PUB. DIE-308A
HD Video Camera Recorder
Instruction Manual
Digital
Mini
Video
35
PAL
Cassette
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The XL H1S / XL H1A - A Broad Range of
Capabilities
Ultimate HD Quality
New and improved lens The HD 20x L IS III is the latest addition to the XL line of high-end interchangeable
lenses and now features a built-in iris ring for improved operability.
3CCD system By using three 1/3-in. CCDs (each with a total of 1.67 mega pixels and 1,440x1,080 effective
pixels), the camcorder offers a horizontal resolution of 800 TV lines, the highest in HDV standard.
DIGIC DV II image processor The next generation of Canon’s video processing engine ensures optimal
video quality and color reproduction for high-definition video.
Versatile Artistic Expression
HDV native 1080/25p recording Use the 25F mode for video recordings compliant with native recordings
according to HDV specifications (
48). Whatever your video needs –TV programs, commercials, music
videos or movies– you can shoot it with the XL H1S / XL H1A.
Custom presets Enjoy unparalleled image control to deliver the “look” you want. The camcorder offers 23
customizable parameters you can easily save and exchange as custom preset files (
92).
Advanced Professional Features
Pro level connectivity An industry-standard HD/SD SDI terminal for uncompressed HD signal
output, embedded audio and SMPTE time code (LTC) are just a few of the features of the XL H1S that give it
the functionality of professional broadcast cameras.
Synchronization Genlock synchronization, as well as TC-IN and TC-OUT terminals, allow the
XL H1S to be part of any multi-camera shooting setup.
Enhanced customization Custom functions (
100) and custom display (
106) options give you even
more freedom to control many aspects of the camcorder’s operation.
And More
Audio options The camcorder is equipped with two sets of XLR audio input terminals with phantom power
supply. Record audio using both audio inputs or combine one audio input and the supplied front
microphone. You can also activate the audio peak limiter (
level adjustment.
55) to avoid distortions during manual audio
Added and improved functionality Push AE (
• Focus limit ( 46) • Selective NR ( 73) • Audio output level selection (
62) • Gain fine-tuning in 0.5 dB increments (
86) • and more!
66)
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About this Manual
Thank you for purchasing the Canon XL H1S / XL H1A. Please read this manual carefully before you use
the camcorder and retain it for future reference. Should your camcorder fail to operate correctly, refer to
Troubleshooting ( 146).
Conventions Used in this Manual
: Precautions related to the camcorder’s operation.
: Additional topics that complement the basic operating procedures.
: Reference page number.
Capital letters are used to refer to buttons on the camcorder or the wireless controller.
Brackets [ ] and capital letters are used to refer to menu options as they are displayed on screen.
In tables in the manual, menu options in boldface indicate the default setting.
The supplied lens, Canon HD Video Lens 20x Zoom XL 5.4-108 mm L IS III, is referred to as the “HD
20x L IS III” lens.
“Screen” refers to the viewfinder screen.
“Card” or “Memory card” refers to an SDHC memory card, an SD memory card or a MultiMedia Card
(MMC).
Photographs in the manual are simulated pictures taken with a still camera.
: Text that applies only to the model shown in the icon.
Illustrations in the manual show an XL H1S with the HD 20x L IS III lens attached.
Operating modes
Date/Time and Language Settings
Set the time zone, date and time when you first start using your camcorder, or if the built-in
rechargeable battery has discharged completely.
The availability of the various functions depends on
Setting the Time Zone/Daylight Saving Time
the operating mode as indicated in the bar.
MENU
SYSTEM SETUP/
D/TIME SET
T.ZONE/DST•••PARIS
(
30)
,
,
: Function can be used in this mode.
: Function cannot be used in this mode.
1. Press the MENU button.
2. Turn the SELECT dial to select [SYSTEM SETUP/
3. Select [D/TIME SET
The time zone setting appears. The default setting is Paris.
4. Turn the SELECT dial to select the setting option that matches your time zone and
press the SET button.
] and press the SET button.
] and then select [T.ZONE/DST] and press the SET button.
To adjust for daylight saving time, select the time zone marked with a
.
Setting the Date and Time
Menu item shown at its default position
DATE/TIME••• 1.JAN.2008
12:00 AM
MENU
SYSTEM SETUP/
D/TIME SET
(
30)
Trademark Acknowledgements
• Canon is a registered trademark of Canon Inc.
•
is a trademark.
• HDV and the HDV logo are trademarks of Sony Corporation and Victor Company of Japan, Ltd. (JVC).
is a trademark.
•
• Microsoft, Windows and Windows Vista are trademarks or registered trademarks of Microsoft Corporation in the United States
and/or other countries.
• Other names and products not mentioned above may be trademarks or registered trademarks of their respective companies.
• ANY USE OF THIS PRODUCT OTHER THAN CONSUMER PERSONAL USE IN ANY MANNER THAT COMPLIES WITH THE MPEG-2 STANDARD
FOR ENCODING VIDEO INFORMATION FOR PACKAGED MEDIA IS EXPRESSLY PROHIBITED WITHOUT A LICENSE UNDER APPLICABLE
PATENTS IN THE MPEG-2 PATENT PORTFOLIO, WHICH LICENSE IS AVAILABLE FROM MPEG LA, L.L.C., 250 STEELE STREET, SUITE 300,
DENVER, COLORADO 80206.
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About the HD/HDV and SD/DV Specifications
In the manual, a distinction is made between video signal standards (camera section) and recording
standards (recorder section). The video signal can be set to HD (high definition) or SD (standard
definition) specifications; the recording standard on the tape will be HDV or DV, respectively.
Camera Section HD/SD
(
only)
HD/SD SDI Terminal HD/SD
HDV/DV Terminal HDV/DV
Recorder Section HDV/DV
Playback Signal HDV/DV
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Contents
Introduction
The XL H1S / XL H1A - A Broad Range of Capabilities ....................................................................................3
About this Manual .............................................................................................................................................4
Checking the Supplied Accessories .................................................................................................................8
Components Guide ...........................................................................................................................................9
Preparations
Preparing the Power Supply ...........................................................................................................................15
Preparing the Camcorder................................................................................................................................ 19
Preparing the Lens .......................................................................................................................................... 25
Using the Wireless Controller.......................................................................................................................... 28
Loading/Removing a Cassette........................................................................................................................ 29
Inserting/Removing a Memory Card ............................................................................................................... 30
Changing Settings with the MENU Button...................................................................................................... 31
Date/Time and Language Settings.................................................................................................................. 32
Recording
Recording........................................................................................................................................................34
Selecting the Signal Standard and Aspect Ratio ............................................................................................ 38
Locating the End of the Last Scene................................................................................................................ 39
Zooming .......................................................................................................................................................... 40
Adjusting the Focus.........................................................................................................................................42
Using the ND Filter .......................................................................................................................................... 47
Selecting the Frame Rate................................................................................................................................ 48
Setting the Time Code .................................................................................................................................... 49
Synchronizing the Camcorder’s Time Code ......................................................................................50
Setting the User Bit .........................................................................................................................................52
Audio Recording.............................................................................................................................................. 53
Image Stabilizer............................................................................................................................................... 57
Using the Programmed AE Modes.................................................................................................................. 58
Recording in Manual Mode .............................................................................................................................61
Recording in Shutter-Priority (Tv) Mode.......................................................................................................... 63
Recording in Aperture-Priority (Av) Mode ....................................................................................................... 64
Adjusting the Exposure ................................................................................................................................... 65
AE Shift............................................................................................................................................................ 65
Gain................................................................................................................................................................. 66
White Balance .................................................................................................................................................67
Zebra Pattern .................................................................................................................................................. 69
Color Correction.............................................................................................................................................. 70
Skin Detail Function ........................................................................................................................................72
Selective Noise Reduction .............................................................................................................................. 73
Clear Scan.......................................................................................................................................................74
Custom Keys................................................................................................................................................... 75
Color Bars/Audio Reference Signal................................................................................................................. 79
Faders ............................................................................................................................................................. 79
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External Connections
Video Signal Output Standards....................................................................................................................... 80
Connecting to a Monitor/TV............................................................................................................................81
Audio Output................................................................................................................................................... 86
Digital Video Control........................................................................................................................................88
Recording an External Video Signal (HDV/DV In, Analog Line-In)................................................................... 89
Converting Analog Signals into Digital Signals (Analog-Digital Converter)..................................................... 90
Connecting to a Computer.............................................................................................................................. 91
Customization
Custom Preset Settings .................................................................................................................................. 92
Customized Functions ..................................................................................................................................100
Customized On-Screen Displays ..................................................................................................................106
Playback
Playing Back a Tape......................................................................................................................................110
Returning to a Pre-marked Position..............................................................................................................112
Index Search .................................................................................................................................................112
Date Search...................................................................................................................................................113
Data Code ......................................................................................................................
7
Checking the Supplied Accessories
CA-920 Compact Power Adapter DC-920 DC Coupler
BP-950G Battery Pack
WL-D5000 Wireless Controller
SDC-32M SD Memory Card
HDVM-E63PR Digital
Videocassette
Color Viewfinder Unit
2 x AA (R6) Batteries
(for the wireless controller)
Microphone Unit
Stereo Cable
DTC-1000 Component Video
Cable
External Monitor Cable
SS-1100 Shoulder Strap
Lens Hood
Adjustment Band (for the external Adapter Holder Unit
microphone holder)
Tripod Adapter Base
Camcorder Dust Cap
Canon HD Video Lens 20x Zoom
Lens Cap and Dust Cap
XL 5.4-108 mm L IS III
(incl. soft case)
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Components Guide
Left side view
dial
External control mode*
VCR/PLAY mode
Power off
Manual
Auto
Shutter-Priority
Aperture-Priority
Spotlight
Night
Recording
programs
Easy Recording
* Reserved mode for future software development.
LIGHT button
BARS/FADE SELECT button (
BARS/FADE ON/OFF button (
MENU button ( 31)
GAIN dial ( 66)
79)
79)
END SEARCH button (
MODE SELECT switch (
FRAME RATE switch (
39)
38)
48)
AUDIO OUTPUT CH button (
indicator
86)
WHITE BALANCE dial (
WHITE BALANCE
67)
button (
67)
Side panel (
139)
STANDBY button (
35)
Viewfinder attachment bracket (
EVF1 color viewfinder socket (
EVF2 external monitor/viewfinder socket (
EVF PEAKING/EVF MAGNIFYING buttons (
19)
19)
INPUT SELECT switch (CH1) (
REC LEVEL switch (CH1) (
INPUT SELECT switch (CH2) (
REC LEVEL switch (CH2) (
54)
54)
55)
55)
81, 151)
44)
EXP. LOCK button (
LENS RELEASE switch (
65)/PUSH AE button (
25)
62)
XLR REC CH SELECT switch (CH1/CH2) (
CH2 dial ( 55)
FRONT MIC ATT. switch (CH/CH2) (
CH1 dial ( 55)
54)
SET button (
SELECT dial (
31)
31)/IRIS dial (
37)
54)
61, 64)
(record review) button (
9
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Left side view
Viewfinder unit/Microphone unit
HD 20x L IS III lens
Eye cup (
Dioptric adjustment lever (
Color viewfinder ( 19-22)
STEREO/MONO microphone selector (
Lock screw ( 21)
20)
Focus ring (
RESET button (
Memory card slot (
ND filter operating ring (
ND filter unlock button (
42)
21)
146)
30)
54)
47)
47)
Viewfinder cable (
Lock release button (
19)
STABILIZER ON/OFF switch (
POSITION PRESET switch (
57)
41)
22)
Iris ring (
Zoom ring (
Lens hood (
61, 64)
40)
AF switch (
POSITION PRESET ON/SET switch (
Focus mode switch ( 43)
42)/
41)
26)
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Right side view
S-video terminal (
VIDEO OUT terminal (BNC) (
VIDEO IN/OUT terminal (RCA) (
84)
TC-IN terminal* (
Serial number
Screw hole for adapter holder (
50)
84)
84)
24)
OUT terminals (CH1/CH2, RCA) (
IN terminals (CH1/CH2, RCA) (
86)
54)
AE SHIFT dial (
LOCK switch (
65)
35)
Terminal cover
FRONT MIC terminals (
Lens hood lock screw (
23)
26)
Battery attachment unit (
BATT. RELEASE button (
HD/SD SDI terminal* (
GENLOCK terminal* (
15)
15)
82)
50)
50)
Grip zoom lever (
PHOTO button (
40)
117) / MAGN. button (
29)
104)
Cassette compartment (
TC-OUT terminal* (
*
only.
11
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Front view
Back view
Tally lamp (
105)
PHONES LEVEL dial
(headphone) terminal
Remote sensor (
Grip belt ( 23)
Attachment sockets for the optional TA-100 Tripod
28, 114)
HDV indicator (
HDV/DV terminal (
terminal
38)
83, 89, 91)
Adapter (
151) or the supplied tripod adapter base
Tripod socket
Viewfinder cable (
Remote sensor (
START/STOP button (
Microphone lock screw (
Strap mount (
INPUT terminals (CH1/CH2, XLR) (
SHUTTER buttons ( 61, 63)
switches (CH1,CH2) (
switches (CH1,CH2) (
(card/tape) switch (
54)
19)
28, 114)
54)
117)
117)
40)
40)
34)
/
34)
23)
CARD access indicator (
ZOOM SPEED switch (
ZOOM SPEED dial (
Start/Stop button (
23)
54)
COMPONENT OUT terminal (
83)
,
Using tripods
Do not use tripods with mounting screws longer than 5.5 mm as this may cause damage to the camcorder. To use tripods featuring 3/8"
mounting screws, attach first the supplied tripod adapter base and attach the tripod to the adapter base.
About the
(LANC) stands for Local Application Control Bus System. The
only devices with the mark to the terminal.
Operation cannot be guaranteed for connections with devices not bearing the
Terminal
terminal allows you to connect and control connected devices. Connect
mark.
Some buttons of connected devices may not operate or may operate differently than the buttons on the camcorder.
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Top view
PHOTO button (
START/STOP button (
117) / MAGN. button (
34)
104)
Screw holes for adapter holder (
24)
REC
(record) button (
(fast forward) button (
89)
110) /
Hot shoe (
Microphone (
122)
23)
+ button (
(play) button (
SLIDESHOW button (
(rewind) button (
96, 123)
110) /
123)
Viewfinder lock screw (
Handle zoom lever (
EJECT switch (
19)
40)
29)
75)
110) /
CUSTOM KEYS (
- button (
96,123)
EVF DISPLAY button (
37)
(stop) button (
110,113) /
CUSTOM PRESET ON/OFF button (
CUSTOM PRESET SELECT button (
95)
95)
(metering mode) button (
121)
(pause) button (
110) /
120)
Remote sensor (
Tally lamp ( 105)
28, 114)
DRIVE MODE button (
13
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WL-D5000 Wireless Controller
PHOTO button (
START/STOP button (
MENU button ( 31)
TV SCREEN button (
SLIDESHOW button (
DATA CODE button (
INDEX WRITE button (
117)
REMOTE SET button (
114)
34)
76)
123)
113)
76)
AV DV button (
Zoom buttons (
90)
40)
Menu selection buttons (
31)
SET button (
31)
CARD – button (
CARD + button (
123)
123)
AUDIO MONITOR button (
END SEARCH button (
SEARCH SELECT button (
86)
MIX BALANCE buttons (
86)
112, 113)
110)
110)
110)
110)
39)
/
PLAY
FF
buttons (
button (
button (
112, 113)
REC PAUSE button (
REW button (
ZERO SET MEMORY button (
button ( 110)
PAUSE button (
89)
110)
button (
button (
110)
button (
112)
STOP
button (
SLOW
110)
110)
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Preparations
Preparing the Power Supply
Charging the Battery Pack
Disconnect the DC coupler from the compact power adapter before charging. Remove the terminal
cover of the battery pack.
1. Connect the power cord to the compact
power adapter.
2. Plug the power cord into a power outlet.
3. Attach the battery pack to the compact
power adapter.
• Press lightly and slide the battery pack in the
direction of the arrow until it clicks.
• The charge indicator starts flashing. The indicator
will stay on when the charging is completed.
4. When the charging is completed, remove
Charge indicator
the battery pack from the compact power
adapter.
5. Unplug the power cord from the power outlet and disconnect it from the compact
power adapter.
Attaching the Battery Pack
1. Turn the
dial to OFF.
2. Attach the battery pack to the camcorder.
Align the battery pack with the guideline and press
lightly. Slide the battery pack up, in the direction of
the arrow, until it clicks.
