AF3-177E
COLOR NEGATIVE FILMS
FUJICOLOR PRO 800Z PROFESSIONAL
3.
FILM SIZES, EMULSION NUMBER, BASE
MATERIAL AND THICKNESS
1.
FEATURES AND USES
FUJICOLOR PRO 800Z PROFESSIONAL is an ISO 800
high-speed color negative film that is especially
suitable for portrait, wedding and fashion photography.
By incorporating the 4th Color Layer and the Fine
(Sigma) Technologies, this film produces vibrant colors
with high fidelity, and smooth textures with little evidence
of grain. It also boasts wide exposure latitude and
excellent grays. The further addition of single-channel
printing results in uniform printing efficiency with other
films in the FUJICOLOR PRO series.
Emulsion
Number
Size and Package Configuration
...
135 36-exp. (5-roll pack)
...
–
Roll
023
120 12-exp. [6x6] (5-roll pack)
...
220 24-exp. [6x6] (5-roll pack)
Base Material
Thickness
122µm (135)
98µm (120,220)
Roll
Cellulose Triacetate
Features
4.
EXPOSURE GUIDE
.............
• High Sensitivity
High ISO speed rating of 800
that assures fine results even
under low-light conditions
Use a meter to determine the exposure setting. If a
meter is not available, refer to the following table.
.........
• Faithful skin tone
reproduction
Natural, true-to-life skin tones
even in dark, low-light situa-
tions
Daytime/Outdoors
Seashore Bright
Hazy
Cloudy Cloudy
or Snow Sunlight Sunlight Bright
Day or
Open
Shade
Natural skin tones even
under overly flat lighting
Scenes
under
Bright
Sun
........
A fourth color-sensitive layer
enabling the reproduction
of desired images even
under a mixed light source
of natural light, fluorescent
light and tungsten light
• Wide Light Source
Latitude
Lens
Opening
f/22
1/1000
f/16
f/16
f/11
f/8
Shutter
Speed
(sec)
1/500
.........
.......
Excellent, almost grain-free
textures, regardless of the
film’s high sensitivity
• Excellent Textural
Depiction
Notes
• The settings in the table above are for 2 hours after sunrise
and 2 hours before sunset.
• Since light conditions vary greatly for cloudy/bright and open
shade, use of an exposure meter is recommended.
• Close-up shots with backlighting may require a lens opening
adjustment of f1 to f2 stops.
Negative density level unified
with other PRO series films
for maximum printing
• Addition of single-
channel suitability
uniformity and efficiency
Low Light Exposure
2.
ISO FILM SPEED
Indoor
Sports &
Night
Nighttime Evening
Night
Scenes
Light
Condition
Indoor
Scenes
Light Source
ISO Film Speed Color Balancing Filter
Scenes
(under
fluorescent
light)
Daylight & Electronic
Flash
Tungsten Light
(3200K)
Games
800/30°
None
200/24°*
equivalent
Wratten No. 80A
(or LBB-12**)
Lens
Opening
Shutter
Speed
(sec)
f/2.8 to 5.6
1/25
f/2 to 4
1/30
f/4 to 5.6
1/60
f/2.8 to 4
1/30
*Indicates the effective speed resulting from designated filter use.
**Fuji Light Balancing filter
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FUJICOLOR PRO 800Z PROFESSIONAL • FUJIFILM PRODUCT INFORMATION BULLETIN
8. UNPROCESSED FILM HANDLING/STORAGE
HANDLING
9.
PROCESSING
This film is designed for processing by Process CN-41
or its equivalent, as well as Fujifilm Process CN-16.
• Expose film before the expiration date indicated on
the film package and process as soon as possible
after exposure.
10.
CONTROL STRIPS
• When removing film stored at low temperatures (in a
refrigerator or freezer, etc.), allow it to reach room
temperature before opening it. Opening film while it
is still cold may cause condensation to form on the
film surface, causing color changes or the emulsion
to become more susceptible to scratches.
Use FUJICOLOR NEGATIVE FILM CONTROL STRIPS
to manage processing performance.
11. PROCESSED FILM HANDLING AND STORAGE
• Roll film should be loaded and unloaded quickly and
away from direct sunlight.
• Film loaded in cameras should be exposed and
processed promptly.
Since the purpose of film is to provide a long-term
record of memorable events, as much effort as possible
has been made to use materials that exhibit the least
amount of change over time, but the effects of light,
heat, atmospheric oxygen, contaminant gases, humidity
and mold cannot be completely avoided. It is possible,
however, to minimize change in the photographic
image or base material by maintaining appropriate
storage conditions, such as those used by museums
and art galleries. Temperature and humidity control is
the most important key to minimizing the change that
occurs in film. Films stored in the dark under the
following conditions may be expected to show almost
no change over time.
• X-rays inspection machines used to inspect checked-
in baggage at airports can cause fogging of film. Put
both exposed and unexposed film into carry-on
baggage (preferably in a transparent plastic bag or
a net bag that allows the film to be seen). Because of
the increasing number of airports using strong X-ray
machines for carry-on baggage, it is recommended
that you remove film from your carry-on baggage and
request a visual (manual) inspection of your film.
• Film fogging may occur near X-ray equipment used
in hospitals, factories, laboratories and other places
where radiation is used. Always keep film away from
sources of radiation.
