O W N ER’S MAN UAL
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY”
important information concerning the proper operation of the unit. Additionally, in
order to feel assured that you have gained a good grasp of every feature provided by
your new unit, Owner’s manual should be read in its entirety. The manual should be
saved and kept on hand as a convenient reference.
Copyright © 2004 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form
without the written permission of ROLAND CORPORATION.
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USIN G THE UN IT SAFELY
The
symbol alerts the user to important instructions
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
•
Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements and
short circuits. Damaged cords are fire and shock
hazards!
•
Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
..........................................................................................................
..........................................................................................................
•
Do not open (or modify in any way) the unit or its
•
Do not allow any objects (e.g., flammable material,
coins, pins); or liquids of any kind (water, soft
drinks, etc.) to penetrate the unit.
AC adaptor.
..........................................................................................................
•
Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
..........................................................................................................
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland
•
Immediately turn the power off, remove the AC
adaptor from the outlet, and request servicing by
your retailer, the nearest Roland Service Center, or
an authorized Roland distributor, as listed on the
“Information” page when:
distributor, as listed on the “Information” page.
..........................................................................................................
•
Never use or store the unit in places that are:
• The AC adaptor, the power-supply cord, or the
plug has been damaged; or
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been
spilled onto the unit; or
• Damp (e.g., baths, washrooms, on wet floors);
or are
• The unit has been exposed to rain (or otherwise
has become wet); or
• Humid; or are
• The unit does not appear to operate normally or
exhibits a marked change in performance.
..........................................................................................................
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
..........................................................................................................
Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
..........................................................................................................
•
In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
•
..........................................................................................................
•
Protect the unit from strong impact.
•
Be sure to use only the AC adaptor supplied with
the unit. Also, make sure the line voltage at the
installation matches the input voltage specified on
the AC adaptor’s body. Other AC adaptors may
use a different polarity, or be designed for a
different voltage, so their use could result in
damage, malfunction, or electric shock.
(Do not drop it!)
..........................................................................................................
•
Use only the attached power-supply cord. Also,
the supplied power cord must not be used with
any other device.
..........................................................................................................
3
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•
Do not force the unit’s power-supply cord to share
an outlet with an unreasonable number of other
devices. Be especially careful when using
•
The unit and the AC adaptor should be located so
their location or position does not interfere with
their proper ventilation.
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/ amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
..........................................................................................................
•
Always grasp only the plug on the AC adaptor
cord when plugging into, or unplugging from, an
outlet or this unit.
..........................................................................................................
..........................................................................................................
•
•
Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
At regular intervals, you should unplug the AC
adaptor and clean it by using a dry cloth to wipe
all dust and other accumulations away from its
prongs. Also, disconnect the power plug from the
power outlet whenever the unit is to remain
unused for an extended period of time. Any
accumulation of dust between the power plug and
the power outlet can result in poor insulation and
lead to fire.
..........................................................................................................
•
Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
..........................................................................................................
•
Never climb on top of, nor place heavy objects on
the unit.
..........................................................................................................
•
Never handle the AC adaptor or its plugs with
wet hands when plugging into, or unplugging
from, an outlet or this unit.
..........................................................................................................
•
Before moving the unit, disconnect the AC
adaptor and all cords coming from external
devices.
..........................................................................................................
•
Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet (p. **).
..........................................................................................................
•
Whenever you suspect the possibility of lightning
in your area, disconnect the AC adaptor from the
outlet.
..........................................................................................................
•
Should you remove the screw from the ground
terminal (p. 12), make sure to put them in a safe
place out of children's reach, so there is no chance
of them being swallowed accidentally.
4
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IMPO RTAN T N O TES
In addition to the items listed under “USING THE UNIT SAFELY” on p. 3 - p.4, please read and observe the following:
Po w e r Su p p ly
Ad d itio n a l Pre ca u tio n s
•
Do not connect this unit to same electrical outlet that is
being used by an electrical appliance that is controlled by
an inverter (such as a refrigerator, washing machine,
microwave oven, or air conditioner), or that contains a
motor. Depending on the way in which the electrical
appliance is used, power supply noise may cause this unit
to malfunction or may produce audible noise. If it is not
practical to use a separate electrical outlet, connect a
power supply noise filter between this unit and the
electrical outlet.
•
Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
•
When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you
will avoid causing shorts, or damage to the cable’s
internal elements.
•
•
When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
•
•
The AC adaptor will begin to generate heat after long
hours of consecutive use. This is normal, and is not a
cause for concern.
This device allows you to switch images or turn video
effects on/ off at high speed. For some people, viewing
such images can cause headache, nausea, or other
discomfort. Do not use this device to create video that
might cause these types of health problems. Roland
Corporation will accept no responsibility for any such
health problems that may occur in yourself or in viewers.
Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions
and/ or damage to speakers or other devices.
Pla ce m e n t
•
Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce noise or
unstable image on video output. To alleviate the problem,
change the orientation of this unit; or move it farther away
from the source of interference.
Co p y rig h t
•
Unauthorized recording, distribution, sale, lending, public
performance, broadcasting, or the like, in whole or in part,
of a work (musical composition, video, broadcast, public
performance, or the like) whose copyright is held by a
third party is prohibited by law.
•
•
This device may interfere with radio and television
reception. Do not use this device in the vicinity of such
receivers.
•
Do not use this unit for purposes that could infringe on a
copyright held by a third party. We assume no responsi-
bility whatsoever with regard to any infringements of
third-party copyrights arising through your use of this
unit.
Noise may be produced if wireless communications
devices, such as cell phones, are operated in the vicinity of
this unit. Such noise could occur when receiving or initi-
ating a call, or while conversing. Should you experience
such problems, you should relocate such wireless devices
so they are at a greater distance from this unit, or switch
them off.
•
When moved from one location to another where the
temperature and/ or humidity is very different, water
droplets (condensation) may form inside the unit. Damage
or malfunction may result if you attempt to use the unit in
this condition. Therefore, before using the unit, you must
allow it to stand for several hours, until the condensation
has completely evaporated.
Ma in te n a n ce
•
For everyday cleaning wipe the unit with a soft, dry cloth
or one that has been slightly dampened with water. To
remove stubborn dirt, use a cloth impregnated with a
mild, non-abrasive detergent. Afterwards, be sure to wipe
the unit thoroughly with a soft, dry cloth.
