COLOR VIDEO CAMERA
INSTRUCTIONS
KY-F560
KY-F560
A
ER
M
CA
EO
VID
R
LO
CO
*Illustration with optional lens attachment.
This instruction manual is made from 100%
recycled paper.
For Customer Use:
Enter below the Serial No. which is
located on the bottom of cabinet. Retain
this information for future reference.
Thank you for purchasing this JVC product.
Before operating this unit, please read the
instructions carefully to ensure the best
possible performance.
Model No.
Serial No.
KY-F560U
LWT0163-001A
SAFETY PRECAUTIONS
CAUTION
ATTENTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
RISQUE D’ELECTROCUTION
NE PAS OUVRIR
ATTENTION: POUR EVITER TOUT RISQUE D’ELECTROCUTION
NE PAS OUVRIR LE BOITER.
AUCUNE PIECE INTERIEURE N’EST
A REGLER PAR L’UTILISATEUR.
SE REFERER A UN AGENT QUALIFIE EN CAS DE PROBLEME.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL
Le symbole de l’éclair à l’intérieur d’un triangle équila-
téral est destiné à alerter l’utilisateur sur la présence
d’une “tension dangereuse” non isolée dans le boîtier
duproduit. Cettetensionestsuffisantepourprovoquer
l’électrocution de personnes.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presenceofuninsulated“dangerousvoltage”withinthe
product’senclosurethatmaybeofsufficientmagnitude
to constitute a risk of electric shock to persons.
Le point d’exclamation à l’intérieur d’un triangle équi-
latéral est destiné à alerter l’utilisateur sur la présence
d’opérations d’entretien importantes au sujet desquel-
les des renseignements se trouvent dans le manuel
d’instructions.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in
the literature accompanying the appliance.
*Ces symboles ne sont utilisés qu’aux Etats-Unis.
WARNING:
AVERTISSEMENT:
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE THIS
APPLIANCE TO RAIN OR MOISTURE.
POUR EVITER LES RISQUES D’INCENDIE
OU D’ELECTROCUTION, NE PAS EXPO-
SER L’APPAREIL A L’HUMIDITE OU A LA
PLUIE.
This unit should be used with 12 V DC only.
CAUTION:
Cet appareil ne doit être utilisé sur 12 V en
courant continu.
To prevent electric shocks and fire hazards, DO
NOT use any other power source.
ATTENTION:
Afin d’éviter tout resque d’incendie ou
d’électrocution, ne pas utiliser d’autres sources
d’alimentation électrique.
NOTE:
The rating plate (serial number plate) is on the bottom of the unit.
INFORMATION
REMARQUE:
La plaque d’identification (numéro de série) se
trouve sur la partie inférieure de l’appareil.
This equipment has been tested and found to comply with
the limits for a Class B digital device, pursuant to Part 15
of the FCC Rules. These limits are designed to provide
reasonable protection against harmful interference in a
residential installation. This equipment generates, uses,
and can radiate radio frequency energy and, if not installed
and used in accordance with the instructions, may cause
harmful interference to radio communications. However,
there is no guarantee that interference will not occur in a
particular installation.
If this equipment does cause harmful interference to radio
or television reception, which can be determined by turning
the equipment off and on, the user is encouraged to try to
correct the interference by one or more of the following
measures:
●
●
●
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit
different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV
●
technician for help.
CAUTION
INFORMATION (F0R CANADA)
RENSEIGNEMENT (POUR CANADA)
CHANGES OR MODIFICATIONS NOT APPROVED BY
JVC COULD VOID USER’S AUTHORITY TO OPERATE
THE EQUIPMENT.
This Class B digital apparatus complies with
Canadian ICES-003.
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC
RULES. OPERATION IS SUBJECT TO THE FOLLOW-
ING TWO CONDITIONS: (1) THIS DEVICE MAY NOT
CAUSE HARMFUL INTERFERENCE, AND (2) THIS
DEVICE MUST ACCEPT ANY INTERFERENCE
RECEIVED, INCLUDING INTERFERENCE THAT MAY
CAUSE UNDESIRED OPERATION.
Cet appareil numérique de la Class B est
conforme à la norme NMB-003 du Canada.
3
Thank you for purchasing this product.
These instructions are for KY-F560U.
Contents
1. Getting Started
Features ............................................................................................................................................... 6
Points to Note During Use .................................................................................................................... 7
Part Names and Functions ................................................................................................................... 8
Description of Terminals ..................................................................................................................... 11
2. Preparation Before Shooting
Basic System ...................................................................................................................................... 12
Applied System ................................................................................................................................... 13
Mounting the Lens .............................................................................................................................. 14
Connecting the Power Supply ............................................................................................................ 15
Mounting the Camera ......................................................................................................................... 16
Precautions to Prevent Camera From Falling .................................................................................... 17
3. Setting and Adjustment During Shooting
External Monitor Adjustment .............................................................................................................. 18
Back Focus Adjustment ...................................................................................................................... 19
White Balance Adjustment ................................................................................................................. 20
White Shading Adjustment ................................................................................................................. 22
4. Various Modes of Shooting
Shooting the Computer Monitor .......................................................................................................... 24
Output of Negative Image ................................................................................................................... 25
White Spot Correction ........................................................................................................................ 26
4
5. Setting Via the Menu Screen
Flow of Menu Screens ........................................................................................................................ 28
Setting Procedures ............................................................................................................................. 30
“EXPOSURE” Screen ......................................................................................................................... 31
“ADVANCED EXPOSURE” Screen .................................................................................................... 33
“WHITE BALANCE” Screen................................................................................................................ 34
“PROCESS (1/2)” Screen ................................................................................................................... 36
“PROCESS (2/2)” Screen ................................................................................................................... 38
“MATRIX ADJUST” Screen ................................................................................................................ 40
“SYSTEM” Screen .............................................................................................................................. 41
“FILE MANAGE” Screen ..................................................................................................................... 42
6. Others
Connecting the Remote Control Unit .................................................................................................. 44
Connecting Optional Devices ............................................................................................................. 46
Specifications ..................................................................................................................................... 46
Notations and Symbols Used in This Manual
Caution
Note
☞
Precautions during operation are stated.
Restrictions of functions and specifications are stated for reference purposes.
Indicates the page and item to refer to.
All product names in this manual are trademarks or registered trademarks of their respective companies.
Marks such as ™, ® and © are not used in this manual.
5
1.Getting Started
Features
● Supersensitive and high-performance camera that realizes a horizontal resolution of 850 lines and F13/
2000 lx via three and a half inch CCD and 12-bit DSP processing.
Enables camera control and hence offers a wide range of uses via use of cameras for high resolution
monitoring, relay, data transmission, weddings and conventions with a swivel base.
● Miniature Camera that Employs Bayonet Mount
Employment of bayonet mount and 1/2-inch color separation optics, and compact design through high-
density mounting of the newly developed IC.
● Automatic Switching between Internal Sync/External Sync
Employs automatic switching between internal/external sync, which is useful for switching between mul-
tiple cameras or system upgrade via connection with other devices.
● SMPTE-compliant Built-in Color Bars Generator
Color monitor can be adjusted with ease with the use of SMPTE color bars.
● Variable Scan Shutter
Eliminates flicker when shooting screen pictures other than NTSC, such as computer screens.
● Equipped with White Shading Function
Corrects color shading triggered by optical characteristics.
● Black Stretch/Black Compress Feature
Stretches or compresses the gain of the dark section in an image to adjust the tone of that section.
● Negative
Used for special purposes such as shooting using films.
● AE (Automatic Exposure)
5 selectable modes in the AE area that are useful when there is a difference in brightness between the
object and its surroundings.
In addition, exposure settings can also be performed according to shooting conditions via selection of AE
level adjustment or photometry detection.
● Built-in White Spot Correction Feature
● Equipped with Remote Terminal
Supports remote control via the remote control unit (sold separately).
● Equipped with Expansion Slot
System upgrade via connection of optional devices (sold separately) is possible.
6
Points to Note During Use
•
•
For important shootings, perform trials in advance to ensure that they are properly recorded.
We will not compensate for contents lost due to the malfunction of this unit.
Ⅵ Characteristic CCD Phenomena
•
Smear and Blooming
When shooting a bright light source, the CCD may induce white streaks (smear) in the vertical direc-
tion of the light source. When the light source is extremely bright, light of the surroundings may
expand (blooming).
•
•
Aliasing
Note that a jagged effect may occur when shooting striped patterns or lines.
White spot
Operating this unit under a high temperature may give rise to white spots in the image. Ensure to use
this unit within the specified range (–5˚C to 40˚C).
This unit comes with the white spot correction feature that helps to reduce this phenomenon.
☞ Page 26
Ⅵ Precautions During Handling
•
•
•
Strong Electromagnetic Waves or Magnetism
When placed near radios or TV transmitters, or transformers and monitors that emit strong magne-
tism, noise or color change may occur in the image. Ensure that this unit is kept away from the above
during use.
Compatible Lens ☞ Page 14 ‘Mounting the Lens’
Lens mount of this unit makes use of bayonet mount and there are restrictions on the type of lens to
be used.
Pay attention to their performance and dimensions when lenses other than those specified are used.
Cleaning the Body of this Unit (Turn off the power before cleaning.)
Wipe using a soft cloth.
Do not wipe with thinner or benzene. These may corrode or tarnish the surface.
When it is extremely dirty, wipe using a neutral detergent diluted with water, follow by wiping with a
dry cloth.
•
•
When not in use, turn off the power of the system to reduce power consumption.
Do not mount unit at locations that emit radiation, X-rays or corrosive gases.
