COMPACT DISC RECORDER
Operating Instructions
WARNING: TO PREVENT FIRE OR SHOCK HAZARD, DO
NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.
[For Canadian m odel]
CAUTION: TO PREVENT ELECTRIC SHOCK DO NOT USE
THIS (POLARIZED) PLUG WITH AN EXTENS ION CORD,
RECEPTACLE OR OTHER OUTLET UNLESS THE BLADES CAN
BE FULLY INSERTED TO PREVENT BLADE EXPOSURE.
IMPORTANT NOTICE [For U.S. m odel]
The serial num ber for this equipm ent is located on
the rear panel. Please w rite this serial num ber on
your enclosed w arranty card and keep it in a secure
area. This is for your security.
ATTENTION: POUR PREVENIR LES CHOCS ELECTRIQUES
NE PAS UTILIS ER CETTE FICHE POLARIS EE AVEC UN
PROLONGATEUR, UNE PRISE DE COURANT OU UNE AUTRE
SORTIE DE COURANT, SAUF SI LES LAMES PEUVENT ETRE
INSEREES A FOND SANS EN LAISSER AUCUNE PARTIE A
DECOUVERT.
[For Canadian m odel]
Th is Cla s s B d ig ita l a p p a ra tu s co m p lie s w ith
Canadian ICES-003.
[Pour le m odèle Canadien]
Cet appareil num érique de la classe B est conform e
à la norm e NMB-003 du Canada.
[For U.S. m odel]
DANGER – LASER RADIATION WHEN OPEN.
AVOID DIRECT EXPOSURE TO BEAM.
This caution can be found on the rear panel of the unit.
CAUTION:
¶ Use of controls or adjustments or performance of procedures other than those specified herein hazardous radiation exposure.
¶ The use of optical instruments with this product will increase eye hazard.
This equipm ent has been tested and found to com ply with the lim its for a Class B digital device, pursuant to Part
15 of the FCC Rules. These lim its are designed to provide reasonable protection against harm ful interference in
a residential installation. This equipm ent generates, uses, and can radiate radio frequency energy and, if not
installed and used in accordance with the instructions, m ay cause harm ful interference to radio com m unications.
However, there is no guarantee that interference will not occur in a particular installation. If this equipm ent does
cause harm ful interference to radio or television reception, which can be determ ined by turning the equipm ent
off and on, the user is encouraged to try to correct the interference by one or m ore of the following m easures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipm ent and receiver.
– Connect the equipm ent into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
CAUTION:
This product satisfies FCC regulations when shielded cables and connectors are used to connect the unit to other
equipm ent. To prevent electrom agnetic interference with electric appliances such as radios and televisions, use
shielded cables and connectors for connections.
Inform ation to User
Alteration or m odifications carried out without appropriate authorization m ay invalidate the user’s right to operate the equipm ent.
amp socket as this can result in
electric shock. The plug or adaptor of
the distribution panel should be
provided with a 5 amp fuse. As the
colours of the wires in the mains lead
of this appliance may not correspond
with coloured markings identifying
the terminals in your plug, proceed as
follows:
coloured red.
IMP ORTANT
FOR USE IN THE UNITED
KINGDOM
The wires in this mains lead are
coloured in accordance with the
following code:
Do not connect either wire to the earth
terminal of a three-pin plug.
NOTE
After replacing or changing a fuse, the
fuse cover in the plug must be replaced
with a fuse cover which corresponds to
the colour of the insert in the base of
the plug or the word that is embossed
on the base of the plug, and the
appliance must not be used without a
fuse cover. If lost, replacement fuse
covers can be obtained from your dealer.
Blue :
Neutral
The wire which is coloured blue must
be connected to the terminal which is
marked with the letter N or coloured
black.
Brown : Live
If the plug provided is unsuitable for
your socket outlets, the plug must be
cut off and a suitable plug fitted.
The wire which is coloured brown
must be connected to the terminal
which is marked with the letter L or
The cutoff plug should be disposed of
and must not be inserted into any 13
Only 5 A fuses approved by B.S.I. or
A.S.T.A. to B.S. 1362 should be used.
3
This product com plies w ith the Low Voltage Directive (73/ 23/ EEC), EMC Directives (89/ 336/ EEC, 92/ 31/ EEC) and CE Marking
Directive (93/ 68/ EEC).
INFRINGEMENT OF COPYRIGHT [For U.K. model]
Recording and playback of copyrighted material may require consent. See the Copyright Design and Patent Act 1988.
[For U.K. m odel]
Location: Rear of the unit.
CAUTION
This product contains a laser diode of higher class
than 1. To ensure continued safety, do not rem ove any
covers or attem pt to gain access to the inside of the
product.
Refer all servicing to qualified personnel.
The following caution label appears on your unit.
CLASS 1
LASER PRODUCT
Be fo re Yo u S t a rt
Fe a t u re s o f t h e P DR-5 0 9 CD Re c o rd e r
Cre a t e yo u r o w n a u d io CDs
At last, there's a convenient and affordable way to make your own audio CDs. Create your own
original recordings, or put together compilations of favorite tracks from your existing CDs. You
might also want to put your vinyl collection on to CD to take advantage of the superior portabil-
ity, convenience and durability of CDs over vinyl records. Other uses include making high-quality
recordings from radio or satellite broadcasts, and making personal copies of CDs, MDs, etc. to
leave in the car, keeping the originals safe at home.
Ma k e d ig it a l re c o rd in g s fro m a n y s o u rc e
The PDR-509 can accept digital input via optical or coaxial cable, meaning that you can connect
it to almost any other digital audio component. Also, thanks to the built in sampling rate con-
verter, you can make direct digital recordings from satellite (usually 32kHz), DCC and DAT (up to
48kHz), as well as CD and MD (both 44.1kHz). A sampling rate converter ‘through’ feature (for
44.1kHz sources only) enables you to record HDCD and DTS encoded CDs, too.
Analog sources are also provided for with the analog line inputs, suitable for connection to
standard audio components such as cassette decks and turntables. High-quality analog-to-digital
conversion, paired with CD's excellent dynamic range and broad frequency capabilities, results in
recordings that are virtually indistinguishable from the original.
Us e b o t h o rd in a ry re c o rd a b le CDs a n d re w rit a b le CDs
Ordinary recordable CDs (CD–R) can be recorded on just once, but the relatively cheap cost of
blank discs and the ability to play the recorded discs on any ordinary CD player* make them ideal
for many applications. Compact Disc Rewritable, or CD–RW, is a more recent type of recordable
CD that allows erasing and re-recording of the disc. Although the blank discs are more expensive,
this ability to use the discs over and over gives them the edge in terms of flexibility over CD–R**.
** Before CD–Rs can be played on ordinary CD players, they must be 'finalized' (a process that fixes the
contents of the disc so that no further recording is possible). While most CD players should have no
problems with CD–R discs, if the laser pickup is dirty (from prolonged exposure to tobacco smoke, for
example), the player may not be able to read some CD–R discs.
** At the time of writing, most ordinary CD players cannot play CD–RW discs. Check in the instructions that
came with the player for compatibility.
4
Co n t e n t s
Before You Start ................................................................. 6
Using This Manual ........................................................................ 6
Putting the Batteries in the Remote Control................................. 6
Hints on Installation ...................................................................... 7
Maintaining Your CD Recorder ...................................................... 7
Connecting Up for Digital Playback & Recording ........................ 10
Front Panel .................................................................................. 12
Switching On for the First Time .................................................. 15
Choosing a Track to Play ............................................................. 16
Repeating Tracks ......................................................................... 16
Programming the Track Order..................................................... 26
Fading In and Fading Out ............................................................ 27
Playing a Disc with Skip IDs ........................................................ 27
Skipping Unwanted Tracks .......................................................... 28
Numbering Tracks ....................................................................... 30
Recording Fade Ins and Fade Outs ............................................. 30
Checking What's at the End of a Disc ........................................ 31
Monitoring a Source .................................................................... 32
Checking for Digital Copy Protection .......................................... 32
Understanding Display Messages .............................................. 36
5
Be fo re Yo u S t a rt
Ch e c k in g Wh a t ’s in t h e Bo x
Make sure that you’ve received the following supplied accessories with your PDR–509 CD Recorder:
Two ‘AA’ size R6P
batteries
AC power cord
Remote control unit
Two sets of audio cords
Î
FADER
FINALIZE
ERASE
REC
DIGITAL
AUTO/
TRACK NO.
RITE
S
YNCHRO
M
ANUAL
W
U.S. and Canadian models
7
8
3
TIME
1
¡
4
¢
INPUT
ELECTOR
S
P
KIP
LAY
S
KIP ID
CLEAR
S
S
ET
1
5
9
2
3
7
1
4
6
8
1
0
/
0
>
0
REPEAT
P
ROGRAM CHECK
CLEAR
RANDOM
COMPACT DISC RECORDER
REMOTE CONTROL UNIT
U.K. model
❖ Also included in the box is your warranty card and this.
Us in g Th is Ma n u a l
This manual is for the PDR–509 CD Recorder. It is split into two sections: the first shows how to set up the CD recorder; the
second takes you through each stage of operation.
S e t Up
This section, which starts here, shows you how to get your new CD recorder up and running with the rest of your stereo
system, including hints and precautions on installation and connecting it to your amplifier and other components. If this is
the first time you’ve used recordable CDs, we recommend reading the About CD–R and CD–RW Discs section starting on
page 8 before moving onto the second section of the manual.
Op e ra t io n
In this section, starting on page 12, you’ll learn how to use every feature of the PDR–509, including basic playback and
recording using both digital and analog connections, advanced recording features, such as recording fades and creating
pauses between tracks, and special CD–RW only operations.
Finally, the Additional Information section, starting on page 36, provides reference information on display messages you
might encounter during use, a troubleshooting section, and technical specifications.
P u t t in g t h e Ba t t e rie s in t h e Re m o t e Co n t ro l
CAUTION!
● Turn over the remote control,
Incorrect use of batteries can result in
then press and slide the
hazards such as leakage and bursting.
battery compartment cover off.
Please observe the following:
❖ Don’t mix new and old batteries
together
❖ Don’t use different kinds of battery
together—although they may look
similar, different batteries may have
different voltages.
❖ Make sure that the plus and minus
ends of each battery match the
indications in the battery compart-
ment.
● Put in the batteries supplied,
taking care to match the plus
and minus ends of each
battery with the markings
inside the compartment.
● Slide the cover back on, and
your remote is ready for use.
❖ Remove batteries from equipment
that isn’t going to be used for a
month or more.
6
Be fo re Yo u S t a rt
Hin t s o n In s t a lla t io n
We want you to enjoy using the PDR–509 for years to come, so please bear in mind the following points when choosing a
suitable location for it:
DON’T...
DO...
❖ Use in a place exposed to high temperatures or
humidity, including near radiators and other heat-
generating appliances.
❖ Use in a well-ventilated room.
❖ Place on a solid, flat, level surface, such as a table, shelf
or stereo rack.
❖ Place on a window sill or other place where the player
will be exposed to direct sunlight.
✔ ✘
❖ Use in an excessively dusty or damp environment.
Avo id in g c o n d e n s a t io n
❖ Place directly on top of an amplifier, or other component
in your stereo system that becomes hot in use.
❖ Use near a television or monitor as you may experience
interference —especially if the television uses an indoor
antenna.
❖ Use in a kitchen or other room where the player may be
exposed to smoke or steam.
❖ Place on an unstable surface, or one that is not large
enough to support all four of the unit’s feet.
p ro b le m s
Condensation may form inside the player
if it is brought into a warm room from
outside, or if the temperature of the room
rises quickly. Although the condensation
won’t damage the player, it may tempo-
rarily impair its performance. For this
reason you should leave it to adjust to the
warmer temperature for about an hour
before switching on and using.
Ma in t a in in g Yo u r CD Re c o rd e r
CD le n s c le a n e r
Cle a n in g e xt e rn a l s u rfa c e s
The compact disc recorder's pickup lens should
not become dirty in normal use, but if for some reason it
should malfunction due to dirt or dust, consult your
nearest Pioneer authorized service center. Although lens
cleaners for compact disc recorders are commercially
available, we do not recommend using them since some
may damage the lens.
To clean the compact disc recorder, wipe with a soft, dry
cloth. For stubborn dirt, wet a soft cloth with a mild
detergent solution made by diluting one part detergent to
5 or 6 parts water, wring well, then wipe off the dirt. Use a
dry cloth to wipe the surface dry. Do not use volatile
liquids such as benzene and thinner which may damage
the surfaces.
