Casio Electronic Keyboard CTK 591 User Manual

ES  
USERS GUIDE  
GUÍA DEL USUARIO  
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Safety Precautions  
Congratulations on your selection of the CASIO  
electronic musical instrument.  
Symbol Examples  
Before using the instrument, be sure to carefully  
read through the instructions contained in this  
manual.  
This triangle symbol ( ) means that the  
user should be careful. (The example at  
left indicates electrical shock caution.)  
Please keep all information for future reference.  
This circle with a line through it (  
)
means that the indicated action must not  
be performed. Indications within or  
nearby this symbol are specifically  
prohibited. (The example at left indicates  
that disassembly is prohibited.)  
Symbols  
Various symbols are used in this users guide and on  
the product itself to ensure that the product is used  
safely and correctly, and to prevent injury to the user  
and other persons as well as damage to property.  
Those symbols along with their meanings are shown  
below.  
The black dot ( ) means that the  
indicated action must be performed.  
Indications within this symbol are actions  
that are specifically instructed to be  
performed. (The example at left indicates  
that the power plug must be unplugged  
from the electrical socket.)  
DANGER  
This symbol indicates information that, if ignored  
or applied incorrectly, creates the danger of death  
or serious personal injury.  
WARNING  
This indication stipulates matters that have the risk  
of causing death or serious injury if the product is  
operated incorrectly while ignoring this indication.  
CAUTION  
This indication stipulates matters that have the risk  
of causing injury as well as matters for which there  
is the likelihood of occurrence of physical damage  
only if the product is operated incorrectly while  
ignoring this indication.  
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Safety Precautions  
AC Adaptor  
DANGER  
Never touch the AC adaptor while your  
hands are wet.  
Alkaline Batteries  
Doing so creates the risk of electric shock.  
Perform the following steps immediately if  
fluid leaking from alkaline batteries ever  
gets into your eyes.  
1. Do not rub your eyes! Rinse them with  
water.  
2. Contact your physician immediately.  
Leaving alkaline battery fluid in your eyes  
can lead to loss of sight.  
Batteries  
Misuse of batteries can cause them to leak,  
resulting in damage to nearby objects, or to  
explode, creating the risk of fire and  
personal injury. Always make sure you  
observe the following precautions.  
Never try to take batteries apart or allow  
them to become shorted.  
Never expose batteries to heat or dispose  
of them by incineration.  
Never mix old batteries with new ones.  
Never mix batteries of different types.  
Do not charge the batteries.  
Make sure the positive (+) and negative  
() ends of the batteries are facing  
correctly.  
WARNING  
Smoke, Strange Odor, Overheating  
Continued use of the product while it is  
emitting smoke, a strange odor, or heat  
creates the risk of fire and electric shock.  
Take the following steps immediately.  
1. Turn off power.  
2. If you are using the AC adaptor for  
power, unplug it from the wall outlet.  
3. Contact your original retailer or an  
authorized CASIO Service Provider.  
Do not incinerate the product.  
Never throw the product into fire.  
Doing so can cause it to explode, creating  
the risk of fire and personal injury.  
Water and Foreign Matter  
AC Adaptor  
Water, other liquids, and foreign matter  
(such as pieces of metal) getting into the  
product create the risk of fire and electric  
shock. Take the following steps  
immediately.  
Misuse of the AC adaptor creates the risk  
of fire and electric shock. Always make sure  
you observe the following precautions.  
Be sure to use only the AC adaptor that  
is specified for this product.  
1. Turn off power.  
Use only a power source whose voltage  
is within the rating marked on the AC  
adaptor.  
Do not overload electrical outlets and  
extension cords.  
2. If you are using the AC adaptor for  
power, unplug it from the wall outlet.  
3. Contact your original retailer or an  
authorized CASIO Service Provider.  
Disassembly and Modification  
AC Adaptor  
Never try to take this product apart or  
modify it in any way. Doing so creates the  
risk of electric shock, burn injury, or other  
personal injury. Leave all internal  
inspection, adjustment, and maintenance up  
to your original retailer or authorized  
CASIO Service Provider.  
Misuse of the AC adaptors electric cord  
can damage or break it, creating the risk of  
fire and electric shock. Always make sure  
you observe the following precautions.  
Never place heavy objects on the cord or  
subject it to heat.  
Never try to modify the cord or subject it  
to excessive bending.  
Never twist or stretch the cord.  
Should the electric cord or plug become  
damaged, contact your original retailer  
or authorized CASIO Service Provider.  
Dropping and Impact  
Continued use of this product after it has  
been damaged by dropping or subjecting it  
to strong impact creates the risk of fire and  
electric shock. Take the following steps  
immediately.  
1. Turn off power.  
2. If you are using the AC adaptor for  
power, unplug it from the wall outlet.  
3. Contact your original retailer or an  
authorized CASIO Service Provider.  
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Safety Precautions  
Plastic Bags  
CAUTION  
Never place the plastic bag the product  
comes in over your head or in your mouth.  
Doing so creates the risk of suffocation.  
Particular care concerning this precaution  
is required where small children are  
present.  
AC Adaptor  
Misuse of the AC adaptor creates the risk  
of fire and electric shock. Always make sure  
you observe the following precautions.  
Do not locate the electric cord near a  
stove or other sources of heat.  
Never pull on the cord when unplugging  
from the electrical outlet. Always grasp  
the AC adaptor when unplugging.  
Keep off of the product and stand.*  
Climbing onto the product or stand can  
cause it to tip over or become damaged.  
Particular care concerning this precaution  
is required where small children are  
present.  
AC Adaptor  
Misuse of the AC adaptor creates the risk  
of fire and electric shock. Always make sure  
you observe the following precautions.  
Insert the AC adaptor into the wall outlet  
as far as it will go.  
Unplug the AC adaptor from the wall  
outlet during lightening storms or before  
leaving on a trip or other long-term  
absence.  
Location  
Avoid locating the product on an unstable  
stand, on an uneven surface, or any other  
unstable location. An unstable location can  
cause the product to fall over, creating the  
risk of personal injury.  
At least once a year, unplug the AC  
adaptor from the wall outlet and wipe  
away any dust that is built up in the area  
around the prongs of the plug.  
Relocating the Product  
Before relocating the product, always  
unplug the AC adaptor from the wall outlet  
and disconnect all other cables and  
connecting cords. Leaving cords connected  
creates the risk of damage to the cords, fire,  
and electric shock.  
Cleaning  
Before cleaning the product, always unplug  
the AC adaptor from the wall outlet first.  
Leaving the AC adaptor plugged in creates  
the risk of damage to the AC adaptor, fire,  
and electric shock.  
Batteries  
Misuse of batteries can cause them to leak  
resulting in damage to nearby objects, or to  
explode, creating the risk of fire and  
personal injury. Always make sure you  
observe the following precautions.  
Use only batteries that are specified for  
use with this product.  
Remove batteries from the product if you  
do not plan to use it for a long time.  
Connectors  
Connect only the specified devices and  
equipment to the products connectors.  
Connection of a non-specified device or  
equipment creates the risk of fire and  
electric shock.  
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Safety Precautions  
Location  
IMPORTANT!  
Avoid the following locations for this  
product. Such locations create the risk of  
fire and electric shock.  
When using batteries, be sure to replace them or shift to  
one of the alternate power sources whenever you notice  
any of the following symptoms.  
Areas subject to high humidity or large  
amounts of dust.  
In food preparation areas or other areas  
subject to oil smoke.  
Near air conditioning equipment, on a  
heated carpet, in areas exposed to direct  
sunlight, inside of a vehicle parked in  
the sun, or any other area that subjects  
the product to high temperatures.  
• Dim power supply indicator  
• Instrument does not turn on.  
• Dim, difficult to read display  
• Abnormally low speaker/headphone volume  
• Distortion of sound output  
• Occasional interruption of sound when playing at high  
volumes  
• Sudden power failure when playing at high volumes  
• Dimming of the display when playing at high volume  
• Continued sound output even after you release a key  
• A totally different tone may sound  
• Abnormal rhythm pattern and demo tune play  
• Abnormally low microphone volume  
• Distortion of microphone input  
Display Screen  
Never push on the display screens LCD  
panel or subject it to strong impact. Doing  
so can cause the LCD panels glass to  
crack, creating the risk of personal injury.  
Should the LCD panel ever crack or  
break, never touch the liquid inside of  
the panel. LCD panel liquid can cause  
skin irritation.  
• Dim power supply indicator when a microphone is used  
• Sudden power failure when using the microphone  
• Loss of power, sound distortion, or low volume when  
playing from a connected computer or MIDI device  
Should LCD panel liquid ever get inside  
your mouth, immediately wash out your  
mouth with water and contact your  
physician.  
Should LCD panel liquid ever get into  
your eyes or onto your skin, rinse with  
clear water for at least 15 minutes, and  
then contact a physician.  
Sound Volume  
Do not listen to music at very loud volumes  
for long periods. Particular care concerning  
this precaution is required when using  
headphones. High volume settings can  
damage your hearing.  
Heavy Objects  
Never place heavy object on top of the  
product.  
Doing so can make the product top heavy,  
causing the product to tip over or the object  
to fall from it, creating the risk of personal  
injury.  
Correct Stand* Assembly  
An incorrectly assembled stand can tip over,  
causing the product to fall and creating the  
risk of personal injury.  
Make sure you assemble the stand correctly,  
following the assembly instructions that  
come with it. Make sure you mount the  
product on the stand correctly.  
* Stand is available as an option.  
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Main Features  
255 tones  
A wide selection of tones includes stereo piano and synthesized sounds, drum sets, and much more.  
PIANO BANK button  
The touch of a button takes you directly to piano tones and piano lessons.  
Advanced 3-Step Lesson System  
The 3-Step Lesson System lets you practice at your own pace. The keyboard automatically grades your performances, so you can  
trace your progress as you improve.  
3-Step Lesson System: Now you can learn the parts that make up the keyboards built-in tunes step-by-step. Guidance that  
appears on the monitor screen helps lead you down the path to music proficiency.  
Evaluation System: The keyboard can be configured to rate your performances during Step 1 and Step 2 lessons by assigning  
points. You can even have the keyboard report your points vocally, both part way through and at the end of a lesson.  
Sing-along  
Simply connect a commercially available microphone to the microphone jack and you can sing along with the keyboards built-in  
tunes.  
100 built-in tunes, including piano pieces  
Built-in tunes are divided into two groups: a Song Bank of 50 tunes with Auto Accompaniment, and a Piano Bank of 50 piano  
tunes. You can simply enjoy listening to the built-in tunes, or eliminate the melody part of a Song Bank tunes or either hand part  
of a Piano Bank tune, and then play along on the keyboard.  
120 rhythms  
A selection of rhythms cover rock, pops, jazz and just about any other musical style imaginable.  
Auto Accompaniment  
Simply play a chord and the corresponding rhythm, bass, and chord parts play along automatically. One Touch Presets instantly  
recalls the most suitable tone and tempo settings to match the rhythm you are using.  
Musical Information System  
A big LCD screen graphically shows you fingerings, keyboard keys to be pressed, and notes, making keyboard play more  
informative and enjoyable than ever before. A built-in backlight keeps the display easy to read, even in total darkness.  
Song Memory function  
Record up to two parts in song memory for later playback. Realistic ensemble play can also be created using the Auto  
Accompaniment function.  
The on-screen keyboard guide shows fingerings for the melody as recorded songs are played back.  
General MIDI compatibility  
General MIDI tones let you connect to a personal computer and enjoy desktop musiccapabilities. This keyboard can be used as  
a desktop music input device or as a sound source, and its just the thing for playback of commercially available pre-recorded  
General MIDI music software.  
Display Indications for Received MIDI Messages  
When playing General MIDI data, you can have information (keyboard and pedal data) about a specific channel appear on the  
display. You can also turn off a specific channel and play its part on the keyboard. You can even turn off the output of a channel  
and play along on the keyboard.  
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Contents  
Safety Precautions ................ E-1  
Main Features ........................ E-5  
Contents................................. E-6  
Practicing on the Piano ...... E-21  
Using the PIANO BANK Button ............. E-21  
Playing a Built-in Tune........ E-22  
To play back a Song Bank tune ............. E-22  
To play back a Piano Bank tune............. E-23  
Musical Information System ................... E-23  
Adjusting the Tempo............................... E-23  
To pause playback ................................. E-24  
To fast reverse ....................................... E-24  
To fast forward ....................................... E-24  
To change the melody tone .................... E-25  
To play all tunes in succession............... E-25  
General Guide........................ E-8  
About the display ................................... E-11  
Quick Reference.................. E-12  
To play the keyboard .............................. E-12  
Power Supply ...................... E-14  
Using batteries ....................................... E-14  
Using the AC Adaptor............................. E-15  
Auto Power Off....................................... E-15  
Settings and Memory Contents.............. E-16  
Advanced 3-Step Lesson ... E-26  
Evaluation Mode .................................... E-27  
Using the Lesson Functions and  
Evaluation Mode .................................... E-27  
Connections ........................ E-17  
Step 1 – Master the timing. .................... E-28  
Step 2 – Master the notes. ..................... E-29  
Step 3 – Play at normal speed. .............. E-30  
Using the Phrase Practice Mode ........... E-30  
Voice Fingering Guide............................ E-31  
Using the Metronome............................. E-31  
Phones/Output Terminal......................... E-17  
Connecting to a Computer or Other  
Equipment .............................................. E-17  
Assignable jack Terminal........................ E-17  
Microphone Jack .................................... E-18  
Accessories and Options ....................... E-18  
Using a Microphone for  
Basic Operations................. E-19  
Sing Along ........................... E-32  
To play the keyboard .............................. E-19  
Selecting a Tone..................................... E-19  
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Contents  
Adjusting the Accompaniment Volume... E-49  
Tuning the Keyboard .............................. E-50  
Auto Accompaniment ......... E-34  
Selecting a Rhythm ................................ E-34  
Playing a Rhythm ................................... E-35  
Adjusting the Tempo............................... E-35  
Using Auto Accompaniment ................... E-35  
Using an Intro Pattern ............................ E-38  
Using a Fill-in Pattern............................. E-39  
Using a Rhythm Variation....................... E-39  
MIDI....................................... E-51  
What is MIDI? ........................................ E-51  
General MIDI.......................................... E-52  
Changing MIDI Settings ......................... E-52  
Messages............................................... E-56  
Using a Fill-in Pattern with  
Troubleshooting .................. E-59  
Specifications...................... E-61  
Care of your keyboard ........ E-63  
Appendix ................................ A-1  
a Variation Rhythm................................. E-39  
Synchro Starting Accompaniment with  
Rhythm Play........................................... E-39  
Finishing with an Ending Pattern ........... E-40  
Using One-touch Preset......................... E-40  
Song Memory Function ...... E-41  
Note Table ................................................ A-1  
Drum Assignment List .............................. A-3  
FINGERED Chord Chart .......................... A-5  
Tone List................................................... A-6  
Rhythm List .............................................. A-9  
Song List ................................................ A-10  
Tracks .................................................... E-41  
Real-time Recording to Track 1 ............. E-42  
Playing Back from Song Memory........... E-44  
Real-time Recording to Track 2 ............. E-44  
Deleting the Contents of  
a Specific Track...................................... E-45  
MIDI Implementation Chart  
Keyboard Settings .............. E-46  
Using Layer ............................................ E-46  
Using Split .............................................. E-46  
Using Layer and Split Together .............. E-47  
Transposing the Keyboard ..................... E-48  
Using Touch Response .......................... E-48  
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General Guide  
N
P
S
T
X Y  
V
W
Z [  
b
c
O
Q
R
U
\ ]  
a
^
E
F
G
H
I
1
J
2
E
*
*
K
L
M
1
2
3
4
5
6
7
8
9
0
B
C
A
D
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General Guide  
NOTE  
Key, button, and other names are indicated in the text of this manual using bold type.  
This keyboard has two PLAY/STOP buttons. In this manual, the PLAY/STOP button that is located under the SING ALONG  
button is indicated as <PLAY/STOP>.  
1
N
O
P
Q
R
S
T
U
V
W
POWER button  
Power indicator  
VOLUME slider  
MODE switch  
MIC jack  
2
3
4
MIC VOLUME knob  
SING ALONG button  
KEY CONTROL/TRANSPOSE buttons  
<PLAY/STOP> button  
SETTING button  
G SONG/PIANO BANK/RHYTHM CONTROLLER  
5
INTRO button  
SONG MEMORY button  
ONE TOUCH PRESET button  
RHYTHM button  
6
REW button, NORMAL/FILL-IN button  
7
FF button, VARIATION/FILL-IN button  
8
PAUSE button, SYNCHRO/ENDING button  
TONE button  
9
PLAY/STOP button, START/STOP button  
0
Song/Piano Bank controller indicator  
G ADVANCED 3-STEP LESSON SYSTEM  
A
X
Rhythm controller indicator  
SPEAK button  
Y
METRONOME button  
B
SONG BANK button  
Z
LEFT button, TRACK 1 button  
C
PIANO BANK button  
[
RIGHT button, TRACK 2 button  
D
TEMPO buttons  
\
SCORING 1 button  
E
Speaker  
]
PRACTICE PHRASE button  
F
RHYTHM list  
_
SCORING 2 button  
G
TONE list  
a
STEP 1 to 3 button  
H
SONG BANK/SING ALONG list  
I
b
Display  
SPLIT button  
J
c
PIANO BANK list  
LAYER button  
K
CHORD root names  
L
Percussion instrument list  
M
Voice 1 to 5  
*1 Attaching the Score Stand  
Insert the score stand into the slot at the top  
of the keyboard as shown in the illustration.  
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General Guide  
*2  
d
Number buttons  
For input of numbers to  
change a displayed number  
or setting.  
Negative values cannot be  
input using the number  
buttons. Use [+] (increase)  
and [] (decrease) instead.  
e
[+] []  
/
buttons  
Rear Panel  
f
g
f
g
h
i
j
MIDI OUT terminal  
MIDI IN terminal  
ASSIGNABLE JACK terminal  
DC 9V jack  
PHONES/OUTPUT terminal  
h
i
j
Controller Indicators  
Song/Piano Bank controller indicator  
Pressing the SONG BANK, PIANO BANK, or SING ALONG button, or pressing the SONG BANK and PIANO BANK buttons at  
5
the same time to start demo tune play causes the Song/Piano Bank controller indicator to light. This indicates that buttons  
9
through  
are currently functioning as playback control buttons.  
Rhythm controller indicator  
Pressing the RHYTHM button to enter the Rhythm Mode, or pressing the RHYTHM button and then the SONG MEMORY button  
5
9
to enter the Song Memory mode causes the Rhythm controller indicator to light. This indicates that buttons  
currently functioning as rhythm control buttons.  
through  
are  
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General Guide  
About the display  
2
9
1
10  
8 7  
3
6
5
4
1. The icons that appear here indicate whether the keyboard is in the Sing Along Mode, Song Bank Mode, or Piano Bank Mode.  
2. Numeric Area: This area displays tone numbers, song numbers, evaluation values, and other numeric data.  
Text Area:  
This area displays tone names and song names. It is also used as the display area for the Evaluation Mode,  
Song Memory, and other functions.  
Indicator Area: This area indicates the type of data that is currently displayed in the numeric area and text area.  
Example: The indicator points to SONG BANKwhen a Song Bank tune name is displayed.  
3. This area is a staff notation display that shows notes being played in built-in tunes, on the keyboard, or from memory, chord  
forms, and MIDI receive data.*1 Notes in the range F 6 to C7 are shown in the staff notation display one octave lower, along  
with an octave up mark (  
).*2  
If you are using a pedal, a pedal mark ( ) appears here whenever you press the pedal.  
*1 Received notes outside the range of C2 to C7 do not appear on the display.  
*2 Notes in the range of C2 through B2 are not shown while the octave up mark (  
) is on the display.  
4. An indicator appears next to a function that is in use: touch response, General MIDI Mode, song memory, layer, split.  
5. This area shows fingerings and other finger information during 3-step lesson and tune play. The letters L(left) and R(right)  
appear to indicate left and right hand Auto Accompaniment parts and song memory tracks.  
6. This area shows the current measure number and beat number, a graphic metronome, and the current tempo setting (beats  
per minute) during rhythm, Auto Accompaniment, built-in tune, song memory play, and metronome.  
7. This area shows chord names during Auto Accompaniment, Song Bank, and Sing Along play.  
8. This area uses a graphic keyboard to show notes being played in built-in tunes, on the keyboard, or from song memory, chord  
forms, and MIDI receive data.  
9. The type of star that appears here indicates the accuracy of your timing for each note you play, when the Evaluation Mode is  
turned on.  
10. This area displays indicators that show when 3-Step Lesson, the Evaluation Mode, or Voice Fingering is turned on.  
NOTE  
Display examples shown in this Users Guide are intended for illustrative purposes only. The actual text and values that  
appear on the display may differ from the examples shown in this Users Guide.  
Viewing a liquid crystal display screen from an angle can change the appearance of display contrast. The display contrast of  
this keyboard is set to allow easy viewing for a person seated on a chair in front of the keyboard. Note that display contrast  
is fixed, and cannot be adjusted.  
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Quick Reference  
SONG BANK  
PIANO BANK  
Number buttons  
Power indicator  
POWER  
STEP 2  
STEP 1  
MODE  
PLAY/STOP  
This section provides a quick overview of keyboard operation  
using steps one and two of the 3-step lesson feature.  
With the 3-step lesson feature, the on-screen keyboard guide  
keys light to show the next note of the tune.  
4 Find the tune you want to play in the SONG BANK/  
SING ALONG List, and then use the number  
buttons to input its two-digit number.  
See page A-10 for the Song Bank/Sing Along List.  
Example: To select 42 ALOHA OE, input 4 and then  
2.  
To play the keyboard  
1 Press the POWER button to turn on power.  
This causes the power indicator to light.  
A l o h a
 
