ES
USER’S GUIDE
GUÍA DEL USUARIO
Please keep all information for future reference.
Guarde toda documentación para futuras consultas.
Safety Precautions
Before trying to use the piano, be sure to read
the separate “Safety Precautions”.
Precauciones de seguridad
Antes de intentar usar el piano, asegúrese de
leer las “Precauciones de seguridad” separadas.
PX3ES1A
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Contents
General Guide...........................E-2
Using Registration Memory...E-34
Installing the Music Stand........................................... E-3
PX-3 Configuration ..................................................... E-4
Modes......................................................................... E-6
Saving Settings and Using Panel Lock....................... E-7
Registration Data ......................................................E-34
Registration Memory Operations ..............................E-34
Saving Registration Memory Bank Data to a File .....E-36
Returning the Digital Piano to Its
Factory Default Settings ............................................. E-7
Using the Function Menu ......E-38
Function Menu Operations........................................E-38
Function Menu Settings ............................................E-39
Power Outlet .............................E-8
Using an AC Adaptor.................................................. E-8
Playing Back a MIDI File ........E-41
MIDI File Playback Operations..................................E-41
Supported Operations During MIDI File Playback ....E-42
Creating a New Card Music Folder...........................E-44
Connections..............................E-9
Connecting Headphones ............................................ E-9
Connecting a Pedal .................................................... E-9
Connecting Audio Equipment or an Amplifier........... E-10
Bundled and Optional Accessories........................... E-10
Using a Memory Card ............E-46
Memory Card Operations..........................................E-46
Error Messages.........................................................E-48
Selecting and
Playing a Tone........................E-11
Connecting to a Computer ....E-49
To turn on Digital Piano Power................................. E-11
Listening to Demo Tunes.......................................... E-11
Selecting a Tone....................................................... E-11
Layering and Splitting Tones .................................... E-12
Minimum Computer System Requirements ..............E-49
Connecting the Digital Piano to Your Computer .......E-49
Transferring Data between the
Digital Piano and a Computer ...................................E-50
Reference................................E-52
Applying Effects to a Tone....E-17
Troubleshooting ........................................................E-52
Product Specifications...............................................E-54
Operating Precautions ..............................................E-55
Reverb and Chorus................................................... E-17
Pitch Bend Wheel ..................................................... E-17
Confirming Common
Appendix.................................E-57
Parameter Settings.................E-18
Tone List ...................................................................E-57
Drum Assignment List...............................................E-59
DSP Effect List..........................................................E-60
DSP Algorithm List....................................................E-61
Common Parameters Operations............................. E-18
Common Parameter Settings ................................... E-20
Using the Assignable
MIDI Implementation Chart
Buttons....................................E-24
Applying Modulation to Notes (ASSIGNABLE 1)...... E-24
Applying Portamento to Notes (ASSIGNABLE 1/2) ... E-24
Changing the Rotary Effect Speed
(ASSIGNABLE 2)...................................................... E-24
By-passing the DSP (ASSIGNABLE 2) .................... E-25
Sending Control Changes (ASSIGNABLE 1/2) ........ E-25
Using the Digital Piano as a
MIDI Master Keyboard............E-26
External MIDI Device Connection............................. E-26
Specifying the Zone Configuration............................ E-26
Specifying What Each Zone Controls....................... E-27
Zone Setups ............................................................. E-27
Editing Zone Parameters.......E-28
Zone Parameter Operations ..................................... E-28
Zone Parameter Settings.......................................... E-30
Company and product names used in this
manual may be registered trademarks of others.
E-1
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General Guide
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E-2
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General Guide
• This manual uses the numbers and names below to refer to buttons and controllers.
VOLUME knob
CLAVI/VIBES, 4 button
ORGAN, 5 button
ZONE SELECTOR (LOWER 1), REPEAT button
ZONE SELECTOR (LOWER 2), sREW button
ZONE SELECTOR (UPPER 1), dFF button
ZONE SELECTOR (UPPER 2), PAUSE button
INT/EXT, PLAY/STOP button
STRINGS/ENSEMBLE, 6 button
GUITAR/BASS, 7 button
OTHERS/GM, 8 button
LAYER, EXIT button
SPLIT, u button
ZONE EDIT, PAGE, PART button
ASSIGNABLE 1 button
REVERB, i button
CHORUS, ENTER button
STORE, USB DEVICE MODE button
SD CARD SLOT
ASSIGNABLE 2 button
EDIT, TEMPO button
MASTER CONTROL, CARD PLAYER, LOAD/SAVE
button
PITCH BEND wheel
USB port
PARAMETER SELECTOR (TRANSPOSE, A) button
PARAMETER SELECTOR (BEND RANGE, B)
button
MIDI OUT/IN terminals
DAMPER, SOFT/SOSTENUTO PEDAL jacks
DC 12V terminal
PARAMETER SELECTOR (BRILLIANCE, C) button
PARAMETER SELECTOR (EQ ON/OFF, D) button
Display
LINE OUT R, L/MONO jacks
LINE IN R, L/MONO jacks
POWER button
TONE, REGISTRATION button
FUNCTION button
PHONES jacks
w/NO, q/YES button
Pedal connector
PIANO, 1 button
ELEC PIANO 1, 2 button
ELEC PIANO 2, 3 button
* Installing the Music Stand
Insert the bottom of the music stand into the
groove on the top of the Digital Piano’s
console.
E-3
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General Guide
PX-3 Configuration
Master Control Configuration
The PX-3 Digital Piano is a MIDI master keyboard that uses four zones (UPPER 1, UPPER 2, LOWER 1, LOWER 2)
to control the internal sound source (INT) and external MIDI devices (EXT). Each zone performs simultaneous
control over one internal sound source part and one external MIDI device channel (when both INT and EXT are
ON).
The target (INT/EXT) of each zone control can be turned on or off as desired using the
(INT/EXT) button. Zone
editing (page E-28) lets you configure detailed settings related to how each individual zone controls an internal
sound source and/or external MIDI device.
In the case of an internal sound source, zone editing can be performed to create sounds by selecting a DSP,
configuring DSP settings, editing tones, etc. Following sound creation, signals are output via an equalizer that
allows adjustment of centralized common parameter settings (page E-18).
Acoustic Resonance Send
ACOUSTIC
RESONANCE
Reverb Send
REVERB
Chorus Send
CHORUS
Part
Thru
EQUALIZER
WAVE
GENERATOR
DSP
DSP Acoustic Resonance Send
DSP Bypass
Output
DSP Reverb Send
DSP Chorus Send
DSP
X 36
EFFECT
EFFECT
2
EFFECT
3
1
X 2
NOTE
• Which of the four zones are available for use depends on the LAYER and SPLIT on/off status. For details, see
“Layering and Splitting Tones” (page E-12) and “Specifying the Zone Configuration” (page E-26).
E-4
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General Guide
Sound Source Configuration
The sound source is configured with a total of 36 parts: four parts that correspond to each of the zones, 16 parts for
MIDI file playback, and 16 parts that operate as the multi-timbre sound source during receipt of MIDI input.
The following shows the relationships between parts, ports, and MIDI channels.
Port 0 (Parts played by hand)
Part Number
MIDI Channel
Part Name
Upper1
Upper2
Lower1
Lower2
1
2
3
4
IN:- - / OUT:01-16*1
IN:- - / OUT:01-16*1
IN:- - / OUT:01-16*1
IN:- - / OUT:01-16*1
*1 MIDI OUT channel depends on zone editing (page E-28).
Port 1 (MIDI file playback parts)
Part Number
MIDI Channel
Part Name
17
IN:- - / OUT:01
Song01
32
IN:- - / OUT:16
Song16
Port 2 (MIDI IN parts)
Part Number
MIDI Channel
Part Name
33
IN:01 / OUT:- -
Ext.01
48
IN:16 / OUT:- -
Ext.16
NOTE
• MIDI messages output from the above Port 0 and Port 1 are grouped and sent from a single MIDI port. Port-
specific send is not supported.
E-5
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General Guide
Modes
This Digital Piano has two main modes: a MASTER CONTROL mode and a CARD PLAYER mode. Each of these
modes has two sub-modes: a TONE mode and a REGISTRATION mode.
MASTER CONTROL mode
TONE mode
CARD PLAYER mode
TONE mode
REGISTRATION mode
REGISTRATION mode
Use the MASTER CONTROL mode when playing the Digital Piano in a stand-alone configuration or when using it
as a MIDI master keyboard.
The setup of the MASTER CONTROL mode can be changed using common parameters (page E-18) and zone
parameters (page E-28).
Use the CARD PLAYER mode to play back a MIDI file. In the CARD PLAYER mode, you can play on the keyboard
along with MIDI file playback. Though the CARD PLAYER mode also supports control of an external MIDI device,
parameter settings cannot be configured.
Note that you should be aware of the Digital Piano’s current mode whenever performing an operation. Note the
following important points.
• The Digital Piano’s initial power on default mode is the MASTER CONTROL
mode’s TONE mode.
• Each press of the
between the MASTER CONTROL and CARD PLAYER modes. You can
(MASTER CONTROL/CARD PLAYER) button toggles
Lit in the MASTER CONTROL mode.
determine the current mode by noting which
PLAYER) lamp is lit.
(MASTER CONTROL/CARD
Lit in the CARD PLAYER mode.
Lit in the TONE mode.
• Each press of the
(TONE/REGISTRATION) button toggles between the
TONE and REGISTRATION modes. You can determine the current mode by
noting which
(TONE/REGISTRATION) lamp is lit.
IMPORTANT!
• All of the operations in this user’s guide start from the initial power on default
state (MASTER CONTROL, TONE mode). If you start experiencing operation
problems, first try returning the Digital Piano to the MASTER CONTROL, TONE
mode. If you do not mind losing currently unsaved settings and data, simply
turn power off and then back on again.
Lit in the REGISTRATION mode.
NOTE
• The section title bars in this user’s guide also show the mode (MASTER CONTROL or CARD PLAYER, or both)
where the operations described in each section can be performed.
E-6
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General Guide
Saving Settings and Using
Panel Lock
Your Digital Piano lets you save its current settings,
and lock its buttons to protect against operation errors.
For details, see “Backup” and “Panel Lock” (page
E-40).
Returning the Digital Piano to
Its Factory Default Settings
Perform the following procedure when you want to
return the Digital Piano’s stored data and settings to
their initial factory defaults.
1.
2.
Turn off the Digital Piano.
While holding down both the
(TONE) and
(FUNCTION) buttons, press the
(POWER) button.
• The Digital Piano will turn on and initialize its
internal system. You will be able to use the Digital
Piano in a short while.
NOTE
• See “To turn on Digital Piano Power” (page E-11) for
information about turning Digital Piano power on
and off.
E-7
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Power Outlet
Your Digital Piano runs on standard household power.
Be sure to turn off power whenever you are not using
the Digital Piano.
Using an AC Adaptor
Use only the AC adaptor (JEITA Standard, with unified
polarity plug) that comes with this Digital Piano. Use of
a different type of AC adaptor can cause malfunction.
Specified AC Adaptor: AD-A12150LW
• Use the supplied power cord to connect the AC
adaptor as shown in the illustration below.
Back
Household power
Power cord
DC 12V terminal
AC adaptor
Note the following important precautions to avoid
damage to the power cord.
During Use
• Never pull on the cord with excessive force.
• Never repeatedly pull on the cord.
• Never twist the cord at the base of the plug or
connector.
• The power cord should not be stretched tight while
it is in use.
During Movement
• Before moving the Digital Piano, be sure to unplug
the AC adaptor from the power outlet.
During Storage
• Loop and bundle the power cord, but never wind it
around the AC adaptor.
IMPORTANT!
• Never connect the AC adaptor (JEITA Standard,
with unified polarity plug) that comes with this Digital
Piano to any other device besides this piano. Doing
so creates the risk of malfunction.
• Make sure the Digital Piano is turned off before
plugging in or unplugging the AC adaptor.
• The AC adaptor will become warm to the touch after
very long use. This is normal and does not indicate
malfunction.
E-8
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Connections
Pedal Functions
Connecting Headphones
Damper Pedal
Pressing the damper pedal while playing will cause the
notes you play to reverberate for a very long time.
• Whenever a piano tone is selected, pressing this
pedal will activate the Digital Piano’s Acoustic
Resonance effect, which causes notes to resonate in
the same way they do when the damper pedal on an
acoustic piano is pressed. You can adjust the
acoustic resonance effect for each individual tone,
and you can apply it to other non-piano tones, if you
want. For details, see “Acoustic Resonance” (page
E-39) and “Acoustic Resonance Send” (page E-32).
IMPORTANT!
• Before connecting headphones, be sure to use the
Digital Piano’s
volume down to a low level. After connecting, you
can adjust the volume to the level you want.
(VOLUME) knob to turn the
Left Side
PHONES jacks
Commercially available
headphones
Soft Pedal
Pressing this pedal suppresses notes played on the
keyboard after the pedal was pressed, and makes them
sound softer.
Mini plug
Sostenuto Pedal
Only the notes that are played while this pedal are
depressed are sustained until the pedal is released.
Connect commercially available headphones to the
PHONES jacks. To protect your hearing, make sure
that you do not set the volume level too high when
using headphones.
Pedal Connector
You can connect the optionally available 3-Pedal Unit
(SP-32) to the pedal connector on the bottom of the
Digital Piano. You can then use the pedals for
expression that is similar to that available on an
acoustic piano.
Connecting a Pedal
The back of the Digital Piano has two pedal jacks, one
for a damper pedal and one for a soft/sostenuto pedal.
To connect to the pedal jack
Bottom
Pedal connector
Depending on the type of operation you want the
pedal (SP-3) to perform, connect the pedal’s cable
either to the Digital Piano’s DAMPER PEDAL jack or
SOFT/SOSTENUTO PEDAL jack. If you want to use
both operations (jacks) at the same time, you need to
purchase another optionally available pedal.
NOTE
Back
• The SP-32 Pedal Unit supports half-pedal operation
(pressing the pedal part way). You can adjust the
amount of the effect is applied when the damper
pedal is pressed part way. For details, see “Half
Pedal Effect” (page E-39).
PEDAL jacks
• The optionally available CS-67P special stand is
required in order to use the SP-32 Pedal Unit.
SP-3
NOTE
• You can connect a pedal to the SOFT/SOSTENUTO
PEDAL jack and apply either a soft or sostenuto
effect to the notes you play. For details, see “Pedal
Assign” (page E-39).
E-9
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Connections
To input from audio equipment (Figure
)
Connecting Audio Equipment
or an Amplifier
This Digital Piano outputs notes from its LINE OUT R
(right channel output) and LINE OUT L/MONO (left
channel output). Connect a keyboard amplifier or other
device to direct output to speakers. You can adjust the
LINE OUT volume level with the Digital Piano’s
LINE IN R jack input is output from the LINE OUT R
jack, and LINE IN L/MONO input is output from
LINE OUT L/MONO. Use commercially available
connection cords that match the equipment being
connected to. Connecting a cord to LINE IN L/MONO
only will cause the left and right channels to be mixed
and output from both LINE OUT R and LINE OUT L/
MONO.
(VOLUME) knob.
NOTE
IMPORTANT!
• Input from LINE IN R and LINE IN L/MONO is
output as-is from LINE OUT R and LINE OUT L/
• Whenever connecting something to the Digital
Piano, first use the (VOLUME) knob to set the
MONO. The Digital Piano’s
setting does not affect this output.
(VOLUME) knob
volume to a low level. After connecting, you can
adjust the volume to the level you want.
• Whenever you connect any device to the Digital
Piano, be sure to read the user documentation that
comes with the device.
Bundled and Optional
Accessories
Guitar amplifier
Keyboard amplifier, etc.
Use only accessories that are specified for use with this
Digital Piano.
INPUT 1
INPUT 2
Standard plug
Use of unauthorized accessories creates the risk of fire,
electric shock, and personal injury.
Tape recorder,
MIDI sound source, etc.
NOTE
• You can get information about accessories that are
sold separately for this product from the CASIO
catalog available from your retailer, and from the
CASIO website at the following URL.
Standard jack
Audio amplifier AUX IN jack, etc.
LEFT (White)
RIGHT (Red)
Pin plug
To output to a musical instrument
amplifier (Figure
)
Use a commercially available connecting cord to
connect the amplifier to the Digital Piano’s LINE OUT
L/MONO jack as shown in Figure . Connecting a
cord to LINE OUT L/MONO only will cause the left
and right channels to be mixed and output as mono.
To output to audio equipment (Figure
)
Use commercially available connection cords to
connect as shown in Figure . Normally, you should
set the input selector of the audio equipment to the
terminal where the Digital Piano is connected (AUX
IN, etc.).
E-10
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Selecting and Playing a Tone
MASTER CONTROL
To turn on Digital Piano Power
Listening to Demo Tunes
1.
After ensuring that the
in the off position, connect the AC adaptor to
the Digital Piano.
(POWER) button is
1.
While holding down the
(PART) button,
press the
(PLAY/STOP) button.
• This starts demo tune play.
• The Digital Piano has a total of four demo tunes. You
Left Side
can use the
buttons to jump the beginning of the
previous (q) or next (w) demo tune. You can use
the Tone Group buttons ( to ) to select a specific
demo tune.
Off position
On position
• You can play along on the keyboard with demo tune
play. Note, however, that you cannot change the tone
assigned to the keyboard. Only the key operations
described above are supported.
button
2.
To stop demo tune playback, press the
(PLAY/STOP) button again.
• For information about connecting the AC adaptor,
see “Power Outlet” (page E-8).
2.
3.
Rotate the
to set the volume to a low level.
(VOLUME) knob towards MIN
Selecting a Tone
Your Digital Piano comes with 250 tones (which
include 10 drum sets) built in. Tones are divided into
the eight tone groups shown below.
Connect headphones or other devices to the
Digital Piano as necessary (see
“Connections” on page E-9).
4.
Press the
Digital Piano.
• The Digital Piano display screen will appear as
shown below, which indicates that it is ready to play
(using initial power on default settings).
(POWER) button to turn on the
Use the following procedure to select a single tone that
is applied across the entire keyboard.
To select a tone
1.
2.
Use the “Tone List” (page E-57) to look up the
group and the number of the tone you want to
select.
Check to make sure that the lamp above the
• To turn off the Digital Piano, press the
button again.
(POWER)
(MASTER CONTROL) button is lit.
• If it is unlit, press the
button to light it.
(MASTER CONTROL)
IMPORTANT!
• Normally, turning power off and then back on again
will return the Digital Piano to its initial power on
default settings. If you perform the backup operation
(page E-40), turning power back on again will restore
the backed up settings. Perform a backup (page
E-40) or registration operation (page E-34) to save
the keyboard setup if you need to restore it later.
3.
4.
Check to make sure that the both the
(LAYER) and
(SPLIT) button lamps are
unlit.
• If they are lit, press the
(LAYER) and/or
(SPLIT) buttons to turn off both lamps.
If the
(UPPER 1) button lamp is unlit,
press the
lit.
(UPPER 1) button so its lamp is
E-11
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Selecting and Playing a Tone
5.
Check to make sure that the lamp above the
Layering and Splitting Tones
(TONE) button is lit.
Lit
You can configure the keyboard so it plays two
different tones at the same time (Layer) or to play
different tones in the left and right ranges (Split). You
can even use Layer and Split in combination with each
other.
The following describes the various possible Layer and
Split combinations.
• If it is unlit, press the
upper lamp.
(TONE) button to light the
One tone across the entire keyboard (page E-11)
6.
7.
