G B
HTR-5450RDS
Natural Sound AV Receiver
Ampli-tuner audio-vidéo
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
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CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1
2
To assure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
15 Do not attempt to modify or fix this unit. Contact
qualifiedYAMAHA service personnel when any
service is needed. The cabinet should never be
opened for any reasons.
Install this unit in a well ventilated, cool, dry, clean
place with at least 30 cm on the top, 20 cm on the
right and left, and 10 cm at the back of this unit for
ventilation space — away from direct sunlight, heat
sources, vibration, dust, moisture, and/or cold.
16 When not planning to use this unit for long periods of
time (i.e. vacation), disconnect the AC power plug
from the wall outlet.
17 Be sure to read the “TROUBLESHOOTING” section
on common operating errors before concluding that
this unit is faulty.
3
4
Locate this unit away from other electrical
appliances, motors, or transformers to avoid
humming sounds.To prevent fire or electrical shock,
do not place this unit where it may get exposed to
rain, water, and/or any type of liquid.
18 Before moving this unit, press STANDBY/ON to set
this unit in the standby mode, and disconnect the AC
power plug from the wall outlet.
Do not expose this unit to sudden temperature
changes from cold to hot, and do not locate this unit
in a environment with high humidity (i.e. a room with
a humidifier) to prevent condensation inside this unit,
which may cause an electrical shock, fire, damage to
this unit, and/or personal injury.
This unit is not disconnected from the AC power source
as long as it is connected to the wall outlet, even if this
unit itself is turned off. This state is called the standby
mode. In this state, this unit is designed to consume a
very small quantity of power.
5
On the top of this unit, do not place:
– Other components, as they may cause damage
and/or discoloration on the surface of this unit.
– Burning objects (i.e. candles), as they may cause
fire, damage to this unit, and/or personal injury.
– Containers with liquid in them, as they may cause
electrical shock to the user and/or damage to this
unit.
I For U.K. customers
If the socket outlets in the home are not suitable for the plug
supplied with this appliance, it should be cut off and an
appropriate 3 pin plug fitted. For details, refer to the
instructions described below.
6
Do not cover this unit with a newspaper, tablecloth,
curtain, etc. in order not to obstruct heat radiation. If
the temperature inside this unit rises, it may cause
fire, damage to this unit, and/or personal injury.
Note
• The plug severed from the mains lead must be destroyed, as a
plug with bared flexible cord is hazardous if engaged in a live
socket outlet.
7
8
9
Do not plug in this unit to a wall outlet until all
connections are complete.
I Special Instructions for U.K. Model
Do not operate this unit upside-down. It may
overheat, possibly causing damage.
IMPORTANT
THE WIRES IN MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
Do not use force on switches, knobs and/or cords.
10 When disconnecting the power cord from the wall
outlet, grasp the plug; do not pull the cord.
Blue: NEUTRAL
Brown: LIVE
11 Do not clean this unit with chemical solvents; this
might damage the finish. Use a clean, dry cloth.
As the colours of the wires in the mains lead of this
apparatus may not correspond with the coloured
markings identifying the terminals in your plug, proceed
as follows:
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or
coloured BLACK. The wire which is coloured BROWN
must be connected to the terminal which is marked with
the letter L or coloured RED.
12 Only voltage specified on this unit must be used.
Using this unit with a higher voltage than specified is
dangerous and may cause fire, damage to this unit,
and/or personal injury. YAMAHA will not be held
responsible for any damage resulting from use of this
unit with a voltage other than specified.
13 To prevent damage by lightning, disconnect the
power cord from the wall outlet during an electrical
storm.
14 Take care of this unit so that no foreign objects and/
or liquid drops inside this unit.
Making sure that neither core is connected to the earth
terminal of the three pin plug.
CAUTION
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INTRODUCTION
CONTENTS
ADVANCED OPERATION
INTRODUCTION
SET MENU......................................................... 35
Adjusting the Items on the SET MENU .............. 35
1 SPEAKER SET (speaker mode settings) .......... 36
2 HP TONE CTRL (headphone tone control) ...... 37
3 I/O ASSIGN ...................................................... 37
4 INPUT MODE (initial input mode) .................. 38
5 DOLBY D. SET (Dolby Digital set) ................. 38
6 DTS SET (DTS LFE level) ............................... 38
7 SP DLY TIME (center delay) ............................ 39
8 DISPLAY SET .................................................. 39
9 MEM. GUARD (memory guard) ...................... 39
DELAY TIME AND SPEAKER OUTPUT
LEVELS .......................................................... 40
Delay Time ........................................................... 40
Sound Output Level of the Center, Right Rear
and Left Rear Speakers, and Subwoofer .......... 40
Adjusting Method ................................................ 41
SLEEP TIMER .................................................. 42
Setting the SLEEP Timer ..................................... 42
Canceling the SLEEP Timer ................................ 42
PRESET REMOTE CONTROL ...................... 43
Component Selector Buttons ............................... 43
Controlling the Components Connected to
FEATURES .......................................................... 2
GETTING STARTED ......................................... 3
Checking the Package Contents ............................. 3
Battery Installation in the Remote Control ............ 3
Battery Replacement .............................................. 3
CONTROLS AND FUNCTIONS ....................... 4
Front Panel ............................................................. 4
Remote Control ...................................................... 6
Using the Remote Control...................................... 7
Display ................................................................... 8
Rear Panel .............................................................. 9
PREPARATION
SPEAKER SETUP ............................................ 10
Speakers to Be Used ............................................ 10
Speaker Placement ............................................... 10
CONNECTIONS ............................................... 11
Before Connecting Components ...........................11
Connecting Audio Components ........................... 12
Connecting an External Decoder ......................... 12
Connecting Video Components............................ 14
Connecting Speakers ............................................ 16
IMPEDANCE SELECTOR Switch ..................... 18
Connecting the Power Supply Cords ................... 18
ADJUSTING THE SPEAKER BALANCE .... 19
Before You Start Adjusting .................................. 19
Using the Test Tone .............................................. 19
This Unit .......................................................... 43
Description of Each Mode ................................... 44
Setting the Manufacturer Code ............................ 48
Returning to the Factory Setting .......................... 49
SOUND FIELD PROGRAM ............................ 50
Hi-Fi DSP Programs ............................................ 50
CINEMA DSP Programs...................................... 50
BASIC OPERATION
APPENDIX
PLAYING A SOURCE ...................................... 21
Input Modes and Indications ................................ 23
Selecting a DSP Program ..................................... 24
Canceling the Sound Effect (turning off the effect
speakers)........................................................... 25
TUNING ............................................................. 26
Connecting the Antennas ..................................... 26
Automatic Tuning ................................................ 27
Manual Tuning ..................................................... 27
Automatic Preset Tuning
TROUBLESHOOTING .................................... 53
SPECIFICATIONS............................................ 57
GLOSSARY ....................................................... 58
INDEX ................................................................ 60
(for RDS stations only) .................................... 28
Manual Preset Tuning .......................................... 29
To Recall a Preset Station .................................... 29
Exchanging Preset Stations .................................. 30
RECEIVING RDS STATIONS ........................ 31
Description of RDS Data ..................................... 31
Changing the RDS Mode ..................................... 31
PTY SEEK Function ............................................ 32
EON Function ...................................................... 33
RECORDING A SOURCE ............................... 34
1
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FEATURES
5-Channel Power Amplification
N Minimum RMS Output
Other Features
N 96-kHz/24-bit D/A Converter
N “SET MENU” which Provides You with 9 Items
for Optimizing This Unit for Your Audio/Video
System
(0.06% THD, 20 Hz – 20 kHz)
Main:
Center:
Rear:
70 W + 70 W (8 Ω)
70 W (8 Ω)
70 W + 70 W (8 Ω)
N Test Tone Generator for Easier Speaker Balance
Adjustment
N 6-Channel External Decoder Input for Other Future
Formats
N Video Signal Input and Output Capability
(Including S Video Connections)
N Optical and Coaxial Digital Signal Input Jacks
N SLEEP Timer
Multi-mode Digital Sound Field
Processing
N DTS Decoder
N Dolby Pro Logic Decoder
N Dolby Digital Decoder
N Hi-Fi DSP
N CINEMA DSP: Combination of YAMAHA DSP
Technology and Dolby Digital, Dolby Pro Logic or
DTS
N Remote Control with Preset Manufacturer Codes
N Virtual CINEMA DSP
N SILENT CINEMA
Sophisticated FM/AM Tuner
N 40-Station Random Access Preset Tuning
N Automatic Preset Tuning
N Preset Station Shifting Capability (Preset Editing)
N Multi-Functions for RDS Broadcast Reception
• y indicates a tip for your operation.
• Some operations can be performed by using either the buttons on the main unit or on the remote control. In cases when
the button names differ between the main unit and the remote control, the button name on the remote control is given in
parentheses in this manual.
Manufactured under license from Dolby Laboratories.
Manufactured under license from Digital Theater Systems, Inc. US
Pat. No. 5,451,942 and other world-wide patents issued and
pending. “DTS” and “DTS Digital Surround” are trademarks of
Digital Theater Systems, Inc. Copyright 1996 Digital Theater
Systems, Inc. All Rights Reserved.
“Dolby”, “AC-3”, “Pro Logic” and the double-D symbol are
trademarks of Dolby Laboratories.
Confidential Unpublished Works. ©1992-1997 Dolby Laboratories,
Inc. All rights reserved.
2
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GETTING STARTED
Checking the Package Contents
Check that the following items are included in your package.
Remote control
Batteries (AAA, R03, UM-4 type)
AM loop antenna
Quick reference card
Connection guide
Indoor FM antenna
75-ohm/300-ohm antenna adapter
(U.K. model only)
Battery Installation in the Remote
Control
Battery Replacement
If the remote control operates only when it is close to the
unit, the batteries are weak. Replace all the batteries with
new ones.
Be sure to replace the batteries within about two minutes.
If it takes longer than two minutes, the codes preset for
the remote control will return to the factory settings.
2
Notes
1
• Use only AAA, R03 or UM-4 batteries for replacement.
• Be sure the battery polarity is correct. (See the illustration inside
the battery compartment.)
• Remove the batteries if the remote control will not be used for an
extended period of time.
• If the batteries have leaked, dispose of them immediately. Avoid
touching the leaked material or letting it come into contact with
clothing, etc. Clean the battery compartment thoroughly before
installing new batteries.
3
1 Turn the remote control over and slide the
battery compartment cover in the direction of
the arrow.
2 Insert the batteries (AAA, R03 or UM-4 type)
according to the polarity markings on the
inside of the battery compartment.
3 Close the battery compartment cover.
3
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CONTROLS AND FUNCTIONS
Front Panel
7
1
3
4
8
0
2
5
6
9
VOLUME
D
I
G
I
T
A
L
RDS MODE/FREQ
EON
D
I
G
I
T A
L
SURROUND
STANDBY
/ON
PTY SEEK
MODE
START
INPUT MODE
6CH INPUT
PRESET
/TUNING
FM/AM
BASS
TREBLE
BALANCE
SPEAKERS
INPUT
A
B
PROGRAM
EFFECT
PRESET/TUNING
A/B/C/D/E
EDIT
TUNING
MODE
MEMORY
–
+
–
+
L
R
ON OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
SILENT
VIDEO AUX
y
q
w
r
a s df
o p
g
e
t
u
i
1 STANDBY/ON
6 EON
Press this switch to turn on the power of this unit or to set
this unit in the standby mode. Before turning the power on,
set the volume at the minimum level.
Press this button to select the desired program type (NEWS,
INFO, AFFAIRS, SPORT) when you want to tune in to a
radio program of that type automatically.
7 PTY SEEK START
Standby mode
Press this button to begin searching for a station after the
desired program type has been selected in the PTY SEEK
mode.
In this mode, this unit consumes a very small quantity of
power to receive infrared-signals from the remote
control.
8 INPUT MODE
2 Remote control sensor
This receives signals from the remote control.
Press this button to select the input mode among AUTO,
DTS and ANALOG for the sources that send two or more
types of signals to this unit.
3 Display
This shows various information.
9 VOLUME
Turn this control to turn up or down the volume.
4 PTY SEEK MODE
Press this button to set the unit in the PTY SEEK mode.
0 6CH INPUT
Press this button to select the source connected to the 6CH
INPUT jacks. The source selected by pressing 6CH INPUT
takes priority over the source selected with INPUT l / h
(or the input selector buttons on the remote control).
5 RDS MODE/FREQ
When an RDS station is received, press this button to
change the display mode among the PS mode, PTY mode,
RT mode, CT mode (if the station offers those RDS data
services) and/or frequency display mode in turn.
4
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CONTROLS AND FUNCTIONS
q BASS
i VIDEO AUX jacks
Turn this control clockwise to increase or counterclockwise
to decrease the low-frequency response.
Connect an auxiliary audio or video input source such as a
game console to these jacks. To reproduce source signals
from these jacks, select V-AUX as the input source.
w TREBLE
Turn this control clockwise to increase or counterclockwise
to decrease the high-frequency response.
o PRESET/TUNING l / h
When “ z ” appears on the display:
This button is used to select a preset station number (1 to 8).
Press l to select a lower and h to select a higher preset
station number.
Note
• If you increase or decrease the high-frequency or the low-
frequency sound to an extreme level, the tonal quality from the
center and rear speakers may not match that of the left and right
main speakers.
When “ z ” goes off from the display:
This button is used for tuning. Press l to tune in to lower
frequencies, and h to tune in to higher frequencies.
When this unit is in the PTY SEEK mode, press this button
to select a program type.
e BALANCE
This control is only effective for the sound from the main
speakers.
Turn the control to adjust the balance of the output volume
from the right and left main speakers to compensate for
sound imbalance caused by the speaker location or listening
room conditions.
p A/B/C/D/E
Press this button to select one of 5 preset station groups (A
to E).
a PRESET/TUNING (EDIT)
r SPEAKERS A/B
Press this button to turn on or off “ z ” on the display and
switch the function between for storing a broadcasting
station (preset tuning) and for tuning. This button is also
used to exchange the assignment of two preset stations with
each other.
Set A or B (or both A and B) to the ON position for the main
speaker system (connected to this unit) that you want to use.
Set the button(s) to the OFF position for the main speaker
system that you don’t want to use.
t PROGRAM l / h
s MEMORY (MAN’L/AUTO FM)
Press l or h to select a DSP program when the effect
speakers (center and rear) are turned on. The name of the
selected program appears on the display.
Press this button to store the broadcasting stations. Hold
down this button for more than 3 seconds to begin
automatic preset tuning (for FM stations only).
y EFFECT
d TUNING MODE (AUTO/MAN’L MONO)
Press this button to turn on or off the effect speakers (center
and rear). If you turn them off, all Dolby Digital and DTS
audio signals except for the LFE channel are directed to the
right and left main speakers. In that case, the output levels
of the right and left speakers may not match.
Press this button to switch the tuning mode between
automatic and manual. To use the automatic tuning method,
press this button so that the “AUTO” indicator lights up on
the display. To use the manual tuning method, press this
button so that the “AUTO” indicator goes off.
u PHONES jack
f FM/AM
Connect the headphones to the PHONES jack so that this
unit outputs audio signals for private listening.
When listening with headphones privately, set both
SPEAKERS A/B to the OFF position.
Press this button to switch the reception band between FM
and AM.
g INPUT l / h
Press these buttons to select the input source (DVD, AUX,
MD/CD-R, TUNER, CD, V-AUX, VCR, D-TV/CBL) that
you want to listen to or watch. The name of the selected
input source appears on the display.
5
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CONTROLS AND FUNCTIONS
Remote Control
This section describes basic operation of this unit with the
remote control. First, press AMP(TUNER) on the
component selector. Refer to “PRESET REMOTE
CONTROL” for full details.
3 POWER
Each time you press this button, the unit switches between
the power on and standby mode.
4 TEST
Press this button to output the test tone for each speaker.
1
5 A/B/C/D/E, PRESET –/+
Press
AMP(TUNER).
These buttons are used to select a preset station.
