Casio Video Game Keyboard px 330 User Manual

USER’S GUIDE

GUÍA DEL USUARIO

Please keep all information for future reference.

Guarde toda documentación para futuras consultas.

Safety Precautions

Before trying to use the piano, be sure to read

the separate “Safety Precautions”.

Precauciones de seguridad

Antes de intentar usar el piano, asegúrese de

leer las “Precauciones de seguridad” separadas.

PX330ES1B

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Contents

General Guide...........................E-2

Recording Your

Installing the Music Stand........................................... E-3

Saving Settings and Using Panel Lock....................... E-4

Keyboard Play ........................E-34

Recording or Playing Back a Single Song ................E-34

Recording or Playing Back Multiple Songs ...............E-35

Recording to a Specific Track (Part) .........................E-35

Deleting Recorder Data.............................................E-37

Returning the Digital Piano to Its

Factory Default Settings ............................................. E-4

Power Outlet .............................E-5

Re-recording Part of a Recorder Song

(Punch-in Recording) ................................................E-37

Using an AC Adaptor.................................................. E-5

Connections..............................E-6

Other Settings.........................E-40

Connecting Headphones ............................................ E-6

Connecting a Pedal .................................................... E-6

Connecting Audio Equipment or an Amplifier............. E-7

Bundled and Optional Accessories............................. E-8

Configuring Settings..................................................E-40

Using a Memory Card ............E-44

Loading and Removing a Memory Card ...................E-45

Formatting a Memory Card .......................................E-45

Saving Digital Piano Data to a Memory Card............E-46

Loading Data from a Memory Card...........................E-47

Deleting Memory Card Data......................................E-47

Renaming a Memory Card File .................................E-48

Playing Back a Song from a Memory Card...............E-48

Using Built-in Tones ................E-9

Turning on the Digital Piano and

Playing Something...................................................... E-9

Selecting a Tone......................................................... E-9

Layering Two Tones ................................................. E-10

Splitting the Keyboard between Two Tones ............. E-11

Using Octave Shift.................................................... E-12

Adjusting the Brilliance of a Tone ............................. E-12

Adding Reverb to the Tone....................................... E-13

Adding the Chorus Effect to the Tone....................... E-13

Using the Metronome ............................................... E-14

Using the Pitch Bend Wheel..................................... E-15

Playing a Duet .......................................................... E-15

Saving Data to Digital Piano Memory

(Internal Area) Instead of a Memory Card.................E-49

Error Messages.........................................................E-50

Connecting to a Computer ....E-51

Minimum Computer System Requirements ..............E-51

Connecting the Digital Piano to Your Computer .......E-51

Using MIDI ................................................................E-52

Transferring Data between the Digital Piano

and a Computer ........................................................E-52

Using Auto

Accompaniment .....................E-17

Reference................................E-56

Playing an Auto Accompaniment.............................. E-17

Using One-Touch Presets ........................................ E-20

Using Auto Harmonize.............................................. E-20

Creating Your Own Original Rhythms....................... E-21

Troubleshooting ........................................................E-56

Product Specifications...............................................E-57

Operating Precautions ..............................................E-58

Appendix...................................A-1

Playing Demo Songs..............E-24

Tone List .....................................................................A-1

Drum Assignment List.................................................A-3

Rhythm List .................................................................A-4

Music Preset List.........................................................A-6

Fingering Guide...........................................................A-8

Chord Example List.....................................................A-9

Playing Tone Demo Songs....................................... E-24

Listening to Songs Loaded from an

External Source ........................................................ E-25

Music Presets .........................E-27

Selecting a Music Preset .......................................... E-27

Creating an Original User Preset.............................. E-28

MIDI Implementation Chart

Registering Tone and

Rhythm Setups.......................E-32

Saving Registration Data.......................................... E-33

Recalling a Registration............................................ E-33

Company and product names used in this

manual may be registered trademarks of others.

E-1

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General Guide

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Back

Left Side

Bottom

E-2

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General Guide

• This manual uses the numbers and names below to refer to buttons and controllers.

VOLUME controller

VIBES/CLAVI button

INTRO/REPEAT button

ORGAN button

NORMAL/FILL-IN, sREW button

VARIATION/FILL-IN, dFF button

SYNCHRO/ENDING, PAUSE button

START/STOP, PLAY/STOP button

ACCOMP ON/OFF, PART button

METRONOME button

STRINGS/SYNTH-PAD button

BASS/GUITAR button

VARIOUS/GM TONES button

REVERB, REV TYPE, EXIT button

CHORUS, CHOR TYPE, u button

SPLIT, SPLIT POINT, i button

RECORDER button

CARD/INTERNAL, SAVE/LOAD,

ENTER button

TEMPO buttons

STORE, USB DEVICE MODE button

SD CARD SLOT

RHYTHM, USER SONGS button

POPS/JAZZ, MUSIC PRESET button

LATIN/WORLD, MUSIC PRESET button

PITCH BEND wheel

USB port

BALLAD/PIANO RHYTHMS,

RHYTHM EDITOR button

MIDI OUT/IN terminals

USER RHYTHMS, RHYTHM EDITOR button

Display

DAMPER, SOFT/SOSTENUTO PEDAL jacks

DC 12V terminal

TONE, REGISTRATION button

FUNCTION button

LINE OUT R, L/MONO jacks

LINE IN R, L/MONO jacks

POWER button

w/NO, q/YES buttons

GRAND PIANO (MODERN) button

GRAND PIANO (CLASSIC) button

ELEC PIANO button

PHONES jacks

Pedal connector

* Installing the Music Stand

Insert the bottom of the music stand into the

groove on the top of the Digital Piano’s

console.

E-3

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General Guide

Saving Settings and Using

Panel Lock

Your Digital Piano lets you save its current settings,

and lock its buttons to protect against operation errors.

For details, see “Setting Backup” (page E-43) and

“Panel Lock” (page E-43).

Returning the Digital Piano to

Its Factory Default Settings

Perform the following procedure when you want to

return the Digital Piano’s stored data and settings to

their initial factory defaults.

Turn off the Digital Piano.

While holding down both the

(TONE) and

(FUNCTION) buttons, press the

(POWER) button.

The Digital Piano will turn on and initialize its internal

system. You will be able to use the Digital Piano in a

short while.

NOTE

• See “Turning on the Digital Piano and Playing

Something” (page E-9) for information about

turning digital power on and off.

E-4

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Power Outlet

Your Digital Piano runs on standard household power.

Be sure to turn off power whenever you are not using

the Digital Piano.

Using an AC Adaptor

Use only the AC adaptor (JEITA Standard, with unified

polarity plug) that comes with this Digital Piano. Use

of a different type of AC adaptor can cause

malfunction of the Digital Piano.

Specified AC Adaptor: AD-A12150LW

• Use the supplied power cord to connect the AC

adaptor as shown in the illustration below.

Household power outlet

AC adaptor

DC 12V terminal

Power cord

Note the following important precautions to avoid

damage to the power cord.

During Use

• Never pull on the cord with excessive force.

• Never repeatedly pull on the cord.

• Never twist the cord at the base of the plug or

connector.

During Movement

• Before moving the Digital Piano, be sure to unplug

the AC adaptor from the power outlet.

During Storage

• Loop and bundle the power cord, but never wind it

around the AC adaptor.

IMPORTANT!

• Never connect the AC adaptor (JEITA Standard,

with unified polarity plug) that comes with this Digital

Piano to any other device besides this piano. Doing

so creates the risk of malfunction.

• Make sure the Digital Piano is turned off before

plugging in or unplugging the AC adaptor.

• The AC adaptor will become warm to the touch after

very long use. This is normal and does not indicate

malfunction.

E-5

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Connections

Back

Connecting Headphones

PEDAL jacks

IMPORTANT!

• Before connecting headphones, be sure to use the

Digital Piano’s VOLUME controller to turn the

volume down to a low level. After connecting, you

can adjust the volume to the level you want.

• The Digital Piano automatically adjusts sound output

to optimize for headphones (when headphones are

connected) or the built-in speakers (when

SP-3

headphones are not connected).

NOTE

Left Side

• You can connect a pedal to the SOFT/SOSTENUTO

PEDAL jack and apply either a soft or sostenuto

effect to the notes you play. For details, see “Soft/

Sostenuto Pedal Jack Setting” (page E-43).

PHONES jacks

Commercially available

headphones

Pedal Functions

z Damper Pedal

Pressing the damper pedal while playing will cause the

notes you play to reverberate for a very long time.

• Whenever a piano tone is selected, pressing this

pedal will activate the Digital Piano’s Acoustic

Resonance effect, which causes notes to resonate in

the same way they do when the damper pedal on an

acoustic piano is pressed. For details, see “Acoustic

Resonance” (page E-41).

Mini plug

Connect commercially available headphones to the

PHONES jacks. Connecting headphones to either of

the PHONES jacks cuts off output to the speakers,

which means you can practice even late at night

without bothering others. To protect your hearing,

make sure that you do not set the volume level too high

when using headphones.

z Soft Pedal

Pressing this pedal suppresses notes played on the

keyboard after the pedal was pressed, and makes them

sound softer.

Connecting a Pedal

z Sostenuto Pedal

Only the notes that are played while this pedal are

depressed are sustained until the pedal is released.

The back of the Digital Piano has two pedal jacks, one

for a damper pedal and one for a soft/sostenuto pedal.

To connect to the pedal jack

Depending on the type of operation you want the

pedal (SP-3) to perform, connect the pedal’s cable

either to the Digital Piano’s DAMPER PEDAL jack or

SOFT/SOSTENUTO PEDAL jack. If you want to use

both operations (jacks) at the same time, you need to

purchase another optionally available pedal.

E-6

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Connections

Pedal Connector

Connecting Audio Equipment

or an Amplifier

You can connect audio equipment or a music amplifier

to the Digital Piano and then play through external

speakers for more powerful volume and better sound

quality.

You can connect the optionally available 3-Pedal Unit

(SP-32) to the pedal connector on the bottom of the

Digital Piano. You can then use the pedals for

expression that is similar to that available on an

acoustic piano.

Bottom

Pedal connector

IMPORTANT!

• The Digital Piano automatically adjusts sound output

to optimize for headphone output (when headphones

are connected) or built-in speaker output (when

headphones are not connected). This also will cause

a change in the output quality from the Digital

Piano’s LINE OUT R and L/MONO jacks.

NOTE

• Whenever connecting a device to the Digital Piano,

first use the VOLUME controller to set the volume to

a low level. After connecting, you can adjust the

volume to the level you want.

• Whenever you connect any device to the Digital

Piano, be sure to read the user documentation that

comes with the device.

• The SP-32 Pedal Unit supports half-pedal operation

(pressing the pedal part way). You can adjust the

amount of the effect is applied when the damper

pedal is pressed part way. For details, see “Half

Pedal Effect” (page E-43).

• The optionally available CS-67P special stand is

required in order to use the SP-32 Pedal Unit.

Guitar amplifier

Keyboard amplifier, etc.

INPUT 1

INPUT 2

Standard plug

Tape recorder,

MIDI sound source, etc.

Standard jack

Audio amplifier AUX IN jack, etc.

LEFT (White)

RIGHT (Red)

Pin plug

E-7

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Connections

Playing Output from External Equipment

through the Piano’s Speakers 1

Bundled and Optional

Accessories

Use only accessories that are specified for use with this

Digital Piano.

Use commercially available cables to connect the

external audio equipment to the piano’s LINE IN jacks

as shown in Figure 1.

LINE IN R jack input sounds through the piano’s right

speaker, while LINE IN L/MONO jack input sounds

through the left speaker. Connecting to the LINE IN

L/MONO jack only causes the same output to be

produced from both speakers. It is up to you to

purchase connecting cables that are compatible with

the equipment you are connecting.

Use of unauthorized accessories creates the risk of fire,

electric shock, and personal injury.

NOTE

• You can get information about accessories that are

sold separately for this product from the CASIO

catalog available from your retailer, and from the

CASIO website at the following URL.

http://world.casio.com/

Connecting to Audio Equipment 2

Use commercially available cables to connect the

external audio equipment to the piano’s LINE OUT

jacks as shown in Figure 2. LINE OUT R jack output is

right channel sound, while LINE OUT L/MONO jack

output is left channel sound. It is up to you to purchase

connecting cables like the ones shown in the

illustration for connection of audio equipment.

Normally in this configuration you must set the audio

equipment’s input selector to the setting that specifies

the terminal (such as AUX IN) to which the piano is

connected. Use the piano’s VOLUME controller to

adjust the volume level.

Connecting to a Musical Instrument

Amplifier 3

Use commercially available cables to connect the

amplifier to the piano’s LINE OUT jacks as shown in

Figure 3. LINE OUT R jack output is right channel

sound, while LINE OUT L/MONO jack output is left

channel sound. Connecting to the LINE OUT

L/ MONO jack only outputs a mixture of both

channels. It is up to you to purchase connecting cable

like the one shown in the illustration for connection of

the amplifier. Use the piano’s VOLUME controller to

adjust the volume level.

E-8

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Using Built-in Tones

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Turning on the Digital Piano

and Playing Something

Selecting a Tone

Your Digital Piano has 250 tones, divided into eight

groups.

• For more information, see the “Tone List” (page

A-1).

• The Digital Piano has built-in demonstration tunes

that highlight the different characteristics of tones.

For more information, see “Playing Tone Demo

Songs” (page E-24).

Press the

(POWER) button.

This turns on power.

• To turn off the Digital Piano, press the

again.

button

Left Side

Press the

is lit.

(TONE) button so its upper lamp

• Each press of the button toggles between the upper

and lower lamps.

Lit

button

After a short while, the display screen should

appear as shown below, which indicates that

the Digital Piano is ready to be played.

IMPORTANT!

• Continuing on to the next step while the

REGISTRATION lamp is lit will perform a registration

recall operation (page E-32), which will change the

setup of the Digital Piano. Make sure that the TONE

lamp is lit before you advance to the next step.

Use the “Tone List” (page A-1) to look up the

group and the number of the tone you want to

select.

Use the

volume level.

(VOLUME) controller to adjust the

Play something on the keyboard.

E-9

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Using Built-in Tones

Use the

select the group you want.

(tone groups) buttons to

Hold down the button of the group that

contains the tone you want to select as the

layered tone until “LAYER: ON” appears on

the display as shown below for a few

moments.

ck cr

Example: To select the ORGAN group

This will layer the tones currently selected in the two

groups.

Lit

Use the

tone you want.

(w, q) buttons to select the

Example: To select “002 Jazz Organ”

Tone number

Tone name

The button you held down in step 2 will light to

indicate that it is selected.

Example: When BASS/GUITAR group is selected

Lit

NOTE

• Pressing q and w at the same time will jump to

tone 001 of the currently selected group. Holding

down either button changes the tone number at high

speed.

Use the

(w, q) buttons to select the

tone you want in the group you selected in

step 2.

Example: When “006 Picked Bass” is selected

• See page E-40 for more information about scrolling.

Layered tone number

Layered tone name

Layering Two Tones

You can layer two different tones so they play at the

same time when you press a keyboard key.

• The first tone you select is called the “main tone,”

while the second tone is called the “layered tone.”

Select the main tone.

Example: To select MELLOW PIANO in the CLASSIC

To unlayer the tones and return the keyboard

to a single tone, press any one of the tone

group buttons.

group, press the

(CLASSIC) button and

then use the

(w, q) buttons to select

“002 Mellow Piano”.

NOTE

• You can adjust the balance between the main tone

and layered tone. For details, see “Layered Tone

Volume (Layer Balance)” (page E-41).

E-10

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Using Built-in Tones

Moving the Keyboard Split Point

Splitting the Keyboard

between Two Tones

You can split the keyboard so the left side (lower

range) plays one tone and the right side (upper range)

plays a different tone.

You can use the procedure below to specify the

location on the keyboard where it splits between the

left side and the right side. That location is called the

“split point”.

Left (Lower Range) side

Right (Upper Range) side

Example: To split the keyboard between the GM SLAP

BASS 1 tone on the left (lower range) and the

GRAND PIANO tone on the right (upper range).

Left (Lower Range)

Tone: GM SLAP BASS 1

Right (Upper Range)

Tone: GRAND PIANO

Split point

Hold down the

split point setting screen appears on the

display as shown below.

(SPLIT) button until the

Press the

(SPLIT) button.

This causes the SPLIT lamp to light, indicating that the

keyboard is split between two tones.

Lit

Current split point key name

Select the tone you want to assign to the left

side (lower range) of the keyboard.

Press the keyboard key where you want to

specify as the leftmost key of the right (upper

range) tone.

Example: To select GM SLAP BASS 1 in the VARIOUS/

GM TONES group, press the

GM TONES) button and then use the (w,

q) buttons to select “073 GM SlapBass1”.

(VARIOUS/

This specifies the split point.

Press the

(SPLIT) button.

This exits the split point screen.

Lit

Left tone number

Left tone name

To unsplit the keyboard and return it to a

single tone, press the

(SPLIT) button.

The SPLIT lamp will go out, indicating that the

keyboard is no longer split.

NOTE

• If the keyboard is set up with layered tones (page

E-10) when you perform the above split operation,

the layered tones will play on the right (upper

range) side of the keyboard.

E-11

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Using Built-in Tones

Using Octave Shift

Adjusting the Brilliance of a

Tone

After you split the keyboard (page E-11), you may find

out that the lower range notes on the left are too low or

that the upper range notes on the right are too high.

You can use octave shift to shift the octaves of the

upper range and lower range upwards or downwards

in octave units.

Press the

(FUNCTION) button.

The FUNCTION lamp will light and the function screen

will appear on the display.

While holding down the

(FUNCTION)

button, press the

(TONE) button.

This displays the octave shift screen.

Lit

Use the

the Tmpr/Effect screen.

(i) and

(u) buttons to select

Currently selected range

Shift amount

Use the

(PART) button to select the range

Press the

(ENTER) button.

whose octave you want to change.

• Each press of

below.

This will display a screen for selecting settings in the

Tmpr/Effect group.

(PART) cycles through the ranges

Use the

(i) or

(u) button to select

U1 (Upper1): Main tone

the brilliance screen shown below.