S t o rin g Op t ic a l Ca b le
Mo vin g t h e u n it
When storing optical cable, coil loosly as shown below.
If you need to move the unit, first switch it off and unplug
from the wall outlet. Never lift or m ove the unit during
playback or recording —the disc rotates at a high speed
and may be damaged.
The cable may be damaged if bent around sharp corners.
P OWER-CORD CAUTION
Handle the power cord by the plug. Do not pull out the
plug by tugging the cord and never touch the power cord
when your hands are wet as this could cause a short
circuit or electric shock. Do not place the unit, a piece of
furniture, etc., on the power cord, or pinch the cord. Never
make a knot in the cord or tie it with other cords. The
power cords should be routed such that they are not likely
to be stepped on. A damaged power cord can cause fire or
give you an electrical shock. Check the power cord once in
a while. When you find it damaged, ask your nearest
PIONEER authorized service center or your dealer for a
replacement.
More than
+ 5-14/16 in. =
(15cm)
7
Be fo re Yo u S t a rt
Ab o u t CD, CD–R a n d CD–RW Dis c s
The PDR–509 is compatible with three different types of
compact disc:
Re c o rd in g c o p yrig h t m a t e ria l
P la yb a c k -o n ly CDs
The price of a consumer-use disc includes a copyright fee
that has been paid to the copyright owner (in countries
where the copyright fee collection system has been
established based on their respective copyright laws). This
means that you can use these discs to record music and
other material for your personal use. If you want to use a
disc for anything other than personal use, you must get
permission from the copyright owner (note that copyright
laws vary from country to country; check the copyright-
related laws in your particular country for more information).
Broadcast programs, CDs, other recorded media (cas-
settes, vinyl records, etc.) and musical performances are
all protected by copyright laws. You must get permission
from the copyright owner if you sell, transfer, distribute or
lease a disc recorded from the above mentioned sources,
or if you use it as part of a business (such as for back-
ground music in a store).
This unit will playback any ordinary audio
CDs carrying the Compact Disc Digital Audio
mark shown right.
CD-Re c o rd a b le d is c s
Recordable CDs, or CD-R, carry the mark
shown right, and are 'write once'. This
means that having recorded something on
the disc it is permanent —it can't be
re-recorded or erased.
CD-Re w rit a b le d is c s
Rewritable CDs, or CD-RW, carry the mark
shown right. As the name indicates, you can
erase and re-record material on these discs
so that they can be used over and over
again.
Re c o rd in g a n d fin a lizin g d is c s
Unlike other recording media, recordable CDs have a
number of distinct states, and what you can do with a disc
depends on the current state of the disc. The figure below
shows the three states —blank, partially recorded, and
finalized —and summarizes what’s possible (✔) and
impossible (✘) in each.
Co n s u m e r-u s e d is c s
The PDR–509 is only compatible with special consumer-
use CD–R and CD–RW discs. These are clearly marked For
Music Use Only, For Consum er, or For Consum er Use.
Other types of CD–R or CD–RW discs, such as those
available for computer-based CD recorders, will not work
with this recorder.
Pioneer has checked the following branded discs for
compatibility with this recorder (as of May 1999):
CD-R
CD-RW
•
•
•
•
•
•
•
Eastman Kodak Company
FUJI PHOTO FILM CO., LTD.
Hitachi Maxell, Ltd.
✔ Recordable
✘ Erasable
✘ Skip ID set/clear
✘ Playable in ordinary
CD player
✔ Recordable
✘ Erasable
✘ Skip ID set/clear
✘ Playable in ordinary
CD player
MITSUI CHEMICALS, INC.
TDK CORPORATION
Re c o rd in g
CD-RW
CD-R
VERBATIM CORPORATION
PIONEER ELECTRONIC CORPORATION
✔ Recordable
✔ Erasable
✔ Recordable
✘ Erasable
✔ Skip ID set/clear
✘ Playable in ordinary
CD player
✔ Skip ID set/clear
✘ Playable in ordinary
CD player
Sample discs from the following makers have also been
checked for compatibility (as of May 1999):
•
•
•
Mitsubishi Chemical Corporation*
Fin a liza t io n
CD
CD-RW
FINALIZE
RICOH COMPANY, LTD.*
✘ Recordable
✘ Erasable
✘ Recordable*
✔ Erasable
TAIYO YUDEN CO., LTD.*
✘ Skip ID set/clear
✔ Playable in ordinary
CD player
✘ Skip ID set/clear*
✘ Playable in ordinary
CD player**
* At the time of writing, discs branded under these names
are not available.
*
Once the CD–RW has been erased, it becomes recordable
again and skip IDs can be set and cleared.
Note: Discs from all of the above makers may also be sold
under different brand names.
** In general, current CD players cannot play CD–RW discs.
However, this situation may change.
8
Be fo re Yo u S t a rt
The process of finalization fixes the contents of a CD–R in
place for good by creating a Table of Contents (TOC, for
short) at the beginning of the disc which tells other players
exactly what's on the disc and where to find it. Once a CD–R
is finalized, further recording and other changes become
impossible. The CD recorder and other CD players treat a
finalized disc as an ordinary playback-only CD. (See page
33 for more information on finalizing CD-recordable discs.)
CD-rewritable discs can be finalized in the same way as
CD–R discs, but even after finalization, the disc can still be
erased and used over again. Remember that CD–RW discs
can only be played on players that are specifically designed
to play CD–RW discs: most home CD players will not play
these discs, even after the disc has been finalized. (See
page 33 for more information on finalizing CD-rewritable
discs.)
Ha n d lin g d is c s
S t o rin g d is c s
When holding CDs of any type, take care not to leave
fingerprints, dirt or scratches on the disc surface. Hold the
disc by its edge or by the center hole and edge. Damaged
or dirty discs can affect playback and/or recording perfor-
mance. Take care also not to scratch the label side of the
disc. Although not as fragile as the recording side,
scratches can still result in a disc becoming unusable.
Although CD, CD–R and CD–RW discs are more durable
than vinyl records, you should still take care to handle and
store discs correctly. When you're not using a disc, return
it to its case and store upright. Avoid leaving discs in
excessively cold, humid, or hot environments (including
under direct sunlight).
When labeling discs, use a felt-tip pen sold for marking
CDs. Don't glue paper or put stickers onto the disc, or use
a pencil, ball-point pen or other sharp-tipped writing
instrument. These could all damage the disc.
For more detailed care information see the instructions
that come with discs.
Dis c s t o a vo id
CDs spin at high speed inside the player during playback
and recording. If you can see that a disc is cracked,
chipped, warped, or otherwise damaged, don't risk using
it in your CD recorder or player—you could end up
damaging the unit.
Should a disc become marked with fingerprints, dust,
etc., clean using a soft, dry cloth, wiping the disc lightly
from the center to the outside edge as shown in the
diagram below. If necessary, use a cloth soaked in
alcohol, or a commercially available CD cleaning kit to
clean a disc more thoroughly. Never use benzine, thinner
or other cleaning agents, including products designed for
cleaning vinyl records.
The PDR–509 is designed for use with conventional, fully
circular CD’s only. Use of shaped CD’s is not recommended
for this product. Pioneer disclaims all liability arising in
connection with the use of shaped CD’s.
Wipe lightly from the
center of the disc
Don’t w ipe the disc
surface using circular
using straight strokes. strokes.
9
Co n n e c t in g Up
Co n n e c t in g Up fo r Dig it a l P la yb a c k & Re c o rd in g
The diagrams on this and the following page show
possible connections with various other components in
your system. Before you start connecting your system,
make sure that all the components are switched off and
disconnected from the wall outlet.
match up the jack and the plug before inserting fully. When
connecting optical leads, take care not to bend the cable
around sharp corners as this can damage the cable.
Likewise, when storing optical cable, coil loosly.
If you’re using one of the coaxial-type digital connectors
you’ll need a lead with an RCA/phono plug at each end (the
same type of connector as the audio cables supplied).
Push the plug home in the socket.
Ab o u t o p t ic a l a n d c o a xia l ja c k s
The PDR–509 has both optical and coaxial jacks for both
digital input and output. This is for convenience only;
there’s no need to connect both, but since some equip-
ment has only one type of connector—and you can only
connect like with like —having both on this unit can be an
advantage. If your other component(s) also have both,
connect whichever is more convenient.
Us in g t h e d ig it a l in p u t s
To make direct digital recordings on the PDR–509 you’ll
need to connect the digital output of a source (like a CD,
MD or DAT player) to one of the digital inputs on this unit.
To make recordings from analog sources (like a turntable
or cassette deck) it’s usually easiest to connect this player
to your amplifier/receiver’s tape inputs and outputs —see
the following page for more on this.
To use the optical jack, you’ll need an
optical cable. These are readily
available at audio dealers. When
buying, check that the cable is no
longer than 10ft. (3m).
Us in g t h e d ig it a l o u t p u t s
If you have another digital recorder, such as a MD or DAT
recorder, you might want to use the PDR–509 as a digital
source. In this case, connect one of the digital outputs of
the PDR–509 to a similar digital input of your other digital
recorder.
Pull out the dust cap and store it in a
safe place for future use. Check that
both optical plug and socket are free
from dust—if necessary, clean with a
soft, dry cloth. The optical lead will only go in one way, so
PDR–509 CD-Recorder
AC IN
CONTROL
DIGITAL OUT
OPTICAL COAXIAL
LINE IN
LINE OUT
DIGITAL IN
OPTICAL COAXIAL
IN
R
L
R
L
To w all outlet.
Digital recording com ponent
(CD-R, MD, DAT recorder, etc.)
Digital playback com ponent
(CD, MD, DAT player, etc.)
OPTICAL COAXIAL
DIGITAL OUT
OPTICAL COAXIAL
DIGITAL IN
Note: It is not possible to daisy-chain several
units together for digital duplication.
Note: Rear panel show is that of U.S. model; others may
look slightly different.
10
Co n n e c t in g Up
Co n n e c t in g Up fo r An a lo g P la yb a c k & Re c o rd in g
Before you start, make sure that all the components are
switched off and disconnected from the wall outlet.
recorder (check the instruction manual that came with your
amplifier if you’re unsure about which terminals to use).
Next, connect this unit to your amplifier/receiver using the
two sets of supplied audio leads —one set for playback,
the other for recording. On the rear panel of your amplifier
find an unused set of inputs /outputs for a tape /MD
Using this set up you can make recordings from any other
component connected to the amplifier, via the analog
inputs of this unit.
PDR–509 CD-Recorder
AC IN
CONTROL
DIGITAL OUT
OPTICAL COAXIAL
LINE IN
LINE OUT
DIGITAL IN
OPTICAL COAXIAL
IN
R
L
R
L
R
L
R
L
Supplied stereo
audio cords
To w all outlet.
Co n n e c t in g Ot h e r P io n e e r
L
R
L
Î
R
MD/ TAPE
OUTPUT INPUT
REC PLAY
Co m p o n e n t s
If you are using a Pioneer amplifier or receiver that has
this feature, you can control this unit with the multi-
remote controller that came with your amplifier/receiver.
The advantage of this is that you can use a single
remote control to operate several components. Check
the instruction manual that came with your amplifier or
receiver for more information on using its remote as a
multi-controller.
L
R
OUT
CONTROL
Pioneer Î out
Am plifier
Use a commercially available cord with a mono mini-
plug at either end to connect the CONTROL OUT
terminal of the amplifier/receiver to the CONTROL IN
terminal of this unit.
Make sure that at least one set of analog terminals is
connected to the amplifier when using Î control
cords.
Note: Rear panel show is that of U.S. and Canadian
models; others may look slightly different.
11
Wh a t ’s Wh a t
Fro n t P a n e l
5
1
2
3 4
9
p
q
6
7 8
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
-
◊ÛB .?/
COMPACT DISC DIGITAL RECORDER
INPUT
SELECTOR
MONITOR
TIME
REPEAT
w e r t
y
u
i o ; a s d f
g
The illustration shows the U.S. and Canadian models.
1 POWER sw itch (p.15)
Switches power to the unit on and off.
2 INPUT SELECTOR (pp.20-25)
Switches between the analog, optical digital and coaxial
digital inputs.
3 MONITOR (p.24,25,32)
w TRACK NUMBER AUTO/ MANUAL (p.30)
Switches between automatic and manual track number-
ing when recording a disc. Indicator lights to remind
you when manual track numbering has been turned on.
e TRACK NUMBER WRITE [MANUAL] (p.30)
Press during recording to start a new track number
(when in manual track numbering mode).
r FINALIZE (p.33)
Press to monitor the selected input and display digital
source information.
