Sony SOLID STATE MEMORY PMW 100 User Manual

4-425-717-12(1)  
Solid-State Memory  
Camcorder  
PMW-100  
INT  
EXT  
INT  
AUTO  
MANU  
AUTO  
MANU  
EXT  
Operating Instructions  
Before operating the unit, please read this manual thoroughly  
and retain it for future reference.  
© 2012 Sony Corporation  
For the customers in Europe  
For the customers in Taiwan only  
This product with the CE marking complies  
with the EMC Directive issued by the  
Commission of the European Community.  
Compliance with this directive implies  
conformity to the following European standards:  
• EN55103-1 : Electromagnetic  
For the Customers in Brazil only  
DESCARTE DE PILHAS E BATERIAS  
Interference(Emission)  
• EN55103-2 : Electromagnetic  
Susceptibility(Immunity)  
This product is intended for use in the  
following Electromagnetic Environments: E1  
(residential), E2 (commercial and light  
industrial), E3 (urban outdoors), E4  
(controlled EMC environment, ex. TV studio).  
The manufacturer of this product is Sony  
Corporation, 1-7-1 Konan, Minato-ku, Tokyo,  
108-0075 Japan.  
The Authorized Representative for EMC and  
product safety is Sony Deutschland GmbH,  
Hedelfinger Strasse 61, 70327 Stuttgart,  
Germany. For any service or guarantee  
matters please refer to the addresses given  
in separate service or guarantee documents.  
Bateria de Ion-Lítium  
Atenção:  
Se a bateria não for manuseada  
corretamente, ela poderá explodir, causar  
incêndio ou até mesmo queimaduras  
químicas. Observe as seguintes precauções.  
- Não desmonte, esmague ou exponha a  
bateria a qualquer choque ou impacto,  
como martelar, deixar cair ou pisar.  
- Não provoque curto-circuito, nem deixe  
que objetos metálicos entrem em  
contato com os terminais da bateria.  
- Não exponha a bateria a temperaturas elevadas,  
acima de 60 °C, como sob a luz solar direta ou  
no interior de um carro estacionado ao sol.  
- Não incinere nem jogue no fogo.  
- Não manuseie baterias de íon-lítio  
danificadas ou com vazamentos  
- Mantenha a bateria fora do alcance de  
crianças pequenas.  
ATTENTION  
The electromagnetic field at the specific  
frequencies may influence the picture and  
sound of this camera.  
For the State of California, USA only  
Perchlorate Material - special handling may  
apply, See www.dtsc.ca.gov/  
hazardouswaste/perchlorate  
Perchlorate Material : Lithium battery  
contains perchlorate.  
For the customers in the USA and Canada  
RECYCLING LITHIUM-ION BATTERIES  
Lithium-Ion batteries are recyclable.  
You can help preserve our environment by  
returning your used rechargeable batteries to  
the collection and recycling location nearest  
you.  
For more information regarding recycling of  
rechargeable batteries, call toll free 1-800-  
822-8837, or visit  
- Mantenha a bateria seca  
-
Substitua apenas por uma bateria do mesmo  
tipo ou equivalente recomendada pela Sony.  
Bateria Primária  
Atenção:  
Verifique as instruções de uso do aparelho  
certificando-se de que as polaridades (+) e (-)  
estão no sentido indicado. As pilhas poderão vazar  
ou explodir se as polaridades forem invertidas,  
expostas ao fogo, desmontadas ou recarregadas.  
Evite misturar com pilhas de outro tipo ou com  
pilhas usadas, transportá-las ou armazená-las  
soltas, pois aumenta o risco de vazamento.  
Retire as pilhas caso o aparelho não esteja  
sendo utilizado, para evitar possíveis danos  
na eventualidade de ocorrer vazamento.  
As pilhas devem ser armazenadas em local  
seco e ventilado.  
http://www.rbrc.org/  
Caution: Do not handle damaged or leaking  
Lithium-Ion batteries.  
3
No caso de vazamento da pilha, evite o  
contato com a mesma. Lave qualquer parte  
do corpo afetado com água abundante.  
Ocorrendo irritação, procure auxílio médico.  
Não remova o invólucro da pilha.  
Mantenha fora do alcance das crianças. Em caso  
de ingestão procure auxílio médico imediatamente.  
4
Table of Contents  
Checking the Remaining Time Available for  
Checking the Remaining Time Available for  
Recording ............................................................... 25  
Table of Contents  
5
Table of Contents  
6
Playing the Selected and Subsequent Clips in  
Adding Shot Marks During Playback  
Adding/Deleting the OK Mark  
Displaying the SHOT MARK Screen  
Adding/Deleting Shot Marks  
Changing the Index Frame  
Table of Contents  
7
Recording the Camcorder Picture on an External  
Table of Contents  
8
Overview  
Features  
The PMW-100 is a highly compact and high-  
bit, 48 kHz linear PCM format for FAT HD Mode  
is possible.  
1)  
performance XDCAM camcorder that uses  
1)  
SxS memory cards as recording media. The  
Support for a file-based workflow  
File-based recording in MXF and MP4 formats  
allows material to be handled with great  
flexibility in computer work environments,  
enabling easy copying, transferring, sharing, and  
archiving.  
imaging device used in the PMW-100 camcorder  
1)  
is a 1/2.9-inch type “Exmor” CMOS sensor,  
with an effective pixel count of 1920 × 1080.  
Either the UDF or FAT file system can be used  
with recording media.  
Instant-access thumbnail display with “Expand”  
function  
Multiple-format support  
Both Interlace at 1080/59.94i (or 1080/50i) and  
Progressive at 1080/29.97P, 1080/23.98P, 720/  
59.94P, 720/29.97P, and 720/23.98P (or 1080/  
25P, 720/50P, and 720/25P) are supported,  
providing various HD recording formats for  
worldwide coverage.  
NTSC/PAL SD formats are also possible,  
including SD signal recording and playback in  
DVCAM format, as well as down-conversion  
output of HD signals into SD signals.  
Each time a recording is started and stopped, the  
video and audio signals are recorded as one clip.  
Furthermore, thumbnails are automatically  
generated for each clip as a visual reference,  
allowing the operator to cue-up to a desired scene  
simply by guiding the cursor to a thumbnail. For  
further convenience, the ‘Expand’ function  
allows one selected clip in the Thumbnail display  
to be divided into 12 equal time intervals, each  
with its own thumbnail identifier. This is useful if  
you wish to quickly search for a particular scene  
within a lengthy clip.  
A new generation HD recording system  
HD recording using the “MPEG-2 Long GOP”  
codec and SD recording in DVCAM format  
The PMW-100 records 1920 × 1080, 1440 ×  
1080, and 1280 × 720 HD images using “MPEG-  
2 Long GOP” codec compression. When  
recording with UDF, settings of 50 Mbps (in  
HD422 mode) or 35 Mbps (in HQ mode) are  
supported. With FAT, settings of 35 Mbps (in HQ  
mode) or 25 Mbps (in SP mode) are supported.  
When using UDF with a 64 GB SxS memory  
card, efficient compression methods allow for  
recording approximately 120 minutes of HD  
images at 50 Mbps (in HD422 mode), and  
approximately 180 minutes of HD images at 35  
Mbps (in HQ mode). Furthermore, the PMW-100  
supports recording and playback in DVCAM 25  
Mbps format, as well as playback in MPEG IMX  
50 Mbps format.  
Creative recording modes and settings  
Versatile focus-assistance functions  
The lens has a versatile functions for easy and  
precise focus adjustments.  
• One-push Auto Focus  
• MF Assist  
• Expanded Focus  
• Peaking  
Slow & Quick Motion function  
By using different settings for the recording  
framerate and playback framerate, you can  
perform high-quality slow-motion and quick-  
motion recording.  
Slow Shutter function  
This camcorder enables the capturing of clear,  
low-noise images in low-light environments, with  
long exposure of up to 64 frames.  
High-quality uncompressed audio recording  
When in UDF HD422 mode, this camcorder can  
record 4-channel audio in 24-bit, 48 kHz linear  
PCM format. Recording of 4-channel audio in 16-  
Selectable gamma curves  
Gamma curves can be selected based on the  
scenes being recorded.  
Features  
9
   
1)Sony, XDCAM, SxS, i.LINK, Exmor, and Remote  
Commander are trademarks of Sony Corporation.  
2)HDMI, HDMI logo and High-Definition Multimedia  
Interface are trademarks or registered trademarks of  
HDMI Licensing, LLC in the United States and other  
countries.  
Interval Recording function  
You can perform intermittent recording at pre-  
determined intervals. This is convenient for  
shortening the time it takes to track variations  
over long periods, such as changes in the weather  
or plant growth.  
All other trademarks are the property of their respective  
owners.  
Frame Recording function  
Frame Recording is a unique feature of the PMW-  
100 camcorder that is especially useful for clay-  
animation shooting. With this function, images  
for pre-determined frame are recorded each time  
the record button is pressed.  
Shutter-angle settings  
In addition to the electric shutter speed controls,  
the PMW-100 also has a “shutter angle” control,  
which is familiar to cinematographers.  
Picture Profile feature  
The Picture Profile feature allows the camera  
operator to easily call up customized picture-  
tonal settings to suit particular shooting  
conditions.  
Up to 6 groups of settings can be set.  
Picture Cache Recording function  
The unit can utilize its internal memory to store  
the image being captured, allowing recording to  
commence up to 15 seconds in advance of when  
the REC START (recording start) button was  
pressed.  
A variety of functions and designs for  
high operability  
• Depth-of-field indicator  
• Brightness-level display  
• Histogram indicator  
• 3.5-inch color LCD monitor  
• Easy-to-see color viewfinder  
• Four assignable buttons  
• Zoom and recording start/stop operations  
enabled both on the handle and the grip  
• Long operating time with a battery pack  
• Wide array of interfaces, including USB,  
1)  
2)  
i.LINK , and HDMI  
• ATW (Auto Tracing White Balance)  
• Selectable gain  
• High-speed picture search: ×4, ×15, ×24  
• Freeze Mix function  
1)  
• IR Remote Commander supplied  
• Planning metadata function  
Features  
10  
Part Identification  
For functions and usage, see the pages in parentheses.  
Camcorder  
Operation panel on the  
4
1
2 3  
5
6
Rear connector  
7
8
Side operation panel Card slot block (page 14)  
11 10 9  
1. Lens hood  
2. Headphone connector (stereo mini jack)  
Attach  
3. Rear IR remote control receptor  
4. Power switch (page 19)  
5. BATT RELEASE button (page 18)  
6. Eyepiece focusing knob (page 20)  
7. DC IN connector (page 19)  
Insert the hood by aligning it with the mark  
on the camcorder, then turn the hood  
clockwise while facing the front of the  
camcorder (opposite the direction at 2 in the  
illustration below) to secure it.  
Detach  
1 Press and hold the hood release button, 2  
turn the hood in the direction of the arrow, 3  
then pull it out.  
8. Battery pack receptacle (page 18)  
9. EXPOSURE dial/button (page 33)  
10. FOCUS/ZOOM switch (page 33)  
11. Lens operation ring (page 33)  
3
2
1
When attaching the optional wide-  
conversion lens, use the lens hood supplied  
with the wide-conversion lens.  
Part Identification  
11  
                     
1
2
3
11  
4
5 6 7 8  
11  
Controls on the grip  
10  
9
1. Viewfinder (page 20)  
11. Hooks for the shoulder strap  
Attach the supplied shoulder strap as shown  
below.  
How to attach the EVF large eyecup  
Attach the EVF large eyecup, aligning it with  
the groove of the eyecup already installed on  
the unit.  
Do not detach the eyecup already installed on  
the unit.  
4
3
2
1
EVF large eyecup (supplied)  
2. Rear accessory shoe (page 24)  
3. External microphone holder (page 35)  
4. LCD (Liquid Crystal Display) monitor  
5. Front accessory shoe  
6. Built-in microphone (page 35)  
7. REC/TALLY lamp  
8. Front IR remote control receptor/  
NightShot IR transmitter (page 34)  
9. Built-in speaker (page 56)  
10. AUDIO IN CH-1/CH-2 connectors (XLR)  
and input selection (LINE/MIC/  
MIC+48V) switches (page 35)  
Part Identification  
12  
         
Operation panel on the handle  
Side operation panel  
1 2 4 5  
3
6
7
8
1
2
3
4
11  
12  
13  
5
14  
6
7
8
+06  
':6  
#761  
15  
16  
/#07  
+06  
':6  
#761  
17  
18  
19  
/#07  
9
10  
9
10 11 12 13 14 15  
1. PLAY/PAUSE button (page 55)  
2. F REV (fast reverse) button (page 56)  
3. THUMBNAIL button (page 53)  
4. STOP/CAM button (page 53)  
1. FOCUS (focus adjustment mode) switch  
2. PUSH AF (momentary auto focus) button  
3. ASSIGN (assignable) 1/2/3/4 buttons (page  
ZEBRA is set to ASSIGN 1 and PEAKING  
is set to ASSIGN 2 by default.  
5. STATUS (status display on/off) button  
6. PREV (previous) button  
7. Up/down/left/right buttons, SEL/SET  
(select/set) button (page 68)  
4. FULL AUTO button and indicator (page  
8. MENU (menu display on/off) button (page  
5. PICTURE PROFILE button (page 42)  
6. AUDIO IN (audio input selection)  
switches (page 35)  
9. On-handle ZOOM button (page 33)  
10. Zoom speed switch (page 64)  
11. F FWD (fast forward) button (page 56)  
7. AUDIO SELECT (audio level control  
mode selection) switches (page 36)  
12. LCD BRIGHT (LCD brightness  
8. AUDIO LEVEL CH-1/CH-2 knobs (page  
adjustment) button (page 20)  
13. NEXT (clip directional jump) button  
9. SHUTTER switch (page 32)  
10. GAIN switch (page 31)  
14. DISPLAY button (page 16)  
11. WHITE BAL (white balance memory)  
15. VOLUME (monitor volume) buttons  
12. WHITE BAL (automatic white balance  
16. CANCEL button  
adjustment) button (page 31)  
17. DURATION/TC/U-BIT (time data  
13. MENU (menu display on/off) button (page  
selection) button (page 35)  
18. REC START/STOP button (page 29)  
19. REC HOLD lever (page 29)  
Part Identification  
13  
                                                         
14. SEL/SET dial (jog dial) (page 68)  
It functions accordingly when you turn it up or  
down, or you push it horizontally.  
Rear connector panel  
It is called the “jog dial” in the subsequent  
operating instructions.  
15. CANCEL button  
Behind the  
cover  
Card slot block  
4
1
The SxS memory card slots and EJECT buttons  
are located behind the cover.  
2
3
5
6
7
Open the cover  
8
1
1. USB connector (Mini B)  
2. i.LINK (HDV/DV) connector (4-pin, S400  
conforming to IEEE1394) (page 89)  
3. A/V OUT connector (audio/video multi  
2
3
output) (page 90)  
4. HDMI OUT connector (page 89)  
5. SDI OUT connector (BNC type) (page 89)  
6. TC IN (timecode input)/TC OUT  
(timecode output) connector (BNC type)  
7. IN/OUT (input/output change) switch  
4
Set this to IN to select GENLOCK IN, and  
set this to OUT to select TC OUT and  
VIDEO OUT.  
8. GENLOCK IN/VIDEO OUT (analog  
video output) connector (BNC type) (page  
1. ACCESS lamps (page 22)  
2. SxS memory card slots (page 22)  
3. EJECT (SxS memory card eject) buttons  
Controls on the grip  
1
2
4. SLOT SELECT (SxS memory card select)  
3
4
1. REC REVIEW button (page 29)  
2. Power zoom lever (page 33)  
Part Identification  
14  
                           
3. EXPANDED FOCUS button (page 33)  
4. REC START (start/stop recording)  
IR Remote Commander (Supplied)  
The buttons without remarks can be used in the  
same manner as the corresponding buttons on the  
camcorder.  
Bottom  
1
2
PUSH SET  
1
SHOTMARK  
2
T
ZOOM  
W
9
10  
11  
3
4
5
6
THUMBNAIL SUB CLIP  
PREV  
PLAY/PAUSE  
NEXT  
STOP  
.
u
>
x
FREV  
FFWD  
m
M
REC  
REC PAUSE  
PUSH AF  
12  
13  
z
X
7
8
1
1. Tripod receptacles  
Note  
2
1. ZOOM T/W (telephoto/wide-angle)  
buttons  
Check that the size of the hole matches the screw of  
the tripod. If they do not match, the camcorder  
cannot be attached to the tripod securely, and this  
may lead to the physical injury of the camera  
operator.  
2. SHOTMARK 1 and 2 buttons (page 37,  
3. THUMBNAIL button  
4. PREV (previous clip jump) button  
5. F REV (fast reverse) button  
6. PLAY/PAUSE button  
2. Backup battery holder (page 106)  
7. REC (record) buttons  
Press the z button together with the unmarked  
button (safety button) to start recording.  
8. REC PAUSE buttons  
Press the X button together with the unmarked  
button (safety button) to pause recording.  
9. PUSH SET button (four-way arrow key)  
It functions the same as the SEL/SET button on  
the camcorder.  
10. NEXT button  
11. STOP button  
12. F FWD (fast forward) button  
13. PUSH AF button  
Note  
The SUB CLIP button has no function.  
Part Identification  
15  
         
On-Screen Indications  
While recording (or standing by to record), pressing the DISPLAY button displays the statuses and  
settings of this unit on the LCD monitor/viewfinder screen.  
Remarks  
[M]: The indication of the items named with this suffix can be independently turned on/off with “Display  
On/Off” in the LCD/VF SET menu (page 78).  
[A]: The indication of items named with this suffix can be turned on/off using the assignable buttons to  
which the corresponding on/off functions have been assigned (page 38).  
[D]: The settings of the items named with this suffix can be changed using the Direct menu on the screen  
1. Battery remaining/DC IN voltage  
indication [M] (page 18)  
S&Q STBY  
Standby for Slow & Quick  
Motion recording  
zINT REC  
Interval Recording in progress  
2. i.LINK status indication (page 92)  
Only when an external device is connected to  
the i.LINK connector, the status of the device is  
displayed.  
INT STBY  
Standby for Interval  
Recording  
zFRM REC  
FRM STBY  
zCACHE  
Frame Recording in progress  
Standby for Frame Recording  
3. Special recording/operation status  
indication  
z in green: Standby for  
Cache Recording  
zREC  
Recording in progress  
z in red: Cache Recording in  
progress  
STBY  
Standby for recording  
When using Clip Continuous  
Recording, indicates that there  
is no continuing clip.  
4. Media status indication  
Memory card in slot A is active.  
CONT  
Standby for recording  
Memory card in slot B is active.  
When using Clip Continuous  
Recording, indicates that a  
clip is being continued.  
Slow & Quick Motion  
recording in progress  
5. Time data indication [M] (page 35)  
6. Media remaining indication [M] (page 23)  
7. Zoom position indication [M] (page 33)  
zS&Q REC  
On-Screen Indications  
16  
         
8. Wide-conversion lens setting indicator [M]  
Displayed when Wide Conversion of the  
CAMERA SET menu is set to “On”.  
Direct Menu Operation  
The settings of the items named with a suffix [D]  
can be changed using the Direct menu on the  
screen.  
Select “All,” “Part,” or “Off” for Direct Menu  
using “Direct Menu” (page 84) in the OTHERS  
menu.  
9. Synchronous recording display [M]  
Displayed when “SDI Rec Control” in the  
VIDEO SET menu is set to “HD SDI Remote  
I/F.”  
10. NightShot mode indication [M][A] (page  
Note  
When the indicator of the FULL AUTO button is lit, the  
Direct Menu operation is disabled for the functions that  
are forcibly set to the automatic mode in Full Auto mode  
11. Clip name indication [M] (page 29)  
12. TLCS mode indication [M][D] (page 73)  
Backlight mode  
1
When the camcorder’s status or settings  
are displayed on the screen, press the  
SEL/SET button (page 13) or the jog  
dial (page 14).  
Standard mode  
S
TD  
Spotlight mode  
If “Direct Menu” is set to “All” or “Part,” the  
cursor is displayed on one of the items for  
which the Direct menu operation is  
permitted.  
13. Steady Shot indication [M][D] (page 34)  
14. Focus mode indication [M] ([D] only in MF  
15. White balance mode and color  
2
3
Press the up/down/left/right buttons  
(page 13) or rotate the jog dial to set the  
cursor to the item to be operated, then  
press the SEL/SET button or the jog  
dial.  
temperature indications [M][D] (page 30)  
16. Picture profile indication [M][D] (page 42)  
17. Exposure position indication [M][D] (page  
Displays the brightness index. In Auto mode,  
“AUTO” is displayed.  
The Direct menu of the selected items  
appears.  
18. Gain indication [M][D] (page 31)  
Press the up/down/left/right buttons or  
the jog dial to select a setting, then press  
the SEL/SET button or the jog dial.  
19. Shutter mode/shutter speed indication  
20. Audio level meters [M]  
21. Histogram indication [M][A]  
22. Video level cautioning indication [M]  
23. Depth-of-Field bar indication [M][A]  
24. Brightness level indication [M][A]  
The menu disappears, and the new setting is  
displayed.  
25. Special recording mode indication [M] ([D]  
only in Slow & Quick Motion Standby)  
Frame Rec  
Interval Rec  
Frame Rec mode  
Interval Rec mode  
S&Q Motion  
xx/xx fps  
Slow & Quick Motion mode  
26. Video Format indication [M] (page 30)  
On-Screen Indications  
17  
         
Preparations  
Power Supply  
You can use a battery pack or AC power via an  
AC adaptor.  
Checking battery charge remaining  
When recording or playback is in progress on the  
battery pack, an icon to show the current battery  
charge level and usage time remaining are  
displayed on the LCD monitor/viewfinder screen  
For safety, use only the Sony battery packs and  
AC adaptor listed below:  
Lithium-ion Battery Pack  
BP-U30  
BP-U60  
Icon  
Remaining  
BP-U90  
100% to 91%  
Battery Charger/AC Adaptor  
BC-U1  
BC-U2  
90% to 71%  
70% to 51%  
50% to 31%  
30% to 11%  
10% to 0%  
WARNING  
Batteries shall not be exposed to excessive heat  
such as sunshine, fire or the like.  
Note  
The AC adaptor cannot be connected to the camcorder  
while the battery pack is inserted.  
The camcorder indicates the remaining usage  
time in minutes by calculating the available time  
with the battery pack if operation is continued at  
the current rate of power consumption.  
Using a Battery Pack  
If the battery charge remaining becomes  
low  
Fully insert the battery pack into the battery pack  
receptacle (page 11), then slide it to the left to  
lock it.  
If the battery charge remaining decreases to a  
certain level during operation (Low BATT  
status), a low-battery message, flashing of the  
tally lamps, and a beep sound will warn you.  
If the remaining further decreases to a level at  
which operation cannot be continued (BATT  
Empty status), a battery-empty message appears.  
Replace the battery pack with one that is fully  
charged.  
To remove the battery pack, press and hold the  
BATT RELEASE button (page 11), slide the  
battery pack upward to unlock it, then pull it out.  
Notes  
• Before use, charge the battery pack with the supplied  
BC-U1 or BC-U2 Battery Charger.  
• A warm battery pack immediately after use may not be  
able to be fully recharged.  
• The high-capacity BP-U90 Battery Pack is large, and  
protrudes from the camcorder when attached. When  
using the camcorder with the BP-U90 attached for  
extended recording periods, Sony recommends  
attaching the camcorder to a tripod for convenience.  
To change the message levels  
The Low BATT level is set to 10% of full charge,  
and the BATT Empty level is set to 3% of full  
charge at the factory. These settings can be  
changed with “Battery Alarm” (page 84) in the  
OTHERS menu.  
Power Supply  
18  
                   
Using AC Power (DC IN Power)  
Setting the Clock  
Connection example: when connecting BC-U1  
When you turn the camcorder on for the first time  
after purchasing or replacing the backup battery  
(page 106), the Initial Setting display appears on  
the LCD monitor/viewfinder screen.  
Set the date and time of the built-in clock, using  
this display.  
Time Zone  
1
The value shows the time difference from UTC  
(Coordinated Universal Time).  
Change the setting if needed.  
2
Setting the time and date  
Press the up/down/left/right buttons (page 13) or  
turn the jog dial (page 14) to move the cursor,  
then press the SEL/SET button or the jog dial to  
set each menu item. When you press the SEL/  
SET button or the jog dial when the cursor is on  
“Finish,” the Initial Setting display disappears,  
the clock setting is completed, and the camcorder  
enters the mode selected via the power switch.  
3
D
C
O
U
T
C
H
A
R
G
E
0
%
B
A
B
C
8
0
T
T
1
E
R
1
00  
-U  
Y
C
H
A
R
G
E
R
BC-U1  
1
Connect the DC power output cable of  
the BC-U1 to the DC IN connector of  
the camcorder.  
2
3
Connect the power cord of the BC-U1 to  
an AC power source.  
After the Initial Setting display disappears, “Time  
Zone” (page 82) and “Clock Set” (page 82) in the  
OTHERS menu can be used to set “Time Zone”  
and “Date/Time.”  
Set the mode switch of the BC-U1 to the  
DC OUT position.  
Notes  
• If the clock setting is cleared because of exhaustion of  
the backup battery while no operation power was being  
supplied (no battery pack and no DC IN connection),  
the Initial Setting display will be displayed when you  
turn the camcorder on at the next opportunity.  
• While the Initial Setting display is shown, no other  
operation except turning the power off is permitted  
until you finish the setting for this display.  
Turning the Power On/Off  
To turn the power on, set the power switch (page  
11) to the ON position (the ? position). To turn the  
power off, set the power switch to the OFF  
position (the 1 position).  
Notes  
• This camcorder uses a little standby power even when  
the power switch is set to OFF. Remove the battery  
pack if the camcorder will not be used for a prolonged  
period.  
• When removing the battery pack or the DC IN power,  
be sure to first set the power switch to the OFF  
position. Removing the battery pack or the DC IN  
power while the camcorder is ON may cause damage  
to the camcorder or the SxS memory card.  
Setting the Clock  
19  
                         
Turning the EVF on/off  
Adjusting the LCD  
Monitor and Viewfinder  
With the factory setting, the EVF is turned on  
when the LCD monitor is in its park position or is  
rotated to face the subject.  
You can change the setting so that the EVF is  
always on regardless of the status in the LCD  
monitor, using “EVF” (page 77) in the LCD/VF  
SET menu. Change the “Power” setting from  
“Auto” to “On.”  
Adjusting the LCD Monitor  
The LCD monitor turns on when it is opened and  
turns off when it is returned to the park position.  
Adjusting the focus in the EVF  
Adjusting the angle  
The eyepiece focusing (diopter compensation)  
knob (page 11) enables adjustment to match the  
eyesight of operator so that the operator can view  
the image clearly in the eyepiece.  
It can be rotated as much as 90 degrees in the  
direction facing the subject and as much as 180  
degrees in the opposite direction.  
When you rotate it 90 degrees toward the subject,  
the image on the monitor becomes upside down,  
indicating the mirror image of the subject. The  
display direction of the textual information is  
converted to the readable direction.  
Adjusting the backlight  
The brightness of the backlight for the EVF can  
be switched between High and Low.  
Set “Backlight” in “EVF” (page 77) in the LCD/  
VF SET menu.  
Adjusting the backlight  
Press the LCD BRIGHT button (page 13) to  
adjust the brightness of the backlight.  
Switching between color and  
monochrome modes  
Adjusting the color, contrast, and  
brightness  
For the EVF screen, color or monochrome display  
can be selected.  
Set “Mode” in “EVF” (page 77) in the LCD/VF  
SET menu.  
Select “B&W” if checking the subject and  
focusing are easier on the monochrome display.  
If you assign “EVF Mode” to one of the  
assignable buttons (page 38), you can switch  
between color and monochrome by pressing the  
button.  
These adjustments can be made using “LCD”  
(page 77) in the LCD/VF SET menu. These  
adjustments of the LCD monitor have no effect on  
pictures being recorded.  
Adjusting the Viewfinder  
If the picture on the LCD monitor is hard to view  
under bright ambient light, you can use the  
viewfinder to check the picture.  
Adjusting the contrast and brightness  
Use “EVF” (page 77) in the LCD/VF SET menu  
to make adjustments. Adjusting the brightness  
and other items has no effect on pictures being  
recorded.  
Caution  
Do not leave the camcorder with the eyepiece of  
the viewfinder facing the sun. Direct sunlight can  
enter through the eyepiece, be focused in the  
viewfinder, and cause fire.  
Hereafter the viewfinder is referred to as “EVF”  
(abbreviation of Electronic Viewfinder).  
Adjusting the LCD Monitor and Viewfinder  
20  
                         
Replacing the battery in the IR Remote  
Commander  
Using the IR Remote  
Commander  
Use a commercially available CR2025 lithium  
battery. Do not use any battery other than a  
CR2025.  
Before use  
1
Hold down the lock lever 1, pull out  
the battery holder 2, and remove the  
battery.  
Before you use the supplied IR Remote  
Commander for the first time, pull out the  
insulation sheet from the battery holder.  
Insulation sheet  
2
1
A CR2025 lithium battery is set in the holder at  
the factory.  
2
Place a new battery in the battery  
holder with the + symbol facing upward  
1, then push the battery holder into the  
IR Remote Commander until it clicks  
2.  
To use the IR Remote Commander  
For controlling the camcorder from the IR  
Remote Commander, activate the remote control  
function of the camcorder after turning the power  
on.  
With the + symbol upward  
Activating/deactivating the remote control  
function can be achieved using the Setup menu or  
an assignable button.  
1
To activate using the menu  
Press the MENU button to set the camcorder to  
2
Menu mode, select  
(the OTHERS menu  
(page 82)) and set “IR Remote” to “On.”  
WARNING  
To activate using an assignable button  
Assigning “IR Remote” to one of the assignable  
buttons (page 38) permits you to activate/  
deactivate the remote control function by  
pressing the button.  
• Battery may explode if mistreated.  
Do not recharge, disassemble, or dispose of in  
fire.  
• Batteries shall not be exposed to excessive heat  
such as sunshine, fire or the like.  
Note  
CAUTION  
To avoid malfunctions, the remote control function is  
automatically deactivated when the camcorder is turned  
off. Activate the function each time when required after  
you turn the camcorder on.  
Danger of explosion if battery is incorrectly  
replaced. Replace only with the same or  
equivalent type recommended by the  
manufacturer.  
When you dispose of the battery, you must obey  
the law in the relative area or country.  
Using the IR Remote Commander  
21  
     
Inserting/Removing an SxS  
Memory Card  
Using SxS Memory  
Cards  
Inserting an SxS memory card  
This camcorder records audio and video on SxS  
memory cards (optional) inserted in the card slots.  
1
2
Open the cover of the card slot block  
Insert the SxS memory card into the slot  
with the SxS label facing right.  
About SxS Memory Cards  
Usable SxS memory cards  
The ACCESS lamp (page 14) lights in red  
then changes to green once the memory card  
is ready for use.  
Use the following Sony-made SxS memory cards.  
Operations are not guaranteed with memory cards  
other than the following cards.  
3
Close the cover.  
SxS PRO series  
SxS-1 series  
Status indications by the ACCESS lamps  
Card slots A and B are accompanied by the  
respective ACCESS lamps to indicate their  
statuses.  
These cards comply with the ExpressCard  
standard.  
Lamp  
Lights in  
red  
Slot statuses  
Accessing the loaded SxS memory card  
(writing/reading data)  
For details on using SxS memory cards and usage-  
related precautions, refer to the instruction manual  
for the SxS memory card.  
Lights in  
green  
Standby (ready for recording or  
playback using the loaded SxS memory  
card)  
SxS, SxS PRO and SxS-1 are trademarks of Sony  
Corporation.  
Off  
• No SxS memory card is loaded.  
• The loaded card is invalid.  
• An SxS memory card is loaded, but  
another slot is active.  
The ExpressCard word mark and logo are owned  
by Personal Computer Memory Card  
International Association (PCMCIA) and are  
licensed to Sony Corporation. All other  
trademarks are the property of their respective  
owners.  
Removing an SxS memory card  
1
Open the cover of the card slot block,  
press the EJECT button (page 14), then  
pull the button out.  
2
Press the EJECT button again to  
remove the card.  
Note  
Data are not guaranteed if the power is turned off or a  
memory card is removed while the card is being  
accessed. All data on the card may be destroyed. Be sure  
that the ACCESS lamps are lit in green or off when you  
turn off the power or remove memory cards.  
Using SxS Memory Cards  
22  
               
Switching Between SxS Memory  
Cards  
Checking the Remaining Time  
Available for Recording  
When SxS memory cards are loaded in both card  
slots A and B, press the SLOT SELECT button  
(page 14) to select the card you wish to use.  
If a card becomes full during recording, switching  
to the other card is automatically executed.  
While recording (or standing by to record), you  
can check the time remaining for the SxS memory  
cards loaded in the card slots on the LCD  
monitor/EVF screen (page 16).  
The available time for recording with the current  
video format (recording bit rate) is calculated  
according to the remaining space of each card and  
displayed in time units of minutes.  
Note  
The SLOT SELECT button is disabled while playback is  
in progress. Switching is not executed even if you press  
the button. The button is enabled while the thumbnail  
screen is displayed (page 53).  
The remaining can also be checked in a meter  
format on the Battery/Media status screen (page  
66).  
Note  
Formatting an SxS Memory Card  
A
icon appears if the memory card is write-  
protected.  
For an SxS memory card that is not formatted or  
that was formatted with another system, the  
message “Unsupported File System” is displayed  
on the LCD monitor/EVF screen.  
Format the card as instructed in “To execute  
Replacing an SxS memory card  
• If the available time on two cards in total  
becomes less than 5 minutes, a message “Media  
Near Full,” flashing of the tally lamps, and a  
beep sound will warn you. Replace the cards  
with those with sufficient space.  
To execute formatting  
• If you continue recording until the total  
remaining time reaches zero, the message  
changes to “Media Full,” and recording stops.  
Using “Format Media” (page 87) in the  
OTHERS menu, specify “Media(A)” (slot  
A) or “Media(B)” (slot B) then select  
“Execute.” On a confirmation message,  
select “Execute” again.  
Note  
Approximately 600 clips can be recorded on one SxS  
memory card at maximum.  
If the number of recorded clips reaches the limit, the  
remaining time indication becomes “0,” and the message  
“Media Full” is displayed.  
The in-progress message and status bar (%) are  
displayed, and the ACCESS lamp lights in red.  
When formatting is completed, the completion  
message is displayed for three seconds.  
Recording/playback during formatting  
You can perform recording or playback using the  
SxS memory card in the other card slot while  
formatting is in progress.  
Restoring an SxS Memory Card  
If an error occurs with data in a memory card for  
some reason, the card must be restored.  
If an SxS memory card that needs to be restored  
is loaded, a message that prompts you to execute  
a restore operation is displayed on the LCD  
monitor/EVF screen.  
If formatting fails  
A write-protected SxS memory card or memory  
card that cannot be used with this camcorder will  
not be formatted.  
As a warning message is displayed, replace the  
card with an appropriate SxS memory card, as per  
the instructions in the message.  
To restore a card  
Select “Execute” by pressing the up/down/  
left/right buttons or turning the jog dial,  
then push the SEL/SET button or the jog  
dial.  
Note  
All the data, including recorded pictures and setup files,  
are erased when a memory card is formatted.  
Using SxS Memory Cards  
23  
                   