7
1. Getting Started (continued)
Part Names and Functions
Front / Bottom
4
1
COLO
R VIDEO CAM
ERA
KY-F
2
3
1 Lens Mounting Ring/Lens Lock
3 Fastening Screws for Camera
Lever
Mounting Bracket
When dismounting the lens, do so by holding
the lens and turning the lens lock lever in the
anti-clockwise direction.
When mounting the lens, check that the guide
pins of the lens are aligned, followed by turning
the lens lock lever in the clockwise direction to
fasten.
(M2.6 x 6 mm, 3 pcs)
Caution
Make sure to use screws that are supplied with
this unit.
Use of screws that are 6 mm or longer in length
may give rise to malfunction of the unit.
☞ Page 14 ‘Mounting the Lens’
4 Camera Mounting Screw Holes
2 Camera Mounting Bracket
(1/4-20UNC)
This is attached to the bottom face of the cam-
era when supplied. Mount it to the top surface
according to the conditions of use. Mount the
fastening screws for the camera mounting
bracket 3 to the screw holes on the top surface.
☞ Page 16 ‘Mounting the Camera’
Use when mounting this unit
to fixer or swivel bases.
(Use screws that are 7 mm
or shorter in length.)
7mm
and
below
8
Part Names and Functions (continued)
Back
5
7
8
6
AW BARS
MENU
SET
REMOTE
LENS
VIDEO OUT
GENLOCK IN
DC IN
POWER
SEE INSTRUCTION MANUAL
5 [MENU] Menu Button
7 [AW/ ] Auto White/Down Button
Press this button for 1-2 seconds. Menu screen
will be output from the [VIDEO OUT] terminal.
Press the button for 1-2 seconds again to clear
the menu screen.
8 [BARS/ ] Color Bars/Up Button
Ⅵ When menu screen is displayed
Press these buttons to move between se-
lection items on the menu screen.
Use the [ ] button to move upwards.
Use the [ ] button to move downwards.
Used for altering the set values when an item
is being selected.
☞ Page 30 ‘Setting Procedures’
6 [SET] Set Button
When the menu screen is displayed, use it to
select a submenu or to confirm a selected item
or set value.
Ⅵ When the menu screen is off
● Press the [AW] button to adjust the white
balance.
☞ Page 30 ‘Setting Procedures’
☞ Page 20 ‘White Balance Adjustment’
● Press the [BARS] button to switch be-
tween the color bars output and camera
image output.
● Use this button when adjusting the moni-
tor or when recording color bars signal.
☞ Page 18 ‘External Monitor Adjustment’
9
1. Getting Started (continued)
Part Names and Functions (continued)
9
Back
AW BARS
MENU
SET
REMOTE
LENS
10
VIDEO OUT
GENLOCK IN
15
11
12
DC IN
POWER
SEE INSTRUCTION MANUAL
14
13
9 [REMOTE] Remote Terminal
# [DC IN] Power Input Terminal
(Mini DIN 6 Pin, Female)
(Mini DIN 8 Pin, Female)
Terminal for connection to remote control unit
(RM-LP55 or RM-LP57, both sold separately).
☞ Page 11 ‘Description of Terminals’
☞ Page 44 ‘Connecting the Remote Control
Unit’
Power of this unit (DC 12 V) is supplied through
this terminal.
Use an AC adaptor (AA-P700) for the power
supply.
☞ Page 11 ‘Description of Terminals’
☞ Page 15 ‘Connecting the Power Supply’
0 [LENS] Lens Connection Terminal
$
[GENLOCK IN] External Sync Signal
Input Terminal
Connect the lens cable.
☞ Page 11 ‘Description of Terminals’
☞ Page 14 ‘Mounting the Lens’
Reference signal input terminal for synchroni-
zation with this unit.
Inputs composite video signals or black burst
signals.
! [VIDEO OUT] Video Signal Output
Terminal
Output terminal for composite video signals.
Connect to video input terminals such as moni-
tors or switchers.
% Slot Cover for Option Cards
Remove the cover to install the option card.
☞ Page 46 ‘Connecting Optional Devices’
Please consult your JVC-authorized dealer on
optional devices.
@ [POWER] Power Indicator Light
Lights up when power is supplied to this unit.
10
Description of Terminals
Power Input Terminal (Mini DIN 8 Pin, Remote Terminal (Mini DIN 6 Pin,
Female)
Female)
7
6
5
8
6
3
4
3
5
4
2
1
2
1
Pin No.
Signal
Pin No.
Signal
1
2
3
4
5
6
7
8
NC
1
2
3
4
5
6
GND
GND
NC
OPERATE (L:ON)
GND
NC
SID2(TX)
GND
SID1(RX)
+ 12 V Input
NC
+ 9 V Output
Notes
+ 12 V Input
•
Please consult your JVC-authorized dealer on
connection of remote terminals.
Ensure to use cables that are shielded.
Lens Connection Terminal (Metal 12
Pin, Female)
•
10
9
1
8
2
7
3
6
4
11
12
5
Pin No.
Signal
1
LENS RET
NC
2
3
GND
4
LENS AUTO
5
6
IRIS CONTROL
+ 12 V Output
IRIS POSITION
IRIS A/R
7
8
9~12
NC
11
2. Preparation Before Shooting
Basic System
The diagram below illustrates connection of a basic system.
When connecting
•
•
•
Perform this when the unit is off.
Read the instruction manual of the unit before performing it.
Consult your JVC-authorized dealer on details of the equipment in use of cables with the
mark.
PC
LENS CABLE
ECE-R22
ZOOM LENS
VC-P893
S17 x 6.6BRM (FUJINON)
YH16 x 7K12U (CANON)
RS-232C PC
CAMERA CONTROL
MD
CONTROL
CABLE
REMOTE
CONTROL UNIT
RM-LP55
MD ZOOM LENS
S16 x 7.3BMD (FUJINON)
YH16 x 7BKTS (CANON)
RM-LP57
LENS REMOTE
CONTROL
(FUJINON) (CANON)
RMD-10
RMD-20
TCR-101F
MONITOR
AW BARS
MENU
SET
REMOTE
LENS
Sync Signals
(Composite Video
Signals or Black
Burst Signals)
BNC CABLE
VIDEO OUT
GENLOCK IN
DC IN
POWER
SEE INSTRUCTION MANUAL
8P
8P
AC ADAPTER AA-P700
POWER
ON
POWER CORD (2 m)
KY-F560
AC120 V
OFF
STANDARD PACKAGE
AC POWER ADAPTER
AA-P700
TRIPOD
TP-P300
PAN
AND
TILT
UNIT
DOLLY
TP-P205
12
Applied System
The diagram below illustrates connection of an applied system.
When connecting
•
•
•
Perform this when the unit is off.
Read the instruction manual of the unit before performing it.
Consult your JVC-authorized dealer on details of the equipment in use of cables with the
mark.
REMOTE
CAMERA REMOTE CONTROL UNIT
CONTROL UNIT
RM-LP55
RM-P210
REMOTE CONTROL UNIT RM-P210
TALLY
CALL
FULL AUTO
BARS
F1
F2
F3
MENU/SHUTTER
GAIN
PAINT WHITE AUTO
MASTER BLACK
IRIS
POWER
SHUTTER
GAIN
STEP
HIGH
W.BAL
B
I
SHUTTER
PUSH-ON
VARIABLE
PUSH-ON
MID
A
AUTO
MANU
F4
MENU
LOW
R
B
PRESET
O
INTERCOM
LEVEL
DOWN
UP
DOWN
UP
CLOSE
OPEN
RM-LP57
VIEWFINDER
VF-P400
HEAD SET
LENS REMOTE CONTROL
(FUJINON) (CANON)
RMD-10
RMD-20
TCR-101F
STUDIO KIT
KA-F5602
KA-F5603
COLOR VIDEO CAMERA
MD ZOOM LENS
INCOM MIC
VF
S16 x 7.3BMD (FUJINON)
YH16 x 7BKTS (CANON)
ON
CARBON
OFF
DYNAMIC
INTERCOM
COLOR VIDEO CAMERA KY-F560
INCOM LEVEL
CALL
MIN MAX
8P
8P
4P
POWER CORD (2 m)
ZOOM LENS
SDI OUTPUT
CARD
(
)
VC-710 5 m
KY-F560
STANDARD PACKAGE
S17 x 6.6BRM (FUJINON)
YH16 x 7K12U (CANON)
KA-F5601
4P
AC
BNC CABLE
ECE-R22
AC POWER ADAPTER
AA-P250
LENS CABLE
TRIPOD
TP-P300
ZOOM SERVO UNIT
HZ-ZS13B
DOLLY
TP-P205
FOCUS MANUAL UNIT
HZ-FM13 (FUJINON)
HZ-FM15 (CANON)
MONITOR
13
2. Preparation Before Shooting (continued)
Mounting the Lens
Follow the procedures below when mounting the auto iris lens.
Refer to the ‘instruction manual’ for the lens and lens remote control as well.
AW BARS
MENU
SET
Lens
Pin
REMOTE
LENS
Hole
1.
VIDEO OUT
GENLOCK IN
DC IN
POWER
2.
SEE INSTRUCTION MANUAL
3.
Lock (Male)
4.