4 TIME (p.17)
Press to start the disc finalization process (to make
recordable CDs playable on ordinary CD players).
t ERASE (CD-RW discs only) (pp.34–35)
Press to start erasing tracks, or to re-initialize a disc.
y Rem ote sensor (p.14)
Switches the display mode (elapsed track time,
remaining track time, total disc playing time, etc.)
5 DISP OFF (p.17)
Press to switch the character display off. The indicator
above the button lights to remind you that the display is
switched off.
u Character display (p.14)
i 1 and ¡ (p.15)
Press and hold for fast-reverse and fast-forward
playback.
6 Function indicator
Indicates the current function of the unit:
Lit – recording a CD-R/CD-RW, or erasing a CD–RW disc.
Blinking – record-mute and PMA-record modes.
7 OPEN/ CLOSE 0 (p.15)
o 3 (p.15)
Press to play, or resume playing, a disc. Also use to
start recording from record-pause mode.
; REPEAT (p.16)
Press to open or close the disc tray.
8 RECORD ¶ (pp.23-25)
Use to set the repeat mode (current track, disc, or
repeat off).
a 8 (p.15)
Press to pause playback or recording.
s 7 (p.15)
Press to stop playback or recording.
d DIGITAL SYNCHRO (pp.20–22)
Press to start recording on detection of a digital input
signal.
Press to enter record-pause mode for setting input
levels, etc.
9 REC MUTE • (p.31)
Records a blank section on a disc (for space between
tracks, etc.)
p DIGITAL REC LEVEL / 4 ¢
Turn the jog dail to set the digital recording level (p.24)
and skip tracks (p.16).
f PHONES jack
Push the jog dial to: start playback (stop mode only)
(p.15); input track number (during programming) (p.26);
display the digital recording level (monitor, record,
record-pause modes) (p.24).
Plug in a pair of stereo headphones for private listening
or monitoring.
g LEVEL
Use to adjust the phones volume level.
q ANALOG REC LEVEL (p.25)
Sets the recording level for analog-input recording.
Outside ring controls left input level; inside dial controls
right input level.
12
Wh a t ’s Wh a t
Re m o t e Co n t ro l
7 1 and ¡(p.15)
Press and hold for fast-reverse and fast-forward
playback.
8 INPUT SELECTOR (pp.20-25)
Switches between the analog, optical digital and coaxial
digital inputs.
9 SKIP PLAY (p.27)
1
w
e
Î
Press to switch skip play on and off. When on, the
player will skip tracks that skip IDs have been set for.
p PROGRAM (p.26)
Use to program the playback order of tracks on a disc.
q CHECK (p.26)
FADER
FINALIZE
ERASE
REC
2
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
3
4
5
6
7
r
t
y
7
8
3
TIME
Press repeatedly to step through the programmed
tracks in program-play mode.
u
i
1
¡
4
¢
w • REC MUTE (p.31)
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
SET
CLEAR
Records a blank section on a disc (for space between
tracks, etc.)
o
8
9
1
5
9
2
6
3
4
e ¶ REC (pp.23-25)
;
a
7
8
Press to enter record-pause mode.
r TRACK NUMBER AUTO/ MANUAL (p.30)
Switches between automatic and manual track number-
ing when recording a disc. Front panel indicator lights to
remind you when manual track numbering has been
turned on.
1 0 / 0 >1 0
REPEAT
s
PROGRAM CHECK
CLEAR
RANDOM
p
q
d
f
COMPACT DISC RECORDER
REMOTE CONTROL UNIT
t TRACK NUMBER WRITE [MANUAL] (p.30)
Press during recording to start a new track number
(when in manual track numbering mode).
y 3 (p.15)
Press to play, or resume playing, a disc. Also use to
start recording from record-pause mode.
u TIME (p.17)
Switches the display mode (elapsed track time,
remaining track time, total disc playing time, etc.)
i 4 and ¢ (p.16)
Press to skip forward or backward tracks.
o SKIP ID CLEAR (p.29)
1 FINALIZE (p.33)
Press to start the disc finalization process (to make
recordable CDs playable on ordinary CD players).
2 FADER (p.27, 30)
Press to fade in or fade out during playback or recording.
3 ERASE (CD-RW discs only) (pp.34–35)
Press to start erasing tracks, or to re-initialize a disc.
4 DIGITAL SYNCHRO (pp.20–22)
Press to start recording on detection of a digital input
signal.
Clears the above setting.
; SKIP ID SET (p.28)
Instructs the player to skip a particular track on playback.
a Num ber buttons (p.16,26)
Use to select track numbers on a disc directly.
s REPEAT (p.16)
Use to set the repeat mode (current track, disc, or
repeat off).
d RANDOM (p.27)
5 8 (p.15)
Press to start random playback.
f CLEAR (p.26)
Press to pause playback or recording.
6 7 (p.15)
Press to clear the last programmed track in program-
play mode.
Press to stop playback or recording.
13
Wh a t ’s Wh a t
Keep in mind the following when using the remote control unit:
❖ Make sure that there are no obstacles in between the remote and
the remote sensor on the unit.
❖ Use within the operating range and angle, as shown in the diagram left.
❖ Remote operation may become unreliable if strong sunlight or
fluorescent light is shining on the unit’s remote sensor.
30
30
❖ Remote controllers for different devices can interfere with each
other. Avoid using remotes for equipment located near this unit while
using the PDR–509.
23ft. (7m )
❖ Replace the batteries when you notice a fall off in the operating
range of the remote.
Dis p la y
5 6
8 9
1 2 3
7
4
q w e
r
y u
p
t
1 RPT / RPT–1 (p.16)
q D.VOL (p.24)
Lights when disc repeat / track repeat mode is on.
2 PGM (p.26)
Lights when the digital volume control function is
active.
Lights when program-play mode is active.
3 RDM (p.27)
Lights when random-play mode is active.
4 3 (p.15)
Lights during playback.
5 FADER (p.27, 30)
w AUTO TRACK (p.30)
Lights when automatic track numbering is on during
recording.
e REC (pp.20-23,25,31)
Lights to indicate recording or record-pause mode.
Blinking display indicates record muting.
r Recording level m eter (pp.20–25)
Displays the input level during recording, or the
recorded level during playback.
t OVER indicator (p.25)
Blinks during fade in or fade out.
6 8 (p.15)
Lights when the recorder is in either play-pause or
record-pause mode.
7 Message/ tim e display
8 CD / CD–R / CD–RW
Indicates the type of disc currently loaded.
9 FINALIZE (p.33)
Lights if the CD-RW currently loaded has been finalized.
Also blinks during Automatic Finalization Recording (p.22)
p SYNC (pp.20–22)
Indicates that the input signal overloaded the disc
during recording.
y SKIP ON (p.27, 29)
Lights to indicate that a disc contains skip IDs. When
setting or clearing skip IDs, the word SKIP blinks.
u ANA (p.25)
Lights when the analog input is selected.
OPT (pp.20–24)
Lights when the optical digital input is selected.
COA (pp.20–24)
Lights when the recorder is in automatic synchro
recording mode.
Lights when the coaxial digital input is selected.
14
Ba s ic P la yb a c k a n d Re c o rd in g
S w it c h in g On fo r t h e Firs t Tim e
The next few pages take you through switching on the PDR–509, playing discs and using the basic playback controls, as well
as basic recording. Before proceeding with this section you should have at least connected your recorder to an amplifier. (If you
haven't, turn to pages 10 and 11 for more on connecting the PDR–509 to other components in your system.)
1
Sw itch the POWER to _ ON.
1
The function indicator flashes, and the main display panel lights.
❖ Also make sure that your amplifier is switched on and the input
-
◊ÛB .?/
function set to the PDR–509.
INPUT
SELECTOR
MONITOR
TIME
2
3
Press OPEN/ CLOSE 0 to open the disc tray.
Load a pre-recorded audio CD.
Place the disc in the disc tray label-side up.
❖ The disc tray has guides for both CD singles
(8cm/ 3 inch) and regular CDs (12cm/ 5 inch).
Do not use an adaptor when playing CD
singles: it could damage the recorder.
❖ Never load more than one disc at a time.
5,6
5
2,4
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
4
Press OPEN/ CLOSE 0 to close the disc tray.
Once the recorder has found out what's on the disc you should see a
REPEAT
display that looks something like this:
Number of tracks on disc
Total playing time of disc
Indicates a
pre-recorded disc
❖ Lightly pushing the tray or pressing 3 (play) will also close the disc tray.
(If you press 3 to close the tray, you won’t see the above display.)
Î
FADER
FINALIZE
ERASE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
5
6
Press 3 (play) to start the disc playing.
7
8
3
TIME
❖ Pressing the jog dial on the front panel also starts playback.
1
¡
4
¢
5,6
❖ To temporarily pause playback, press 8 (pause). To resume playback,
press either 8 (pause) again, or 3 (play). If the recorder remains
paused for 10 minutes, it reverts to stop mode.
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
CLEAR
SET
1
5
9
2
6
3
4
7
8
❖ Press and hold the 1 (fast reverse) and ¡ (fast forward) buttons to
1 0 /
0
>1 0
REPEAT
search through tracks in either direction at high speed.
PROGRAM CHECK
CLEAR
RANDOM
COMPACT DISC RECORDER
REMOTE CONTROL UNIT
When you're done, press 7 (stop).
❖ Take out the CD from the disc tray before switching off the unit.
15
Ba s ic P la yb a c k a n d Re c o rd in g
Ch o o s in g a Tra c k t o P la y
Pressing the 3 (play) button starts the disc playing from track one. If you want to start from a different track just enter the
number of the track using the remote control’s number buttons. If you do the same thing during playback, the recorder
immediately jumps to that track on the disc.
Î
FADER
FINALIZE
ERASE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
1
While a disc is stopped, paused or playing, enter
7
8
3
TIME
the track num ber you w ant to play.
The recorder jumps directly to that track. If the recorder was in stop
mode, the track then starts playing.
1
¡
4
¢
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
CLEAR
SET
1
5
9
2
6
3
4
❖ For track numbers 1 to 10, use the corresponding number button.
1
7
8
1 0 /
0
>1 0
REPEAT
❖ For track numbers over 10, press the >10 button, then enter the track
>10
number. For example, to select track 28:
PROGRAM CHECK
CLEAR
RANDOM
COMPACT DISC RECORDER
REMOTE CONTROL UNIT
S k ip p in g Tra c k s
You can skip forwards or back to the start of other tracks on the disc without having to worry about the track numbers.
Î
FADER
FINALIZE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
ERASE
1
Press 4 or ¢ on the rem ote, or turn the jog
7
8
3
TIME
dial on the recorder to skip a track.
1
¡
4
¢
1
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
CLEAR
❖ If the disc is already playing, skipping forward always takes you to the
start of the next track. Skipping backwards takes you first to the
beginning of the current track, then to the beginning of previous tracks.
SET
1
5
2
6
3
4
8
7
❖ If the disc is stopped, pressing the jog dial after skipping tracks starts
>
AL
DIGIT
REC LEVEL
playback.
When you get to the end or beginning of the disc, the track numbers
wrap around as you continue skipping tracks. In other words, skipping
forward a track when you’re already on the last track takes you back
to the first track on the disc.
1
1
PUSH
Re p e a t in g Tra c k s
Using the repeat play function you can repeat either the current track over and over, or the entire disc.
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
CLEAR
SET
1
5
9
2
6
3
4
To repeat the current track, press REPEAT once.
The RPT-1 indicator lights in the display and the current track repeats until
you either press 7 (stop), or press REPEAT twice. Either way, repeat
mode is cancelled.
7
8
1 0 /
0
>1 0
REPEAT
REPEAT
PROGRAM CHECK
CLEAR
RANDOM
COMPACT DISC RECORDER
REMOTE CONTROL UNIT
❖ You can use repeat track in normal, program or random play modes.
REPEAT
To repeat the w hole disc, press REPEAT tw ice.
The RPT indicator lights in the display and the CD repeats until you press
either 7 (stop) or REPEAT again (in which case the disc continues playing
to the end, then stops).
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
REPEAT
❖ You can use repeat disc in normal, program or random play modes.
16
Ba s ic P la yb a c k a n d Re c o rd in g
S h o w in g Dis c In fo rm a t io n
The PDR-509 can display various kinds of disc and track information in both playback and recording modes. The TIME button
switches between the different display modes. Additionally, in stop mode, individual track information is available from the
track skip buttons (4 and ¢), or by turning the jog dial. Finally, you have the option to switch off the display completely.
During playback, press TIME to sw itch the display
m ode.