During restoration, the in-progress message and  
status bar (%) are displayed, and the ACCESS  
lamp is lit in red.  
When restoration is completed, the completion  
message is displayed for three seconds.  
Using an External Hard  
Disk  
If restoration fails  
You can use an optional PHU-220R Professional  
Hard Disk Unit with this camcorder.  
• A write-protected SxS memory card or one on  
which an error occurred cannot be restored. For  
such a card, a warning message is displayed.  
Release the write protection or replace the card,  
as per the instructions in the message.  
• An SxS memory card on which an error  
occurred may become usable again through  
repeated formatting.  
• In some cases, only parts of clips cannot be  
restored. Playback of the restored clips becomes  
possible again.  
• The following operation may restore an SxS  
memory card for which the message “Could not  
Restore Some Clips” is repeatedly displayed  
each time you try the restoration process:  
Notes  
• High-speed playback (page 13) may not be properly  
achieved with a hard disk unit.  
• Slow Motion recording by the Slow & Quick Motion  
recording function (page 41) cannot be made with a  
hard disk unit.  
• The Hard Disk Unit does not support recording with  
UDF.  
Attaching/Removing the PHU-  
220R  
Recording/playback can be made using the PHU-  
220R in the same manner as with SxS memory  
cards if you connect the PHU connection cable of  
the PHU-220R to an SxS memory card slot of the  
camcorder.  
1 Copy necessary clips to another SxS memory  
card, using the copy function (page 59) of the  
camcorder or the dedicated application  
software (supplied) (page 91).  
2 Format the problem SxS memory card, using  
Mounting the hard disk unit on the  
camcorder  
the format function of this camcorder.  
3 Return the necessary clips to the SxS  
memory card by copy operation.  
You can attach a hard disk unit to the front  
accessory shoe. By using the optional cold shoe  
kit (consisting of an auxiliary shoe, four screws,  
and a bottom plate) with the camcorder, you can  
also mount the hard disk unit on the rear  
Recording/playback during restoration  
You can perform recording or playback using the  
SxS memory card in the other card slot while  
restoration is in progress.  
accessory shoe (page 12) of the camcorder.  
1
Place the auxiliary shoe on the rear  
accessory shoe and secure it with the  
four screws.  
Note  
For restoration of media recorded with this unit, be sure  
to use this unit. Media recorded with a device other than  
this unit or with another unit of different version (even of  
the same model) may not be restored using this unit.  
Using an External Hard Disk  
24  
         
2
Fit the bottom plate (spring type) into  
the auxiliary shoe.  
Formatting the PHU-220R  
For a PHU-220R that is not formatted or that was  
formatted with another system, the message  
“Unsupported File System” is displayed on the  
LCD monitor/EVF screen.  
Slits for screw holes  
Bottom plate  
To execute formatting  
Using “Format Media” (page 87) in the  
OTHERS menu, specify “Media(A)” (slot  
A) or “Media(B)” (slot B) then select  
“Execute.”  
Insert the bottom plate from the end where the  
two slits for the screw holes of the auxiliary shoe  
are not open. If you secure the auxiliary shoe in  
the direction opposite that shown in the above  
figure with the slit open end forward, insert the  
bottom plate from the direction opposite to that  
shown in the figure.  
An in-progress message and status bar (%) are  
displayed, and the ACCESS lamp lights in red.  
When formatting is completed, a completion  
message is displayed for three seconds.  
Notes  
• A format of the PHU-220R on this camcorder is  
performed as a quick format, in which only managerial  
data are erased. To erase the recording data  
completely, connect the PHU-220R to a PC and  
perform a full format.  
3
Attach the shoe adapter (supplied with  
the PHU-220R) to the hard disk unit,  
mount the unit to the auxiliary shoe on  
the camcorder, and secure it with the  
lock lever of the shoe adapter.  
• The PHU-220R to be used with this camcorder must be  
formatted using the format function of this camcorder.  
For details, refer to the instructions supplied  
with the PHU-220R.  
Checking the Remaining Time  
Available for Recording  
Connecting the PHU connection cable  
While recording (or standing by to record), the  
remaining capacity (in minutes) of the PHU-  
220R connected via a card slot is displayed on the  
LCD screen/EVF screen (page 16).  
The available time for recording with the current  
video format (recording bit rate) is calculated  
according to the remaining space of the hard disk  
and displayed in time units of minutes.  
The remaining capacity can also be checked in a  
meter format on the Battery/Media status screen  
1
2
Set the power switch to the ON position.  
Open the cover of the card slot block  
(page 14) and plug the PHU connection  
cable into a slot.  
Insert the cable so that it points upward.  
3
Turn on the PHU-220R.  
The POWER indicator of the PHU-220R  
lights in green.  
Subsequently, the ACCESS lamp of the  
camcorder lights in red then changes to green  
once the unit is ready for use.  
Restoring the PHU-220R  
Notes  
If an error occurs with data on the PHU-220R for  
some reason, the hard disk must be restored.  
If a PHU-220R that needs to be restored is  
connected, a message that prompts you to execute  
restoration is displayed on the LCD monitor/EVF  
screen.  
• The cover of the card slot block cannot be closed with  
the PHU-220R connected.  
• Bundle the cable so that it will not accidentally get on  
nearby objects.  
To disconnect the PHU connection cable  
Operate in the same manner as when you remove  
an SxS memory card from the slot.  
Using an External Hard Disk  
25  
     
To restore the hard disk  
Using Other Media  
Select “Execute” via the up/down/left/right  
buttons or the jog dial, then press the SEL/  
SET button or the jog dial.  
XQD Memory Cards  
During restoration, an in-progress message and  
status bar (%) are displayed, and the ACCESS  
lamp is lit in red.  
When restoration is completed, a completion  
message is displayed for three seconds.  
By using an optional QDA-EX1 Media Adaptor,  
you can insert an XQD memory card into the SxS  
memory card slot and use it instead of an SxS  
memory card.  
If restoration fails  
Usable XQD memory cards  
QD-H16, QD-H32 (as of March 2012)  
• A PHU-220R on which an error occurred may  
become usable again through reformatting.  
• In some cases, only parts of clips cannot be  
restored. Playback of the restored clips becomes  
possible again.  
For details on using a QDA-EX1 Media Adaptor,  
refer to the instruction manual supplied with it.  
Notes  
• High-speed playback (page 13) may not be properly  
achieved with an XQD memory card.  
• Slow Motion recording by the Slow & Quick Motion  
recording function (page 41) cannot be made with an  
XQD memory card.  
• Not all XQD memory cards are guaranteed to work  
with this camcorder. For compatible memory cards,  
contact your dealer.  
Formatting  
When you use an XQD memory card with this  
camcorder, formatting is required.  
An XQD memory card to be used with this  
camcorder must be formatted using the format  
function of this camcorder.  
It is also necessary to format an XQD memory  
card for use if a caution message is displayed  
when you mount the XQD memory card.  
For an XQD memory card that was formatted  
with another system unsupported by this  
camcorder, the message “Unsupported File  
System” is displayed on the LCD monitor/EVF  
screen.  
Format the XQD memory card as instructed  
below.  
To execute formatting  
Using “Format Media” (page 87) in the  
OTHERS menu, specify “Media(A)” (slot  
A) or “Media(B)” (slot B), then select  
“Execute.”  
An in-progress message and status bar (%) are  
displayed, and the ACCESS lamp lights in red.  
When formatting is completed, a completion  
message is displayed for three seconds.  
Using Other Media  
26  
       
For a “Memory Stick” or an SDHC card that was  
formatted with another system unsupported by  
this camcorder, the message “Unsupported File  
System” is displayed on the LCD monitor/EVF  
screen.  
Note  
When formatting, all data in an XQD memory card—  
including protected images—are erased and cannot be  
restored.  
Connection between the camcorder and a PC  
To use an XQD memory card in which data have  
been recorded with an XDCAM/XDCAM EX-  
series product, insert it into the slot of the  
camcorder and connect between the PC and this  
camcorder using a USB cable.  
Format the “Memory Stick” or SDHC card as  
instructed below.  
To execute formatting  
Using “Format Media” (page 87) in the  
OTHERS menu, specify “Media(A)” (slot  
A) or “Media(B)” (slot B), then select  
“Execute.”  
To use media formatted with this camcorder in  
the slots of other devices  
Make a backup of the media, then format it using  
An in-progress message and status bar (%) are  
displayed, and the ACCESS lamp lights in red.  
When formatting is completed, a completion  
message is displayed for three seconds.  
the other device.  
“Memory Stick” media/SDHC  
Cards  
Note  
When formatting, all data in a “Memory Stick” or an  
SDHC card including protected images are erased and  
cannot be restored.  
Use of the optional MEAD-MS01 or MEAD-  
SD01 Media Adaptor permits you to insert a  
“Memory Stick” or an SDHC card to the SxS  
memory card slot and use it for recording and  
playback in the same way as with an SxS memory  
card.  
Connection between the camcorder and a PC  
To use a “Memory Stick” or an SDHC card in  
which data have been recorded with an XDCAM/  
XDCAM EX-series product, insert it into the slot  
of the camcorder and connect between the PC and  
this camcorder using a USB cable.  
Usable “Memory Stick”  
“Memory Stick PRO-HG Duo” HX series  
To use media formatted with this camcorder in  
the slots of other devices  
Make a backup of the media, then format it using  
Usable SDHC card  
Class 10 SDHC card  
For details on use of the MEAD-MS01/SD01 Media  
Adaptor, refer to the operating instructions supplied  
with the respective adaptor.  
the other device.  
• “Memory Stick” and  
trademarks of Sony Corporation.  
• “Memory Stick PRO-HG Duo” and  
are  
Notes  
• High-speed playback (page 13) may not be properly  
achieved with a “Memory Stick” or an SDHC card.  
• Slow Motion recording by the Slow & Quick Motion  
recording function (page 41) cannot be made with a  
“Memory Stick” or an SDHC card.  
are trademarks of  
Sony Corporation.  
• “XQD” is a trademark of Sony Corporation.  
• “Memory Stick” media and SDHC cards do not  
support recording with UDF.  
Formatting  
When you use a “Memory Stick” or an SDHC  
card with this camcorder, formatting is required.  
A “Memory Stick” or an SDHC card to be used  
with this camcorder must be formatted using the  
format function of this camcorder.  
It is also necessary to format a “Memory Stick” or  
an SDHC card for use if a caution message is  
displayed when you mount the “Memory Stick”  
or SDHC card.  
Using Other Media  
27  
           
Recording  
Basic Operation Procedure  
REC START/STOP  
6, 7  
REC REVIEW (on the grip)  
8
Power switch:  
ON (the " position)  
4
3
LCD monitor  
angle  
adjustment  
Battery pack insertion  
SxS memory card slots  
1
2
5
FULL AUTO  
Preparations  
Recording (Full Auto mode)  
1
2
Mount a fully charged battery pack.  
Load SxS memory card(s).  
5
Press the FULL AUTO button so that  
the button indicator lights.  
Full Auto mode is turned on, activating the  
TLCS (Total Level Control System) (page  
73). Thus Auto Exposure, AGC (Auto Gain  
Control), Auto Shutter, ATW (Auto Tracing  
White) are set to ON, whereby the brightness  
and white balance will be automatically  
adjusted.  
When you wish to adjust them manually, turn  
Full Auto mode off, and see;  
If you load two cards, recording is continued  
by automatically switching to the second  
card when the first card becomes full.  
3
4
Adjust the angle of the LCD monitor for  
the best view.  
When you wish to use the EVF, fold the LCD  
monitor to its park position and adjust the  
angle of the EVF.  
Set the power switch to the ON position.  
The recording screen is displayed.  
When using the remote commander, activate the  
remote control mode (page 21).  
Note  
AF (Auto Focus) is not activated by setting the  
camcorder to Full Auto mode.  
Note  
For information of automatic focus adjustment,  
When you hold the camcorder by the grip, support it  
from underneath with your left hand.  
Basic Operation Procedure  
28  
               
6
7
Press the REC START/STOP button.  
Clip (recording data)  
You can also start recording with the REC  
START button on the grip.  
(If you are using the IR Remote Commander, press  
the REC button simultaneously with the unmarked  
button.)  
When you stop recording, video, audio and  
subsidiary data from the start to end of the  
recording are recorded as a single clip on an  
SxS memory card.  
Clip name  
The front and rear tally lamps light and  
recording begins.  
For each clip recorded with this camcorder, a  
clip name is automatically generated according  
to the method selected with “Auto Naming” in  
“Clip” (page 86) in the OTHERS menu.  
The default setting of “Auto Naming” is “Plan.”  
With this setting, a clip name defined in  
planning metadata is applied if a planning  
metadata file is loaded into the camcorder.  
Change the “Auto Naming” setting to “Title” to  
apply a clip name composed of 4 to 46  
alphanumerics and 4 numerics.  
To stop recording, press the REC  
START/STOP button again.  
You can also stop recording with the REC  
START button on the grip.  
(If you are using the IR Remote Commander, press  
the REC PAUSE button simultaneously with the  
unmarked button.)  
Recording stops and the camcorder enters  
STBY (recording standby) mode.  
Example: ABCD0001  
Note  
The block of 4 to 46 alphanumerics can be  
specified as desired using “Clip” in the  
OTHERS menu before you start recording. (It  
cannot be changed after recording.)  
The value of the 4 numerics is automatically  
counted up in sequence.  
If you press the REC START/STOP button to start next  
recording while previous data writing is not completed,  
the message “Cannot Proceed” may be displayed and  
recording may not start.  
To prevent a switching error  
The REC START/STOP button on the handle is  
incorporated with the REC HOLD lever. If the  
REC START/STOP button on the handle will not  
be used, it is recommended to set the lever to the  
HOLD position to lock the button and prevent  
unintentional starting/stopping of recording if  
you accidentally press the button.  
Notes on Clips  
The maximum file size for a clip is 43 GB for  
UDF, 4 GB for FAT in HD Mode, and 2 GB for  
FAT in SD Mode. If you continue recording for  
an extended period, recorded materials may be  
segmented into multiple files, depending on the  
file size (the maximum number of partitions is  
99). The camcorder regards continuous  
recording as one clip even if it has been  
segmented into multiple files.  
To unlock the button, return the lever to its  
original position.  
Checking the last recorded clip (Rec  
Review)  
A long clip can be recorded crossing over two  
memory cards in slot A and B.  
When you copy recorded clips to a hard disk  
drive, etc. using a computer, it is recommended  
to use the dedicated application software on the  
supplied CD-ROM.  
8
Press the REC REVIEW button.  
The Rec Review function (page 38) is  
activated, and the last recorded clip is played  
back for the specified time on the LCD  
monitor/EVF screen.  
Note  
If copying is done using Explorer (Windows) or  
Finder (MAC), the continuity and relationships of  
recorded materials may not be maintained.  
To delete clips  
Maximum duration of a clip  
You can delete the last recorded clip by using the  
Last Clip DEL function (page 49). Use the All  
Clips DEL function (page 49) to delete all  
recorded clips from an SxS memory card. To  
specify a clip to be deleted, operate the camcorder  
from the thumbnail screen (page 53).  
The maximum clip length is 24 hours for FAT  
(MP4 or AVI) and 6 hours for UDF (MXF).  
If you exceed the maximum clip length, a new  
clip will be automatically created. You can  
check the new clip on the thumbnail screen.  
Basic Operation Procedure  
29  
                     
Preset mode  
The color temperature is adjusted to the preset  
value (factory setting: 3200K) in this mode.  
Select this mode when there is no time to adjust  
the white balance or when you wish to fix the  
white balance to the condition of you set for a  
Picture Profile.  
Changing Basic Settings  
You can make changes to the settings based on  
the intended usage of the recorded video or  
recording conditions.  
Memory A mode, Memory B mode  
The white balance is adjusted to the value stored  
in memory A or memory B.  
Video Formats  
Pressing the WHITE BAL button executes auto  
white balance and stores the adjusted value in  
memory A or memory B.  
Selectable formats vary depending on the UDF/  
FAT, HD Mode/SD Mode, and usage region  
(NTSC Area/PAL Area) settings.  
ATW (Auto-Tracing White balance) mode  
In this mode, the camcorder automatically adjusts  
the white balance to the appropriate condition.  
When the color temperature of the light source  
changes, the white balance adjustment is  
automatically executed.  
Five steps of adjustment speed can be selected  
with “ATW Speed” (page 73) in the CAMERA  
SET menu.  
You can change the usage area by setting “Country”  
in “System” (page 85) in the OTHERS menu.  
Switching between UDF/FAT  
Switch by setting “UDF”/“FAT” in “System”  
(page 85) in the OTHERS menu.  
After switching this setting, the camcorder will  
automatically restart.  
When the ATW Hold function is assigned to an  
assignable button (page 38), you can  
momentarily hold the ATW value to fix the white  
balance, even in ATW mode, by pressing the  
button.  
Note  
UDF/FAT cannot be switched during recording or  
playback.  
Switching between HD Mode/SD Mode  
Note  
For HD/SD switching, use “System” (page 85) in  
the OTHERS menu.  
When you change the menu setting, the  
camcorder automatically restarts, executing the  
switching.  
When NightShot mode is set to “On,” ATW cannot be  
set.  
Using the switch  
Make a selection with the WHITE BAL switch  
B: ATW mode or Memory B mode  
A: Memory A mode  
Note  
HD/SD switching is disabled during recording and  
playback.  
PRST: Preset mode  
Changing the format  
The B position of the WHITE BAL switch is  
assigned to ATW mode at the factory. The setting  
can be changed with “White Switch <B>” (page  
73) in the CAMERA SET menu to select Memory  
B mode.  
Setting the camcorder to Full Auto mode (page  
28) forcibly activates ATW mode.  
Assigning the ATW on/off function to an  
assignable button (page 38) permits you to  
independently activate/deactivate ATW when  
Full Auto mode is off.  
To change the format, use “Format” in “System”  
(page 85) in the OTHERS menu.  
Signals from the SDI OUT, A/V OUT, and HDMI  
OUT connectors are also output according to the  
format selected with this menu.  
White Balance  
You can select the adjustment mode according to  
the shooting conditions.  
Changing Basic Settings  
30  
                         
Using the Direct menu  
Markers/Zebra Patterns  
When you press the DISPLAY button (page 13),  
the current adjustment mode and color  
temperature are displayed on the screen (page  
16).  
During recording, various markers and zebra  
patterns can be inserted into the image on the  
LCD monitor/EVF screen.  
This does not affect recording signals.  
ATW: ATW mode  
W:A: Memory A mode  
W:B: Memory B mode  
Displaying the Markers  
W:P: Preset mode  
Use “Marker” (page 78) in the LCD/VF SET  
W:NS: NightShot mode “On”  
When the Direct menu (page 17) is in All mode,  
you can select from among ATW, W:A, W:B, and  
W:P.  
menu.  
Displaying the Zebra Patterns  
A zebra pattern(s) can be inserted to the picture  
on LCD monitor/EVF screen to check the  
appropriate luminance level.  
When the Direct menu is in Part mode, you can  
switch between ATW and the mode set with the  
WHITE BAL switch.  
Pressing the ZEBRA button (ASSIGN 1 button)  
(page 13) turns the zebra pattern-indication on/  
off.  
When W:NS is displayed, switching via the  
Direct menu is not possible.  
Executing Auto White Balance  
Changing the zebra pattern  
1
To store the adjustment value in  
memory, select Memory A or Memory  
B mode.  
Using “Zebra” (page 78) in the LCD/VF SET  
menu, you can change the zebra pattern to be  
displayed.  
2
Place a white subject under the same  
lighting condition and zoom in on it so  
that a white area is obtained on the  
screen.  
Gain  
Recording with Fixed Gain  
You can change the gain of the video amplifier.  
3
4
Adjust the brightness.  
Adjust Exposure as instructed in “Adjusting  
the brightness manually (page 33)” below.  
Selecting the gain with the switch  
The gain value at each of the GAIN switch (page  
13) positions set at the factory are as follows:  
L: 0 dB  
Press the WHITE BAL button (page  
13).  
M: 9 dB  
H: 18 dB  
Auto white balance adjustment begins.  
These values can be changed in the range of –3 db  
to +18 db, using the CAMERA SET menu’s Gain  
Setup menu (page 70).  
When you execute the adjustment in a memory  
mode, the adjusted value is stored in memory (A  
or B) selected in step 1.  
When you execute the adjustment in ATW mode,  
adjustment in ATW is resumed.  
Note  
You cannot select a fixed gain when AGC mode is set to  
On.  
Notes  
• Auto white balance adjustment cannot be performed  
when in Preset mode.  
• When NightShot mode is set to “On,” auto white  
balance cannot be performed.  
• If auto white balance adjustment fails, an error  
message is displayed on the screen for approximately  
3 seconds. If the error message continues to be  
displayed after several attempts, consult your Sony  
service representative.  
Selecting gain using the Direct menu  
When you press the DISPLAY button (page 13),  
the current gain value is displayed on the screen  
When the Direct menu is in All mode, you can  
change the gain in steps of 3 dB with the Direct  
menu.  
Changing Basic Settings  
31  
                   
You can also select AGC mode with the Direct  
menu.  
Shooting in SLS/EX SLS Mode  
When the Direct menu is in Part mode, you can  
switch between only AGC mode and the gain  
selected with the GAIN switch.  
The shutter speed is specified in the number of  
accumulated frames. Up to 64 frames can be  
accumulated in this mode, permitting you to  
obtain low-noise clear pictures in low light levels  
or surreal pictures with afterimages.  
Select “SLS/EX SLS” (page 70) in the CAMERA  
SET menu and set the number of accumulated  
frames. For EX SLS, set 16, 32, or 64.  
This can also be set when Full Auto mode (page  
28) is turned on.  
Recording in AGC Mode  
The gain of the video amplifier is automatically  
adjusted according to the picture brightness.  
When you set the camcorder to Full Auto mode  
(page 28), AGC mode is forcibly selected.  
When Full Auto mode is off, you can  
independently turn AGC mode on by setting  
“AGC” in “TLCS” (page 73) in the CAMERA  
SET menu to “On,” or selecting “AGC” with the  
Direct menu.  
Shooting in Auto Shutter Mode  
The shutter speed is automatically adjusted  
according to the picture brightness.  
When you set the camcorder to Full Auto mode  
(page 28), Auto Shutter is forcibly selected.  
When Full Auto mode is off, you can  
independently turn Auto Shutter mode on by  
setting “Auto Shutter” in “TLCS” (page 73) in the  
CAMERA SET menu to "On."  
Electronic Shutter  
Recording with a fixed shutter  
Set the shutter speed (cache time).  
When you set the SHUTTER switch (page 13) to  
ON, the fixed shutter is turned on in the mode and  
with the shutter speed you specified with  
“Shutter” (page 70) in the CAMERA SET menu.  
Exposure  
Adjust the brightness according to the subject.  
Note  
Recording in auto mode  
When Auto Shutter mode is ON, the fixed shutter cannot  
be selected.  
When Full Auto mode (page 28) is set to ON,  
Exposure is forcibly set to Auto mode.  
When Full Auto mode is set to OFF, you can turn  
it on by setting “Exposure” (page 74) in the  
CAMERA SET menu to “Auto.” You can also set  
“Auto”/“Manual” for “Exposure” to an  
Setting with the CAMERA SET menu  
The shutter mode and shutter speed can be set  
with “Shutter” (page 70) in the CAMERA SET  
menu.  
Setting with the Direct menu  
assignable button (page 38).  
When you press the DISPLAY button, the current  
shutter mode and the set value are displayed  
When the Direct menu (page 17) is in All mode,  
you can change the shutter mode and speed with  
the Direct menu.  
You can select the target level (to make the  
picture darker or brighter) for Exposure via the  
Setup menu or Direct menu. (The gain control in  
AGC mode and the shutter speed control in Auto  
Shutter mode are adjusted in synchronization.)  
To adjust the target level with the Setup menu  
Set “Level” in “TLCS” (page 73) in the  
CAMERA SET menu.  
Notes  
• When the Direct menu is in Part mode, you cannot turn  
the shutter on/off with the Direct menu if the  
SHUTTER switch is set to ON.  
If the SHUTTER switch is set to OFF, you can switch  
only between Auto Shutter and Shutter OFF.  
• The Direct menu cannot be selected when Full Auto  
mode is turned on (page 28) or when the SLS/EX SLS  
mode is set.  
To adjust the target level with the Direct menu  
The target level can also be selected using the  
Direct menu (page 17). When you press the  
DISPLAY button, the current Exposure position  
is displayed on the screen (page 16).  
Changing Basic Settings  
32  
               
Adjusting the brightness manually  
Focus  
When Full Auto mode is set to OFF, set  
“Exposure” (page 74) in the CAMERA SET  
menu to “Manual” to use Manual mode. When  
Manual mode is set, rotate the EXPOSURE dial  
(page 11) to adjust the brightness. (Rotate the dial  
clockwise while facing the front of the camcorder  
to increase the brightness.) You can turn Manual  
mode on/off by pressing the EXPOSURE button  
The infinity () position has some margin to  
compensate for focus change caused by variation  
in ambient temperature. When shooting an image  
at infinity in MF mode, adjust the focus while  
observing the image on the LCD monitor/EVF  
screen.  
Adjusting in MF Mode  
Set the FOCUS/ZOOM switch (page 11) to  
FOCUS and the FOCUS switch (page 13) to  
MANUAL to set the camcorder to MF (Manual  
Focus) mode, which lets you activate Auto Focus  
only when required.  
Zoom  
Operating Zoom manually  
In this mode, the one-push momentary auto focus  
function and the MF Assist function are activated  
only when you push the PUSH AF button (page  
13).  
Setting the FOCUS/ZOOM switch (page 11) to  
the ZOOM position activates ZOOM adjustment  
via the lens operation ring (page 11).  
Using the Lens Operation Ring  
Rotate the lens operation ring while looking at the  
LCD monitor/EVF screen to adjust the focus.  
Using the Power Zoom  
The power zoom lever (page 14) on the grip and  
the handle ZOOM button (page 13) are activated.  
The current zoom position is displayed on the  
screen in the range of 0 (Wide) to 99 (Tele) when  
you press the DISPLAY button.  
The numerical indication can be changed to that  
in a bar by changing “Zoom Position” in “Display  
On/Off” (page 78) in the LCD/VF SET menu.  
Expanded Focus  
When you press the EXPANDED FOCUS button  
(page 15), the center area of the picture is  
magnified on the LCD monitor/EVF screen,  
making the focus adjustment easier.  
Press the EXPANDED FOCUS button again or  
leave the lens operation ring unmoved for 5  
seconds to resume the normal angle for recording.  
To adjust with the power zoom lever on the grip  
Pressing the lever deeper sets zooming faster.  
Peaking  
To adjust with the handle ZOOM button  
Zooming is activated at the speed selected with  
the speed switch (page 13).  
The zoom speed assignment can be changed with  
“Zoom Speed” (page 71) in the CAMERA SET  
menu.  
You can select Soft mode for zooming by using  
“Zoom Transition” (page 72) in the CAMERA  
SET menu, in which the zooming speed is  
gradually increased at the beginning then  
gradually decreased for the end.  
When you press the PEAKING button (Assign 2  
button) (page 13), the peaking function is  
activated, emphasizing the contours of the images  
on the LCD monitor/EVF screen and making  
manual focusing easier. This function does not  
affect recording signals.  
The emphasis level and color of the contours can  
be set with “Peaking” (page 77) in the LCD/VF  
SET menu.  
One-Push (Momentary) Auto Focusing  
When you press the PUSH AF button, auto  
focusing momentarily activates. One-Push Auto  
Focusing is terminated when the subject comes  
into focus.  
When adjusting with the ZOOM button of the IR  
Remote Commander  
The zooming speed depends on the “Remote”  
(page 71) setting in “Zoom Speed” in the  
CAMERA SET menu.  
To use the IR Remote Commander, see “Using the IR  
Changing Basic Settings  
33  
                               
MF Assist function  
NightShot  
If you set “MF Assist” (page 70) in the CAMERA  
SET menu to “On” to enable the MF Assist  
function, auto focusing is engaged when you stop  
rotating the lens operation ring, performing fine  
focus adjustment for the subject in the center of  
the screen. When the fine adjustment is  
completed, automatic focusing with the MF  
Assist function is terminated.  
You can also enable the MF Assist function via  
the Direct menu (page 17). When you press the  
DISPLAY button, the selected focus mode is  
displayed on the screen (page 16). The Direct  
menu cannot be selected in a mode other than MF  
mode.  
NightShot is convenient for recording in dark  
areas.  
Set “Setting” in “NightShot” (page 74) in the  
CAMERA SET menu to “On.”  
You can also assign NightShot to an assignable  
button (page 38) to change value of “Setting” to  
“On”/“Off.”  
To emit an infrared line  
Set “NS Light” in “NightShot” (page 74) in the  
CAMERA SET menu to “Auto” to automatically  
emit an infrared line from the IR transmitter (page  
12).  
Notes  
Adjusting in AF Mode  
• Avoid covering the IR transmitter with your finger  
when using the NightShot infrared line  
When you set the FOCUS switch (page 13) to  
AUTO, the camcorder is set to AF mode, and  
focus is always adjusted automatically.  
• The infrared line can reach to about 3 meters.  
• If the image is out of focus, adjust the focus manually.  
• Using this in a bright area may damage the camcorder.  
• When you set the camcorder’s power switch to “OFF,”  
NightShot is automatically disabled.  
Steady Shot  
Set “Steady Shot” (page 74) in the CAMERA  
SET menu to “On.”  
Flickers  
When you press the DISPLAY button, the setting  
of the Steady Shot function is displayed on the  
screen (page 16). The Steady Shot function can  
also be activated via the Direct menu (page 17).  
Setting the shutter speed according to  
the power-supply frequency  
Activate the electronic shutter (page 32) and set  
the shutter speed according to the power supply  
frequency.  
Note on use of a wide-conversion lens  
Two operation modes are provided for Steady  
Shot: Normal mode and Wide mode (for a wide-  
conversion lens).  
When you attach the optional VCL-HG0737K  
wide-conversion lens, be sure to set “Wide  
Conversion” (page 73) in the CAMERA SET  
menu to “On.”  
When the frequency is 50 Hz  
Set the shutter speed to 1/50 or 1/100 seconds.  
When the frequency is 60 Hz  
Set the shutter speed to 1/60 or 1/120 seconds.  
Using the Flicker-Reduction function  
Set “Mode” in “Flicker Reduce” (page 71) in the  
CAMERA SET menu to “Auto” or “On” and set  
“Frequency” to the power-supply frequency (50  
Hz or 60 Hz).  
Note  
If the camcorder is fixed to a tripod, etc., for stability,  
deactivate the Steady Shot function.  
Note  
If the frame rate selected for recording is close to the  
power-supply frequency, flicker may not be reduced  
sufficiently even if you activate the Flicker-Reduction  
function. In such cases, use the electronic shutter.  
Changing Basic Settings  
34  
                 
Time Data  
Recording Audio Signals  
Setting the Timecode  
Four channels (CH-1/CH-2/CH-3/CH-4) of audio  
can be recorded (Linear PCM recording) in  
synchronization with video recording.  
You can use the built-in stereo microphones  
(omni-directional electret condenser  
microphones) or 2-channel external audio inputs  
to the AUDIO IN connectors by switching with  
the AUDIO IN switches.  
Specify the timecode to be recorded with  
“Timecode” and “TC Format” in the TC/UB SET  
menu (page 80).  
Setting the Users Bit  
You can add a hexadecimal number of 8 digits for  
pictures as the user bits.  
The user bits can also be set to the current date.  
Use “Users Bit” (page 80) in the TC/UB SET  
menu.  
Using the Built-in Stereo  
Microphones  
Displaying the Time Data  
Set the AUDIO IN switches, both CH-1 and  
CH-2 (page 13), to INT.  
Pressing the DISPLAY button displays the time  
data on the screen (page 16).  
The indication is switched among the timecode,  
user bits, and recording duration each time you  
press the DURATION/TC/U-BIT button (page  
13).  
Using External Inputs  
1
Set the AUDIO IN switches CH-1 and  
CH-2 to EXT.  
Display  
Contents  
TCG **:**:**:** Timecode  
2
Connect external audio sources to the  
AUDIO IN connectors CH-1 and CH-2  
CLK **:**:**:** Timecode (Clock mode)  
UBG ** ** ** ** User bits  
DUR **:**:**  
Duration from the beginning of  
recording  
3
Set the input (LINE/MIC/MIC+48V)  
switches CH-1 and CH-2 (page 12) to  
LINE (line level: +4 dBu).  
Using an External Microphone  
You can use an external microphone for  
recording, such as the ECM-673 Electret  
Condenser Microphone.  
1
Lift up the handle of the external  
microphone holder (page 12) and open  
the cover.  
2
Attach a microphone, then return the  
external microphone holder cover to its  
original position to secure it.  
Recording Audio Signals  
35  
                                     