Lens Cable
Lever for securing the lens
Compatible Lens
Remote Control
(Fujinon)
Compatible MD Zoom Lens
S16 x 7.3 BMD (Fujinon)
YH16 x 7 BKTS (Canon)
RMD-10
RMD-20
(Canon)
TCR-101F
5. Lock (Female)
Control Cable
Lens Remote
Control
1. Loosen by turning the lens lock lever in the anti-clockwise direction.
2. Mount upon ensuring that the pin and mounting hole of the lens are aligned.
3. Fasten by turning the lens lock lever in the clockwise direction.
4. Plug the lens cable into the [LENS] terminal at the back of the unit and ensure that it is locked.
5. When connecting to the lens remote control, connect the cable (female) for controlling the lens to the
remote control.
Note
When connecting the manual iris lens or lens remote control to operate the lens iris manually, set the “IRIS
MODE” item to “MANUAL”.
☞ Page 31 ‘ “IRIS MODE” Item on “EXPOSURE” Screen’
Caution
•
Perform this when the unit is off.
Connecting with the power on may give rise to malfunction of the unit.
When removing the lens mount cap, ensure that no foreign substances are inside the mount.
Lenses are not supplied with this unit. Make sure to use lenses that are compatible with this unit.
•
•
14
Connecting the Power Supply
Connect the [DC IN] terminal at the back of this unit to the [TO CAMERA] terminal of the AC adaptor (AA-
P700) using the power cable supplied (2 m).
AW BARS
MENU
SET
AA-P700 AC Adaptor
REMOTE
LENS
DC 12V=OUTPUT
VIDEO OUTPUT
AC 100V
VIDEO OUT
GENLOCK IN
S(Y/C) OUTPUT
TO CAMERA
DC IN
POWER
EITHER
OUTPUT
MAX 1.25A
SEE INST-
RUCTION
MANUAL
SEE INSTRUCTION MANUAL
[TO CAMERA] Terminal
[DC IN]
Terminal
White Marking
AC 120 V
Connect the end with
white marking to the AC
adaptor.
Power Cable (2 m)
(accessories)
● Insert plug fully, turn ring and ensure that it is fas-
DC IN
tened.
POWER
Connect the plug in the same way at the AC adaptor's
end.
Ring
Plug
Caution
Ensure to make use of AA-P700 for the power supply.
When connecting, ensure that power switch of AA-P700 is turned OFF. Connecting with the power on may
give rise to malfunction of the equipment.
Note
Allow a 10 second interval after switching off the power before turning on again. If the power switch is turned
ON and OFF too soon, malfunctioning such as startup failure may occur.
15
2. Preparation Before Shooting (continued)
Mounting the Camera
<Mounting Procedures>
Anti-rotation Hole
Screw Hole for Mounting Camera
•
•
To mount this unit, make use of the screw holes
for mounting the camera on the camera mounting
bracket.
When mounting this unit, make use of the anti-
rotation hole to prevent it from falling.
Camera Mounting Bracket
<Changing the Camera Mounting Bracket>
Camera Mounting Bracket is mounted to the bottom
surface of the camera when supplied. To mount it to
the top surface, do so by removing the 3 fastening
screws of the camera mounting bracket.
Caution
COLOR VIDEO CAMERA
KY-F56
Make sure to use screws supplied with this unit. Use
of screws that are 6 mm or longer in length may give
rise to malfunction of the unit.
16
Precautions to Prevent Camera From Falling
Safety cable to Prevent
Falling of Equipment
6 mm
KY-F560
Camera Head
COLOR VIDEO CAMERA
Caution
● Special attention is required when mounting to the wall or ceiling. Get a
contractor to perform the work and avoid doing it on your own. Unit may
fall off and cause injuries or accidents.
● Mount the unit to a secure place using safety cable to prevent it from fall-
ing. To mount, make use of the bracket fastening screw holes on the face
without the camera mounting bracket. (M2.6 x 6 mm)
Pay attention also to the length of the cable.
● Strength of cable to prevent falling of unit shall be at least 10 times greater
than the total mass of the camera and lens.
17
3. Setting and Adjustment During Shooting
External Monitor Adjustment
Display the built-in color bars signal at the camera on the monitor to perform color/contrast/brightness
adjustment.
1. Connect the color video monitor to the [VIDEO OUT] of this
2., 9. [BARS] button
unit.
2. Press the [BARS] button to output the color bars signal
(SMPTE-compliant color bars).
AW BARS
MENU
SET
3. With the color bars displayed, turn [BLUE CHECK] at the moni-
tor to ON.
REMOTE
LENS
Screen turns into a monochrome of blue and color bars ap-
pear as blue stripes.
VIDEO OUT
GENLOCK IN
1.
4. Turn the [CHROMA] adjustment knob on the monitor and ad-
just color bars 1 and 8, 7 and $ to the same brightness level.
5. With [BLUE CHECK] in the ON mode, turn the [PHASE] ad-
justment knob on the monitor to adjust color bars 3 and 0, 5
and @ to the same brightness level.
DC IN
POWER
SEE INSTRUCTION MANUAL
6. If brightness of color bars 1and 8, 7 and $ vary upon [PHASE]
adjustment, repeat chroma adjustment as in step 4..
7. Turn [BLUE CHECK] at the monitor to OFF and return to the
normal screen (R, G and B are all displayed).
8. Adjust using the [BRIGHT] adjustment knob on the monitor
such that color bars * and ( disappear and ) becomes vis-
ible.
9. Upon completing the adjustment, press the [BARS] button again
to return to the normal screen.
3.~8.
1: White
2: Yellow
3: Cyan
4: Green
5: Magenta
6: Red
7: Blue
8: Blue
9: Black
0: Magenta
!: Black
@: Cyan
#: Black
$: White
%: Black
^: White
&: Black
1
8
2
9
3
0
4
A
5
B
6
7
D
C
E
F
G
HIJ K
18
Back Focus Adjustment
When the lens is mounted for the first time, adjust back focus of the lens if the focus for telephoto/wide angle
during zoom is not aligned.
•
•
Check whether the macro ring has been moved before adjustment. If so, restore the macro fixing knob
to the original position.
Place the camera at a distance of 3 m or further away from the object.
The best will be to use the Siemens Star Chart as the object.
4., 6.
Ⅵ Zoom Lens
3.
5.
1. Set iris mode switch of lens to M (manual).
2. Set zoom mode switch to M (manual).
3. Turn to open the iris ring.
Adjust illumination to obtain the proper image level.
4. Turn the zoom lever to adjust lens to the greatest telephoto
RET
M
A
position.
W
T
5. Turn the focus ring and align focus on the object.
6. Adjust lens to the widest angle position.
7. Loosen the fastening screw for the back focus ring.
1.
8. Focus on the same object and select a position for which focus
is best aligned, followed by fastening the back focus ring.
9. Repeat steps 4. ~ 8. for about three times until focus is aligned
for both telephoto and wide angle.
10.Tighten fastening screw for back focus ring securely.
2. 7., 8.,
10.
Ⅵ Power Zoom Lens
There is no manual mode for power zoom lens. Connect the
lens remote control.
Adjustment Procedures
To adjust, follow steps 3. ~10. above.
For more details, please refer to the instruction manual for the
lens or lens remote control.
Siemens Star Chart (Object)
19
3. Setting and Adjustment During Shooting (continued)
White Balance Adjustment
Color of light (color temperature) may vary with light sources. When light source for illumination of object is
changed, adjust white balance (AUTO WHITE) again. Do not place strong reflectors such as metals near
the object. This may cause error in achieving white balance.
[
/AW]
[
White balance adjustment includes Auto White, Full-time Auto White
(FAW), manual and preset.
]
[MENU]
[SET]
Ⅵ Setting procedures for Auto White
AW BARS
MENU
SET
(“AUTO1”,“AUTO2”)
REMOTE
LENS
1. Press the [MENU] button for 1-2 seconds.
The “MENU” screen will be displayed.
VIDEO OUT
GENLOCK IN
2. Use the [
/
] buttons to select “WHITE BALANCE..”, then
Item
Set Value
press the [SET] button.
The “WHITE BALANCE” screen will be displayed.
- - -WHI TE BALANCE - - -
WH I T E BALANCE
LEVEL ( R )
AUTO1
0
3. Use the [
/
] buttons to select “WHITE BALANCE”, then press
0
LEVEL ( B )
the [SET] button.
S H AD ING
PRESET
LEVEL ( R )
LEVEL ( G )
LEVEL ( B )
PAGE BACK
- - - - - -
- - - - - -
- - - - - -
The set value displayed will start to blink.
4. Use the [
/
] buttons to select “AUTO1” or “AUTO2”, then
press the [SET] button.
5. Press the [MENU] button for 1-2 seconds.
“WHITE BALANCE” Screen
Auto White Operation Area
The normal screen will be displayed.
Note
Upon returning to the normal screen, place a white object with
the same illumination conditions as the object, zoom in to the
white portion at the center of the screen (above 80% within the
area).
AUTO WH I TE1
O PERAT I O N
6. Press the [AW](Auto White) button.
● When auto white is activated, the auto white operation area
and “AUTO WHITE1 OPERATION” are displayed on the
monitor.
Auto White Operation
Activated
● When white balance is achieved “AUTO WHITE1 OK” will
be displayed for about 3 seconds before returning to the
normal screen.
AUTO WH I TE1
O
K
Auto White Operation Ends
20
White Balance Adjustment (continued)
Error Display
When auto white adjustment is not correctly ended, the following
message will be displayed for about 3 seconds.
AUTO WH ITE
NG : OB JECT
1
● “NG:OBJECT” (Object Error)
Displayed when there is little white color in the object or when
color temperature is not appropriate.
Change to a white object and perform procedures again to
achieve white balance.
Object Error
● “ERROR:LOW LIGHT” (Insufficient Illumination)
Displayed when illumination is too dark. Brighten the illumina-
tion and perform procedures again to achieve white balance.