There are four different displays. Press TIME repeatedly to switch
between them:
Î
FADER
FINALIZE
ERASE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
7
8
3
TIME
TIME
4 ¢
1
¡
4
¢
Elapsed playback time
of current track
Remaining playing time
of current track
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
SET
CLEAR
1
5
9
2
6
3
4
7
8
1 0 /
0
>1 0
REPEAT
Total disc running time
and number of tracks
Remaining playing time
of all tracks
During recording, press TIME to sw itch the display
m ode.
There are three different displays. Press TIME repeatedly to switch
between them:
DISP OFF
TIME
-
◊ÛB .?/
Elapsed recording time
of current track
Remaining recording time
available*
INPUT
SELECTOR
MONITOR
TIME
Total recording time and number of tracks
* Although compatible with 80 minute discs, the remaining recording
time display will not accurately show 80 minutes for blank discs.
In stop m ode, press 4 or ¢ or turn the jog dial
to display individual track length inform ation.
Each press or turn moves forward or back one track on the disc and
shows the length of that track.
JOG DIAL
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
Press DISP OFF to sw itch betw een display m odes.
Each press switches the display mode as follows:
REPEAT
Level m eter only off = display off = norm al display
❖ In display off mode the indicator above the button lights to remind
you that the display is switched off.
❖ Pressing the TIME button with the display switched off will display
disc information for a few seconds.
❖ You can’t switch the display off during recording, or during record-pause
mode.
17
Ba s ic P la yb a c k a n d Re c o rd in g
In t ro d u c t io n t o CD Re c o rd in g
The PDR-509 is designed to let you make extremely high
Dig it a l re c o rd in g re s t ric t io n s
quality digital recordings onto recordable compact discs.
For flexibility, you can use either rewritable discs (CD–RW)
or write-once discs (CD–R). For more general information
on the discs you can and can’t use with this recorder, see
About CD, CD–R and CD–RW Discs on page 8. The over-
view on this and the following page gives you some idea
of what the PDR-509 is capable of, and also provides
guidance on what to avoid and things to be careful of
when recording. We strongly recom m end that you read
these pages fully before proceeding to the m ore
detailed instructions on the follow ing pages.
This unit has been designed exclusively for recording and
playback of audio discs —you can’t record other CD
form ats, such as com puter CD-ROMs or Dolby Digital
(AC-3). If you record from a disc format such as
CD+GRAPHICS, VIDEO-CD, or other format that includes
both digital audio and video or text, you will only be able to
record the audio part of the disc.
In addition to standard audio CDs, this recorder will record
DTS encoded audio CDs and HDCD format CDs, however.
Almost all commercial digital source material is protected
by copyright laws. For this reason, the PDR-509 uses special
consumer-use blank CD-R and CD-RW discs on which a
copyright fee has already been paid. A further restriction
comes in the form of SCMS (an acronym for Serial Copy
Management System). This generally allows just one
generation of digital recording. In other words, you can
make a digital recording from an original source (such as a
commercial CD), but you can’t then make further digital
recordings from that copy. Most digital recording equip-
ment uses the SCMS system, including CD and MD
recorders, and DAT decks. You may also find that you can’t
record certain DVD discs as the digital output of the DVD
player can be disabled by the disc.
Re c o rd in g m o d e s
The recorder is equipped with a set of analog input
terminals, as well as both optical and coaxial digital inputs.
This means that the PDR–509 is compatible with almost
all audio sources —analog or digital. It even has a built in
sampling rate converter making it ideal for recording DAT
tapes or satellite broadcasts, for example, which are often
at sampling rates different to that of CD. Since CDs are
always recorded at a sampling rate of 44.1kHz, sample
rate conversion is completely automatic —if the recorder
senses a digital signal at either 32 or 48kHz, it will convert
it to 44.1kHz. Note that this recorder can't convert 96kHz
digital sources (such as some DAT tapes and DVD discs).
Of course, if you do encounter SCMS or other digital-copy
restrictions, you can always record through the analog
inputs of the PDR-509. To check whether a source is
digital-copy protected, see Checking for Digital Copy
Protection on page 32.
There are five recording modes available —four for digital-
input recording, and one analog-input record mode. The
table below provides a brief summary of each.
Mode
Description
Uses
Autom atic digital-
input 1-track synchro
recording
Recording starts after the recorder senses an
input signal. Once the track has finished, the
recorder stops recording
Good for recording edited versions of CDs,
MDs, DATs or DCC tapes. Full instructions on
page 20.
Autom atic digital-
input all-track
synchro recording
Recording starts after the recorder senses an
input signal, and continues until all tracks on
the source have finished. The recorder then
stops automatically
Good for recording complete CDs, MDs, DATs
or DCC tapes. Full instructions on page 21.
Autom atic finalization As automatic digital-input all-track synchro
Good for recording complete CDs, MDs, DATs
or DCC tapes when you don't want to record
anything else on the disc afterwards. Full
instructions on page 22.
recording
recording, above, with automatic finalization
of the disc after all tracks have been recorded
Manual digital-input
recording
Recording start and stop is completely under
the user's control
Useful for recording digital sources other than
CD, MD, DAT or DCC, which may not have
track numbers (digital satellite broadcasts, for
example). Full instructions on page 23.
Analog-input
recording
Records any analog audio source through the
analog inputs. Unlike digital-input recording,
you must set the recording levels, as you
would with analog tape.
As well as analog sources, such as vinyl
records, this mode can be used for digital
sources that are digital-copy protected. Full
instructions on page 25.
18
Ba s ic P la yb a c k a n d Re c o rd in g
Dig it a l re c o rd in g fro m DAT
Dis c t yp e d is p la y
If you’re recording a DAT tape that was recorded using the
DAT machine's auto ID function, the IDs on the tape are
slightly after the beginning of the actual recording. This
can cause problems for the CD recorder:
When you load a disc, the first thing the recorder does is
to ascertain what kind of disc it is, what (if anything) is
recorded on the disc, and whether or not it’s been
finalized. Once it’s done this, the display changes to one of
those shown in the table below. If the disc is a CD-R or
CD-RW, the recorder makes a series of automatic adjust-
ments to ensure the best quality recording. These
adjustments take a little longer if the unit is cold or has
just been switched on.
❖ The start of the track may not be recorded.
❖ The track number will be recorded on the disc after
the start of the track
❖ The beginning of the next track on the DAT is
unintentionally recorded
To avoid these problems, we recommend recording start
IDs on the DAT manually, if possible. Refer to the instruc-
tions for your DAT recorder for more information.
A pre-recorded CD or finalized
CD–R, with 11 tracks and a
running time of 55 min. 37 sec.
You might also encounter problems if you try to synchro-
record all tracks from a DAT that is set to program play. If
you want to record a DAT in program play mode, use the
1-track synchro recording mode —see page 20 for how to
do this.
A finalized CD–RW with 11
tracks and a running time of 55
min. 37 sec.
Display for a blank consumer-
use CD–R disc.
Dig it a l s ig n a l in t e rru p t io n s
There are a couple of situations where a signal arriving at
the digital input of the recorder might be interrupted. The
first is if the sampling rate of the signal suddenly changes.
This is most likely when recording from DAT, which can
record at a number of different sampling rates. If one track
on the DAT is recorded at, say, 44.1kHz, but the next at
48kHz, this will cause an interruption of the recording on
the PDR-509 while it adjusts to the new sampling rate.
During this time, a short blank section will be recorded
on the disc.
Display for a blank consumer-
use CD–RW disc.
A partially recorded CD–R with
10 tracks and a total recorded
time of 43 min. 12sec.
A partially recorded CD–RW
with 10 tracks and a total
recorded time of 43 min. 12sec.
Other sources of signal interruption include power or
source component failure, accidental disconnection of the
interconnect cord, and interruption of digital satellite
broadcasts. In all these cases, if the signal resumes within
about five seconds, the result will just be a blank section
on the disc. If the interruption is longer than five seconds,
the recorder displays the error message: CAN NOT REC and
recording is paused.
The disc is not recognized by
the recorder, or you pressed 3
(play) without a disc loaded.
The disc is a professional-use
CD-R or CD-RW disc and cannot
be used with this recorder.
Mis c e lla n e o u s in fo rm a t io n
❖ The minimum recordable time is four seconds.
Even if you try and record something shorter than
this, the track that the recorder creates will be four
seconds.
P o w e r in t e rru p t io n s
Never switch off the PDR-509 while it's recording, or
while the display shows PMA REC (Program Memory Area
Recording). If there's a power failure, or you accidently
disconnect the power from the wall outlet while recording
is in process, you'll lose at least part of the recording.
When power is restored, the recorder will show the
message RESUME until it's finished recording the PMA.
❖ Usually, track numbers are recorded onto the disc
automatically when recording. If you decide to
switch off this feature (for example, when you’re
recording from a satellite broadcast), be sure to
input track markers as recording is taking place —
you can’t add them after recording is complete.
See page 30 for more on manual and automatic
track numbering.
After recording, always remove the disc from the
recorder before switching the power off. Failure to do
this could result in you losing some of the recorded
material on the disc.
❖ The maximum number of tracks on a disc is 99.
19
Ba s ic P la yb a c k a n d Re c o rd in g
Re c o rd in g On e Tra c k fro m a Dig it a l S o u rc e
If you want to record just a single track, or a few selected tracks, from a CD, MD, DCC or DAT, this mode is ideal. The
recorder starts and stops automatically, and there's no need to worry about recording levels —you'll get a perfect digital
copy of the original (if you want to change the digital recording level, see page 24). Before you start, make sure that your
digital source is properly connected to one of the recorder’s digital inputs —see Connecting Up for Digital Playback &
Recording on page 10 for more on this.
If you're recording all the tracks on the source, see Recording All Tracks from a Digital Source on the next page. If you're
recording from some other digital source, turn to Manually Recording a Digital Source on page 23. If you’re recording from
any source through the analog inputs, see Recording an Analog Source on page 25.
1
1
Load a CD–R or CD–RW disc.
Check the display to make sure that there's enough space on the disc
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
for what you want to record.
REPEAT
2
Press INPUT SELECTOR to choose one of the
digital inputs.
Pressing INPUT SELECTOR repeatedly switches the active input:
3
6
ANA (Analog) - OPT (Optical) - COA (Coaxial)
The recorder's display indicates the current input.
2
-
◊ÛB .?/
3
Make sure that the source is not playing, then
press DIGITAL SYNCHRO.
Digital synchro recording will not work if the source is already playing!
INPUT
SELECTOR
MONITOR
TIME
The SYNC indicator will start to blink when the recorder is ready.
The display shows the 1-track sync
mode, with the sync indicator blinking
OPT
3
to show that recording can start.
Î
FADER
FINALIZE
ERASE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
4
5
Play the source.
7
8
3
TIME
6
The recorder starts recording automatically.
1
¡
4
¢
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
CLEAR
SET
3
1
5
2
6
4
8
The recorder enters record-pause m ode after
recording one track.
❖ If you're recording a CD or MD, recording stops automatically when
the track changes or there is more than five seconds of silence on the
source.
7
2
Press DIGITAL SYNCHRO repeatedly to
change the recording mode:
❖ If you're recording from DCC or DAT tape, recording stops when the
recorder encounters a new start ID or there is more than five seconds
of silence on the source. (See also Notes on Digital recording from
DAT on page 19.)
OPT
1-track sync mode
All-track sync mode
OPT
6
If you're done, press 7 (stop).
OPT
To record further tracks, simply repeat steps 3 to 5.
All-track sync mode w/finalization
Record-pause mode (no sync)
❖ After pressing 7 (stop), the display shows PMA REC while it records
the track information to the disc.
OPT
Note: If you find that synchro recording does not seem to work, see the trouble-
shooting section on page 37 for possible remedies.
20
Ba s ic P la yb a c k a n d Re c o rd in g
Re c o rd in g All Tra c k s fro m a Dig it a l S o u rc e
If you want to copy all the tracks from a CD, MD, DCC or DAT, use this mode. Like the 1-track synchro recording mode, the
recorder starts and stops automatically. When recording from MD or CD, you can play the source in either normal play mode,
or program play if you’d like the recorded tracks in a different order to the original. We do not recommend recording from a
DAT in program play mode —use the 1-track synchro recording mode if you want to record the tracks in a different order.
If you are simply duplicating a source disc or tape, you’ll probably want to finalize the CD–R (or CD–RW) after all-track sync
recording so that it’s ready to be played on other CD players. To finalize the disc automatically once recording has finished,
see Automatically Recording and Finalizing a Disc on the following page. If you're recording from a digital source other than
CD, MD, DCC or DAT, see Manually Recording a Digital Source on page 23. If you’re recording from any source through the
analog inputs, see Recording an Analog Source on page 25.