Use the
select the group you want.
to
(Tone Group) buttons to
Use zone UPPER 1.
UPPER 1 INT ON
LAYER OFF
• The lamp of the button you press will light.
UPPER 1
SPLIT OFF
Use the
(w, q) buttons to select the
tone you want. Now you can play on the
keyboard using the tone you selected.
Two layered tones across the entire keyboard (page
E-13)
Example: To select the “Jazz Organ 2” tone in the
Use zones UPPER 1 and UPPER 2 at the same time.
“ORGAN” group
UPPER 1/2 INT ON
Tone number
Tone name
LAYER ON
UPPER 1
SPLIT OFF
UPPER 2
Two tones, one for the left range and one for the
right range of the keyboard (page E-14)
Use zones UPPER 1 and LOWER 1 at the same time.
UPPER 1/LOWER 1 INT ON
LAYER OFF
LOWER 1
UPPER 1
NOTE
SPLIT ON
• Pressing w and q at the same time selects tone
001 in the currently selected group.
• Holding down w or q will scroll through tones at
high speed.
Four tones, two layered for the left range and two
layered for the right range of the keyboard (page
E-15)
• Holding down the
press w or q will jump 10 tones.
(FUNCTION) button as you
Use zones UPPER 1, UPPER 2, LOWER 1, and
LOWER 2 at the same time.
UPPER 1/2 INT ON
LOWER 1/2 INT ON
LOWER 1
LOWER 2
UPPER 1
UPPER 2
LAYER ON, SPLIT ON
Three tones, one for one range and two layered for
the other range of the keyboard (page E-16)
Use all four zones at the same time, but with one
zone’s sound turned off by configuring one of the
zones with INT OFF to disconnect the internal sound
source. The example below shows INT OFF
configured for LOWER 2.
UPPER 1/2, LOWER 1 INT ON
LOWER 2 INT OFF
UPPER 1
LOWER 1
LAYER ON, SPLIT ON
UPPER 2
E-12
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Selecting and Playing a Tone
5.
Press the
(LAYER) button so its lamp is lit.
IMPORTANT!
Lit
• You can select a tone for each zone in both the
MASTER CONTROL and CARD PLAYER modes.
Note however that some procedures and operations
(lamp lighting status) when a tone is selected for
each zone in the CARD PLAYER mode are different
from those in the case of the MASTER CONTROL
mode.
Here, explanations are based on selecting a tone for
each zone in the MASTER CONTROL mode. For
information about selecting tones in the CARD
PLAYER mode, see “To select a tone for each zone
in the CARD PLAYER mode” (page E-44).
Unlit
Lit
• At this time the (UPPER 1) button lamp will go out
and the
(UPPER 2) button lamp will light in its
place. This indicates you can select the UPPER 2 zone
tone.
6.
7.
Select the UPPER 2 zone tone.
NOTE
Play something on the keyboard to check
how the tones sound layered together.
• At any time you can press the (UPPER 1) button to
change the UPPER 1 zone tone or the
• When using Layer and/or Split to play more than
one tone at the same time, you can adjust the volume
balance of each zone, perform octave shift for each
zone, and configure detailed settings for the effects
applied to zones. For details about parameters that
can be configured and setting procedures, see
“Editing Zone Parameters” (page E-28).
(UPPER 2)
button to change the UPPER 2 zone tone.
8.
To cancel tone layering, press the
(LAYER) button again so its lamp goes out.
Layering Two Tones
UPPER 1
UPPER 2
1.
2.
Use the “Tone List” (page E-57) to look up the
group(s) and numbers of the two tones
(UPPER 1 zone tone and UPPER 2 zone
tone) you want to use.
Check to make sure that the both the
(LAYER) and
(SPLIT) button lamps are
unlit.
• If one or both lamps are lit, press the
(LAYER) and
(SPLIT) buttons to turn them off.
3.
4.
Press the
lit.
(UPPER 1) button so its lamp is
• This indicates you can select the UPPER 1 zone tone.
Lit
Select the UPPER 1 zone tone.
• For details about selecting tones, see “To select a
tone” (page E-11).
E-13
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Selecting and Playing a Tone
8.
To cancel the keyboard split, press the
(SPLIT) button again so its lamp goes out.
Splitting the Keyboard between Two
Tones
NOTE
• You also can specify the keyboard split point, which
the location where the keyboard splits between the
left range and right range. In initial default split
point is at key F#3.
LOWER 1
UPPER 1
1.
2.
Use the “Tone List” (page E-57) to look up the
group(s) and numbers of the two tones
(UPPER 1 zone tone and LOWER 1 zone
tone) you want to use.
LOWER 1 zone UPPER 1 zone
Check to make sure that the both the
Split point
(LAYER) and
(SPLIT) button lamps are
unlit.
For details, see “To specify the keyboard split point”
(page E-14).
• If one or both lamps are lit, press the
(LAYER) and
(SPLIT) buttons to turn them off.
To specify the keyboard split point
3.
Press the
lit.
(UPPER 1) button so its lamp is
1.
Hold down the
screen shown below appears.
(SPLIT) button until the
• This indicates you can select the UPPER 1 zone tone.
Lit
4.
Select the UPPER 1 zone tone.
• For details about selecting tones, see “To select a
tone” (page E-11).
Current split point key name
2.
3.
Press the keyboard key that you want to be
the leftmost key in the right side (UPPER 1
zone) range.
• The name of the key you press will appear on the
display as the new split point key name.
5.
Press the
(SPLIT) button so its lamp is lit.
Lit
• You also can use the
(w, q) buttons to change
the split point key name.
Lit
Unlit
• At this time the (UPPER 1) button lamp will go out
When you are finished, press the
button.
(SPLIT)
and the
(LOWER 1) button lamp will light in its
place. This indicates you can select the LOWER 1
zone tone.
6.
7.
Select the LOWER 1 zone tone.
Play something on the left and right sides of
the keyboard to confirm that the tones are
assigned properly.
• At any time you can press the (UPPER 1) button to
change the UPPER 1 zone tone or the
(LOWER 1)
button to change the LOWER 1 zone tone.
E-14
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Selecting and Playing a Tone
7.
8.
Press the
unlit.
(LAYER) button so its lamp is
To use layer and split together
Press the
(SPLIT) button so its lamp is lit.
Lit
LOWER 1
LOWER 2
UPPER 1
UPPER 2
1.
2.
Use the “Tone List” (page E-57) to look up the
group(s) and numbers of the tones (UPPER 1,
UPPER 2, LOWER 1, and LOWER 2 zone
tones) you want to use.
Lit
• This will cause the
(LOWER 1) button lamp to
light. This indicates you can select the LOWER 1 zone
tone.
Check to make sure that the both the
9.
Select the LOWER 1 zone tone.
(LAYER) and
(SPLIT) button lamps are
unlit.
10. Press the
(LAYER) button so its lamp is lit.
• If one or both lamps are lit, press the
(LAYER) and
Lit
(SPLIT) buttons to turn them off.
3.
Press the
lit.
(UPPER 1) button so its lamp is
• This indicates you can select the UPPER 1 zone tone.
Lit
• This will cause the
(LOWER 2) button lamp to
light. This indicates you can select the LOWER 2 zone
tone.
Lit
11. Select the LOWER 2 zone tone.
4.
5.
Select the UPPER 1 zone tone.
• For details about selecting tones, see “To select a
tone” (page E-11).
12. Play something on the left and right sides of
the keyboard to confirm that the tones are
assigned and layered properly.
• You can change any of the zone tones at any time by
performing one of the operations shown below.
Press the
(LAYER) button so its lamp is lit.
Lit
To change this
Do this:
zone’s tone:
UPPER 1 zone
UPPER 2 zone
LOWER 1 zone
LOWER 2 zone
Press the
then select a tone.
(UPPER 1) button and
Unlit
Lit
Press the (UPPER 2) button and
then select a tone.
• This will cause the
(UPPER 2) button lamp to
light. This indicates you can select the UPPER 2 zone
tone.
Press the (LOWER 1) button and
then select a tone.
Press the (LOWER 2) button and
then select a tone.
6.
Select the UPPER 2 zone tone.
E-15
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Selecting and Playing a Tone
13. To cancel layer and split, press
(LAYER)
and
(SPLIT) buttons again so their lamps
go out.
NOTE
• When using Layer and Split at the same time, you
can switch to only a single tone in either of the
keyboard ranges by configuring INT OFF for the
zone whose tone you do not want to sound. For
example, you could perform the steps below to
sound zones UPPER 1, UPPER 2, and LOWER 1,
without sounding the LOWER 2 zone.
UPPER 1
LOWER 1
UPPER 2
1. Press the
2. Press the
(LOWER 2) button so its lamp is lit.
(INT/EXT) button twice so the INT
side (left side) lamp goes out.
Unlit
Lit
• Pressing the
(UPPER 1),
(UPPER 2),
(LOWER 1) or
(LOWER 2) button causes the
lamp of the pressed button to light, and the lamps of
the other buttons to go out. At this time, the tone
name of the zone whose button you press will
appear on the display, and you can change the tone,
if you want. However, the tones that sound when a
keyboard keys are pressed depend on the current
Layer and Split on/off settings.
• The
(INT/EXT) button is for specifying what each
zone controls (INT = internal sound source, EXT =
external MIDI device). The INT (left) side lamp
indicates internal sound source control on/off, while
the EXT (right) side indicates external MIDI device
control on/off. For details about this button, see
“Using the Digital Piano as a MIDI Master
Keyboard” (page E-26).
E-16
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Applying Effects to a Tone
MASTER CONTROL CARD PLAYER
To change the chorus type
Reverb and Chorus
1.
Hold down the
screen shown below appears.
(CHORUS) button until the
Your Digital Piano provides four types of reverb and
four types of chorus. The reverb and chorus functions
have their own dedicated keys for easy on/off
operation.
• Each press of the
(REVERB) button toggles
reverb on and off. The lamp above the button is lit
when reverb is on, and unlit when it is off.
• Each press of the
(CHORUS) button toggles
chorus on and off. The lamp above the button is lit
when chorus is on, and unlit when it is off.
2.
3.
Use the
chorus type you want.
(w, q) buttons to select the
• You can select one of the following chorus types:
Light Chorus,
Flanger.
Chorus,
Deep Chorus,
IMPORTANT!
When you are finished, press the
(CHORUS) button.
• Under initial default settings of certain tones, chorus
is not applied simply by turning chorus on. This is
because the initial default value of the chorus send
setting is 0. To apply chorus, change the chorus
send value of the zone where you want to use it. For
details, see “Effect Settings” (page E-32).
Pitch Bend Wheel
The
(PITCH BEND) wheel lets you
change the pitch of notes you are playing
by rotating the wheel forward or back.
Rotating the wheel away from you raises
the pitch, while rotating it towards you
lowers it. Releasing the wheel causes the
pitch of the notes to return to normal
automatically.
NOTE
• The reverb and chorus on/off setting is applied to all
zones, but reverb send and chorus send settings can
be configured for individual zones. For details, see
“Effect Settings” (page E-32).
To change the reverb type
IMPORTANT!
1.
Hold down the
screen shown below appears.
(REVERB) button until the
• Do not have the pitch bend wheel rotated as you turn
on the Digital Piano.
NOTE
• You also can change the range of the pitch bend
wheel. See “Bend Range” (page E-20).
2.
3.
Use the
reverb type you want.
(w, q) buttons to select the
• You can select one of the following reverb types:
Room,
Hall,
Large Hall,
Stadium.
When you are finished, press the
(REVERB) button.
E-17
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Confirming Common Parameter Settings
MASTER CONTROL
Common parameters include transpose, bend range, equalizer, and other global parameters. Common parameters
also include the settings of the function assigned to the ASSIGNABLE buttons.
Common Parameters Operations
The common parameter settings appear on the common menu that appears first whenever you turn on the Digital
Piano.
Page
Parameter Name
Common menu
Settings
• The common menu has five pages. Press the
(PAGE) button to scroll through the pages.
• Each common menu page includes up to four parameters, each of which corresponds one of the PARAMETER
SELECTOR buttons ( (A) through (D)).
• The “COMMON PARAMETER” list in the upper left of the Digital Piano’s control panel shows the parameters
assigned to each of the PARAMETER SELECTOR buttons.
E-18
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Confirming Common Parameter Settings
5.
6.
Use the
the setting.
• Pressing w and q at the same time returns the
setting to its initial default.
• Holding down w or q will scroll through the
settings at high speed.
• For details about the meaning and range of each
parameter setting, see “Common Parameter Settings”
(page E-20).
(EDIT w, q) buttons to change
To change common parameter settings
1.
Check to make sure that the lamp above the
(MASTER CONTROL) button is lit.
• If it is unlit, press the
(MASTER CONTROL)
button to light it.
Lit
If you want to change the settings of other
parameters, repeat steps 3 through 5 of this
procedure.
2.
3.
Check to make sure that the lamp above the
(ZONE EDIT) button is unlit.
IMPORTANT!
Turning off the Digital Piano causes all common
parameters to return to their initial default settings. If
you need to save a common parameter setup, perform
one of the operations described below.
• If you want to restore the current setup the next time
you turn on the Digital Piano, perform the backup
operation. For details, see “Backup” (page E-40).
• If you don’t need to restore the current setup the next
time you turn on the Digital Piano but want to have it
on hand for recall when you need it, save the setup
to registration memory. For details, see “Using
Registration Memory” (page E-34).
• If the lamp is lit, hold down the
(ZONE EDIT)
button until it goes out.
Use the
(PAGE) button to display the
common menu page that contains the
parameter whose setting you want to change.
Example: Common menu page 2
• Each press of the
(PAGE) button advances to the
next page.
4.
Press the PARAMETER SELECTOR button
(A) through (D)) to select the
(
parameter whose setting you want to change.
• The brackets around the setting of parameter you
select will change from [ ] to %. This indicates
that editing of the setting is enabled.
Example: After the
(C) button is pressed
• Holding down one of the PARAMETER SELECTOR
buttons will display its full name. For example,
“LoMdG” will change to “LowMid Gain”.
E-19
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Confirming Common Parameter Settings
Common Parameter Settings
This section explains the meaning of each common parameter, and provides information about their setting ranges
and initial default values.
• In this section, each parameter is preceded by a number and a letter, like “1-A”. This indicates the common menu
page number (1) and the PARAMETER SELECTOR button you need to press to select it (A).
• The values following the description of a parameter are its setting range. The initial default setting is indicated by
an asterisk (*).
General Settings
■ 1-A Transpose (Trnsp)
Adjusts overall keyboard tuning by semitone units
–12 to 0* to 12 semitones
■ 1-B Bend Range (BendR)
Specifies the range of pitch change that occurs when the pitch bend wheel is rotated.
0 to 2* to 12 semitones
■ 1-C Brilliance (Brila)
Controls the brilliance of the tone. A greater value produces a brighter, harder sound, while a lower value produces
a mellower, softer sound.
–3 to 0* to 3
Equalizer Settings
These settings constitute a four-band equalizer for sound compensation.
■ 1-D EQ ON/OFF (EQ)
Specifies whether sound output by the Digital Piano passes (ON) or does not pass (Off) through the equalizer.
OFF, ON*
E-20
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Confirming Common Parameter Settings
■ 2-A to 3-D Band Gain and Frequency Settings
Parameter Name
Low Gain (LoG)
Low Freq. (LoF)
Location
2-A
Description
Settings (* indicates default)
–12 to 0* to 12
Adjusts the low-range gain.
2-B
Specifies the frequency of the low-range
adjusted by Low Gain.
0.2*, 0.4, 0.8 kHz
LowMid Gain
(LoMdG)
2-C
2-D
3-A
3-B
Adjusts the low mid-range gain.
–12 to 0* to 12
LowMid Freq.
(LoMdF)
Specifies the frequency of the low mid-
range adjusted by LowMid Gain.
1.0*, 1.3, 1.6, 2.0, 2.5, 3.2, 4.0, 5.0 kHz
–12 to 0* to 12
HighMid Gain
(HiMdG)
Adjusts the high mid-range gain.
HighMid Freq.
(HiMdF)
Specifies the frequency of the high mid-
range adjusted by HighMid Gain.
1.0, 1.3, 1.6, 2.0, 2.5*, 3.2, 4.0, 5.0 kHz
High Gain (HiG)
High Freq. (HiF)
3-C
3-D
Adjusts the high gain.
–12 to 0* to 12
Specifies the frequency of the high-range
adjusted by High Gain.
6.0, 8.0, 10* kHz
Assignable Button Settings
These settings specify the functions assigned to the
(ASSIGNABLE 1) and
(ASSIGNABLE 2) buttons.
Functions that can be assigned to each button are shown in the “ASSIGNABLE 1 TYPE” and “ASSIGNABLE 2
TYPE” lists on the control panel to the left of the ASSIGNABLE buttons.
NOTE
• Regardless of the settings you configure for the (ASSIGNABLE 1) and (ASSIGNABLE 2) buttons here, you
can use the zone editing procedure (page E-28) to enable or disable each individual zone. For details, see “Control
Settings” (page E-33).
E-21
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Confirming Common Parameter Settings
■ 4-A Assignable Button 1 Type (Asgn1)
Specifies the function assigned to the
(ASSIGNABLE 1) button.
The following describes the functions that can be assigned by each setting.
Setting
Assigned Functions
Modulation (Mod)
This setting assigns modulation to the button.*1 The depth of the modulation is specified using the
(B) and
(C) buttons.
Portamento (Por)
This setting assigns portamento the button. When this function is assigned, portamento is applied
while the
(ASSIGNABLE 1) button is depressed and not applied while the button is released.*2
Control Change
Number 0 to 127
(CC# 000 to 127)
This setting assigns a control change number to the button. The MIDI channel for sending a control
change or the value sent when the (ASSIGNABLE 1) button is pressed or released is specified
using the
(B),
(C), and
(D) buttons.
*1 To apply modulation only to a particular zone, select “001” (CC#1 = Modulation) as the Asgn1 instead of “Mod”.
Also, specify a control change send MIDI channel that matches the MIDI channel of the zone where you want to
apply modulation. For more information, see “Settings when Asgn1/Asgn2 = Control Change Number 0 to 127”
(page E-23).
*2 Portamento can be turned on or off for each zone. For details, see “Editing Tones” (page E-31).
■ 5-A Assignable Button 2 Type (Asgn2)
Specifies the function assigned to the
(ASSIGNABLE 2) button.
The following describes the functions that can be assigned by each setting.
Settings
Rotary (Rot)
Assigned Functions
This function, which switches rotation speed, can be assigned for the rotary effect used by the DSP
(see “DSP Type” on page E-30). The speed is “Fast” when the
(lamp lit) and “Slow” when it is off (lamp unlit).
(ASSIGNABLE 2) button is on
Portamento (Por)
DSP Bypass (Dbp)
This setting assigns portamento to the button. Portamento is applied when the
button is on, and not applied when it is off.*1
(ASSIGNABLE 2)
This setting assigns a function that turns off the DSP of a particular zone. The zone whose DSP is
being turned off is specified with the (B) button.
Control Change
Number 0 to 127
(CC# 000 to 127)
This setting assigns a control change number to the button. The MIDI channel for sending a control
change or the value sent when the (ASSIGNABLE 2) button is on or off is specified using the
(B),
(C), and
(D) buttons.
*1 Portamento can be turned on or off for each zone. For details, see “Editing Tones” (page E-31).
■ 4-B, 4-C Settings when Asgn1 = Modulation (Mod)
Parameter Name
Location
Description
Settings (* indicates default)
0* to 127
Depth (Button OFF)
(OfDep)
4-B
Specifies the modulation depth while the
button is not pressed.
