Fishman Music Pedal Jerry Douglas Signature Series User Manual

USER GUIDE  
JERRY DOUGLAS SIGNATURE SERIES  
AURA® IMAGING PEDAL  
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About this pedal  
Larry Fishman developed the Signature Series Aura Pedal with a world-class  
team of professionals, including musician Jerry Douglas, recording studio engi-  
neer Bil VornDick, and reknowned resonator builder Paul Beard, to bring you the  
most realistic amplified tone available. Night after night, or any time you record,  
this pedal lets you reproduce the tone that can only be created by such trade  
masters.  
In order to fully realize the benefits of this pedal, we recommend using the  
Nashville Series resophonic pickup to amplify your resonator guitar. For the best  
sound reproduction, connect your Aura Imaging Pedal to an acoustic instrument  
amp, a PA system, a powered monitor or other full-range system.  
A word from Jerry Douglas  
“After all these years of fighting microphones and feeling tied to one square foot  
of stage floor, I really believe we have the answer to every acoustic instrumental-  
ists dreams: a realistic sounding system that empowers the voice of our favorite  
instruments.”  
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A word from Paul Beard  
“In the world of resophonic guitar amplification, we finally have resolution! The  
Fishman Nashville Series resophonic pickup is the result of new technology and  
innovative design. Use this pickup when playing with the Aura Imaging Pedal,  
select a microphone Image and turn it up. This new resonator pickup and Aura  
will make your microphone obsolete.”  
A word from Bil VornDick  
“We used Class A discreet mic preamps with vintage and artistically chosen  
microphones to create these Aura Images. The studio sounds that they conjure  
are accurate sonic representations of the instrument. I enjoyed working with  
Larry Fishman, the master who has invented this incredible technology, to create  
these Images. The calls and emails I have received, from everyday musicians to  
those that are household names, state their praise for the Aura and how it has  
helped their instrument whether in concert, a Grand Ole Opry broadcast, or a  
small night club. These Images were recorded with the benefit of over 25 years of  
studio experience recording Jerry, and I have taken extreme care to help secure  
precise Images for your performances. I sincerely hope that you will enjoy using  
Aura.”  
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Images  
Image Microphone  
Type  
Distance  
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2
3
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Neumann U67  
Neumann U67  
RCA 77  
Large diaphragm tube condensor  
12”  
Large diaphragm tube condensor  
Poly-directional ribbon  
18”  
12”  
12”  
RCA 77  
Poly-directional ribbon  
(Instrument drop tuned to CAFCAF)  
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6
7
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Neumann M149  
Neumann M149  
Crowley Tripp El Diablo  
Shure SM81  
Large diaphragm tube condensor  
Large diaphragm tube condensor  
Figure 8 ribbon  
18”  
12”  
12”  
12”  
Uni-directional small condensor  
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Image Microphone  
Type  
Distance  
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Royer R-121  
Figure 8 Ribbon  
12”  
(Instrument drop tuned to CAFCAF)  
10  
11  
12  
Neumann U47  
Lg. diaphragm cardioid tube condensor 12”  
Cardioid FET Lg. diaphragm condensor 12”  
Neumann FET 47  
Neumann FET 47  
Cardioid FET Lg. diaphragm condensor 12”  
(Instrument drop tuned to CAFCAF)  
13  
14  
15  
16  
Crowley Tripp Soundstage Figure 8 Ribbon  
12”  
12”  
9”  
Neumann KM84  
Shure KSM 32  
Shure SM-57  
Small diaphragm cardioid condensor  
Side-address cardioid condensor  
Cardioid dynamic  
12”  
Fishman Transducers, Inc. is not affiliated with any of the forementioned companies,  
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Using effects  
When using your Aura Imaging Pedal with other effects devices, place the Aura  
Imaging Pedal first in the chain after your guitar.  
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If you have a pedal tuner, place it before the Aura Imaging Pedal.  
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Left side panel  
Output  
Use a standard ¼-inch instrument cable to connect the output to your  
amplifier, mixer or effects devices. You can also connect this output to an  
unbalanced input on a recording system.  
9vdc  
See Power section.  
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Right side panel  
Input  
Plug in your guitar here with a standard ¼-inch instrument cable. If you have  
a passive undersaddle pickup (no battery onboard), always plug into the Aura  
Imaging Pedal first, even if you use a pedal tuner.  
