PL40NE01-1.book 1 ページ ２００２年７月２３日 火曜日 午後６時５２分
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PL40NE01-1.book 1 ページ ２００２年７月２３日 火曜日 午後６時５２分
Safety Precautions
Safety Precautions
Congratulations on your selection of the CASIO Digital
WARNING
Piano. This piano is a sophisticated musical instrument that
blends the very best of traditional piano feel and sound
quality with the latest that modern electronics technology has
to offer.
Smoke, Strange Odor, Overheating
Continued use of the product while it is
emitting smoke, a strange odor, or heat
creates the risk of fire and electric shock.
Take the following steps immediately.
Š
Before using the instrument, be sure to carefully read
through the instructions contained in this manual.
Š
Please keep all information for future reference.
1. Turn off power.
Symbols
2. If you are using the AC adaptor for
power, unplug it from the wall outlet.
Various symbols are used in this user’s guide and on the
product itself to ensure that the product is used safely and
correctly, and to prevent injury to the user and other
persons as well as damage to property. Those symbols
along with their meanings are shown below.
3. Contact your original retailer or an
authorized CASIO Service Provider.
AC Adaptor
Misuse of the AC adaptor creates the risk of
fire and electric shock. Always make sure
you observe the following precautions.
WARNING
Š
Š
Be sure to use only the AC adaptor that is
specified for this product.
This indication stipulates matters that have the risk of
causing death or serious injury if the product is operated
incorrectly while ignoring this indication.
Use only a power source whose voltage
is the within the rating marked on the AC
adaptor.
CAUTION
This indication stipulates matters that have the risk of
causing injury as well as matters for which there is the
likelihood of occurrence of physical damage only if the
product is operated incorrectly while ignoring this
indication.
Š
Do not overload electrical outlets and
extension cords.
AC Adaptor
Misuse of the AC adaptor’s electric cord can
damage or break it, creating the risk of fire
and electric shock. Always make sure you
observe the following precautions.
Symbol Examples
Š
Š
Never place heavy objects on the cord or
subject it to heat.
This triangle symbol (
should be careful. (The example at left
indicates electrical shock caution.)
) means that the user
Never try to modify the cord or subject it
to excessive bending.
This circle with a line through it (
that the indicated action must not be
performed. Indications within or nearby this
symbol are specifically prohibited. (The
example at left indicates that disassembly is
prohibited.)
) means
Š
Š
Never twist or stretch the cord.
Should the electric cord or plug become
damaged, contact your original retailer
or authorized CASIO Service Provider.
The black dot (
) means that the indicated
AC Adaptor
action must be performed. Indications within
this symbol are actions that are specifically
instructed to be performed. (The example at
left indicates that the power plug must be
unplugged from the electrical socket.)
Never touch the AC adapter while your
hands are wet.
Doing so creates the risk of electric shock.
Do not incinerate the product.
Never throw the product into fire. Doing so
can cause it to explode, creating the risk of
fire and personal injury.
426-E-003A
E-1
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PL40NE01-1.book 2 ページ ２００２年７月２３日 火曜日 午後６時５２分
Safety Precautions
WARNING
WARNING
Water and Foreign Matter
Do not locate the product on an unstable surface.
Never locate the product on a surface that is
wobbly, tilted, or otherwise unstable . An
unstable surface can cause the product to fall
over, creating the risk of personal injury.
Water, other liquids, and foreign matter
(such as pieces of metal) getting into the
product create the risk of fire and electric
shock. Take the following steps immediately.
1. Turn off power.
Avoid areas where there are multiple
layers of carpeting, and where cables are
running under the product.
2. If you are using the AC adaptor for
power, unplug it from the wall outlet.
Always make sure you secure the product to
the stand with the screws that are provided.
An unsecured product can fall from the
stand, creating the risk of personal injury.
3. Contact your original retailer or an
authorized CASIO Service Provider.
Disassembly and Modification
Never try to take this product apart or
modify it in any way. Doing so creates the
risk of electric shock, burn injury, or other
personal injury. Leave all internal inspection,
adjustment, and maintenance up to your
original retailer or authorized CASIO Service
Provider.
CAUTION
AC Adaptor
Misuse of the AC adaptor creates the risk of
fire and electric shock. Always make sure
you observe the following precautions.
Dropping and Impact
Š
Š
Do not locate the electric cord near a
stove or other sources of heat.
Continued use of this product after it has
been damaged by dropping or subjecting it to
strong impact creates the risk of fire and
electric shock. Take the following steps
immediately.
Never pull on the cord when unplugging
from the electrical outlet. Always grasp
the AC cord plug when unplugging.
1. Turn off power.
AC Adaptor
2. If you are using the AC adaptor for
power, unplug it from the wall outlet.
Misuse of the AC adaptor creates the risk of
fire and electric shock. Always make sure
you observe the following precautions.
3. Contact your original retailer or an
authorized CASIO Service Provider.
Š
Š
Insert the AC cord into the wall outlet as
far as it will go.
Plastic Bags
Unplug the AC cord from the wall outlet
during lightening storms or before
leaving on a trip or other long-term
absence.
Never place the plastic bag the product
comes in over your head or in your mouth.
Doing so creates the risk of suffocation.
Particular care concerning this precaution is
required where small children are present.
Š
At least once a year, unplug the AC cord
from the wall outlet and wipe away any
dust that is built up in the area around
the prongs of the plug.
Never climb onto the product or stand.*
Never climb onto the product or hang from
its edges. Doing so can cause the product to
fall over, creating the risk of personal injury.
Special care concerning this point is required
in households where there are small
children.
AC Adaptor
When in use, do not locate the AC adaptor
inside a bookcase or other confined space,
and never place paper, books, or other
similar objects on the AC adaptor.
426-E-004A
E-2
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PL40NE01-1.book 3 ページ ２００２年７月２３日 火曜日 午後６時５２分
Safety Precautions
CAUTION
CAUTION
Relocating the Product
*
Should the LCD liquid get in your
eyes or on your skin, immediately
flush with water for at least 15
minutes and then consult a
physician.
Before relocating the product, always unplug
the AC cord from the wall outlet and
disconnect all other cables and connecting
cords. Leaving cords connected creates the
risk of damage to the cords, fire, and electric
shock.
Sound Volume
Do not listen to music at very loud volumes
for long periods. Particular care concerning
this precaution is required when using
headphones. High volume settings can
damage your hearing.
Cleaning
Before cleaning the product, always unplug
the AC cord from the wall outlet first.
Leaving the AC adaptor plugged in creates
the risk of damage to the AC adaptor, fire,
and electric shock.
Health Precaution
In extremely rare cases, exposure to strong
sudden light or flashing light can cause
momentary muscle spasms, loss of
consciousness, or other physical problems
with some individuals.
Connectors
Connect only the specified devices and
equipment to the product’s connectors.
Connection of a non-specified device or
equipment creates the risk of fire and electric
shock.
Š
If you suspect that you might be
susceptible to any condition such as this,
be sure to consult with your physician
before using this product.
Location
Avoid the following locations for this
product. Such locations create the risk of fire
and electric shock.
Š
Š
Use this product in an area that is well
illuminated.
Should you ever feel any symptoms
similar to those described above when
using this product, stop using it
Š
Š
Š
Areas subject to high humidity or large
amounts of dust
immediately and contact your physician.
In food preparation areas or other areas
subject to oil smoke
Heavy Objects
Near air conditioning equipment, on a
heated carpet, in areas exposed to direct
sunlight, inside of a vehicle parked in the
sun, or any other area that subjects the
product to high temperatures
Never place heavy object on top of the
product.
Doing so can make the product top heavy,
causing the product to tip over or the object
to fall from it, creating the risk of personal
injury.
Liquid Crystal Display (LCD) Precautions
Correct Stand* Assembly
Š
Avoid subjecting the piano’s LCD to
strong impact, which can crack or break
the LCD’s glass creating the danger of
personal injury.
