DigiTech Music Pedal RP50 User Manual

MODELING  
GUITAR  
PROCESSOR  
User’s Guide  
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DECLARATION OF CONFORMITY  
Manufacturer’s Name:  
Manufacturer’s Address:  
DigiTech  
8760 South Sandy Parkway  
Sandy, Utah 84070 USA  
declares that the product:  
Product name:  
Product option:  
RP50  
all (requires Class II power adapter that conforms to the requirements of  
EN60065, EN60742, or equivalent.)  
conforms to the following Product Specifications:  
Safety:  
EMC:  
EN 60065 (1998)  
EN 55013 (1990)  
EN 55020 (1991)  
Supplementary Information:  
The product herewith complies with the requirements of the LowVoltage Directive 73/23/EEC and the EMC  
Directive 89/336/EEC as amended by Directive 93/68/EEC.  
Vice-President of Engineering  
8760 S. Sandy Parkway  
Sandy, Utah 84070, USA  
Date: September 30, 2002  
European Contact:  
Your local DigiTech Sales and Service Office or  
Harman Music Group  
8760 South Sandy Parkway  
Sandy, Utah 84070 USA  
Ph: (801) 566-8800  
Fax: (801) 568-7583  
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Warranty  
We at DigiTech are very proud of our products and back-up each one we sell with the following warranty:  
1.The warranty registration card must be mailed within ten days after purchase date to validate this warranty.  
2. Digitech warrants this product, when used solely within the U.S., to be free from defects in materials and workmanship  
under normal use and service.  
3. Digitech liability under this warranty is limited to repairing or replacing defective materials that show evidence of  
defect, provided the product is returned to Digitech WITH RETURN AUTHORIZATION, where all parts and labor will  
be covered up to a period of one year.A Return Authorization number may be obtained from Digitech by telephone.  
The company shall not be liable for any consequential damage as a result of the product's use in any circuit or assembly.  
4. Proof-of-purchase is considered to be the burden of the consumer.  
5. Digitech reserves the right to make changes in design, or make additions to, or improvements upon this product  
without incurring any obligation to install the same on products previously manufactured.  
6.The consumer forfeits the benefits of this warranty if the product's main assembly is opened and tampered with by  
anyone other than a certified Digitech technician or, if the product is used with AC voltages outside of the range  
suggested by the  
manufacturer.  
7.The foregoing is in lieu of all other warranties, expressed or implied, and Digitech neither assumes nor authorizes any  
person to assume any obligation or liability in connection with the sale of this product. In no event shall Digitech or its  
dealers be liable for special or consequential damages or from any delay in the performance of this warranty due to  
causes beyond their control.  
NOTE:The information contained in this manual is subject to change at any time without notification. Some information  
contained in this manual may also be inaccurate due to undocumented changes in the product or operating system since this  
version of the manual was completed.The information contained in this version of the owner's manual supersedes all  
previous versions.  
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Introduction  
Thanks to the continuous advances in musical technology, the RP50 offers you the flexibility,  
power, and capability of producing sonic creations never before thought possible. We  
recommend that you become better acquainted with us, and what we have to offer by going  
through this User’s Guide with your RP50 in front of you. It is your key to unlocking the  
potential within the RP50.  
Included Items  
Before you get started, please make sure that the following items have been included:  
• RP50  
• Warranty Card  
The utmost care was taken while your RP50 was being manufactured. Everything should be  
included and in perfect working order. If anything is missing, contact the factory at once. Please  
help us become acquainted with you and your needs by completing your warranty card or  
It is your safeguard should a problem arise with your RP50.  
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1
The Front Panel  
6
5
4
2
7
3
1
1. Footswitches - These 2 Footswitches are used to select presets, access the Tuner, or bypass  
the RP50. The Up Footswitch increments, and the Down Footswitch  
decrements through the presets. Pressing both Footswitches simultaneously  
bypasses the selected preset. Pressing and holding both Footswitches  
accesses the Tuner.  