3. Remove the battery pack after use.
Holding the BATT. RELEASE button pressed down,
slide the battery pack down to remove it.
BATT. RELEASE button
Guideline
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Using a Household Power Outlet
1. Turn the
dial to OFF.
2. Attach the DC coupler to the camcorder.
Press lightly and slide the DC coupler up, in the
direction of the arrow until it clicks.
3. Connect the power cord to the compact
power adapter.
4. Plug the power cord into a power outlet.
5. Connect the DC coupler to the compact
power adapter.
6. Detach the DC coupler after use.
Holding the BATT. RELEASE button pressed down,
slide the DC coupler down to remove it.
BATT. RELEASE button
About the Built-in Rechargeable Lithium Battery
This camcorder has a built-in rechargeable lithium battery to retain the date, time and other settings.
The built-in battery is recharged every time you use the camcorder. However, when you use the
camcorder for only short periods or do not use it for a period of over 3 months, it will discharge
completely. In that case, recharge the built-in battery by powering the camcorder from a power outlet
and leaving it with the
dial set to OFF for at least 24 hours.
Disconnect the DC coupler from the compact power adapter when charging a battery pack.
Turn off the camcorder before connecting or disconnecting the compact power adapter.
If the compact power adapter is used close to a TV, it may cause picture interference. Move the
compact power adapter away from the TV or the antenna cable.
Do not connect to the compact power adapter any products not expressly recommended for use
with this camcorder.
If you connect a faulty compact power adapter or battery pack, the charge indicator turns off and
charging will stop.
The charge indicator serves also as an indication about the charge status.
0-50%:
50-75%:
Flashes once per second
Flashes twice per second
More than 75%: Flashes 3 times per second
100%: Continuously on
We recommend charging the battery pack in temperatures between 10 °C and 30 °C. The
charging time will vary depending on the surrounding temperature and the battery’s initial charge
condition.
In cold places the effective usage time of the battery will decrease.
We recommend that you prepare battery packs 2 to 3 times longer than you think you might need.
To conserve battery power, turn off the camcorder instead of leaving it in record pause mode.
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Charging, Recording and Playback Times
The following times are approximate and vary according to the charging, recording and playback
conditions.
Battery Pack
BP-930
BP-945
BP-950G
BP-970G
Charging time with the CA-920 Compact Power Adapter
145 min.
220 min.
235 min.
320 min.
Maximum Recording Time
HDV
HD 20x L IS III Lens
HD 20x L IS II Lens
HD 6x L Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
130 min.
100 min.
130 min.
100 min.
135 min.
105 min.
195 min.
155 min.
195 min.
155 min.
200 min.
160 min.
275 min.
215 min.
275 min.
215 min.
285 min.
220 min.
375 min.
295 min.
380 min.
300 min.
390 min.
305 min.
Supplied color viewfinder
FU-1000 monochrome viewfinder2
Supplied color viewfinder
FU-1000 monochrome viewfinder2
Typical Recording Time1
HDV
HD 20x L IS III Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
75 min.
60 min.
75 min.
65 min.
80 min.
65 min.
155 min.
115 min.
95 min.
165 min.
135 min.
165 min.
135 min.
170 min.
140 min.
335 min.
225 min.
185 min.
230 min.
185 min.
235 min.
190 min.
455 min.
HD 20x L IS II Lens
HD 6x L Lens
Supplied color viewfinder
115 min.
95 min.
FU-1000 monochrome viewfinder2
Supplied color viewfinder
FU-1000 monochrome viewfinder2
120 min.
100 min.
235 min.
Playback Time (supplied color viewfinder)
HDV
Maximum Recording Time
DV
HD 20x L IS III Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
145 min.
110 min.
145 min.
115 min.
150 min.
115 min.
135 min.
105 min.
150 min.
115 min.
220 min.
170 min.
220 min.
175 min.
225 min.
175 min.
205 min.
160 min.
225 min.
175 min.
305 min.
240 min.
310 min.
240 min.
310 min.
240 min.
285 min.
225 min.
310 min.
240 min.
420 min.
330 min.
425 min.
330 min.
435 min.
340 min.
390 min.
310 min.
435 min.
340 min.
HD 20x L IS II Lens
HD 6x L Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
Supplied color viewfinder
FU-1000 monochrome viewfinder2
20x L IS Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
Supplied color viewfinder
FU-1000 monochrome viewfinder2
16x Manual Zoom Lens
Typical Recording Time1
DV
HD 20x L IS III Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
85 min.
65 min.
85 min.
65 min.
90 min.
70 min.
80 min.
60 min.
90 min.
70 min.
175 min.
125 min.
100 min.
130 min.
100 min.
135 min.
105 min.
120 min.
95 min.
180 min.
140 min.
180 min.
140 min.
185 min.
145 min.
165 min.
130 min.
185 min.
145 min.
370 min.
245 min.
190 min.
250 min.
195 min.
260 min.
205 min.
230 min.
185 min.
260 min.
205 min.
505 min.
HD 20x L IS II Lens
HD 6x L Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
Supplied color viewfinder
FU-1000 monochrome viewfinder2
20x L IS Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
Supplied color viewfinder
FU-1000 monochrome viewfinder2
16x Manual Zoom Lens
135 min.
105 min.
265 min.
Playback Time (supplied color viewfinder)
DV
1
2
Approximate times for recording with repeated operations such as start/stop, zooming, power on/off.
Actual time may be shorter.
Optional.
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Battery Pack
BP-930
BP-945
BP-950G
BP-970G
Maximum Recording Time
HDV
HD 20x L IS III Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
140 min.
105 min.
140 min.
105 min.
145 min.
110 min.
205 min.
160 min.
210 min.
165 min.
215 min.
165 min.
290 min.
230 min.
295 min.
230 min.
305 min.
240 min.
400 min.
310 min.
405 min.
315 min.
420 min.
320 min.
HD 20x L IS II Lens
HD 6x L Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
Supplied color viewfinder
FU-1000 monochrome viewfinder2
Typical Recording Time1
HDV
HD 20x L IS III Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
85 min.
65 min.
80 min.
65 min.
80 min.
65 min.
175 min.
125 min.
100 min.
125 min.
100 min.
125 min.
100 min.
265 min.
180 min.
140 min.
175 min.
140 min.
180 min.
145 min.
375 min.
245 min.
190 min.
240 min.
190 min.
245 min.
195 min.
510 min.
HD 20x L IS II Lens
HD 6x L Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
Supplied color viewfinder
FU-1000 monochrome viewfinder2
Playback Time (supplied color viewfinder)
HDV
Maximum Recording Time
DV
HD 20x L IS III Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
150 min.
115 min.
155 min.
115 min.
130 min.
105 min.
140 min.
110 min.
155 min.
120 min.
225 min.
180 min.
230 min.
180 min.
205 min.
160 min.
210 min.
165 min.
235 min.
185 min.
325 min.
250 min.
325 min.
250 min.
285 min.
225 min.
300 min.
235 min.
335 min.
255 min.
440 min.
340 min.
450 min.
340 min.
390 min.
315 min.
410 min.
315 min.
455 min.
350 min.
HD 20x L IS II Lens
HD 6x L Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
Supplied color viewfinder
FU-1000 monochrome viewfinder2
20x L IS Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
Supplied color viewfinder
FU-1000 monochrome viewfinder2
16x Manual Zoom Lens
Typical Recording Time1
DV
HD 20x L IS III Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
90 min.
65 min.
90 min.
70 min.
75 min.
60 min.
85 min.
65 min.
95 min.
70 min.
195 min.
130 min.
105 min.
135 min.
105 min.
115 min.
95 min.
190 min.
145 min.
190 min.
145 min.
165 min.
130 min.
175 min.
140 min.
195 min.
150 min.
410 min.
260 min.
195 min.
260 min.
195 min.
230 min.
185 min.
240 min.
185 min.
270 min.
205 min.
560 min.
HD 20x L IS II Lens
HD 6x L Lens
Supplied color viewfinder
FU-1000 monochrome viewfinder2
Supplied color viewfinder
FU-1000 monochrome viewfinder2
20x L IS Lens
Supplied color viewfinder
125 min.
100 min.
140 min.
110 min.
290 min.
FU-1000 monochrome viewfinder2
Supplied color viewfinder
FU-1000 monochrome viewfinder2
16x Manual Zoom Lens
Playback Time (supplied color viewfinder)
DV
1
2
Approximate times for recording with repeated operations such as start/stop, zooming, power on/off.
Actual time may be shorter.
Optional.
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Preparing the Camcorder
Attaching and Detaching the Color Viewfinder Unit
Attaching the Color Viewfinder Unit
1. Slide the viewfinder unit onto the bracket
and tighten the lock screw.
2. Connect the viewfinder cable to the EVF1
socket on the camcorder.
Insert the cable plug straight into the camcorder’s
socket.
3. Hook the viewfinder cable onto the cable
clamp.
To use the optional FU-1000 Monochrome CRT Viewfinder Unit, connect it to the EVF2 socket on the
camcorder instead.
Detaching the Viewfinder Unit
1. Detach the viewfinder cable.
2. Loosen the lock screw and slide the viewfinder unit off the bracket.
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Attaching and Detaching the Eye Cup
You can change the position of the eye cup for use with either the left or right eye. Detach the eye cup
and reattach it when changing the position of the eye cup for right or left eye use.
Attaching the Eye Cup
Align the hole for the dioptric adjustment lever with the lever, and pull the eye cup into
position.
Right eye use
Left eye use
Detaching the Eye Cup
Detach the eye cup as shown in the
illustration.
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Adjusting the Position of the Viewfinder
The viewfinder position can be changed (right/left, forward/backward).
When storing the camcorder in the optional HC-3200 System Case, adjust the viewfinder to the right
and lock it.
Dioptric Adjustment
Turn on the camcorder and adjust the dioptric
21
Adjusting the Viewfinder
You can adjust the brightness, contrast, color and sharpness of the viewfinder. These adjustments will
not affect your recordings.
MENU
DISPLAY SETUP /
EVF SETUP
EVF BW MODE•••OFF
(
31)
BRIGHTNESS•••
CONTRAST•••••
COLOR••••••••
SHARPNESS••••
0
0
0
2
1. Press the MENU button.
2. Turn the SELECT dial to select [DISPLAY SETUP/ ] and press the SET button.
3. Select [EVF SETUP] and then select [BRIGHTNESS], [CONTRAST], [COLOR] or
[SHARPNESS].
4. Adjust the setting with the SELECT dial and press the SET button.
• After the adjustment you will return to the [EVF SETUP] submenu. Change additional settings in the
same way.
• For more details regarding the [EVF BW MODE] setting refer to page 77.
5. Press the MENU button to close the menu.
Using the Viewfinder as LCD Panel
You can use the viewfinder as an LCD panel by opening the eyepiece adapter.
Press the lock release button and open the
eyepiece adapter.
Make sure to close the eyepiece adapter when you are not using the viewfinder as an LCD panel.
The screen is slightly brighter when you open the eyepiece adapter.
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Attaching the Microphone Unit
1. Loosen the microphone lock screw on the
viewfinder unit, open the microphone
holder and insert the microphone.
2. Align the mark on the microphone with the
mark on the microphone holder and tighten
the lock screw.
3. Plug the microphone cable to the
camcorder’s FRONT MIC terminals.
To use an external microphone with a diameter too small for the microphone holder to close securely,
attach first the supplied adjustment band to the microphone holder and then insert the microphone.
Fastening the Grip Belt
Adjust the grip belt so that you can reach the
zoom lever with your index and middle finger,
and the Start/Stop button with your thumb.
Attaching the Shoulder Strap
Pass the ends through the strap mount and
adjust the length of the strap.
Be careful not to drop the camcorder when adjusting the strap or the grip belt.
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Attaching the Adapter Holder
Attach the adapter holder to use the optional CH-910 Dual Battery Charger/Holder or a commercially
available wireless microphone receiver.
1. Attach the adapter holder and secure it by
tightening the screws.
Support
bars
2. Adjust the position of the support bars.
When using the optional CH-910, hook it onto the
support bars and secure it with the stop lever. To
detach the CH-910, press the stop lever in the
direction of the arrow and pull the CH-910 off the
support bars.
Stop lever
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Preparing the Lens
Refer also to the instruction manual of the lens.
Mounting the Lens
1. Set the
dial to OFF.
2. Remove the dust caps from the camcorder
and the lens.
3. Align the red mark on the lens with the red
mark on the camcorder and turn the lens
clockwise until it clicks.
Removing the Lens
1. Set the
dial to OFF.
2. Slide the LENS RELEASE switch all the way
in the direction of the arrow.
3. Turn the lens counter-clockwise until it
stops and remove the lens.
4. Attach the dust caps to the camcorder and
the lens.
Be careful not to drop the lens or camcorder when mounting or removing the lens.
Avoid direct sunlight or strong light sources when mounting or removing the lens.
The XL mount is not compatible with the VL mount.
If you set the
dial to a recording mode without a lens attached, the lens warning icon
“
LENS” will flash in red on the screen.
Do not touch the lens, lens mount and the interior of the mount, or expose them to dust or dirt.
If necessary, clean the lens with a dry, soft lens-cleaning cloth. Make sure to turn off the
camcorder while cleaning the lens.
Proper operation cannot be guaranteed when recording in HDV standard with lenses that were not
designed for HDV recording. If you attach such a lens to the camcorder, the messages “THIS
LENS HAS NO STILL SHOOTING CAPABILITY” and “HD INCOMPATIBLE LENS” will appear.
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Proper operation cannot be guaranteed when recording in HDV standard with the optional
Extender XL 1.6x. The message “HD INCOMPATIBLE LENS” will appear when using the extender,
even with an HD-compatible lens.
Attaching the Lens Hood
Attach the lens hood to protect the lens and shade it from stray light.
1. Place the lens hood on the front of the lens
and screw it clockwise until the Canon
logo appears on top.
• Be careful not to deform the lens hood.
• Make sure that the lens hood is aligned with the
thread.
2. Tighten the lock screw.
Adjusting the Flange Back
(lenses without built-in flange back adjustment function)
The flange back can be adjusted to correct the focus while zooming to full telephoto or full wide-angle.
The flange back can be adjusted automatically by the camcorder (AF) or manually (MF). The camcorder
can store and back up flange back adjustment values for up to 10 different lenses.
Preparations
1. Point the camcorder to face a subject and secure it in place.
Place the camcorder at a distance of at least 1 m from the subject. Avoid subjects that are difficult to
focus on at full wide-angle.
2. Zoom out to full wide-angle.
3. Set the
dial to Av and set the aperture to full open.
4. Zoom in to full telephoto.
Make sure the subject remains in the center of the frame at full telephoto as well as at full wide-angle.
5. Check that the exposure conditions are appropriate.
If necessary, use the ND filter.
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AF Adjustment
1. Press the MENU button.
2. Turn the SELECT dial to select [CAMERA SETUP] and press the SET button.
3. Select [FB] and then select [ AF ADJUST].
4. When the confirmation screen appears, press the SET button to begin the adjustment.
5. Once the message “FB ADJUSTMENT SUCCESSFUL” is displayed, press the MENU
button to close the menu.
MF Adjustment
1. Press the MENU button.
2. Turn the SELECT dial to select [CAMERA SETUP] and press the SET button.
3. Select [FB] and then select [ MF ADJUST].
4. When the confirmation screen appears, press the SET button to begin the adjustment.
5. The camcorder will zoom in to full telephoto. When the message “ADJUST FOCUS &
PUSH
6. The camcorder will zoom out to full wide-angle. When the message “ADJUST FOCUS
& PUSH ” appears, focus as necessary and press the SET button.
” appears, focus as necessary and press the SET button.
7. Once the message “FB ADJUSTMENT SUCCESSFUL” is displayed, press the MENU
button to close the menu.
If an error message appears during the flange back adjustment, be sure to reset the FB adjustment
value before readjusting the flange back.
Resetting the flange back adjustments
This procedure will reset the stored flange back adjustment value for the mounted lens.
1. Press the MENU button.
2. Turn the SELECT dial to select [CAMERA SETUP] and press the SET button.
3. Select [FB] and then select [SET DEFAULT].
4. Select [YES] and press the SET button.
5. Press the MENU button to close the menu.
In the following cases the flange back cannot be adjusted correctly and the camcorder will return to
the flange back adjustment selection screen.
- The camcorder cannot focus in AF adjustment.
- The lens was removed during the flange back adjustment.