Failure to do so can cause the stand to fall
over and the digital piano to fall from the
stand, creating the risk of personal injury.
Make sure you assemble the stand in
accordance with the instructions that come
with it, and ensure that all connections are
secure. Also make sure that you choose an
appropriate location for the stand.
Š
Should the LCD glass ever crack or
break, do not allow the liquid inside the
LCD to come into contact with your skin,
which can cause inflammation and
reddening.
Š
When placing the digital piano onto the
stand, take care that you do not pinch
your fingers between the digital piano
and the stand.
*
Should the LCD liquid get into your
mouth, immediately wash out your
mouth with water and then consult a
physician.
426-E-005A
E-3
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PL40NE01-1.book 4 ページ ２００２年７月２３日 火曜日 午後６時５２分
Safety Precautions
CAUTION
Š
Š
Š
At least two people should lift the digital
piano when placing it onto the stand or
moving it. Trying to move the digital
piano alone can cause the stand to fall
over, creating the risk of personal injury.
Do not drag the stand or tilt it forward or
back when placing the digital piano onto
the stand or moving it. Doing so can
cause the digital piano to fall over,
creating the risk of personal injury.
Periodically check the screws that secure
the digital piano to the stand for
looseness. If a screw is loose, retighten it.
Loose screws can cause the stand to tip
over and the digital piano to fall, creating
the risk of personal injury.
*
Stand is available as an option.
IMPORTANT SAFETY INSTRUCTIONS
WARNING – When using electric products, basic
precautions should always be followed, including the
following:
Š
Š
Š
Š
Š
Š
Š
Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this apparatus near water.
Clean only with dry cloth.
Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
Š
Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
Š
Š
Š
Only use attachments/accessories specified by the
manufacturer.
Unplug this apparatus during lightning storms or when
unused for long periods of time.
Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects have
fallen into the apparatus, the apparatus has been
exposed to rain or moisture, does not operate normally,
or has been dropped.
426-E-006A
E-4
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PL40NE01-1.book 5 ページ ２００２年７月２３日 火曜日 午後６時５２分
Main Features
Main Features
J
Simple, compact design
A simple, compact design fits right in and complements just about any interior layout.
J
Advanced Lesson System (pages E-35, 39)
Choose from among 70 built-in auto accompaniment tunes for your listening pleasure, or turn off the melody or another part and
practice by playing along.
The lesson function lets you select one of three different arrangement levels to suit your abilities and need. Simply select the part
you want to practice, and then follow along on the keyboard as keys light. First master the timing. Next, play along at your own
pace. Finally, you can try playing along with the accompaniment at normal speed.
J
Big display with a wealth of musical information (page E-12)
A big, information-packed display shows you which fingers to use, which keys to press, staff notation of the notes being played,
and much more.
J
Sequencer (page E-53)
A 17-track sequencer provides a System Track for recording of the auto accompaniment plus 16 tracks, each of which can be used
to record with a different tone.
J
100 rhythms (page E-23)
100 preset rhythms including rock, pops, jazz, and much more are at your fingertips.
J
Auto Accompaniment (page E-23)
Simply play a chord, and the corresponding rhythm, bass, and chords parts play along automatically. One Touch Presets instantly
recalls the most suitable tone and tempo settings to match the rhythm you are using.
J
271 realistic tones (page E-18, 71)
A simple operation selects one of 271 TONE button tones, including “Grand Piano”, “Vibraphone”, and much more.
A Sound Quality Adjustment feature lets you select the optimal sound quality setting to match the environment and acoustic
conditions of the location where you are playing.
J
General MIDI compatibility (page E-66)
General MIDI compatible tones let you connect to a personal computer for quick and easy “desktop music” capabilities, which
means you can use the piano as a desktop music input device or sound source.
J
Mixer (page E-46)
You can specify tone, volume, pan position, and other parameters for each built-in auto accompaniment part and each track
recorded with the sequencer. You can also control the same parameters for each channel during MIDI input.
J
Effects (page E-33)
The piano’s powerful effector provides three blocks: DSP + Chorus + Reverb. A different effect can be assigned to each block, and
blocks can be turned on and off as required.
J
Registration Memory (page E-50)
Keyboard setups can be stored in memory for later recall and instant settings whenever you need them. Up to 16 setups (4 setups
× 4 banks) can be stored in registration memory.
426-E-007A
E-5
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PL40NE01-1.book 6 ページ ２００２年７月２３日 火曜日 午後６時５２分
Contents
Playing a Rhythm ............................... E-23
Using Auto Accompaniment............... E-23
Adjusting the Tempo .......................... E-26
Safety Precautions ........ E-1
Main Features ................ E-5
Contents ......................... E-6
Adjusting the Accompaniment
Volume ............................................... E-26
General Guide ................ E-9
Using an Intro Pattern ........................ E-26
Using a Fill-in Pattern......................... E-27
Using the Variation Patterns............... E-27
Using a Break..................................... E-27
Using Synchro Start ........................... E-27
Finishing with an Ending Pattern........ E-28
Using Auto Harmonize ....................... E-29
Using One-touch Preset..................... E-30
Using the Metronome......................... E-30
Transposing the Piano ....................... E-31
Tuning the Piano ................................ E-31
Using Touch Response...................... E-32
About the Display................................E-12
Connecting to
a Power Outlet ............. E-14
Using the AC Adaptor .........................E-14
Power On Alert....................................E-15
Settings and Memory Contents...........E-15
Connections ................ E-16
Accessories and Options ....................E-16
Basic Operations
Basic Operations ......... E-18
Getting Started....................................E-18
Selecting a Tone .................................E-18
Upper1, Upper2, Lower1, Lower2.......E-19
Using Layer.........................................E-19
Using Split...........................................E-20
Using Layer and Split Together...........E-20
Applying Effects to Tones
..................E-33
Effect Blocks....................................... E-33
Configuring Effect Settings................. E-33
Using the Advanced Lesson
System to Play Back a Music
Library Tune ................E-35
Turning the Key Light System
On and Off...........................................E-21
Selecting a Tune ................................ E-35
Playing a Tune ................................... E-36
Adjusting the Tempo .......................... E-36
Pausing Playback............................... E-37
Skipping Back..................................... E-37
Skipping Forward ............................... E-37
Using the Pedals.................................E-21
Auto Accompaniment
.................. E-22
About the MODE Button......................E-22
Selecting a Rhythm.............................E-23
426-E-008A
E-6
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PL40NE01-1.book 7 ページ ２００２年７月２３日 火曜日 午後６時５２分
Contents
Looping a Musical Phrase...................E-37
Using the Sequencer
..................E-53
Using the Advanced Lesson
System to Practice Along
with a Music Library Tune
.................. E-39
How the Sequencer Works................. E-53
Sequencer Main Menus
and Sub Menus .................................. E-56
Realtime Recording............................ E-57
Arrangement Levels............................E-39
Modifying Recorded Data
with Punch In Recording .................... E-59
Selecting the Part
You Want to Practice ..........................E-39
Changing Song Header Data ............. E-60
3-Step Lesson.....................................E-40
Step 1 – Master the timing. .................E-40
Step 2 – Master the melody. ...............E-41
Voice Fingering Guide.........................E-42
Step 3 – Play at normal speed............E-42
Changing the Lesson Part Tone .........E-43
Playing Back
from Sequencer Memory.................... E-60
Configuring Global Recording
Settings and Operations..................... E-61