1
1
2
Load a CD–R or CD–RW disc.
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
Check the display to make sure that there's enough space on the disc
for what you want to record.
REPEAT
Press INPUT SELECTOR to choose one of the
digital inputs.
Pressing INPUT SELECTOR repeatedly switches the active input:
6
3
ANA (Analog) - OPT (Optical) - COA (Coaxial)
2
The recorder's display indicates the current input.
-
◊ÛB .?/
3
Make sure that the source is not playing, then
press DIGITAL SYNCHRO tw ice.
Digital synchro recording won't work if the source is already playing!
INPUT
SELECTOR
MONITOR
TIME
The recorder goes into all-sync record pause mode and the SYNC
indicator starts to blink.
3
The display shows the all-track sync
mode, with the sync indicator blinking
to show that recording can start.
Î
OPT
FADER
FINALIZE
ERASE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
7
8
3
TIME
6
4
5
Play the source.
1
¡
4
¢
The recorder starts recording automatically.
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
SET
CLEAR
1
5
2
6
3
4
8
7
After recording all tracks from the source, the
2
recorder goes into all-sync record-pause m ode.
After the recorder encounters about five seconds of continuous silence,
it assumes the end of the source has been reached and goes into
record-pause mode and the display shows the AL-SYNC message again.
Press DIGITAL SYNCHRO repeatedly to
change the recording mode:
Be careful: if the recorder detects another signal (CDor MD) or start ID
OPT
(DAT or DCC) it will start recording again!
1-track sync mode
All-track sync mode
❖ The recorder will enter record-pause mode if the digital signal is
interrupted for more than 5 seconds—see Digital signal interruptions
on page 19.
OPT
OPT
6
Press 7 (stop) to finish recording.
❖ After pressing 7 (stop), the display shows PMA REC while it records
the track information to the disc.
All-track sync mode w/finalization
Record-pause mode (no sync)
OPT
21
Note: If you find that synchro recording does not seem to work, see the trouble-
shooting section on page 37 for possible remedies.
Ba s ic P la yb a c k a n d Re c o rd in g
Au t o m a t ic a lly Re c o rd in g a n d Fin a lizin g a Dis c
This is a variation on all-track synchro recording on the previous page. After all tracks on the source material has been
recorded, the recorder automatically finalizes the disc. If you’re recording onto a CD–R this means that the disc will be
,
playable on an ordinary CD player, but you won’t be able to record any further tracks onto the disc. If you’re using a CD–RW
disc, the disc will be playable on a CD–RW player after finalizing, and you can still erase or record new material on the disc.
Like the other synchro modes, you can only use this mode when recording from CD, MD, DCC or DAT. If you're recording
from a digital source other than CD, MD, DCC or DAT, see Manually Recording a Digital Source on the following page.
1
1
2
Load a CD–R or CD–RW disc.
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
Check the display to make sure that there's enough space on the disc
for what you want to record.
REPEAT
Press INPUT SELECTOR to choose one of the
digital inputs.
Pressing INPUT SELECTOR repeatedly switches the active input:
ANA (Analog) - OPT (Optical) - COA (Coaxial)
3
The recorder's display indicates the current input.
2
3
Make sure that the source is not playing, then
press DIGITAL SYNCHRO three tim es.
Digital synchro recording won't work if the source is already playing!
-
◊ÛB .?/
INPUT
SELECTOR
MONITOR
TIME
The recorder goes into all-sync record pause mode and the SYNC
indicator starts to blink.
The display shows the all-track
sync mode w/finalization, with the
sync indicator blinking to show
OPT
that recording can start.
Î
FADER
FINALIZE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
ERASE
8
4
5
Play the source.
3
7
3
TIME
The recorder starts recording automatically.
1
¡
4
¢
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
SET
CLEAR
After recording all tracks on the source, the
recorder starts finalizing the disc.
1
5
2
6
3
4
8
7
After the recorder encounters about five seconds of continuous silence,
it assumes the end of the source has been reached and goes into all-
sync record-pause mode.
2
If the recorder detects no signal for one minute, finalization starts (no
more recording is possible after this so make sure that there aren’t any
spaces of more than one minute during the source you’re recording).
Press DIGITAL SYNCHRO repeatedly to
change the recording mode:
Be careful: if the recorder detects another signal (CDor MD) or start ID
OPT
(DAT or DCC) it will start recording again!
1-track sync mode
All-track sync mode
Finalization takes about four minutes, during which time none of the
buttons are operative. Never turn the pow er off during finalization!
OPT
❖ If the digital signal is interrupted, the recorder continues recording.
However, if no signal has been detected within five seconds, the
recorder stops recording and will not finalize the disc —see Digital
signal interruptions on page 19.
❖ If the recorder reaches the end of the disc, or if there are more than
99 tracks, the recorder stops recording without finalizing the disc.
OPT
All-track sync mode w/finalization
Record-pause mode (no sync)
OPT
Note: If you find that synchro recording does not seem to work, see the trouble-
22
shooting section on page 37 for possible remedies.
Ba s ic P la yb a c k a n d Re c o rd in g
Ma n u a lly Re c o rd in g a Dig it a l S o u rc e
If you are recording from a digital source other than CD, MD, DCC or DAT—digital satellite, for example —synchro recording is
not possible since there are no track numbers or start IDs to signal the start and end points of the recording. For these
sources, use the manual recording method described here.
1
2
Load a CD–R or CD–RW disc.
Check the display to make sure that there's enough space on the disc
1 3
for what you want to record.
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
Press INPUT SELECTOR to choose one of the
digital inputs.
Pressing INPUT SELECTOR repeatedly switches the active input:
REPEAT
ANA (Analog) - OPT (Optical) - COA (Coaxial)
The recorder's display indicates the current input.
7
5
3
4
Press RECORD ¶ ( ¶ REC on the rem ote control).
The recorder goes into record-pause mode.
2
-
◊ÛB .?/
Start playing the source to check it’s recordable.
If the recorder does not recognize the digital format, or the source is
copy-protected using SCMS, the message CAN NOT REC or CAN NOT COPY
appears. In either case, you won't be able to record digitally—use the
analog inputs instead (see Recording an Analog Source on page 25).
INPUT
SELECTOR
MONITOR
TIME
If necessary, set the recording level (see the following page).
If the signal appears OK, stop the source.
3
Î
5
6
Check that the tim e display reads 00:00, then press
8 (pause) or 3 (play) to start recording.
FADER
FINALIZE
ERASE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
7
8
3
TIME
5
7
1
¡
4
¢
Restart playback of the source m aterial.
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
SET
CLEAR
If the AUTO TRACK indicator is lit in the display then the recorder will start
a new track each time it detects a signal after at least two seconds of
continuous silence. (To switch off auto track numbering see page 30.)
1
5
2
6
3
4
8
7
2
7
When you're done, press 7 (stop).
❖ After pressing 7 (stop), the display shows PMA REC while it records
the track information to the disc.
23
Ba s ic P la yb a c k a n d Re c o rd in g
S e t t in g t h e Dig it a l Re c o rd in g Le ve l
One of the advantages of digital-to-digital recording is that you don't have to set recording levels—and risk distortion by
overloading the disc. If you're recording commercial material from CDs or other MDs, the digital level has already been
optimized and you don't need to change it. If you're making a digital copy of a CD, DAT or MD that was not commercially
produced and that was consistently under-recorded, you can boost the overall level by up to +12dB. Remember though, that
any peaks in the original recording run the risk of distorting the copy.
If you record digital satellite broadcasts, you may also have cause to boost the digital recording volume since the digital
volume of some broadcasts is relatively low. Again, remember that if there are any peaks in the broadcast, you run the risk
of momentary distortion.
It's also possible to reduce the digital recording volume so that you end up with a recording that is quieter than the original.
In most cases, this is not desirable since the recording quality will suffer very slightly. However, if you're putting together a
mix CD (various tracks compiled from different sources), and there is a track which stands out as generally louder than the
others (peak volumes are usually similar, but the average level of some recordings might be higher than others so they
sound louder), then you might want to reduce the level of that track.
Note that this feature will not get rid of distortion on the source material.
You can adjust the digital recording volume while the unit is in monitoring mode, record-pause mode or while it is actually
recording. Once changed, the new digital recording level remains until you change it again, or reset it. Each digital input has
it's own level which can be set independently.
1
2
1
Press INPUT SELECTOR to choose one of the
digital inputs.
Pressing INPUT SELECTOR repeatedly switches the active input:
-
◊ÛB .?/
INPUT
SELECTOR
MONITOR
TIME
ANA (Analog) - OPT (Optical) - COA (Coaxial)
The recorder's display indicates the current input.
2
3
If the recorder is stopped, press MONITOR or
3,4
2
RECORD ¶ ( ¶ REC on the rem ote control).
If there is nothing connected to the selected digital input, the message
CAN NOT REC appears in the display.
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
REPEAT
To display the current digital recording level, press
the jog dial (DIGITAL REC LEVEL).
You can display the current digital recording level at anytime in monitor,
record-pause, or recording mode. The level is displayed for about four
seconds.
2
Î
FADER
FINALIZE
ERASE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
7
8
3
TIME
4
Turn the jog dial or press 4 or ¢ on the rem ote
1
¡
4
¢
control to adjust the recording level up or dow n.
4
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
CLEAR
SET
❖ The maximum adjustment possible is between -48dB and +12dB.
1
5
2
6
3
4
8
❖ From +12dB down to -25dB, adjustment is in steps of 1dB. Below
7
this, there are four preset levels: -30dB, -36dB, -42dB and -48dB.
1
❖ If you set the level at anything other than 0dB, the D.VOL indicator in
the display lights to remind you of the fact.
Digital volum e level
adjusted dow n 5 dB.
OPT
24
Ba s ic P la yb a c k a n d Re c o rd in g
Re c o rd in g a n An a lo g S o u rc e
Recording through the analog inputs follows much the same procedure as recording via a digital input. The only difference is
that you have to set the recording level. This determines how loud the recording will be when you play it back (for any given
amplifier volume level). If you’re used to recording on analog cassette, the idea is exactly the same, but with CD–R you have
to be much more careful not to overload the signal. Compared to analog tape, the distortion that you get from overloading a
CD is much less tolerable, and something you’ll definitely want to avoid. On the other hand, recording the signal very quietly
will result in lower sound quality than CD is capable of, so that’s not very good either—although it is better to under-record a
CD than to over-record it.
What you want to aim for is a level where the loudest sound from your source material is recorded onto the CD at a level
just below the point where it overloads (producing an unpleasant, buzzy distortion).
1
5
3
1
2
Load a CD–R or CD–RW disc.
Check the display to make sure that there's enough space on the disc
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
for what you want to record.
REPEAT
Press INPUT SELECTOR to choose analog input.
Pressing INPUT SELECTOR repeatedly switches the active input:
ANA (Analog) - OPT (Optical) - COA (Coaxial)
The display indicates the current input.
8
3
6
2
3
Make sure the disc is stopped, then press RECORD ¶
( ¶ REC on the rem ote control).
The recorder goes into record-pause mode.
-
◊ÛB .?/
You can also press MONITOR.
INPUT
SELECTOR
MONITOR
TIME
4
5
Start playing the source.
Adjust the recording level using the REC LEVEL
5 The outer ring
controls.
ANALOG
REC LEVEL
controls the left record
level; the inner dial
controls the right.
Don’t let the recording level to reach the red OVER indicator!
Usually, set both at the
same level so that the
relative levels match
the source.
The maximum recording level should be in this area.
When you’re happy with the recording level, stop the source material.
6
7
8
Check that the tim e display reads 00:00, then press
8 (pause) or 3 (play) to start recording.
If the recorder was in monitor mode, you’ll need to press RECORD ¶
here, then 8 (pause) or 3 (play) to start recording.
3
Î
FADER
FINALIZE
ERASE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
7
8
3
TIME
Restart playback of the source m aterial.
6
8
2
1
¡
4
¢
If the AUTO TRACK indicator is lit in the display then the recorder will start
a new track each time it detects a signal after at least two seconds of
continuous silence. (To switch off auto track numbering see page 30.)
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
CLEAR
SET
1
5
2
6
3
4
8
7
When you're done, press 7 (stop).
❖ After pressing 7 (stop), the display shows PMA REC while it records
the track information to the disc.
25
Ad d it io n a l P la yb a c k Fe a t u re s
P ro g ra m m in g t h e Tra c k Ord e r
Programming the track order means telling the player precisely which tracks, and in what order, you want played. You can
program a sequence of up to 24 steps (each step can contain either a track or a pause in the program), playing tracks more
than once if you like.