U2 (Upper2): Layered tone

L1 (Lower1): Left (lower range) tone

Use the

(w, q) buttons to shift the

Use the

(

q) buttons to adjust the

octave of the currently selected range.

• You can shift the octave within the range of –2 to 0 to

brilliance of the currently selected tone. You

can adjust brilliance in the range of –3 to 0 to 3.

w: Mellower and softer

q: Brighter and harder

Press the

This exits the octave shift screen.

(FUNCTION) button.

Press the

(FUNCTION) button.

NOTE

This will exit the brilliance screen and cause the

FUNCTION lamp to go out.

• Octave shift also can be performed as described for

“Octave Shift” (page E-41).

NOTE

• See “Other Settings” (page E-40) for details about

using the (FUNCTION) button.

E-12

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Using Built-in Tones

Adding Reverb to the Tone

Adding the Chorus Effect to

the Tone

Press the

reverb on and off.

(REVERB) button to toggle

Press the

(CHORUS) button to toggle

Lit when on

chorus (which adds depth to a tone) on and

off.

Lit when on

Selecting the Reverb Type

You can select from among the following four types of

reverb.

Selecting the Chorus Type

You can select from among the following four chorus

types.

1: Room

2: Hall

3: Large Hall

4: Stadium

1: LightChorus

2: Chorus

3: Deep Chorus

4: Flanger

Hold down the

reverb type selection screen shown below

(REVERB) button until the

Hold down the

chorus type selection screen shown below

(CHORUS) button until the

appears on the display.

Use the

reverb type you want.

(w, q) buttons to select the

Use the

chorus type you want.

(w, q) buttons to select the

Press the (REVERB) button to exit the

reverb type screen.

Press the (CHORUS) button to exit the

chorus type screen.

E-13

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Using Built-in Tones

Changing the Tempo Setting

Using the Metronome

There are two different methods you can use to change

the tempo setting: by pressing q (faster) and w

(slower) buttons or by tapping a beat with a button.

Press the

This will start the metronome.

(METRONOME) button.

■ To adjust the tempo using q and w

buttons

Use the

adjust the tempo setting.

(TEMPO w, q) buttons to

Each press of a button increases or decreases the beats

per minute value by one.

• Holding down either button changes the value at

high speed.

• You can specify a tempo value in the range of 20 to

255.

Lights with the first beat

of each measure

Lights with each subsequent beat of

each measure

Press the

stop the metronome.

(METRONOME) button again to

Changing the Beats Per Measure

You can specify from two to six beats per measure for

the metronome. After you do, a chime will sound at the

beginning of each measure. Specifying 0 for this setting

will sound a straight beat, without a chime. This setting

lets you practice with a steady beat.

Tempo value

■ To adjust the tempo by tapping a beat

While holding down the (FUNCTION)

Hold down the

until the number of beats per measure screen

shown below appears on the display.

(METRONOME) button

button, tap the q

(TEMPO) button four

times in time with the beat you want to

specify.

• The tempo setting will change in accordance with the

timing of your tapping.

• After you use this method to specify the approximate

tempo, you can then use the procedure under “To

adjust the tempo using q and w buttons” to adjust

the setting to a more exact value.

Tap four times

Use the

(w, q) buttons to select the

beats per measure value you want.

Press the (METRONOME) button to exit

the number of beats per measure screen.

E-14

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Using Built-in Tones

Adjusting the Metronome Volume

Playing a Duet

You can use the following procedure to adjust the

volume level of the metronome, without affecting the

volume of Digital Piano output.

You can use the Duet Mode to split the Digital Piano’s

keyboard in the center so two people can play a duet.

This makes it possible to configure the keyboard so, for

example, the teacher can play on the left and the

student can follow along on the right. Or one person

can play the left hand part on the left, while another

plays the right hand part on the right.

While holding down the

(FUNCTION)

button, press the

(METRONOME) button.

This displays the metronome volume screen.

Left keyboard

Right keyboard

(Middle C)

Metronome volume

Pedal Operation when Playing a Duet

Use the

metronome volume.

(w, q) buttons to adjust the

z Optional SP-32 Pedal Unit

Right side damper pedal

(Half-pedal operation

supported)

Press the (FUNCTION) button.

This will exit the metronome volume screen and cause

the FUNCTION lamp to go out.

Left keyboard

damper pedal

Left and right side damper pedal

NOTE

z Optional SP-3 Pedal Unit

To use the SP-3 Pedal Unit as the right keyboard

• You also can use the procedure under “Metronome

Volume” (page E-41) to adjust the metronome

volume.

damper pedal, connect it to the

terminal.

(DAMPER PEDAL)

• Half-pedal operation is not supported in this case.

Using the Pitch Bend Wheel

To use the SP-3 Pedal Unit as the left keyboard (initial

default setting) or right keyboard damper pedal

You can use the pitch bend wheel to slide the pitch of

notes smoothly upwards and downwards. This

capability makes it possible to reproduce saxophone

and electric guitar choking effects.

(selectable), connect it to the

(SOFT/SOSTENUTO

PEDAL) terminal.

• For information about how to select left or right

keyboard control with the SP-3 Pedal Unit, see

“Soft/Sostenuto Pedal Jack Setting” (page E-43).

Adding a Pitch Bend Effect

While playing a note on the

keyboard, rotate the pitch bend

wheel on the left of the keyboard

upwards or downwards.

The amount the note bends depends on

how much you rotate the pitch bend

wheel.

• Do not have the pitch bend wheel

rotated as you turn on the Digital Piano.

NOTE

• You also can configure pitch bend wheel operation

by specifying the amount of pitch change at

maximum rotation in either direction. See “Pitch

Bend Range” (page E-43) for more information.

E-15

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Using Built-in Tones

Configuring the Digital Piano for Duet

Play

Changing the Octave of a Duet Mode

Keyboard

You can use the following procedure to change the

octave of the left and right Duet Mode keyboards.

Press the

lower lamp is lit.

(USER SONGS) button so its

While holding down the

(FUNCTION)

button, press the

(SPLIT) button.

This displays the Duet Mode on/off screen shown in

step 2 under “Configuring the Digital Piano for Duet

Play” (page E-16). If the Duet Mode is currently turned

off, press the

(q) button to turn it on.

Lit

• To practice with songs stored on a memory card,

Of the four C keys in the left keyboard, press

the one that you want to have located at

middle C.

press the

(CARD/INTERNAL) button so its lamp

is lit in place of the

(USER SONGS) button.

While holding down the

button, press the

This causes the Duet Mode on/off screen to appear.

• The keyboard keys are disabled while this screen is

displayed.

(FUNCTION)

• This will sound the note assigned to C4 and change

the octave of the left keyboard.

Example: To change the configuration so the leftmost C

(SPLIT) button.

key is middle C as shown below.

Leftmost C key (Pressed key)

1 octave higher than initial setting

Unchanged

You can use the same procedure as step 2 to

select one of the C keys in the right keyboard

to shift its octave as well.

Press the

Mode.

(q) button to turn on the Duet

This will cause the

(SPLIT) button lamp to flash.

Press the

(FUNCTION) button.

Press the

This exits the Duet mode on/off screen and configures

the Digital Piano’s keyboard for duet play.

(FUNCTION) button.

This exits the Duet Mode on/off screen and causes the

(FUNCION) button lamp to go out.

The left and right keyboards will be configured

according to your settings.

To turn off the Duet Mode, press the

(SPLIT) button so the SPLIT lamp goes out.

NOTE

• Turning off the Duet Mode will clear your octave

shift settings and return the keyboard to its initial

default settings.

NOTE

• You also can use the procedure under “Duet Mode”

(page E-41) to turn the Duet Mode on or off.

E-16

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Using Auto Accompaniment

5SYNCHRO/ENDING boBALLAD/PIANO RHYTHMS

btw/NO, q/YES

brTONE csEXIT dlENTER

6START/STOP

blRHYTHM

bpUSER RHYTHMS

–

2 5Accompaniment

patterns

–

bm bpRhythm groups

7ACCOMP ON/OFF

bkTEMPO

–

ck crInstrument parts

With Auto Accompaniment, simply select the

accompaniment rhythm you want and the matching

accompaniment (drums, guitar, etc.) will play

automatically when you play a chord with your left

hand. It’s like having your own personal backup group

along with you wherever you go.

Use the

select the group you want.

(rhythm groups) buttons to

bm bp

Example: When the LATIN/WORLD group is selected

This Digital Piano has 180 built-in Auto

Accompaniment patterns, which are divided into three

groups. You can edit built-in rhythms to create your

own original rhythms (called “user rhythms”), which

you can save in a fourth group. For more information,

see the “Rhythm List” (page A-4).

Lit

Use the

rhythm you want.

(w, q) buttons to select the

Example: When “005 Samba 2” is selected

Playing an Auto

Accompaniment

Press the

lamp is lit.

(RHYTHM) button so its upper

This enables Auto Accompaniment.

• Each press of the button toggles between the

RHYTHM and USER SONGS lamps.

Rhythm name

Tempo

Rhythm number

Measure

Lit

Use the

adjust the tempo setting.

(TEMPO w, q) buttons to

• This is the same as metronome tempo adjustment

(page E-14).

• To return the rhythm to its standard tempo setting,

press the

time.

(TEMPO w, q) buttons at the same

Use the “Rhythm List” (page A-4) to look up

the group and the number of the rhythm you

want to select.

E-17

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Using Auto Accompaniment

Press the

its lamp is lit.

(ACCOMP ON/OFF) button so

Play other chords with left hand as you play

the melody with your right hand.

This turns ACCOMP on, so all accompaniment parts

sound.

• Turning ACCOMP off so the ACCOMP lamp is unlit

causes only the percussion instrument parts to sound.

• You can use “CASIO Chord” or other simplified

chord fingering modes to play chords. For details, see

“Selecting a Chord Fingering Mode” in the following

section.

• You can use the

(NORMAL) and

• Each press of the

(ACCOMP ON/OFF) button

(VARIATION) buttons to modify accompaniment

patterns. For details, see “Modifying Auto

Accompaniment Patterns” (page E-20).

toggles ACCOMP on and off.

Lit

10. When you are finished, press the

STOP) button again to stop Auto

Accompaniment.

(START/

• Pressing the

instead of the

ending pattern before stopping Auto

Accompaniment play. For details about ending

patterns, see “Modifying Auto Accompaniment

Patterns” (page E-20).

(SYNCHRO/ENDING) button

Press the

(SYNCHRO/ENDING) button.

(START/STOP) button will play an

This puts Auto Accompaniment into “synchro

standby”. Playing a chord during synchro standby will

cause Auto Accompaniment to start to play

automatically.

• Pressing the

Accompaniment is in synchro standby will enter

intro standby. Pressing the (VARIATION) button

(INTRO) button while Auto

NOTE

• You can use the following procedure to adjust the

volume level of the Auto Accompaniment, without

affecting the volume of Digital Piano output. For

details, see “Auto Accompaniment Volume” (page

E-41).

will enter variation standby. For details about intro

and variation patterns, see “Modifying Auto

Accompaniment Patterns” (page E-20).

Flashing

• You can change the size of the chord keyboard by

using the split feature to move the split point (page

E-11). The keyboard keys to the left of the split point

make up the chord keyboard.

Play the chord you want on the chord

keyboard (left keyboard keys).

Auto Accompaniment will start playing when you play

the chord.

• To start percussion part play without playing a

chord, press the

(START/STOP) button.

Example: To play a C chord

Chord keyboard

Melody keyboard

E-18

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Using Auto Accompaniment

■ CASIO CHORD

Selecting a Chord Fingering Mode

With “CASIO Chord”, you can use simplified

fingerings to play the four types of chords described

below.

You can select from among the following five chord

fingering modes.

1: Fingered 1

2: Fingered 2

3: Fingered 3

4: CASIO Chord

5: Full Range

Chord keyboard

Chord Type

Example

Hold down the (ACCOMP ON/OFF) button

until the chord type selection screen appears

on the display.

Major Chords

C (C Major)

CC^#DE^bE

F^#GA^bAB^b

CC^#DE^bE

Press one key, whose note

corresponds to the chord

name.

Note name

• To play C Major, press any

C key in the chord

keyboard. The octave of the

note does not matter.

Minor Chords

Cm (C minor)

CC^#DE^bE

F^#GA^bAB^b

CC^#DE^bE

Press the chord keyboard key

that corresponds to the major

chord, while also pressing one

other chord keyboard key to

the right.

Chord fingering mode

Use the

(w, q) buttons to select the

chord fingering mode you want.

Seventh Chords

C7 (C seventh)

CC^#DE^bE

F^#GA^bAB^b

CC^#DE^bE

Press the chord keyboard key

that corresponds to the major

chord, while also pressing

two other chord keyboard

keys to the right.

Press the (ACCOMP ON/OFF) button.

This exits the chord fingering screen.

■ Fingered 1, 2, 3

With these three chord fingering modes, you play

chords on the chord keyboard using their normal

chord fingerings. Some chord forms are abbreviated,

and can be fingered with one or two keys.

For information about the types of chords you can

finger and their fingerings, see the “Fingering Guide”

(page A-8).

Minor Seventh Chords

Press the chord keyboard key

that corresponds to the major

chord, while also pressing

three other chord keyboard

keys to the right.

Cm7 (C minor seventh)

CC^#DE^bE CC^#DE^bE

F^#GA^bAB^b

When pressing more than one chord keyboard key,

makes no difference whether the additional keys are

white or black.

Chord keyboard

■ FULL RANGE CHORD

With this chord fingering mode, you can use the full

range of the keyboard to play chords and the melody.

For information about the types of chords you can

finger and their fingerings, see the “Fingering Guide”

(page A-8).

Fingered 1: Play the component notes of the chord on the

keyboard.

Fingered 2: Unlike Fingered 1, 6th input is not possible with

this mode.

Fingered 3: Unlike Fingered 1, this mode allows input of

fraction chords with the lowest keyboard note as

the bass note.

Melody keyboard

Chord keyboard

E-19

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Using Auto Accompaniment

Modifying Auto Accompaniment Patterns

Using One-Touch Presets

One-Touch Preset gives you one-touch access to tone

and tempo settings that go well with the currently

selected Auto Accompaniment rhythm pattern.

There are six different Auto Accompaniment patterns,

shown below. You can switch between patterns during

accompaniment play and even modify patterns. Use

buttons

through

to select the pattern you want.

Hold down the

least two seconds.

(RHYTHM) button for at

This will configure tone, tempo, and other settings to

match the currently selected rhythm pattern. At this

time, Auto Accompaniment play also will go into

synchro standby, which means that Auto

Accompaniment will start to play automatically when

you finger a chord.

Intro *¹

Normal

Variation

Ending *⁴

Play a chord on the keyboard.

This will start Auto Accompaniment play.

Normal fill-in *²

Variation fill-in *³

*1 Press at the beginning of a song.

NOTE

Accompaniment play proceeds with the normal

• One-Touch Presets are not supported for user

rhythms (001 through 010 of the USER RHYTHMS

group).

pattern after the intro pattern is complete. Pressing

the

(VARIATION/FILL-IN) button before

pressing this button will proceed with the variation

pattern after the intro pattern is complete.

*2 Press while a normal pattern is playing to insert a

fill-in pattern.

Using Auto Harmonize

*3 Press while a variation pattern is playing to insert a

fill-in variation pattern.

*4 Press at the end of a song.

Auto Harmonize lets you add harmony to melody

notes you play with your right hand. You can select

any one of 12 Auto Harmonize settings.

This will play an ending pattern and then stop Auto

Accompaniment.

Press the

(TONE) button so its lamp is lit.

Lit

Hold down the

auto harmonize screen appears on the

display.

(TONE) button until the

Type number

Type name

E-20

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Using Auto Accompaniment

Use the

(w, q) buttons to select the

Creating Your Own Original

Rhythms

You can use rhythm editing to modify a built-in Auto

Accompaniment rhythm to create an original “user

rhythm” of your own. You can select a part (drum,

bass, etc.) of a normal, intro, or other pattern (page

E-20) and turn it on or off, adjust its volume level, and

perform other operations.

Auto Harmonize type you want.

Type

Number

Type Name

Off

Description

Turns off Auto Harmonize.

Adds close (separated by two to

four degrees) one-note harmony

below the melody note.

Duet 1

Adds open (separated by more

than 4 to 6 degrees) 1-note

harmony below the melody

note.

Duet 2

Select the number of the Auto

Accompaniment rhythm you want to edit.

Country

Octave

Adds country style harmony.

At the same time, press the

(BALLAD/

Adds the note from the next

lower octave.

PIANO RHYTHMS) and

RHYTHMS) buttons.

(USER

5th

Adds the fifth degree note.

This displays the rhythm editor screen.

Adds 2-note open harmony, for

a total of three notes.

3-Way Open

Adds 2-note close harmony, for

a total of three notes.

3-Way Close

Strings

Adds harmony that is optimal

for strings.

Adds 3-note open harmony, for

a total of four notes.

4-Way Open

4-Way Close

Use the accompaniment pattern buttons (

Adds 3-note close harmony, for

a total of four notes.

through ) to select the pattern (normal,

intro, ending, etc.) you want to edit.

The button you press will light, indicating that the

pattern is being edited.

Block

Adds block chord notes.

Big Band

Adds big band style harmony.

• Each press of

(NORMAL/FILL-IN) toggles

Press the

This will exit the auto harmonize screen.

(TONE) button.

between NORMAL and FILL-IN, and each press of

(VARIATION/FILL-IN) toggles between

VARIATION and FILL-IN. The applicable button

flashes while the fill-in pattern is selected.

Example: When intro is selected

While playing chords, play the melody on the

keyboard.

Harmony will be added to your melody notes based on

the chords you play.

E-21

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Using Auto Accompaniment

Use the instrument part buttons ( through

Shortcut

Button

Parameter Description

Replaces the part

Setting

) to select the part (drums, bass etc.) you

want to edit.

(drum, bass, etc.)

accompaniment

data with that of

the specified

The name of the part you select will appear on the

display. Rhythm patterns are made up of the eight parts

shown below.

Rhythm

Select:

Rhythm

001 to 190:

Rhythm

number ^{*2 *3}

rhythm number. ^*1

Switches the part

tone (instrument)

to that of the

specified tone

number.