Depth (Button ON)
(OnDep)
4-C
Specifies the modulation depth while the
button is pressed.
0 to 127*
E-22
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Confirming Common Parameter Settings
■ 4-B, 4-C, 4-D, 5-B, 5-C, 5-D Settings when Asgn1/Asgn2 = Control Change Number 0 to 127
Parameter Name
Channel (Ch)
Location
Description
Settings (* indicates default)
1* to 16
4-B, 5-B
Specifies the MIDI channel*1 for sending
control changes.
Value (Button OFF)
(OfVal)
4-C, 5-C
4-D, 5-D
Specifies the value sent when the button is 0* to 127
released (turned off).
Value (Button ON)
(OnVal)
Specifies the value sent when the button is 0* to 127
pressed (turned on).
*1 Control change information in principle is sent from the Digital Piano to an external destination over the MIDI
channel specified here. However, when a MIDI send channel of one of the Digital Piano’s zones matches the
channel specified here and that zone is configured as INT ON, control change information is sent for the internal
sound source that corresponds to that zone.
■ 5-B Settings when Asgn2 = DSP Bypass (Dbp)
Parameter Name
Zone
Location
Description
Settings (* indicates default)
Up1*, Up2, Lo1, Lo2
5-B
This setting can be used to select the zone
(Up1: UPPER 1, Up2: UPPER 2,
Lo1: LOWER 1, Lo2: LOWER 2) that
bypasses the DSP (DSP off) when the
(ASSIGNABLE 2) button is on (lamp lit).
E-23
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Using the Assignable Buttons
MASTER CONTROL CARD PLAYER
There are two assignable buttons named
Applying Portamento to Notes
(ASSIGNABLE 1/2)
Applying portamento causes the pitch to slide between
two notes played in succession. It is an effect that is
used with strings and woodwind instruments. With
(ASSIGNABLE 1) and
(ASSIGNABLE 2). The
(ASSIGNABLE 1) button is designed so it is on while
pressed and off while released. The
(ASSIGNABLE 2) button toggles on (lamp lit) and off
(lamp unlit) each time it is pressed.
the (ASSIGNABLE 1) button, portamento is applied
while the button is pressed. With the
(ASSIGNABLE 2) button, portamento is applied while
the button is on.
The main use of the assignable buttons is to perform
real-time operations, mainly for effects. You can
configure settings for the assignable button with the
common menu (page E-18).
Common Parameter Information:
4-A Assignable Button 1 Type (Asgn1) (page E-22)
5-A Assignable Button 2 Type (Asgn2) (page E-22)
NOTE
Zone Parameter Information:
• For information about how to configure settings, see
“To change common parameter settings” (page
E-19).
4-C Portamento ON/OFF (Porta) (page E-31)
4-D Portamento Time (PTime) (page E-31)
• The “Common Parameter Information” and “Zone
Parameter Information” items in the explanations in
this section show where you need to go for
information about the parameters that come under
an assignable function.
Changing the Rotary Effect
Speed (ASSIGNABLE 2)
When the rotary effect is being selected by DSP (page
E-30), each press of the
toggles the rotation speed between fast and slow.
(ASSIGNABLE 2) button
Applying Modulation to Notes
(ASSIGNABLE 1)
Common Parameter Information:
Fixed-depth modulation is applied to notes while the
5-A Assignable Button 2 Type (Asgn2) (page E-22)
(ASSIGNABLE 1) button is pressed or released.
Zone Parameter Information:
Common Parameter Information:
4-A Assignable Button 1 Type (Asgn1) (page E-22)
4-B, 4-C Settings when Asgn1 = Modulation (Mod)
(page E-22)
DSP Settings (page E-30)
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Using the Assignable Buttons
By-passing the DSP
(ASSIGNABLE 2)
While the
(ASSIGNABLE 2) button is on, only the
sound of a specified zone is output without passing
through the DSP.
Common Parameter Information:
5-A Assignable Button 2 Type (Asgn2) (page E-22)
5-B Settings when Asgn2 = DSP Bypass (Dbp) (page
E-23)
NOTE
• For more information about DSP bypass, see the
flowchart under “Master Control Configuration”
(page E-4).
Sending Control Changes
(ASSIGNABLE 1/2)
Since control change is a MIDI message, the target of a
send operation generally is an external MIDI device.*
With the (ASSIGNABLE 1) button, different control
change values can be specified for sending at the points
the button is pressed and when it is released.
With the (ASSIGNABLE 2) button, different control
change values can be specified for sending at the points
the button is turned on and when it is turned off.
Common Parameter Information:
4-A Assignable Button 1 Type (Asgn1) (page E-22)
5-A Assignable Button 2 Type (Asgn2) (page E-22)
4-B, 4-C, 4-D, 5-B, 5-C, 5-D Settings when Asgn1/
Asgn2 = Control Change Number 0 to 127 (page
E-23)
* You also can configure control change send for the
internal sound source that corresponds to a
particular zone. See the note under “4-B, 4-C, 4-D,
5-B, 5-C, 5-D Settings when Asgn1/Asgn2 = Control
Change Number 0 to 127” (page E-23).
E-25
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Using the Digital Piano as a MIDI Master
Keyboard
MASTER CONTROL
A unique MIDI channel can be assigned to each of the Digital Piano’s four zones (UPPER 1, UPPER 2, LOWER 1,
LOWER 2) to provide simultaneous control of up to four external MIDI devices.
IMPORTANT!
• This section provides only basic information about how to use the Digital Piano as a MIDI master keyboard. For
details about the MIDI specifications of this Digital Piano, see the “MIDI Implementation” document at the website
located at the URL below.
External MIDI Device Connection
Your Digital Piano is equipped with standard 5-pin DIN connector type MIDI OUT and MIDI IN terminals. It is up
to you to purchase optionally available or commercially available MIDI cables when connecting to an external MIDI
device.
IMPORTANT!
• The MIDI terminals are disabled while the Digital Piano is connected to a computer via the USB port.
Specifying the Zone Configuration
Press the
(LAYER) and
(SPLIT) buttons so their lamps are lit in one of the combinations shown below to
achieve the zone configuration you want.
LAYER unlit, SPLIT unlit
LAYER lit, SPLIT unlit
UPPER 1
UPPER 2
UPPER 1
LAYER unlit, SPLIT lit
LAYER lit, SPLIT lit
LOWER 1
LOWER 2
UPPER 1
UPPER 2
LOWER 1
UPPER 1
NOTE
• You can change the ranges of the UPPER and LOWER zones using the procedure described under “To specify the
keyboard split point” (page E-14).
E-26
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Using the Digital Piano as a MIDI Master Keyboard
Specifying What Each Zone Controls
After you use the
(LAYER) and
(SPLIT) buttons to select a zone configuration, you can turn internal sound
source control (INT) and external MIDI device control (EXT) on or off as required for each zone. Use the
(INT/
EXT) button to specify what a zone controls.
To specify what a zone controls
1.
2.
Press the button that corresponds to the zone whose settings you want to change:
(UPPER 1)
button,
(UPPER 2) button,
(LOWER 1) button,
(LOWER 2) button.
• The lamp of the button you press will light.
Use the
(INT/EXT) button to specify what you want the zone you selected in step 1 to control.
• Pressing the
(INT/EXT) button cycles through the available settings, which are indicated by two lamps above the
button as illustrated below.
Lit
Lit
Unlit
Unlit
Lit
Unlit
Lit
Unlit
• The INT side lamp indicates the internal sound source, while the EXT side lamp indicates an external MIDI device. Keep
pressing the button until the lamp(s) of the device(s) you want the zone to control are lit.
3.
If you want to configure other zones, repeat steps 1 and 2 of this procedure as required.
NOTE
• If you want to use the Digital Piano exclusively as an external MIDI device controller, you can turn off the local
control setting (page E-39), which severs the actual connection between its keyboard and the internal sound
source.
Zone Setups
In addition to the MIDI channel, you can configure external MIDI device control settings and internal sound source
settings (tone selection, DSP settings) for each individual zone.
• For the procedure to use to select a tone for each zone, see “Layering and Splitting Tones” (page E-12).
• For information about configuring MIDI channel, mixer, DSP, and other detailed settings for each zone, see
“Editing Zone Parameters” (page E-28).
E-27
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Editing Zone Parameters
MASTER CONTROL
Your Digital Piano is a four-zone MIDI master keyboard (“Master Control Configuration”, page E-4). A zone is a
unit that controls the internal sound source and/or external MIDI device. Just as you can select a different internal
sound source tone for each zone, you also can specify a mixer, DSP and other settings for an internal sound source,
and you can specify a MIDI channel and other control settings for an external MIDI device.
Zone Parameter Operations
The parameters whose settings can be configured for each zone are called “zone parameters.” To configure zone
parameter settings, enter the MASTER CONTROL mode and then hold down the
zone menu appears on the display.
(ZONE EDIT) button until the
Page
Parameter Name
Settings
Zone Menu
• The zone menu has eight pages. Press the
(ZONE EDIT) button to scroll through the pages.
• Each zone menu page includes up to four parameters, each of which corresponds one of the PARAMETER
SELECTOR buttons ( (A) through (D)).
• The format of the DPS settings on page 3 of the zone menu is a bit different from the other pages, as shown below.
• The “ZONE PARAMETER” list in the upper left of the Digital Piano’s control panel shows the zone parameters
assigned to each of the PARAMETER SELECTOR buttons.
E-28
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Editing Zone Parameters
5.
6.
Press the button that corresponds to the zone
whose settings you want to change:
To change zone parameter settings
1.
Check to make sure that the lamp above the
(UPPER 1) button,
(LOWER 1) button,
(UPPER 2) button,
(LOWER 2) button.
(MASTER CONTROL) button is lit.
• If it is unlit, press the
(MASTER CONTROL)
• The lamp of the button you press will light, which
indicates its zone is selected.
button to light it.
Lit
Use the
(EDIT w, q) buttons to change
the setting.
• Pressing w and q at the same time returns the
setting to its initial default.
• Holding down w or q will scroll through the
settings at high speed.
• For details about the meaning and range of each
parameter setting, see “Zone Parameter Settings”
(page E-30).
2.
3.
Hold down the
the zone menu screen shown below appears.
(ZONE EDIT) button until
7.
8.
9.
If you want to change the setting of the same
parameter in other zones, perform steps 5
and 6 again.
If you want to change the setting of another
parameter, perform steps 3 through 7 again
as required.
• This will cause the
light.
(ZONE EDIT) button lamp to
Use the
(ZONE EDIT) button to display the
zone menu page that contains the parameter
whose setting you want to change.
Example: Zone menu page 2
After all of the zone parameters are the way
you want, hold down the
(ZONE EDIT)
button until the button lamp goes out.
• This will return the menu along the bottom of the
display to the common menu.
IMPORTANT!
Turning off the Digital Piano causes all zone
parameters to return to their initial default settings. If
you need to save a zone parameter setup, perform one
of the operations described below.
• Each press of the
to the next page.
(ZONE EDIT) button advances
• If you want to restore the current setup the next time
you turn on the Digital Piano, perform the backup
operation. For details, see “Backup” (page E-40).
• If you don’t need to restore the current setup the next
time you turn on the Digital Piano but want to have it
on hand for recall when you need it, save the setup
to registration memory. For details, see “Using
Registration Memory” (page E-34).
4.
Press the PARAMETER SELECTOR button
(A) through (D)) to select the
parameter whose setting you want to change.
• The brackets around the setting of parameter you
select will change from [ ] to %. This indicates that
editing of the setting is enabled.
(
Example: After the
(C) button is pressed
• Holding down one of the PARAMETER SELECTOR
buttons will display its full name. For example,
“MidCh” will change to “MIDI Out Ch”.
E-29
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Editing Zone Parameters
MIDI Settings
Zone Parameter Settings
■ 2-A MIDI Out Channel (MidCh)
This section explains the meaning of each zone
parameter, and provides information about their
setting ranges and initial default values.
• In this section, each parameter is preceded by a
number and a letter, like “1-A”. This indicates the
common menu page number (1) and the
PARAMETER SELECTOR button you need to press
to select it (A).
Specifies the MIDI channel used by each zone
when sending MIDI data.
1 to 16 (*UPPER 1: 1, UPPER 2: 2, LOWER 1: 3,
LOWER 2: 4)
EXT
EXT
EXT
EXT
■ 2-B Bank MSB (BnkMS)
Specifies the value of the bank MSB that is
appended when sending a program change
to an external destination with operation 2-D.
0* to 127
• In this section, the name of each zone parameter is
followed by
and/or
.
INT
EXT
indicates a setting that applies to internal
sound source control.
INT
indicates a setting that applies to external
MIDI device control.
EXT
■ 2-C Bank LSB (BnkLS)
Specifies the value of the bank LSB that is
appended when sending a program change
to an external destination with operation 2-D.
0* to 127
• The values following the description of a parameter
are its setting range. The initial default setting is
indicated by an asterisk (*).
Mixer Settings
■ 2-D Program Change (Prog)
Specifies the program change number sent to
an external destination. Any time this value
■ 1-A Volume (Vol)
Adjusts the volume level. 0 is mute, 127
is maximum volume.
0 to 127*
INT / EXT
INT / EXT
is changed, the corresponding numbered program
change is sent to an external destination (without
affecting the internal sound source).
0* to 127
■ 1-B Pan
Adjusts the pan position. 0 specifies a
center pan position, a negative value
DSP Settings
shifts it to the left, and a positive value shifts it to the
right.
–64 to 0* to +63
■ 3-A DSP Type (DSP)
Selects tremolo, rotary, or some other DSP
type. The DSP type is indicated by “ton”
INT
(which is the initial default for each tone) or a number
from 1 to 64. Any time the (EDIT w, q) buttons
are used to switch the number, the DSP type name that
corresponds to the current number will appear on the
display.
■ 1-C Octave Shift (Oct)
Shifts the pitch upwards or downwards
in octave steps. Changing this setting
also shifts the note number sent to an external MIDI
device.
–2 to 0* to +2
INT / EXT
The parameters displayed in 3-B depend on the DSP
type selected here.
■ 3-B DSP Parameter (Parameter)
In accordance with the DSP type selected in
3-A, displays the name of the parameters
whose settings can be configured. When there are
INT
multiple parameters, you can use the
(EDIT w,
q) buttons to scroll through them. Perform the
operation under 3-C to change the setting of a
parameter.
E-30
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Editing Zone Parameters
■ 3-C Parameter Value (Value)
■ 5-B Release Time (Relas)
This item is used to change the setting
of the parameter displayed in 3-B.
Release time is the time it takes for the
sound to fade when a note ends.
INT / EXT
INT / EXT
Adjustment is relative from the initial default setting
(0) of each tone. A larger negative absolute value
shortens the release time, while a larger positive value
lengthens the release time.
IMPORTANT!
• For details on information about parameter names
and the settings and initial defaults for each
parameter under each DSP type number and type
name, see “DSP Effect List” (page E-60) and “DSP
Algorithm List” (page E-61).
–64 to 0* to +63
■ 5-C Filter Cutoff (Flter)
This item is for adjusting how the cut-
off filter application is applied to a tone.
INT / EXT
Editing Tones
The cut-off filter is a tone adjustment filter that
eliminates (cuts off) all components over a given
frequency from within a tone’s overtone components.
Adjustment is relative from the initial default setting
(0) of each tone.
■ 4-A Coarse Tune (CrsTu)
Changes the pitch in semitone steps.
–12 to 0* to +12 semitones
INT / EXT
■ 4-B Fine Tune (FinTu)
A larger negative absolute value produces a softer
sound, while a larger positive absolute value produces
a harder, brighter sound.
Use this item to adjust the pitch in cent
steps (1 cent = 1/100 semitone).
–99 to 0* to +99 cents
INT / EXT
–64 to 0* to +63
■ 5-D Touch Sense (Sense)
■ 4-C Portamento ON/OFF (Porta)
This item is for adjusting how much the
sound volume and timbre changes, and how
it changes in accordance with keyboard pressure.
Specifies whether or not portamento
should be applied to each zone when
the assignable button to which portamento is assigned
INT
INT / EXT
Setting a larger absolute value causes relatively large
change in sound volume and timbre in response to
changes in key pressure. If this setting is 0, sound
volume and timbre remain constant regardless of key
pressure.
is pressed.
OFF*, ON
■ 4-D Portamento Time (PTime)
Specifies the pitch change time when
portamento is turned on in 4-C. A
INT / EXT
If the setting is positive, a larger value results in harder
notes when stronger pressure is applied, and softer
notes when lighter pressure is applied. If the setting is
negative, a larger value results in softer notes when
stronger pressure is applied, and harder notes when
lighter pressure is applied. The change in sound
volume and timbre depends on the tone.
smaller number specifies a shorter time, while a larger
number specifies a longer time. Portamento is not
applied when this setting is 0.
0* to 127
■ 5-A Attack Time (Atack)
–64 to 0 to +63*
Attack time is the time it takes for the
sound to reach full volume when a note
INT / EXT
■ 6-A Vibrato Rate (VbRat)
is played. This item makes relative adjustments to the
default attack time (0) of each tone. A larger positive
value lengthens the attack time, which produces a
slower attack. A larger negative absolute value
shortens the attack time, which produces a faster
attack.
This item is for adjusting the speed of
vibrato applied to notes. A larger
INT / EXT
negative absolute value decreases the speed, while a
larger positive value increases the speed.
–64 to 0* to +63
–64 to 0* to +63
E-31
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Editing Zone Parameters
Effect Settings
■ 6-B Vibrato Depth (VbDpt)
This item is for adjusting the depth
(strength) of vibrato applied to notes. A
larger negative absolute value makes vibrato
For details on the meanings of the settings in this
section, see the flowchart under “Master Control
Configuration” (page E-4).
INT / EXT
shallower, while a larger positive value makes it
deeper.
–64 to 0* to +63
■ 7-A Reverb Send (RvbSd)
Specifies how much of the signal from
the sound source is sent to reverb.
0 to 127 (*default setting depends on the tone)
INT / EXT
■ 6-C Vibrato Delay (VbDly)
This item is for adjusting the time until
vibrato starts to be applied to a note. A
INT / EXT
■ 7-B Chorus Send (ChoSd)
larger negative absolute value makes the time it takes
before vibrato is applied after a note is played shorter,
while a larger positive value makes it longer.
–64 to 0* to +63
Specifies how much of the signal from
the sound source is sent to chorus.
INT / EXT
0 to 127 (*default setting depends on the tone)
■ 7-C Acoustic Resonance Send (AReso)
■ 6-D Vibrato Waveform (WvFrm)
Specifies how much of the signal from the
sound source is sent to acoustic resonance.
0 to 127 (*default setting depends on the tone)
INT
INT
This item is for selecting the waveform when
applying vibrato to notes. You can select
from among the following waveforms.
INT
■ 7-D DSP ON/OFF (DSP)
Switches DSP for each zone on or off.
Selecting OFF disables DSP for that particular
zone.
OFF, ON*
Original (Org*)
Sine (Sin)
––
Saw Down (SDw)
Pulse 1:3 (P13)
Pulse 2:2 (P22)
Pulse 3:1 (P31)
The DSP of this Digital Piano can be used
simultaneously for up to two parts. Each part (“Sound
Source Configuration”, page E-5) has a DSP priority,
which determines which of the two parts that have
DSP turned on should have the DSP effect applied. The
following shows the priorities assigned to each part.