3
Connect the microphone cable to the  
AUDIO IN CH-1/CH-2 connectors.  
To adjust the levels manually  
Set the AUDIO SELECT switches CH-1 and CH-  
2 to MANUAL and adjust the audio recording  
levels by turning the AUDIO LEVEL knobs  
Set the controls to 5 for the reference setting (0  
dB). Setting to 10 maximizes the level (+12 dB),  
and setting to 0 minimizes it (–).  
The input levels are displayed on the screen when  
you press the DISPLAY button (page 16).  
Audio recording in special recording  
modes  
to AUDIO IN  
External  
microphone  
No audio recording is made in Interval Recording  
or Frame Recording.  
Cable clamp  
No audio recording is made in Slow & Quick  
recording if the recording frame rate is set to a  
value different from the playback frame rate.  
4
5
Set the corresponding AUDIO IN  
switch (CH-1/CH-2) (page 13) to EXT.  
Monitoring the Audio  
Set the corresponding input (LINE/  
MIC/MIC+48V) switch (CH-1/CH-2)  
(page 12) according to the connected  
microphone.  
You can monitor the sounds being recorded with  
the headphones connected to the headphone  
connector (stereo mini jack) (page 11).  
MIC: For a microphone that requires no  
power supply  
MIC +48V: For a microphone that requires  
+48V power supply (such as the ECM-  
673)  
Note  
The built-in speaker is disabled during recording (or  
when standing by to record).  
To adjust the audio monitoring volume  
Use the VOLUME buttons (page 13).  
Adjusting the Audio Recording  
Levels  
To adjust the levels automatically (AGC)  
When the AUDIO SELECT switches CH-1 and  
CH-2 (page 13) are set to AUTO, the audio  
recording levels are automatically adjusted.  
Recording Audio Signals  
36  
                           
an assignable button (page 38), you can also use  
that button.  
Useful Functions  
For operations to add shot marks after recording,  
Color Bars/Reference Tone  
For operation to apply a name to a shot mark, see  
By setting “Camera/Bars” in “Color Bars” (page  
71) in the CAMERA SET menu to “Bars,” you  
can output a color-bar signal in place of the  
camera picture. When this item is set to  
“Camera,” the output returns to the camera  
picture.  
OK/NG/KP Flags (for UDF Only)  
A 1-kHz reference tone is output with the color  
bar signal if “1KHz Tone” in “Audio Input” (page  
74) in the AUDIO SET menu is set to “On.”  
The color-bar signal and reference-tone signal are  
also fed out from the SDI OUT, HDMI OUT,  
i.LINK, VIDEO OUT (color bars only), and A/V  
OUT connectors.  
You can select the type of color bars with “Bars  
Type” in “Color Bars” in the CAMERA SET  
menu.  
You can add OK/NG/KP flags to clips recorded  
with UDF. By adding flags, you can set the  
camcorder to display only clips with certain flag  
settings on the thumbnail screen (OK/NG/KP/  
None-Clip thumbnail screen) (page 54).  
Note  
Use the “Lock Clip” setting (page 57) to protect clips.  
Adding a flag  
Notes  
During recording or playback, press the  
assignable button to which you assigned the  
Clip Flag OK/Clip Flag NG/Clip Flag Keep  
function.  
• The color bar mode cannot be output in Slow & Quick  
Motion mode and SLS/EX SLS mode.  
• You cannot switch to “Color Bars” while recording.  
(Switching from “Color Bars” to “Camera” is  
available.)  
You can add an OK/NG/KP flag to a clip during  
recording or playback.  
Deleting a flag  
Shot Marks  
Press the assignable button, twice in  
succession, to which you assigned the Clip  
Flag OK/Clip Flag NG/Clip Flag Keep  
function.  
When you record shot marks for important scenes  
of a clip recorded in UDF or FAT HD as  
subsidiary data, you can access the marked points  
easily on a Shot Mark screen (page 62), which  
only displays scenes with shot marks only. This  
increases editing efficiency.  
The camcorder permits you to record two types of  
shot marks: shot mark 1 and shot mark 2.  
Shot marks can be recorded as needed during  
recording or can be added after recording while  
checking the playback pictures on the thumbnail  
screen.  
You can delete the OK/NG/KP flag from a clip.  
OK/NG/KP flags can also be added and deleted from  
the thumbnail screen. For details, see “Adding/  
OK Mark (for FAT HD Mode Only)  
By adding the OK mark to a clip recorded in FAT  
HD Mode, you can prevent the clip from being  
deleted or divided inadvertently. You can also set  
the camcorder to display only clips with the OK  
mark on the thumbnail screen (OK-Clip  
thumbnail screen) (page 54).  
Inserting a shot mark during recording  
Activate the IR Remote Commander (page 21),  
and press the SHOTMARK 1 or SHOTMARK 2  
button where you want to insert a shot mark. If the  
Shot Mark1 or Shot Mark2 function is assigned to  
Useful Functions  
37  
                       
• The Setup and PICTURE PROFILE menus cannot be  
operated during Rec Review.  
Adding the OK mark  
When recording of a clip ends, press the  
assignable button to which you assigned the  
OK Mark function.  
Assignable Buttons  
The camcorder has four assignable buttons (page  
13) to which you can assign various functions for  
convenience.  
While standing by to record, you can also add an  
OK mark to the last-recorded clip (“Last Clip”)  
on the selected memory card.  
To change functions  
Deleting the OK mark  
Use “Assign Button” (page 83) in the OTHERS  
menu.  
The assigned functions can be viewed on the  
Button/Remote status screen (page 65).  
Press the assignable button to which you  
assigned the OK Mark function, and select  
“Execute.”  
While standing by to record, you can also delete  
the OK mark from the clip with the last-added OK  
mark.  
Interval Recording  
The Interval Recording (time-lapse recording)  
function is especially effective for shooting  
objects that move very slowly.  
The specified number of frames are automatically  
recorded at the specified intervals.  
Adding or deleting the OK mark to or from  
clips before the last one  
Make changes via the thumbnail screen.  
For details on making settings, see “Adding/Deleting  
Recording interval (Interval Time)  
Rec Review  
You can review the last recorded clip on the  
screen (Rec Review).  
Press the REC REVIEW button (page 14)  
after recording is finished.  
If the Rec Review function is assigned to an  
assignable button (page 38), you can also use that  
button.  
Number of frames for one recording session  
(Number of Frames)  
The last 3 seconds, 10 seconds, or the entire part  
of the clip is displayed, depending on the “Rec  
Review” setting (page 72) in the CAMERA SET  
menu.  
Rec Review is terminated at the end of the clip,  
resuming STBY (recording standby) status.  
It is recommended to fix the camcorder to a tripod  
or equivalent and use the IR Remote Commander  
to start/stop recording rather than pressing the  
REC START/STOP button of the camcorder.  
Notes  
To interrupt Rec Review  
• Audio cannot be recorded in Interval Recording mode.  
• Interval Recording cannot be set to “On”  
simultaneously with Frame Recording, Picture Cache  
Recording, Slow & Quick Motion, or Clip Continuous  
Recording. When you set Interval Recording to “On,”  
these other functions are forcibly set to “Off.”  
Press the REC REVIEW or STOP/CAM button  
or the assignable button to which you assigned the  
Rec Review function.  
Notes  
• Interval Recording mode cannot be used when  
“Format” in “System” (page 85) in the OTHERS menu  
is set to “HD420 HQ/720/23.98P” (in UDF HD Mode)  
or “SP 1440/23.98P” (in FAT HD Mode).  
• Interval Recording mode cannot be used when the  
items “DVCAM” or “HDV” are set for “SDI/HDMI/  
• During Rec Review playback, the playback control  
buttons other than the STOP/CAM button are disabled.  
• If the video format was changed after recording, Rec  
Review cannot be performed (except when the change  
was from SP 1440/23.998P to SP 1440/59.94i).  
Useful Functions  
38  
             
i.LINK I/O Select” (page 76) in the VIDEO SET  
menu, and the video format of “Format” in “System”  
(page 85) in the OTHERS menu is set to other than  
“HQ mode/23.98P.”  
the video format of “Format” in “System” (page 85) in  
the OTHERS menu is set to other than “HQ mode/  
23.98P.”  
Preparatory settings  
Preparatory settings  
Before starting Frame Recording, make the  
necessary settings in the CAMERA SET menu  
(page 72) in advance.  
Before starting Interval Recording, make the  
necessary settings in the CAMERA SET menu  
(page 72) in advance.  
Performing Frame Recording  
Performing Interval Recording  
When the preparatory settings are completed, you  
can start recording.  
When the preparatory settings are completed, you  
can start recording.  
1
2
Press the REC START/STOP button.  
Press the REC START/STOP button.  
When the number of frames you specified  
with the menu are recorded, the camcorder  
automatically enters FRM STBY (Frame Rec  
Standby) status.  
Notes  
• You cannot change the “Interval Time” and “Number  
of Frames” settings while Interval Recording is in  
progress. To change them, pause recording.  
• After starting Interval Recording, Rec Review  
operation is disabled, even during an interval.  
• The timecode is recorded in Rec Run mode (page 80)  
during Interval Recording.  
• Some extra frames may be recorded if you stop  
recording or switch the card slot while recording is  
halted in Interval Recording mode.  
Press the REC START/STOP button  
again.  
Each time you press the REC START/STOP  
button, the camcorder records the specified  
number of frames then enters FRM STBY  
status.  
• “Setting” for “Interval Rec” is automatically set to  
“Off” when you set the power switch to OFF, while the  
“Interval Time” and “Number of Frames” settings are  
maintained.  
Notes  
• Recording cannot be stopped until the specified  
number of frames are recorded. If the power switch is  
set to OFF during recording, the power is only shut off  
after the specified number of frames are recorded.  
• The Rec Review function cannot be used while  
recording in Frame Rec mode is in progress.  
• You cannot change the “Number of Frames” setting  
while recording in Frame Rec mode is in progress. To  
change it, pause the recording.  
Frame Recording  
The Frame Recording function is especially  
effective for clay animation recording.  
The specified number of frames are recorded  
intermittently when you press the REC START/  
STOP button.  
• The timecode is recorded in Rec Run mode (page 80)  
during Frame Recording.  
• Some extra frames may be recorded if you stop  
recording or switch the card slot while recording is  
paused in Frame Rec mode.  
• “Setting” for “Frame Rec” is automatically set to “Off”  
when you set the power switch to OFF, while the  
“Number of Frames” setting is maintained.  
It is recommended to fix the camcorder to a tripod  
or equivalent and use the IR Remote Commander  
to start/stop recording rather than pressing the  
REC START/STOP button of the camcorder.  
Notes  
• Audio cannot be recorded in Frame Recording mode.  
• Frame Recording cannot be set to “On” simultaneously  
with Interval Recording, Picture Cache Recording,  
Slow & Quick Motion, or Clip Continuous Recording.  
When you set Frame Recording to “On,” these other  
functions are forcibly set to “Off.”  
• Frame Recording mode cannot be used when “Format”  
in “System” (page 85) in the OTHERS menu is set to  
“HD420 HQ/720/23.98P” (in UDF HD Mode) or “SP  
1440/23.98P” (in FAT HD Mode).  
Clip Continuous Recording (UDF  
Only)  
Clips are normally created individually for each  
time you start and stop recording, but you can also  
continue recording to a single clip regardless of  
the number of times you start and stop recording  
by using the Clip Continuous Recording function,  
• Frame Recording mode cannot be used when the items  
“DVCAM” or “HDV” are set for “SDI/HDMI/i.LINK  
I/O Select” (page 76) in the VIDEO SET menu, and  
Useful Functions  
39  
     
which will add recordings to the same clip until  
the function is disabled or turned off.  
This is convenient for when you do not want to  
create a large number of short clips, or when you  
do not want to be restricted by a maximum  
number of clips.  
A recording start mark is added to each point at  
which you resume recording, making it easy to  
search for each point.  
Restricted Operations  
If you perform any of the following operations  
while recording or standing by to record, 1  
continuous clip will not be created. The next time  
you start recording, a new clip will be created.  
• Performing clip operations (locking, deleting,  
or changing the names of clips).  
• Switching the memory card slot.  
• Changing the recording format.  
• Setting the power switch to OFF.  
• Displaying the thumbnail screen.  
• Playing clips.  
Preparatory settings  
Before starting Clip Continuous Recording, make  
the necessary settings to “Clip Cont. Rec” (page  
72) in the CAMERA SET menu in advance.  
When you set “Setting” to “On,” the Clip  
Continuous Recording function is enabled, and  
“CONT” appears on the screen (page 16).  
You can also assign “Clip Cont. Rec” to an  
assignable button (page 38), and set “Setting” to  
“On”/“Off” by pressing the button.  
Picture Cache Recording:  
Retroactively Record  
When the Picture Cache Recording function is  
active, the camcorder stores the last few seconds  
of video captured in the built-in cache memory to  
permit you to start recording video on an SxS  
memory card from a point before you press the  
REC START/STOP button. The maximum  
picture cache time is 15 seconds.  
Notes  
• Clip Continuous Recording cannot be set to “On”  
simultaneously with Picture Cache Recording, Interval  
Recording, Frame Recording, or Slow & Quick  
Motion. When you set Clip Continuous Recording to  
“On,” these other functions are forcibly set to “Off.”  
• Clip Continuous Recording cannot be used while  
recording.  
Notes  
• Picture Cache Recording cannot be set to “On”  
simultaneously with Frame Recording, Interval  
Recording, Slow & Quick Motion, or Clip Continuous  
Recording. When you set Picture Cache Recording to  
“On,” these functions are forcefully disabled.  
• Picture Cache Recording mode cannot be used while  
recording, or while using Recording Review or Freeze  
Mix.  
• Picture Cache Recording is set to “Off” when you  
change any of the settings in “System” (page 85) in the  
OTHERS menu.  
• When Picture Cache Recording is “On,” the time code  
is always recorded in Free Run mode regardless of the  
TC/UB SET menu settings (page 80).  
• This function cannot be used with FAT.  
Performing Clip Continuous Recording  
When the preparatory settings are completed, you  
can start recording.  
Press the REC START/STOP button.  
When recording starts, the “CONT” indication on  
the screen changes to “zREC” (with z in red).  
Notes  
Preparatory settings  
• If you remove the SxS memory card or the battery  
while recording or standing by to record (the “CONT”  
indication appears), the SxS memory card must be  
restored. Only remove the SxS memory card after Clip  
Continuous Recording is complete. If “CONT” is  
flashing (1 time per second), you can remove the SxS  
memory card.  
Before starting Picture Cache Recording, set  
“P.Cache Rec” (page 72) in the CAMERA SET  
menu.  
“Setting” for Picture Cache Recording can also be  
set to “On”/“Off” by assigning it to an assignable  
button (page 38) and using that button.  
When the setting has been made, the special  
recording/operation status indication block on the  
screen shows “zCACHE,” with z in green  
• Record for at least 2 seconds before you stop  
recording.  
To disable Clip Continuous Recording mode  
While standing by to record, set “Setting” in  
“Clip Cont. Rec” (page 72) in the CAMERA SET  
menu to “Off.”  
Useful Functions  
40  
         
Notes  
Performing Picture Cache Recording  
• Slow & Quick Motion recording cannot be used in SD  
Mode.  
Press the REC START/STOP button.  
• Slow & Quick Motion cannot be set to “On”  
simultaneously with Frame Recording, Interval  
Recording, Picture Cache Recording, or Clip  
Continuous Recording. When you set Slow & Quick  
Motion to “On,” these other functions are forcibly set  
to “Off.”  
Recording begins, and stored video in the cache  
memory is written first to the SxS memory card.  
The on-screen “zCACHE” indication changes to  
zREC” (z is red).  
• Slow & Quick Motion mode cannot be used while  
recording, or while using Recording Review or Freeze  
Mix.  
• Slow & Quick Motion mode cannot be used when  
“SLS/EX SLS” (page 70) in the CAMERA SET menu  
is set to other than OFF.  
To cancel the Picture Cache Recording function  
Set “Setting” in “P.Cache Rec” in the CAMERA  
SET menu to “Off” or press the assignable button  
to which you assigned the Picture Cache function.  
Notes  
• Audio cannot be recorded when the recording and  
playback frame rates differ.  
• If you change the recording format, the cached data are  
cleared and caching is newly started. Therefore, data  
cached before you changed the format cannot be  
recorded if you start Picture Cache Recording  
immediately after changing the format.  
• If you start/stop Picture Cache Recording immediately  
after you insert an SxS memory card, data may not be  
recorded on the card.  
Preparatory settings  
Before starting Slow & Quick Motion recording,  
set “S&Q Motion” (page 72) in the CAMERA  
SET menu.  
When the special recording mode indication on  
the screen is active, “S&Q Motion” is displayed  
on the screen (page 16).  
• Picture caching starts when you activate the Picture  
Cache Recording function. Therefore, video before the  
function is activated cannot be recorded with Picture  
Cache Recording.  
• Picture Cache Recording is invalid for external input  
signal (HDV).  
Setting the recording frame rate with the Direct  
menu  
When the special recording mode indication on  
the screen is active, [Recording frame rate]/  
[Playback frame rate fps] is displayed under  
“S&Q Motion.”  
• As picture caching is disabled while an SxS memory  
card is being accessed, such as during playback, Rec  
Review, or thumbnail screen display, Picture Cache  
Recording of such a period cannot be made.  
• Although you can change the cache time setting while  
recording, any new value becomes valid only after  
recording has stopped.  
You can change the recording frame rate with the  
Direct menu (page 17).  
Slow & Quick Motion  
Recording in Slow & Quick Motion Mode  
When the preparatory settings are completed, you  
can start recording.  
When the camcorder is in UDF HD Mode or FAT  
HD Mode and the video format (page 85) is set to  
one of the following settings, you can set the  
recording frame rate and playback frame rate to  
different values.  
Press the REC START/STOP button.  
Notes  
• You cannot change the Frame Rate settings while Slow  
& Quick Motion recording is in progress. To change  
them, pause the recording.  
• The timecode is recorded in Rec Run mode during  
Slow & Quick Motion recording (page 80).  
• When recording at a low-speed frame rate, it may take  
time until recording stops after you press the REC  
START/STOP button.  
NTSC Area  
HD422 50/1080/29.97P, HD422 50/1080/23.98P,  
HD422 50/720/59.94P, HD420 HQ/720/59.94P,  
HD422 50/720/29.97P, HD422 50/720/23.98P  
HQ 1920/29.97P, HQ 1920/23.98P, HQ 1280/  
59.94P, HQ 1280/29.97P, HQ 1280/23.98P  
• Slow & Quick Motion mode is automatically set to  
“Off” when you set the camcorder’s power switch to  
OFF. However, the Frame Rate setting is saved.  
PAL Area  
HD422 50/1080/25P, HD422 50/720/50P,  
HD420 HQ/720/50P, HD422 50/720/25P  
HQ 1920/25P, HQ 1280/50P, HQ 1280/25P  
Useful Functions  
41  
     
Freeze Mix: Image Alignment  
Picture Profiles  
In UDF HD Mode or FAT HD Mode, an image  
(still picture) of a recorded clip can be  
temporarily superimposed on the current camera  
picture, permitting you to easily align images for  
your next recording.  
You can customize the picture quality, depending  
on the conditions or circumstances of recording,  
and store settings as a picture profile, enabling  
you to recall the profile as necessary.  
Six different picture profiles (PP1 to PP6) can be  
stored in memory.  
The same standard (reference) values are  
registered to six picture profiles at the factory as  
those specified for the Picture Profile Off status.  
To use the Freeze Mix function  
While standing by to record, assign the Freeze  
Mix function to one of the assignable buttons  
Note  
The picture profiles can be operated only while standing  
by to record. They cannot be operated from the  
thumbnail screen.  
Superimposing a Freeze Mix image  
While recording or reviewing images by pressing  
the REC REVIEW button, press the ASSIGN  
button to which you assigned “Freeze Mix” at the  
image with which you want to align. The image is  
displayed as a still picture over the current camera  
picture.  
Registering the customized settings as a  
Picture Profile  
1
2
Set the power switch (page 11) to ON to  
turn on the camcorder.  
Canceling Freeze Mix status  
Press the PICTURE PROFILE button  
You can cancel it with the ASSIGN button to  
which you assigned “Freeze Mix” or the REC  
START/STOP button.  
The PICTURE PROFILE menu is displayed.  
3
4
5
Using the up/down/left/right buttons or  
the jog dial, select “SEL,” then press the  
SEL/SET button or the jog dial.  
When you cancel Freeze Mix status by pressing  
the ASSIGN button, the normal camera picture is  
displayed.  
When you cancel Freeze Mix status by pressing  
the REC START/STOP button, normal recording  
begins.  
Select the number of the picture profile  
to register from the list, then press the  
SEL/SET button or the jog dial.  
Notes  
• The Freeze Mix function cannot be used in SD Mode.  
• Freeze Mix cannot be used when “Format” in  
“System” (page 85) in the OTHERS menu is set to  
“HD420 HQ/720/23.98P” (in UDF HD Mode) or “SP  
1440/23.98P” (in FAT HD Mode).  
Use the up/down buttons or the jog dial  
to select “SET,” then press the SEL/  
SET button or the jog dial.  
• If the “Format” setting of the recorded picture and the  
current camera picture differ, the Freeze Mix display  
cannot be achieved.  
• The Freeze Mix display cannot be obtained in Slow &  
Quick Motion mode or Slow Shutter mode.  
• You cannot operate the Setup menus and PICTURE  
PROFILE menu in Freeze Mix status.  
6
7
Make each setting (page 44).  
When the settings have been made,  
press the PICTURE PROFILE button.  
Selecting a registered Picture Profile  
Once you store a picture profile, you can recall  
the picture quality registered in the picture  
profile.  
1
While standing by to record, press the  
PICTURE PROFILE button (page 13).  
The PICTURE PROFILE menu is displayed.  
Useful Functions  
42  
         
2
3
Using the up/down/left/right buttons or  
the jog dial, select “SEL,” then press the  
SEL/SET button or the jog dial.  
Select the number of the picture profile  
to use from the list, then press the SEL/  
SET button or the jog dial.  
If OFF is selected, the picture quality is set to  
standard and cannot be changed.  
4
Press the PICTURE PROFILE button.  
The picture profile being selected is displayed  
when you press the DISPLAY button (page 16).  
You can also select picture profiles with the  
Direct menu (page 17).  
Useful Functions  
43  
Picture Profile Items  
The values when “Off” is selected at “SEL” of the PICTURE PROFILE menu are shown in bold face  
(example: Standard).  
PICTURE PROFILE SET  
Items  
Subitems and setting values Contents  
Profile name  
Standard  
Set the profile name in 8 characters at maximum.  
Profile Name  
Changing the picture profile  
name  
You can use upper- and lowercase alphabetics,  
numerics 0 to 9, - (hyphen), _ (underscore) and  
space.  
Setting  
On / Off  
Set to “On” to activate the color phase adjustment  
function with matrix operations for the entire  
picture.  
Matrix  
Adjusting the color phase  
over the entire area with  
matrix operations  
Note  
When this function is set to “Off,” Multi Matrix is  
also set to “Off” in synchronization.  
Select  
1 / 2 / 3 / 4 / 5 / 6  
Select the built-in preset matrix provided for  
convenience.  
1: Equivalent to SMPTE-240M / 2: Equivalent to  
ITU-709 / 3: Equivalent to SMPTE WIDE / 4:  
Equivalent to NTSC / 5: Equivalent to EBU / 6:  
Equivalent to PAL  
Level  
–99 to +99 ( 0)  
Adjust the color saturation for the entire picture  
area.  
Phase  
Adjust the hue for the entire picture area.  
–99 to +99 ( 0)  
R-G, R-B, G-R, G-B, B-R, B-G  
–99 to +99 ( 0)  
Finely adjust the color phase for the entire picture  
area by independently setting each of the factors.  
Setting  
On / Off  
Set to “On” to enable the multi-matrix correction,  
which allows specific colors to be selected for  
saturation correction in a 16-axis hue space.  
Multi Matrix  
Makes settings related to  
multi-matrix correction.  
1)  
Set to “On” to display a zebra pattern in the areas of  
the specified color for multi-matrix correction.  
Area Indication  
On / Off  
2)  
Execute to detect the target color on the screen for  
multi-matrix correction.  
Color Detection  
Execute/Cancel  
Axis  
Specify a color targeted by multi-matrix correction  
B / B+ /MG- / MG / MG+ / R / (16-axis mode).  
R+ / YL- / YL /YL+ / G- / G /  
G+ / CY / CY+ / B-  
Hue  
–99 to +99 ( 0)  
Saturation  
–99 to +99 ( 0)  
Set the the hue of the color targeted by multi-matrix  
correction for each 16-axis mode.  
Adjust the saturation of the color targeted by multi-  
matrix correction for each 16-axis mode.  
Useful Functions  
44  
         
PICTURE PROFILE SET  
Items  
Subitems and setting values Contents  
Offset White  
Set to “On” to shift the conversion value for auto  
White  
On / Off  
white balance in Memory A or B mode and that for  
auto tracing white in ATW mode to a lower color  
temperature or a higher color temperature.  
Setting the white balance  
offset and the color  
temperature of the preset  
white  
Offset<A>  
–99 to +99 ( 0)  
Adjust the volume of the offset white (shifting  
volumes) of the conversion value in Memory A,  
Memory B, or ATW mode, respectively.  
Offset<B>  
–99 to +99 ( 0)  
Offset<ATW>  
–99 to +99 ( 0)  
Preset White  
2100 to 10000 (3200)  
Adjust the preset color temperature when Preset  
white balance mode is selected in steps of 100K.  
Notes  
• Except when the white balance is in Memory A  
or B mode or when ATW is active, you cannot  
confirm the result of changing the Offset White  
and Offset settings on the screen.  
• Except when Preset white balance mode is  
selected, you cannot confirm the result of  
changing the Preset White settings on the screen.  
Setting  
Set to “On” to apply the details to the video signal.  
HD Detail  
On / Off  
Adjusting the details to be  
applied to the picture in HD  
Mode  
Level  
–99 to +99 ( 0)  
Adjust the detail level.  
Frequency  
Set the center frequency of the details.  
–99 to +99 ( 0)  
Setting the center frequency higher decreases the  
details, and setting it lower increases the details.  
Crispening  
Adjust the noise-suppression level.  
–99 to +99 ( 0)  
When you set it to a higher level, less noise may be  
seen, as fine elements of details are deleted leaving  
only high-level elements.  
When you set it to a lower level, fine elements are  
applied while increasing noise.  
H/V Ratio  
–99 to +99 ( 0)  
Adjust the horizontal-to-vertical ratio of detail  
elements.  
A higher value makes the vertical elements  
increased with respect to the horizontal elements.  
White Limiter  
Limit the white details.  
–99 to +99 ( 0)  
Black Limiter  
Limit the black details.  
–99 to +99 ( 0)  
V DTL Creation  
NAM / Y / G / G+R  
Select the source signal to generate vertical details  
from among NAM (G or R whichever is higher), Y,  
G, and G+R.  
Knee APT Level  
–99 to +99 ( 0)  
Adjust the knee aperture level (level of details to be  
applied to the sections above the knee point).  
Useful Functions  
45  
   
PICTURE PROFILE SET  
Items  
Subitems and setting values Contents  
Setting Set to “On” to apply the details to the video signal.  
On / Off  
Level  
–99 to +99 ( 0)  
Frequency  
–99 to +99 ( 0)  
SD Detail  
Adjusting the details to be  
applied to the picture in SD  
Mode  
Adjust the detail level.  
Set the center frequency of the details.  
Setting the center frequency higher decreases the  
details, and setting it lower increases the details.  
Crispening  
–99 to +99 ( 0)  
Adjust the noise-suppression level.  
When you set it to a higher level, less noise may be  
seen, as fine elements of details are deleted leaving  
only high-level elements.  
When you set it to a lower level, fine elements are  
applied while increasing noise.  
H/V Ratio  
–99 to +99 ( 0)  
Adjust the horizontal-to-vertical ratio of detail  
elements.  
A higher value makes the vertical elements  
increased with respect to the horizontal elements.  
White Limiter  
Limit the white details.  
–99 to +99 ( 0)  
Black Limiter  
Limit the black details.  
–99 to +99 ( 0)  
V DTL Creation  
NAM / Y / G / G+R  
Select the source signal to generate vertical details  
from among NAM (G or R whichever is higher), Y,  
G, and G+R.  
Knee APT Level  
–99 to +99 ( 0)  
Adjust the knee aperture level (level of details to be  
applied to the sections above the knee point).  
Setting  
On / Off  
Set to “On” to enable the detail level adjustment for  
specific color-phase areas.  
The detail level is uniform over the entire picture  
with the Off setting.  
Skin Tone Detail  
Adjusting the details to be  
applied to the areas of a  
specific color phase  
Level  
Adjust the skin-tone detail level.  
–99 to +99 ( 0)  
2)  
Select “Execute” to detect the color in the center of  
the screen. The area centering on the detected color  
becomes the target area for Skin Tone Detail  
control.  
Area Detection  
Execute/Cancel  
1)  
Set to “On” to display the Zebra 1 pattern for the  
target area for Skin Tone Detail control.  
Area Indication  
On / Off  
Saturation  
–99 to +99 ( 0)  
Adjust the color (saturation) level for Skin Tone  
Detail control.  
Note  
When Area Detection is executed, this setting is  
automatically returned to 0.  
Phase  
0 to 359 (130)  
Adjust the center color-phase value for the target  
area for Skin Tone Detail control.  
Note  
When Area Detection is executed, this setting is  
automatically changed to the value equivalent to  
that of the detected color.  
Useful Functions  
46  
   
PICTURE PROFILE SET  
Items  
Subitems and setting values Contents  
Width Adjust the width of the color phase of the target  
0 to 90 (40)  
area for Skin Tone Detail control.  
Note  
When Area Detection is executed, the Width  
setting automatically returns to 40.  
Setting  
On / Off  
Set to “On” to enable aperture correction  
(processing to improve resolution by adding high-  
frequency aperture signals to the video signal,  
which corrects degeneration due to high-frequency  
characteristics).  
Aperture  
Making settings related to  
aperture correction  
Level  
–99 to +99 ( 0)  
Setting  
On / Off  
Select the level for the aperture correction.  
Set to “On” to compress the high-luminance area of  
the picture.  
Knee  
Adjusting the knee level  
Note  
Knee is fixed and cannot be changed in the  
following cases:  
• When Gamma is set to HG1 to 4  
• When the electronic shutter is in slow shutter  
mode  
• When EX SLS is active  
Auto Knee  
On / Off  
Set to “On” to automatically set the best knee  
conditions according to the luminance level of the  
picture.  
With “Off” the knee conditions can be manually  
adjusted independently of the luminance level of  
the picture.  
Point  
Set the knee point when Auto Knee is “Off.”  
50 to 109 (90)  
Slope  
–99 to +99 ( 0)  
Set the knee slope (volume of compression) when  
Auto Knee is “Off.”  
Knee SAT Level  
0 to 99 (50)  
Adjust the knee saturation level for the area over  
the knee point.  
Level  
Adjust the gamma compensation level.  
Gamma  
–99 to +99 ( 0)  
Adjusting the gamma  
compensation level and  
selecting the gamma curve  
3)  
Select the type of reference curve for gamma  
compensation.  
Select  
STD1 to STD6 / HG1 to HG4  
(HD: STD5, SD: STD4)  
–99 to +99 ( 0)  
Adjust the master black level.  
Black  
Adjusting the black  
–99 to +99 (HD: 0, SD: -16) Adjust the level of black gamma function that  
emphasizes only the dark areas of the picture to  
clear the tones or on the contrary de-emphasizes it  
to reduce noise.  
Black Gamma  
Adjusting the black gamma  
level  
–99 to +99 ( 0)  
Adjust the level of the low key saturation to  
heighten the colors only in the dark areas of the  
picture or pale them to reduce noise.  
Low Key SAT  
Adjusting the low key  
saturation  
Execute / Cancel  
Select “Execute” to copy.  
Copy  
Copying a picture profile  
Useful Functions  
47  
             
PICTURE PROFILE SET  
Items  
Subitems and setting values Contents  
Store Select “Execute” to store a picture profile on an  
Execute / Cancel  
Recall  
Execute / Cancel  
Execute / Cancel  
PP Data  
Writing/loading a picture  
profile  
SxS memory card.  
Select “Execute” to load a picture profile from an  
SxS memory card.  
Select “Execute” to reset.  
Reset  
Resetting a picture profile  
1)The Area Indication “On”/“Off” setting is common to  
all picture profiles PP1 to PP6.  
3)Available gamma curves from “Select” in “Gamma”  
(STD: Standard gamma, HD: Hyper gamma)  
STD1: A gamma table equivalent to an SD camcorder.  
STD2: A gamma table with ×4.5 gain.  
STD3: A gamma table with ×3.5 gain.  
STD4: A gamma table equivalent to the SMPTE-240M  
standard.  
STD5: A gamma table equivalent to the ITU-R709  
standard.  
STD6: A gamma table with ×5.0 gain.  
HG1: A gamma table for turning 325% D-range input  
into 100% output.  
2)To execute “Color Detection” or “Area  
Detection”  
1. Select “Color Detection” or “Area  
Detection.”  
A square marker that indicates the detection  
area appears in the center of the screen, and  
“Execute” and “Cancel” are displayed below.  
2. Select “Execute.”  
HG2: A gamma table for turning 460% D-range input  
into 100% output.  
HG3: A gamma table for turning 325% D-range input  
into 109% output.  
Color-phase detection in the marker area is  
performed.  
When detection successfully ends, a  
completion message is displayed then the  
screen is restored.  
With Multi Matrix, the target color of multi-  
matrix correction is changed to the color  
detected by “Color Detection,” and the Area  
Indication (zebra pattern) appears on the  
screen.  
HG4: A gamma table for turning 460% D-range input  
into 109% output.  
With Skin Tone Detail, the target area for the  
adjustment is changed to the area centering  
around the color detected by “Area  
Detection,” and the Area Indication (zebra  
pattern) appears on the screen.  
If detection fails, an error message appears,  
then the precious screen is restored.  
Useful Functions  
48  
       