A/B/C/D/E:
To select one of a group (A to E) of preset
stations
2
3
PRESET –/+: To select a preset station number (1 to 8)
6 MUTE
Press this button to mute the sound. To cancel mute, press
this button again.
q
w
7 VOLUME
These buttons are used to adjust the volume level.
u: To turn up the volume
d: To turn down the volume
e
4
8 SLEEP
Press this button to set the SLEEP timer.
5
6
9 –/+
These buttons adjust the settings of the SET MENU and
TIME/LEVEL mode.
TV VOLUME
7
8
0 TIME/LEVEL
Press this button to select the items in the TIME/LEVEL
mode.
TV INPUT
9
0
q Input selector buttons
These buttons select the input source.
r
CD:
To play a CD
TUNER:
MD/CD-R:
To listen to an FM (RDS) or AM broadcast
To play an MD or CD recorder (or tape
deck)
t
DVD:
To play a DVD
D-TV/CBL: To watch a TV/digital TV or cable TV
VCR:
To play a video cassette
AUX:
V-AUX:
To use another audio component
To use another audio/video component
1 Indicator
This flashes in red when pressing a button on the remote
control. If it flashes rapidly several times, press the selected
button again.
w 6CH INPUT
Press this button to play a source connected to the 6CH
INPUT jacks.
2 Component selector buttons
Press one of these buttons which corresponds to the
component you want to control with the remote control.
(The proper code must be set for your component. Refer to
“Setting the Manufacturer Code”.) When the component
selector button has been pressed, the remote control is set to
that component operation mode.
6
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CONTROLS AND FUNCTIONS
e EFFECT
Using the Remote Control
Press this button to turn on or off the effect speakers (center
and rear).
r PRG+, PRG–
Press these buttons to select a DSP program.
Once you press SET MENU, these buttons are used for
selecting the SET MENU item.
Remote control
sensor
t SET MENU
Press this button to select the items in the SET MENU.
Within approximately 6 m
(20 feet)
The remote control transmits a directional infrared beam. Be
sure to aim the remote control directly at the infrared sensor
during operation. When the sensor is covered or there is a
large object between the remote control and the sensor, the
sensor cannot receive signals. The sensor may not be able to
receive signals properly when it is exposed to direct sunlight
or a strong artificial light (such as a fluorescent or strobe
light). In this case, change the direction of the light or
reposition the unit to avoid direct lighting.
Notes
• Handle the remote control with care.
• Do not spill water, tea or other liquids on the remote control.
• Do not drop the remote control.
• Do not leave or store the remote control in the following
conditions:
– high humidity or temperature such as near a heater, stove or
bath;
– dusty places; or
– extremely low temperature.
7
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CONTROLS AND FUNCTIONS
Display
1
2
3
4
8
5
6
7
9
DOLBY DTS MONO TV SPORTS
CONCERT HALL
ROCK CONCERT
PS
PTY
RT
CT AUTO
VIRTUAL
DIGITAL
MOVIE THEATER 1 2 JAZZ CLUB
PTY HOLD
EON
STEREO
DIGITAL
PRO LOGIC
DSP
PRO LOGIC ENTERTAINMENT
ENHANCED DISCO 5CH STEREO GAME
NEWSINFO AFFAIRS SPORT
MEMORY
BASS EXT.
TUNED
SLEEP
dB
ms
SP
AB
PCM
K
H
Z
r
t
y
u
0
q
e
w
1 t indicator
9 STEREO indicator
The “t” indicator lights up when the built-in DTS
decoder is turned on.
This lights up when an FM stereo broadcast with sufficient
signal strength is being received.
2 VIRTUAL indicator
0 x indicator
This lights up when using Virtual CINEMA DSP.
“ x ” lights up when the built-in digital sound
field processor is on.
3 g and o indicators
“ g ” lights up when the built-in Dolby Digital
decoder is on and the signals of the selected source are
encoded with Dolby Digital. “ o ” lights up when
the built-in Dolby Pro Logic decoder is on.
q v indicator
This lights up when this unit is reproducing PCM (pulse
code modulation) digital audio signals.
w Headphones indicator
4 DSP program indicators
This lights up when headphones are connected.
This indicates the name of the selected DSP program.
e Multi-information display
5 PTY HOLD indicator
This lights up while searching for stations in the PTY SEEK
mode.
This display shows various information: for example the
name of the selected input source and the various settings
during adjustment with the SET MENU. The current station
frequency and band (FM or AM) also appear when the tuner
is selected as the input source.
6 RDS mode indicators
The name(s) of the RDS data offered by the currently
received RDS station light(s) up. Illumination of the red
indicator next to the RDS data name shows that the
corresponding RDS mode is now selected.
r MEMORY indicator
This flashes for about 5 seconds after pressing MEMORY.
During this period, the displayed station can be stored in the
memory.
7 EON indicator
This lights up when an RDS station that offers the EON data
service is being received.
t Program type name indicators
The name of the selected program type lights up when the
“EON” indicator lights up.
8 AUTO indicator
This lights up when the unit is in the automatic tuning
mode.
y TUNED indicator
This lights up when this unit tunes in to a station.
u SLEEP indicator
This lights up while the built-in SLEEP timer is on.
8
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CONTROLS AND FUNCTIONS
Rear Panel
1
3
4
2
5
6
7
8
SPEAKERS
+
–
–
+
DIGITAL
INPUT
R
L
TUNER
AM ANT GND
FM ANT
CD
MAINS
A
COAXIAL
OPTICAL
75 UNBAL.
MAIN
D-TV/CBL
B
6CH INPUT
VIDEO SIGNAL
VCR 1
DVD
D-TV/CBL
MONITOR OUT
VIDEO
IN
OUT
MAIN
L
SURROUND
L
CENTER
DVD
IMPEDANCE SELECTOR
SET BEFORE POWER ON
AC OUTLETS
SWITCHED
100W MAX. TOTAL
MAIN
A
OR B:
8
MIN. /SPEAKER
MD/CD-R
CENTER
REAR
+
A
B:16 MIN. /SPEAKER
:
:
R
L
(SURROUND)
CENTER
REAR
8
8
MIN. /SPEAKER
MIN. /SPEAKER
S VIDEO
R
R
SUB WOOFER
+
MAIN
A
OR B:
4
8
6
6
MIN. /SPEAKER
MIN. /SPEAKER
MIN. /SPEAKER
MIN. /SPEAKER
+
A
B:
:
OPTICAL
MD/CD-R
CENTER
REAR
:
L
–
R
IN(PLAY) OUT(REC)
MD/CD-R
IN
OUT
SUB
AUX
CD
WOOFER
DIGITAL
OUTPUT
DVD
D-TV/CBL
VCR 1
AUDIO SIGNAL
OUTPUT
(Europe model)
As this terminal is used
for an examination in the
factory, do not connect
any equipment to this
terminal.
9
0
q
8 AC OUTLET(S)
Use these outlets to supply power to your other audio/video
components (see page 18).
1 DIGITAL OUTPUT jacks
2 DIGITAL INPUT jacks
3 6CH INPUT jacks
See pages 12 and 13 for connection information.
9 Audio component jacks
See pages 12 and 13 for connection information.
4 Antenna input terminals
See page 26 for connection information.
0 SUBWOOFER jack
See page 17 for connection information.
5 Video component jacks
See pages 14 and 15 for connection information.
q IMPEDANCE SELECTOR switch
Use this switch to match the amplifier output to your
speaker impedance. Set this unit in the standby mode before
you change the setting of this switch (see page 18).
6 Speaker terminals
See pages 16 and 17 for connection information.
7 AC power cord
Connect to a power outlet.
9
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PREPARATION
SPEAKER SETUP
Speakers to Be Used
Speaker Placement
This unit is designed to provide the best sound-field quality
with a 5-speaker system, using main speakers, rear speakers
and a center speaker. If you use different brands of speakers
(with different tonal qualities) in your system, the tone of a
moving human voice and other types of sound may not shift
smoothly. We recommend that you use speakers from the
same manufacture to ensure even tonal quality.
Refer to the following diagram when you place the
speakers.
Main speaker (R)
Rear speaker (R)
Subwoofer
Main
speaker (L)
1.8 m
The main speakers are used for the main source sound plus
the effect sounds. They will probably be the speakers from
your present stereo system. The rear speakers are used for
the effect and surround sounds, and the center speaker is for
the center sounds (dialog, vocals, etc.). If for some reason it
is not practical to use a center speaker, you can do without
it. Best results, however, are obtained with the full system.
Center speaker
Rear speaker (L)
I Main speakers
Place the right and left main speakers an equal distance
from the ideal listening position. The distance of each
speaker from each side of the TV monitor should be the
same.
The main speakers should be high-performance models and
have enough power-handling capacity to accept the
maximum output of your audio system. The other speakers
do not have to be equal to the main speakers. For precise
sound localization, however, it is ideal to use high-
performance models that can reproduce sounds over the full
range for the center speaker and the rear speakers.
I Rear speakers
Place these speakers behind your listening position, facing
slightly inwards, nearly 1.8 m (approx. 6 feet) above the
floor.
I Use of a subwoofer expands your
sound field
I Center speaker
It is also possible to further expand your system with the
addition of a subwoofer. The use of a subwoofer is effective
not only for reinforcing bass frequencies from any or all
channels, but also for reproducing the LFE (low frequency
effect) channel with high fidelity when playing back a
source encoded with Dolby Digital or DTS. The YAMAHA
Active Servo Processing Subwoofer System is ideal for
natural and lively bass reproduction.
Align the front face of the center speaker with the front face
of your TV monitor. Place the speaker as close to the
monitor as possible, such as directly over or under the
monitor and centrally between the main speakers.
Note
• If the center speaker is not used, the sound will be heard from the
right and left main speakers. In that case, “CENTER SP” in the
SET MENU is set to the NON position.
I Subwoofer
The position of the subwoofer is not so critical, because low
bass sounds are not highly directional. But it is better to
place the subwoofer near the main speakers. Turn it slightly
toward the center of the room to reduce the wall reflections.
CAUTION
Please use magnetically shielded speakers.
Sometimes a video monitor may be adversely affected
even when magnetically shielded speakers are used.
Separate the speakers from the monitor if this happens.
10
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CONNECTIONS
Before Connecting Components
CAUTION
Never connect this unit and other components to mains power until all connections between components have been
completed.
Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some
components require different connection methods and have different terminal names. Refer to the instructions for each
component to be connected to this unit.
When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect
it to the jacks with the same number labels as !, #, $ etc.
Use RCA-type pin plug cables for connecting audio/video components with the exception described later.
The input and output jacks for pin plugs can be distinguished as follows:
V
V
Yellow
White
Red
video signals (composite)
analog audio signals for the left channel
analog audio signals for the right channel
coaxial digital signals
L
L
R
R
C
C
After completing all connections, check them again to make sure they are correct.
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CONNECTIONS
I Connecting an MD recorder, CD
Connecting Audio Components
I Connecting to digital jacks
This unit has digital jacks for direct transmission of digital
signals through either coaxial or fiber optic cables. You can
use the digital jacks to input PCM, Dolby Digital and DTS
bitstreams. When you connect components to both the
COAXIAL and OPTICAL jacks, priority is given to the
input signals from the COAXIAL jack. All digital input
jacks are acceptable for 96-kHz sampling digital signals.
recorder or tape deck
y
• When you connect your recording component to both the analog
and digital input and output jacks, the priority is given to the
digital signal.
Notes
• When you connect a recording component to this unit, keep its
power on while using this unit. If the power is off, this unit may
distort the sound from other components.
• Since digital output and analog output (REC OUT) are
independent of each other, the analog signal is output only to the
analog jack, while the digital signal is output only to the digital
jack.
y
• You can designate the input for each digital jack according to
your component by using “3 I/O ASSIGN” in the SET MENU.
About the dust protection cap
Connecting an External Decoder
Pull out the cap from the optical jack before
you connect the fiber optic cable. Do not
discard the cap. When you are not using the
optical jack, be sure to put the cap back in
place. This cap protects the jack from dust.
This unit is equipped with 6 additional input jacks (left and
right MAIN, CENTER, left and right SURROUND and
SUBWOOFER) for discrete multi-channel input from an
external decoder, sound processor or pre-amplifier.
Note
Connect the output jacks on your external decoder to the
6CH INPUT jacks. Be sure to match the left and right
outputs to the left and right input jacks for the main and
surround channels.
• The OPTICAL jacks on this unit conform to the EIA standard. If
you use a fiber optic cable that does not conform to this standard,
this unit may not function properly.
I Connecting a CD player
Notes
y
• When you select 6CH INPUT as the input source, this unit
automatically turns off the digital sound field processor, and you
cannot listen to DSP programs.
• The COAXIAL jack is available for a CD player which has
coaxial digital output jack.
• When you connect a CD player to both the analog and digital
jacks, priority is given to the input signals from the digital jack.
• When you select 6CH INPUT as the input source, changing items
of “1 SPEAKER SET” in the SET MENU is not affected (except
“MAIN LVL”).
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CONNECTIONS
SUBWOOFER
OUTPUT
MAIN
OUTPUT
OUTPUT
External decoder
CD player
COAXIAL
OUTPUT
C
L
R
L
R
L
R
SURROUND
OUTPUT
CENTER
OUTPUT
DIGITAL
INPUT
TUNER
AM ANT GND
FM ANT
CD
COAXIAL
OPTICAL
75 UNBAL.
D-TV/CBL
6CH INPUT
VIDEO SIGNAL
VCR 1
DVD
D-TV/CBL
MONITOR OUT
VIDEO
IN
OUT
MAIN
SURROUND
CENTER
DVD
L
L
MD/CD-R
S VIDEO
R
R
SUB WOOFER
OPTICAL
MD/CD-R
L
R
IN(PLAY) OUT(REC)
MD/CD-R
IN
OUT
(Europe model)
AUX
CD
DIGITAL
OUTPUT
DVD
D-TV/CBL
VCR 1
AUDIO SIGNAL
O
O
L
R
L
R
L
R
OUTPUT
INPUT
OUTPUT
MD recorder or
CD recorder
Audio component
OPTICAL
INPUT
OPTICAL
OUTPUT
indicates signal direction
indicates left analog cables
indicates right analog cables
indicates optical cables
L
R
O
C
indicates coaxial cables
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CONNECTIONS
Connecting Video Components
I Audio signal jacks
Be sure to connect the right channel (R), left channel (L), input (IN) and output (OUT) properly.
I Video signal jacks
Be sure to connect the input (IN) and output (OUT) properly.
I TV monitor with a 21-pin connector
Make a connection as shown on page 15 with a commercially available SCART-plug connector cable.
I S VIDEO jacks
Video monitor
DVD player
If your video component has “S” (high-resolution) video
jacks, they can be connected to this unit’s S VIDEO jacks.
Otherwise, connect the composite video jacks of your video
component to this unit’s composite video jacks.
S VIDEO OUT
S VIDEO IN
Notes
S
• Use a special S VIDEO cable (commercially available) for the S
VIDEO connection.
S
• If video signals are input from both the S VIDEO input and
composite input jacks, the signals will be directed to their
respective output jacks.
VIDEO SIGNAL
VCR
DVD
D-TV/CBL
1
OUT
MONITOR OUT
VIDEO
IN
S
VIDEO
S
S Video signal
Signal flow
S VIDEO OUT
S VIDEO
OUT
S VIDEO IN
TV/digitalTV,
cable TV or
VCR
satellite tuner
I VIDEO AUX jacks (on the front panel)
These jacks are used to connect any video input source such
as a game console to this unit.