Triangle (Tri)
Saw Up (SUp)
Priority
Part Number
Part 1
Part Name
Upper1
Lower1
Upper2
Lower2
1
2
3
4
* “Org” is the initial default setting for all tones. The
actual default waveform type depends on the tone.
Part 3
Part 2
Part 4
Song01 to Song16,
Ext01 to Ext16
5
Part 17 to 48
To apply a DSP to one or two lower priority parts
(Lower2, for example), turn off DSP ON/OFF for the
higher priority parts (Upper1, Lower1, Upper2).
E-32
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Editing Zone Parameters
Control Settings
If you are using multiple zones for keyboard play and
you want to disable pedal and other controller
operations for a particular zone, turn off the settings
described in this section for that zone.
■ 8-A Pedal
Enables and disables pedal operations.
INT / EXT
INT / EXT
OFF, ON*
■ 8-B Bender (Bend)
Enables and disables the
(PITCH
BEND) wheel operations.
OFF, ON*
■ 8-C Assignable 1 (Asgn1)
Enables and disables the
(ASSIGNABLE 1) button operations.
OFF, ON*
INT / EXT
INT / EXT
■ 8-D Assignable 2 (Asgn2)
Enables and disables the
(ASSIGNABLE 2) button operations.
OFF, ON*
E-33
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Using Registration Memory
MASTER CONTROL CARD PLAYER
Normally, before playing something you need to set up
Registration Memory
Operations
During registration data save and recall operations, the
location of the data in registration memory is specified
using a bank number and an area number. Registration
memory has eight banks, each of which is divided into
eight areas.
the Digital Piano by configuring a number of different
settings, including layer and split on/off, a tone
selection for each zone, equalizer settings, and DSP
settings. You can save up to 64 Digital Piano setups
(which include control panel and internal settings) to
registration memory for later recall when you need
them. Each setup is saved as “registration data.”
Registration Data
To save a setup as registration data
The following are the settings that are stored as
registration data when you save a Digital Piano setup.
• Layer ON/OFF
• Split ON/OFF
• Split point
• Reverb ON/OFF
• Reverb type
• Chorus ON/OFF
1.
2.
Configure the Digital Piano with the settings
you want to save.
Press the
(REGISTRATION) button so the
lamp below it is lit. This is the
REGISTRATION mode.
• Chorus type
• Each zone tone number
• Each zone INT/EXT ON/OFF
• All common parameters (page E-18)
• All zone parameters (page E-28)
• Following function menu items (page E-38)
• Touch Response
Lit
Bank number
• Pedal Assign
• Temperament type
• Temperament key note
• Stretch Tuning
• Acoustic Resonance ON/OFF
• Half Pedal Effect
NOTE
3.
Use the
(w, q) buttons to scroll through
• The Digital Piano’s current mode (MASTER
CONTROL, CARD PLAYER, ZONE EDIT) is not
included in registration data. This means that the
Digital Piano’s mode does not change when you
recall registration data.
the banks (1 to 8) until the bank where you
want to save the registration data is
displayed.
• The following function menu settings are not
included in registration data. You can, however,
perform the backup operation (page E-40) to retain
these settings when the Digital Piano is turned off.
• Tuning
• EQ Hold
• Display Contrast
• Song MIDI Out
• Song Volume
• Song Pre-count
• Song Repeat
• The backup operation (page E-40) saves all of the
above function menu settings, as well as all of the
settings that are included in registration data.
E-34
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Using Registration Memory
4.
While holding down the
press one of the number buttons ( (1)
(STORE) button,
To rename a registration memory bank
1.
2.
While holding down the
(FUNCTION)
through
(8)) to specify the number of the
button, press the
button.
(REGISTRATION)
area (1 to 8) where you want to save the
registration data.
ck cl cm cn co cp cq cr
dm
Use the
(w, q) buttons to scroll through
the banks (1 to 8) until the one you want to
rename is displayed.
• Pressing a number button immediately executes the
registration data save operation.
• The following shows how the display would appear
if you select Bank 1, Area 3.
• This displays a screen for editing the name.
3.
Edit the name.
• The initial default name of all the banks is
“REGIBANKNAME”.
Area number
Bank number
• Use the
cursor left and right, and the
scroll through characters at the current cursor
position. The following shows the characters that can
be used in a name.
(u) and
(i) buttons to move the
(w, q) buttons to
0
A
K
U
(
1
B
L
2
3
4
5
F
P
Z
}
6
G
Q
S
7
H
R
&
8
I
9
J
T
'
C
D
E
M N O
S
_
`
To recall a setup saved as registration
data
V W X
Y
{
)
-
^
@ ~
• You can specify up to 12 characters for a bank name.
1.
2.
Press the
lamp below it is lit. This is the
REGISTRATION mode.
(REGISTRATION) button so the
4.
5.
After the name is the way you want, press the
(ENTER) button.
Use the
(w, q) buttons to scroll through
In response to the confirmation message
the banks (1 to 8) until the one where the
registration data you want to recall is
displayed.
(“Sure?”) that appears, press the
button to apply the change or the
(YES)
(NO)
button to return to the screen in step 3 of this
procedure without changing anything.
3.
Press one of the number buttons ( (1)
through
(8)) to specify the number of the
NOTE
area (1 to 8) where the registration data you
want to recall is located.
• To display a bank name, hold down the
(REGISTRATION) button on the registration mode
screen.
• Pressing a number button immediately recalls and
applies the setup in accordance with the registration
data being recalled.
• The following shows how the display would appear
if you select Bank 3, Area 7.
E-35
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Using Registration Memory
3.
Depending on the type of operation you want
to perform, use the (u) and (i)
buttons to display one of the screens shown
Saving Registration Memory
Bank Data to a File
Registration data can be stored to a file in the Digital
Piano’s internal memory area or on an SD card. You
can store the registration data in a single registration
memory bank (eight areas) or the data in all of the
registration memory banks (64 areas) to a file.
below.
To save the data in a single bank
NOTE
• When you save registration memory bank data to a
file, a file name is assigned automatically in
accordance with the following rules.
To save the data in all banks
• If you save the data in a single bank, the file name
will be in the format: <first 6 characters of bank
name><2-digit number specified by you>.CB6.
• If you save the data in all the banks, the file name
will be in the format: <REGIST><2-digit number
specified by you>.CR6.
• Before saving registration memory bank data to an
SD card, be sure to first read the important
information contained in the following sections of
this user’s guide.
4.
5.
Use the
(w, q) buttons to specify the
two-digit number you want to append to the
name of the file.
• “Card and Card Slot Precautions” (page E-46)
• “To load and remove a memory card” (page E-46)
• “To format a memory card” (page E-46)
Press the
• This saves the file.
(ENTER) button.
• The message “Replace?” will appear if a file with the
same name already exists. If you want to replace the
To save registration memory bank data to
a file
existing file with the one you are saving, press
(YES). Press
(NO) to return to the screen in step 4
of this procedure without saving.
1.
Depending on where you want to save the
data file, perform one of the steps shown
below.
6.
To exit the LOAD/SAVE mode, press the
(EXIT) button.
If you are saving the file
here:
NOTE
Perform this operation:
• A registration memory bank data file saved to an SD
card will be placed in the MUSICDAT folder. The
MUSICDAT folder is created automatically when
you format the memory card on the Digital Piano
(page E-46). Note that load, delete, and rename
operations cannot be performed on files that are not
inside the MUSICDAT folder, or on files in folders
that are inside the MUSICDAT folder. Keep this
restriction in mind whenever handling SD card files
with your computer.
Internal area
Remove the SD card from the
Digital Piano’s card slot.
SD card
Insert the SD card into the
Digital Piano’s card slot.
2.
While holding down the
button, press the
(FUNCTION)
(LOAD/SAVE) button.
• This enters the LOAD/SAVE mode.
E-36
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Using Registration Memory
7.
To replace the registration data currently in
the bank(s) you selected with the registration
To recall registration memory bank data
from a file
data in the file, press the
(YES) button. To
1.
Depending on where the file is located,
perform one of the steps shown below.
return to the screen in step 6 of this
procedure without recalling anything, press
the
• Pressing the
(NO) button.
If the file is located
Perform this operation:
here:
(YES) button recalls the data from the
file into the bank(s) and exits the LOAD/SAVE
mode.
Internal area
Remove the SD card from the
Digital Piano’s card slot.
SD card
Insert the SD card into the Digital
Piano’s card slot.
2.
3.
Press the
lamp below it is lit. This is the
REGISTRATION mode.
(REGISTRATION) button so the
If you are recalling a file that contains data for
a single bank, use the
(w, q) buttons to
scroll through the bank numbers (1 through 8)
until the one to which you want to recall the
data is displayed.
• If you are recalling a file that contains data for all
banks, you can skip this step.
4.
5.
While holding down the
(FUNCTION)
button, press the
• This enters the LOAD/SAVE mode.
(LOAD/SAVE) button.
Depending on the type of operation you want
to perform, use the
(u) and
(i)
buttons to display one of the screens shown
below.
To recall a file that contains data for a single bank
To recall a file that contains data for all banks
6.
Use the
(w, q) buttons to display the
file that contains the data you want to recall,
and then press the (ENTER) button.
• This will cause the message “Replace?” to appear.
• To cancel the recall operation and exit the LOAD/
SAVE mode, press the
(EXIT) button.
E-37
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Using the Function Menu
MASTER CONTROL CARD PLAYER
The function menu contains global settings (overall
3.
Use the
currently displayed setting.
• Holding down the
press w or q will change the setting by a factor of
(w, q) buttons to change the
tuning and touch adjustment, local control ON/OFF,
etc.) that need to be changed by you relatively
infrequently. It also includes some SD card operations
(format, etc.)
(FUNCTION) button as you
10.
4.
To exit the function menu, press the
Function Menu Operations
(EXIT) button or the
(FUNCTION) button.
This section explains operations involving function
menu settings. For details about specific function menu
items, see “Function Menu Settings” (page E-39).
IMPORTANT!
• Turning off the Digital Piano causes all function
menu settings to return to their initial defaults. If you
need to save a function menu setup, perform the
backup operation. For details, see “Backup” (page
E-40).
• Some function menu settings also can be saved to
registration memory. For details, see “Using
Registration Memory” (page E-34).
To change the setting of a function menu
item
1.
2.
Press the
(FUNCTION) button.
• The button’s lamp will light, and the display will
change as shown below.
Item name
“%” indicates the setting.“>ENT”
indicates a setting group.
You can use a number button ( (1) through
(8)) to select another item to change its
setting.
• Each number button corresponds to the numbers of
the items under “Function Menu Settings” (page
E-39).
• You also can scroll sequentially through settings with
the
(u) and
(i) buttons.
• “>ENT” to the right of an item indicates a setting
group. In this case, press the (ENTER) button to
enter the setting group. Next, use the
(u) and
(i) buttons to scroll through the items in the group.
ENTER
EXIT
• To exit a setting group, press the
(EXIT) button.
E-38
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Using the Function Menu
6 Temperament/Effect (Tmpr/Effect)
Function Menu Settings
Temperament (Temper.)
This section explains the meaning of each function
menu parameter, and provides information about their
setting ranges and initial default values.
• For each item, the initial default setting is indicated
by an asterisk (*).
Use this setting to select one of the temperaments
(tunings) shown below for the internal sound
source. Pressing a keyboard key while this item is
displayed will set that key’s note name (C* to B) as
the temperament key note.
1 Tuning (Tune)
00* : Equal
09 : Hijaz
01 : Pure Major
02 : Pure Minor
03 : Pythagorean
04 : Kirnberger 3
05 : Werckmeister
06 : Mean-Tone
07 : Rast
10 : Saba
11 : Dashti
Use this item to adjust the pitch in cent steps (1 cent =
1/100 semitone).
–99 to 0* to +99 cents
12 : Chahargah
13 : Segah
14 : Gurjari Todi
15 : Chandrakauns
16 : Charukeshi
2 EQ Hold
Select OFF* to overwrite existing equalizer settings
when recalling registration data (page E-34). Select ON
to retain existing equalizer settings.
08 : Bayati
NOTE
• Equal temperament is always used for MIDI file
playback in the CARD PLAYER mode.
3 Touch Response (Touch)
Select one of the settings below to specify the
relationship between key pressure and note volume.
OFF: Constant note volume regardless of keyboard pressure
Stretch Tuning (Stretch)
Stretch tuning is a standard piano tuning method
that tunes high notes slightly higher and low notes
slightly lower. Select ON* for this item to enable
stretch tuning or OFF for plain tuning.
1
: Strong sound even with light pressure
2* : Normal
: Normal sound even with strong pressure
3
4 Pedal Assign (PedAssign)
Acoustic Resonance (AcoReson.)
Specifies whether the pedal unit connected to the
SOFT/SOSTENUTO PEDAL jack is a soft pedal (SFT*)
or a sostenuto pedal (SOS).
Acoustic resonance occurs when the damper pedal
is depressed on a grand piano. Select ON* for this
item to enable acoustic resonance or OFF to disable
it.
5 Local Control (LocalCtl.)
Half Pedal Effect (HalfPedal)
Select OFF to disconnect the Digital Piano’s keyboard
from the internal sound source.
OFF, ON*
Use this item to adjust how much a half-pedal
operation (pressing the pedal part way) when using
the damper pedal of the optional pedal unit (SP-32).
A setting of 00 disables the half pedal effect. Setting
42 applies a full-press effect, even when the pedal is
pressed part way.
00 to 24* to 42
E-39
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Using the Function Menu
7 Playback/Card (Play/CARD)
Song MIDI Out (MIDI Out)
8 Other (General)
Panel Lock (PanelLock)
Select ON* for this item to send MIDI data to an
external destination when a Format0 or Format1
SMF file is played back on the Digital Piano. Select
OFF to disable send. MIDI data is never sent during
playback of a CM2 format file, regardless of what is
selected for this setting.
Turning on panel lock locks all of the Digital
Piano’s buttons (except for the power button and
unlock button operations*). Turn on panel lock
when you want to protect against unintentional
button operations. Turning off the Digital Piano
automatically unlocks panel lock.
* To unlock the panel, perform the same operation
you perform to turn on panel lock.
Song Volume (SongVol.)
Use this item to adjust the volume level for
playback of MIDI files on the Digital Piano. This
item can be used to balance the volume level of
MIDI file playback with keyboard play volume. A
setting of 00 mutes MIDI file playback.
00 to 42*
Display Contrast (Contrast)
Use this item to adjust display contrast.
00 to 08* to 16
Backup (BackUp)
Changing this item from OFF* to ON, creates a
backup data file that contains information about all
of the Digital Piano’s current settings. If this item is
left ON, the Digital Piano’s setup is configured in
accordance with the contents of the currently saved
backup data file. For details about the backup data
file contents, see the note at the end of “Registration
Data” (page E-34).
Song Pre-count (PreCount)
Select ON for this item to sound a pre-count at the
beginning of a song when starting playback of a
MIDI file on the Digital Piano. Select OFF* to
disable the pre-count.
Song Repeat (SngRepeat)
Select ON for this item to repeat a single song when
playing back a MIDI file on the Digital Piano. Select
OFF* to disable song repeat.
NOTE
• Changing the backup setting from ON to OFF
deletes the current backup data file. Turning the
Digital Piano off and then back on again while
the backup setting is OFF will cause all settings
to return to their initial power on defaults.
Registration memory data and internal memory
area data is not affected.
Card Folder Setting (CardFolder)
See “Creating a New Card Music Folder” (page
E-44).
Card Format (CardFORMAT)
• To update the contents of the backup data file
with your current Digital Piano setup, change
the backup setting from ON to OFF and then
back to ON again.
See “To format a memory card” (page E-46).
File Delete (FileDELETE)
See “To delete a file” (page E-47).
File Rename (FileRENAME)
See “To rename a file on a memory card” (page
E-47).
E-40
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Playing Back a MIDI File
CARD PLAYER
You can use the Digital Piano to directly playback a
5.
You can use the letter buttons ( (A) through
MIDI file stored on an SD card. You also can copy
MIDI files to the Digital Piano’s built-in memory
(internal memory area) and play it back from there.
(D)) to specify an SD card folder.
• A: MUSICDAT, B: MUSIC__B, C: MUSIC__C,
D: MUSIC__D.
6.
7.
Use the
MIDI file you want.
(w, q) buttons to select the
IMPORTANT!
• Your Digital Piano supports playback of Format0 and
Format1 SMF files and CM2 (CASIO proprietary)
format file. Playback of up to 17 tracks of a Format1
SMF file is supported.
• Playback of audio files (WAV, MP3, etc.) is not
supported.
To start playback, press the
STOP) button.
• Press the
operation or the
(PLAY/
(FF) button to perform a fast forward
(REW) button for rewind.
Pressing and releasing either button moves one
measure, while holding down a button scrolls at high
speed.
MIDI File Playback Operations
• Pressing the
(PAUSE) button pauses playback.
Press again to resume song playback.
• For information about other operations that are
supported during playback, see “Supported
To play back a MIDI file from an SD card
Operations During MIDI File Playback” (page E-42).
• Playback will stop when the end of the file is reached
(under initial default settings). To stop playback part
1.
Format the SD card on the Digital Piano
(page E-46).
• This will cause folders with the names MUSICDAT,
MUSIC__B, MUSIC__C, and MUSIC__D to be
way through, press the
(PLAY/STOP) button.
automatically created in the SD card’s root directory.
8.
To exit the CARD PLAYER mode, press the
(CARD PLAYER) button.
• The lamp above the button will light, and the Digital
Piano will return to the MASTER CONTROL mode.
2.
Use your computer to copy the MIDI files you
want to play on the Digital Piano into the
folders that were created on the SD card in
step 1 of this procedure.
To play back a MIDI file from the Digital
Piano’s internal memory area
3.
4.
Insert the SD card into the Digital Piano’s
card slot.
1.
Copy the MIDI file you want to play to the
Digital Piano’s internal memory area.
Press the
(CARD PLAYER) button so the
• For information about how to copy the file, see
“Transferring Data between the Digital Piano and a
Computer” (page E-50).
lamp below it is lit. This is the CARD PLAYER
mode.
• The
(A) button will light, and the name of the first
MIDI file in the MUSICDAT folder will appear on the
Digital Piano’s display.
2.
If there is an SD card in the Digital Piano’s
card slot, remove it.
E-41
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Playing Back a MIDI File
3.
Press the
(CARD PLAYER) button so the
■ To adjust the tempo by tapping a beat
While holding down the (FUNCTION)
lamp below it is lit. This is the CARD PLAYER
mode.
• This displays the name of the first MIDI file in the
internal memory area.
1.
button, tap the q
(TEMPO) button four
times in time with the beat you want to
specify.
• The tempo setting will change in accordance with the
timing of your tapping.
• After you use this method to specify the approximate
tempo, you can then use the procedure under “To
adjust the tempo using the
(TEMPO w, q)
buttons” to adjust the setting to a more exact value.
• The setting will be canceled if you release the
• The remaining steps of this procedure are the same as
those starting with step 6 under “To play back a MIDI
file from an SD card” (page E-41).
(FUNCTION) button before tapping the q
(TEMPO) button four times.
Tap four times
Supported Operations During
MIDI File Playback
To change the playback tempo
There are two different methods you can use to change
the tempo setting: by pressing q (faster) and w
(slower) buttons or by tapping a beat with a button.
To adjust playback volume in accordance
with keyboard play volume
■ To adjust the tempo using the
w, q) buttons
(TEMPO
See “Song Volume” (page E-40). For information about
how to change the setting, see “To change the setting of
a function menu item” (page E-38).