•
Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/ or
deformation.
5
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Co n te n ts
In a concert .................................................................................................................................................. 8
In a presentation ......................................................................................................................................... 8
Panel descriptions................................................................................10
Top panel ................................................................................................................................................... 10
Rear panel.................................................................................................................................................. 11
Turning the power off.............................................................................................................................. 14
Basic operation.....................................................................................16
Changing the transition effect ................................................................................................................ 18
Using P in P (Picture In Picture) to composite two screens.................................................... 19
Superimposing text on the screen............................................................................................... 20
Using Lock mode...................................................................................................................................... 22
Switching between NTSC and PAL....................................................................................................... 22
Using V-LINK................................................................................................................................ 23
Controlling the V-1 from a connected P-1 ............................................................................................ 24
Correspondence between controls and MIDI messages..................................................................... 24
Main specifications...............................................................................29
6
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Ma in fe a tu re s
The V-1 is a video mixer that lets you switch among four channels of video at will.
Fo u r ch a n n e ls o f vid e o in p u t
The V-1 provides four channels of video input jacks, with both video (composite)
and S-video inputs provided for each channel. Both video (composite) and S-video
connectors are also provided for the output as well.
Tw o in d e p e n d e n t fra m e sy n ch ro n ize rs
Even if the video signals you input are unstable, the built-in frame synchronizers
will correct the synchronization signal of the video. You can work without having to
worry about noise caused by synchronization problems.
Sim p le o p e ra tio n
Since illuminated buttons provide confirmation of the current operating status,
switching and mixing images is easy.
Pictu re -In -Pictu re
The Picture-In-Picture effect lets you show a miniaturized image inside a different
image.
Su p e rim p o se
The Superimpose effect lets you remove a specified portion of an image and combine
it with a different image. This provides an easy way to superimpose text from the
video output of your computer.
V-LIN K ca p a b ility
The V-1’s MIDI connectors let you control the V-1 from a MIDI-equipped electronic
musical instrument or other external MIDI device. When connected to a Roland or
Edirol product that supports V-LINK, the V-1 can be remotely controlled as a V-
LINK device.
7
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Ex a m p le s o f u se
In a co n ce rt
The V-1 is a great addition to a concert performance.
You can switch between images taken from video cameras at various angles, or use
the video fader to smoothly move between them. The names or profiles of
performers can be combined with live video using the Superimpose feature.
fig.02-01.eps
•
•
In a p re se n ta tio n
You can use the V-1 to add video to enhance your business presentations.
While displaying information created on your computer, you can use the Picture-In-
Picture feature to add photographed images of products or people.
fig.02-02.eps
•
8
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Be fo re y o u b e g in
Ch e ck th e in clu d e d ite m s
The V-1 is shipped with the following items. Make sure that you have all of them.
fig.04-01.eps
1
2
3
4
Th e V-1 itse lf
AC a d a p to r
1
2
3
4
Po w e r ca b le
O w n e r's m a n u a l
9
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Pa n e l d e scrip tio n s
To p p a n e l
fig.05-01.eps
V- LIN K in d ica t o r (p . 2 3 )
Indicates the status of the V-LINK connection
Tr a n s it io n Tim e k n o b (p . 1 7 )
Adjusts the transition time
1
4
5
6
S u p e r im p o s e Le v e l k n o b (p . 2 0 )
Adjusts the superimpose level
Tr a n s it io n P a t t e r n k n o b (p . 1 8 , p . 1 9 )
Specifies the type of Wipe or P in P
2
S u p e r im p o s e b u t t o n (p . 2 0 )
Switches the superimpose effect on/off
O u t p u t b u t t o n (p . 2 1 )
Switches the video output on/off
3
1
2
4
5
6
7
8
9
10
11
12
" A " In p u t s e le ct o r s (p . 1 7 )
Select input A
M ix b u t t o n (p . 1 8 )
Switches the mix
7
8
9
" B" In p u t s e le ct o r s (p . 1 7 )
Select input B
W ip e / P in P b u t t o n (p . 1 8 , p . 1 9 )
Wipes between images
10
Combines two images
V id e o f a d e r in d ica t o r (p . 1 6 )
Indicates the position of the video fader
11
12
V id e o f a d e r (p . 1 6 )
Switches between A and B
1 0
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Pa n e l d e scrip tio n s
Re a r p a n e l
fig.05-02.eps
Vid e o (co m p o s it e ) o u t p u t ja ck s (p . 1 2 )
M IDI O UT co n n e ct o r (p . 2 4 )
1
2
3
4
These jacks output the video
(composite) signal
MIDI messages are output from
this connector
S-v id e o o u t p u t ja ck (p . 1 2 )
M IDI IN co n n e ct o r (p . 2 3 )
This jack outputs the video
(S-video) signal
MIDI messages are received here
Vid e o (co m p o s it e ) in p u t ja ck s (p . 1 2 )
5
6
These jacks accept the input of video
(composite) signals
S-v id e o in p u t ja ck s (p . 1 2 )
These jacks accept the input of video
(S-video) signals
Th e ft-p re ve n tio n lo ck re ce p ta cle
7
Security Slot (
)
P o w e r b u t t o n (p . 1 4 )
8
9
Switches the power on/off
DC In ja ck (p . 1 2 )
Connect the AC adaptor here
P o w e r ca b le h o o k (p . 1 2 )
10
11
Use this to secure the power cable
G r o u n d t e r m in a l (p . 1 4 )
Connect this to an external ground
*
In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
1 1
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Co n n e ctio n s
Ma k in g co n n e ctio n s
Here’s how to connect the V-1 to your video equipment. You can connect up to four
video playback devices, such as a video camera, VCR, or DVD player, and take
advantage of a wide range of creative possibilities.
fig.06-02.eps
Vid e o p la y b a ck d e vice
OUTPUT
L
R
Video
S
Audio
PC
DVD PLAYER
VTR
Video camera
Using the cable hook
To AC Concent
Vid e o o u tp u t d e vice
AC adaptor
INPUT
L
R
Video
S
Audio
Television
Television
Video projector
Set the TV's input select to Video or External Input
1 2
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Co n n e ctio n s
1
2
Use the appropriate type of video cable to connect the video (composite) or S-
video output jack of your video device to the V-1’s input jack.
