Fender eBook Reader 1272X User Manual

1272X / 1275X  
Loudspeaker  
Monitor Systems  
Reference / Owner’s Manual  
for 1272X /1275X  
P/N 053996 REV A  
Download from Www.Somanuals.com. All Manuals Search And Download.  
1272X / 1275X  
LOUDSPEAKER MONITOR  
SYSTEMS  
INTRODUCTION  
Thank you for your purchase of a 1272X / 1275X  
loudspeaker monitor system from Fender® Pro Audio.  
We are sure you will find it both a unique and effective  
sound reinforcement product, providing years of  
trouble-free service day in and day out.  
All Wood Construction with Sturdy  
Dado Joints  
High Current 1/4” Phone Jacks  
Metal Corners and Rubber Feet  
1272X / 1275X loudspeaker monitor systems are  
professional, full-range, two-way, compact  
loudspeaker monitors designed for both permanent  
or portable sound reinforcement requirements. With  
a wide response, low distortion and controlled  
directivity, 1272X / 1275X loudspeaker monitor  
systems are designed to form the basis of everything  
from a small public address system to the nightly  
rigors of a “working band’s” sound system. After  
moisture sealing, the 1272X / 1275X loudspeaker  
monitor systems are covered in tough black  
indoor/outdoor synthetic carpet covering. Likewise,  
1272X / 1275X loudspeaker monitor systems also  
feature metal corners and rubber feet for a longer life  
and lasting looks.  
Level Control for Adjusting Levels at  
the Cabinet  
Three Angles of Orientation: 30º, 60º  
and Vertical for Side Fill Use  
Tough Indoor / Outdoor Synthetic  
Carpet Covering  
Only the finest components are used to provide  
maximum efficiency and response. In order to more  
fully understand the operational characteristics of your  
1272X/ 1275Xloudspeakermonitorsystemenclosure,  
please read through this operational user’s guide.  
CAUTION: Almost all speakers produce strong  
magnetic fields which may interfere with the  
normal operation of nearby electronic devices,  
includingtelevisionsandcomputervideomonitors.  
To reduce or eliminate interference, increase the  
distance between this product and other nearby  
electronic devices.  
3
Download from Www.Somanuals.com. All Manuals Search And Download.  
SPEAKER WIRING AND CONNECTIONS  
Parallelorseriesarethetwobasicwayswhichmultiple Keep in mind, power and audio signal cables are the  
speakerscanbeconnectedtoasinglepoweramplifier. most common sources of sound system failure. Well  
When speakers are connected in parallel, their made and carefully maintained cables are essential to  
combined impedance decreases. For speakers wired thereliabilityoftheentiresoundsystem. Iflongspeaker  
in series the opposite is true, their combined cablesarerequired,itisimportanttoensurethecable‘s  
impedance increases. Thus, when speakers are wired gauge is sufficient to transfer all of the available  
inseries,higherimpedancespeakersintheseriesdraw amplifier power to the speakers rather than absorbing  
more power from the amplifier than do speakers in the the power itself. As a rule of thumb, larger wires are  
series with lower impedances. When speakers are better as they conduct more power to the speakers  
wired in parallel, the opposite is true. Higher (larger wire has smaller gauge numbers).  
impedance speakers will draw less power from the  
amplifier than lower impedance speakers will draw.  
Below are two charts listing speaker wire gauges and  
recommendations for best results.  
At Fender®, we recommend connecting multiple  
speakers in parallel for several reasons. First, if one  
speakerfails,theotherswillcontinuetooperate. Second,  
because in a series connection one speaker affects the  
output of the other speakers, unpredictable frequency  
response is a concern. Third, most speaker cabinets  
are already wired for parallel connections making parallel  
connections the most common wiring method.  
SPEAKER WIRE GAUGE  
100'-UP  
10  
12  
12  
14  
14  
16  
(30.5 m-UP)  
50'-100'  
(15.25-30.5 m)  
Below are two charts demonstrating how to calculate  
both parallel and series impedance.  
*25'-50'  
14 *16 18  
(7.60-15.25 m)  
PARALLEL IMPEDANCE  
10'-25'  
16 18  
18 18  
18  
1
Z
(3.05-7.60 m)  
=
p
1
Z
1
Z
1
Z
+
...  
1
2
n
0'-10'  
18  
16* 5.3*  
8Ω  
8
(0.00-3.05 m)  
4
5.3  
+
-
+
-
4  
*816Ω  
A
B
8* 16Ω  
SPEAKER IMPEDANCE [z]  
Cabinet A  
+
-
*Example - If the speaker wire length  
required is between 25-50 feet (7.60-  
15.25 meters) and the speaker  
impedance is 8, the minimum  
recommended speaker wire gauge is 16.  
Impedance  
*Example- Cabinet A is 8 ohms. Cabinet B is  
16 ohms . The total impedance when connected  
in parallel is:  
1
Z
=
= 5.3 ohms.  
p
1
8
1
16  
+
Cross-  
Resistance in per foot  
Section  
AWG  
[mm2]  
0.83  
(30.5 cm) @ 77º F (25º C)  
SERIES IMPEDANCE  
18  
.00651  
Z
=
Z
Z
Z
...  
+
18 20* 24 32  
810 12 16 24  
16*  
s
1
2
n
.00409  
.00258  
.00162  
.00102  
.00064  
16  
14  
1.32  
2.10  
3.32  
5.27  
8.38  
+
-
A
4Ω  
2Ω  
6
4
8
6
12 20  
10 18  
+
-
12  
10  
8
B
24* 816Ω  
+
-
Cabinet A  
Impedance  
*Example- Cabinet A is 4 ohms. Cabinet B is  
16 ohms. The total impedance when  
connected in series is 4 + 16 = 20 ohms.  