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2
2.Value Buttons - TheValue Buttons perform various functions depending on which mode is  
selected. In Play mode, these buttons control RP50’s Master Level. In Edit  
mode, these buttons adjust the selected effect. These buttons also change  
the Pattern,Tempo, and Level of the Drum machine when it is turned on.  
When the Tuner is enabled, these buttons select the tuning reference.  
3. Effect/Edit Buttons - Pressing either Edit buttons enters Edit mode and selects the  
individual effects to be edited. Press the left and right Edit buttons to  
move through the effects. Each effect LED will light to indicate which  
effect you are editing  
4. Drums - The Drums button is used to turn on and off the RP50’s drum machine. When the  
Drums feature is active, the Drums LED lights and the selected drum pattern plays  
continuously.  
5. Effect LEDs - The Effect LEDs provide information regarding the current preset. In Edit  
mode, the LEDs indicate the effect selected for editing. In Tuner mode, the  
LEDs indicate whether the note played is sharp, flat, or in tune.  
6. Display - The Display provides information for different functions depending on the selected  
mode. In Play mode, the display shows the selected preset number. In Edit mode,  
the display shows the value of the parameter being adjusted. When the Tuner is  
enabled, the display shows the note played.  
7. Store - The Store button saves your custom edits to the user presets.  
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3
Rear Panel  
1
2 3  
4
1. Input - Connect your instrument to this jack.  
2. Output - This is a stereo TRS jack. Connect from this jack to the input of a single amplifier  
for mono applications, or use a TRS stereo “Y” cord to connect to the inputs of 2  
amplifiers for stereo applications. This jack also can be used as a headphone jack.  
Note: When using the RP50 direct into a mixer or recording device, or when using  
it with headphones, you can enable the Global Cabinet Modeling feature to  
emulate speaker simulation on each of the RP50’s presets. (See Page 20 for  
more on Global Cabinet Modeling.)  
3. Control In - Connect a passive volume pedal to this jack to controlVolume, Wah, and  
Whammy™in the RP50.  
4. Power Input - Connect only the optional DigiTech PS200R power supply to this jack.  
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4
Making Connections  
There are several different connection options available when using the RP50. The following  
diagrams show the connections for some of these options.  
Before connecting the RP50, make sure that the power to your amplifier is turned off, and the  
power to the RP50 is disconnected.There is not a power switch on the RP50. To turn the RP50  
off, disconnect your instrument from the Input Jack (for battery power) or disconnect the  
optional PS200R power supply from the Power Jack or from the AC outlet.  
Mono Operation  
Connect your guitar to the Input of the RP50. Connect a single mono instrument cable  
from the Stereo Output of the RP50 to the instrument input on your amplifier.  
Guitar Amp Input / Effect Return  
Output  
Input  
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5
Stereo Operation  
For stereo operation connect the guitar to the Input of the RP50. Connect a TRS stereo  
“Y” cord or a pair of stereo headphones to the RP50’s Output. When using a “Y” cord,  
connect one end of the “Y” cord to the input of one amplifier or channel of a mixer.  
Connect the second end of the “Y” cord to a second amplifier, or second channel of a  
mixer. If connecting to a mixing console, set the pan controls of the mixer hard left and  
right to retain stereo separation. To emulate a guitar cabinet sound when using the RP50  
with a mixer or headphones, you can enable Global Cabinet Modeling (see page 20).  
Guitar Amp Input / Effect Return  
Headphones or  
StereoTRS "Y" Cable  
Connected to Output  
Input  
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6
Applying Power  
There are two options for powering the RP50: battery power, and the optional PS200R DC  
power supply. Before applying power to anything, set your amp(s) to a clean tone and set the  
tone controls to a flat EQ response (on most amps, this would be 0 or 5 on the tone controls).  
Battery Power  
The RP50 can be run for more than 15 hours on 6 AA batteries.The battery compartment  
is located on the bottom of the RP50. The following diagram shows how to install the  
batteries.  