To prevent the inadvertent
disruption of power to your
unit (should the plug be pulled
out accidentally), and to avoid
applying undue stress to the
AC adaptor jack, anchor the
power cord using the cord
hook, as shown in the
Use the appropriate type of video cable to connect the V-1’s video
(composite) or S-video output jack to the input jack of your video output
device (e.g., television or video projector).
illustration.
* The V-1 supports only signals that comply with NTSC/PAL formats. Operation may not be
stable if non-compliant signals are input.
The V-1 does not contain an
audio mixer. Connect the
audio output of your video
device directly to your audio
system. If you want to mix the
audio from two or more
sources, you will need to use a
commercially available audio
mixer.
* If a signal is input to both the video (composite) and S-video input jacks, the S-video signal
will take priority.
* To prevent malfunction and/or damage to speakers or other devices, always turn down the
volume, and turn off the power on all devices before making any connections.
* The video cables needed for making connections are not included with the V-1. You will need
to obtain commercially available video cables.
* If the cable length is not too long, you will obtain a better image by using an S-video cable to
make connections. However, if you cannot avoid using an extremely long video cable, use a
video (composite) cable rather than an S-video cable.
1 3
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Tu rn in g th e p o w e r o n
devices in the order specified. By turning on devices in the wrong order, you risk
causing malfunction and/ or damage to TV monitor and other devices.
1
Check the power cable
Make sure that the power cable from the AC adaptor is firmly plugged into the V-1.
fig. power button.eps
2
Press the POWER button located on the rear of the V-1.
fig.06-03.eps
* Due to its circuitry-protection feature, the V-1 requires about five seconds after power-up
before it is ready for normal operation.
* The startup screen will appear in video (composite) output 2. This screen lets you check the
current system settings.
Tu rn in g th e p o w e r o ff
1
Press the rear panel POWER button
Press the POWER button located on the rear panel. All buttons and indicators on the
front panel will go dark.
About the grounding connector
Depending on the conditions in which you use it, the V-1's panel may feel slightly
"gritty" to the touch. This is due to an extremely low level of static electricity that
poses absolutely no danger to you. However, if you find this annoying, you may
connect the grounding connector to an external ground. Under some conditions,
connecting an external ground may cause the video image to be disrupted. If you are
not sure how to connect the ground, consult a Roland service center.
Do not connect this to the following:
• Water pipes (may result in shock or electrocution)
• Gas pipes (may result in fire or explosion)
• Telephone-line ground or lightning rod (may be dangerous in the event of
lightning)
1 4
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Ch e ck in g th e in p u ts a n d o u tp u ts
Ch e ck in g th e fin a l o u tp u t
Here’s how to check that connections are correct.
* Before you proceed, check that your video equipment is connected as described in Connections (p. 12).
1
Set the video fader to “A.”
fig.07-01-01.eps
2
Output an image from your video device.
Power up the connected video device, and get it to output a video signal. If you’re
using a video deck or DVD player, press its Play button.
The image from the connected video device is input to an input channel of the V-1.
3
Select the channel to which the video signal is being input.
Press the Input Select “A” button for the channel that’s receiving the video signal.
fig.07-01-02.eps
4
Check the output.
Power up the TV or projector that’s connected to the V-1’s video output connector,
and verify that you see the image being output by the V-1.
If everything is working properly, the image(s) from the device(s) connected to the
V-1 will be output.
* If no video signal is being input, a blue screen will be output.
5
Switch the input channel.
If more than one video source is connected to the V-1, press the Input Select A
buttons to verify that each source is output.
If you don’t see anything
•
Make sure that the output jack of your video device is correctly connected to the V-
•
•
Check that the video device connected to the V-1 is actually outputting an image.
Make sure that the V-1’s output jack is correctly connected to the input jack of your
TV or projector.
•
•
Make sure that you’ve selected the correct input on your TV or projector.
Make sure that the video cables you’re using are not broken.
1 5
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Ba sic o p e ra tio n
Tra n sitio n in g b e tw e e n vid e o in p u t so u rce s
Here’s how to transition (move) between video input sources.
Usin g th e vid e o fa d e r to sw itch vid e o so u rce s
If you’re using a transition effect (Mix or Wipe), you can move between images A
and B by moving the video fader up or down. If you’re using a compositing effect
(Superimpose or P in P), the video fader adjusts the transparency of the composited
images.
fig.07-01-1.eps
Video fader indicators
These indicate the position of the video fader. The indicators will light in one of two
ways depending on the function you’re using.
•
When using a transition effect (Mix or Wipe)
Transition effects
If the video fader is all the way up (A) or down (B), a single green video fader
indicator will be lit. If the video fader is between A and B, a single red video fader
indicator at the left of the video fader will be lit.
fig.07-01-2.eps
•
When using a compositing effect (P in P or Superimpose)
Compositing effects
The green video fader indicator beside the “background image” will light. If the
video fader is in the center, red video fader indicators up to that position will light.
fig.07-01-3.eps
lit
"p a re n t scre e n " o r
"b a ck g ro u n d im a g e "
1 6
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Ba sic o p e ra tio n
Usin g th e in p u t se le cto r to sw itch vid e o so u rce s
You can use the [1] through [4] buttons to switch the video source for each channel.
1
Set the video fader to the “A” position.
The green video fader indicator for “A” will light.
fig.07-02-1.eps
2
Press one of the “A” Input Select buttons.
Press one of the “A” Input Select buttons to choose the input channel.
The image of the selected channel will be output, and the button will light.
fig.07-02-2.eps
You cannot use the video fader
while using the input selector
to switch between images.
* You can switch the video source for “B” in the same way.
* If you use the input selector to switch images when the video fader is between “A” and “B,”
the image may be garbled for a moment.
Adjusting the Transition Time
The input selector buttons
blink in one of two ways
depending on the function
you're using.
When using a transition effect, you can adjust the time (0–4 seconds) over which
images will change when you use the input selector. The input selector button will
blink while the image transition takes place.
fig.07-03.eps
Blinking slowly
When using a transition time
knob.The blinking ends after a
fixed time.
Blinking rapidly
When using a compositing
effect (P in P or
* The Transition Time knob will work only when the green video fader indicator is lit.
* If you press an unlit Input Select button while turning the Transition Time knob, the
transition effect will end at that point.
Superimpose).The blinking
continues.
* You cannot press the Mix button or Wipe button while using the Transition Time knob to
switch between images.
