Crate Amplifiers Stereo Amplifier DX 112 User Manual
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DX-112/212 Digital Guitar Amplifier  
Welcome. Please, Read This:  
We at Crate extend our sincere “welcome” into a whole new world: a world where the  
legendary performance of a musician-made Crate amplifier combines with the wonders of  
digital amp modeling and effects. We bring you the only amplifier you’ll ever need: the  
Crate DX-112 / DX-212. The heart and soul of sixteen different amplifiers have been cap-  
tured through the miracles of digital software engineering and placed into the DX amplifier.  
Not only does the amp sound like the originals, it performs like the originals, with the same  
tones and character of all your favorites – from vintage British grit to today’s heavy metal –  
with a wide variety in between.  
Along with digital amp modeling comes sixteen digital effects, all designed to rock your  
world from here to Sunday. And, you can tweak each effect to your heart’s content!  
Got your own favorite effects? Not to worry – the DX amps have stereo line in and line  
out jacks for use as a stereo effects loop, or for connecting to an external stereo power  
amp. It’s like having your cake and eating it, too – with extra icing!  
The DX amplifier is programmable and can be controlled in a number of ways, including  
through the front panel keypad, with the optional Crate Foot Controller, or via MIDI.  
Within the pages of this Operating Guide you will find all sorts of per-  
tinent, useful and sometimes technical information which we at Crate  
felt you ought to have. Please indulge us a bit and take the time to  
actually read through this Guide at some point. Until then, for those  
of you who just can’t wait to plug in and go, we offer you:  
Quick Start: Plug In and Go!  
(page 1)  
There you’ll find just enough information to get you started. If you run  
into any situation that isn’t covered in the Quick Start section, you  
might have to – guitar gods forbid – read this guide first.  
We at Crate thank you for choosing the DX-112/212 Digital Guitar Amplifier!  
i
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DX-112/212 Digital Guitar Amplifier  
Important Safeguards and Precautions  
All Crate products are designed for continuous safe operation, as long as common sense is used and steps  
are taken to help avoid certain problems. Abiding by the following rules can help prevent damage to your  
amplifier, yourself and others.  
• The amplifier is equipped with a three-pronged AC power cord. To reduce the risk of electrical shock,  
NEVER remove or otherwise attempt to defeat the ground pin of the power cord.  
• Connect the amplifier ONLY to a properly grounded AC outlet of the proper voltage for your pre-  
amp.  
• Avoid sudden temperature extremes, rain and moisture. Also, avoid sudden and intense impact. (If the  
amplifier has been subjected to any of the preceding abuses, have it looked at by an authorized ser-  
vice center.)  
• Unplug the amplifier before cleaning it. NEVER spray liquid cleaners onto the preamp. Wipe it with a  
slightly dampened, lint-free cloth to remove dirt and film.  
• Don’t use the amplifier if it has sustained damage to the chassis, controls, or power cord. Refer the  
unit to an authorized service center for inspection.  
• NOTE: Amplifiers capable of producing high volume levels are also capable of inflicting permanent  
hearing loss or damage, if the exposure to such levels is prolonged. Such damage is progressive and  
irreversible! Caution is advised and ear protection is recommended when playing at extreme-  
ly loud levels.  
The chart below shows the U.S. Government Occupational Safety and Health Administration (OSHA)  
regulations which were in effect at the time of this publication for permissible noise exposure, per  
29CRF1910, Table G-16.  
SOUND LEVEL dBA  
SLOW RESPONSE  
DURATION PER DAY  
IN HOURS  
SOUND LEVEL dBA  
SLOW RESPONSE  
DURATION PER DAY  
IN HOURS  
90  
92  
8
6
4
3
2
102  
105  
110  
115  
1-1/2  
1
95  
1/2  
97  
100  
1/4 or less  
According to OSHA, any exposure in excess of those listed above could result in some hearing loss.  
CAUTION  
ATTENTION  
VORSICHT  
RISK OF ELECTRIC SHOCK  
DO NOT OPEN  
RISQUE D'ELECTROCUTION  
NE PAS OUVRIR  
ELEKTRISCHE SCHLAGGEFAHR  
NICHT OFFENEN  
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,  
DO NOT REMOVE COVER.  
NO USER-SERVICEABLE PARTS INSIDE.  
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.  
ATTENTION: POUR REDUIRE D'ELECTROCUTION NE PAS  
ENLEVER LE COUVERCLE. AUCUNE PIECE INTERNE N'EST REPRABLE  
PAR L'UTILISATEUR. POUR TOUTE REPARATION, S'ADRESSER A UN  
TECHNICIEN QUALIFIE.  
VORSICHT: ZUR MINIMIERUNG ELEKTRISCHER SCHLAGGEFAHR NICHT  
DEN DECKEL ABENHMEN. INTERNE TEILE KONNEN NICHT VOM  
BENUTZER GEWARTET WERDEN. DIE WARTUNG IS QUALIFIZIERTEM  
WARTUNGSPERSONAL ZU UBERLASSEN.  
THIS EQUIPMENT HAS BEEN DESIGNED AND ENGINEERED TO PROVIDE SAFE AND RELIABLE OPERATION. IN ORDER TO PROLONG THE LIFE  
OF THE UNIT AND PREVENT ACCIDENTAL DAMAGES OR INJURY, PLEASE FOLLOW THESE PRECAUTIONARY GUIDELINES:  
WARNING: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT OPEN CHASSIS; DO NOT DEFEAT OR REMOVE THE GROUND PIN OF THE  
POWER CORD; CONNECT ONLY TO A PROPERLY GROUNDED AC POWER OUTLET.  
CAUTION: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE.  
CAUTION: NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.  
CAUTION: OUR AMPLIFIERS ARE CAPABLE OF PRODUCING HIGH SOUND PRESSURE LEVELS. CONTINUED EXPOSURE TO HIGH SOUND  
PRESSURE LEVELS CAN CAUSE PERMANENT HEARING IMPAIRMENT OR LOSS. USER CAUTION IS ADVISED AND EAR PROTECTION IS REC-  
OMMENDED IF UNIT IS OPERATED AT HIGH VOLUME.  
"IT IS NECESSARY FOR THE USER TO REFER TO THE INSTRUCTION MANUAL"  
"REFERREZ-VOUS AU MANUAL D'UTILISATION"  
"UNBEDINGT IN DER BEDIENUNGSANLEITUNG NACHSCHLAGEN"  
"DANGEROUS VOLTAGE"  
"DANGER HAUTE TENSION"  
"GEFAHLICHE SPANNUNG"  
EXPLANATION OF  
GRAPHICAL SYMBOLS:  
=
=
ii  
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DX-112/212 Digital Guitar Amplifier  
Contents  
Quick Start: Plug In and Go!  
Making Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1  
A Look at the Front Panel Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3  
A Look at the Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5  
Making the Right Connections  
The Input Jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7  
The Stereo Line In and Line Out Jacks . . . . . . . . . . . . . . . . . . . . . . . . . . .7  
Using a MIDI Footswitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9  
Using the Crate Foot Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9  
The MIDI Out/Thru Jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9  
The Stereo Headphones Jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9  
The Amp Models  
Descriptions of the Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11  
Equalization and Channel Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13  
The Digital Effects  
Descriptions of the Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15  
Effects Selection and Adjustment . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17  
The Keypad  
Recalling The Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19  
Saving New Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19  
The Tap Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20  
The Manual (“MAN”) Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20  
Restoring Factory Default Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20  
Playing Favorites  
Factory Presets 1–10 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21  
User Presets 1–100 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23  
Appendices  
A. Designer’s Note: Amplifier Modeling . . . . . . . . . . . . . . . . . . . . . . .43  
Block Diagrams . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44  
B. MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45  
C. Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46  
iii  
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DX-112/212 Digital Guitar Amplifier  
Quick Start: Plug In and Go!  