Using MIDI ....................E-66
What is MIDI?..................................... E-66
Sending and Receiving MIDI
Messages........................................... E-67
Advanced Operations
MIDI Settings...................................... E-68
Connecting to a Computer ................. E-69
USB Mode and MIDI Mode ................ E-69
Using the Mixer ........... E-46
Parts....................................................E-46
Changing the Parameters
of a Part...............................................E-47
Obtaining USB Driver Upgrades
and the Latest
PL-40R Information ............................ E-70
Mixer Parameters................................E-48
Registration Memory
.................. E-50
Keyboard Settings .......E-71
Using the Keyboard Setup Menus...... E-71
Parameter Setting Items..................... E-73
Registration Memory Features............E-50
To save a setup
in registration memory.........................E-51
To recall a setup
from registration memory ....................E-52
426-E-009A
E-7
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PL40NE01-1.book 8 ページ ２００２年７月２３日 火曜日 午後６時５２分
Contents
Reference
Troubleshooting .......... E-84
Specifications .............. E-87
Operational Precautions
.................. E-90
Appendix ........................A-1
Tone List ...............................................A-1
Drum Assignment List...........................A-7
Rhythm List .........................................A-10
Effect Table.........................................A-11
Fingered/Full Range Chord Table.......A-12
Song List .............................................A-15
Parameter List.....................................A-17
MIDI Data Format .........A-22
Channel Messages .............................A-22
System Messages...............................A-31
Index .............................A-40
MIDI Implementation Chart
426-E-010A
E-8
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PL40NE01-1.book 9 ページ ２００２年７月２３日 火曜日 午後６時５２分
General Guide
General Guide
1
2
3
4
5
6
7
LINE OUT jacks (R, L/MONO)
DAMPER PEDAL jack, SOFT/SOSTENUTO PEDAL jack
POWER button
DC 15V jack
MIDI IN terminal, MIDI OUT terminal
PHONES jack
USB port
426-E-011A
E-9
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PL40NE01-1.book 10 ページ ２００２年７月２３日 火曜日 午後６時５２分
General Guide
BALLAD button
8
9
MAIN VOLUME knob
ACCOMP/SONG VOLUME knob
JAZZ/LATIN button
VARIOUS button
bk MODE button
bl RHYTHM buttons
FOR PIANO button
bm AUTO HARMONIZE button
bn SEQUENCER button
bo RECORD button
POPS button
ROCK/DANCE button
426-E-012A
E-10
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General Guide
bp SPLIT button
STEP 2 button
STEP 3 button
STOP button
bq LAYER/(GROUP A/B) button
br PART/(MIXER) button
bs INTRO button
PLAY/PAUSE button
bt VARIATION 1/2 buttons
ck FILL-IN button
REW/PREV button, START button
FF/NEXT button, END button
PHRASE REPEAT button, AREA button
DEMO button*
cl BREAK button
cm ENDING button
cn SYNCHRO START/STOP button
co START/STOP button
cp METRONOME/(BEAT) button
cq ONE TOUCH PRESET/(KEY LIGHT) button
cr EFFECT/(L. METER) button
dn TONE buttons
PIANO button
EP/ORGAN button
GT/BASS button
ENSEMBLE button
cs FUNCTION/
ct Selector dial
button
REED/BRASS button
dk TRANSPOSE buttons [ ]/[ ], [ ]/[ ] buttons
dl ENTER/YES button
GM/DRUM button
do TEMPO buttons [ ]/[ ], [+]/[–]buttons
dp EXIT/NO button
dm ADVANCED LESSON SYSTEM
dq Music Library Mode lamp
dr REGISTRATION buttons
MUSIC LIBRARY button
ARRANGE. LEVEL button
LESSON PART button
STEP 1 button
BANK button
STORE button
ds Display
A value next to a note name indicates the relative position of the note on
the keyboard as shown below.
Note Names
∗ Playing a Demo Tune
1. Press the DEMO button to start demo tune play.
Š
Š
This causes the indicator lamp above the MUSIC LIBRARY button to light.
Demo tune play plays all of the songs in the Music Library, starting from the first song, in an endless loop. Songs in
the user group, however, are not play
E-11
PL40NE01-1.book 12 ページ ２００２年７月２３日 火曜日 午後６時５２分
General Guide
About the Display
1.
2.
Operation Indicators
5.
6.
7.
8.
9.
Pedal mark
These indicators show what type of settings you are
making and the type of information currently
displayed in the message area. The applicable
indicator appears while you are making tone
(TONE), part (U1, U2, L1, L2), song (SONG), rhythm
(RHYTHM), mixer (MIXER), or function
(FUNCTION) settings.
The pedal mark appears when you depress the pedal,
and during a lesson to indicate you should press the
pedal.
Octave symbol 2
This symbol indicates the note being produced by the
keyboard is one octave lower than the note shown in
the staff notation area 4.
Message area
This area shows the currently selected tone name
(and number when a General MIDI tone is selected),
rhythm name, or song number and name. You can
determine the type of information that is currently
displayed by checking the current operation indicator
1. This area is also used to display other types of
information, depending on the mode. During lessons
and while playing along with built-in tunes, this area
shows keyboard fingerings and fingering numbers.
Dynamics symbols
These indicators appear during lessons and while
playing along with built-in tunes to show the relative
strength of a note.
Beat number
Shows the beat number during rhythm and auto
accompaniment play, and while the Advanced
Lesson System or sequencer is turned on.
3.
4.
Octave symbol 1
Measure
One symbol indicates the note being produced by the
keyboard is one octave higher than the note shown in
the staff notation area 4. Two symbols indicate two
octaves higher.
Shows the measure number from the start of play
during rhythm and auto accompaniment play, and
while the Advanced Lesson System or sequencer is
turned on.
Staff notation area
10.
Tempo indicator
Notes you play on the keyboard, lesson part notes,
notes played back from memory, chord forms, and
received MIDI data are shown here.
Shows the tempo as a value indicating the number of
beats per minute during rhythm and auto
accompaniment play, and while the Advanced
Lesson System or sequencer is turned on.
426-E-014A
E-12
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PL40NE01-1.book 13 ページ ２００２年７月２３日 火曜日 午後６時５２分
General Guide
11.
12.
Chord name display
Shows chord names while auto accompaniment is
being used.
Pointers
A pointer appears next to the applicable function
when you have voice fingering guide, touch
response, or key lighting turned on.
1
2
3
4
5
6
7
Currently selected mixer group
Š
Display examples shown in this User’s Guide are intended
for illustrative purposes only. The actual text and values
that appear on the display may differ from the examples
shown here.
Upper row
High level
Low level
Indicates part is off or does not exist
Indicates part is on
Lower row
Level Meter Screen
2.
Hold down the FUNCTION button and press the
LAYER/(GROUP A/B) button to cycle through
the mixer group settings.
Under certain conditions, you can display a digital level
meter secreen. The level meter has 16 segments, divided
between two lines of eight segments each. Besides showing
the volume level of each part that is turned on, the level meter
also indicates the current on/off status of each track. During
Squencer playback standby, the level meter can be used to
check which track has data stored in it.
Š
The information being displayed in the upper
row and lower row of the level meter depends on
the currently selected mixer group (page E-46), as
shown below.
*
[A ] ..... Group A (Internal)
The upper level meter row shows this:
Upper 1, Upper 2, Lower 1, Lower 2,
Harmonize 1, Harmonize 2
You can display the level meter in the following cases.
The lower level meter row shows this:
Percussion, Bass, Chord 1, Chord 2, Chord 3,
Chord 4, Chord 5
Š
Š
Š
Š
While the tone/rhythm screen is on the display
In the Music Library Mode
During sequencer playback standby
During sequencer playback
*
*
[ B] ..... Group B (External)
The upper level meter row shows this:
Part 1 through Part 8
The lower level meter row shows this:
Part 9 through Part 16
J
To display the level meter
[AB]
1.
While holding down the FUNCTION button,
press the EFFECT/(L. METER) button.
Displaying the level meter screen while in the
Music Library Mode displays the parts of
both mixer groups (A and B).
3.
To exit the level meter display, press the EXIT/
NO button.
426-E-015A
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PL40NE01-1.book 14 ページ ２００２年７月２３日 火曜日 午後６時５２分
Connecting to a Power Outlet
Connecting to
a
Power Outlet
You can power this digital piano by plugging it into a
standard household power outlet.
Be sure you turn off power and unplug the power cord from
the electrical outlet whenever the digital piano is not in use.
Misuse of the AC adaptor creates the risk of fire and electric
shock. Always make sure you observe the following
precautions.