Tone

Select:

Tone

001 to 250: Tone

Numbers ^{*2 *4}

Drums Percus-

sion

Bass

Chord 1 Chord 2 Chord 3 Chord 4 Chord 5

Parts

OFF:

Mutes the part.

ON:

Sounds the

part.

• Button illumination does not change when you press

Prt:

Part on/

off

Toggles each part

on or off.

the instrument part buttons ( through ). Button

illumination indicates whether there is

accompaniment data corresponding to each part.

Example: When bass is selected

Vol:

Volume

level

Controls the

volume level of

each part.

000 to 127

Controls whether

the sound of the

part can be heard

Pan:

Panning

–64 to 0 to 63 ^*5

(position) from the left side or

right side.

Instrument part name

Controls the level

Reverb:

Reverb

of the reverb effect

(page E-13) applied

to the part notes.

000 to 127

Edit the selected part as desired.

The table below describes the parameters you can edit.

• Use the

(u) and

(i) buttons to select a

Controls the level

of the chorus effect

(page E-13) applied

to the part notes.

parameter, and the

(w, q) buttons to change its

Chorus:

Chorus

setting. You also can use shortcut buttons (see table

below) to select parameters.

• Pressing the

(w, q) buttons at the same time

will return the currently selected parameter to its

initial default setting.

*1 Replacing part accompaniment data clears all edits to the

currently selected accompaniment data made up to that

point.

• Pressing the

(START/STOP) button during an

edit operation will sound the accompaniment pattern

with the edits you have made up to that point.

*2 Sequential numbers starting from 001, which is the first

rhythm of the first group (POPS/JAZZ). See the “Tone

List” (page A-1) and “Rhythm List” (page A-4) for

information on the numbering system.

Pressing the

(ACCOMP ON/OFF) button will

sound only the instrument part you are editing.

*3 In the case of the intro and ending, specifying a rhythm

for one part (drum, bass, etc.) will cause the same rhythm

to be specified automatically for all of the other parts of

the pattern.

Procedure continues on page E-23.

*4 Only drum set sounds (tone numbers 237 through 250)

can be selected for drum parts and percussion parts.

Drum set sounds cannot be selected for the bass and the

chord 1 through chord 5 parts.

*5 A smaller value shifts leftward, while a larger value shifts

rightward. A value of zero specifies center.

E-22

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Using Auto Accompaniment

Repeat steps 3 through 5 to edit all of the

accompaniment patterns and parts you want.

10. Decide on the user rhythm number where you

want to save the rhythm and a rhythm name.

• Use the

(u) and

(i) buttons to move the

After editing is complete, adjust the tempo of

the rhythm as desired.

• The tempo you set here becomes the initial default

tempo of the rhythm.

cursor to the user rhythm number and rhythm name

character you want to change. Use the (w, q)

buttons to select the number or character you want.

• The rhythm name characters you can select are

shown below. To input a space, press both of the

(w and q) buttons at the same time.

Press the

(EXIT) button.

This causes a confirmation message to appear asking if

you want to save your edits.

Press the

(YES) button.

This displays a screen for specifying the user rhythm

number and rhythm name.

• If you want to exit the editing operation without

saving, press the

(YES) button.

(NO) button instead of the

11. Press the

(ENTER) button.

This saves the data.

• If the rhythm number where you are saving the data

already has data saved to it, a message (Replace?) will

appear on the display to confirm whether you want

to replace the existing data with the new data.

IMPORTANT!

• Saving user rhythm data to a user rhythm number

that already has data will cause the existing data to

be replaced by the new data.

Rhythm name

Destination user rhythm number

NOTE

• If the size of the accompaniment pattern or

instrument part data is too large to be edited, a

memory full message (Memory Full) will appear on

the display. If that happens, select a different

accompaniment pattern or instrument part for

editing.

E-23

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Playing Demo Songs

blUSER SONGS

6PLAY/STOP

btw, q

2REPEAT

7PART

Playing Tone Demo Songs

Your Digital Piano comes with eight built-in demo

tunes, which demonstrate the characteristics of each of

the eight tone groups.

No. Tone Group Name

Tune Name

Song number

Current measure

Song tempo

GRAND PIANO

Original

Song name

MODERN

GRAND PIANO

CLASSIC

• Pressing a tone group button ( through ) while

demo song playback is in progress will switch to the

demo song of that group’s tone. Also, you can scroll

Arabesque 1

03 ELEC PIANO

04 VIBES/CLAVI

05 ORGAN

Original

through songs manually with the

buttons.

(w, q)

Press the

(PLAY/STOP) button.

STRINGS/

Nessun Dorma

[Turandot]

This stops demo song playback.

Playback of the demo songs will continue in an endless

SYNTH-PAD

07 BASS/GUITAR

Original

loop until you press the

stop it.

(PLAY/STOP) button to

08 VARIOUS/GM TONES Original

NOTE

While holding down the

(PART) button,

• Only the operations described above can be

performed while demo song playback is in progress.

press the

(PLAY/STOP) button.

This will start sequential playback of the demo songs,

starting from song 1.

E-24

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Playing Demo Songs

Press the

This starts playback of the song.

• Press the (FF) button to perform a fast forward

operation or the

(PLAY/STOP) button.

Listening to Songs Loaded

from an External Source

(REW) button for rewind.

You can import song data from an SD memory card or

computer as a user song, and use it for Auto

Accompaniment or for practice.

Pressing and releasing either button moves one

measure, while holding down a button scrolls at high

speed.

• Pressing the

(PAUSE) button pauses playback.

Press again to resume song playback.

Load the song data you want to listen to one

of the Digital Piano’s user songs.

• See “Loading Data from a Memory Card” (page E-47)

and “Connecting to a Computer” (page E-51) for

details about how to load data.

Lights with each subsequent beat of each measure

Lights with the first beat of each measure

• You also could play back data directly from a

memory card without loading it into Digital Piano

memory. For details, see “Playing Back a Song from a

Memory Card” (page E-48).

Rewind

Pause

Press the

lamp is lit.

(USER SONGS) button so its

Fast forward

• Each press of the button toggles between the upper

and lower lamps.

Press the

This stops song playback.

(PLAY/STOP) button again.

• Song playback also will stop automatically when the

end of the song is reached. To configure the Digital

Piano to loop song playback without stopping, turn

on “Song Repeat” (page E-42).

Lit

Changing the Song Tempo

You can change the song tempo using the same

procedure that you use to adjust the metronome

tempo. For more information, see “Changing the

Tempo Setting” (page E-14).

Use the

user song you want.

(w, q) buttons to select the

Example: When user song 003 is selected

Playing on the Keyboard Using the Same

Tone as the Song

Hold down the

at least two seconds.

(USER SONGS) button for

User song number

Song name

This will assign the same tone as the right hand part of

the current song to the keyboard.

NOTE

• You can use the procedure under “Practicing Either

Hand’s Part (Part Off)” (page E-26) to turn off the

left hand part and play along on the keyboard using

the left hand part tone.

E-25

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Playing Demo Songs

Adjusting the Song Volume

Repeating Playback of a Specific Section

(Repeat)

You can use the following procedure to adjust the

volume level of the song’s Auto Accompaniment,

without affecting the volume of keyboard tone output.

For details, see “Song Volume” (page E-41).

You can configure the Digital Piano to repeat the

section of a song you want to practice. You could, for

example, specify repeat play from measure 5 to

measure 8.

Start

End

Practicing Either Hand’s Part (Part Off)

You can turn off the right hand part^*1or left hand

part^*2of a song and play that part on the Digital Piano

while the song plays back.

These measures are repeated.

*1 Song data Channel 4 (fixed)

*2 Song data Channel 3 (fixed)

Press the

This starts playback of the song.

(PLAY/STOP) button.

Press the

(PART) button.

This causes “L-[ON] R-[ON]” to appear on the display.

When playback reaches the first measure of

the section you want to repeat, press the

(REPEAT) button.

Use the

(w, q) buttons to turn off the

part you want.

Press (w) to toggle the left hand part or (q) to toggle

This makes the measure the “start measure”.

the right hand part on and off.

The

(REPEAT) button lamp flashes at this time.

Press the

This exits the part on/off screen.

(PART) button again.

When playback reaches the last measure of

the section you want to repeat, press the

(REPEAT) button again.

Hold down the

at least two seconds.

This will assign the same tone as the hand that is turned

off to the keyboard.

(USER SONGS) button for

This makes the measure the “end measure”.

Repeat playback of the specified section starts as soon

as you select the end measure.

The

(REPEAT) button lamp is lit (not flashing) at

this time.

Press the

song playback.

The part you turned off does not sound, so you can play

it on the keyboard.

(PLAY/STOP) button to start

Pressing

(REPEAT) again returns to

normal play.

This will cause the

(REPEAT) button lamp to go out.

Sounding a Count at the Beginning of a

Song

You can configure the Digital Piano to sound a count

before playback of a song starts, which helps to get the

timing right when you are playing along on the

keyboard. For details, see “Pre-count” (page E-42).

E-26

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Music Presets

6START/STOP

btw/NO, q/YES ctu dlENTER

csEXIT dki

bmbnMUSIC PRESET

–

bm bpMusic Preset groups

ck crTone groups

4FF

3REW

Music Presets provide you with one-touch tone,

rhythm, chord, and other settings that are optimized

for specific musical genres and songs.

In addition to built-in presets, you can create your own

original Music Presets (user presets).

Press the

(START/STOP) button to start

Auto Accompaniment with the chord

progression of the Music Preset. Play the

melody on the keyboard.

• The preset chord progression repeats until you stop it

There are a total of 300 built-in Music Presets, which

are divided into three groups (A, B, C). A fourth group

(D) is provided for user presets.

• For more information, see the “Music Preset List”

(page A-6).

by pressing the

(START/STOP) button again.

(ACCOMP ON/OFF) button so the

• Pressing the

ACCOMP ON/OFF lamp is lit (not flashing) or unlit

will turn off the chord progression of the Music

Preset and play the normal Auto Accompaniment

pattern.

• Each press of the

(ACCOMP ON/OFF) button

cycles in the sequence shown below.

Selecting a Music Preset

Unlit

Lit

Flashing

Press

same time.

and

(MUSIC PRESET) at the

This causes the

(ACCOMP ON/OFF) lamp to flash

and the Music Preset screen to appear.

Music Preset

chord progression

Normal Auto Accompaniment

• You can use the following steps to change the rhythm

after selecting a Music Preset.

(1)Hold down the

(RHYTHM) button until the

displayed Music Preset number and name change to

the rhythm number and name.

Music Preset number

Music Preset name

(2)Use the (w, q) buttons to select the rhythm you

want.

Use buttons

buttons) to select a group, and then use the

(Music Preset group

bm bp

(3)Hold down the

(RHYTHM) button again until

the rhythm number and name change back to the

Music Preset number and name.

• To change the tone, use the

(w, q) buttons to select the Music

through

(tone

Preset you want.

group) buttons to select the tone group and then use

the (w, q) buttons to select a tone number.

This will configure the Digital Piano with settings (tone,

rhythm, etc.) of the selected Music Preset.

The following are the settings that are included in a

Music Preset.

To exit a Music Preset, press

(MUSIC PRESET) at the same time.

and

• Tones (main, layer, lower split) (page E-9)

• Layer balance (page E-10)

• Octave shift (page E-12)

• Reverb (page E-13)

• Chorus (page E-13)

• Rhythm (page E-21)

• Tempo (page E-20)

• Auto Harmonize (page E-20)

E-27

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Music Presets

Edit the Music Preset parameters.

4-1.To edit the chord progression

Creating an Original User

Preset

A Music Preset editor is provided to allow you to

create your own original Music Presets (user presets).

Up to 50 user presets can be stored in Music Preset

Group D.

Press the

(w) down button to display

“CHORD” and then press the

(ENTER)

button to advance to the chord progression

editing screen.

Next, perform the editing operation described

under “To edit the chord progression” (page

E-29). After you finish the editing operation,

Select the Music Preset you want to edit in

order to create your user preset.

press the

(EXIT) button to return to the

screen for selecting the type of editing

operation, above.

Change the tone number, rhythm number,

and other settings of the Music Preset as you

want.

4-2.To edit Auto Accompaniment parameters

Press the

(q) up button to display

“Parameter” and then press the

(ENTER)

• The settings you configure here will be saved as a

user Music Preset. See step 2 under “Selecting a

Music Preset” (page E-27) for the settings you can

configure and save for a user Music Preset.

button to advance to the Auto

Accompaniment parameter editing screen.

Next, perform the editing operation described

under “To edit Auto Accompaniment

parameters” (page E-31). After you finish the

Press the

(BALLAD/PIANO RHYTHMS)

editing operation, press the

(EXIT) button

and

(USER RHYTHMS) buttons at the

to return to the screen for selecting the type of

editing operation, above.

same time.

This displays a screen for selecting the type of editing

operation you want to perform.

After editing everything you want, press the

(EXIT) button.

• This will display a message asking if you want to

save the user preset.

Press the

(YES) button.

This displays a screen for selecting the Music Preset

number and name for storing the edited data.

Editing operation type

• If you do not want to save the edited data, press the

(NO) button in place of the

(YES) button.

Music Preset name

Music Preset number for data storage

Use the

(w, q) buttons to select the

Music Preset number where you want to

store the edited data.

E-28

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Music Presets

Enter a name for the preset.

■ To edit the chord progression

On the editing operation selection screen

Use the

(u) and

(i) buttons to move the cursor

to the character you want to change and then use the

(w, q) buttons to change the character. The

following shows a table of available characters.

• To input a space, press both of the

buttons at the same time.

(page E-28), select “CHORD” and then press

the (ENTER) button to display the chord

(w and q)

progression editing screen shown below.

(2) Cursor

(1) Step (timing and chord)

(3) Resolution

(1) Step (timing and chord)

The timing of a chord progression is expressed as a

series of three values separated by colons (such as

001:1:00) indicating measure^*1(001), beat (1), and

tick (00).^*2This series of three values is referred to

collectively as a “step”.

Press the

This saves the data.

• If the preset number where you are saving the data

already has data saved to it, a message (Replace?) will

appear on the display to confirm whether you want

to replace the existing data with the new data.

(ENTER) button.

The screen shot above shows the first two steps

(001, 002) of the Music Preset. Use the (REW) and

(FF) buttons to scroll and view other steps.

*1 Up to 999 measures

*2 There are 12 ticks per beat, as shown below.

Chord progression

Measure 1

Beat 2 Beat 3

Measure 2

Beat 2

Beat 1

Beat 4

Beat 1

002:1:00

Tick

00 01 02

09 10 11

For the sample display

above, the chord change

from C to Bm occurs here.

001:1:00

(2) Cursor

Specifies the step that is currently selected for

editing.

(3) Resolution

Resolution is a unit used when editing step timing.

The initial resolution is R1 (one measure), but you

also can select R4 (1 beat = 4 quarter notes) when

you want to specify chords for each beat. Use the

instrument part buttons ( through ) to select

one of the eight resolutions shown below.

R8T

R16

R16T

R32T

(1 measure)

(2 beats)

(1 beat)

(1/2 beat)

(1/3 beat)

(1/4 beat)

(1/6 beat)

(1/8 beat)

E-29

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Music Presets

Use the

(REW) and

(FF) buttons to

Repeat the above steps to edit all of the steps

you want.

move the cursor (2) on the chord progression

editing screen to the step you want to select.

• You can playback the Music Preset you are currently

editing by pressing the

(START/STOP) button.

• The table below describes other Music Preset editing

operations you can perform. Press the

Change the content of the selected step as

desired.

(FUNCTION) button, use the

(u) and

(i)

3-1.Select a chord fingering mode and use the

chord keyboard (page E-19) to input chords.

Fingering a chord causes the cursor (2) to

move to the next step automatically.

buttons to select the editing operation you want,

perform the required operation, and then press the

(ENTER) button to apply the edit and return to the

chord progression editing screen.

• To exit the editing operation and discard all of your

• If you want to advance to the next step

without changing the current chord, press

edits, press the

(EXIT) button.

Editing

the

(PAUSE) button.

Operation

(Display)

Description

Operation

• If (3) Resolution is shorter than the time up

to the next step, a new step (without chord)

that is equal to the time of the resolution

will be inserted temporarily into the Music

Preset. Fingering a chord for the new step

will cause the step to be registered as part

of the Music Preset, and the cursor will

advance to the next step.* You can use this

operation to insert a new step between the

current and following step.

Initializes all steps.

Initialization is useful

when you want to create

a totally new chord

progression from

scratch.

Initialize

(Initialize)

–

Changes the pitch (key) Use the (w, q)

Change Key

(Change

Key)

of the chords in all of the buttons to select the

steps in semitone units.

amount of change

you want (–5 to 6

semitones).

* Using the

(REW) and

(FF) buttons to

move the cursor without inputting a chord

will delete the temporarily inserted step.

Copies all of the steps of Use the (w, q)

Append

another Music Preset to buttons to select the

Music Preset

(Append

Chords)

3-2.Use the

(w, q) buttons to change the

the end of the current

Music Preset.

number^∗of the

Music Preset you

want to add.

step timing (measure:beat:tick).

Each press of either button changing the

timing in accordance with the resolution.

• The range of values you can specify for the

step timing is limited by the steps before

and after the current step.

• The timing of the first step (001:1:00) is

fixed and cannot be changed. Also, the final

step is always one measure, regardless of

the resolution.

Delete

Deletes a specified

number of measures

from the current cursor

step forward.

Use the (w, q)

buttons to select the

measures.

Measures

(DELETE

Measure)

Insert

Inserts a blank measure

at the currently selected

step.

Measure

(INSERT

1Measure)

–

* The Music Presets in groups B, C, and D are

numbered sequentially, following the numbers in

group A, which start with 001. For details about

sequential numbers, see the “Music Preset List” on

page A-6.

After all editing operations are complete,

press the (EXIT) button to return to the

Last step

editing operation selection screen (page

E-28).

3-3.To delete a step, press both of the

(w and

q) buttons at the same time.

• You cannot delete the first step or the last

NOTE

• A single preset can contain up to approximately

2,000 chords. If your edits cause the chord limit to be

exceeded, the message “Memory Full” will appear

on the display and further editing will become

impossible.

step.