Each press of a button increases or decreases the beats
per minute value by one.
• Holding down either button changes the value at
high speed.
To sound a pre-count at the start of
playback
• Pressing both of the
(TEMPO w, q) buttons at
the same time will return the song to its default
tempo.
See “Song Pre-count” (page E-40). For information
about how to change the setting, see “To change the
setting of a function menu item” (page E-38).
• You can specify a tempo value in the range of 20 to
255.
Tempo value
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Playing Back a MIDI File
To practice with either hand (Part Off)
To play on the keyboard along with
playback
NOTE
1.
In the MASTER CONTROL mode, select the
tones you want to use for each zone you will
play on the keyboard.
• To perform the procedure below, use a MIDI file that
has the left-hand part recorded in Channel 3 and the
right-hand part recorded in Channel 4.
• See “Selecting a Tone” (page E-11) and “Layering and
Splitting Tones” (page E-12).
1.
2.
Enter the CARD PLAYER mode and select
the MIDI file you want to play.
2.
3.
Enter the CARD PLAYER mode and start
MIDI file playback.
Press the
(PART) button.
• This will display the part on/off screen (L-[ON]
R-[ON]) to appear on the display.
• See “MIDI File Playback Operations” (page E-41).
Play on the keyboard along with playback.
3.
Use the
(w, q) buttons to toggle the
parts on and off.
• w toggles the left-hand part and q toggles the
right-hand part.
NOTE
• The parts used for MIDI file playback (Song01
through Song16) are independent of the parts used
for Digital Piano keyboard play (Upper1, Upper2,
Lower1, Lower2). For more information, see “Sound
Source Configuration” (page E-5). This means that
playing on the keyboard does not interfere with
proper MIDI file playback.
• You can select the tones for each zone you will play
on the keyboard after entering the CARD PLAYER
mode. For more information, see “To select a tone
for each zone in the CARD PLAYER mode” (page
E-44).
4.
5.
Press the
(PART) button to exit the part
on/off screen.
To start playback, press the (PLAY/STOP)
button.
• This starts playback of the part you turned on in
step 2. You can play the part you turned off on the
keyboard along with the playback.
To repeat play a specific section of a
song
1.
2.
Press the
song playback.
(PLAY/STOP) button to start
When playback reaches the first beat of the
section you want to select for repeat, press
the
(REPEAT) button.
• This will cause the
(REPEAT) button lamp to
flash.
3.
When playback reaches the last beat of the
section, press the (REPEAT) button again.
• The
(REPEAT) button lamp will remain lit, which
indicates that repeat playback is being performed.
After a one-measure (four beats in the cast of a 4/4
time song) rest, the Digital Piano will start playing
the section you selected. Playback of the selected
section continues, with a one-measure rest before
each playback.
• You can use the
(PLAY/STOP) button to stop and
re-start playback of the section.
4.
To exit repeat playback, press the
(REPEAT) button again so its lamp goes out.
• Using the
(w, q) buttons to switch to another
song also will exit repeat playback.
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Playing Back a MIDI File
To select a tone for each zone in the
CARD PLAYER mode
Creating a New Card Music
Folder
When you insert an SD card, the Digital Piano searches
for MIDI files inside of specific folders on the card.
Under initial default settings, the folders that are
searched are named “MUSICDAT” (which is assigned
1.
Press the
(LAYER) and
(SPLIT)
buttons so their lamps are lit in the
combinations shown below and select the
tones you want.
to Digital Piano button
(A)), “MUSIC__B” (button
To change this
zone’s tone:
Configure the
(LAYER) and
(B)), “MUSIC__C” (button
(C)), and
(SPLIT) button lamps like this:
“MUSIC__D” (button
(D)). Pressing a button
UPPER 1 zone
UPPER 2 zone
LOWER 1 zone
LOWER 2 zone
(LAYER): unlit,
(SPLIT): unlit
accesses the contents of the corresponding folder.
You can use the procedure below to assign different
(LAYER): lit,
(SPLIT): unlit
folders to buttons
(B),
(C), and
(D).
(LAYER): unlit,
(SPLIT): lit
• The procedure below creates a new folder and
assigns it to button (B), (C), or (D). Button
(LAYER): lit,
(SPLIT): lit
assignments are stored on the SD card, so if you
remove it, the last button assignments you used will
be restored the next time you insert the card.
• If you create more than one folder for a button, the
last one you create will be assigned to the button.
• Performing the procedure below does not delete or
affect the content of the folder currently assigned to
a button.
2.
3.
Press the
above it is lit.
(TONE) button so the lamp
Use the to
(Tone Group) buttons to
select the group you want.
• The lamp of the button you press will light.
4.
5.
Use the
tone you want.
(w, q) buttons to select the
To create a new card music folder
Repeat steps 1 through 4 for all of the zones
you want to use for keyboard play.
1.
Insert the SD card into the Digital Piano’s
memory card slot.
2.
3.
4.
Press the
Press the
Use the
(FUNCTION) button.
(7) button.
(u) and
(i) buttons to
display “CardFolder” and then press the
(ENTER) button.
• This causes the CARD Folder screen to appear.
5.
Use the
(w, q) buttons to scroll through
the button names (B, C, D) until the one for
which you want to create a new folder is
displayed within the brackets (
).
%
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Playing Back a MIDI File
6.
Enter a name for the folder you want to
create.
• Use the
(u) and
(i) buttons to move the
cursor left and right, and the
(w, q) buttons to
scroll through characters at the current cursor
position. The following shows the characters that can
be used in a name.
0
A
K
U
(
1
B
L
2
3
4
5
F
P
Z
}
6
G
Q
S
7
H
R
&
8
I
9
J
T
'
C
D
E
M N O
S
_
`
V W X
Y
{
)
-
^
@ ~
• If you know the name of an existing folder on the SD
card, you can input the name in the above step. This
will assign the existing folder to the applicable button
without creating a new folder.
7.
8.
After the name is the way you want, press the
(ENTER) button.
In response to the confirmation message
(“Sure?”) that appears, press the (YES)
button to create the new folder or the
(NO)
button to return to the screen in step 6 of this
procedure without creating anything.
• The message “Please Wait” will remain on the
display while the operation is being performed. Do
not perform any Digital Piano operation while this
message is on the display. “Complete” appears on the
display after the operation is complete.
E-45
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Using a Memory Card
MASTER CONTROL CARD PLAYER
You can save Digital Piano registration data to a
commercially available SD memory card, if you want.
Memory Card Operations
Use a memory card with a capacity of 2GB or less.
Use of a card with a capacity that is greater than
2GB or other types of memory cards is not
supported.
To load and remove a memory card
IMPORTANT!
• A memory card must be positioned correctly when
being loaded into the Digital Piano. Trying to force
an improperly oriented memory card into the slot can
damage the memory card and the slot.
In this manual, mentions of a “memory card” refer
to an SD memory card.
■ Types of Data
Supported
Operations
1.
With the top of the memory card facing
upwards (so you can see it), carefully insert it
into the Digital Piano’s memory card slot (
until stops with a click.
Description
(File Name Extension)
Data Type
Save to
Memory
Card
Loadfrom
Memory
Card
)
Registration Digital Piano setups
(page E-34) (CB6, CR6)
O
O
Card and Card Slot Precautions
IMPORTANT!
Top
• Be sure to observe the precautions provided in the
documentation that comes with the memory card.
• Memory cards have a write-protect switch. Use it
when you want to protect the data on the card from
accidental deletion.
• Avoid using a memory card under the following
conditions. Such conditions can corrupt data stored
on the memory card.
2.
To remove the memory card first press it into
the slot further.
This will cause the memory card to disengage and eject
partially. Pull the memory card the rest of the way out
of the slot.
• Areas subjected to high temperature, high
humidity, or corrosive gas
• Areas subjected to strong electrostatic charge and
digital noise
To format a memory card
IMPORTANT!
• Never touch the contacts of a memory card when
loading it or removing it from the Digital Piano.
• Never eject the memory card while data is being
written to or loaded from it. Doing so can corrupt the
data on the memory card and damage the memory
card slot.
• Never insert anything besides a memory card into
the card slot. Doing so creates the risk of
malfunction.
• Electrostatic charge from your fingers or the memory
card to the card slot can cause malfunction of the
Digital Piano. If this happens, turn the Digital Piano
off and then back on again.
• Format a memory card before using it for the first
time.
• Before formatting a memory card, make sure it does
not have any valuable data stored on it.
• The memory card format operation performed by this
Digital Piano is a “quick format”. If you want to
completely delete all of the data on the memory
card, format it on your computer or some other
device.
1.
Insert the memory card you want to format
into the Digital Piano’s memory card slot.
• A memory card can become quite warm after very
long use in the memory card slot. This is normal and
does not indicate malfunction.
Make sure the write-protect switch of the memory card
is not in the write-protect position so writing is enabled.
2.
3.
Press the
Press the
(FUNCTION) button.
(7) button.
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Using a Memory Card
4.
5.
Use the
(u) and
(i) buttons to
To rename a file on a memory card
display “CardFORMAT” and then press the
(ENTER) button.
1.
Insert the SD card into the Digital Piano’s
card slot.
This will display a confirmation message (SURE?).
• If you want to cancel the format operation, press the
• This step is not necessary if you are renaming a file
for the internal memory area.
(NO) or
(EXIT) button.
Press the
(YES) button.
2.
3.
4.
Press the
Press the
Use the
(FUNCTION) button.
(7) button.
• The message “Please Wait” will remain on the
display while the format operation is being
performed. Do not perform any Digital Piano
operation while this message is on the display.
“Complete” appears on the display after formatting
is complete.
• Formatting a memory card will cause folders with the
names MUSICDAT, MUSIC__B, MUSIC__C, and
MUSIC__D to be automatically created in the card’s
root directory.
(u) and
(i) buttons to
display “FileRENAME” and then press the
(ENTER) button.
This displays a screen for changing the file name.
5.
6.
Use the
you want to rename.
(w, q) buttons to select the file
To delete a file
Use the (u) and
the flashing cursor to the character you want
(i) buttons to move
1.
Insert the SD card into the Digital Piano’s
card slot.
• This step is not necessary if you are deleting a file for
the internal memory area.
to change, and then use the (w, q)
buttons to change the character.
• The characters you can select are shown below.
2.
3.
4.
Press the
Press the
Use the
(FUNCTION) button.
(7) button.
0
A
K
U
(
1
B
L
2
3
4
5
F
P
Z
}
6
G
Q
S
7
H
R
&
8
I
9
J
T
'
C
D
E
M N O
S
_
`
V W X
Y
{
(u) and
(i) buttons to
)
-
^
@ ~
display “FileDELETE” and then press the
(ENTER) button.
7.
8.
After the file name is the way you want, press
the (ENTER) button.
This will display a confirmation message (SURE?).
• If you want to cancel the renaming operation, press
This displays a screen for selecting a file for deletion.
5.
6.
Use the
(w, q) buttons to select the file
you want to delete.
the
(NO) or
(EXIT) button.
Press the (ENTER) button.
Press the
(YES) button.
This will display a confirmation message (SURE?).
• If you want to cancel the delete operation, press the
• The message “Please Wait” will remain on the
display while the rename operation is being
performed. Do not perform any Digital Piano
operation while this message is on the display.
“Complete” appears on the display after renaming is
complete.
(NO) or
(EXIT) button.
7.
Press the
(YES) button.
• The message “Please Wait” will remain on the
display while the delete operation is being
performed. Do not perform any Digital Piano
operation while this message is on the display.
“Complete” appears on the display after deletion is
complete.
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Using a Memory Card
Error Messages
One of the error messages below appears on the display when a problem occurs.
• All mentions of “memory card” in the following table refer to an SD memory card.
Display
Message
Cause
Required Action
Format
1. The current memory card format is not compatible
with this Digital Piano.
1. Format the memory card on the Digital Piano (page E-46).
2. The memory card capacity is greater than 2GB.
3. There is something wrong with the memory card.
2. Use a memory card with a capacity of 2GB or less.
3. Use a different memory card.
MediaFull
Media R/W
1. There is not enough room available on the memory
card.
1. Delete some of the files on the memory card to make room for
new data (page E-47), or use a different card.
2. There is not enough room available in Digital Piano
memory.
2. Delete some or all user data from Digital Piano memory to make
room for new data.
1. Memory card data is corrupted.
1. Use a different memory card.
2. Digital Piano memory is corrupted.
2. Backup Digital Piano memory data by copying it to your
computer, and then turn the Digital Piano off and then back on
again.
• Note that you may not be able to backup Digital Piano data in
certain cases.
No Card
No File
1. The memory card is not loaded correctly in the Digital 1. Correctly load the memory card into the memory card slot.
Piano’s memory card slot.
2. The memory card was removed while some operation 2. Do not remove the memory card while any operation is in
was in progress.
progress.
1. There is no MUSICDAT folder (page E-41) on the
memory card.
1. Create a MUSICDAT folder on the memory card or format the
memory card on the Digital Piano (page E-46).
2. There is no loadable or playable data in the
MUSICDAT folder, or there is no playable data in a
song playback folder (MUSIC__B, etc.)
2. Move the file you want to load or play into the memory card’s
MUSICDAT folder. For song playback, you can place the song
data into any one of the following folders: MUSIC__B,
MUSIC__C, or MUSIC__D.
Not SMF01
You are attempting to play back SMF Format 2 song data. This Digital Piano supports playback of SMF Format0 or Format1
only.
Protect
The memory card is write-protected.
Use the memory card’s write protect switch to enable writing.
ReadOnly
A read-only file with the same name you are trying to use • Use a different name to save the new file.
is already stored on the memory card.
• Remove the read-only attribute from the existing file and
overwrite it with the new file.
• Use a different memory card.
SizeOver
The data on the memory card is too big to play.
1. The memory card data is corrupted.
This Digital Piano supports playback of song data files with a
maximum size of 320 KB.
WrongDat
—
2. The memory card contains data that is not supported
by this Digital Piano.
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Connecting to a Computer
MASTER CONTROL CARD PLAYER
You can connect the Digital Piano to a computer and
2.
After starting up your computer, use a
commercially available USB cable to connect
it to the Digital Piano.
exchange MIDI data between them. You can send play
data from the Digital Piano to music software running
on your computer, or you can send MIDI data from
your computer to the Digital Piano for playback.
B connector
USB cable
(A-B type)
Minimum Computer System
Requirements
A connector
Digital Piano USB port
The following shows the minimum computer system
requirements for sending and receiving MIDI data.
Check to make sure that your computer complies with
these requirements before connecting the Digital Piano
to it.
Computer USB port
3.
Turn on the Digital Piano.
• If this is the first time you are connecting the Digital
Piano to your computer, the driver software required
to send and receive data will be installed on your
computer automatically.
Operating System
Windows® XP (SP2 or later)*1
Windows Vista® *2
Windows® 7 *3
4.
5.
Start up your computer’s music software.
Mac OS® X (10.3.9, 10.4.11 or later, 10.5.6 or later, 10.6.2
or later)
Configure the music software settings to
select one of the following as the MIDI device.
CASIO USB-MIDI : (For Windows Vista, Windows 7,
Mac OS X)
USB Audio Device: (For Windows XP)
*1Windows XP Home Edition
Windows XP Professional (32-bit)
*2Windows Vista (32-bit)
*3Windows 7 (32-bit, 64-bit)
• For information about how to select the MIDI device,
see the user documentation that comes with the
music software you are using.
USB port
IMPORTANT!
IMPORTANT!
• Never connect to a computer that does not conform
to the above requirements. Doing so can cause
problems with your computer.
• Be sure to turn on the Digital Piano first before
starting up your computer’s music software.
NOTE
Connecting the Digital Piano
to Your Computer
• Once you are able to connect successfully, there is no
problem with leaving the USB cable connected when
you turn off your computer and/or Digital Piano.
• This Digital Piano conforms to General MIDI Level 1
(GM).
• For detailed specifications and connections that
apply to MIDI data send and receive by this Digital
Piano, see the latest support information provided
by the website at the following URL.
IMPORTANT!
• Make sure you follow the steps of the procedure
below exactly. Connecting incorrectly can make data
send and receive impossible.
1.
Turn off the Digital Piano and then start up
your computer.
• Do not start up the music software on your computer
yet!
E-49
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Connecting to a Computer
3.
While holding down the
(FUNCTION)
Transferring Data between the
Digital Piano and a Computer
button, press the
button.
(USB DEVICE MODE)
This will enter the storage mode, which enables data
transfer with the connected computer. The
(FUNCTION) button lamp will flash and the display
You can use the procedure below to transfer
registration data from the Digital Piano to a computer
for storage. You also can transfer standard MIDI files
(SMF) from your computer to Digital Piano memory.
will appear as shown below.
■ Data Types Supported for Data Transfer
Data Type
Description (File Name Extension)
MIDI files
One of the following two types of music data
(page E-41) • CASIO format data (CM2)
• Standard MIDI files (MID),
• To exit the storage mode at any time, press the
(FUNCTION) button. This is the only button
SMF Format0 or Format1
operation that is supported while the Digital Piano is
in the storage mode.
Registration Digital Piano setups (CB6, CR6)
(page E-34)
• You will not be able to enter the storage mode while
any one of the following operations is in progress.
MIDI file playback, data transfer between the Digital
Piano and card
IMPORTANT!
• Turning off the Digital Piano while data is being
transferred can cause all data currently stored in
Digital Piano memory to be deleted. Take care so
power is not turned off accidentally during data
transfer operations. If data is deleted, it will take
longer than normal for the Digital Piano to power up
the next time you turn it on (page E-11).
4.
If your computer is running Windows XP,
double-click “My Computer”.*
Under “Devices with Removable Storage”, you should
be able to see an icon representing Digital Piano
memory or the memory card loaded in the Digital
Piano (see below).
*
Windows Vista, Windows 7: Double-click “Computer”.
Mac OS: Skip step 4 and double-click “PIANO” on
your Mac desktop.
1.
Remove the memory card from the Digital
Piano’s memory card slot (page E-46).
• You will not be able to transfer data between the
Digital Piano and a computer if a card is in the
memory card slot.
2.
Perform steps 1 through 3 under “Connecting
the Digital Piano to Your Computer” to
connect the piano to your computer (page
E-49).
PIANO drive (Digital Piano memory)
5.
Double-click “PIANO”.
You now should see the folders below.
This folder is not a data folder. You should not try to use it for normal
Digital Piano operation.
E-50
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Connecting to a Computer
6.
7.
8.
File name extensions (.MID, .CM2, etc.) are
not displayed under initial default Windows
settings. Perform the procedure below to turn
on display of file name extensions.
Using Your Digital Piano as a Memory
Card Reader
You can display the contents of the memory card
currently loaded in the Digital Piano’s card slot and
perform copy, delete, and other card operations from
your computer.
(1) Perform one of the following operations to display
folder information.
• Windows XP:
On the [Tools] menu at the top of the folder
window, select [Folder Options].
• Windows Vista, Windows 7:
On the left side of the folder window, click
[Organize] and then select [Folder and Search
Options].
1.
2.
Insert the memory card into the Digital
Piano’s memory card slot.
Perform the procedure starting from step 2 on
page E-50.
(2) On the Folder Information window, click the [View]
tab.
(3) Under “Advanced Settings”, clear the “Hide
extensions for known file types” check box and then
click [OK].
In step 4 of the procedure, “SD_MMC” will appear in
place of “PIANO”. You can double-click “SD_MMC” to
display the contents of the card loaded in the Digital
Piano card slot, and change it as you like.
Perform one of the following operations to
transfer data.