Trim  
Raise or lower the trim to optimize the input level for your pickup. Play hard and  
adjust trim so clip/batt LED flashes occasionally. Use your thumb or a pick to  
turn the trim control.  
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Control set  
Phase switch  
Use the phase switch to improve bass response at low volume or to control  
feedback at high volume. Play your guitar and toggle the phase switch back  
and forth until you achieve the desired result.  
Volume  
For the cleanest signal, set the volume as high as possible without clipping  
the next device in the signal chain. If you hear distortion and the clip/batt light  
is not flashing, reduce the volume.  
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Select  
The 16 Images you can choose with the select knob are hand picked for your  
type of guitar. Try all 16 and pick the ones that compliment your playing style  
and sound good in the room. For example, dark/deep sounding Images may  
add impact to a solo performance. Brighter/lighter Images may compliment an  
ensemble. There are no rules; try them all and decide which works best for you.  
Blend  
Position the blend knob straight-up at 12 o’clock and you’ll hear a 50/50 mix of  
Aura + pickup. Turn the blend all the way right for just Image; all the way left  
for just pickup. Most performers blend in some pickup with the Image for clarity  
and definition.  
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Blend (continued)  
Suggestions  
To nd a good mix of Image and pickup, turn the blend knob to  
about 8 o’clock, then step on the footswitch. Compare the Image/  
pickup mix to the dry pickup signal. Slowly move blend clockwise  
and then switch between the two until you are happy with the  
Image/pickup blend.  
• For live performance try backing off the Image by setting blend to  
about 10 or 11 o’clock or about 65% pickup. You won’t need too much  
Image blended in to achieve a great live sound. If feedback occurs, flip  
the phase switch.  
• For recording, try blending in more Image for a realistic acoustic tone.  
Set the blend to taste. Again, you’ll often get good results with a little  
bit of pickup blended in with the Image for clarity and definition.  
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Footswitch  
Step on the footswitch to bypass the Aura effect. When you stomp, you’ll hear  
the dramatic difference between the Image blend and the dry pickup. When  
the light above the footswitch is on, the Image is active. Note when the effect is  
bypassed, your guitar signal remains buffered. Also, if the blend knob is set to  
7 o’clock, you will hear no difference between active and bypass states.  
Mute (optional mode)  
You may set up the footswitch to alternate between the Image blend and muted  
output. To enable the mute option, hold the footswitch down until the LED  
flashes. Repeat to return to bypass.  
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Power  
(
Power may be supplied by either a 9V battery battery compartment under  
)
pedal or an approved 9V adapter. Insert a plug into the input jack, and the Aura  
Imaging Pedal powers up. To conserve the battery, remove the plug from the  
input when not in use.  
(
)
For AC power, use the Fishman 910-R for 110V or other suitable 9V adapter. The  
adapter must be filtered, regulated and rated for at least 200mA. It should also  
accept AC power appropriate for your country. Power Plug requirements: 5.5mm  
O.D., 2mm I.D., tip=negative.  
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Battery replacement  
The clip/batt indicator will light steadily when it is time to change the battery.  
Open the battery door underneath the pedal and install a fresh 9V alkaline or  
lithium battery. When the clip/batt LED comes on you have approximately one  
hour of remaining battery life.  
clip  
|
batt  
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Specifications  
Digital signal path:  
A/D, D/A conversion:  
Signal processing:  
24-bit  
32-bit  
Power supply:  
9V alkaline battery or 9VDC adapter  
Typical in-use current consumption:  
Typical 9V alkaline battery life:  
9V adapter:  
18mA  
27 hours  
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)
Fishman 910-R for 110V  
or suitable filtered and regulated,  
200mA type, tip=negative  
10M Ohm  
Input impedance:  
Nominal output impedance:  
Input trim gain range:  
3.5k Ohm  
-10dB to +2dB  
Maximum output level (onset of clipping): +2.4dBV  
(
)
Baseline noise:  
Dynamic range:  
Phase switch:  
-92dBV A-weighted  
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)
94dB A-weighted  
Left position=non-inverting  
All specifications subject to change without notice.  
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www.fishman.com  
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513-300-146 Rev A 6-07  

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