The sequence you program applies only to the disc in the player at the time: as soon as you eject that disc the program
memory is lost.
Î
FADER
FINALIZE
ERASE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
1
2
During playback or stop m ode, press PROGRAM.
The PGM indicator lights and the display prompts you to enter the first
track in the program:
7
8
3
TIME
3
2
2
1
1
¡
4
¢
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
CLEAR
SET
1
5
9
2
6
3
4
2
7
8
1 0 /
0
>1 0
REPEAT
>10
PROGRAM CHECK
CLEAR
RANDOM
Enter the track num bers in the order you w ant
them played.
Use the number buttons to select tracks:
COMPACT DISC RECORDER
REMOTE CONTROL UNIT
3
2
2
❖ For track numbers 1 to 10, use the corresponding number button.
❖ For track numbers over 10, press the >10 button, then enter the track
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
number. For example, to select track 28:
If the player is stopped, you can use the 4 and ¢ (track skip) buttons
to select tracks, pressing PROGRAM after each to enter it into the
program. Alternatively, use the jog dial to select tracks (push to enter).
REPEAT
❖ When program m ing in stop m ode only: To program a pause, press
the 8 (pause) button instead of a track number (you can’t program a
pause as the first item). Instead of a track number, the display shows PA.
As you program tracks, the
total running time of the
program is displayed here.
3
Press 3 (play) to start playback.
❖ If you started programming while the disc was playing, the program
starts right after the current track has played out. If you want the
program to start right away, press 3 (play).
This shows the track
number just programmed.
Cle a rin g a p ro g ra m
Since the program only applies as long as the disc is in the player, you can clear it by simply ejecting the disc. Alternatively,
stop the disc, then press 7 (stop) one more time: the program will be erased.
Cle a rin g a t ra c k fro m t h e p ro g ra m
During playback or while the disc is stopped, you can delete the last (most recently) programmed step by pressing CLEAR on
the remote control. Press repeatedly to clear several steps (if the program is playing while you’re doing this, you can’t clear
steps beyond the one that is currently playing).
Ch e c k in g w h a t ' s in t h e p ro g ra m
In stop mode you can check the contents of the program using the CHECK button on the
remote control. Each press steps through the program. At each step the display shows
the step number and the corresponding track number. When you reach the end of the
Program step
number
Programmed
track number
program, a step number of 00 is displayed.
Re p la c in g a t ra c k in t h e p ro g ra m
If, while checking the program (see above), you decide you want to change something, simply stop at the step number you
want to change and enter a new track number using either the number keys, the 4 and ¢ (track skip) buttons, or the jog dial.
26
Ad d it io n a l P la yb a c k Fe a t u re s
Fa d in g In a n d Fa d in g Ou t
Pausing a disc during playback cuts the sound off abruptly. You can achieve a softer effect by using the fader feature to fade
the track out over a few seconds before pausing. Likewise, when you resume playback, instead of a sudden burst of sound,
you can have the player fade in the volume gradually. Note that the fader is available only from the remote control, and that
you can only hear the fades through the analog outputs, so if your player is connected to the amplifier via a digital out, you
won't hear the fades.
Î
FADER
FINALIZE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
ERASE
Press FADER during playback to pause the disc.
The fader indicator in the display blinks and the volume fades to zero
over about five seconds. The player then pauses playback.
FADER
7
8
3
TIME
1
¡
4
¢
INPUT
SKIP
SKIP ID
SELECTOR
PLAY
SET
3
CLEAR
1
5
9
2
6
4
Press FADER to resum e playback of a paused disc.
The fader indicator in the display blinks and the volume starts to fade in.
7
8
1 0 /
0
>1 0
REPEAT
PROGRAM CHECK
CLEAR
RANDOM
COMPACT DISC RECORDER
REMOTE CONTROL UNIT
P la yin g Tra c k s a t Ra n d o m
Selecting the random play mode leaves the track order of the disc up to the player. Each track on the disc is played just
once, but in a random order. This feature is only available from the remote control.
Î
FADER
FINALIZE
ERASE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
Press RANDOM during playback or w hen the disc
7
8
3
TIME
is stopped.
The RDM indicator lights in the display and random playback starts.
1
¡
4
¢
INPUT
SKIP
SKIP ID
SELECTOR
PLAY
SET
CLEAR
❖ Pressing 7 (stop) cancels the random play mode.
❖ You can still use repeat mode during random play.
1
5
9
2
6
3
4
7
8
1 0 /
0
>1 0
REPEAT
PROGRAM CHECK
CLEAR
RANDOM
RANDOM
COMPACT DISC RECORDER
REMOTE CONTROL UNIT
P la yin g a Dis c w it h S k ip IDs
If you're not sure whether a disc has skip IDs programmed, look for the SKIP ON indicator in the display when you load a
disc —it will light automatically if one or more are present.
1
2
Load a disc.
The SKIP ON indicator lights if there are any skip IDs on the disc, and the
player is in skip play mode (in other words, it won't play those tracks that
are marked by skip IDs).
The SKIP ON indicator
lights if there are skip
IDs present on the disc.
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
ERASE
8
Press SKIP PLAY to sw itch skip play on/ off, then
7
3
TIME
press 3 (play).
1
¡
4
¢
When you turn off skip play mode the player ignores the skip IDs and
plays all tracks on the disc.
INPUT
SKIP
SKIP ID
SELECTOR
PLAY
SET
3
CLEAR
1
5
9
2
6
4
2
❖ If there were no skip IDs on the disc in the first place, the SKIP PLAY
7
8
button has no effect.
1 0 /
0
>1 0
REPEAT
27
Ad d it io n a l Re c o rd in g Fe a t u re s
S k ip p in g Un w a n t e d Tra c k s
After recording a CD-R disc, you may decide that one or more of the tracks are unwanted. This may be due to a simple
mistake or because a track didn't record successfully. Although you can't erase those tracks, you can set what are called
'skip IDs'. These tell a CD player (though not all recognize skip IDs) not to play a particular track, but to skip to the next one
on the disc.
You can also set skip IDs on CD–RWs, although it's probably a less useful feature since erasing the last track is possible
should you make a mistake in recording.
If you make a mistake when setting a skip ID, you can clear it, but be careful: you can set up to 21 skip IDs per disc, but
repeatedly setting and clearing skip IDs in different recording sessions will reduce this number.
S e t t in g s k ip IDs :
Î
1
Press SKIP ID SET during playback (or w hile in
FADER
FINALIZE
ERASE
REC
play-pause m ode) of the track you w ant to skip.
❖ If there's no room left on the disc to record another skip ID, the
display will show the message FULL.
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
2
2
7
8
3
TIME
1
¡
4
¢
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
SET
CLEAR
1
5
9
2
6
3
4
2
The display prom pts you to confirm .
Press SKIP ID SET again to confirm. To cancel, press either SKIP ID CLEAR
or 3 (play).
2
7
8
1,2
1 0 /
0
>1 0
REPEAT
❖ Use the 4 and ¢ (track skip) buttons/jog dial to skip to other
tracks that don't have skip IDs set. When you press SKIP ID SET, it will
be for the track that is currently playing.
PROGRAM CHECK
CLEAR
RANDOM
COMPACT DISC RECORDER
REMOTE CONTROL UNIT
3
4
Set further skip IDs by repeating steps 1 and 2.
When you're finished, stop the disc and press
4
2
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
OPEN/ CLOSE 0.
Until you eject the disc, the recorder stores the skip ID information in its
memory. On pressing OPEN/ CLOSE 0, the recorder writes the skip ID
information onto the disc.
REPEAT
2
28
Ad d it io n a l Re c o rd in g Fe a t u re s
Cle a rin g s k ip IDs :
1
Press SKIP PLAY to sw itch off skip play m ode.
Î
FADER
FINALIZE
ERASE
REC
The SKIP ON indicator in the display disappears.
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
❖ If the SKIP ON indicator did not light when you loaded the disc then
3
there are no skip IDs present on that disc.
7
8
3
TIME
1
¡
4
¢
3
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
CLEAR
SET
2,3
3
1
2
Press SKIP ID CLEAR during playback (or w hile in
play-pause m ode) of the track you no longer need
1
5
9
2
6
3
4
7
8
a skip ID for.
1 0 /
0
>1 0
REPEAT
❖ If this track doesn't have a skip ID, the player jumps to the next track
PROGRAM CHECK
CLEAR
RANDOM
that does and starts playback of that track.
COMPACT DISC RECORDER
REMOTE CONTROL UNIT
3
The display prom pts you to confirm .
Press SKIP ID CLEAR again to confirm. To cancel, press either SKIP ID SET
or 3 (play).
5
3
❖ Use the 4 and ¢ (track skip) buttons/jog dial to move between
tracks that have skip IDs set. When you press SKIP ID CLEAR, it will be
for the track that is currently playing.
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
REPEAT
4
5
Clear further skip IDs by repeating steps 2 and 3.
When you're finished, stop the disc and
press OPEN/ CLOSE 0.
3
Until you eject the disc, the recorder stores the changes in skip ID
information in its memory. On pressing OPEN/ CLOSE 0, the recorder
writes the new skip ID information onto the disc.
29
Ad d it io n a l Re c o rd in g Fe a t u re s
Nu m b e rin g Tra c k s
If you're recording from CD, MD, DCC or DAT, you can usually let the recorder number the tracks as they change on the
source material. Although automatic track numbering is the default mode of the recorder, you can number tracks manually
as recording is taking place. In some cases —such as recording from digital satellite or Laserdisc, or from an analog
source —auto track numbering may not work reliably (in these cases, a new track is started after the recorder detects two
seconds of silence), and it's better to use manual track numbering. Remember: it is not possible to edit track numbers after
recording.
1
3
1
Press TRACK NO. AUTO/ MANUAL to sw itch from
autom atic and m anual num bering.
The red MANUAL WRITE indicator lights to remind you that manual
numbering is switched on.
-
◊ÛB .?/
❖ Press TRACK NO. AUTO/ MANUAL again to switch back to automatic
INPUT
SELECTOR
MONITOR
TIME
numbering. The AUTO TRACK indicator lights in the display.
❖ You can switch between auto and manual track numbering either
before starting to record, or during recording itself.
2
3
Start recording.
❖ You can use manual numbering in any record mode, but it is best
suited to manual digital-input or analog-input recording (see pages
23 and 25 for more on these recording modes).
Î
FADER
FINALIZE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
3
1
ERASE
8
7
3
TIME
¢
CLEAR
4
1
¡
4
Press TRACK NO. WRITE (MANUAL) at any point
you w ant a new track to start.
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
SET
❖
CD tracks must be at least four seconds long —the recorder won't let
1
2
3
you start a new track less than four seconds into the current track.
Re c o rd in g Fa d e In s a n d Fa d e Ou t s
Sometimes, for example if you're recording just an excerpt from something, it may be better to fade in the recording, then
fade out again at the end, rather than start and end abruptly. Note that you can’t record a fade in when in synchro recording
mode (although you can record a fade out).
Re c o rd in g a fa d e in
Î
FADER
FINALIZE
ERASE
REC
With the source playing, press FADER during
record-pause m ode to fade in.
Recording starts with a gradual fade in.
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
FADER
7
8
3
TIME
1
¡
4
¢
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
CLEAR
Re c o rd in g a fa d e o u t
SET
1
5
9
2
6
3
4
Press FADER during recording to fade out.
7
8
After recording about five second fade out, the recorder goes into record-
1 0 /
0
>1 0
REPEAT
pause mode. This happens in either normal or synchro record mode.
PROGRAM CHECK
CLEAR
RANDOM
❖ You can also just press 7 (stop) if you don’t need a fade out.
If you record a fade out during all-track sync mode, the synchro mode is
canceled after the fade out (see pages 20–22 for more on synchro recording).
COMPACT DISC RECORDER
REMOTE CONTROL UNIT
Note: If the recorder runs out of recording space on the disc before the source
has finished, it will automatically record a fade out and stop recording.
30
Ad d it io n a l Re c o rd in g Fe a t u re s
Ch e c k in g Wh a t ' s a t t h e En d o f a Dis c
You don't have to record a whole disc at once. Until you finalize the disc, further recording is possible from the end of the
last track you recorded (assuming there are fewer than 99 tracks already on the disc). Here's how to check what's on the
last recorded section of the disc before recording new material:
Î
1
2
Press ¶ RECORD.
FADER
FINALIZE
ERASE
REC
The recorder goes into record-pause mode.
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
1
7
8
3
4
SET
3
TIME
1
¡
¢
Press and hold 1 (fast-reverse).
You'll hear the last recorded track in reverse. Release the button and the
track plays normally to the end.