Copyrights
The rights of creators and copyright holders of music,
images, computer programs, databases, and other
data are protected by copyright laws. You are allowed
to reproduce such works for personal or non-
commercial use only. For any other purpose, all
reproduction (including data format conversion),
modification, transfer of reproductions, distribution
over a network, or any other use without permission
of the copyright holder exposes you to claims for
damages and criminal prosecution for copyright
infringement and violation of the author’s personal
rights. Be sure to reproduce and otherwise use
copyrighted works only in accordance with applicable
copyright laws.
7-1. To transfer data from Digital Piano
memory to a computer, perform the
required operation on your computer to
copy the data from Digital Piano memory
to another location on your computer.
7-2. To load a MIDI file (.MID or .CM2) from
your computer to Digital Piano memory,
copy the file you want to load to the root
directory of “PIANO” drive.
7-3. To load a registration data file (.CB6 or
.CR6) from your computer to Digital
Piano memory, copy the file you want to
load to the “REGISTMR” folder.
Press the
(FUNCTION) button to exit the
storage mode.
• If you are using a Macintosh, drag the PIANO folder
to the Trash and then press the Digital Piano’s
(FUNCTION) button.
IMPORTANT!
• The message “ERROR, DATA EXCHANGE” will
appear on the display if a problem occurs during
data transfer. If this happens, check the message in
the “STATELOG” folder (page E-50) on the “PIANO”
drive. Next find the same message in the table on
page E-48 of this manual to determine the cause of
the problem and what action you need to take to
avoid it.
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Reference
Troubleshooting
Problem
Cause
Action
See Page
Nothing comes out of the
connected headphones or
amplifier speakers when I play
something.
The
“MIN”.
(VOLUME) knob is set to
Rotate the
towards “MAX”.
(VOLUME) knob more
E-11
The UPPER 1 zone setting is INT
OFF.
Change the UPPER 1 zone setting to INT E-27
ON. If you are using Layer and/or Split,
change the setting of the zone you are
using to INT ON.
The pitch of the Digital Piano The Digital Piano’s key setting is
Change the key setting to 0, or turn Digital E-20
is off.
something other than 0.
Piano power off and then back on again.
Digital Piano tuning is incorrect.
Adjust Digital Piano tuning, or turn Digital E-39
Piano power off and then back on again.
The Coarse Tuning and/or Fine
Tuning setting is something other
than 0.
Change the setting(s) to 0 or turn Digital
Piano power off and then back on.
E-31
E-39
A non-standard temperament setting Change the temperament setting to
is being used.
“00:Equal”, which is the standard modern
tuning.
Octave shift is enabled.
Change the octave shift setting to 0.
E-30
E-40
Tones and/or effects sound
strange. Turning power off
and then back on again does
not eliminate the problem.
The “Backup” feature is turned on.
Turn off “Backup”. Next, turn power off
and then back on again.
Example: Note intensity does
not change even though I alter
key pressure.
I cannot hear any chorus/
reverb effect when I turn on
chorus/reverb.
The chorus send/reverb send setting Change the chorus send/reverb send
is 0. setting to a greater value.
E-32
E-41
I cannot play back a music file The file you are trying to play is not a This Digital Piano supports playback of
from an SD card.
format supported by this Digital
Piano.
Format0 or Format1 SMF files, or CM2
(CASIO proprietary format) files only.
Playback of WAV and MP3 files, or other
format MIDI files is not supported.
I cannot transfer data after
connecting the Digital Piano
to a computer.
—
• Check to make sure that the USB cable E-49
is connected to the Digital Piano and
computer, and that the correct device is
selected with your computer’s music
software.
• Turn off the Digital Piano and then exit
the music software on your computer.
Next, turn the Digital Piano back on and
then restart the music software on your
computer.
I cannot store data to a
memory card or load data
from a memory card.
—
See “Error Messages” on page E-48.
—
Playback stops part way
through while transferring
song data from my computer. communication between your
computer and Digital Piano to be
interrupted.
Digital noise from the USB cable or Stop song playback, disconnect the USB E-49
power cord caused data
cable from the Digital Piano, and then
reconnect it. Next, try playing back the
song again.
If this does not solve the problem, quit the
MIDI software you are using, disconnect
the USB cable from the Digital Piano, and
then reconnect it. Next, restart the MIDI
software and then try playing back the
song again.
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Reference
Problem
Cause
Action
See Page
A tone’s quality and volume
sounds slightly different
depending where it is played
on the keyboard.
This is an unavoidable result of the digital sampling process,* and does not indicate
malfunction.
* Multiple digital samples are taken for the low range, middle range, and high range of the
original musical instrument. Because of this, there may be a very slight difference in tonal
quality and volume between sample ranges.
When I press a button, the
Performing a button operation while playing back a MIDI file can cause such phenomena
note that is sounding cuts out when the Digital Piano switches internal tone effects. It does not indicate malfunction.
momentarily or there is a
slight change in how effects
are applied.
Even though I play on
different ranges of the
keyboard, the notes do not
change octaves.
The ranges of certain tones are limited, which means that octaves change normally up to a
certain low note or high note. With such a tone, the notes of the lowest octave will be
repeated to the left of the lowest possible note, and the highest octave will be repeated to the
right of the highest possible note. This is due do limitations in the range of the original musical
instrument for each tone, and does not indicate malfunction of the Digital Piano.
E-53
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Reference
Product Specifications
Model
PX-3
Keyboard
88-key piano keyboard, with Touch Response (3 types)
Maximum Polyphony
Tones
128 notes
250 (with Layer and Split)
Effects
DSP, Reverb (4 types), Chorus (4 types), Brilliance (–3 to 0 to 3), Acoustic Resonance
Mixer
UPPER 1, UPPER 2, LOWER 1, LOWER 2; the volume level of each zone can be adjusted independently.
Assignable buttons
Demo Songs
Registration
Pedals
2
4 original songs (played back sequentially and repeatedly)
8 areas × 8 banks
Damper, Soft/Sostenuto (switchable)
Other Functions
• Transpose: 1 octave (–12 to 0 to 12)
• Tuning: A4 = 440.0 Hz 99 cents
• Octave Shift: 2 octaves
• Temperaments: 17 types
• Stretch Tune
• Panel Lock
MIDI
16 multi-timbre received, GM Level 1 standard
Pitch Bend Range: 00 to 12 semitones
Pitch Bend Wheel
SD Memory Card
• SD memory card slot
• Supported SD Memory Cards: Up to 2GB
• Functions: SMF playback, file storage, file recall, card format
Inputs/Outputs
• PHONES jacks: Stereo mini jacks × 2
• Pedal Jacks: Standard jacks × 2
• MIDI OUT/IN terminals
• LINE OUT R, L/MONO jacks: Standard jacks × 2
Output impedance: 2.3K
Output voltage: 1.8V (RMS) MAX
• LINE IN R, L/MONO jacks: Standard jacks × 2
Input impedance: 9.0K
Input voltage: 200mV
• Power: 12V DC
• USB port: Type B
• Pedal connector (for optional SP-32 only)
Power Requirements
Power Consumption
Dimensions
AC Adaptor: AD-A12150LW
12V = 18W
132.2 (W) × 28.6 (D) × 13.5 (H) cm (52 1/16 × 11 1/4 × 5 5/16 inch)
Weight
Approximately 10.8kg (23.8lbs)
* Based on 1KB = 1024bytes, 1MB = 10242 bytes
• Specifications and designs are subject to change without notice.
E-54
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Reference
• Any reproduction of the contents of this manual,
Operating Precautions
Be sure to read and observe the following operating
precautions.
either in part or its entirety, is prohibited. Except for
your own, personal use, any other use of the
contents of this manual without the consent of
CASIO is prohibited under copyright laws.
• IN NO EVENT SHALL CASIO BE LIABLE FOR
ANY DAMAGES WHATSOEVER (INCLUDING,
WITHOUT LIMITATION, DAMAGES FOR LOSS
OF PROFITS, BUSINESS INTERRUPTION, LOSS
OF INFORMATION) ARISING OUT OF THE USE
OF OR INABILITY TO USE THIS MANUAL OR
PRODUCT, EVEN IF CASIO HAS BEEN ADVISED
OF THE POSSIBILITY OF SUCH DAMAGES.
• The contents of this manual are subject to change
without notice.
■ Location
Avoid the following locations for this product.
• Areas exposed to direct sunlight and high humidity
• Areas subjected to temperature extremes
• Near a radio, TV, video deck, or tuner
• The above devices will not cause malfunction of the
product, but the product can cause interference in
the audio or video of a nearby device.
■ Setup Generated Distortion
■ AC Adaptor Handling Precautions
Though the DSP and equalizer functions of the Digital
Piano let you apply various effects to built-in tones,
certain setting combinations may result in distortion of
notes.
• Use a power outlet that is easily accessible so you
can unplug the AC adaptor when a malfunction
occurs or whenever else you need to do so.
• The AC adaptor is intended for indoor use only. Do
not use it where it might be exposed to splashing or
moisture. Do not place any container, such as a
flower vase, that contains liquid on the AC adaptor.
• Store the AC adaptor in a dry place.
• Use the AC adaptor in an open, well-ventilated area.
• Never cover the AC adaptor with newspaper, a table
cloth, a curtain, or any other similar item.
• Unplug the AC adaptor from the power outlet if you
do not plan to use the Digital Piano for a long time.
• Never try to repair the AC adaptor or modify it in
any way.
■ User Maintenance
• Never use benzine, alcohol, thinner, or other
chemical agents to clean the product.
• To clean the product or its keyboard, wipe with a
soft cloth moistened in a weak solution of water and
a mild neutral detergent. Wring all excess moisture
from the cloth before wiping.
■ Included and Optional Accessories
Use only accessories that are specified for use with this
product. Use of unauthorized accessories creates the
risk of fire, electric shock, and personal injury.
• AC adaptor operating environment
Temperature: 0 to 40°C
Humidity: 10% to 90% RH
• Output polarity: &
■ Weld Lines
Lines may be visible on the exterior of the product.
These are “weld lines” that result from the plastic
molding process. They are not cracks or scratches.
■ Musical Instrument Etiquette
Always be aware of others around you whenever using
this product. Be especially careful when playing late at
night to keep the volume at levels that do not disturb
others. Other steps you can take when playing late at
night are closing windows and using headphones.
E-55
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Reference
AC Adaptor Handling Precautions
Model: AD-A12150LW
1. Read these instructions.
2. Keep these instructions on hand.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this product near water.
6. Clean only with a dry cloth.
7. Do not install near radiators, heat registers, stoves, or any other source of heat (including amplifiers).
8. Use only attachments and accessories specified by the manufacturer.
9. Refer all servicing to qualified service personnel. Servicing is required after any of the following occurs:
when the product is damaged, when the power supply cord or plug is damaged, when liquid is spilled into
the product, when a foreign object falls into the product, when the product is exposed to rain or moisture,
when the product does not operate normally, when the product is dropped.
10. Do not allow the product to be exposed to dripping or splashing liquid. Do not place any object containing
liquid on the product.
11. Do not allow the electrical load output to exceed the label rating.
12. Make sure the surrounding area is dry before plugging into a power source.
13. Make sure the product is oriented correctly.
14. Unplug the product during lightning storms or when you do not plan to use it for a long time.
15. Do not allow product ventilation openings to become blocked. Install the product in accordance with the
manufacturer’s instructions.
16. Take care the power cord is located where it will not be stepped upon or bent severely, particularly in
locations close to plugs and convenience receptacles, and in locations where it exits from the product.
17. The AC adaptor should be plugged into a power outlet as close to the product as possible to allow
immediate disconnection of the plug in case of emergency.
The symbol below is an alert indicating un-insulated hazardous voltage inside the product’s enclosure, which
may be sufficient to constitute the risk of electric shock to users.
’
The symbol below is an alert indicating the presence of important operating and maintenance (servicing)
instructions in the documentation that accompanies the product.
*
E-56
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Appendix
Tone List
Bank
Select
MSB
Bank
Select
MSB
Sequential
Number
Group
Number
Program
Change
Sequential
Number
Group
Number
Program
Change
Group Name
Tone Name
DSP Algorithm
Group Name
Tone Name
DSP Algorithm
01 PIANO
001 GRAND PIANO 1
002 GRAND PIANO 2
003 ROCK PIANO
004 MELLOW PIANO
005 BRIGHT PIANO
006 MONO PIANO 1
007 MONO PIANO 2
008 LA PIANO
0
0
1
0
1
0
0
1
0
1
0
0
3
3
6
48 Equalizer
STRINGS/
ENSEMBLE
69
70
71
72
73
74
75
76
77
78
79
80
81
82
007 SYNTH-STRINGS 2
008 70’S SYNTH-STR.
009 80’S SYNTH-STR.
010 VIOLIN SECTION
011 ORCHESTRA PAD
012 CHOIR
51
50
50
49
48
52
54
54
89
89
88
88
90
99
48 Stereo Phaser
02 PIANO
03 PIANO
04 PIANO
05 PIANO
06 PIANO
07 PIANO
08 PIANO
09 PIANO
10 PIANO
11 PIANO
12 PIANO
13 PIANO
14 PIANO
15 PIANO
49
48
–
–
STRINGS/
ENSEMBLE
49
50
49
–
–
–
50 Equalizer
49 Equalizer
STRINGS/
ENSEMBLE
51
52
–
–
STRINGS/
ENSEMBLE
50 Equalizer
53 Compressor
51 Equalizer
54 Enhancer
55 Enhancer
STRINGS/
ENSEMBLE
52 Early Reflection
009 COMP.PIANO
010 DANCE PIANO
011 STRINGS PIANO
012 PIANO PAD
STRINGS/
ENSEMBLE
48
48
–
–
STRINGS/
ENSEMBLE
013 SYNTH-VOICE
014 VOICE PAD
013 HONKY-TONK
014 OCTAVE PIANO
015 HARPSICHORD
48
49
48
–
–
–
STRINGS/
ENSEMBLE
49 Phaser
STRINGS/
ENSEMBLE
015 WARM PAD
48
49
48
–
–
–
COUPLED
016
16 PIANO
6
49
–
HARPSICHORD
STRINGS/
ENSEMBLE
016 WARM VOX
17 ELEC PIANO 1 001 ELEC.PIANO 1
18 ELEC PIANO 1 002 ELEC.PIANO PURE
19 ELEC PIANO 1 003 ELEC.PIANO 2
20 ELEC PIANO 1 004 DYNO ELEC.PIANO
21 ELEC PIANO 1 005 60’S E.PIANO
22 ELEC PIANO 1 006 PHASER EP
4
4
4
4
4
4
48 Stereo Phaser
49
50 3-Phase Chorus
–
STRINGS/
ENSEMBLE
017 FANTASY
51
52
–
–
STRINGS/
ENSEMBLE
018 NEW AGE
49 Equalizer
STRINGS/
ENSEMBLE
53 Stereo Phaser
019 POLYSYNTH PAD
020 ATMOSPHERE PAD
48
48
–
–
Phaser - Auto
Pan
23 ELEC PIANO 1 007 TREMOLO EP
4
54
STRINGS/
ENSEMBLE
24 ELEC PIANO 1 008 COMP.EP
4
4
55 Compressor
56 Auto Wah
57 Stereo Phaser
58 Auto Pan
83 GUITAR/BASS
84 GUITAR/BASS
85 GUITAR/BASS
001 STEEL STR.GUITAR 1
002 NYLON STR.GUITAR
003 12 STR.GUITAR
25
24
25
48
48
49
–
–
–
25 ELEC PIANO 1 009 WAH EP
26 ELEC PIANO 1 010 PHASER 60’S EP
27 ELEC PIANO 1 011 TREMOLO 60’S EP
28 ELEC PIANO 1 012 STRINGS EP