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
VIDEO AUX
L
S
O
V
R
OPTICAL OUT
AUDIO OUT R
AUDIO OUT L
VIDEO OUT
Game console
S VIDEO OUT
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CONNECTIONS
Video monitor
OPTICAL
OUTPUT
SCART-plug
DVD player
AUDIO
OUTPUT
S VIDEO
OUTPUT
VIDEO
OUTPUT
S VIDEO VIDEO
INPUT INPUT
V
L
R
V
V
O
L
R
S
S
No connection
DIGITAL
INPUT
CD
TUNER
AM ANT GND
FM ANT
COAXIAL
OPTICAL
75 UNBAL.
(Europe model)
D-TV/CBL
6CH INPUT
VIDEO SIGNAL
VCR 1
DVD
D-TV/CBL
MONITOR OUT
VIDEO
IN
OUT
MAIN
SURROUND
L
CENTER
DVD
L
MD/CD-R
S VIDEO
R
R
SUB WOOFER
OPTICAL
MD/CD-R
L
R
IN(PLAY) OUT(REC)
MD/CD-R
IN
OUT
SUB
AUX
CD
WOOFER
DIGITAL
OUTPUT
DVD
D-TV/CBL
VCR 1
AUDIO SIGNAL
OUTPUT
O
S
S
S
V
V
V
L
R
L
R
L
R
VIDEO
OUTPUT
AUDIO
INPUT
S VIDEO
S VIDEO
S VIDEO
OUTPUT
OUTPUT INPUT
TV/digital TV
or cable
TV/satellite tuner
OPTICAL
OUTPUT
VIDEO
VCR
OUTPUT
AUDIO OUTPUT
AUDIO OUTPUT
VIDEO INPUT
indicates signal direction
indicates left analog cables
indicates right analog cables
indicates optical cables
indicates video cables
L
R
O
V
S
indicates S-video cables
When using an LD player
Connect the LD player output to the DVD jack.
If the LD player has an OPTICAL digital output jack, connect it to this unit’s OPTICAL DVD jack. If it has analog jacks,
connect it to the analog DVD jacks. If it has an “RF OUTPUT jack” to output a Dolby Digital RF signal (AC-3), use a
commercially available RF demoduclator and connect it to the OPTICAL DVD jack.
If connecting a DVD player and an LD player, connect the LD player to the digital input jack (ex. D-TV/CBL) or the analog
input jack (D-TV/CBL or VCR 1). For details on connections and operations, refer to the operation instructions for the LD
player.
Note that this unit’s remote control can be used to operate the LD player by setting the corresponding manufacturer code for
the DVD/LD mode.
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CONNECTIONS
Connecting Speakers
Be sure to connect the right channel (R), left channel (L), “+” (red) and “–” (black) properly. If the connections are faulty, no
sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound will be unnatural
and lack bass.
CAUTION
• Use speakers with the specified impedance shown on the rear panel of this unit.
• Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could
damage the unit and/or speakers.
I Speaker cables
1 Remove approx. 10 mm (3/8”) of insulation
10 mm (3/8”)
from each of the speaker cables.
2 Twist the exposed wires of the cable together
1
2
to prevent short circuits.
I Connecting to the MAIN SPEAKERS terminals
1 Unscrew the knob.
Red: positive (+)
Black: negative (–)
2
1
2 Insert one bare wire into the hole in the side of
each terminal.
3 Tighten the knob to secure the wire.
3
I Connecting to the REAR and CENTER SPEAKERS terminals
Red: positive (+)
Black: negative (–)
1 Open the tab.
1
3
2 Insert one bare wire into the hole of each
terminal.
3 Return the tab to secure the wire.
2
I Main speaker terminals
One or two speaker systems can be connected to these terminals. If you use only one speaker system, connect it to either of
the SPEAKERS A or B terminals.
I Rear speaker terminals
A rear speaker system can be connected to these terminals.
I Center speaker terminals
A center speaker can be connected to these terminals.
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CONNECTIONS
Main speakers A
Main speakers B
Left
Right
Left
Right
(Europe model)
SPEAKERS
+
–
–
+
R
L
MAINS
A
MAIN
B
IMPEDANCE SELECTOR
SET BEFORE POWER ON
AC OUTLETS
SWITCHED
100W MAX. TOTAL
MAIN
A
OR B:
8
MIN. /SPEAKER
CENTER
REAR
+
A
B:16 MIN. /SPEAKER
:
:
R
L
(SURROUND)
CENTER
REAR
8
8
MIN. /SPEAKER
MIN. /SPEAKER
+
MAIN
A
OR B:
4
8
6
6
MIN. /SPEAKER
MIN. /SPEAKER
MIN. /SPEAKER
MIN. /SPEAKER
+
A
B:
:
CENTER
REAR
:
–
SUB
WOOFER
OUTPUT
Right
Left
Subwoofer
system
Center speaker
Rear speakers
I Subwoofer connection
When using a subwoofer with built-in amplifier, including
the YAMAHAActive Servo Processing Subwoofer System,
connect the input jack of the subwoofer system to this jack.
Low bass signals distributed from the main, center and/or
rear channels are directed to this jack. (The cut-off
frequency of this jack is 90 Hz.) The LFE (low-frequency
effect) signals generated when Dolby Digital or DTS is
decoded are also directed if they are assigned to this jack.
Notes
• Adjust the subwoofer volume according to the operation
instructions for the subwoofer. (Fine adjustment is possible using
this unit’s output level control of the effect speakers.)
• Depending on the settings of “1 SPEAKER SET”, “LFE LEVEL
(5 DOLBY D. SET)” and “6 DTS SET” in the SET MENU, some
signals may not be output from the SUBWOOFER jack.
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CONNECTIONS
IMPEDANCE SELECTOR Switch
WARNING
Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise the unit may be
damaged.
If this unit fails to turn on when STANDBY/ON (or POWER) is pressed, the IMPEDANCE SELECTOR switch may not
be fully slid either position. If so, slide the switch to either position fully when this unit is in the standby mode.
Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only
when this unit is in the standby mode.
(Europe model)
Switch Speaker
position
Impedance level
IMPEDANCE
SELECTOR
MAINS
If you use one set of main speakers, the impedance of
each speaker must be 4 Ω or higher.
Main
Left
If you use two sets of main speakers, the impedance of
each speaker must be 8 Ω or higher.
IMPEDANCE SELECTOR
SET BEFORE POWER ON
AC OUTLETS
SWITCHED
100W MAX. TOTAL
MAIN
A
OR B: MIN. /SPEAKER
8
A
+
B:16 MIN. /SPEAKER
CENTER
REAR
:
:
8
8
MIN. /SPEAKER
MIN. /SPEAKER
Center
Rear
The impedance must be 6 Ω or higher.
MAIN
A
OR B:
4
8
6
6
MIN. /SPEAKER
MIN. /SPEAKER
MIN. /SPEAKER
MIN. /SPEAKER
A
+
B:
:
The impedance of each speaker must be 6 Ω or higher.
CENTER
REAR
:
If you use one set of main speakers, the impedance of
each speaker must be 8 Ω or higher.
Main
Right
If you use two sets of main speakers, the impedance of
each speaker must be 16 Ω or higher.
Center
Rear
The impedance must be 8 Ω or higher.
The impedance of each speaker must be 8 Ω or higher.
Connecting the Power Supply Cords
After completing all connections, connect the AC power cord to an AC power outlet. Disconnect the AC power cord if you
will not use this unit for a long period of time.
I AC OUTLETS (SWITCHED)
(Europe model)
Europe model .................................................... 2 OUTLETS
U.K. model .......................................................... 1 OUTLET
Use these outlets to connect the power cords only from your
audio/video components to this unit. The power to the AC
OUTLET(S) is controlled by this unit’s STANDBY/ON (or
POWER). These outlets will supply power to any connected
component whenever this unit is turned on. The maximum
power (total power consumption of components) that can be
connected to the AC OUTLET(S) is 100 W.
IMPEDANCE SELECTOR
SET BEFORE POWER ON
AC OUTLETS
SWITCHED
100W MAX. TOTAL
MAIN
A
OR B: MIN. /SPEAKER
8
A
+
B:16 MIN. /SPEAKER
CENTER
REAR
:
:
8
8
MIN. /SPEAKER
MIN. /SPEAKER
MAIN
A
OR B:
4
8
6
6
MIN. /SPEAKER
MIN. /SPEAKER
MIN. /SPEAKER
MIN. /SPEAKER
A
+
B:
:
CENTER
REAR
:
To AC outlet
SWITCHED
18
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ADJUSTING THE SPEAKER BALANCE
This procedure lets you adjust the sound output level
Using the Test Tone
The adjustment of each speaker sound output level should
be performed at your listening position with the remote
control.
balance between the main, center and rear speakers by using
the built-in test tone generator. When this adjustment is
performed, the sound output level heard at the listening
position will be the same from each speaker. This is
important for the best performance of the digital sound field
processor, the Dolby Pro Logic decoder, Dolby Digital
decoder and DTS decoder.
3
5
1
Note
• Since this unit cannot enter the test mode while headphones are
connected to this unit, be sure to unplug the headphones from the
PHONES jack when using the test tone.
2,6
Before You Start Adjusting
2
1
1 Press AMP(TUNER) on the
component selector.
VOLUME
D
I
G
I
T
A
L
RDS MODE/FREQ
EON
D
I
G
I
T
A
L
SURROUND
STANDBY
/ON
PTY SEEK
MODE
START
INPUT MODE
6CH INPUT
PRESET
/TUNING
2 Press TEST.
FM/AM
BASS
TREBLE
BALANCE
SPEAKERS
INPUT
A
B
PROGRAM
EFFECT
PRESET/TUNING
A/B/C/D/E
EDIT
TUNING
MODE
MEMORY
–
+
–
+
L
R
ON OFF
“TEST LEFT” appears on the display.
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
SILENT
VIDEO AUX
3
4
3 Turn up the volume.
VOLUME
1 Set the volume at the
You will hear a test tone (like pink noise) from each
speaker for about two seconds in following order: left
main speaker, center speaker, right main speaker, right
rear speaker and left rear speaker. The display changes
as shown below.
minimum level.
2 Turn the power on.
TEST
LEFT
TEST
RIGHT
STANDBY
/ON
TEST CENTER
SPEAKERS
3 Press SPEAKERS A or B
to select the main
A
B
speakers to be used.
ON OFF
If you use two main speaker
systems, press both A and B.
4 Set BASS,TREBLE and BALANCE to the
TEST L SUR.
TEST R SUR.
center position.
BASS
TREBLE
BALANCE
Notes
• If the test tone cannot be heard, turn down the volume, set the unit
in the standby mode and check the speaker connections.
• If the test tone cannot be heard from the center speaker, check the
setting of “CENTER SP” in the SET MENU.
–
+
–
+
L
R
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ADJUSTING THE SPEAKER BALANCE
BALANCE
4 Adjust BALANCE on the
front panel so that the
sound output level of the
right main speaker and the
left main speaker is the
same.
L
R
Front panel
5 Press –/+ repeatedly to
adjust the output level of
the speaker currently
outputting the test tone so
that it becomes almost the
same as that of the main
speakers.
While adjusting, the test tone is heard from the selected
speaker.
6 When the adjustment is complete, press TEST.
The test tone stops.
Notes
• If “CENTER SP” in the SET MENU is set to the NON position,
the sound output level of the center speaker cannot be adjusted in
step 5. The center channel sound is automatically output from the
right and left main speakers.
• For details on adjusting the subwoofer speaker, refer to “DELAY
TIME AND SPEAKER OUTPUT LEVELS” on page 40.
• After adjusting with the test tone, it is possible to adjust the
speaker level to taste while listening to the playback of an actual
source. Refer to “DELAY TIME AND SPEAKER OUTPUT
LEVELS” on page 40.
y
• Once you have completed the adjustments, you can only adjust
the overall volume level of your audio system by using VOLUME
(or VOLUME (u/d)).
• If there is insufficient sound output from the center and rear
speakers, you may decrease the main speaker output level by
setting “MAIN LVL” in the SET MENU to “–10 dB”.
20
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BASIC OPERATION
PLAYING A SOURCE
4 Select the desired input source with INPUT
When using the remote control, press AMP(TUNER) on
the component selector.
l / h (or the input selector buttons). (Turn on
the video monitor for video sources.)
The name of the selected input source appears on the
display.
2
1,6
VOLUME
D
I
G
I
T
A
L
INPUT
RDS MODE/FREQ
EON
D
I
G
I
T
A
L
SURROUND
STANDBY
/ON
PTY SEEK
MODE
START
or
INPUT MODE
6CH INPUT
PRESET
/TUNING
FM/AM
BASS
TREBLE
BALANCE
SPEAKERS
INPUT
A
B
PROGRAM
EFFECT
PRESET/TUNING
A/B/C/D/E
EDIT
TUNING
MODE
MEMORY
Front panel
Remote control
–
+
–
+
L
R
ON OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
SILENT
VIDEO AUX
6
3
7
4
Input source
6
7
To select a source connected to the 6CH INPUT
jacks
Press 6CH INPUT so that “6CH INPUT” appears on the
display.
2
4
6CH INPUT
or
Front panel
Remote control
VOLUME
1 Set the volume at the
minimum level.
Notes
• An audio source can not be played if “6CH INPUT” appears.
Press 6CH INPUT to turn off “6CH INPUT”.
Front panel
• If you select and play a video source when “6CH INPUT”
appears, the playback result will be a video image from the video
source and the sound from the audio source selected by using
“6CH INPUT”.
2 Turn the power on.
STANDBY
/ON
or
y
• The current input mode is also shown. Refer to “Input Modes and
Indications” on page 23 for details.
Front panel
Remote control
SPEAKERS
3 Press SPEAKERS A or B
to select the main
A
B
speakers to be used.
ON OFF
If you use two main speaker
systems, press both A and B.
Front panel
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PLAYING A SOURCE
I Notes on the digital signal
5 Play the source.
The digital input jacks of this unit can also handle
96-kHz sampling digital signals. (To utilize this, use a
source that supports 96-kHz sampling digital signals and set
the player for digital output. Refer to the operation
instructions for the player.) Note the following when a
96-kHz sampling digital signal is input to this unit:
1. The following indication will appear on the display.
Refer to the instructions for the source component (and
“TUNING” for details).
Note
• When controlling an audio/video component (MD recorder, CD
player, DVD player, tape deck, etc.) with the remote control, press
one of the component selector buttons, (TAPE/MD, CD, DVD/
LD, etc.), which corresponds to the component you want to
control. Refer to “PRESET REMOTE CONTROL”.
6 Adjust the volume to the desired output level.
VOLUME
PCM
K
HZ
2. DSP programs cannot be selected. Sound will be output
as normal 2-channel stereo sound from only the left and
right main speakers.
or
Front panel
Remote control
Note
If desired, adjust BASS, TREBLE, BALANCE, etc.
These controls are only effective for the sound from the
main speakers.
• If “MAIN SP” in the SET MENU is set to SMALL and
“BASS OUT” is set to SWFR or “BASS OUT” is set to
BOTH, the sound is also output from the subwoofer.
• BASS controls the low-frequency response.
• TREBLE controls the high-frequency response.
• BALANCE adjusts the balance of the output volume
from the right and left main speakers.
3. Adjustment of the speaker output level described on
page 40 cannot be made (except the level of the
subwoofer).
BASS
TREBLE
BALANCE
I BGV (background video) function
The BGV function allows you to combine a video image
from a video source with a sound from an audio source.
(For example, you can listen to classical music while you
are watching a video.) This function can only be controlled
with the remote control.
–
+
–
+
L
R
Front panel
7 Use the digital sound field processor.
Refer to “Selecting a DSP Program”.
Play a video source, and then select an audio source with
the input selector buttons on the remote control. The BGV
function does not work if you select the audio source with
INPUT l / h on the front panel.
PROGRAM
or
Remote control
Front panel
I To mute the sound
Use this when you want to temporarily mute audio output.
Press MUTE on the remote
control.
To restore the audio output to
the previous volume level, press
MUTE again.
Note
• During muting, “MUTE ON” appears on the display.
I When you have finished using this
unit
Press STANDBY/ON (or POWER) to set this
unit in the standby mode.
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PLAYING A SOURCE
I Notes on playing a source
Input Modes and Indications
When using the remote control, press AMP(TUNER) on
the component selector.
encoded with a DTS signal
•
If the digital output data of the player has been processed
in any way, you may not be able to perform DTS
decoding even if you make a digital connection between
this unit and the player.