4
Download from Www.Somanuals.com. All Manuals Search And Download.  
1272X /1275X SPEAKER CONNECTIONS  
SETUP SUGGESTIONS  
The 1/4" jacks are wired in parallel  
allowing any one of the jacks to be used  
as an input and the other as an output.  
This allows "daisy chaining" of multiple  
loudspeakers, eliminating the need for  
several long, cumbersome runs of  
speaker cable. The connections are as follows:  
Theplacement ofanyspeakercanaffect  
its sound. Thus, there are several  
considerations to review when placing  
your 1272X /1275X monitor.  
CAUTION! When operating with large amplifiers  
(greater than 150 watts at 4 ohms) always set the  
level control between the 3 o’clock and 5 o’clock  
positions. Failure to do so may lead to overheating  
and damage the level control.  
Polarity  
Phone Jack  
Positive (+)  
Negative (-)  
Tip  
Sleeve  
Connect the amplifier to the loudspeaker with a 1) When using stage monitor systems, the reduction  
minimum 16 gauge wire when a length of no more than of feedback is probably the most important criteria.  
100 feet is used. When multiple speakers are “daisy Thebest waytoreducefeedbackistouseaCARDIOID  
chained” together or where longer cable runs are pattern microphone with it’s rear aimed at the  
encountered, use a larger gauge wire. Although no loudspeaker. Remember: Do not cover the side or  
harm or hazard will result, using too small a gauge of top slots of the microphone with your hands as this  
wire may cause the sound quality and level to degrade. could cause feedback.  
2) Select a 30 or 60 degree angle based upon the  
working distance that you will need. A 30 degree angle  
is preferable for performers who require a greater  
CARPET COVERING CARE  
1272X /1275X cabinets are covered in working distance from the monitor so that movement  
a tough, black indoor/outdoor synthetic about the stage is on axis with the monitor. A 60  
carpet for long life and lasting good degree angle is preferable for performers who have a  
looks. To clean the carpet covering, shorterworkingdistanceand whodonot movearound  
simply vacuum away any smudges or the stage.  
dirt. For stubborn stains, use a light  
soapy solution or carpet shampoo with a brush. Avoid 3) When larger movements are expected, 1272X  
spilling liquids on the input panel, grille and speakers. /1275X monitors may be used as side fill monitors so  
that wide horizontal coverage can be provided. If used  
in the side fill position, it may be advantageous to  
elevate the speaker from the floor to keep it aimed at  
the performer’s ear level.  
The side fill position at about 10 to 15 feet from the  
performer is particularly useful for drummers and  
keyboard players. This allows program monitoring  
while keeping the monitor clear of your equipment. In  
the side fill position, the drummer’s / keyboardist’s  
vocal microphone can be positioned to the side  
allowing the rear of the microphone to face the front  
of the monitor minimizing feedback.  
5
Download from Www.Somanuals.com. All Manuals Search And Download.  
SPECIFICATIONS  
TYPE  
PR 395  
PR 396  
MODEL  
1272X  
1275X  
PART NUMBER  
CABINET  
071-1272-200  
071-1275-200  
3/4" (1.9 cm)  
Particle Board  
3/4" (1.9 cm)  
Particle Board  
CONNECTIONS  
DRIVERS  
(2) 1/4" Phone Jacks  
(2) 1/4" Phone Jacks  
Low:  
High:  
12" (30.5 cm) woofer  
2" (5.1 cm) voice coil  
Dual Piezoelectric  
15" (38 cm) woofer  
2" (5.1 cm) voice coil  
Dual Piezoelectric  
FREQUENCY  
RESPONSE  
On Axis,  
Half Space  
+/- 6 dB  
60 Hz to 20kHz  
50 Hz to 20kHz  
ON AXIS  
SPL @  
SENSITIVITY  
1W/1m:  
95 dB  
95 dB  
COVERAGE  
PATTERN  
Vertical  
70º @ 5 kHz  
35º @ 5 kHz  
70º @ 5 kHz  
35º @ 5 kHz  
Horizontal  
POWER RATING  
200W program  
200W program  
100W EIA RS 426A  
100W EIA RS 426A  
NOMINAL IMPEDANCE  
DIMENSIONS  
16  
16Ω  
Height  
Width  
Depth  
17.3" (43.9 cm)  
22.2" (56.4 cm)  
13.8" (35.1 cm)  
19.2" (48.8 cm)  
25.2" (64.0 cm)  
15.8  
(40.1 cm)  
WEIGHT  
37 lbs. (16.8 kg)  
47 lbs. (21.4 kg)  
A PRODUCT OF:  
FENDER MUSICAL INSTRUMENTS CORP.  
CORONA, CA 91720 USA  
6
Download from Www.Somanuals.com. All Manuals Search And Download.  

Coleman Camping Equipment 2000000456 User Manual
Cooper Lighting Indoor Furnishings 17 IW User Manual
Craftsman Automobile Parts 50284 User Manual
Craftsman Saw 31510899 User Manual
Crate Amplifiers Musical Instrument Amplifier BV 60 User Manual
Delta Electronics Power Supply MPL10X User Manual
Digicom Network Router ED 20 PPP User Manual
Eagle Electronics Fish Finder 640C User Manual
Fellowes Paper Shredder C14 User Manual
Fisher Price Model Vehicle X3059 User Manual