E-30

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Music Presets

■ To edit Auto Accompaniment parameters

On the editing operation selection screen (page E-28), select “Parameter” and then press the

(ENTER) button to display the Auto Accompaniment parameter editing screen shown below.

Setting

Parameter

Use the

setting.

(u) and

(i) buttons to select a parameter, and the (w, q) buttons to change its

Parameter

Description

Setting

0 Off: Off (no standby)

SYNCHRO TYPE:

Synchro type

Selects the synchro standby status and type

when the Music Preset is selected.

1 Normal: From standby to normal pattern

2 Variation: From standby to variation pattern

3 Intro: From standby to intro pattern

DRUM ON/OFF:

Drum on/off

OFF: Mutes the part.

ON: Sounds the part.

Toggles the drum part (page E-22) on or off.

PERC ON/OFF:

Percussion on/off

Toggles the percussion part (page E-22) on or OFF: Mutes the part.

off.

ON: Sounds the part.

BASS ON/OFF:

Bass on/off

OFF: Mutes the part.

ON: Sounds the part.

Toggles the bass part (page E-22) on or off.

CHORD1 - 5

5 - 9 ON/OFF:

Toggles the Chord 1 through 5 parts (page

E-22) on or off.

OFF: Mutes the parts.

ON: Sounds the parts.

Chord 1 - 5 on/off

INTRO CHORD:

Intro chord

Selects from among major (× 12 keys) and

minor (× 12 keys) for the intro chords.

C - B: Major (C to B)

Cm - Bm: Minor (Cm to Bm)

ENDING CHORD:

Ending chord

Selects from among major (× 12 keys) and

minor (× 12 keys) for the ending chords.

C - B: Major (C to B)

Cm - Bm: Minor (Cm to Bm)

Specifies whether or not a fill-in should be

inserted into the final measure of a chord

progression.

AUTO FILL-IN:

Auto fill in on/off

OFF: Fill-in not inserted

ON: Fill in inserted

1 Normal: Edited chord progression proceeds

as-is.

• This parameter lets you add different

variations to the timing of the chord

progression being edited. You can use it to

2 Half: Halves chord timing within a measure.

3 Double: Doubles chord timing within a

measure.

TIMING SET:

13 Chord progression

variation

match the chord progression to the beat of a 4 3/4: Multiplies chord timing within a measure

specific rhythm.

• A chord (step) that is outside of the rhythm’s

beat is cut off.

by 3/4. Select this setting to match to a

6/8 time rhythm.

5 6/4: Multiplies chord timing within a measure

by 3/2. Select this setting to match to a

6/4 time rhythm.

After all editing operations are complete, press the

selection screen (page E-28).

(EXIT) button to return to the editing operation

E-31

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Registering Tone and Rhythm Setups

btw, q

brREGISTRATION

–

bm bpTone and accompaniment areas

dmSTORE

–

ck crTone areas

Registrations let you save Digital Piano setups (tone,

■ Registration Data Types

rhythm, tempo, etc.) and for quick and easy recall

when you need them.

z Tone Settings

• Tone numbers (main, layer, lower split)

• Layer on/off

• Layer balance

• Split on/off

• Split point

• Octave shift

• Brightness

• Reverb

Registrations are stored using eight banks of 12 areas

each as shown in the illustration below, for a total of 96

setups. Areas A through D on the left (tone and

accompaniment area) is for storing tones and Auto

Accompaniment settings, while areas 1 through 8 (tone

areas) are for storing tone settings only.

• Chorus

• Transpose

Tone and

accompaniment area

Tone area

• Touch response

• Soft/sostenuto pedal setting

• Damper pedal adjustment

• Pitch bend range

z Auto Accompaniment Settings (Areas A through D

only)

• Rhythm number

• Accomp on/off

• Chord fingering mode

• Synchro standby

Banks

Bank 7, Area B data

Bank 3, Area 2 data

• Tempo

• Auto Accompaniment volume

• Auto harmonize

Tone Settings

Keyboard Tone:

003 Harpsichord

Brightness: 2

Reverb: 1 Room

Chorus: Off

Tone Settings

Keyboard Tone:

002 Electric Piano2

Brightness: –1

Reverb: 4 Stadium

Chorus: 1 LightChorus

Auto Accompaniment

Settings

Rhythm: 005 Pop Rock

Tempo: 180

Accompaniment Volume:

098

E-32

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Registering Tone and Rhythm Setups

Saving Registration Data

Recalling a Registration

Configure the Digital Piano with the tone,

rhythm, and other settings you want to save.

Press the

lower lamp is lit.

(REGISTRATION) button so its

This enters the registration recall mode.

While holding down the

(STORE) button,

use the (w, q) buttons to select the bank

where you want to save the registration.

Example: Bank 4

Lit

Next, hold down the

(STORE) button

again as you use the rhythm group buttons

through ) or instrument part buttons (

Use the

(w, q) buttons to select the

(

bank where the registration you want to recall

is located.

through ) to select an area.

The data will be saved to the bank and area you specify.

Use the rhythm group buttons ( through

or instrument part buttons ( through ) to

)

Tone and

accompaniment area

specify the area.

bm bn bo bp

This will configure the Digital Piano with the

registration data located at the bank and area you

specified.

Example: When recalling the registration data in Bank

4, Area C

Tone area

ck cl cm cn co cp cq cr

Example: Bank 4, Area C

Area

E-33

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Recording Your Keyboard Play

6START/STOP

9RECORDER

btw/NO, q/YES

bsFUNCTION

dki

ctu

You can record your music as you play and store up to

five songs in Digital Piano memory for later playback.

You can divide a song into parts (by instrument, by left

hand and right hand, etc.) and record each part

separately. You can even use “punch-in recording” to

edit specific parts of existing recordings.

When you are finished, press the

STOP) button.

(START/

This will cause the

(RECORDER) lamp to flash and

then light, indicating the playback mode.

• If you are using Auto Accompaniment, you also can

end the recording session by pressing the

(ENDING) button.

Lit: Playback mode

Recording or Playing Back a

Single Song

The following are the steps for recording or playing

back a single recorder memory song.

To play back what you have recorded, press

(START/STOP) again.

Press the

its lamp is flashing.

(RECORDER) button twice so

• Each press of

starts and stops playback.

This turns on the recorder and enters record mode.

To turn off the recorder, press the

• Each press of the

(RECORDER) button cycles

(RECORDER) button so its lamp goes out.

through modes as shown below.

Unlit: Recorder off

Recorder Off

Unlit

Recorder On

Flashing: Record mode

Lit: Playback mode

NOTE

• Recorder memory capacity is approximately 10,000

notes per song. When remaining capacity is 100

notes or less, the

(RECORDER) button lamp will

Configure the tone, rhythm, and other

settings you want to use.

• The settings you configure here will be included as

part of the recorded song data.

• For details about what is included in the recorded

song data, see “System Track” (page E-35).

flash at high speed. Recording will stop

automatically when memory becomes full.

• Repeat, fast reverse, fast forward, pause, and tempo

adjustment during playback are the same as when

playing back user songs. See “Listening to Songs

Loaded from an External Source” (page E-25) for

more information.

Play something on the keyboard.

• You can listen to the song data currently stored in

recorder memory at any time by pressing the

Recording starts as soon as you play something.

• If Auto Accompaniment is playing, it will be

included in the recorded data.

(RECORDER) button to enter the playback mode

and then pressing

(START/STOP).

E-34

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Recording Your Keyboard Play

IMPORTANT!

Recording to a Specific Track

(Part)

• A new recording replaces (deletes) previously

recorded contents.

• If power to the Digital Piano is cut off while recording

is in progress, everything you recorded up to that

point will be deleted. Take care so power is not

turned off accidentally during recording operations.

You can record specific instruments, the left hand and

right hand, or other parts of a song individually, and

then combine them into a final song.

■ What is a track?

A “track” is a separate recorded part of a song. The

recorder of this Digital Piano supports a total of 17

tracks, which are divided between two types described

below.

Recording or Playing Back

Multiple Songs

You can record up to five songs (numbered 1 through

5) in memory. After that, you can select a specific song

for playback.

z System Track

In addition to notes you play on the keyboard and

other performance operation data, the system track

also includes a wide range of setup information for

the song, including layer on/off, split on/off, tempo,

Auto Accompaniment settings, reverb on/off, etc.

When you record a single-track song to recorder

memory, as shown under “Recording or Playing

Back a Single Song” (page E-34) and “Recording or

Playing Back Multiple Songs” (page E-35),

everything is recorded to the system track.

Use the

(RECORDER) button to cycle

through the recorder modes until the

playback mode is selected.

Lit: Playback mode

While holding down the

(FUNCTION)

z Tracks 01 through 16

These tracks can be used to record notes, as well as

pitch bend wheel and pedal operations, and the

keyboard tone setting. These tracks can be combined

with the system track and each other to create the

final song.

button, press the

(RECORDER) button.

This displays the song selection screen.

Use the

song number you want.

(w, q) buttons to select the

Press the (EXIT) button to exit the song

selection screen.

To record to the currently selected song,

press the

(RECORDER) button. To play

back the currently selected song, press the

(START/STOP) button.

If you are recording, continue from step 2

under “Recording or Playing Back a Single

Song” (page E-34).

E-35

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Recording Your Keyboard Play

■ Supported Track Data

The following describes the data that can be recorded

to each type of track.

Select the tone of the part you want to record

to the track.

Press the

(START/STOP) button.

System Track, Tracks 01 through 16

Keyboard notes, keyboard tone setting (main), pedal

and pitch bend wheel operation

This will start playback of what you recorded to the

system track and start recording to the currently

selected track. Play what you want to record to the

current track along with the playback from the system

track.

System Track only

Layer, split, octave shift, reverb, chorus, keyboard

temperament, tempo, Auto Accompaniment play, auto

harmonize, one-touch preset, Music Preset,^*1

registration^*1*2

To stop recording, press the

STOP) button again.

(START/

This enters the playback mode. Press the

(START/

STOP) button again to play back the track you just

*1 Recall only

recorded. Each press of

stops playback.

(START/STOP) starts and

*2 The Auto Accompaniment volume level and

transpose setting of the recalled data is not included

in the recording.

• You can use the following procedure to turn specific

tracks on (play enabled) and off (play disabled). This

allows you to listen only to the track(s) you want

when recording a new track.

Record the first part to the system track.

(1) While holding down the

(FUNCTION)

• Use the procedure under “Recording or Playing Back

a Single Song” (page E-34) or “Recording or Playing

Back Multiple Songs” (page E-35) to record to the

system track.

button, press the

(RECORDER) button.

This displays the song selection screen.

(2) Press the (i) button once.

This displays the track on/off screen.

(3) Use the

(w, q) buttons to select the track

Use the

(RECORDER) button to cycle

you want, and then press the

to toggle it on or off.

(ENTER) button

through the recorder modes until the

RECORDER lamp is flashing (record mode).

Flashing: Record mode

Repeat steps 2 through 6 as required to

record all of the tracks you want.

While holding down the

(FUNCTION)

button, press the

(RECORDER) button.

This displays the track selection screen.

Use the ) button to select the track you

(

bt w q

want to record next (T01 through T16).

After selecting a track, press the

exit the track selection screen.

(EXIT) button to

Track Name

Display

System Track

Sys

Tracks 01 through 16

T01 through T16

E-36

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Recording Your Keyboard Play

Deleting Recorder Data

You can use the procedures below to delete an entire

recorder song or to delete a specific track of a recorder

song.

Re-recording Part of a

Recorder Song

(Punch-in Recording)

You can use punch-in recording to re-record a specific

part of recorder song that you want to improve or

correct.

Deleting a Recorder Song

Mistake

Use the

(RECORDER) button to cycle

through the recorder modes until the

RECORDER lamp is lit (playback mode).

Lit: Playback mode

Playback

Use punch-in

recording to re-record

only this part.

Turn on the recorder, enter the record mode,

and select the track that contains the section

you want to re-record.

• See step 3 under “Recording to a Specific Track

(Part)” (page E-35).

While holding down the

(FUNCTION)

button, press the

(RECORDER) button.

This displays the recorder song selection screen.

Use the

(w, q) buttons to select the

recorder song you want to delete.

Hold down the

(RECORDER) button until

the punch-in recording screen appears on the

display.

Hold down the (RECORDER) button until

the message “Sure?” appears on the display.

Press the (YES) button to delete the

recorder song.

• To cancel the delete operation, press the

(NO)

button.

Deleting a Recorder Song Track

Press the

This will start playback of the selected track.

(START/STOP) button.

Perform steps 1 through 3 of the procedure

under “Deleting a Recorder Song” to select

the recorder song that contains the track you

want to delete.

When playback reaches the point you want to

re-record, play the notes and perform the

other operations you want.

This automatically starts punch-in recording, which

will continue until step 5, below.

Press the

This displays the track selection screen.

(i) button.

• Any one of the following also will start punch-in

recording: a pedal or pitch bend wheel operation;

Use the

(w, q) buttons to select the

pressing the

(RECORDER) button;^*1changing the

track you want to delete.

tone setting; changing the rhythm, or tempo setting^*2

*1 Press (RECORDER) when you want to start

Hold down the (RECORDER) button until

the message “Sure?” appears on the display.

punch-in recording without note input or a setting

change.

System track only

• You can perform

(REW),

(FF), and

(PAUSE)

Press the (YES) button to delete the track.

• To cancel the delete operation, press the

button.

button operations during punch-in playback to jump

more quickly to the section you want to re-record.

(NO)

E-37

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Recording Your Keyboard Play

To stop punch-in recording, press the

(START/STOP) button again.

Press the

playback.

(START/STOP) button to start

Anything in the track following the point where you

• Punch in recording will start from the start measure

and stop with the end measure automatically.

pressed the

as-is.

(START/STOP) button will be retained

Play the notes and perform the other

operations you want.

• If you want to delete all of the data in the track

following the section you re-recorded with punch-in

recording, press the (RECORDER) button in place

of the

(START/STOP) button above.

• If you want to cancel punch-in recording and retain

the original (unedited) track data, hold down the

(RECORDER) button until the display exits the

punch-in recording screen.

Specifying the Punch-in Recording

Location (Auto Punch-in Recording)

You can use the following procedure to specify a

particular range for punch-in recording.

Start measure

End measure

Punch-in recording range

Turn on the recorder, enter the record mode,

and display the recording setup screen.

• While holding down the

(FUNCTION) button,

press the

(RECORDER) button.

Use the

“AutoPu.IN”, and then use the

buttons to select the start measure.

(

) and

(i) buttons to display

)

Use the (u) and (i) buttons to

display “AutoPu.OUT”, and then use the

(w, q) buttons to select the end measure.

• After selecting the start and end measures, press the

(EXIT) button to exit the recording setup screen.

Select the track that contains the range of

measures you want to re-record.

• See step 3 under “Recording to a Specific Track

(Part)” (page E-35).

Hold down the

the punch-in recording screen appears on the

display.

(RECORDER) button until

Press the

(q) button to turn on auto

punch-in recording.

E-38

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Recording Your Keyboard Play

■ Performing Punch-in Recording for Areas

Smaller than One Measure

Use the procedure below to specify a punch-in

recording area that includes a part of a measure.

Example: To re-record from beat 3 of measure 2 up to beat

1 of measure 4

To re-record this section

Start playback of the song that contains the

section you want to re-record.

When playback reaches the beginning of the

section you want to re-record, press the

(REPEAT) button.

When playback reaches the end of the

section you want to re-record, press the

(REPEAT) button again.

Press the

playback.

(START/STOP) button to stop

Turn on the recorder and select the track that

contains the section you want to re-record.

• For information about selecting a track, see step 3

under “Recording to a Specific Track (Part)” (page

E-35).

Hold down the

the punch-in recording screen appears on the

display.

(RECORDER) button until

Press the

punch-in recording.

(q) button to turn on auto

Press the

repeat.

(REPEAT) button to turn on

Press the

(START/STOP) button.

This starts punch-in playback from the measure before

the location (start point) you specified in step 2, above.

• Punch-in recording starts automatically when

playback reaches the start point and ends

automatically when it reaches the location you

specified in step 3 (end point).

E-39

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Other Settings

btw, q

bsFUNCTION

dki

ctu

You can use the settings in this section to adjust the

tuning and touch of the keyboard, to configure pedal

and MIDI settings, and to configure other parameters

in order to tailor Digital Piano operation to your

particular needs.

NOTE

• Holding down the

you press the

scroll the setting in steps of 10.

• You also can use the (FUNCTION) button for

(FUNCTION) button while

(w, q) buttons in step 3 will

faster scrolling while changing the tone number,

rhythm number, and other scrollable settings.

Configuring Settings

• Keep the

while pressing a

speed scrolling. Releasing the

(FUNCTION) button depressed

(w, q) button for high-

Press the

(FUNCTION) button.

(FUNCTION)

The FUNCTION lamp will light and the function screen

will appear on the display. (See table below.)

button first can result in another unintended

setting being changed.

Parameter or group

Setting

Use the

(u) and

(i) buttons to select

one of the parameters (1 through 8) shown in

the table below.

• Parameters 4 through 8 actually are parameter

groups. After selecting a group, press the

(ENTER) button, and then use buttons (u) and

(i) to select the parameter you want.

• Short cut buttons also are available for accessing a

parameter directly after you press the

(FUNCTION) button, without going through the

menu. See the “Shortcut Button” column in the table

below for the applicable shortcut button of each

parameter.

Use the

(w, q) buttons to change the

setting of the currently selected parameter.

• To return to the function screen, press the

(EXIT)

(FUNCTION) button.

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Other Settings

Display

Name

Shortcut

Button*

No.

Parameter

Description

Settings

Keyboard Key (Transpose) Transpose

Adjusts keyboard tuning by semitone –12 to 00 to 12

units.

semitones

Keyboard Fine Tuning

(Tuning)

Tune

Adjusts keyboard tuning by cent

(1 semitone = 100 cents) units.

–99 to 00 to 99 cents

Keyboard Touch (Touch

Response)

Touch

Adjusts keyboard touch.