Note  
Deleting Clips  
Values for “Clock Set” and “Hours Meter” in the  
OTHERS menu are not stored.  
While standing by to record, the Last Clip DEL  
function for deleting the last recorded clip and the  
All Clips DEL function for deleting all clips from  
an SxS memory card are available.  
Storing the Setup file  
Only one setup file—designated with the file  
name “SETUP.SUF”—can be stored on one SxS  
memory card.  
For clip deletion on the thumbnail screen, see  
1
Insert a memory card on which you  
wish to store the setup file to a card slot.  
To delete using the assignable button  
Assign the Last Clip DEL function to one of the  
assignable buttons (page 38) in advance.  
Press the assignable button to which you have  
assigned “Last Clip DEL,” and select “Execute”  
to delete the last recorded clip from the SxS  
memory card.  
Check that the corresponding memory card  
icon is displayed on the screen. If a memory  
card in the other slot is selected, press the  
SLOT SELECT button to switch.  
2
Select “Store” in “Camera Data” (page  
82) in the OTHERS menu, then select  
“EXECUTE.”  
To delete using the Setup menu  
An in-progress message is displayed during  
writing. When writing is completed, a completion  
message is displayed.  
Select “Last Clip DEL” in “Clip” (page 86) in the  
OTHERS menu, select “Execute,” then select  
“Execute” again to delete the last recorded clip  
from the SxS memory card.  
Notes  
Note  
• If a setup file already exists on the memory card you  
specified in Step 1, a message to confirm whether to  
overwrite the file is displayed.  
When Clip Continuous Recording is set to “On,” “Last  
Clip DEL” cannot be selected.  
If there is not sufficient space on the memory card, an  
error message is displayed.  
Deleting clips collectively  
Retrieving the Setup file  
Select “All Clips DEL” in “Clip” (page 86) in the  
OTHERS menu, select “Execute,” then select  
“Execute” again to delete all the clips from the  
SxS memory card.  
When you retrieve the stored setup file, the  
camcorder settings are changed according to the  
file.  
Notes  
1
Insert the memory card on which you  
stored the setup file into a card slot.  
• If the SxS memory card contains clips of both of HD  
Mode and SD Mode, only the clips of the currently  
selected mode are deleted.  
• Clips with the OK mark (page 37) cannot be deleted if  
FAT is selected for the file system. If UDF is selected,  
clips set to “Lock Clip” (page 57) cannot be deleted.  
Check that the corresponding memory card  
icon is displayed on the screen. If a memory  
card in the other slot is selected, press the  
SLOT SELECT button to switch.  
2
Select “Recall” in “Camera Data” (page  
82) in the OTHERS menu, then select  
“EXECUTE.”  
Storing/Retrieving the Setting  
Data  
An in-progress message is displayed during data  
reading. When the read-out is completed, a  
completion message is displayed, indicating that  
the camcorder settings have been changed  
according to the setup file.  
You can store all the menu settings (including  
picture profiles) as a setup file on an SxS memory  
card.  
By retrieving the stored setup file, the proper  
setup condition can be immediately obtained.  
Useful Functions  
49  
           
Resetting to the standard values  
Loading a Planning Metadata file  
The current camcorder settings you made through  
various menu and button operations can be  
collectively returned to the standard statuses  
(factory settings) by executing “All Reset” in the  
OTHERS menu.  
To record planning metadata together with clips,  
it is necessary to load a planning metadata file  
into the camcorder’s memory in advance.  
Insert the SxS memory card with the planning  
metadata file (.xml) saved to the directory below  
into the camcorder’s card slot, then select and  
load the file via “Load / Slot(A)” or “Load /  
Slot(B)” in “Plan.Metadata” (page 87) in the  
OTHERS menu.  
Planning Metadata  
Planning metadata is information about shooting  
and recording plans, recorded in an XML file.  
UDF: General/Sony/Planning  
FAT: BPAV/General/Sony/Planning  
Example of a planning metadata file  
Confirming the detailed information in planning  
metadata  
After loading a planning metadata file into  
memory of the camcorder, you can check the  
details of the file, such as the filename, time and  
date of file creation, and the titles specified in the  
file.  
Select “Properties” in “Plan.Metadata” (page 87)  
in the OTHERS menu, then select “Execute.”  
Clearing the loaded planning metadata  
To clear the planning data loaded in the  
camcorder’s memory, proceed as follows:  
Select “Clear” in “Plan.Metadata” (page 87) in  
the OTHERS menu, then select “Execute.”  
You can shoot using clip names and shot mark  
names defined in advance in a planning metadata  
file.  
Defining a clip name in Planning  
Metadata  
This camcorder can display clip names and shot  
mark names defined in the following languages:  
• English  
• Chinese  
• German  
• French  
• Italian  
• Spanish  
• Dutch  
The following two types of clip name strings can  
be written in a planning metadata file.  
• ASCII-format name, which is displayed on the  
EVF screen  
• UTF-8-format name, which is actually  
registered as the clip name  
• Portuguese  
• Swedish  
• Norwegian  
• Danish  
You can select the type for displaying the clip  
name with “Clip Name Disp” in “Plan.Metadata”  
(page 87) in the OTHERS menu.  
When you specify a clip name in planning  
metadata, the name is displayed under the  
operation status indication on the EVF screen.  
• Finnish  
Notes  
Example of clip name strings  
Use a text editor to modify the description for the  
<Title> tag.  
The shaded fields in the example are clip name  
strings. “Typhoon” is described in ASCII format  
(up to 44 characters).  
• If you define clip and shot mark names in languages  
other than those listed above, they may not be  
displayed on the LCD monitor/EVF screen.  
• If you define clip and shot mark names in French,  
Dutch, or Finnish, some characters are displayed in a  
different but similar font.  
“Typhoon_Strikes_Tokyo” is described in UTF-8  
format (up to 44 bytes).  
Useful Functions  
50  
     
Here, “sp” indicates a space, and 3 indicates a  
carriage return.  
Defining Shot Mark names in Planning  
Metadata  
<?xml version="1.0" encoding="  
UTF-8"?>3  
When you record shot mark 1 or shot mark 2, you  
can apply a name to the shot mark, using a string  
defined in planning metadata.  
sp  
sp  
<PlanningMetadata xmlns="http://  
sp  
xmlns.sony.net/pro/metadata/  
Example of shot mark name strings  
Use a text editor to modify the description for the  
<Meta name> tag.  
The shaded fields in the example are shot mark  
name strings.  
Names can be either in ASCII format (up to 32  
characters) or UTF-8 format (up to 16 characters).  
Here, “sp” indicates a space and 3 indicates a  
carriage return.  
planningmetadata" assignId="  
sp  
P0001" creationDate="  
sp  
2011-08-20T17:00:00+09:00"  
lastUpdate="  
2011-09-28T10:30:00+09:00"  
version="1.00">3  
sp  
sp  
<Properties propertyId="  
sp  
assignment" update="  
sp  
2011-09-28T10:30:00+09:00"  
sp  
modifiedBy="Chris">3  
Note  
Typhoon  
<Title usAscii="  
"
sp  
sp  
If a name string contains even one non-ASCII character,  
the maximum length of that string is limited to 16  
characters.  
Typhoon_Strikes_Tokyo  
xml:lang="en">  
</Title>3  
</Properties>3  
</PlanningMetadata>3  
<?xml version="1.0" encoding="  
UTF-8"?>3  
<PlanningMetadata xmlns="http://  
sp  
sp  
Notes  
• When you create a file, enter each statement as a single  
line by breaking a line with a CRLF only after the last  
character of the line, and do not enter spaces except  
where specified with “sp.”  
• A string of up to 44 bytes (or 44 characters) is valid as  
a clip name. If a UTF-8-format string exceeds 44 bytes,  
the string up to the 44th byte is used as the clip name.  
If only a string in ASCII format is specified, the  
ASCII-format name up to the 44th characters is used as  
the clip name. When neither the ASCII-format name  
string nor UTF-8-format name string is valid, a clip  
name in the standard format is used.  
xmlns.sony.net/pro/metadata/  
planningmetadata" assignId="  
sp  
H00123" creationDate="  
sp  
2011-04-15T08:00:00Z" lastUpdate="  
sp  
2011-04-15T15:00:00Z" version=  
sp  
"1.00">3  
<Properties propertyId=  
sp  
"assignment" class="original"  
sp  
sp  
update="2011-04-15T15:00:00Z"  
modifiedBy="Chris">3  
sp  
<Title usAscii="Football  
Game" xml:lang="en">  
sp  
Football Game 15/04/2011  
</Title>3  
Using a clip name defined in planning metadata  
Load a planning metadata file that contains the  
clip name into memory of the camcorder, then  
select “Plan” in “Auto Naming” in “Clip” (page  
86) in the OTHERS menu.  
sp  
<Meta name="_ShotMark1"  
sp  
sp  
Goal  
content="  
"/>3  
Clip names are generated by adding an  
underscore (_) and a 5-digit serial number (00001  
to 99999).  
<Meta name="_ShotMark2"  
sp  
sp  
Shoot  
content="  
"/>3  
</Properties>3  
</PlanningMetadata>3  
Example: Typhoon_Strikes_Tokyo_00001,  
Typhoon_Strikes_Tokyo_00002, ...  
Note  
Notes  
When you create a file, enter each statement as a single  
line by breaking a line with a CRLF only after the last  
character of the line, and do not enter spaces except  
where specified with “sp,” except within shot mark name  
strings.  
• If the serial number reaches 99999, it returns to 00001  
upon the next recording.  
• When you load another planning metadata file, the 5-  
digit serial number returns to 00001.  
Useful Functions  
51  
 
Copying Planning Metadata files  
collectively  
You can copy planning metadata files stored in  
the General folder on an SxS memory card  
collectively to another SxS memory card.  
Select “General Files” in “Copy All” (page 87) in  
the OTHERS menu.  
Useful Functions  
52  
Playback  
Thumbnail Screens  
When you press the THUMBNAIL button (page 13), clips recorded on the SxS memory card are  
displayed as thumbnails on the screen. If no clips are recorded on the card, a no-clip message is displayed.  
You can start playback from the clip selected on the thumbnail screen. The playback picture can be seen  
on the LCD monitor/EVF and external monitors.  
Press the STOP/CAM button (page 13) to exit the thumbnail screen and return to the recording screen.  
Note  
Even if the SxS memory card contains a mixture of HD and SD clips, the normal thumbnail screen shows only clips of  
the mode selected in “HD/SD” in “System” (page 85) in the OTHERS menu.  
To display all recorded clips regardless of the HD/SD Mode, switch the screen to the All-Clip thumbnail screen (page 54).  
Configuration of the Thumbnail Screen  
Data for the clip selected with the cursor are displayed at the bottom of the screen.  
The icon of the current SxS memory card is highlighted, shading the nonselected  
one. (If the card is write-protected, a lock icon is displayed to the left.)  
Current clip No./ Total number of clips  
120  
m
in  
0011 / 0300  
Cursor  
(yellow)  
01  
01  
01  
/
/
/
JAN 10:53  
JAN 14:53  
JAN 18:53  
01  
01  
01  
/
/
/
JAN 11:53  
JAN 15:53  
JAN 19:53  
01  
01  
01  
/
/
/
JAN 12 :53  
JAN 16 :53  
JAN 20 :53  
01  
01  
01  
/
/
/
JAN 13:53  
JAN 17:53  
11  
10  
9
1
2
JAN 21:53  
01/ JAN / 2009 10 :53 S&Q 29 / 24  
JPAN0011 1  
TCR 00:00:00:00  
MP4 DUR 00:03:19:23  
( )  
HQ 1920 / 23.9P  
3
4 5  
6
7
8
thumbnail, the recording date and recording  
start time are displayed. If the file was split into  
multiple parts because its file size exceeded 2  
1. Thumbnail  
In UDF and FAT HD Mode: The thumbnail  
image for each clip is an index frame from the  
clip. When recording, the first frame of a clip is  
automatically set as the index frame. This frame  
can be adjusted (page 62). Below each  
GB, the take mark  
is displayed. Split files  
can be viewed via the EXPAND CLIP screen  
thumbnail, the recording date and recording  
start time are displayed. If the clip is locked or is  
2. Date and starting time of recording  
3. Clip name  
In FAT SD Mode, if the file was split into  
multiple parts because its file size exceeded 2  
GB, the segment number is displayed after the  
name, separated with a slash.  
set with an OK mark, the lock mark  
displayed.  
is  
In FAT SD mode: The thumbnail image for each  
clip is the first frame of the clip. Below each  
Thumbnail Screens  
53  
           
4. Lock mark (UDF and FAT HD Mode  
only)  
UDF: A lock mark appears if the selected clip is  
FAT HD Mode  
The normal thumbnail screen, OK clip thumbnail  
screen, and All-Clip thumbnail screen are  
cyclically displayed.  
locked.  
FAT HD Mode: A lock mark appears if the  
selected clip has an OK mark.  
FAT SD Mode  
The normal thumbnail screen and All-Clip  
thumbnail screen are alternately displayed.  
5. AV independent file icon (UDF and FAT  
HD Mode only)  
Displayed only if the selected clip is an AV  
independent file. This indicates that not all  
operations and indications may be available,  
because the clip may have been added manually  
to the SxS file via a computer, etc., and there is  
no management file for it.  
OK/NG/KP/None-Clip thumbnail screen  
Only the clips flagged OK/NG/KP—or clips with  
no flag (“None”)—among the clips on the current  
SxS memory card are displayed.  
You can select the type of flag to display with  
“Filter Clips” in “Clip” (page 86) in the OTHERS  
menu.  
6. Recording video format  
7. File format  
The file format (MXF, MP4, AVI) of the  
selected clip is displayed. (This item is not  
indicated when the recording mode is UDF-HD  
mode.)  
OK-Clip thumbnail screen  
Only the clips marked OK among the clips on the  
current SxS memory card are displayed.  
8. Duration of the clip  
All-Clip thumbnail screen  
9. Timecode  
The timecode of the index frame is displayed.  
The All-Clip thumbnail screen shows all clips on  
the current SxS memory card regardless of the  
HD or SD Mode, permitting you to check whether  
the card contains any clips of another mode than  
that currently selected.  
10. OK/NG/KP mark (UDF and FAT HD  
Mode only)  
UDF: The mark is displayed if the selected clip  
has an OK/NG/KP flag.  
FAT HD Mode: The OK mark is displayed if the  
selected clip has an OK mark.  
Note  
You cannot start playback from the All-Clip thumbnail  
screen.  
Press the THUMBNAIL button again to return to the  
normal thumbnail screen, and playback and clip  
operations are enabled.  
11. Special recording information (UDF and  
FAT HD Mode only)  
If the selected clip was recorded in a special  
recording mode (Slow & Quick Motion, Interval  
Recording, or Frame Recording), the mode is  
displayed.  
Clips recorded in Slow & Quick Motion display  
the “Recording frame rate/playback frame rate  
fps” to the right.  
Switching the SxS memory cards  
When two memory cards are loaded, press the  
SLOT SELECT button (page 14) to switch  
memory cards.  
Note  
Changing the Type of Thumbnail  
Screen  
Card switching is enabled only when the thumbnail  
screen is displayed or when an external input picture is  
displayed by pressing the STOP/CAM button.  
You cannot switch memory cards during playback.  
Continuous playback of cards in slots A and B is not  
possible.  
The type of thumbnail screen can be changed as  
follows by pressing the THUMBNAIL button  
UDF  
The normal thumbnail screen, OK/NG/KP/None  
clip thumbnail screen, and All-Clip thumbnail  
screen are cyclically displayed.  
Thumbnail Screens  
54  
                 
Information displayed on the playback  
screen  
Playing Clips  
The following information is superimposed on  
the playback picture.  
For playback operations, use the playback control  
buttons on the handle (page 13). When the IR  
Remote Commander is enabled, you can use its  
playback control buttons instead (page 21).  
1
2
3
4
5
120min  
BPLAY  
TCR 00:00:00:00  
0011/03 00  
Playing the Selected and  
Subsequent Clips in Sequence  
1
Using the up/down/left/right buttons or  
the jog dial, move the cursor to the  
thumbnail image of the clip with which  
you wish to start playback.  
CH1  
CH2  
7
2
Press the PLAY/PAUSE button.  
1. Battery remaining/DC IN voltage  
2. Playback mode  
Playback starts from the beginning of the  
selected clip.  
3. SxS memory card  
Notes  
A
mark appears to the left if the SxS memory  
• The playback picture may be momentarily distorted or  
frozen between clips. The playback control buttons  
and THUMBNAIL button do not function during this  
condition.  
• When you select a clip on the thumbnail screen and  
start playback, the playback picture at the beginning of  
the clip may be distorted. To start playback without  
distortion, once pause playback after starting it, press  
the PREV button to return to the top of the clip, then  
restart playback.  
card is write-protected.  
4. Time data  
The time data for the playback picture are  
displayed. Each time you press the  
DURATION/TC/U-BIT button, the indication  
is switched between timecode (TCR) and user-  
bit (UB) data.  
5. Clip no./total number of clips  
This is displayed for FAT. It is also displayed  
for UDF if “Find Mode” in “Clip” (page 86) in  
the OTHERS menu is set to “Clip.”  
6. Clip no./total number of clips, essence  
mark no./total number of essence marks  
This is displayed for UDF if “Find Mode” in  
“Clip” (page 86) in the OTHERS menu is set to  
“Rec Start.”  
7. Audio levels  
The audio levels for the recording are displayed.  
Playing Clips  
55  
         
Monitoring Audio  
Clip Operations  
In Normal playback mode, you can monitor the  
recorded audio signals through the built-in  
speaker (page 12) or connected headphones.  
With the headphones connected to the headphone  
connector (page 11), the built-in speaker is turned  
off.  
During thumbnail screen playback, etc., you can  
operate the clips or confirm and change the  
subsidiary data for clips using the Clip Operation  
menus. The corresponding Clip Operation menu  
pops up on the screens as shown below when you  
press the SET/SEL button or the jog dial.  
Press the VOLUME buttons (page 13) to adjust  
the sound volume.  
You can select audio channel(s) to be monitored  
with “Audio Output” (page 75) in the AUDIO  
SET menu.  
Clip Operation Menus  
Thumbnail screen (page 57)  
CANCEL  
Cueing Up  
DISP CLIP INFO  
To start playback from the top of the first clip  
Press the PREV button and F REV button  
simultaneously. The top of the first-recorded clip  
on the memory card is cued up.  
OK MARK ADD (FAT only)  
OK MARK DELETE (FAT only)  
OK FLAG ADD (UDF only)  
NG FLAG ADD (UDF only)  
KEEP FLAG ADD (UDF only)  
CLIP FLAG DELETE (UDF only)  
LOCK CLIP (UDF only)  
UNLOCK CLIP (UDF only)  
COPY CLIP  
To start playback from the top of the last clip  
Press the F FWD button and NEXT button  
simultaneously. The top of the last-recorded clip  
on the memory card is cued up.  
Adding Shot Marks During  
Playback (UDF and FAT HD Mode)  
DELETE CLIP  
In the same manner as in recording, you can add  
shot marks to the clip during playback.  
ALL MARKS  
At the point where you wish to add a shot  
mark, press the “Shot Mark1” or “Shot  
Mark2” assigned button, or the  
SHOTMARK 1 or 2 button on the IR  
Remote Commander.  
SHOT MARK1  
SHOT MARK2  
REC START MARK (UDF only)  
EXPAND CLIP  
Notes  
• No shot mark can be added if the memory card is write-  
protected.  
• No shot mark can be added to the first or last frame of  
a clip.  
Clip Operations  
56  
                             
Expand Clip screen (page 61)  
Clip Operation menu on the thumbnail  
screen  
CANCEL  
EXPAND (COARSE)  
EXPAND (FINE)  
Pressing the SEL/SET button or the jog dial with  
the thumbnail screen (page 53) displayed calls the  
Clip Operation menu for the clip at the cursor.  
PAUSE  
Item  
Function  
SET INDEX PIC  
DISP CLIP INFO Displays the clip's information  
SHOT MARK1 ADD  
SHOT MARK2 ADD  
SHOT MARK1 DEL  
SHOT MARK2 DEL  
DIVIDE CLIP (FAT only)  
screen (page 58).  
OK MARK  
Adds an OK mark (page 59).  
Deletes the OK mark (page 59).  
Adds an OK flag (page 59).  
Adds a NG flag (page 59).  
Adds a KP flag (page 59).  
Deletes the flag (page 59).  
1)  
ADD  
OK MARK  
1)  
DELETE  
OK FLAG  
2)  
ADD  
Shot Mark screen (page 62)  
NG FLAG  
2)  
CANCEL  
ADD  
KEEP FLAG  
PAUSE  
2)  
ADD  
SET INDEX PIC  
SHOT MARK1 DEL  
SHOT MARK2 DEL  
DIVIDE CLIP (FAT only)  
CLIP FLAG  
2)  
DELETE  
2)  
Locks and protects a clip (page  
LOCK CLIP  
59).  
2)  
Unlocks a protected clip (page  
59).  
UNLOCK CLIP  
COPY CLIP  
Copies the clip to another SxS  
memory card (page 59).  
Deletes the clip (page 60).  
Note  
Selectable menu items are limited in SD Mode.  
DELETE CLIP  
3)  
Displays thumbnails of all frames  
with an essence mark recorded  
ALL MARKS  
Basic Operations of the Clip  
Operation Menus  
3)  
Displays only thumbnails of  
frames with shot mark 1 recorded  
SHOT MARK1  
SHOT MARK2  
Use the up/down/left/right buttons or the jog dial  
to select a menu item, then press the SEL/SET  
button or the jog dial.  
Pressing the CANCEL button restores the  
previous condition.  
3)  
Displays only thumbnails of  
frames with shot mark 2 recorded  
REC START  
MARK  
Displays thumbnails of frames  
with a Recording Start mark and  
the first frames of clips without  
Recording Start marks (page 61).  
Switches to the EXPAND CLIP  
screen (page 60).  
Selecting “CANCEL” from a Clip Operation  
menu turns the Clip Operation menu off.  
Notes  
EXPAND CLIP  
• When the SxS memory card is write-protected, some  
operations are unavailable.  
• There may be items that cannot be selected depending  
on the status when the menu is displayed.  
1)Effective with FAT HD Mode only.  
2)Effective with UDF only.  
3)Effective with UDF and FAT HD Mode.  
Clip Operations  
57  
             
Displaying the Detailed Information of a Clip  
Select “DISP CLIP INFO” from a Clip Operation menu.  
4
5
120  
m
in  
CLIP I NFO  
0011/0300  
( )  
JPAN0011 1  
01 / JAN/2009 10:53  
HQ 1920 /23.9P MP4  
otion 29/24fps  
OK  
6
1
7
8
S
&Q  
M
9
10  
11  
12  
13  
14  
15  
TCR 00:05:00:02  
TCR 00:05:00:00 STR  
TCR 00:08:19:23 END  
DUR 00:03:20:00  
2
3
CH1/2 /3 /4/5 /6 /7 /8  
PREV CLIP  
NEXT CLIP  
1. Image of the current clip  
2. Image of the previous clip  
Press the PREV button to switch to the clip info  
screen of the previous clip.  
In FAT SD Mode, the previous segment of a  
segmented clip is displayed.  
6. OK/NG/KP mark (UDF and FAT HD  
Mode only)  
UDF: The mark is displayed if the selected clip  
has an OK/NG/KP flag.  
FAT HD Mode: The OK mark is displayed if the  
selected clip has an OK mark.  
7. Date and starting time of recording  
8. File format  
The file format (MXF, MP4, AVI) of the  
selected clip is displayed.  
3. Image of the next clip  
Press the NEXT button to switch to the clip info  
screen of the next clip.  
In FAT SD Mode, the next segment of a  
segmented clip is displayed.  
9. Special recording information (UDF and  
FAT HD Mode only)  
4. Clip name  
For a clip name of 12 characters or longer, only  
the first 5 and last 5 characters of the name are  
displayed. To check the non-displayed block of  
the name, press the jog dial or the SEL/SET  
button to display the entire clip name (Long-  
Display mode). Press the jog dial or the SEL/  
SET button again to cancel Long-Display mode.  
Long-Display mode is also canceled by  
switching to the previous or next clip with the  
PREV or NEXT button.  
If the selected clip was recorded in a special  
recording mode (Slow & Quick Motion, Interval  
Recording, or Frame Recording), the mode is  
displayed.  
Clips recorded in Slow & Quick Motion display  
the “Recording frame rate/playback frame rate  
fps” to the right.  
10. Timecode of the displayed frame  
11. Timecode at the recording starting point  
12. Timecode at the recording ending point  
13. Duration of the clip  
In FAT SD Mode, if the file was split into  
multiple parts because its file size exceeded 2  
GB, the segment number is displayed after the  
name, separated with a slash.  
14. Recorded audio channels  
15. Recorded video format  
5. Lock mark (UDF and FAT HD Mode  
only)  
UDF: A lock mark appears if the selected clip is  
locked.  
FAT HD Mode: A lock mark appears if the  
selected clip has an OK mark.  
Clip Operations  
58  
     
Adding/Deleting a Flag (UDF Only)  
Copying Clips  
You can add an OK/NG/KP flag to clips recorded  
in UDF. By adding flags, you can set the  
camcorder to display only clips with certain flag  
settings on the thumbnail screen (OK/NG/KP/  
None-Clip thumbnail screen) (page 54).  
When adding a flag, you can select from OK  
FLAG ADD, NG FLAG ADD, and KEEP FLAG  
ADD in the Clip Operation menu (page 57) on the  
thumbnail screen. When deleting a flag, select  
CLIP FLAG DELETE.  
You can copy clips on an SxS memory card to  
another SxS memory card.  
Each clip is copied with the same name to the  
destination SxS memory card.  
Notes  
• If there is another clip having the same name on the  
destination SxS memory card, the clip is copied under  
a name adding a single-digit number in parentheses to  
the end of the original clip name.  
The parenthetical number is the minimum value that  
does not exist in the destination memory card.  
Examples:  
ABCD0002(1) if ABCD0002 exists  
ABCD0002(2) if ABCD0002(1) exists  
ABCD0005(4) if ABCD0005(3) exists  
Note  
Flagged clips are not protected. To protect clips from  
deletion, select LOCK CLIP in the Clip Operation menu  
(page 57) on the thumbnail screen. To remove the  
protection, select UNLOCK CLIP.  
• When using FAT, you cannot copy a file 10 times or  
more if clips with the same clip name followed by  
parenthetical numbers (1) to (9) already exist on the  
card.  
Adding/Deleting the OK Mark (FAT  
HD Mode Only)  
• When using UDF, you cannot copy a file 1000 times or  
more if clips with the same clip name followed by  
parenthetical numbers (1) to (999) already exist on the  
card.  
By adding an OK mark to clips recorded in FAT  
HD Mode, you can set the camcorder to display  
only the necessary clips on the thumbnail screen  
(page 54). Clips with an OK mark added are  
blocked from being deleted or segmented. To  
delete or segment them, remove the OK mark.  
From the thumbnail screen Clip Operation menu  
(page 57), you can select OK MARK ADD to add  
an OK mark, or OK MARK DELETE to delete  
the OK mark.  
• A warning message is displayed if there is not  
sufficient space on the destination SxS memory card.  
Replace the SxS memory card with one with sufficient  
space.  
• When copying an SxS memory card on which multiple  
clips have been recorded, copying all clips to the end  
may not be achieved, even if the destination card has  
the same capacity as the source card, depending on  
usage conditions, memory characteristics, etc.  
Copying a specified clip  
Select “OK MARK ADD” from the Clip  
Operation menu to add the OK mark, or select  
“OK MARK DELETE” from the Clip Operation  
menu to delete it.  
You can copy a clip selected on the thumbnail  
screen to another SxS memory card.  
Select “COPY CLIP” from the Clip Operation  
menu.  
Copying clips collectively  
By using the Setup menu, you can copy clips on  
an SxS memory card collectively to another SxS  
memory card.  
If the memory card contains clips of both HD and  
SD Mode, only the clips of the currently selected  
mode are copied. This may be convenient when  
you wish to extract clips of the same mode only.  
Select “Clips” in “Copy All” (page 87) in the  
OTHERS menu.  
Clip Operations  
59  
           
EXPAND CLIP screen in UDF and FAT HD  
Mode  
Deleting Clips  
You can delete clips from the SxS memory card.  
Select “DELETE CLIP” from the Clip Operation  
menu.  
Current frame number  
120  
m
in  
EXPAND CLIP  
01 :10 :30 :00  
01 :11 :10 :00  
01 :11 :50 :00  
0000123  
Note  
Clips with an OK mark and flagged clips set to LOCK  
CLIP cannot be deleted.  
To delete them, release the OK mark or the LOCK CLIP  
setting before performing the delete operation.  
01:10:20:00  
01:11:00:00  
01:11:40:00  
01 :10 :40 : 00  
01 :11 :20 : 00  
01 :12 :00 : 00  
01 :10 : 50 :00  
S1  
S2  
01 :11 : 30 :00  
01 :12 : 10 :00  
Deleting clips collectively  
S2  
S1  
01 /JAN/2009 10:53  
S
&
Q 29/ 24  
TCR 01:10:20 :00  
DUR 00:03:19:23  
By using the Setup menu, you can delete clips  
from an SxS memory card collectively.  
Select “All Clips DEL” in “Clip” (page 86) in the  
OTHERS menu.  
( )  
JPAN0011  
1
HQ 1920 /23.9P  
1
2
Detailed information for the clip is displayed at  
the bottom of the screen.  
The items other than the following are the same as  
those on the normal thumbnail screen (page 53):  
Notes  
• If the memory card contains clips of both HD and SD  
Mode, only the clips of the currently selected mode are  
deleted.  
• Clips with an OK mark and flagged clips set to LOCK  
CLIP cannot be deleted.  
1. Frame information  
The following icons show the marking for the  
frame at the cursor.  
Displaying the EXPAND CLIP  
Screen  
Index frame  
Frame with shot mark 1 added  
S1  
In UDF and FAT HD Mode, the EXPAND CLIP  
screen permits you to divide a clip into 12 blocks  
of equal duration and show a thumbnail image of  
the first frame of each block on the screen.  
In FAT SD Mode, the EXPAND CLIP screen  
shows the thumbnail images of the first frames of  
the segment files only for a clip segmented  
because its file size exceeded 2 GB.  
Frame with shot mark 2 added  
S2  
The same icons may also be displayed below the  
thumbnail image of each frame. If the frame has  
multiple markings, one of the icons is displayed,  
in the priority order of index frame, shot mark 1,  
and shot mark 2.  
This helps you to quickly cue up to a desired  
scene in a clip of long duration.  
You can display the EXPAND CLIP screen by  
selecting the clip on the thumbnail screen.  
2. Timecode indication  
The timecode of the frame at the cursor is  
displayed.  
1
2
Select a clip on the thumbnail screen,  
then press the SEL/SET button or the  
jog dial.  
The corresponding Clip Operation menu  
pops up.  
Select “EXPAND CLIP.”  
The EXPAND CLIP screen appears for the  
clip that you selected on the thumbnail  
screen.  
Clip Operations  
60  
         
EXPAND CLIP screen in FAT SD Mode  
Clip Operation menu on the EXPAND CLIP  
screen  
Current frame number  
UDF and FAT HD Mode  
When you select a frame on the EXPAND CLIP  
screen and press the SEL/SET button or the jog  
dial, the Clip Operation menu pops up to enable  
operations such as displaying more detailed split  
displays and saving the frames after the selected  
frame as different clip.  
120  
m
in  
EXPAND CLIP  
00 : 09 : 30 : 00  
0000001  
00 : 00 : 00 : 00  
00:19:00:00  
Item  
Function  
EXPAND  
(COARSE)  
To decrease the number of  
partitions of the clip  
01/ JAN/2009 10:53  
JPAN0011 _01  
TCR 00 : 00 : 00 : 00  
DUR 00 : 09 : 30 : 00  
DVCAM29.9PsF SQ  
EXPAND  
(FINE)  
To increase the number of  
partitions of the clip  
To set to Pause mode at the  
selected frame  
1
2
PAUSE  
Detailed information for the clip is displayed at  
the bottom of the screen.  
The items other than the following are the same as  
those on the normal thumbnail screen (page 53):  
SET INDEX PIC To specify the selected frame for  
the index frame of the clip (page  
SHOT MARK1  
ADD  
To add shot mark 1 to the selected  
1. Timecode indication  
The timecode of the segmentation file at the  
cursor is displayed.  
SHOT MARK2  
ADD  
To add shot mark 2 to the selected  
2. Duration  
The duration of the segmentation file at the  
cursor is displayed.  
SHOT MARK1  
DEL  
To delete shot mark 1 from the  
selected frame (page 62)  
SHOT MARK2  
DEL  
To delete shot mark 2 from the  
selected frame (page 62)  
DIVIDE CLIP  
To divide the clip into two clips at  
the selected frame (page 63)  
FAT SD Mode  
You can select “PAUSE” only on the EXPAND  
CLIP screen in FAT SD Mode.  
Displaying the SHOT MARK  
Screen (UDF and FAT HD Mode)  
When one or more shot marks or recording start  
marks are recorded for a single clip, you can  
display only frames with those marks as  
thumbnail images on the screen.  
1
Select a clip on the thumbnail screen,  
then press the SEL/SET button or the  
jog dial.  
2
Select ALL MARK, SHOT MARK1,  
SHOT MARK2, or REC START  
MARK from the Clip Operation menu  
Clip Operations  
61  
           
Item  
PAUSE  
Function  
To set to Pause mode at the selected  
frame  
SHOT MARK screen example (when ALL  
MARKS is selected)  
SET INDEX PIC To specify the selected frame for the  
index frame of the clip (page 62)  
120  
m
in  
SHOT MARK1  
01 : 10 : 30 : 00  
01 : 11 : 10 : 00  
- - -  
0031/0031  
SHOT MARK1 To delete the shot mark 1 from the  
DEL  
selected frame (page 62)  
S1  
S2  
S2  
S1  
01:10:50:00  
01 : 10 : 20 : 00  
01 : 11 : 00 : 00  
- - -  
01:10:40:00  
SHOT MARK2 To delete the shot mark 2 from the  
DEL  
selected frame (page 62)  
S1  
S1  
- - -  
- - -  
- - -  
DIVIDE CLIP  
To divide the clip into two clips at  
the selected frame (page 63) (FAT  
HD mode Only)  
- - -  
01/ JAN/2009 10:53  
JPAN0011  
S
&
Q 29 /24  
TCR 01:12:00: 00  
DUR 00:03:19:23  
( )  
1
HQ 1920 /23.9P  
Adding/Deleting Shot Marks (UDF  
and FAT HD Mode)  
1
The detailed information of the clip is displayed  
at the bottom of the screen.  
Adding a shot mark in Pause mode  
The items other than the following are the same as  
those on the EXPAND CLIP screen (page 60) in  
UDF and FAT HD mode:  
Select “SHOT MARK1 ADD” or “SHOT  
MARK2 ADD” from the Clip Operation menu.  
1. Timecode indication  
The timecode of the frame at the cursor on the  
SHOT MARK screen is displayed.  
Adding a shot mark on the EXPAND CLIP  
screen  
Move the cursor to the first/last frame  
When the cursor is at a user-designated position,  
press the F REV and PREV buttons  
simultaneously to move the cursor the first frame.  
Press the F FWD and NEXT buttons  
simultaneously to move the cursor to the last  
frame.  
Select “SHOT MARK1 ADD” or “SHOT  
MARK2 ADD” from the Clip Operation menu.  
Deleting a shot mark  
You can delete shot marks on the EXPAND CLIP  
screen (page 60) or on the SHOT MARK screen  
Select “SHOT MARK1 DEL” or “SHOT  
MARK2 DEL” from the Clip Operation menu.  
Switch to the clip shot mark screen for a different  
clip  
When the cursor is at the first frame for a clip,  
press the PREV or up button, or turn the jog dial  
up to switch to the previous displayable clip shot  
mark screen.  
When the cursor is at the last frame for a clip,  
press the NEXT or down button, or turn the jog  
dial down to switch to the next displayable clip  
shot mark screen.  
Changing the Index Frame (UDF  
and FAT HD Mode)  
You can change the index frame to another frame  
you selected on the EXPAND CLIP screen (page  
60) or the SHOT MARK screen (page 61).  
Select “SET INDEX PIC” from the Clip  
Operation menu.  
Clip Operation menu on the SHOT MARK  
screen  
Note  
When you select a frame on the SHOT MARK  
screen and press the SEL/SET button or the jog  
dial, the Clip Operation menu pops up to permit  
you further operations.  
Even if you specify a frame other than the top frame for  
the index frame, playback always begins from the top  
frame when you start it from the thumbnail screen.  
Clip Operations  
62  
               