Note: Pay close attention to the battery polarity when installing batteries as  
polarity changes direction for each pair.  
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7
Connecting a cable to the Input applies power to the RP50. Disconnecting your instrument  
from the Input of the RP50 disconnects the battery power. Turn your amplifier(s) on and  
adjust the volume(s) to a normal playing level. To prolong the battery life, disconnect your  
instrument from the RP50’s Input when not in use .  
AC Power  
The RP50 can also be powered with the optional PS200R power supply. Connect the plug  
of the PS200R power supply to the power jack on the rear panel of the RP50. Connect the  
other end of the PS200R power supply to an AC outlet. Turn your amplifier(s) on and  
adjust the volume(s)to a normal playing level.  
About the RP50  
The Presets  
Presets are numbered locations of programmed sounds. Presets are recalled with the  
Footswitches.The RP50 comes with 40 User Presets (Presets 1-40) and 40 Factory Presets  
(Presets 41-80). The User Presets are locations where you may store presets you create.  
The Factory Presets may not be saved over. From the factory, the 40 User Presets are  
exact duplicates of the 40 Factory Presets. This lets you make your own presets without  
the worry of losing any Factory Presets.  
Play Mode  
When you first apply power to the RP50, it powers up in Play mode. The far left LED lights,  
indicating you’re in Play mode. In Play mode, use the Up and Down Footswitches to access  
the presets.  
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8
Tuner  
The Tuner in the RP50 lets you quickly tune or check the tuning of your guitar. Enter the  
Tuner by pressing and holding both Footswitches simultaneously. The tu briefly displays  
indicating that you are in Tuner mode. To begin tuning, play a note on your guitar (the neck  
pickup usually works best). The display shows the note being played. The Effect LEDs  
indicate whether the note is sharp or flat. The right 6 red LEDs indicate the note is sharp  
and should be tuned down. The left 6 red LEDs indicate the note is flat and should be  
tuned up. The center Green LED indicates the note is in tune. The output is muted in  
Tuner mode.  
The display shows the note played.  
a
LEDs to the left  
of the EQ LED  
LEDs to the right  
of the EQ LED  
indicate the note is flat.  
indicate the note is sharp.  
When the EQ LED is lit,  
the note is in tune.  
When the Tuner is enabled, you can change your tuning reference.The default factory  
setting is A=440 Hz. (displayed as 40). Press theValue Buttons to select alternate dropped  
tunings. Alternate tunings are A = Ab (displayed as Ab),A = G (displayed as G), and A = Gb  
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9
(displayed as Gb).The display window briefly flashes the selected tuning preference. Exit  
tuner mode by pressing either Footswitch. The tuning reference is retained when the unit is  
turned off.  
Bypass  
The RP50 presets can be bypassed for a clean, unprocessed guitar tone. To bypass the  
RP50, press both footswitches simultaneously. The display reads Byindicating the preset is  
bypassed. Press either footswitch to exit Bypass and return the the last selected preset.  
Editing/Creating Presets  
Creating your own signature sound with the RP50 is easy and intuitive. The RP50 lets you create  
your own presets, or fine tune existing Presets to suit your needs. When creating or editing a  
sound, you must start with a User or Factory Preset. It is not possible to start with an empty  
preset. You can save your preset to any User Preset location while storing the preset (see  
Storing a Preset pg 12).  
To edit or create a Preset:  
1. Press the FOOTSWITCHES to select a preset  
2. Press the EDIT buttons in conjunction with the Effect LEDs to choose the effect you want  
to edit.  
3. Press the VALUE Buttons to change the parameter values.  
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10  
The Effect LEDs  
When editing a preset, the Effect LEDs are used to indicate which effect is selected for editing.  
The Edit buttons move you through the Effect modules. The LEDs light indicating which effect  
group is selected. Each effect has multiple settings to select from. TheValue buttons are used to  
change the value for the selected effect. As a button is pressed, the value or status is shown in  
the display.  