Š
Š
Š
Š
Š
Be sure to use only the AC adaptor and AC cord that
is specified for this product.
Using the AC Adaptor
Use only a power source whose voltage is within the
rating marked on the AC adaptor.
Do not overload electrical outlets and extension
cords.
Make sure that you use only the AC adaptor specified for this
digital piano.
Never place heavy objects on the cord or subject it to
heat.
Never try to modify the cord or subject it to excessive
bending.
Connecting the AC Adaptor
Š
Š
Never twist or stretch the cord.
Should the electric cord or plug become damaged,
contact your original retailer or authorized CASIO
Service Provider.
1.
2.
Plug the AC power cord into the AC adaptor.
Plug the AC power cord into a household
electrical wall outlet.
Š
Never touch the AC adaptor while your hands are
wet. Doing so creates the risk of electric shock.
3.
Plug the adaptor cord into the power terminal
(DC-15V) on the back of the digital piano.
Misuse of the AC adaptor creates the risk of fire and electric
shock. Always make sure you observe the following
precautions.
Specified AC Adaptor: AD-15ML
Š
Do not locate the electric cord near a stove or other
sources of heat.
[Left Side Panel]
Š
Never pull on the cord when unplugging from the
electrical outlet. Always grasp the AC cord plug when
unplugging.
Š
Š
Insert the AC cord into the wall outlet as far as it will
go.
Unplug the AC cord from the wall outlet during
lightening storms or before leaving on a trip or other
long-term absence.
Š
At least once a year, unplug the AC cord from the wall
outlet and wipe away any dust that is built up in the
area around the prongs of the plug.
1
2
3
4
5
DC 15V jack
Adaptor cord
AC Adaptor AD-15ML
AC cord
Š
Š
Make sure that the product is turned off before connecting
or disconnecting the AC adaptor.
Using the AC adaptor for a long time can cause it to
become warm to the touch. This is normal and does not
indicate malfunction.
AC outlet
Also note the following important warnings and
precautions when using the AC adaptor.
426-E-016A
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PL40NE01-1.book 15 ページ ２００２年７月２３日 火曜日 午後６時５２分
Connecting to a Power Outlet
Power Requirements
Power On Alert
The piano comes with a built-in lithium battery that supplies
power to the memory to retain sequencer and other data
while piano power is turned off. If the power of the lithium
battery is low, turning off piano power can result in deletion
of all data stored in its memory.
Keyboard keys light to alert you if you leave power on and do
not perform any operation for about 6 minutes. Note that keys
light only, and no sound is produced. When this happens,
press any button or keyboard key to clear the power on alert.
The normal life of the original battery is five years from the
time it is loaded at the factory. Due to time spent in transit and
storage, the original battery probably will not provide a full
five years of service life. It is up to you to contact your nearest
CASIO service provider about having the lithium battery
replaced periodically.
To disable power on alert
See “Keyboard Settings” on page E-71 for information about
disabling power on alert.
Note that you will be charged separately for lithium battery
replacement.
Š
When this function is turned off, the piano does not turn
off automatically and no alert is performed no matter
how long it is left with no operation being performed.
Initializing the Piano
Settings and Memory Contents
Use the procedure on page E-81 to initialize the digital piano,
which clears all memory data and returns settings to their
initial factory defaults.
The following describes what happens to settings and
memory contents when power is turned off.
Settings
When you turn off the piano by pressing the POWER button,
it “remembers” the current settings of certain parameters.
These settings remain in effect the next time you turn on the
piano.
For information on which parameters the piano remembers,
see the “Power Off Backup Items” of the “Parameter List” at
the back of this manual (page A-17).
Memory Contents
In addition to the settings described above, the digital piano
also retains registration memory and sequencer contents
when power is turned off.
426-E-017A
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PL40NE01-1.book 16 ページ ２００２年７月２３日 火曜日 午後６時５２分
Connections
Connections
Connecting to an audio or musical instrument amplifier provides even clearer, more powerful sound through external speakers.
Connecting to Audio Equipment 3
Š
Š
Whenever connecting external equipment, first set the
MAIN VOLUME knob of the digital piano and the volume
controller of the external equipment to relatively low
volume settings. You can later adjust volume to the level
you want after connections are complete.
Use commercially available cables to connect the external
audio equipment to the digital piano’s LINE OUT jacks as
shown in Figure 3. R jack output is right channel sound,
while L/MONO jack output is left channel sound. It is up to
you to purchase connecting cables like the ones shown in the
illustration for connection of audio equipment. Normally in
this configuration you must set the audio equipment’s input
selector to the setting that specifies the terminal (such as AUX
IN) to which the digital piano is connected. Use the digital
piano’s MAIN VOLUME knob to adjust the volume level.
Be sure also to refer to the documentation that comes with
the external equipment for its proper connection
procedures.
Connecting Headphones 1
Connecting to a Musical Instrument
Connect commercially available headphones to the digital
piano’s headphones jack. This cuts off the built-in speakers,
which means you can practice even late at night without
disturbing others. To protect your hearing, make sure that
you do not set the volume level too high when using
headphones.
Amplifier 4
Use commercially available cables to connect the amplifier to
the digital piano’s LINE OUT jacks as shown in Figure 4. R
jack output is right channel sound, while L/MONO jack
output is left channel sound. Connecting to the L/MONO jack
only outputs a mixture of both channels. It is up to you to
purchase connecting cable like the one shown in the
Connecting to a PEDAL Jack 2
illustration for connection of the amplifier. Use the digital
piano’s MAIN VOLUME knob to adjust the volume level.
Depending on the type of operation you want the pedal (SP-
20) to perform, connect the pedal’s cable to the digital piano’s
DAMPER jack or SOFT/SOSTENUTO jack. If you want to use
both jacks at the same time, you need to purchase another
optionally available SP-20 pedal.
Accessories and Options
See “Using the Pedals” on page E-21 for information about
using a pedal.
Use only the accessories and options specified for this digital
piano. Use of non-authorized items creates the danger of fire,
electric shock, and personal injury.
426-E-018A
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PL40NE01-1.book 17 ページ ２００２年７月２３日 火曜日 午後６時５２分
426-E-019A
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PL40NE01-1.book 18 ページ ２００２年７月２３日 火曜日 午後６時５２分
Basic Operations
Basic Operations
1
4
7
MAIN VOLUME
]/[
Selector dial
2
5
8
SPLIT
TONE
[+]/[–]
3
6
LAYER/(GROUP A/B)
GM/DRUM
[
]
This section provides information on performing basic piano
operations.
Example:
To select “Bright Piano”, first press the PIANO
button.
Getting Started
To play the piano
1
2
Tone Group
Tone Name
1.
2.
Press the POWER button to turn on the piano.
Use the MAIN VOLUME knob to set the volume
to a relatively low level.
3.
Use the [ ]/[ ] buttons to select the tone you
want.
Example:
3.
Play something on the keyboard.
For this example, press [ ] button four times.
Selecting a Tone
The built-in tones are divided among 6 groups, with each
group assigned to a TONE button on the control panel.
Š
Š
You can also change the tone setting by rotating
the selector dial.
To select a tone
The display exits the tone setting screen if you do
not perform any operation for about 10 seconds.
You can also exit the tone setting screen by
pressing the EXIT/NO button.
1.
2.
See the “Tone List” at the back of this manual
(page A-1) for information about the TONE
button names for each of the built-in tones.
Press the TONE button of the tone you want to
select.
Š
Š
The GRAND PIANO tone was recorded using stereo
sampling.
Š
This causes the button’s indicator lamp to light,
and displays the tone that is currently selected for
that button.
When one of the drum sets is selected (tone numbers 261
through 270), each keyboard key is assigned a different
percussion sound. See page A-7 for details.