Dividing a Clip (FAT HD Mode  
Only)  
In FAT HD Mode, you can divide a clip into two  
different clips at the frame you select on the  
EXPAND CLIP screen (page 60) or the SHOT  
MARK screen (page 61).  
Select “DIVIDE CLIP” from the Clip Operation  
menu.  
The first 4 characters of the original clip name are  
carried on, continuing to the last number on the  
memory card by the second 4 numerics.  
Example: If you divide a clip named ABCD0002  
into two clips under the condition where a  
new clip will be named EFGH0100, clip  
ABCD0100 and clip ABCD0101 are created.  
Note  
If the remaining space on the memory card is insufficient  
for divided clips, a message informing you of it appears.  
Clip Operations  
63  
 
Status Displays  
Showing the Status Screens  
Press the STATUS button (page 13) to display  
status screens on the LCD monitor/EVF screen/  
external video monitor.  
Use the up/down buttons (page 13) or the jog dial  
(page 14) to perform operations and switch the  
screens in sequence.  
Zebra: Zebra status  
Display Contents  
1
“On” is displayed and the setting of  
“Zebra1 Level” in “Zebra” in the LCD/VF  
SET menu is displayed to the right when  
“Zebra Select” in “Zebra” in the LCD/VF  
SET menu is set to “1” or “Both” and you  
set the Zebra function to “On.” If the Zebra  
function is set to “Off” or “Zebra Select” is  
set to “2,” “Off” appears.  
When you press the STATUS button again, the  
status screen display is canceled.  
For connections of an external monitor, see  
2
“On” is displayed when “Zebra Select” in  
“Zebra” in the LCD/VF SET menu is set to  
“2” or “Both” and you set the Zebra  
function to “On.” If the Zebra function is  
set to “Off” or “Zebra Select” is set to “1,”  
“Off” appears.  
Camera Status Screen  
White Bal: White balance status  
Display Contents  
Skin Tone Detail: Skin-tone detail status  
The current status (On or Off) of “Setting” of  
“Skin Tone Detail” of the PICTURE PROFILE  
menu is displayed.  
B
The color temperature stored in white  
memory B is indicated.  
A
The color temperature stored in white  
memory A is indicated.  
Picture Profile: Picture Profile selection status  
The selected Picture Profile number and name are  
displayed. (If Picture Profile is off, “Off” is  
displayed.)  
PRST  
The color temperature set as the preset  
white is indicated. The color temperature of  
preset white can be changed using the  
PICTURE PROFILE menu.  
Gain: GAIN switch settings  
The gain values of the positions L, M, and H of  
the GAIN switch assigned in the CAMERA SET  
menu are displayed.  
Handle Zoom Speed: Handle zoom speed  
settings  
The speed values assigned to each position of the  
Zoom Speed switch (page 13) in “Zoom Speed”  
(page 71) in the CAMERA SET menu are  
displayed.  
Display Contents  
H
Speed obtained when the zoom speed  
switch is set to the H position  
L
Speed obtained when the zoom speed  
switch is set to the L position  
Showing the Status Screens  
64  
           
Audio Status Screen  
Video Status Screen  
Output CH: External output/headphone output  
Depending on the setting of “Output CH” in  
“Audio Output” in the AUDIO SET menu and the  
setting of “Monitor CH,” the audio channel(s)  
external output and headphones output is  
displayed as follows.  
Video Format  
Video Format: Video format setting  
The number of vertical lines, frame rate, scan  
format (i/P), and file system (UDF/FAT) of the  
video format set in “Format” in “System” in the  
OTHERS menu are displayed.  
• CH-1: When left/right are CH-1  
• CH-2: When left/right are CH-2  
• CH-3: When left/right are CH-3  
• CH-4: When left/right are CH-4  
• CH-1/CH-2: When left is CH-1 and right is CH-  
2 (stereo)  
Rec Mode: Recording bit rate (HD Mode only)  
The recording bit rate of the video format set in  
“Format” in “System” in the OTHERS menu is  
displayed.  
SDI Output: Output for SDI  
The “SDI” setting in “SDI/HDMI/i.LINK I/O  
Select” in the VIDEO SET menu is displayed.  
• CH-3/CH-4: When left is CH-3 and right is CH-  
4 (stereo)  
• CH-1+CH-2: When both left and right are CH-  
1 and CH-2 (monaural)  
HDMI Output: Output for HDMI  
The “HDMI” setting in “SDI/HDMI/i.LINK I/O  
• CH-3+CH-4: When both left and right are CH-  
3 and CH-4 (monaural)  
Select” in the VIDEO SET menu is displayed.  
i.LINK I/O: Input and output for i.LINK  
The “i.LINK” setting in “SDI/HDMI/i.LINK I/O  
Select” in the VIDEO SET menu is displayed.  
Speaker: Speaker output  
The audio channel(s) output to the internal  
speaker is displayed.  
As the speaker is monaural, CH-1+CH2 or CH-  
3+CH-4 is displayed when “Monitor CH” is set to  
stereo. With non-stereo settings, the setting of  
“Monitor CH” in “Audio Output” in the AUDIO  
SET menu is displayed as it is.  
Down Converter: SD output down-converter  
setting  
In HD mode, the “Down Converter” setting  
(Squeeze, Letterbox, Edge Crop) in the VIDEO  
SET menu is displayed.  
In SD mode, “Edge Crop” is displayed when EC  
(Edge Crop) in “Format” in “System” in the  
OTHERS menu is selected, and “Squeeze” is  
displayed when SQ (Squeeze) in “Format” in  
“System” in the OTHERS menu is selected.  
CH-1/CH-2/CH-3/CH-4: Audio level meters  
The 4-channel audio level meters (2 meters when  
using 2-channel settings) are displayed.  
While recording (or standing by to record), the  
level of the audio inputs (the EE audio levels) are  
displayed. During playback, the audio playback  
level is displayed according to the setting of  
“Output CH” in “Audio Output” in the AUDIO  
SET menu.  
23.98P Output: 23.98P output mode  
The “23.98P Output” setting (23.98PsF, 59.94i  
(2-3 Pull Down)) in the VIDEO SET menu is  
displayed.  
If audio is input from the i.LINK (HDV/DV)  
connector while displaying thumbnails, while  
playback is stopped, or while recording an  
external signal, the audio input level is displayed.  
In this case, the leftmost channels that are  
displayed are CH-1 and CH-2, regardless of the  
setting of “Output CH” in “Audio Output” in the  
AUDIO SET menu.  
Button/Remote Status Screen  
Assign Button: Assignable button statuses  
The functions assigned with the “Assign Button”  
in the OTHERS menu to the respective assignable  
buttons are displayed.  
IR Remote: IR Remote Commander status  
The “IR Remote” setting in the OTHERS menu is  
displayed.  
Wind Filter  
The “On”/“Off” setting of Wind Filter is  
displayed to the right of each input source. Wind  
Filter settings can be made from “Wind Filter  
CH1” to “Wind Filter CH4” in “Audio Input” in  
the AUDIO SET menu.  
Showing the Status Screens  
65  
           
Battery/Media Status Screen  
Battery: Battery charge remaining  
The remaining charge level of the mounted  
battery pack is displayed.  
Charge Count: Repeated charge times  
The number of times that the mounted battery  
pack has been charged is displayed.  
HDD A/HDD B: Battery remaining of PHU-220R  
units  
When professional hard disk units are connected,  
the remaining power levels of the batteries of the  
professional hard disk units connected via the  
respective card slots are displayed.  
Media A/Media B: Remaining space, available  
recording time, and estimated service life  
(rewriting limit)  
The remaining space of the SxS memory cards in  
the respective card slots is indicated on the  
meters.  
At the right, the available time for recording if  
done at the current bit rate is displayed, in  
minutes.  
The time indication will be “- - min” if no SxS  
memory card or an invalid card is in the slot.  
If the card is write-protected, a  
icon is shown  
to the right of the time indication.  
The Life value is displayed only for an SxS  
memory card which supports the life value  
indication. It indicates the estimated remaining  
usable period of the card (virgin status as 100%).  
If an alarm is generated, make a backup of the  
card as soon as possible and replace it with a new  
card.  
Showing the Status Screens  
66  
     
Menu Configuration and Detailed Settings  
Overview of the Setup Menus  
Press the MENU button to display setup menus  
on the LCD monitor/EVF screen with settings  
necessary for recording and playback. (You can  
Setup Menu Layers  
also display setup menus on an external monitor.)  
Set items by selecting them from the following  
menus.  
CAMERA SET menu: For setting items related  
to recording other than those for picture quality.  
(For picture quality-related items, use the  
PICTURE PROFILE menu (page 44).)  
AUDIO SET menu: For setting audio-related  
items.  
VIDEO SET menu: For setting video output-  
related items.  
LCD/VF SET menu: For setting items related to  
the LCD monitor/EVF display.  
MENU  
CAMERA SET  
Gain Setup  
Shutter  
SLS/EX SLS  
MF Assist  
Color Bars  
Flicker Reduce  
Zoom Speed  
Zoom Transition  
Interval Rec  
Frame Rec  
Clip Cont.Rec  
P.Cache Rec  
S&Q Motion  
Rec Review  
TLCS  
TC/UB SET menu: For setting items related to  
timecodes and user bits.  
OTHERS menu: For setting other items.  
Shockless White  
White Switch<B>  
ATW Speed  
Wide Conversion  
Steady Shot  
NightShot  
Exposure  
AUDIO SET  
VIDEO SET  
Audio Input  
Audio Output  
Input Source Select  
SDI/HDMI/i.LINK I/O  
Select  
SDI/HDMI/Video Out  
Super  
Down Converter  
23.98P Output  
SDI Rec Control  
(continues)  
Overview of the Setup Menus  
67  
       
LCD/VF SET  
LCD  
EVF  
Basic Menu Operations  
Peaking  
Marker  
Zebra  
Display On/Off  
Menu controls  
TC/UB SET  
OTHERS  
Timecode  
Users Bit  
TC Format  
MENU button (page 13)  
To turn Menu mode to use Setup menus on/off.  
Up/Down/Left/Right buttons, SEL/SET button  
When you press the up/down/left/right buttons,  
the cursor moves in the corresponding direction,  
permitting you to select menu items or setting  
values.  
All Reset  
Camera Data  
Time Zone  
Clock Set  
Language  
Assign Button  
Tally  
Press the SEL/SET button to enter the highlighted  
item.  
Hours Meter  
IR Remote  
Battery Alarm  
Battery INFO  
Genlock  
Jog dial (SEL/SET dial) (page 14)  
When you turn the dial, the cursor moves up or  
down, permitting you to select menu items or  
setting values.  
Press the jog dial to select the highlighted item.  
Direct Menu  
Trigger Mode  
System  
CANCEL button (page 13)  
To return to the previous layer of the menu. An  
uncompleted change is canceled.  
Clip  
Copy All  
Note  
Format Media  
Plan.Metadata  
Menu Scroll  
Version  
In Expanded Focus mode (page 33), the setup  
menu cannot be used. Press the EXPANDED  
FOCUS button to exit this mode.  
Version Up  
Basic Menu Operations  
68  
           
Setting the Setup menus  
Entering a character string  
Rotate the jog dial or press the up/down/left/right  
buttons to set the cursor to the icon of the menu  
you wish to set, then push the jog dial or SEL/  
SET button to select that menu.  
When you select an item for which a character  
string, such as a time value or filename, is to be  
specified, the input area for the character string is  
highlighted, and “SET” appears at the right end.  
• The menu item selection area can show 7 lines  
at maximum. When all the selectable items  
cannot be displayed at one time, you can scroll  
the display up or down by moving the cursor. A  
triangle appears at the upper or lower right  
corner of the menu item selection area to  
indicate that scrolling is enabled.  
• For items having a wide range of available  
values (example: –99 to +99), the available  
value area is not displayed. The current setting  
is highlighted instead, indicating that the setting  
is ready for change.  
• When you select “Execute” for an execution  
item, the corresponding function is executed.  
• When you select an item that you must confirm  
before execution, the menu display temporarily  
disappears, and a confirmation message is  
displayed. Following the instructions of the  
message, and specify whether to execute or  
cancel.  
1
Select characters by pressing the up/  
down/left/right buttons or turning the  
jog dial, then press the SEL/SET button  
or the jog dial to proceed.  
The cursor moves to the next column.  
To return to the previous column, press the  
left button.  
2
3
Perform setting in the same manner up  
to the last column/digit.  
The cursor moves to “SET.”  
Press the jog dial or the SEL/SET  
button.  
The setting is completed.  
Basic Menu Operations  
69  
 
Setup Menu List  
The functions and available settings of menus are listed below.  
The default settings set at the factory are shown in bold face (example: Speed). The items marked with  
[M] in the Menu items column cannot be set while displaying the thumbnail screen or during playback  
operations.  
CAMERA SET Menu  
CAMERA SET  
Menu items  
Subitems and setting values Contents  
Low Set the gain level to be used when the switch is set to the L  
–3 / 0 / 3 / 6 / 9 /12 /18 dB  
Mid  
–3 / 0 / 3 / 6 / 9 /12 /18 dB  
High  
–3 / 0 / 3 / 6 / 9 /12 / 18 dB  
Mode  
Speed / Angle / ECS  
Gain Setup  
Assigning gain  
levels to the three  
GAIN switch  
positions  
position.  
Set the gain level to be used when the switch is set to the M  
position.  
Set the gain level to be used when the switch is set to the H  
position.  
Select modes of the Electronic Shutter.  
Shutter  
Specifying  
operating  
conditions of the  
electrical shutter  
(unselectablewhen  
“SLS/EX SLS” is  
set or NightShot is  
set to “On”)  
Speed mode/Angle mode (standard modes): These modes  
may be especially effective when you wish to record a  
quick-moving subject with minimal blurring. You can  
select Speed mode to specify the shutter speed in seconds,  
or Angle mode to specify the shutter speed by the shutter  
angle.  
ECS (Extended Clear Scan) mode: This mode may be used to  
shoot a monitor screen, eliminating horizontal bands.  
Shutter Speed  
1/32, 1/33, 1/40, 1/48, 1/50,  
Set the shutter speed when Speed mode is selected. The  
available setting values vary depending on the frame  
1/60, 1/96, 1/100, 1/120, 1/125, frequency of the video format selected.  
1/250, 1/500, 1/1000, 1/2000  
Shutter Angle  
Set the shutter angle when Angle mode is selected. The  
11.25º / 22.5º / 45º / 72º / 86.4º / following frame rates are unavailable when “S&Q Motion” is  
90º / 144º / 150º / 172.8º /  
set from “1” to “16”: 72°, 86.4°, 144°, 150°, 172.8°, 216°.  
180º / 216º  
ECS Frequency  
60.00  
Set the ECS frequency when ECS mode is selected. The  
available setting values vary depending on the frame  
frequency of the video format selected.  
Setting  
Set the number of cached frames.  
SLS/EX SLS  
Setting the Slow  
Shutter mode/  
OFF / 2 / 3 / 4 / 5 / 6 / 7 / 8 /  
16 / 32 / 64  
Notes  
• This cannot be set while recording or while the thumbnail  
screen is displayed.  
Supersensitized  
Slow Shutter mode  
• This cannot be set while using Slow & Quick Motion or  
Cache Recording mode  
• This cannot be set if the video format is set to “HD420 HQ/  
720/23.98P” (for UDF) or “SP 1440/23.98P” (for FAT).  
On / Off  
Set to “On” to precisely adjust the focus automatically after  
you roughly adjust it manually.  
MF Assist  
Turning the MF  
Assist Function  
on/off  
Setup Menu List  
70  
               
CAMERA SET  
Menu items  
Subitems and setting values Contents  
Camera/Bars  
Camera / Bars  
Select “Bars” to output color bars.  
Color Bars  
Setting the Color  
Bars  
Bars Type  
Select the type of color bar to be output when "Bars" is  
Multi / 75% / 100% / SMPTE selected.  
Multi: Multiformat color bars are output.  
75%: To output 75% color bars  
100%: To output 100% color bars  
SMPTE: To output SMPTE color bars.  
Mode  
Auto / On / Off  
Set the operation of the Flicker-Reduction function.  
On: To always activate it  
Auto: To automatically activate it when flicker is detected.  
Off: To not activate it  
Flicker Reduce  
Setting Flicker  
Compensation  
Notes  
• It is recommended to set this to “Off” when shooting  
outdoors or under lighting that does not cause flicker. (It  
can be also “Auto,” but the compensation may not be done  
properly.)  
• It is recommended to set this to “Auto” when shooting  
indoors or under various lighting that may cause flicker,  
such as fluorescent, sodium, or mercury-vapor lamps. (If  
continuously shooting under lighting that may cause flicker,  
“Mode” should be set to “On.”)  
Frequency  
50 Hz / 60 Hz  
Set to the power supply frequency of the light source causing  
flicker.  
60 Hz: UC model  
50 Hz: Other models  
High  
1 to 99 (70)  
Low  
1 to 99 (30)  
Set the speed of zooming to be executed when you press the  
handle ZOOM button with the zoom speed switch set to H.  
Zoom Speed  
Setting the zoom  
speed  
Set the speed of zooming to be executed when you press the  
handle ZOOM button with the zoom speed switch set to L.  
Note  
Zooming may not operate smoothly if you select a low speed.  
Remote  
1 to 99 (50)  
Set the speed of zooming to be executed when you press the  
ZOOM button of the IR Remote Commander.  
Note  
If the infrared line from the Remote Commander is not  
received properly, zooming may not operate smoothly.  
Setup Menu List  
71  
       
CAMERA SET  
Menu items  
Subitems and setting values Contents  
Linear / Soft Set the operation mode at the beginning and end of zooming  
Zoom  
with the on-handle ZOOM button.  
Set the operation mode at the beginning and end of zooming  
with the handle ZOOM button.  
Transition  
Setting the zoom  
operation mode  
Linear: Zooming immediately begins at the specified speed  
when the ZOOM button is pressed and immediately ends  
when the button is released.  
Soft: Zooming gradually increases the speed up to the  
specified speed after the ZOOM button is pressed and  
gradually decreases the speed and ends after the button is  
released. (1 second at maximum from when the button is  
released till the operation ends.)  
Note  
If “Zoom Speed” is set to a value less than 20, the operation  
becomes the same as “Linear,” even when “Soft” is selected.  
Setting  
On / Off  
Turn the Interval Recording function on/off.  
Interval Rec  
Setting the Interval  
Recording  
Interval Time  
Set the interval of recording in Interval Recording.  
function  
1 to 10/15/20/30/40/50 sec  
1 to 10/15/20/30/40/50 min  
1 to 4/6/12/24 hour  
Number of Frames  
1 / 3 / 6 / 9 or  
Set the number of frames to be recorded at a time in Interval  
Recording.  
2 / 6 / 12 (When using 720/  
59.94P or 720/50P)  
Setting  
On / Off  
Turn the Frame Recording function on/off.  
Frame Rec  
Setting the Frame  
Recording  
Number of Frames  
1 / 3 / 6 / 9 or  
Set the number of frames to be recorded at a time in Frame  
Recording.  
function  
2 / 6 / 12 (When using 720/  
59.94P or 720/50P)  
Setting  
On / Off  
Turn the Clip Continuous Recording function on/off.  
Clip Cont. Rec  
Setting the Clip  
Continuous  
Recording  
function  
Setting  
On / Off  
Turn the Picture Cache Recording function on/off.  
P.Cache Rec  
Setting the Picture  
Cache Recording  
function  
Rec Time  
0-2sec / 2-4sec / 4-6sec /  
6-8sec / 8-10sec / 13-15sec  
Set the time to cache video in the picture cache memory (the  
time to a point where recording is to start when you press the  
REC START/STOP button in Picture Cache Recording).  
Setting  
On / Off  
Turn the Slow and Quick Motion function on/off.  
S&Q Motion  
Setting the Slow &  
Quick Motion  
function  
Frame Rate  
1 to 60 (NTSC: 30, PAL: 25)  
Set the recording frame rate for Slow & Quick Motion mode.  
The setting value range varies depending on the selection  
region and video format.  
3 sec / 10 sec / Clip  
Set the time to play the last recorded clip using the Rec-  
Review function.  
Rec Review  
Setting the  
3 sec: Last 3 seconds  
10 sec: Last 10 seconds  
playback time for  
Rec-Review  
Clip: Entire duration of the clip  
Setup Menu List  
72  
             
CAMERA SET  
Menu items  
Subitems and setting values Contents  
Level Set the target level (to make brighter or darker) of auto  
+1.0 / +0.5 / 0 / –0.5 / –1.0  
TLCS  
exposure control in TLCS. (This setting also affects the gain  
control in AGC mode and shutter-speed control in Auto  
Shutter mode.)  
Setting the Total  
Level Control  
System (auto  
adjustment system  
of gain, exposure  
and shutter)  
+1.0: Approx. one stop further open  
+0.5: Approx. half a stop further open  
0: Standard  
–0.5: Approx. half a stop further closed  
–1.0: Approx. one stop further closed  
Mode  
Backlight / Standard /  
Spotlight  
Set the auto exposure control mode in TLCS.  
Backlight: Backlight mode to reduce darkening of the center  
subject against lights  
Standard: Standard mode  
Spotlight: Spotlight mode to reduce blown-out highlights on  
the center subject in the spotlight  
Speed  
–99 to +99 (+50)  
AGC  
Set the tracing speed of TLCS control.  
Turn the AGC (Auto Gain Control) function on/off.  
Set the maximum gain in AGC.  
On / Off  
AGC Limit  
3 / 6 / 9 / 12 / 18 dB  
AGC Point  
E95 / E85 / E75  
Set the exposure position for switching to auto exposure and  
auto shutter control when AGC is on.  
Auto Shutter  
Turn the Auto Shutter control function on/off.  
On / Off  
A.SHT Limit  
1/250  
Set the maximum shutter speed in Auto Shutter control.  
1/500  
1/1000  
1/2000  
A.SHT Point  
E50 / E40 / E30 / E20  
Set the exposure position for switching auto exposure and  
auto shutter control when Auto Shutter is on.  
Off / 1 / 2 / 3  
Select the speed of change in white balance when the white  
balance mode is switched. Set to “Off” to instantly change the  
white balance.  
Select a larger number to change the white balance more  
slowly through interpolation.  
Shockless  
White  
Setting the  
shockless white  
balance  
ATW / MEM  
Select the white balance adjustment mode selected at the B  
position of the WHITE BAL switch.  
White Switch  
<B>  
Setting for the  
WHITE BAL  
switch  
1 / 2 / 3 / 4 / 5  
Set the tracing speed of ATW. The larger the number you set,  
the speed becomes faster.  
ATW Speed  
Setting for Auto  
Tracing White  
Balance  
On / Off  
Set to “On” when a wide-conversion lens is attached.  
Wide  
Conversion  
Setting for use of a  
wide-conversion  
lens  
Setup Menu List  
73  
         
CAMERA SET  
Menu items  
Subitems and setting values Contents  
On / Off Turn the Steady Shot (image stabilizer) function on/off.  
Steady Shot  
Setting the image  
stabilizer  
Setting  
On / Off  
NS Light  
Turn the NightShot function on/off.  
NightShot  
Setting the  
NightShot function  
Set the NightShot infrared line to emit automatically when the  
“NightShot” function is set to “On.”  
Auto / Off  
Auto / Manual  
Select whether to set Exposure automatically or manually.  
Exposure  
Setting the  
Exposure function  
Note  
This cannot be selected when the “NightShot” function is set  
to “On.”  
AUDIO SET Menu  
AUDIO SET  
Menu items  
Subitems and setting values Contents  
CH3 Input Source  
Internal / External  
Set the audio signal source to be recorded for CH3 for a 4-  
channel recordable format.  
Internal: Record the L side of the internal microphone for  
CH3.  
Audio Input  
Setting for audio  
inputs  
[M]  
External: Record the AUDIO IN CH1 signal for CH3.  
CH4 Input Source  
Internal / External  
Set the audio signal source to be recorded for CH4 for a 4-  
channel recordable format.  
Internal: Record the R side of the internal microphone for  
CH4.  
External: Record the AUDIO IN CH2 signal for CH4.  
EXT MIC CH1 Ref  
–70 dB / –60 dB / –50 dB /  
–40 dB / –30 dB  
Select the reference input level for when an external  
microphone is connected to the AUDIO IN CH1 connector  
and that signal is being used for the audio signal source for  
CH1 or CH3. This can be selected regardless of the setting of  
the AUDIO SELECT switch.  
Note  
This is unavailable when the AUDIO IN CH-1 switch is set to  
INT and “CH3 Input Source” is set to “Internal.” This is also  
unavailable when the CH-1 input (LINE/MIC/MIC+48V)  
switch is set to LINE.  
EXT MIC CH2 Ref  
–70 db / –60 db / –50 db /  
–40 db / –30 db  
Select the reference input level for when an external  
microphone is connected to the AUDIO IN CH2 connector  
and that signal is being used for the audio signal source for  
CH2 or CH4. This can be selected regardless of the setting of  
the AUDIO SELECT switch.  
Note  
This is unavailable when the AUDIO IN CH-2 switch is set to  
INT and “CH4 Input Source” is set to “Internal.” This is also  
unavailable when the CH-2 input (LINE/MIC/MIC+48V)  
switch is set to LINE.  
Setup Menu List  
74  
           
AUDIO SET  
Menu items  
Subitems and setting values Contents  
INT MIC Level  
Select the internal microphone level. This can be selected  
–12 db / –6 db / 0 db / +6 db / regardless of the AUDIO SELECT switch setting.  
+12 db  
Limiter Mode  
Off / –6 db / –9 db / –12 db /  
–15 db / –17 db  
Select whether to activate the limiter when a loud signal is  
input while the AUDIO SELECT switch is set to MANU  
(manual).  
AGC Spec  
Select the audio input level AGC.  
–6 db / –9 db / –12 db / –15 db /  
–17 db  
CH1&2 AGC Mode  
Mono / Stereo  
Select auto tuning for the input level of an analog audio signal  
recorded to CH-1/CH-2.  
Mono: Perform for each channel.  
Stereo: Perform in stereo mode.  
CH3&4 AGC Mode  
Mono / Stereo / Off  
Select auto tuning for the input level of an analog audio signal  
recorded to CH-3 or CH-4.  
Mono: Perform for each channel.  
Stereo: Perform in stereo mode.  
Off: Do not perform auto tuning. The Limiter Mode setting is  
applied.  
1KHz Tone  
On / Off  
Turn the 1-kHz reference tone signal on/off.  
Turn the wind filter for CH1 on/off.  
Turn the wind filter for CH2 on/off.  
Turn the wind filter for CH3 on/off.  
Turn the wind filter for CH4 on/off.  
Wind Filter CH-1  
On / Off  
Wind Filter CH-2  
On / Off  
Wind Filter CH-3  
On / Off  
Wind Filter CH-4  
On / Off  
EXT CH Select  
CH-1  
CH-1/CH-2  
CH-1: To record the CH1 external input signal to both CH1  
and CH2 (when the CH-2 AUDIO IN switch is set to  
EXT). If “CH4 Input Source” is set to “External,” you can  
also record to CH4.  
CH-1/CH-2: To record each external input signal to its  
respective channel.  
Monitor CH  
Select the audio channel(s) to be fed to the headphones and  
the built-in speaker.  
CH-1/CH-2 (CH-3/CH-4): Stereo  
CH-1+CH-2 (CH-3+CH-4): Mix  
CH-1 (CH-3): CH-1 (CH-3) only  
CH-2 (CH-4): CH-2 (CH-4) only  
Audio Output  
Setting for audio  
outputs  
CH-1/CH-2 (CH-3/CH-4)  
CH-1+CH-2 (CH-3+CH-4)  
CH-1 (CH-3)  
CH-2 (CH-4)  
(
): with Output CH set to “CH-3/CH-4”  
Output CH  
CH-1/CH-2  
CH-3/CH-4  
Select audio output channels from either channels 1 and 2 or  
channels 3 and 4.  
Alarm Level  
Set the alarm sound volume.  
0 to 7 (4)  
Beep  
Select whether or not to sound a beep upon each operation.  
On / Off  
Setup Menu List  
75  
 
VIDEO SET Menu  
VIDEO SET  
Menu items  
Setting values  
Contents  
Camera / i.LINK  
Select video and audio signal for the input source.  
Camera: Camera image  
Input Source  
Select  
i.LINK: HDV/DVCAM input via the i.LINK (HDV/DV)  
connector  
Setting the input  
source  
Notes  
• i.LINK is unavailable when using UDF.  
• DVCAM is for display only and cannot be recorded.  
When using UDF HD Mode  
HD SDI & HD HDMI  
SD SDI & SD HDMI i  
SD HDMI P  
HD SDI & HD HDMI: To output HD SDI signals from the  
SDI OUT connector, and HD HDMI signals from the  
HDMI OUT connector.  
SD SDI & SD HDMI i: To output SD SDI signals from the  
SDI OUT connector, and SD HDMI interlace signals from  
the HDMI OUT connector.  
HD HDMI & HDV: To output HD HDMI signals from the  
HDMI OUT connector, and input/output HDV streams  
from the i.LINK (HDV/DV) connector.  
SD HDMI i & HDV: To output SD HDMI interlace signals  
from the HDMI OUT connector, and input/output HDV  
streams from the i.LINK (HDV/DV) connector.  
SD HDMI P & HDV: To output SD HDMI progressive  
signals from the HDMI OUT connector, and input/output  
HDV streams from the i.LINK (HDV/DV) connector.  
SD HDMI i & DVCAM: To output SD HDMI interlace  
signals from the HDMI OUT connector, and input/output  
DVCAM streams from the i.LINK (HDV/DV) connector.  
SD HDMI P: To output SD HDMI progressive signals from  
the HDMI OUT connector.  
SDI/HDMI/  
i.LINK I/O  
Select  
Selecting input/  
output signals for  
the connectors  
Off  
When using FAT HD Mode (HQ)  
HD SDI & HD HDMI  
SD SDI & SD HDMI i  
SD HDMI i & DVCAM  
SD HDMI P  
Off  
When using FAT HD Mode (SP)  
HD SDI & HD HDMI  
SD SDI & SD HDMI i  
HD HDMI & HDV  
SD HDMI i & HDV  
SD HDMI P & HDV  
SD HDMI i & DVCAM  
Off  
When using UDF SD Mode  
SD SDI & SD HDMI i  
Off  
Off: There is no output from the SDI/HDMI/i.LINK  
connectors.  
When using FAT SD Mode  
SD SDI & SD HDMI i  
SD HDMI i & DVCAM  
Off  
Notes  
• Signals are not output from the SDI OUT connector when  
this is set to other than an HD SDI or SD SDI setting.  
• Slow & Quick Motion mode cannot be used when this is  
set to input/output DVCAM streams.  
On / Off  
Set whether to add the menus and status indications of the  
LCD monitor/EVF screen to the output of the SDI OUT,  
HDMI OUT, VIDEO OUT, and A/V OUT connectors.  
SDI/HDMI/  
Video Out  
Super  
Setting the  
character  
Note  
On the thumbnail, EXPAND CLIP and SHOT MARK  
screens, the menus and status indications on the LCD  
monitor/EVF screen are displayed regardless of the setting of  
this item.  
information for  
each output  
Setup Menu List  
76  
         
VIDEO SET  
Menu items  
Setting values  
Contents  
Squeeze / Letterbox / Edge  
Crop  
Set the output mode (aspect) for SD signals  
Squeeze: To horizontally reduce a 16:9 picture to output a 4:3  
picture  
Letterbox: To mask the upper and lower areas of a 4:3 picture  
to display a 16:9 picture in the center of the screen  
Edge Crop: To cut the both sides of a 16:9 picture to output a  
4:3 picture  
Down  
Converter  
Selecting the  
operation mode of  
the down converter  
59.94i (2-3 Pull Down)/  
23.98PsF  
Select the video output format when the video format for  
UDF HD Mode is HD422 50/1080/23.98P, HD420 HQ/1080/  
23.98P, HD422 50/720/23.98P, HD420 HQ/720/23.98P, or the  
video format for FAT HD Mode is HQ 1920/23.98P or HQ  
1440/23.98P.  
23.98P Output  
Selecting Output  
mode  
Off / HD SDI Remote I/F  
To turn the function to enabling recording synchronized with  
this camcorder.  
SDI Rec  
Control  
HD SDI Remote I/F: To feed a REC trigger signal to a  
recorder connected to the SDI OUT connector.  
Setting the  
synchronized  
recording  
LCD/VF SET Menu  
LCD/VF SET  
Menu items  
Subitems and setting values Contents  
Color  
–99 to +99 ( 0)  
Contrast  
–99 to +99 ( 0)  
Brightness  
–99 to +99 ( 0)  
Backlight  
High / Low  
Mode  
Color / B&W  
Adjust the color of pictures on the LCD monitor.  
Adjust the contrast of pictures on the LCD monitor.  
Adjust the brightness of pictures on the LCD monitor.  
Select the brightness of the EVF backlight.  
LCD  
Adjusting the LCD  
monitor  
EVF  
Setting the  
viewfinder  
Select the display mode of the EVF while recording (or  
standing by to record).  
Color: Color mode  
B&W: Monochrome mode  
Contrast  
–99 to +99 ( 0)  
Brightness  
–99 to +99 ( 0)  
Power  
Auto / On  
Adjust the contrast of pictures on the EVF screen.  
Adjust the brightness of pictures on the EVF screen.  
Set the condition to turn the EVF on.  
Auto: To turn it on when the LCD monitor is closed or rotated  
to the upside-down position.  
On: To keep it on regardless of the status of the LCD monitor.  
Setting  
On / Off  
Color  
White / Red / Yellow / Blue  
Level  
High / Mid / Low  
Turn the peaking function on/off.  
Select the color of the peaking signal.  
Set the level of the peaking signal.  
Peaking  
Setting the peaking  
function for the  
LCD monitor/EVF  
[M]  
Setup Menu List  
77  
                 