The EDIT/EFFECT buttons  
select which effect to edit.  
TheVALUE/MASTERVOLUME  
buttons edit the selected  
effect.  
When the stored value of an effect is changed, the lower right decimal point in the display lights  
indicating you need to store the changes. Changing presets, or turning the power off before  
storing any changes will erase any changes made and revert to the stored values for the preset.  
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11  
Storing/Copying a Preset  
Once the preset has been modified, you may store your settings to one of the 40 User Preset  
locations (Presets 1-40). The following steps outline how to store changes to a preset or copy a  
preset to a different location:  
1. Press the STORE button.  
The display flashes.  
3. Press the STORE button  
again to save your  
changes.  
2. Use the footswitches to  
select the preset location you  
want to store your changes to.  
1. Press the STORE button once. The current preset location flashes in the display.  
2. Press the FOOTSWITCHES to select the User Preset location.  
3 Press the STORE button again to save the changes.  
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12  
Effect Definitions  
The RP50 can be thought of as several different “virtual” amplifiers, and individual hi-tech effects.  
Each effect within the RP50 can be programmed to suit your personal application.  
Understanding how these effects alter the sound helps you achieve the sound you are looking  
for. The following overview of the RP50’s effects outlines what each effect does.  
Amp  
Modeling  
Cabinet  
Modeling  
Noise  
Gate  
Pickup Sim /  
Wah  
Compressor  
Delay  
Reverb  
EQ  
Chorus / Mod  
Preset Level  
Controls the individual level for each preset. Because this setting is individual to each  
preset, you may adjust the volume when using louder or softer amp models.  
Pickup/Wah  
The Pickup Simulator gives the thick tone of a humbucker pickup from a guitar with single  
coil pickups, or the bright edgy sound of a single coil pickup from a guitar with a humbucker.  
Wah is an effect controlled by an expression pedal making the guitar sound as if it’s saying  
“Wah.”  
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13  
Pickup/WahType - TheValue buttons select the Pick Up or Wah type that is simulated.  
OF- Turns the Pickup Simulator / Wah module off.  
SH- Gives a single coil pick up the warm tone of a humbucker.  
HS- Gives a humbucker the unique sound of a single coil.  
Cr- Cry Wah is a traditional sounding Wah.  
bo- Boutique Wah is a wider sweeping Wah with a more modern sound.  
Fr- Full Range Wah sweeps the entire spectrum of audible frequencies.  
Compressor  
A Compressor is used to automatically limit the dynamic level of the guitar signal.  
1to 15- Controls the amount of compression (ratio and sustain) and ranges  
from 1 (slight compression) through infinity (maximum sustain) or  
turns the compression effect off.  
Amp/Cabinet Modeling  
Amp Modeling is a technology that applies the tones of several popular modern and vintage  
amps and acoustic guitar simulation. Values 1-9 increase the amp’s gain and level.  
b1-b9- Based on a Blackface  
o1-o9- Based on Boutique  
r1-r9- Based on a Rectifier  
H1-h9- Based on a Hot Rod  
t1-t9- Based on a Classic Tweed  
C1-C9- Based on a British Combo  
c1-c9- Based on a Clean Tube amp  
s1-s9- Based on a British Stack  
U1-U9- A nice crunchy tube combo  
G1-g9- Based on High Gain tube amp  
F1-f9- A vintage fuzz distortion  
AC- A flat top acoustic guitar  
Any trademarks are the property of their respective companies and are in no way associated with DigiTech.  
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14  
EQ  
Equalization is used to shape the tonal response of your guitar signal. The EQ in the RP50  
is similar to the tone knobs on an amplifier. Values 1-4 cut the level of each band, 5 is flat  
(no cut or boost), and values 6-9 boost the level of each band.  
Bass (b1- b9) - TheValue buttons adjust the amount of low end enhancement (Bass).  
Mid (d1- d9)- TheValue buttons adjust the amount of mid range enhancement.  