426-E-020A
E-18
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PL40NE01-1.book 19 ページ ２００２年７月２３日 火曜日 午後６時５２分
Basic Operations
Polyphony
Using Layer
The term polyphony refers to the maximum number of notes
you can play at the same time. This piano has 64-note
polyphony, which includes the notes you play as well as the
rhythms and auto-accompaniment patterns that are played
by the piano. This means that when a rhythm or auto-
accompaniment pattern is being played by the piano, the
number of notes (polyphony) available for keyboard play is
reduced. Also note that some of the tones provide only 32-
note polyphony.
With layer you can assign two different tones (a main tone
and a layered tone) to the keyboard, both of which play
whenever you press a key.
Digital Sampling
To layer two tones
A number of the tones that are available with this piano have
been recorded and processed using a technique called digital
sampling. To ensure a high level of tonal quality, samples are
taken in the low, mid, and high ranges and then combined to
provide you with sounds that are amazingly close to the
originals. You may notice very slight differences in volume or
sound quality for some tones when you play them at different
positions on the keyboard. This is an unavoidable result of
multiple sampling, and it is not a sign of malfunction.
1.
2.
Select the main tone.
Press the LAYER/(GROUP A/B) button to turn
on tone layering.
Š
This causes the indicator lamp of the button to
light.
Š
The currently layered tone name appears on the
display. You can use the TONE buttons to change
the layered tone if you want.
3.
4.
Select the layered tone.
Upper1, Upper2, Lower1,
Lower2
Now try playing something on the keyboard.
Š
Both tones are played at the same time.
5.
Press the LAYER/(GROUP A/B) button again to
unlayer the tones and return the keyboard to
normal.
This piano lets you use up to four parts simultaneously for
your performances. The parts are named Upper1, Upper2,
Lower1, and Lower2, and the display shows the tone
currently assigned to each.
Š
This causes the indicator lamp of the button to go
out.
You can use the PART/(MIXER) button to display the tones
that are assigned for each part (Upper1, Upper2, Lower1,
Lower2). Each press of PART/(MIXER) button cycles through
the parts in the sequence shown below. While a part is
displayed, you can change the tone assigned to it (page E-18).
Š
Š
Layering is disabled during demo tune play and in the
Music Library Mode (while Music Library Mode lamp is lit).
Layering is achieved by sounding Upper1 and Upper2 of
mixer Group A. This means you can use the mixer to
change the volume balance and stereo pan position
parameters for both the main tone and layered tone. See
“Using the Mixer” on page E-46 for details.
Š
Š
Š
Š
Upper1
Upper2
Lower1
Lower2
426-E-021A
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PL40NE01-1.book 20 ページ ２００２年７月２３日 火曜日 午後６時５２分
Basic Operations
To change the location of the split point
Using Split
While holding down the SPLIT button, press the keyboard
key where you want the lowest note (the leftmost key) of the
upper range (right side range) to be.
With split you can assign two different tones (a main tone and
a split tone) to either end of the keyboard, which lets you play
one tone with your left hand and another tone with your right
hand.
Š
No sound is produced when the keys are pressed.
Using Layer and Split Together
You can use layer and split together to create a layered/split
keyboard. When you use layer and split in combination, the
high range of the keyboard is assigned two tones (main tone
+ layered tone), and the low range two tones (split tone +
layered/split tone).
To split the keyboard
1.
2.
Select the main tone.
Press the SPLIT button.
Š
This causes the indicator lamp of the button to
light.
Š
The current split tone name appears on the
display. You can use the TONE buttons to change
the split tone if you want.
To layer/split the keyboard
3.
4.
Select the split tone.
1.
Select the main tone, layered tone, split tone,
and layered/split tone.
Now try playing something on the keyboard.
Š
Use the mixer to select the tones, following the
procedure under “Changing the Parameters of a
Part” on page E-47. The main tone is Upper1, the
layered tone is Upper2, the split tone is Lower1,
and the layered/split tone is Lower2.
Š
Š
The lower range (left side) of the keyboard is
assigned the split tone, while the upper range
(right side) is assigned the main tone.
The location on the keyboard where the
changeover between the two tones occurs is
called the split point. See “To change the location
of the split point” on this page for details on
changing the location of the split point.
2.
Turn on both layer and split to layer/split the
keyboard.
Š
Press the LAYER/(GROUP A/B) button once to
turn on layer.
5.
Press the SPLIT button again to unsplit the
keyboard and return it to normal.
Š
Š
Press the SPLIT button to turn on split.
This causes the indicator lamps of both the
buttons to light.
Š
This causes the indicator lamp of the button to go
out.
Š
The layered/split tone name appears on the
display. You can change the layered/split tone if
you want.
Š
Š
Split is disabled during demo tune play and in the Music
Library Mode (while Music Library Mode lamp is lit).
3.
4.
Now try playing something on the keyboard.
Split is achieved by sounding Upper1 and Lower1 of mixer
Group A. This means you can use the mixer to change the
volume balance and stereo pan position parameters for
both the main tone and split tone. See “Using the Mixer” on
page E-46 for details.
Press the LAYER/(GROUP A/B) button and the
SPLIT button again to unlayer/unsplit the
keyboard and return it to normal.
426-E-022A
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PL40NE01-1.book 21 ページ ２００２年７月２３日 火曜日 午後６時５２分
Basic Operations
Pedal functions
Š
Damper pedal
Pressing this pedal causes notes to reverberate and to
sustain longer.
Š
Š
Layer/split is produced by using mixer Group A Upper1,
Upper2, Lower1, and Lower2 at the same time. This means
you can use the mixer to change the volume balance and
stereo pan position parameters for each of the tones. See
“Using the Mixer” on page E-46 for details.
Š
Soft pedal
Pressing this pedal dampens notes and slightly reduces
their volume. Only notes played after the pedal is
depressed are affected, and any notes played before the
pedal is pressed sound at their normal volume.
You can use the mixer to turn off individual channels (layer/
split tones). This means you could turn off Lower2, for
example, to sound a single tone in the lower range and two
layered tones in the upper range. See page E-46 for
details.
Š
Sostenuto pedal
Like the damper pedal, this pedal causes notes to
reverberate and to sustain longer. The difference
between the two pedals is the timing when they are
pressed. With the sostenuto pedal, you press the pedal
after depressing the notes you want to sustain. Only
the notes whose keyboard keys are depressed when the
sostenuto pedal is pressed are affected.
Turning the Key Light System
On and Off
Use the following procedure when you want to turn the key
light system on or off.
Š
During memory playback and demo tune play, pedal
effects are applied to notes played on the keyboard only.
1.
While holding down the FUNCTION button,
press the ONE TOUCH PRESET/(KEY LIGHT)
button to toggle the key light system on and off.
Š
The pointer next to KEY LIGHT appears when
the key lighting system is turned on, and
disappears when it is turned off.
Using the Pedals
The digital piano is equipped with two pedal jacks, one for a
damper pedal and one for a soft/sostenuto pedal. Use the
“Assign Left” setting described under “Setting: Pedal” on
page E-77 to assign the function you want to the SOFT/
SOSTENUTO jack. The power on default setting of the SOFT/
SOSTENUTO jack is SOFT.
426-E-023A
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PL40NE01-1.book 22 ページ ２００２年７月２３日 火曜日 午後６時５２分
Auto Accompaniment
Auto Accompaniment
1
MODE
2
5
8
RHYTHM
3
6
9
AUTO HARMONIZE
INTRO
4
7
Selector dial
VARIATION 1/2
TRANSPOSE [ ]/[
FILL-IN
]
BREAK
bk ENDING
bl SYNCHRO START/STOP
bm START/STOP
bp FUNCTION
bn METRONOME/(BEAT)
bo ONE TOUCH PRESET/
(KEY LIGHT)
bq [+]/[–]
br TEMPO [ ]/[
]
This piano automatically plays bass and chord parts in
accordance with the chords you finger. The bass and chord
parts are played using sounds and tones that are
About the MODE Button
automatically selected to match the rhythm you are using. All
of this means that you get full, realistic accompaniments for
the melody notes you play with your right hand, creating the
mood of an one-person ensemble.