O e  
Lit  
5 Press the STEP 1 button or STEP 2 button.  
The keyboard sounds a count beat and waits for you  
to play something on the keyboard. The keys that you  
need to press first flash on the display.  
6 Play the melody along with the selected tune’s  
2 Set the MODE switch to NORMAL.  
accompaniment.  
Play in accordance with the keyboard keys, fingerings  
and notes that appear on the display.  
A l o h a O e  
3 Press the SONG BANK button.  
This causes the SONG BANK button to light.  
Keyboard key used  
Fingering  
Note pitch  
Indicators  
appear  
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Quick Reference  
If you selected lesson Step 1  
Play the notes on the keyboard.  
Accompaniment (left-hand part) plays in time with  
the notes.  
With Step 1, the correct melody note is played no  
matter which keyboard key you press.  
If you selected lesson Step 2  
Play the correct notes on the keyboard.  
While an on-screen keyboard guide key is lit, press  
the corresponding key on the actual keyboard. In the  
case of a Piano Bank tune, the keyboard guide  
indication turns off when you press a keyboard key,  
and the on-screen keyboard guide key lights for the  
next note to be played.  
Accompaniment (left-hand part) plays in time with  
the notes, as long as you press the correct keyboard  
keys.  
7 To stop play at any time, press the PLAY/STOP  
button.  
To play an Etude or Concert Piece tune  
1 When you get to step 3 of the above procedure,  
press the PIANO BANK button in place of the  
SONG BANK button.  
This causes the PIANO BANK button to light.  
Indicators  
appear  
2 Find the tune you want to play in the PIANO BANK  
List, and then use the number buttons to input its  
two-digit number.  
See page A-11 for the Piano Bank List.  
3 Next, continue from step 5 of the above procedure.  
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Power Supply  
This keyboard can be powered by current from a standard  
household wall outlet (using the specified AC adaptor) or by  
batteries. Always make sure you turn the keyboard off  
whenever you are not using it.  
Important Battery Information  
I
The following shows the approximate battery life.  
Manganese batteries ............................... 6 hours  
The above value is standard battery life at normal  
temperature, with the keyboard volume at medium  
setting. Temperature extremes or playing at very loud  
volume settings can shorten battery life.  
Using batteries  
Always make sure you turn off the keyboard before loading  
or replacing batteries.  
I
Any of the following symptoms indicate low battery power.  
Replace batteries as soon as possible whenever any of  
the following occurs.  
To load batteries  
Dim power supply indicator  
Instrument does not turn on  
1 Remove the battery compartment cover.  
Dim, difficult to read display  
Abnormally low speaker/headphone volume  
Distortion of sound output  
Occasional interruption of sound when playing at high  
volumes  
Sudden power failure when playing at high volumes  
Dimming of the display when playing at high volume  
Continued sound output even after you release a key  
A totally different tone may sound  
Abnormal rhythm pattern and demo tune play  
Abnormally low microphone volume  
Distortion of microphone input  
2 Load 6 D-size batteries into the battery  
compartment.  
Make sure that the positive (+) and negative () ends  
are facing correctly.  
Dim power supply indicator when a microphone is used  
Sudden power failure when using the microphone  
Loss of power, sound distortion, or low volume when  
playing from a connected computer or MIDI device  
3 Insert the tabs on the battery compartment cover  
into the holes provided and close the cover.  
WARNING  
Misuse of batteries can cause them to leak, resulting in  
damage to nearby objects, or to explode, creating the risk of  
fire and personal injury. Always make sure you observe the  
following precautions.  
Never try to take batteries apart or allow them to  
become shorted.  
NOTE  
The keyboard may not function correctly if you load or  
replace batteries with power turned on. If this happens,  
turning the keyboard off and then back on again should  
return functions back to normal.  
Never expose batteries to heat or dispose of them by  
incineration.  
Never mix old batteries with new ones.  
Never mix batteries of different types.  
Do not charge the batteries.  
Make sure the positive (+) and negative () ends of  
the batteries are facing correctly.  
CAUTION  
Misuse of batteries can cause them to leak resulting in  
damage to nearby objects, or to explode, creating the risk of  
fire and personal injury. Always make sure you observe the  
following precautions.  
Use only batteries that are specified for use with this  
product.  
Remove batteries from the product if you do not plan  
to use it for a long time.  
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Power Supply  
CAUTION  
Using the AC Adaptor  
Misuse of the AC adaptor creates the risk of fire and electric  
shock. Always make sure you observe the following  
precautions.  
Make sure that you use only the AC adaptor specified for  
this keyboard.  
Do not locate the electric cord near a stove or other  
sources of heat.  
Specified AC Adaptor: AD-5  
Never pull on the cord when unplugging from the  
electrical outlet. Always grasp the AC adaptor when  
unplugging.  
[Rear Panel]  
DC 9V jack  
Insert the AC adaptor into the wall outlet as far as it  
will go.  
Unplug the AC adaptor from the wall outlet during  
lightening storms or before leaving on a trip or other  
long-term absence.  
AC adapter AD-5  
At least once a year, unplug the AC adaptor from the  
wall outlet and wipe away any dust that is built up in  
the area around the prongs of the plug.  
AC outlet  
IMPORTANT!  
Make sure that the keyboard is turned off before  
connecting or disconnecting the AC adaptor.  
Using the AC adaptor for a long time can cause it to  
become warm to the touch. This is normal and does not  
indicate malfunction.  
Also note the following important warnings and precautions  
when using the AC adaptor.  
WARNING  
Misuse of the AC adaptor creates the risk of fire and electric  
shock. Always make sure you observe the following  
precautions.  
Be sure to use only the AC adaptor that is specified  
for this product.  
Use only a power source whose voltage is within the  
rating marked on the AC adaptor.  
Do not overload electrical outlets and extension cords.  
Auto Power Off  
When you are using battery power, keyboard power turns  
off automatically whenever you leave it on without  
performing any operation for about 6 minutes. When this  
happens, press the POWER button to turn power back on.  
Never place heavy objects on the cord or subject it to  
heat.  
Never try to modify the cord or subject it to excessive  
bending.  
NOTE  
Auto Power Off is disabled (it does not function) when  
you are using the AC adaptor to power the keyboard.  
Never twist or stretch the cord.  
Should the electric cord or plug become damaged,  
contact your original retailer or authorized CASIO  
Service Provider.  
Never touch the AC adaptor while your hands are wet.  
Doing so creates the risk of electric shock.  
To disable Auto Power Off  
Hold down the TONE button while turning on the keyboard  
to disable Auto Power Off.  
NOTE  
When this function is turned off, the keyboard does not  
turn off automatically no matter how long it is left with  
no operation being performed.  
Auto Power Off is enabled again when you manually  
turn off power and then turn it back on again.  
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Power Supply  
Settings and Memory Contents  
Settings  
Tone, rhythm, and other main keyboard settingsin effect  
when power is turned off manually with the POWER button  
or automatically by Auto Power Off remain in effect when  
you next turn power back on.  
Main Keyboard Settings  
Main keyboard settings are: layer, split, split point,  
touch response, rhythm number, rhythm tempo,  
accompaniment volume, layered tone, split tone,  
layered split tone, General MIDI mode on/off, accomp  
MIDI OUT on/off, Assignable jack setting, keyboard  
channel, and voice fingering guide on/off.  
Song Memory Contents  
In addition to the above settings, data stored using the song  
memory function is also retained.  
Electrical Power  
The settings and memory data described above are retained  
as long as the keyboard is being supplied with electrical  
power. Unplugging the AC adaptor when batteries are not  
loaded or when loaded batteries are dead cuts off the  
keyboards electrical power supply. This causes all settings  
to be initialized to their factory defaults and clears all data  
stored in memory.  
Power Requirements  
Note the following precautions whenever you want to ensure  
that current keyboard settings and memory contents are not  
lost.  
Make sure the keyboard is being supplied power through  
the AC adaptor before replacing its batteries.  
Before unplugging the AC adaptor, make sure that fresh  
batteries are loaded in the keyboard.  
Make sure that keyboard power is turned off before replacing  
batteries or unplugging the AC adaptor.  
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Connections  
Connection Example  
Phones/Output Terminal  
PIN plug (red)  
PIN jack  
PREPARATION  
To keyboards  
PHONES/OUTPUT  
terminal  
INPUT 1  
INPUT 2  
Before connecting headphones or other external  
equipment, be sure to first turn down the volume settings  
of the keyboard and the connected equipment. You can  
then adjust volume to the desired level after connections  
are complete.  
PIN plug (white)  
Keyboard or  
guitar amp  
Stereo standard plug  
Standard plug  
[Rear Panel]  
Connecting to a Computer or  
Other Equipment  
PHONES/OUTPUT terminal  
You can also connect the keyboard to a computer or sequencer.  
Audio connection  
See MIDIon page E-51 for details.  
1
Assignable jack Terminal  
You can connect an optional sustain pedal (SP-2 or SP-20) to  
the ASSIGNABLE JACK terminal to enable the capabilities  
described below.  
Stereo standard  
plug  
3
Keyboard amp,  
White  
Red  
PIN plug  
guitar amp, etc.  
2
LEFT RIGHT  
For details on how to select the pedal function you want, see  
ASSIGNABLE JACK (Default: SUS)on page E-55.  
AUX IN or similar terminal  
of audio amplifier  
ASSIGNABLE JACK Terminal  
1
Connecting Headphones (Figure  
)
Connecting headphones cuts off output from the keyboards  
built-in speakers, so you can play even late at night without  
disturbing anyone.  
2
Audio Equipment (Figure  
)
Connect the keyboard to a audio equipment using a  
commercially available connecting cord with a standard plug  
on one end and two PIN plugs on the other end. Note that  
the standard plug you connect to the keyboard must be a  
stereo plug, otherwise you will be able to output only one of  
stereo channels. In this configuration, you normally set the  
input selector of the audio equipment to the terminal (usually  
marked AUX IN or something similar) where the cord from  
the keyboard is connected. See the user documentation that  
comes with your audio equipment for full details.  
SP-20  
Sustain Pedal  
With piano tones, depressing the pedal causes notes to  
linger, much like a pianos damper pedal.  
With organ tones, depressing the pedal causes notes to  
continue to sound until the pedal is released.  
3
Musical Instrument Amplifier (Figure  
)
Sostenuto Pedal  
Use a commercially available connecting cord to connect the  
keyboard to a musical instrument amplifier.  
As with the sustain pedal function described above,  
depressing the sostenuto pedal causes notes to be sustained.  
This difference between a sostenuto pedal and sustain pedal  
is the timing. With a sostenuto pedal, you press the keys  
and then depress the pedal before you release the keys.  
Only the notes that are sounding when the pedal is  
depressed are sustained.  
NOTE  
Be sure to use a connecting cord that has a stereo  
standard plug on the end you connect to the keyboard,  
and a connector that provides dual channel (left and  
right) input to the amplifier to which you are connecting.  
The wrong type of connector at either end can cause  
one of the stereo channels to be lost.  
Soft Pedal  
Depressing the pedal softens the sound of the notes being  
played.  
When connected to a musical instrument amplifier, set the  
volume of the keyboard to a relatively low level and make  
output volume adjustments using the amplifiers controls.  
Rhythm Start/Stop Pedal  
In this case, the pedal performs the same functions as the  
START/STOP button.  
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Connections  
Microphone Jack  
You can connect a commercially available microphone to the  
microphone jack and sing along with notes played on the  
keyboard. For details, see Using a Microphone for Sing  
Alongon page E-32.  
Accessories and Options  
Use only the accessories and options specified for this  
keyboard. Use of non-authorized items creates the danger of  
fire, electrical shock, and personal injury.  
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Basic Operations  
SING ALONG  
PIANO BANK  
SONG BANK  
TONE  
Number buttons  
[+] / []  
POWER  
VOLUME  
MODE  
This section provides information on performing basic  
keyboard operations.  
2 Press the TONE button.  
To play the keyboard  
1 Press the POWER button to turn the keyboard on.  
2 Set the MODE switch to NORMAL.  
Indicator appears  
If you were in the Song Bank Mode when you pressed  
the TONE button, this will cause the SONG BANK  
button to flash. If you were in the Piano Bank Mode,  
the PIANO BANK button will flash. If you were in  
the Sing Along Mode, the SING ALONG button will  
flash.  
3 Use the VOLUME slider to set the volume to a  
relatively low level.  
4 Play something on the keyboard.  
The keyboards initial power on default setting is Song  
Bank Mode. The tone that is initially assigned to the  
keyboard is 096 FLUTE 1, which is the tone used by  
Song Bank tune number 00.  
3 Use the number buttons to input the three-digit tone  
number of the tone you want to select.  
Example: To select 049 ACOUSTIC BASS, input 0, 4  
and then 9.  
Selecting a Tone  
This keyboard comes with 255 built-in tones. Use the  
following procedure to select the tone you want.  
A c o . B a s s  
Press the flashing button (SONG BANK, PIANO  
BANK or SING ALONG) to exit the tone select  
operation and stop the flashing.  
To select a tone  
1 Find the tone you want to use in the TONE List and  
NOTE  
note its tone number.  
Always input all three digits for the tone number,  
including leading zeros (if any). If you input one or two  
digits and stop, the display will automatically clear your  
input after a few seconds.  
Not all of the available tones are shown on the tone  
list printed on the keyboard console. For a complete  
list, see the Tone Liston page A-6.  
You can also increment the displayed tone number by  
pressing [+] and decrement it by pressing [].  
When one of the drum sets is selected (tone numbers  
246 through 254), each keyboard key is assigned a  
different percussion sound. See page A-3 for details.  
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Basic Operations  
Polyphony  
The term polyphony refers to the maximum number of notes  
you can play at the same time. The keyboard has 24-note  
polyphony, which includes the notes you play as well as the  
rhythms and auto-accompaniment patterns that are played  
by the keyboard. This means that when a rhythm or auto-  
accompaniment pattern is being played by the keyboard, the  
number of notes (polyphony) available for keyboard play is  
reduced. Also note that some of the tones offer only 12-note  
polyphony.  
When rhythm or auto accompaniment is playing, the  
number of sounds simultaneously played is reduced.  
Digital Sampling  
A number of the tones that are available with this keyboard  
have been recorded and processed using a technique called  
digital sampling. To ensure a high level of tonal quality,  
samples are taken in the low, mid, and high ranges and then  
combined to provide you with sounds that are amazingly  
close to the originals. You may notice very slight differences  
in volume or sound quality for some tones when you play  
them at different positions on the keyboard. This is an  
unavoidable result of multiple sampling, and it is not a sign  
of malfunction.  
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Practicing on the Piano  
PIANO BANK  
PLAY/STOP  
Using the PIANO BANK Button  
Pressing the PIANO BANK button provides instant access to  
piano tones and piano tune selection.  
Initial Piano Bank Setting  
Tone: 000 Stereo Piano  
To use the piano bank  
1 Press the PIANO BANK button.  
This causes the PIANO BANK button to light.  
Indicators  
appear  
2 Now try playing something on the keyboard.  
The notes you play sound with a piano tone.  
3 If you want to playback the built-in tune, press the  
PLAY/STOP button.  
This causes the currently selected tune to play in an  
endless loop.  
To stop playback, press the PLAY/STOP button again.  
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Playing a Built-in Tune  
SONG BANK  
PIANO BANK  
Number buttons  
[+] / []  
TEMPO  
PLAY/STOP  
Your keyboard comes with a total of built-in 100 tunes. You  
can play back built-in tunes for your own listening pleasure,  
or you can use them for practice and even sing-along. Built-  
in tunes are divided between the two groups described below.  
3 Use the number buttons to input the tunes two-  
digit number.  
Example: To select 42 ALOHA OE, input 4 and then 2.  
Song number  
Song name  
Song Bank/Sing Along Group: 50 tunes for one-hand play  
The tunes in this group are Auto Accompaniment tunes. A  
Song Bank Group tune can be used during a lesson for  
melody part practice. If you connect a microphone to the  
keyboard and enter the Sing Along Mode*, you can sing  
along with the built-in tune.  
A l o h a O e  
* The Sing Along Mode reduces the volume of the melody  
part of the built-in tunes and changes the tone selection  
to one that makes it easier for a vocalist to follow.  
Piano Bank Group: 50 tunes for two-hand play  
The piano tunes in this group are subdivided between 20  
etudes and 30 concert pieces. A Piano Bank Group tune can  
be used during a lesson for left-hand part and right-hand  
part practice.  
NOTE  
Tune Number 00 is the initial default Song Bank tune  
setting whenever you turn on keyboard power.  
You can also increment the displayed tune number by  
pressing [+] and decrement is by pressing [].  
4 Press the PLAY/STOP button to start play of the tune.  
To play back a Song Bank tune  
Staff display  
PREPARATION  
Adjust the main volume (page E-19).  
A l o h a O e  
1 Find the tune you want to play in the SONG BANK/  
SING ALONG List, and note its number.  
See page A-10 for the Song Bank/Sing Along List.  
2 Press the SONG BANK button to enter the Song  
Keyboard keys used  
Chord name  
Fingering  
Bank Mode.  
This causes the SONG BANK button to light.  
5 Press the PLAY/STOP button to stop playback of  
the Song Bank tune.  
The tune you select continues to play until you stop  
it.  
Indicators  
appear  
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Playing a Built-in Tune  
To play back a Piano Bank tune  
Musical Information System  
When the keyboard is playing one of its built-in tunes, the  
display shows a variety of information about the tune.  
1 Find the tune you want to play in the PIANO BANK  
List, and note its number.  
Example: Display during Song Bank play  
See page A-11 for the Piano Bank List.  
Staff display  
2 Press the PIANO BANK button to specify the Piano  
Bank group.  
A l o h a O e  
Indicators  
appear  
Keyboard keys used  
Chord name  
Fingering  
NOTE  
Pressing the PIANO BANK button changes the tone to  
stereo piano (Tone Number 000).  
NOTE  
Chord names are not displayed for Piano Bank tunes.  
3 Use the number buttons to input the two-digit tune  
number you looked up in step 1.  
Example: To select tune number 16 (Ode To Joy), input  
1 and then 6.  
Adjusting the Tempo  
Each tune has a preset default tempo (beats per minute) that  
is set automatically whenever you select a tune. While the  
tune is playing, you can change the tempo setting to a value  
in the range of 40 to 255.  
y
O d e T o J o  
To set the tempo  
NOTE  
Tune Number 00 is the initial default Piano Bank tune  
setting whenever you turn on keyboard power.  
You can also change the displayed tune number using  
the [+] and [] buttons.  
1 Use the TEMPO buttons to set the tempo.  
: Increases the tempo value.  
: Decreases the tempo value.  
Flash  
4 Press the PLAY/STOP button to start playback.  
5 To stop playback, press the PLAY/STOP button.  
Tempo value  
The tune you select continues to play until you stop  
it.  
NOTE  
While the tempo value is flashing, you can also use the  
number buttons or [+] and [] to input a three-digit value.  
Note that you must input leading zeros, so 90 is input  
as 090.  
Pressing both the and TEMPO buttons at the same  
time automatically returns the currently selected rhythm  
to its default tempo.  
Piano Bank tunes have tempo changes part way through  
in order to produce specific musical effects. Note that  
the tempo setting automatically returns to the default  
whenever a tempo change occurs within one of these  
tunes.  
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Playing a Built-in Tune  
PIANO BANK  
SONG BANK  
TONE  
Number buttons  
[+] / []  
REW  
FF  
PAUSE  
PLAY/STOP  
To pause playback  
To fast forward  
1 Press the PAUSE button while a tune is playing to  
1 While a tune is playing or paused, hold down the  
pause it.  
FF button to skip forward at high speed.  
The fast forward operation skips forward one measure  
at a time.  
2 Pressing the PAUSE button again resumes play from  
The measure and beat numbers on the display change  
while the fast forward operation is being performed.  
the point where it was paused.  
To fast reverse  
1 While a tune is playing or paused, hold down the  
Measure number  
Beat number  
REW button to skip in a reverse direction at high  
speed.  
2 Releasing the FF button starts song playback from  
The fast reverse operation skips back one measure at  
a time.  
the measure whose number is shown on the display.  
The measure and beat numbers on the display change  
while the fast reverse operation is being performed.  
NOTE  
Fast forward does not work while tune play is stopped.  
Measure number  
Beat number  
2 Releasing the REW button starts song playback from  
the measure whose number is shown on the display.  
NOTE  
Fast reverse does not work while tune play is stopped.  
Certain playback conditions can cause it to take some  
time before fast reverse starts after you press the REW  
button.  
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Playing a Built-in Tune  
To change the melody tone  
To play all tunes in succession  
1 Press the TONE button.  
1 Press the SONG BANK button and PIANO BANK  
button at the same time.  
Playback starts from Song Bank tune number 00,  
followed in sequence by Piano Bank tunes.  
Both the SONG BANK button and PIANO BANK  
button are lit during demo play.  
Indicator appears  
2 To stop tune play, press the PLAY/STOP button.  
2 Find the tone you want in the TONE List, and then  
use the number buttons to input its three-digit  
NOTE  
number.  
While a tune is playing, you can use the number buttons  
or [+] and [] to change to another tune.  
Example: To select 057 VIOLIN, input 0, then 5, then  
You can play along with the tunes on the keyboard.  
7.  
You can select any one of the keyboards 255 built-in  
tones.  
V i o l
 