* This knob is not available when you’re using a compositing function (P in P or Superimpose).
1 7
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Ba sic o p e ra tio n
Ch a n g in g th e tra n sitio n e ffe ct
You can make use of a variety of transition effects when using the video fader or
input selector to switch images.
If you use the input selector,
you’ll need to adjust the
Transition Time knob.
Mix in g im a g e s
You can smoothly mix between two images.
Mix
1
Press the MIX button.
The MIX button will light.
2
Use the video fader or input selector to switch between images.
W ip in g
You can “wipe” between images in a manner similar to the way a windshield wiper
on a car wipes off rainwater.
Wipe
1
Press the WIPE / P in P button.
fig.07-05-1.eps
2
Use the transition pattern knob to select the type of wipe.
Knob settings on the left side select a wipe pattern. Knob settings on the right side
select P in P compositing.
fig.07-05-2.eps
Soft wipe
W ip e Pa tte rn
This is a wipe effect in which
the transition boundary is
blurred. The images in the
vicinity of the border will be
mixed.
Ho rizo n ta l w ip e (so ft)
Ho rizo n ta l w ip e
Ve rtica l w ip e (so ft)
Ve rtica l w ip e
* The wipe will occur in a single fixed direction for each type of wipe.
3
Use the video fader or input selector to switch between images.
1 8
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Ba sic o p e ra tio n
Usin g co m p o sitin g e ffe cts
These effects combine images “A” and “B” into a single screen.
Using P in P (Picture In Picture) to com p osite tw o screens
P in P
This effect layers a small image (the “foreground image”) on top of an image
displayed in the full screen (the “background image”).
As an example, here’s how to layer “foreground image B” on top of “background
image A.”
Background
Foreground
1
Set the video fader to “A.”
Output
2
Use output selector “A” to select the background image.
3
Use output selector “B” to select the foreground image.
fig.07-06-1.eps
The input selector buttons
blink in one of two ways
depending on the function
you're using.
4
Press the WIPE/P in P button.
The Input Select “B” button for the foreground image will blink rapidly.
Blinking slowly
When using a transition time
knob.The blinking ends after a
fixed time.
Blinking rapidly
When using a compositing
effect (P in P or
5
Use the transition pattern knob to select the desired P in P pattern.
Superimpose).The blinking
continues.
P in P p a tte rn
u p p e r rig h t
lo w e r rig h t
lo w e r le ft
u p p e r le ft
6
Choose one of the settings in the right half of the knob range.
Move the video fader to the “B” position.
* The setting of the Transition Time knob is ignored at this time.
The background image and foreground image are determined as follows: the
background image will be the image (A or B) to which the video fader is closest when
the following two conditions are satisfied, and the other image will be the
foreground image.
•
The WIPE / P in P button is pressed and lit
* If you want to layer image “A” on top of image “B,” simply exchange “A” and “B” in the
procedure described above.
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Ba sic o p e ra tio n
Su p e rim p o sin g te x t o n th e scre e n
Superimpose
Superimpose is an effect that cuts out the dark portion of an image and places it on
top of a background image. Use this effect when you want to add text you created
with your computer or with the P-1 (sold separately).
As an example, here’s how to superimpose text from image “B” into the background
image “A.”
Superimposing
Image
Background
* The superimpose effect is available only for channel 4.
1
Output
Input a background image into a video input [1]–[3], and input the text image
into [4].
If the Superimpose button is
lit, using the input selector to
select a channel other than 4
for the superimposed image (A
or B) will automatically
2
Set the video fader to “A.”
Also use Input Select “A” [1]–[3] to select the background image.
3
“suspend” the superimpose
effect; the Superimpose button
will blink.
Press the Superimpose button.
The Superimpose button will blink.
fig.07-07-1.eps
The input selector buttons
blink in one of two ways
depending on the function
you're using.
4
Blinking slowly
Use Input Select “B” to select the (text) image that you want to add.
When using a transition time
knob.The blinking ends after a
fixed time.
Input controller “B” channel 4 will blink rapidly. At the same time, the Superimpose
button will light.
Blinking rapidly
5
When using a compositing
effect (P in P or
Move the video fader to “B.”
The superimposed image will appear.
Superimpose).The blinking
continues.
6
Use the superimpose level knob to adjust the range that is cut out.
As desired, you can adjust the range of color that will be cut out.
fig.07-07-4.eps
Easily extracted images
As the image to be
superimposed, try to use an
image that has a clear
demarcation between dark and
light areas. This will provide
the cleanest extraction.
If you’re using text, choosing
white text on a black
background will provide the
cleanest extraction.
* If you want to superimpose image “A” on top of image “B,” simply exchange “A” and “B”
in the procedure described above.
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Ba sic o p e ra tio n
Bla ck in g o u t th e o u tp u t im a g e
Here’s how you can temporarily black out the output image.
1
Press the Output button.
The Output button will blink; a black screen will be output, and the image will
disappear.
fig.07-08.eps
* If you press the Output button once again, the Output button will revert to steadily lit and
the output image will reappear.
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Ch a n g in g th e Sy ste m se ttin g s
Usin g Lo ck m o d e
Lock mode lets you obtain a more stable image, which will prevent the image from
distorting. This mode restricts operations that might cause the image to distort (such
as input switching).
1
While holding down the Superimpose button, turn on the power.
You can operate the transition
pattern knob even in Lock
mode. However, the image
may distort if you operate this
knob while using P in P or
Wipe. To avoid distortion,
move the video fader so that a
green video fader indicator is
lit, and then operate the
The words “LOCK MODE” will appear in the output image of video output 2
(composite).
fig.08-01.eps
transition pattern knob.
Lock mode restricts the following operations.
•
•
You can’t use the Input Select, Mix, Or Wipe/ P in P buttons unless the video fader
is all the way to “A” or “B”
If the Superimpose button is blinking, pressing input 4 will not switch the image
* To return to original mode
Once again turn on the power while holding down the Superimpose button.
Sw itch in g b e tw e e n N TSC a n d PAL
The V-1 can be switched to support either NTSC or PAL format signals. If you are
using the V-1 in areas that use other format video (such as foreign country), switch
the setting as described below.
NTSC and PAL
NTSC is the color television
broadcast standard used in
areas such as North America
and Japan.
1
While holding down the Output button and the Mix button, turn on the power.