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Using the Wireless Controller
When you press the buttons on the wireless
controller, point it at one of the camcorder’s
remote sensors.
The camcorder has 3 remote sensors: 2 at the front and
1 at the back.
Inserting the Batteries
The wireless controller operates with two AA (R6)
batteries.
1. Open the battery cover.
2. Insert the batteries following the + and –
markings.
3. Close the battery cover.
The camcorder and wireless controller are equipped with 2 remote sensor modes ( 114). If the
wireless controller does not work, verify that the camcorder and wireless controller are set to the
same mode.
When the camcorder cannot be operated with the wireless controller, or when it can only be
operated at very close range, replace the batteries. Make sure to replace both batteries at the
same time.
The wireless controller may not work properly when the remote sensor is located under strong
light sources or direct sunlight.
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Loading/Removing a Cassette
Use only videocassettes marked with the
videocassettes designed for HDV recording.
logo. For recording in HDV we recommend you use
1. Slide the
EJECT switch to open the
cassette compartment cover.
The cassette compartment opens automatically.
2. Load/remove the cassette.
• Insert the cassette straight, fully into the
compartment with the window facing out.
• Remove the cassette by pulling it straight out.
3. Close the cassette compartment cover.
Press the
mark on the cassette compartment
cover.
Do not interfere with the cassette compartment while it is opening or closing automatically.
Be careful not to get your fingers caught in the cassette compartment.
If the camcorder is connected to a power source, cassettes can be loaded/removed even if the
dial is set to OFF.
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Inserting/Removing a Memory Card
You can use
SDHC (SD High Capacity) memory cards,
SD memory cards or MultiMedia Cards
(MMC) with this camcorder.
Inserting the Card
1. Set the
dial to OFF.
2. Push the
switch in the direction of the
arrow to open the memory card slot cover.
3. Insert the memory card straight, all the way
into the memory card slot.
4. Close the memory card slot cover.
Do not force the cover closed if the card is not
correctly inserted.
Removing the Card
Do not forcefully remove the memory card without first pushing it in to release it.
1. Make sure that the CARD access indicator
is not flashing and set the
OFF.
dial to
2. Push the
switch in the direction of the
arrow to open the memory card slot cover.
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Changing Settings with the MENU Button
Many of the camcorder’s functions can be changed from the on-screen menu.
Selecting Menus and Settings
1. Press the MENU button to open the
menu.
2. Turn the SELECT dial to select a
submenu and press the SET button.
3. Turn the SELECT dial to select a menu
item and press the SET button
4. Turn the SELECT dial to select a setting
option and press the SET button.
5. Press the MENU button to close the
menu.
The
,
and
icons displayed at the bottom of the screen will give you additional
indications about the function of these controls in specific situations.
You may find it more convenient to use the wireless controller to operate the menu. Press the
MENU button on the wireless controller to open or close the menu. Use the menu selection
buttons
of the wireless controller instead of the SELECT dial, and press the SET button on the
wireless controller to save the settings or make a selection.
Unavailable items will appear grayed out.
Pressing the MENU button at any time closes the menu.
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Date/Time and Language Settings
Set the time zone, date and time when you first start using your camcorder, or if the built-in
rechargeable battery has discharged completely.
Setting the Time Zone/Daylight Saving Time
MENU
SYSTEM SETUP/
D/TIME SET
T.ZONE/DST•••PARIS
1. Press the MENU button.
2. Turn the SELECT dial to select [SYSTEM SETUP/
3. Select [D/TIME SET
] and press the SET button.
] and then select [T.ZONE/DST] and press the SET button.
The time zone setting appears. The default setting is Paris.
4. Turn the SELECT dial to select the setting option that matches your time zone and
press the SET button.
To adjust for daylight saving time, select the time zone marked with a
.
Setting the Date and Time
DATE/TIME••• 1.JAN.2008
12:00 AM
MENU
SYSTEM SETUP/
D/TIME SET
(
31)
5. Select [D/TIME SET
] and press the SET button.
The year display starts flashing.
6. Turn the SELECT dial to select the year, and press the SET button.
• The month starts flashing.
• Set the rest of the date and time in the same way.
7. Press the MENU button to close the menu and start the clock.
Displaying the Date and Time while Recording
You can display the date and time in the lower left corner of the screen.
MENU
DISPLAY SETUP/
GUIDE INFO•••OFF
(
31)
Open the menu and select [DISPLAY SETUP/ ]. Select [GUIDE INFO], set it to
[D/T DISPLAY] and close the menu.
If you do not use the camcorder for a period of approximately 3 months, the built-in rechargeable
battery will discharge completely and the date and time settings will be lost. In that case, recharge
the built-in battery (
16) and set the time zone, date and time again.
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Changing the Date Format
You can select between three date formats: [JAN. 1, 2008], [1. JAN. 2008] and [2008. 1. 1].
MENU
SYSTEM SETUP/
D/TIME SET
DATE FORMAT •• 1.JAN.2008
(
31)
Open the menu and select [SYSTEM SETUP/
]. Select the [D/TIME SET
] submenu
and then select [DATE FORMAT]. Select a date format and close the menu.
Changing the Display Language
The default language for displays and menu items is English. The language can be changed to German,
Spanish, French, Italian, Polish, Russian, simplified Chinese or Japanese.
MENU
DISPLAY SETUP/
LANGUAGE
•••ENGLISH
(
31)
To change the display language, open the menu and select [DISPLAY SETUP/ ]. Select
[LANGUAGE ], select a language and close the menu.
If you have mistakenly changed the language, follow the
mark next to the menu item to change
the setting.
The displays
and
at the bottom of the screen refer to the names of buttons on the
camcorder and will not change regardless of the language selected.
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Recording
Recording
Before You Begin Recording
Make a test recording first to check if the camcorder operates correctly. If necessary, clean the video heads ( 144).
The default recording standard is HDV. About the audio recording, refer to the relevant chapter ( 53).
Recording
1. Remove the lens cap.
2. Press the lock button and set the
dial to a recording program.
3. Press the Start/Stop button to begin
recording.
• The red REC indicator on the viewfinder and the
tally lamps light up.
• Press the Start/Stop button again to pause
recording.
Tally lamp
Tally lamp
When You Have Finished Recording
1. Set the
dial to OFF.
2. Replace the lens cap.
3. Remove the cassette.
4. Disconnect the power source.
The end search, date search and index search functions may not work correctly if you mix recordings
in HDV and DV standards on the same tape. We recommend not mixing recordings in different
standards on the same tape.
After inserting a cassette, wait until the tape counter stops completely before you start recording.
Turn the
dial to OFF if you do not intend to use the camcorder for a long time.
If you do not remove the cassette, you can record the next scene without any noise or blank
sections between recordings even if you turn the camcorder off.
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Screen Displays while Recording
Time code
SHUTTER indicator
Indicates the recording time in hours, minutes, seconds and
frames.
Lights up when recording with a shutter speed other than
1/50.
Remaining tape
REC indicator
Indicates the remaining time on the tape in minutes. “
Lights up while recording.
END” will appear when the tape reaches the end.
•When the time left is less than 15 seconds, the remaining tape
time may not appear.
•Depending on the type of tape, the remaining time displayed may
not be accurate. In any case, you will be able to record on the tape
the number of minutes that appears on the cassette’s label (for
example, 85 minutes).
The REC indicator starts flashing when the remaining time on
the tape is less than 5 minutes (it does not flash if the
remaining tape information is not displayed on the screen).
GAIN indicator
Lights up when the AGC (auto gain control) is set to either
-3 dB or +3 dB or higher.
Remaining battery charge
The battery symbol indicates the charge status of the battery
pack.
Reference guides
With the [DISPLAY SETUP/
]
[MARKERS], [ASPECT
GUIDE] and [SAFETY ZONE] settings you can display reference
guides to help you frame the subject more accurately.
•
starts flashing in red when the battery pack is empty.
•When you attach an empty battery pack, the power may turn off
without displaying
.
•The actual battery charge may not be indicated accurately
depending on the condition under which the battery pack and
camcorder are used.
Safety zone
80%
Level
marker
Aspect guide 4:3
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Selecting the On-Screen Displays
You can select the amount of information shown on
the screen from full, partial or no display. Repeatedly
pressing the EVF DISPLAY button will cycle through
the options in the following sequence.
1
Level 1 : All screen displays
2
Level 2: Customized displays (
106), date/time
3
2
Level 3 : Markers, safety zone guides, date/time
Level 4: No displays
1 This level cannot be selected if [SYSTEM SETUP/
2 If [DISPLAY SETUP/
[GUIDE INFO] is set to [D/T DISPLAY], the date and time will be displayed; if it is
]
[ALL DISPLAY] is set to [DISABLE].
]
set to [CUSTOM KEYS], the functions currently assigned to the custom keys will be displayed instead.
3 This level cannot be selected if [DISPLAY SETUP/
all set [OFF].
]
[MARKERS], [SAFETY ZONE] and [GUIDE INFO] are
The camcorder’s on-screen displays will also appear on a connected external TV or monitor.
Reviewing the Recording
In record pause mode, this function allows you to review
the last few seconds of your recording.
Press and release the
button.
(record review)
The camcorder rewinds the tape, plays back the last few
seconds, and returns to record pause mode.
If the current video signal standard is different from the signal standard in which the tape was
recorded, the recording will not be played back correctly.
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Selecting the Signal Standard and Aspect
Ratio
You can select the signal standard of your recording (high definition or standard definition) and, for
standard definition recordings, also the aspect ratio of the recording. Since the camcorder’s screen has
an aspect ratio of 16:9, when you set the MODE SELECT switch to SD 4:3 the picture will appear in the
center of the screen with black sidebars.
Change the position of the MODE SELECT
switch.
• HD: To record on the tape in HDV standard or to use
the camcorder as a high-definition (HD) camera.
• SD 16:9, SD 4:3: To record on the tape in DV standard
or to use the camcorder as a standard-definition (SD)
camera. Select the aspect ratio as desired.
If the custom function [LED] is not set to [OFF], the MODE SELECT switch will light up in blue
when set to HD.
If the position of the MODE SELECT switch is changed while recording, the standard/aspect ratio
will not change immediately; it will change once you pause the recording.
When you play back 16:9 recordings, the TV set will switch automatically to widescreen mode if it
is compatible with the WSS system. Otherwise, change the aspect ratio of the TV manually.
To play back on a standard TV set with 4:3 aspect ratio, set [SIGNAL SETUP] [LETTERBOX] to
[ON] (
129).
When recording in 4:3, you can attach the optional RC-72 Ratio Converter (0.8x) to get the same
angle of view of the 16:9 aspect ratio. (Note that not all XL lenses are compatible with the RC-72.)
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Locating the End of the Last Scene
You can use this function to locate the end of the last recorded scene.
Press the END SEARCH button.
•
appears.
• The camcorder rewinds/fast forwards the tape, plays
back the last few seconds of the recording and stops
the tape.
• Pressing the button again cancels the search.
The end search function cannot be used once you remove the cassette.
The end search function may not work correctly if there is a blank section between recordings or if
you mixed recordings in HDV and DV standards on the same tape.
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Zooming
You can operate the zoom using the zoom lever on the side grip or the one on the carrying handle. You
can also use the zoom ring on the lens or the zoom buttons on the wireless controller. With the
customized functions ( 100) you can change the direction and response sensitivity of adjustment
when the zoom ring is used, change the zoom speed and select the zoom indicator (graphic or
numeric).
Zoom buttons
Zoom lever
Zoom ring
Move the zoom lever toward W to zoom out (wide-angle). Move it toward T to zoom in
(telephoto).
Zoom Speed
Zoom lever on the side grip:
When the ZOOM SPEED switch is set to CONSTANT, the zoom speed will be constant at one of 16 zoom
speed levels (the current zoom speed level will appear next to the zoom indicator). Turn the ZOOM SPEED
dial toward FAST to select a faster zoom speed level (higher number); turn it toward SLOW to select a slower
zoom speed level (lower number).
When the ZOOM SPEED switch is set to VARIABLE, the zoom speed will depend on how you operate the
zoom lever: press gently for a slower zoom; press harder for faster zooms.
Approximate zoom speeds using the HD 20x L IS III lens (from full wide-angle to full
telephoto):
Custom function [ZOOM SPEED] setting
ZOOM SPEED switch
CONSTANT
VARIABLE
Zoom speed level
1
[NORMAL]
5 min.
[SLOW]
3 min.
2 sec.
[FAST]
Level 1
Level 16
–
1 min.
2
4.3 sec.
1.2 sec.
2
1.2 – 60 sec.
1
2
Default setting when recording movies. When recording still images, the default setting is [FAST].
When the zoom speed is too fast (less than 2 seconds end-to-end), the camcorder will have more trouble
focusing automatically while zooming.
Zoom ring: The zoom speed depends on how fast you turn the zoom ring.
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Zoom buttons on the carrying handle: The zoom speed is constant and can be set to one of 16
zoom speed levels. Set the ZOOM SPEED switch to CONSTANT and change the zoom speed level as
described previously.
Zoom buttons on the supplied wireless controller: The zoom speed is constant and cannot be
adjusted.
When a fixed focal length lens is used, no zoom–related indications will appear on screen.
Zoom Preset (lenses with zoom preset function)
This function enables any given zoom position to be memorized. Later, you can return to the preset
zoom position instantly.
Presetting the Zoom
1. Set the POSITION PRESET switch to
ZOOM.
2. Move the POSITION PRESET ON/SET
switch to SET.
The preset zoom position appears in yellow on the
zoom indicator.
Returning to the Preset Zoom Position
Move the POSITION PRESET ON/SET switch to ON.
The camcorder returns to the preset zoom position.
The preset setting is canceled when you attach the optional Extender XL 1.6x or mount a lens with
a different magnification.
To return to the preset zoom position the camcorder uses the speed set for the constant zoom
speed (when the ZOOM SPEED switch is set to CONSTANT).
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Adjusting the Focus
Functions in this chapter are explained using the HD 20x L IS III lens. If you are using a different lens,
refer also to the instruction manual of the lens.
The camcorder can be set to Autofocus or Manual Focus.
Autofocus
In addition to the usual autofocus, the camcorder has also a Push-AF function to allow for temporary
autofocus while focusing manually.
Manual Focus
With the customized functions (
100) you can change the direction and response sensitivity of adjustment
when the focus ring is used. To make it easier to focus manually, you can also make use of the Peaking
and Magnifying functions ( 44).
Autofocus
The autofocus is activated when the focus mode
switch is set to AF. The camcorder uses the TTL
autofocus system with a focusing range of 2 cm (at
full wide-angle, measured from the front of the lens
barrel) to
.
Focus ring
The camcorder focuses on the subject in the center
of the screen.
Temporary Focus Override
Even while in autofocus mode, turn the focus ring to temporarily focus manually.
The camcorder will return to autofocus as soon as you release the focus ring.
Push AF (using the HD 20x L IS III lens)
In manual focus mode, set the POSITION PRESET switch to OFF. Move the
to AF and hold it.
AF switch
The autofocus is activated as long as you hold the switch in the
AF position.
When recording under bright conditions, the camcorder closes down the aperture. When the
aperture value used is too large, the picture may appear blurred. If you are using a lens with a built-in
ND filter, turn the ND filter on/off according to the screen display (
47).
In 25F mode, autofocus takes longer than in 50i mode.
When recording under dark conditions, the focusing range narrows and the picture may appear
blurred.
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Autofocus may not work well on the following subjects. In that case, focus manually.
- Reflective surfaces
- Subjects with low contrast or without vertical lines
- Fast moving subjects
- Through dirty or wet windows
- Night scenes
Manual focus
1. When using a lens with autofocus function,
set the focus mode switch to M.
• “MF” appears.
• When a lens without autofocus function is used,
“MF” will not appear.
Focus ring
2. Zoom in to telephoto.
3. Turn the focus ring to adjust the focus.
With the customized functions (
100) you can
change the direction and response sensitivity of
adjustment when the focus ring is used.
4. Operate the zoom to reframe the subject.
If you focus manually and then leave the camcorder
with the power turned on, the focus on the subject
may be lost after a while. This possible slight shift in
focus is a result of the internal temperature rising in the camcorder and lens. Check the focus before
resuming shooting or adjust the flange back as necessary ( 26).
Manual focus cannot be selected in
Easy Recording mode. Even if you set the focus mode
switch to M, the autofocus will still be activated.