Making Sound:  
INPUT/OUTPUT  
PRESET PARAMETERS  
EFFECTS  
Touch Wah  
Top Mount  
Clean  
Acoustic  
High Power  
Studio Tweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
Delay  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Calif Mod  
Tube Rectifier  
Chor/Echo  
Echo  
Rotating Spkr  
HIGH  
GAIN  
LOW  
GAIN  
MASTER  
GAIN  
BASS  
MID  
TREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
ADJUST  
Start low,  
turn up  
Adjust for  
more or  
less gain  
Modify  
the chosen  
effect  
Change the  
tone and  
volume  
Change  
as desired  
Try out the  
different  
reverb amount  
and depth  
Connect  
your  
Choose a  
digital effect  
amp models  
guitar  
1
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DX-112/212 Digital Guitar Amplifier  
Making Sound:  
• You may want to start out with the Master  
control turned down low, since this amp  
can get LOUD.  
• Connect your guitar, plug in the amp and  
POWER  
turn it on.  
• Select the manual mode by pressing the  
MAN button on the keypad.  
• Adjust the Gain control to get the amount  
of gain you want.  
Try out the  
factory presets  
(bank A,1 – 5;  
bank B, 6 – 10)  
(If you need  
to ask, ...)  
• Try out the amp models by turning the  
Amp Selector knob.  
• Use the Bass, Mid, Treble and Channel  
Level controls to change the tone and vol-  
ume. The EQ settings will vary depending  
on the amp model you choose.  
• Choose a digital effect by turning the  
Effects Selector knob.  
• Modify the chosen effect by turning the  
Effect Adjust control.  
• Adjust the reverb by turning the Reverb  
Level and Depth controls.  
• Try out the factory presets by pressing the  
numbered buttons and the A/B button on  
the Keypad.  
•When first turned on, the A/B button is  
not lit, and the numbered buttons recall  
presets 1-5 (bank A). When you press the  
A/B button it lights up, and the numbered  
buttons recall presets 6-10 (bank B).  
2
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DX-112/212 Digital Guitar Amplifier  
Quick Start: Plug In and Go!  
A Look at the Front Panel Controls:  
INPUT/OUTPUT  
PRESET PARAMETERS  
Top Mount  
Clean  
Acoustic  
High Power  
Studio Tweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Calif Mod  
Tube Rectifier  
HIGH  
GAIN  
LOW  
GAIN  
MASTER  
GAIN  
BASS  
MID  
TREBLE  
CHANNEL  
LEVEL  
1
2
3
4
5
6
7
8
9
EFFECTS  
POWER  
Touch Wah  
Compressor  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Tremolo  
Vibrato  
Chorus  
Flanger  
Delay  
Echo  
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
EFFECT  
REVERB  
REVERB  
DEPTH  
ADJUST  
LEVEL  
10  
11  
12  
13  
14  
15  
3
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DX-112/212 Digital Guitar Amplifier  
The Front Panel :  
Refer to Section / Page:  
1, 2. Inputs: Use High Gain for standard  
pickups, Low Gain for “hot” pickups and/or  
on-board active electronics.  
“The Input Jacks” – page 7,8  
3. Master: Sets the overall output level. The  
Master volume is the only non-programma-  
ble setting on the amplifier.  
4. Amp Selector: Chooses the desired amp  
“Descriptions of the Models” – page 11,12  
model.  
5. Gain: Adjusts the input gain.  
“Equalization and Channel Level” – page 13,14  
“Equalization and Channel Level” – page 13,14  
6, 7, 8. Bass, Mid, Treble: Adjusts the sig-  
nal tone.  
9. Channel Level: Sets the output level of  
the current preset.  
“Equalization and Channel Level” – page 13  
“Descriptions of the Effects” – page 15,16  
“Effects Selection and Adjustment” – page 17,18  
“Description of the Effects” – page 15,16  
10. Effects Selector: Chooses the effect  
applied to the signal.  
11. Effects Adjust: Changes one or more  
parameter of the current effect.  
12. Reverb Level: Sets the amount of rever-  
beration applied to the signal.  
13. Reverb Depth: Changes the depth and  
high-frequency damping of reverberation,  
from a very small room (fully counter-clock-  
wise) to a very large hall (fully clockwise).  
14. Keypad: Recalls and saves presets, using  
“The Keypad” – page 19,20  
the numbered buttons and the A/B button.  
15. Power: Up is on!  
(These are the barest of the bare-bones descriptions – enough to get you started. Please check out the sections and  
pages noted for more information – this goes for the rear panel, too.)  
4
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DX-112/212 Digital Guitar Amplifier  
Quick Start: Plug In and Go!  
A Look at the Rear Panel:  
CAUTION:  
TO REDUCE THE RISK  
DX-212  
AEIOU1269  
OF FIRE, REPLACE FUSE WITH SAME TYPE  
AND RATING.  
CAUTION:  
CHASSIS  
SURFACE HOT.  
ATTENTION:  
UTILISER UN FUSIBLE DE RECHANGE DE  
MEME TYPE.  
FUSE  
ATTENTION:  
SUPERFACIE  
DE CHASSIS EST  
CHAUDE.  
CAUTION  
SHOCK – DO NOT OPEN  
DX-112  
100-1220VAC:  
T1.5AA 250V  
220-2440VAC:  
T.75A 250V  
DX-212  
100-1220VAC:  
T2A 250V  
220-2440VAC:  
T1A 250V  
MADE IN THE U.S.A.  
BY SLM ELECTRONICS  
1400 FERGUSON AVENUE  
RISK OF ELECTRIC  
AVIS:RISQUE DE CHOC ELECTRIQUE  
NE PAS OUVRIR  
ST. LOUIS. MO 63133  
TO REDUCE THE RISK OF ELECTRIC SHOCK,  
DO NOT EXPOSE THIS EQUIPMENT TO RAIN  
OR MOISTURE.  
16  
17  
STEREO  
STEREO  
STEREO  
MIDI  
THRU/  
OUT  
MIDI IN/  
STANDARD  
MIDI  
HEAD  
LINE  
LINE  
IN  
FOOT  
PHONES  
OUT  
SWITCH  
CRATE  
FOOT  
CONTROLLER  
18  
19  
20  
21  
22  
23  
5
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DX-112/212 Digital Guitar Amplifier  
The Rear Panel :  
Refer to Section / Page:  
16. AC Line Cord: Plug the male end of this  
cord into a properly grounded AC outlet of  
the correct voltage. DO NOT DEFEAT THE  
GROUND PIN OF THE AC PLUG!  
17. Fuse: The fuse protects the amplifier  
against damages caused by overload condi-  
tions in the unit. If the fuse blows, replace it  
only with the same size and type as indicat-  
ed on the rear panel.  
18. Stereo Headphones: For those private  
moments, plug a pair of stereo headphones  
into this jack. The internal speaker(s) is (are)  
muted when headphones are used. (Can also  
be used for recording.)  
“Stereo Headphones Jack” – page 9,10  
“The Stereo Line In and Line Out Jacks” – page 7,8  
“The Stereo Line In and Line Out Jacks” – page 7,8  
“Using the Crate Foot Controller” – page 9,10  
19. Stereo Line Out: Connect this output to a  
stereo amplifier or effects unit.  
20. Stereo Line In: Connect the output of an  
external effects unit here.  