This unit comes with various input jacks. If your component
is connected to more than one type of input jack, you can set
the priority of the input signal.
•
If you play a source encoded with a DTS signal and set
the input mode to ANALOG, this unit reproduces the
noise of an unprocessed DTS signal. When you want to
play a DTS source, be sure to connect the source to a
digital input jack and set the input mode to AUTO or
DTS.
Press INPUT MODE (or the input selector
button that you have pressed to select the
input source on the remote control) repeatedly
until the desired input mode is shown on the
display.
•
•
If you switch the input mode to ANALOG while playing
a source encoded with a DTS signal, this unit reproduces
no sound.
The following phenomena may occur if the input mode
is set to AUTO when playing back a source encoded with
DTS:
INPUT MODE
or
– If you continue to play a source encoded with a DTS
signal, this unit automatically switches to the “DTS-
decoding” mode to prevent noise from being generated
during subsequent operation. (The “t” indicator
lights up on the display.) The “t” indicator may flash
immediately after playback of a source encoded with a
DTS signal has finished. Only a source encoded with a
DTS signal can be played back while this indicator is
flashing. (The indicator will flash for less than a minute.)
If you want to play a normal PCM source soon, set the
input mode back to AUTO.
– The “t” indicator may flash when a search or skip
operation is performed. If this status continues for a
certain length of time, the unit will automatically switch
from the “DTS-decoding” mode to PCM digital signal
input mode and the “t” indicator will go out.
Front panel
Remote control
Input mode
AUTO:
DTS:
In this mode, the input signal is
automatically selected in the following
order:
1) Dolby Digital or DTS signal
2) Digital (PCM) signal
3) Analog signal
In this mode, only the digital input
signal encoded with DTS is selected
even if another signal is input at the
same time.
ANALOG (ANLG): In this mode, only the analog input
signal is selected even if a digital
signal is input at the same time.
Notes
• If digital signals are input from both the COAXIAL and
OPTICAL jacks, the digital signal from the COAXIAL jack is
selected.
• When AUTO is selected, this unit automatically determines the
type of signal. If this unit detects a Dolby Digital or DTS signal,
the decoder automatically switches to the appropriate setting and
reproduces 5.1 channel source.
• The sound output may be interrupted for some LD players and
DVD players in the following situation:
When the input mode has been set to AUTO and a search is
performed while playing the source encoded with a Dolby Digital
or DTS signal, the sound may delay for a moment when playback
is resumed.
• Depending on the LD player, playback may not be made when
playing an LD that is not digitally recorded with the input mode
set to AUTO. If this happens, set the input mode to ANALOG.
23
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PLAYING A SOURCE
I On the front panel
Selecting a DSP Program
You can enhance your listening experience by selecting a
DSP program. Refer to “SOUND FIELD PROGRAM” for
details about each program.
VOLUME
D
I
G
I
T
A
L
RDS MODE/FREQ
EON
D
I
G
I
T
A
L
SURROUND
STANDBY
/ON
PTY SEEK
MODE
START
INPUT MODE
6CH INPUT
PRESET
/TUNING
FM/AM
BASS
TREBLE
BALANCE
SPEAKERS
y
INPUT
A
B
PROGRAM
EFFECT
PRESET/TUNING
A/B/C/D/E
EDIT
TUNING
MODE
MEMORY
–
+
–
+
L
R
ON OFF
• Make sure that the sound effect is turned on (see page 25).
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
SILENT
VIDEO AUX
I On the remote control
PROGRAM
/
1
Press PROGRAM l or h
repeatedly to select the
desired program.
The name of the selected
program appears for a moment
and the selected DSP program
indicator lights up on the
display.
PROGRAM
2
1 Press AMP(TUNER) on the
MOVIE THEATER 1
DIGITAL
component selector.
BASS EXT.
DSP
2 Press PRG+ or PRG–
repeatedly to select the
desired program.
DSP program name
y
• If desired, adjust the delay time and the sound output level of each
speaker. (Refer to “DELAY TIME AND SPEAKER OUTPUT
LEVELS” on page 40 for details.)
The name of the selected
program appears for a moment
and the selected DSP program
indicator lights up on the
display.
Notes
• Choose a DSP program based on your listening preference, and
not on the name of the program. The acoustics of your listening
room affect the DSP program. Minimize the sound reflections in
your room to maximize the effect created by the program.
• When you select an input source, this unit automatically selects
the last DSP program used with that source.
MOVIE THEATER 1
DIGITAL
BASS EXT.
DSP
• When you set this unit in the standby mode, the current source
and DSP program are memorized and are automatically selected
when you turn on the power again.
DSP program name
• If a Dolby Digital or DTS signal is input when the input mode is
set to AUTO, the DSP program automatically switches to the
appropriate decoding program.
• When a monaural source is being played with PRO LOGIC/
NORMAL or PRO LOGIC/ENHANCED, no sound will be heard
from the main speakers and the rear speakers. Sound can only be
heard from the center speaker. However, if “CENTER SP” in the
SET MENU is set to NON, the center channel sound is output
from the main speakers.
• When a source connected to the 6CH INPUT jack of this unit is
selected, the digital sound field processor cannot be used.
• When 96-kHz sampling digital signals are input to this unit, the
DSP program cannot be selected. In this case, the sound is
reproduced as normal 2-channel stereo.
24
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PLAYING A SOURCE
I Virtual CINEMA DSP and SILENT
Canceling the Sound Effect (turning
off the effect speakers)
CINEMA
Virtual CINEMA DSP
Virtual CINEMA DSP allows you to enjoy the sound field
effects of the DSP program without rear speakers. Using
YAMAHA original technology, natural surround
reproduction is possible through the generation of a virtual
speaker.
Press EFFECT to cancel the sound effect and
monitor only the main sound.
Press EFFECT again to turn the sound effect back on.
EFFECT
or
The sound field processing is changed to the Virtual
CINEMA DSP mode by setting “REAR LR SP” on the SET
MENU to NON. Virtual CINEMA DSP is performed by
using the main speakers.
Remote control
Front panel
Note
• This unit is not set in the Virtual CINEMA DSP mode even if
“REAR LR SP” is set to NON in the following cases:
– when the 5CH STEREO, PRO LOGIC/NORMAL, DOLBY
DIGITAL/NORMAL or DTS/NORMAL program is selected;
– when the sound effect is turned off;
– when 6CH INPUT is selected as the input source;
– when 96-kHz sampling digital signals are input to this unit;
– when the Dolby Digital KARAOKE source is played;
– when using the test tone; or
Notes
• If the sound effect is canceled when Dolby Digital or DTS is
decoding, the sounds of the center and rear channels are mixed
and output from the main speakers.
• If you turn off the sound effect when Dolby Digital or DTS is
decoding, it may happen that the sound is output faintly or not
output normally, depending on the source. In that case, turn back
on the sound effect.
– when connecting the headphones (you will hear SILENT
CINEMA).
SILENT CINEMA
SILENT CINEMA allows you to enjoy the realistic feel of
the DSP program while using headphones. This feature
delivers powerful surround reproduction just as if listening
through the speakers.
You can listen to SILENT CINEMA by connecting your
headphones to the PHONES jack while the effect speakers
are on.
25
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TUNING
Connecting the Antennas
Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal
strength.
Connect each antenna correctly to the designated terminals.
3 Release the tab to lock the lead wires.
AM loop
antenna
(included)
Indoor FM
antenna
(included)
Lightly pull the lead wires to confirm a good
connection.
4 Attach the loop antenna to the antenna stand.
5 Orient the AM loop antenna so that the best
reception is obtained.
y
TUNER
AM ANT GND
FM ANT
• The AM loop antenna can be removed from the stand and
attached to a wall, etc.
75 UNBAL.
Notes
• The AM loop antenna should be placed away from this unit.
• The AM loop antenna should always be connected, even if an
outdoor AM antenna is connected to this unit.
Ground (GND terminal)
For maximum safety and
A properly installed outdoor antenna provides clearer
reception than an indoor one. If you experience poor
reception quality, an outdoor antenna may improve the
quality. Consult the nearest authorized YAMAHA dealer
or service center about the outdoor antennas.
minimum interference, connect
the antenna GND terminal to a
good earth ground. A good earth
ground is a metal stake driven
into moist earth.
Connecting a coaxial cable to the included
75-ohm/300-ohm antenna adapter (U.K. model
only)
I Connecting the indoor FM antenna
Connect the included indoor FM antenna to the FM ANT
2
1
11 (7/16)
75Ω UNBAL. terminal.
Unit: mm
(inch)
8 (5/16)
6 (1/14)
Note
Cover
• Do not connect an outdoor FM antenna and the indoor FM
antenna at the same time.
Cut the external sleeve of
the 75-ohm coaxial cable
and prepare it for
Open the cover of the
included 75-ohm/300-ohm
antenna adapter.
connection.
I Connecting the AM loop antenna
3
3
1
Lead wire
Cut the lead wire and
4
2
5
remove it.
4
5
Clamp
with
Clamp with
pliers.
pliers.
Antenna stand
Insert the wire
into the slot.
1 Press and hold the tab to unlock the terminal
Snap the cover into
place.
Insert the cable wire into the
slot, and clamp it with
pliers.
hole.
2 Insert the AM loop antenna lead wires into the
AM ANT and GND terminals.
26
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TUNING
Automatic Tuning
Manual Tuning
Automatic tuning is effective when station signals are
strong and there is no interference.
If the signal from the station you want to select is weak, you
must tune in to it manually.
INPUT
1 Use INPUT l / h to select
TUNER as input source.
VOLUME
D
I
G
I
T
A
L
RDS MODE/FREQ
EON
D
I
G
I
T
A
L
SURROUND
STANDBY
/ON
PTY SEEK
MODE
START
2 Press FM/AM to select the reception band (FM
or AM).
INPUT MODE
6CH INPUT
PRESET
/TUNING
FM/AM
BASS
TREBLE
BALANCE
SPEAKERS
INPUT
A
B
PROGRAM
EFFECT
PRESET/TUNING
A/B/C/D/E
EDIT
TUNING
MODE
MEMORY
“FM” or “AM” appears on the display.
–
+
–
+
L
R
ON OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
FM/AM
SILENT
VIDEO AUX
or
4
1
32
3 Press TUNING MODE (AUTO/MAN’L MONO) so
that the “AUTO” indicator goes off.
INPUT
1 Use INPUT l / h to select
TUNER as the input
source.
TUNING
MODE
Goes off
AUTO/MAN'L MO
If “ z ” appears on the display next to the band
indication, press PRESET/TUNING (EDIT) to turn it
off.
2 Press FM/AM to select the reception band (FM
or AM).
“FM” or “AM” appears on the display.
PRESET
/TUNING
FM/AM
or
EDIT
Turn “ z ” off
3 Press TUNING MODE (AUTO/MAN’L MONO) so
that the “AUTO” indicator lights up on the
display.
4 Press PRESET/TUNING l or h to tune in to
the desired station.
To continue the tuning search, hold down the button.
TUNING
MODE
PRESET/TUNING
Lights up
AUTO/MAN'L MON
If “ z ” appears on the display next to the band
indication, press PRESET/TUNING (EDIT) to turn it
off.
Note
• If you tune in manually to an FM station, it will be automatically
received in monaural mode to increase the signal quality.
PRESET
/TUNING
EDIT
Turn “ z ” off
4 Press PRESET/TUNING l once to tune in to a
lower frequency and h once to tune in to a
higher frequency.
Press the button again if the tuning search does not stop
at the desired station.
PRESET/TUNING
y
• Use the manual tuning method if the tuning search does not stop
at the desired station (because the signal from the station is weak).
• When tuned in to a station, the “TUNED” indicator lights up and
the frequency of the received station is shown on the display. If an
RDS station that offers the PS data service is being received, the
station name is shown instead of the frequency on the display.
27
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TUNING
I Automatic preset tuning options
Automatic Preset Tuning (for RDS
stations only)
You can make use of the automatic preset tuning function
for RDS stations only. This function enables the unit to
automatically tune in with strong signals and to sequentially
store up to 40 RDS stations (5 groups x 8 stations).
You can select the preset number from which the unit will
store RDS stations and/or begin tuning toward lower
frequencies. Before automatic preset tuning begins (after
pressing MEMORY in step 3),
1. Press A/B/C/D/E and PRESET/TUNING l or h to
select the preset number with which the first station will
be stored. The automatic preset tuning will stop when
stations have all been stored up to E8.
2. Press PRESET/TUNING (EDIT) to turn “ z ” off and
then press PRESET/TUNING l to begin tuning toward
lower frequencies.
VOLUME
D
I
G
I
T
A
L
RDS MODE/FREQ
EON
D
I
G
I
T
A
L
SURROUND
STANDBY
/ON
PTY SEEK
MODE
START
INPUT MODE
6CH INPUT
PRESET
/TUNING
FM/AM
BASS
TREBLE
BALANCE
SPEAKERS
INPUT
A
B
PROGRAM
EFFECT
PRESET/TUNING
A/B/C/D/E
EDIT
TUNING
MODE
MEMORY
I When automatic preset tuning is
–
+
–
+
L
R
ON OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
completed
SILENT
VIDEO AUX
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure in the section “To Recall a Preset
Station” on page 29.
3 21
1 Press FM/AM to select the FM band.
Notes
FM/AM
• A new setting can be stored in place of the former one.
• The reception mode is stored along with the station frequency.
• You can manually replace a preset station with another FM or AM
station by simply using the manual preset tuning method.
• Automatic preset tuning will be performed for all RDS network
stations until all have been stored up to E8. Even if the number of
received stations is not enough to be stored up to E8, automatic
preset tuning is automatically ended after searching for all
stations.
2 Press TUNING MODE (AUTO/MAN’L MONO) so
that the “AUTO” indicator lights up on the
display.
TUNING
MODE
Lights up
AUTO/MAN'L MO
• Only RDS stations with sufficient signal strength are stored by
automatic preset tuning. If the station you want to store is weak in
signal strength, tune in to it manually in monaural mode and store
it by using the manual preset tuning method. (There may be a
case that this unit cannot receive a station which could be
received by using the automatic tuning method. This is because
this unit receives a large amount of PI (Program Identification)
data along with the station.)
3 Hold down MEMORY (MAN’L/AUTO FM) for
about 3 seconds.
The preset number, the “MEMORY” and “AUTO”
indicators flash. After about 5 seconds, automatic
preset tuning begins from the frequency currently
displayed toward the higher frequencies.
Memory back-up
Received stations are sequentially stored as A1, A2 ...
A8. If more than 8 stations have been tuned, they are
stored as preset station numbers in other groups (B, C,
D and E) in that order.
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the memory will be erased. If so, store the stations again
by using preset tuning methods.
AUTO
MEMORY
BASS EXT.
MEMORY
MAN'L/AUTO FM
Flashes
28
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TUNING
Manual Preset Tuning
To Recall a Preset Station
You can also store up to 40 stations (5 groups x 8 stations)
manually.
You can recall any desired station simply by selecting the
preset station number with which it was stored.
VOLUME
You can also recall a preset station with the remote control.
Press AMP(TUNER) on the component selector and press
TUNER on the input selector.
D
I
G
I
T
A
L
RDS MODE/FREQ
EON
D
I
G
I
T
A
L
SURROUND
STANDBY
/ON
PTY SEEK
MODE
START
INPUT MODE
6CH INPUT
PRESET
/TUNING
FM/AM
BASS
TREBLE
BALANCE
SPEAKERS
INPUT
A
B
PROGRAM
EFFECT
PRESET/TUNING
A/B/C/D/E
EDIT
TUNING
MODE
MEMORY
–
+
–
+
L
R
ON OFF
VOLUME
MAN'L/AUTO FM AUTO/MAN'L MONO
D
I
G
I
T
A
L
PHONES
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
RDS MODE/FREQ
EON
D
I
G
I
T
A
L
SURROUND
STANDBY
/ON
PTY SEEK
MODE
START
SILENT
VIDEO AUX
INPUT MODE
6CH INPUT
PRESET
/TUNING
FM/AM
BASS
TREBLE
BALANCE
SPEAKERS
INPUT
A
B
PROGRAM
EFFECT
PRESET/TUNING
A/B/C/D/E
EDIT
TUNING
MODE
MEMORY
–
+
–
+
L
R
ON OFF
4 3 2,5
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
SILENT
VIDEO AUX
1 Tune in to the desired station.
Refer to “Automatic/Manual Tuning” for the tuning
procedure.