The characters “PAL” or “NTSC” that switched will appear in the output image of
video output 2 (composite). The next time you power up the V-1, it will start up in
the mode.
PAL is the broadcast standard
used in Europe and Southeast
Asia.
* To return to original mode
Once again turn on the power while holding down the Output button and Mix
button.
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Usin g MIDI to co n tro l th e V-1 fro m a n e x te rn a l d e vice
You can use the MIDI connectors to connect the V-1 to an external MIDI device, and
control the V-1 from your external MIDI device.
What is MIDI?
MIDI stands for Musical Instrument Digital Interface, and is a worldwide standard
for transferring musical performance data and related information. MIDI-
compatible devices can be easily connected via MIDI cables to transfer data or
control operations and settings.
Usin g V-LIN K to re m o te ly co n tro l th e V-1
If the V-1 is connected to a Roland or Edirol V-LINK compatible device, you can
make basic settings for controlling the V-1 simply by pressing a single button on the
MIDI cables are not included
device to be controlled.
with the V-1. Please use
commercially available MIDI
cables.
What is V-LINK?
V-LINK (
) is a function that makes it easy to “perform video” in
conjunction with music. It’s easy to use a V-LINK compatible device to remotely
control the V-1. V-LINK lets you perform a wide variety of video effects that are
linked with your musical performance.
Usin g V-LIN K
Use a MIDI cable to connect your V-LINK device to the V-1.For details on how to
switch V-LINK on/ off, refer to the owner’s manual of the V-LINK device connected
to the V-1.The V-LINK indicator will light when V-LINK is on.
fig.09-01.eps
AUDIO
MIDI O UT
V-LIN K co m p a tib le
VIDEO
MIDI IN
lit
Default settings for the V-1 (if only the V-LINK ON message is received)
Rx Channel
Tx Channel
Input Select
1
1
A ch : 1
B ch : 2
Transition Time (CC#5)
Transition Select
0.0sec
MIX
On
Output Fade
Video Fader (CC#11)
0
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Usin g MIDI to co n tro l th e V-1 fro m a n e x te rn a l d e vice
Co n tro llin g th e V-1 fro m a co n n e cte d P-1
By using a connected P-1 (sold separately) to control the V-1, you can easily add still
images or text to a video image.
fig.09-02.eps
For the best image quality, use
an S-video cable to connect the
P-1 and V-1.
* For details, refer to the P-1 owner’s manual.
Co rre sp o n d e n ce b e tw e e n co n tro ls a n d MIDI m e ssa g e s
After the power is turned on (if V-LINK is OFF), the following MIDI messages will
be transmitted from MIDI OUT when you operate the V-1’s buttons or knobs. If these
messages are received at MIDI IN, the V-1 will behave in the same way as it would
if you were to operate the corresponding button or knob.
MIDI messages (shaded in the
diagram) are given in
hexadecimal notation.
Su p e rim p o se b u tto n
In p u t se le cto r
Su p e rim p o se le ve l k n o b
Tra n sitio n tim e k n o b
Tra n sitio n p a tte rn k n o b
1
2
3
4
Message: 8 bytes
Message: 3 bytes
Message: 3 bytes
Message: 8 bytes
Bus "A"
B0 04 xx
B0 04 xx
B0 00 50 B0 20 00 C0 xx
B0 00 00 B0 20 00 C0 xx
(xx is 00--03)
(xx is 00--7F
00: OFF, 7F: MAX)
(xx is 00--7F
00: OFF, 7F: MAX)
Bus "B"
B0 00 01 B0 20 00 C0 xx
(xx is 00--03)
O u tp u t b u tto n
5
Message: 3 bytes
Example:
select bus "A" input 1
B0 00 00 B0 20 00 C0 00
B0 02 xx
(xx is 00--40
00: OFF, 40: ON)
Mix b u tto n
W ip e / P in P b u tto n
6
7
Message: 3 bytes
B0 01 00 (MIX)
B0 01 01 (WIPE/P in P)
Vid e o fa d e r
Message: 3 bytes
B0 0B xx
(xx is 00--7F
00: Bus "A", 7F: Bus "B")
Example: center position
B0 0B 40
Recording Control Data Output from MIDI OUT
Control data, which describes fader movements and other operations, can be
transmitted in the form of MIDI messages from MIDI OUT. You can record these
messages using a MIDI sequencer. To find out which messages can be sent in this
manner, refer to the implementation chart.
Refer to your MIDI sequencer's manual for further information.
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MIDI im p le m e n ta tio n
1. Note Mode setting
2. Parameter address map
●2-1. V-1 (Model ID = 00H 6FH)
*
*
*
The Note Mode setting lets you use MIDI note numbers to switch inputs.
Use a system exclusive message to set the Note Mode.
If the Note Mode is set to 49Keys Mode or Assign Mode, the velocity value of the note
message will vary the transition time.
*
For addresses marked by #, divide the data and transmit it as two bytes; an upper nibble
(upper 4 bits) and lower nibble (lower 4 bits).
*
Example) If the original data is BCH, send 0BH as the first byte, and send 0CH as the
second byte. For reception, the data will be ignored unless the two bytes are received
together.
*
*
The velocity value will control the transition time only when switching to the “A”
channel if the video fader is at “A,” or when switching to the “B” channel if the video
fader is at “B.”
*
DEVICE ID = 10H
There are four Note Modes.
Start Address
00H 00H 00H
01H 00H 00H
02H 00H 00H
03H 00H 00H
12H 00H 00H
13H 00H 00H
14H 00H 00H
Description
●1-1. OFF
System Common Preference Area (See 2-1-1)
Fader Control Preference Area (See 2-1-2)
Effects Control Preference Area (See 2-1-3)
Reserved Area
Fader Control Parameter Area (See 2-1-4)
Reserved Area
*
Note Mode is not used.
●1-2. 49Keys Mode
*
If you select 49Keys Mode, the V-1 will be controlled by the following note numbers.
Reserved Area
Note No.
24H
26H
28H
29H
2BH
2DH
2FH
Input
A Ch. 1
A Ch. 2
A Ch. 3
A Ch. 4
B Ch. 1
B Ch. 2
B Ch. 3
B Ch. 4
●2-1-1. System Common Preference
Address
00H 00H 00H
Parameter Name
MIDI Receive Channel
Sys.Ex.Value
00H - 10H.