When using a lens designed for HDV recording, the focusing distance to the subject will be
displayed for approx. 3 seconds when you switch from autofocus to manual focus or when you
operate the focus ring in manual focus mode. It will also be displayed with the focus preset. With
the custom function [OBJ DST UNIT] (
(meter or feet) and with the custom display (
100) you can change the units for the distance display
106) you can select when to display this
information (always, never, or only upon the operation of the focus ring).
- The focusing distance will not be displayed when the optional Extender XL 1.6x is attached to
the camcorder.
- Use the focusing distance display as an estimate; when the distance reading is not considered
very precise it will be displayed in gray.
: Infinity focus
-: Over infinity focus.
You can simultaneously zoom and focus manually. If the camcorder is in AF mode, the autofocus
will be reactivated when you finish the operation.
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Using the Focus Assist Functions (Peaking and Magnifying)
In order to make manual focusing easier, you can use
two assist functions: Peaking emphasizes the
outlines of the subject creating a clearer contrast, and
Magnifying enlarges the image on the screen. You
can also combine both for greater effect.
With the custom function [F.AST BW-MOD] ( 100)
you can set the display to change automatically to
black & white while using the focus assist functions.
The screen of an external monitor or viewfinder
connected to the EVF2 socket will show the exact
same picture as displayed on the camcorder’s
viewfinder screen.
Peaking
While recording or in record pause, press the EVF PEAKING button.
•
appears and the outlines of the subject will be emphasized.
• Press the button again to change the Peaking level to
; press once more to cancel the function.
The Peaking function will not affect your recordings.
The gain and frequency of peak levels
and
can be set independently with the
[DISPLAY SETUP/ [PEAKING SETUP] setting.
]
Magnifying
In record pause, press the EVF MAGNIFYING button.
• “MAGN.” appears and the central part of the screen will be magnified approximately 2x.
• Press the button again to cancel the function.
The magnified picture will be output as is to the HD/SD SDI terminal (
only) and the
HDV/DV terminal.
With the custom function [CUSTOM REC] (
100) you can select to have the magnified picture
recorded on the tape ( mode only) as it is, or to cancel the Magnifying function when you
start recording video or record a still image on the memory card. In
mode, the
Magnifying function will always be canceled when you press the PHOTO button.
You can use the custom keys (
75) or the [SYSTEM SETUP/
]
[MAGN.B.LOCK] setting to
prevent the accidental operation of the EVF MAGNIFYING button. With the custom function
[BUTTONS OPER.1] (
(normal or long press).
100) you can also change the operation of the EVF MAGNIFYING button
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Focus Preset (lenses with focus preset function)
This function enables a focus position to be
memorized. Later, you can return to the preset focus
position instantly. You can also select the speed at
which the camcorder returns to the preset focus
position.
Focus ring
Presetting the Focus
1. Set the focus mode switch to M.
“MF” appears.
2. Set the POSITION PRESET switch to FOCUS.
The focus preset speed currently selected appears.
3. Adjust the focus with the focus ring.
4. Move the POSITION PRESET ON/SET switch to SET.
“MF” and the focus preset speed display turn yellow.
Setting the Focus Preset Speed
MENU
CAMERA SETUP
F SPEED PSET
•
4
(
31)
Open the menu and select [CAMERA SETUP]. Select [F SPEED PSET], select a setting
option and close the menu.
4 is the fastest speed; 1 is the slowest.
Returning to the Preset Focus position
Move the POSITION PRESET ON/SET switch to ON.
The camcorder returns to the preset focus position.
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Macro Shooting (Focus Limit)
Usually the camcorder’s focus range allows macro shooting. You can activate the focus limit to restrict
the focus range. Using the HD 20x L IS III lens, the focus range 10 cm -
(at full wide-angle) is limited
to 1 m -
(throughout the entire zoom range).
MENU
CAMERA SETUP
FOCUS LIMIT•••OFF
(
31)
Open the menu and select [CAMERA SETUP]. Select [FOCUS LIMIT], set it to [ON
]
and close the menu.
appears.
The focus limit will be canceled in the following cases.
- If the lens attached has an independent macro switch.
- If the lens attached does not support the macro setting being changed from the camcorder.
- When there is no lens attached.
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Using the ND Filter
(lenses with built-in ND filter)
When recording in bright surroundings, the
camcorder will set a small aperture value and the
picture may appear blurred. When using a lens with a
built-in ND filter, turn the ND filter on/off according to
the screen display.
ND filter unlock button
ND filter operating ring
With the HD 20x L IS III lens: Press the ND
filter unlock button and turn the ND filter
operating ring.
When using a recording program other than M Manual and if the GAIN dial is set to A, the following displays
appear:
Screen display
No display
What it means
ND filter is not activated
ND filter is activated
ND filter required
What you should do
–
–
1
“ND”
“ND
” flashes
Turn on the ND filter
ND “ ” flashes
Lenses with single-density ND filters (ON/OFF):
External ND filter required.
Set the ND filter to a higher density setting or
attach an external ND filter to the lens
2
Lenses with selectable ND filter density: Higher
density setting or external ND filter required.
ND “
” flashes
Built-in ND filter not required
Turn off the ND filter
“ND” flashes in red
Incorrect setting of the built-in ND filter
Set the ND filter to an appropriate density
1
Displayed only when using lenses with built-in ND filter.
If you have no external ND filter available, use the Tv mode and set a faster shutter speed, or use the Av mode and set
2
a small aperture value.
Depending on the scene, the color may change when turning the ND filter on/off. Setting a custom
white balance may be effective in such case (
68).
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Selecting the Frame Rate
You can set the frame rate to 50i or 25F, regardless of the recording mode.
50i Mode
Records 50 interlaced fields per second, the same as standard-definition TV signals.
25F Mode
HD
Records 25 frames per second according to HDV
HD
native 1080/25p specifications. For playback, the
signal is converted to 50i but video output from the
HDV/DV terminal will be 25p.
25F (camera)
A
A
B
B
C
C
D
D
E
E
F
F
G
G
H
H
I
I
J
J
25p (tape)
SD
The picture captured by the camera at 25 frames
50i (playback)
a a b b c c d d e e
f
f g g h h
i
i
j
j
per second is converted and recorded on the tape as
50i.
SD
25F (camera)
A
B
C
D
E
F
G
H
I
J
a a b b c c d d e e
f
f g g h h
i
i
j
j
50i (tape/playback)
Set the FRAME RATE switch to the desired
position.
• i: 50i Mode, F1 or F2: 25F Mode.
• The selected frame rate appears on-screen.
If the position of the FRAME RATE switch is changed while recording, the frame rate will not change
immediately; it will change once you pause the recording.
Video recorded in 25F can only be played back with compatible devices and can only be edited with
software that supports 25F. For software and hardware compatibility consult the relevant customer
support center.
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Setting the Time Code
You can select the running mode of the camcorder’s time code. You can enter the initial value for the
[FREE-RUN] and the [REC-RUN PS.] settings.
[REC-RUN]:
The time code runs only when recording.
[REC-RUN PS.]: The time code runs only when recording, starting from a preset value.
[FREE-RUN]:
The time code runs regardless of the operation of the camcorder.
MENU
SIGNAL SETUP
TIME CODE
COUNT-UP•••••REC-RUN
(
31)
1. Open the menu and select [SIGNAL SETUP]. Select the [TIME CODE] submenu and
then [COUNT-UP]. Select a setting option and close the menu.
[REC-RUN]: Close the menu.
[REC-RUN PS.], [FREE-RUN]: Continue the procedure to set the initial value.
2. Select [SET].
The hours display flashes.
3. Set the time code’s initial value.
Turn the SELECT dial to set the value for the hours and press the SET button. Set the value for the
minutes, seconds and frames in the same way.
4. Close the menu.
About the time code display
R
- [REC-RUN]:
The time code will be displayed with an next to it.
P
- [REC-RUN PS.]:
- [FREE-RUN]:
The time code will be displayed in blue with a next to it.
F
The time code will be displayed in blue with an next to it.
E
- External Time Code: The time code will be displayed in blue with an next to it.
H
- Time Code Hold:
- Playback:
The time code will be displayed with an next to it.
No time code display.
When you select [FREE-RUN], the time code starts to run the moment you press the MENU button
in the middle of the setting, or when you press the SET button after setting the value for frames (F)
in step 3.
To reset the time code to [00:00:00:00], select [RESET] in step 2.
When recording over existing scenes: When a time code discontinuity occurred near the recording
start point, the time code at the point where the recording starts may be discontinuous as well.
As long as the built-in rechargeable lithium battery is charged, the free-run time code continues to
run even if you disconnect all other power sources.
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Synchronizing the Camcorder’s Time Code
You can synchronize this camcorder’s time code to an external time code generator. You can also
include in the recording the user bit signal received from the TC-IN terminal ( 52). The camcorder
offers the following synchronization options.
Genlock
When a reference sync signal (analog blackburst or tri-level signal) is input through the GENLOCK terminal,
the V and H phases of the camcorder’s time code will automatically be synchronized to it.
Time Code IN
An external SMPTE-standard LTC timing signal received from the TC-IN terminal will be recorded as the time
code on the tape. The user bit of the external timing signal can also be recorded on tape.
Time Code OUT
The camcorder’s internal time code is sent out from the TC-OUT terminal as a standard LTC timing signal.
When [SIGNAL SETUP] [SDI OUTPUT] is set to [ON(OSD)] or [ON], the time code signal will be output also
through the HD/SD SDI terminal.
Genlock
Time Code/User bit IN
Time Code OUT
–
–
–
–
–
–
–
Connection Diagram
Genlock
Time Code IN
Reference video
signal*
SMPTE-standard
LTC timing signal
* As a reference video signal input you can use either an HD Y signal or a PAL composite video signal.
While a time code signal is being received, the [COUNT-UP] setting of the camcorder will be
ignored and the external time code’s drop-frame bit will be used instead.
The Genlock synchronization stabilizes after approx. 10 seconds. After that, the synchronization
will be maintained even if you disconnect the cable from the GENLOCK terminal.
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When an external time code signal is received, the camcorder's own time code will be
synchronized to it and the synchronization will be maintained even if you disconnect the cable
from the TC-IN terminal. However, performing any of the following actions while the cable is not
connected will cause the time code to lag slightly; the correct time code will be restored once you
reconnect the cable.
- Turning the camcorder off/on.
- Changing the position of the
- Changing the position of the
dial to or from
(card/tape) switch.
.
/
- Changing the position of the MODE SELECT or FRAME RATE switch.
If the external time code signal is incorrect or there is no input signal, the internal time code
(according to the [TIME CODE]/[COUNT-UP] settings) will be recorded on the tape instead.
If the external Genlock signal is incorrect or there is no input signal, the external time code being
recorded on tape may be incorrect.
When the camcorder is set to HD standard, Genlock synchronization is possible even if the
external Genlock signal is in SD standard. However, Genlock synchronization will not be possible
if the external Genlock signal is in HD standard but the camcorder is set to SD standard.
The phase difference between the external Genlock signal and the camcorder is initially set to 0; it
can be adjusted within the range of approx. 0.4H (-1023 to +1023) with the [SIGNAL SETUP]
[GENLCK ADJST] setting ( 129).
Genlock synchronization is not possible when the camcorder is set to HD standard and [SDI
SPEC.] is set to [SD LOCKED].
About the Side Panel Indications
- “GENLOCK” will flash until the synchronization stabilizes and will stay on once the phase
synchronization has stabilized.
- “TC·IN” and “TC·OUT” indicate, respectively, that Time Code IN or Time Code OUT
synchronization is available.
- “EXT- LOCK” indicates that the camcorder has locked on to an external time code signal.
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Setting the User Bit
The user bit display can be selected from the date or the time of recording, or an identification code
consisting of 8 characters in the hexadecimal system that is useful for labeling tapes. There are sixteen
possible characters: the numbers 0 to 9 and the letters A to F.
If user bit information is being received along with an external time code, you can also record
the external user bit on the tape.
MENU
RECORDING SETUP
UB SELECT•••00 00 00 00
(
31)
1. Open the menu and select [RECORDING SETUP]. Select [UB SELECT], select a
setting option and press the SET button.
If you selected [00 00 00 00], the user bit set/reset options appear; continue with the procedure below.
Otherwise, close the menu.
If you selected [00 00 00 00]:
2. Select [SET].
The first character of the user bit flashes.
3. Turn the SELECT dial to select a number or letter and press the SET button.
The next character of the user bit starts flashing. Set the rest of the user bit in the same way.
4. Close the menu.
To reset the user bit to [00 00 00 00], select [CLEAR] in step 2.
The user bit can be recorded when recording with the camcorder or from analog devices. The user
bit set in the camcorder cannot be recorded when recording from digital devices (HDV or DV).
Displaying the User Bit
MENU
DISPLAY SETUP/
UB DISPLAY•OFF
(
31)
Open the menu and select [DISPLAY SETUP/ ]. Select [UB DISPLAY], set it to [ON] and
close the menu.
Recording an External User Bit
MENU
RECORDING SETUP
UB REC•••INT.USR-BIT
(
31)
Open the menu and select [RECORDING SETUP]. Select [UB REC], select [EXT.USR-BIT]
and close the menu.
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Audio Recording
When recording on the tape in either HDV or DV standard, audio is recorded on two channels.
HDV
DV
The audio transfer rate is 384 kbps and the sampling frequency is 48 kHz.
You can record audio in 16-bit mode (sampling frequency 48 kHz), or 12-bit mode (sampling
frequency 32 kHz).
• Audio is recorded on channels 1 and 2, leaving the other channels unused.
• Audio cannot be dubbed using this camcorder.
• Audio recorded with this camcorder is locked audio except for audio recorded from an analog input, or
from a digital input if you select the Unlock mode.
•
While recording, the sampling frequency of the output signal from the HD/SD SDI terminal will be
48 kHz regardless of the audio input.
SD
Selecting the DV Audio Mode
MENU
AUDIO SETUP
DV AUDIO•••16bit
(
31)
Open the menu and select [AUDIO SETUP]. Select [DV AUDIO], select a setting option
and close the menu.
Using the Wind Screen
With the supplied microphone (only), you can reduce the sound of wind recorded from the front
microphone.
MENU
AUDIO SETUP
WIND SCREEN•••OFF
(
31)
Open the menu and select [AUDIO SETUP]. Select [WIND SCREEN], set it to [ON
and close the menu.
]
Selecting the Sensitivity of the Front Microphone
You can change the sensitivity of the front microphone to [NORMAL] or [HIGH] (+6 dB) to match the
recording conditions.
[NORMAL]:
[HIGH]:
To record audio under usual conditions.
To record audio at a higher volume.
MENU
AUDIO SETUP
MIC SENSIT.•••NORMAL
(
31)
Open the menu and select [AUDIO SETUP]. Select [MIC SENSIT.], select a setting option
and close the menu.
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Recording Audio
Select the audio input from FRONT (supplied microphone), XLR MIC (XLR terminals) or XLR LINE (XLR
terminals). You can select the audio input independently for channel 1 and channel 2.
Using the Front Microphone
Set the INPUT SELECT switch to FRONT MIC.
• You can select the microphone setting with the
STEREO/MONO switch on the microphone itself. In
the MONO position, the same monaural audio signal
will be recorded on channels 1 and 2.
Using the XLR terminals
1. Connect a microphone to one of the XLR
terminals.
• To supply a microphone with phantom power, set
the corresponding
switch to ON. Make sure
to connect the microphone first, before turning the
phantom power on. Keep the microphone
connected when turning off the phantom power.
• Use commercially available microphones with a
cable no longer than 3 m.
2. Set the INPUT SELECT switch to XLR MIC
or XLR LINE.
3. Set the XLR REC CH SELECT switch to
CH1 or CH1·CH2.
4. If necessary, turn on the microphone attenuator (20 dB) by setting the corresponding
switch to ATT.
The microphone attenuator will only be effective when the INPUT SELECT switch is set to XLR MIC.
5. If necessary, adjust the gain of the input signal. Open the menu and select [AUDIO
SETUP]. Select [XLR 1 TRIM] or [XLR 2 TRIM], depending on the audio input you want
to adjust. Select a setting option and close the menu.
The gain adjustment will only be effective when the INPUT SELECT switch is set to XLR MIC.
When connecting a microphone that does not support phantom power, make sure to set the
switch to OFF. Otherwise the microphone may be damaged.
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Adjusting the Audio Recording Level
If the audio level is too high and the sound sounds distorted, activate the microphone attenuator
(20 dB), by setting the FRONT MIC ATT. switch or the corresponding
switch to ATT.