i n  
NOTE  
You can also use the [+] and [] buttons to change the  
melody tones.  
For two-hand tunes (Piano Bank tunes), the same tone  
is applied for both the left and right hand parts.  
Specifying the tune number for the same tune that is  
currently selected returns the melody tone to the default  
setting for that tune.  
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Advanced 3-Step Lesson  
With the Advanced 3-Step Lesson System, you can practice  
Two-hand Tunes (Piano Bank)  
the built-in tunes and even plot your progress according to  
the evaluation points the keyboard awards you.  
The 3-Step Lesson System lets you practice at your own pace.  
With the Evaluation Mode, you can get an idea of how much  
you are progressing. You can even find out what phrases in  
your performance need more work and concentrate your  
practice there.  
These types of tunes are played with both hands, as in a piano  
solo. When using these tunes for a 3-step lesson, you can  
practice playing along with both the left hand and right hand  
parts.  
Display Contents During 3-step  
Lesson Play  
Whenever you select an Auto Accompaniment tune for 3-  
step lesson play, the on-screen keyboard guide and staff  
notation shows the note you should play and its length. The  
on-screen keyboard guide also shows the notes you play on  
the keyboard. The following describes the information that  
appears on the display.  
Lesson Progress  
Step 1  
Evaluation 1  
Step 2  
Evaluation 2  
Step 3  
Targeted Practice  
Note Pitch  
3-Step Lesson  
The key you should press lights on the on-screen keyboard  
guide, while the actual pitch of the note appears in the  
displays staff notation area. The fingers you should use to  
play the notes are also shown on the display.  
The 3-step lesson feature takes you through the three distinct  
steps described below to help you learn to play tunes on the  
keyboard.  
Step 1 – Master the timing.  
Note Length  
In this step, pressing any key on the keyboard plays the  
correct note, so you can concentrate on getting the timing  
right without worrying about playing the right note.  
Accompaniment (left-hand part) waits until you press a key  
before proceeding to the next phrase.  
The key stays lit on the on-screen keyboard guide for as long  
as the note should be sustained. The staff notation and  
fingerings also remain on the display for the length of the  
note.  
Next Note  
Step 2 – Master the notes.  
An on-screen keyboard guide key flashes to indicate the next  
note to be played, while a number appears on the display  
near the finger you should use to play the next note.  
In this step, you learn the keys to press to play the notes. The  
keys you need to press light on the on-screen keyboard guide,  
so simply follow along as you learn to play. Accompaniment  
(left-hand part) waits until your play the correct note, so you  
can learn at your own pace.  
Series of Same Pitch Notes  
The on-screen keyboard guide key turns off momentarily  
between the notes, and lights again for each successive note.  
The staff notation and fingerings also turn off and back on  
again.  
Step 3 – Play at normal speed.  
This is where you enjoy actually playing the tunes you learn  
using Step 1 and Step 2. The on-screen keyboard guide still  
shows you which keyboard keys to press, but accompaniment  
proceeds at normal speed regardless of whether or not you  
play the correct notes.  
Example: When play requires pressing keys with fingers  
3, 2, and then 1  
1st Note  
2nd Note  
3rd Note  
Tune Types and Their Parts  
Next note  
Current note  
The built-in tunes of this keyboard are divided between two  
basic groups: Auto Accompaniment tunes (Song Bank) and  
two-hand accompaniment tunes (Piano Bank). The parts  
available for 3-step lesson practice depend on the type of tune  
you are using.  
Lit  
Lit  
Flash  
Flash  
Lit  
Flash  
On-screen  
keyboard  
guide  
Auto Accompaniment Tunes (Song Bank)  
As their name suggests, these tunes are made up of an Auto  
Accompaniment part and a melody part. When using these  
tunes for a 3-step lesson, you can practice playing along with  
the melody (right hand) part only.  
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Advanced 3-Step Lesson  
NOTE  
Using Tone and Voice Guide  
Note length is not indicated when you are using two-  
hand tunes with 3-step lesson Steps 1 and 2. As soon  
as you press a key that is lit on the on-screen keyboard  
guide, it goes out and the next key you need to press  
starts to flash.  
Note length is indicated by the on-screen keyboard guide  
when you use two-hand tunes with Step 3. In this case,  
the next key to be pressed does not flash when you  
press a lit key and the next finger number does not  
appear on the display. Only the current finger number is  
shown.  
When the keyboard senses that your timing is off, it will let  
you know by changing the notes you play to a tone that is  
different from the one you currently have selected. In the  
Evaluation Mode, a simulated human voice will also tell you  
your evaluation level. The sound effect keeps you informed  
of when your evaluation level is about to change.  
Expressions  
Good”  
<High>  
Thats close”  
Nice try!”  
Keep trying!”  
Evaluation Ranges  
<Low>  
Take your time: This expression is used if you do not  
play the correct note for a long time.  
3-step Lesson Tempo Setting  
Use the procedure under Adjusting the Tempoon page E-  
23 to adjust the tempo for 3-step lesson play.  
Evaluation Results  
After you finish playing, the keyboard calculates an  
evaluation of your total performance, from beginning to end,  
and displays your total score on the monitor screen. The  
greater the score, the higher your evaluation is.  
Evaluation Mode  
The keyboards Evaluation Mode awards points to your  
performances during Step 1 and Step 2 of the 3-Step Lesson.  
A perfect score is 100. Also, the Evaluation Mode provides  
comments about your play, both on the monitor screen and  
by means of a simulated human voice.  
Evaluation Rank Display Messages and Sound Effects  
Display Message  
Sound Effect  
Bravo!”  
Applause and  
cheering  
<High>  
Evaluation Mode Display  
Level Indicator (9 Levels): This indicator shows the evaluation  
of your current performance at a glance. The more segments  
that appear, the higher your points.  
Great”  
Not bad!”  
Again!”  
Applause only  
None  
None  
Evaluation Ranges  
<Low>  
****: indicates that the Evaluation Mode was exited  
before an evaluation result could be obtained.  
Example: 50 points  
NOTE  
If your play is flawless, the message Perfect!appears  
before the evaluation result.  
If you press the PLAY/STOP button and interrupt the  
Evaluation Mode part way through, the monitor screen  
shows the evaluation points you have accumulated up  
to that point. In this case, the keyboard does not display  
a message and play a sound effect.  
Timing Indicator: In the Evaluation Mode, the configuration  
of the star changes with each note to let  
you know how your timing is. The more  
stars, the better your timing.  
Using the Lesson Functions and  
Evaluation Mode  
Perform the following steps to master your favorite tunes.  
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Advanced 3-Step Lesson  
PIANO BANK  
SONG BANK  
LEFT  
SCORING 1  
SCORING 2  
STEP 1  
STEP 2  
PLAY/STOP  
4 To stop play at any time, press the PLAY/STOP  
Step 1 – Master the timing.  
button.  
1 Select the tune you want to use.  
NOTE  
Left hand practice can also be performed with Piano  
Bank tunes. Simply select one of the two-hand tunes in  
step 1 of the above procedure, and then press the LEFT  
button following step 2.  
3-step lesson does not allow simultaneous practice of  
both hands.  
2 Press the STEP 1 button to start Step 1 play.  
After a count sounds, they keyboard stands by and  
waits for you to play the first note of the tune.  
Note pitch  
Indicator appears  
You can also use fast forward and fast reverse operations  
with Step 1 play.  
You cannot pause Step 1 play.  
A l o h a O e  
Rhythm does not sound during Step 1 play.  
Evaluation 1: Find out how the  
keyboard evaluates your Step 1 play.  
Keyboard keys used  
Fingering  
Use the SCORING 1 button to check the evaluation of your  
play in Step 1.  
The hand you should use is indicated by arrows  
around it.  
1 Press the SCORING 1 button.  
This causes the SCORING 1 indicator to appear on  
the display.  
A count beat sounds and then evaluation mode starts.  
Indicator appears  
Indicators  
3 Press any keyboard keys to play the notes.  
The key for the next note to be played flashes on the  
on-screen keyboard guide and the keyboard waits for  
you to play it. When you press any key to play the  
note, the on-screen key remains lit as the note plays.  
Accompaniment (left-hand part) waits until you press  
any key to play a note.  
2 Play in accordance with the guidance on the  
If you accidentally press more than one key in  
succession, accompaniment is played for the  
corresponding number of notes.  
Pressing more than one key at the same time counts  
as a single note. Pressing a key while another key is  
held down is counted as two notes.  
monitor screen and as told by the voice.  
To stop evaluation, press the PLAY/STOP button. This  
displays only the points accumulated up to that point.  
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Advanced 3-Step Lesson  
3 After you finished playing, your evaluation result  
NOTE  
appears on the display.  
Left hand practice can also be performed with Piano  
Bank tunes. Simply select one of the two-hand tunes in  
step 1 of the above procedure, and then press the LEFT  
button following step 2.  
3-step lesson does not allow simultaneous practice of  
both hands.  
You can also use fast forward and fast reverse operations  
with Step 2 play.  
You cannot pause Step 2 play.  
For information about evaluation ranks and sound  
effects, see Evaluation Resultson page E-27.  
The keyboard will tell you where you scored the  
lowest during your performance, so you can find out  
where you need the most work. See Using the Phrase  
Practice Modeon page E-30 for more information.  
Pressing the SONG BANK button or PIANO BANK  
button returns to the tune selection screen.  
Rhythm does not sound during Step 2 play.  
B r a v o !  
Evaluation 2: Find out how the  
keyboard evaluates your Step 2 play.  
Step 2 – Master the notes.  
Use the SCORING 2 button to check the evaluation of your  
play in Step 2.  
1 Select the tune you want to use.  
1 Press the SCORING 2 button.  
This causes the SCORING 2 indicator to appear on  
the display.  
2 Press the STEP 2 button to start Step 2 play.  
After a count sounds, the keyboard stands by and  
waits for you to play the first note of the tune.  
A count beat sounds and then evaluation mode starts.  
Indicator appears  
Indicator appears  
A l o h a O e  
Keyboard keys used  
Fingering  
2 Play in accordance with the guidance on the  
monitor screen and as told by the voice.  
3 Play the notes as indicated by the on-screen  
To stop evaluation, press the PLAY/STOP button. This  
displays only the points accumulated up to that point.  
keyboard guide.  
The key for the next note to be played flashes on the  
on-screen keyboard guide and the keyboard waits for  
you to play it. When you press any key to play the  
note, the on-screen key remains lit as the note plays.  
If multiple keys light on the on-screen keyboard guide  
when you are using a two-hand tune, it means that  
you must press all of the keys that are lit.  
3 After you finished playing, your evaluation result  
appears on the display.  
For information about evaluation ranks and sound  
effects, see Evaluation Resultson page E-27.  
The keyboard will tell you where you scored the  
lowest during your performance, so you can find out  
where you need the most work. See Using the Phrase  
Practice Modeon page E-30 for more information.  
Pressing the SONG BANK button or PIANO BANK  
button returns to the tune selection screen.  
4 To stop play at any time, press the PLAY/STOP  
button.  
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Advanced 3-Step Lesson  
SPEAK  
METRONOME  
LEFT  
Number buttons  
[+] / []  
PRACTICE PHRASE  
SCORING 2  
TEMPO  
STEP 1  
SCORING 1  
STEP 3  
STEP 2  
PLAY/STOP  
Step 3 – Play at normal speed.  
Using the Phrase Practice Mode  
Perform the following procedure to find out where you scored  
the lowest in your performance, so you can find your weak  
points and focus your practice on those phrases.  
1 Select the tune you want to play.  
2 Press the STEP 3 button to start Step 3 play.  
1 After displaying your evaluation results, press the  
Accompaniment (left hand part) starts to play at  
normal speed.  
PRACTICE PHRASE button.  
Indicator appears  
0 1 0 - 0 1 4  
A l o h a O e  
This displays the Phrase Practice Mode screen, which  
shows the phrase (start measure number and end  
measure number) where your evaluation mode was  
the lowest. This is the practice phrase.  
NOTE  
Keyboard keys used  
Fingering  
If there are multiple phrases that qualify as the lowest  
score, the phrase closest to the beginning of the tune is  
used for phrase practice.  
3 Play the notes as indicated by the on-screen  
If there is no section that qualifies for phrase practice,  
keyboard guide.  
-
is displayed in place of the start and end  
*** ***  
measures.  
4 To stop play at any time, press the PLAY/STOP  
Phrase practice measures are cleared if you change to  
another tune or another mode.  
button.  
NOTE  
Left hand practice can also be performed with Piano  
Bank tunes. Simply select one of the two-hand tunes in  
step 1 of the above procedure, and then press the LEFT  
button following step 2.  
3-step lesson does not allow simultaneous practice of  
both hands.  
To play back the practice phrase  
1 While the Phrase Practice Mode screen is on the  
display, press the PLAY/STOP button.  
This plays back the phrase starting from the start  
measure number.  
You can also use pause, fast forward and fast reverse  
operations with Step 3 play.  
Playback continues until the end of the tune is  
reached. After that, playback automatically jumps to  
the beginning of the tune. Note that playback of the  
practice phrase is not repeated automatically.  
NOTE  
With some tunes, it may take a few seconds for playback  
to start after you press the PLAY/STOP button in the  
above procedure.  
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Advanced 3-Step Lesson  
To practice the practice phrase  
To start the metronome  
1 While the Phrase Practice Mode screen is on the  
1 Press the METRONOME button to start sounding  
display, press the STEP 1, STEP 2, or STEP 3 button.  
This starts 3-Step Lesson playback of the practice  
phrase in accordance with the STEP button you  
pressed.  
the metronome.  
This causes Beatto appear on the display. Perform  
step 2 within five seconds after Beatappears.  
2 Play along on the keyboard.  
Playback continues until the end of the tune is  
reached. After that, playback automatically jumps to  
the beginning of the tune. Note that playback of the  
practice phrase is not repeated automatically.  
To stop playback, press the PLAY/STOP button.  
2 Use the number buttons or [+] and [] to change  
the number of beats per measure.  
You can specify the number of beats per measure a  
value from 1 to 6.  
Voice Fingering Guide  
B e a t  
Voice fingering guide uses a simulated human voice to call  
out fingering numbers during Step 1 and Step 2 one-hand  
part practice. If you need to press a key with your thumb, for  
example, voice fingering guide says, One!In the case of a  
chord to be played with your thumb, middle and little finger,  
voice fingering guide says, One, three, five!”  
NOTE  
The bell (indicating the first beat of a measure) does not  
sound while one beat per measure is specified. All beats  
are indicated by a click sound. This setting lets you  
practice with a steady beat, without worrying about how  
many beats there are in each measure.  
Voice Fingering Guide calls out fingerings only when you do  
not press the proper key when you should.  
Voice Fingering Guide  
3 Use the TEMPO buttons to set the tempo.  
Press to increase the tempo (make if faster) or to  
decrease it (make it slower).  
One : Thumb  
Two : Forefinger  
Three : Middle finger  
Four : Ring finger  
Five : Little finger  
Flash  
Tempo value  
To turn voice fingering guide on or off  
Press the SPEAK button to toggle voice fingering guide on  
(voice fingering guide indicator displayed) and off (indicator  
not displayed).  
NOTE  
While the tempo value is flashing, you can also use the  
number buttons or [+] and [] to input a three-digit value.  
Note that you must input leading zeros, so 90 is input  
as 090.  
Pressing both the and TEMPO buttons at the same  
time automatically returns the currently selected rhythm  
or tune to its default tempo.  
Indicator  
appears  
NOTE  
Note that Voice Fingering is disabled in the Evaluation  
Mode. Pressing the SCORING 1 or SCORING 2 button  
automatically turns off Voice Fingering.  
4 To turn off the metronome, press the METRONOME  
button.  
Exiting the Evaluation Mode automatically restores the  
Voice Fingering setting that was in effect when you  
entered the Evaluation Mode.  
NOTE  
The metronome is disabled whenever you are using Step  
1 or Step 2 of the 3-step lesson.  
Starting play of a two-hand tune or Step 3 of the 3-step  
lesson while the metronome is operating or activating  
the metronome while either of the two above operations  
is already in progress causes the metronome to sound  
in time with the Auto Accompaniment played by the  
keyboard. At this time, the tempo of the metronome beat  
changes to that of the default tempo for the Auto  
Accompaniment being played.  
Using the Metronome  
The metronome feature of this keyboard produces a bell  
sound for the first beat of each measure, followed by click  
sounds for each successive beat of the measure. It is the perfect  
tool for practicing tunes without accompaniment (rhythm).  
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Using a Microphone for Sing Along  
MIC jack  
SING ALONG  
Number buttons  
MIC VOLUME  
[+] / []  
KEY CONTROL/  
TRANSPOSE  
<PLAY/STOP>  
You can select any of the 50 Song Bank/Sing Along Group  
tunes and sing along with its accompaniment.  
Required Microphone Specifications  
Microphone Type  
: Metal shielded (microphone  
body)  
Microphone and Cord  
Connector  
Using the microphone jack  
: Cannon type (3-prong)  
Keyboard Jack Connector : Standard plug (monaural)  
Connecting a commercially available microphone* to the MIC  
jack makes it possible to sing along with the keyboards built-  
in tunes or with output from a MIDI device. When connecting  
a microphone, be sure to first adjust the MIC VOLUME to a  
relatively low setting, and then adjust to the level you want  
after connecting.  
* If a microphone was included with your keyboard, use that  
microphone. If your keyboard did not come with a  
microphone, use a commercially available microphone that  
satisfies the stipulated specifications.  
IMPORTANT!  
Connection to the MIDI terminal of an external device  
can cause static in the microphone signal. Use of a  
Cannon type microphone with a metal-shielded body  
helps to prevent static.  
Be sure to disconnect the microphone from the keyboard  
whenever you are not using it.  
Howling (Feedback Noise)  
Any of the following conditions can cause howling (feedback  
noise).  
1 Set the MIC VOLUME knob setting so it is on the  
MINside.  
2 Turn on the microphones ON/OFF switch.  
Covering the head of the microphone with your hand  
Positioning the microphone too near to a speaker  
3 Use the MIC VOLUME knob to adjust microphone  
Should howling occur, try grasping the microphone further  
away from the head, and move away from any nearby  
speaker.  
volume to the level you want.  
Microphone ON/OFF switch  
Microphone  
Static Noise  
Fluorescent lighting can cause static noise in the microphone  
signal. When this happens, move away from the lighting you  
suspect may be causing the static.  
Cannon type (3-prong)  
MIC VOLUME knob  
IMPORTANT!  
Be sure to use the microphones ON/OFF switch to turn  
off the microphone and to disconnect the microphone  
from the keyboard whenever you are not using it.  
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Using a Microphone for Sing Along  
NOTE  
To use a microphone for sing along  
To return a tune to its default key, press both of the KEY  
CONTROL/TRANSPOSE buttons ( and ) at the  
same time.  
PREPARATION  
Adjust the main volume (page E-19), accompaniment  
volume (page E-49), and microphone volume (page E-  
32).  
1 Find the tune you want in the SONG BANK/SING  
ALONG List, and note its number.  
See page A-10 for the Song Bank/Sing Along List.  
2 Press the SING ALONG button to enter the Sing  
Along Mode.  
This causes the SING ALONG button to light.  
Indicators  
appear  
3 Use the number buttons to input the two-digit song  
number.  
Example: To select ALOHAOE, which is song number  
42, input 4 and then 2.  
NOTE  
The initial power on default tune setting is 00.  
You can also specify the song number using the [+] and  
[] buttons.  
4 Press the <PLAY/STOP> button to start tune play.  
Now use the microphone to sing along with the  
playback.  
The Sing Along Mode is similar to the Song Bank  
Mode. The only difference is that the melody part in  
the Sing Along Mode is played back at a lower  
volume. Also a different tone setting is used in the  
Sing Along mode to make sing along easier.  
5
Use the KEY CONTROL/TRANSPOSE buttons (  
to change the overall key of the playback, if you want.  
: Raises the key by one semitone  
/
)
: Lowers the key by one semitone  
6 Press the <PLAY/STOP> button to stop tune play.  
The same song plays in an endless loop until you stop  
it.  
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Auto Accompaniment  
RHYTHM  
Number buttons  
[+] / []  
TEMPO  
MODE  
START/STOP  
This keyboard automatically plays bass and chord parts in  
accordance with the chords you finger. The bass and chord  
parts are played using sounds and tones that are  
automatically selected to select the rhythm you are using.  
All of this means that you get full, realistic accompaniments  
for the melody notes you play with your right hand, creating  
the mood of an one-person ensemble.  
Selecting a Rhythm  
This keyboard provides you with 120 exciting rhythms that  
you can select using the following procedure.  
To select a rhythm  
1 Find the rhythm you want to use in the RHYTHM  
List and note its rhythm number.  
Not all of the available rhythms are shown on the  
rhythm list printed on the keyboard console. For a  
complete list, see the Rhythm Liston page A-9.  
2 Press the RHYTHM button.  
p
P o  
1
Indicator appears  
3 Use the number buttons to input the three digit  
rhythm number for the rhythm you want to select.  
Example: To select 076 RHUMBA, input 0, 7 and then  
6.  
R h u m b a  
NOTE  
You can also increment the displayed rhythm number  
by pressing [+] and decrement it by pressing [].  
Some rhythms consist of chord accompaniments only,  
without any drums or other percussion instruments. Such  
rhythms do not sound unless CASIO CHORD,  
FINGERED, or FULL RANGE CHORD is selected as  
the accompaniment mode.  
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Auto Accompaniment  
Playing a Rhythm  
Using Auto Accompaniment  
Use the following procedure to start and stop rhythm play.  
The following procedure describes how to use the keyboards  
Auto Accompaniment feature. Before starting, you should  
first select the rhythm you want to use and set the tempo of  
the rhythm to the value you want.  
To play a rhythm  
1 Set the MODE switch to NORMAL.  
To use Auto Accompaniment  
2 Press the START/STOP button to start play of the  
1 Set the MODE switch to CASIO CHORD,  
currently selected rhythm.  
FINGERED, or FULL RANGE CHORD.  
3 To stop rhythm play, press the START/STOP button  
2 Press the START/STOP button to start play of the  
again.  
currently selected rhythm.  
NOTE  
3 Play a chord.  
All of the keyboard keys are melody keys while the  
MODE switch is set to NORMAL.  
The actual procedure you should use to play a chord  
depends on the current MODE switch position. Refer  
to the following pages for details on chord play.  
CASIO CHORD .......................... Page E-36  
FINGERED ................................... Page E-37  
FULL RANGE CHORD ............. Page E-37  
Adjusting the Tempo  
The tempo (beats per minute) can be set to a value in the  
range of 40 to 255. The tempo value you set is use for Song  
Bank, 3-step lesson, and Auto Accompaniment chord play,  
as well as playback from memory and metronome operation.  
Basic Chord Form  
R h u m b a  
To set the tempo  
1 Use the TEMPO buttons to set the tempo.  
: Increase the tempo value.  
: Decreases the tempo value.  
(The chord form that appears here may show  
notes that differ from those actually pressed on  
the keyboard. With some chords, inverted chord  
Chord name  
Flash  
Metronome  
forms may be displayed.)  
Tempo value  
4 To stop Auto Accompaniment play, press the START/  
STOP button again.  
Beat number  
NOTE  
You can adjust the accompaniment part volume level  
independently of the main volume. For details, see  
Adjusting the Accompaniment Volumeon page E-49.  
NOTE  
While the tempo value is flashing, you can also use the  
number buttons or [+] and [] to input a three-digit value.  
Note that you must input leading zeros, so 90 is input  
as 090.  
Pressing both the and TEMPO buttons at the same  
time automatically returns the currently selected rhythm  
to its default tempo.  
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Auto Accompaniment  
Chord Types  
CASIO CHORD  
CASIO CHORD accompaniment lets you play four types of  
chords with minimal fingering.  
This method of chord play makes it possible for anyone to  
easily play chords, regardless of previous musical knowledge  
and experience. The following describes the CASIO CHORD  
Accompaniment keyboardand Melody keyboard, and  
tells you how to play CASIO CHORDs.  
Chord Types  
Example  
Major chords  
Major chord names are marked  
above the keys of the  
accompaniment keyboard. Note that  
the chord produced when you press  
an accompaniment keyboard does  
not change octave, regardless of  
which key you use to play it.  
C Major (C)  
CDE F GABCDE F  
CASIO CHORD Accompaniment Keyboard and Melody  
Keyboard  
Accompaniment  
Melody keyboard  
keyboard  
Minor chords (m)  
C minor (Cm)  
To play a minor chord, keep the  
major chord key depressed and  
press any other accompaniment  
keyboard key located to the right of  
the major chord key.  
CDE F GABCDE F  
NOTE  
The accompaniment keyboard can be used for playing  
chords only. No sound will be produced if you try playing  
single melody notes on the accompaniment keyboard.  
Seventh chords (7)  
C seventh (C7)  
To play a seventh chord, keep the  
major chord key depressed and  
press any other two accompaniment  
keyboard keys located to the right  
of the major chord key.  
CDE F GABCDE F  
Minor seventh chords (m7)  
To play a minor seventh chord, keep  
the major chord key depressed and  
press any other three  
C minor seventh (Cm7)  
CDE F GABCDE F  
accompaniment keyboard keys  
located to the right of the major  
chord key.  
NOTE  
It makes no difference whether you press black or white  
keys to the right of a major chord key when playing minor  
and seventh chords.  
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Auto Accompaniment  
NOTE  
FINGERED  
Except for the chords specified in note*1 above, inverted  
fingerings (i.e. playing E-G-C or G-C-E instead of C-E-  
G) will produce the same chords as the standard  
fingering.  
Except for the exception specified in note*2 above, all  
of the keys that make up a chord must be pressed.  
Failure to press even a single key will not play the desired  
FINGERED chord.  
FINGERED provides you with a total of 15 different chord  
types. The following describes the FINGERED  
Accompaniment keyboardand Melody keyboard, and  
tells you how to play a C-root chord using FINGERED.  
FINGERED Accompaniment Keyboard and Melody  
Keyboard  
Accompaniment  
Melody keyboard  
keyboard  
FULL RANGE CHORD  
This accompaniment method provides a total of 38 different  
chord types: the 15 chord types available with FINGERED  
plus 23 additional types. The keyboard interprets any input  
of three or more keys that matches a FULL RANGE CHORD  
pattern to be a chord. Any other input (that is not a FULL  
RANGE CHORD pattern) is interpreted as melody play.  
Because of this, there is no need for a separate accompaniment  
keyboard, so the entire keyboard, from end to end, can be  
used for both melody and chords.  
NOTE  
The accompaniment keyboard can be used for playing  
chords only. No sound will be produced if you try playing  
single melody notes on the accompaniment keyboard.  
C
Cm  
Cdim  
FULL RANGE CHORD Accompaniment Keyboard and  
Melody Keyboard  
Accompaniment keyboard/Melody keyboard  
Caug*1  
Cm7*2  
C75 *1  
Cmadd9*2  
Csus4  
Cmaj7*2  
C7sus4  
CmM7*2  
C7*2  
Cm75  
Cadd9*2  
Cdim7*1  
< Chords Recognized by This Keyboard >  
Chord Types  
Number of Types  
15 (on this page)  
Corresponding  
FINGERED Chord  
23  
The following are examples of chords  
that use C as the bass note.  
C6 Cm6 C69  
C
C
D
C
E
C
F
C
G
C
A
C
B
C
Other Chords  
B
C
C m Dm Fm Gm Am B m  
C
C
C
C
C
C
5
Dm7  
C
A
7
F7 Fm7 Gm7 A add9  
C
See the FINGERED Chord Chart on page A-5 for details on  
playing chords with other roots.  
C
C
C
C
*1: Inverted fingerings cannot be used. The lowest note is  
the root.  
*2: The same chord can be played without pressing the 5th  
G.  
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Auto Accompaniment  
INTRO  
MODE  
NORMAL/FILL-IN  
START/STOP  
VARIATION/FILL-IN  
SYNCHRO/ENDING  
Example: To play the chord C major.  
Using an Intro Pattern  
This keyboard lets you insert a short intro into a rhythm  
pattern to make startup smoother and more natural.  
Any of the fingerings shown in the illustration below will  
produce C major.  
1
The following procedure describes how to use the Intro  
feature. Before starting, you should first select the rhythm  
you want to use, and set the tempo.  
E
G
C
C
To insert an intro  
E
G
1 .... Chord C  
1 Press the INTRO button to start the selected rhythm  
2
C
2 .... Chord C  
with an intro pattern.  
E
With the above setup, the intro pattern is played and  
the auto accompaniment with intro pattern starts as  
soon as you play chords on the accompaniment  
keyboard.  
NOTE  
As with the FINGERED mode (page E-37), you can play  
the notes that form a chord in any combination (1).  
When the composite notes of a chord are separated by  
6 or more notes, the lowest sound becomes the bass  
(2).  
NOTE  
The standard rhythm pattern starts to play after the intro  
pattern is complete.  
Pressing the VARIATION/FILL-IN button while an intro  
pattern is playing causes the variation pattern to sound  
after the intro pattern is complete.  
Pressing the SYNCHRO/ENDING button while an intro  
pattern is playing causes the ending pattern to sound  
after the intro pattern is complete.  
< Music Example >  
Tone: 023, Rhythm: 005, Tempo: 070  
D
Bm  
A
E7  
A
G
D
C#  
Bm  
G
A
A
4
4
ꢂꢂꢂꢂꢂꢃꢂꢂꢂꢂꢂꢃꢂꢂꢂꢂꢂꢃꢂꢂꢂꢂꢂ
ꢀ 4  
4
ꢆ  
ꢂꢂꢂꢂꢂꢃꢂꢂꢂꢂꢂꢃꢀꢄ ꢂꢂꢃꢂꢂꢄ ꢂꢂꢃ  
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Auto Accompaniment  
Using a Fill-in Pattern  
Fill-in patterns let you momentarily change the rhythm  
pattern to add some interesting variation to your  
performances.  
Using a Fill-in Pattern with a  
Variation Rhythm  
You can also insert a fill-in pattern while a variation rhythm  
pattern is playing.  
The following procedure describes how to use the Fill-in  
feature.  
To insert a fill-in into a rhythm variation  
To insert a fill-in  
1 While a variation rhythm pattern is playing, press  
the VARIATION/FILL-IN button to insert a fill-in  
pattern for the variation rhythm you are using.  
1 Press the START/STOP button to start rhythm play.  
2 Press the NORMAL/FILL-IN button to insert a fill-  
in pattern for the rhythm you are using.  
Synchro Starting Accompaniment  
with Rhythm Play  
You can set up the keyboard to start rhythm play at the same  
time you play the accompaniment on the keyboard.  
NOTE  
The fill-in pattern does not play if you press the  
NORMAL/FILL-IN button while an intro pattern is playing.  
The following procedure describes how to use synchro start.  
Before starting, you should first select the rhythm you want  
to use, set the tempo, and use the MODE switch to select the  
chord play method you want to use (NORMAL, CASIO  
CHORD, FINGERED, FULL RANGE CHORD).  
Using a Rhythm Variation  
In addition to the standard rhythm pattern, you can also  
switch to a secondary variationrhythm pattern for a bit of  
variety.  
To use synchro start  
To insert the variation rhythm pattern  
1 Press the SYNCHRO/ENDING button to put the  
keyboard into synchro start standby.  
1 Press the START/STOP button to start rhythm play.  
2 Press the VARIATION/FILL-IN button to switch to  
the variation pattern for the rhythm you are using.  
Flash  
NOTE  
2 Playing a chord and the rhythm pattern starts to  
To switch back to the standard rhythm pattern, press  
the NORMAL/FILL-IN button.  
play automatically.  
NOTE  
If the MODE switch is set to NORMAL, only the rhythm  
plays (without a chord) when you play on the  
accompaniment keyboard.  
If you press the INTRO button before playing anything  
on the keyboard, the rhythm starts automatically with  
an intro pattern when you play something on the  
accompaniment keyboard.  
Pressing the VARIATION/FILL-IN button before playing  
anything on the keyboard causes play to start with the  
variation pattern when something is played on the  
keyboard.  
To cancel synchro start standby, press the SYNCHRO/  
ENDING button one more time.  
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Auto Accompaniment  
ONE TOUCH PRESET  
MODE  
SYNCHRO/ENDING  
Finishing with an Ending Pattern  
You can end your performances with an ending pattern that  
brings the rhythm pattern you are using to a natural-sounding  
conclusion.  
The following procedure describes how to insert an ending  
pattern. Note that the actual ending pattern played depends  
on the rhythm pattern you are using.  
Using One-touch Preset  
One-touch preset automatically makes the settings listed  
below in accordance with the rhythm pattern you are using.  
Keyboard tone  
Layer, Split, or Layer Split on/off  
Layered tone (when layer is turned on), split tone (when  
split is turned on), or layered split tone (when layer and  
split are turned on)  
Tempo  
Accompaniment volume  
To finish with an ending pattern  
1 While the rhythm is playing, press the SYNCHRO/  
ENDING button.  
To use one-touch preset  
This causes the ending pattern to play, which brings  
rhythm accompaniment to an end.  
1 Select the rhythm you want to use.  
NOTE  
2 Use the MODE switch to select the accompaniment  
The timing when the ending pattern starts depends on  
when you press the SYNCHRO/ENDING button. If you  
press the button before the second beat of the current  
measure, the ending pattern starts playing immediately.  
Pressing the button at any point in the measure after  
the second beat results in the ending pattern playing  
from the beginning of the following measure.  
mode you want to use.  
3 Press the ONE TOUCH PRESET button.  
This automatically configures the one-touch preset  
settings in accordance with the rhythm you selected,  
and enters synchro start standby.  
4 Play a chord. This will cause the rhythm pattern to  
start to play automatically.  
Accompaniment is played using the one touch preset  
settings.  
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Song Memory Function  
RHYTHM  
TRACK 1  
TRACK 2  
SONG MEMORY  
You can store up to two separate songs in song memory for  
later playback. The song memory function records your  
keyboard play in real time, as you play it.  
SONG MEMORY Button Operation  
Each press of the SONG MEMORY button cycles through the  
functions shown below.  
NOTE  
To use song memory, first press the RHYTHM button to  
enter the Rhythm Mode.  
Playback  
Standby  
Record  
Standby  
Normal  
Tracks  
The song memory of this keyboard records and plays back  
notes much like a standard tape recorder. There are two tracks,  
each of which can be recorded separately. Besides notes, each  
track can be assigned its own tone number. During playback  
you can adjust the tempo to change the speed of playback.  
Indicator appears  
Flash  
Unlit  
Selecting a Track  
Press the TRACK 1 button to select Track 1 and the TRACK 2  
button to select Track 2. The letter L(left) appears on the  
display to indicate Track 1 is selected, and the letter R(right)  
appears to indicate Track 2 is selected.  
Start  
End  
Auto Accompaniment  
Track 1  
Track 2  
(rhythm, bass, chords), melody  
Melody  
Playback  
Each press of the TRACK 1 and TRACK 2 button while the  
keyboard is in playback standby (see SONG MEMORY  
Button Operationabove) toggles playback of the  
corresponding track on and off. The letter that identifies a  
track (L or R) appears on the display whenever playback of  
that track is turned on.  
Data recorded in track  
NOTE  
Track 1 is the basic track, which can be used to record  
Auto Accompaniment along with the melody. Track 2 can  
be used for melody only, and is for adding to what is  
recorded in Track 1.  
Track 1  
Track 2  
Note that each track is independent of the other. This  
means that if you make a mistake while recording, you  
need to re-record only the track where the mistake was  
made.  
Playback  
turned on  
Playback  
turned off  
With the above setting, Track 1 will play while Track 2 will  
not play.  
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Song Memory Function  
TRACK 1  
TRACK 2  
INTRO  
SONG MEMORY  
[+] / []  
MODE  
NORMAL/FILL-IN  
VARIATION/FILL-IN  
START/STOP  
SYNCHRO/ENDING  
Record  
2 Use [+] and [] to select 0 or 1 as the song number.  
The track is not yet selected at this point.  
Each press of the TRACK 1 and TRACK 2 button while the  
keyboard is in record standby (see SONG MEMORY Button  
Operation) toggles recording to the corresponding track on  
and off. The letter that identifies a track (L or R) flashes on  
the display whenever recording to that track is turned on.  
The above song number screen remains on the display  
for about five seconds. If it disappears before you have  
a chance to select a song number, use the SONG  
MEMORY button to display it again.  
R e c
 