Meaning of Value
1 - 16 Ch, OFF
●2-1-2. Fader Control Preference
30H
Address
Parameter Name
Sys.Ex.Value
Meaning of Value
#01H 10H 00H
Tx/ Rx Setting
(Transition Time)
01H-05H,07H-1FH,
40H-5FH,D0H,E0H,FFH
Control Change,
Channel Press,
Pitch Bend, OFF
●1-3. Assign Mode
*
In Assign Mode, the V-1 will be controlled by the range of note numbers you specify
#01H 10H 02H
#01H 10H 04H
#01H 10H 0AH
Tx/ Rx Setting
(Video Fader)
01H-05H,07H-1FH,
40H-5FH,D0H,E0H,FFH
Control Change,
Channel Press,
Pitch Bend, OFF
Control Change,
Channel Press,
Pitch Bend, OFF
Control Change,
Channel Press,
Pitch Bend, OFF
using Note Assign. The factory settings are shown below.
*
If you want to change the values used in Assign Mode, switch the Note Mode to Note
Assign and make the desired assignments.
Tx/ Rx Setting
(MIX, WIPE /
P in P)
Tx/ Rx Setting
(Output Fade)
01H-05H,07H-1FH,
40H-5FH,D0H,E0H,FFH
Note No.
Input
01H-05H,07H-1FH,
40H-5FH,D0H,E0H,FFH
24H(C +2)
25H(C#+2)
26H(D +2)
27H(D#+2)
28H(E +2)
29H(F +2)
2AH(F#+2)
2BH(G +2)
A Ch. 1
A Ch. 2
A Ch. 3
A Ch. 4
B Ch. 1
B Ch. 2
B Ch. 3
B Ch. 4
●2-1-3. Effects Control Preference
Address
Parameter Name
Tx/ Rx Setting
(Superimpose)
Sys.Ex.Value
01H-05H,07H-1FH,
40H-5FH, D0H, E0H,FFH
Meaning of Value
#02H 10H 00H
Control Change,
Channel Press,
Pitch Bend, OFF
●1-4. Note Assign
*
In this mode you can modify the settings used in Assign Mode. You must specify two
●2-1-4. Fader Control Parameter
note numbers; lower limit and an upper limit. When you have specified these
a
Address
Parameter Name
Note Mode
Sys.Ex.Value
00H - 03H
Meaning of Value
OFF,49Keys Mode,
Assign Mode, Note Assign
numbers, the corresponding range of note numbers will be assigned to “A” channel 1, 2,
3,... through “B” channel 4.
12H 00H 01H
(1) Change the Note Mode to Note Assign.
●2-2. V-LINK (Model ID = 00H 51H)
<Example> F0H 41H 10H 00H 6FH 12H 12H 00H 01H 03H 6AH F7H
*
For addresses marked by #, divide the data and transmit it as two bytes; an upper nibble
(2) Specify the range of notes by transmitting two note-on messages with a velocity
value of 1 or higher.
(upper 4 bits) and lower nibble (lower 4 bits).
*
Example) If the original data is BCH, send 0BH as the first byte, and send 0CH as the
second byte. For reception, the data will be ignored unless the two bytes are received
together.
<Example> 90H 10H 7FH 90H 20H 7FH
(3) Transmit two note-on messages with a velocity of 0 for the specified range of
notes.
*
*
If the value is shown as..., this is a parameter not supported by the V-1. It will be ignored
if received.
<Example> 90H 10H 00H 90H 20H 00H
DEVICE ID = 10H
(4) Change the Note Mode back to Assign Mode.
<Example> F0H 41H 10H 00H 6FH 12H 12H 00H 01H 02H 6BH F7H
Start Address
00H 00H 00H
10H 00H 00H
10H 10H 00H
10H 20H 00H
10H 30H 00H
11H 00H 00H
Description
DV-7PR Presenter Reserved Area
V-LINK System Preference Area (See 2-2-1)
V-LINK Clip Control Preference Area (See 2-2-2)
V-LINK Effects Control Preference Area (See 2-2-3)
V-LINK Reserved Area
DV-7PR Presenter Reserved Area
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MIDI implementation
●2-2-1. System Common Preference
3. Additional information
Address
10H 00H 00H
10H 00H 01H
Parameter Name
V-LINK Enabled
V-LINK MIDI Rx Channel
(Clip)
Sys.Ex.Value
00H - 01H
00H - 0FH
Meaning of Value
OFF, ON
1 - 16 Ch.
MIDI transmission/ reception settings when the V-1 is shipped from the factory.
●Note Mode
This specifies whether note-on messages will switch the inputs.
10H 00H 02H
10H 00H 03H
V-LINK MIDI Rx Channel
(Color)
V-LINK Note Message Enabled
---
---
The factory setting is OFF.
00H - 03H
Note Mode: OFF,
49Keys Mode,
Assign Mode,
Note Assign
This can be set via MIDI to 0--3, corresponding to OFF, 49Keys Mode, Assign Mode, and
Note Assign.
10H 00H 04H
10H 00H 05H
V-LINK Fast Control Enabled
V-LINK MMC Control
Mode
---
---
---
---
●MIDI Rx Channel
Specifies the MIDI receive channel of the V-1.
The factory setting is 1.
10H 00H 06H
10H 00H 07H
V-LINK MTC Control Mode
V-LINK Auto Mix Mode
---
---
---
---
This can be set via MIDI to 0--16, corresponding to 1--16 and OFF.
●MIDI Tx Channel
●2-2-2. Clip Control Preference
Specifies the MIDI transmit channel of the V-1.
Address
Parameter Name
Sys.Ex.Value
Meaning of Value
---
The factory setting is 1.
#10H 10H 00H
V-LINK Rx Setting
(Playback Speed)
---
#10H 10H 02H
V-LINK Rx Setting
(Dissolve Time)
01H-05H,07H-1FH,
40H-5FH, D0H,
E0H, FFH
Transition Time:
Control Change,
Channel Press,
Pitch Bend, OFF
●Transition Time
Specifies the transition time.
When shipped, this is assigned to CC#07 (Volume).
The range is 0--127, corresponding to 0.0 seconds through 4.0 seconds.