Hiding/Displaying the Audio Level Indicator
MENU
DISPLAY SETUP/
AUDIO LEVEL••ON
(
31)
Open the menu and select [DISPLAY SETUP/ ]. Select [AUDIO LEVEL], select a setting
option and close the menu.
The audio level indicator can also be turned on/off with a custom key (
75).
Automatic Audio Adjustment
Set the REC LEVEL switch to A.
When recording audio using the front
microphone, you can change the
microphone’s sensitivity (
53).
When the INPUT SELECT switches for both
channels are set to FRONT, if the REC LEVEL
switch for CH1 is set to A, the automatic
audio adjustment setting will automatically
apply to CH2 as well.
When the INPUT SELECT switches for both
channels are set to XLR MIC or XLR LINE,
you can select if the audio adjustment setting
for CH2 will be linked to that of CH1 ([LINK]),
or if the settings will be separated ([SEP]).
Open the menu and select [AUDIO SETUP]. Select [XLR ALC LINK], select a setting option and
close the menu.
Manual Audio Adjustment
1. Set the REC LEVEL switch to M.
2. Turn the corresponding
dial (CH1 or
CH2) to adjust each channel’s audio level.
Adjust the audio recording level so that the audio
level meter will go to the right of the
mark on the
side panel’s audio level meter (or the larger dot on
the level meter displayed on the screen) only
occasionally.
We recommend using headphones when
adjusting the audio level. If the input level is
too high, audio may become distorted even if
the audio level indicator shows an
appropriate level. Use commercially available
headphones with a cable no longer than 3 m.
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You can select to synchronize the audio signal with the video signal by adding an equal amount of
delay to the audio. Open the menu and select [AUDIO SETUP]. Select [MONITOR SEL.], set it to
[LINE OUT] and close the menu. If you wish to monitor audio in real time, select [NORMAL]
instead. With either setting, the audio and video signals recorded on the tape will be synchronized.
You can activate the audio peak limiter to prevent audio distortions. When activated, the audio
peak limiter will limit the amplitude of audio input signals when they exceed -4 dBFS. The audio
peak limiter can be activated if at least one of the channels is set to manual audio adjustment.
Open the menu and select [AUDIO SETUP]. Select [AUD.LIMITER], set it to [ON] and close the
menu.
When the INPUT SELECT switches for both channels are set to FRONT, if the REC LEVEL switch
for CH1 is set to M, the audio level adjusted with the CH1 dial will automatically apply to CH2 as
well.
Embedded Audio
Embedded audio refers to the superimposing of the audio signal along with the video signal being
output from the HD/SD SDI terminal.
[ON]:
To embed the audio.
[ON(OSD)]: To embed the audio and on-screen displays.
MENU
SIGNAL SETUP
SDI OUTPUT••OFF
(
31)
Open the menu and select [SIGNAL SETUP]. Select [SDI OUTPUT], select a setting
option and close the menu.
: The embedded audio output depends on the signal standard and the sampling frequency settings.
Signal standard
Sampling frequency
(48 kHz)
Locked/unlocked audio
Embedded audio output
HD
Locked
Locked
Locked
32 kHz (12bit)
48 kHz (16bit)
*
SD
: Cannot output embedded audio from a tape that was originally recorded with unlocked audio.
,
3/4 or
1/2 will appear on the screen.
Signal standard
Sampling frequency
Locked/unlocked audio
Embedded audio output
HD
(48 kHz)
Locked
Locked
Unlocked
Locked
*
32 kHz (12bit)
48 kHz (16bit)
–
SD
Unlocked
–
* The sampling rate will be 48 kHz.
When [SDI OUTPUT] is set to [ON(OSD)],
will appear on the screen and on-screen displays will
be included in the video signal output from the SDI terminal.
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Image Stabilizer
(lenses with image stabilization function)
You can select to activate the image stabilizer or turn it off depending on the recording conditions.
To turn off the image stabilizer using the HD 20x
L IS III lens:
Set the STABILIZER ON/OFF switch to OFF.
The image stabilizer cannot be turned off in
Recording mode.
Easy
We recommend turning off the image stabilizer when the camcorder is mounted on a tripod.
The image stabilizer is designed to compensate for a normal degree of camcorder shake.
The image stabilizer may not be effective when attaching an optional Extender.
: The image stabilizer will be activated while half-pressing the PHOTO button to lock
the autofocus.
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Using the Programmed AE Modes
Programmed auto exposure modes provide advanced automated recording techniques ensuring
professional results in various shooting conditions.
Manual ( 61)
This mode offers the creative freedom of a complete range of manual controls. In
Manual mode, you have the option to set the exposure at any combination of
shutter speed and aperture levels.
Auto
Like the Easy Recording mode, the camcorder automatically controls camera
adjustments allowing you to simply point and film. However, in Auto mode you
have the option of adjusting the settings manually.
Shutter-Priority ( 63)
Use this mode to select the shutter speed. The camcorder automatically sets the
appropriate aperture value.
Aperture-Priority ( 64)
Use this mode to select the aperture value from F/1.6 to F/9.5 (or full iris close) and
let the camcorder automatically set the appropriate shutter speed. This mode
allows for the best control of depth of field.
Spotlight
The Spotlight mode automatically adjusts the exposure to effectively record
images and/or subjects lit by a spotlight or other concentrated light source.
Night
p
This mode allows you to continue recording even when light levels begin to fall.
The camcorder uses slower shutter speeds (1/3–1/500) to deliver proper exposure.
Moving subjects may leave a trailing afterimage.
Picture quality may not be as good as in other modes.
White points may appear on the screen.
Autofocus may not work as well as in other modes. In such case, adjust the focus manually.
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Easy Recording
The camcorder automatically controls the focus, shutter speed, aperture, gain,
white balance, and AE Shift allowing you to simply point and film. This mode locks
all of these features and options, making them fixed and unadjustable.
Selecting the Programmed AE Modes
Press the lock button and turn the
dial.
dial
The symbol of the selected mode appears.
Do not change the position of the
dial while recording as the brightness of the image may
change abruptly.
The
Easy Recording,
Spotlight and Night modes are all-automatic modes. In the
Auto, Tv Shutter-Priority, Av Aperture-Priority and M Manual modes you can change some
settings manually according to the recording conditions.
Available controls/functions by programmed AE mode
EXP. LOCK button
PUSH AE button
–
–
–
–
3
1
1
1
Iris ring
–
–
–
–
–
1
SHUTTER buttons
–
–
(0)
AE SHIFT dial
–
–
GAIN dial
(0 dB)
(auto)
–
WHITE BALANCE dial
(auto)
Custom preset adjustments
CUSTOM PRESET SELECT button
CUSTOM PRESET ON/OFF button
Skin detail
–
–
–
–
–
–
2
2
Clear scan
–
–
–
–
Frequency selection for clear scan
1 Available during exposure lock.
2 Available during clear scan.
3 Only lenses with manual iris ring.
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1
Available lens functions by programmed AE mode
All other modes
Focus ring
Zoom ring
Iris ring
See previous table
2
Image stabilizer
–
(ON)
ND filter
Focus mode selection
–
(AF)
XAF switch (Push-AF)
–
1 HD 20x L IS III, HD 20x L IS II, HD 6x L, 20x L IS and 16x IS II lenses.
2 Not available with the HD 6x L lens.
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Recording in Manual Mode
You can set the exposure at any combination of shutter speed and aperture. The aperture value can be
adjusted in 1/16 EV stops; however, the aperture value displayed on the screen will change only in 1/4
EV stops.
IRIS ring
Available settings
Shutter speed
1/3*, 1/6, 1/12, 1/25, 1/50, 1/60, 1/75, 1/90, 1/100, 1/120, 1/150, 1/180, 1/210, 1/250, 1/300,
1/350, 1/400, 1/500, 1/600, 1/700, 1/800, 1/1000, 1/1200, 1/1400, 1/1600, 1/2000, 1/2400,
1/2800, 1/3200, 1/4000, 1/8000, 1/16000, CS (clear scan)
1/3*, 1/6, 1/12, 1/25, 1/50, 1/60, 1/75, 1/90, 1/100, 1/120, 1/150, 1/180, 1/210, 1/250, 1/300,
1/350, 1/400, 1/500
Aperture
F1.6, F1.8, F2.0, F2.2, F2.4, F2.6, F2.8, F3.2, F3.4, F3.7, F4.0, F4.4, F4.8, F5.2, F5.6, F6.2, F6.7,
(with the HD 20x L IS II or HD 20x L IS III F7.3, F8.0, F8.7, F9.5, F10**, F11**, F12**, F14**, F15**, F16**, F17**, F19**, F21**, F22**,
lens) CLOSE**
* Only with the HD 20x L IS or HD 20x L IS III Lens.
** Can only be selected if the custom function [IRIS LIMIT] is set to [OFF].
1. Set the
dial to M.
• The exposure indicator appears. Use the exposure indicator as an estimate.
• The mark above the indicator indicates the standard exposure (calculated by the camcorder). The
mark of the indicator indicates the current exposure level within 2 EV stops of the standard exposure
(beyond 2 stops, the marker will blink).
2. Select the aperture using the IRIS dial or the iris ring (only lenses with manual iris ring,
like the HD 20x L IS III lens).
With the custom function [RINGS DIRECTION] (
100) you can change the direction of the adjustment
when you turn the iris ring and IRIS dial (the setting is common to both).
3. Select the shutter speed with the SHUTTER
or
button.
With the custom function [OPER.DIRECTION] (
100) you can change the direction of the adjustment
when you push the SHUTTER buttons.
You can use the custom keys (
75) or the [SYSTEM SETUP/
]
[SHTR B.LOCK] setting
(
132) to prevent the accidental operation of the SHUTTER buttons.
With the custom function [IRIS LIMIT] (
100) you can activate the iris limit to prevent the
aperture from closing below the diffraction limit of the lens. If the iris limit is not activated, aperture
values that exceed the diffraction limit will appear in gray when selecting the aperture. Using
aperture values displayed in gray will cause diffraction blur.
When a lens without iris control function is used, the aperture value will not appear on the screen.
With the custom function [LANC AE SHIFT] (
100), you can change the function of the AE SHIFT
dial on the optional ZR-2000 Zoom Remote Controller and use it to change the aperture value.
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Push AE
In M Manual mode you can use the Push AE function
when you want the camcorder to re-establish optimal
exposure settings by automatically adjusting the
aperture and gain (if the GAIN dial is set to A).
Press the PUSH AE button and hold it pressed
down.
• The camcorder will adjust the aperture value and gain
to achieve optimal exposure ( mark above the
exposure indicator).
• After you release the button, the aperture value and gain (if the GAIN dial is set to A) set by the camcorder
will override the previous settings made in M Manual mode.
The Push AE function is not available when no lens is attached to the camcorder, or if the aperture
of the lens attached cannot be controlled from the camcorder.
You can use the custom keys (
75) or the [SYSTEM SETUP/
]
[E.LCK B.LCK] setting to
prevent the accidental operation of the PUSH AE button.
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Recording in Shutter-Priority (Tv) Mode
Available shutter speeds when recording movies:
1/3*, 1/6, 1/12, 1/25, 1/50, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/16000, CS (clear scan)
Available shutter speeds when recording still images:
1/3*, 1/6, 1/12, 1/25, 1/50, 1/120, 1/250, 1/500
* Only with the HD 20x L IS II or HD 20x L IS III Lens.
1. Set the
2. Select the shutter speed with the
SHUTTER or button.
dial to Tv.
With the custom function [OPER.DIRECTION]
(
100) you can change the direction of the
adjustment when you push the SHUTTER
buttons.
Settings other than the shutter speed (aperture, etc.) are adjusted automatically.
Using exposure lock to adjust the exposure manually will change the shutter speed, overriding the
shutter speed selected in Tv mode.
When the GAIN dial is set to A (automatic gain), the numeric value on the screen flashes if the
selected shutter speed is not suitable for the recording conditions. In such case, readjust the
shutter speed. If you are using an ND filter, turn it off first and readjust the shutter speed.
Image quality may decrease to some extent when using slow shutter speeds.
You can use the custom keys (
75) or the [SYSTEM SETUP/
]
[SHTR B.LOCK] setting
(
132) to prevent the accidental operation of the SHUTTER buttons.
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Recording in Aperture-Priority (Av) Mode
The aperture value can be adjusted in 1/16 EV stops; however, the aperture value displayed on the
screen will change only in 1/4 EV stops.
Available aperture values (with the HD 20x L IS II or HD 20x L IS III lens)
F1.6, F1.8, F2.0, F2.2, F2.4, F2.6, F2.8, F3.2, F3.4, F3.7, F4.0, F4.4, F4.8, F5.2, F5.6, F6.2, F6.7, F7.3, F8.0,
F8.7, F9.5, F10*, F11*, F12*, F14*, F15*, F16*, F17*, F19*, F21*, F22*, CLOSE*
* Can only be selected if the custom function [IRIS LIMIT] is set to [OFF].
1. Set the
dial to Av.
2. Select the aperture using the IRIS dial or
the iris ring (only lenses with manual iris
ring, like the HD 20x L IS III lens).
IRIS ring
With the custom function [RINGS DIRECTION]
(
100) you can change the direction of the
adjustment when you turn the iris ring and IRIS dial
(the setting is common to both).
Settings other than the aperture value (shutter speed, etc.) are adjusted automatically.
Using exposure lock to adjust the exposure manually will change the aperture, overriding the value
selected in Av mode.
When the GAIN dial is set to A (automatic gain), the numeric value on the screen flashes when the
selected aperture is not appropriate for the recording condition. In such case, readjust the
aperture.
When the built-in ND filter is activated, the picture may become dark when you set a high aperture
value. In such case, turn off the ND Filter first and readjust the aperture.
With the custom function [IRIS LIMIT] (
100) you can activate the iris limit to prevent the
aperture from closing below the diffraction limit of the lens. If the iris limit is not activated, aperture
values that exceed the diffraction limit will appear in gray when selecting the aperture. Using
aperture values displayed in gray will cause diffraction blur.
When a lens without iris control function is used, the aperture value will not appear on the screen.
With the custom function [LANC AE SHIFT] (
100), you can change the function of the AE SHIFT
dial on the optional ZR-2000 Zoom Remote Controller and use it to change the aperture value.
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Adjusting the Exposure
Exposure Lock
1. Set the
dial to
, Tv or Av.
2. Press the EXP. LOCK button.
• The exposure indicator appears. Use the exposure
indicator as an estimate.
• The
standard exposure (calculated by the camcorder).
The mark of the indicator indicates the current
mark above the indicator indicates the
exposure level within 2 EV stops of the standard
exposure (beyond 2 stops, the marker will blink).
• You can use the custom keys (
75) or the
[SYSTEM SETUP/
button.
]
[E.LCK B.LCK] setting to prevent the accidental operation of the EXP. LOCK
AE Shift
You can use the AE Shift control to manually override the automatic exposure system in order to darken
or lighten the image. Select from 13 AE levels (+2.0, +1.5, +1.0, +0.75, +0.5, +0.25, 0, -0.25, -0.5,
-0.75, -1.0, -1.5, -2.0).
1. Set the
dial to
, Tv or Av.
2. Turn the AE SHIFT dial to adjust the level.
• “AE” and the selected shift level will be displayed
on the screen.
• You can use the custom keys (
75) or the
[SYSTEM SETUP/ [AE D.LOCK] setting to
]
prevent the accidental operation of the AE SHIFT
dial.
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Gain
The gain control adjusts the level of the video signal generated depending on the lighting and shooting
conditions. Select automatic gain control, one of the preset gain level ranging from -3 dB to +18 dB or
fine-tune the gain level in 0.5 dB increments.
GAIN dial
Use
A
Automatic gain control.
-3
0
For the lowest noise recording for indoor, low light or low contrast scenes.
For lifelike night scenes or scenes under artificial lighting.
Increases the brightness in indoor or low-light scenes. Increases the depth of field.
Gain fine tuning.
+3, +6, +12, +18
0 – +18, +36
Selecting the Gain Level
1. Set the
dial to
, Tv, Av or M.
2. Push the GAIN dial so that it pops out.
3. Turn the GAIN dial to adjust the level.
When the dial is set to a position other than A
(automatic gain control), the selected gain level
appears.
Gain Fine Tuning
1. Set the
dial to
, Tv, Av or M.
2. Set the GAIN dial to 0 – +18, +36.
The gain level currently set will be displayed.
3. Press the SET button.
The gain level display will start flashing.