LCD/VF SET  
Menu items  
Subitems and setting values Contents  
Setting Turn all marker indications on/off in combination.  
On / Off  
Marker  
Setting the  
markers added to  
pictures on the  
LCD monitor/EVF  
screen  
Safety Zone  
Turn the safety marker on/off.  
On / Off  
Safety Area  
80% / 90% / 92.5% / 95%  
Select the size (ratio to the entire screen) of the safety zone  
marker.  
[M]  
Center Marker  
Turn the center marker on/off.  
On / Off  
Aspect Marker  
Select the aspect marker.  
Line / Mask / Off  
Line: To show white lines  
Mask: To lower the video signal level of areas outside the  
marker range.  
Off: To not display  
Note  
No aspect marker is displayed when a video format of EC  
(Edge Crop) is selected in SD Mode.  
Aspect Select  
Select the ratio of the aspect marker.  
4:3 / 13:9 / 14:9 / 15:9 / 1.66:1 /  
1.85:1 / 2.35:1 / 2.4:1  
Aspect Mask  
When “Aspect Marker” is “Mask,” select the brightness of  
90% / 80% / 70% / 60% / 50% / images outside the aspect marker.  
40% / 30% / 20% / 10% / 0%  
Guide Frame  
On / Off  
Turn the guide frame marker on/off.  
Turn the zebra function on/off.  
Setting  
Zebra  
Setting the zebra  
On / Off  
pattern  
[M]  
Zebra Select  
1 / 2 / Both  
Select the zebra pattern(s) to be displayed.  
1: To display only Zebra1 (the default is 70%) for an area  
within 10% of the “Zebra1 Level” video level.  
2: To display only Zebra2 (the default is 100%) for a video  
level over 100%.  
Both: To display both zebra 1 and zebra 2  
Zebra1 Level  
Set the display level of zebra 1.  
50 to 107 (70)  
Video Level Warnings  
On / Off  
Turn the warning indication to be displayed when the picture  
is too bright or too dark on/off.  
Display On/Off  
Selecting the items  
to be displayed on  
the LCD monitor/  
EVF screen  
Brightness Display  
On / Off  
Turn the numeric indication to show the picture brightness on/  
off.  
Histogram Display  
On / Off  
Turn the histogram indication to show the level distribution of  
the picture on/off.  
[M]  
Lens Info  
Meter / Feet / Off  
Select the depth-of-field indication.  
Meter: To indicate in meters  
Feet: To indicate in feet  
Off: To not indicate  
Zoom Position  
Number / Bar / Off  
Select the type of zoom position indication.  
Number: Indication with a number  
Bar: Indication with a bar  
Off: To not display  
Audio Level Meter  
Turn the audio level meter indication on/off.  
On / Off  
Setup Menu List  
78  
     
LCD/VF SET  
Menu items  
Subitems and setting values Contents  
Timecode  
Turn the time data (timecode, user bits, duration) indication  
On / Off  
on/off.  
Battery Remain  
On / Off  
Turn the battery remaining/DC input voltage indication on/  
off.  
Media Remain  
On / Off  
Turn the media remaining indication on/off.  
Turn the TLCS mode indication on/off.  
Turn the Steady Shot indication on/off.  
Turn the focus operation mode indication on/off.  
Turn the white balance mode indication on/off.  
Turn the Picture Profile indication on/off.  
Turn the exposure indication on/off.  
TLCS Mode  
On / Off  
Steady Shot  
On / Off  
Focus Mode  
On / Off  
White Balance Mode  
On / Off  
Picture Profile  
On / Off  
Exposure Position  
On / Off  
Gain Setting  
Turn the gain setting indication on/off.  
On / Off  
Shutter Setting  
Turn the shutter mode and speed indication on/off.  
On / Off  
Rec Mode  
On / Off  
Turn the special recording mode (Frame Rec, Interval Rec,  
S&Q Motion) indication on/off.  
Video Format  
On / Off  
Turn the video format indication on/off.  
Turn the clip name display on/off.  
Turn the clip number display on/off.  
Turn the NightShot display on/off.  
Clip Name  
On / Off  
ClipNumber (PB)  
On / Off  
NightShot  
On / Off  
SDI Rec Control  
On / Off  
Turn the synchronous recording display (the Rec2 display)  
on/off.  
Wide Conversion  
Turn the wide Conversion setting indication on/off.  
On / Off  
Setup Menu List  
79  
TC/UB SET Menu  
TC/UB SET  
Menu items  
Subitems and setting values Contents  
Mode  
Preset / Regen / Clock  
Set the timecode mode.  
Timecode  
Setting the  
timecode  
Preset: To start the timecode from the specified value  
Regen (regeneration): To continue the timecode during  
recording only. When you insert another SxS memory  
card, the camcorder starts next recording so that the  
timecode continues from the last recorded timecode on the  
card.  
Clock: To use the current clock time as the timecode  
Notes  
• In Interval Recording, Frame Recording and Slow & Quick  
Motion Recording, if you set “Mode” to “Preset” the  
timecode advances in Rec Run mode regardless of the  
“Run” setting. If you set it to “Clock,” the timecode  
advances in Regen mode.  
• When the Picture Cache function (page 40) is active  
(“Setting” of “P.Cache Rec” is set to “On”), the timecode  
always advances in Free Run mode. When the Picture  
Cache Recording function is deactivated, the running mode  
is restored to the selected mode.  
Run  
Rec Run / Free Run  
Set the running mode when the timecode mode is set to  
“Preset.”  
Rec Run: To advance the timecode during recording only. The  
continuity of the timecode is maintained between clips in  
the sequence of recording as long as the SxS memory card  
is not changed. If you remove the memory card and record  
on another card, the timecode will not continue when you  
return the first card to the slot again.  
Free Run: The timecode keeps advancing regardless of the  
state of recording to the SxS memory card.  
Setting  
Reset  
Set the timecode to a desired value.  
Select “Execute” to reset the timecode to 00:00:00:00.  
Execute / Cancel  
TC Out  
Auto / Generator  
Select the timecode output.  
Auto: To output the timecode generator value during  
recording, and the timecode reader value during playback.  
Generator: To output the timecode generator value during  
recording or playback.  
Mode  
Fix / Date  
Set the user bit mode.  
Fix: To use a desired fixed value as the user bits  
Date: To use the current date  
Users Bit  
Setting the user  
bits  
Setting  
Set the user bits to a desired value.  
Setup Menu List  
80  
         
TC/UB SET  
Menu items  
Subitems and setting values Contents  
DF / NDF  
Set the timecode format.  
DF: Drop frame  
NDF: Non drop frame  
TC Format  
Setting the time  
code format  
Note  
The current video format/frame frequency determines  
whether the mode is fixed either to DF or NDF (see below),  
regardless of the TC Format setting.  
1)With DF, the frame digits can be set as desired in the range  
of 00 to 29.  
With NDF, the frame at the beginning of recording is  
limited to 00, 05, 10, 15, 20, or 25.  
2)The frame digits in “Setting” is limited to 00, 04, 08, 12, 16,  
and 20.  
The frame at the beginning of recording is limited to 00, 04,  
08, 12, 16, or 20.  
As “23.98P Output” (page 77) in the VIDEO SET menu  
becomes 2-3 pull-down 59.94i when recording (or standing  
by to record) HQ 1920/23.98P other than when “23.98PsF”  
is selected, the overlapping timecodes of frames output  
from the SDI OUT connector are renumbered from 00 to 29.  
3)Even in Clock mode, the timecode is gradually shifted,  
because it is counted by NDF.  
As output from the SDI OUT connector becomes 2-3  
pulled-down video when recording (or standing by to  
record) HQ 1920/23.98P and other than “23.98PsF” is  
selected for “23.98P Output” (page 77) in the VIDEO SET  
menu, fields are created in which overlapping timecodes are  
displayed on the screen.  
Video formats  
Frame TC Format  
setting  
59.94i  
59.94P  
29.97P  
00 to 29  
DF/NDF  
switchable  
(Fixed to DF in  
Clock mode)  
1)  
23.98P  
SP 1440/23.98P  
HD420 HQ/720/  
23.98P  
2)  
3)  
23.98P  
00 to 23  
Fixed to NDF  
HQ 1920/23.98P  
HQ1440/23.98P  
HQ 1280/23.98P  
HD422 50/1080/  
23.98P  
HD420 HQ/1080/  
23.98P  
HD422 50/720/  
23.98P  
50i  
00 to 24  
Fixed to NDF  
50P  
25P  
Setup Menu List  
81  
 
OTHERS Menu  
OTHERS  
Menu items  
Subitems and setting values Contents  
Execute/Cancel  
Select “Execute” to reset the camcorder to the factory status.  
All Reset  
Resetting to the  
factory status  
Store  
Execute/Cancel  
When you select “Execute” to store the setting values, the  
setup file is stored to one of the following directories.  
For UDF: /General/Sony/PRO/CAMERA/XDCAM/  
PMW_100/  
Camera Data  
Storing/recalling  
the menu settings  
For FAT: /SONY/PRO/CAMERA/XDCAM_EX/PMW_100/  
Recall  
Execute/Cancel  
Select “Execute” to retrieve the setting values from an SxS  
memory card.  
UTC –12:00 to +13:30  
Set the time-zone difference from UTC in steps of 30  
minutes.  
Time Zone  
Setting the time  
difference  
Note  
The default setting is different among the sales areas.  
United States and Canada: –5:00  
Europe area: 0:00  
Oceania: +10:00  
Date/Time  
Set the current time and date.  
Clock Set  
Setting the built-in  
clock  
12H/24H  
12H / 24H  
Select the display mode of time.  
12H: 12-hour mode  
24H: 24-hour mode  
Date Mode  
YYMMDD / MMDDYY /  
DDMMYY  
Select the display mode of the date.  
YYMMDD: In sequence of year, month, day  
MMDDYY: In sequence of month, day, year  
DDMMYY: In sequence of day, month, year  
English / Japanese/Chinese  
English: To display in English  
Japanese: To display in Japanese  
Chinese: To display in Chinese  
Language  
Selecting the  
language for  
menus and  
messages  
Note  
“Japanese” is effective only on messages for warning and  
caution. The menus and status indications do not change.  
Setup Menu List  
82  
             
OTHERS  
Menu items  
Subitems and setting values Contents  
<1> to <4> Assign a function to the ASSIGN buttons 1/2/3/4. (The  
Off / Zebra / Peaking / Marker / selectable functions are shared.)  
Assign Button  
Assigning  
Last Clip DEL / ATW / ATW  
Off: No function  
functions to the  
assignable buttons  
Hold / Rec Review / Rec /  
Picture Cache / Freeze Mix /  
Expanded Focus / Spotlight /  
Backlight / IR Remote / Shot  
Zebra: For turning the zebra function on/off  
Peaking: For turning the peaking function on/off  
Marker: For turning the safety zone, center marker, aspect  
marker and guide frame functions on/off as a group  
Mark1 / Shot Mark2 / VF Mode Last Clip DEL: For executing the last clip delete (retake)  
/ BRT Disp / Histogram / Lens  
Info / OK Mark / NightShot /  
function  
ATW: For turning the ATW function on/off  
Clip Flag OK / Clip Flag NG / ATW Hold: For turning the ATW hold function on/off  
Clip Flag Keep / Clip  
Continuous Rec / LCD/VF  
Adjust / Exposure  
<1> Zebra  
Rec Review: For executing the recording review function  
Rec: For starting/stopping recording  
Picture Cache: For turning the Picture Cache Recording  
function on/off  
<2> Peaking  
<3> Off  
<4> Off  
Freeze Mix: For executing the freeze mix function  
Expanded Focus: For turning the expanded focus function on/  
off  
Spotlight: For enabling and disabling TLCS Spotlight mode  
Backlight: For enabling and disabling TLCS Backlight mode  
IR Remote: For activating/deactivating the IR Remote  
Commander  
Shot Mark1: For adding shot mark 1 (HD Mode only)  
Shot Mark2: For adding shot mark 2 (HD Mode only)  
VF Mode: For switching between color and monochrome for  
the EVF screen  
BRT Disp: For turning the brightness level indication function  
on/off  
Histogram: For turning the histogram indication function on/  
off  
Lens Info: For switching the depth-of-field indication to  
“Off”/“Meter”/“Feet”  
OK Mark: For adding or removing an OK mark (HD Mode  
only, not valid via the thumbnail screen)  
NightShot: For turning the “NightShot” function on/off  
Clip Flag OK: For enabling and disabling OK flags for clips  
during recording and playback (UDF only)  
Clip Flag NG: For enabling and disabling NG flags for clips  
during recording and playback (UDF only)  
Clip Flag Keep: For enabling and disabling Keep flags for  
clips during recording and playback (UDF only)  
Clip Continuous Rec: For turning the Clip Continuous  
Recording function on/off  
LCD/VF Adjust: For switching the LCD/VF Adjust function  
level bar indication (LCD brightness adjustment t LCD  
contrast adjustment t VF brightness adjustment t VF  
contrast adjustment t off )  
Exposure: For switching the exposure function between  
“Auto”/“Manual”  
Front  
High / Low / Off  
Set the brightness of the tally lamp.  
High: To brighten the lamp  
Low: To dim the lamp  
Tally  
Setting the tally  
lamps  
Off: To not light the lamp  
Setup Menu List  
83  
   
OTHERS  
Menu items  
Subitems and setting values Contents  
Hours (Sys)  
The non-resettable accumulated time of use is displayed.  
Hours Meter  
Displaying the  
hours meter  
Hours (Reset)  
The resettable accumulated time of use is displayed.  
Select “Execute” to reset the Hours (Reset) value to 0.  
Reset  
Execute/Cancel  
On / Off  
Set to “On” to activate remote control operations from the  
supplied IR Remote Commander.  
IR Remote  
Activating/  
deactivating the  
Remote  
Note  
The setting automatically returns to “Off” when the  
camcorder is turned off.  
Commander  
Low BATT  
5% / 10% / 15% / ... / 45% /  
50%  
Set the battery level at which the Low BATT warning is  
generated (in steps of 5%).  
Battery Alarm  
Setting the low  
power alarm  
BATT Empty  
3% to 7% (3%)  
Set the battery level at which the BATT Empty warning is  
generated.  
DC Low Volt1  
11.5 V to 17.0 V (11.5 V)  
Set the DC IN voltage at which the DC Low Volt1 warning is  
generated.  
DC Low Volt2  
11.0 V to 14.0 V (11.0 V)  
Set the DC IN voltage at which the DC Low Volt2 warning is  
generated.  
Type  
The type (product name) is displayed.  
The date of manufacture is displayed.  
Battery INFO  
Showing  
information  
regarding the  
battery pack  
(display only)  
MFG Date  
Charge Count  
The accumulated number of times of charge/discharge is  
displayed.  
Capacity  
Voltage  
The estimated total capacity of full charge is displayed.  
The current output voltage is displayed.  
Remaining  
The current remaining level is displayed.  
H Phase (HD)  
–999 to +999 ( 0)  
Set the H phase (phase of the horizontal sync signal) of HD  
signal for Genlock operation.  
Genlock  
Setting Genlock  
operation  
H Phase (SD)  
–99 to +99 ( 0)  
Set the H phase (phase of the horizontal sync signal) of SD  
signal for Genlock operation.  
All / Part / Off  
All: All Direct menu operations are permitted.  
Part: A part of Direct menu operations is permitted. The  
operation is limited depending on the GAIN, SHUTTER,  
or WHITE BAL switch setting.  
Direct Menu  
Setting the Direct  
menu function  
Off: No Direct menu operation is permitted.  
Internal / Both / External  
Internal: To activate recording start/stop operations only for  
an SxS memory card in a built-in slot.  
Trigger Mode  
Setting for  
Both: To activate recording start/stop operations both for an  
SxS memory card in a built-in slot and the external  
recording device connected via the i.LINK connector.  
External: To activate recording start/stop operations only for  
the external recording device connected via the i.LINK  
connector.  
operating an  
external recording  
device connected  
via the i.LINK  
connector (FAT  
only)  
[M]  
Setup Menu List  
84  
             
OTHERS  
Menu items  
System  
Subitems and setting values Contents  
Country Select the area of use and setup ON/OFF setting.  
NTSC Area / NTSC(J) Area / NTSC Area: Setup ON  
PAL Area  
NTSC(J) Area: Setup OFF  
PAL Area: Setup OFF  
Note  
The default setting is different among the sales areas.  
United States and Canada: NTSC Area  
Other areas: PAL Area  
UDF/FAT  
UDF / FAT  
HD/SD  
HD / SD  
Switch the file system between UDF/FAT.  
Switch between HD Mode and SD Mode for recording/  
playback.  
Format  
Select the video format for recording.  
• UDF HD Mode  
• FAT HD Mode  
HD Mode  
Country: NTSC Area/NTSC(J) Country: NTSC Area/NTSC(J) • Bit rate  
Area  
Area  
UDF: HD422 50 or HD420  
HQ  
FAT: HQ or SP  
• Horizontal resolution  
1920, 1440, or 1280  
• Frame rate  
23.98, 25, 29.97, 50, or  
59.94  
• Scan system  
i (interlace) or P  
(progressive)  
SD Mode  
• Frame rate  
25, 29.97, 50, or 59.94  
• Scan system  
i (interlace) or P  
(progressive)  
HD422 50/1080/59.94i  
HD420 HQ/1080/59.94i  
HD422 50/1080/29.97P  
HD420 HQ/1080/29.97P  
HD422 50/1080/23.98P  
HD420 HQ/1080/23.98P  
HD422 50/720/59.94P  
HD420 HQ/720/59.94P  
HD422 50/720/29.97P  
HD422 50/720/23.98P  
HD420 HQ/720/23.98P  
Country: PAL Area  
HD422 50/1080/50i  
HD420 HQ/1080/50i  
HD422 50/1080/25P  
HD420 HQ/1080/25P  
HD422 50/720/50P  
HQ 1920/59.94i  
HQ 1440/59.94i  
SP 1440/59.94i  
HQ 1920/29.97P  
HQ 1440/29.97P  
HQ 1920/23.98P  
HQ 1440/23.98P  
SP 1440/23.98P  
HQ 1280/59.94P  
HQ 1280/29.97P  
HQ 1280/23.98P  
Country: PAL Area  
HQ 1920/50i  
HQ 1440/50i  
SP 1440/50i  
HQ 1920/25P  
HQ 1440/25P  
• Aspect  
HD420 HQ/720/50P  
HD422 50/720/25P  
HQ 1280/50P  
HQ 1280/25P  
SQ (Squeeze) or EC (Edge  
Crop)  
• UDF SD Mode  
• FAT SD Mode  
Country: NTSC Area/NTSC(J) Country: NTSC Area/NTSC(J)  
Area  
Area  
DVCAM59.94i SQ  
DVCAM59.94i EC  
DVCAM29.97P SQ  
DVCAM29.97P EC  
Country: PAL Area  
DVCAM50i SQ  
DVCAM50i EC  
DVCAM25P SQ  
DVCAM25P EC  
DVCAM59.94i SQ  
DVCAM59.94i EC  
DVCAM29.97P SQ  
DVCAM29.97P EC  
Country: PAL Area  
DVCAM50i SQ  
DVCAM50i EC  
DVCAM25P SQ  
DVCAM25P EC  
Setup Menu List  
85  
         
OTHERS  
Menu items  
Subitems and setting values Contents  
Auto Naming  
Select the method to specify clip names.  
Clip  
C**** / Title / Plan  
C****: UDF only  
Setting for clip  
Title: To specify as desired by “Title Prefix”  
Plan: To use a name specified in planning metadata (if no  
name is specified in planning metadata, the name  
specified by “Title Prefix” is used.)  
name or deletion  
Title Prefix  
Call the Character Set screen to set the title part (4 to 46  
nnn_ (nnn=least three digits of characters) of the clip names.  
the serial number)  
Configuration of the Character Set screen  
(Max. 7 characters displayed)  
Character selection area (3 lines):  
To select a character to insert in the cursor position of the  
Title Prefix area.  
!#$%()+,-.=@[]^_~0123456789  
abcdefghijklmnopqrstuvwxyz  
ABCDEFGHIJKLMNOPQRSTUVWXYZ  
Cursor operation area (1 line):  
Space: To change the character in the cursor position to a  
space  
INS: To insert a space in the cursor position  
DEL: To delete a character in the cursor position  
T: To move the cursor to the left  
t: To move the cursor to the right  
ESC: To cancel the change and exit the Character Set  
screen  
END: To validate the change and exit the Character Set  
screen  
Title Prefix area (1 line):  
For entering the title  
To set the title  
1 Using the up/down/left/right buttons, select (highlight) a  
character in the character selection area to be entered in the  
cursor position of the Title Prefix area. Then press the SEL/  
SET button or the jog dial.  
2 Repeat Step 1 for setting the title. (Use Space, INS, and  
DEL as required.)  
3 When the title setting is completed, select END to exit the  
Character Set screen.  
Number Set  
000l to 9999  
Update  
Set the second 4-numeric part of the clip name.  
To update the managerial file on the SxS memory card in the  
1)  
Media(A) / Media(B)  
selected slot.  
Last Clip DEL  
Select “Execute” to delete the last recorded clip.  
Execute / Cancel  
All Clips DEL  
Execute / Cancel  
Select “Execute” to delete all clips on the active SxS memory  
card.  
Note  
Clips to which you applied OK mark and clips that are locked  
cannot be deleted.  
Filter Clips  
OK / NG / KP / None  
Select from among OK (the OK flag), NG (the not good flag),  
KP (the keep flag), or None (for no flag) to filter displayed  
clips. (UDF only)  
Lock All Clips  
Execute/Cancel  
Select “Execute” to protect all clips. (UDF only)  
Setup Menu List  
86  
 
OTHERS  
Menu items  
Subitems and setting values Contents  
Unlock All Clips  
Execute/Cancel  
Select “Execute” to remove protection from all clips. (UDF  
only)  
Index Picture Pos  
0sec to 10sec (0sec)  
Set the image for viewing thumbnails. This selects the time  
difference from the start of the clip.  
Find Mode  
Clip / Rec Start  
Set the action for when you press the PREV button/NEXT  
button. (UDF only)  
Clip: Move to the start of the current clip/next clip. (Pressing  
the PREV button from the start of a clip will move to the  
start of the previous clip.)  
Rec Start: Move to the previous Rec Start Essence Mark/the  
next Rec Start Essence Mark.  
2)  
Clips  
To copy all clips on an SxS memory card to the other.  
Copy All  
Setting for  
collective copy of  
clips and/or  
General Files  
To copy all files in the General folder on an SxS memory card  
to the other.  
Clips&General  
To copy all clips and files in the General folder on an SxS  
memory card to the other.  
General files  
Media(A)  
Execute / Cancel  
Select “Execute” to format the SxS memory card in slot A  
with the selected file system (UDF/FAT).  
Format Media  
Formatting SxS  
memory cards  
Media(B)  
Execute / Cancel  
Select “Execute” to format the SxS memory card in slot B  
with the selected file system (UDF/FAT).  
Load/Slot(A) or Load/Slot(B)  
Execute / Cancel  
To load planning metadata from the SxS memory card in slot  
A or B.  
Selecting “Execute” displays the list of the planning metadata  
files stored on the SxS memory card in slot A or B. Specify a  
file, select “Load” then “Execute” for loading.  
Plan.Metadata  
Setting planning  
metadata  
Notes  
• The file list displays up to 64 files. Even if the total number  
of planning metadata files is 64 or less, all of the planning  
metadata files may not appear if the directory where they  
are located in the SxS memory card (General/Sony/  
Planning) contains 512 or more files.  
• After you start loading, do not remove the SxS memory  
card until the completion message is displayed.  
Setup Menu List  
87  
     
OTHERS  
Menu items  
Subitems and setting values Contents  
Properties Select “Execute” to display the detailed information of the  
Execute / Cancel  
planning metadata loaded in the camcorder.  
File Name: Filename  
Assign ID: Assignment ID  
Created: Time and date of creation  
Modified: Time and date of most recent modification  
Modified by: Name of person who modified the file  
Title1: Title1 specified in file (clip name in ASCII format)  
Title2: Title2 specified in file (clip name in UTF-8 format)  
Material Gp: Number of material groups (groups of clips  
recorded using the same planning metadata)  
Shot Mark1: Name defined for Shot Mark 1  
Shot Mark2: Name defined for Shot Mark 2  
When you select “File Name,” “Assign ID,” “Title1,” or  
“Title2” on the Planning Metadata Properties screen and then  
press the SEL/SET button or the jog dial, the selected item is  
displayed on the full screen, permitting you to check a long  
file or clip name at a glance.  
Note  
Names of shot marks cannot be displayed on the full screen  
even if you select Shot Mark1 or Shot Mark2.  
Clear  
Execute / Cancel  
Clip Name Disp  
Select “Execute” to clear the planning metadata loaded in the  
camcorder.  
Select the display mode of the clip name specified in planning  
Title1 (ASCII) / Title2 (UTF-8) metadata.  
Note  
When both an ASCII format name and a UTF-8 format name  
are specified in planning metadata, the UTF-8 format string is  
used as the clip name. If only either ASCII-format name or  
UTF-8 format name is specified in planning metadata, the  
specified name is displayed regardless of the menu setting.  
Normal / Loop  
Select the method for menu scrolling.  
Menu Scroll  
Setting the menu  
scroll operation  
Normal: The cursor moves and stops at the top or the bottom.  
Loop: The cursor continues moving up (jumping from the top  
to the bottom) or down (jumping from the bottom to the  
top).  
Vx.xx  
The current software version of the camcorder is displayed.  
Version  
Showing the  
version of this unit  
Execute / Cancel  
Select “Execute” to update the camcorder.  
Use when updating is required.  
Version Up  
Updating this unit  
Note  
This item cannot be selected when no SxS memory card has  
been loaded.  
1)If recording/playback cannot be made with an SxS  
memory card because it has been operated with a  
device other than this camcorder, or for some other  
reason, updating the managerial file on the card may  
improve the situation.  
2)When you copy an SxS memory card including  
multiple clips and files to another card with the same  
capacity, all the clips and files may not be copied  
completely to the end, depending on the usage  
conditions or memory properties.  
Setup Menu List  
88  
       
Connecting External Devices  
Connecting External Monitors and Recording Devices  
To display recording/playback pictures on an  
external monitor, select the output signal and use  
an appropriate cable for the monitor to be  
connected.  
Notes  
• If you set “SDI/HDMI/i.LINK I/O Select” in the  
VIDEO SET menu to other than “HD SDI & HD  
HDMI” or “SD SDI & SD HDMI i” and use the HDMI  
OUT connector and i.LINK (HDV/DV) connector, no  
signal will be output from the SDI OUT connector.  
• When a connected external device does not correspond  
to a REC trigger signal, the device cannot be operated.  
Output signal from the camcorder can be  
recorded when a recording device is connected.  
Regardless of whether the signal is HD or SD, the  
same status information and menus can be  
displayed on the external monitor as those on the  
LCD monitor/EVF screen.  
According to the signal fed to the monitor, set  
“SDI/HDMI/Video Out Super” (page 76) in the  
VIDEO SET menu to “On.”  
When outputting SD signals in HD Mode, select  
in advance the output mode (Squeeze, Letterbox,  
or Edge Crop) with “Down Converter” (page 77)  
in the VIDEO SET menu.  
HDMI OUT connector (Type A connector)  
Signal output from this connector is enabled by  
setting “SDI/HDMI/i.LINK I/O Select” (page 76)  
in the VIDEO SET menu.  
In HD Mode, you can select HD HDMI, SD  
HDMI interlace, or SD HDMI Progressive  
output.  
In SD Mode, only an SD HDMI interlace signal  
can be output.  
Use a commercially available HDMI cable for  
connection.  
Note  
SD signals down-converted for output have the  
following restrictions:  
Images of 50P/50i/25P are output as PAL signals, those  
of 59.94P/59.94i/29.97P are output as NTSC signals, and  
those of 23.98P are output as 2-3 pulled-down NTSC  
signals.  
VIDEO OUT connector (BNC type)  
By changing the setting of “SDI/HDMI/i.LINK I/  
O Select” (page 76) in the VIDEO SET menu,  
you can output HD-Y signals in HD Mode or  
down-converted SD analog composite signals for  
monitoring in SD Mode.  
SDI OUT connector (BNC type)  
The connector is set at the factory to output an HD  
SDI signal.  
Use a commercially available BNC cable for  
connection.  
When you set the camcorder to SD Mode, the  
connector outputs an SD SDI signal.  
Set “SDI/HDMI/i.LINK I/O Select” (page 76) in  
the VIDEO SET menu to “SD SDI & SD HDMI  
i” to output down-converted SD SDI signals for  
monitoring, even in HD Mode. Use a  
commercially available 75-ohm coaxial cable for  
connection.  
i.LINK (HDV/DV) connector (IEEE1394, 4-  
pin)  
Input/output of an HDV or DVCAM stream can  
be enabled by changing “SDI/HDMI/i.LINK I/O  
Select” (page 76) in the VIDEO SET menu.  
To set the input, select “i.LINK” in “Input Source  
Select” (page 76) in the VIDEO SET menu.  
A monitor or VTR that supports i.LINK can be  
connected.  
To start recording on an external device in  
synchronization  
With HD SDI signal output selected,  
synchronized recording is possible by feeding a  
REC trigger signal to an external recording  
device connected via the SDI OUT connector. To  
enable synchronized recording, set “SDI Rec  
Control” (page 77) in the VIDEO SET menu to  
“HD SDI Remote I/F.”  
For details on i.LINK connection, see “Connecting  
via i.LINK (FAT only)” (page 92).  
Connecting External Monitors and Recording Devices  
89  
                 
A/V OUT connector (audio/video  
composite multiconnector)  
Operating Clips With a  
Computer  
By changing the setting of “SDI/HDMI/i.LINK I/  
O Select” (page 76) in the VIDEO SET menu,  
you can output 2-channel audio and down-  
converted SD analog composite signals for  
monitoring.  
To use the ExpressCard slot of a  
computer  
Use the supplied AV connection cable for  
connection.  
If the computer is equipped with an ExpressCard/  
34 or ExpressCard/54 slot, you can directly insert  
the SxS memory card containing clips recorded  
with this camcorder and access to the files.  
Note  
• The SxS Device Driver Software and the UDF Driver  
Software on the CD-ROM supplied with the  
camcorder must be installed on your computer.  
• Operation is not guaranteed with all computers.  
For support information for the driver, visit the  
following URL:  
http://www.sony.net/SxS-Support/  
With a Windows computer, check that a  
Removable Disk appears in My Computer. This  
indicates normal status.  
With a Macintosh computer, an icon is displayed  
on the menu bar.  
To connect with a USB cable  
When you connect the camcorder or the SBAC-  
US10 SxS Memory Card USB Reader/Writer  
(optional) using the supplied USB cable, the  
memory card in the slot is acknowledged as an  
extended drive by the computer.  
When two memory cards are mounted in this  
camcorder, they are acknowledged as two  
independent extended drives by the computer.  
Note  
The camcorder and the SBAC-US10 do not work on the  
bus power from the computer. Supply the operating  
power independently.  
Operating Clips With a Computer  
90  
             
To check the connection to the camcorder  
Using the supplied application software  
1
Set the power switch to ON to turn on  
the camcorder.  
To copy clips to the local disk of a computer, the  
dedicated application software in the supplied  
CD-ROM must be used.  
Although the data regarding recorded materials  
are stored over multiple files and folders, you can  
easily handle the clips without considering such  
data and directory structure by using the  
dedicated application software.  
A message prompting you to confirm that  
you wish to enable the USB connection is  
displayed on the LCD monitor/EVF screen.  
Note  
This message will not be displayed while another  
confirmation message or in-progress message (e.g.,  
for formatting or restoration of an SxS memory  
card) is shown on the screen. It appears when  
formatting or restoration is completed. The message  
is also not displayed while the CLIP INFO screen is  
shown on the screen. It appears when an operation  
on the CLIP INFO screen is completed or you  
return to the thumbnail screen.  
Note  
If you operate, e.g. copy the clips on the SxS memory  
card by using the Explorer (Windows) or Finder  
(Macintosh), the subsidiary data contained by the clips  
may not be maintained.  
For the operating requirements, installation and  
operations, refer to the User’s Guide contained in  
the CD-ROM.  
2
3
Select “Execute” by using the jog dial or  
the up/down/left/right buttons.  
Using a nonlinear editing system  
With Windows, check that the memory  
card is displayed as a removable disk in  
My Computer.  
With Macintosh, check that a “NO  
NAME” or “Untitled” folder was  
created on the desktop. (The Macintosh  
folder name can be changed.)  
For a nonlinear editing system, optional editing  
software that corresponds to the recording  
formats used with this camcorder is required.  
Store the clips to be edited on the HDD of your  
computer in advance, using the dedicated  
application software (supplied).  
To use Final Cut Pro of Apple Inc.  
It is necessary to convert clips to files that can be  
edited with Final Cut Pro.  
Notes  
• The following operations must be eliminated when the  
access lamp is lit in red.  
—Turning the power off or disconnecting the power  
cord  
—Removing the SxS memory card  
—Disconnecting the USB cable  
• When removing an SxS memory card from a  
Macintosh, do not select “Card Power Off” from the  
SxS memory card icon displayed on the menu bar.  
• Operation is not guaranteed with all computers.  
• Use the supplied USB cable for connection.  
Operating Clips With a Computer  
91  
 