Use the MODE button to select the accompaniment mode you
want to use. Each press of the MODE button cycles through
the available accompaniment modes as shown in the
illustration below.
Š
Š
Only rhythm sounds are produced when all
accompaniment mode lamps are off.
The currently selected accompaniment mode is shown by
the mode lamps above the MODE button. Information on
using each of these modes starts from page E-24.
426-E-024A
E-22
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PL40NE01-1.book 23 ページ ２００２年７月２３日 火曜日 午後６時５２分
Auto Accompaniment
accompaniment mode. Make sure the applicable indicator
lamp is lit above the MODE button when using these
rhythms.
Selecting a Rhythm
The built-in rhythms are divided among 6 groups, with each
group assigned to a RHYTHM button on the control panel.
Playing a Rhythm
To select a rhythm
Press the START/STOP button to start play of the currently
selected rhythm. You can then play along with the rhythm on
the keyboard.
1.
2.
See the Rhythm Reference at the back of this
manual (page A-10) for information about the
RHYTHM button names for each of the built-in
rhythms.
To stop rhythm play, press the START/STOP button again.
Š
Chords will sound along with the rhythm if any of the three
accompaniment mode lamps above the MODE button is lit.
If you want to play the rhythm pattern without chords, press
the MODE button until all of the accompaniment mode
lamps are off.
Press the RHYTHM button of the rhythm you
want to select.
Š
This causes the button’s indicator lamp to light,
and displays the rhythm that is currently selected
for that button.
Example:
To select “Samba 1”, first press the JAZZ/LATIN
button.
Using Auto Accompaniment
The following procedure describes how to use the piano’s
auto accompaniment feature. Before starting, you should first
select the rhythm you want to use and set its tempo to the
value you want.
1
2
Rhythm Group
Rhythm Name
To use Auto Accompaniment
3.
Use the [ ]/[ ] buttons to select the rhythm
you want.
Example:
1.
Use the MODE button to select FULL RANGE
CHORD, FINGERED, or CASIO CHORD as the
accompaniment mode.
For this example, press [ ] button eight times.
2.
3.
Press the START/STOP button to start play of
the currently selected rhythm.
Play a chord to start auto accompaniment.
Š
The actual procedure you should use to play a
chord depends on the currently selected
accompaniment mode. Refer to the following
pages for details on chord play.
Š
Š
You can also change the rhythm setting by
rotating the selector dial.
CASIO CHORD ........................... Page E-24
FINGERED ................................... Page E-25
FULL RANGE CHORD .............. Page E-25
The display exits the rhythm setting screen if you
do not perform any operation for about 10
seconds. You can also exit the rhythm setting
screen by pressing the EXIT/NO button.
Š
Some rhythms consist of chord accompaniments only,
without any drums or other percussion instruments. Such
rhythms do not sound unless CASIO CHORD, FINGERED,
or FULL RANGE CHORD is selected as the
426-E-025A
E-23
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PL40NE01-1.book 24 ページ ２００２年７月２３日 火曜日 午後６時５２分
Auto Accompaniment
J
Chord Types
CASIO CHORD accompaniment lets you play four types of
chords with minimal fingering.
Chord Types
Major chords
Example
C Major (C)
1
2
Name of chord being played
Current measure and beat
Note that the chord produced
when you press an
accompaniment keyboard key
does not change octave,
regardless of which key you
use to play it.
4.
To stop auto accompaniment play, press the
START/STOP button again.
Minor chords (m)
C minor (Cm)
To play a minor chord, keep
the major chord key depressed
and press any other
CASIO CHORD
This method of chord play makes it possible for anyone to
easily play chords, regardless of previous musical knowledge
and experience. The following describes the CASIO CHORD
“accompaniment keyboard” and “melody keyboard”, and
tells you how to play CASIO CHORDs.
accompaniment keyboard key
located to the right of the major
chord key.
Seventh chords (7)
C seventh (C7)
To play a seventh chord, keep
the major chord key depressed
and press any other two
accompaniment keyboard keys
located to the right of the major
chord key.
J
CASIO CHORD accompaniment keyboard and
melody keyboard
Minor seventh chords (m7)
To play a minor seventh chord,
keep the major chord key
depressed and press any other
three accompaniment
C minor seventh (Cm7)
keyboard keys located to the
right of the major chord key.
Š
Š
Š
On the keyboard shown above, Lower1 and Lower2 are
assigned to the accompaniment keyboard range and
Upper1 and Upper2 are assigned to the melody keyboard
range.
When split is turned off (page E-20), the accompaniment
keyboard range keys do not sound any melody notes. In
this case, they are used to specify chords for the
accompaniment pattern.
Š
It makes no difference whether you press black or white
keys to the right of a major chord key when playing minor
and seventh chords.
You can expand the range of the accompaniment keyboard
by moving the keyboard’s split point to the right (page
E-20).
426-E-026A
E-24
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PL40NE01-1.book 25 ページ ２００２年７月２３日 火曜日 午後６時５２分
Auto Accompaniment
FINGERED
FULL RANGE CHORD
In this mode, you specify chords by playing them as you
would on a piano, inside the accompaniment keyboard range.
To specify a C-chord, you would play C-E-G.
This mode can be used to play up to 238 different types of
chords. Pressing three or more keys in a pattern that is
recognized as a chord pattern by the keyboard causes the
corresponding chord to be played. Playing chords in a pattern
not recognized by the keyboard or pressing two keys or one
key causes the corresponding notes to be played as melody
notes. This means that the entire range of the keyboard acts as
both a melody keyboard and accompaniment keyboard.
J
FINGERED accompaniment keyboard and melody
keyboard
J
FULL RANGE CHORD accompaniment keyboard
and melody keyboard
Š
Š
Š
On the keyboard shown above, Lower1 and Lower2 are
assigned to the accompaniment keyboard range and
Upper1 and Upper2 are assigned to the melody keyboard
range.
Recognized Chords
When split is turned off (page E-20), the accompaniment
keyboard range keys do not sound any melody notes. In
this case, they are used to specify chords for the
accompaniment pattern.
See the “Fingered/Full Range Chord Table” at the back of
this manual for more information (page A-12).
Example:
You can expand the range of the accompaniment keyboard
by moving the keyboard’s split point to the right (page
E-20).
To play the chord C major.
Either of the fingerings shown in the illustration below
will produce C major.
Recognized Chords
See the “Fingered/Full Range Chord Table” at the back of
this manual (page A-12) for information about the chords
that can be recognized in the Fingered Mode.
Š
The chords that are recognized by the keyboard in the
FINGERED Mode depend on the current “On Bass
Chord”, “6th Chord”, and “Tension Chord” Accomp
settings. See “Keyboard Settings” on page E-71 for
information about Accomp settings. Information about
how settings affect the type of chords recognized by the
keyboard can be found “Fingered/Full Range Chord
Table” at the back of this manual (page A-12).
1
2
Chord C
Chord
Š
If there are more than six semitones between the lowest
note and the next note to the right, the lowest note is
interpreted as a bass note.
Š
In the FINGERED Mode, you can use standard fingering
(C-E-G for a C-chord, for example) or you can use inverted
fingerings (G-E-C, for example), as long as you play chords
within the accompaniment keyboard range. Note, however,
that using an inverted fingering will produce a different
chord entirely if the “On Bass Chord” Accomp setting is
turned on.
Š
Generally, you must press all of the keys that make up
chords. Omitting a note or playing only a single note will not
produce a chord.
426-E-027A
E-25
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PL40NE01-1.book 26 ページ ２００２年７月２３日 火曜日 午後６時５２分
Auto Accompaniment
Adjusting the Tempo
Adjusting the Accompaniment
Volume
You can adjust the tempo (number of beats per minute) of
rhythm play within a range of 30 to 255.
You can adjust the volume of the accompaniment part
separately from the overall volume.
To adjust the tempo
1.
Use the ACCOMP/SONG VOLUME knob to
adjust the accompaniment volume.
1.
While the indicator lamp above the TEMPO
buttons is lit, use the TEMPO buttons [ ]/[
to adjust the tempo.