Treble (t1- t9)- TheValue buttons adjust the amount of high end enhancement (Treble).  
Noise Gate  
A Noise Gate is designed to eliminate noise while you are not playing. The AutoSwell  
setting creates a volume pedal effect automatically with varying attack times. Different  
guitars and pickups require different threshold settings. Choose a setting that fully mutes  
the sound when you are not playing for the lowest setting.  
Of. G1-G9- Selects the Silencer™ Noise Gate. Settings 1-9 select the threshold. Of turns  
the gate effect off.  
s1-s9- Selects the Auto Swell volume swell effect. Settings 1-9 select the attack time.  
Chorus/Mod  
The Chorus/Mod module is a multi-function module that lets you select the following  
effects: Chorus, Flanger, Phaser,Tremolo, Panner,Vibrato, Rotary Speaker, AutoYa™,  
Envelope, Detune, Pitch Shift, and Whammy™ effects. When the Chorus/Mod module is  
selected, theValue buttons are used to choose the type of effect. Only one of the effects in  
this row can be used at a time. The following list describes each effect and their  
parameters in more detail.  
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15  
Chorus (C1-C9)  
A Chorus adds a short delay to your signal. The delayed signal is modulated in and out  
of tune and then mixed back with the original signal to create a thicker sound, and  
stereo image. Use theValue buttons to select one of the nine Chorus settings.  
Flange (F1-f9)  
A Flanger uses the same principle as a Chorus but uses a shorter delay time and adds  
regeneration (or repeats) to the modulating delay. This results in an exaggerated up  
and down sweeping motion to the effect. Use theValue buttons to select one of the  
nine Flanger settings.  
Phaser (P1-p9)  
A phaser splits the incoming signal, and changes the phasing of the signal. The signal is  
taken in and out of phase and mixed back in with the original signal. As the phasing  
changes, different frequencies get canceled resulting in a warm sort of twisting sound.  
Use theValue buttons to select one of the nine Phaser settings.  
Tremolo (t1-t9)  
A Tremolo effect modulates the volume of the signal at an even rate. Use theValue  
buttons to select one of the nine predetermined settings.  
Panner (n1-n9)  
An Auto Panner modulates the sound from left to right at an even rate. Use theValue  
buttons to select one of the nine Panner settings.  
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16  
Vibrato (b1-b9)  
AVibrato effect modulates the pitch of the incoming signal at an even rate. Use the  
Value buttons to select one of the nineVibrato settings.  
Rotary Speaker (r1-r9)  
Rotary Speaker is an emulation of a device that included a spinning horn and woofer.  
The rotation of these two speakers produces an interesting combination of sound  
panning from side to side with a slight pitch change produced from the speed of the  
sound coming towards, and then going away from the listener. Use theValue buttons  
to select one of the nine Rotary Speaker settings.  
AutoYa™ (a1-a9)  
An AutoYa™ combines the characteristics of a Wah and a Flanger together creating an  
almost human vowel characteristic as if the guitar were saying “Yah.The AutoYa™  
provides animation to the sound based on string attack. Use theValue buttons to  
select one of the nine AutoYa™ settings.  
Envelope Filter (E1-e9)  
The Envelope Filter is a dynamic Wah effect that alters your sound based upon how  
hard you play. Use theValue buttons to select one of the nine Envelope Filter settings.  
Detune (d1-d9)  
A Detuner makes a copy of your incoming signal, takes the copied signal slightly out of  
tune from the original, and mixes the two signals together. The result is a doubling type  
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17  
of effect as if two guitars were playing the same part together. Use theValue buttons  
to select one of the nine Detuner settings.  