Recording the Camcorder Picture  
on an External Device  
Connecting via i.LINK  
(FAT only)  
While recording (or standing by to record), the  
picture being shot with this camcorder is output as  
an HDV or DVCAM stream via the i.LINK  
(HDV/DV) connector. It can be recorded on a  
connected HDV or DVCAM recorder in  
synchronization with the REC START/STOP  
operation on this camcorder.  
When an HDV-compatible video format (SP  
1440/59.94i, SP 1440/50i, or SP 1440/23.98P) or  
a DVCAM-compatible video format (format of  
SD Mode) is selected, setting “SDI/HDMI/  
i.LINK I/O Select” (page 76) in the VIDEO SET  
menu to “HDV” or “DVCAM” enables signal  
inputs/outputs via the i.LINK (HDV/DV)  
connector.  
1
Perform the preparatory settings of the  
camcorder.  
You can record the same images as those  
recorded on an SxS memory card in this  
camcorder on an external device connected to the  
i.LINK (HDV/DV) connector, or record playback  
pictures (HDV streams) of the external device on  
the memory card in the camcorder.  
For playback, DVCAM streams of 16-bit 2-  
channel lock audio are acceptable.  
Nonlinear editing conforming to the HDV format  
is also enabled.  
• “SDI/HDMI/i.LINK I/O Select” (page 76)  
in the VIDEO SET menu  
• “Trigger Mode” (page 84) in the OTHERS  
menu  
2
3
Set the external device to recording  
standby status.  
Start recording with the camcorder.  
The external device starts recording in  
synchronization.  
Notes  
• DVCAM streams cannot be recorded with the  
camcorder.  
• Use the i.LINK (HDV/DV) connector only for one-to-  
one i.LINK connection.  
The status of the external device is displayed in  
the i.LINK status indication area (page 16) on the  
LCD monitor/EVF screen.  
• When you change a setting which affects output  
signals from the i.LINK (HDV/DV) connector, such as  
“System” in the OTHERS menu or “SDI/HDMI/  
i.LINK I/O Select” and “Down Converter” in the  
VIDEO SET menu, disconnect the i.LINK cable then  
change the setting. Changing such a setting with the  
i.LINK cable connected may cause improper operation  
of the connected i.LINK device.  
Indication  
Status of the external device  
In HDV recording standby  
In HDV recording  
STBY  
HDV  
REC HDV  
STBY  
REC  
z
In DV recording standby  
In DV recording  
DV  
DV  
z
Notes  
i.LINK and  
are trademarks.  
• Operation may be different depending on the type of  
external device.  
• There is some time lag from when you start recording  
until the i.LINK status indication changes. Recording  
does not start on the connected i.LINK device before it  
enters synchronization even if “Trigger Mode” is set to  
“Both.”  
• While you can record shot marks on the memory card  
during recording, they are not added to the pictures  
recorded on the external device.  
Connecting via i.LINK (FAT only)  
92  
         
2
3
Set “SDI/HDMI/i.LINK I/O Select”  
(page 76) in the VIDEO SET menu to  
“HDV.”  
Nonlinear Editing  
When the camcorder is displaying thumbnails or  
in playback mode, you can transfer an HDV  
stream to a nonlinear editing system connected  
via the i.LINK (HDV/DV) connector.  
Set “Input Source Select” (page 76) in  
the VIDEO SET menu to “i.LINK.”  
The input image is displayed on the LCD  
monitor/EVF screen and the monitor connected  
via the VIDEO OUT connector.  
The audio signal is output from the built-in  
speaker, headphones connected to the  
headphone connector, and the speaker of the  
monitor connected to the AUDIO OUT  
connector.  
Notes  
• The i.LINK (HDV/DV) connector of this camcorder is  
a 4-pin connector. Check the number of pins of the  
i.LINK connector on your computer and use an  
appropriate i.LINK cable.  
• In searching pictures of this camcorder on the  
computer, it may take some time until the display is  
reflected on the computer.  
• If the playback clip is short or the playback starting  
point is near the end of the clip, the i.LINK signal may  
be interrupted between the clip and the next clip. When  
you try to capture such a signal using the nonlinear  
editing system, a malfunction may occur, depending  
on the nonlinear editing software in use.  
4
Press the REC START/STOP button  
(page 13) or the REC START button  
Recording begins.  
• If you specify a search speed other than 4, 15, or 24  
times normal with the nonlinear editing system, no  
i.LINK signal is fed out. In such a case, the picture on  
the LCD monitor may stay frozen.  
• High-speed playback picture may not be displayed on  
the computer screen, depending on the nonlinear  
editing software in use.  
Notes  
• An error is generated in the following cases. In such a  
case, cancel Recording mode by pressing the REC  
START/STOP button.  
—The video format of input signal does not match  
that specified on the camcorder.  
—A copy-protected stream is being fed in.  
• If the input to the camcorder becomes no signal during  
recording, the tally lamps and the i.LINK zREC status  
indication on the LCD monitor/EVF screen flash,  
indicating that no signal is being recorded on the SxS  
memory card.  
Setting on this camcorder  
Set “SDI/HDMI/i.LINK I/O Select” (page 76) in  
the VIDEO SET menu to “HDV” or “DVCAM.”  
When an input signal is resumed, recording is  
restarted, incrementing the clip number on the memory  
card.  
Recording External Input Signals  
The HDV stream input from a device connected  
via the i.LINK connector can be recorded on an  
SxS memory card in this camcorder. The  
timecodes superimposed on the i.LINK input are  
recorded regardless of the settings of the  
camcorder.  
Note  
DVCAM streams cannot be recorded.  
1
Set the external signal to a format that  
can be recorded on the camcorder.  
Signals of 1440 × 1080/59.94i can be recorded  
when “Format” (page 85) is set to SP 1440/  
59.94i or SP 1440/23.98P, and signals of 1440 ×  
1080/50i can be recorded when set to SP 1440/  
50i. Recording is not allowed with other  
combinations of “Video Format” and input  
signals.  
Connecting via i.LINK (FAT only)  
93  
       
FAT  
Video format  
Valid reference  
signal  
External Synchronization  
HQ 1920/59.94i  
HQ 1920/29.97P  
1080/59.94i  
NTSC  
When multiple units of the camcorder are used in  
the same shooting location, recording can be  
made in synchronization with a specific reference  
signal, and the timecode can be matched among  
all the units.  
HQ 1920/23.98P  
(23.98P Output: 59.94i(2-3  
Pull Down))  
HQ 1920/23.98P  
1080/23.98PsF  
(23.98P Output: 23.98PsF) NTSC  
HQ 1440/59.94i  
1080/59.94i  
NTSC  
Aligning the phase of the video signal  
(Genlock)  
HQ 1440/29.97P  
HQ 1440/23.98P  
(23.98P Output: 59.94i(2-3  
Pull Down))  
Genlock operation is enabled by supplying a  
reference signal to the GENLOCK IN connector  
(page 14) of the camcorder.  
HQ 1440/23.98P  
1080/23.98PsF  
(23.98P Output: 23.98PsF) NTSC  
Valid reference signals depend on the video  
format selected.  
SP 1440/59.94i  
1080/59.94i  
NTSC  
SP 1440/23.98P  
When the video format is UDF HD422 50/1080/  
23.98P or HD420 HQ/1080/23.98P, or FAT HQ  
1920/23.98P, HQ 1440/23.98P, select either  
“23.98PsF” or “59.94i (2-3 Pull Down)” in  
“23.98P Output” (page 77) in the VIDEO SET  
menu.  
HQ 1280/59.94P  
HQ 1280/29.97P  
HQ 1280/23.98P  
DVCAM59.94i SQ/EC  
DVCAM29.97P SQ/EC  
1080/59.94i  
720/59.94P  
NTSC  
1080/59.94i  
NTSC  
For “NTSC/NTSC(J) Area”  
For “PAL Area”  
UDF  
UDF  
Video format  
Valid reference  
signal  
Video format  
Valid reference  
signal  
HD422 50/1080/59.94i  
HD422 50/1080/29.97P  
1080/59.94i  
NTSC  
HD422 50/1080/50i  
HD422 50/1080/25P  
HD422 50/720/50P  
HD422 50/720/25P  
1080/50i  
PAL  
HD422 50/1080/23.98P  
(23.98P Output: 59.94i (2-3  
Pull Down))  
1080/50i  
720/50P  
PAL  
HD422 50/1080/23.98P  
(23.98P Output: 23.98PsF) NTSC  
1080/23.98PsF  
HD420 HQ/1080/50i  
HD420 HQ/1080/25P  
HD420 HQ/720/50P  
1080/50i  
PAL  
HD422 50/720/59.94P  
HD422 50/720/29.97P  
HD422 50/720/23.98P  
HD420 HQ/1080/59.94i  
1080/59.94i  
720/59.94P  
NTSC  
1080/50i  
720/50P  
PAL  
DVCAM50i SQ/EC  
DVCAM25P SQ/EC  
1080/50i  
PAL  
1080/59.94i  
NTSC  
HD420 HQ/1080/29.97P  
HD420 HQ/1080/23.98P  
(23.98P Output: 59.94i (2-3  
Pull Down))  
HD420 HQ/1080/23.98P  
1080/23.98PsF  
(23.98P Output: 23.98PsF) NTSC  
HD420 HQ/720/59.94P  
HD420 HQ/720/23.98P  
1080/59.94i  
720/59.94P  
NTSC  
DVCAM 59.94i SQ/EC  
DVCAM 29.97P SQ/EC  
1080/59.94i  
NTSC  
External Synchronization  
94  
       
FAT  
About 10 seconds after locking, even if the  
reference timecode from the external device is  
disconnected, the external lock will be kept.  
Video format  
Valid reference  
signal  
HQ 1920/50i  
HQ 1920/25P  
HQ 1440/50i  
HQ 1440/25P  
SP 1440/50i  
HQ 1280/50P  
HQ 1280/25P  
1080/50i  
PAL  
Notes  
• Check that the reference timecode and the reference  
video signal are in a phase relation that complies the  
SMPTE timecode standards.  
• When you finish the above procedure, the timecode is  
immediately synchronized with the external timecode,  
and the time data indication will show the value of the  
external timecode. However, wait for a few seconds  
until the timecode generator stabilizes before  
recording.  
• If the frequency of the reference video signal and the  
frame frequency are not the same, a lock cannot be  
acquired, and the camcorder will not operate properly.  
In such a case, the timecode will not be correctly  
locked to the external timecode.  
• When the connection is removed, the timecode  
advance may shift one frame per hour with respect to  
the reference timecode.  
1080/50i  
720/50P  
PAL  
DVCAM50i SQ/EC  
DVCAM25P SQ/EC  
1080/50i  
PAL  
The phase adjustment for the reference signal can  
also be made with “Genlock” (page 84) in the  
OTHERS menu.  
Notes  
• When the output format is SD mode and you use one  
of the video formats below, genlock is not possible. Set  
the video format to HD mode.  
UDF: HD422 50/720/59.94P, HD420 HQ/720/59.94P,  
HD422 50/720/50P, HD420 HQ/720/50P  
FAT: HQ 1280/59.94P, HQ 1280/50P  
• If the reference signal is unstable, genlock is not  
possible.  
To release the external timecode  
synchronization  
Change the “Timecode” setting in the TC/UB  
SET menu set the camcorder to OFF.  
External synchronization is also released when  
you start recording in a special recording mode  
(Slow & Quick Motion, Frame Rec, or Interval  
Rec).  
• The subcarrier is not synchronized.  
Synchronizing the timecode of your  
camcorder with that of another unit  
Synchronizing the timecode of another  
unit with that of your camcorder  
Set the unit that supplies the timecode to a mode  
in which the timecode output keeps advancing  
(Free Run or Clock mode).  
1
Specify the timecode of your camcorder  
with “Timecode” and “TC Format”  
1
Set “Timecode” in the TC/UB SET  
menu as follows:  
2
Confirm that the IN/OUT switch (page  
14) is set to OUT, then connect the TC  
OUT connector and VIDEO OUT  
connector (page 14) with the timecode  
input and reference signal input of the  
other unit, respectively.  
Mode: Preset  
Run: Free Run  
2
3
Press the DURATION/TC/U-BIT  
button (page 13) so that the timecode is  
displayed on the screen.  
The timecode to be output from the TC OUT  
connector depends on the setting of “TC Out” in  
“Timecode” in the TC/UB SET menu. If “TC  
Out” is set to “Generator,” the timecode  
generated by the timecode generator of the  
camcorder is output during recording and  
playback. If “TC Out” is set to “Auto,” the  
timecode generated by the timecode generator is  
output during recording, and that superimposed  
with the video signal is output during playback.  
Confirm that the IN/OUT switch (page  
14) is set to IN, then supply an HD or SD  
reference video signal to the  
GENLOCK IN connector and the  
reference timecode to the TC IN  
connector.  
The built-in timecode generator of your  
camcorder locks to the reference timecode, and  
the message “EXT-LK” is displayed on the  
screen.  
External Synchronization  
95  
         
Appendices  
Important Notes on Operation  
In the event of operating problems  
If you should experience problems with the unit,  
Use and Storage  
contact your Sony dealer.  
Do not subject the unit to severe shock  
• The internal mechanism may be damaged or the  
body warped.  
Note about the battery terminal  
• If an accessory mounted on the accessory shoe  
is subjected to severe shock, the accessory shoe  
may be damaged. In such a case, stop using it  
and contact your dealer or a Sony service  
representative.  
The battery terminal of this unit (the connector for  
battery packs and AC adaptors) is a consumable  
part.  
Power may not be supplied to the unit properly if  
the pins of the battery terminal are bent or  
deformed by shock or vibrations, or if they  
become corroded due to prolonged outdoor use.  
Periodic inspections are recommended to keep  
the unit working properly and to prolong its  
usable lifetime.  
Do not cover the unit while operating  
Putting a cloth, for example, over the unit can  
cause excessive internal heat build-up.  
After use  
Always set the power switch to OFF.  
Contact a Sony service or sales representative for  
more information about inspections.  
Before storing the unit for a long period  
Remove the battery pack.  
Use and storage locations  
Grip the handle when carrying  
Grip the handle to carry. If you carry it by other  
parts, such as the front microphone block or the  
LCD monitor block, the camcorder may drop,  
causing injury.  
Store in a level, ventilated place. Avoid using or  
storing the unit in the following places:  
• In excessive heat or cold (operating temperature  
range: 0ºC to 40ºC or 32ºF to 104ºF)  
Remember that in summer in warm climates the  
temperature inside a car with the windows  
closed can easily exceed 50ºC (122ºF).  
• In damp or dusty locations  
Do not leave the camcorder with the lenses  
facing the sun  
Direct sunlight can enter through the lenses, be  
focused in the camcorder, and cause fire.  
• Locations where the unit may be exposed to rain  
• Locations subject to violent vibration  
• Near strong magnetic fields  
• Close to radio or TV transmitters producing  
strong electromagnetic fields.  
Shipping  
• Remove the memory cards before transporting  
the unit.  
• If sending the unit by truck, ship, air or other  
transportation service, pack it in the shipping  
carton of the unit.  
• In direct sunlight or close to heaters for  
extended periods  
To prevent electromagnetic interference from  
portable communications devices  
The use of portable telephones and other  
communications devices near this unit can result  
in malfunctions and interference with audio and  
video signals.  
It is recommended that the portable  
communications devices near this unit be  
powered off.  
Care of the unit  
Remove dust and dirt from the surfaces of the lens  
using a blower.  
If the body of the unit is dirty, clean it with a soft,  
dry cloth. In extreme cases, use a cloth steeped in  
a little neutral detergent, then wipe dry. Do not  
use organic solvents such as alcohol or thinner, as  
these may cause discoloration or other damage to  
the finish of the unit.  
Important Notes on Operation  
96  
   
Note on laser beams  
Laser beams may damage the CMOS image  
sensors. If you shoot a scene that includes a laser  
beam, be careful not to let the laser beam be  
directed into the lens of the camcorder.  
About the LCD panels  
The LCD panels are manufactured with  
extremely high-precision technology that yields  
effective pixel rates of 99.99% or higher.  
However, very rarely, one or more  
pixels may be permanently dark or permanently  
lit in white, red, blue, or green.  
This phenomenon is not a malfunction. Such  
pixels have no effect on the recorded data, and the  
unit may be used with confidence even if they are  
present.  
In such cases, set the Flicker-Reduction function  
to Auto mode (page 34).  
In some cases, such phenomena may not be  
improved with the Flicker-Reduction function.  
It is recommend to set the electronic shutter speed  
to 1/100 sec. in 50-Hz areas and to 1/60 in 60-Hz  
areas.  
Focal plane  
Owing to the characteristics of the pickup  
elements (CMOS sensors) for reading video  
signals, subjects that quickly move across the  
screen may appear slightly skewed.  
Phenomena specific to CMOS image  
sensors  
Flash band  
The following phenomena that may appear in  
images are specific to CMOS (Complementary  
Metal Oxide Semiconductor) image sensors.  
They do not indicate malfunctions.  
The luminance at the top and bottom of the screen  
may change when shooting a flashlight beam or a  
light source that quickly flashes.  
White flecks  
Note on the EVF display  
Although the CMOS image sensors are produced  
with high-precision technologies, fine white  
flecks may be generated on the screen in rare  
cases, caused by cosmic rays, etc.  
This is related to the principle of CMOS image  
sensors and is not a malfunction.  
• Pictures on the LCD monitor and EVF screen  
may be distorted by the following operations:  
—Changing the video format  
—Rec Review  
—Starting playback from the Thumbnail  
screen  
—Reversing the LCD monitor  
The white flecks especially tend to be seen in the  
following cases:  
• when operating at a high environmental  
temperature  
• when you have raised the master gain  
(sensitivity)  
• when operating in Slow-Shutter mode  
—Switching the Expanded Focus display  
• When you change the eye direction in the EVF,  
you may see primary colors red, green, and  
blue, but this is not a defect of the camcorder.  
These primary colors are not recorded on any  
recording media.  
Aliasing  
Fragmentation  
When fine patterns, stripes, or lines are shot, they  
If pictures cannot be recorded/reproduced  
properly, try formatting the recording medium.  
While repeating picture recording/playback with  
a certain recording medium for an extended  
period, files in the medium may be fragmented,  
disabling proper recording/storage. In such a  
case, make a backup of clips in the medium then  
perform formatting of the medium using “Format  
Media” (page 87) in the OTHERS menu.  
may appear jagged or flicker.  
Flicker  
If recording is made under lighting produced by  
discharge tubes, such as fluorescent, sodium, or  
mercury-vapor lamps, the screen may flicker,  
colors may vary, or horizontal stripes may appear  
distorted.  
Important Notes on Operation  
97  
 
Formats and Limitations of Outputs  
Video Formats and Output Signals  
Output formats for the SDI OUT connector  
Serial digital signals from the SDI OUT connector are output depending on the settings of the setup menu  
and format of the clip being played.  
The output format is converted when using the settings in the following chart.  
Notes  
• When the format is UDF HD Mode or FAT HD Mode and “SDI/HDMI/i.LINK I/O Select” in the VIDEO SET menu  
is set to “SD SDI & SD HDMI i,” a down-converted SD signal is output.  
• When “SDI/HDMI/i.LINK I/O Select” in the VIDEO SET menu is set to other than “HD SDI & HD HDMI” or “SD  
SDI & SD HDMI i,” signals are not output from the SDI OUT connector.  
While recording (or standing by to record)/During clip playback  
When recording:  
Output format  
“Format” in “System” in  
the OTHERS menu  
When playing: Playback  
clip video format  
Setting of “SDI/HDMI/i.LINK I/O Select” in the VIDEO SET menu  
HD SDI & HD HDMI  
SD SDI & SD HDMI i  
1)  
1)  
1)  
HD422 50/1080/23.98P  
HD420 HQ/1080/23.98P  
HQ 1920/23.98P  
HQ 1440/23.98P  
(23.98P Output:59.94i (2-3 Pull  
Down))  
1920×1080/59.94i  
SD/59.94i  
1)  
SP 1440/23.98P  
1920×1080/59.94i  
1280×720/59.94P  
SD/59.94i  
2)  
HD422 50/720/59.94P  
HD420 HQ/720/59.94P  
HQ 1280/59.94P  
SD/59.94i  
3)  
HD422 50/720/29.97P  
HQ 1280/29.97P  
SD/29.97PsF  
1280×720/59.94P  
1280×720/59.94P  
4)  
1)  
HD422 50/720/23.98P  
HD420 HQ/720/23.98P  
HQ 1280/23.98P  
SD/59.94i  
5)  
HD422 50/720/50P  
HD420 HQ/720/50P  
HQ 1280/50P  
1280×720/50P  
SD/50i  
6)  
HD422 50/720/25P  
HQ 1280/25P  
SD/25PsF  
1280×720/50P  
1)59.94i provided through 2-3 pulldown of 23.98P.  
2)59.94i provided through conversion from 59.94P.  
3)59.94P provided by outputting each frame of 29.97P two times.  
4)59.94P provided by repeating each frame of 23.98P two or three times.  
5)50i provided through conversion from 50P.  
6)50P provided by outputting each frame of 25P two times.  
Formats and Limitations of Outputs  
98  
     
When a thumbnail screen is displayed  
Output format  
Setting of “SDI/HDMI/i.LINK I/O Select” in the VIDEO SET menu  
“Format” in “System” in  
the OTHERS menu  
HD SDI & HD HDMI  
SD SDI & SD HDMI i  
SD/59.94i  
1)  
HD422 50/1080/23.98P  
HD420 HQ/1080/23.98P  
HQ 1920/23.98P  
1920×1080/59.94i  
HQ 1440/23.98P  
(23.98P Output:59.94i (2-3 Pull  
Down))  
2)  
HD422 50/720/50P  
HD420 HQ/720/50P  
HQ 1280/50P  
1280×720/50P  
SD/50i  
1)59.94i provided through 2-3 pulldown of 23.98P.  
2)50i provided through conversion from 50P.  
Formats and Limitations of Outputs  
99  
Output formats from the HDMI OUT connector  
Serial digital signals from the HDMI OUT connector are output depending on the settings of the setup  
menu and format of the clip being played.  
The output format is converted when using the settings in the following chart.  
Note  
When the format is UDF HD Mode or FAT HD Mode and “SDI/HDMI/i.LINK I/O Select” in the VIDEO SET menu is  
set to “SD SDI & SD HDMI i,” a down-converted SD signal is output.  
While recording (or standing by to record)/During clip playback  
When recording:  
Output format  
“Format” in “System” in  
the OTHERS menu  
When playing: Playback  
clip video format  
Setting of “SDI/HDMI/i.LINK I/O Select” in the VIDEO SET menu  
HD SDI & HD HDMI  
HD HDMI & HDV  
SD SDI & SD HDMI i  
SD HDMI i & HDV  
SD HDMI P & HDV  
SD HDMI P  
SD HDMI i & DVCAM  
1)  
1)  
HD422 50/1080/23.98P  
HD420 HQ/1080/23.98P  
HQ 1920/23.98P  
SD/59.94P  
1920×1080/59.94i  
SD/59.94i  
HQ 1440/23.98P  
(23.98P Output:  
59.94i (2-3 Pull Down))  
2)  
1)  
1)  
SP 1440/23.98P  
1920×1080/59.94i  
SD/59.94i  
3)  
HD422 50/720/59.94P  
HD420 HQ/720/59.94P  
HQ 1280/59.94P  
1280×720/59.94P  
SD/59.94i  
4)  
HD422 50/720/29.97P  
HQ 1280/29.97P  
SD/29.97PsF  
1280×720/59.94P  
5)  
1)  
HD422 50/720/23.98P  
HD420 HQ/720/23.98P  
HQ 1280/23.98P  
1280×720/59.94P  
SD/59.94i  
6)  
HD422 50/720/50P  
HD420 HQ/720/50P  
HQ 1280/50P  
1280×720/50P  
SD/50P  
SD/50i  
7)  
HD422 50/720/25P  
HQ 1280/25P  
SD/25PsF  
1280×720/50P  
1)59.94i provided through 2-3 pulldown of 23.98P.  
2)While recording (or standing by to record) only.  
3)59.94i provided through conversion from 59.94P.  
4)59.94P provided by outputting each frame of 29.97P two times.  
5)59.94P provided by repeating each frame of 23.98P two or three times.  
6)50i provided through conversion from 50P.  
7)50P provided by outputting each frame of 25P two times.  
Formats and Limitations of Outputs  
100  
When a thumbnail screen is displayed  
Output format  
Setting of “SDI/HDMI/i.LINK I/O Select” in the VIDEO SET menu  
“Format” in “System” in  
the OTHERS menu  
HD SDI & HD HDMI  
HD HDMI & HDV  
SD SDI & SD HDMI i  
SD HDMI i & HDV  
SD HDMI i & DVCAM  
SD/59.94i  
SD HDMI P & HDV  
SD HDMI P  
1)  
HD422 50/1080/23.98P  
HD420 HQ/1080/23.98P  
HQ 1920/23.98P  
SD/59.94P  
1920×1080/59.94i  
HQ 1440/23.98P  
(23.98P Output:  
59.94i (2-3 Pull Down))  
1)59.94i provided through 2-3 pulldown of 23.98P.  
Output formats from the VIDEO OUT connector  
Signals output from the VIDEO OUT connector are either the HD-Y signals output from the SDI OUT  
connector/HDMI OUT connector (when outputting HD from the SDI OUT connector or HDMI OUT  
connector), or analog composite signals (when outputting SD from the SDI OUT connector or HDMI  
OUT connector).  
Signals of clips recorded in a different system from the setting of “Country” in “System” in the OTHERS  
menu are converted to the following frame rates for simplified playback before output.  
When you play clips recorded with the PAL system while the “Country” is set to “NTSC Area/NTSC(J)  
Area.”  
Some frames may be repeated due to frame rate conversion.  
VIDEO OUT Output format  
Playback clip video format  
HD-Y  
Analog composite  
SD/59.94i  
HD422 50/1080/50i  
HD420 HQ/1080/50i  
HQ 1920/50i  
HQ 1440/50i  
SP 1440/50i  
1920×1080/60i  
HD422 50/1080/25P  
HD420 HQ/1080/25P  
HQ 1920/25P  
1920×1080/30PsF  
1280×720/60P  
SD/29.97PsF  
SD/59.94i  
HQ 1440/25P  
HD422 50/720/50P  
HD420 HQ/720/50P  
HQ 1280/50P  
HD422 50/720/25P  
HQ 1280/25P  
SD/29.97PsF  
DVCAM50i SQ/EC  
DVCAM25P SQ/EC  
Cannot be played  
Cannot be played  
Formats and Limitations of Outputs  
101  
When you play clips recorded with the NTSC system while the “Country” is set to “PAL Area.”  
Some frames may be deleted due to frame rate conversion.  
VIDEO OUT Output format  
Playback clip video format  
HD-Y  
Analog composite  
SD/50i  
HD422 50/1080/59.94i  
HD420 HQ/1080/59.94i  
HQ 1920/59.94i  
HQ 1440/59.94i  
SP 1440/59.94i  
1920×1080/49.95i  
HD422 50/1080/29.97P  
HD420 HQ/1080/29.97P  
HQ 1920/29.97P  
1920×1080/24.97PsF  
SD/25PsF  
HQ 1440/29.97P  
HD422 50/1080/23.98P  
HD420 HQ/1080/23.98P  
HQ 1920/23.98P  
HQ 1440/23.98P  
SP 1440/23.98P  
HD422 50/720/59.94P  
HD420 HQ/720/59.94P  
HQ 1280/59.94P  
1280×720/49.95P  
SD/50i  
HD422 50/720/29.97P  
HQ 1280/29.97P  
SD/25PsF  
HD422 50/720/23.98P  
HD420 HQ/720/23.98P  
HQ 1280/23.98P  
DVCAM59.94i SQ/EC  
DVCAM29.97P SQ/EC  
Cannot be played  
Cannot be played  
Formats and Limitations of Outputs  
102  
Output formats from the i.LINK I/O connector  
Serial digital signals from the i.LINK I/O connector are output in the following formats depending on the  
settings of the setup menu and format of the clip being played.  
Note  
When “SDI/HDMI/i.LINK I/O Select” in the VIDEO SET menu is set to “HD SDI & HD HDMI,” “SD SDI & SD HDMI  
i,” or “SD HDMI P,” signals are not output from the i.LINK I/O connector.  
While recording (or standing by to record)/When playing a clip  
When recording:  
Output format  
“Format” in “System” in  
the OTHERS menu  
When playing: Playback  
clip video format  
Setting of “SDI/HDMI/i.LINK I/O Select” in the VIDEO SET menu  
HD HDMI & HDV  
SD HDMI i & DVCAM  
SD HDMI i & HDV  
SD HDMI P & HDV  
HQ 1920/59.94i  
HQ 1440/59.94i  
HQ 1920/29.97P  
HQ 1440/29.97P  
HQ 1920/23.98P  
HQ 1440/23.98P  
No signal  
SD/59.94i  
SD/29.97PsF  
No signal  
SP 1440/59.94i  
SP 1440/23.98P  
1440×1080/59.94i  
SD/59.94i  
1)  
1)  
1440×1080/59.94i  
SD/59.94i  
2)  
HQ 1280/59.94P  
No signal  
SD/59.94i  
HQ 1280/29.97P  
HQ 1280/23.98P  
SD/29.97PsF  
No signal  
DVCAM59.94i SQ/EC  
DVCAM29.97P SQ/EC  
HQ 1920/50i  
SD/59.94i  
SD/29.97PsF  
SD/50i  
No signal  
HQ 1440/50i  
HQ 1920/25P  
HQ 1440/25P  
SP 1440/50i  
HQ 1280/50P  
SD/25PsF  
SD/50i  
1440×1080/50i  
No signal  
3)  
SD/50i  
HQ 1280/25P  
SD/25PsF  
SD/50i  
DVCAM50i SQ/EC  
DVCAM25P SQ/EC  
SD/25PsF  
1)59.94i provided through 2-3 pulldown of 23.98P.  
2)59.94i provided through conversion from 59.94P.  
3)50i provided through conversion from 50P.  
Formats and Limitations of Outputs  
103  
Limitations of Inputs/Outputs  
The outputs from the camcorder are limited by the menu settings as follows:  
×: no signal  
Input  
VIDEO A/V Out i.LINK  
OUT  
Menu setting  
System  
Output  
SDI/HDMI/ SDI  
i.LINK I/O OUT  
Select  
HDMI i.LINK  
OUT  
UDF/  
FAT  
UDF  
HD/SD  
HD SDI & HD  
HDMI  
HD  
HD  
SD  
×
HD  
SD  
×
×
×
×
×
×
×
HD-Y  
×
×
×
×
×
×
×
SD SDI & SD  
HDMI i  
Composite Composite  
HD HDMI &  
HDV  
×
×
×
×
×
×
×
×
SD HDMI i &  
HDV  
×
×
SD HDMI P &  
HDV  
×
×
SD HDMI i &  
DVCAM  
×
×
SD HDMI P  
×
SD-P  
×
×
×
×
×
×
×
×
×
Off  
HD SDI & HD  
HDMI  
×
Composite Composite  
HD-Y  
FAT  
HD/HQ  
HD  
HD  
×
SD SDI & SD  
HDMI i  
SD  
×
SD  
×
×
Composite Composite  
×
×
×
×
HD HDMI &  
HDV  
×
×
×
×
×
×
×
SD HDMI i &  
HDV  
×
×
×
SD HDMI P &  
HDV  
×
×
×
SD HDMI i &  
DVCAM  
×
SD  
DVCAM  
Composite Composite DVCAM  
(display only)  
SD HDMI P  
×
SD-P  
×
×
×
×
×
×
×
Off  
HD SDI & HD  
HDMI  
×
Composite Composite  
HD-Y  
×
×
HD/SP  
HD  
HD  
×
SD SDI & SD  
HDMI i  
SD  
×
SD  
×
Composite Composite  
HD-Y  
×
HD HDMI &  
HDV  
HD  
SD  
HDV  
HDV  
HDV  
DVCAM  
×
HDV  
SD HDMI i &  
HDV  
×
Composite Composite HDV  
SD HDMI P &  
HDV  
×
SD-P  
SD  
×
×
HDV  
×
SD HDMI i &  
DVCAM  
×
Composite Composite  
SD HDMI P  
Off  
×
×
×
×
×
×
×
×
×
×
Composite Composite  
Formats and Limitations of Outputs  
104  
   
Menu setting  
System  
Output  
SDI/HDMI/ SDI  
i.LINK I/O OUT  
Select  
Input  
VIDEO A/V Out i.LINK  
OUT  
HDMI i.LINK  
OUT  
UDF/  
FAT  
UDF  
HD/SD  
HD SDI & HD  
HDMI  
SD  
×
×
×
×
×
×
×
×
×
×
×
×
×
×
×
×
SD SDI & SD  
HDMI i  
SD  
×
SD  
×
Composite Composite  
HD HDMI &  
HDV  
×
×
×
×
×
×
×
×
SD HDMI i &  
HDV  
×
×
SD HDMI P &  
HDV  
×
×
SD HDMI i &  
DVCAM  
SD HDMI P  
Off  
×
×
×
×
×
×
×
×
×
×
×
×
×
×
×
×
Composite Composite  
HD SDI & HD  
HDMI  
FAT  
×
×
SD SDI & SD  
HDMI i  
SD  
×
SD  
×
×
Composite Composite  
×
×
×
×
HD HDMI &  
HDV  
×
×
×
×
×
×
×
SD HDMI i &  
HDV  
×
×
×
SD HDMI P &  
HDV  
×
×
×
SD HDMI i &  
DVCAM  
×
SD  
DVCAM  
Composite Composite DVCAM  
(display only)  
SD HDMI P  
×
×
×
×
×
×
×
×
×
Off  
Composite Composite  
×
Formats and Limitations of Outputs  
105  
Backup Battery  
Replacement  
025  
R2  
C
V
3
This camcorder uses a backup battery to retain  
various setting data.  
A lithium battery (CR2032) for backup is  
mounted in the camcorder at the factory.  
The backup battery retains the date, time, and  
timecode in Free Run mode even when no  
operating power is being supplied.  
2
3
Insert a new backup battery (CR2032)  
with the + symbol on the battery facing  
outside.  
Service life of the backup battery  
CR2025  
When the backup battery’s voltage falls, the  
backup battery low-voltage warning appears on  
the LCD monitor/EVF screen.  
If this warning appears, replace the battery as  
soon as possible.  
V
3
Attach the cover in the original position.  
WARNING  
025  
• Battery may explode if mistreated. Do not  
recharge, disassemble, or dispose of in fire.  
• Batteries shall not be exposed to excessive heat  
such as sunshine, fire or the like.  
CR2  
V
3
CAUTION  
Danger of explosion if battery is incorrectly  
replaced. Replace only with the same or  
equivalent type recommended by the  
manufacturer.  
When you dispose of the battery, you must obey  
the law in the relative area or country.  
Replacing the backup battery  
Notes  
• Be sure to set the power switch to OFF when replacing  
the backup battery.  
• Be careful not to drop the removed screw into the  
camcorder.  
1
Remove the screw of the backup battery  
holder (page 15), then remove the cover.  
Insert a nonmetalic item, such as a  
plastic toothpick, to the side of the  
battery and lever the battery out of its  
compartment.  
Backup Battery Replacement  
106  
       