29 ELEC PIANO 2 001 FM E.PIANO 1
30 ELEC PIANO 2 002 FM E.PIANO 2
31 ELEC PIANO 2 003 CHORUS EP
32 ELEC PIANO 2 004 MELLOW E.PIANO
33 ELEC PIANO 2 005 POP ELEC.PIANO
34 ELEC PIANO 2 006 SYNTH-STR.EP
35 ELEC PIANO 2 007 ELEC.GRAND 1
36 ELEC PIANO 2 008 ELEC.GRAND 2
4
4
Compressor -
Chorus
4
59
49
48
–
–
–
86 GUITAR/BASS
87 GUITAR/BASS
004 JAZZ GUITAR
26
27
48
48
5
Compressor -
Phaser
005 CLEAN GUITAR
5
5
50 Phaser - Chorus
51 Stereo Phaser
52 Enhancer
Compressor -
48 Distortion - Auto
5
88 GUITAR/BASS
006 DISTORTION GT
29
Pan
5
89 GUITAR/BASS
90 GUITAR/BASS
91 GUITAR/BASS
92 GUITAR/BASS
93 OTHERS/GM
94 OTHERS/GM
95 OTHERS/GM
96 OTHERS/GM
97 OTHERS/GM
98 OTHERS/GM
99 OTHERS/GM
100 OTHERS/GM
101 OTHERS/GM
102 OTHERS/GM
103 OTHERS/GM
104 OTHERS/GM
105 OTHERS/GM
106 OTHERS/GM
107 OTHERS/GM
108 OTHERS/GM
109 OTHERS/GM
110 OTHERS/GM
111 OTHERS/GM
112 OTHERS/GM
113 OTHERS/GM
114 OTHERS/GM
115 OTHERS/GM
116 OTHERS/GM
117 OTHERS/GM
118 OTHERS/GM
119 OTHERS/GM
120 OTHERS/GM
121 OTHERS/GM
122 OTHERS/GM
123 OTHERS/GM
124 OTHERS/GM
125 OTHERS/GM
126 OTHERS/GM
127 OTHERS/GM
128 OTHERS/GM
007 ACOUSTIC BASS
008 RIDE BASS
32
32
33
35
61
61
62
63
62
80
80
81
81
81
81
80
80
80
65
66
65
71
73
56
0
48
49
48
48
–
–
–
–
5
53
48
–
–
2
009 FINGERED BASS
010 FRETLESS BASS
001 STEREO BRASS
002 BRASS SECTION
003 SYNTH-BRASS 1
004 SYNTH-BRASS 2
005 80’S SYNTH-BRASS
006 SQUARE LEAD 1
007 SQUARE LEAD 2
008 SAW LEAD 1
2
49 Stereo Phaser
37 CLAVI/VIBES
38 CLAVI/VIBES
39 CLAVI/VIBES
40 CLAVI/VIBES
41 CLAVI/VIBES
42 CLAVI/VIBES
43 CLAVI/VIBES
44 CLAVI/VIBES
45 ORGAN
001 CLAVI 1
7
48
49
–
–
48 Early Reflection
002 CLAVI 2
7
49
48
48
49
–
–
–
–
003 WAH CLAVI
7
50 Auto Wah
004 PHASER CLAVI
005 COMP.CLAVI
7
51 Stereo Phaser
52 Compressor
7
006 VIBRAPHONE
007 TREMOLO VIBES
008 MARIMBA
11
11
12
17
17
18
18
17
17
17
16
16
16
16
16
16
17
16
16
19
19
48
49 Tremolo
48
–
48 Early Reflection
49
48 Early Reflection
–
–
001 JAZZ ORGAN 1
002 JAZZ ORGAN 2
003 ROCK ORGAN 1
004 ROCK ORGAN 2
005 PERC.ORGAN 1
006 PERC.ORGAN 2
007 PERC.ORGAN 3
008 DRAWBAR ORGAN 1
009 DRAWBAR ORGAN 2
010 DRAWBAR ORGAN 3
011 ELEC.ORGAN 1
012 ELEC.ORGAN 2
013 ELEC.ORGAN 3
014 70’S ORGAN
48 Rotary
49 Rotary
48 Drive Rotary
49 Rotary
50 Rotary
51 Rotary
52 Rotary
48 Rotary
49 Rotary
50 Rotary
51 Rotary
52 Rotary
53 Rotary
53 Rotary
54 Distortion
55 Auto Pan
009 SAW LEAD 2
49
50
51
50
51
52
48
48
49
48
48
–
–
–
–
–
–
–
–
–
–
–
46 ORGAN
010 SAW LEAD 3
47 ORGAN
011 MELLOW SAW LEAD
012 PULSE LEAD 1
013 PULSE LEAD 2
014 SINE LEAD
48 ORGAN
49 ORGAN
50 ORGAN
51 ORGAN
015 ALTO SAX
52 ORGAN
016 TENOR SAX
53 ORGAN
017 BREATHY ALTO SAX
018 CLARINET
54 ORGAN
55 ORGAN
019 FLUTE
56 ORGAN
020 TRUMPET
48 Enhancer
57 ORGAN
021 GM PIANO 1
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
58 ORGAN
022 GM PIANO 2
1
59 ORGAN
015 OVERDRIVE ORGAN
016 TREMOLO ORGAN
017 CHURCH ORGAN
018 CHAPEL ORGAN
023 GM PIANO 3
2
60 ORGAN
024 GM HONKY-TONK
025 GM E.PIANO 1
026 GM E.PIANO 2
027 GM HARPSICHORD
028 GM CLAVI
3
61 ORGAN
48
49
–
–
4
62 ORGAN
5
STRINGS/
63
001 STEREO STRINGS
002 STRINGS
48
48
48
48
49
50
48 Early Reflection
ENSEMBLE
6
STRINGS/
64
7
49
50
51
48
–
–
–
–
ENSEMBLE
029 GM CELESTA
030 GM GLOCKENSPIEL
031 GM MUSIC BOX
032 GM VIBRAPHONE
033 GM MARIMBA
034 GM XYLOPHONE
035 GM TUBULAR BELL
036 GM DULCIMER
8
STRINGS/
65
9
003 WARM STRINGS
004 STRING ENSEMBLE
005 SLOW STRINGS
006 SYNTH-STRINGS 1
ENSEMBLE
10
11
12
13
14
15
STRINGS/
66
ENSEMBLE
STRINGS/
67
ENSEMBLE
STRINGS/
68
48 Equalizer
ENSEMBLE
E-57
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Appendix
Bank
Select
MSB
Bank
Select
MSB
Sequential
Number
Group
Number
Program
Change
Sequential
Number
Group
Number
Program
Change
Group Name
Tone Name
DSP Algorithm
Group Name
Tone Name
DSP Algorithm
129 OTHERS/GM
130 OTHERS/GM
131 OTHERS/GM
132 OTHERS/GM
133 OTHERS/GM
134 OTHERS/GM
135 OTHERS/GM
136 OTHERS/GM
037 GM ORGAN 1
16
17
18
19
20
21
22
23
0
0
0
0
0
0
0
0
–
–
–
–
–
–
–
–
209 OTHERS/GM
210 OTHERS/GM
211 OTHERS/GM
212 OTHERS/GM
213 OTHERS/GM
214 OTHERS/GM
215 OTHERS/GM
216 OTHERS/GM
217 OTHERS/GM
218 OTHERS/GM
219 OTHERS/GM
220 OTHERS/GM
221 OTHERS/GM
222 OTHERS/GM
223 OTHERS/GM
224 OTHERS/GM
225 OTHERS/GM
226 OTHERS/GM
227 OTHERS/GM
228 OTHERS/GM
229 OTHERS/GM
230 OTHERS/GM
231 OTHERS/GM
232 OTHERS/GM
233 OTHERS/GM
234 OTHERS/GM
235 OTHERS/GM
236 OTHERS/GM
237 OTHERS/GM
238 OTHERS/GM
239 OTHERS/GM
240 OTHERS/GM
241 OTHERS/GM
242 OTHERS/GM
243 OTHERS/GM
244 OTHERS/GM
245 OTHERS/GM
246 OTHERS/GM
247 OTHERS/GM
248 OTHERS/GM
249 OTHERS/GM
250 OTHERS/GM
117 GM RAIN DROP
118 GM SOUND TRACK
119 GM CRYSTAL
120 GM ATMOSPHERE
121 GM BRIGHTNESS
122 GM GOBLINS
123 GM ECHOES
124 GM SF
96
0
0
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
038 GM ORGAN 2
97
039 GM ORGAN 3
98
0
040 GM PIPE ORGAN
041 GM REED ORGAN
042 GM ACCORDION
043 GM HARMONICA
044 GM BANDONEON
99
0
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
0
0
0
0
GM NYLON
045
125 GM SITAR
0
137 OTHERS/GM
138 OTHERS/GM
24
25
0
0
–
–
STR.GUITAR
126 GM BANJO
0
GM STEEL
046
127 GM SHAMISEN
128 GM KOTO
0
STR.GUITAR
0
139 OTHERS/GM
140 OTHERS/GM
141 OTHERS/GM
142 OTHERS/GM
143 OTHERS/GM
144 OTHERS/GM
145 OTHERS/GM
146 OTHERS/GM
147 OTHERS/GM
148 OTHERS/GM
149 OTHERS/GM
150 OTHERS/GM
151 OTHERS/GM
152 OTHERS/GM
153 OTHERS/GM
154 OTHERS/GM
155 OTHERS/GM
156 OTHERS/GM
047 GM JAZZ GUITAR
048 GM CLEAN GUITAR
049 GM MUTE GUITAR
050 GM OVERDRIVE GT
051 GM DISTORTION GT
052 GM GT HARMONICS
053 GM ACOUSTIC BASS
054 GM FINGERED BASS
055 GM PICKED BASS
056 GM FRETLESS BASS
057 GM SLAP BASS 1
058 GM SLAP BASS 2
059 GM SYNTH-BASS 1
060 GM SYNTH-BASS 2
061 GM VIOLIN
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
129 GM THUMB PIANO
130 GM BAGPIPE
131 GM FIDDLE
0
0
0
132 GM SHANAI
0
133 GM TINKLE BELL
134 GM AGOGO
0
0
135 GM STEEL DRUMS
136 GM WOOD BLOCK
137 GM TAIKO
0
0
0
138 GM MELODIC TOM
139 GM SYNTH-DRUM
0
0
140 GM REVERSE CYMBAL 119
0
141 GM GT FRET NOISE
142 GM BREATH NOISE
143 GM SEASHORE
144 GM BIRD
120
121
122
123
124
125
126
127
0
0
0
0
062 GM VIOLA
0
063 GM CELLO
145 GM TELEPHONE
146 GM HELICOPTER
147 GM APPLAUSE
148 GM GUNSHOT
149 STANDARD SET 1
150 STANDARD SET 2
151 ROOM SET
0
064 GM CONTRABASS
0
GM TREMOLO
065
157 OTHERS/GM
44
0
–
0
STRINGS
0
158 OTHERS/GM
159 OTHERS/GM
160 OTHERS/GM
161 OTHERS/GM
162 OTHERS/GM
163 OTHERS/GM
164 OTHERS/GM
165 OTHERS/GM
166 OTHERS/GM
167 OTHERS/GM
168 OTHERS/GM
169 OTHERS/GM
170 OTHERS/GM
171 OTHERS/GM
172 OTHERS/GM
173 OTHERS/GM
174 OTHERS/GM
175 OTHERS/GM
176 OTHERS/GM
177 OTHERS/GM
178 OTHERS/GM
179 OTHERS/GM
180 OTHERS/GM
181 OTHERS/GM
182 OTHERS/GM
183 OTHERS/GM
184 OTHERS/GM
185 OTHERS/GM
186 OTHERS/GM
187 OTHERS/GM
188 OTHERS/GM
189 OTHERS/GM
190 OTHERS/GM
191 OTHERS/GM
192 OTHERS/GM
193 OTHERS/GM
194 OTHERS/GM
195 OTHERS/GM
196 OTHERS/GM
197 OTHERS/GM
198 OTHERS/GM
199 OTHERS/GM
200 OTHERS/GM
201 OTHERS/GM
202 OTHERS/GM
203 OTHERS/GM
204 OTHERS/GM
205 OTHERS/GM
206 OTHERS/GM
207 OTHERS/GM
208 OTHERS/GM
066 GM PIZZICATO
067 GM HARP
45
46
47
48
49
50
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
120
120
120
120
120
120
120
120
120
120
1
068 GM TIMPANI
8
069 GM STRINGS 1
070 GM STRINGS 2
071 GM SYNTH-STRINGS 1
152 POWER SET
16
153 ELECTRONIC SET
154 SYNTH SET 1
155 SYNTH SET 2
156 JAZZ SET
24
25
072 GM SYNTH-STRINGS 2 51
30
073 GM CHOIR AAHS
074 GM VOICE DOO
075 GM SYNTH-VOICE
076 GM ORCHESTRA HIT
077 GM TRUMPET
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
32
157 BRUSH SET
40
158 ORCHESTRA SET
48
078 GM TROMBONE
079 GM TUBA
NOTE
• See the “Drum Assignment List” (page E-59) for the
percussion instrument assigned to each keyboard
key when a drum set (Sequential Number 241 to 250)
is selected.
080 GM MUTE TRUMPET
081 GM FRENCH HORN
082 GM BRASS
083 GM SYNTH-BRASS 1
084 GM SYNTH-BRASS 2
085 GM SOPRANO SAX
086 GM ALTO SAX
087 GM TENOR SAX
088 GM BARITONE SAX
089 GM OBOE
090 GM ENGLISH HORN
091 GM BASSOON
092 GM CLARINET
093 GM PICCOLO
094 GM FLUTE
095 GM RECORDER
096 GM PAN FLUTE
097 GM BOTTLE BLOW
098 GM SHAKUHACHI
099 GM WHISTLE
100 GM OCARINA
101 GM SQUARE LEAD
102 GM SAW LEAD
103 GM CALLIOPE
104 GM CHIFF LEAD
105 GM CHARANG
106 GM VOICE LEAD
107 GM FIFTH LEAD
108 GM BASS+LEAD
109 GM FANTASY
110 GM WARM PAD
111 GM POLYSYNTH
112 GM SPACE CHOIR
113 GM BOWED GLASS
114 GM METAL PAD
115 GM HALO PAD
116 GM SWEEP PAD
E-58
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Appendix
L
E-59
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Appendix
DSP Effect List
The table below shows the DSP types that can be configured for each zone using zone parameters (page E-28).
• The “DSP No.” column shows the DSP type numbers that appear on page 3 of the zone menu, and “Screen
Name” shows the name (abbreviated) that appears on the screen. “DSP Name” shows the full version of the
screen name.
• For information about the parameters of a DSP type, note the value for it shown in the “Algorithm No.” column,
and then refer to the corresponding item in the DSP Algorithm List (pages E-61 to E-66). Also note that algorithms
01 through 17 are single effects, while numbers with M before them are multi effects.
• The following two parameters are common to all of the DSP types in the table below.
Reverb Send (0 to 127)
Specifies how much of the sound that passes the DSP is sent to reverb.
Chorus Send (0 to 127)
Specifies how much of the sound that passes the DSP is sent to chorus.
Algorithm
No.
Algorithm
No.
DSP No.
Screen Name
DSP Name
DSP No.
Screen Name
DSP Name
Dynamics Fx
Wah Fx
[37]
[1]
[2]
[3]
[4]
[5]
[6]
Equalizer
Equalizer
01
02
LFO Wah
LFO Wah
Auto Wah
16
Compressor 1
Compressor 2
Limiter
Compressor 1
Compressor 2
Limiter
[38]
Auto Wah
15
02
[39]
Comp-LFO Wah
Comp-Auto Wah
LFO Wah-Chorus
Auto Wah-Cho 1
Auto Wah-Cho 2
Compressor - LFO Wah
Compressor - Auto Wah
LFO Wah - Chorus
M12
M11
M20
M21
M21
M08
03
[40]
Enhancer
Enhancer
04
[41]
Comp-Enhancer
Compressor - Enhancer
M03
[42]
Auto Wah - Chorus 1
Auto Wah - Chorus 2
Reflection
[43]
[7]
Phaser
[8]
Reflection
Reflection
07
[44]
Auto Wah-Phaser Auto Wah - Phaser
Distortion Fx
Crunch
Phaser 1
Phaser 1
12
12
[45]
[46]
[47]
[48]
[49]
[50]
[51]
[52]
[53]
[54]
[55]
[56]
[57]
[58]
[59]
[60]
[61]
[62]
[63]
[64]
Crunch
14
[9]
Phaser 2
Phaser 2
Overdrive
Overdrive
14
[10]
Phaser 3
Phaser 3
13
Distortion
Distortion
14
[11]
Comp-Phaser
Compressor - Phaser
M17
Phaser-Dist
Phaser - Distortion
M18
M09
M09
M10
M10
M10
M10
M22
M22
M23
M23
M24
M24
M25
M25
M26
M26
Chorus/Flanger
Crunch-Phaser
Ovrdrive-Phaser
Crunch-Chours
Ovrdrive-Chorus
Dist-Chorus 1
Crunch - Phaser
[12]
[13]
[14]
[15]
[16]
[17]
[18]
Chorus 1
Chorus 1
05
05
Overdrive - Phaser
Chorus 2
Chorus 2
Crunch - Chorus
Chorus 3
Chorus 3
10
Overdrive - Chorus
Flanger
Flanger
17
Distortion - Chorus 1
Comp-Chorus
Enha-Chorus 1
Enha-Chorus 2
Compressor - Chorus
Enhancer - Chorus 1
Enhancer - Chorus 2
M04
M01
M01
Dist-Chorus 2
Distortion - Chorus 2
Comp-Dist-Cho 1
Comp-Dist-Cho 2
LWah-Dist-Cho 1
LWah-Dist-Cho 2
AWah-Dist-Cho 1
AWah-Dist-Cho 2
Cmp-Dist-APan 1
Cmp-Dist-APan 2
Cmp-Dist-Trem 1
Cmp-Dist-Trem 2
Compressor - Distortion - Chorus 1
Compressor - Distortion - Chorus 2
LFO Wah - Distortion - Chorus 1
LFO Wah - Distortion - Chorus 2
Auto Wah - Distortion - Chorus 1
Auto Wah - Distortion - Chorus 2
Compressor - Distortion - Auto Pan 1
Compressor - Distortion - Auto Pan 2
Compressor - Distortion - Tremolo 1
Compressor - Distortion - Tremolo 2
Pha/Cho/Flanger Combination
[19]
[20]
[21]
[22]
Phaser-Chorus 1
Phaser-Chorus 2
Chorus-Flan 1
Chorus-Flan 2
Phaser - Chorus 1
Phaser - Chorus 2
Chorus - Flanger 1
Chorus - Flanger 2
M05
M05
M07
M07
Pan/Tremolo Fx
[23]
[24]
Tremolo
Tremolo
06
Chorus-Tremolo
Comp-Tremolo
Dist-Tremolo
Auto Pan
Chorus - Tremolo
Compressor - Tremolo
Distortion - Tremolo
Auto Pan
M02
M16
M14
11
[25]
[26]
[27]
[28]
Comp-Auto Pan
Dist-Auto Pan
Phaser-APan 1
Phaser-APan 2
Compressor - Auto Pan
Distortion - Auto Pan
Phaser - Auto Pan 1
Phaser - Auto Pan 2
M15
M13
M06
M06
M19
[29]
[30]
[31]
[32]
Pha-Cho-AutoPan Phaser - Chorus - Auto Pan
Rotary Fx
[33]
Rotary 1
Rotary 1
08
08
09
09
[34]
Rotary 2
Rotary 2
[35]
Od Rotary 1
Od Rotary 2
Overdrive Rotary 1
Overdrive Rotary 2
[36]
E-60
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Appendix
03:
Limiter
DSP Algorithm List
Limits the input signal level so it does not rise above a preset level.
Parameter Value Ranges:
0
1
2
:Limit (0 to 127)
Single-effect Algorithms
Adjusts the volume level of the limit at which limiting is applied.
:Attack (0 to 127)
Adjusts the attack amount of the input signal.
:Release (0 to 127)
Adjusts the time from the point the input signal drops below a
certain level until the limit operation is stopped.
01:
Equalizer
This is a three-band equalizer.
Parameter Value Ranges:
0
1
2
3
4
5
:Equalizer 1 Frequency (1.0, 1.3, 1.6, 2.0, 2.5, 3.2, 4.0, 5.0 [KHz])
Adjusts the center frequency of Equalizer 1.
:Equalizer 1 Gain (–12 to 0 to +12)
Adjusts the gain of Equalizer 1.
:Equalizer 2 Frequency (1.0, 1.3, 1.6, 2.0, 2.5, 3.2, 4.0, 5.0 [KHz])
Adjusts the center frequency of Equalizer 2.
:Equalizer 2 Gain (–12 to 0 to +12)
Adjusts the gain of Equalizer 2.
:Equalizer 3 Frequency (1.0, 1.3, 1.6, 2.0, 2.5, 3.2, 4.0, 5.0 [KHz])
Adjusts the center frequency of Equalizer 3.
:Equalizer 3 Gain (–12 to 0 to +12)
Adjusts the gain of Equalizer 3.
3
:Level (0 to 127)
Adjusts the output level.
Output volume changes in accordance with the Limit setting and
the characteristics of the input tone. Use this parameter to correct
for such changes.
04:
Enhancer
Enhances the profiles of the low range and high range of the input
signal.
Parameter Value Ranges:
0
1
2
3
:Low Frequency (0 to 127)
Adjusts the low range enhancer frequency.
:Low Gain (0 to 127)
Adjusts the low range enhancer gain.
:High Frequency (0 to 127)
Adjusts the high range enhancer frequency.
:High Gain (0 to 127)
Adjusts the high range enhancer gain.
Note: The Gain value is not a dB value.
02:
Compressor
Compresses the input signal, which can have the effect of
suppressing level variation and making it possible to sustain
dampened sounds longer.
Parameter Value Ranges:
05:
Chorus
0
:Depth (0 to 127)
Adjusts compression of the audio signal.
This is a stereo chorus effect using a sine wave LFO.
Parameter Value Ranges:
1
:Attack (0 to 127)
0
1
2
3
4
:LFO Rate (0 to 127)
Adjusts the LFO rate.
:LFO Depth (0 to 127)
Adjusts the LFO depth.
Adjusts the attack amount of the input signal. A smaller value
causes prompt compressor operation, which suppresses the
attack of the input signal. A larger values delays compressor
operation, which causes the attack of the input signal to be output
as-is.
:Feedback (–64 to 0 to +63)
2
3
:Release (0 to 127)
Adjusts the strength of feedback
Adjusts the time from the point the input signal drops below a
certain level until the compression operation is stopped.
When an attack feeling is desired (no compression at the onset of
sound), set this parameter to as low a value as possible. To have
compression applied at all times, set a high value.
:Wet Level (0 to 127)
Adjusts the level of the effect sound.
:Polarity (–, +)
Reverses the LFO signal of one channel, which changes the
expanse of sound.
:Level (0 to 127)
Adjusts the output level.
06:
Tremolo
Output volume changes in accordance with the Depth setting and
the characteristics of the input tone. Use this parameter to correct
for such changes.