4. Turn the SELECT dial to set the desired gain level.
You can change the gain level in 0.5 dB increments within the range 0.0 to 18.0 dB. In
(only) you can also set the gain level to 36.0 dB.
mode
5. Press the SET button again.
The gain level display stops flashing and stays on.
When you select high gain levels, the picture may flicker slightly. The 36.0 dB gain level in
particular, allows you to shoot video with a higher sensitivity but is more prone to the appearance
of video noise and artifacts (white dots, vertical streaks or blocking).
When the GAIN dial is set to A (automatic gain control) you can activate the gain limit to prevent
the camcorder from setting a level higher than a preset limit between 3 dB and 15 dB.
Open the menu and select [CAMERA SETUP]. Select [AGC LIMIT], set the maximum gain level
and close the menu.
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White Balance
The camcorder uses an electronic white balance process to calibrate the picture for accurate color
display under different lighting conditions. In addition to the fully automated mode, white balance
modes include an indoor mode, an outdoor mode, a color temperature setting and two user-defined
custom preset values.
WHITE BALANCE dial
AWB
Use
Automatic adjustment of white balance.
Bright sunlight (5,600 K).
(outdoor)
(indoor)
Incandescent light (3,200 K).
(color temperature)
Custom Preset A, B
Setting depending on the hue of a specific lighting (2,000 - 15,000 K in 100 K increments).
Custom preset (3,200 - 5,600 K).
Selecting the White Balance Setting
1. Set the POWER dial to a recording program
other than
.
2. Push the WHITE BALANCE dial so that it
pops out.
3. Set the WHITE BALANCE dial to the
desired white balance setting.
You can fine-tune the preset
/
settings. Press
the WHITE BALANCE button so the preset icon
and the neutral value 0 start flashing. Adjust the
white balance with the SELECT dial to a value
between -9 and +9 and press the WHITE BALANCE
button again.
Setting the Color Temperature
1. Set the POWER dial to a recording program other than
.
2. Set the WHITE BALANCE dial to
.
The color temperature currently set will be displayed.
3. Press the WHITE BALANCE
button.
The color temperature display will start flashing.
4. Turn the SELECT dial to set the desired color temperature.
5. Press the WHITE BALANCE button again.
The color temperature display stops flashing and stays on.
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Setting a Custom White Balance
1. Set the POWER dial to a recording program other than
.
2. Press the WHITE BALANCE dial so that it pops out.
3. Set the WHITE BALANCE dial to one of the custom preset positions, A or B.
4. Point the camcorder at a white object and zoom in until it fills the whole screen.
Keep the camcorder zoomed at the white object until step 5 is completed.
5. Press the WHITE BALANCE
button.
and the corresponding letter will stop flashing and stay on when the setting is completed.
When you set the custom white balance: Very rarely and depending on the light source,
may
keep flashing. The result will still be better than with the AWB setting.
As long as the built-in rechargeable lithium battery is charged, the camcorder retains the custom
white balance setting even if you turn it off.
The following custom preset settings take precedence, and will override the white balance set
with the procedure above: The color matrix [CMX] setting, the 3 R/G/B gain settings, and the 6 R/
G/B matrix settings (
98).
The custom white balance may provide better results in the following cases:
-Changing lighting conditions
-Close-ups
-Subjects in a single color (sky, sea or forest)
-Under mercury lamps or certain types of fluorescent lights
Perform the custom white balance setting procedure in a sufficiently well lit place.
Readjust the custom white balance if you turn the ND filter on/off (lenses with a built-in ND filter) or
when the light source has changed.
Recording with a Custom White Balance Previously Set
1. Set the
dial to a recording program other than
.
2. Turn the WHITE BALANCE dial to the desired custom preset, A or B.
The custom white balance set in advance is activated.
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Zebra Pattern
This camcorder has a zebra pattern feature that shows black and white diagonal stripes over the areas
that are overexposed. The zebra pattern is only displayed on the screen and will not affect your
recordings. The zebra pattern will not be displayed while the Peaking function is activated ( 44).
Available zebra pattern settings: 70 IRE, 75 IRE, 80 IRE, 85 IRE, 90 IRE, 95 IRE, and 100 IRE.
Selecting the Zebra Pattern Level
MENU
DISPLAY SETUP/
ZEBRA LEVEL••85
(
31)
Open the menu and select [DISPLAY SETUP/ ]. Select [ZEBRA LEVEL], select a setting
option and close the menu.
Activating the Zebra Pattern
MENU
DISPLAY SETUP/
ZEBRA••••••••OFF
(
31)
Open the menu and select [DISPLAY SETUP/ ]. Select [ZEBRA], set it to [ON] and close
the menu.
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Color Correction
With the color correction function you can set the camcorder to detect the characteristics of a certain
color or pattern (color phase, chroma, area and Y level) and correct them automatically when recording.
You can set the color correction for up to two different colors (A and B).
When determining the color to be corrected, targeted areas will be identified on the screen by zebra
pattern alternating with the normal picture. On a connected monitor or computer, targeted areas will be
identified by white areas alternating with the normal picture.
Determining the Color to be Corrected
MENU
CAMERA SETUP
COLOR CORR.
····
(
31)
····
A AREA SEL.
B AREA SEL.
COLOR PHASE••••••
CHROMA•••••••••••
AREA•••••••••••••
Y LEVEL••••••••••
0
0
3
0
1. Open the menu and select [CAMERA SETUP]. Select the [COLOR CORR.] submenu
and then select [A AREA SEL.] or [B AREA SEL.].
2. Select each setting option, adjust the levels as necessary and close the menu.
[COLOR PHASE]: Select the basic color phase (0-15) of the color to be detected. Use the following
values as an approximate reference: 0=purple, 3=red, 6=orange, 9=green, 12=blue.
[CHROMA]:
Adjust the color saturation for the color to be detected. 13 levels (-6 to 6) are available;
set higher levels to detect areas with richer colors.
[AREA]:
Adjust the color range for the color to be detected. 4 levels (1 to 4) are available; set
higher levels to detect a wider color range.
[Y LEVEL]:
Adjust the brightness for the color to be detected. 13 levels (-6 to 6) are available; set
higher levels to detect brighter areas.
Adjusting the Color Correction
MENU
CAMERA SETUP
COLOR CORR.
····
(
31)
····
A AREA REV.
B AREA REV.
R GAIN•••••••••••
B GAIN•••••••••••
0
0
1. Open the menu and select [CAMERA SETUP]. Select the [COLOR CORR.] submenu
and then select [A AREA REV.] or [B AREA REV.].
2. Select the color gain options, adjust the levels as necessary and close the menu.
[R GAIN]: Adjust the red gain of the detected area. 13 levels (-6 to 6) are available; set [+] values to
increase red tones or [-] values to increase cyan tones.
[B GAIN]: Adjust the blue gain of the detected area. 13 levels (-6 to 6) are available; set [+] values to
increase blue tones or [-] values to increase yellow tones.
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Activating the Color Correction
MENU
CAMERA SETUP
COLOR CORR.
CORRECT•••••••OFF
(
31)
1. Open the menu and select [CAMERA SETUP] and select the [COLOR CORR.]
submenu.
2. Select [CORRECT], select a correction mode and close the menu.
• You can correct only the predefined A area, only the predefined B area or both.
•
appears.
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Skin Detail Function
With the skin detail function you can set the camcorder to detect the characteristics of a certain color or
tone. Detail in the targeted areas will be softened in order to conceal skin imperfections. Targeted areas
will be identified on the screen by a zebra pattern alternating with the normal picture. On a connected
monitor or computer, targeted areas will be identified by white areas alternating with the normal picture.
You can adjust the hue, chroma, area and Y level as required, to determine the areas that will be
detected as skin areas.
Determining the Tone to be Detected as Skin Area
MENU
CAMERA SETUP
SKIN DETAIL
HUE••••••••••••••
0
(
31)
CHROMA•••••••••••
AREA•••••••••••••
Y LEVEL••••••••••
0
0
0
1. Open the menu, select [CAMERA SETUP] and then select the [SKIN DETAIL]
submenu.
2. Select each setting option, adjust the levels as necessary and close the menu.
• [HUE]:
Adjust the hue for detection of the skin area. 13 levels (-6 to 6) are available; set [+] values
to detect hues closer to red or [-] values to detect hues closer to green.
• [CHROMA]: Adjust the color saturation for detection of the skin area. 13 levels (-6 to 6) are available;
set higher levels to detect areas with richer colors.
• [AREA]:
Adjust the color range for detection of the skin area. 13 levels (-6 to 6) are available; set
higher levels to detect a wider color range.
• [Y LEVEL]: Adjust the brightness for detection of the skin area. 13 levels (-6 to 6) are available; set
higher levels to detect brighter areas.
Activating the Skin Detail Function
MENU
CAMERA SETUP
SKIN DETAIL
(
31)
1. Open the menu and select [CAMERA SETUP]. Select the [SKIN DETAIL] submenu and
then select [EFFECT LEVEL].
2. Select a setting option and close the menu.
• You can select the strength of the effect from low, middle or high.
•
appears.
72
Selective Noise Reduction
With the selective noise reduction function you can set the camcorder to detect the characteristics of a
certain color or tone and automatically reduce noise in the targeted areas. This is particularly useful for
chroma keying, as targeting the selective noise reduction to the color of the background green or blue
screen will result in a smoother composite picture.
Targeted areas will be identified on the screen by a zebra pattern alternating with the normal picture. On
a connected monitor or computer, targeted areas will be identified by white areas alternating with the
normal picture.
Determining the Area to be Corrected
1. Open the menu, select [CAMERA SETUP] and then select the [SELECTIVE NR]
submenu.
2. Select each setting option, adjust the levels as necessary and close the menu.
• [HUE]:
Select the base hue (-6 to 6) of the color to be detected. Use the following values as an
approximate reference: -6=blue-violet, 0=cyan, 6=yellowish green.
• [CHROMA]: Adjust the color saturation for the color to be detected. 13 levels (-6 to 6) are available; set
higher levels to detect areas with richer colors.
• [AREA]:
Adjust the color range for the color to be detected. 13 levels (-6 to 6) are available; set
higher levels to detect a wider color range.
• [Y LEVEL]: Adjust the brightness for the color to be
73
Clear Scan
This feature allows you to record a computer’s CRT screen or other equipment without displaying black
band or flicker on the screen. You can adjust the frequency from 50.2 Hz to 200.3 Hz.
MENU
CAMERA SETUP
CLEAR SCAN•••50.2Hz
(
31)
1. Set the
dial to Tv or M.
2. Repeatedly press the SHUTTER
to set the shutter speed to “CS”.
button
3. Open the menu and select [CAMERA
SETUP]. Select [CLEAR SCAN], adjust the
frequency and close the menu.
Adjust the frequency so that the black band does not
appear.
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Custom Keys
You can assign frequently used functions to the custom keys. The custom keys can have different
functions assigned to them in each of the operating modes.
Default settings:
CUSTOM KEY 1
CUSTOM KEY 2
TIME CODE
INDEX WRITE
TV SCREEN
DATA CODE
ZEBRA
TV SCREEN
TV SCREEN
EVF BW MODE
To check the current custom key settings:
In a recording mode: Open the menu and select [DISPLAY SETUP/ ]. Select [GUIDE INFO], set it to [CUSTOM KEYS] and close the
menu.
In a playback mode: Open the menu and select [DISPLAY SETUP/ ]. Select [CUSTOM KEY], set it to [ON] and close the menu.
The following functions can be assigned to the custom keys:
Time code
Index write
SHUTTER button lock
AE SHIFT dial lock
Time code
TV screen
2
Zebra pattern
VCR stop
TV screen
Time code hold
Audio level
EXP. LOCK button lock
CP backward key
Data code
Audio level
Time code hold
Viewfinder’s B&W mode
SDI output
2
1,2
2
Flange back adjustment
2
2
Flip EVF
3
3
SDI output
Viewfinder’s B&W mode
MAGN. button lock
Focus limit
Zebra pattern
TV screen
Viewfinder’s B&W mode
MAGN. button lock
SHUTTER button lock
AE SHIFT dial lock
EXP. LOCK button lock
CP backward key
TV screen
Viewfinder’s B&W mode
SDI output
1,2
3
Flange back adjustment
2
Flip EVF
3
SDI output
Focus limit
1
Can only be assigned to Custom Key 2.
This function can only be operated with a custom key. (Index write can also be operated with the wireless controller.)
only.
2
3
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Changing the Custom Keys Setting
MENU
SYSTEM SETUP/
CUSTOM KEY 1•TIME CODE*
(
31)
* Default value in
mode.
Open the menu and select [SYSTEM SETUP/
]. Select [CUSTOM KEY 1] or [CUSTOM
KEY 2], select the function you wish to assign to the custom key and close the menu.
When you do not wish to use the custom keys, select [(NONE)].
Activating the Functions with the Custom Key
[TIME CODE] Time Code ( 49)
Press the CUSTOM KEY (1 or 2) button.
The time code setting menu appears.
[INDEX WRITE] Index Write
You can add an index signal to your recording for easy search in
mode (
112).
Press the CUSTOM KEY (1 or 2) button.
•
will appear while the index signal is being recorded (approx. 6.5 seconds).
• When the camcorder is in record pause mode, the index signal will be written when you start recording.
• An index signal cannot be added or erased later.
[ZEBRA] Zebra Pattern ( 69)
Press the CUSTOM KEY (1 or 2) button.
The zebra pattern is activated. Press the button again to cancel it.
[VCR STOP] VCR Stop ( 35)
When the camcorder is in record pause mode, you can turn off the recorder section. Even if [SYSTEM
SETUP/
]
[POWER SAVE] is set to [OFF], you can take your time adjusting the camera settings, while the
recorder section of the camcorder is powered off so you do not need to worry about the tape or the video
heads.
VCR Stop can only be operated with the custom keys.
Press the CUSTOM KEY (1 or 2) button.
The VCR Stop mode is activated. Press the button again to return to record pause mode. You can also start
recording by pressing the Start/Stop button directly in VCR Stop mode.
[TV SCREEN] TV Screen
You can show the camcorder’s displays on a connected external monitor or TV.
Press the CUSTOM KEY (1 or 2) button.
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[TC HOLD] Time Code Hold
You can press the custom key button to freeze the display of the time code. The time code will continue
running normally even while the time code display is on hold.
Time code hold can only be operated with the custom keys.
Press the CUSTOM KEY (1 or 2) button.
• Pressing the custom key button again will reactivate the normal display of the time code.
H
• While on hold, the time code will be displayed with an next to it and “HOLD” will appear on the side
panel.
• The time code being output from the TC-OUT*, HD/SD SDI*,
put on hold. The time code superimposed on the video signal output from the COMPONENT OUT, VIDEO
IN/OUT and IN/OUT (S-Video) terminals will be put on hold. (* only.)
• The time code hold will be canceled when you turn the camcorder on/off, change the operating mode
(LANC) and HDV/DV terminals will not be
between recording and playback or change the position of the
/
(card/tape) switch.
[AUDIO LEVEL] Audio Level Indicator ( 55)
Press the CUSTOM KEY (1 or 2) button.
The audio level indicator appears. Press the button again to hide the audio level indicator.
[EVF BW MODE] Viewfinder’s B&W mode
Press the CUSTOM KEY (1 or 2) button.
The image on the screen will be shown in black & white (on-screen displays and indicators will still be
displayed in color). Press the button again to return to color display.
[MAGN.B.LOCK] MAGN. Button Lock
Press the CUSTOM KEY (1 or 2) button.
Pressing the button will lock the EVF MAGNIFYING buton to prevent its accidental operation. Press the
custom key button again to reactivate the EVF MAGNIFYING button.
[SHTR B.LOCK] SHUTTER Button Lock
Press the CUSTOM KEY (1 or 2) button.
Pressing the button will lock the SHUTTER buttons to prevent their accidental operation. Press the custom
key button again to reactivate the SHUTTER buttons.
[AE D.LOCK] AE SHIFT Dial Lock
Press the CUSTOM KEY (1 or 2) button.
Pressing the button will lock the AE SHIFT dial to prevent its accidental operation. Press the custom key
button again to reactivate the AE SHIFT dial.
[E.LCK B.LCK] EXP. LOCK Button Lock
Press the CUSTOM KEY (1 or 2) button.
Pressing the button will lock the EXP. LOCK button to prevent its accidental operation. Press the custom key
button again to reactivate the EXP. LOCK button.
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[CP BKWD KEY] Custom Preset Backward Key
Press the CUSTOM KEY 2 button.