2
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
CLEAR
1
2
4
❖ While the track is playing you can use the 1 and ¡ (fast-reverse/
forward) buttons
❖ If you press ¶ RECORD again while the track's playing, the recorder
1
2
jumps to the end of the track and goes into record-pause mode again.
When the track has played out, the recorder automatically enters record-
pause mode again.
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
REPEAT
3
Once the player is back in record-pause m ode you
can go ahead and record norm ally.
If you decide you don’t want to record, just press 7 (stop).
Re c o rd in g Bla n k S e c t io n s
This feature is useful when you want to put some space at the end of a recording session so that the next recording doesn't
start after the last too closely, but use it wherever you need some blank space recorded on the disc. There are a couple of
restrictions on using record mute: you can only record one mute per track; and you can’t begin a recording with a muted
section —you can use it only after the recording has started, or at the end of a recording.
Î
FADER
FINALIZE
ERASE
REC
1
While recording or during record-pause m ode,
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
1
2
press • REC MUTE.
7
8
3
4
SET
3
TIME
A blank space of about four seconds is recorded, then the recorder goes
into record-pause mode.
1
¡
¢
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
CLEAR
❖ If you press and hold • REC MUTE, you can record a blank for as long
as you hold down the button.
1
2
4
❖ Pressing • REC MUTE, (without holding) in record-pause mode records
four seconds of silence from the current position. Use this to create a
space between tracks when recording in 1-track synchro mode, for
example.
2
1
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
2
Press 7 (stop) to finish the recording session.
❖ To restart recording, press either 3 (play) or 8 (pause).
REPEAT
31
Ad d it io n a l Re c o rd in g Fe a t u re s
Mo n it o rin g a S o u rc e
If you have a set up like the figure below or like that on page 11, you can monitor the source without changing the input
function of the amplifier from the PDR–509 (you could also monitor through a pair of headphones connected to the
PDR–509's phones jack).
When recording, or in record-pause mode, the source signal is always available for monitoring from the analog outs of the
PDR–509. Even if you're not recording, you can still monitor—useful for cueing up a disc or tape for the next recording.
Digital
or Analog
connection
Amp (input set to
PDR–509)
Analog
connection
Source (CD, etc)
PDR–509
1
2
Start the source com ponent playing.
Make sure that the input selector is set to the correct input.
2,3
Press MONITOR.
-
◊ÛB .?/
If the source is digital, the display indicates the input (CD, MD, DCC, DAT,
DVD,or –––– if the source is unknown). then the sampling rate (32K, 44K
or 48K). If the source is copy protected, the message CAN NOT COPY
appears (see below for more on this), otherwise the display shows MONI
(monitoring). If the source is analog, the display just shows MONI.
INPUT
SELECTOR
MONITOR
TIME
The source signal is fed through the analog outs of the unit, allowing you
to monitor.
3
To sw itch off m onitoring, press MONITOR again.
Ch e c k in g fo r Dig it a l Co p y P ro t e c t io n
Using the MONITOR button, you can also check whether or not a digital source is copy-protected with SCMS (Serial Copy
Management System). SCMS allows you to make digital copies of original sources for your own use, but prevents further
digital copies being made from the copy.
Original source
(CD, MD*, etc.)
CD–R/
CD-RW
Digital
copy
Digital
copy
CD–R/
CD-RW
Analog
copy
*Not a digitally
copied MD!
2
1
2
Start playing the digital source.
Make sure that the input selector is set to the correct digital input.
-
◊ÛB .?/
Press MONITOR.
The display indicates the input source (CD, MD, etc.) and its sampling
INPUT
SELECTOR
MONITOR
TIME
rate, follwed by CAN NOT COPY if the source is digital-copy protected.
If the display shows MONI (monitor), you can go ahead and record
normally.
32
Ad d it io n a l Re c o rd in g Fe a t u re s
Fin a lizin g a Dis c
Before you can play a CD–R on an ordinary CD player, the disc must go through a process called finalization. Once finalized, a
CD–R disc is no longer recordable, nor will you be able to set or clear skip IDs. Finalization is not reversible for CD–Rs so be
absolutely sure that everything on the disc is the way you want it before you start.
CD–RW discs can also be finalized, although you can still erase the disc afterward and reuse it, so it's not anything like as
final as it is with a CD–R disc. A finalized CD–RW disc can only be played on a CD player that is compatible with CD–RW discs
(at present, these are very few).
CAUTION!
Finalization takes a few minutes. During this time never switch off the power to the unit —the disc may become
unusable as a result. If there's a power failure or you do accidently disconnect the power during finalization, the
recorder will try and complete finalization once power is restored. Unfortunately, it may not be possible to complete
the process successfully, and the disc may be damaged as a result.
1
2
Load the CD–R or CD–RW you w ant to finalize.
❖ Check that the disc is free from dust, dirt and scratches—if neces-
sary, clean the disc, following the guidelines on page 9.
2
-
◊ÛB .?/
Press FINALIZE.
The recorder goes into record-pause mode. After a short while you
INPUT
SELECTOR
MONITOR
TIME
should see a display something like this:
The display shows how long finalization will take—the exact time taken
depends on the disc.
3
❖ Press 7 (stop) here to cancel finalization.
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
3
Press 8 (pause) to start finalization.
REPEAT
Finalization takes about four minutes; you'll see how long there is still to
go in the display. The player goes into stop mode when finished.
For a CD–R, the CD–R indicator now changes to simply CD.
For a CD–RW, the FINALIZE indicator lights in the display.
❖ None of the controls on the player or the remote have any effect during
finalization. If, however, the recorder hasn't managed to finalize the disc
within 10 minutes, you can abort the operation by pressing 7 (stop). If
you do this, the disc won't be playable on an ordinary CD player.
Î
FADER
FINALIZE
ERASE
REC
2
3
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
7
8
3
TIME
1
¡
4
¢
INPUT
SKIP
SKIP ID
SELECTOR
PLAY
SET
CLEAR
1
5
2
6
3
4
8
7
33
Ad d it io n a l Re c o rd in g Fe a t u re s
Era s in g a CD–RW Dis c
Although more expensive than CD–R discs, the great advantage of CD–RW is that the discs can be erased and reused.
Various erase options are available depending on whether the disc has been finalized. If you want to perform an erase
operation on a finalized disc that is only available for non-finalized discs, you first have to do a TOC erase. This returns a
finalized disc to a non-finalized state.
A third, special option, erases (re-initializes) the whole disc. This process takes quite a long time to complete and should be
used for recovering damaged discs, not for erasing tracks from a healthy disc.
CAUTION!
Never switch off the power during CD–RW erasing - your disc may become unusable. If there's a power failure or you
do accidently disconnect the power, the recorder will try and re-initialize the disc once power is restored. Unfortu-
nately, it may not be possible to complete the process successfully, and the disc may be damaged as a result.
If the message CHECK DISC appears any time during any erase process, hit eject, take out the disc, clean it, then try
the erase command again.
Be sure to remove the disc from the recorder before switching off the power, otherwise the erase operation will not
be completed.
1
Wh e n a n o n -fin a lize d d is c is lo a d e d :
1
Press ERASE.
The display shows ERASE then LAST? and the recorder function indicator
-
◊ÛB .?/
blinks to indicate erase standby mode.
INPUT
SELECTOR
MONITOR
TIME
❖ Press 7 (stop) to cancel last track erase here.
2
Use the jog dial or press 4 and ¢ on the re-
m ote control to change the erase option.
3
2
Switch between:
LAST? – erase just the last track
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
ALL? – erase all tracks
02–[LAST] – erase track 2 and all subsequent tracks
03–[LAST] – erase track 3 and all subsequent tracks
REPEAT
Keep turning the jog dial or press 4 and ¢ on the remote control to
change the number of tracks to erase.
3
Press 8 (pause) to start erasing.
The process takes just a few seconds. During this time, the function
indicator lights.
Function indicator lights
when erasing
Î
FADER
FINALIZE
ERASE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
COMPACT DISC DIGITAL RECORDER
1
2
7
8
3
TIME
3
1
¡
4
¢
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
CLEAR
SET
3
1
5
2
6
4
8
7
34
Ad d it io n a l Re c o rd in g Fe a t u re s
Wh e n a fin a lize d d is c is lo a d e d :
ERASE
1
Press ERASE.
The display shows ERASE and TOC? and the recorder function indicator
blinks to indicate erase standby mode.
-
◊ÛB .?/
❖ Press 7 (stop) to cancel erase here.
INPUT
SELECTOR
MONITOR
TIME
2
Use the jog dial or 4 and ¢ buttons on the
rem ote control to change the erase option.
Switch between:
TOC? – erase the table of contents (returns disc to a non-finalized state)
ALL? – erase all tracks
Function indicator lights
when erasing
3
Press 8 (pause) to start erasing.
The function indicator lights and the display shows ERS (erase), and the
time remaining to completion.
❖ You can halt this erase process by holding down the 7 (stop) button
for 10 seconds.
COMPACT DISC DIGITAL RECORDER
Re -in it ia lizin g a d is c
1
Press and hold ERASE for about four seconds.
The recorder prompts you to confirm with the message ALL DISC ERASE?
and the recorder function indicator blinks to indicate erase standby
mode.
8
❖ Press 7 (stop) to cancel all disc erase here.
jog dial
DIGITAL
REC LEVEL
ANALOG
REC LEVEL
2
Press 8 (pause) to start erasing.
The process takes about five minutes plus the entire length of the disc.
During this time, the function indicator lights and the display shows dE
(disc erase), followed by the remaining time to completion.
❖ You can halt this erase process by holding down the 7 (stop) button
for 10 seconds.
REPEAT
Î
FADER
FINALIZE
REC
DIGITAL
SYNCHRO
AUTO/
MANUAL
TRACK NO.
W RITE
ERASE
8
ERASE
7
3
TIME
8
1
¡
4
¢
4 ¢
INPUT
SELECTOR
SKIP
PLAY
SKIP ID
SET
CLEAR
1
5
2
6
3
4
8
7
35
Ad d it io n a l In fo rm a t io n
Un d e rs t a n d in g Dis p la y Me s s a g e s
Below is a list of messages you’ll see during normal operation of the PDR–509 together with a brief explanation of what they
mean. If you need more information, turn to the page indicated.
Message
OPEN
Description
Reference
p.15
The disc tray is open.
CLOSE
The disc tray is closing.
p.15
SET UP
TOC READ
The unit is setting up for recording. Wait for the message to disappear.
The recorder is reading the disc’s TOC (Table of Contents). Wait for the
message to disappear.
1-SYNC
The unit is in 1-track automatic digital recording mode. Recording starts when
the recorder detects the digital source input signal.
p.20
p.21
AL-SYNC
The unit is in all-track automatic digital recording mode. Recording starts when
the recorder detects the digital source input signal.
CAN NOT SYNC
This display appears when the DIGITAL SYNCHRO button is pressed if the INPUT
SELECTOR is set for an analog source, or in digital mode if the source selected
is not recognized as CD, MD, DAT, or DCC.
MONI INPUT
The recorder is monitoring the input selected with the input selector. The unit
p.32
p.26
(CD, MD, DAT, DCC,DVD) displays the source it is monitoring (CD, MD, DAT,DCC, or DVD).
PMA REC
TRACK ?
The recorder is writing TOC data to the disc’s PMA (Program Memory Area).
Never turn off the power while this display is showing.
The recorder is waiting for you to enter a track in program play mode. Select a
track using the numeric buttons, 4 and ¢ (track skip) buttons, or jog dial.
SKIP SET?
SKIP CLEAR?
LAST ?
Confirm that you want to set a skip ID by pressing the SKIP ID SET button.
p.28
p.29
p.34
Confirm that you want to set a skip ID by pressing the SKIP ID CLEAR button.
Confirm that you want to erase the last track of a CD–RW disc by pressing 8
(pause).
ALL ?
TOC ?
Confirm that you want to erase all tracks on a CD–RW disc by pressing 8
pp.34–35
p.35
(pause).
Confirm that you want to erase the TOC of a finalized CD–RW disc to return it to
a non-finalized state. After doing this, you can record more material on the disc.
Confirm that you want to erase tracks recorded on a CD–RW disc .
p.34
** - [LAST] ?
(** is a num ber)
ALL DISC ERASE?
CD-R CD-RW
Confirm that you want to re-initialize the CD–RW disc by pressing 8 (pause).
p.35
This display is for in-store demonstration purposes. The demonstration stops
when any key or control is operated. If no key or control is pressed for about
three minutes after the demonstration was stopped, it will start again.
