Channel Direct Input 8, 12, 22

7-Channel Stereo 17, 24

AC Power Connections 8, 13

Advanced Features 28–29

Advanced Select Menu 28

Antenna Terminals 7, 8, 12

Audio Equipment Connections 7, 8, 12

Auto Mode Tuning 6, 11, 26

Auto Search Method 30

Cable television 4, 8, 12, 43–44

CD 7, 12, 40–41

Channel Adjust Menu 21, 27

Channel-Control Punch-Through 32

Cleaning and Maintenance 4

Coaxial Digital Audio Jacks 6, 8, 12, 13, 16, 23

Code Readout 30

Manual Mode Tuning 6, 11, 26

Master Menu 15

Memory Backup 27

Mute 6, 11, 22

Night Mode 17, 26

On-Screen Display 15, 28–29

Operation 22–27

Optical Digital Audio Jacks 6, 8, 12, 13, 16, 23

Output Level Adjustments 20–21

Output Level Trim Adjustment 27

PCM 25

S-Video 8, 13

System Configuration 14–21

System Setup 14

Tape 7, 27, 43

Technical Specifications 46

Theater 24

Tone Controls 5–6, 22

Trademark Acknowledgements 46

Transport Controls 11, 32

Transport-Control Punch-Through 32

Troubleshooting Guide 45

Tuner Mode 6, 10, 26–27

Tuner Operation 26–27

Turn-On Volume Level 28

TV 12–13, 31–34, 35–37

Typographical Conventions 2

Unpacking 4

VCR 8, 12, 27, 32, 38–39

Video Connections 8, 12–13, 22

Video Equipment Connections 12–13

Video Monitor 8, 13

Polarity 12

Power Switches 5, 10, 14–15, 22

Preset Stations 6, 11, 27

Processor Reset 45

Programmed Device Functions 31–34

Programming Product Codes 30

Punch-Through Programming 32

Rear-Panel Connections 7–8

Recalling Preset Stations 6, 11, 27

Recording 27

Component Video 8, 13

Composite Video 8, 13

Delay Adjust Menu 20

Delay Settings 19–20

Description and Features 3

Digital Audio Playback 23–26

Digital Source Selection 16, 23

Dimming Front-Panel Display 10, 28

Direct Code Entry 30

Remote Control 9–11, 14–15, 30–44

Remote Control Batteries 14–15

Remote Control Function List 33–34

Remote Control Functions 31–34

Remote Control Setup Code Tables 35–44

Resetting the Remote 32

Safety Information 3, 4

VMAx 17, 24

Volume Control 6, 11, 22, 28, 32

Volume Punch-Through 32

Display Brightness 28

Dolby Digital 17, 23–25

DSP Surround Modes 17, 24

DTS 17, 23–24

Satellite Television 12, 42

Semi-OSD 15, 28–29

DTS Neo:6 17, 23–24

DTS-ES 17, 23-24

Setting Preset Stations 27

Sleep Mode 10, 22

DVD 13, 23, 41

Source Selection 6, 10, 16, 22

Speaker Placement 14

Speaker Selection 14

Front-Panel Controls 5–6

Front-Panel Jacks 6, 22

Front-Panel-Display Fade 28

Full OSD 15, 28–29

Full-OSD Time-Out 28–29

Hall 24

Speaker Setup 17–19

Speaker Setup Menu 18

Speaker Terminals 7–8, 12

Speaker Wire 12

Headphones 22

Input-Independent Speaker Setup 19

Input Setup 16

Installation 12–13

Installation Location 4

Speaker/Channel Input Indicators 25–26

Subwoofer 7, 19, 21, 27

Surround Mode Chart 24

Surround Mode Selection 5–6, 10–11, 16–17,

22–26

IR Receiver 6, 10

Surround Off 17, 24

Logic 7 17, 24

Macros 30–31

Surround Select Menu 16

Surround Setup 16–17

INDEX 47

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250 Crossways Park Drive, Woodbury, New York 11797

www.harmankardon.com

Part No. CQX1A949Z 12/04

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