Off: Off

1: Strong sound even

with light pressure

2: Normal

3: Normal sound even

with strong pressure

Volume Level Group

Volume

4-1 Layered Tone Volume LayerBal.

(Layer Balance)

Adjusts the volume level of the layered –24 to 00 to 24

tone without changing the keyboard

main tone.

–

4-2 Auto Accompaniment AccompVol.

Volume

Adjusts the volume level of Auto

Accompaniment without changing the

keyboard tone volume level.

00 to 42

–

bs bl

4-3 Song Volume

SongVol.

Adjusts the volume level of user song 00 to 42

playback without changing the

keyboard tone volume level.

–

bs bl

4-4 Metronome Volume

MetroVol.

See page E-15.

00 to 42

–

bs 8

Temperament/Effect Group Tmpr/Effect

5-1 Temperament

Temper.

Changes the temperament of the

keyboard and Auto Accompaniment

00: Equal / 01: Pure Major /

from the standard equal temperament 02: Pure Minor /

to another tuning more suitable for

playing classics, etc.

03: Pythagorean /

04: Kirnberger 3 /

• Pressing a keyboard key while the

temperament screen is displayed

will make the pressed key the base

note of the temperament.

05: Werckmeister /

06: Mean-Tone / 07: Rast /

08: Bayati / 09: Hijaz /

10: Saba / 11: Dashti /

12: Chahargah /

–

13: Segah / 14: Gurjari

Todi / 15: Chandrakauns /

16: Charukeshi

C to B (12 types)

5-2 Accompaniment

Temperament

AccompTmpr Turn this setting off to play Auto

Accompaniment patterns using

Off, On

standard equal temperament (00:

Equal), regardless of the temperament

setting currently selected with the

Temperament parameter (5-1).

–

5-3 Stretch Tuning

Stretch

Sharpens high notes and flattens low

notes to achieve stretch tuning. Turn

off this setting to play with normal

(non-stretch) tuning.

Off, On

–

5-4 Brilliance

Brilliance

See page E-12.

–3 to 0 to 3

Off, On

5-5 Acoustic Resonance

AcoResona.

Reproduces the acoustic resonance

that occurs when the damper pedal is

depressed on a grand piano.

No acoustic resonance is applied when

this setting is turned off.

–

5-6 Octave Shift

5-7 Duet Mode

OctShift

Duet

See page E-12.

U1 : –2 to 0 to 2

U2 : –2 to 0 to 2

L1 : –2 to 0 to 2

–

bs br

See page E-15.

Off, On

–

bs dk

– in this column means, “While holding down , press .”

bs bl bs bl

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Other Settings

Display

Name

Shortcut

Button*

No.

Parameter

Description

Settings

Song Playback/Card Group Play/CARD

6-1 Pre-count

PreCount

Turn on this setting for an audible

count before starting playback of a

user song or a song on a memory card.

Off, On

–

6-2 Song Repeat

6-3 Card Folder

SongRepeat

Turn on this setting to repeat play a

user song or a song on a memory card.

–

bs 2

CARD Folder See page E-53.

(Folder Name)

–

bs bn

6-4 Formatting a Memory CARD

See page E-45.

–

bs dl

Card

FORMAT

6-5 Card File Delete

6-6 Card File Rename

MIDI Group

File DELETE

See page E-47.

–

File RENAME See page E-48.

MIDI

7-1 Keyboard Channel

KeyboardCh

Selects the keyboard channel, which is 01 to 16

the channel used to send MIDI data

corresponding to Digital Piano

–

keyboard play to an external device.

7-2 Accomp MIDI Out

AccompOut

Turn on this setting to send MIDI data Off, On

corresponding to Auto

–

Accompaniment to an external device.

7-3 MIDI In Chord Judge ChordJudge

Select whether chord input should be Off, On

performed when an Auto

Accompaniment chord keyboard MIDI

note on message is received.

7-4 Local Control

LocalCtl.

Turn off this setting to have keyboard Off, On

notes sent to an external device

without being sounded by the Digital

Piano.

–

– in this column means, “While holding down , press .”

bs bl bs bl

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Other Settings

Display

Name

Shortcut

Button*

No.

Parameter

Description

Settings

Other Parameters Group

8-1 Display Contrast

General

Contrast

Adjusts the contrast of the Digital

Piano’s display.

00 to 16

SFT : Soft pedal

–

8-2 Soft/Sostenuto Pedal Ped.Assign

Jack Setting

Specifies whether the pedal unit

connected to the SOFT/SOSTENUTO SOS : Sostenuto pedal

jack is a soft pedal or a sostenuto

pedal.

–

• See page E-15 for details about the

two pedal types.

8-3 Half Pedal Effect

8-4 Pitch Bend Range

8-5 Panel Lock

HalfPedal

BendRange

PanelLock

Adjusts the amount of the pedal effect 00 to 42

applied when the damper pedal is

pressed part way.

–

Specifies the amount of pitch bend

applied when the pitch bend wheel is

rotated all the way up or down.

00 to 12 semitones

Turn on to lock the Digital Piano’s

control panel to prevent unauthorized

or accidental operation.

Off, On

• This setting is disabled in the Duet

Mode, while the recorder is on, or

while Auto Accompaniment, a song,

or the metronome is playing.

–

8-6 Setting Backup

BackUp

Switching this setting from off to on

will save various Digital Piano settings

in effect at that time, and restore them

the next time the Digital Piano is

turned on.

Off, On

• This operation is disabled in the

Duet Mode, while the recorder is on,

or while Auto Accompaniment, a

song, or the metronome is playing.

–

in this column means, “While holding down , press .”

bs bl bs bl

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Using a Memory Card

btw/NO, q/YES

bsFUNCTION

dlCARD/INTERNAL,

6PLAY/STOP

ENTER

–

7PART

bm bpFolders

ctu dki

You can use the procedures in this section to transfer

edited Auto Accompaniment data, recorder data, and

other data from the Digital Piano to a commercially

available SD memory card for storage. You also can use

a memory card to transfer standard MIDI files (SMF),

and accompaniment data you downloaded from the

CASIO website from your computer to Digital Piano

memory. Once you do, you can use them as user songs

and user rhythms.

Card and Card Slot Precautions

IMPORTANT!

• Be sure to observe the precautions provided in the

documentation that comes with the memory card.

• Memory cards have a write-protect switch. Use it

when you want to protect the data on the card from

accidental deletion.

• Avoid using a memory card under the following

conditions. Such conditions can corrupt data stored

on the memory card.

• Areas subjected to high temperature, high

humidity, or corrosive gas

• Areas subjected to strong electrostatic charge and

digital noise

• Never touch the contacts of a memory card when

loading it or removing it from the Digital Piano.

• Never eject the memory card while data is being

written to or loaded from it. Doing so can corrupt the

data on the memory card and damage the memory

card slot.

• Never insert anything besides a memory card into

the card slot. Doing so creates the risk of

malfunction.

z Use a memory card with a capacity of 2GB or less.

Use of a card with a capacity that is greater than

2GB or other types of memory cards is not

supported.

z In this manual, mentions of a “memory card” refer

to an SD memory card.

■ Types of Data

Supported

Operations

Description

(File Name Extension)

Load

from

Memory

Card

Data Type

Save to

Memory

Card

• Electrostatic charge from your fingers or the memory

card to the card slot can cause malfunction of the

Digital Piano. If this happens, turn the Digital Piano

off and then back on again.

A memory card can become quite warm after very

long use in the memory card slot. This is normal and

does not indicate malfunction.

User

rhythms

(page E-21) Digital Piano (AC7)

Auto Accompaniment

data edited with this

User songs One of the following two

(page E-25) types of music data

1. CASIO format data

(CM2)

–

2. Standard MIDI files

(MID)

SMF Format 0 or

Format 1

User Music Music Preset data edited

Presets

on this Digital Piano

(page E-28) (MPS)

Recorder

songs

(page E-34)

Song data recorded on

this Digital Piano (CSR)

Registration Tone and rhythm setup

(page E-32) settings (CR6)

* Can be saved as a standard MIDI file (SMF format 0).

E-44

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Using a Memory Card

Loading and Removing a

Memory Card

Formatting a Memory Card

IMPORTANT!

• Format a memory card before using it for the first

time.

IMPORTANT!

• A memory card must be positioned correctly when

being loaded into the Digital Piano. Trying to force

an improperly oriented memory card into the slot can

damage the memory card and the slot.

• Before formatting a memory card, make sure it does

not have any valuable data stored on it.

• The memory card format operation performed by this

Digital Piano is a “quick format”. If you want to

completely delete all of the data on the memory

card, format it on your computer or some other

device.

With the top of the memory card facing

upwards (so you can see it), carefully insert it

into the Digital Piano’s memory card slot (

until stops with a click.

)

Insert the memory card you want to format

into the Digital Piano’s memory card slot.

Make sure the write-protect switch of the memory card

is not in the write-protect position so writing is enabled.

While holding down the

(FUNCTION)

button, press the

button.

(CARD/INTERNAL)

Top

This displays the format screen.

To remove the memory card first press it into

the slot further.

This will cause the memory card to disengage and eject

partially. Pull the memory card the rest of the way out

of the slot.

Press the

(ENTER) button.

This will display a confirmation message (SURE?).

• If you want to cancel the format operation, press the

(NO) or

(EXIT) button.

Press the

(YES) button.

• The message “Please Wait” will remain on the

display while the format operation is being

performed. Do not perform any Digital Piano

operation while this message is on the display.

“Complete” appears on the display after formatting

is complete.

E-45

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Using a Memory Card

Use the

(w, q) buttons to select the file

Saving Digital Piano Data to a

Memory Card

number (01 to 99) you want to assign to the

data when it is saved to the memory card.

• The file number is the final two characters of the file

name^*that appears on the display. By changing this

within the range of 01 to 99 for each save, up to 99

files of the same data type can be stored on the

memory card.

* The first six characters of the file name indicate the

data type as shown below. These characters are

fixed and cannot be changed.

Use the following procedure to save Digital Piano data

to a memory card.

• Recorder songs can be saved as a standard MIDI file

(SMF format 0).

• User songs (downloaded songs, etc.) cannot be

saved to a memory card.

Insert a memory card into the Digital Piano’s

memory card slot.

File Name

Data Type

(** = file number)

USRRHY**

USRMPS**

User rhythms

User Music Preset

Recorder songs

Registrations

Select the data you want to save to the

memory card.

RECSNG**

REGIST**

To select this

type of data:*¹

Do this:

User rhythms Select from among user rhythms 001

through 010 (page E-21).

Press the

(ENTER) button.

User Music

Preset

Select from among user Music Preset

001 through 050 (page E-28).

• The message “Please Wait” will remain on the

display while the save operation is being performed.

Do not perform any Digital Piano operation while

this message is on the display. “Complete” appears

on the display after data save is complete.

• If there already is a file with the same name on the

memory card, a message (Replace?) will appear

asking if you want to replace it with the new data.

Recorder songs Select from among recorder songs 1

through 5 (page E-34).

Registrations^*2Press the

(REGISTRATION) button

so its lower lamp is lit.

*1For more information about data types, see page

Press the

(YES) button to overwrite or the

(NO)

E-44.

button to cancel the save operation.

*2All registration data (8 banks × 12 areas) is saved

■ Memory Card Data Storage

in a single file.

The above procedure stores Digital Piano data in a

folder named MUSICDAT on the memory card.

• The MUSICDAT folder is created automatically

when you format the memory card on the Digital

Piano (page E-45).

• Note that files not in the MUSICDAT folder cannot

be loaded, deleted, or renamed by this Digital Piano.

You also will not be able to load or delete any file

stored in any subfolder inside the MUSICDAT

folder.

Hold down the

until the “LOAD” screen appears for the data

you selected.

• You can cancel the LOAD/SAVE operation any time

(CARD/INTERNAL) button

by pressing the

(EXIT) button.

Press the

(i) button to switch to the

“SAVE” screen for the data you selected.

• If you are saving a recorder song to a standard MIDI

file (SMF), press the

(i) button again so “SMF” is

displayed on the right side of the screen.

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Using a Memory Card

Loading Data from a Memory

Card

You can use the procedure below to load data from a

memory card into Digital Piano memory.

Deleting Memory Card Data

Use the following procedure to delete memory card

data (files).

Insert the memory card into the Digital

Piano’s memory card slot.

IMPORTANT!

• Make sure that all of the data you want to load is in

the MUSICDAT folder on the memory card.

Note that if you put data into a music data play-only

folder on a memory card (such as the MUSIC__B

folder), you will no longer be able to load that file into

Digital Piano memory.

While holding down the

(FUNCTION)

button, press the

button.

(CARD/INTERNAL)

This displays the memory card format screen (page

E-45).

Insert the memory card into the Digital

Piano’s memory card slot.

Press the

This displays the file delete screen.

(i) button.

Press the

(ENTER) button.

Select the data you want to load.

This displays a screen for selecting data for deletion.

To load this

Do this:

type of data*

Use the

(w, q) buttons to select the file

User rhythms Select from among user rhythms 001

through 010 (page E-21).

you want.

User songs

Select from among user songs 001

through 010 (page E-25).

Press the

(ENTER) button.

This will display a confirmation message (SURE?).

User Music

Preset

Select from among user Music Presets

001 through 050 (page E-28).

• If you want to cancel the delete operation, press the

(NO) or

(EXIT) button.

Recorder songs Select from among recorder songs 1

through 5 (page E-34).

Press the

(YES) button.

• The message “Please Wait” will remain on the

display while the delete operation is being

performed. Do not perform any Digital Piano

operation while this message is on the display.

“Complete” appears on the display after deletion is

complete.

Registrations

Press the

(REGISTRATION) button

so its lower lamp is lit.

* For more information about data types, see page

E-44.

Hold down the

until the “LOAD” screen appears for the data

you selected.

(CARD/INTERNAL) button

• You can cancel the LOAD/SAVE operation any time

by pressing the

(EXIT) button.

Use the

you want.

(w, q) buttons to select the file

Press the

(ENTER) button.

• The message “Please Wait” will remain on the

display while the load operation is being performed.

Do not perform any Digital Piano operation while

this message is on the display. “Complete” appears

on the display after data loading is complete.

• If there already is a file with the same name on the in

Digital Piano memory, a message (Replace?) will

appear asking if you want to replace it with the new

data. Press the

(YES) button to overwrite or the

(NO) button to cancel the load operation.

E-47

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Using a Memory Card

Renaming a Memory Card File

Use the following procedure to change the file name of

a file on a memory card.

Playing Back a Song from a

Memory Card

You can use the procedure below to play back a user

song (page E-25) stored on a memory card without

loading the song into Digital Piano memory.

Insert the memory card into the Digital

Piano’s memory card slot.

■ Memory Card Folders

While holding down the

(FUNCTION)

Formatting a memory card on the Digital Piano will

automatically create the four folders shown below. You

put playback song data into any one of the folders. You

can use the four folders to group your music data by

family member, genre, or some other categories. Use

button, press the

button.

(CARD/INTERNAL)

This displays the memory card format screen (page

E-45).

buttons

through

(A through D) to select a folder.

Press the

RENAME” is displayed.

button (i) twice so “File

Folder Name

MUSICDAT

MUSIC__B

MUSIC__C

MUSIC__D

Button Assignment

(A)

(B)

(C)

(D)

Press the (ENTER) button.

This displays a screen for changing the file name.

Use the

(w, q) buttons to select the file

you want.

Store the music data you want to play back in

one of the memory card folders.

Use the

(i) and

(u) buttons to move

the flashing cursor to the character you want

to change, and then use the (w, q)

buttons to change the character.

Insert the memory card into the Digital

Piano’s memory card slot.

• The characters you can select are shown below.

Press the

(CARD/INTERNAL) button.

(

}

Press one of the folder selection buttons (

through ) to select the card folder you want.

M N O

This will display the song number and song

name of the first song in the folder you

selected.

V W X

{

)

@ ~

After the file name is the way you want, press

the (ENTER) button.

This will display a confirmation message (SURE?).

• If you want to cancel the renaming operation, press

Use the

song you want.

(w, q) buttons to select the

Press the (PLAY/STOP) button.

This will start playback.

• Each press of

playback.

• Fast forward, fast reverse, tempo changes, and other

operations are the same as those during playback of a

user song in Digital Piano memory. For details, see

“Listening to Songs Loaded from an External Source”

(page E-25).

the

(NO) or

(EXIT) button.

(PLAY/STOP) starts and stops

Press the

(YES) button.

• The message “Please Wait” will remain on the

display while the rename operation is being

performed. Do not perform any Digital Piano

operation while this message is on the display.

“Complete” appears on the display after renaming is

complete.

To quit memory card data playback, press the

(CARD/INTERNAL) button.

E-48

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Using a Memory Card

Playing Back All of the Songs in a Folder

Saving Data to Digital Piano

Memory (Internal Area) Instead

of a Memory Card

Use the procedure below to select one of the four

folders on a memory card and play back all of the

songs in the folder in succession.

Even when you do not have a memory card loaded in

the Digital Piano’s memory card slot, you can save up

to about 16MB of data in the Digital Piano’s internal

memory area. You also can load and delete internal

memory area data using the same procedures that you

use with a memory card.

While holding down the

(PART) button,

press the

(PLAY/STOP) button.

This will start tone demo tune playback (page E-24).

Press the

(CARD/INTERNAL) button.

This will switch from tone demo tune playback to card

tune playback.

• While playback is in progress, you can use the

Remove the memory card from the Digital

Piano’s memory card slot (page E-45).

through

buttons (Folder A through Folder D) to

switch playback to another folder.

• To stop playback, press the (PLAY/STOP) button.

• Removing the memory card from the slot enables

internal memory area data operations (save, load,

delete, rename, playback).

Assigning a Different Folder to a Folder

Selection Button

To do this

Perform this operation

Save data to

the internal

memory area

From step 2 under “Saving Digital

Piano Data to a Memory Card” on page

E-46

You can use the following procedure to assign different

folders to folder selection buttons

bn bo

, and

Load data

from the

internal

From step 2 under “Loading Data from

a Memory Card” on page E-47

While holding down the

button, press the folder selection button ( ,

(FUNCTION)

memory area

, or ) whose folder assignment you want

to change.