AUTO WH ITE
ERROR : LOW L I GH T
1
● “ERROR:OVER LIGHT” (Excessive Illumination)
Displayed when illumination is too bright. Darken the illumina-
tion and perform procedures again to achieve white balance.
Insufficient Illumination
AUTO WH ITE
1
E
ERROR : OV
R
L I GHT
Excessive Illumination
Ⅵ Full-time Auto White (FAW) Function
Automatic adjustment of white balance according to different illumination conditions.
This mode is useful when there is no time to readjust white balance or when camera is frequently moved to
locations with different illumination conditions.
● However, white balance cannot be properly achieved in cases that are beyond the adjustable range of the
full-time auto white function, such as when there is only one color or little white color in the object.
● Precision of FAW deteriorates when compared with manual white balance.
● When power is turned on in the FAW mode, it takes about 10 seconds for the FAW automatic adjustment
to end.
21
3. Setting and Adjustment During Shooting (continued)
White Shading Adjustment
There are cases when white balance is achieved for the center of the screen but not for the upper and lower
ends, hence causing other colors to appear with green or magenta. This is brought about by the lens
characteristics. The process of rectifying this is known as white shading.
[
]
Perform the following setting upon adjusting white balance.
[
]
☞ Page 20
[MENU]
[SET]
1. Press the [MENU] button for 1-2 seconds.
The “MENU” screen will be displayed.
AW BARS
MENU
SET
2. Use the [
/
] buttons to select “WHITE BALANCE..”, then
REMOTE
LENS
press the [SET] button.
The “WHITE BALANCE” screen will be displayed.
VIDEO OUT
GENLOCK IN
3. Use the [
[SET] button.
The set value starts blinking and adjustment is possible.
4. Use the [ ] buttons to set value to “MANUAL”, then press
the [SET] button.
/
] buttons to select “SHADING”, then press the
1.
- - - MENU - - -
EXPOSURE . .
WH I T E B ALANCE . .
PROCESS . .
/
SYSTEM . .
F I LE MANAGE . .
EX I T
“MENU” Screen
2.
- - -WHI TE BALANCE - - -
WH I T E BALANCE
LEVEL ( R )
MANUAL
0
0
LEVEL ( B )
S H AD ING
PRESET
LEVEL ( R )
LEVEL ( G )
LEVEL ( B )
PAGE BACK
- - - - - -
- - - - - -
- - - - - -
“WHITE BALANCE” Screen
3. 4.
- - -WHI TE BALANCE - - -
WH I T E BALANCE
LEVEL ( R )
MANUAL
0
0
LEVEL ( B )
S H AD ING
LEVEL ( R )
LEVEL ( G )
LEVEL ( B )
MANUAL
Blinking
0
0
0
PAGE BACK
22
White Shading Adjustment (continued)
5. Use the [
/
] buttons to select items for “LEVEL(R)”,
Blinking
5. 6.
“LEVEL(G)” and “LEVEL(B)”, then press the [SET] button.
The set value starts blinking and adjustment is possible.
- - -WHI TE BALANCE - - -
WH I T E BALANCE
LEVEL ( R )
LEVEL ( B )
S H AD ING
LEVEL ( R )
LEVEL ( G )
LEVEL ( B )
PAGE BACK
MANUAL
0
0
6. Refer to the monitor to adjust values for “LEVEL(R)”,
MANUAL
“LEVEL(G)” and “LEVEL(B)” using the [
/
] buttons.
0
0
0
As each of the set values get bigger, the color at the lower end
of the screen lightens while that at the upper end darkens.
{Variable Values: –128 - +127}
7. Upon changing the set values, press the [SET] button to record
them in the memory of this unit.
7.
8. Press the [MENU] button for 1-2 seconds.
The normal screen will be displayed.
- - -WHI TE BALANCE - - -
WH I T E BALANCE
LEVEL ( R )
MANUAL
0
9. Upon completing white shading adjustment, perform white bal-
ance adjustment again.
0
LEVEL ( B )
S H AD ING
MANUAL
LEVEL ( R )
10
☞ Page 20 ‘White Balance Adjustment’
LEVEL ( G )
LEVEL ( B )
0
0
PAGE BACK
23
4. Various Modes of Shooting
Shooting the Computer Monitor
When shooting images of computer monitors or displays, horizontal bands will appear on the screen. To
eliminate the bands, it will be necessary to align the shutter speed with the scanning frequency of the
monitor.
1. Press the [MENU] button for 1-2 seconds.
The “MENU” screen will be displayed.
2. Use the [
/
] buttons to select “EXPOSURE..”, then press
the [SET] button.
3. Use the [
/
] buttons to select “SHUTTER”, then press the
Band
[SET] button.
The set value starts blinking and adjustment is possible.
4. Use the [
the [SET] button.
] buttons to select “LEVEL”, then press the [SET]
/
] buttons to set value to “V.SCAN”, then press
Computer Monitor
5. Use the [
/
button.
3. 4.
6. Use the [
/
] buttons to adjust the shutter speed. Pay atten-
- - - EXPOSURE - - -
tion to the screen
I R I S MODE
MANUA L L EVEL
GA I N
LEVEL
SHUTTER
LEVEL
AUTO
- - - - - -
STEP
0d B
STEP
NORMA L
If black bands are visible : use the [ ] button to lower the shut-
ter speed
If white bands are visible : use the [ ] button to increase the
shutter speed
ADVANCED EXPOSURE . .
PAGE BACK
7. When bands are decreased to the minimum, press the [SET]
button. This will be recorded in the memory of the unit.
“EXPOSURE” Screen
8. Press the [MENU] button for 1-2 seconds.
The normal screen will be displayed.
5. 6.
- - - EXPOSURE - - -
I R I S MODE
AUTO
MANUA L L EVEL
GA I N
- - - - - -
STEP
0 dB
LEVEL
SHUTTER
LEVEL
V. SCAN
1 / 6 0.1
ADVANCED EXPOSURE . .
PAGE BACK
Note
Vertical scanning frequency may vary with computer types and there are cases when bands may not be fully
eliminated. In addition, frequency may also differ depending on the software used.
24
Output of Negative Image
It is possible to convert video signals output from the [VIDEO OUT] terminal of this unit into negative images.
[
]
1. Press the [MENU] button for 1-2 seconds.
[
]
The “MENU” screen will be displayed.
[MENU]
[SET]
2. Use the [
[SET] button.
The “SYSTEM” screen will be displayed.
/
] buttons to select “SYSTEM..”, then press the
AW BARS
MENU
SET
REMOTE
LENS
3. Use the [
/
] buttons to select “NEGATIVE”, then press the
VIDEO OUT
GENLOCK IN
[SET] button.
The set value starts blinking and adjustment is possible.
4. Use the [
/
] buttons to set value to “ON”, then press the
Blinking
[SET] button.
2. 3.
This will be recorded in the memory of the this unit.
Output image will be converted to negative images.
- - - SYSTEM - - -
ASPECT RAT I O
NEGAT I VE
SETUP
4 : 3
OFF
ON
5. Press the [MENU] button for 1-2 seconds.
P I XEL COMPEN
CANCEL
H
PHASE
0
0
0
The normal screen will be displayed.
SC COARSE
SC F I NE
PAGE
BACK
“SYSTEM” Screen
4. 5.
- - - SYSTEM - - -
ASPECT RAT I O
NEGAT I VE
SETUP
4 : 3
ON
ON
P I XEL COMPEN
CANCEL
H
PHASE
0
0
0
SC COARSE
SC F I NE
PAGE
BACK
“SYSTEM” Screen
25
4. Various Modes of Shooting (continued)
White Spot Correction
As a peculiar common characteristic of CCD, white spots may appear on the screen when operated under
high temperature.
This unit comes with a white spot correction feature to reduce this phenomenon.
How To Use
Ⅵ Detection of White Spots
The quantity and size of white spots differ with the temperature and shutter speed during use. Before
using the white spot correction feature, it will thus be necessary to detect the position of the white spots
under the conditions of use.
[
]
[
Preparation
]
[MENU]
[SET]
•
•
•
Set the conditions of use (ambient temperature, shutter speed,
etc.) in this unit.
Turn on the power of the camera and leave it on for at least 2
hours.
AW BARS
MENU
SET
REMOTE
LENS
Close the lens iris to ensure that no light enters the CCD.
VIDEO OUT
GENLOCK IN
Operation
1. Press the [MENU] button for 1-2 seconds.
2. 3.
Blinking
The “MENU” screen will be displayed.
- - - SYSTEM - - -
2. Use the [
[SET] button.
The “SYSTEM” screen will be displayed.
/
] buttons to select “SYSTEM..”, then press the
ASPECT RAT I O
NEGAT I VE
4 : 3
OFF
ON
SETUP
P I XEL COMPEN
PHASE
SC COARSE
SC F I NE
CANCEL
H
0
0
0
3. Use the [
/
] buttons to select “PIXEL COMPEN”, then press
PAGE
BACK
the [SET] button.
The “CANCEL” value starts blinking and adjustment is pos-
sible.
“SYSTEM” Screen
4. Use the [
/
] buttons to select “EXECUTE” and press the
[SET] button to start the white spot detection.
4. 5.
Blinking
Detection process may take a few minutes to complete.
- - - SYSTEM - - -
5. Upon completing detection,“Detection Completed” screen will
ASPECT RAT I O
NEGAT I VE
SETUP
P I XEL COMPEN
PHASE
SC COARSE
SC F I NE
4 : 3
OFF
ON
be displayed.