2
1
2 Press MEMORY (MAN’L/AUTO FM).
The “MEMORY” indicator flashes for about 5 seconds.
MEMORY
MAN'L/AUTO FM
Flashes
3 Press A/B/C/D/E repeatedly to select the
desired group (A to E) of preset stations
before the “MEMORY” indicator goes off.
Make sure that “ z ” appears on the display. The
selected group appears on the display.
A/B/C/D/E
1
2
1 Press A/B/C/D/E to select the required group
of preset stations.
Make sure that “ z ” appears on the display.
A/B/C/D/E
4 Press PRESET/TUNING l or h to select a
preset station number (1 to 8) with which you
want to store the station before the “MEMORY”
or
Front panel
Remote control
indicator goes off.
Press l to select a lower preset
station number and h to select
a higher preset station number.
2 Press PRESET/TUNING l or h (or PRESET
–/+) to select a preset station number (1 to 8).
The preset group and number appear on the display
along with the reception band, frequency, and the
“TUNED” indicator lights up.
PRESET/TUNING
5 Press MEMORY (MAN’L/AUTO FM) before the
“MEMORY” indicator goes off.
PRESET/TUNING
The displayed station has been stored as the preset
group and number you have selected, and the reception
band and frequency appear and the “TUNED” indicator
lights up on the display.
or
Front panel
Remote control
AUTO
MEMORY
STEREO
TUNED
AUTO
STEREO
MAN'L/AUTO FM
TUNED
6 Repeat steps 1 to 5 to store other stations.
Notes
• A new setting can be stored in place of the former one.
• The reception mode is stored along with the station frequency.
29
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TUNING
Exchanging Preset Stations
You can exchange the assignment of two preset stations
with each other.
Example: Exchange preset station “E1” with “A5”
VOLUME
D
I
G
I
T
A
L
RDS MODE/FREQ
EON
D
I
G
I
T
A
L
SURROUND
STANDBY
/ON
PTY SEEK
MODE
START
INPUT MODE
6CH INPUT
PRESET
/TUNING
FM/AM
BASS
TREBLE
BALANCE
SPEAKERS
INPUT
A
B
PROGRAM
EFFECT
PRESET/TUNING
A/B/C/D/E
EDIT
TUNING
MODE
MEMORY
–
+
–
+
L
R
ON OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
SILENT
VIDEO AUX
2,4
1 Recall preset station “E1”.
Refer to the procedure in the section “To Recall a
Preset Station” on page 29.
2 Hold down (PRESET/
PRESET
/TUNING
TUNING) EDIT for about
EDIT
3 second.
“E1” and the “MEMORY”
indicator flash.
BASS EXT.
MEMORY
Flashes
3 Recall preset station “A5” by using the buttons
on the front panel.
“A5” and the “MEMORY” indicator flash.
BASS EXT.
MEMORY
Flashes
4 Press (PRESET/TUNING)
EDIT again.
PRESET
/TUNING
EDIT
The display shows the
exchange of stations has been
completed.
MEMORY
30
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RECEIVING RDS STATIONS
Radio Data System (RDS) is a data transmission system by
Changing the RDS Mode
FM stations in many countries. Stations using this system
transmit an inaudible stream of data in addition to the
normal radio signal.
The four modes are available in this unit for displaying RDS
data. When an RDS station is being received, PS, PTY, RT
and/or CT that correspond to the RDS data services offered
by the station light up on the display. Press RDS MODE/
FREQ repeatedly to change the display mode among the
RDS data offered by the transmitting station in the order
shown below. Illumination of the red indicator next to the
RDS mode indicator shows that the corresponding RDS
mode is now selected.
RDS data contains various information such as PI (Program
Identification), PS (Program Service name), PTY (Program
Type), RT (Radio Text), CT (Clock Time), EON (Enhanced
Other Networks), etc. The RDS function is carried out
among the network stations.
Description of RDS Data
Notes
• When an RDS station is being received, do not press RDS
MODE/FREQ until one or more RDS mode indicators light up on
the display. If you press the button before the indicators light up
on the display, the mode cannot be changed. This is because the
unit has not yet received all of the RDS data on the station.
• RDS data not offered by the station cannot be selected.
• The RDS data service cannot be utilized by this unit if the
received signal is not strong enough. In particular, the RT mode
requires a large amount of data to be received, so it is possible
that the RT mode may not be displayed even if other RDS modes
(PS, PTY, etc.) are displayed.
• RDS data cannot sometimes be received under poor reception
conditions. If so, press TUNING MODE so that the “AUTO”
indicator goes off from the display. Although the reception mode
is changed to monaural by this operation, when you change the
display to RDS mode, RDS data may be displayed.
This unit can receive PI, PS, PTY, RT, CT, and EON data
when receiving RDS broadcasting stations.
I PS (Program Service name) mode:
The name of the RDS station being received is displayed.
I PTY (Program Type) mode:
The program type on the RDS station being received is
displayed. There are 15 program types to classify RDS
stations. You can make this unit search for a station which is
broadcasting a program of the desired type. Refer to “PTY
SEEK Function” for details.
I RT (Radio Text) mode:
• If the signal strength is weakened by external interference during
the reception of an RDS station, the RDS data service may be cut
off suddenly and “...WAIT” will appear on the display.
Information about the program (such as the title of the song,
name of the singer, etc.) on the RDS station being received
is displayed by a maximum of 64 alphanumeric characters,
including the umlaut symbol. If other characters are used for
RT data, they are displayed with under-bars.
RDS MODE/FREQ
PS mode
I CT (Clock Time) mode:
The current time is displayed and updated every minute. If
the data are accidentally cut off, “CT WAIT” may appear.
PTY mode
RT mode
I EON (Enhanced Other Networks):
Refer to “EON Function” on page 33.
CT mode
Frequency
display mode
31
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RECEIVING RDS STATIONS
I To cancel this function
Press PTY SEEK MODE twice.
PTY SEEK Function
If you select the desired program type, the unit
automatically searches all preset RDS stations that are
broadcasting a program of the required type.
I Program types in the PTY mode
There are 15 program types to classify RDS stations.
1
3
NEWS
News
AFFAIRS
INFO
Current affairs
General information
VOLUME
D
I
G
I
T
A
L
SPORT
Sports
RDS MODE/FREQ
EON
D
I
G
I
T
A
L
SURROUND
STANDBY
/ON
PTY SEEK
MODE
START
EDUCATE
DRAMA
CULTURE
SCIENCE
VARIED
POP M
Education
Drama
INPUT MODE
6CH INPUT
PRESET
/TUNING
FM/AM
BASS
TREBLE
BALANCE
SPEAKERS
INPUT
A
B
PROGRAM
EFFECT
PRESET/TUNING
A/B/C/D/E
EDIT
TUNING
MODE
MEMORY
Culture
–
+
–
+
L
R
ON OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
Science
Light entertainment
SILENT
VIDEO AUX
Pops
ROCK M
M.O.R. M
LIGHT M
CLASSICS
OTHER M
Rock
2
Middle-of-the-road music (easy-listening)
Light classics
1 Press PTY SEEK MODE to set the unit in the
PTY SEEK mode.
Serious classics
Other music
The program type of the station being received or
“NEWS” flashes on the display.
PTY SEEK
MODE
START
Flashes
2 Press PRESET/TUNING l or h to select the
desired program type.
The selected program type flashes on the display.
PRESET/TUNING
Flashes
3 Press PTY SEEK START to begin searching all
preset RDS stations.
The selected program type flashes and the “PTY
HOLD” indicator lights up on the display while
searching for stations.
Light up
PS
PTY
RT
CT AUTO
PTY SEEK
MODE START
PTY HOLD
BASS EXT.
The selected program type flashes.
• If a station that is broadcasting a program of the
required type is found, the unit stops at that station.
• If the called station is not the desired one, press PTY
SEEK START again. The unit begins searching for
another station that is broadcasting a program of the
same type.
32
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RECEIVING RDS STATIONS
2 Press EON repeatedly to select the desired
program type (NEWS, INFO, AFFAIRS or
SPORT).
EON Function
This function uses the EON data service on the RDS station
network. If you simply select the desired program type
(NEWS, INFO, AFFAIRS or SPORT), the unit
The selected program type name indicator lights up on
the display.
EON
automatically searches for all preset RDS stations that are
scheduled to broadcast a program of the required type and
switches from the station being currently received to the
new station when the broadcasts starts.
Lights up
Note
PS
PTY
RT
CT AUTO
STEREO
EON
NEWS
BASS EXT.
TUNED
• This function can only be used when an RDS station that offers
the EON data service is being received. When such a station is
being received, the “EON” indicator lights up on the display.
AB
• If a preset RDS station of the selected program type
starts broadcasting, the unit will automatically switch
from the program being currently received to that
program. The program type name indicator flashes.
Flashes
2
VOLUME
D
I
G
I
T
A
L
RDS MODE/FREQ
EON
D
I
G
I
T
A
L
SURROUND
STANDBY
/ON
PTY SEEK
START
MODE
INPUT MODE
6CH INPUT
PS
PTY
RT
CT AUTO
EON
STEREO
PRESET
/TUNING
FM/AM
BASS
TREBLE
BALANCE
SPEAKERS
INPUT
NEWS
A
B
PROGRAM
EFFECT
PRESET/TUNING
A/B/C/D/E
BASS EXT.
TUNED
EDIT
TUNING
MODE
MEMORY
–
+
–
+
L
R
ON OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
SILENT
VIDEO AUX
• When broadcasting of the required program ends, the
previously received station (or another program on
the same station) is recalled.
1 Make sure that the “EON” indicator lights up
on the display.
PS
PTY
RT
EON
CT AUTO
STEREO
BASS EXT.
TUNED
If the “EON” indicator does not light up, tune in to
another RDS station so that the “EON” indicator lights
AB
up.
Lights up
I To cancel this function
Press EON repeatedly until no program type name lights up
PS
PTY
RT
EON
CT AUTO
STEREO
BASS EXT.
TUNED
on the display.
AB
33
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RECORDING A SOURCE
Recording adjustments and other operations are performed
Notes
from the recording component. Refer to the instructions for
these components.
• Do a test recording before you start an actual recording.
• When this unit is set in the standby mode, you cannot record
between other components connected to this unit.
• The DSP program and the setting of VOLUME, BASS, TREBLE
and BALANCE have no effect on the material being recorded.
• A source connected to the 6CH INPUT jacks of this unit cannot
be recorded.
1,4
VOLUME
D
I
G
I
T
A
L
RDS MODE/FREQ
EON
D
I
G
I
T
A
L
SURROUND
STANDBY
/ON
PTY SEEK
MODE
START
INPUT MODE
6CH INPUT
• Composite video and S video signals pass independently through
this unit’s video circuits. Therefore, when recording or dubbing
video signals, if your video source component is connected to
provide only an S video (or only a composite video) signal, you
can record only an S video (or only a composite video) signal by
your VCR.
PRESET
/TUNING
FM/AM
BASS
TREBLE
BALANCE
SPEAKERS
INPUT
A
B
PROGRAM
EFFECT
PRESET/TUNING
A/B/C/D/E
EDIT
TUNING
MODE
MEMORY
–
+
–
+
L
R
ON OFF
MAN'L/AUTO FM AUTO/MAN'L MONO
PHONES
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
SILENT
VIDEO AUX
2
• A given input source is not output on the same REC OUT
channel. (For example, the signal input from VCR 1 IN is not
output on VCR 1 OUT.)
4
• Check the copyright laws in your country to record from records,
CDs, radio, etc. Recording of copyrighted material may infringe
copyright laws.
If you play back a video source that uses scrambled or
encoded signals to prevent it from being dubbed, the
picture itself may be disturbed due to those signals.
2
I Special considerations when
recording DTS software
VOLUME
1 Set the volume at the
The DTS signal is a digital bitstream. Attempting to
digitally record the DTS bitstream will result in noise being
recorded. Therefore, if you want to use this unit to record
sources that have DTS signals recorded on them, the
following considerations and adjustments need to be made.
minimum level.
Front panel
2 Select the source you want to record.
For DVDs and CDs encoded with DTS
INPUT
Only 2-channel analog audio signals may be recorded.
Set the DVD player (or CD player) as described in the
player’s operation instructions so that the audio signals are
output from the player’s analog outputs.
or
Front panel
Remote control
3 Begin recording by the recording component
connected to this unit.
4 Play the source and then turn up the volume to
confirm the input source.
VOLUME
or
Front panel
Remote control
34
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ADVANCED OPERATION
SET MENU
The SET MENU consists of 9 items including the speaker
mode setting. Use the SET MENU to enjoy the optimum
audio/video playback for your system.
1 Press AMP(TUNER) on the
component selector.
2 Press SET MENU to enter the SET MENU.
y
• You can adjust the items on the SET MENU while playing a
source.
1
SPEAKER SET
CENTER SP
MAIN SP
3 Press PRG– (or PRG+) repeatedly to select the
item (1 to 9) you want to adjust.
REAR LR SP
BASS OUT
MAIN LVL
2
3
4
5
HP TONE CTRL
I/O ASSIGN
INPUT MODE
DOLBY D. SET
LFE LEVEL
D-RANGE
y
• By pressing SET MENU repeatedly, you can select items in the
same order as when pressing PRG–.
4 Press – or + once to enter the setup mode of
the selected item.
The last setting you adjusted appears on the display.
6
7
8
9
DTS SET
SP DLY TIME
DISPLAY SET
MEM. GUARD
Depending on the item, press PRG– (or PRG+) to
select a sub item.
Adjusting the Items on the SET
MENU
Adjustment should be made with the remote control.
5 Press – or + repeatedly to change the setting
of the item.
1
3,6
4,5
2
6 Press PRG– (or PRG+)
repeatedly until the input
source name appears to
exit from the SET MENU.
Note
• Some items require extra steps to change to the desired setting.
35
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SET MENU
I MAIN SP (main speaker mode)
Memory back-up
Choices: LARGE, SMALL
The memory back-up circuit prevents the stored data
from being lost even if this unit is set in the standby
mode, the power cord is disconnected from the AC
outlet, or the power supply is temporarily cut due to
power failure. However, if the power is cut for more than
one week, the settings of the SET MENU you adjusted
will return to the factory settings. If so, adjust the items
again.
Initial setting: LARGE
LARGE
Select this if you have large main speakers. The entire range
of the left and right main channel signal is directed to the
left and right main speakers.
SMALL
1 SPEAKER SET (speaker mode
settings)
Use this feature to select suitable output modes for your
speaker configuration.
Select this if you have small main speakers. The low-
frequency signals (90 Hz and below) of the main channel
are directed to the speakers selected with “BASS OUT”.
Note
Notes
• When you select MAIN for “BASS OUT”, the low-frequency
signals (90 Hz and below) of the main channel are directed to the
main speakers even if you select SMALL for the main speaker
mode.
• When 96-kHz sampling digital signals are input to this unit, level
adjustments in items “MAIN SP”, “BASS OUT” and “MAIN
LVL” are possible, but those in items “CENTER SP” and “REAR
LR SP” are not affected.
• When 6CH INPUT is selected as the input source, level
adjustments in items of “1 SPEAKER SET” are not affected
(except “MAIN LVL”).
I REAR LR SP (rear speaker mode)
Choices: LRG (large), SML (small), NON (none)
Initial setting: LRG
I CENTER SP (center speaker mode)
By adding a center speaker to your speaker configuration,
the unit can provide good dialog localization for many
listeners and superior synchronization of sound and images.
LRG
Select this if you have large left and right rear speakers or if
a rear subwoofer is connected to the rear speakers. The
entire range of the rear channel signal is directed to the left
and right rear speakers.