• This displays the folder assignment screen for the

button you press.

bo bp

Delete data

from the

internal

From step 2 under “Deleting Memory

Card Data” on page E-47

memory area

Rename a file

in the internal Memory Card File” on page E-48

memory area

From step 2 under “Renaming a

Use the

(w, q) buttons to select the

folder you want to assign to the button.

• You can select any folder on the memory card.

Play back a

song in the

internal

From step 3 under “Playing Back a

Song from a Memory Card” on page

E-48

• The operation in step 4 of the above

procedure is not possible in the case

of internal memory area song

playback.

After selecting a folder, you can rename it if

you want.

• Perform steps 6 through 8 of the procedure under

“Renaming a Memory Card File” (page E-48) to

rename the folder.

memory area

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Using a Memory Card

Error Messages

One of the error messages below appears on the display when a problem occurs.

• All mentions of “memory card” in the following table refer to an SD memory card.

Display

Message

Cause

Required Action

Convert

There is not enough Digital Piano memory available to

Reduce the size of the recorder song data by deleting unneeded

convert a recorder song (page E-34) to SMF data and store tracks (page E-37), if there are any.

it on the memory card.

Format

1. The current memory card format is not compatible

with this Digital Piano.

1. Format the memory card on the Digital Piano (page E-45).

2. The memory card capacity is greater than 2GB.

3. There is something wrong with the memory card.

2. Use a memory card with a capacity of 2GB or less.

3. Use a different memory card.

MediaFull

Media R/W

1. There is not enough room available on the memory

card.

1. Delete some of the files on the memory card to make room for

new data (page E-47), or use a different card.

2. There is not enough room available in Digital Piano

memory.

2. Delete some or all user data from Digital Piano memory to make

room for new data.

1. Memory card data is corrupted.

1. Use a different memory card.

2. Digital Piano memory is corrupted.

2. Back-up Digital Piano memory data by copying it to your

computer, and then turn the Digital Piano off and then back on

again.

• Note that you may not be able to back-up Digital Piano data

in certain cases.

No Card

1. The memory card is not loaded correctly in the Digital 1. Correctly load the memory card into the memory card slot.

Piano’s memory card slot.

2. The memory card was removed while some operation 2. Do not remove the memory card while any operation is in

was in progress.

progress.

No Data

No File

You tried to save a Digital Piano user area (user rhythm, Select a user area that contains data.

user rhythm song, etc.) that does not contain any data to

the memory card.

1. There is no MUSICDAT folder (page E-46) on the

memory card.

1. Create a MUSICDAT folder on the memory card or format the

memory card on the Digital Piano (page E-45).

2. There is no loadable or playable data in the

MUSICDAT folder, or there is no playable data in a

song playback folder (MUSIC__B, etc.)

2. Move the file you want to load or play into the memory card’s

MUSICDAT folder. For song playback, you can place the song

data into any one of the following folders: MUSIC__B,

MUSIC__C, or MUSIC__D.

Not SMF01

You are attempting to play back SMF Format 2 song data. This Digital Piano supports playback of SMF Format 0 or Format 1

only.

Protect

The memory card is write-protected.

Use the memory card’s write protect switch to enable writing.

ReadOnly

A read-only file with the same name you are trying to use • Use a different name to save the new file.

is already stored on the memory card.

• Remove the read-only attribute from the existing file and

overwrite it with the new file.

• Use a different memory card.

SizeOver

1. The data on the memory card is too big to play.

2. The data you are trying to load is too large.

1. This Digital Piano supports playback of song data files with a

maximum size of about 320 kbytes.

2. The following is the maximum data size (per data item) when

loading data into Digital Piano memory.

User rhythm: Approximately 40KB

User Song: 320KB

User Music Preset: Approximately 8KB

WrongDat

1. The memory card data is corrupted.

—

2. The memory card contains data that is not supported

by this Digital Piano.

E-50

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Connecting to a Computer

You can connect the Digital Piano to a computer and

Connecting the Digital Piano

exchange MIDI data between them. You can send play

data from the Digital Piano to music software running

on your computer, or you can send MIDI data from

your computer to the Digital Piano for playback.

to Your Computer

IMPORTANT!

• Make sure you follow the steps of the procedure

below exactly. Connecting incorrectly can make data

send and receive impossible.

Minimum Computer System

Requirements

Turn off the Digital Piano and then start up

your computer.

The following shows the minimum computer system

requirements for sending and receiving MIDI data.

Check to make sure that your computer complies with

these requirements before connecting the Digital Piano

to it.

• Do not start up the music software on your computer

yet!

After starting up your computer, use a

commercially available USB cable to connect

it to the Digital Piano.

z Operating System

Windows^®XP (SP2 or later)^*1

Windows Vista^{® *2}

B connector

Windows^®7 ^*3

USB cable

(A-B type)

Mac OS^®X (10.3.9, 10.4.11, 10.5.8 or later, 10.6.6 or later)

*1: Windows XP Home Edition

Windows XP Professional (32-bit)

*2: Windows Vista (32-bit)

*3: Windows 7 (32-bit, 64-bit)

A connector

Digital Piano USB port

Computer USB port

z USB port

IMPORTANT!

Turn on the Digital Piano.

• Never connect to a computer that does not conform

to the above requirements. Doing so can cause

problems with your computer.

• If this is the first time you are connecting the Digital

Piano to your computer, the driver software required

to send and receive data will be installed on your

computer automatically.

Start up your computer’s music software.

Configure the music software settings to

select one of the following as the MIDI device.

CASIO USB-MIDI : (For Windows Vista, Windows 7,

Mac OS X)

USB Audio Device: (For Windows XP)

• For information about how to select the MIDI device,

see the user documentation that comes with the

music software you are using.

IMPORTANT!

• Be sure to turn on the Digital Piano first before

starting up your computer’s music software.

E-51

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Connecting to a Computer

NOTE

Transferring Data between the

Digital Piano and a Computer

You can use the procedure below to transfer edited

Auto Accompaniment data, recorder data, and other

data from the Digital Piano to a computer for storage.

You also can transfer standard MIDI files (SMF), as

well as Auto Accompaniment data you downloaded

from the CASIO website from your computer to Digital

Piano memory.

• Once you are able to connect successfully, there is no

problem with leaving the USB cable connected when

you turn off your computer and/or Digital Piano.

• This Digital Piano conforms to General MIDI Level 1

(GM).

• For detailed specifications and connections that

apply to MIDI data send and receive by this Digital

Piano, see the latest support information provided

by the website at the following URL.

http://world.casio.com/

■ Data Types Supported for Data Transfer

Using MIDI

The types of data that can be exchanged with a

computer are the same as those that can be saved to an

SD memory card from the Digital Piano (page E-44).^*

* Recorder songs (page E-34) cannot be converted to

SMF data for storage on a computer.

What is MIDI?

The letters MIDI stand for Musical Instrument Digital

Interface, which is the name of a worldwide standard

for digital signals and connectors that makes it possible

to exchange musical data between musical instruments

and computers (machines) produced by different

manufacturers.

For details about the MIDI specifications of this Digital

Piano, see the “MIDI Implementation” document at the

website located at the URL below.

IMPORTANT!

• Turning off the Digital Piano while data is being

saved or loaded can cause all data currently stored

in Digital Piano memory (recorded songs, etc.) to be

deleted. Take care so power is not turned off

accidentally during data save and load operations. If

data is deleted, it will take longer than normal for the

Digital Piano to power up the next time you turn it on

(page E-9).

http://world.casio.com/

NOTE

Remove the memory card from the Digital

Piano’s memory card slot (page E-45).

• You will not be able to transfer data between the

Digital Piano and a computer if a card is in the

memory card slot.

• You can alter the Digital Piano’s MIDI setup by

changing the MIDI data send channel or other

settings. For details, see “MIDI Group” (page E-42).

• Use a separately available or commercially available

MIDI cable to connect the MIDI terminals of your

Digital Piano and another electronic musical

instrument for exchange of MIDI data.

Perform steps 1 through 3 under “Connecting

the Digital Piano to Your Computer” to

connect the piano to your computer (page

E-51).

E-52

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Connecting to a Computer

While holding down the

(FUNCTION)

Double-click “PIANO”.

You now should see five data folders, one for each data

type.

button, press the

button.

(USB DEVICE MODE)

This will enter the storage mode, which enables data

transfer with the connected computer. The

(FUNCTION) button lamp will flash and the display

will appear as shown below.

This folder is not a data folder. You should not try to

use it for normal Digital Piano operation.

• To exit the storage mode at any time, press the

(FUNCTION) button. This is the only button

operation that is supported while the Digital Piano is

in the storage mode.

• You will not be able to enter the storage mode while

any one of the following operations is in progress.

Metronome, Auto Accompaniment, song playback,

recorder (on), Auto Accompaniment editing, Music

Preset editing, data transfer between the Digital

Piano and card

Referring to the table below, open the folder

that corresponds to the type of data you want

to transfer.

To load this

type of data

Open this data

folder

Data File Name

User rhythms

(page E-21)

BIDRHYnn.AC7

(nn: 01 to 10)

RHYTHMAC

MUSICLIB

BIDSNGnn.MID

(nn: 01 to 10)

(SMF Format 0 or

Format 1)

BIDSNGnn.CM2

(nn: 01 to 10)

(CASIO format)

If your computer is running Windows XP,

double-click “My Computer”.^*

Under “Devices with Removable Storage”, you should

be able to see a folder representing Digital Piano

memory or the memory card loaded in the Digital

Piano (see below).

User songs

(page E-25)

Windows Vista, Windows 7: Double-click “Computer”.

Mac OS: Skip step 4 and double-click “PIANO” on

your Mac desktop.

User Music Presets

(page E-28)

BIDMPSnn.MPS

(nn: 01 to 50)

MUSICPST

RECORDER

REGISTMR

Recorder songs

(page E-34)

BIDRECnn.CSR

(nn: 01 to 05)

Registration

(page E-32)

BIDREGAL.CR6

• Data types and contents are the same as those when

saving Digital Piano data to or loading it from an SD

memory card. See “Using a Memory Card” (page

E-44) for more information.

PIANO drive (Digital Piano memory)

E-53

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Connecting to a Computer

File name extensions (.MID, .CM2, etc.) are

not displayed under initial default Windows

settings. Perform the procedure below to turn

on display of file name extensions.

(1) Open any one of the folders shown above.

(2) Perform one of the following operations to display

folder information.

IMPORTANT!

• The message “ERROR, DATA EXCHANGE” will

appear on the display if a problem occurs during

data transfer. If this happens, check the message in

the “STATELOG” folder (page E-53) on the “PIANO”

drive. Next find the same message in the table on

page E-50 of this manual to determine the cause of

the problem and what action you need to take to

avoid it.

• Windows XP:

On the [Tools] menu at the top of the folder

window, select [Folder Options].

• Windows Vista, Windows 7:

On the left side of the folder window, click

[Organize] and then select [Folder and Search

Options].

(3) On the Folder Information window, click the

[View] tab.

(4) Under “Advanced Settings”, clear the “Hide

extensions for known file types” check box and

then click [OK].

After opening a data folder, perform either of

the following operations to transfer data.

8-1.To transfer data from Digital Piano

memory to a computer, perform the

required operation on your computer to

copy the data from the Digital Piano

folder you opened in step 6 of this

procedure to another location on your

computer.

8-2.To load data from your computer to

Digital Piano memory, first copy the data

you want to load to the data folder you

opened. Next, rename the file as shown

in the “Data File Name” ^*column in the

table under step 6 of this procedure.

* The value you assign for “nn” in the data file name in

this case specifies the user number (user rhythm, user

song, recorder song, user preset) you want the data to

be assigned to.

Example: Renaming downloaded song data to

BIDSNG04.CM2 to the MUSICLIB folder will

make the data user song 004.

Press the

storage mode.

(FUNCTION) button to exit the

• If you are using a Macintosh, drag the PIANO folder

to the Trash and then press the Digital Piano’s

(FUNCTION) button.

E-54

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Connecting to a Computer

Playing Back User Song Data by Copying

It to the PIANO Drive

Using Your Digital Piano as a Memory

Card Reader

You can use the procedure below at any time to copy

user song data to the PIANO drive (without putting it

in the MUSICLIB folder) for simplified playback on the

Digital Piano.

You can display the contents of the memory card

currently loaded in the Digital Piano’s card slot and

perform copy, delete, and other card operations from

your computer.

• When you copy a user song data file to the

MUSICLIB folder, you need to rename it according

to specified format (page E-53, step 6). You do not

need to rename the file if you use the procedure

below.

Insert the memory card into the Digital

Piano’s memory card slot.

Perform the procedure starting from step 2 on

page E-52.

In step 4 of the procedure, “SD_MMC” will appear in

place of “PIANO”. You can double-click “SD_MMC” to

display the contents of the card loaded in the Digital

Piano card slot, and change it as you like.

■ Using Auto Accompaniment Data from the

CASIO Website

You can download other model Auto Accompaniment

data from the “Internet Data Expansion System” of the

CASIO Music Site (http://music.casio.com/) and

transfer it to Digital Piano memory.

CASIO format song data

MIDI file song data

Perform the previous procedure to copy the

user song data file to the PIANO drive.

NOTE

• Since the accompaniment data is for other models,

you may experience some abnormalities when

playing it on this model.

Press the

(CARD/INTERNAL) button.

This will cause the button’s lamp to light and will the

display the song number and song name of the first

song on the PIANO drive.

Copyrights

The rights of creators and copyright holders of music,

images, computer programs, databases, and other

data are protected by copyright laws. You are allowed

to reproduce such works for personal or non-

commercial use only. For any other purpose, all

reproduction (including data format conversion),

modification, transfer of reproductions, distribution

over a network, or any other use without permission

of the copyright holder exposes you to claims for

damages and criminal prosecution for copyright

infringement and violation of the author’s personal

rights. Be sure to reproduce and otherwise use

copyrighted works only in accordance with applicable

Use the

song you want to play.

(w, q) buttons to select the

Press the (PLAY/STOP) button.

This starts playback of the selected song.

• Each press of the (PLAY/STOP) button toggles

between play and stop.

• Fast forward, fast reverse, tempo change, and other

operations are the same as those during playback of a

loaded user song and a song file on a memory card.

When you are finished playing back songs,

press the

(CARD/INTERNAL) button.

E-55

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Reference

Troubleshooting

Problem

Cause

Action

See Page

No sound is produced when I

press a keyboard key.

1. The VOLUME controller is set to

“MIN”.

1. Rotate the VOLUME controller more towards ) E-9

“MAX”.

2. Headphones or an adaptor plug is

plugged into one of the PHONES

jacks.

2. Disconnect whatever is connected to the

PHONES jack.

) E-6

The pitch of the Digital Piano is

off.

1. The Digital Piano’s key setting is

something other than “00”.

1. Change the key setting to “00”, or turn Digital ) E-41

Piano power off and then back on again.

2. Digital Piano tuning is incorrect.

2. Adjust Digital Piano tuning, or turn the piano

off and then back on again.

) E-41

3. A non-standard temperament setting

is being used.

3. Change the temperament setting to

“00:Equal”, which is the standard modern

tuning.

4. Octave shift is enabled.

4. Change the octave shift setting to 0.

) E-12

) E-43

Tones and/or effects sound

strange. Turning power off and

then back on again does not

eliminate the problem.

The “Setting Backup” feature is turned

on.

Turn off “Setting Backup”. Next, turn power off

and then back on again.

Example: Note intensity does not

change even though I alter key

pressure.

I cannot transfer data after

connecting the Digital Piano to a

computer.

—

1. Check to make sure that the USB cable is

connected to the Digital Piano and computer,

and that the correct device is selected with

your computer’s music software.

) E-51

2. Turn off the Digital Piano and then exit the

music software on your computer. Next, turn

the Digital Piano back on and then restart the

music software on your computer.

I cannot record chord

accompaniment data on my

computer.

Accomp MIDI Out is turned off.

—

Turn on Accomp MIDI Out.

) E-42

—

I cannot store data to a memory

card or load data from a memory

card.

See “Error Messages” on page E-50.

Stop song playback, disconnect the USB cable

Playback stops part way through Digital noise from the USB cable or

) E-51

while transferring song data from power cord caused data communication from the Digital Piano, and then reconnect it.

my computer.

your computer and Digital Piano to be

interrupted.

Next, try playing back the song again.

If this does not solve the problem, quit the MIDI

software you are using, disconnect the USB

cable from the Digital Piano, and then reconnect

it. Next, restart the MIDI software and then try

playing back the song again.

A tone’s quality and volume

sounds slightly different

depending where it is played on

the keyboard.

This is an unavoidable result of the digital sampling process,^*and does not indicate malfunction.

* Multiple digital samples are taken for the low range, middle range, and high range of the original

musical instrument. Because of this, there may be a very slight difference in tonal quality and volume

between sample ranges.

When I press a button, the note

that is sounding cuts out

momentarily or there is a slight

change in how effects are applied.

Performing a button operation while playing with the Duet Mode, Auto Accompaniment, the recorder, or

other functions can cause such phenomena when the Digital Piano switches internal tone effects. It does

not indicate malfunction.

Even though I play on different

The ranges of certain tones are limited, which means that octaves change normally up to a certain low

ranges of the keyboard, the notes note or high note. With such a tone, the notes of the lowest octave will be repeated to the left of the

do not change octaves.

lowest possible note, and the highest octave will be repeated to the right of the highest possible note.

This is due do limitations in the range of the original musical instrument for each tone, and does not

indicate malfunction of the Digital Piano.