. N o .  
Playback  
turned on  
Record  
turned on  
Song number  
3 Press the TRACK 1 button to select Track 1.  
The Lflashes on the display to indicate the track  
that will be recorded to.  
The above indicates that Track 1 will play back while Track  
2 is being recorded to.  
Real-time Recording to Track 1  
With real-time recording, the notes and chords you play on  
the keyboard are recorded as you play them.  
To record to Track 1 using real-time  
recording  
Flash  
4 Make any of the following settings if you want.  
Tone number (page E-19)  
1 Use the SONG MEMORY button to enter record  
Rhythm number (page E-34)  
MODE switch (page E-35)  
standby.  
If you are not confident about playing at a fast tempo,  
try using a slower tempo setting (page E-35).  
R e c . N o .  
5 Press the START/STOP button to start real-time  
recording to Track 1.  
6 Play something on the keyboard.  
Any melody and accompaniment you play on the  
keyboard (including Auto Accompaniment chords  
played on the accompaniment keyboard) is recorded.  
If you use a pedal during recording, pedal operations  
are also recorded.  
Flash  
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Song Memory Function  
7 Press the START/STOP button to end recording  
Track 1 Real-time Recording  
Variations  
when you are finished playing.  
The following describes a number of different variations you  
can use when recording to Track 1 using real-time recording.  
All of these variations are based upon the procedure described  
under To record to Track 1 using real-time recordingon  
page E-42.  
If you make a mistake while recording, stop the record  
operation and begin over again from step 1.  
NOTE  
Using real-time recording to record to a track that already  
contains recorded data replaces the existing recording  
with the new one.  
To record without rhythm  
Skip step 5. Real-time recording without rhythm starts when  
you press a keyboard key.  
Track 1 Contents After Real-time  
Recording  
In addition to keyboard notes and accompaniment chords,  
the following data is also recorded to Track 1 during real-  
time recording. This data is used whenever Track 1 is played  
back.  
To start recording with synchro start  
In place of step 5, press the SYNCHRO/ENDING button.  
AutoAccompaniment and recording will both start when you  
play a chord on the accompaniment keyboard.  
To record using an intro, ending, or fill-in  
During recording, the INTRO, SYNCHRO/ENDING,  
NORMAL/FILL-IN, and VARIATION/FILL-IN buttons  
(pages E-38 through E-40) can all be used as they normally  
are.  
Tone number  
Rhythm number  
INTRO, SYNCHRO/ENDING, NORMAL/FILL-IN,  
VARIATION/FILL-IN button operations  
Pedal operations  
To synchro start Auto Accompaniment with an intro  
pattern  
In place of step 5, press the SYNCHRO/ENDING button and  
then the INTRO button. Auto Accompaniment will start with  
Memory Capacity  
The keyboard has memory for approximately 5,100 notes. You  
can use all 5,100 notes for a single song, or you can divide  
memory between two different songs.  
the intro pattern when you play  
accompaniment keyboard.  
a
chord on the  
The measure number and note number flash on the display  
whenever remaining memory is less than 100 notes.  
To start Auto Accompaniment part way into a recording  
In place of step 5, press the SYNCHRO/ENDING button and  
then play something on the melody keyboard to start. When  
you reach the point where you want Auto Accompaniment  
to start, play a chord on the accompaniment keyboard.  
Flash  
Recording automatically stops (and Auto Accompaniment  
and rhythm stops playing if they are being used) whenever  
memory becomes full.  
Memory Data Storage  
Anything previously stored in song memory is replaced  
whenever you make a new recording.  
Memory contents are retained as long as the keyboard is  
supplied with electrical power. Unplugging the AC adaptor  
when batteries are not loaded or when loaded batteries are  
dead cuts off the keyboards electrical power supply,  
causing all data stored in song memory to be deleted. Be  
sure to plug the keyboard into an electrical outlet with the  
AC adaptor before replacing batteries.  
Turning off the keyboard while a record operation is in  
progress causes the contents of the track you are currently  
recording to be lost.  
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Song Memory Function  
TRACK 1  
TRACK 2  
SONG MEMORY  
[+] / []  
MODE  
TEMPO  
START/STOP  
NOTE  
Playing Back from Song Memory  
During memory playback, the entire keyboard functions  
as a melody keyboard, regardless of the MODE switch  
setting.  
Use the following procedure to play back song memory  
contents.  
You can play along on the keyboard while playing back  
from song memory. You can also use layer (page E-46)  
and split (page E-46) to play along with more than one  
tone.  
You cannot use pause, fast forward or fast reverse  
operations with song memory playback.  
To play back from song memory  
1 Use the SONG MEMORY button to enter playback  
standby, and then use [+] and [] to select 0 or 1 as  
the song number.  
y
Real-time Recording to Track 2  
After you record Track 1, you can use real-time recording to  
add a melody in Track 2.  
P l a  
N o
 