]
Using an Intro Pattern
Š
The TEMPO button indicator lamp is not lit and
tempo adjustment cannot be performed while the
menu screen is on the display. To exit the menu
screen and return to the tone/rhythm screen,
press the FUNCTION button.
This piano lets you insert a short intro into a rhythm pattern
to make startup smoother and more natural.
[
[
] (+) ..... Increase tempo (make it faster)
] (–) ..... Decrease tempo (make it slower)
Š
Š
Select a rhythm and set its tempo.
Select the accompaniment mode you want to use.
Š
You can also change the tempo setting by rotating
the selector dial.
To insert an intro
1.
Press the INTRO button to start the selected
rhythm with an intro pattern.
Š
Š
Pressing both TEMPO buttons [ ] and [ ] at the same
time resets the tempo to the default value of the currently
selected rhythm.
Š
With the above setup, the intro pattern is played
and the auto accompaniment with intro pattern
starts as soon as you play chords on the
accompaniment keyboard.
The tempo value indicates the number of quarter note
beats per minute.
Š
The standard rhythm pattern starts to play after the intro
pattern is complete.
426-E-028A
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PL40NE01-1.book 27 ページ ２００２年７月２３日 火曜日 午後６時５２分
Auto Accompaniment
Using a Fill-in Pattern
Using a Break
Fill-in patterns let you momentarily change the rhythm
pattern to add some interesting variation to your
performances.
A break inserts a moment of silence into a rhythm/auto
accompaniment pattern. Pressing the BREAK button stops
the rhythm/auto accompaniment pattern until the beginning
of the next measure, when the pattern starts to play again.
To insert a fill-in
Using Synchro Start
1.
2.
Press the START/STOP button to start rhythm
play.
Synchro Start lets you set up the keyboard so rhythm and
chord accompaniment starts automatically when you press
keys inside the accompaniment keyboard range.
Press the FILL-IN button to insert a fill-in pattern
for the rhythm you are using.
Š
Š
Select a rhythm and adjust its tempo.
Using the Variation Patterns
Use the MODE button to specify the chord fingering mode
you want to use.
Each rhythm/auto accompaniment pattern has two different
variations. You can vary the mood of your music by switching
to a different variation while rhythm/auto accompaniment
play is in progress.
1.
While the rhythm is not playing yet, press the
SYNCHRO START/STOP button.
Š
This causes the left lamp above the button to
light, indicating that the keyboard is in synchro
start standby.
Š
Š
Select a rhythm and adjust its tempo.
Use the MODE button to specify the chord fingering mode
you want to use.
2.
3.
Press one of the VARIATION 1/2 buttons to
select the rhythm variation you want to start
with.
Š
Listen to the two variations available for the rhythm you are
using to get some idea of what they sound like.
Play a chord in the accompaniment keyboard
range.
1.
Press the START/STOP button to start rhythm
play.
Š
Both rhythm and chord accompaniment starts at
the same time. The lamp above the SYNCHRO
START/STOP button goes out when the rhythm/
auto accompaniment starts.
Š
It does not make any difference which
VARIATION 1/2 button is depressed at first.
2.
Press another VARIATION button to switch to a
different variation of the same rhythm.
Š
Š
Only the rhythm sounds if no lamp above the MODE button
is lit.
Š
When you press a VARIATION button the
change to the new rhythm variation is performed
in time with the beat of the rhythm.
If you press the INTRO button so the lamp above it is lit
before step 2 of the above procedure, playing a chord
causes accompaniment to start after the corresponding
intro pattern is played.
Š
Pressing the SYNCHRO START/STOP button again while
the keyboard is in synchro start standby exits synchro start
standby, which causes the lamp above the SYNCHRO
START/STOP button to go out.
426-E-029A
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PL40NE01-1.book 28 ページ ２００２年７月２３日 火曜日 午後６時５２分
Auto Accompaniment
J
Auto Accompaniment in Synchro Stop
Using Synchro Start/Stop while Auto
Acompaniment is Playing
The following are the auto accompaniment operations you
can perform while the keyboard is in synchro stop (both
lamps above the SYNCHRO START/STOP button lit).
Š
Playing a chord in the accompaniment keyboard range
causes auto accompaniment to play (only while the chord
note keys are depressed). Releasing the keys causes auto
accompaniment play to stop, and the keyboard enters
synchro stop again.
Synchro stop is the opposite of synchro start. It causes the
currently playing auto accompaniment pattern to stop when
the keys in the accompaniment keyboard range are released.
This feature is more than just a simple way to stop auto
accompaniment play. It plays auto accompaniment only
when valid chords are played inside the accompaniment
keyboard range.
Š
Pressing the SYNCHRO START/STOP button while
playing a chord in the accompaniment keyboard range
causes the lamps above the button to go out, indicating
that the keyboard is no longer in synchro stop.
Š
The following procedures do not work in the normal Mode,
when all lamps above the MODE button are turned off.
With synchro stop, you can easily create a break in auto
accompaniment play to allow for ad libbing, and then restart
accompaniment when you want.
J
Using Synchro Stop to stop Auto Accompaniment
Finishing with an Ending
Pattern
Š
Š
Select a rhythm and adjust its tempo.
Use the MODE button to specify the chord fingering mode
you want to use.
You can end your performances with an ending pattern that
brings the rhythm you are using to a natural-sounding
conclusion.
1.
2.
Press the START/STOP button to start play of
the selected rhythm.
To finish with an ending pattern
Press the SYNCHRO START/STOP button.
Š
This causes the right lamp above the button to
light, indicating that the keyboard is in synchro
stop standby.
1.
While the rhythm is playing, press the ENDING
button.
Š
This causes the ending pattern to play, which
brings rhythm accompaniment to an end.
3.
Play a chord in the accompaniment keyboard
range and then release the keys.
Š
This causes the auto accompaniment pattern to
stop playing and both lamps above the
Š
The timing when the ending pattern starts depends on
when you press the ENDING button. If you press the button
before the second beat of the current measure, the ending
pattern starts playing immediately. Pressing the button at
any point in the measure after the second beat results in
the ending pattern playing from the beginning of the
following measure.
SYNCHRO START/STOP button to light,
indicating that the keyboard is in synchro stop.
Š
Š
To exit synchro stop, press the SYNCHRO
START/STOP button twice so the two lamps go
out.
The section below describes what auto
accompaniment operations you can perform
while the keyboard is in synchro stop.
426-E-030A
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PL40NE01-1.book 29 ページ ２００２年７月２３日 火曜日 午後６時５２分
Auto Accompaniment
Using Auto Harmonize
Š
Š
If you have two tones (Upper1, Upper2) layered on the
keyboard, harmonize notes are added to both.
When you are using auto accompaniment, auto harmonize
automatically adds an additional note to your melody in
accordance with the chord that is being played. The result is a
harmony effect that makes your melody line richer and fuller.
Auto harmonize is enabled only when the auto
accompaniment mode is Fingered or CASIO Chord.
J
Auto Harmonize Types
You can select from among the 12 different types of auto
harmonize listed below.
To use Auto Harmonize
1.
Use the MODE button to select FINGERED or
CASIO CHORD as the accompaniment mode.
Type
(parameter Name)
Description
Duet1
Adds a 1-part harmony to
keyboard play.
Duet2
Adds a 1-part harmony to
keyboard play. Duet2 harmony is
more open than Duet1.
Country
Octave
Adds a country-flavor harmony to
keyboard play.
Adds notes one octave below notes
played on the keyboard.
2.
Press the AUTO HARMONIZE button to turn on
auto harmonize.
Š
This causes the button’s indicator lamp to light,
indicating that auto harmonize is turned on.
5th
Adds fifth notes above notes
played on the keyboard.
Š
At this point you could use the [ ] and [
]
3-Way Open
Adds two open harmony parts to
notes played on the keyboard
(creating three-part harmony).
buttons or the selector dial to select the type of
auto harmonize you want to use. See “Auto
Harmonize Types” below for more information.