#10H 10H 04H
#10H 10H 06H
V-LINK Rx Setting
(Audio Level)
V-LINK Rx Setting
(T-Bar Control)
---
---
01H-05H,07H-1FH,
40H-5FH, D0H,
E0H, FFH
Video Fader:
●Superimpose
Turns the Superimpose effect on/ off and specifies its value.
When shipped, this is assigned to CC#04 (Foot type).
The range is 0, 1--127, corresponding to OFF, ON: 0--Max.
Control Change,
Channel Press,
Pitch Bend, OFF
#10H 10H 08H
#10H 10H 0AH
#10H 10H 0CH
#10H 10H 0EH
#10H 10H 10H
V-LINK Rx Setting
(Dual Stream)
V-LINK
Reserved
V-LINK
Reserved
V-LINK
Reserved
V-LINK Rx Setting
(Transition Select)
---
---
---
---
---
---
---
---
●Transition Pattern
Selects the type of transition.
When shipped, this is assigned to CC#01 (Modulation).
The range is 0--1, corresponding to MIX through WIPE/ P in P.
01H-05H,07H-1FH,
40H-5FH, D0H,
E0H, FFH
MIX, WIPE / P in P:
Control Change,
Channel Press,
●Output
Controls the output.
Pitch Bend, OFF
#10H 10H 12H
#10H 10H 14H
#10H 10H 16H
V-LINK Rx Setting
(Transformer A)
V-LINK Rx Setting
(Transformer B)
V-LINK Rx Setting
(BPM Sync)
---
---
---
When shipped, this is assigned to CC#02 (Breath type).
The MIDI value range is 0--64--127, corresponding to OFF (black)--ON--OFF (white).
●Video Fader
Controls the video fader.
When shipped, this is assigned to CC#11 (Expression).
The MIDI value range is 0--127, corresponding to A--B.
●2-2-3. Color Control Preference
Address
#10H 20H 00H
Parameter Name
V-LINK Rx Setting
(Color Cb)
Sys.Ex.Value
---
Meaning of Value
---
●Default V-LINK settings
The default V-LINK state (i.e., when only the V-LINK ON message has been received) is as
#10H 20H 02H
#10H 20H 04H
#10H 20H 06H
V-LINK Rx Setting
(Color Cr)
V-LINK Rx Setting
(Brightness)
V-LINK Rx Setting
(VFX A 1)
---
---
---
---
follows.
Parameter
Assignment
Value
Note Mode
Rx Channel
Tx Channel
Input Select
-
-
-
-
OFF
1
1
Ach:1
Bch:2
01H-05H,07H-1FH,
40H-5FH, D0H, E0H,
FFH
Superimpose:
Control Change,
Channel Press,
Pitch Bend, OFF
#10H 20H 08H
#10H 20H 0AH
#10H 20H 0CH
V-LINK Rx Setting
(VFX A 2)
V-LINK Rx Setting
(VFX A 3)
V-LINK Rx Setting
(VFX A 4)
V-LINK Reserved
V-LINK Reserved
V-LINK Reserved
V-LINK Reserved
---
---
---
---
---
---
Pattern Select
Transition Time
Superimpose
Transition Pattern
Output
-
1
CC#5
OFF
OFF
OFF
CC#11
0.0sec
OFF
1
ON
A 100%
Video Fader
#10H 20H 0EH
#10H 20H 10H
#10H 20H 12H
#10H 20H 14H
#10H 20H 16H
---
---
---
---
---
---
---
---
---
---
*
*
When V-LINK is OFF, any V-LINK messages received will be ignored.
Settings that were modified while V-LINK was on (i.e., settings that can be modified via
MIDI) are not saved.
V-LINK Rx Setting
(VFX B 1)
*
When changing from V-LINK ON to OFF, the V-1 will revert to the settings it had before
V-LINK was turned on.
#10H 20H 18H
#10H 20H 1AH
#10H 20H 1CH
V-LINK Rx Setting
(VFX B 2)
V-LINK Rx Setting
(VFX B 3)
V-LINK Rx Setting
(VFX B 4)
V-LINK Reserved
---
---
---
---
---
---
---
---
#10H 20H 1EH
#10H 20H 20H
V-LINK Rx Setting
(Output Fader)
01H-05H,07H-1FH,
40H-5FH, D0H, E0H,
FFH
Output:
Control Change,
Channel Press,
Pitch Bend, OFF
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MIDI implementation
4ch-VIDEO MIXER
Model V-1
Data : Dec.10.2003
Version 1.00
MIDI Implimentation Chart
Function...
Transmitted
Recognized
Remarks
1
1
Default
Changed
Default
Messages
Altered
Basic
Channel
1 - 16
Mode 3
Mode 3
Mode
****************
****************
0 - 127 *1
Note
Number
:True Voice
Note ON
Note OFF
Key's
Velocity
After
Touch
Ch's
Control various parameters
Control various parameters
Select inputs or transition patterns
Control various parameters
Control various parameters
Control various parameters
Pitch Bend
0,32
Control
Change
1 - 5
7 - 31
64 - 95
Program
Change
Select inputs: INPUT 1-4
Transition patterns 1-8
Set parameters, V-LINK
0-3,0-7
0-3,0-7
Sytem Exclucive
:Song position
:Song select
:Tune
System
Common
:Clock
System
Realtime
:Command
Aux
Messages
:All sound off
:Reset all controllers
:Local ON / OFF
:All Notes off
:Active Sense
:System Reset
Notes
*1 Only if the Note Mode is Assign Mode or Note Assign.
If the Note Mode is 49Keys Mode, note numbers 36, 38, 40, 41, 43, 45, 47, and 48
are received.
Mode 1 : OMNI ON , POLY
Mode 3 : OMNI OFF , POLY
Mode 2 : OMNI ON , MONO
Mode 4 : OMNI OFF , MONO
Yes
No
2 7
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Tro u b le sh o o tin g
Before you suspect a malfunction, please check the following points. If this does not resolve the problem,
contact your dealer or a Roland service center.
Operating the video fader does not switch between images
If the same input is selected for “A” and “B,” moving the video fader won’t affect the output image.
Operating the input selector does not switch between images
In Lock mode, the input selector may be inoperable because of the position of the video fader. For details, refer
to Lock mode.
The input selector doesn’t switch images as expected
Could you be inputting a signal to both the video (composite) and the S-video inputs of the same channel? If
so, the S-video will take priority.