To start the demonstration mode, switch on the power with a disc loaded and
press 1 as soon as the display reads 01 00:00.
To cancel the demonstration mode, switch on the power with a disc loaded
and press ¡ as soon as the display reads 01 00:00.
36
Ad d it io n a l In fo rm a t io n
Tro u b le s h o o t in g
Below is a list of messages mainly related to playback and recording problems, together with a brief explanation and a page
reference where you can find more information:
Display
Cause
Rem edy
Reference
CHECK DISC
The disc is damaged or dirty.
Take out the disc and check for dust, dirt, scratches, p.9
etc. Clean as necessary.
The disc is loaded upside down.
Take out the disc and reload it label-side up.
p.15
If the same messages are displayed again after the
disc is reloaded, unplug the power cord and plug it
in again. If the same messages are still displayed,
please contact a Pioneer authorized service center.
CHECK
(blinking
display)
A system error occurred, perhaps due
to noise or static electricity.
Unplug the power cord and plug it in again. If the
same messages are displayed again, please contact
a Pioneer authorized service center.
Dis p la y m e s s a g e s re la t in g t o re c o rd in g :
Reference
Display
Cause
Rem edy
p.25, 32
CAN NOT
COPY
The input signal is digital-copy pro-
tected with SCMS.
Record the source through the analog inputs.
p10
CAN NOT REC The digital source was interrupted.
Check that the digital input cable is connected
properly and that the power of the source player is on.
The source is not audio, or is an
Check that the source is a regular music source.
incompatible format (e.g. a CD–ROM).
pp.20–22
CHECK INPUT
(CD) ?
The source player was already playing
when the DIGITAL SYNCHRO button was
pressed.
Stop the source player. After a short time, 1-SYNC or
AL-SYNC is displayed, and the recorder goes into
synchro–record-pause mode.
SET UP
REPAIR
The unit is preparing to record.
Wait until the message disappears.
The recorder was switched off/
unplugged after recording without
ejecting the disc. The recorder could
not write essential recording informa-
tion onto the disc.
While REPAIR is displayed, the recorder automatically
examines the recorded area of the disc and updates
the track numbers and recording time data. This
process takes about 40 minutes for a fully recorded
disc. Finalization or further recording is possible
once the REPAIR message disappears.
p.19
RESUME
The unit is resuming an operation. If
the power supply is cut off (either by
mistake or due to a power failure)
during recording, the unit enters
Wait until the message disappears.
resume mode once power is restored
so that additional recording is possible.
p.19
REC FULL
Pro DISC
No more recording is possible because
the available recording time of the disc
has been used up, or 99 tracks have
already been recorded on the disc.
Use another disc, or erase the CD–RW disc.
p.8, 19
The loaded disc is a CD–R or CD–RW
disc for professional use without the
CONSUMER USE disignation.
Load a CD–R or CD–RW disc that is designated as
being for consumer use.
Dis p la y m e s s a g e s re la t in g t o p la yb a c k :
Reference
Display
Cause
Rem edy
p.19
NEW DISC
A blank disc is loaded.
Only recording is possible on blank CD–R or CD–RW
discs. Playback is not possible.
p.15
NO DISC
An attempt is made to start playback
without loading a disc.
Open the tray and check that a disc is loaded.
37
Ad d it io n a l In fo rm a t io n
It’s often easy to mistake incorrect operation for trouble and malfunction of the unit. If you think there is something wrong
with the component, check the points below first. If the problem persists, contact you nearest Pioneer-authorized service
center and have them check over the unit.
Sym ptom
Cause
Rem edy
Power cannot be turned
on.
¶ The power cord is unplugged from the wall
¶ Plug the power cord into a power outlet.
outlet.
¶ The power was turned off from the compo-
nent (stereo amplifier, audio timer, etc.) to
which it is connected.
¶ Turn on the component supplying the
power to the recorder.
No sound is heard
during playback.
The recorder is not connected up properly.
Check all connections, especially to the
amplifier—pp.10–11
Cannot record.
¶ The recorder is not connected up properly.
¶ Check all connections —pp.10–11
¶ The CD–R or CD–RW disc in use has already
¶ Use a non-finalized disc or erase the
been finalized.
CD–RW disc —pp.34–35
¶ The input selection is incorrect.
¶ Select the input connected to the source
component you’re recording from.
¶ The REC LEVEL control is set too low.
¶ Increase the recording level—pp.24–25
Recorded sound is
distorted.
¶ The ecording level is set too high.
¶ Signal connections are incorrect.
¶ There is interference from a TV set.
¶ Reduce the recording level—pp.24–25
¶ Check all connections —pp.10–11
¶ Turn the TV power off or install this unit
further away from the TV
.
¶ The disc is damaged or warped.
¶ Use another disc.
¶ The disc is extremely dirty.
¶ Clean the disc.
Remote control opera-
tion is impossible.
¶ The remote control batteries are exhausted.
¶ Replace both of the remote control
batteries with new ones.
¶ There is an obstacle between the remote
¶ Remove the obstacle.
control unit and main unit.
¶ The remote control unit is being operated
¶ Operate in the remote controllable
outside the remote controllable range.
range —p.14
Some tracks are skipped The SKIP PLAY button is set to on.
without being played.
Set the SKIP PLAY button to off—p.27
Set the SKIP PLAY button to on —p.27
¶ Finalize the disc —p.33
Skip playback does not
occur.
The SKIP PLAY button is set to off.
A recorded CD–R disc
cannot be played on
other CD players.
¶ The disc has not been finalized after
recording. When such a disc is loaded in the
unit, the CD–R indicator lights.
¶ The pickup lens of the other CD player is
¶ Try the disc on a different CD player. If it
plays OK then get the pickup lens on the
original player cleaned.
dirty, impairing its ability to play CD–R discs.
The point-of-sale
demonstration is
displayed.
See page 36 for instructions on how to cancel
the store demo mode.
If digital synchro-recording fails to operate correctly, check the follow ing:
1. Pause playback of the source, then press the DIGITAL SYNCHRO button again.
÷ If you’re recording from a portable CD player, etc., m ake sure that the shock-protection feature is
switched off.
2. Start playback of the source com ponent once you see the SYNCHRO indicator start to blink.
3. If none of the above solves the problem , use m anual digital recording to record.
÷ Digital synchro-recording uses a digital sub-signal contained in the source player’s digital output. Digital
synchro-recording will not work when recording from the following devices:
÷ CD players whose digital output does not include a sub-signal
÷ Portable CD, MD or DVD players which do not output a digital signal when stopped.
38
Ad d it io n a l In fo rm a t io n
S p e c ific a t io n s
1 . Ge n e ra l
Model ......................................................................... Compact disc audio system
Applicable discs .............................................................. CDs, CD-Rs and CD-RWs
Power supply .................................. AC 120 V, 60 Hz (U.S. and Canadian models)
AC 220-230 V, 50/60 Hz (U.K. model)
Power consumption ....................................................................................... 18 W
Operating temperature .................................... +5 °C to +35 °C (+41 °F to +95 °F)
Weight (without package) .......................................................... 3.9 kg (8 lb 10 oz)
Max. dimensions .................................................. 420 (W) x 300 (D) x 105 (H) mm
9
13
3
16 /16 (W) x 11
/
(D) x 4 /16 (H) in.
16
2 . Au d io u n it
U.S. and Canadian m odels
Frequency characteristics ............................................................... 2 Hz to 20 kHz
Playback S/N ..................................................................................... 110 dB (EIAJ)
Playback dynamic range ...................................................................... 98 dB (EIAJ)
Playback total harmonic distortion ................................................. 0.002 % (EIAJ)
Playback channel separation ......................................................................... 98 dB
Recording S/N ............................................................................................... 92 dB
Recording dynamic range .............................................................................. 92 dB
Recording total harmonic distortion .......................................................... 0.005 %
U.K. m odel
Frequency characteristics ............................................................... 2 Hz to 20 kHz
Playback S/N ..................................................................................... 112 dB (EIAJ)
Playback dynamic range ...................................................................... 98 dB (EIAJ)
Playback total harmonic distortion ............................................... 0.0017 % (EIAJ)
Playback channel separation ......................................................................... 98 dB
Recording S/N ............................................................................................... 92 dB
Recording dynamic range .............................................................................. 92 dB
Recording total harmonic distortion .......................................................... 0.004 %
Output voltage .................................................................................................. 2 V
Wow-flutter .............................................................. Less than measurement limit
((±0.001 % W.PEAK) (EIAJ))
U.S. and Canadian m odels / U.K. m odel
Number of channels ................................................................. 2 channels (stereo)
Digital output:
Coaxial output ............................................................... 0.5 Vp-p ±20 % (75 Ω)
Optical output ...................................... –15 to –21 dBm (wavelength: 660 nm)
Frequency deflection: Level 2 (standard mode)
*Recording specification values are for the LINE input (analog)
3 . In p u t ja c k s
Optical digital input jack
Coaxial digital input jack
Audio LINE input jack
Control IN jack
4 . Ou t p u t ja c k s
Optical digital output jack
Coaxial digital output jack
Audio LINE output jack
5 . Ac c e s s o rie s
¶
¶
¶
¶
¶
Remote control unit .......................................................................................... 1
Size AA/R6P dry cell batteries .......................................................................... 2
Audio cord ........................................................................................................ 2
AC power cord ................................................................................................. 1
Operating Instructions ...................................................................................... 1
NOTE:
The specifications and design of this product are subject to change without
notice, due to improvements.
39
We Want You Listening For ALifetime
Used wisely, your new sound equipment will provide a lifetime o
fun and enjoyment. Since hearing damage from loud noise is often
undetectable until it is too late, this manufacturer and the Electronic
Industries Association’s Consumer Electronics Group recommend
you avoid prolonged exposure to excessive noise. This list of sound
levels is included for your protection.
Selecting fine audio equipment such as the unit you’ve just
purchased is only the start of your musical enjoyment. Now it’s time
to consider how you can maximize the fun and excitement your
equipment offers. This manufacturer and the Electronic Industries
Association’s Consumer Electronics Group want you to get the most
out of your equipment by playing it at a safe level. One that lets the
sound come through loud and clear without annoying blaring or
distortion-and, most importantly, without affecting your sensitive
hearing.
Decibel
Level Example
30
40
50
60
70
80
Quiet library, soft whispers
Living room, refrigerator, bedroom away from traffic
Light traffic, normal conversation, quiet office
Air conditioner at 20 feet, sewing machine
Vacuum cleaner, hair dryer, noisy restaurant
Average city traffic, garbage disposals, alarm clock
at two feet.
Sound can be deceiving. Over time your hearing “comfort level”
adapts to higher volumes of sound. So what sounds “normal” can
actually be loud and harmful to your hearing. Guard against this by
setting your equipment at a safe level BEFORE your hearing adapts.
THE FOLLOWING NOISES CAN BE DANGEROUS
UNDER CONSTANT EXPOSURE
90
100
120
140
180
Subway, motorcycle, truck traffic, lawn mower
Garbage truck, chain saw, pneumatic drill
Rock band concert in front of speakers, thunderclap
Gunshot blast, jet plane
To establish a safe level:
• Start your volume control at a low setting.
• Slowly increase the sound until you can hear it comfortably and
clearly, and without distortion.
Rocket launching pad
Information courtesy of the Deafness Research Foundation.
Once you have established a comfortable sound level:
• Set the dial and leave it there.
Taking a minute to do this now will help to prevent hearing damage
or loss in the future. After all, we want you listening for a lifetime.
Published by Pioneer Electronic Corporation.
Copyright © 1999 Pioneer Electronic Corporation.
All rights reserved.
PIONEER ELECTRONIC CORPORATION
4-1, Meguro 1-Chom e, Meguro-ku, Tokyo 153-8654, J apan
PIONEER ELECTRONICS [USA] INC. P.O. BOX 1540, Long Beach, California 90801-1540, U.S.A.
PIONEER ELECTRONICS OF CANADA, INC. 300 Allstate Parkway, Markham , Ontario L3R OP2, Canada
PIONEER ELECTRONIC [EUROPE] N.V. Haven 1087, Keetberglaan 1, 9120 Melsele, Belgium TEL: 03/570.05.11
PIONEER ELECTRONICS AUSTRALIA PTY. LTD. 178-184 Boundary Road, Braeside, Victoria 3195, Australia, TEL: 03-9586-6300
PIONEER ELECTRONICS DE MEXICO S.A. DE C.V. San Lorenzo Num 1009 3er piso Desp. 302 Col. Del Valle, Mexico D.F. C.P. 03100 TEL: 5-688-52-90
<99G00ZF0N01>
Printed in Japan
<PRB1296-A>
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