Usually, pressing the CUSTOM PRESET SELECT button will cycle forwards to the following custom preset
file. Pressing the custom key button instead will cycle backwards to the preceding custom preset file.
CP backward key can only be operated with the custom keys.
[FB] Flange Back Adjustment
Press the CUSTOM KEY (1 or 2) button.
The flange back adjustment menu appears. (Will have no effect if flange back adjustment is not available with
the lens attached.)
[FLIP EVF] Flip EVF
Press the CUSTOM KEY (1 or 2) button.
Activating the function will reverse the displayed image both upside/down and right/left. This affects only the
display, and the video signal being output from all terminals will not change.
• When using XL lenses designed for HDV recording, the Flip EVF function will be deactivated while
displaying the menu screens.
• Flip EVF can only be operated with the custom keys.
[SDI OUTPUT] SDI Output
Press the CUSTOM KEY (1 or 2) button.
The SDI output setup menu appears.
[FOCUS LIMIT] Focus Limit ( 46)
Press the CUSTOM KEY (1 or 2) button.
The focus limit is activated. Press the button again to cancel it.
[DATA CODE] Data Code ( 113)
Press the CUSTOM KEY (1 or 2) button.
The data code appears. Press the button again to hide the data code.
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Color Bars/Audio Reference Signal
You can generate and record color bars signals and a 1 kHz audio reference signal.
With the customized functions ( 100) you can choose between EBU ([TYPE 1]) and SMPTE color bars
([TYPE 2]) and you can also select the strength of the audio signal (-12 dB, -18 dB, or -20 dB).
1. Select the standard of the color bars signal
[COLOR BARS] and the strength of the
audio reference signal [1kHz TONE] with
the customized functions ( 100).
2. Press the BARS/FADE SELECT button to
display the
(color bars) icon.
• Repeatedly pressing the button will cycle through
the options in the following order:
display.
,
,
, no
•
starts flashing.
3. Press the BARS/FADE ON/OFF button.
• The color bars appear and the audio reference signal is emitted (if activated). Press the Start/Stop
button to record the signal.
• If you set the custom function [1kHz TONE] to [OFF], the current audio input (microphone, line in, etc.)
will be recorded as the audio signal.
Faders
You can choose to fade to/from white or to/from black.
1. While recording or in record pause mode, press the BARS/FADE SELECT button to
display the
(white fader) or
(black fader) icon.
• Repeatedly pressing the button will cycle through the options in the following order:
,
,
, no
display.
• The icon of the selected fader type starts flashing.
2. Press the BARS/FADE ON/OFF button.
The icon stops flashing.
3. Press the Start/Stop button.
• In record pause: the recording will fade in and start. While recording: the recording will fade out and
stop.
• After the fade-in/out the icon will start flashing again. To activate the fader again, press the BARS/FADE
ON/OFF button (step 2).
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External Connections
Video Signal Output Standards
The standard of the video signal output from the HD/SD SDI (
only), COMPONENT OUT and
HDV/DV terminals depends on the standard used for recording (or the standard of the recording on the
tape being played back) and on various menu settings. Video output from the VIDEO OUT or
(S-Video) terminal will always be in 576/50i standard.
IN/OUT
Standard of Video Output while Recording
While recording in high definition, video output from the HD/SD SDI terminal will be an
uncompressed HD, YPbPr signal. You can down-convert the video output with the respective menu settings.
1
HD/SD SDI terminal
COMPONENT OUT terminal
Down-
Recording
standard and
frame rate
HDV/DV terminal
Down-
converted
Unchanged
Unchanged
2, 5, 6
3, 5
converted
HD 50i
HD 25F
1080/50i
1080/50i
576/50i
1080/50i
1080/50i
576/50i
1080/50i
1080/25p
8
8
576/50i
576/50i
Standard of Video Output during Playback
When playing back a tape recorded in HDV standard, video output from the HD/SD SDI terminal will
be a signal modified from the HDV video. You can down-convert the video output with the respective menu
settings.
1
HD/SD SDI terminal
Down-
COMPONENT OUT terminal
Down-
HDV/DV terminal
Standard of [LETTERBOX]
Down-
the tape
setting
Unchanged
Unchanged
Unchanged
1080/50i
2, 5
3, 5
4, 7
converted
Converted
Converted
[OFF]
[ON]
1080/50i
576/50i
1080/50i
576/50i
HDV
1080/50i
576/50i
576/50i
576/50i
8
8
[OFF]
[ON]
1080/50i
576/50i
8
1080/50i
576/50i
8
HDV
1080/25p
1080/25p
576/50i
576/50i
576/50i
1
2
3
4
5
6
only.
[SIGNAL SETUP] [SDI SPEC.] set to [SD LOCKED].
[SIGNAL SETUP] [COMP.OUT] set to [576i].
[SIGNAL SETUP] [HD DOWN-CONV] set to [ON].
16:9 picture is horizontally squeezed to a 4:3 aspect ratio.
On-screen displays will not be embedded in the video output even if [SIGNAL SETUP] [SDI OUTPUT] is set to
[ON(OSD)].
7
8
On-screen displays will not be embedded in the video output even if [DISPLAY SETUP/
]
[TV SCREEN] is set to
[ON].
Converted to 50i.
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Connecting to a Monitor/TV
The different recording modes and the corresponding output terminals are given in the table below:
COMPONENT OUT
Terminal
HDV/DV
Terminal
MPEG TS
VIDEO and
Terminals
HD/SD SDI Terminal*
[LETTERBOX] 1920x1080
HD
D3 (1440x1080)
D1 (SD)
set to [OFF]
[LETTERBOX] SD SDI
set to [ON]
MPEG TS
DV (SD)
DV (SD)
DV (SD)
SD 16:9
[LETTERBOX] 640x480
set to [OFF]
D1 (SD)
[LETTERBOX] SD SDI
set to [ON]
D1 (SD)
SD 4:3
640x480
D1 (SD) Normal
*
only.
Displaying the Viewfinder's Screen on an External Monitor
The screen of an external monitor or viewfinder connected to the EVF2 socket will show the exact same
picture as displayed on the camcorder's viewfinder screen. Use the supplied external monitor cable to
connect to a monitor or TV equipped with component video inputs.
External Monitor Cable (supplied)
Signal flow
Green
Blue
Y
Pb
Red
Pr
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Connection to a High Definition Monitor or HDTV
Using the HD/SD SDI Terminal
1
INPUT
White
Red
VIDEO
L
White
Red
Stereo Cable*
(supplied)
AUDIO
R
Signal flow
S (S1)-VIDEO
Open the terminal cover
BNC Cable (commercially available)
Signal flow
* If [SDI OUTPUT] is set to [OFF] (no embedded audio), the audio signal is separate from the SDI video
output signal
Activate the HD/SD SDI output and select the appropriate video output option (HD or SD).
1. Set the
dial to
.
2. Open the menu and select [SIGNAL SETUP]. Select [SDI OUTPUT] and set it to [ON] or
[ON(OSD)].
3. From the same [SIGNAL SETUP] submenu select [SDI SPEC.]. Select [AUTO] or
[SD LOCKED] to match the video output you wish to use.
4. Close the menu.
When [SDI OUTPUT] is set to [ON(OSD)],
will appear on the screen and on-screen displays will
be included in the video signal output from the SDI terminal.
When [SDI OUTPUT] is set to [ON(OSD)]:
The on-screen displays included in the video output signal are determined by the display level
selected with the EVF DISPLAY button (
37). Markers (safety zone guide, level/grid markers,
etc.) are never included in the video signal output.
The [SIGNAL SETUP] [COMP.OUT] setting is not available.
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2 Using the COMPONENT OUT Terminal
Open the terminal cover
INPUT
White
Red
VIDEO
L
White
Red
Stereo Cable*
(supplied)
AUDIO
R
Signal flow
S (S1)-VIDEO
Green
Blue
Red
Y
Pb
Pr
DTC-1000 Component Video Cable (supplied)
Signal flow
* The audio signal is separate from the component video signal
Select the appropriate component video signal depending on the TV or monitor you connect.
Open the menu and select [SIGNAL SETUP]. Select [COMP.OUT], select a setting option
and close the menu.
3 Using the HDV/DV Terminal
CV-250F
DV Cable (optional) or
commercially available
6 pin-6 pin DV cable
4-pin
6-pin
• When connecting the camcorder to a monitor or TV that supports DV input, you may need to carry out a
procedure on the monitor or TV to recognize the camera.
• If necessary, turn on the DV conversion and select whether to convert a tape recorded in HD to SD with the
following procedure.
Open the menu and select [SIGNAL SETUP]. Select [HD DOWN-CONV], select a setting
option and close the menu.
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4 Using the VIDEO IN/OUT or
(S-Video) IN/OUT Terminal
Open the terminal cover
INPUT
VIDEO
L
White
Red
White
Red
Stereo Cable (supplied)
Signal flow
AUDIO
R
S (S1)-VIDEO
S-Video Cable*
(commercially available)
* To use the VIDEO terminals instead of the
terminal, connect the TV to the camcorder’s VIDEO OUT
terminal using a BNC cable (commercially available), or connect the TV to the camcorder’s VIDEO IN/OUT
terminal using an RCA video cable (commercially available).
We recommend powering the camcorder from a household power outlet.
TV sets equipped with the WSS System: Recordings made with a 16:9 aspect ratio (
be played automatically in widescreen mode whether you connect the camcorder to the TV using
the S (S1-) VIDEO terminal or the VIDEO terminal.
38) will
During fast forward playback, rewind playback and reverse playback of a tape recorded in HDV
standard, the picture may be distorted.
Connection to a Standard Definition TV or Monitor
Using the COMPONENT OUT Terminal
1
• Refer to the connection diagram in the previous section ( 83).
• Select the appropriate component video signal depending on the TV or monitor you connect.
Open the menu and select [SIGNAL SETUP]. Select [COMP.OUT], select a setting
option and close the menu.
2 Using the VIDEO IN/OUT or
(S-Video) IN/OUT Terminal
• Refer to the connection diagram in the previous section ( 84).
• If connecting to a TV set with a 4:3 aspect ratio, change the [LETTERBOX] setting appropriately.
Open the menu and select [SIGNAL SETUP]. Select [LETTERBOX], set it to [ON] and
close the menu.
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3 Using the SCART Adapter
SCART adapter
(commercially available)
Red
Stereo Cable (supplied)
Signal flow
White
Yellow
RCA cable
(commercially available)
• If connecting to a TV set with a 4:3 aspect ratio, change the [LETTERBOX] setting appropriately.
Open the menu and select [SIGNAL SETUP]. Select [LETTERBOX], set it to [ON] and
close the menu.
We recommend powering the camcorder from a household power outlet.
TV sets equipped with the WSS System: Recordings made with a 16:9 aspect ratio (
be played automatically in widescreen mode whether you connect the camcorder to the TV using
the S (S1-) VIDEO terminal or the VIDEO terminal.
38) will
During fast forward playback, rewind playback and reverse playback of a tape recorded in HDV
standard, the picture may be distorted.
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Audio Output
Selecting the Audio Channel
You can select the channel for audio signal output from the
terminals.
CH1/CH2 and the
(headphone)
Repeatedly press the AUDIO OUTPUT CH
button to change the audio channel.
• Pressing the button will cycle between the audio
channels in the following order: CH1/CH2
CH1/CH1
CH1/CH2.
CH2/CH2
ALL CH/ALL CH
• During playback of a tape recorded with 4-channel
audio (using another device) or while recording
external video with 4-channel audio from the HDV/DV
terminal, the output channels will be: CH1·3/CH2·4
CH1·3/CH1·3
CH2·4/CH2·4
ALL CH/ALL CH.
Selecting the Audio Output Level
You can boost the level of the audio output signal from the
CH1/CH2 terminals from 1 Vrms to
2 Vrms (+6 dB).
MENU
AUDIO SETUP
OUTPUT LEVEL•••1Vrms
(
31)
Open the menu and select [AUDIO SETUP]. Select [OUTPUT LEVEL], select a setting
option and close the menu.
Selecting the Audio Monitor
MENU
AUDIO SETUP
AUD.M.SET•••CH 1/2
(
31)
Open the menu and select [AUDIO SETUP]. Select [AUD.M.SET], select a setting option
and close the menu.
• You can also select the audio monitor using the wireless controller.
• If you selected [MIX/VAR.], adjust the mix balance with the [MIX BALANCE] setting or using the MIX
BALANCE buttons on the wireless controller.
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Audio Output Selected
Audio Recordings on 2
Channels
Audio Monitor
[AUD.M.SET]
Audio Recordings on 4 Channels
CH1/CH2
CH3/CH4
Left Output: L or CH1
Right Output: R or CH2
CH 1/2
Left Output: CH1
Right Output: CH2
CH1·3/CH2·4
CH 3/4
Left Output: CH3
Right Output: CH4
MIX/FIXED
Left Output: CH1+CH3
Right Output: CH2+CH4
Mix balance fixed at 1:1
MIX/VAR.
Left Output: CH1+CH3
Right Output: CH2+CH4
Mix balance can be adjusted
CH1/CH1
CH3/CH3
CH1·3/CH1·3
Left Output: L or CH1
Right Output: L or CH1
CH 1/2
CH 3/4
MIX/FIXED
Both Outputs: CH1
Both Outputs: CH3
Both Outputs: CH1+CH3
Mix balance fixed at 1:1
MIX/VAR.
Both Outputs: CH1+CH3
Mix balance can be adjusted
CH2/CH2
CH4/CH4
CH2·4/CH2·4
Left Output: R or CH2
Right Output: R or CH2
CH 1/2
CH 3/4
MIX/FIXED
Both Outputs: CH2
Both Outputs: CH4
Both Outputs: CH2+CH4
Mix balance fixed at 1:1
MIX/VAR.
Both Outputs: CH2+CH4
Mix balance can be adjusted
ALL CH/ALL CH
Left Output: All channels
Right Output: All channels
CH 1/2
CH 3/4
Both Outputs: All channels
Both Outputs: All channels
MIX/FIXED
Both Outputs: All channels
Mix balance fixed at 1:1
MIX/VAR.
Both Outputs: All channels
Mix balance can be adjusted
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Digital Video Control
This feature enables the camcorder to control the record and stop functions of an external digital device
connected to the camcorder through the HDV/DV terminal. The device must comply with the IEEE1394
AV/C protocol. Use the optional CV-250F (4 pin-6 pin) DV cable or a commercially available 6 pin-6 pin
DV cable to connect the external device.
1. Open the menu and select [SYSTEM SETUP/
] and close the menu.
]. Select [DV CONTROL], set it to [ON
2. Press the Start/Stop button.
If the button was pressed while the camcorder was in record pause mode:
Camcorder and external device: start recording.
If the button was pressed while the camcorder was recording:
Camcorder and external device: stop recording (record pause mode).
If the button was pressed while the camcorder was not ready to start recording:
Camcorder: no change; External device: starts/stops recording following the camcorder’s control. If you
press the Start/Stop button again after solving the problem on the camcorder (inserting a cassette, etc.),
the camcorder will start recording as the external device continues recording.
While both this camcorder and a connected device are recording, if this camcorder stops
recording because of a condition other than pressing the Start/Stop button (e.g., if the tape has
reached its end), the connected device will continue recording.
When this camcorder stops recording you may notice a brief interruption of the audio on the
connected device.
The status of the connected device is indicated as follows.
Connected device is recording
Connected device is in record pause or stop mode
– – –
Connected device is in a mode other than record pause or stop
[DV CONTROL] is set to [ON ], but no external device is connected
As long as the built-in rechargeable lithium battery is charged, the camcorder retains the DV
control setting even if you turn the power off. Make sure to check the setting after using the DV
control function, as the tape in the connected device may be overwritten.
When connecting two DV Control-compatible Canon camcorders with a DV cable, make sure to
set [DV CONTROL] on the other connected camcorder to [OFF].
Up to 2 other devices can be connected to this camcorder for DV control.
88
Recording an External Video Signal
(HDV/DV In, Analog Line-In)
You can record on the tape an external video signal, either from the HDV/DV input (SD or HD standard)
or from the analog video input (SD standard).
HDV/DV In
When recording from an external digital device you can select the time code to be used for the
recording made with this camcorder. Select [COPY] to keep the original time code of the video source,
or [REGEN.] to use instead this camcorder’s internal time code.