21. Standard MIDI/Crate Footswitch  
Controller: This switch lets you choose how  
you control your DX-112/212 – via MIDI or  
with the optional Crate Foot Controller.  
“The MIDI Thru/Out Jack” – page 9,10  
“Using a MIDI Footswitch” – page 9,10  
22. MIDI Thru/Out: Connect to another  
MIDI device you wish to control with the  
foot controller.  
23. MIDI In/Foot Switch: This jack either  
accepts a standard MIDI input or lets you use  
the Crate Foot Controller.  
(That’s all we’re gonna give you for now! To learn a whole lot more, read the rest of this guide!)  
6
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DX-112/212 Digital Guitar Amplifier  
Making the Right Connections  
The Input Jacks:  
INPUT/OUTPUT  
PRESET PARAMETERS  
EFFECTS  
POWER  
T
ouch Wah  
Top Mount  
Clean  
Acoustic  
High Power  
Studio weed  
Black Face  
Large weed  
Comp/Echo  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
Delay  
T
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Blue Voodoo  
Vintage Club  
Flexwave  
T
60s Era UK  
70s Era UK  
Ampeg VL  
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Calif Mod  
Fuzzbox  
Chor/Echo  
Echo  
Tube Rectifier  
Rotating Spkr  
HIGH  
GAIN  
LOW  
GAIN  
MASTER  
GAIN  
BASS  
MID  
TREBLE  
CHANNEL  
LEVEL  
EFFECT  
ADJUST  
REVERB  
LEVEL  
REVERB  
DEPTH  
The Stereo Line In and Line Out Jacks:  
CAUTION:  
TO REDUCE THE RISK  
DX-212  
AEIOU1269  
OF FIRE, REPLACE FUSE WITH SAME TYPE  
AND RATING.  
CAUTION:  
CHASSIS  
SURFACE HOT.  
STEREO  
HEAD  
STEREO  
LINE  
STEREO  
LINE  
MIDI  
MIDI IN/  
STANDARD  
MIDI  
ATTENTION:  
THRU/  
OUT  
FOOT  
UTILISER UN FUSIBLE DE RECHANGE DE  
MEME TYPE.  
PHONES  
OUT  
IN  
SWITCH  
CRATE  
FOOT  
FUSE  
ATTENTION:  
SUPERFACIE  
DE CHASSIS EST  
CHAUDE.  
CAUTION  
RISK OF ELECTRIC  
DO NOT OPEN  
CONTROLLER  
DX-112  
100-120VAC:  
T1.5A 250V  
220-240VAC:  
T.75A 250V  
DX-212  
100-120VAC:  
T2A 250V  
220-240VAC:  
T1A 250V  
MADE IN THE U.S.A.  
BY SLM ELECTRONICS  
1400 FERGUSON AVENUE  
ST. LOUIS. MO 63133  
SHOCK  
–
DE CHOC ELECTRIQUE  
NE PAS OUVRIR  
AVIS:RISQUE  
TO REDUCE THE RISK OF ELECTRIC SHOCK,  
DO NOT EXPOSE THIS EQUIPMENT TO RAIN  
OR MOISTURE.  
7
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DX-112/212 Digital Guitar Amplifier  
The Input Jacks:  
The DX-112/212 has two input jacks – High Gain (straight) and Low Gain (padded) – to accom-  
modate a wide range of pickups and playing styles. The jack you use depends on your type of  
pickups and the sounds you’re after.  
For example, most players will plug their guitars into the High Gain jack. These players include those  
with “normal output” pickups and some players with “hot” pickups who are looking for some  
added distortion.  
Some players will choose the Low Gain jack. These players are mostly those with “hot”/active  
pickups who want a cleaner sound, with more headroom for the Gain control.  
When nothing is plugged into either jack, the DX-112/212 mutes its internal speaker(s).  
The Stereo Line Out/In Jacks:  
The DX-112/212 has a Stereo Line In and Line Out jack (rear panel), for use as a stereo effects  
loop, or to send a preamplified signal to an external stereo power amp.  
To use an effects loop, connect the Line Out jack to the input of the effects device, then connect  
the output of the device to the Line In jack.  
To send a preamplified signal, connect a stereo signal cable from the Line Out jack to the input of  
the stereo power amplifier.  
The jacks are wired as follows: TIP = left channel, RING = right channel, SLEEVE = ground.  
The Line Out jack signal is post master, post eq, and post effects.  
to DX-112  
to DX-112  
Line In jack  
Line Out jack  
•If you want to connect a DX-112 to  
another guitar amplifier for stereo  
sound, you’ll need to make a custom  
patch cable like the one shown to the  
right. Use this cable to connect your  
DX-112 Line Out jack to the Line In  
jack of the second guitar amp AND  
the DX-112 Line In jack.  
1
2
RING  
TIP  
RING  
TIP  
SLEEVE  
SLEEVE  
TIP  
2T, 2R  
RING SLEEVE  
3T  
SLEEVE  
1
2
3
2S,3S  
TIP  
1T, 2R  
1R  
2T  
1S,3S  
3
(N/A) 1S,2S  
to second guitar amp's Line In jack  
8
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DX-112/212 Digital Guitar Amplifier  
Making the Right Connections  
Using a MIDI Footswitch:  
CAUTION:  
TO REDUCE THE RISK  
OF FIRE, REPLACE FUSE WITH SAME TYPE  
AND RATING.  
DX-212  
AEIOU1269  
CAUTION:  
CHASSIS  
SURFACE HOT.  
STEREO  
HEAD  
STEREO  
LINE  
STEREO  
LINE  
MIDI  
THRU/  
OUT  
MIDI IN/  
FOOT  
STANDARD  
MIDI  
ATTENTION:  
UTILISER UN FUSIBLE DE RECHANGE DE  
MEME TYPE.  
PHONES  
OUT  
IN  
SWITCH  
CRATE  
FOOT  
FUSE  
ATTENTION:  
SUPERFACIE  
DE CHASSIS EST  
CHAUDE.  
CAUTION  
RISK OF ELECTRIC  
DO NOT OPEN  
CONTROLLER  
DX-112  
100-1220VAC:  
T1.5A 250V  
220-2440VAC:  
T.75A 250V  
DX-212  
100-1220VAC:  
T2A 250V  
220-2440VAC:  
T1A 250V  
MADE IN THE U.S.A.  
BY SLM ELECTRONICS  
1400 FERGUSON AVENUE  
ST. LOUIS. MO 63133  
SHOCK  
–
DE CHOC ELECTRIQUE  
NE PAS OUVRIR  
AVIS:RISQUE  
TO REDUCE THE RISK OF ELECTRIC SHOCK,  
DO NOT EXPOSE THIS EQUIPMENT TO RAIN  
OR MOISTURE.  
OUT  
Using the Crate Foot Controller:  
CAUTION:  
TO REDUCE THE RISK  
DX-212  
AEIOU1269  
OF FIRE, REPLACE FUSE WITH SAME TYPE  
AND RATING.  
CAUTION:  
CHASSIS  
SURFACE HOT.  
STEREO  
HEAD  
STEREO  
LINE  
STEREO  
LINE  
MIDI  
MIDI IN/  
STANDARD  
MIDI  
ATTENTION:  
THRU/  
OUT  
FOOT  
UTILISER UN FUSIBLE DE RECHANGE DE  
MEME TYPE.  
PHONES  
OUT  
IN  
SWITCH  
CRATE  
FOOT  
FUSE  
ATTENTION:  
SUPERFACIE  
DE CHASSIS EST  
CHAUDE.  