Storage Period with
Temperature
Relative Humidity
Almost No Change
More than 20 years
10–20 years
Below 10°C
Below 25°C
30%–50%
30%–50%
STORAGE
Storing exposed or unexposed film under hot and
humid conditions may adversely affect the speed, color
balance and physical properties of the film. Although it
is best to store film at a low temperature, for practical
purposes, film should be stored as follows:
(1) Color negative film should be inserted into sleeves
for storage. Furthermore, it is recommended that
film, as well as prints, be placed into non-airtight*
containers made of paper, plastic**, or metal designed
for the storage of photographs.
Store at a place (cool and dark)
Short-term
* To prevent film base (especially TAC base) decomposition,
it is essential that the container or case be allowed to air
out during one dry day each year.
away from direct sunlight or high
temperatures and humidity.
Storage
Long-term
Storage
** Polyester, polystyrene, polyethylene, polypropylene, etc.
Store at 10°C (50°F) or below
(2) Processed film should be stored at a place as far
away as possible from high temperatures, direct
sunlight and other strong light and direct illumination.
The following conditions are not desirable for the
storage of film and should be avoided in the case
of long-term storage:
• New building materials, newly manufactured furni-
ture, paints and bonding agents may produce gases
which could affect photographic film. Do not store
film, lightproof boxes containing film or cameras or
film holders loaded with film near these materials.
• Film should be sealed in plastic bags* prior to cold
storage When taken out of cold storage, film should
be allowed to reach room temperature before open-
ing by letting it stand over 3 hours (for refrigerated
• Storage in a closet lying against a wall that is
exposed to cold, outside air (where condensation
may form).
film) or over 6 hours (for frozen film).
* Polyester, polystyrene, polyethylene, polypropylene, etc.
• Storage in an attic or on top of a closet or cabinet
near the ceiling (where high temperatures may
form).
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FUJIFILM PRODUCT INFORMATION BULLETIN • FUJICOLOR PRO 800Z PROFESSIONAL
12.
PACKAGING SPECIFICATIONS
* Packaging formats may vary in different markets.
Contents
Size
135
Item
Film Box
Plastic Case
Cartridge
Same as the current product.
120
Film Box
Backing Paper
(Before Exposure)
(After Exposure)
Seal
←Backing Paper
←Top Seal
←End Seal
Envelope
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FUJICOLOR PRO 800Z PROFESSIONAL • FUJIFILM PRODUCT INFORMATION BULLETIN
Size
Item
Film Box
Contents
220
Backing Paper
(Before Exposure)
(After Exposure)
Seal
←Backing Paper
←Top Seal
←End Seal
Envelope
– 5 –
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FUJIFILM PRODUCT INFORMATION BULLETIN • FUJICOLOR PRO 800Z PROFESSIONAL
13. PROCESSED FILM EDGE MARKINGS
AND FIGURES
* The side on which the edge markings are reversed is the emulsion side.
• 135 Size (36 Exp.)
• 120 Size (12 Exp. 6x6)
• 220 Size (24 Exp. 6x6)
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FUJICOLOR PRO 800Z PROFESSIONAL • FUJIFILM PRODUCT INFORMATION BULLETIN
14. TECHNOLOGIES INCORPORATED IN
FUJICOLOR PRO 800Z PROFESSIONAL
14-1 4th Color Layer Technology
tones, and highly consistent gradation that is smoothly
continuous from the highlights to the shadows
whatever the situation.
This film incorporates a fourth color-sensitive layer in
addition to the conventional three RGB-sensitive layers
in order to reproduce colors as they are perceived by
the human eye. The optimized spectral characteristics
of this film enable the rendition of natural colors even
for photographs taken under fluorescent lights or mixed
light sources.
14-3 Fine ∑ (Sigma) Technology
Fine ∑ (Sigma) Technology provides a new thin, flat
grain structure that effectively increases the overall
surface area of the small-volume silver halide crystals,
producing higher uniformity among silver halide crystal
clusters and making possible the attainment of high
film speed without any noticeable increase in grain size.
The result is a film that produces excellent textures,
regardless of the film’s high ISO 800 speed rating.
14-2 New Optimizes Interlayer Effect Technology
The control provided by the new optimized interlayer
effect technology incorporated in this film makes
possible faithful color reproduction, superbly vivid skin
15.
FILM STRUCTURE
.....
17.
RESOLVING POWER
16. DIFFUSE RMS GRANULARITY VALUE
5*
Micro-Densitometer Measurement Aperture
: 48 µm in diameter
Sample Density: +1.0 above minimum density
Test-Object Contrast: 1.6:1 ............. 50 lines/mm
Test-Object Contrast: 1000:1 ..........115 lines/mm
* Based on Fujifilm measurements. Due to difference in measure-
ment conditions, comparison with color reversal film is not pos-
sible.
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FUJIFILM PRODUCT INFORMATION BULLETIN • FUJICOLOR PRO 800Z PROFESSIONAL
18.
CHARACTERISTIC CURVES
19.
SPECTRAL SENSITIVITY CURVES
* Sensitivity equals the reciprocal of the exposure (J/cm2)
required to produce a specified density.
20.
MTF CURVE
21.
SPECTRAL DYE DENSITY CURVES
NOTICE The data herein published were derived from materials taken from
general production runs. However, changes in specifications may occur without
notice.
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FUJI PHOTO FILM CO., LTD.
26-30, Nishiazabu 2-chome, Minato-ku, Tokyo 106-8620, Japan
(
(
)•
)
Ref. No. AF3-177E EIGI-05.1-FG HB 4-1 Printed in Japan
•
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