E-56

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Reference

Product Specifications

Model

PX-330BK/PX-330WE

Keyboard

Maximum Polyphony

Tones

88-key piano keyboard, with Touch Response (3 types)

128 notes

250 (with Layer and Split)

Effects

Reverb (4 types), Chorus (4 types), Brilliance (–3 to 0 to 3), Acoustic Resonance

Metronome

• Beats per measure: 0, 2, 3, 4, 5, 6

• Tempo Range: 20 to 255

Duet

Adjustable tone range: 0 to 3 octaves for the left keyboard; –4 to –1 octaves for the right keyboard

Auto Accompaniment

• Built-in Rhythms: 180

• User Rhythms: Up to 10 (Approximately 40KB^*maximum per rhythm)

• One Touch Presets: 180 types

• Auto Harmonize: 12 types

Demo Songs

User Songs

8 songs (tone demo songs)

Up to 10 songs (320KB^*maximum per song)

Music Presets

Built-in Presets: 300

User Presets: Up to 50 (Approximately 8KB^*maximum per preset)

Registration

Recorder

(4 rhythm areas + 8 tone areas) × 8 banks

• Functions: Real-time recording, playback

• Number of Songs: 5

• Number of Tracks: 17 (System Track + Tracks 01 through 16)

• Capacity: Approximately 50,000 notes total (Up to approximately 10,000 notes per song)

• Punch-in recording

Pedals

Damper, Soft/Sostenuto (switchable)

Other Functions

• Transpose: 1 octave (–12 to 00 to 12)

• Tuning: A4 = 440.0 Hz 99 cents

• Octave Shift: 2 octaves

• Temperaments: 17 types

• Stretch Tune

• Panel Lock

MIDI

16 multi-timbre received, GM Level 1 standard

Pitch Bend Range: 00 to 12 semitones

Pitch Bend Wheel

SD Memory Card

• SD memory card slot

• Supported SD Memory Cards: Up to 2GB

• Functions: SMF playback, file storage, file recall, card format

Inputs/Outputs

• PHONES jacks: Stereo mini jacks × 2

• Pedal Jacks: Standard jacks × 2

• MIDI OUT/IN terminals

• LINE OUT R, L/MONO jacks: Standard jacks × 2

Output impedance: 2.3KΩ

Output voltage: 1.8V (RMS) MAX

• LINE IN R, L/MONO jacks: Standard jacks × 2

Input impedance: 9.0KΩ

Input voltage: 200mV

• Power: 12V DC

• USB port: Type B

• Pedal connector (for optional SP-32 only)

Speakers

[13cm × 6cm (rectangular)] × 2 + φ 5cm × 2 (Output: 8.0W + 8.0W)

AC Adaptor: AD-A12150LW

Power Requirements

Power Consumption

Dimensions

12V = 18W

132.2 (W) × 28.6 (D) × 13.5 (H) cm (52 ¹/₁₆× 11 ¹/₄× 5 ⁵/₁₆inch)

Weight

Approximately 11.6kg (25.6lbs)

* Based on 1KB = 1024bytes, 1MB = 1024²bytes

• Specifications and designs are subject to change without notice.

E-57

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Reference

• Any reproduction of the contents of this manual,

either in part or its entirety, is prohibited. Except for

your own, personal use, any other use of the

contents of this manual without the consent of

CASIO is prohibited under copyright laws.

• IN NO EVENT SHALL CASIO BE LIABLE FOR

ANY DAMAGES WHATSOEVER (INCLUDING,

WITHOUT LIMITATION, DAMAGES FOR LOSS

OF PROFITS, BUSINESS INTERRUPTION, LOSS

OF INFORMATION) ARISING OUT OF THE USE

OF OR INABILITY TO USE THIS MANUAL OR

PRODUCT, EVEN IF CASIO HAS BEEN ADVISED

OF THE POSSIBILITY OF SUCH DAMAGES.

• The contents of this manual are subject to change

without notice.

Operating Precautions

Be sure to read and observe the following operating

precautions.

■ Location

Avoid the following locations for this product.

• Areas exposed to direct sunlight and high humidity

• Areas subjected to temperature extremes

• Near a radio, TV, video deck, or tuner

• The above devices will not cause malfunction of the

product, but the product can cause interference in

the audio or video of a nearby device.

■ User Maintenance

• Never use benzine, alcohol, thinner, or other

chemical agents to clean the product.

• To clean the product or its keyboard, wipe with a

soft cloth moistened in a weak solution of water and

a mild neutral detergent. Wring all excess moisture

from the cloth before wiping.

■ AC Adaptor Handling Precautions

• Use a power outlet that is easily accessible so you

can unplug the AC adaptor when a malfunction

occurs or whenever else you need to do so.

• The AC adaptor is intended for indoor use only. Do

not use it where it might be exposed to splashing or

moisture. Do not place any container, such as a

flower vase, that contains liquid on the AC adaptor.

• Store the AC adaptor in a dry place.

• Use the AC adaptor in an open, well-ventilated area.

• Never cover the AC adaptor with newspaper, a table

cloth, a curtain, or any other similar item.

• Unplug the AC adaptor from the power outlet if you

do not plan to use the Digital Piano for a long time.

• Never try to repair the AC adaptor or modify it in

any way.

■ Included and Optional Accessories

Use only accessories that are specified for use with this

product. Use of unauthorized accessories creates the

risk of fire, electric shock, and personal injury.

■ Weld Lines

Lines may be visible on the exterior of the product.

These are “weld lines” that result from the plastic

molding process. They are not cracks or scratches.

• AC adaptor operating environment

Temperature: 0 to 40°C

Humidity: 10% to 90% RH

Output polarity:

■ Musical Instrument Etiquette

Always be aware of others around you whenever using

this product. Be especially careful when playing late at

night to keep the volume at levels that do not disturb

others. Other steps you can take when playing late at

night are closing windows and using headphones.

E-58

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Reference

AC Adaptor Handling Precautions

Model: AD-A12150LW

1. Read these instructions.

2. Keep these instructions on hand.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this product near water.

6. Clean only with a dry cloth.

7. Do not install near radiators, heat registers, stoves, or any other source of heat (including amplifiers).

8. Use only attachments and accessories specified by the manufacturer.

9. Refer all servicing to qualified service personnel. Servicing is required after any of the following occurs:

when the product is damaged, when the power supply cord or plug is damaged, when liquid is spilled into

the product, when a foreign object falls into the product, when the product is exposed to rain or moisture,

when the product does not operate normally, when the product is dropped.

10. Do not allow the product to be exposed to dripping or splashing liquid. Do not place any object containing

liquid on the product.

11. Do not allow the electrical load output to exceed the label rating.

12. Make sure the surrounding area is dry before plugging into a power source.

13. Make sure the product is oriented correctly.

14. Unplug the product during lightning storms or when you do not plan to use it for a long time.

15. Do not allow product ventilation openings to become blocked. Install the product in accordance with the

manufacturer’s instructions.

16. Take care the power cord is located where it will not be stepped upon or bent severely, particularly in

locations close to plugs and convenience receptacles, and in locations where it exits from the product.

17. The AC adaptor should be plugged into a power outlet as close to the product as possible to allow

immediate disconnection of the plug in case of emergency.

The symbol below is an alert indicating un-insulated hazardous voltage inside the product’s enclosure, which

may be sufficient to constitute the risk of electric shock to users.

’

The symbol below is an alert indicating the presence of important operating and maintenance (servicing)

instructions in the documentation that accompanies the product.

E-59

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Appendix/Apéndice

Tone List/Lista de tonos

Bank

Select

MSB/

MSB de

Selección

de banco

Bank

Select

MSB/

MSB de

Selección

de banco

Group

Name/

Nombre Número

del

grupo

Group

Number/

Program

Change/

Cambio

Group

Name/

Nombre Número

del

grupo

Group

Number/

Program

Change/

Cambio

Sequential

Number/

Número

Acoustic

Resonance/

Resonancia

acústica

Sequential

Number/

Número

Acoustic

Resonance/

Resonancia

acústica

Tone Name/

Nombre del tono

Tone Name/

Nombre del tono

grupo

secuencial

programa

GRAND PIANO MODERN

009

010

011

012

013

014

015

016

017

064

065

066

067

068

069

070

071

072

STEEL STR.GUITAR 1

STEEL STR.GUITAR 2

STEEL STR.GUITAR 3

JAZZ GUITAR

001

GRAND PIANO MODERN

GRAND PIANO

VARIATION

002

003

004

005

006

003

004

005

006

ROCK PIANO

LA PIANO

CLEAN GUITAR

CHORUS CLEAN GUITAR

CRUNCH ELEC.GUITAR 1

CRUNCH ELEC.GUITAR 2

OVERDRIVE GUITAR

MODERN PIANO

DANCE PIANO

GRAND PIANO CLASSIC

001

002

003

004

005

006

007

008

009

010

011

012

GRAND PIANO CLASSIC

MELLOW PIANO

HONKY-TONK

VARIOUS/GM TONES

073

001

002

003

004

005

006

007

008

009

010

011

012

013

014

015

016

017

018

019

020

021

022

023

024

025

026

027

028

029

030

031

032

033

034

035

036

037

038

039

040

041

042

043

044

045

046

047

048

049

050

051

052

053

054

055

056

057

058

059

060

061

BREATHY ALTO SAX

BREATHY TENOR SAX

ALTO SAX

110

107

109

111

105

104

105

111

110

105

074

075

076

077

078

079

080

081

082

083

084

085

086

087

088

089

090

091

092

093

094

095

096

097

098

099

100

101

102

103

104

105

106

107

108

109

110

111

112

113

114

115

116

117

118

119

120

121

122

123

124

125

126

127

128

129

130

131

132

133

OCTAVE PIANO

STRINGS PIANO

PIANO PAD

TENOR SAX

CLARINET

ELEC PIANO

FLUTE

001

002

003

004

005

006

007

008

009

013

014

015

016

017

018

019

020

021

ELEC.PIANO 1

TRUMPET

ELEC.PIANO 2

TROMBONE

STEREO BRASS

BRASS SECTION

SYNTH-BRASS

80’S SYNTH-BRASS

SAW LEAD

60’S E.PIANO

E.GRAND 80

DYNO ELEC.PIANO

FM ELEC.PIANO

MELLOW E.PIANO

POP ELEC.PIANO

SYNTH-STR.E.PIANO

MELLOW SAW LEAD

SQUARE LEAD

ER HU

VIBES/CLAVI

001

002

003

022

023

024

VIBRAPHONE

CLAVI

YANG QIN 1

YANG QIN 2

DI ZI

HARPSICHORD

COUPLED

HARPSICHORD

ZHENG

004

025

SHENG

005

006

026

027

MARIMBA

SUO NA

CHORUS VIBRAPHONE

XIAO

ORGAN

PI PA 1

001

002

003

004

005

006

007

008

009

010

011

012

013

028

029

030

031

032

033

034

035

036

037

038

039

040

ROCK ORGAN 1

JAZZ ORGAN

PI PA 2

SITAR

DRAWBAR ORGAN

ROTARY DRAWBAR

ROTARY ORGAN

PERC.ORGAN

TANPURA

HARMONIUM

SANTUR

SAROD

70’S ORGAN

SHANAI

OVERDRIVE ORGAN

TREMOLO ORGAN

ROCK ORGAN 2

ELEC.ORGAN

SARANGI

KANUN

OUD

NEY

CHURCH ORGAN

CHAPEL ORGAN

ARABIC ORGAN

GM PIANO 1

GM PIANO 2

GM PIANO 3

GM HONKY-TONK

GM E.PIANO 1

GM E.PIANO 2

GM HARPSICHORD

GM CLAVI

STRINGS/SYNTH-PAD

001

041

STRINGS

002

042

043

044

045

046

047

048

049

050

051

052

053

054

055

STRING ENSEMBLE

SYNTH-STRINGS

70’S SYNTH-STR.

80’S SYNTH-STR.

VIOLIN SECTION

CHOIR

003

004

005

006

007

GM CELESTA

GM GLOCKENSPIEL

GM MUSIC BOX

GM VIBRAPHONE

GM MARIMBA

GM XYLOPHONE

GM TUBULAR BELL

GM DULCIMER

GM ORGAN 1

GM ORGAN 2

GM ORGAN 3

GM PIPE ORGAN

GM REED ORGAN

GM ACCORDION

GM HARMONICA

GM BANDONEON

GM NYLON STR.GUITAR

008

SYNTH-VOICE

SYNTH-PAD

009

010

FANTASY

011

NEW AGE

012

WARM PAD

013

WARM VOX

014

POLYSYNTH PAD

ATMOSPHERE PAD

015

BASS/GUITAR

001

002

003

004

005

006

007

008

056

057

058

059

060

061

062

063

ACOUSTIC BASS

RIDE BASS

FINGERED BASS 1

FINGERED BASS 2

FINGERED BASS 3

PICKED BASS

TRANCE BASS

NYLON STR.GUITAR

A-1

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Appendix/Apéndice

Bank

Select

MSB/

MSB de

Selección

de banco

Bank

Select

MSB/

MSB de

Selección

de banco

Group

Name/

Nombre Número

del

grupo

Group

Number/

Program

Change/

Cambio

Group

Name/

Nombre Número

del

grupo

Group

Number/

Program

Sequential

Number/

Número

Acoustic

Resonance/

Resonancia

acústica

Sequential

Number/

Número

Acoustic

Resonance/

Resonancia

acústica

Change/

Cambio

Tone Name/

Nombre del tono

Tone Name/

Nombre del tono

grupo

secuencial

programa

062

063

064

065

066

067

068

069

070

071

072

073

074

075

076

077

078

079

080

081

082

083

084

085

086

087

088

089

090

091

092

093

094

095

096

097

098

099

100

101

102

103

104

105

106

107

108

109

110

111

112

113

114

115

116

117

118

119

120

121

122

123

124

125

126

127

128

129

130

131

132

133

134

135

136

137

138

139

134

135

136

137

138

139

140

141

142

143

144

145

146

147

148

149

150

151

152

153

154

155

156

157

158

159

160

161

162

163

164

165

166

167

168

169

170

171

172

173

174

175

176

177

178

179

180

181

182

183

184

185

186

187

188

189

190

191

192

193

194

195

196

197

198

199

200

201

202

203

204

205

206

207

208

209

210

211

GM STEEL STR.GUITAR

GM JAZZ GUITAR

GM CLEAN GUITAR

GM MUTE GUITAR

GM OVERDRIVE GT

GM DISTORTION GT

GM GT HARMONICS

GM ACOUSTIC BASS

GM FINGERED BASS

GM PICKED BASS

GM FRETLESS BASS

GM SLAP BASS 1

GM SLAP BASS 2

GM SYNTH-BASS 1

GM SYNTH-BASS 2

GM VIOLIN

100

101

102

140

141

142

143

144

145

146

147

148

149

150

151

152

153

154

155

156

157

158

159

160

161

162

163

164

165

166

167

168

169

170

171

172

173

174

175

176

177

178

212

213

214

215

216

217

218

219

220

221

222

223

224

225

226

227

228

229

230

231

232

233

234

235

236

237

238

239

240

241

242

243

244

245

246

247

248

249

250

GM SF

103

104

105

106

107

108

109

110

111

112

113

114

115

116

117

118

119

120

121

122

123

124

125

126

127

GM SITAR

GM BANJO

GM SHAMISEN

GM KOTO

GM THUMB PIANO

GM BAGPIPE

GM FIDDLE

GM SHANAI

GM TINKLE BELL

GM AGOGO

GM STEEL DRUMS

GM WOOD BLOCK

GM TAIKO

GM MELODIC TOM

GM SYNTH-DRUM

GM REVERSE CYMBAL

GM GT FRET NOISE

GM BREATH NOISE

GM SEASHORE

GM BIRD

GM VIOLA

GM CELLO

GM CONTRABASS

GM TREMOLO STRINGS

GM PIZZICATO

GM HARP

GM TELEPHONE

GM HELICOPTER

GM APPLAUSE

GM GUNSHOT

STANDARD SET 1

STANDARD SET 2

STANDARD SET 3

STANDARD SET 4

ROOM SET

GM TIMPANI

GM STRINGS 1

GM STRINGS 2

GM SYNTH-STRINGS 1

GM SYNTH-STRINGS 2

GM CHOIR AAHS

GM VOICE DOO

GM SYNTH-VOICE

GM ORCHESTRA HIT

GM TRUMPET

120

HIP-HOP SET

POWER SET

GM TROMBONE

GM TUBA

ELECTRONIC SET

SYNTH SET 1

GM MUTE TRUMPET

GM FRENCH HORN

GM BRASS

SYNTH SET 2

TRANCE SET

JAZZ SET

GM SYNTH-BRASS 1

GM SYNTH-BRASS 2

GM SOPRANO SAX

GM ALTO SAX

BRUSH SET

ORCHESTRA SET

NOTE

GM TENOR SAX

GM BARITONE SAX

GM OBOE

• Acoustic resonance (page E-41) is applied only to

tones indicated by “O”.

GM ENGLISH HORN

GM BASSOON

• While sequential numbered tone 065 (STEEL

STR.GUITAR 2) or 066 (STEEL STR.GUITAR 3) is

selected, pressing multiple keys on the far left side of

the keyboard will produce a guitar strumming

sound. It does not indicate malfunction.

• See the “Drum Assignment List” (page A-3) for the

percussion instrument assigned to each keyboard

key when a drum set (Sequential Number 237 to 250)

is selected.

GM CLARINET

GM PICCOLO

GM FLUTE

GM RECORDER

GM PAN FLUTE

GM BOTTLE BLOW

GM SHAKUHACHI

GM WHISTLE

GM OCARINA

GM SQUARE LEAD

GM SAW LEAD

GM CALLIOPE

GM CHIFF LEAD

GM CHARANG

NOTA

GM VOICE LEAD

GM FIFTH LEAD

GM BASS+LEAD

GM FANTASY

• La resonancia acústica (página S-42) se aplica

solamente a los tonos indicados mediante “O”.

• Cuando los tonos secuenciales número 065 (STEEL

STR. GUITAR 2) o 066 (STEEL STR. GUITAR 3)

estén seleccionados, si presiona múltiples teclas en el

extremo izquierdo del teclado producirá un sonido

de rasgueo de guitarra. Esto no es ningún signo de

anomalía.

• Consulte la “Lista de asignación de batería”

(página A-3) para saber cuáles son los instrumentos

de percusión asignados a cada tecla cuando se

selecciona un ajuste de batería (números

secuenciales 237 a 250).