EXECUTE
6. Turn on the power again.
H
0
0
0
Allow a 10 seconds interval after switching off the power be-
fore turning on again.
PAGE
BACK
When power is turned on, white spots will be corrected.
“SYSTEM” Screen
26
White Spot Correction (continued)
Ⅵ White Spot Correction Messages
Detecting Screen
Detection Completed Screen
PIXEL COMPEN
EXECUTING
PIXEL COMPEN
OK
TURN POWER OFF
AND ON AGAIN
Detection Error Screen
PIXEL COMPEN
ERROR : LENS NOT CLOSED?
PIXEL COMPEN
ERROR : COUNT OVER
TURN POWER OFF
AND ON AGAIN
Notes
•
The white spot correction feature of this unit does not correct all white spots. Detection and correction of
white spots by this unit is performed under the following conditions. White
spot correction will not be performed under conditions beyond those
stated. In cases where conditions are fulfilled, correction may not be suc-
cessfully performed depending on the nature of the white spots.
In such case, perform the detection again until white spots are detected.
Consult your JVC authorized dealer if white spots cannot be corrected.
Quantity of Detection/Correction: 32 or less
PIXEL COMPEN
ERROR : LENS NOT CLOSED?
•
•
The screen on the right may be displayed during detection of white spots
in cases when light enters the CCD during detection or depending on the
condition of white spots. In this case, check if there is light entering the
CCD. If the screen is displayed despite that no light enters the CCD,
increase the shutter speed by 1 step and perform detection again.
During white spot correction, pixel data is obtained via interpolation of
pixel information from the surroundings. Thus data may not be accurate
for fine images.
PIXEL COMPEN
ERROR : COUNT OVER
TURN POWER OFF
AND ON AGAIN
•
•
Results of white spot detection will be stored until the next detection is
performed.
During white spot detection, operation via the remote control will be dis-
abled.
27
5. Setting Via the Menu Screen
Flow of Menu Screens
The menu screen is made up of multiple layers of menu screens as illustrated in the diagram below.
Select the menu screen for setting at the MAIN MENU screen according to function and usage, and perform
setting accordingly.
- - - EXPOSURE - - -
☞ Page 31
I R I S MODE
MANUA L L EVEL
GA I N
AUTO
- - - - - -
STEP
0d B
LEVEL
SHUTTER
LEVEL
ADVANCED EXPOSURE . .
STEP
NORMA L
PAGE BACK
Cursor
MAIN MENU
☞ Page 34
☞ Page 36
☞ Page 41
☞ Page 42
- - - MENU - - -
- - -WHI TE BALANCE - - -
WH I T E BALANCE
LEVEL ( R )
LEVEL ( B )
AUTO1
0
0
EXPOSURE .
.
WH I T E B ALANCE . .
PROCESS . .
SYSTEM . .
F I LE MANAGE . .
EX I T
S H AD ING
LEVEL ( R )
LEVEL ( G )
PRESET
- - - - - -
- - - - - -
- - - - - -
LEVEL ( B )
PAGE BACK
- - - PROCESS ( 1 / 2 )
MASTER BLACK
DETA I L
LEVEL
V / H BALANCE
FREQUENCY
V. RESOLUT I ON
WH I TE CL I P
KNEE
0
ON
0
0
LOW
NORM AL
1 08%
AUTO
- - - - - -
LEVEL
NEXT PAGE .
.
PAGE BACK
- - - SYSTEM - - -
ASPECT RAT I O
NEGAT I VE
SETUP
P I XEL COMPEN
PHASE
4 : 3
OFF
ON
CANCEL
0
Normal Screen
H
SC COARSE
SC F I NE
0
0
PAGE
BACK
- - - F I LE MANAGE - - -
LOAD F I LE
A
LOAD
STORE F I LE
STORE
RESET F I LE
RESET
CANCEL
A
CANCEL
A
CANCEL
PAGE BACK
28
Flow of Menu Screens (continued)
•
Press the [MENU] button for 1-2 seconds.
The normal screen will be displayed.
•
When the remote control is connected, items that
can be operated via the remote control will be dis-
played as “REMOTE” on the menu screen. Op-
eration of these items via the camera unit will be
disabled.
- - - ADVANCED EXPOSURE - - -
☞ Page 33
ALC L I M I T
EE I L I M I T
AE LEVE L
AE DETECT
AE AREA . .
PAGE BACK
+18dB
1 / 24 0
0
NORMA L
☞ Page 33
NORMAL
☞ Page 38
- - - PROCESS ( 2 / 2 ) - - -
OFF
CINEMA
COLOR MATR I X
ADJUST . .
GAMMA
STANDARD
MANU AL
0
LEVEL
BLACK
NORM AL
FLARE
ON
MASTER
FLARE ( R )
FLARE ( B )
PAGE BACK
0
0
0
☞ Page 40
- - - MATRI X ADJUST - - -
R
R
G
G
B
B
GA I N
ROTAT ION
GA I N
ROTAT ION
GA I N
ROTAT ION
0
0
0
0
0
0
PAGE BACK
29
5. Setting Via the Menu Screen (continued)
Setting Procedures
The various functions of this unit can be set using the menu screen. Settings will be stored in the memory of
this unit and will remain recorded when the power is turned off.
1. Press the [MENU] button for 1-2 seconds.
[
]
The “MENU” screen will be displayed.
[
]
2. Use the [
/
] buttons to select an item, followed by pressing
[MENU]
[SET]
the [SET] button. The submenu screen will be displayed.
3. For the submenu screens, similarly, use the [
/
] buttons to
AW BARS
MENU
SET
select an item, then press the [SET] button.
REMOTE
LENS
The set value starts blinking and adjustment is possible.
VIDEO OUT
4. Use the [
/
] buttons to alter the set value, followed by press-
GENLOCK IN
ing the [SET] button. Set value will be confirmed and recorded
in the memory of this unit.
1.
Note
If there is a huge difference in the magnitude of value to be set,
- - - MENU - - -
EXPOSURE . .
WH I T E B ALANCE . .
PROCESS . .
press and hold the [
Use this when making a significant change to the set value.
/
] buttons to speed up the change.
SYSTEM . .
F I LE MANAGE . .
EX I T
5. Press the [MENU] button for 1-2 seconds.
The normal screen will be displayed.
“MENU” Screen
2.
- - - EXPOSURE - - -
I R I S MODE
MANUA L L EVEL
GA I N
LEVEL
AUTO
- - - - - -
STEP
0d B
SHUTTER
STEP
LEVEL
NORMA L
ADVANCED EXPOSURE . .
PAGE BACK
“EXPOSURE” Screen (Example)
(Submenu Screen)
30
“EXPOSURE” Screen
Settings in bold are factory settings
Item
“IRIS MODE”
Function/Variable Values
Switch according to the lens in use.
“AUTO”
“MANUAL”
: When using auto iris lens
: When using manual iris lens
“MANUAL
LEVEL”
For setting the iris level when “IRIS MODE” is set to “MANUAL”.
Increase value : Opens the iris.
Decrease value : Closes iris.
{Variable Values : 0 - 128 - 255}
Note
“When “IRIS MODE” is set to “AUTO”, “MANUAL LEVEL” item selection will be
disabled. (Displayed as “- - - - - -”)
“GAIN”
For switching the electric sensitivity mode.
“STEP”
“V.GAIN”
“ALC”
: Gain boost level can be altered using the “LEVEL” item.
: Gain boost level can be fine-tuned using the “LEVEL” item.
: Alters gain boost level automatically according to the
brightness.
Set the maximum value at the “ALC LIMIT” item. ☞ Page 33
“LEVEL”
Gain boost level can be altered when gain boost mode is set as “STEP” or “V.GAIN”.
{Variable “STEP” Values: –3, 0, +3, +6, +9, +12, +15, +18dB, LOLUX}
{Variable “V.GAIN” Values: –3 - 0 - 18dB 0.2dB Step}
Note
“When “GAIN” is set to “ALC”, “LEVEL” item selection will be disabled.
(Displayed as “- - - - - -”)
31
5. Setting Via the Menu Screen (continued)
“EXPOSURE” Screen (continued)
Settings in bold are factory settings
Item
“SHUTTER”
Function/Variable Values
For switching the shutter mode.
“STEP”
“V.SCAN”
: Shutter speed can be altered using the “LEVEL” item.
: Align scan speed of monitor to eliminate horizontal lines that
appear when shooting the computer monitor. Shutter can be
fine-tuned using the “LEVEL” item.
☞ Page 24 ‘Shooting the Computer Monitor’
“EEI”
: Adjusts shutter speed automatically according to brightness
of object. (Maximum value: 1/960)
Set the maximum value at the “EEI LIMIT” item. ☞ Page 33
“LEVEL”
{Variable “STEP” Values : NORMAL (1/60), 1/100, 1/250, 1/500, 1/1000, 1/2000,
1/4000, 1/10000}
{“V.SCAN” variable
: approx. 1/60 ~ approx. 1/10000}
Notes
•
•
When “SHUTTER” is set to “EEI”, “LEVEL” item selection will be disabled. (Dis-
played as “- - - - - -”)
There will be insufficient light intensity if the shutter speed is increased and
adjustment of lens iris and gain will be necessary. Attention shall be paid to the
picture quality when gain boost is increased as this increases the sensitivity
and screen may become grainy as a result.
“ADVANCED
EXPOSURE”
“PAGE BACK”
Invokes the “ADVANCED EXPOSURE” screen.
☞ Page 33 ‘“ADVANCED EXPOSURE” Screen’
Press the [SET] button to return to the “MENU” screen when cursor is at this
position.