Choices: LRG (large), SML (small), NON (none)
Initial setting: LRG
SML
Select this if you have small left and right rear speakers. The
low-frequency signals (90 Hz and below) of the rear
channel are directed to the speakers selected with “BASS
OUT”.
LRG
Select this if you have a large center speaker. The entire
range of the center channel signal is directed to the center
speaker.
NON
SML
Select this if you do not have rear speakers.
Select this if you have a small center speaker. The low-
frequency signals (90 Hz and below) of the center channel
are directed to the speakers selected with “BASS OUT”.
y
• This unit is set in the Virtual CINEMA DSP mode by selecting
NON for “REAR LR SP”.
NON
Select this if you do not have a center speaker. All of the
center channel signals are directed to the left and right main
speakers.
36
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SET MENU
I BASS OUT (bass out mode)
LFE signals carry low-frequency effects when this unit
decodes a Dolby Digital or DTS signal. Low-frequency
signals are defined as 90 Hz and below.
2 HP TONE CTRL (headphone tone
control)
Use this feature to adjust the level of the bass and treble
when you use your headphones.
Choices: SWFR (subwoofer), MAIN, BOTH
Initial setting: BOTH
Control range (dB): –6 to +3
Initial setting: 0 dB for both BASS and TRBL (treble)
dB
SWFR
Select this if you use a subwoofer. The LFE signals are
directed to the subwoofer.
dB
MAIN
3 I/O ASSIGN
Select this if you do not use a subwoofer. The LFE signals
are directed to the main speakers.
It is possible to assign jacks according to the component to
be used if this unit’s DIGITAL INPUT/OUTPUT jack
settings (component names for terminals) differ from that
component. This makes it possible to change the jack
assignment and effectively connect more component.
Once you assign, you can select that component with
INPUT l / h (or the input selector buttons).
BOTH
Select this if you use a subwoofer and you want to mix the
main channel low-frequency signals with the LFE signals.
Notes
• When playing a 2-channel source (CD, MD, tape, video cassette
etc.), select BOTH position to direct low bass signals (below
90 Hz) to the SUBWOOFER jack.
• When you select SMALL (SML) for items “CENTER SP”,
“MAIN SP” and “REAR LR SP”, the low-frequency signals
(90 Hz and below) from those channels are added to the LFE and
output to the subwoofer.
I 3A (1) (for the OPTICAL OUTPUT
jack)
Initial setting: (1) MD/CD-R
I MAIN LVL (main level mode)
Change this setting if you cannot match the output level of
the center and rear speakers with the main speakers because
of the unusually high-efficiency performance of the main
speakers.
I 3B (2) to (4) (for the OPTICAL
INPUT jacks)
Initial settings: (2) MD/CD-R
(3) DVD
(4) D-TV/CBL
Choices: NORM (normal), –10 dB
Initial setting: NORM
NORM (normal)
Normally select this setting.
–10 dB
Select this if you cannot match the output level of your
effect speakers with that of your main speakers when using
the test tone. This setting decreases the main speaker output
level to about one-third of the normal level.
37
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SET MENU
I 3C (5) (for the COAXIAL INPUT
I D-RANGE (dynamic range)
Use this feature to adjust the dynamic range (the difference
between the maximum level and the minimum level of
sounds).
jack)
Initial setting: (5) CD
Choices: MAX, STD (standard), MIN
Initial setting: MAX
Note
• You cannot select an item more than once for the same type of
jack.
•
•
•
Select MAX for feature films.
Select STD for general use.
Select MIN for listening to sources at an extremely low
volume level.
4 INPUT MODE (initial input mode)
Use this feature to designate the input mode when turning
on the power of this unit with the source component
connected to more than one type of input jacks.
MAX
Dialog
level
Choices: AUTO, LAST
Initial setting: AUTO
Input level
AUTO
MIN
STD
H-LEVEL CUT
0.0
Select this to allow this unit to automatically detect the type
of input signal and select the appropriate input mode.
Dialog
level
Dialog
level
1.0
LAST
1.0
Select this to set this unit to automatically select the last
input mode used for that source.
0.0
L-LEVEL BST
Input level
Input level
5 DOLBY D. SET (Dolby Digital set)
This setting is effective only when this unit decodes Dolby
Digital signals.
Note
• When you select MIN, the sound output may be faint because
some Dolby Digital signals are not compatible with the
minimum-level dynamic range. In this case, select MAX or STD.
I LFE LEVEL
Use this feature to adjust the output level of the LFE (low-
frequency effect) channel when playing back a Dolby
Digital signal. The LFE signal carries the low-frequency
special effect sound which is only added to certain scenes.
6 DTS SET (DTS LFE level)
This setting is effective only when this unit decodes DTS
signals.
Control value (dB): –20 to 0
Initial setting: 0 dB
Use this feature to adjust the output level of the LFE (low-
frequency effect) channel when playing back a DTS signal.
The LFE signal carries the low-frequency special effect
sound which is only added to certain scenes.
dB
Control range (dB): –10 to +10
Initial setting: 0 dB
Notes
• Adjust the LFE level according to the capacity of your subwoofer.
• Normally, around –6 dB to –8 dB is most suitable for listening at
home.
dB
Note
• Adjust the LFE level according to the capacity of your subwoofer.
38
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SET MENU
7 SP DLY TIME (center delay)
8 DISPLAY SET
Use this feature to adjust the delay of the center channel
sound. This feature works when this unit decodes a Dolby
Digital or DTS signal. Ideally, the center speaker should be
the same distance from the listening position as the left and
right main speakers. However, in most home situations, the
center speaker is placed in line with the main speakers. By
delaying the sound from the center speaker, the apparent
distance from the center speaker to the listening position can
be adjusted to make it seem the same as the distance
between the left and right main speakers to the listening
position. Adjusting the delay time for the center speaker is
especially important for giving depth to the dialog.
I DIMMER
You can adjust the brightness of the display.
Control range : –4 to 0
Initial setting: 0
9 MEM. GUARD (memory guard)
Control range (ms): 0 to 5
Initial setting: 0 ms
Use this feature to prevent accidental changes to the setting
of the SET MENU and other settings on this unit.
Choices: ON, OFF
Initial setting: OFF
ms
Center speaker image
Select ON to protect the following features:
C
L
R
C
•
•
•
All SET MENU items
Center, rear speakers and subwoofer levels
Delay time adjusted by using TIME/LEVEL
Notes
• When “9 MEM. GUARD” is set to ON, you cannot use the test
tone.
RR
RL
• When “9 MEM. GUARD” is set to ON, you cannot select any
other SET MENU items.
y
• Increasing the delay by 1 ms simulates moving the speaker
about 30 cm (one foot) farther away from the actual position of
the center speaker.
39
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DELAY TIME AND SPEAKER OUTPUT LEVELS
When using the digital sound field processor with the
Sound Output Level of the Center,
Right Rear and Left Rear Speakers,
and Subwoofer
Dolby Pro Logic decoder, Dolby Digital decoder or DTS
decoder, you can adjust the delay time between the main
sound and sound effect, and each speaker’s output level as
you wish.
If desired, you can adjust the sound output level of each
speaker even if it has already been adjusted in
“ADJUSTING THE SPEAKER BALANCE” procedure.
Delay Time
You can adjust the time difference between the beginning
of the sound from the main speakers and the beginning of
the sound effect from the rear speakers. The larger the
value, the later the sound effect is generated. The delay
time can be individually adjusted to all DSP programs.
Notes
• If “CENTER SP” in the SET MENU is set to the NON position,
the sound output level of the center speaker cannot be adjusted.
This is because the center channel sound is automatically output
from the right and left main speakers.
• Once the sound output level has been adjusted, the level will be
the same for all DSP programs.
Notes
• Adding too much delay will cause an unnatural effect with some
sources.
• The sound is momentarily interrupted while adjusting the delay
time.
Speaker
Preset value (dB)
Center
0
0
0
0
Right rear
Left rear
Subwoofer
Program
Preset value (ms)
1. CONCERT HALL
2. JAZZ CLUB
45
30
15
26
2
3. ROCK CONCERT
4. DISCO
5CH STEREO
GAME
5. TV SPORTS
36
10
69
23
13
13
20
16
16
20
15
15
20
15
15
20
5
6. MONO MOVIE
7. 70 mm SPECTACLE
DGTL SPECTACLE
DTS SPECTACLE
70 mm SCI-FI
DGTL SCI-FI
DTS SCI-FI
8. 70 mm ADVENTURE
DGTL ADVENTURE
DTS ADVENTURE
70 mm GENERAL
DGTL GENERAL
DTS GENERAL
9. PRO LOGIC/NORMAL
DOLBY DIGITAL/NORMAL
DTS DIGITAL SUR./NORMAL
PRO LOGIC/ENHANCED
DOLBY DIGITAL/ENHANCED
DTS DIGITAL SUR./ENHANCED
5
20
5
5
40
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DELAY TIME AND SPEAKER OUTPUT LEVELS
3 Press – or + to adjust the
Adjusting Method
Adjustments should be performed with the remote control
while watching the information on the display.
delay time or speaker
output levels.
4 Repeat steps 2 and 3 to adjust the settings of
any other item.
1
Notes
• If “CENTER SP” or “REAR LR SP” is set to NON, or “BASS
OUT” is set to MAIN, the output level of that speaker cannot be
adjusted.
• When you adjust the output level with TIME/LEVEL, the settings
you made with the test tone will be changed.
3
2
• To adjust speakers other than the subwoofer, the adjusting
procedure using test tones on page 19 is recommended.
Memory back-up
1 Press AMP(TUNER) on the
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the latest values for the delay time and the center/rear/
subwoofer output levels that were set will automatically
return to the preset values. If so, adjust the delay time
and output levels again.
component selector.
2 Press TIME/LEVEL repeatedly to select the
item you want to adjust.
Each time you press TIME/LEVEL, the selected item
changes and appears on the display as below.
Delay time
D E L A Y
Center speaker output level
C E N T E R
Right rear speaker output level
Left rear speaker output level
Subwoofer output level
R
L
S U R .
S U R .
S W F R
Note
• Depending on the setting of the SET MENU, you may not be able
to select all these items.
41
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SLEEP TIMER
The SLEEP timer can be used to automatically set this unit
Canceling the SLEEP Timer
in the standby mode. This timer is useful when you are
going to sleep while enjoying a broadcast or other desired
input source. The SLEEP timer can only be set with the
remote control.
Press SLEEP repeatedly until “SLEEP OFF”
appears on the display.
It will soon disappear and the “SLEEP” indicator will
go off.
Notes
• First press AMP(TUNER), TAPE/MD, CD or DVD/LD on the
component selector to set the SLEEP timer for this unit.
• The SLEEP timer is effective for the components connected to the
AC OUTLET(S) on the rear panel of this unit.
Note
• The SLEEP timer can also be canceled by setting the unit in the
standby mode by using POWER on the remote control (or
STANDBY/ON), or by disconnecting the AC power cord from
the AC power outlet.
Setting the SLEEP Timer
1 Play a source you want to enjoy when you are
going to sleep.
2 Press SLEEP repeatedly to
select the desired SLEEP
time.
Each time you press SLEEP, the
SLEEP time will change as
below:
120
90
60
30
The SLEEP timer is off
(SLEEP OFF).
(This is the state before
SLEEP is pressed.)
BASS EXT.
SLEEP
Flashes
3 The “SLEEP” indicator soon lights up on the
display after the SLEEP timer has been set.
The display returns to the previous indication.
STEREO
TUNED
SLEEP
Lights up
42
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PRESET REMOTE CONTROL
It is possible to control this unit and other YAMAHAA/V components using the remote control supplied with this unit. It is
also possible to control components from other manufacturers (or some YAMAHA components) by setting the proper
manufacturer code (a signal assigned to each manufacturer and component).
Note
• For the notes on batteries, operating distance and names and functions of the remote control, refer to each description in this manual.
Component Selector Buttons
There are eight component selector buttons. Press one of these buttons which corresponds to the component you want to
control with the remote control. For example, if you press CD on the component selector, the remote control is set to the CD
operation mode, allowing the CD player to be controlled.
AMP(TUNER)
You can perform the basic operations of this
unit.
TAPE/MD
The code for a YAMAHA MD deck is factory
CD
set. (The code for the YAMAHA CD recorder
The code for a YAMAHA CD player is
and tape deck can also be set.)
factory set.
VCR
DVD/LD & DVD MENU
An LD player can be controlled in
the DVD/LD mode. A DVD player can be
controlled in the DVD/LD and DVD MENU
modes. The code for a YAMAHA DVD
player is factory set.
A VCR can be controlled.
TV
A TV can be controlled.
CBL/SAT
A cable TV or satellite tuner can be controlled.
Notes
• The button functions on the remote control differ depending on the operation mode. Refer to the following pages for details.
• When shipped from the factory, the YAMAHA manufacturer codes listed on page 49 are set for each dial position. If unable to operate your
YAMAHAA/V component, please try using another YAMAHA code.
3 Turn on the power.
Controlling the Components
Connected to This Unit
4 Press CD on the input selector.
I Example:To controlYAMAHA CD
player
5 Press CD on the
component selector.
5
2
3
4
7
6 Press p.
Refer to “Description of Each
Mode” for the CD player
operation buttons.
6
7 Adjust the volume.
1 Make sure that the volume is set at the
minimum level.
2 Press AMP(TUNER) on the
If you set the remote control with the manufacturer codes
listed from page i at the end of this manual, you
can control other brands of components. Refer to
“Setting the Manufacturer Code” for details.
component selector.
43
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PRESET REMOTE CONTROL
Description of Each Mode
I TAPE/MD MODE
Note
• TV VOLUME functions if you have set the code for your TV.
Press TAPE/MD.
POWER
This button turns this unit on if you have set the code
for a YAMAHA tape deck, MD recorder or CD
recorder. This button turns on the tape deck, MD
recorder or CD recorder that has a remote control with
a power button if you have set the code.
Input selector buttons
6CH INPUT
EFFECT
VOLUME
MUTE
TV VOLUME
DISPLAY (MD/CD-R)
SLEEP
DECK A/B (TAPE)
This button selects deck A or B on a double-cassette
tape deck.
r REC/PAUSE
This button gives a pause in recording on a tape deck
or MD recorder.
e PAUSE (MD/CD-R)
This button gives a pause in operation.
a DIR B (TAPE)
This button selects the playing direction of deck B.
SKIP+ (MD/CD-R)
This button skips to the next track.
s STOP
p PLAY
This button plays a tape, an MD or CD-R.
b DIR A (TAPE)
This button selects the playing direction of deck A.
SKIP– (MD/CD-R)
This button skips to the previous track.
w REWIND (TAPE)
This button stops operation on a tape deck, MD
recorder or CD recorder.
This button rewinds a tape.
SEARCH (MD/CD-R)
This button initiates a backward search on the track
that is playing to find the point from which you want
to listen.
f FAST FORWARD (TAPE)
This button winds a tape fast forward.
SEARCH (MD/CD-R)
This button initiates a fast-forward search on the
track that is playing to find the point from which you
want to listen.
• The dark-shaded buttons do not function even if you have set up the manufacturer code.
• Some of them may not function depending on the component you have. In this case, use the original remote control
supplied with your component.
44
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PRESET REMOTE CONTROL
I CD MODE
Note
• TV VOLUME and TV INPUT function if you have set the code for your TV.
Press CD.
POWER
This button turns this unit on if you have set the code
for a YAMAHA CD player. This button turns on the CD
player that has a remote control with a power button if
you have set the code.
Input selector buttons
6CH INPUT
EFFECT
DISC SKIP –/+ (for a CD player with CD
changer)
These buttons skip to the next or previous CD.
VOLUME
TV VOLUME
MUTE
y
PAUSE/STOP function
Press the button once to give a pause
in operation and press once more to
stop operation.