.  
The above song number screen remains on the display  
for about five seconds. If it disappears before you have  
a chance to select a song number, use the SONG  
MEMORY button to display it again.  
To record to Track 2 while playing  
back Track 1  
2 Press the START/STOP button to start playback of  
the song you selected.  
1 Use the SONG MEMORY button to enter record  
standby, and then use [+] and [] to select 0 or 1 as  
the song number.  
During memory playback you can use the TRACK 1  
and TRACK 2 buttons to turn playback of either track  
on or off.  
y
P l a  
N o .  
R e c
 
. N o .  
The track is not yet selected at this point.  
2 Press the TRACK 2 button to select Track 2.  
Indicators appear  
R e c . N o .  
You can use the TEMPO buttons to adjust the tempo.  
3 Press the START/STOP button again to stop  
playback.  
Flash  
Flash  
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Song Memory Function  
3 Make any of the following settings if you want.  
Tone number (page E-19)  
Deleting the Contents of a Specific  
Track  
Use the following procedure to delete all of the data currently  
recorded in a specific track.  
If you are not confident about playing at a fast tempo,  
try using a slower tempo setting (page E-35).  
4 Press the START/STOP button to start real-time  
recording to Track 2 along with playback from  
Track 1.  
To delete all of the data in a specific  
track  
5 Listening to the playback from Track 1, play what  
1 Use the SONG MEMORY button to enter record  
standby, and then use [+] and [] to select the song  
(0 or 1) whose track you want to delete.  
you want to record to Track 2 on the keyboard.  
6 Press the START/STOP button to end recording  
when you are finished playing.  
If you make a mistake while recording, stop the record  
R e c
 
. N o .  
operation and begin over again from step 1.  
NOTE  
2 Hold down the SONG MEMORY button until the  
Track 2 is a melody-only track, so chords cannot be  
recorded there. Because of this, the entire keyboard is  
a melody keyboard, regardless of the MODE switch  
setting.  
track delete screen appears on the display.  
T r . D
 
e l . ?  
3 Use the TRACK 1 or TRACK 2 button to select the  
To record to Track 2 without playing  
back Track 1  
track whose data you want to delete.  
Example: To select Track 1  
1 Use the SONG MEMORY button to enter record  
standby.  
T r . D e l . ?  
2 Press the TRACK 1 button to turn off playback of  
Track 1.  
3 Continue from step 1 under To record to Track 2  
Flash  
while playing back Track 1.  
Note that the above procedure does not turn off  
rhythm and Auto Accompaniment.  
4 Press the [+] button.  
This deletes the selected track and enters song  
memory playback standby.  
Track 2 Contents After Real-time  
Recording  
NOTE  
The following data is recorded to Track 2 during real-time  
recording.  
The track delete screen is cleared from the display  
automatically if you leave the keyboard with the track  
delete message on the display for about five seconds  
without doing anything.  
Once you select a track in step 3, you cannot change to  
a different track without quitting the track delete operation  
and starting again.  
Tone number  
Pedal operations  
You cannot select a track for deletion if that track does  
not contain any data.  
Pressing the SONG MEMORY button while the track  
delete screen is on the display returns to record standby.  
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Keyboard Settings  
TONE  
Number buttons  
[+] / []  
LAYER  
SPLIT  
This section describes how to use layer (to play two tones  
3 Select the layered tone.  
with a single key) and split (to assign different tones to either  
end of the keyboard), and how to make touch response,  
transpose, and tuning settings.  
Example: To select 077 FRENCH HORNas the layered  
tone, use the number buttons or [+] and []  
buttons to input 0, 7 and then 7.  
NOTE  
Note that the layer and split functions are not available  
while playing a built-in tune or while using the lesson  
functions.  
F r . H
 
o r n  
4 Now try playing something on the keyboard.  
Both tones are played at the same time.  
5 Press the LAYER button again to unlayer the tones  
Using Layer  
and return the keyboard to normal.  
Layer lets you assign two different tones (a main tone and a  
layered tone) to the keyboard, both of which play whenever  
you press a key. For example, you could layer the FRENCH  
HORN tone on the BRASS tone to produce a rich and brassy  
sound.  
LAYER  
To layer tones  
Main Tone (BRASS) + Layered Tone (FRENCH HORN)  
1 First select the main tone.  
Example: To select 078 BRASSas the main tone, press  
the TONE button and then use the number  
buttons or [+] and [] buttons to input 0, 7 and  
then 8.  
Using Split  
With split you can assign two different tones (a main tone  
and a split tone) to either end of the keyboard, which lets  
you play one tone with your left hand and another tone with  
your right hand. For example, you could select STRINGS as  
the main (high range) tone and PIZZICATO STRINGS as the  
split (low range) tone, putting an entire string ensemble at  
your fingertips.  
Split also lets you specify the split point, which is the location  
on the keyboard where the changeover between the two tones  
occurs.  
B r a s s  
2 Press the LAYER button.  
g
S t r i n  
Selected layer tone  
s
Indicator appears  
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Keyboard Settings  
To split the keyboard  
Using Layer and Split Together  
You can use layer and split together to created a layered split  
keyboard. It makes no difference whether you layer tones  
first and then split the keyboard, or split the keyboard and  
then layer tones. When you use layer and split in combination,  
the high range of the keyboard is assigned two tones (main  
tone + layered tone), and the low range two tones (split tone  
+ layered split tone).  
1 First select the main tone.  
Example: To select 062 STRINGSas the main tone,  
press the TONE button and then use the  
number buttons or [+] and [] buttons to input  
0, 6 and then 2.  
g
S t r i n
 
s  
To split the keyboard and then layer  
tones  
2 Press the SPLIT button.  
1 Press the TONE button and then input the tone  
number of the main tone.  
A c o . B a s s  
Indicator appears  
B r a s s  
2 Press the SPLIT button and then input the number  
3 Select the split tone.  
Example: To select 060 PIZZICATO STRINGSas the  
split tone, use the number buttons or [+] and  
[] buttons to input 0, 6 and then 0.  
of the split tone.  
P i z z . S t r  
P i z z . S t r  
Indicator appears  
After specifying the split tone, press the SPLIT button  
to unsplit the keyboard.  
4 Specify the split point. While holding down the  
SPLIT button, press the keyboard where you want  
the leftmost key of the high end range to be.  
Example: To specify G3 as the split point, press the G3  
key.  
3 Press the LAYER button and then input the number  
of the layered tone.  
Note that you can reverse steps 2 and 3, specifying  
the layered tone first and then the split tone.  
G 3  
F r . H
 
o r n  
Indicator appears  
5 Now try playing something on the keyboard.  
Every key from F 3 and below is assigned the  
PIZZICATO STRINGS tone, while every key from G3  
and above is assigned the STRINGS tone.  
4 Press the SPLIT button or the LAYER button so both  
of the SPLIT and LAYER indicators are displayed.  
6 Press the SPLIT button again to unsplit the keyboard  
5 Input the number of the layered split tone.  
and return it to normal.  
g
S t r i n  
s
SPLIT  
6 Specify the split point.  
While holding down the SPLIT button, press the  
keyboard where you want the leftmost key of the low  
end range to be.  
Split Tone  
Main Tone (STRINGS)  
(PIZZICATO STRINGS)  
Split point  
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Keyboard Settings  
SETTING  
RHYTHM  
Number buttons  
[+] / []  
KEY CONTROL/  
TRANSPOSE  
LAYER  
SPLIT  
7 Play something on the keyboard.  
NOTE  
Press the LAYER button to unlayer the keyboard, and  
The keyboard can be transposed within a range of 12  
(one octave downwards) to +12 (one octave upwards).  
The default transpose setting is 00when keyboard  
power is turned on.  
the SPLIT button to unsplit it.  
LAYER SPLIT  
If you leave the transpose screen on the display for about  
five seconds without doing anything, the screen is  
automatically cleared.  
The transpose setting also affects playback from memory  
and Auto Accompaniment.  
To return the keyboard to its default key, perform the  
above procedure and press both of the KEY CONTROL/  
Split Tone (PIZZICATO STRINGS)  
Main Tone (BRASS)  
+
+
Layered Split Tone (STRINGS)  
Layered Tone (FRENCH HORN)  
TRANSPOSE buttons (  
and  
) at the same time in  
Split point  
step 2. You could also use the [+] and [] buttons to  
change the transpose setting to 00.  
The effect of a transpose operation depends on the pitch  
of each note and on the tone you are currently using. If  
a transpose operation causes a note to be outside of  
the allowable range for a tone, the same note in the  
nearest octave within the range will be substituted.  
Transposing the Keyboard  
Transpose lets you raise and lower the overall key of the  
keyboard in semitone units. If you want to play an  
accompaniment for a vocalist who sings in a key thats  
different from the keyboard, for example, simply use  
transpose to change the key of the keyboard.  
Using Touch Response  
When touch response is turned on, the relative volume of  
sound output by the keyboard is varied in accordance with  
the amount of pressure applied, just like an acoustic piano.  
To transpose the keyboard  
1 Press the RHYTHM button to enter the Rhythm  
Mode.  
Touch response provides a choice of three settings, described  
below.  
Note that you cannot transpose the keyboard while  
in the Song Bank Mode or Piano Bank Mode.  
OFF: This setting turns off touch response. Keyboard pressure  
2 Use the KEY CONTROL/TRANSPOSE buttons (  
/
does not have any affect on the output notes.  
) to change the key of the keyboard.  
: Raises the key by one semitone  
: Lowers the key by one semitone  
1:This setting provides touch response that is suited for  
normal play.  
Example: To transpose the keyboard five semitones  
2:This setting increases touch response, so stronger keyboard  
pressure has a greater effect than the 1setting.  
upwards.  
T r a n s .  
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Keyboard Settings  
1 Press the SETTING button until the TOUCH  
Adjusting the Accompaniment  
Volume  
RESPONSE SELECT screen appears.  
You can adjust the volume of the accompaniment parts as a  
value in the range of 000 (minimum) to 127.  
T o u c h  
2 Use the [+] and [] or [0] and [1] buttons to change  
To adjust the accompaniment volume  
the setting.  
1 Press the SETTING button twice to display the  
Example: To select touch response 2.  
accompaniment volume adjustment screen.  
T o u c h  
p
A c o m
 