CAUTION  
RISK OF ELECTRIC  
DO NOT OPEN  
CONTROLLER  
DX-112  
100-120VAC:  
T1.5A 250V  
220-240VAC:  
T.75A 250V  
DX-212  
100-120VAC:  
T2A 250V  
220-240VAC:  
T1A 250V  
MADE IN THE U.S.A.  
BY SLM ELECTRONICS  
1400 FERGUSON AVENUE  
ST. LOUIS. MO 63133  
SHOCK  
–
DE CHOC ELECTRIQUE  
NE PAS OUVRIR  
AVIS:RISQUE  
TO REDUCE THE RISK OF ELECTRIC SHOCK,  
DO NOT EXPOSE THIS EQUIPMENT TO RAIN  
OR MOISTURE.  
IN  
The MIDI Thru/Out Jack:  
CAUTION:  
TO REDUCE THE RISK  
OF FIRE, REPLACE FUSE WITH SAME TYPE  
AND RATING.  
DX-212  
AEIOU1269  
CAUTION:  
CHASSIS  
SURFACE HOT.  
STEREO  
HEAD  
STEREO  
LINE  
STEREO  
LINE  
MIDI  
THRU/  
OUT  
MIDI IN/  
FOOT  
STANDARD  
MIDI  
ATTENTION:  
UTILISER UN FUSIBLE DE RECHANGE DE  
MEME TYPE.  
PHONES  
OUT  
IN  
SWITCH  
CRATE  
FOOT  
FUSE  
ATTENTION:  
SUPERFACIE  
DE CHASSIS EST  
CHAUDE.  
CAUTION  
RISK OF ELECTRIC  
DO NOT OPEN  
CONTROLLER  
DX-112  
100-120VAC:  
T1.5A 250V  
220-240VAC:  
T.75A 250V  
DX-212  
100-120VAC:  
T2A 250V  
220-240VAC:  
T1A 250V  
MADE IN THE U.S.A.  
BY SLM ELECTRONICS  
1400 FERGUSON AVENUE  
ST. LOUIS. MO 63133  
SHOCK  
–
DE CHOC ELECTRIQUE  
NE PAS OUVRIR  
AVIS:RISQUE  
TO REDUCE THE RISK OF ELECTRIC SHOCK,  
DO NOT EXPOSE THIS EQUIPMENT TO RAIN  
OR MOISTURE.  
The Stereo Headphones Jack:  
CAUTION:  
TO REDUCE THE RISK  
DX-212  
AEIOU1269  
OF FIRE, REPLACE FUSE WITH SAME TYPE  
AND RATING.  
CAUTION:  
CHASSIS  
SURFACE HOT.  
STEREO  
HEAD  
STEREO  
LINE  
STEREO  
LINE  
MIDI  
THRU/  
OUT  
MIDI IN/  
FOOT  
STANDARD  
MIDI  
ATTENTION:  
UTILISER UN FUSIBLE DE RECHANGE DE  
MEME TYPE.  
PHONES  
OUT  
IN  
SWITCH  
CRATE  
FOOT  
FUSE  
ATTENTION:  
SUPERFACIE  
DE CHASSIS EST  
CHAUDE.  
CAUTION  
RISK OF ELECTRIC  
DO NOT OPEN  
CONTROLLER  
DX-112  
100-120VAC:  
T1.5A 250V  
220-240VAC:  
T.75A 250V  
DX-212  
100-120VAC:  
T2A 250V  
220-240VAC:  
T1A 250V  
MADE IN THE U.S.A.  
BY SLM ELECTRONICS  
1400 FERGUSON AVENUE  
ST. LOUIS. MO 63133  
SHOCK  
–
DE CHOC ELECTRIQUE  
NE PAS OUVRIR  
AVIS:RISQUE  
TO REDUCE THE RISK OF ELECTRIC SHOCK,  
DO NOT EXPOSE THIS EQUIPMENT TO RAIN  
OR MOISTURE.  
9
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DX-112/212 Digital Guitar Amplifier  
Using a MIDI Footswitch:  
You can store and recall a total of 100 presets when using a MIDI footswitch. These presets are  
accessed by MIDI program numbers 0 through 99. (Also, see the MIDI Implementation Chart,  
Appendix B, page 45.)  
WARNING: The MIDI In/Crate Foot Controller button must be in the OUT position  
for MIDI operation. (The IN position applies power to the Crate Foot Controller  
which could cause damage to another type of MIDI footswitch.)  
Using the Crate Foot Controller:  
The optional Crate Foot Controller (model DX-FC) lets you store and recall a total of 100 presets and  
allows foot control of the tap tempo function. The controller gets its power straight from the amplifier,  
so no external power source or batteries are needed!  
Plug the connecting cable into the MIDI In/Foot Switch jack and set the MIDI In/Crate Foot Controller  
button to the IN (foot controller) position. This applies the power needed for the Crate Foot Controller.  
(See the Foot Controller’s User’s Guide for more complete information-when you get one!)  
The MIDI Thru/Out Jack:  
The MIDI Out/Thru jack lets you control other MIDI devices with the Foot Controller. Connect this  
jack to the MIDI In jack of the device you wish to control.  
The MIDI Thru works with either a standard MIDI input (footswitch) or with the Crate Foot Controller  
plugged into the MIDI In jack, since the Crate Foot Controller sends standard MIDI messages.  
The Stereo Headphones Jack:  
Plug a pair of stereo headphones into this jack, for private listening. The internal speaker(s) is (are)  
disconnected when headphones are used. The headphones signal is speaker compensated for a  
realisticsoundevenwithoutaguitarspeakercabinet. SincethisampcanplayLOUD, becareful  
when using headphones – prolonged exposure to those high dB levels can wreak havoc on your  
eardrums!  
• The Headphones Jack can also be used as a stereo direct out for recording.  
10  
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DX-112/212 Digital Guitar Amplifier  
The Amp Models  
Description of the Models:  
INPUT/OUTPUT  
PRESET PARAMETERS  
EFFECTS  
POWER  
T
ouch Wah  
Top Mount  
Clean  
Acoustic  
High Power  
Studio weed  
Black Face  
Large weed  
Comp/Echo  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
Delay  
T
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Blue Voodoo  
Vintage Club  
Flexwave  
T
60s Era UK  
70s Era UK  
Ampeg VL  
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Calif Mod  
Fuzzbox  
Chor/Echo  
Echo  
Tube Rectifier  
Rotating Spkr  
HIGH  
GAIN  
LOW  
GAIN  
MASTER  
GAIN  
BASS  
MID  
TREBLE  
CHANNEL  
LEVEL  
EFFECT  
ADJUST  
REVERB  
LEVEL  
REVERB  
DEPTH  
The DX-112/212 is actually 16 different amplifiers in one! The software inside the amplifier con-  
vinces the signal that it’s going through the electronic components of the original amplifier, giving it  
all of the characteristics of that amp! (More or less – it’s really a lot more technical than that, but  
you get the picture. For a slightly more technical description, see Appendix A on page 43.)  
Use the amp selector knob to choose which amp model you want. The chart on the following  
page lists the name we gave the amp model, the “make and model” of the amp we emulated, and  
a brief description of the original amp.  
Top Mount  
Clean  
Acoustic  
High Power  
Studio Tweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
Tube Rectifier  
11  
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DX-112/212 Digital Guitar Amplifier  
Model Name Modeled After the...  