32
“ADVANCED EXPOSURE” Screen
Settings in bold are factory settings
Function/Variable Values
Item
For setting the maximum “ALC” value that triggers automatic switching of gain
boost level according to the brightness.
“ALC LIMIT”
{Variable Values: +9,+12,+15,+18dB}
For setting the maximum shutter speed when shutter mode is set to “EEI”.
“EEI LIMIT”
“AE LEVEL”
“AE DETECT”
“1/240”
“1/480”
“1/960”
: Set as 1/240 seconds.
: Set as 1/480 seconds.
: Set as 1/960 seconds.
For adjusting the image level when using auto iris, “ALC” or “EEI”.
Increase value : Increases level.
Decrease value : Decreases level.
{Variable Values : –5 - 0 - +5}
Selects the detection method of the detection area when auto iris, “ALC” or
“EEI” is used.
“NORMAL”
: Normal Position
“PEAK”
: Detects the maximum brightness value (peak level) to
enhance visibility of objects with high luminance.
: Detects the average brightness value (average) to
enhance visibility of objects with high luminance.
“AVG”
Invokes the “AE AREA” screen.
“AE AREA..”
For selecting the detection area of the image level when using auto iris, “ALC”
or “EEI”.
“NORMAL”
“SQUARE”
“SPOT”
“FULL”
“CIRCLE”
Detection Area
Detection Area
Detection Area
Detection Area
Detection Area
Note
Auto iris, “ALC” and “EEI” operations stop when the detection area is displayed.
Press the [SET] button to return to the “EXPOSURE” screen when cursor is at
this position.
“PAGE BACK”
Note
The “AE LEVEL”, “AE DETECT” and “AE AREA” items cannot be selected when operation of auto iris,
“ALC” and “EEI” are set as disabled.
“The “AE LEVEL” and “AE DETECT” items are displayed as “- - - - - -”.
33
5. Setting Via the Menu Screen (continued)
“WHITE BALANCE” Screen
Settings in bold are factory settings
Item
“WHITE
Function/Variable Values
For setting the white balance mode.
BALANCE”
“AUTO 1”
“AUTO 2”
: Set to this to enable automatic adjustment of white balance.
AUTO 2 Equipped with 2 modes (“AUTO 1” and “AUTO 2”).
☞ Page 20 ‘White Balance Adjustment’
“LEVEL(R)” and “LEVEL(B)” items allow fine-tuning of white
color upon achieving white balance.
“FAW”
: Automatic adjustment of white balance according to different
illumination conditions.
“MANUAL”
: Manual adjustment of white balance.
Can be altered using the “LEVEL(R)” and “LEVEL(B)” items.
: Fixes white balance at 3200 K.
“PRESET”
“LEVEL(R)”
“LEVEL(B)”
For adjusting the reddishness of white balance when “WHITE BALANCE” is set to
“AUTO” or “MANUAL”.
Increase value : Increases reddishness on screen.
Decrease value : Decreases reddishness on screen.
{Variable Values During “AUTO”: –32 - 0 - +31}
{Variable Values During “MANUAL”: 0 - 128 - 255}
For adjusting the bluishness of white balance when “WHITE BALANCE” is set to
“AUTO” or “MANUAL”.
Increase value : Increases bluishness on screen.
Decrease value : Decreases bluishness on screen.
{Variable Values During “AUTO”: –32 - 0 - +31}
{Variable Values During “MANUAL”: 0 - 128 - 255}
Note
Selection of “LEVEL(R)” and “LEVEL(B)” items is disabled when the “WHITE BALANCE” item is set to
“PRESET”. (Displayed as “- - - - - -”)
34
“WHITE BALANCE” Screen (continued)
Settings in bold are factory settings
Item
Function/Variable Values
“SHADING”
For setting whether to perform white shading adjustment.
“PRESET”
“MANUAL”
: White shading adjustment disabled.
: White shading adjustment enabled.
☞ Page 22 ‘White Shading Adjustment’
“LEVEL(R)”
“LEVEL(G)”
For adjusting reddishness of white shading only when the “SHADING” item is set
to “MANUAL”.
Increase value : Decreases reddishness at lower end and increases
reddishness at upper end of screen.
Decrease value : Decreases reddishness at upper end and increases
reddishness at lower end of screen.
{Variable Values : –128 - 0 - +127}
For adjusting greenishness of white shading only when the “SHADING” item is set
to “MANUAL”.
Increase value : Decreases greenishness at lower end and increases
greenishness at upper end of screen.
Decrease value : Decreases greenishness at upper end and increases
greenishness at lower end of screen.
{Variable Values : –128 - 0 - +127}
“LEVEL(B)”
For adjusting bluishness of white shading only when the “SHADING” item is set to
“MANUAL”.
Increase value : Decreases bluishness at lower end and increases bluishness
at upper end of screen.
Decrease value : Decreases bluishness at upper end and increases bluishness
at lower end of screen.
{Variable Values : –128 - 0 - +127}
“PAGE BACK”
Press the [SET] button to return to the “MENU” screen when cursor is at this
position.
Note
Selection of “LEVEL(R)”, “LEVEL(G)” and “LEVEL(B)” items is disabled when the “SHADING” item is set to
“PRESET”. (Displayed as “- - - - - -”)
35
5. Setting Via the Menu Screen (continued)
“PROCESS (1/2)” Screen
Settings in bold are factory settings
Function/Variable Values
For adjusting the pedestal level (master black), which is based on the black color
when the lens cap is being put on. To view the black portion, increase the pedes-
tal level to brighten the entire screen.
Item
“MASTER
BLACK”
Increase value : Increases pedestal
Decrease value : Decreases pedestal
{Variable Values : –10 - 0 - +10}
For setting whether to highlight the contour (detail).
“DETAIL”
“ON”
: Highlight of contour enabled.
“OFF”
: Highlight of contour disabled.
“LEVEL”, “V/H BALANCE”, “FREQUENCY” items are
displayed as “- - - - - -”.
Caution
When “LOLUX” is activated, the adjustment feature will not work even if the menu
operation under “DETAIL” item is performed.
For setting highlight level of contour (detail) when “DETAIL” is set to “ON”.
Increase value : Sharpens contour.
“LEVEL”
Decrease value : Softens contour.
{Variable Values : –10 - 0 - +10}
For setting whether to emphasize the horizontal (H) or vertical (V) direction during
contour highlight (detail) when “DETAIL” is set to “ON”.
Increase value : Emphasize on H direction.
“V/H BALANCE”
Decrease value : Emphasize on V direction.
{Variable Values : –5 - 0 - +5}
For altering the frequency for contour highlight (detail) when “DETAIL” is set to
“ON”. Set this according to the object.
“FREQUENCY”
“LOW”
: Lowers the frequency for contour highlight.
Use this when shooting objects with large patterns.
: Sets the frequency for contour highlight to standard.
: Increases the frequency for contour highlight.
Use this when shooting objects with fine patterns.
“MIDDLE”
“HIGH”
For increasing the vertical resolution.
“V.RESOLUTION”
“NORMAL”
“V.MAX”
: Vertical resolution of approx. 380 lines
: Vertical resolution of approx. 450 lines
Caution
In the case of “V.MAX”, colors may be found on the brighter portions of the object
depending on its color temperature. In addition, there will be more residual im-
ages.
36
“PROCESS (1/2)” Screen (continued)
Settings in bold are factory settings
Function/Variable Values
For setting a white clipping point for video signals of a high luminance level.
Item
“WHITE CLIP”
“108%”
“100%”
: Enable white clipping at point where luminance level is 108%.
: Enable white clipping at point where luminance level is 100%.
For setting whether to automatically or manually perform the “KNEE” operation,
which compresses video signals that are beyond a certain level in order to show
the gradation of the highlighted portion. To double-check gradation of the bright
portion, set to “MANUAL” and adjust knee point manually.
“KNEE”
“AUTO”
: Adjusts luminance level automatically.
“MANUAL”
: Luminance level can be altered using the “LEVEL” item.
For setting the starting point of knee compression (knee point).
Increase value : Increases the knee point level.
Decrease value : Decreases the knee point level.
The smaller the value, the more readily visible is the gradation of high luminance
levels.
“LEVEL”
{Variable Values: 80, 85, 90, 95, 100%}
Note
When in the “AUTO” mode, the “KNEE” item is displayed as “- - - - - -”.
Press the [SET] button to invoke the “PROCESS (2/2)” screen when the cursor is
at this position.
☞ Page 38 ‘PROCESS (2/2) Screen’
Press the [SET] button to return to the “MENU” screen when cursor is at this
position.
“NEXT PAGE”
“PAGE BACK”
“KNEE” Function
When aligning brightness level to the person in front of a high luminance background during shooting, the
background will blurred with white. In this case, use the knee function to obtain a clear background.
It will be effective to make use of this function under the following circumstances.
● When shooting a person indoors and view outside the window at the same time
● When shooting a person under a shade on a fine day
● When shooting a high-contrast scene
Caution
If the high-luminance section of a fast-moving body such as a car under sunlight is shot, the knee function
may cause brightness of the entire screen to change according to the motion of the object. In this case, set
the “KNEE” item to “MANUAL” during shooting.
37
5. Setting Via the Menu Screen (continued)
“PROCESS (2/2)” Screen
Settings in bold are factory settings
Function/Variable Values
: Disabled.
Item
“CINEMA”
“OFF”
“ON”
: Switches to a gamma curve that is similar to the screen
characteristics of movies.
Color matrix switches to the “CINEMA” mode.
For setting color matrix.