V o
 
l  
Touch response is on when touch response indicator  
is on.  
Current accompaniment volume setting  
2 Use the number buttons or the [+]/[] buttons to  
change the current volume setting value.  
Example: 110  
p
A c o m
 
V o
 
l  
Indicator appears  
NOTE  
Touch response is off when touch response indicator  
The current accompaniment volume value that appears  
in Step 1 automatically clears from the display if you do  
not input anything within about five seconds.  
is off.  
Pressing [+] and [] buttons at the same time  
automatically sets an accompaniment volume of 077.  
NOTE  
Touch response not only affects the keyboards internal  
sound source, it also is output as MIDI data.  
Song memory playback, accompaniment, and external  
MIDI note data does not affect the touch response  
setting.  
About SETTING button  
Each press of the SETTING button cycles through a total of  
11 setting screens: the touch response screen, the  
accompaniment screen, the tuning screen, and 8 MIDI setting  
screens (page E-52). If you accidentally pass the screen you  
want to use, keep pressing the SETTING button until the  
screen appears again.  
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Keyboard Settings  
SETTING  
Number buttons  
[+] / []  
Tuning the Keyboard  
Use the following procedure to fine tune the keyboard to  
match the tuning of another musical instrument.  
To tune the keyboard  
1 Press the SETTING button three times to display  
the tuning screen.  
T u n e  
2 Use the [+], [], and the number buttons to adjust  
the tuning value.  
Example: To lower tuning by 20  
T u n e  
NOTE  
The keyboard can be tuned within a range of 50 cents  
to +50 cents.  
* 100 cents is equivalent to one semitone.  
The default tuning setting is 00when keyboard power  
is turned on.  
If you leave the tuning screen on the display for about  
five seconds without doing anything, the screen is  
automatically cleared.  
The tuning setting also affects playback from song  
memory and Auto Accompaniment.  
To return the keyboard to its default tuning, perform the  
above procedure and press the [+] and [] buttons at  
the same time in step 2.  
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MIDI  
What is MIDI?  
MIDI Channels  
MIDI allows you to send the data for multiple parts at the  
same time, with each part being sent over a separate MIDI  
channel. There are 16 MIDI channels, numbered 1 through  
16, and MIDI channel data is always included whenever you  
exchange data (key press, pedal operation, etc.)  
Both the sending machine and the receiving machine must  
be set to the same channel for the receiving unit to correctly  
receive and play data. If the receiving machine is set to  
Channel 2, for example, it receives only MIDI Channel 2 data,  
and all other channels are ignored.  
The letters MIDI stand for Musical Instrument Digital  
Interface, which is the name of a worldwide standard for  
digital signals and connectors that makes it possible to  
exchange musical data between musical instruments and  
computers (machines) produced by different manufacturers.  
MIDI compatible equipment can exchange keyboard key  
press, key release, tone change, and other data as messages.  
Though you do not need any special knowledge about MIDI  
to use this keyboard as a stand-alone unit, MIDI operations  
require a bit of specialized knowledge. This section provides  
you with an overview of MIDI that will help to get you going.  
MIDI Channel 1 Melody  
MIDI Channel 2 Bass  
MIDI Channel 10 Drums  
MIDI IN  
Receive MIDI Channel = 1  
Plays melody.  
MIDI Connections  
MIDI keyboard or MIDI sound sourcce  
MIDI messages are send out through the MIDI OUT terminal  
of one machine to the MIDI IN terminal of another machine  
over a MIDI cable. To send a message from this keyboard to  
another machine, for example, you must use a MIDI cable to  
connect the MIDI OUT terminal of this keyboard to the MIDI  
IN terminal of the other machine. To send MIDI messages  
back to this keyboard, you need to use a MIDI cable to connect  
the other machines MIDI OUT terminal to the MIDI IN  
terminal of this keyboard.  
MIDI OUT  
MIDI IN  
Receive MIDI Channel = 2  
Plays bass.  
MIDI keyboard or MIDI sound sourcce  
Computer or other MIDI device  
MIDI IN  
Receive MIDI Channel = 10  
Plays drum part.  
MIDI keyboard or MIDI sound sourcce  
To use a computer or other MIDI device to record and  
playback the MIDI data produced by this keyboard, you must  
connect the MIDI IN and MIDI OUT terminals of both  
machines in order send and receive data.  
This keyboard is equipped with multi-timbre capabilities,  
which means it can receive messages over all 16 MIDI  
channels and play up to 16 parts at the same time.  
Keyboard and pedal operations performed on this keyboard  
are sent out by selecting a MIDI channel (1 to 16) and then  
sending the appropriate message.  
MIDI IN  
MIDI OUT  
MIDI IN MIDI OUT  
Computer or other MIDI device  
To use the MIDI THRU function of a connected computer,  
sequencer, or other MIDI device, be sure to turn this  
keyboards LOCAL CONTROL off (page E-54).  
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MIDI  
SETTING  
Number buttons  
[+] / []  
General MIDI  
SETTING Button  
Each press of the SETTING button cycles through a total of  
11 setting screens: the touch response screen, the  
accompaniment screen, the tuning screen, and 8 MIDI setting  
screens. If you accidentally pass the screen you want to use,  
keep pressing the SETTING button until the screen appears  
again. Also note that leaving a setting screen is automatically  
cleared from the display if you do not perform any operation  
for about five seconds.  
As we have already seen, MIDI makes it possible to exchange  
musical data between devices produced by different  
manufacturers. This musical data does not consist of the notes  
themselves, but rather information on whether a keyboard  
key is pressed or released, and the tone number.  
If tone number 1 on a keyboard produced by Company A is  
PIANO while tone number 1 on a Company B's keyboard is  
BASS, for example, sending data from Company A's keyboard  
to Company B's keyboard produces a result entirely different  
from the original. If a computer, sequencer or other device  
with auto accompaniment capabilities is used to produce  
music data for the Company A keyboard which has 16 parts  
(16 channels) and then that data is sent to the Company B  
keyboard which can receive only 10 parts (10 channels), the  
parts that cannot be played will not be heard.  
GM MODE (Default: Off)  
on: This keyboard plays General MIDI data from a computer  
or other external device. MIDI IN CHORD JUDGE  
cannot be used when GM MODE is turned on.  
oFF: MIDI IN CHORD JUDGE can be used.  
The standard for the tone numbering sequence, the number  
of pads, and other general factors that determine the sound  
source configuration, which was arrived at by mutual  
consultations by manufacturers, is called General MIDI.  
The General MIDI standard defines the tone numbering  
sequence, the drum sound numbering sequence, the number  
of MIDI channels that can be used, and other general factors  
that determine the sound source configuration. Because of  
this, musical data produced on a General MIDI sound source  
can be played back using similar tones and identical nuances  
as the original, even when played on another manufacturers  
sound source.  
1 Press the SETTING button until the GM MODE  
screen appears.  
Example: When GM MODE is turned off  
GM M o d e  
This keyboard conforms with General MIDI standards, so it  
can be connected to a computer or other device and used to  
play back General MIDI data that has been purchased,  
downloaded from the Internet, or obtained from any other  
source.  
2 Use the [+] and [] or [0] and [1] buttons to turn  
the setting on and off.  
Example: To turn GM MODE on  
GM M o d e  
Changing MIDI Settings  
You can use this keyboard in combination with an external  
sequencer, synthesizer, or other MIDI device to play along  
with commercially available General MIDI software. This  
section tells you how to make the MIDI settings required  
when connecting to an external device.  
Indicator appears  
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MIDI  
KEYBOARD CHANNEL (Default: 1)  
NAVIGATE CHANNEL (Default: 4)  
The keyboard channel is the channel used to send MIDI  
messages from this keyboard to an external device. You can  
specify one channel from 1 to 16 as the keyboard channel.  
When MIDI messages are received from an external device  
for play on this keyboard, the navigate channel is the channel  
whose note data appears on the display. You can select one  
channel from 1 to 8 as the navigate channel. Since this setting  
lets you use the data on any channel of commercially available  
MIDI software to light on the on-screen keyboard guide, you  
can analyze how different parts of an arrangement are played.  
1 Press the SETTING button until the KEYBOARD  
CHANNEL screen appears.  
1 Press the SETTING button until the NAVIGATE  
y
K e
 
b d
 
C h  
CHANNEL screen appears.  
2 Use the [+], [], and the number buttons to change  
N a v
 
i .
 
C h  
the channel number.  
Example: To specify channel 4  
2 Use the [+], [], and the number buttons [1]  
y
through [8] to change the channel number.  
K e
 
b d
 
C h  
Example: To specify channel 2  
N a v
 
i .
 
C h  
NOTE  
The navigate channel automatically changes to 1  
whenever you turn MIDI IN CHORD JUDGE on.  
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MIDI  
SETTING  
TRACK 1  
TRACK 2  
Number buttons  
[+] / []  
MODE  
To turn off specific sounds before playing back MIDI data  
that is being received  
<<Navigate channel on/off>>  
NOTE  
MIDI IN CHORD JUDGE automatically turns off  
whenever you change the navigate channel to any  
channel besides 1.  
While playing MIDI data, press the TRACK 2 button.  
This cuts the sound of the navigate channel, but on-screen  
keyboard guide keys continue to light in accordance with  
the channels data as it is received. Press TRACK 2 button  
again to turn the channel back on.  
LOCAL CONTROL (Default: On)  
This setting determines whether or not the keyboard and  
sound source of this keyboard are connected internally. When  
recording to a computer or other external device connected  
to this keyboards MIDI IN/OUT terminal, it helps if you  
turn LOCAL CONTROL off.  
<<Next lower channel from navigate channel on/off>>  
While playing MIDI data, press the TRACK 1 button.  
This cuts the sound of the channel whose number is one  
less than the navigate channel, but on-screen keyboard  
guide keys continue to light in accordance with the  
channels data as it is received. Press TRACK 1 button again  
to turn the channel back on.  
on: Anything played on the keyboard is sounded by the  
internal sound source and simultaneously output as a  
MIDI message from the MIDI OUT terminal.  
oFF: Anything played on the keyboard is output as a MIDI  
message from the MIDI OUT terminal, without being  
sounded by the internal sound source. Turn LOCAL  
CONTROL off whenever you are using the MIDI THRU  
function of a computer or other external device. Also  
note that the no sound is produced by the keyboard if  
LOCAL CONTROL is turned off and no external device  
is connected.  
Example: If the navigate channel is channel 4, the above  
operation turns off channel 3. If the navigate  
channel is channel 1 or 2, the above operation turns  
off channel 8.  
MIDI IN CHORD JUDGE (Default: Off)  
on: When a chord specification method is selected by the  
MODE switch, chords are specified by the keyboard  
channel note data input from the MIDI IN terminal.  
1 Press the SETTING button until the LOCAL  
oFF: MIDI IN CHORD JUDGE is turned off.  
CONTROL screen appears.  
Example: When LOCAL CONTROL is on  
1 Press the SETTING button until the MIDI IN  
CHORD JUDGE screen appears.  
L o c a l  
C h o r d  
2 Use the [+] and [] or [0] and [1] buttons to turn  
the setting on and off.  
Example: To turn LOCAL CONTROL off  
2 Use the [+] and [] or [0] and [1] buttons to turn  
the setting on and off.  
Example: To turn MIDI IN CHORD JUDGE on  
L o c a l  
C h o r d  
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MIDI  
ASSIGNABLE JACK (Default: SUS)  
SUS(sustain): Specifies a sustain*1 effect when the pedal is  
MIDI THRU MIDI IN  
depressed.  
SoS (sostenuto): Specifies a sostenuto*2 effect when the  
MIDI OUT  
MIDI IN  
pedal is depressed.  
MIDI OUT  
MIDI OUT  
SFt (soft): Specifies reduction of the sounds volume when  
Sound Source  
the pedal is depressed.  
Sound Source  
rHy (rhythm): Specifies START/STOP button operation  
when the pedal is depressed.  
LOCAL CONTROL On  
LOCAL CONTROL Off  
Notes played on the keyboard  
are sounded by the internal  
sound source and output as  
MIDI messages from the MIDI  
OUT terminal.  
Notes played on the keyboard  
are output as MIDI messages  
from the MIDI OUT terminal, but  
not sounded directly by the  
internal sound source. The MIDI  
THRU terminal of the connected  
device can be used to return the  
MIDI message and sound it on  
this keyboards sound source.  
1 Press the SETTING button until the ASSIGNABLE  
JACK screen appears.  
Example: When sustain is currently set  
J a c k  
2 Use the [+] and [] or [0], [1], [2], and [3] buttons  
ACCOMP MIDI OUT (Default: Off)  
on: Auto Accompaniment is played by the keyboard and  
the corresponding MIDI message is output from the  
MIDI OUT terminal.  
to change the setting.  
Example: To select rhythm  
oFF: Auto Accompaniment MIDI messages are not output  
J a c k  
from the MIDI OUT terminal.  
*1 Sustain  
With piano tones and other sounds that decay, the pedal acts  
as a damper pedal, with sounds being sustained longer when  
the pedal is depressed. With organ tones and other continuous  
sounds, notes played on the keyboard continue to sound until  
the pedal is released. In either case, the sustain effect is also  
applied to any notes that are played while the pedal is  
depressed.  
1 Press the SETTING button until the ACCOMP MIDI  
OUT screen appears.  
Example: When ACCOMP MIDI OUT is off  
p
A c o m
 
O u
 
t  
*2 Sostenuto  
This effect performs the same way as sustain, except that it is  
applied only to notes that are sounding already when the  
pedal is depressed. It does not affect notes that are played  
after the pedal is depressed.  
2 Use the [+] and [] or [0] and [1] buttons to turn  
the setting on and off.  
Example: To turn ACCOMP MIDI OUT on  
p
A c o m
 
O u
 
t  
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MIDI  
SETTING  
Number buttons  
[+] / []  
Messages  
# When SUS is set  
There is a wide variety of messages defined under the MIDI  
standard, and this section details the particular messages that  
can be sent and received by this keyboard. An asterisk is used  
to mark messages that affect the entire keyboard. Messages  
without an asterisk are those that affect only a particular  
channel.  
Pedal depressed  
# When SoS is set  
Pedal released  
NOTE ON/OFF  
This message sends data when a key is pressed (NOTE ON)  
or released (NOTE OFF).  
Pedal released  
= Keyboard depressed.  
= Sustained notes  
Pedal depressed  
A NOTE ON/OFF message include a note number (to indicate  
note whose key is being pressed or released) and velocity  
(keyboard pressure as a value from 1 to 127). NOTE ON  
velocity is always used to determine the relative volume of  
the note. This keyboard does not receive NOTE OFF velocity  
data.  
Whenever you press or release a key on this keyboard, the  
corresponding NOTE ON or NOTE OFF message is sent from  
the MIDI OUT terminal.  
SOUND RANGE SHIFT (Default: On)  
on: Shifts low range tones one octave lower and 020  
GLOCKENSPIEL/095 PICCOLO one octave higher.  
oFF: Plays low range tones and 020 GLOCKENSPIEL/095  
PICCOLO at their normal levels.  
Press the key  
MIDI OUT Terminal  
NOTE ON  
Note number (tone)  
Velocity (volume)  
1 Press the SETTING button until the SOUND RANGE  
SHIFT screen appears.  
Release the key  
MIDI OUT Terminal  
NOTE OFF  
S h
 
i f t  
Note number (tone)  
Velocity (volume)  
2 Use the [+] and [] or [0] and [1] buttons to change  
the setting.  
Example: To turn SOUND RANGE SHIFT off  
NOTE  
The pitch of a note depends on the tone that is being  
used, as shown in the Note Table on pageA-1. Whenever  
this keyboard receives a note number that is outside its  
range for that tone, the same tone in the nearest  
available octave is substituted.  
S h
 