The image is distorted when you operate the input selector
Is the green video fader indicator lit? The image may be distorted if you use the input selector while “A” and
“B” are being composited. You can use Lock mode to prevent such operations so that this distortion will not
occur.
Transition effect does not occur when you operate the input selector
If the Transition Time knob is near “0” the transition effect will not occur when you use the input selector to
switch images.
The images don’t switch as specified by the Transition Time knob setting
If two images are displayed under the conditions listed below, operating the input selector will not switch the
images according to the specified transition time.
•
•
•
If the video fader is stopped midway
If you’re using P in P
If you’re using Superimpose
Your video device is playing, but no image is output
Could the Output button be OFF (blinking)? If this is off, no image will be output. Press the blinking Output
button to turn it ON (lit), and the image will be output.
The V-1 is operating, but no image is output to your TV
Perhaps your video device is designed for a different video format than the V-1 is using. If so, switch between
NTSC mode and PAL mode (p. 20) to set the V-1 to the same video format as your video device.
* If you experience other problems, you should first try connecting the output of the device connected to the V-1’s input
directly to a display (TV) to see whether an image is output correctly.
* Recalling the factory settings Restoring the factory settings
While holding down the channel 4 button of the Input Select "B" buttons together with the Mix button, turn on the
power. This will restore the factory settings.
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Ma in sp e cifica tio n s
Video format
Dimensions
NTSC or PAL (ITU601)
282 W) x 209 (D) x 77 mm (H)
11-1/ 8 (W) x 8-1/ 4 (D) x 3-1/ 16 (H) inches
Video sampling rate
13.5 MHz
Weight
1.8 kg
4:2:2 (Y: B-Y:R-Y)
8-bit
4 lbs
Frame Synchronizer
Accessories
2 Systems
AC adaptor, Power Cable
Owner’s manual
Input Level and Impedance
S-video:
1 Vp-p, 75 ohms
Video (composite): 1 Vp-p, 75 ohms
Chrominance signal: 0.286 mVp-p, 75 ohms
Output Level and Impedance
S-video:
1 Vp-p, 75 ohms
Video (composite): 1 Vp-p, 75 ohms
Chrominance signal: 0.286 mVp-p, 75 ohms
Interface
MIDI: 5-pin DIN type
Connectors
Input Video (composite) 1--4 : RCA phono type
S-video
1--4 : 4-pin mini DIN type
Output Video (composite) 2 : RCA phono type
S-video
1 : 4-pin mini DIN type
MIDI IN: 5-pin DIN type
MIDI OUT: 5-pin DIN type
Transition Effects
Mix
Wipe (4 types)
P in P (4 types)
Compositing Effects
Superimpose (remove black)
Power Supply
DC 9 V (AC Adaptor)
Current Draw
1500 mA
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In fo rm a tio n
When you need repair service, call your nearest EDIROL/ Roland Service Center or authorized EDIROL/ Roland distributor
in your country as shown below.
U. S. A. / CAN ADA
EDIROL Corporation North
America
425 Sequoia Drive, Suite 114
Bellingham, WA 98226
U. S. A.
TEL: (360) 594-4276
FAX: (360) 594-4271
http:/ / www.edirol.com/
EURO PE
EDIROL (Europe) Ltd.
Studio 3.4 114 Power Road
London W4 5PY
Deutschland
TEL: 0700 33 47 65 20
France
TEL: 0810 000 371
Italia
U. K.
TEL: +44 (0)20 8747 5949
FAX:+44 (0)20 8747 5948
http:/ / www.edirol.com/ europe
TEL: 02 93778329
EURO PE
ASIA
TAIW AN
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung Shan
N.Road Sec.2, Taipei, TAIWAN,
R.O.C.
AUSTRIA
Roland Austria GES.M.B.H.
Siemensstrasse 4, P.O. Box 74,
A-6063 RUM, AUSTRIA
N O RW AY
SPAIN
GERMAN Y
Roland Scandinavia Avd.
Roland Electronics
Roland Elektronische
Kontor Norge
de España, S. A.
Calle Bolivia 239, 08020
Barcelona, SPAIN
Musikinstrumente HmbH.
Oststrasse 96, 22844 Norderstedt,
GERMANY
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
TEL: (0512) 26 44 260
TEL: (93) 308 1000
TEL: (040) 52 60090
BELGIUM/ HOLLAND/
LUXEMBO URG
Roland Benelux N. V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
TEL: (014) 575811
TEL: 2273 0074
TEL: (02) 2561 3339
SW EDEN
GREECE
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
PO LAN D
MX MUSIC SP.Z.O.O.
UL. Gibraltarska 4.
PL-03664 Warszawa POLAND
TEL: (022) 679 44 19
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
AUSTRALIA
AUSTRALIA
Roland Corporation
Australia Pty., Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
CZECH REP.
K-AUDIO
Kardasovska 626.
CZ-198 00 Praha 9,
CZECH REP.
PO RTUGAL
SW ITZERLAN D
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
HUN GARY
Tecnologias Musica e Audio,
Roland Portugal, S.A.
Cais Das Pedras, 8/ 9-1 Dto
4050-465 PORTO
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint, HUNGARY
TEL: (23) 511011
TEL: (02) 9982 8266
TEL: (2) 666 10529
PORTUGAL
IRELAN D
TEL: (022) 608 00 60
DEN MARK
Roland Ireland
UKRAIN E
CEN TRAL/ LATIN
AMERICA
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
RO MAN IA
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
TIC-TAC
FBS LINES
Mira Str. 19/ 108
P.O. Box 180
295400 Munkachevo, UKRAINE
TEL: (03131) 414-40
Piata Libertatii 1,
535500 Gheorgheni, ROMANIA
TEL: (266) 364 609
TEL: 3916 6200
BRAZIL
Roland Brasil Ltda
FRAN CE
ITALY
RUSSIA
UN ITED KIN GDO M
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
Roland France SA
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
MuTek
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
4, Rue Paul Henri SPAAK,
Parc de l'Esplanade, F 77 462 St.
Thibault, Lagny Cedex FRANCE
TEL: 01 600 73 500
3-Bogatyrskaya Str. 1.k.l
107 564 Moscow, RUSSIA
TEL: (095) 169 5043
UNITED KINGDOM
TEL: (01792) 702701
FIN LAN D
Roland Scandinavia As,
Filial Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
As of November 1, 2003 (EDIROL-2)
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