Troubleshooting  
Power  
Symptoms  
Cause  
Remedy  
The camcorder does not No battery pack is mounted and no Mount a battery pack (page 18) or connect to AC  
power on when you set  
the power switch to ON. connector.  
The battery pack is completely  
exhausted.  
power is supplied to the DC IN  
power using the BC-U1 or BC-U2 (page 19).  
Replace the battery pack with a fully charged one  
The power supply cuts  
while operating.  
The battery pack becomes exhausted. Replace the battery pack with a fully charged one  
The battery pack becomes The ambient temperature is very low. This owes to the battery characteristics and is not a  
exhausted very quickly.  
defect.  
The battery pack is inadequately  
charged.  
Recharge the battery pack (page 18).  
If the battery pack is soon exhausted even after you  
charged it fully, it may comes to the end of its life.  
Replace it with a new one.  
Recording/Playback  
Symptoms  
Cause  
Remedy  
Recording does not start The power switch is set to OFF.  
Set the power switch to ON.  
when you press the REC  
START/STOP button.  
The SxS memory card is write-  
protected.  
Release the write-protection, or replace the card with  
a non-protected SxS memory card.  
The SxS memory card is full.  
Replace the card with one having sufficient space.  
The SxS memory card needs  
restoration.  
Restore the memory card (page 23).  
Playback does not start  
when you press the PLAY  
button.  
The power switch is set to OFF.  
Set the power switch to ON.  
The supplied IR Remote Remote control operation is disabled. Enable remote control operation (page 21).  
Commander does not  
work.  
The battery of the IR Remote  
Commander is exhausted.  
Replace the battery with a new one.  
Audio recording is not  
possible.  
The AUDIO LEVEL (CH-1/CH-2) Adjust the audio recording levels with the AUDIO  
controls are set to the minimum level. LEVEL (CH-1/CH-2) controls (page 36).  
The recorded sound is  
distorted.  
The audio level is too high.  
Adjust the audio recording levels with the AUDIO  
LEVEL (CH-1/CH-2) controls (page 36), and record  
again.  
The recorded sound has a The audio level is too low.  
high noise level.  
Adjust the audio recording levels with the AUDIO  
LEVEL (CH-1/CH-2) controls (page 36), and record  
again.  
Troubleshooting  
107  
     
External Devices  
Symptoms  
Cause  
Remedy  
The equipment connected It sometimes takes time for the  
to the camcorder via an connected equipment to recognize  
Wait for about 15 seconds. If the connected  
equipment still does not react, do the following:  
i.LINK connection does the operation.  
not react as expected, for  
example, no picture  
Check the i.LINK cable, for example, by re-  
plugging it.  
• Turn the power off, and connect the cable again.  
• Change the i.LINK cable.  
appears on its screen.  
Troubleshooting  
108  
 
Error/Warning Indications  
The camcorder informs you of situations where warning, caution, or an operation check is required,  
through messages on the LCD monitor/EVF screen, the tally lamps, and a buzzer.  
The buzzer is output to the built-in speaker or to the headphones connected via the headphone connector.  
The buzzer volume can be set with “Alarm Level” in “Audio Output” (page 75) in the AUDIO SET menu.  
Error Indications  
The camcorder stops operation after the following indications.  
Error indication on Buzzer  
LCD/EVF  
Tally  
lamps  
Cause and measures  
E + Error code  
Continuous Rapidly  
flashing  
The camcorder may be defective. Recording stops even if  
zREC is displayed on the LCD monitor/EVF screen.  
Turn off the power and check the connected equipment, cables,  
and media. If they are not defective, turn on the power again. If  
the error persists, consult Sony service personnel.  
(If power cannot be turned off by setting the power switch to  
OFF, remove both the battery pack or the DC IN source.)  
Warning Indications  
When one of the following indications is generated, follow the message to clear the problem.  
Warning indication Buzzer  
on LCD/EVF  
Tally  
lamps  
Cause and measures  
Media Near Full  
Intermittent Flashing  
Free space on the SxS memory card has become insufficient.  
Replace it with another at the earliest opportunity.  
No space is left on the SxS memory card. Recording, clip  
copying and clip division cannot be performed.  
Replace it with another.  
Media Full  
Continuous Rapidly  
flashing  
Battery Near End  
Battery End  
Intermittent Flashing  
The battery power will be exhausted soon.  
Charge the battery pack at the earliest opportunity.  
The battery pack is exhausted. Recording cannot be  
performed.  
Continuous Rapidly  
flashing  
Stop operation and change the battery pack.  
The internal temperature has risen above a safe operation  
limit.  
Temperature High  
Intermittent Flashing  
Suspend operation, turn off the power, and wait until the  
temperature falls.  
Voltage Low  
Intermittent Flashing  
The DC IN voltage has become low (stage 1).  
Check the power supply.  
Insufficient Voltage  
Continuous Rapidly  
flashing  
The DC IN voltage is too low (stage 2). Recording cannot be  
performed.  
Connect other power source.  
1)  
Intermittent Flashing  
The battery power of the connected HDD will be exhausted  
soon.  
HDD A Battery Near  
End  
Change the battery at the earliest opportunity.  
The battery of the connected HDD is exhausted. Recording  
cannot be performed.  
1)  
Continuous Rapidly  
flashing  
HDD A Battery End  
Stop operation to change the battery.  
Error/Warning Indications  
109  
         
Warning indication Buzzer  
on LCD/EVF  
Tally  
lamps  
Cause and measures  
Battery Error  
An error was detected with the battery pack.  
Replace the battery pack with a normal one.  
The remaining power of the backup battery is insufficient.  
Replace the battery with a new one.  
Please Change Battery  
Backup Battery End  
Please Change  
2)  
A partitioned memory card or one that contains recorded clips  
exceeding the number permitted with this camcorder is loaded.  
This card cannot be used with this camcorder. Remove it and  
load a compatible card.  
Unknown Media(A)  
Please Change  
Media Error  
An error occurred with the memory card. The card requires  
restoration.  
2)  
Media(A) Needs to be  
Remove the card, load it again, and restore it.  
Restored  
Media Error  
Cannot Record to  
Recording cannot be done, as the memory card is defective.  
As playback may be possible, it is recommended to replace it  
with another card after copying the clips, as required.  
2)  
Media(A)  
Media Error  
Neither recording nor playback can be done, as the memory  
card is defective.  
2)  
Cannot Use Media(A)  
It cannot be operated with this camcorder. Replace it with  
another card.  
Will Switch Slots Soon  
No Clip  
This is an advanced notice that the camcorder will switch from  
the current memory card to the other memory card for  
continuous recording.  
There are no clips in the memory card.  
Check the selected card.  
2)  
A card of a different file system or an unformatted card was  
inserted. It cannot be used with this camcorder.  
Replace it with another card or format it with this camcorder.  
Cannot Use Media(A)  
Unsupported File System  
2)  
A memory card incompatible with UDF mode is inserted.  
Replace the card from the respective slot, format it with the  
camcorder, or switch to UDF FAT mode.  
Cannot Use Media(A)  
In UDF Mode  
Same File Already Exists  
A clip with the same name exists in the memory card to which  
you want to copy.  
2)  
Change Media(A)  
Replace the card from the respective slot with a different card.  
The external signal input via the i.LINK connection cannot be  
recorded, as the “Format” setting is different from the signal  
format of the external input signal.  
Video Format Mismatch  
Change “Format” in “System” in the OTHERS menu to match  
it to that of the external signal.  
Copy Protected Input  
Cannot Record  
The external signal input via the i.LINK connection cannot be  
recorded, as the stream is copy-protected.  
Check the input signal.  
Media Error  
Playback Halted  
An error occurred in reading data from the memory card, and  
playback cannot be continued.  
If this frequently occurs, change the memory card after  
copying the clips, as required.  
2)  
Recording cannot be done, as an error occurred with the  
memory card.  
Media(A) Error  
If this frequently occurs, change the memory card.  
Media Reached  
Rewriting Limit  
The memory card comes to the end of its service life. Make a  
backup copy and replace the card with another one as soon as  
possible. Recording/playback may not be performed properly  
if you continue to use the card.  
2)  
Change Media (A)  
For details, refer to the operating instructions of the memory  
card.  
Error/Warning Indications  
110  
Warning indication Buzzer  
on LCD/EVF  
Tally  
lamps  
Cause and measures  
Reached Clip Number  
Limit  
Copy Completed to xx/xx  
The maximum number of clips for 1 memory card is reached,  
so copying cannot continue. (xx/xx indicates the completed  
copy operations.)  
Replace the card.  
Not Enough Capacity  
Copy Completed to xx/xx  
There is not enough capacity for copying. (xx/xx indicates the  
completed copy operations.)  
Replace the card.  
Reached Duplication  
Limit  
Copy Completed to xx/xx  
There are already 10 or more clips with the same name as the  
clip that you want to copy, so copying cannot continue. (xx/xx  
indicates the completed copy operations.)  
Replace the card.  
Copy Error!  
(CANCEL:Abort)  
No Media!  
There is no memory card inserted in the slot.  
Insert a card.  
Copy Error!  
The memory card is write-protected.  
Remove the card from the slot and remove the write-  
protection.  
(CANCEL:Abort)  
Media Write Protected  
Copy Error!  
A memory card that cannot be used with the camcorder is  
inserted.  
(CANCEL:Abort)  
2)  
Replace the card in the respective slot.  
Cannot Use Media(A)  
Copy General Files  
NG: Cannot Copy  
Copying of a general file failed.  
Retry copying.  
File System Mismatch  
A memory card with an different file system is inserted.  
Replace the card, format it with the camcorder, or switch to  
UDF FAT mode.  
1)B for a HDD connected to slot B  
2)(B) for the card in slot B  
Error/Warning Indications  
111  
Licenses  
MPEG-2 Video Patent Portfolio  
License  
ANY USE OF THIS PRODUCT OTHER THAN  
CONSUMER PERSONAL USE IN ANY  
MANNER THAT COMPLIES WITH THE  
MPEG-2 STANDARD FOR ENCODING  
VIDEO INFORMATION FOR PACKAGED  
MEDIA IS EXPRESSLY PROHIBITED  
WITHOUT A LICENSE UNDER  
APPLICABLE PATENTS IN THE MPEG-2  
PATENT PORTFOLIO, WHICH LICENSE IS  
AVAILABLE FROM MPEG LA, L.L.C., 250  
STEELE STREET, SUITE 300, DENVER,  
COLORADO 80206.  
“PACKAGED MEDIA” means any storage  
media storing MPEG-2 video information such as  
DVD movie which are sold/distributed to general  
consumers. Disc replicators or sellers of the  
PACKAGED MEDIA need to obtain licenses for  
their own business from MPEG LA. Please  
contact MPEG LA for any further information.  
MPEG LA. L.L.C., 250 STEELE STREET,  
SUITE 300, DENVER, COLORADO 80206  
http://www.mpegla.com  
Bitmap Fonts  
This product uses RICOH Bitmap Fonts  
produced and sold by Ricoh Company, Ltd.  
On accessing software to which  
the GPL applies  
This product uses software to which the GPL  
version 2 applies. This informs you that you have  
a right to have access to, modify, and redistribute  
source code for these software programs under  
the conditions of the GPL version 2.  
The source code is provided on the internet. Use  
the following URL and follow the download  
instructions.  
http://www.sony.net/Products/Linux/common/  
search.html  
We would prefer that you do not contact us about  
the contents of the source code.  
Licenses  
112  
       
About OpenSSL  
Because it uses the OpenSSL Toolkit, this product uses software developed by the OpenSSL Project  
(http://www.openssl.org/).  
OpenSSL License  
---------------  
/* ====================================================================  
* Copyright (c) 1998-2008 The OpenSSL Project. All rights reserved.  
*
* Redistribution and use in source and binary forms, with or without  
* modification, are permitted provided that the following conditions  
* are met:  
*
* 1. Redistributions of source code must retain the above copyright  
*
*
notice, this list of conditions and the following disclaimer.  
* 2. Redistributions in binary form must reproduce the above copyright  
*
*
*
*
notice, this list of conditions and the following disclaimer in  
the documentation and/or other materials provided with the  
distribution.  
* 3. All advertising materials mentioning features or use of this  
*
*
*
*
software must display the following acknowledgment:  
"This product includes software developed by the OpenSSL Project  
for use in the OpenSSL Toolkit. (http://www.openssl.org/)"  
* 4. The names "OpenSSL Toolkit" and "OpenSSL Project" must not be used to  
*
*
*
*
endorse or promote products derived from this software without  
prior written permission. For written permission, please contact  
* 5. Products derived from this software may not be called "OpenSSL"  
*
*
*
nor may "OpenSSL" appear in their names without prior written  
permission of the OpenSSL Project.  
* 6. Redistributions of any form whatsoever must retain the following  
*
*
*
*
acknowledgment:  
"This product includes software developed by the OpenSSL Project  
for use in the OpenSSL Toolkit (http://www.openssl.org/)"  
* THIS SOFTWARE IS PROVIDED BY THE OpenSSL PROJECT ``AS IS'' AND ANY  
* EXPRESSED OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE  
* IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR  
* PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE OpenSSL PROJECT OR  
* ITS CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL,  
* SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT  
About OpenSSL  
113  
 
* NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES;  
* LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION)  
* HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT,  
* STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE)  
* ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED  
* OF THE POSSIBILITY OF SUCH DAMAGE.  
* ====================================================================  
*
* This product includes cryptographic software written by Eric Young  
* ([email protected]). This product includes software written by Tim  
* Hudson ([email protected]).  
*
*/  
Original SSLeay License  
-----------------------  
/* Copyright (C) 1995-1998 Eric Young ([email protected])  
* All rights reserved.  
*
* This package is an SSL implementation written  
* by Eric Young ([email protected]).  
* The implementation was written so as to conform with Netscapes SSL.  
*
* This library is free for commercial and non-commercial use as long as  
* the following conditions are aheared to. The following conditions  
* apply to all code found in this distribution, be it the RC4, RSA,  
* lhash, DES, etc., code; not just the SSL code. The SSL documentation  
* included with this distribution is covered by the same copyright terms  
* except that the holder is Tim Hudson ([email protected]).  
*
* Copyright remains Eric Young's, and as such any Copyright notices in  
* the code are not to be removed.  
* If this package is used in a product, Eric Young should be given attribution  
* as the author of the parts of the library used.  
* This can be in the form of a textual message at program startup or  
* in documentation (online or textual) provided with the package.  
*
* Redistribution and use in source and binary forms, with or without  
* modification, are permitted provided that the following conditions  
* are met:  
* 1. Redistributions of source code must retain the copyright  
*
notice, this list of conditions and the following disclaimer.  
* 2. Redistributions in binary form must reproduce the above copyright  
*
*
notice, this list of conditions and the following disclaimer in the  
documentation and/or other materials provided with the distribution.  
* 3. All advertising materials mentioning features or use of this software  
*
*
*
*
*
must display the following acknowledgement:  
"This product includes cryptographic software written by  
Eric Young ([email protected])"  
The word 'cryptographic' can be left out if the rouines from the library  
being used are not cryptographic related :-).  
About OpenSSL  
114  
* 4. If you include any Windows specific code (or a derivative thereof) from  
*
*
*
the apps directory (application code) you must include an acknowledgement:  
"This product includes software written by Tim Hudson ([email protected])"  
* THIS SOFTWARE IS PROVIDED BY ERIC YOUNG ``AS IS'' AND  
* ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE  
*
*
*
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE  
ARE DISCLAIMED. IN NO EVENT SHALL THE AUTHOR OR CONTRIBUTORS BE LIABLE  
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL  
* DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS  
* OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION)  
*
HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT  
* LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY  
OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF  
*
* SUCH DAMAGE.  
*
* The licence and distribution terms for any publically available version or  
* derivative of this code cannot be changed. i.e. this code cannot simply be  
* copied and put under another distribution licence  
* [including the GNU Public Licence.]  
*/  
About OpenSSL  
115  
Storage temperature  
–20°C ~ +60°C  
Specifications  
Continuous operation time  
(While recording with LCD Off, EVF  
General  
On and I/O Select Off)  
With battery pack BP-U90: approx. 6  
Mass  
hours  
Camcorder only: approx. 1.5 kg  
With battery pack BP-U60: approx. 4  
(3 lb 4.9 oz)  
hours  
With lens hood (1), eyecup (1), battery  
pack BP-U30 (1), SxS memory card  
(1): approx. 1.8 kg (3 lb 15 oz)  
With battery pack BP-U30: approx. 2  
hours  
Recording format (video)  
Dimensions  
UDF  
Approx. W167 mm × H164 mm ×  
HD422 mode: MPEG-2 422P@HL,  
D335 mm  
50Mbps / CBR  
5
1
1
(6 / × 6 / × 13 / inches)  
8
2
4
HD420 mode: MPEG-2 MP@HL,  
35Mbps / VBR  
(Outermost dimensions. Depth is the  
length from the tip of a front  
microphone to an EVF eyecup.)  
Approx. W167 mm × H164 mm ×  
D278 mm  
DVCAM mode: DVCAM  
FAT  
HQ 1920 mode: MPEG-2 MP@HL,  
5
1
1
(6 / × 6 / × 11 / inches) (Not  
35Mbps / VBR  
8
2
8
including extruding parts. Depth is the  
length from the tip of a front  
HQ 1440 mode: MPEG-2 MP@HL,  
35Mbps / VBR  
microphone to the back of the unit.)  
HQ 1280 mode: MPEG-2 MP@HL,  
35Mbps / VBR  
Power requirements  
DC 12 V (11.0 V ~ 17.0 V)  
SP 1440 mode: MPEG-2 MP@H-14,  
25 Mbps / CBR  
DVCAM mode: DVCAM  
Power consumption  
Approx. 12 W (while recording with  
LCD Off, EVF On and I/O Select Off)  
Approx. 14 W (while recording with  
LCD On, EVF On and I/O Select HD  
SDI & HD HDMI)  
Recording format (audio)  
UDF  
HD422 mode: LPCM (24-bit, 48 kHz, 4  
channels)  
Other modes: LPCM (16-bit, 48 kHz, 4  
channels)  
Inrush current  
(1) Maximum possible inrush current at  
initial switch-on (Voltage changes  
caused by manual switching): 50 A  
peak, 9.5 A r.m.s. (240V AC)  
FAT  
HD Mode: LPCM (16-bit, 48 kHz, 4  
channels)  
SD Mode: LPCM (16-bit, 48 kHz, 2  
channels)  
(2) Inrush current after a mains  
interruption of five seconds (Voltage  
changes caused at zero-crossing): 3 A  
peak, 0.7 A r.m.s. (240V AC)  
Recording frame rate  
UDF  
HD422 mode: MPEG-2 422P@HL,  
Operating temperature  
0°C ~ +40°C  
50Mbps / CBR  
Specifications  
116  
   
1920 × 1080/59.94i, 50i, 29.97p, 25p,  
23.98p  
When using SBP-16 (16GB): Approx.  
45 minutes  
1280 × 720/59.94p, 50p, 29.97p, 25p,  
23.98p  
DVCAM mode  
When using SBP-64 / SBS-64G1A  
(64GB): Approx. 220 minutes  
When using SBP-32 / SBS-32G1A  
(32GB): Approx. 110 minutes  
When using SBP-16 (16GB): Approx.  
55 minutes  
HD420 mode: MPEG-2 MP@HL,  
35Mbps / VBR  
1440 × 1080/59.94i, 50i, 29.97p, 25p,  
23.98p  
1280 × 720/59.94p, 50p, 23.98p  
DVCAM mode  
FAT  
720 × 486/59.94i, 29.97PsF  
720 × 576/50i, 25PsF  
HQ 1920/HQ 1440/HQ 1280 mode  
When using SBP-64 / SBS-64G1A  
(64GB): Approx. 200 minutes  
When using SBP-32 / SBS-32G1A  
(32GB): Approx. 100 minutes  
When using SBP-16 (16GB): Approx.  
50 minutes  
FAT  
HQ 1920 mode: MPEG-2 MP@HL,  
35Mbps / VBR  
1920 × 1080/59.94i, 50i, 29.97p, 25p,  
23.98p  
HQ 1440 mode: MPEG-2 MP@HL,  
35Mbps / VBR  
SP 1440 mode  
When using SBP-64 / SBS-64G1A  
(64GB): Approx. 280 minutes  
When using SBP-32 / SBS-32G1A  
(32GB): Approx. 140 minutes  
When using SBP-16 (16GB): Approx.  
70 minutes  
1440 × 1080/59.94i, 50i, 29.97p, 25p,  
23.98p  
HQ 1280 mode: MPEG-2 MP@HL,  
35Mbps / VBR  
1280 × 720/59.94p, 50p, 29.97p, 25p,  
23.98p  
DVCAM mode  
SP 1440 mode: MPEG-2 MP@H-14,  
25Mbps / CBR  
When using SBP-64 / SBS-64G1A  
(64GB): Approx. 260 minutes  
When using SBP-32 / SBS-32G1A  
(32GB): Approx. 130 minutes  
When using SBP-16 (16GB): Approx.  
65 minutes  
1440 × 1080/59.94i, 50i, 23.98p (2-3  
pull down)  
DVCAM mode  
720 × 480/59.94i, 29.97PsF  
720 × 576/50i, 25PsF  
Note  
These approximate playback times depend on operating  
conditions, available memory, etc.  
Recording/playback time  
UDF  
HD422 mode  
When using SBP-64 / SBS-64G1A  
(64GB): Approx. 120 minutes  
When using SBP-32 / SBS-32G1A  
(32GB): Approx. 60 minutes  
When using SBP-16 (16GB): Approx  
30 minutes  
Lens  
Lens mount  
Fixed type  
Zoom ratio  
HD420 mode  
10×, power/manual switchable  
When using SBP-64 / SBS-64G1A  
(64GB): Approx. 180 minutes  
When using SBP-32 / SBS-32G1A  
(32GB): Approx. 90 minutes  
Focal length  
5.4 mm ~ 54 mm  
(equivalent to 40 mm ~ 400 mm on a  
35 mm lens)  
Specifications  
117  
 
Focus area  
Auto/manual switchable  
Inputs/Outputs  
10 mm to (wide end)  
800 mm to (tele end)  
Audio input  
XLR type 3-pin (2), female, LINE/MIC/  
MIC+48V switchable  
LINE: +4 dBu  
Iris  
Auto/manual switchable  
F1.8 to F2.9  
MIC: -70 dBu to -30 dBu  
(Reference input level 0 dBu=0.775  
Vrms)  
Picture stabilizing function  
ON/OFF possible, shift-lens system  
Video output  
Filter thread  
M 37mm, pitch 0.75 mm  
BNC type (1), switchable with  
GENLOCK IN connector, HD-Y/  
composite signal  
1.0 Vp-p, 75 Ω  
Camera Block  
AV multi-output  
AV multi-connector (1), audio output,  
Pickup device  
composite signal  
1/2.9-inch single-chip “Exmor” CMOS  
Audio: -10 dBu (Under 47 kΩ load,  
reference level)  
image sensor  
Analog composite signal: NTSC or PAL  
Effective picture elements  
1920 (H) × 1080 (V)  
SDI output  
BNC type (1), switchable with HD-SDI/  
Minimum subject illumination  
SD-SDI  
0.40 lx (typical) (1920 × 1080/59.94i,  
SMPTE292M/259M  
F1.8, +18 dB, 64-frame accumulation)  
i.LINK  
Shutter speed  
IEEE 1394, 4-pin connector (1), HDV  
(HDV 1080i) / DV input/output, S400  
1/32 ~ 1/2000 sec.  
Slow Shutter (SLS/EX SLS)  
Timecode input  
BNC type (1), switchable with TC OUT  
2, 3, 4, 5, 6, 7, 8, 16, 32, 64 frames  
connector  
Slow & Quick Motion  
720p: 1 ~ 60 frames, 1 ~ 50 frames (for  
0.5 V to 18 Vp-p, 10 kΩ  
PAL Area, UDF)  
Timecode output  
1080p: 1 ~ 30 frames, 1 ~ 25 frames (for  
PAL Area, UDF)  
BNC type (1), switchable with TC IN  
connector  
1.0 Vp-p, 10 kΩ  
White balance  
Preset mode (3200K), Memory A mode,  
GENLOCK input  
Memory B mode/ATW mode  
BNC type (1), switchable with VIDEO  
OUT connector  
Gain  
–3, 0, 3, 6, 9, 12, 18 dB, AGC  
1.0 Vp-p, 75 Ω  
USB  
mini-B (1)  
Specifications  
118  
   
AV connecting cable (1)  
Shoulder strap (1)  
BP-U30 battery pack (1)  
Headphone output  
Stereo minijack (1)  
-18 dBu (Reference level output under  
Battery Charger/AC Adaptor: BC-U1 (1)  
Lithium battery (CR2032 for backup) (1)  
This is pre-installed to the camcorder.  
Lithium battery (CR2025 for the IR Remote  
Commander) (1)  
16Ω load)  
Speaker output  
Monaural  
Output: 250 mW  
This is pre-installed to the IR Remote  
Commander.  
DC input  
DC jack  
CD-ROM  
Utility Software (1)  
HDMI output  
Type A (1)  
Operating instructions in PDF (1)  
Operating Instructions (1)  
About the supplied CD-ROMs  
Displays  
Utility Software  
The supplied CD-ROM contains application and  
device driver software required to access to SxS  
memory cards from a computer and to manage  
material shot with the camcorder. Information  
about how to install the software is provided in  
PDF format.  
Viewfinder  
0.24-inch color LCD: 392 (H) × 224 (V),  
16:9  
LCD monitor  
3.5-inch color LCD monitor: 852 (H) ×  
Notes  
3 (RGB) × 480 (V), 16:9  
• You must install the SxS device driver and the UDF  
driver software on your computer if your computer is  
equipped with an ExpressCard slot and you want to use  
it to access SxS memory cards, or if you want to  
connect the camcorder to your computer.  
• If you have lost or damaged the CD-ROM, you can  
purchase a new one to replace it. Contact your Sony  
service representative.  
Internal Microphone  
Internal microphone  
Omnidirectional stereo electret  
condenser microphone  
Operating instructions in PDF  
The operating instructions for this camcorder are  
included on the CD-ROM.  
Memo  
Media Slot Block  
To read PDF files, Adobe Reader 6.0 or higher  
must be installed.  
If Adobe Reader is not installed or your version of  
Adobe Reader cannot view the files properly, you  
can download the newest version of the software  
from the following URL:  
Type  
ExpressCard/34 (2)  
http://www.adobe.com/  
Package Configuration  
Adobe and Adobe Reader are trademarks of  
Adobe Systems Incorporated in the United States  
and/or other countries.  
Lens hood (1)  
Lens cap (1)  
This is pre-installed to the camcorder.  
Infrared Remote Commander (1)  
EVF large eyecup (1)  
USB cable (1)  
Specifications  
119  
       
Notes  
Optional Accessories  
• Always make a test recording, and verify that  
it was recorded successfully.  
SONY WILL NOT BE LIABLE FOR  
DAMAGES OF ANY KIND INCLUDING,  
BUT NOT LIMITED TO,  
Battery pack  
BP-U30, BP-U60, BP-U90  
Battery charger/AC adaptor  
BC-U1, BC-U2  
SxS memory card  
COMPENSATIONOR REIMBURSEMENT  
ON ACCOUNT OF FAILURE OF THIS  
UNIT OR ITS RECORDING MEDIA,  
EXTERNAL STORAGE SYSTEMS OR  
ANY OTHER MEDIA OR STORAGE  
SYSTEMS TO RECORD CONTENT OF  
ANY TYPE.  
• Always verify that the unit is operating  
properly before use. SONY WILL NOT BE  
LIABLE FOR DAMAGES OF ANY KIND  
INCLUDING, BUT NOT LIMITED TO,  
COMPENSATIONOR REIMBURSEMENT  
ON ACCOUNT OF THE LOSS OF  
PRESENT OR PROSPECTIVE PROFITS  
DUE TO FAILURE OF THIS UNIT,  
EITHER DURING THE WARRANTY  
PERIOD OR AFTER EXPIRATION OF  
THE WARRANTY, OR FOR ANY OTHER  
REASON WHATSOEVER.  
SxS PRO Series  
SxS-1 Series  
SxS memory card USB reader/writer  
SBAC-US10  
Media Adaptor  
QDA-EX1 (for XQD memory cards)  
MEAD-MS01 (for “Memory Stick PRO-HG  
Duo” HX series)  
MEAD-SD01 (for SDHC cards)  
Electret condenser microphone  
ECM-673, ECM-MS2  
Wireless microphone  
UWP-V1*, UWP-V2*  
Wide-conversion lens  
VCL-HG0737K  
Hard disk unit  
PHU-220R*  
Memory recording unit  
HVR-MRC1K*  
* To attach accessories to the rear accessory shoe,  
use the optional cold shoe kit (part no.: X-2546-  
633-1).  
Design and specifications are subject to change  
without notice.  
Specifications  
120  
 
C
Camera Data 82  
CAMERA SET Menu 70  
CAMERA Status Screen 64  
Charge Count 66  
Clip Cont. Rec 40, 72  
Clip Name Disp 88  
Clip name 29  
Index  
Numerics  
23.98P Output 77  
A
A/V OUT connector 90  
AC Adaptor 18  
Clip Operation menu 56  
AC Power 19  
Clock 19  
ACCESS lamps 22  
AGC mode 32  
Clock Set 82  
CMOS Image Sensors 97  
All Reset 82  
Color Bars 71  
All-Clip thumbnail screen 54  
Aperture 47  
Color Detection 48  
Copy 47  
Area Detection 48  
assignable buttons 38, 83  
ATW 30  
Copy All 87  
Country 85  
Cueing up 56  
ATW Speed 73  
Audio Input 74  
D
AUDIO LEVEL knobs 36  
audio monitoring 36  
Audio Output 75  
audio recording levels 36  
AUDIO SELECT switches 36  
AUDIO SET Menu 74  
AUDIO Status 65  
Auto Naming 29  
DC IN connector 19  
DC IN Power 19  
delete shot marks 62  
Deleting Clips 49  
Depth-of-Field indication 17  
Detail 45  
Direct Menu 17, 84  
DISP CLIP INFO 58  
DISPLAY button 16  
Display On/Off 78  
Down Converter 77  
DURATION/TC/U-BIT button 35  
Auto Shutter 32  
Auto White Balance 31  
Auto-Tracing White balance 30  
B
backlight 20  
E
backup battery 106  
Battery Alarm 84  
Battery Charger 18  
Battery INFO 84  
Battery Pack 18  
Battery/Media Status Screen 66  
Black 47  
Black Gamma 47  
built-in speaker 56  
built-in stereo microphones 35  
Button/Remote Status Screen 65  
Electronic Shutter 32  
Electronic Viewfinder 20  
Entering a character string 69  
Error Indications 109  
EX SLS 32  
EXPAND (COARSE) 61  
EXPAND (FINE) 61  
EXPAND CLIP Screen 57, 60  
Exposure 32, 74  
ExpressCard slot 90  
External Hard Disk 24  
Index  
121  
 
External Input Signals 93  
External Monitors 89  
External Synchronization 94  
eyepiece focusing knob 20  
L
Language 82  
LCD/VF SET Menu 77  
Lens hood 11  
Limitations of Inputs/Outputs 104  
Low Key SAT 47  
F
Flicker Reduce 34, 71  
Flickers 34  
Focus 33  
M
Format 27, 85  
Format Media 87  
Frame Recording 39, 72  
FULL AUTO button 28  
Full Auto mode 28  
Marker 31, 78  
Matrix 44  
MEAD-MS01 27  
MEAD-SD01 27  
Media Adaptor 26  
Media Full 23  
Media Near Full 23  
Memory A mode 30  
Memory B mode 30  
Memory Stick 27  
MENU button 68  
Menu Scroll 88  
MF Assist 70  
G
Gain 31  
Gain Setup 70  
Gamma 47  
Genlock 84  
GENLOCK IN connector 94  
H
microphone holder 35  
Monitoring audio 36  
Multi Matrix 44  
handle ZOOM button 33  
HD Detail 45  
HD/SD 85  
HDMI OUT connector 89  
headphone connector 36  
Histogram indication 17  
Hours Meter 84  
N
NG Flag 37  
NightShot 34, 74  
Nonlinear Editing 93  
I
O
i.LINK 16, 92  
OK Flag 37  
i.LINK connector 89  
Image Alignment 42  
Input Source Select 76  
Interval Recording 38, 72  
IR Remote 15, 21, 84  
OK Mark 37  
OK-Clip thumbnail screen 54  
OTHERS Menu 82  
Output Signal 98  
P
J
P.Cache Rec 72  
PAUSE 61, 62  
Peaking 77  
Jog dial 68  
K
PHU-220R 24  
Picture Cache Recording 40  
Picture Profiles 42  
Plan.Metadata 50, 87  
Planning metadata 50  
Knee 47  
KP Flag 37  
Index  
122  
PLAY/PAUSE button 55  
Power Zoom 33  
PP Data 48  
TC Format 81  
TC IN connector 95  
TC Out 95  
Preset mode 30  
Preventing switching errors 29  
Profile Name 44  
TC OUT connector 95  
TC/UB SET Menu 80  
THUMBNAIL button 54  
Thumbnail Screens 53, 56  
time and date 19  
R
Time Data 35  
REC HOLD lever 29  
Rec Review 38, 72  
REC REVIEW button 29  
REC START/STOP button 29  
Recording audio signals 35  
recording start mark 40, 57  
Reference Tone 37  
Reset 48  
Time Zone 19, 82  
Timecode 35, 80, 94  
Trigger Mode 84, 92  
U
UDF/FAT 85  
USB cable 90  
Users Bit 35, 80  
UTC 19  
S
S&Q Motion 41, 72  
SBAC-US10 90  
V
SD Detail 46  
SDHC Cards 27  
Version 88  
SDI OUT connector 89  
SDI Rec Control 77, 89  
SDI/HDMI/i.LINK I/O Select 76  
SEL/SET buttons 68  
SEL/SET dial 68  
Version Up 88  
Video Formats 30  
VIDEO OUT connector 89  
VIDEO SET Menu 76  
Video Status Screen 65  
Viewfinder 20  
Setting Data 49  
setup file 49  
VOLUME buttons 36, 56  
Setup Menus 67, 70  
Shockless White 73  
SHOT MARK 37, 57  
SHOT MARK Screen 57, 61  
shot marks 37, 56, 62  
Shutter 70  
Skin Tone Detail 46  
SLOT SELECT button 54  
Slow & Quick Motion 41  
SLS/EX SLS 70  
Status Screens 64  
Steady Shot 34  
SxS Device Driver Software 90  
SxS Memory Cards 22  
System 85  
W
Warning Indications 109  
White 45  
WHITE BAL button 31  
WHITE BAL switch 30  
White Balance 30  
White Switch 73  
Wide Conversion 34, 73  
wide-conversion lens 34  
X
XQD Memory Cards 26  
Z
Zebra 31, 78  
zebra pattern 31  
Zoom 33  
T
Tally 83  
Index  
123  
Zoom Speed 33, 71  
Zoom Transition 72  
Index  
124  

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