Brief Description  
Top Mount  
Vox AC 30  
Bright with a great clean sound at low gain, distorts smoothly at high gain  
settings – an early 60’s amp with lots of 2nd and 3rd order harmonics,  
favored by the Beatles for the rhythm and lead tracks in their early days  
High Power  
Hi Watt DR  
An early 60’s “upmarket” alternative to the popular Marshall amp – loud-  
er and cleaner than most  
Studio Tweed Fender Deluxe 5E3  
The sound from which Rock ‘n’ Roll was born – Fender’s early 50’s claim  
to fame  
Black Face  
Fender Deluxe Reverb AA763 The classic tube amp – one of the first amps with reverb, a mid-60’s sta-  
ple to the rock and roll diet (considered by some to be one of the best  
amps ever made)  
Large Tweed  
60s Era UK  
Fender Bassman 5F6-A  
Originally designed for bass, favored by guitarists for its big sound – a late  
50’s classic  
Marshall 1959  
The renowned “brown sound” – a softer, smoother Marshall than the  
more modern creations  
70s Era UK  
Fuzzbox  
Marshall JCM 800  
The sound of ROCK! – loud and powerful with a definitive edge  
Jimi would be proud – the classic stomp box distortion of his day  
Barre chord Heaven – the beginning of the modern high-gain amp era  
Dallas-Arbiter Fuzz Face  
Tube Rectifier Mesa-Boogie Dual Rectifier  
Calif Mod  
Ampeg VL  
Flexwave  
Mesa-Boogie Mark IIC+  
Tons of overdrive and sustain; the sound of Santana! – the hot-rodded  
powerhouse Simul-Class amplifier  
Ampeg VL-501  
A hot-rodded Marshall-style amp – powerful, lots of distortion and multi-  
ple gain stages  
Crate GX-140C  
The massively overdriven, solid state Crate sound preferred by Metal-  
Heads everywhere – a solid-state competitor for most classic tube amps  
due to Crate’s proprietary FlexWave circuitry  
Vintage Club Crate VC-60  
Blue Voodoo Crate BV-60  
A unique combination of both modern high-gain and classic tube amps  
– bringing back the “vintage” sound of the early days of rock  
Awesome modern high-gain tone – smooth, clean, and powerful  
Acoustic  
Clean  
Boss AC-1 Acoustic Simulator Makes your electric guitar sound like an acoustic  
Crate GX-140C  
Clean Jazz sound – just enough of a an edge to get your message across  
A l l - i mp o rtant , lega l, “ cover -our -rea r-e nd s” blur b!  
Vox, Hi Watt, Fender, Marshall, Dallas-Arbiter, Mesa-Boogie, Boss, and the names of their respective products are all trademark s of their  
respective companies, and have no affiliation with Crate and/or SLM Electronics, or with the DX-112/212 amplifier. These companies and  
their products are acknowledged herein because we listened to their stuff and modeled some of their sounds into our amplifier.  
Also, the above descriptions are paraphrased synopses of many of our own experiences with the amplifiers, along with information from the  
“The Tube Amp Book, 4th Edition.”  
12  
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DX-112/212 Digital Guitar Amplifier  
The Amp Models  
Equalization and Channel Level:  
INPUT/OUTPUT  
PRESET PARAMETERS  
EFFECTS  
POWER  
T
ouch Wah  
Top Mount  
Clean  
Acoustic  
High Power  
Studio weed  
Black Face  
Large weed  
Comp/Echo  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
Delay  
T
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Blue Voodoo  
Vintage Club  
Flexwave  
T
60s Era UK  
70s Era UK  
Ampeg VL  
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Calif Mod  
Fuzzbox  
Chor/Echo  
Echo  
Tube Rectifier  
Rotating Spkr  
HIGH  
GAIN  
LOW  
GAIN  
MASTER  
GAIN  
BASS  
MID  
TREBLE  
CHANNEL  
LEVEL  
EFFECT  
ADJUST  
REVERB  
LEVEL  
REVERB  
DEPTH  
Each DX-112/212 amp model has its own specifications and placement in the signal chain for its  
Gain, Bass, Mid, and Treble. (In other words, the controls affect the signal the same in the amp  
model as they do on the original amplifier.)  
Use the Preset Parameter controls (Gain, Bass, Mid, Treble, Channel Level) to change the gain, eq  
and volume of the selected amp model. The chart on the following page lists the model name and  
the specifications/placement for the Drive and EQ controls.  
TIP! When using the Acoustic or Clean amp models, set the Channel Level to maximum  
and use the Gain control for your volume level.  
Top Mount  
Clean  
Acoustic  
High Power  
Studio Tweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
α
Ω
α
Ω
Calif Mod  
Tube Rectifier  
GAIN  
(Use as volume  
control)  
CHANNEL  
LEVEL  
13  
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DX-112/212 Digital Guitar Amplifier  
Name  
Amplifier Modeled  
Vox AC 30  
Simplified Representation of EQ Position in Signal Chain  
GAIN  
GAIN  
EQ  
EQ  
GAIN  
GAIN  
Top Mount  
High Power  
Studio Tweed  
Black Face  
Large Tweed  
60s Era UK  
70s ERA UK  
Fuzzbox  
Hi Watt DR  
EQ  
EQ  
GAIN  
GAIN  
EQ  
Fender Deluxe 5E3  
Fender Deluxe Reverb AA763  
Fender Bassman 5F6-A  
Marshall 1959  
(TREBLE)  
(MID/BASS)  
EQ  
GAIN  
GAIN  
GAIN  
EQ  
GAIN  
GAIN  
GAIN  
EQ  
GAIN  
Marshall JCM 800  
Dallas-Arbiter Fuzz Face  
Mesa-Boogie Dual Rectifier  
Mesa-Boogie Mark IIC+  
Ampeg VL-501  
GAIN  
EQ  
GAIN  
EQ  
GAIN  
GAIN  
GAIN  
EQ  
GAIN  
EQ  
Tube Rectifier  
Calif Mod  
Ampeg VL  
Flexwave  
GAIN  
Crate GX-140C  
GAIN  
EQ  
GAIN  
GAIN  
GAIN  
GAIN  
EQ  
EQ  
Vintage Club  
Blue Voodoo  
Acoustic  
Crate VC-60  
Crate BV-60  
Boss AC-1 Acoustic Simulator  
Crate GX-140C  
EQ  
EQ  
GAIN  
GAIN  
Clean  
All-important, legal, “cover-our-rear-ends” blurb! Again!  
Vox, Hi Watt, Fender, Marshall, Dallas-Arbiter, Mesa-Boogie, Boss, and the names of their respective products are all trademark s of their  
respective companies, and have no affiliation with Crate and/or SLM Electronics, or with the DX-112/212 amplifier. These companies and  
their products are acknowledged herein because we listened to their stuff and modeled some of their sounds into our amplifier.  
14  
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DX-112/212 Digital Guitar Amplifier  
The Digital Effects  
Description of the Effects:  
INPUT/OUTPUT  
PRESET PARAMETERS  
EFFECTS  
POWER  
T
ouch Wah  
Top Mount  
Clean  
Acoustic  
High Power  
Studio weed  
Black Face  
Large weed  
Comp/Echo  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
Delay  
T
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Blue Voodoo  
Vintage Club  
Flexwave  
T
60s Era UK  
70s Era UK  
Ampeg VL  
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Calif Mod  
Fuzzbox  
Chor/Echo  
Echo  
Tube Rectifier  
Rotating Spkr  
HIGH  
GAIN  
LOW  
GAIN  
MASTER  
GAIN  
BASS  
MID  
TREBLE  
CHANNEL  
LEVEL  
EFFECT  
ADJUST  
REVERB  
LEVEL  
REVERB  
DEPTH  
The DX-112/212 has 16 built-in digital effects, each with one or more adjustable parameters. The  
chart on the following page lists the name of the effect and gives a brief description.  
