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		 1272X / 1275X   
					Loudspeaker   
					Monitor Systems   
					Reference / Owner’s Manual   
					for 1272X /1275X   
					P/N 053996 REV A   
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				1272X / 1275X   
					LOUDSPEAKER MONITOR   
					SYSTEMS   
					INTRODUCTION   
					Thank you for your purchase of a 1272X / 1275X   
					loudspeaker monitor system from Fender® Pro Audio.   
					We are sure you will find it both a unique and effective   
					sound reinforcement product, providing years of   
					trouble-free service day in and day out.   
					All Wood Construction with Sturdy   
					Dado Joints   
					High Current 1/4” Phone Jacks   
					Metal Corners and Rubber Feet   
					1272X / 1275X loudspeaker monitor systems are   
					professional, full-range, two-way, compact   
					loudspeaker monitors designed for both permanent   
					or portable sound reinforcement requirements. With   
					a wide response, low distortion and controlled   
					directivity, 1272X / 1275X loudspeaker monitor   
					systems are designed to form the basis of everything   
					from a small public address system to the nightly   
					rigors of a “working band’s” sound system. After   
					moisture sealing, the 1272X / 1275X loudspeaker   
					monitor systems are covered in tough black   
					indoor/outdoor synthetic carpet covering. Likewise,   
					1272X / 1275X loudspeaker monitor systems also   
					feature metal corners and rubber feet for a longer life   
					and lasting looks.   
					Level Control for Adjusting Levels at   
					the Cabinet   
					Three Angles of Orientation: 30º, 60º   
					and Vertical for Side Fill Use   
					Tough Indoor / Outdoor Synthetic   
					Carpet Covering   
					Only the finest components are used to provide   
					maximum efficiency and response. In order to more   
					fully understand the operational characteristics of your   
					1272X/ 1275Xloudspeakermonitorsystemenclosure,   
					please read through this operational user’s guide.   
					CAUTION: Almost all speakers produce strong   
					magnetic fields which may interfere with the   
					normal operation of nearby electronic devices,   
					includingtelevisionsandcomputervideomonitors.   
					To reduce or eliminate interference, increase the   
					distance between this product and other nearby   
					electronic devices.   
					3 
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				SPEAKER WIRING AND CONNECTIONS   
					Parallelorseriesarethetwobasicwayswhichmultiple Keep in mind, power and audio signal cables are the   
					speakerscanbeconnectedtoasinglepoweramplifier. most common sources of sound system failure. Well   
					When speakers are connected in parallel, their made and carefully maintained cables are essential to   
					combined impedance decreases. For speakers wired thereliabilityoftheentiresoundsystem. Iflongspeaker   
					in series the opposite is true, their combined cablesarerequired,itisimportanttoensurethecable‘s   
					impedance increases. Thus, when speakers are wired gauge is sufficient to transfer all of the available   
					inseries,higherimpedancespeakersintheseriesdraw amplifier power to the speakers rather than absorbing   
					more power from the amplifier than do speakers in the the power itself. As a rule of thumb, larger wires are   
					series with lower impedances. When speakers are better as they conduct more power to the speakers   
					wired in parallel, the opposite is true. Higher (larger wire has smaller gauge numbers).   
					impedance speakers will draw less power from the   
					amplifier than lower impedance speakers will draw.   
					Below are two charts listing speaker wire gauges and   
					recommendations for best results.   
					At Fender®, we recommend connecting multiple   
					speakers in parallel for several reasons. First, if one   
					speakerfails,theotherswillcontinuetooperate. Second,   
					because in a series connection one speaker affects the   
					output of the other speakers, unpredictable frequency   
					response is a concern. Third, most speaker cabinets   
					are already wired for parallel connections making parallel   
					connections the most common wiring method.   
					SPEAKER WIRE GAUGE   
					100'-UP   
					10   
					12   
					12   
					14   
					14   
					16   
					(30.5 m-UP)   
					50'-100'   
					(15.25-30.5 m)   
					Below are two charts demonstrating how to calculate   
					both parallel and series impedance.   
					*25'-50'   
					14 *16 18   
					(7.60-15.25 m)   
					PARALLEL IMPEDANCE   
					10'-25'   
					16 18   
					18 18   
					18   
					1 
					Z 
					(3.05-7.60 m)   
					= 
					p 
					1 
					Z 
					1 
					Z 
					1 
					Z 
					+ 
					...   
					1 
					2 
					n 
					0'-10'   
					18   
					16Ω* 5.3*   
					8Ω   
					8 
					(0.00-3.05 m)   
					4 
					5.3   
					+ 
					- 
					+ 
					- 
					4Ω   
					*8Ω 16Ω   
					A 
					B 
					8Ω* 16Ω   
					SPEAKER IMPEDANCE [z]   
					Cabinet A   
					+ 
					- 
					*Example - If the speaker wire length   
					required is between 25-50 feet (7.60-   
					15.25 meters) and the speaker   
					impedance is 8Ω, the minimum   
					recommended speaker wire gauge is 16.   
					Impedance   
					*Example- Cabinet A is 8 ohms. Cabinet B is   
					16 ohms . The total impedance when connected   
					in parallel is:   
					1 
					Z 
					= 
					= 5.3 ohms.   
					p 
					1 
					8 
					1 
					16   
					+ 
					Cross-   
					Resistance in Ω per foot   
					Section   
					AWG   
					[mm2]   
					0.83   
					(30.5 cm) @ 77º F (25º C)   
					SERIES IMPEDANCE   
					18   
					.00651   
					Z 
					= 
					Z 
					Z 
					Z 
					...   