DISPLAY
SLEEP
TV INPUT
e PAUSE
This button gives a pause in operation. The
button functions as PAUSE/STOP* for operating
a YAMAHA CD player under factory setting.
a SKIP+
This button skips to the beginning of the next
track.
p PLAY
This button plays a CD.
b SKIP–
This button skips to the beginning of the previous
track.
w SEARCH
This button initiates a backward search on the track
that is playing to find the point from which you want
to listen.
s STOP
This button stops operation. The button functions
as PAUSE/STOP* for operating YAMAHA CD
players.
f SEARCH
This button initiates a fast-forward search on the
track that is playing to find the point from which
you want to listen.
• The dark-shaded buttons do not function even if you have set up the manufacturer code.
• Some of them may not function depending on the component you have. In this case, use the original remote control
supplied with your component.
45
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PRESET REMOTE CONTROL
I DVD/LD MODE
Note
• TV VOLUME and TV INPUT function if you have set the code for your TV.
Press DVD/LD.
POWER
This button turns this unit on if you have
set the code for a YAMAHA DVD or LD
player. This button turns on the DVD or
LD player that has a remote control with a
power button if you have set the code.
Input selector buttons
6CH INPUT
EFFECT
DISC SKIP –/+
VOLUME
MUTE
TV VOLUME
SLEEP
DISPLAY
TV INPUT
PAUSE
SKIP +
SKIP –
PLAY
SEARCH
STOP
SEARCH
I DVD MENU MODE
Notes
• TV VOLUME and TV INPUT function if you have set the code for your TV.
• DVD MENU operations cannot be performed for some DVD players.
Press DVD MENU.
POWER
This button turns this unit on if you have
set the code for a YAMAHA DVD or LD
player. This button turns on the DVD or
LD player that has a remote control with
a power button if you have set the code.
Numeric buttons
CLEAR
+10
DISC SKIP –/+
VOLUME
TV VOLUME
MUTE
INDEX
RETURN
TV INPUT
MENU UP
MENU RIGHT
MENU LEFT
MENU SELECT
MENU
MENU DOWN
TITLE
• The dark-shaded buttons do not function even if you have set up the manufacturer code.
• Some of them may not function depending on the component you have. In this case, use the original remote control
supplied with your component.
46
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PRESET REMOTE CONTROL
I VCR MODE
I CBL/SAT MODE
Note
Note
• TV VOLUME, TV INPUT and TV SLEEP function if you have
• TV VOLUME, TV INPUT and TV SLEEP function if you have
set the code for your TV.
set the code for your TV.
VCR POWER
Press VCR.
CBL/SAT POWER
Press CBL/SAT.
CHANNEL
CHANNEL
EFFECT
CHANNEL
ENTER
+100
CHANNEL
ENTER
CBL/SAT
CHANNEL –/+
VOLUME
VCR CHANNEL –/+
VOLUME
TV VOLUME
TV VOLUME
MUTE
MUTE
DISPLAY
TV SLEEP
DISPLAY
TV SLEEP
TV INPUT
VCR PAUSE
VCR REC
Press this button twice to
start recording.
TV INPUT
MENU UP
MENU LEFT
MENU DOWN
MENU RIGHT
MENU SELECT
MENU
VCR PLAY
VCR
FAST FORWARD
VCR STOP
VCR REWIND
RECALL
I TV MODE
Note
• You can control your VCR if you have set the
code for it.
TV POWER
Press TV.
CHANNEL
EFFECT
CHANNEL
ENTER
TV CHANNEL –/+
VOLUME
TV VOLUME
TV MUTE
DISPLAY
TV SLEEP
TV INPUT
VCR PAUSE
VCR REC
Press this button twice.
VCR PLAY
VCR
FAST FORWARD
VCR STOP
VCR REWIND
• The dark-shaded buttons do not function even if you have set up the manufacturer code.
• Some of them may not function depending on the component you have. In this case, use the original remote control
supplied with your component.
47
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PRESET REMOTE CONTROL
I To use a second (and third) VCR
You can control a second (and third) VCR in the CBL/SAT
and DVD MENU modes if a cable TV or satellite tuner, or
DVD player is not being used.
Setting the Manufacturer Code
You can set the code for the manufacturer of your
component after pressing the component selector buttons
other than AMP(TUNER).
Note
1 Turn on your component to be used.
2 Press one of the
component selector
buttons which
• In order to set a second (and third) VCR in the DVD MENU
mode, it is necessary to first set up the code for an LD player in
the DVD/LD mode.
1 Turn on the VCR to be used.
corresponds to the
component to be
controlled.
2 Press CBL/SAT or DVD
MENU on the component
selector.
3 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
3 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
The indicator flashes twice.
The indicator flashes twice.
4 Use the numeric buttons to
enter the four-digit
4 Use the numeric buttons to
enter the four-digit code
for the second (and third)
VCR. Make sure that the
indicator flashes twice.
If the indicator does not flash,
repeat step 3 and re-enter the
code.
manufacturer code for the
component to be used.
Make sure that the
indicator flashes twice.
If the indicator does not flash,
repeat step 3 and re-enter the
code.
5 Press POWER (or any other button) on the
remote control to check if you have set the
code correctly.
5 Press POWER (or any other button) on the
remote control to check if you have set the
code correctly.
If your component cannot be
controlled with the remote
control, try setting another code
for the same manufacturer.
If the VCR cannot be controlled
with the remote control, try
setting another code for the
same manufacturer.
Notes
• You can set only one code for one mode.
• In the DVD/LD and DVD MENU modes:
Be sure to press DVD/LD on the component selector before
entering the code for the DVD/LD player. You cannot set the code
for a DVD player after pressing DVD MENU on the component
selector. The code set in the DVD/LD mode is also
simultaneously set in the DVD MENU mode.
• If your component does not respond to any of the codes listed for
the manufacturer, use the original remote control supplied with
your component.
48
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PRESET REMOTE CONTROL
I To return to the factory-set codes
Returning to the Factory Setting
in each mode
1 Press one of the
component selector
buttons which
I To return to the factory-set codes
in all modes
1 Press one of the
component selector
buttons other than
AMP(TUNER).
corresponds to the
component to be returned
to the factory-set code.
2 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
2 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
The indicator flashes twice.
The indicator flashes twice.
3 Enter the code number
“0000”.
3 Enter the code number
“9990”.
Make sure that the indicator
flashes twice.
Make sure that the indicator
flashes twice.
The following codes are factory set.
Component selector button
Component
Code
Set component
Set code
TV
TV
0101
CBL/SAT
VCR
Cable TV
VCR
0006
0002
DVD/LD
CD
TAPE/MD
DVD player
CD player
MD recorder
0008 (YAMAHA DVD player)
0005 (YAMAHA CD player)
0024 (YAMAHA MD recorder)
We recommend that you write all the code numbers you have set on the table above.
49
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SOUND FIELD PROGRAM
A digital sound field processor (DSP) based on the latest YAMAHA technology is built into this unit. It is possible to play
back various sound fields for the source you are listening to.
Note
• Regardless of the program name and characteristics listed in the table below, select the sound field program that sounds best to you.
Hi-Fi DSP Programs
I For audio sources: Nos. 1 to 4
No. Program (group)
Sub-program
Features
A large round concert hall with a rich surround effect. Pronounced reflections from
all directions emphasize the extension of sounds. The sound field has a great deal of
presence, and your virtual seat is near the center, close to the stage.
1
2
3
4
CONCERT HALL
—
This is the sound field at stage front in “The Bottom Line”, a famous New York jazz
club. The floor can seat 300 people to the left and right in a sound field offering a
real and vibrant sound.
JAZZ CLUB
—
—
The ideal program for lively, dynamic rock music. The data for this program was
recorded at LA’s “hottest” rock club. The listener’s virtual seat is at the center-left of
the hall.
ROCK CONCERT
ENTERTAINMENT
This program recreates the acoustic environment of a lively disco in the heart of a big
city. The sound is dense and highly concentrated. It is also characterized by a high-
energy, “immediate” sound.
DISCO
Using this program increases the listening position range. This is a sound field
suitable for background music at parties.
5CH STEREO
Note
• Reverberations (sound effects) for realizing the sound field and unprocessed stereo from the left and right main speakers is output. The
sound is not output from the center speaker. (The sound is output when one of these programs is selected while playing a source encoded
with a Dolby Digital or DTS signal. If 5CH STEREO is selected, the sound is output from all speakers regardless of the input source.)
CINEMA DSP Programs
I For audio-video sources: Nos. 4 to 6
No. Program (group)
Sub-program
Features
4
5
ENTERTAINMENT GAME
This program adds a deep and spatial feeling to video game sounds.
TV SPORTS
—
—
Although the presence sound field is relatively narrow, the surround sound field
employs the sound environment of a large concert hall. With this program, you can
enjoy watching various TV programs such as news, variety shows, music programs
or sports programs. In a stereo broadcast of a sports game, the commentator is
oriented at the center position, and the shouts and the atmosphere in the stadium
spread on the surround side, while their spread to the rear is properly restrained.
6
MONO MOVIE
This program is provided for reproducing monaural video sources (such as old
movies). The program produces the optimum reverberation to create sound depth by
using only the presence sound field.
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SOUND FIELD PROGRAM
I For movie programs: Nos. 7 to 9
No. Program (group)
Sub-program
Input source
Features
Analog, PCM, This program creates the extremely wide sound
7 MOVIE THEATER 1 SPECTACLE 70 mm
SPECTACLE
Dolby Digital
in 2-channel
field of a 70-mm movie theater. It precisely
reproduces the source sound in detail, making both
the video and the sound field incredibly real. This is
ideal for any kind of video source encoded with
Dolby Surround, Dolby Digital or DTS (especially
large-scale movie productions).
DGTL
SPECTACLE
Dolby Digital
(5.1-channel)
DTS SPECTACLE DTS
SCI-FI
70 mm SCI-FI
Analog, PCM, This program clearly reproduces dialog and sound
Dolby Digital
in 2-channel
effects in the latest sound form of science fiction
films, thus creating a broad and expansive
cinematic space amid the silence. You can enjoy
science fiction films in a virtual-space sound field
that includes Dolby Surround, Dolby Digital and
DTS-encoded software employing the most
advanced techniques.
DGTL SCI-FI
DTS SCI-FI
Dolby Digital
(5.1-channel)
DTS
Analog, PCM, This program is ideal for precisely reproducing the
Dolby Digital sound design of the newest 70-mm and
8
MOVIE THEATER 2 ADVENTURE 70 mm
ADVENTURE
in 2-channel
multichannel soundtrack films. The sound field is
made to be similar to that of the newest movie
theaters, so the reverberations of the sound field
itself are restrained as much as possible.
DGTL
ADVENTURE
Dolby Digital
(5.1-channel)
DTS ADVENTURE DTS
Analog, PCM,
Dolby Digital
in 2-channel
GENERAL
70 mm GENERAL
This program is for reproducing sounds from
70-mm and multichannel soundtrack films, and is
characterized by a soft and extensive sound field.
The presence sound field is relatively narrow. It
spatially spreads all around and toward the screen,
restraining the echo effect of conversations without
losing clarity. For the surround sound field, the
harmony of music or chorus sounds beautifully in a
wide space at the rear of the sound field.
DGTL GENERAL Dolby Digital
(5.1-channel)
DTS GENERAL
DTS
9
q/DTS
SURROUND
NORMAL
PRO LOGIC/
NORMAL
Analog, PCM, The built-in decoder precisely reproduces sounds
Dolby Digital and sound effects from sources.
in 2-channel
The highly efficient decoding process improves
crosstalk and channel separation, and makes sound
positioning smoother and more precise.
In this program, the digital sound field processor is
not turned on.
DOLBY DIGITAL/ Dolby Digital
NORMAL
(5.1-channel)
DTS
DTS DIGITAL
SUR./NORMAL
ENHANCED PRO LOGIC/
ENHANCED
Analog, PCM, This program ideally simulates the multi-surround
Dolby Digital speaker systems of the 35-mm film theaters. Dolby
in 2-channel
Pro Logic decoding, Dolby Digital decoding or
DTS decoding and digital sound field processing
create precise effects without altering the original
sound orientation.
The surround effects produced by this sound field
wrap around the viewer naturally from the back to
the left and right, and toward the screen.
DOLBY DIGITAL/ Dolby Digital
ENHANCED
(5.1-channel)
DTS
DTS DIGITAL
SUR./
ENHANCED
Notes
• The “ x ” indicator does not light up when selecting the sub-program “NORMAL” of the q/DTS SURROUND program.
• If “CENTER SP” in the SET MENU is set to NON, no sound is output from the center speaker.
• The effect sound is output from the main speakers when a monaural source is played with CINEMA DSP program groups 4 (GAME) and 5
to 8.
51
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SOUND FIELD PROGRAM
I MOVIE THEATER 1 and 2
Most commercially available movie software has 4-channel (left, center, right and surround) sound information encoded by
Dolby Surround matrix processing and stored on the left and right tracks. These signals are processed by the Dolby Pro Logic
decoder. The MOVIE THEATER programs are designed to recreate the spaciousness and delicate nuances of sound that tend
to be lost in the encoding and decoding processes.
The 6-channel soundtracks found on 70-mm film produce precise sound field localization and rich, deep sound without using
matrix processing. This unit’s MOVIE THEATER 70 mm programs provide the same quality of sound and sound localization
that 6-channel soundtracks do.
When the input source is analog, PCM or encoded with Dolby Digital in 2-channel
These programs express an immense sound field and a large
surround effect. They also give depth to the sound from the
main speakers to recreate the realistic sound of a Dolby Stereo
Presence DSP
sound field
theater.
70 mm SPECTACLE
70 mm SCI-FI
70 mm ADVENTURE
70 mm GENERAL
Surround DSP
sound field
The built-in Dolby Digital or DTS decoder brings the professional-quality sound designed for movie theaters into your home.
With the unit’s MOVIE THEATER programs, you can recreate a dynamic sound that gives you the feeling of being at a
public theater in your listening room by using Dolby Digital or DTS technology.
When the input source is encoded with Dolby Digital (5.1-channel) or DTS (Tri-Field CINEMA DSP)
These programs use YAMAHA’s tri-field DSP processing on
each of the Dolby Digital or DTS signals for the front, left
surround and right surround channels. This processing enables
this unit to reproduce the immense sound field and surround
Presence DSP
sound field
expression of a Dolby Digital- or DTS-equipped movie theater
without sacrificing the clear separation of all channels.
DGTL SPECTACLE
DTS SPECTACLE
DGTL SCI-FI
DTS SCI-FI
DGTL ADVENTURE
DTS ADVENTURE
DGTL GENERAL
Left surround DSP
sound field
Right surround DSP
sound field
DTS GENERAL
y
• If a Dolby Digital signal or DTS signal is input when the input mode is set to AUTO, the DSP program will be automatically switched to
the Dolby Digital playback sound field or DTS playback sound field.
52
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APPENDIX
TROUBLESHOOTING
Refer to the chart below when the unit does not function properly. If the problem you are experiencing is not listed below or
if the instruction below does not help, set this unit in the standby mode, disconnect the power cord and contact the nearest
authorized YAMAHA dealer or service center.
I General
Refer to
page
Problem
Cause
Remedy
The unit fails to turn on
when STANDBY/ON (or
POWER) is pressed, or
enters in the standby
mode soon after the
power has been turned
on.
18
The power cord is not connected or the plug is
not completely inserted.
Firmly connect the power cord.
The IMPEDANCE SELECTOR switch on the
rear panel is not fully set to the left or right
position.
18
Set the switch fully to the left or right position
when the unit is in the standby mode.
The protection circuit has been activated.
Make sure all speaker wire connections on this
unit and on all speakers are secure and that the
wire for each connection does not touch
16, 17
anything other than its respective connection.
No sound and/or no
picture.
Incorrect input or output cable connections.
Connect the cables properly. If the problem
persists, the cables may be defective.
12 – 15
21
An appropriate input source has not been
selected.
Select an appropriate input source with INPUT
l / h or 6CH INPUT (or the input selector
buttons).
16, 17
21
The speaker connections are not secure.
Secure the connections.
Select the main speakers with SPEAKERS A
and/or B.