Pitch Shift (H1-H9)  
The Pitch Shifting copies the incoming signal, and shifts the pitch of the copy to a  
different note.The shifted note is mixed back with the original signal sounding as if two  
guitars were playing different notes. Use theValue buttons to select one of the nine  
Pitch Shift settings. The Pitch Shift settings are as follows:  
H1= -12 semitones  
H2= -7 semitones  
H3= -5 semitones  
H4= -4 semitones  
H5= +3 semitones  
H6= +4 semitones  
H7= +5 semitones  
H8= +7 semitones  
H9= +12 semitones  
Whammy™ (Y1-y9)  
Whammy™ is an effect that uses an Expression Pedal to bend the pitch of the  
incoming signal, or add a bendable harmony with the original signal. As the Pedal is  
moved, the note bends either up or down. Use theValue buttons to select one of the  
nine Whammy™ settings. W denotes Whammy bends and H denotes harmony bends.  
The Whammy settings are as follows:  
y1=W Octave Up  
y2=W 2 Octaves Up  
y3=W Octave Down  
y4=W 2 Octaves Down y7=H 3rd/4th Up  
y5=H m3rd/Maj 3rd Up y8=H Octave Up  
y6=H 2nd/Maj 3rd Up  
y9=H Octave Down  
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18  
Delay  
The RP50 has 3 different delay types, Mono (D),Analog (A), and Ping Pong (P), each with 2  
seconds of delay time available. There are two different parameters used to program the  
delay, DelayVariation and Time. The first parameter of the delay effect is Delay  
Type/Variation, which selects the delay type to be used and varies the amount of feedback  
(number of repeats) and level. The second delay parameter is Delay Time. This is indicated  
by a value 1-99 (10ms-990ms), 1.0 and 2.0 (1 and 2 seconds respectively) in the display  
when the Delay LED is lit. Delay settings are as follows:  
d, a, p1=5% fback, level 15  
d, a, p4=5% fback, level 30  
d, a, p7=5% fback, level 50  
d, a, p2=25% fback, level 15 d, a, p5=25% fback, level 30 d, a, p8=25% fback, level 50  
d, a, p3=50% fback, level 15 d, a, p6=50% fback, level 30 d, a, p9=50% fback, level 50  
Reverb  
Using reverb in recorded program material gives the listener a sense that the material is  
being performed in an actual room or hall. It is this similarity to actual acoustic spaces that  
makes reverberation a useful tool in recorded music. Use theValue buttons to select one  
of the nine predetermined settings. The higher numbers indicate there is more reverb level.  
The reverb settings are as follows:  
r1-f9= Room  
H1-H9- Hall  
P1-p9- Plate  
C1-C9=Church  
A1-a9= Arena  
S1-s9- Spring  
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19  
Other Functions  
Expression Pedal  
The rear panel of the RP50 includes an input for an expression pedal. Any passive volume  
pedal can be used as an expression pedal with the RP50. Connect from the output of a  
passive volume pedal to the Expression Pedal Input on the RP50. The expression pedal  
controls the RP50’sVolume,Wah, or Whammy™ parameters. If Wah and Whammy are  
disabled, the expression pedal functions as a volume pedal. If the Wah or Whammy™  
effects are enabled, the expression pedal control these effects.  
Drum Machine  
The RP50 includes several sampled drum patterns that are useful for developing a good  
sense of timing. Press the Drums button to enter Drums mode and start playback of the  
drum loop (except when in Store or Bypass mode). In Drums mode, the Edit buttons  
selects the drum Pattern, Tempo, and Level of the drum loop. Press the Drums button again  
to stop playback of the drum loop.  
Global Cabinet Modeling  
The RP50 includes cabinet modeling that can be enabled on all presets when running it into  
a mixer, recording device, or when using it with headphones. This feature emulates a  
speaker cabinet connected to each of the amp models in all presets. Each amp model has a  
specific cabinet model that optimizes its sound when using the RP50 in this manner. To  
enable Cabinet Modeling:  
1. Press and hold the drums button when applying power to the RP50. Wait until the display  
reads Cabinet On. Release the Drums button.  