1. Open the menu, select [SIGNAL SETUP] and then select the [TIME CODE] submenu.
2. Select [HDV/DV IN], select a setting option and close the menu.
3. Connect the camcorder to the external video device.
For the connection diagram to a digital device refer to Section
of Connecting to a Monitor/TV (
83).
4. Press the
and
buttons (or the REC PAUSE button on the wireless controller).
• The camcorder enters the record pause mode. In this mode you can monitor the picture on the screen.
• If you press only the button, recording will start immediately.
5. Press the button (or the PAUSE button on the wireless controller) when the scene
you wish to record appears.
Recording starts.
6. Press the
button to stop recording.
Analog Line-In
1. Open the menu and select [AUDIO SETUP]. Select [DV AUDIO], select a setting option
and close the menu.
2. Connect the camcorder to the analog video device.
For the connection diagram to an analog device refer to Section
of Connecting to a Monitor/TV
(
84). Connect the supplied Stereo Cable to
89
Concerning Copyright
Copyright Precaution
Certain pre-recorded video tapes, films and other materials, as well as some television programs are
copyrighted. Unauthorized recording of these materials may violate copyright protection laws.
Copyright Signals
During playback: If you try to play back a tape that contains copyright control signals for protection of
software, “COPYRIGHT PROTECTED PLAYBACK IS RESTRICTED” appears for a few seconds and the
camcorder displays a blank blue screen. You cannot playback the contents of the tape.
During recording: If you try to record from software that contains copyright control signals for protection of
software, “COPYRIGHT PROTECTED DUBBING RESTRICTED” appears. You cannot record the contents of
the software.
You cannot record copyright protection signals to a tape using this camcorder.
We recommend powering the camcorder from a household power outlet.
Converting Analog Signals into Digital Signals
(Analog-Digital Converter)
Using the camcorder you can convert analog video input signals to a digital video signal (SD standard)
and output it through the HDV/DV terminal.
MENU
SIGNAL SETUP
AV DV••••••••OFF
(
31)
Open the menu and select [SIGNAL SETUP]. Select [AV DV], set it to [ON] and close the
menu.
Depending on the signal sent from the connected device, the conversion from analog to digital
signals might not work properly (e.g., signals that include copyright protection signals or
anomalous signals such as ghost signals).
For normal use, set [AV DV] to [OFF]. If it is set to [ON], digital signals cannot be input via the
camcorder’s HDV/DV terminal.
Depending on the software and the specifications of your computer, you may not be able to
transfer converted signals via the HDV/DV terminal.
We recommend powering the camcorder from a household power outlet.
You can also press the AV DV button on the wireless controller. Pressing the button will toggle
the AV DV conversion on and off.
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Connecting to a Computer
To connect the camcorder to a computer you will need a computer equipped with an IEEE1394 (DV)
terminal and video editing software with video capturing capability installed. Use the optional CV-250F
(4 pin-6 pin) DV cable or a commercially available 6 pin-6 pin DV cable. For the minimum system
requirements for video editing, refer to the instruction manual of the video editing software.
CV-250F
DV Cable (optional)
IEEE1394 (DV) terminal
or commercially
available 6 pin-6 pin
DV cable
4-pin
6-pin
Operation may not work correctly depending on the software and the specifications/settings of
your computer.
If the computer freezes while the camcorder is connected, disconnect and reconnect the DV
cable. Should the problem persist, disconnect the cable, turn both the camcorder and the
computer off and then on again and reconnect them.
Make sure that the computer’s video capturing system is compatible with the video signal
standard you are using. If the computer is not compatible with the camcorder’s video output
signal, the camcorder may not be correctly detected or may not operate properly.
Refer also to the instruction manual of the computer and the editing software.
Adjust the [SIGNAL SETUP] [PLAYBACK STD] and [HD DOWN-CONV] settings in accordance
with the video signal standards of the connected computer.
For video output from the camcorder to the computer:
-
-
-
output: Set [PLAYBACK STD] to [HDV] and [HD DOWN-CONV] to [OFF].
output: Set [PLAYBACK STD] to [DV].
output of a recording originally made in HDV standard: Set [PLAYBACK STD] to [HDV] and
HDV
DV
DV
[HD DOWN-CONV] to [ON].
For video input from the computer to the camcorder:
-
-
input: Set [PLAYBACK STD] to [HDV] and [HD DOWN-CONV] to [OFF].
input: Set [PLAYBACK STD] to [DV].
HDV
DV
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Customization
Custom Preset Settings
92
Enter the custom preset
editing screen
File name of the currently
selected custom preset file
Save the custom preset file
to the memory card
Read a custom preset file
from the memory card
Overview of the content of the
custom preset file
Back to the [CUSTOMIZE]
submenu
Select the custom preset file
Back to the options on the left side bar
Reset the custom preset to default values
Change the custom preset settings
Rename the custom preset file
Protect the custom preset file
Changing Custom Preset Parameters
MENU
CUSTOMIZE
CUSTOM PRESET
EDIT
····
(
31)
····
SELECT CP
TUNE
1. Open the menu, select [CUSTOMIZE] and then select the [CUSTOM PRESET]
submenu.
The custom preset submenu appears.
2. Select [
EDIT] from the column on the left.
The cursor will move to the bottom bar of the custom preset editing screen. To return one level back to
the options on the column on the left, select [ RETURN] and press the SET button.
3. From the bottom bar, select [
preset file you want to change.
SELECT CP] and then select the name of the custom
The overview display shows in shortened form the current settings of the parameters of the custom
preset file selected.
4. From the bottom bar, select [
TUNE].
The first parameter ([GAM]) of the custom preset file will be highlighted in blue.
5. Turn the SELECT dial to select a parameter you want to adjust and press the SET
button. Make the adjustment or the selection as necessary and press the SET button.
• During the adjustment you can verify the effect on the screen.
• Repeat this step to adjust all the parameters you want to change.
6. When you finish adjusting all the parameters you want to change in the custom preset
file, select [ RETURN], press the SET button and close the menu.
The custom preset parameters appear in one screen as 3-letter abbreviations followed by the
current setting value. As you move between the items with the SELECT dial, the full name of the
currently selected item and its current value will be displayed at the bottom of the screen.
Protected custom preset files cannot be changed. If you attempt to change a protected file,
will start flashing.
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Renaming a Custom Preset File
Follow steps 1-3 in Changing Custom Preset Parameters ( 93) to select the custom preset file you
want to rename.
1. From the bottom bar, select [
RENAME].
The first character of the custom preset file name will start flashing.
2. Turn the SELECT dial to select a number, letter or punctuation mark and press the
SET button.
• The next character of the custom preset file name will start flashing.
• Set the rest of the custom preset file name in the same way.
3. When you finish renaming the custom preset file, press the SET button.
You will return to the custom preset editing screen.
4. Close the menu.
Protecting a Custom Preset File
Follow steps 1-3 in Changing Custom Preset Parameters ( 93) to select the custom preset file you
want to protect.
1. From the bottom bar, select [
PROTECT].
• The protection mark
will appear next to the custom preset file name.
• To cancel the protection, repeat the procedure for a custom preset file with the
mark.
Resetting a Custom Preset File
Follow steps 1-3 in Changing Custom Preset Parameters ( 93) to select the custom preset file you
want to reset to default values.
1. From the bottom bar, select [
RESET].
A confirmation screen will appear.
2. Select [EXECUTE] and press the SET button.
You will return to the custom preset editing screen.
3. Close the menu.
Protected custom preset files cannot be reset. If you attempt to reset a protected file,
flashing.
will start
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Activating the Custom Preset Settings
1. Press the CUSTOM PRESET SELECT
button.
• Repeatedly pressing the button will cycle through
the available custom preset files. You can also set a
custom key as [CP BKWD KEY] to cycle through
the custom preset files in reverse order (from last to
first) (
• When you are not using the custom preset
settings, set the camcorder to
75).
.
•
and the name of the selected custom preset file
will flash on the screen. After 4 seconds, the file
name will be replaced by the custom preset file
number.
2. Press the CUSTOM PRESET ON/OFF button.
and the name of the selected custom preset file will stay on and the custom settings will be activated.
After 4 seconds, the file name will be replaced by the custom preset file number.
Copying a Custom Preset File to the Memory Card
1. Open the menu, select [CUSTOMIZE] and then select the [CUSTOM PRESET]
submenu.
2. Select [
3. From the bottom bar, select [
preset file you want to copy to the card.
4. Select [ SAVE POSITION] and select the file name under which you want to store
CAMERA
CARD] from the column on the left.
SELECT CP] and then select the name of the custom
the file on the memory card.
• Up to 20 custom preset files can be stored on the memory card. If you try to save more than 20 custom
preset filed one of the files on the card will be overwritten (you can select which file to overwrite).
• If there are no custom preset files saved on the memory card, the default file name will be “NEW_FILE”.
5. Select [
file.
EXECUTE] and in the confirmation screen select [EXECUTE] to copy the
6. Close the menu.
Reading a Custom Preset File from the Memory Card
1. Open the menu, select [CUSTOMIZE] and then select the [CUSTOM PRESET]
submenu.
2. Select [
3. From the bottom bar, select [
preset file you want to read to the camcorder.
4. Select [ SELECT POSITION] and select the preset number under which you want to
store the file in the camcorder.
CARD
CAMERA] from the column on the left.
IMPORT] and then select the name of the custom
5. Select [
file.
EXECUTE] and in the confirmation screen select [EXECUTE] to load the
6. Close the menu.
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Reading a Custom Preset File from a Still Image
With the custom function [PHOTO BUTTON] ( 100) you can select to save the custom preset settings
currently in use along with a still image recorded in
mode (simultaneous recording,
118).
This is very useful when you want to load the custom preset file later by selecting the still image
captured from a specific scene.
1. Select the still image that contains the custom preset file you want to read.
Use the
+ / – buttons to move between the still images.
2. Open the menu, select [CUSTOMIZE] and then select [META DATA CP].
3. Select [ CARD CAMERA] from the column on the left.
4. From the bottom bar, select [ SELECT POSITION] and select the preset number
under which you want to store the file on the camcorder.
5. Select [ EXECUTE] and in the confirmation screen select [EXECUTE] to load the
file.
6. Close the menu.
Custom preset files 7 to 9 are predefined settings designed for specific scenes.
- These 3 custom preset files are protected and, as long as the protection is not removed, cannot be
overwritten.
- Even if you deleted or changed the sample custom preset files, you can reset them to the original
values by resetting all the camcorder’s settings. Open the menu and select [SYSTEM SETUP/
Select [RESET ALL] and select [YES] in the confirmation screen.
].
- After resetting custom preset files 1 to 6 with the [
default settings.
RESET] option, they will all contain the same
Custom Preset [7 VIDEO.C]
For playback on a consumer-level monitor.
[BLK] = [PRESS], [PED] = -2, [SET] = -2
Custom Preset [8 CINE.V]
For playback on a monitor TV with a film-like feel.
[GAM] = [CINE1], [KNE] = [LOW], [BLK] = [STRETCH], [SHP] = -4,
[CMX] = [CINE1], [CGN] = -20, [CPH] = 5, [RBM] = -5, [GRM] = -5
[GBM] = -5, [BRM] = 5, [BGM] = 12
Custom Preset [9 CINE.F]
For video transfer to film.
[GAM] = [CINE2], [KNE] = [LOW], [BLK] = [STRETCH], [SHP] = 6,
[CMX] = [CINE2], [RGN] = -8
*All other settings are left at their neutral values.
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[GAM] Gamma Curve
The gamma curve changes the overall look of the image.
You can select from [NORMAL], [CINE1] or [CINE2].
[NORMAL]: standard gamma setting suitable for video.
[CINE1]: appropriate for video telecined from film.
[CINE2]: appropriate for transfer to film.
Output
[NORMAL]
[CINE1]
[CINE2]
Input
Representation of the setting
[KNE] Knee Point Adjustment
Adjust the dynamic range (knee point) in the highlight
area of the image to prevent overexposure. You can
select from [AUTO], [HIGH], [MIDDLE] or [LOW].
Output
[HIGH]
[MIDDLE]
[LOW]
[BLK] Black Stretch/Black Press
[STRETCH]
Adjust the dynamic range in the shadow area of the
image. You can select from [STRETCH], [MIDDLE] or
[PRESS].
[STRETCH]: emphasizes contrast in the dark area.
[PRESS]: enhances or deepens darkness.
[MIDDLE]
[PRESS]
Representation of the setting
Input
[PED] Master Pedestal
Adjust the master pedestal level in the range -9 to +9. The master pedestal lowers or raises the baseline of
the luminance signal affecting only the shadow areas. Set [-] values to subdue the dark areas, or set [+]
values to get more detail in the shadows.
[SET] Setup Level
Adjust the setup level in the range -9 to +9. The setup level lowers or raises the whole gamma curve
controlling the darkest level of black in the image. Set [-] values to get a darker image, or set [+] values to get
a brighter image.
• Depending on the value set for the master pedestal [PED], the setup level may not be able to take a
negative value. As a result, adjusting the setup value within a certain value range will have no effect.
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[SHP] Sharpness
Adjust the sharpness level in the range -9 to +9. Noise artifacts caused by too-high sharpness settings can
be reduced using the coring setting.
[HDF] Horizontal Detail Frequency
Select the horizontal definition of the image from [HIGH], [MIDDLE] or [LOW].
[DHV] Horizontal/Vertical Detail Balance
Adjust the balance between horizontal and vertical definition of the image in the range -9 (only horizontal) to
+9 (only vertical).
[COR] Coring
Adjust the coring level in the range -9 to +9. Set higher coring values to help reduce the noise artifacts
caused by high sharpness levels.
[NR1] Noise Reduction 1
You can select from [OFF], [HIGH], [MIDDLE] or [LOW] to reduce the noise caused by shooting in dark
places or by increasing the gain too much.
• When picture noise is already low due to the gain settings, the noise reduction function may not be
noticeable.
When activated (settings other than [OFF]), moving subjects may leave a trailing afterimage.
[NR2] Noise Reduction 2
You can select from [OFF], [HIGH], [MIDDLE] or [LOW] to reduce the noise caused by shooting fast
moving objects. Results in an effect similar to applying the skin detail function over the whole picture.
• Unlike with the NR1 setting, a trailing afterimage will not appear.
[CMX] Color Matrix
Color mix affects the fundamental color settings and affects the feel of the whole image. You can select from
[NORMAL], [CINE1] or [CINE2].
[CGN] Color Gain
Adjust the color intensity in the range -50 to +50.
[CPH] Color Phase
Adjust the color phase in the range -9 to +9. Color phase affects the overall balance of the colors in the
picture. Set [-] values to adjust the colors toward violet/red tones, or set [+] values to adjust the colors toward
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[RGN] R Gain
Adjust the intensity of red tones in the range -50 to +50.
[GGN] G Gain
Adjust the intensity of green tones in the range -50 to +50.
[BGN] B Gain
Adjust the intensity of blue tones in the range -50 to +50.
[RGM] R-G Matrix
The R-G matrix changes the tint of the picture along the cyan/green and red/magenta gradations without
affecting blues. Adjust the level in the range -50 to +50.
[RBM] R-B Matrix
The R-B matrix changes the tint of the picture along the cyan/blue and red/yellow gradations without
affecting greens. Adjust the level in the range -50 to +50.
[GRM] G-R Matrix
The G-R matrix changes the tint of the picture along the magenta/red and green/cyan gradations without
affecting blues. Adjust the level in the range -50 to +50.
[GBM] G-B Matrix
The G-B matrix changes the tint of the picture along the magenta/blue and green/yellow gradations without
affecting reds. Adjust the level in the range -50 to +50.
[BRM] B-R Matrix
The B-R matrix changes the tint of the picture along the yellow/red and blue/cyan gradations without
affecting greens. Adjust the level in the range -50 to +50.
[BGM] B-G Matrix
The B-G matrix changes the tint of the picture along the yellow/green and blue/magenta gradations without
affecting reds. Adjust the level in the range -50 to +50.
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Customized Functions
You can customize to your personal preferences many aspects of the operation of the camcorder, most
of them governing how the camcorder operates in
mode. You can adjust up to 3 different
custom function files and save them on the camcorder or to a memory card. By just reading the custom
function file saved on the memory card with another XL H1S / XL H1A, you will instantly get a
camcorder configured to operate in the same familiar manner you prefer.
Changing the Custom Function Settings
1. Open the menu, select [CUSTOMIZE] and then select the [CUSTOM FUNCTION]
submenu.
The custom function editing screen appears.
2. From the column on the left, select one of the 3 custom function files [C.Fn1] - [C.Fn3].
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