Touch Wah  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
Delay  
Chor/Echo  
Echo  
Rotating Spkr  
NOTE: The DX-112/212 has built-in noise reduction to ensure a more quiet operation. This circuit  
is always active when the amp is on.  
15  
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DX-112/212 Digital Guitar Amplifier  
Effect  
Stereo?  
Description  
Touch Wah  
Functions as an Auto-Wah (Touch Wah) or normal wah-wah when used  
with an expression pedal and the optional Crate Foot Controller  
Compressor  
Limits the dynamic range of the signal – increases the apparent sustain  
of the signal (applied pre-amplifier model)  
Tremolo  
Vibrato  
Chorus  
Modulates the amplitude of the signal  
Modulates the pitch of the signal  
Yes  
Thickens the original signal with slowly pitch-modulated and delayed  
versions of the original signal  
Flanger  
Adds a slowly time-varying version of the original signal  
Adds a delayed version of the signal  
Delay  
Echo  
Adds a delayed signal with regeneration  
Reproduces the classic sound of a Leslie rotating speaker  
A combination of chorus and echo  
Rotating Speaker  
Chorus/Echo  
Flange/Echo  
Compressor/Vibrato/Echo  
Yes  
Yes  
A combination of flange and echo  
A combination of compressor (pre-amplifier model) and vibrato and  
echo (post-amplifier model)  
Compressor/Chorus/Echo  
Compressor/Flange/Echo  
Compressor/Chorus  
Yes  
Yes  
Yes  
A combination of compressor (pre-amplifier model) and chorus and  
echo (post-amplifier model)  
A combination of compressor (pre-amplifier model) and flange and  
echo (post-amplifier model)  
A combination of compressor (pre-amplifier model) and chorus (post-  
amplifier model)  
Compressor/Echo  
A combination of compressor (pre-amplifier model) and echo (post-  
amplifier model)  
Reverb Level and Depth  
(separate from the  
Reproduces the sound of a reverberant room  
Effects Selector knob)  
Yet another important legal blurb!  
Leslie is a registered trademark of Hammond Suzuki USA, Inc.  
16  
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DX-112/212 Digital Guitar Amplifier  
The Digital Effects  
Effects Selection and Adjustment:  
INPUT/OUTPUT  
PRESET PARAMETERS  
EFFECTS  
POWER  
T
ouch Wah  
Top Mount  
Clean  
Acoustic  
High Power  
Studio weed  
Black Face  
Large weed  
Comp/Echo  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
Delay  
T
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Blue Voodoo  
Vintage Club  
Flexwave  
T
DIGITAL  
60s Era UK  
70s Era UK  
Ampeg VL  
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Calif Mod  
Fuzzbox  
Chor/Echo  
Echo  
Tube Rectifier  
Rotating Spkr  
HIGH  
GAIN  
LOW  
GAIN  
MASTER  
GAIN  
BASS  
MID  
TREBLE  
CHANNEL  
LEVEL  
EFFECT  
ADJUST  
REVERB  
LEVEL  
REVERB  
DEPTH  
Each of the digital effects has one or more parameters you can change by using the Effects  
Adjust control. All of the effects (except the compressor and the Touch Wah) can also be  
changed by using the Tap function – either through the Keypad, or with the Crate Foot  
Controller. The chart on the following page lists the effects along with the parameter(s) affected  
by the Effects Adjust knob and the Tap button.  
NOTE: On multi-effects, modulation speed and echo time are set simultaneously by the Tap button.  
• To bypass effects, turn the Effect Adjust control fully counter-clockwise and select the  
Compressor effect. (Notice the chart on page 18: There is no compression with the Effect Adjust  
knob full counter-clockwise, therefore no effects are applied to the signal – thus, “effects bypass.”)  
Touch Wah  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
Delay  
α
Ω
Chor/Echo  
Echo  
Rotating Spkr  
EFFECT  
ADJUST  
17  
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DX-112/212 Digital Guitar Amplifier  
Effect  
Effect Adjust knob controls:  
Tap button controls:  
See Note(s)  
Touch Wah  
Sensitivity (Auto-Wah only)  
——  
Compressor  
Tremolo  
Ratio (See Below )  
——  
*
Depth of Amplitude Modulation  
Depth of Pitch Modulation  
Level of Chorused Signal  
Max. Time Delay: 0–5ms  
Level of Delayed Signal  
Speed: 2 cycles/tap  
Speed: 2 cycles/tap  
Speed: 1 cycles/tap  
Speed: 1/4 cycle/tap  
Time: .033–1.12 sec  
Time: .033–1.12 sec  
Speed: 2 cycles/tap  
Vibrato  
Chorus  
Flanger  
1
2
2
Delay  
Echo  
Regeneration  
Rotating Speaker  
Chorus/Echo  
Depth of Amplitude/Pitch Mod’n  
Chorus Level, Echo Regeneration  
Chorus Speed: 1 cycle/tap,  
Echo Time: .033-1.12 sec  
2
Flange/Echo  
Echo Regeneration  
Flange Speed: 1/4 cycle/tap,  
Echo Time: .033-1.12 sec  
1,2  
Compressor/Vibrato/Echo  
Compressor/Chorus/Echo  
Compressor/Flange/Echo  
Vibrato Depth, Echo Regeneration  
Chorus Level, Echo Regeneration  
Echo Regeneration  
Vibrato Speed: 2 cycles/tap,  
Echo Time: .033-1.12 sec  
2,3  
Chorus Speed: 1 cycle/tap,  
Echo Time: .033-1.12 sec  
2,3  
Flange Speed: 1/4 cycle/tap,  
Echo Time: .033-1.12 sec  
1,2,3  
Compressor/Chorus  
Compressor/Echo  
Chorus Level  
Chorus Speed: 1 cycle/tap  
Echo Time: .033-1.12 sec  
2,3  
2,3  
Echo Regeneration  
Note 1: Mix fixed at 50%  
Note 2: Tap periods exceeding 1.12 seconds are automatically adjusted to an allowable echo/delay time that fits the current tempo  
Note 3: Compression ratio fixed at 10:1  
approx rotation of  
compression  
ratio  
Effect Adjust control (%)  
0
30  
40  
50  
60  
70  
80  
90  
100  
1:1 (no compression)  
The table to the right shows how the Effect  
Adjust control changes the compression ratio  
when the Compressor ONLY is chosen.  
*
2:1  
3:1  
4:1  
6:1  
10:1  
20:1  
100:1  
:1  
∞
18  
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DX-112/212 Digital Guitar Amplifier  
The Keypad  
INPUT/OUTPUT  
PRESET PARAMETERS  
EFFECTS  
POWER  
T
ouch Wah  
Top Mount  
Clean  
Acoustic  
High Power  
Studio weed  
Black Face  
Large weed  
Comp/Echo  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
Delay  
T
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Blue Voodoo  
Vintage Club  
Flexwave  
T
60s Era UK  
70s Era UK  
Ampeg VL  
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Calif Mod  
Fuzzbox  
Chor/Echo  
Echo  
Tube Rectifier  
Rotating Spkr  
HIGH  
GAIN  
LOW  
GAIN  
MASTER  
GAIN  
BASS  
MID  
TREBLE  
CHANNEL  
LEVEL  
EFFECT  
ADJUST  
REVERB  
LEVEL  
REVERB  
DEPTH  
The DX-112/212’s Keypad has many uses – aside from recalling presets (as mentioned in the  
QuickStart part of this guide):  
Recalling the Presets:  
There are ten presets accessible from the keypad, in two banks of five per bank: with the A/B but-  
ton off (not lit), the numbered buttons to recall presets 1–5 (bank A); with the A/B button lit, the  
buttons recall presets 6–10 (bank B). Each preset stores its own set of parameters (amp selection,  
tones, level, effect, etc.). Once a preset is selected, turning a knob will change that knob’s setting  
only – the other settings will electronically remain at their virtual positions until you change them.  