i f t  
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MIDI  
*1 The BANK SELECT setting of PROGRAM CHANGE can be used  
to access any of this keyboards 255 tones when selecting tones on  
this keyboard from an external machine.  
PROGRAM CHANGE  
This is the tone selection message. PROGRAM CHANGE can  
contain tone data within the range of 0 to 127.  
A PROGRAM CHANGE message is sent out through this  
keyboards MIDI OUT terminal whenever you manually  
change its tone number. Receipt of a PROGRAM CHANGE  
message from an external machine changes the tone setting  
of this keyboard.  
Bank 0: 128 General MIDI tones (PROGRAM CHANGE 0 to 127)  
Bank 1: 118 panel tones (PROGRAM CHANGE 0 to 117)  
Bank 120: 9 drum sets  
(PROGRAM CHANGE 0, 8, 16, 24, 25, 32, 40, 48 and 62)  
Immediately prior to sending the PROGRAM CHANGE message,  
send two successive CONTROL CHANGE messages containing  
the following data.  
CONTROL NUMBER= 0, CONTROL VALUE= <bank number>  
CONTROL NUMBER= 32, CONTROL VALUE= 0  
NOTE  
This keyboard supports 128 tones in the range 0 to 127.  
However, Channel 10 is a percussion-only channel, and  
Channels 0, 8, 16, 24, 25, 32, 40, 48, and 62 correspond  
to the nine drum set sounds of this keyboard.  
Example: To select tone number 96 (panel tone FLUTE 1)  
from an external MIDI machine.  
CONTROL NUMBER= 0,  
CONTROL VALUE= 1 (bank number)  
CONTROL NUMBER= 32, CONTROL VALUE= 0  
PROGRAM CHANGE= 96  
PITCH BEND  
*2 RPN stands for Registered Parameter Number, which is a special  
control change number used when combining multiple control  
changes. The parameter being controlled is selected using the  
control values of control numbers 100 and 101, and then settings  
are made using the control values of DATA ENTRY (control  
numbers 6 and 38).  
This keyboard uses RPN to control this keyboards pitch bend sense  
(pitch change width in accordance with bend data) from another  
external MIDI device, transpose (this keyboards overall tuning  
adjusted in halftone units), and tune (this keyboards overall fine  
tuning).  
This message carries pitch bend information for smoothly  
sliding the pitch upwards or downwards during keyboard  
play. This keyboard does not send pitch bend data, but it can  
receive such data.  
CONTROL CHANGE  
This message adds effects such as vibrato and volume changes  
applied during keyboard play. CONTROL CHANGE data  
includes a control number (to identify the effect type) and a  
control value (to specify the on/off status and depth of the  
effect).  
NOTE  
Sustain (control number 64), sostenuto (control number  
66), and soft (control number 67) effects applied using  
the foot pedal are also applied.  
The following is a list of data that can be send or received  
using CONTROL CHANGE.  
Effect  
BANK SELECT*1  
# Modulation  
# Volume  
# Pan  
Control Number  
0, 32  
1
7
10  
# Expression  
Hold1  
11  
64  
Sostenuto  
66  
Soft Pedal  
RPN*2  
67  
100 / 101  
6 / 38  
Data Entry  
# indicates receive-only messages  
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MIDI  
ALL SOUND OFF  
This message forces all sound being produced over the  
current channel to turn off, regardless of how the sound is  
being produced.  
ALL NOTES OFF  
This message turns off all note data sent from an external  
device and currently being sounded on the channel.  
Any notes being sustained using a sustain pedal or  
sostenuto pedal continue to sound until the next pedal off.  
RESET ALL CONTROLLERS  
This messages initializes pitch bend and all other control  
changes.  
SYSTEM EXCLUSIVE*  
This message is used to control system exclusives, which are  
tone fine adjustments that are unique to a particular machine.  
Originally, system exclusives were unique to a particular  
model, but now there are also universal system exclusives  
that are applicable to machines that are different models and  
even produced by different manufacturers.  
The following are the system exclusive messages supported  
by this keyboard.  
I GM SYSTEM ON ([F0][7E][7F][09][01][F7])  
GM SYSTEM ON is used by an external machine to turn on  
this keyboards GM system. GM stands for General MIDI.  
GM SYSTEM ON takes more time to process than other  
messages, so when GM SYSTEM ON is stored in the  
sequencer it can take more than 100msec until the next  
message.  
I GM SYSTEM OFF ([F0][7E][7F][09][02][F7])  
GM SYSTEM OFF is used by an external machine to turn off  
this keyboards GM system.  
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Troubleshooting  
Problem  
Possible Cause  
Action  
See page  
No keyboard sound  
1. Power supply problem.  
1. Correctly attach the AC adaptor,  
make sure that batteries poles  
(+/) are facing correctly, and  
check to make sure that batteries  
are not dead.  
Pages  
E-14,15  
2. Power is not turned on.  
2. Press the POWER button to turn  
on power.  
3. Use the VOLUME slider to  
increase volume.  
4. Normal play is not possible on  
the accompaniment keyboard  
while the MODE switch is set to  
CASIO CHORD or FINGERED.  
Change the MODE switch  
setting to NORMAL.  
Page E-19  
Page E-19  
Page E-35  
3. Volume setting is too low.  
4. The MODE switch is in the  
CASIO CHORD or FINGERED  
position.  
5. LOCAL CONTROL is off.  
6. MIDI data has changed the  
VOLUME and EXPRESSION  
settings to 0.  
5. Turn on LOCAL CONTROL.  
6. Adjust both parameters.  
Page E-54  
Page E-57  
Any of the following symptoms  
while using battery power.  
Dim power supply indicator  
Instrument does not turn on.  
Dim, difficult to read display  
Abnormally low speaker/  
headphone volume  
Low battery power  
Replace the batteries with a set of  
new ones or use the AC adaptor.  
Pages  
E-14, 15  
Distortion of sound output  
Occasional interruption of  
sound when playing at high  
volumes  
Sudden power failure when  
playing at high volumes  
Dimming of the display when  
playing at high volume  
Continued sound output even  
after you release a key  
A totally different tone may  
sound  
Abnormal rhythm pattern and  
demo tune play  
Abnormally low microphone  
volume  
Distortion of microphone input  
Dim power supply indicator  
when a microphone is used  
Sudden power failure when  
using the microphone  
Loss of power, sound distortion,  
or low volume when playing  
from a connected computer or  
MIDI device  
Auto Accompaniment does not  
sound.  
Accompaniment volume is set to  
000.  
Use the SETTING button to  
increase the volume.  
Page E-49  
Page E-48  
Sound output does not change  
when key pressure is varied.  
Touch response is turned off.  
Press the SETTING button to turn  
it on.  
704A-E-061A  
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Troubleshooting  
Problem  
Possible Cause  
Action  
See page  
On-screen keyboard guide keys  
stay on.  
Keyboard is waiting for play of  
the correct note during Step 1 or  
Step 2 play.  
1. Press the lit key to continue with  
Step 1 or Step 2 play.  
2. Press the PLAY/STOP button to  
quit Step 1 or Step 2 play.  
Pages  
E-28, 29  
Pages  
E-28, 29  
When playing with another MIDI  
instrument, keys or tunings do not  
match.  
Transpose or tuning is set to a  
value other than 00.  
Use the SETTING button to display  
the applicable setting screens and  
set both transpose and tuning to  
00.  
Pages  
E-48, 50  
Cannot  
Accompaniment or rhythm.  
record  
Auto  
Track other than Track 1 is selected  
as the recording track.  
Use the track select buttons to select  
Track 1. (Track 2 is melody track.)  
Page E-42  
Page E-56  
When playing General MIDI data  
with a computer, playback notes  
do not match those produced  
when lit keys on the on-screen  
keyboard guide are pressed.  
Wrong SOUND RANGE SHIFT  
setting  
Use the SETTING button to display  
the SOUND RANGE SHIFT screen  
and correct the setting.  
Playing on the keyboard produces  
an unnatural sound when  
connected to a computer.  
The computers MIDI THRU  
function is turned on.  
Turn off the MIDI THRU function  
on the computer or turn off LOCAL  
CONTROL on the keyboard.  
Page E-54  
Page E-55  
Cannot  
record  
chord  
ACCOMP MIDI OUT is turned  
off.  
Turn on ACCOMP MIDI OUT.  
accompaniment data on  
computer.  
a
Static noise when a microphone is  
connected.  
1. Use of a microphone that is a  
different from the type that is  
recommended.  
2. Use of the microphone in the  
vicinity of fluorescent lighting.  
1. Use a full metal shielded Cannon  
type microphone.  
Page E-32  
Page E-32  
2. Move the microphone away from  
source of the static.  
No microphone sound  
1. Microphone volume setting is  
too low.  
2. Microphone on/off switch is set  
to OFF.  
1. Increase the microphone volume  
setting.  
2. Change the microphone on/off  
switch setting to ON.  
Page E-32  
Page E-32  
E-60  
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Specifications  
Model:  
CTK-591/CTK-593  
Keyboard:  
Tones:  
61 standard-size keys, 5 octaves (with touch response on/off)  
255 (118 panel tones + 128 General MIDI tones + 9 drum sets); with layer and  
split  
Rhythm Instrument Tones:  
Polyphony:  
61  
24 notes maximum (12 for certain tones)  
Auto Accompaniment  
Rhythm Patterns:  
Tempo:  
120  
Variable (216 steps, = 40 to 255)  
Chords:  
Rhythm Controller:  
3 fingering methods (CASIO CHORD, FINGERED, FULL RANGE CHORD)  
START/STOP, INTRO, NORMAL/NORMAL FILL-IN, VARIATION/  
VARIATION FILL-IN, SYNCHRO/ENDING  
0 to 127 (128 steps)  
Accomp Volume:  
One Touch Presets:  
Recalls settings for tone, tempo, layer, split, and accompaniment volume in  
accordance with rhythm.  
<Advanced 3-Step Lesson System>  
3-step Lesson:  
3 lessons (Step 1, 2, 3)  
Repeat play of a single tune  
Scoring 1, Scoring 2, Phrase Practice  
On/Off  
Playback:  
Evaluation Mode:  
Voice Fingering Guide:  
Song Bank, Piano Bank  
Number of Tunes:  
Controllers:  
100 (Song Bank/Sing Along: 50, Piano Bank: 50)  
PLAY/STOP, PAUSE, FF, REW, LEFT/RIGHT  
Musical Information Function:  
Tone, Auto Accompaniment, Song Bank, Piano Bank, Sing Along numbers and  
names; staff notation, tempo, metronome, measure and beat number, step lesson  
display, chord name, fingering, pedal operation, Keyboard, Song Bank icon,  
Piano Bank icon, Sing Along icon, Voice Fingering Guide, Evaluation Mode  
Sing Along Mode  
Number of Tunes:  
Controllers:  
Song Bank/Sing Along: 50  
PLAY/STOP, KEY CONTROL (25 steps, 12 semitones to +12 semitones)  
Metronome:  
On/Off  
1 to 6  
Beat Specification:  
Song Memory  
Songs:  
2
Recording Tracks:  
Recording Method:  
Memory Capacity:  
2
Real-time  
Approximately 5,100 notes (total for two songs)  
MIDI:  
16 multi-timbre receive, GM Level 1 standard  
Other Functions  
Transpose:  
Tuning:  
25 steps (12 semitones to +12 semitones)  
101 steps (A4 = approximatery 440Hz 50Cents)  
Terminals  
MIDI Terminals:  
Assignable Jack:  
Headphone/Output Terminal:  
Output Impedance:  
Output Voltage:  
IN, OUT  
Standard jack (sustain, sostenuto, soft, rhythm start/stop)  
Stereo standard jack  
100Ω  
4V (RMS) MAX  
Microphone In:  
Standard jack (with microphone volume knob)  
Input impedance: 3KΩ  
Input sensitivity: 10mV  
Power Jack:  
9V DC  
704A-E-063A  
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Specifications  
Power Supply:  
2-way  
Batteries:  
6 D-size batteries  
Battery Life:  
AC Adaptor:  
Auto Power Off:  
Approximately 6 hours continuous operation on manganese batteries  
AD-5  
Turns power off approximately 6 minutes after last key operation. Enabled  
under batter power only, can be disabled manually.  
Speaker Output:  
Power Consumption:  
Dimensions:  
2.5W + 2.5W  
9V  
96.0 x 37.5 x 14.5 cm (37 13  
Approximately 5.3 kg (11.7 lbs)(without batteries)  
7.7W  
/
16 x 14 3/ x 5 11  
/16 inch)  
4
Weight:  
• Design and specifications are subject to change without notice.  
E-62  
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Care of your keyboard  
Avoid heat, humidity or direct sunlight.  
Do not overexpose the instrument to direct sunlight, or place it near an air conditioner, or in any extremely hot place.  
Do not use near a TV or radio.  
This instrument can cause video or audio interference with TV and radio reception. If this happens, move the instrument away  
from the TV or radio.  
Do not use lacquer, thinner or similar chemicals for cleaning.  
Clean the keyboard with a soft cloth dampened in a weak solution of water and a neutral detergent. Soak the cloth in the solution  
and squeeze until it is almost dry.  
Avoid use in areas subjected to temperature extremes.  
Extremely high or low temperature can cause figures on the LCD screen to become dim and difficult to read. This condition  
should correct itself when the keyboard is brought back to normal temperature.  
NOTE  
You may notice lines in the finish of the case of this keyboard. These lines are a result of the molding process used to shape  
the plastic of the case. They are not cracks or breaks in the plastic, and are no cause for concern.  
704A-E-065A  
E-63  
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Appendix/Apéndice  
Note Table/Tabla de notas  
(1): Tone number/Número de sonido  
(2): Maximum polyphony/Polifonía máxima  
(3): Range type/Tipo de gama  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
0
1
2
3
4
5
6
7
8
9
12  
24  
24  
24  
12  
24  
12  
12  
12  
12  
A
A
A
A
A
A
A
A
A
A
10  
11  
12  
13  
14  
15  
16  
17  
18  
19  
12  
24  
12  
12  
12  
12  
12  
12  
24  
24  
A
A
A
A
A
A
A
A
A
A
20  
21  
22  
23  
24  
25  
26  
27  
28  
29  
24  
24  
24  
12  
12  
12  
12  
12  
12  
12  
B
A
A
A
A
A
A
A
A
A
30  
31  
32  
33  
34  
35  
36  
37  
38  
39  
12  
12  
12  
12  
12  
12  
12  
24  
24  
24  
A
A
A
A
A
A
A
A
C
C
40  
41  
42  
43  
44  
45  
46  
47  
48  
49  
12  
24  
12  
24  
12  
24  
24  
24  
12  
24  
C
C
C
C
C
C
C
C
C
C
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
50  
51  
52  
53  
54  
55  
56  
57  
58  
59  
12  
24  
24  
24  
24  
24  
24  
24  
24  
24  
C
C
C
C
C
C
C
A
A
C
60  
61  
62  
63  
64  
65  
66  
67  
68  
69  
24  
24  
24  
24  
12  
24  
12  
24  
24  
24  
A
A
A
A
A
A
A
A
A
A
70  
71  
72  
73  
74  
75  
76  
77  
78  
79  
12  
12  
12  
24  
24  
24  
24  
12  
24  
12  
A
A
A
A
C
C
A
C
A
A
80  
81  
82  
83  
84  
85  
86  
87  
88  
89  
12  
12  
12  
12  
24  
24  
24  
12  
24  
24  
A
A
A
A
A
C
C
C
C
C
90  
91  
92  
93  
94  
95  
96  
97  
98  
99  
12  
12  
24  
24  
24  
24  
24  
24  
12  
24  
C
C
C
A
A
B
A
A
A
A
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
100  
101  
102  
103  
104  
105  
106  
107  
108  
109  
24  
24  
12  
12  
12  
12  
12  
12  
12  
24  
A
A
A
A
A
A
A
A
A
A
111  
111  
112  
113  
114  
115  
116  
117  
118  
119  
12  
12  
12  
12  
12  
12  
12  
12  
24  
24  
A
A
A
A
A
A
A
A
A
A
120  
121  
122  
123  
124  
125  
126  
127  
128  
129  
12  
12  
24  
24  
24  
24  
24  
24  
12  
24  
A
A
A
A
A
A
A
A
A
A
130  
131  
132  
133  
134  
135  
136  
137  
138  
139  
24  
24  
24  
12  
12  
12  
12  
12  
24  
12  
A
A
A
A
A
A
A
A
A
A
140  
141  
142  
143  
144  
145  
146  
147  
148  
149  
24  
12  
24  
24  
24  
24  
24  
24  
24  
24  
A
A
A
A
A
A
A
A
A
A
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
150  
151  
152  
153  
154  
155  
156  
157  
158  
159  
24  