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20  
Cabinet Modeling is now enabled for all amp models in all presets. The following lists what  
cabinet accompanies each model:  
b1-b9 – Blackface – 2x12 Cabinet  
o1-o9 – Boutique Vintage 4x12 Cabinet  
r1-r9 – Rectifier Vintage 4x12 Cabinet  
H1-H9 – Hot Rod – British 4x12 Cabinet  
t1-t9 – Classic Tweed – 2x12 Cabinet  
C1-C9 – British Combo – 2x12 Cabinet  
c1-c9 – Clean Tube – British 4x12 Cabinet  
s1-s9 – British Stack – British 4x12 Cabinet  
U1-U9 – Crunch Vintage 4x12 Cabinet  
G1-G9 – High Gain Tube – British 4x12 Cabinet  
F1-f9 – Fuzz – British 4x12 Cabinet  
Factory Reset  
This function resets the RP50 to its original factory settings.This procedure erases all  
custom user presets. Performing this function erases all user-programmed data.  
All such data will be lost forever!  
The procedure for performing a Factory Reset is as follows:  
1. Disconnect the power supply from the RP50 (AC Power) or unplug the guitar from the  
input jack (battery power).  
2. Press and hold the left EDIT button while re-connecting the power or plugging your  
guitar into the RP50’s input.  
3.When the display reads --, release the button and press the STORE button. The display  
reads rE. The RP50 is now restored to its factory settings.  
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21  
Appendix  
Specifications:  
Input: 1/4” input  
Output: 1 - 1/4” Stereo TRS (can be used as a headphone output)  
Control In: 1/4” input (Use a passive volume pedal as an expression controller)  
A/D/A: 24 bit Delta Sigma  
Power Supply: 6 AA Batteries or DigiTech PS200R (9VDC) power supply  
Power Consumption: 5 Watts Maximum (w/ optional PS200R power supply)  
Battery Life: >15 hours with continuous useage  
Memory: 40 User/40 Factory Presets  
Effects: Pickup Simulator,Wah, Compressor, 11 Amp Models,Acoustic Guitar Simulator, 3  
band EQ, Noise Gate, Cabinet Modeling, Chorus, Flange, Phaser,Tremolo, Panner,  
Vibrato, Rotary Speaker,AutoYa™, Envelope Filter, Pitch Shift, Detune,Whammy™,  
Delay, and Reverb  
Drum Machine: 30 Patterns  
Simultaneous Effects: up to 8  
Dimensions: 6” L x 5” W x 2.125”H  
Weight: 0.85 lbs (1.85 lbs. w/ power supply)  
Download from Www.Somanuals.com. All Manuals Search And Download.  
22  
Preset List (User/Factory)  
Stacked  
Recto Delay  
Clean Chorus  
Octave Drive  
Classic Blackface  
Crunchy Phase  
Fuzz Church  
Grindy Detune  
Big Boutique  
Acoustic Chorus  
Sustainium  
Bad Dog  
Steely Phase  
Rhythm Crunch  
Metal Scoop  
Slap Rhythm  
20 Fathoms  
Electro-Sitar  
Smooth Drive  
Fuzzboy  
Surfin'  
Clean Flange  
Thickerer  
Pedal Steel  
Short Stack  
Dirt Combo  
Triplet Chunk  
Roto Jazz  
Rotary Blues  
Wahtch It  
Power Flange  
CampfireTremolo  
DetuneTube  
WhammyTime  
Mr. Guts  
Acoustic 5ths  
YaYa Sure  
Ottowah  
Volume Swell  
Octavian  
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23  
DigiTech  
8760 South Sandy Parkway  
Sandy, Utah 84070  
PH (801) 566-8800  
FAX (801) 566-7005  
DigiTech® is a registered trademark  
of the Harman Music Group Inc.  
Copyright - Harman Music Group  
Printed 5/2003  
RP50 Modeling Guitar Processor  
User’s Guide 18-1396V  
Please visit DigiTech  
on the World Wide Web at:  
Download from Www.Somanuals.com. All Manuals Search And Download.  

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