“What’s a virtual position?” (Good Question!) It’s the setting that the amp remem-  
bers for each knob when a preset is stored. Example: Let’s say the Gain control  
was at 10:00 when preset 1 was saved, then changed to the 3:00 position. The  
actual setting for the knob is 3:00. Recall preset 1 and even though the knob is  
physically pointing to 3:00, the amp acts as if the knob were set to the 10:00 posi-  
tion – because that’s the virtual position for that knob in preset 1. (Got it?)  
?
Saving New Presets:  
Once you get a sound setting you want to keep, assigning it to a preset button is easy: press and  
hold the desired button (1–5, bank A; 6–10, bank B) until the keypad flashes (about 3 seconds).  
The settings are now stored at that preset location.  
(NOTE: The charts on pages 23 through 42 give you a place to record the settings for your presets.  
Presets 1–10 are accessible through the keypad, presets 11–100 are accessible by use of the  
optional Crate Footswitch Controller)  
19  
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DX-112/212 Digital Guitar Amplifier  
The Tap Button:  
The Tap button lets you match the delay time and modulation speeds of the effects (except for  
the compressor, which has no delay or modulation) to the tempo of the piece you’re playing. Just  
tap your finger in time to the beat, on the Tap button of course, and the selected effect will change  
accordingly. The Tap button flashes in time with its tempo.  
(NOTE: The chart on page 18 lists specifically what the Tap button controls for each effect setting.)  
The Manual (“MAN”) Button:  
When you call up a preset, the preset remembers how the controls were set when the preset was  
stored (their virtual positions), and basically ignores their current settings. Pressing the Manual but-  
ton makes the amp pay attention to the actual positions of the controls and applies their settings to  
the sound.  
Another function of the Manual button:  
• Restoring Factory Default Presets: To restore the presets to their original factory settings, press  
and hold the Manual button and button #5 until the keypad flashes (about 3 seconds). Then turn  
the amp off, wait five seconds, and turn it back on. The presets are now restored to the original  
factory settings.  
WARNING! Restoring the factory presets wipes out any and all changes  
you’ve made and any new presets you’ve stored, so use it carefully.  
Other things you should know about the lit buttons:  
• As soon as you change any of the controls (except for the Master volume), the preset button  
starts flashing. That’s its way of saying “Hey! You’ve changed me!” A tap on the flashing button  
returns the preset to its original parameters – and makes the button stop flashing. Of course,  
you can save the changes, as described under “Saving New Presets” on the facing page.  
• When you change banks, the preset button will go out as soon as you press the A/B button,  
but no other changes are made until another numbered button is pressed. In other words,  
although there is a visual change, the amp won’t store the preset or switch to a different one  
(depending on how long you press the numbered button) until you want it to.  
20  
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DX-112/212 Digital Guitar Amplifier  
(A/B BUTTON NOT LIT)  
FACTORY PRESETS 1–5 - BANK A  
These two pages show the first ten factory presets for your DX-112/212 amplifier. Use the  
numbered buttons and the A/B button on the keypad to access them. (The following pages  
provide you with charts for your favorite presets.)  
“Unplugged”  
N/A  
1
Preset #  
We call it:  
TAP =  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
EFFECT:  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
LEVEL  
ADJUST  
“60’s Rock”  
102  
2
Preset #  
We call it:  
TAP =  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
EFFECT:  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
LEVEL  
ADJUST  
“Live at Leeds”  
114  
3
Preset #  
We call it:  
TAP =  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
EFFECT:  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
LEVEL  
ADJUST  
“Voodoo Child”  
N/A  
4
Preset #  
We call it:  
TAP =  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
EFFECT:  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
LEVEL  
ADJUST  
“Arena Rock”  
62  
5
Preset #  
We call it:  
TAP =  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
EFFECT:  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
LEVEL  
ADJUST  
21  
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DX-112/212 Digital Guitar Amplifier  
(A/B BUTTON LIT)  
FACTORY PRESETS 6–10 - BANK B  
“Jazzy Chorus”  
61  
Preset #  
6
We call it:  
TAP =  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
EFFECT:  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
Ω
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
LEVEL  
ADJUST  
“British Invasion”  
162  
Preset #  
7
We call it:  
TAP =  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
EFFECT:  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
LEVEL  
ADJUST  
“Smoky Bar Blues”  
275  
Preset #  
8
We call it:  
TAP =  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
EFFECT:  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
LEVEL  
ADJUST  
“Space Rock”  
44  
Preset #  
9
We call it:  
TAP =  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
EFFECT:  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
LEVEL  
ADJUST  
“Full Metal Jacket” (Crank it!!)  
N/A  
10  
Preset #  
We call it:  
TAP =  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
EFFECT:  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
Ω
α
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
LEVEL  
ADJUST  
22  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 1– 5 - BANK A  
Playing Favorites:  
Use the blank charts in this section to record the knob settings of your favorite presets.  
(We suggest using a pencil so you can go back and make changes later. You could also  
photocopy one of the pages while it’s still blank.)  
1
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
2
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
3
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
4
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
5
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
23  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 6–10 - BANK B  
6
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
7
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
8
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
9
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
10  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
24  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 11–16 - BANK A  
NOTE: Presets 11–100 are only accessable through the optional Crate Foot Controller  
11  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
12  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
13  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
14  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
15  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
25  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 16–20 - BANK B  
16  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
17  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
18  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
19  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
20  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
26  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 21–25 - BANK A  
21  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
22  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
23  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
24  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
25  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
27  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 26–30 - BANK B  
26  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
27  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
28  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
29  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
30  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
28  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 31–35 - BANK A  
31  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
32  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
33  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
34  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
35  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
29  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 36–40 - BANK B  
36  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
37  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
38  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
39  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
40  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
30  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 41–45 - BANK A  
41  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
42  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
43  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
44  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
45  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
31  
Download from Www.Somanuals.com. All Manuals Search And Download.  
DX-112/212 Digital Guitar Amplifier  
USER PRESETS 46–50 - BANK B  
46  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
47  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
48  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
49  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
50  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
32  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 51–55 - BANK A  
51  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
52  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
53  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
54  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
55  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
33  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 56–60 - BANK B  
56  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
57  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
58  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
59  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
60  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
34  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 61–65 - BANK A  
61  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
62  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
63  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
64  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
65  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
35  
Download from Www.Somanuals.com. All Manuals Search And Download.  
DX-112/212 Digital Guitar Amplifier  
USER PRESETS 66–70 - BANK B  
66  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
67  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
68  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
69  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
70  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
36  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 71–75 - BANK A  
71  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
72  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
73  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
74  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
75  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
37  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 76–80 - BANK B  
76  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
77  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
78  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
79  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
80  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
38  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 81–85 - BANK A  
81  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
82  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
83  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
84  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
85  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
39  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 86–90 - BANK B  
86  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
87  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
88  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
89  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
90  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
40  
Download from Www.Somanuals.com. All Manuals Search And Download.  