“COLOR
MATRIX”
“OFF”
: Disabled.
“STANDARD” : Sets to standard color matrix.
“WARM”
“EXT1-3”
: Sets to a reddish tone.
: Sets to a color matrix other than those above.
Select according to your preference.
: Sets color matrix to the manual adjustment mode.
“MANUAL”
Note
When the “CINEMA” item is set to “ON”, “(CINEMA)” is displayed and setting is
disabled. (“EXT2” is equivalent to the “CINEMA” mode.)
This can be selected only when the “COLOR MATRIX” item is set to “MANUAL”.
Press the [SET] button to invoke the “MATRIX ADJUST” screen.
☞ Page 40 ‘MATRIX ADJUST Screen’
“ADJUST..”
“GAMMA”
For adjusting the gamma curve that determines the reproducibility of black color.
“OFF”
“MANUAL”
: Disables gamma curve adjustment.
: Amount of gamma curve adjustment can be altered using the
“LEVEL” item.
“CINEMA”
: Switches to a gamma curve that is similar to the screen
characteristics of movies.
Note
When the “CINEMA” item is set to “ON”, “(CINEMA)” is displayed and setting is
disabled.
Gamma curve adjustment is enabled only when the “GAMMA” item is set to
“LEVEL”
“MANUAL”.
Increase value : Enhances gradation of black. However, gradation of bright
portions will deteriorate.
Decrease value : Enhances gradation of bright portions. However, gradation of
black will deteriorate.
{Variable Values : –5 - 0 - +5}
Note
Displayed as “- - - - - -” when the “GAMMA” item is set to “OFF” or “CINEMA”.
38
“PROCESS (2/2)” Screen (continued)
Settings in bold are factory settings
Function/Variable Values
For switching gain of the dark portions. Switch via the video signals to be shot.
Item
“BLACK”
“NORMAL”
: Standard mode
“STRETCH”
: Stretches only the darker portions of the signal, thus
emphasizing the light and shade of the darker portions.
“COMPRESS” : Compresses gain of the black portion to add contrast in the
case when image shot is bright and with little contrast.
For correcting the black level when light that enters the lens reflects irregularly
and hence causing flare, where color appears on the black portion.
“FLARE”
“OFF”
“ON”
: Correction disabled.
: Correction enabled.
Performs correction on the entire black level.
Increase value : Increases black level.
Decrease value : Reduces black level.
{Variable Values : –10 - 0 - +10}
For correcting Rch of black level in accordance with the luminance level when
light that enters the lens reflects irregularly, hence causing flare that turns the
entire screen whitish. Perform this together with FLARE(B).
Increase value : Increases the black level of Rch to enhance the reddishness.
Decrease value : Decreases the black level of Rch to reduce the reddishness.
{Variable Values : –10 - 0 - +10}
“MASTER”
“FLARE(R)”
For correcting Bch of black level in accordance with the luminance level when
light that enters the lens reflects irregularly, hence causing flare that turns the
entire screen whitish. Perform this together with FLARE(R).
Increase value : Increases the black level of Bch to enhance the bluishness.
Decrease value : Decreases the black level of Bch to reduce the bluishness.
{Variable Values : –10 - 0 - +10}
“FLARE(B)”
Press the [SET] button to return to the “PROCESS(1/2)” screen when cursor is at
this position.
“PAGE BACK”
Note
Selection of “MASTER”, “FLARE(R)” and “FLARE(B)” items is disabled when the “FLARE” item is set to
“OFF”. (Displayed as “- - - - - -”)
39
5. Setting Via the Menu Screen (continued)
“MATRIX ADJUST” Screen
Settings in bold are factory settings
Item
Function/Variable Values
“R GAIN”
For manually adjusting the shading of the R axis of the color matrix (red and
cyan).
Increase value : Enhances red and cyan.
Decrease value : Reduces red and cyan.
{Variable Values : –3 - 0 - +3}
“R ROTATION”
For manually adjusting the color phase of the R axis of the color matrix (red and
cyan).
Increase value : Increases yellowishness of red color and bluishness of cyan
color.
Decrease value : Increases bluishness of red color and greenishness of cyan
color.
{Variable Values : –3 - 0 - +3}
“G GAIN”
For manually adjusting the shading of the G axis of the color matrix (green and
magenta).
Increase value : Enhances green and magenta.
Decrease value : Reduces green and magenta.
{Variable Values : –3 - 0 - +3}
“G ROTATION”
For manually adjusting the color phase of the G axis of the color matrix (green and
magenta).
Increase value : Increases bluishness of green color and reddishness of
magenta color.
Decrease value : Increases yellowishness of green color and bluishness of
magenta color.
{Variable Values : –3 - 0 - +3}
“B GAIN”
For manually adjusting the shading of the B axis of the color matrix (blue and
yellow).
Increase value : Enhances blue and yellow.
Decrease value : Reduces blue and yellow.
{Variable Values : –3 - 0 - +3}
“B ROTATION”
For manually adjusting the color phase of the B axis of the color matrix (blue and
yellow).
Increase value : Increases reddishness of blue color and greenishness of
yellow color.
Decrease value : Increases greenishness of blue color and reddishness of
yellow color.
{Variable Values : –3 - 0 - +3}
“PAGE BACK”
Press the [SET] button to return to the “PROCESS(2/2)” screen when cursor is at
this position.
40
“SYSTEM” Screen
Settings in bold are factory settings
Item
Function/Variable Values
“ASPECT
RATIO”
For setting the screen size for recorded video signals.
“4:3”
: Image output at aspect ratio of 4:3.
: Image output at aspect ratio of 16:9.
The vertical resolution deteriorates as compared to the
images of 4:3.
“16:9”
“NEGATIVE”
“SET UP”
Signals output from the [VIDEO OUT] terminal can be output as negative signals.
“ON”
: Outputs negative signals.
“OFF”
: Outputs normal video signals.
For setting whether to add setup signals to the camera images.
“ON”
: Add setup signals.
“OFF”
: Do not add setup signals.
“PIXEL
For setting whether to perform white spot correction.
COMPEN”
“CANCEL”
“EXECUTE”
: Do not perform white spot correction.
: Perform white spot correction.
☞ Page 26 ‘White Spot Correction’
“H PHASE”
Adjust the horizontal (H) phase of this unit with respect to signals input to the
[GENLOCK IN] terminal (external sync signals).
Increase value : Adjusts horizontal phase back.
Decrease value : Adjusts horizontal phase ahead.
{Variable Values : –128 - 0 - +127}
“SC COARSE”
“SC FINE”
Coarse tune the subcarrier (SC) phase of this unit with respect to signals input to
the [GENLOCK IN] terminal (external sync signals).
Increase value : Adjusts phase back.
Decrease value : Adjusts phase ahead.
{Variable Values : 0˚, 90˚, 180˚, 270˚}
Fine tune the subcarrier (SC) phase of this unit with respect to signals input to the
[GENLOCK IN] terminal (external sync signals).
Increase value : Adjusts phase back.
Decrease value : Adjusts phase ahead.
{Variable Values : –128 - 0 - +127}
“PAGE BACK”
Press the [SET] button to return to the “MENU” screen when cursor is at this
position.
41
5. Setting Via the Menu Screen (continued)
“FILE MANAGE” Screen
The following can be performed on the “FILE MANAGE” screen.
•
•
•
Saving menu settings in 3 types of files (A, B and C).
Retrieving stored files (A, B and C).
Resetting menu settings to factory settings.
1. 2.
- - - MENU - - -
Ⅵ Display the “FILE MANAGE” screen.
EXPOSURE . .
WH I T E B ALANCE . .
PROCESS . .
SYSTEM . .
F I LE MANAGE . .
EX I T
1. Press the [MENU] button for 1-2 seconds.
The “MENU” screen will be displayed.
2. Use the [
/
] buttons to select “FILE MANAGE..”, then press the
[SET] button.
The “FILE MANAGE” screen will be displayed.
“MENU” Screen
Ⅵ Save the set value.
Blinking
1. 2.
1. Use the [
[SET] button.
The set value displayed will start to blink.
/
] buttons to select “STORE FILE”, then press the
- - - F I LE MANAGE - - -
LOAD F I LE
LOAD
STORE F I LE
STORE
RESET F I LE
RESET
PAGE BACK
A
CANCEL
A
CANCEL
A
2. Use the [
/
] buttons to select “A”,“B” and “C”, then press the
CANCEL
[SET] button.
3. Use the [
button.
“CANCEL” will start to blink.
/
] buttons to select “STORE”, then press the [SET]
“FILE MANAGE” Screen
Blinking
4. Use the [
/
] buttons to select “EXECUTE”, followed by pressing
3.
the [SET] button to save the menu settings in the selected file des-
tination.
- - - F I LE MANAGE - - -
LOAD F I LE
LOAD
STORE F I LE
STORE
RESET F I LE
RESET
A
CANCEL
A
CANCEL
A
5. Press the [MENU] button for 1-2 seconds.
The normal screen will be displayed.
CANCEL
PAGE BACK
Blinking
4.
- - - F I LE MANAGE - - -
LOAD F I LE
LOAD
STORE F I LE
STORE
RESET F I LE
RESET
A
CANCEL
A
EXECUTE
A
CANCEL
PAGE BACK
42
“FILE MANAGE” Screen (continued)
Ⅵ Retrieve file.
1. Use the [
/
] buttons to select “LOAD FILE”, then press the [SET]
Blinking
1. 2.
button.
- - - F I LE MANAGE - - -
The set value displayed will start to blink.