GM WARM PAD

GM POLYSYNTH

GM SPACE CHOIR

GM BOWED GLASS

GM METAL PAD

GM HALO PAD

GM SWEEP PAD

GM RAIN DROP

GM SOUND TRACK

GM CRYSTAL

GM ATMOSPHERE

GM BRIGHTNESS

GM GOBLINS

GM ECHOES

A-2

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Appendix/Apéndice

A-3

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Appendix/Apéndice

Rhythm List/Lista de ritmos

Group

Number/

Número de

grupo

Sequential

Number/

Número

Group

Number/

Número de

grupo

Sequential

Number/

Número

Group Name/

Nombre del

grupo

Group Name/

Nombre del

grupo

Rhythm name/

Nombre del ritmo

Rhythm name/

Nombre del ritmo

secuencial

POPS/JAZZ

059

060

061

062

063

064

065

066

059

060

061

062

063

064

065

066

WALTZ 2

POPS

001

002

003

004

005

006

007

008

009

010

SLOW WALTZ

VIENNESE WALTZ

FRENCH WALTZ

SERENADE

TANGO

MARCH 1

001

002

003

004

005

006

007

008

009

010

POP 1

POP 2

FAST POP

FUNK POP

POP ROCK

6/8 POP

FAST SOUL

SLOW SOUL

60’S SOUL

POP SHUFFLE

MARCH 2

LATIN/WORLD

LATIN I

001

002

003

004

005

006

007

008

009

010

011

012

013

014

015

067

068

069

070

071

072

073

074

075

076

077

078

079

080

081

BOSSA NOVA

SLOW BOSSA NOVA

BEGUINE

SAMBA 1

SAMBA 2

MAMBO

RHUMBA

CHA-CHA-CHA

MERENGUE

BOLERO

SALSA 1

SALSA 2

REGGAE

POP REGGAE

SKA

8 BEAT/16 BEAT

011

012

013

014

015

016

017

018

019

020

021

STRAIGHT 8 BEAT 1

STRAIGHT 8 BEAT 2

FUNK 8 BEAT

MELLOW 8 BEAT

GUITAR 8 BEAT

8 BEAT

8 BEAT POP

OLDIES 8 BEAT

60’S 8 BEAT

012

013

014

015

016

017

018

019

020

021

16 BEAT

16 BEAT SHUFFLE

DANCE

022

023

024

025

026

027

028

029

HIP-HOP

DANCE POP

DISCO POP

TECHNO POP

TRANCE

MODERN R&B

MODERN DANCE

DISCO SOUL

LATIN II

016

023

024

025

026

027

028

029

082

083

084

085

086

087

088

089

090

091

092

REGGAETON 1

REGGAETON 2

CUMBIA

CALYPSO

FORRO

PAGODE

BANDA

PASILLO

ARGENTINE CUMBIA

PUNTA

017

018

019

020

021

022

023

024

ROCK

030

031

032

033

034

035

036

037

038

039

040

041

042

043

044

045

STRAIGHT ROCK

SHUFFLE ROCK

BLUES 1

BLUES 2

EP BLUES

SLOW BLUES

SOFT ROCK

LATIN ROCK

SLOW ROCK

50’S ROCK

50’S PIANO ROCK

NEW ORLNS R&R

60’S ROCK

031

032

033

034

035

036

037

038

039

040

041

042

043

044

045

025

026

BACHATA

COUNTRY

027

093

094

095

096

MODERN COUNTRY

COUNTRY 8 BEAT

COUNTRY BALLAD

COUNTRY SHUFFLE

FINGER PICKING

COUNTRY

028

029

030

031

097

032

033

WORLD I

AMERICAN

034

098

099

COUNTRY WALTZ

BLUEGRASS

ROCK

70’S PIANO ROCK

ROCK WALTZ

100

101

102

103

104

DIXIE

TEX-MEX

FAST GOSPEL

SLOW GOSPEL

HAWAIIAN

035

036

037

038

JAZZ

046

047

048

049

050

051

052

053

054

055

SLOW BIG BAND

MIDDLE BIG BAND

FAST BIG BAND

SWING 1

047

048

049

050

051

052

053

054

SPANISH/EASTERN EUROPEAN

039

040

041

042

043

105

106

107

108

109

PASODOBLE

CAUCASIAN

RUSSIAN CHANSON 1

RUSSIAN CHANSON 2

POLISH WALTZ

SWING 2

SLOW SWING

JAZZ WALTZ

FOX TROT

QUICKSTEP

JAZZ COMBO 1

ARABIC/ORIENTAL

044

045

046

047

048

049

110

SIRTAKI

MUS

ADANI

BALADI

KHALIJI

MALFOOF

055

111

112

113

114

115

EUROPEAN

056

057

058

SCHLAGER

POLKA

WALTZ 1

057

058

A-4

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Appendix/Apéndice

Group

Group Name/

Number/

Sequential

Number/

Número

Group

Number/

Número de

grupo

Sequential

Number/

Número

Group Name/

Nombre del

grupo

Rhythm name/

Nombre del ritmo

Rhythm name/

Nombre del ritmo

Nombre del

Número de

grupo

secuencial

WORLD II

INDIAN

050

037

038

039

040

041

176

177

178

179

180

PIANO MARCH 2

STRIDE PIANO

WALTZ 3

WALTZ 4

WALTZ 5

116

117

118

119

120

121

122

BHANGRA

DADRA

GARBA

KEHARWA

DANDIYA

TEEN TAAL

BHAJAN

051

052

053

054

055

056

NOTE

• Sequential number rhythms 171 through 180 do not

sound unless a chord is being played.

CHINESE

057

123

124

125

126

127

128

129

130

131

132

133

134

135

136

GUANGDONG

JIANGNAN

BEIJING

DONGBEIYANGGE

JINGJU

HUANGMEIXI

QINQIANG

YUJU

YAOZU

DAIZU

MIAOZU

MENGGU

XINJIANG

ZANGZU

058

059

060

061

062

063

064

065

066

067

068

069

NOTA

• Los ritmos secuenciales números 171 al 180 no

suenan a menos que se ejecute un acorde.

070

SOUTHEAST ASIAN

071

072

137

138

KRONCONG

DANGDUT

JAPANESE

073

139

ENKA

BALLAD/PIANO RHYTHMS

BALLAD

001

140

141

142

143

144

145

146

147

148

149

150

151

152

153

154

155

PIANO ROCK BALLAD

90’S BALLAD

002

003

004

005

006

007

008

009

010

011

012

013

014

015

016

MODERN BALLAD

ELECTRIC BALLAD

SLOW BALLAD 1

SLOW BALLAD 2

R&B BALLAD

16 BEAT BALLAD

SOUL BALLAD

POP BALLAD 1

POP BALLAD 2

PIANO WALTZ BALLAD

90’S 6/8 BALLAD

6/8 BALLAD 1

6/8 BALLAD 2

ROCK BALLAD

VARIOUS

017

156

157

158

159

160

CHRISTMAS SONG

CHRISTMAS WALTZ

SCREEN SWING

SYMPHONY

018

019

020

021

STR QUARTET

PIANO RHYTHMS

022

023

024

025

026

027

028

029

030

031

032

033

034

035

036

161

162

163

164

165

166

167

168

169

170

171

172

173

174

175

PIANO 8 BEAT

PIANO BALLAD 1

PIANO BALLAD 2

EP BALLAD 1

EP BALLAD 2

BLUES BALLAD

JAZZ COMBO 2

JAZZ COMBO 3

RAGTIME

BOOGIE-WOOGIE

PIANO ROCK & ROLL

ARPEGGIO 1

ARPEGGIO 2

ARPEGGIO 3

PIANO MARCH 1

A-5

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Appendix/Apéndice

Music Preset List/Lista de preajustes musicales

Group

Name/

Nombre

del grupo

Group

Number/

Númerode

grupo

Sequential

Number/

Número

Group

Name/

Nombre

del grupo

Group

Number/

Númerode

grupo

Sequential

Number/

Número

secuencial

Preset Name/

Nombre de preajuste

Preset Name/

Nombre de preajuste

secuencial

Funky Clavi

POPS

Earth Disco

70’s Disco

Disco Lady

Staying

Soft Pop

Winter Pop

Oldies Pop

Alpine Flora

Gypsy

Upside

80’s Disco

Give You Up

Bb Girl

Rain Pop

Movie Waltz

Blowin’ in

Funky Rspct

Love Pop

Loco

Blv Disco

Lady M

ROCK

DANCE

Out Of My H

Euro Pop

Don’t Funk

Trance

Rising Sun

Believer

Pop Ska

The Escape

Weep Blues

Sugar Pop

JoyWorldPop

My Life

JAZZ

Wonderland

My Swing

Things

Ribbon

Angel

Blue Love

Xmas Pop

Time

Leaf

Blackbird

Dolphin

Roses

Going On

70’s Pop

West Coast

Bossa Pop

Radio Pop

Crazy Roll

Ivory Pop

UK Pop

100

101

102

103

104

105

106

107

108

109

110

111

112

113

114

115

116

117

118

119

120

100

101

102

103

104

105

106

107

108

109

110

111

112

113

114

115

116

117

118

119

120

Steps

RhythmChange

Swing Mood

The Mood

Brown Jug

Lullaby

Breath You

A Feeling

Calling

Night

Street

Doll

Take On

Someday

Mode Jazz

Train

The World

PlaceOnEarth

Mexican Pop

Guitar Pop

W Up

Tea Time

Jazz Waltz

Home

Sign

Blues in F

Blues in Bb

Blues in C

II-V

Wonder

Hips D Lie

Say Right

MdrnPopRock

II-V-I

Minor Blues

Rock Clock

Johnny

CLASSIC

Heartache

EP R&R

121

122

123

124

125

126

127

128

129

130

131

132

133

134

135

136

137

138

139

140

141

142

143

144

145

146

147

148

149

Canon

Air G String

Je Te Veux

Adagio

Pop R&B

60’s Rock 1

60’s Rock 2

60’s Rock 3

60’s Rock 4

60’s Rock 5

Get Rock

Honky Rock

Wild Rock

Alligator

Spring

Ave Maria

JesusBleibet

Symphony 25

Symphony 40

HungriaDance

Eine Kleine

Pathetique

Moonlight

The Tiger

Pop Rock

16Bt Rosa

Heat Up

PstlSymphony

Ode To Joy

Le Cygne

Hard Rock

Grunge Rock

Latin Rock

Hanging By

R&R

Swan Lake

Valse Fleurs

Habanera

Nocturne

Etude

Piano R&R

Blues

FrenchCancan

FantaisieImp

Humoresque

Pavane

8 Bars Blues

Riff Rock 1

Riff Rock 2

Riff Rock 3

Hope & Glory

Moldau

FromNewWorld

Reverie

Disco Freak

A-6

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Appendix/Apéndice

Group

Name/

Nombre

del grupo

Group

Number/

Númerode

grupo

Sequential

Number/

Número

secuencial

150

Group

Name/

Nombre

del grupo

Group

Number/

Númerode

grupo

Sequential

Number/

Número

secuencial

227

Preset Name/

Nombre de preajuste

Preset Name/

Nombre de preajuste

Nutcracker

Xmas Ballad

151

Liebestraume

Gymnopedies

Jupiter

228

Love Me

152

229

Oldies Bld 1

Oldies Bld 2

Oldies Bld 3

Oldies Bld 4

E World

153

JAZZ BALLAD

230

154

Entertainer

MapleLeafRag

231

155

232

TRAD

233

156

157

158

159

160

161

162

163

164

165

166

167

168

169

170

171

172

173

174

175

176

177

178

179

180

Michael Row

GrndpasClock

Troika

234

Tears

235

Moon Waltz

A’s Theme

Paradise

236

AuldLangSyne

Aloha Oe

237

238

60’s Ballad1

60’s Ballad2

Whiter Shade

FrenchBallad

Everywhere

Wonderful

70’s Ballad1

70’s Ballad2

My Song

O Sole Mio

239

Furusato

240

SzlaDziweczk

Battle Hymn

Condor

241

242

243

ScarboroFair

Danny Boy

244

245

Greensleeves

Annie Laurie

AmazingGrace

WeWishU Xmas

Silent Night

Joy To World

YankeeDoodle

Clarnt Polka

TaRaRaBoom

Double Eagle

Blauen Donau

Yellow Rose

BeautDreamer

246

247

Bridge

248

Img Ballad

Without

249

250

Not In Love

Soft Ballad

We Were

251

252

253

Minor Ballad

Pop Ballad 1

Pop Ballad 2

PianoBallad1

PianoBallad2

Musical Bld

R Ballad

254

255

256

257

258

LATIN

259

181

182

183

184

185

186

187

188

189

190

191

192

193

194

195

196

197

198

199

200

201

202

203

204

205

206

207

208

209

210

Moon Bossa

Your Smile

Rio

260

Always Mind

Endless

261

262

80’s Ballad1

80’s Ballad2

80’s Ballad3

80’s Ballad4

Friends For

Rock Ballad

Eternal

Bossa Blue

One Note

Wave Bossa

Out Of Tune

Quiet Star

Insentive

Brzl Samba

Orpheus

263

264

265

266

267

268

269

Everything

Save Best

Of The Road

I Always

270

Tico-Tico

Beguine

271

272

Amapola

La Paloma

Banana Boat

Peanut

273

New World

Vision

274

275

I Can Fly

276

Wind Ballad

Love To You

My Ballad

Beautiful

Coffee

277

Jamaica

278

MoreBeguine

The No.5

Everyday

Mucho

279

280

Scrubs

281

Falling

282

BlngTogether

B Day

El Tango

El Choclo

Sheriff

283

284

Rap Ballad

Dance Ballad

MdrnRock Bld

Slow Ballad

Kiss Rose

285

No Woman

Can’t Help

Livin’

286

287

288

Whenever

COUNTRY

289

290

291

292

293

294

295

296

297

298

299

300

Summer

New York

B & S

211

212

213

214

215

216

217

218

219

220

This Land

My Sunshine

Walk Line

Home Roads

A Friend

L Alone

Foggy

Moon Swing

Foolish

Cowboy

Still One

Valentine

Midnight

Journey

Star

Breath

CountryWaltz

He Cheats

100

Starlight

BALLAD

221

222

223

224

225

226

Love Ballad

R&B Ballad

Soul Ballad

Blues Ballad

MovieBallad1

MovieBallad2

A-7

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Appendix/Apéndice

Fingered 3, Full Range Chords/

Acordes Fingered 3, Full Range

Fingering Guide/

Guía de digitación

In addition to the chords that can be fingered with

Fingered 1 and Fingered 2, the following chords also

are recognized.

Fingered 1, Fingered 2 Chords/

Acordes Fingered 1, Fingered 2

Además de los acordes que se pueden digitar con

Fingered 1 y Fingered 2, también se pueden reconocer

los siguientes acordes.

C m Dm _ꢀFm

ꢀ

Cdim

Gm _ꢀAm _ꢀB m _ꢀDdim _ꢀA 7 _ꢀF7 _ꢀFm7 _ꢀGm7 _ꢀA add9

Caug ^*3

NOTE

Csus4 ^*3

• With Fingered 3, the lowest note fingered is

interpreted as the base note. Inverted forms are not

supported.

Csus2 ^*3

• With Full Range Chord, when the lowest fingered is

a certain distance from the neighboring note, the

chord is interpreted as a fraction chord.

• Unlike Fingered 1, 2, and 3, Full Range Chord

requires pressing of at least three keys to form a

chord.

Cm7 ^*3

CM7

_Cm7b₅_*3

NOTA

• Con Fingered 3, la nota más baja digitada se

interpreta como nota base. No se pueden usar

formas invertidas.

_C7b₅_*3

• Con Full Range Chord, cuando la nota digitada más

baja se encuentre a cierta distancia de la nota

adyacente, el acorde se interpreta como un acorde

bitonal.

C7sus4

Cadd9

• A diferencia de Fingered 1, 2, y 3, Full Range Chord

requiere la pulsación de tres teclas como mínimo

para formar un acorde.

Cmadd9

CmM7

Cdim7 ^*3

C69 ^*3

C6 ^{*1 *3}

Cm6 ^{*2 *3}

*1With Fingered 2, interpreted as Am7.

*2With Fingered 2, interpreted as Am7 5.

*3Inverted form not supported in some cases.

*1Con Fingered 2, se interpreta como Am7.

*2Con Fingered 2, se interpreta como Am7 5.

*3En algunos casos no se puede usar de forma

invertida.

A-8

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Appendix/Apéndice

Chord Example List/Lista de ejemplos de acordes

A-9

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Model PX-330

Version : 1.0

MIDI Implementation Chart

Function

Transmitted

Recognized

Remarks

Basic

Channel

Default

Changed

1 - 16

Default

Messages

Altered

Mode 3

Mode

Note

Number

0 - 127

True voice

0 - 127 1

** : no relation

** : sin relación

Note ON

Note OFF

9nH v = 1 - 127

Velocity

8nH v = 64

9nH v = 0, 8nH v =

After

Touch

Key’s

Ch’s

Pitch Bender

Bank select

0,32

Modulation

Portamento Time

Data entry LSB, MSB^*2

Volume

6, 38

Pan

Expression

DSP Parameter0^*2

DSP Parameter1^*2

DSP Parameter2^*2

DSP Parameter3^*2

Damper

Control

Change

Portamento Switch

Sostenuto

Soft pedal

Vibrato rate

Vibrato depth

Vibrato delay

DSP Parameter4^*2

DSP Parameter5^*2

DSP Parameter6^*2

DSP Parameter7^*2

Portamento Control

Reverb send

Chorus send

RPN LSB, MSB^*2

100, 101

Program

Change

0 - 127

:True #

System Exclusive

: Song Pos

: Song Sel

: Tune

System

Common

System

Real Time

: Clock

: Commands

: All sound off

Reset all controller

Aux

Messages

: Local ON/OFF

: All notes OFF

: Active Sense

: Reset

*1 : Depends on tone

*2 : For details, see MIDI Implementation at http://world.casio.com/.

Remarks

*1 : Depende del tono

*2 : Si desea más información, vea Implementación MIDI en http://world.casio.com/.

Mode 1 : OMNI ON, POLY

Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON, MONO

Mode 4 : OMNI OFF, MONO

O :Yes

X : No

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This recycle mark indicates that the packaging conforms to

the environmental protection legislation in Germany.

Esta marca de reciclaje indica que el empaquetado se

ajusta a la legislación de protección ambiental en Alemania.

MA1106-B Printed in China

PX330ES1B

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