DX-112/212 Digital Guitar Amplifier  
USER PRESETS 91–95 - BANK A  
91  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
92  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
93  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
94  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
95  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
41  
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DX-112/212 Digital Guitar Amplifier  
USER PRESETS 96–100 - BANK B  
96  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
α
α
α
α
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
97  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
98  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
99  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
100  
Preset #  
I think I'll call it:  
Set TAP for  
beats/minute  
Clean  
Acoustic  
Top Mount  
High Power  
StudioTweed  
Black Face  
Large Tweed  
60s Era UK  
70s Era UK  
Fuzzbox  
Comp/Echo  
Comp/Chorus  
Cmp/Flg/Echo  
Cmp/Cho/Echo  
Cmp/Vib/Echo  
Flange/Echo  
Touch Wah  
Compressor  
Tremolo  
Vibrato  
Chorus  
Flanger  
AMP MODEL:  
(CHECK ONE)  
EFFECT:  
(CHECK ONE)  
Blue Voodoo  
Vintage Club  
Flexwave  
Ampeg VL  
Calif Mod  
α
Ω
Ω
Ω
Ω
α
Ω
α
Ω
α
Ω
α
Ω
Chor/Echo  
Rotating Spkr  
Delay  
Echo  
GAIN  
BASS  
MIDTREBLE  
CHANNEL  
LEVEL  
EFFECT  
REVERB  
LEVEL  
REVERB  
DEPTH  
Tube Rectifier  
ADJUST  
42  
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DX-112/212 Digital Guitar Amplifier  
Appendix A  
Designer’s Note: Amplifier Modeling:  
Building an amplifier model is really not much different than building an actual amplifier. With an  
actual amplifier you start with components like tubes, transformers, resistors, capacitors, and a  
speaker, and put them together to create an amplifier. With a virtual amplifier you start with virtual  
components and put them together to create an amplifier model.  
It all starts with what many consider to be the "magic" in the sound of many vintage amplifiers: the  
vacuum tube. We created a tube model flexible enough to emulate different types of vacuum  
tubes, from preamp tubes such as the 12AX7 to power amp tubes like the 6L6 and the EL84.  
Next, we constructed models to duplicate the filtering and equalization that takes place between  
the gain stages of an amplifier. These equalization models are adaptable to precisely emulate the  
frequency characteristics of a specific amplifier’s controls. We even created models for the output  
transformer and power supply sag characteristics.  
After extensive research, we discovered that there's really no magic in the tube itself. Much of the  
tube amplifier sound is a result of not just the tube, but the way the tube interacts with the other  
components in the amplifier. We created our tube models to interact with the other components  
in our virtual amplifiers, just like the real thing.  
After we developed our component models, we put them together to create our virtual amplifiers.  
We sound tested our amplifier models extensively to ensure that they remained true to the sound  
and feel of the original amplifier. Although we may have taken the magic out of the tube, we  
wanted to keep the magic of the tube sound.  
The diagrams on the following page show the signal chain of the DX-112/212 amplifier.  
43  
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DX-112/212 Digital Guitar Amplifier  
Block Diagrams:  
• The analog signal path, from the input jack to the speaker(s).  
RIGHT PWR AMP  
0dB  
DX-112  
ONLY  
HIGH  
GAIN  
DIGITAL  
SIGNAL  
PROCESSOR  
INPUT  
MUTE  
LINE LINE  
OUT IN  
–6dB  
MASTER  
LOW  
GAIN  
INPUT  
DX-212  
ONLY  
LEFT PWR AMP  
HEAD  
PHONES  
MUTE  
• The digital signal path, which is the path the signal takes inside the digital signal processor.  
NOISE  
REDUCTION  
STEREO  
OUTPUTS  
DELAY  
MODULATION  
AMP  
MODEL  
INPUT  
COMPRESSOR  
TREMOLO  
REVERB  
CH.  
LEVEL  
GAIN  
REVERB LEVEL  
EFFECTS SELECT  
EFFECTS ADJUST  
REVERB DEPTH  
TAP BUTTON  
AMP SELECT, GAIN, TREBLE, MID, BASS  
• A typical Amplifier Model. This simplified block diagram shows the digital signal path through the  
many virtual components of the Studio Tweed Amplifier Model. Note that the Fender Deluxe  
did not have a Mid or Bass control, so we added these controls post-gain.  
PREAMP  
TUBE  
PRE EQ/  
VOLUME  
PREAMP  
TUBE  
PREAMP  
TUBE  
POWER AMP  
TUBE  
OUTPUT  
TRANSFORMER  
CABINET/  
SPEAKER  
POST EQ*  
INPUT  
FROM  
COMPRESSOR  
OUTPUT TO  
CH. LEVEL  
CONTROL  
GAIN TREBLE  
MID BASS  
*ADDITION TO  
ORIGINAL AMPLIFIER  
44  
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DX-112/212 Digital Guitar Amplifier  
Appendix B  
MIDI Implementation Chart:  
[Crate Digital Guitar Amplifier]  
MODEL DX-112/212  
Date: 02/18/99  
Version: 1.1  
Transmitted  
Recognized  
Remarks  
Function  
X
X
OMNI  
X
Basic  
Channel  
Default  
Changed  
X
X
X
Mode 1  
Mode  
Default  
Messages  
Altered  
X
X
X
X
X
X
Note  
Number  
True Voice  
X
X
X
X
Velocity  
Note ON  
Note OFF  
X
X
X
X
After  
Touch  
Key's  
Ch's  
X
X
Pitch Bender  
Default  
X
X
X
X
Control  
Change  
X
X
O
X
0 – 99  
Prog  
Change  
True Number  
X
X
System Exclusive  
X
X
X
X
X
X
System  
Common  
Song Pos  
Song Sel  
Tu n e  
X
X
X
X
System  
Real Time  
Clock  
Commands  
X
X
X
X
X
X
X
X
Aux  
Messages  
Local ON/OFF  
All Notes Off  
Active Sense  
Reset  
Notes  
Mode 1: OMNI ON, POLY  
Mode 3: OMNI OFF, POLY  
Mode 2: OMNI ON, MONO  
Mode 4: OMNI OFF, MONO  
O: YES  
X: NO  
45  
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DX-112/212 Digital Guitar Amplifier  
Appendix C  
Specifications:  
Analog:  
Output Power Rating  
Input Impedance  
DX-112 60 watts RMS; DX-212 100 watts RMS (50W RMS x 2)  
High gain 80k ohm; Low gain 150k ohm  
Line Input Impedance  
Line Output Impedance  
Headphone Impedance  
Internal Speaker(s)  
47k ohm  
1k ohm  
32 ohm minimum  
DX-112 (1) 12” Custom Eminence, 8 ohms; DX-212 (2) 12” Custom Eminence, 8 ohms  
120VAC, 60Hz, 200VA; 100/115VAC, 50/60Hz, 200VA; 230VAC, 50/60Hz, 200VA  
DX-112/212 21.4”H x 27.9”W x 10.2”D; DX-112 50 lbs; DX-212 57 lbs  
Power Requirements  
Size and Weight  
Digital:  
Analog to Digital Conversion  
Digital to Analog Conversion  
Conversion Rate  
20-bit Delta-Sigma w/64X oversampling  
20-bit Delta-Sigma w/128X oversampling  
46.875 kHz  
Digital Signal Processor  
24-bit operating at >40 million instructions/second  
Final Note:  
No oversampling was used in our emulation software, and no animals were harmed during its design and development.  
46  
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www.crateamps.com  
47-825-02  
02/99  
©1999 SLM Electronics, Inc. • A Division of St. Louis Music, Inc.  
1400 Ferguson Avenue • St. Louis, MO 63133  
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