Adjusts the volume of the input signal using an LFO.
Parameter Value Ranges:
0
1
:Rate (0 to 127)
Adjusts the tremolo rate.
:Depth (0 to 127)
Adjusts the tremolo depth.
07:
Early Reflection
Extracts the initial reflection sound from reverberation sound.
Parameter Value Ranges:
0
1
2
:Wet Level (0 to 127)
Adjusts the level of the effect sound.
:Feedback (0 to 127)
Adjusts the repeat of the reflected sound.
:Tone (0 to 127)
Adjusts the tone of the reflected sound.
E-61
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Appendix
08:
Rotary
11:
Auto Pan
This is a rotary speaker simulator.
Performs continual left-right panning of the input signal using an
Parameter Value Ranges:
LFO.
0
1
2
:Speed (Slow, Fast)
Parameter Value Ranges:
Switches the speed mode between fast and slow.
0
:Rate (0 to 127)
Adjusts the panning rate.
:Brake (Rotate, Stop)
Stops speaker rotation.
:Fall Acceleration (0 to 127)
Adjusts acceleration when the speed mode is switched from fast
to slow.
1
:Depth (0 to 127)
Adjusts the panning depth.
12:
Stereo Phaser
3
:Rise Acceleration (0 to 127)
Adjusts acceleration when the speed mode is switched from slow
to fast.
:Slow Rate (0 to 127)
Adjusts the speaker rotation speed in the slow speed mode.
:Fast Rate (0 to 127)
Adjusts the speaker rotation speed in the fast speed mode.
This is a stereo phaser that modulates the phase using a sine wave
LFO.
Parameter Value Ranges:
4
5
0
1
2
3
4
:Resonance (0 to 127)
Adjusts the strength of the resonance.
:Manual (–64 to 0 to +63)
Adjusts the reference phaser shift amount.
:Rate (0 to 127)
Adjusts the LFO rate.
:Depth (0 to 127)
Adjusts the LFO depth.
:Wet Level (0 to 127)
Adjusts the level of the effect sound.
09:
Drive Rotary
This is an overdrive - rotary speaker simulator.
Parameter Value Ranges:
:Overdrive Gain (0 to 127)
Adjusts overdrive gain.
:Overdrive Level (0 to 127)
Adjusts the overdrive output level.
:Speed (Slow, Fast)
Switches the speed mode between fast and slow.
:Brake (Rotate, Stop)
Stops speaker rotation.
:Fall Acceleration (0 to 127)
Adjusts acceleration when the speed mode is switched from fast
to slow.
:Rise Acceleration (0 to 127)
Adjusts acceleration when the speed mode is switched from slow
to fast.
:Slow Rate (0 to 127)
Adjusts the speaker rotation speed in the slow speed mode.
0
1
2
3
4
13:
Phaser
This is a monaural phaser that modulates the phase using a sine
wave LFO.
Parameter Value Ranges:
0
1
2
3
4
:Resonance (0 to 127)
Adjusts the strength of the resonance.
:Manual (–64 to 0 to +63)
Adjusts the reference phaser shift amount.
:Rate (0 to 127)
Adjusts the LFO rate.
:Depth (0 to 127)
Adjusts the LFO depth.
:Wet Level (0 to 127)
Adjusts the level of the effect sound.
5
6
7
:Fast Rate (0 to 127)
Adjusts the speaker rotation speed in the fast speed mode.
10:
3-Phase Chorus
14:
Distortion
This is a 3-phase chorus effect using two LFOs with different sine
wave rates.
Parameter Value Ranges:
This effect provides Distortion + Amp Simulator.
Parameter Value Ranges:
0
1
:Gain (0 to 127)
0
1
2
3
4
:Rate 1 (Fast LFO State) (0 to 127)
Adjusts the rate of LFO 1.
:Depth 1 (Fast LFO Depth) (0 to 127)
Adjusts the depth of LFO 1.
:Rate 2 (Slow LFO State) (0 to 127)
Adjusts the rate of LFO 2.
:Depth 2 (Slow LFO Depth) (0 to 127)
Adjusts the depth of LFO 2.
Adjusts the input signal gain.
:Low (0 to 127)
Adjusts the low-range gain.
The cutoff frequency depends on the DSP type.
2
3
:High (0 to 127)
Adjusts the high gain.
The cutoff frequency depends on the DSP type.
:Level (0 to 127)
Adjusts the output level.
:Wet Level (0 to 127)
Adjusts the level of the effect sound.
E-62
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Appendix
Multi-effect Algorithms
15:
Auto Wah
This is a “wah” effect that can automatically shift the frequency in
accordance with the level of the input signal.
Parameter Value Ranges:
A multi-effect is one connected to multiple single
effects (page E-61).
“M01: Multi01 (Enhancer - Chorus)”, for example, is a
multi-effect connected to two single effects: Enhancer
and Chorus. The parameters included in a multi-effect
algorithm are the same as the each of the connected
single-effect algorithms. However, the following two
parameters are specific to multi effects.
0
:Input Level (0 to 127)
Adjusts the input level. The input signal can become distorted
when the level of the sound being input, the number of chords, or
the Resonance value is large. Adjust this parameter to eliminate
such distortion.
1
2
3
:Resonance (0 to 127)
Adjusts the strength of resonance.
:Manual (0 to 127)
Adjusts the wah filter reference frequency.
:Depth (–64 to 0 to +63)
Adjusts the depth of the wah in accordance with the level of the
input signal.
*** Skip (Off, On)
This parameter is included in M05, M06 (Phaser Skip),
M08 (Wah Skip), etc.
It makes it possible for one of the effects of a multi
effect (such a Wah in the case of Wah Skip) to be
bypassed. Turning this parameter on causes the
corresponding effect to be bypassed.
Setting a positive value causes the wah filter to open in direct
proportion with the level of the input signal, producing a bright
sound. Setting a negative value causes the wah filter to close in
direct proportion with the level of the input signal, producing a
dark sound. Even when the wah filter is closed, high level input
will cause it to reopen.
Note that depending on whether *** Skip is On or Off,
there may be some difference in the level of notes that
pass through the multi effect. Whether or not the level
difference occurs depends on the settings of the other
parameters of the multi effect. Adjust the Level, Depth,
and other parameters for the skipped effect as
required.
16:
LFO Wah
This is a “wah” effect that can automatically affect the frequency
using an LFO.
Parameter Value Ranges:
0
:Input Level (0 to 127)
Adjusts the input level. The input signal can become distorted
when the level of the sound being input, the number of chords, or
the Resonance value is large. Adjust this parameter to eliminate
such distortion.
1
2
3
4
:Resonance (0 to 127)
Routing
Adjusts the strength of resonance.
:Manual (0 to 127)
Adjusts the wah filter reference frequency.
:LFO Rate (0 to 127)
Adjusts the LFO rate.
:LFO Depth (0 to 127)
Adjusts the LFO depth.
This parameter is included in M11 and M12. It swaps
the routing of the effect.
The following shows only the parameters of multi-
effect algirithms (M01 through M26).
17:
Flanger
M01: Multi01 (Enhancer - Chorus)
This is a flanger that uses a sine wave LFO.
Parameter Value Ranges:
0
1
2
3
4
5
6
7
:Enhancer Low Frequency
:Enhancer Low Gain
:Enhancer High Frequency
:Enhancer High Gain
:Chorus Rate
:Chorus Depth
:Chorus Feedback
:Chorus Wet Level
0
1
2
3
:LFO Rate (0 to 127)
Adjusts the LFO rate.
:LFO Depth (0 to 127)
Adjusts the LFO depth.
:Feedback (–64 to 0 to +63)
Adjusts the strength of feedback
:Wet Level (0 to 127)
Adjusts the level of the effect sound.
M02: Multi02 (Chorus - Tremolo)
0
1
2
3
4
5
6
:Chorus Rate
:Chorus Depth
:Chorus Feedback
:Chorus Wet Level
:Tremolo Rate
:Tremolo Depth
:Chorus Polarity
E-63
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Appendix
M03: Multi03 (Compressor - Enhancer)
M08: Multi08 (Auto Wah - Phaser)
0
1
2
3
4
5
6
7
:Compressor Depth
0
1
2
3
4
5
6
7
8
9
:Wah Input Level
:Wah Resonance
:Wah Manual
:Wah Depth
:Phaser Resonance
:Phaser Manual
:Phaser Rate
:Phaser Depth
:Phaser Wet Level
:Wah Skip
:Compressor Attack
:Compressor Release
:Compressor Level
:Enhancer Low Frequency
:Enhancer Low Gain
:Enhancer High Frequency
:Enhancer High Gain
M04: Multi04 (Compressor - Chorus)
0
1
2
3
4
5
6
7
8
:Compressor Depth
:Compressor Attack
:Compressor Release
:Compressor Level
:Chorus Rate
M09: Multi09 (Distortion - Phaser)
0
1
2
3
4
5
6
7
8
9
:Distortion Gain
:Distortion Low
:Distortion High
:Distortion Level
:Phaser Resonance
:Phaser Manual
:Phaser Rate
:Phaser Depth
:Phaser Wet Level
:Distortion Skip
:Chorus Depth
:Chorus Feedback
:Chorus Wet Level
:Chorus Polarity
M05: Multi05 (Phaser - Chorus)
0
1
2
3
4
5
6
7
8
9
:Phaser Resonance
:Phaser Manual
:Phaser Rate
:Phaser Depth
:Phaser Wet Level
:Chorus Rate
:Chorus Depth
:Chorus Feedback
:Chorus Wet Level
:Chorus Polarity
M10: Multi10 (Distortion - Chorus)
0
1
2
3
4
5
6
7
8
9
:Distortion Gain
:Distortion Low
:Distortion High
:Distortion Level
:Chorus Rate
:Chorus Depth
:Chorus Feedback
:Chorus Wet Level
:Chorus Polarity
:Distortion Skip
10 :Phaser Skip
M06: Multi06 (Phaser - Auto Pan)
0
1
2
3
4
5
6
7
:Phaser Resonance
:Phaser Manual
:Phaser Rate
:Phaser Depth
:Phaser Wet Level
:Auto Pan Rate
:Auto Pan Depth
:Phaser Skip
M11: Multi11 (Compressor - Auto Wah)
0
1
2
3
4
5
6
7
8
9
:Compressor Depth
:Compressor Attack
:Compressor Release
:Compressor Level
:Wah Input Level
:Wah Resonance
:Wah Manual
:Wah Depth
:Wah Skip
M07: Multi07 (Chorus - Flanger)
0
1
2
3
4
5
6
7
8
9
:Chorus Rate
:Chorus Depth
:Routing (C-W: Comp-Wah, W-C: Wah-Comp)
:Chorus Feedback
:Chorus Wet Level
:Flanger Rate
:Flanger Depth
:Flanger Feedback
:Flanger Wet Level
:Chorus Polarity
:Flanger Polarity
M12: Multi12 (Compressor - LFO Wah)
0
1
2
3
4
5
6
7
8
9
:Compressor Depth
:Compressor Attack
:Compressor Release
:Compressor Level
:Wah Input Level
:Wah Resonance
:Wah Manual
:Wah LFO Rate
:Wah LFO Depth
:Wah Skip
10 :Routing (C-W: Comp-Wah, W-C: Wah-Comp)
E-64
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Appendix
M13: Multi13 (Distortion - Auto Pan)
M19: Multi19 (Phaser - Chorus - Auto Pan)
0
1
2
3
4
5
6
7
:Distortion Gain
:Distortion Low
:Distortion High
:Distortion Level
:Auto Pan Rate
:Auto Pan Depth
:Distortion Skip
:Auto Pan Skip
0
1
2
3
4
5
6
7
8
9
:Phaser Resonance
:Phaser Manual
:Phaser Rate
:Phaser Depth
:Phaser Wet Level
:Chorus Rate
:Chorus Depth
:Chorus Feedback
:Chorus Wet Level
:Auto Pan Rate
M14: Multi14 (Distortion - Tremolo)
10 :Auto Pan Depth
0
1
2
3
4
5
6
7
:Distortion Gain
:Distortion Low
:Distortion High
:Distortion Level
:Tremolo Rate
:Tremolo Depth
:Distortion Skip
:Tremolo Skip
M20: Multi20 (LFO Wah - Chorus)
0
1
2
3
4
5
6
7
8
9
:Wah Input Level
:Wah Resonance
:Wah Manual
:Wah LFO Rate
:Wah LFO Depth
:Chorus Rate
:Chorus Depth
:Chorus Feedback
:Chorus Wet Level
:Chorus Polarity
M15: Multi15 (Compressor - Auto Pan)
0
1
2
3
4
5
6
:Compressor Depth
:Compressor Attack
:Compressor Release
:Compressor Level
:Auto Pan Rate
M21: Multi21 (Auto Wah - Chorus)
:Auto Pan Depth
:Auto Pan Skip
0
1
2
3
4
5
6
7
8
:Wah Input Level
:Wah Resonance
:Wah Manual
:Wah Depth
:Chorus Rate
:Chorus Depth
:Chorus Feedback
:Chorus Wet Level
:Chorus Polarity
M16: Multi16 (Compressor - Tremolo)
0
1
2
3
4
5
6
:Compressor Depth
:Compressor Attack
:Compressor Release
:Compressor Level
:Tremolo Rate
:Tremolo Depth
:Tremolo Skip
M22: Multi22 (Compressor - Distortion - Chorus)
0
1
2
3
4
5
6
7
8
9
:Compressor Depth
:Compressor Attack
:Compressor Release
:Compressor Level
:Distortion Gain
:Distortion Low
:Distortion High
:Distortion Level
:Chorus Rate
M17: Multi17 (Compressor - Phaser)
0
1
2
3
4
5
6
7
8
9
:Compressor Depth
:Compressor Attack
:Compressor Release
:Compressor Level
:Phaser Resonance
:Phaser Manual
:Phaser Rate
:Phaser Depth
:Phaser Wet Level
:Phaser Skip
:Chorus Depth
10 :Chorus Feedback
11 :Chorus Wet Level
12 :Chorus Polarity
13 :Distortion Skip
M18: Multi18 (Phaser - Distortion)
0
1
2
3
4
5
6
7
8
9
:Phaser Resonance
:Phaser Manual
:Phaser Rate
:Phaser Depth
:Phaser Wet Level
:Distortion Gain
:Distortion Low
:Distortion High
:Distortion Level
:Phaser Skip
E-65
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Appendix
M23: Multi23 (LFO Wah - Distortion - Chorus)
0
1
2
3
4
5
6
7
8
9
:Wah Input Level
:Wah Resonance
:Wah Manual
:Wah LFO Rate
:Wah LFO Depth
:Distortion Gain
:Distortion Low
:Distortion High
:Distortion Level
:Chorus Rate
10 :Chorus Depth
11 :Chorus Feedback
12 :Chorus Wet Level
13 :Chorus Polarity
14 :Distortion Skip
M24: Multi24 (Auto Wah - Distortion - Chorus)
0
1
2
3
4
5
6
7
8
9
:Wah Input Level
:Wah Resonance
:Wah Manual
:Wah Depth
:Distortion Gain
:Distortion Low
:Distortion High
:Distortion Level
:Chorus Rate
:Chorus Depth
10 :Chorus Feedback
11 :Chorus Wet Level
12 :Chorus Polarity
13 :Distortion Skip
M25: Multi25 (Compressor - Distortion - Auto Pan)
0
1
2
3
4
5
6
7
8
9
:Compressor Depth
:Compressor Attack
:Compressor Release
:Compressor Level
:Distortion Gain
:Distortion Low
:Distortion High
:Distortion Level
:Auto Pan Rate
:Auto Pan Depth
10 :Distortion Skip
11 :Auto Pan Skip
M26: Multi26 (Compressor - Distortion - Tremolo)
0
1
2
3
4
5
6
7
8
9
:Compressor Depth
:Compressor Attack
:Compressor Release
:Compressor Level
:Distortion Gain
:Distortion Low
:Distortion High
:Distortion Level
:Tremolo Rate
:Tremolo Depth
10 :Distortion Skip
11 :Tremolo Skip
E-66
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Model PX-3
Version : 1.0
MIDI Implementation Chart
Function
Transmitted
Recognized
Remarks
Basic
Channel
Default
Changed
1 - 16
1 - 16
1 - 16
1 - 16
Default
Messages
Altered
Mode 3
X
Mode 3
X
Mode
Note
Number
0 - 127
0 - 127
*
True voice
0 - 127 1
** : no relation
** : sin relación
Note ON
Note OFF
O
9nH v = 1 - 127
O
9nH v = 1 - 127
Velocity
**
X
8nH v = 64
X
9nH v = 0, 8nH v =
After
Touch
Key’s
Ch’s
X
X
X
O
Pitch Bender
O
O
°
±
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Âáîë óåìåãô
Íïäõìáôéïî
Ðïòôáíåîôï Ôéíå
*
*
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
Dz
²
²
µ
¶¬ ³¸
·
Äáôá åîôòù ÌÓ¬ ÍÓÂ
Öïìõíå
Ðáî
³
±°
±±
±¶
±·
±¸
±¹
¶´
¶µ
¶¶
¶·
·±
·²
·³
·´
·¶
··
·¸
¸°
¸±
¸²
¸³
¸´
¹±
¹³
*
Åøðòåóóéïî
*
ÄÓÐ Ðáòáíåôåò°
ÄÓÐ Ðáòáíåôåò±
ÄÓÐ Ðáòáíåôåò²
ÄÓÐ Ðáòáíåôåò³
Äáíðåò
³
³
³
³
*
*
*
Ðïòôáíåîôï Ó÷éôãè
Óïóôåîõôï
Óïæô ðåäáì
*
²
Æéìôåò Òåóïîáîãå
Òåìåáóå Ôéíå
Áôôáãë Ôéíå
Æéìôåò Ãõô Ïææ
Öéâòáôï òáôå
Öéâòáôï äåðôè
Öéâòáôï äåìáù
*
Control
Change
ÄÓÐ Ðáòáíåôåò´
ÄÓÐ Ðáòáíåôåòµ
ÄÓÐ Ðáòáíåôåò¶
ÄÓÐ Ðáòáíåôåò·
³
*
*
*
³
³
³
*
²
Ðïòôáíåîôï Ãïîôòïì
Òåöåòâ óåîä
Ãèïòõó óåîä
*
±°°¬ ±°±
±²°
±²±
°-±²·
ÒÐÎ ÌÓ¬ ÍÓÂ
Áìì óïõîä ïææ
³
*
*
²
²
Òåóåô áìì ãïîôòïììåò
Program
Change
O
O
O
0 - 127
:True #
*3
System Exclusive
O
System
Common
: Song Pos
: Song Sel
: Tune
X
X
X
X
X
X
System
Real Time
: Clock
: Commands
O
O
X
X
Aux
: Local ON/OFF
: All notes OFF
: Active Sense
: Reset
X
O
X
X
X
O
O
X
Messages
*1 : Depends on tone
Remarks
*2 : One of these Control Change messages is sent when the corresponding function is assigned to the
ASSIGNABLE 1 or ASSIGNABLE 2 button.
*1 : Depende del tono
*2 : Se envía uno de estos mensajes de cambio de control cuando se asigna la función correspondiente
al botón ASSIGNABLE 1 o ASSIGNABLE 2.
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
O :Yes
X : No
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This recycle mark indicates that the packaging conforms to
the environmental protection legislation in Germany.
Esta marca de reciclaje indica que el empaquetado se
ajusta a la legislación de protección ambiental en Alemania.
C
MA1003-A Printed in China
PX3ES1A
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