LOAD F I LE
LOAD
STORE F I LE
STORE
RESET F I LE
RESET
A
CANCEL
A
CANCEL
A
2. Use the [
/
] buttons to select “A”,“B” and “C”, then press the
[SET] button.
CANCEL
PAGE BACK
3. Use the [
ton.
“CANCEL” will start to blink.
/
] buttons to select “LOAD”, then press the [SET] but-
4. Use the [
/
] buttons to select “EXECUTE”, followed by pressing
Blinking
3. 4.
the [SET] button to retrieve the menu settings from the selected file
destination.
- - - F I LE MANAGE - - -
LOAD F I LE
LOAD
STORE F I LE
STORE
RESET F I LE
RESET
PAGE BACK
A
EXECUTE
A
CANCEL
A
Ⅵ Reset the set value.
CANCEL
1. Use the [
[SET] button.
The set value displayed will start to blink.
/
] buttons to select “RESET FILE”, then press the
2. Use the [
/
] buttons to select select a file to reset, then press
the [SET] button.
Blinking
1. 2.
“A”, “B”, “C”, “CURRENT” (Current Set Value)
- - - F I LE MANAGE - - -
LOAD F I LE
LOAD
STORE F I LE
STORE
RESET F I LE
RESET
A
3. Use the [
button.
“CANCEL” will start to blink.
/
] buttons to select “RESET”, then press the [SET]
CANCEL
A
CANCEL
A
CANCEL
PAGE BACK
4. Use the [
/
] buttons to select “EXECUTE” and press the [SET]
button to reset the set value.
Note
Blinking
3. 4.
Resetting the stored files (“A”, “B” and “C”) will not reset the current set
value.
To reset the current set value, select “CURRENT”.
- - - F I LE MANAGE - - -
LOAD F I LE
LOAD
STORE F I LE
STORE
RESET F I LE
RESET
A
CANCEL
A
CANCEL
A
EXECUTE
PAGE BACK
43
6. Others
Connecting the Remote Control Unit
Menu function of the camera can be set using the remote control unit (RM-LP55 AND RM-LP57). (For
further details, please refer to the instruction manual of the remote control.)
RM-LP55
AW BARS
MENU
SET
RM-LP55
REMOTE CONTROL UNIT
REMOTE
LENS
FUNC 1
FUNC 2
VIDEO OUT
GENLOCK IN
GAIN SHUTTER IRIS MANU OPERATE
W.PAINT
DC IN
POWER
[FUNC2§/∫]
ENTER
/SET
FUNC
GAIN
2
FUNC
1
MENU
[MENU§/∫]
SEE INSTRUCTION MANUAL
[ENTER/SET]
SHUTTER
W.BAL
FILE
FOCUS
FAR
NEAR
FAST
SLOW
[FAR]
ZOOM
TELE
WIDE
Ⅵ When operating the menu function of this unit from RM-LP55
Set the “CAMERA TYPE” setting no. of RM-LP55 to “3”.
3. Use the [FUNC2§/∫] buttons to set the camera
Connection
Connect cable of the remote control unit to the
type setting no. to “3”.
[REMOTE] terminal of this unit.
4. Pressing the [ENTER/SET] button returns to the
normal mode of use after “INITIALIZE” is dis-
played.
Operation
1. Press the [ENTER/SET] and [FAR] buttons at
the same time when turning the [OPERATE]
switch to [ON].
Notes
● In the case when the menu function of this unit is
identical to the remote control unit, the switch func-
tion of the remote control will override that of this
unit.
Display on LCD screen will be as shown in the
following diagram.
AUTO IRIS LEVEL
ON
● FOCUS and ZOOM cannot be adjusted using the
remote control unit.
2. Use the [MENU§/∫] buttons to display the
“CAMERA TYPE” setting screen.
● When connected to RM-LP55, even if the
“V.SCAN” under “SHUTTER” item is set to 1/60.0,
the camera will operate based on 1/60.1.
As such, the image level will change if the “STEP”
mode under “SHUTTER” item is changed from
NORMAL (1/60) to “V.SCAN”.
Display on LCD screen will be as shown in the
following diagram.
CAMERA TYPE
1
Camera Type
Setting No.
44
Ⅵ List of Remote Control Unit Functions
This unit
Operation From RM-LP55
Operation From RM-LP57
Function
MODE
⅜
⅜ CAM,BARS
⅜ BARS, CAM, NEGA
}
⅜
⅜
⅜
⅜
⅜
⅜
⅜
ן NEGA
⅜ ON (LEVEL) , OFF
⅜ ON (LEVEL) , OFF
CONTOUR
GAMMA
ן ן ⅜ LEVEL
⅜
MASTER BLACK
IRIS
⅜ AUTO (LEVEL), MANU
⅜ AUTO (LEVEL), MANU
ן ⅜ NORMAL, PEAK, AVG
IRIS DETECT
WHITE BALANCE
⅜ AUTO1, AUTO2, FAW,
⅜ AUTO1, AUTO2, FAW
MANUAL, PRESET
⅜
⅜
⅜
⅜ AUTO1, AUTO2
⅜ AUTO1, AUTO2
⅜ 0,6,9,12,18dB,
ALC/ALC+EEI
WHITE PAINT
GAIN
⅜ –3,0,6,9,12,18dB,
ALC, ALC+EEI,
LOLUX
⅜
⅜ NORMAL,1/100, 1/250,1/500,
⅜ NORMAL,1/100,1/250,1/500,
SHUTTER
1/1000, 1/2000,V.SCAN, EEI
1/1000,1/2000, EEI
ן ן ן ן ⅜
ן ⅜
⅜
⅜
ן ן ⅜
⅜
ן ן TITLE DISPLAY
POSITION
TITLE SETTING
DATA
ן ן ן ן ן ן ⅜
ן FILE
ן ן D-SUB OUT
H.PHASE
SC COARSE
SC FINE
⅜ LEVEL
⅜
⅜ 0˚, 90˚, 180˚, 270˚
⅜ 0˚, 90˚, 180˚, 270˚
⅜
ן ן ⅜
ן ⅜
ן ן ן ן ZOOM
FOCUS
HI-RESO
WHITE SHADING
⅜ ... Function available
... Equivalent to V.RESOLUTION
ן ... Function not available NORMAL : HI-RESO OFF
V.MAX: HI-RESO ON
45
6. Others (continued)
Connecting Optional Devices
This unit comes with an option card slot. System expansion via connection of optional devices (sold separately)
is possible.
For further details on connection and setting, please refer to the instruction manual for the corresponding
optional devices.
Ⅵ Installation of Option Card
AW BARS
MENU
SET
ı
Å
ı
1. Remove the 2 ı screws for mounting the slot cover
REMOTE
LENS
Å to remove the slot cover.
2. Insert the option card into the unit.
VIDEO OUT
GENLOCK IN
3. Use the 2
ı
screws removed in Step 1. to mount
the option card to this unit.
DC IN
POWER
Caution
SEE INSTRUCTION MANUAL
For mounting of optional devices, please consult your
JVC-authorized dealer.
Specifications
Dimensional Drawing (Unit: mm)
80
70
166.8
12.4
1
142.8
COLOR VIDEO CAMERA KY-F560
47
14
1/4-inch Screw
46
Specifications (continued)
Image Pickup Device
Scan Mode
: 1/2" IT CCD x 3
: Interlace
Effective Pixel Nos.
Lens Mount
: 380,000 Pixels (768 (H) x 494 (V))
: 1/2" Bayonet Mount
Color Separation System
Aspect Ratio
: F1.4 3-color Separation Prism
: 4:3
Horizontal Resolution
Registration
: Y: 850 lines and above
: 0.05 % (or less) of entire zone (exlcuding lens distortion)
: F13 2000 lx
Sensitivity
Practical Minimum Illuminance : 0.7 lx (F1.4, during LOLUX)
When Gain is 30 dB (calculated value)
: Composite: 1 V (p-p), 75 ¸
Output Signal
Unbalance (BNC)
Dynamic Range
S / N
: 400 % and above
: 64 dB
Gain Boost
: –3/0/+3/+6/+9/+12/+15/+18 dB/ALC/LOLUX
: STEP : NORMAL(1/60),1/100,1/250,1/500,1/1000, 1/4000,1/10000 s
: V.SCAN: approx. 1/60 s - approx. 1/10000 s
: RGB 12 bits each
Electronic Shutter
Variable Scan
Quantization
Contour Correction System
Sync System
: H/V: Effective for both
: Internal Sync / External Sync (VBS or BB)
H PHASE and SC PHASE adjustable
: Switchable between ON/OFF
CCD White Flaw Correction
White Balance
: MANUAL, AUTO1, AUTO2, PRESET, FAW
Compliance Range: 2300 K- 10000 K
Temperature Range During Use : –5 ˚C to 40 ˚C (Humidity of 80 % or lower)
Input Supply Voltage
Power Consumption
Dimension
: DC 12 V (when using AA-P700)
: 9.6 W (camera unit only)
: (W)70 mm x (H)80 mm x (D)155.2 mm
(Does not include connector)
: 840 g
Mass
Accessories and Attachments
: Power Cord (8P, 2 m) x 1
Instruction Manual x 1
Specifications and appearance of this unit are subject to change for further improvement without prior
notice.
47
VICTOR COMPANY OF JAPAN, LIMITED
® is a registered trademark owned by VICTOR COMPANY OF JAPAN, LTD.
® is a registered trademark in Japan, the U.S.A., the U.K. and many other countries.
© 2004 VICTOR COMPANY OF JAPAN, LIMITED
Printed in Japan
LWT0163-001A
|