24  
24  
24  
24  
24  
24  
24  
24  
24  
A
A
A
A
A
A
A
A
A
A
160  
161  
162  
163  
164  
165  
166  
167  
168  
169  
24  
24  
24  
24  
24  
24  
24  
24  
24  
12  
A
A
A
A
A
A
A
A
A
A
170  
171  
172  
173  
174  
175  
176  
177  
178  
179  
24  
24  
12  
12  
24  
24  
24  
24  
12  
24  
A
A
A
A
A
A
A
A
A
A
180  
181  
182  
183  
184  
185  
186  
187  
188  
189  
12  
12  
24  
24  
24  
24  
24  
24  
24  
24  
A
A
A
A
A
A
A
A
A
A
190  
191  
192  
193  
194  
195  
196  
197  
198  
199  
24  
24  
24  
24  
12  
24  
24  
24  
12  
12  
A
A
A
A
A
A
A
A
A
A
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
(1)  
(2)  
(3)  
200  
201  
202  
203  
204  
205  
206  
207  
208  
209  
12  
12  
12  
12  
12  
12  
12  
24  
12  
12  
A
A
A
A
A
A
A
A
A
A
210  
211  
212  
213  
214  
215  
216  
217  
218  
219  
12  
12  
12  
12  
12  
12  
12  
12  
12  
12  
A
A
A
A
A
A
A
A
A
A
220  
221  
222  
223  
224  
225  
226  
227  
228  
229  
12  
12  
24  
24  
24  
24  
24  
12  
12  
24  
A
A
A
A
A
A
A
A
A
A
230  
231  
232  
233  
234  
235  
236  
237  
238  
239  
24  
24  
12  
24  
24  
24  
12  
24  
24  
24  
A
A
A
D
D
D
D
D
A
A
240  
241  
242  
243  
244  
245  
246  
247  
248  
249  
12  
24  
24  
24  
12  
24  
24  
24  
24  
24  
D
D
D
D
D
D
D
D
D
D
NOTE  
(1)  
(2)  
(3)  
The meaning of each range type is described to the right.  
250  
251  
252  
253  
254  
24  
24  
24  
24  
24  
D
D
D
D
D
NOTA  
El significado de cada tipo de gama se describe a la derecha.  
704A-E-131A  
A-1  
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Appendix/Apéndice  
=
A
440Hz  
-
Range Type  
C 1  
C0  
C1  
C2  
C3  
C4  
C5  
C6  
C7 G7 C8  
C9 G9  
A
(Standard type)  
(Tipo estándar)  
B
020 GLOCKENSPIEL/  
095 PICCOLO”  
020 GLOCKENSPIEL/  
095 PICCOLO”  
C
Low pitch  
instruments  
Instrumentos de  
altura tonal baja  
D
No scale for tones.  
Sin escala para los sonidos.  
(Sound Effect)  
(Efecto de sonido)  
........Keyboard range (SOUND RANGE SHIFT turned on)  
........Gama del teclado (SOUND RANGE SHIFT activados)  
a
b
c
........Keyboard range (SOUND RANGE SHIFT turned off)  
........Gama del teclado (SOUND RANGE SHIFT desactivados)  
........Available range (using transpose or MIDI receive)  
........Gama disponible (usando la transposición o recepción MIDI)  
........Notes in these ranges are produced by playing the notes in range c that are in  
the nearest octave as the result of transpose and MIDI data receive operations.  
d
........Las notas en estas gamas se producen ejecutando las notas en la gama c que  
se encuentre en la octava más cercana como resultado de las operaciones de  
transposición y recepción de datos MIDI.  
A-2  
704A-E-132A  
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Appendix/Apéndice  
a
í
L
n
ó
D
L
704A-E-133A  
A-3  
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Appendix/Apéndice  
A
N
N
A-4  
704A-E-134A  
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Appendix/Apéndice  
A
N
N
F
Cua  
704A-E-135A  
A-5  
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Appendix/Apéndice  
Tone List  
Lista de sonidos  
Panel Tones/Sonidos de panel  
BASS  
PIANO  
049  
050  
051  
052  
053  
054  
055  
056  
ACOUSTIC BASS  
RIDE BASS  
FINGERED BASS  
PICKED BASS  
FRETLESS BASS  
SLAP BASS  
SAW.SYNTH-BASS  
SQR SYNTH-BASS  
000  
001  
002  
003  
004  
005  
006  
007  
008  
009  
010  
011  
012  
013  
014  
015  
016  
017  
018  
STEREO PIANO  
GRAND PIANO  
BRIGHT PIANO  
MELLOW PIANO  
MODERN PIANO  
DANCE PIANO  
STRINGS PIANO  
HONKY-TONK  
OCTAVE PIANO  
ELEC.GRAND PIANO  
MODERN E.G.PIANO  
ELEC.PIANO  
STR/ORCHESTRA  
057  
058  
059  
060  
061  
VIOLIN  
SLOW VIOLIN  
CELLO  
PIZZICATO STRINGS  
HARP  
CHORUSED EP  
MODERN E.PIANO  
SOFT E.PIANO  
ENSEMBLE  
062  
063  
064  
065  
066  
067  
068  
069  
070  
071  
072  
STRINGS  
SLOW STRINGS  
CHAMBER  
SYNTH-STRINGS 1  
SYNTH-STRINGS 2  
CHOIR AAHS  
CHOIRS  
E.PIANO PAD  
HARPSICHORD  
COUPLED HARPSICHORD  
CLAVI  
CHROMATIC PERC  
019  
020  
021  
022  
CELESTA  
GLOCKENSPIEL  
VIBRAPHONE  
MARIMBA  
VOICE DOO  
SYNTH-VOICE  
SYNTH-VOICE PAD  
ORCHESTRA HIT  
ORGAN  
023  
024  
025  
026  
027  
028  
029  
030  
031  
032  
033  
034  
035  
036  
037  
DRAWBAR ORGAN 1  
BRASS  
DRAWBAR ORGAN 2  
DRAWBAR ORGAN 3  
PERC.ORGAN 1  
PERC.ORGAN 2  
ELEC.ORGAN 1  
ELEC.ORGAN 2  
JAZZ ORGAN  
073  
074  
075  
076  
077  
078  
079  
080  
081  
082  
083  
TRUMPET  
TROMBONE  
TUBA  
MUTE TRUMPET  
FRENCH HORN  
BRASS  
BRASS SECTION  
BRASS SFZ  
ANALOG SYNTH-BRASS  
SYNTH-BRASS 1  
SYNTH-BRASS 2  
ROCK ORGAN  
CHURCH ORGAN  
CHAPEL ORGAN  
ACCORDION  
OCTAVE ACCORDION  
BANDONEON  
REED  
084  
085  
086  
087  
088  
089  
090  
091  
092  
093  
094  
SOPRANO SAX  
ALTO SAX 1  
ALTO SAX 2  
BREATHY A.SAX  
TENOR SAX 1  
TENOR SAX 2  
BREATHY T.SAX  
T.SAXYS  
HARMONICA  
GUITAR  
038  
039  
040  
041  
042  
043  
044  
045  
046  
047  
048  
NYLON STR.GUITAR  
STEEL STR.GUITAR  
12 STR.GUITAR  
JAZZ GUITAR  
OCT JAZZ GUITAR  
CLEAN GUITAR  
ELEC.GUITAR  
MUTE GUITAR  
OVERDRIVE GT  
DISTORTION GT  
FEEDBACK GT  
BARITONE SAX  
OBOE  
CLARINET  
A-6  
704A-E-136A  
CTK591_es_appendix.p65  
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Appendix/Apéndice  
PIPE  
GM Tones/Sonidos GM  
095  
096  
097  
098  
099  
100  
101  
PICCOLO  
FLUTE 1  
FLUTE 2  
MELLOW FLUTE  
RECORDER  
PAN FLUTE  
WHISTLE  
PIANO  
118  
119  
120  
121  
122  
123  
124  
125  
PIANO 1  
PIANO 2  
PIANO 3  
HONKY-TONK GM  
E.PIANO 1 GM  
E.PIANO 2 GM  
HARPSICHORD GM  
CLAVI GM  
SYNTH-LEAD  
102  
103  
104  
105  
106  
107  
SQUARE LEAD  
SAWTOOTH LEAD  
SINE LEAD  
CALLIOPE  
VOICE LEAD  
BASS+LEAD  
CHROMATIC PERC  
126  
127  
128  
129  
130  
131  
132  
133  
CELESTA GM  
GLOCKENSPIEL OCT  
MUSIC BOX  
VIBRAPHONE GM  
MARIMBA GM  
XYLOPHONE  
TUBULAR BELL  
DULCIMER  
SYNTH-PAD  
108  
109  
110  
111  
112  
113  
114  
115  
116  
117  
FANTASY  
WARM PAD  
WARM VOX  
POLYSYNTH  
POLY SAW  
BOWED PAD  
HALO PAD  
ATMOSPHERE  
BRIGHTNESS  
ECHO PAD  
ORGAN  
134  
135  
136  
137  
138  
139  
140  
141  
ORGAN 1  
ORGAN 2  
ORGAN 3  
PIPE ORGAN  
REED ORGAN  
FRENCH ACCORDION  
HARMONICA GM  
BANDONEON GM  
GUITAR  
142  
143  
144  
145  
146  
147  
148  
149  
NYLON STR.GUITAR OCT  
STEEL STR.GUITAR OCT  
JAZZ GUITAR OCT  
CLEAN GUITAR OCT  
MUTE GUITAR OCT  
OVERDRIVE GT OCT  
DISTORTION GT OCT  
GT HARMONICS  
BASS  
150  
151  
152  
153  
154  
155  
156  
157  
ACOUSTIC BASS OCT  
FINGERED BASS OCT  
PICKED BASS OCT  
FRETLESS BASS OCT  
SLAP BASS 1 OCT  
SLAP BASS 2 OCT  
SYNTH-BASS 1  
SYNTH-BASS 2  
STR/ORCHESTRA  
158  
159  
160  
161  
162  
163  
164  
165  
VIOLIN GM  
VIOLA  
CELLO GM  
CONTRABASS  
TREMOLO STRINGS  
PIZZICATO GM  
HARP GM  
TIMPANI  
704A-E-137A  
A-7  
CTK591_es_appendix.p65  
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Appendix/Apéndice  
ENSEMBLE  
SYNTH-SFX  
166  
167  
168  
169  
170  
171  
172  
173  
ORCHESTRA STRINGS 1  
ORCHESTRA STRINGS 2  
SAW.SYNTH-STRINGS 1  
SAW.SYNTH-STRINGS 2  
VOICE AHH  
VOICE DOO GM  
SYNTH-VOICE GM  
ORCHESTRA HIT GM  
214  
215  
216  
217  
218  
219  
220  
221  
RAIN DROP  
SOUND TRACK  
CRYSTAL  
ATMOSPHERE PAD  
BRIGHT PAD  
GOBLINS  
ECHOES  
SF  
BRASS  
ETHNIC  
174  
175  
176  
177  
178  
179  
180  
181  
TRUMPET GM  
TROMBONE OCT  
TUBA OCT  
MUTE TRUMPET GM  
FRENCH HORN OCT  
BRASS GM  
SYNTH-BRASS 1 GM  
SYNTH-BRASS 2 GM  
222  
223  
224  
225  
226  
227  
228  
229  
230  
SITAR  
BANJO  
SHAMISEN  
KOTO  
THUMB PIANO  
BAG PIPE  
FIDDLE  
SHANAI  
TINKLE BELL  
REED  
PERCUSSIVE  
182  
183  
184  
185  
186  
187  
188  
189  
SOPRANO SAX GM  
ALTO SAX OCT  
TENOR SAX OCT  
BARITONE SAX OCT  
OBOE GM  
ENGLISH HORN  
BASSOON  
CLARINET GM  
231  
232  
233  
234  
235  
236  
237  
AGOGO  
STEEL DRUMS  
WOOD BLOCK  
TAIKO  
MELODIC TOM  
SYNTH-DRUM  
REVERSE CYMBAL  
PIPE  
SOUND EFFECTS  
190  
191  
192  
193  
194  
195  
196  
197  
PICCOLO OCT  
FLUTE GM  
238  
239  
240  
241  
242  
243  
244  
245  
GT FRET NOISE  
BREATH NOISE  
SEASHORE  
BIRD  
TELEPHONE  
HELICOPTER  
APPLAUSE  
GUNSHOT  
RECORDER GM  
PAN FLUTE GM  
BOTTLE BLOW  
SHAKUHACHI  
WHISTLE GM  
OCARINA  
SYNTH-LEAD  
198  
199  
200  
201  
202  
203  
204  
205  
SQUARE WAVE  
SAWTOOTH WAVE  
CALLIOPE LEAD  
CHIFF LEAD  
CHARANG  
SOLO VOX  
FIFTH LEAD  
BASS LEAD  
Drum Sounds/Sonidos de batería  
246  
247  
248  
249  
250  
251  
252  
253  
254  
STANDARD SET  
ROOM SET  
POWER SET  
ELECTRONIC SET  
SYNTH SET  
JAZZ SET  
BRUSH SET  
ORCHESTRA SET  
VOICE SET  
SYNTH-PAD  
206  
207  
208  
209  
210  
211  
212  
213  
NEW AGE  
WARM SYNTH  
POLYSYNTH GM  
SPACE CHOIR  
BOWED GLASS  
METAL PAD  
HALO SYNTH  
SWEEP PAD  
A-8  
704A-E-138A  
CTK591_es_appendix.p65  
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Appendix/Apéndice  
Rhythm List  
Lista de ritmos  
POPS I  
048  
049  
CHICAGO BLUES  
R&B  
097  
098  
099  
BALADI  
ENKA  
STR QUARTET  
000  
001  
002  
003  
004  
005  
006  
007  
008  
009  
POP 1  
WORLD POP  
SOUL BALLAD 1  
POP SHUFFLE  
POP BALLAD  
POP 2  
BALLAD  
FUSION SHUFFLE  
POP 3  
JAZZ/FUSION  
FOR PIANO I  
050  
051  
052  
053  
054  
055  
056  
057  
058  
059  
BIG BAND  
JAZZ VOICES  
SLOW SWING  
SWING 1  
SWING 2  
FOX TROT  
MODERN JAZZ  
ACID JAZZ  
LATIN FUSION  
JAZZ WALTZ  
100  
101  
102  
103  
104  
105  
106  
107  
108  
109  
PIANO BALLAD 1  
PIANO BALLAD 2  
PIANO BALLAD 3  
EP BALLAD 1  
EP BALLAD 2  
BLUES BALLAD  
MELLOW JAZZ  
JAZZ COMBO  
RAGTIME  
SOUL BALLAD 2  
POPS II  
010  
011  
012  
013  
014  
015  
016  
017  
018  
019  
16 BEAT 1  
16 BEAT 2  
16 BEAT 3  
8 BEAT 1  
8 BEAT 2  
8 BEAT 3  
BOOGIE-WOOGIE  
EUROPEAN  
FOR PIANO II  
060  
061  
062  
063  
064  
065  
066  
067  
068  
069  
POLKA 1  
POLKA 2  
MARCH 1  
MARCH 2  
SLOW WALTZ  
VIENNESE WALTZ  
WALTZ 1  
FRENCH WALTZ  
SERENADE  
TANGO  
110  
111  
112  
113  
114  
115  
116  
117  
118  
119  
ARPEGGIO 1  
ARPEGGIO 2  
ARPEGGIO 3  
PIANO BALLAD 4  
6/8 MARCH  
MARCH 3  
2 BEAT  
WALTZ 2  
WALTZ 3  
WALTZ 4  
POP 4  
DANCE POP  
POP FUSION  
POP WALTZ  
DANCE/FUNK  
020  
021  
022  
023  
024  
025  
026  
027  
028  
029  
JUNGLE  
RAVE  
TECHNO  
GROOVE SOUL  
DISCO  
EURO BEAT  
RAP  
TRANCE  
FUNK  
LATIN I  
070  
071  
072  
073  
074  
075  
076  
077  
078  
079  
BOSSA NOVA 1  
BOSSA NOVA 2  
SAMBA 1  
SAMBA 2  
JAZZ SAMBA  
MAMBO  
RHUMBA  
VERY FUNKY  
CHA-CHA-CHA  
MERENGUE  
BOLERO  
ROCK I  
030  
031  
032  
033  
034  
035  
036  
037  
038  
039  
ROCK WALTZ  
SLOW ROCK 1  
SLOW ROCK 2  
SOFT ROCK 1  
SOFT ROCK 2  
SOFT ROCK 3  
FOLKIE POP  
POP ROCK 1  
60S SOUL  
LATIN II/VARIOUS I  
080  
081  
082  
083  
084  
085  
086  
087  
088  
089  
SALSA  
REGGAE  
PUNTA  
CUMBIA  
PASODOBLE  
RUMBA CATALANA  
SEVILLANA  
SKA  
TEX-MEX  
FOLKLORE  
POP ROCK 2  
ROCK II  
040  
041  
042  
043  
044  
045  
046  
047  
ROCK 1  
ROCK 2  
POP ROCK 3  
RIFF ROCK  
HEAVY METAL  
50S ROCK  
VARIOUS II  
090  
091  
092  
093  
094  
095  
096  
COUNTRY  
BLUEGRASS  
TOWNSHIP  
FAST GOSPEL  
SLOW GOSPEL  
RAI  
TWIST  
NEW ORLNS R&R  
ADANI  
704A-E-139A  
A-9  
CTK591_es_appendix.p65  
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Appendix/Apéndice  
Song List/Lista de canciones  
Song Bank/Sing Along List  
Lista del banco de canciones/cantando en conjunto  
00  
01  
02  
03  
HERO (SPIDER-MANTHEME )  
COMPLICATED  
HERO  
MY HEART WILL GO ON  
(TITANICTHEME )  
HAPPY BIRTHDAY TO YOU  
WE WISH YOU A MERRY CHRISTMAS  
JINGLE BELLS  
SILENT NIGHT  
JOY TO THE WORLD  
O CHRISTMAS TREE  
WHEN THE SAINTS GO MARCHING IN  
GREENSLEEVES  
04  
05  
06  
07  
08  
09  
10  
11  
12  
13  
14  
15  
16  
17  
18  
19  
20  
21  
22  
23  
24  
25  
26  
27  
28  
29  
30  
31  
32  
33  
34  
35  
36  
37  
38  
39  
40  
41  
42  
43  
44  
45  
46  
47  
48  
49  
AMAZING GRACE  
AULD LANG SYNE  
TWINKLE TWINKLE LITTLE STAR  
UNDER THE SPREADING CHESTNUT TREE  
SUMM SUMM SUMM  
LONG LONG AGO  
ACH DU LIEBER AUGUSTIN  
SIPPINCIDER THROUGH A STRAW  
GRANDFATHERS CLOCK  
MICHAEL ROW THE BOAT ASHORE  
DANNY BOY  
ANNIE LAURIE  
MY BONNIE  
MY DARLING CLEMENTINE  
JAI PERDU LE DO DE MA CLARINETTE  
IVE BEEN WORKING ON THE RAILROAD  
LITTLE BROWN JUG  
AURA LEE  
OH! SUSANNA  
HOUSE OF THE RISING SUN  
SHE WORE A YELLOW RIBBON  
CAMPTOWN RACES  
SWANEE RIVER (OLD FOLKS AT HOME)  
YANKEE DOODLE  
RED RIVER VALLEY  
TURKEY IN THE STRAW  
MY OLD KENTUCKY HOME  
HOME ON THE RANGE  
JAMAICA FAREWELL  
LA CUCARACHA  
ALOHA OE  
SAKURA SAKURA  
AJO MAMMA  
LAPALOMA  
SANTA LUCIA  
TROIKA  
SZLA DZIEWECZKA  
WALTZING MATILDA  
A-10  
704A-E-140A  
CTK591_es_appendix.p65  
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Appendix/Apéndice  
Piano Bank List  
Lista del banco de piano  
ETUDES  
CONCERT PIECES  
00  
01  
02  
03  
04  
05  
06  
07  
08  
09  
10  
11  
12  
13  
14  
15  
16  
17  
MINUET (J.S.BACH)  
GAVOTTE (GOSSEC)  
ARABESQUE (BURGMÜLLER)  
CHOPSTICKS  
FRÖHLICHER LANDMANN  
INVENTIONEN no.1  
AVE MARIA (GOUNOD)  
JESUS BLEIBET MEINE FREUDE  
CANON (PACHELBEL)  
SONATINA op.36 no.1 1st Mov.  
SONATA op.13 PATHÉTIQUE2nd Mov.  
SONATA K.331 1st Mov.  
PRELUDE op.28 no.7 (CHOPIN)  
VON FREMDEN LÄNDERNUND MANSCHEN  
JE TE VEUX  
20  
21  
22  
23  
24  
25  
FÜR ELISE  
TURKISH MARCH (MOZART)  
THE ENTERTAINER  
MAPLE LEAF RAG  
GYMNOPÉDIES no.1  
ETUDE op.10 no.3  
CHANSON DE LADIEU”  
SONATA op.27 no.2  
MOONLIGHT1st Mov.  
HUNGARIAN DANCES no.5  
TRÄUMEREI  
LA FILLE AUX CHEVEUX DE LIN  
HUMORESKE (DVO ÁK)  
PROMENADE FROM  
TABLEAUX DUNE EXPOSITION”  
MOMENTS MUSICAUX op.94 no.3  
LE CYGNE FROM  
LE CARNAVAL DES ANIMAUX”  
VALSE op.64 no.1 PETIT CHIEN”  
CHANSON DU TOREADOR FROM  
CARMEN”  
26  
27  
28  
29  
30  
31  
RÊVERIE  
ODE TO JOY  
SERENADE FROM  
EINE KLEINE NACHTMUSIK”  
GOING HOME FROM  
32  
33  
34  
35  
18  
19  
FROM THE NEW WORLD”  
BEAUTIFUL DREAMER  
36  
37  
LARGO (HÄNDEL)  
WEDDING MARCH FROM  
MIDSUMMER NIGHTS DREAM”  
AMERICAN PATROL  
CSIKOS POST  
DOLLYS DREAMING AND AWAKENING  
LA CHEVALERESQUE  
38  
39  
40  
41  
42  
43  
44  
45  
46  
47  
48  
49  
SONATA K.545 1st Mov.  
LA PRIÈRE DUNE VIERGE  
TURKISH MARCH (BEETHOVEN)  
NOCTURNE op.9 no.2 (CHOPIN)  
LIEBESTRÄUME no.3  
MARCHE MILITAIRE no.1  
BLUMENLIED  
GRANDE VALSE BRILLANTE op.18 no.1  
704A-E-141A  
A-11  
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ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
704A-E-142A  
CTK591_es_appendix.p65  
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ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
704A-E-143A  
CTK591_es_appendix.p65  
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ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
ꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂꢂ  
704A-E-144A  
CTK591_es_appendix.p65  
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This recycle mark indicates that the packaging conforms to  
the environmental protection legislation in Germany.  
Esta marca de reciclaje indica que el empaquetado se  
ajusta a la legislación de protección ambiental en Alemania.  
CASIO COMPUTER CO.,LTD.  
6-2, Hon-machi 1-chome  
Shibuya-ku, Tokyo 151-8543, Japan  
C
MA0302-A Printed in China  
CTK591/593-ES-1  
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