3-Way Close
Adds two close harmony parts to
notes played on the keyboard
(creating three-part harmony).
Strings
Adds harmony suitable for strings.
4-Way Open
Adds three open harmony parts to
notes played on the keyboard
(creating four-part harmony).
Š
The display exits the auto harmonize setting
screen if you do not perform any operation for
about 10 seconds. You can also exit the auto
harmonize setting screen by pressing the EXIT/
NO button.
4-Way Close
Adds three close harmony parts to
notes played on the keyboard
(creating four-part harmony).
3.
4.
Start auto accompaniment play, and play
something on the keyboard.
Block
Adds block chord notes.
Š
Harmonize notes are added automatically to the
notes you play in the melody keyboard range.
Big Band
Adds harmony suitable for big
band play.
To turn off auto harmonize, press the AUTO
HARMONIZE button again.
You can use the following procedure to select an auto
harmonize type using the [ ]/[ ] buttons or the selector
dial, immediately after turning on auto harmonize.
Š
This causes the button’s indicator lamp to go out,
indicating that auto harmonize is turned off.
426-E-031A
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PL40NE01-1.book 30 ページ ２００２年７月２３日 火曜日 午後６時５２分
Auto Accompaniment
About Auto Harmonize notes and tones
Using the Metronome
The notes you play on the keyboard are called “melody
notes”, while the notes added to the melody by auto
harmonize are called the “harmonize notes”. Auto harmonize
normally uses the tone you selected for the melody notes as
the tone for the harmonize notes, but you can use the mixer
(page E-46) to specify a different tone for the harmonize notes.
Harmonize tones correspond to mixer auto harmonize 1 and
2. This means you can specify the harmonize tones by
changing the tones assigned to auto harmonize 1 and 2.
In addition to the tone, you can also use the mixer to change
a number of other parameters, such as volume balance. See
“Changing the Parameters of a Part” on page E-47 for details
on these procedures.
The metronome feature of this piano produces a bell sound
for the first beat of each measure, followed by click sounds for
each successive beat of the measure. It is the perfect tool for
practicing tunes without accompaniment (rhythm).
To start the metronome
1.
While holding down the FUNCTION button,
press the METRONOME/(BEAT) button.
Š
Š
The default harmonize note tone when you first turn on
auto harmonize is the same tone as the melody note tone.
Changing the melody tone setting automatically changes
the harmonize note tone to the same setting.
2.
Use the [ ] and [ ] buttons to select the beat
setting you want.
Š
You can also change the beat setting by rotating
the selector dial.
Using One-touch Preset
One-touch preset automatically makes the settings listed
below in accordance with the rhythm pattern you are using.
Š
The bell (indicating the first beat of a measure) does not
sound while “0” is specified. All beats are indicated by a
click sound. This setting lets you practice with a steady
beat, without worrying about how many beats there are in
each measure.
Š
Š
Š
Keyboard tone and volume
Layer or Split on/off
Layered tone and volume (when layer is turned on), or
split tone (when split is turned on)
Š
Š
Available choices for the meter are 0, 2/4 to 7/4, plus 9/4,
12/4, 3/8, 5/8, 6/8, 7/8, 9/8, or 12/8 time.
Š
Š
Š
Tempo
The display exits the metronome setting screen if you do
not perform any operation for about 10 seconds. You can
also exit the metronome setting screen by pressing the
EXIT/NO button.
Effects
Harmonize (Type, on/off)
To use one-touch preset
3.
4.
Press the METRONOME/(BEAT) button to start
sounding the metronome.
1.
2.
Select the rhythm you want to use.
Š
The lamp above the START/STOP button flashes
in time with the metronome beat.
Use the MODE button to select the
accompaniment mode you want to use.
While the indicator lamp above the TEMPO
buttons is lit, use the TEMPO buttons [ ]/[
to adjust the tempo.
]
3.
Press the ONE TOUCH PRESET/(KEY LIGHT)
button.
Š
The TEMPO button indicator lamp is not lit and
Š
This automatically makes the one-touch preset
settings in accordance with the rhythm you
selected.
tempo adjustment cannot be performed while the
menu screen is on the display. To exit the menu
screen and return to the tone/rhythm screen,
press the FUNCTION button.
4.
Start rhythm and auto accompaniment, and
play something on the keyboard.
[
[
] (+) ..... Increase tempo (make it faster)
] (–) ..... Decrease tempo (make it slower)
Š
Accompaniment is played using the one touch
preset settings.
426-E-032A
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Auto Accompaniment
5.
To turn off the metronome, press the
METRONOME/(BEAT) button.
Tuning the Piano
The tuning feature lets you fine tune the piano to match the
tuning of another musical instrument.
Transposing the Piano
Transpose lets you raise and lower the overall key of the
piano in semitone units. If you want to play accompaniment
for a vocalist whose sings in a specific key, for example, you
can use transpose to change the key of the piano without
having to learn to play the song in another key.
To tune the piano
1.
2.
Press the FUNCTION button.
Use the [ ] and [ ] buttons or the selector
dial to display the “Tune” menu screen.
To transpose the piano
3.
Press the ENTER/YES button once to display
the tuning screen.
1.
While the indicator lamp above the
TRANSPOSE buttons is lit, use the
TRANSPOSE buttons [ ]/[ ] to change the
transpose setting.
Š
The TRANSPOSE button indicator lamp is not lit
and transpose adjustment cannot be performed
while the menu screen is on the display. To exit
the menu screen, press the FUNCTION button.
4.
Use [+] and [–] to change the tuning setting of
the piano.
Example:
To transpose the piano five semitones upwards.
Example:
To lower the tuning by 10.
Š
Š
You can change the setting on the transpose
setting screen using the [ ] and [ ] buttons or
the selector dial.
Š
You can also change the tuning setting by
rotating the selector dial.
Note that the display exits the transpose setting
screen if you do not change the setting within 10
seconds after displaying it. To exit the transpose
setting screen, press the EXIT/NO button.
Š
Š
The piano can be tuned within a range of 415.3Hz to
466.2Hz (±100 cents*).
*
100 cents is equivalent to one semitone.
To return the tuning setting to its initial default of 440.0Hz,
display the tuning screen and press the [+] and [–] buttons
at the same time.
Š
Š
The piano can be transposed within a range of –12 (one
octave downwards) to +12 (one octave upwards).
To return the transpose setting its initial default of “0”,
Š
Š
The tuning setting also affects the sequencer and auto
accompaniment.
display the transpose screen and press the [ ] and [
buttons at the same time.
]
When you have baroque pitch turned on, the tuning range
becomes 390.6Hz to 441.5Hz. In this case, holding down
the [+] and [–] buttons at the same time sets an initial
default value of 415.3Hz.
Š
The transpose setting also affects the sequencer and auto
accompaniment. It does not, however, affect auto
accompaniment drum parts.
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PL40NE01-1.book 32 ページ ２００２年７月２３日 火曜日 午後６時５２分
Auto Accompaniment
Using Touch Response
Turning on touch response causes the volume and sound
quality of piano output to change in accordance with the
amount of pressure applied to the keyboard.
To set the touch response sensitivity
1.
2.
Press the FUNCTION button.
Use the [ ] and [ ] buttons or the selector
dial to display the “General” menu screen.
3.
Press the ENTER/YES button once to display
the touch response setting screen.
4.
Use the [+] and [–] buttons to scroll through the
sensitivity settings in the following sequence.
Š
“Light” outputs powerful sound even with light
key pressure, while “Heavy” requires very heavy
key pressure to output powerful sound.
Š
Š
Pressing the [+] and [–] buttons at the same time
returns sensitivity to the “Normal” setting.
You can also change the touch response setting
by rotating the selector dial.
Š
Š
Touch response operations affect the piano’s internal
sound source as well as MIDI OUT data.
Touch response settings do not affect sequencer playback,
accompaniment, or MIDI note data received from an
external source.
Š
Touch response affects different tones in different ways.
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