					+ 
					18 20* 24 32   
					8Ω 10 12 16 24   
					16Ω*   
					s 
					1 
					2 
					n 
					.00409   
					.00258   
					.00162   
					.00102   
					.00064   
					16   
					14   
					1.32   
					2.10   
					3.32   
					5.27   
					8.38   
					+ 
					- 
					A 
					4Ω   
					2Ω   
					6 
					4 
					8 
					6 
					12 20   
					10 18   
					+ 
					- 
					12   
					10   
					8 
					B 
					2Ω 4Ω* 8Ω 16Ω   
					+ 
					- 
					Cabinet A   
					Impedance   
					*Example- Cabinet A is 4 ohms. Cabinet B is   
					16 ohms. The total impedance when   
					connected in series is 4 + 16 = 20 ohms.   
					4 
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				1272X /1275X SPEAKER CONNECTIONS   
					SETUP SUGGESTIONS   
					The 1/4" jacks are wired in parallel   
					allowing any one of the jacks to be used   
					as an input and the other as an output.   
					This allows "daisy chaining" of multiple   
					loudspeakers, eliminating the need for   
					several long, cumbersome runs of   
					speaker cable. The connections are as follows:   
					Theplacement ofanyspeakercanaffect   
					its sound. Thus, there are several   
					considerations to review when placing   
					your 1272X /1275X monitor.   
					CAUTION! When operating with large amplifiers   
					(greater than 150 watts at 4 ohms) always set the   
					level control between the 3 o’clock and 5 o’clock   
					positions. Failure to do so may lead to overheating   
					and damage the level control.   
					Polarity   
					Phone Jack   
					Positive (+)   
					Negative (-)   
					Tip   
					Sleeve   
					Connect the amplifier to the loudspeaker with a 1) When using stage monitor systems, the reduction   
					minimum 16 gauge wire when a length of no more than of feedback is probably the most important criteria.   
					100 feet is used. When multiple speakers are “daisy Thebest waytoreducefeedbackistouseaCARDIOID   
					chained” together or where longer cable runs are pattern microphone with it’s rear aimed at the   
					encountered, use a larger gauge wire. Although no loudspeaker. Remember: Do not cover the side or   
					harm or hazard will result, using too small a gauge of top slots of the microphone with your hands as this   
					wire may cause the sound quality and level to degrade. could cause feedback.   
					2) Select a 30 or 60 degree angle based upon the   
					working distance that you will need. A 30 degree angle   
					is preferable for performers who require a greater   
					CARPET COVERING CARE   
					1272X /1275X cabinets are covered in working distance from the monitor so that movement   
					a tough, black indoor/outdoor synthetic about the stage is on axis with the monitor. A 60   
					carpet for long life and lasting good degree angle is preferable for performers who have a   
					looks. To clean the carpet covering, shorterworkingdistanceand whodonot movearound   
					simply vacuum away any smudges or the stage.   
					dirt. For stubborn stains, use a light   
					soapy solution or carpet shampoo with a brush. Avoid 3) When larger movements are expected, 1272X   
					spilling liquids on the input panel, grille and speakers. /1275X monitors may be used as side fill monitors so   
					that wide horizontal coverage can be provided. If used   
					in the side fill position, it may be advantageous to   
					elevate the speaker from the floor to keep it aimed at   
					the performer’s ear level.   
					The side fill position at about 10 to 15 feet from the   
					performer is particularly useful for drummers and   
					keyboard players. This allows program monitoring   
					while keeping the monitor clear of your equipment. In   
					the side fill position, the drummer’s / keyboardist’s   
					vocal microphone can be positioned to the side   
					allowing the rear of the microphone to face the front   
					of the monitor minimizing feedback.   
					5 
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				SPECIFICATIONS   
					TYPE   
					PR 395   
					PR 396   
					MODEL   
					1272X   
					1275X   
					PART NUMBER   
					CABINET   
					071-1272-200   
					071-1275-200   
					3/4" (1.9 cm)   
					Particle Board   
					3/4" (1.9 cm)   
					Particle Board   
					CONNECTIONS   
					DRIVERS   
					(2) 1/4" Phone Jacks   
					(2) 1/4" Phone Jacks   
					Low:   
					High:   
					12" (30.5 cm) woofer   
					2" (5.1 cm) voice coil   
					Dual Piezoelectric   
					15" (38 cm) woofer   
					2" (5.1 cm) voice coil   
					Dual Piezoelectric   
					FREQUENCY   
					RESPONSE   
					On Axis,   
					Half Space   
					+/- 6 dB   
					60 Hz to 20kHz   
					50 Hz to 20kHz   
					ON AXIS   
					SPL @   
					SENSITIVITY   
					1W/1m:   
					95 dB   
					95 dB   
					COVERAGE   
					PATTERN   
					Vertical   
					70º @ 5 kHz   
					35º @ 5 kHz   
					70º @ 5 kHz   
					35º @ 5 kHz   
					Horizontal   
					POWER RATING   
					200W program   
					200W program   
					100W EIA RS 426A   
					100W EIA RS 426A   
					NOMINAL IMPEDANCE   
					DIMENSIONS   
					16Ω   
					16Ω   
					Height   
					Width   
					Depth   
					17.3" (43.9 cm)   
					22.2" (56.4 cm)   
					13.8" (35.1 cm)   
					19.2" (48.8 cm)   
					25.2" (64.0 cm)   
					15.8   
					(40.1 cm)   
					WEIGHT   
					37 lbs. (16.8 kg)   
					47 lbs. (21.4 kg)   
					A PRODUCT OF:   
					FENDER MUSICAL INSTRUMENTS CORP.   
					CORONA, CA 91720 USA   
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