The main speakers to be used have not been
selected properly.
22
22
The volume is turned down.
The sound is muted.
Turn up the volume.
Press MUTE or any operation buttons to cancel
a mute and adjust the volume.
Play a source whose signals this unit can
reproduce.
Digital signals other than PCM audio, Dolby
Digital or DTS signal which this unit cannot
reproduce are being input to this unit by playing
a CD-ROM, etc.
—
The picture does not
appear.
14, 15
The output and input for the video are
connected to different types of video jacks.
Make connections using the same type of jack
(between composites, S-VIDEOs, or
components) for both the input and output.
The sound suddenly
goes off.
The protection circuit has been activated
because of a short circuit, etc.
Check the IMPEDANCE SELECTOR switch is
set to the appropriate position and then turn the
unit back on.
18
Check the speaker wires are not touching each
other and then turn the unit back on.
16, 17
The sleep timer has functioned.
The sound is muted.
Turn on the power, and play the source again.
42
22
Press MUTE or any operation buttons to cancel
a mute and adjust the volume.
12 – 17
Only the speaker on one
side can be heard.
Incorrect cable connections.
Connect the cables properly. If the problem
persists, the cables may be defective.
53
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TROUBLESHOOTING
Problem
Refer to
page
Cause
The sound effect is off.
Remedy
No sound from the effect
speakers.
25
Press EFFECT to turn it on.
Select another DSP program.
A Dolby Surround, Dolby Digital or DTS
decoding DSP program is being used with
material not encoded with Dolby Surround,
Dolby Digital or DTS.
50, 51
A 96-kHz sampling digital signal is being input
to this unit.
22
No sound from the
center speaker.
40
36
The output level of the center speaker is set to
minimum.
Raise the level of the center speaker.
“CENTER SP” in the SET MENU is set to
NON.
Select the appropriate mode for your center
speaker.
One of the Hi-Fi DSP programs (1 to 4) has been
selected.
Select another DSP program.
50, 51
—
The source encoded with a Dolby Digital or
DTS signal does not have a center channel
signal.
No sound from the rear
speakers.
Raise the output level of the rear speakers.
Select another DSP program.
Select SWFR or BOTH.
The output level of the rear speakers is set to
minimum.
40
50, 51
37
A monaural source is being played with the
program 9.
No sound from the
subwoofer.
“BASS OUT” in the SET MENU is set to
MAIN when a Dolby Digital or DTS signal is
being played.
“BASS OUT” in the SET MENU is set to
SWFR or MAIN when a 2-channel source is
being played.
Select BOTH.
Select MAIN.
37
The source does not contain low bass signals
(90 Hz and below).
—
Poor bass reproduction.
“BASS OUT” in the SET MENU is set to
SWFR or BOTH and your system does not
include a subwoofer.
37
The output mode for each speaker (main, center
or rear) in the SET MENU does not match your
speaker configuration.
Select the appropriate output mode for each
speaker based on the size of the speakers in
your configuration.
36, 37
A “humming” sound can
be heard.
Incorrect cable connections.
12 – 15
Firmly connect the audio plugs. If the problem
persists, the cables may be defective.
54
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TROUBLESHOOTING
Refer to
page
Problem
Cause
Remedy
Turn on the power to the component.
The component connected to the REC OUT
jacks of this unit is turned off.
The volume level cannot
be increased, or the
sound is distorted.
—
34
The effect and surround
sounds cannot be
recorded.
It is not possible to record the effect and
surround sounds by a recording component.
A source component is only connected to the
analog input jacks of this unit.
A source cannot be
recorded by a digital
recording component
connected to the
Connect the source component to the digital
input jacks of this unit.
12 – 15
DIGITAL OUTPUT jack of
this unit.
The settings of the SET
MENU and some other
settings on this unit
cannot be changed.
39
“9 MEM. GUARD” in the SET MENU is set
to ON.
Select OFF.
This unit does not
operate properly.
Disconnect the AC power cord from the outlet
and then plug it in again after about 30 seconds.
—
—
The internal microcomputer has been frozen by
an external electric shock (such as lightning or
excessive static electricity) or by a power
supply with low voltage.
The sound is degraded
when listening with
headphones connected
to a tape deck or CD
player that is connected
to this unit.
This unit is in the standby mode.
Turn on the power of the unit.
The unit is too close to the digital or high-
frequency equipment.
There is noise
Move the unit further away from such
equipment.
—
interference from digital
or high-frequency
equipment, or the unit.
55
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TROUBLESHOOTING
I Tuner
Problem
Refer to
page
Cause
Remedy
The characteristics of FM stereo broadcasts
may cause this problem when the transmitter is
too far away or the antenna input is poor.
Check the antenna connections.
Try using a high-quality directional FM
antenna.
26
FM stereo reception
is noisy.
Use the manual tuning method.
27
26
There is distortion,
and clear reception
cannot be obtained
even with a good FM
There is multipath interference.
Adjust the antenna position to eliminate
multipath interference.
FM
antenna.
The desired station
cannot be tuned in
with the automatic
tuning method.
The station is too weak.
27
26
Use the manual tuning method.
Use a high-quality directional FM antenna.
Previously preset
stations can no
longer be tuned in.
The unit has been disconnected for a long
period.
28
26
Re-store the stations.
The desired station
cannot be tuned in
with the automatic
tuning method.
Tighten the AM loop antenna connections and
orient it for best reception.
The signal is weak or the antenna connections
are loose.
27
26
Use the manual tuning method.
There are continuous
crackling and hissing
noises.
Noises result from lightning, fluorescent lamps,
motors, thermostats and other electrical
equipment.
Use an outdoor antenna and a ground wire. This
will help somewhat, but it is difficult to
eliminate all noise.
AM
Move this unit away from the TV.
There are buzzing and
whining noises
(especially in the
evening).
A TV set is being used nearby.
—
I Remote control
Refer to
page
Problem
Cause
Remedy
The remote control does
not work nor function
properly.
Wrong distance or angle.
The remote control will function within a
maximum range of 6 m (20 feet) and no more
than 30 degrees off-axis from the front panel.
7
Direct sunlight or lighting (from an inverter type
of fluorescent lamp, etc.) is striking the remote
control sensor of this unit.
7
Reposition the unit.
The batteries are weak.
Replace all batteries with new ones.
3
The unit or other
component cannot be
controlled.
The component to be controlled has not been
selected.
Press one of the component selector buttons,
corresponding to the component to be
controlled.
43
The remote control cannot control system
components.
—
The manufacturer code has not been set up
properly.
Enter the code again.
48
Try setting another code for the same
manufacturer.
Depending on the manufacturer or the model,
Use the original remote control supplied with
—
some components cannot be controlled with this your component.
unit’s remote control even though the code has
been set up properly.
After this unit has been exposed to a strong external electric shock (such as lightning and strong static electricity) or if you
mishandle the operation of this unit, it may not function properly. In these cases, set this unit in the standby mode, disconnect
the power cord, plug it back in after 30 seconds, and start operating.
56
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SPECIFICATIONS
AUDIO SECTION
• Minimum RMS Output Power for Main, Center, Rear
VIDEO SECTION
• Video Signal Type .......................................................................... PAL
20 Hz to 20 kHz, 0.06% THD, 8 ohms ...................................... 70 W
1 kHz, 0.7% THD, 8 ohms ......................................................... 85 W
• Composite Video Signal Level .................................... 1 Vp-p/75 ohms
• S-Video Signal Level
• DIN Standard Output Power
Y ............................................................................... 1 Vp-p/75 ohms
C ........................................................................ 0.286 Vp-p/75 ohms
[Europe model only]
1 kHz, 0.7% THD, 4 ohms ....................................................... 105 W
• Signal to Noise Ratio ...................................................... 50 dB or more
• IEC Output Power
• Frequency Response (MONITOR OUT)
[Europe model only]
Composite, S-Video ...................................... 5 Hz to 10 MHz, –3 dB
1 kHz, 0.06% THD, 8 ohms ....................................................... 75 W
• Dynamic Power (IHF)
FM SECTION
8/6/4/2 ohms ......................................................... 95/115/135/155 W
• Tuning Range ...................................................... 87.50 to 108.00 MHz
• Damping Factor
• Alternate Channel Selectivity ( 400 kHz) ................................... 70 dB
20 Hz to 20 kHz, 8 ohms ................................................... 60 or more
• Signal to Noise Ratio (IHF)
• Frequency Response
Mono/Stereo ................................................................... 76 dB/70 dB
CD, etc. to Main L/R (1 kHz, 150 mV, 8 ohms)
................................................................ 20 Hz to 20 kHz, 0.5 dB
• Harmonic Distortion (1 kHz)
Mono/Stereo ...................................................................... 0.2%/0.3%
• Total Harmonic Distortion
CD, etc. to Main L/R (Effect Off, 20 Hz to 20 kHz, 35 W, 8 ohms)
.................................................................................. 0.025% or less
• Stereo Separation (1 kHz) ............................................................ 48 dB
• Frequency Response ............................ 20 Hz to 15 kHz, +0.5, –2.0 dB
• Signal to Noise Ratio (IHF-A Network)
CD, etc. to Main L/R (Effect Off, 250 mV, shorted)
................................................................................ 100 dB or more
AM SECTION
• Tuning Range .............................................................. 531 to 1611 kHz
• Residual Noise (IHF-A Network)
• Usable Sensitivity .................................................................. 300 µV/m
Main L/R ..................................................................... 150 µV or less
GENERAL
• Channel Separation
• Power Supply ............................................................. AC 230 V/50 Hz
CD, etc. to Main L/R (1 kHz) ...................................... 60 dB or more
(10 kHz) .................................... 45 dB or more
• Power Consumption .................................................................... 250 W
Standby Mode ......................................................................... 0.96 W
• Tone Control (Main L/R)
BASS Boost/Cut ........................................................... 10 dB/50 Hz
TREBLE Boost/Cut .................................................... 10 dB/20 kHz
• AC Outlets (Total 100 W maximum)
[Europe model] ......................................................... 2 (SWITCHED)
[U.K. model] ............................................................ 1 (SWITCHED)
• Phones Output (1 kHz, 150 mV, 8 ohms) ................. 490 mV/390 ohms
• Dimension (W x H x D) ....................................... 435 x 151 x 390 mm
• Weight ....................................................................................... 10.0 kg
• Input Sensitivity
CD, etc ................................................................... 150 mV/47 kohms
6CH INPUT ........................................................... 150 mV/47 kohms
• Accessories ................................................................... Remote Control
........................................................................................... Batteries
............................................................................. AM loop antenna
.......................................................................... Indoor FM antenna
..................... 75-ohm/300-ohm antenna adapter (U.K. model only)
...................................................................... Quick Reference Card
............................................................................ Connection Guide
• Maximum Input Signal
CD, etc. (1 kHz, 0.5% THD) ........................................ 2.2 V or more
• Output Level
REC OUT ............................................................. 150 mV/1.2 kohms
SUBWOOFER ......................................................... 4.0 V/1.2 kohms
* Specifications are subject to change without notice.
57
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GLOSSARY
I Dolby Surround
I LFE 0.1 channel
Dolby Surround uses a four analog channel recording
system to reproduce realistic and dynamic sound effects:
two left and right main channels (stereo), a center channel
for dialog (monaural), and a rear channel for special sound
effects (monaural). The rear channel reproduces sound
within a narrow frequency range.
This channel is for the reproduction of low bass signals. The
frequency range for this channel is 20 Hz to 120 Hz. This
channel is counted as 0.1 because it only enforces a low
frequency range compared to the full-range reproduced by
the other 5 channels in a Dolby Digital or DTS 5.1 channel
systems.
Dolby Surround is widely used with nearly all video tapes
and laser discs, and in many TV and cable broadcasts as
well. The Dolby Pro Logic decoder built into this unit
employs a digital signal processing system that
automatically stabilizes the volume on each channel to
enhance moving sound effects and directionality.
I CINEMA DSP
D I G I T A L
Since the Dolby Surround and DTS systems were originally
designed for use in movie theaters, their effect is best felt in
a theater having many speakers and designed for acoustic
effects. Since home conditions, such as room size, wall
material, number of speakers, and so on, can differ so
widely, it’s inevitable that there are differences in the sound
heard as well. Based on a wealth of actually measured data,
YAMAHA CINEMA DSP uses YAMAHA original sound
field technology to combine Dolby Pro Logic, Dolby Digital
and DTS systems to provide the visual and audio experience
of movie theater in the listening room of your own home.
I Dolby Digital
Dolby Digital is a digital surround sound system that gives
you completely independent multi-channel audio. With
three front channels (left, center and right), and two rear
stereo channels, Dolby Digital provides five full-range
audio channels. With an additional channel especially for
bass effects, called LFE (low frequency effect), the system
has a total of 5.1 channels (LFE is counted as 0.1 channel).
Using two-channel stereo for the rear speakers, more
accurate moving sound effects and surround sound
environment are possible than with Dolby Surround. The
wide dynamic range (from maximum to minimum volume)
reproduced by the five full-range channels and the precise
sound orientation generated using digital sound processing
provide listeners with previously unheard of excitement and
realism.
I SILENT CINEMA
YAMAHA has developed a natural, realistic sound effect
DSP algorithm for headphones.
Parameters for headphones have been set for each sound
field so that accurate representations of all the sound field
programs can be enjoyed on headphones.
I Virtual CINEMA DSP
YAMAHA has developed a virtual CINEMA DSP algorithm
that allows you to enjoy DSP sound field surround effects
even without any rear speakers by using virtual rear
speakers.
With this unit, any sound environment from monaural up to
a 5.1-channel configuration can be freely selected for your
enjoyment.
It is even possible to enjoy virtual CINEMA DSP in a
minimum two-speaker system that does not include a center
speaker.
I DTS (Digital Theater Systems)
Digital Surround
DTS digital surround was developed to replace the analog
soundtracks of movies with a six-channel digital sound
track, and is now rapidly gaining popularity in movie
theaters around the world. Digital Theater Systems Inc. has
developed a home theater system so that you can enjoy the
depth of sound and natural spatial representation of DTS
digital surround in your home. This system is practically
distortion-free, clear 6-channel sound (technically, a left,
right and center channels, two rear channels, plus an LFE
0.1 channel as a subwoofer, for a total of 5.1 channels).
58
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GLOSSARY
I S VIDEO signal
With S VIDEO signal system, the video signal normally
transmitted using a pin cable is separated and transmitted as
the Y signal for the luminance and the C signal for the
chrominance through the S VIDEO cable. Using the S
VIDEO jack eliminates video signal transmission loss and
allows recording and playback of even more beautiful
images.
I PCM (Linear PCM)
Linear PCM is a signal format under which an analog audio
signal is digitized, recorded and transmitted without using
any compression. This is used as a method of recording CDs
and DVD audio. The PCM system uses a technique for
sampling the size of the analog signal per very small unit of
time. Standing for “pulse code modulation”, the analog
signal is encoded as pulses and then modulated for
recording.
I Sampling frequency and number of
quantized bits
When digitizing an analog audio signal, the number of times
the signal is sampled per second is called the sampling
frequency, while the degree of fineness when converting the
sound level into a numeric value is called the number of
quantized bits.
The range of rates that can be played back is determined
based on the sampling rate, while the dynamic range
representing the sound level difference is determined by the
number of quantized bits. In principle, the higher the
sampling frequency, the wider the range of frequencies that
can be played back, and the higher the number of quantized
bits, the more finely the sound level can be reproduced.
I I/O ASSIGN (SET MENU)
Although component is normally connected according to
jack names shown on the rear panel, this unit includes a
function that assigns jacks according to the component
being connected. If the component being used differs from
the component name shown for this unit’s digital input/
output jacks, it is possible to assign jacks according to the
component being connected. This makes it possible to
change the jack assignment and effectively connect more
component.
59
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INDEX
A
M
AC outlets ...................................................................................... 18
Antennas ........................................................................................ 26
Manufacturer codes .................................................................... 48, i
Memory back-up ............................................................... 28, 36, 41
MEM. GUARD (SET MENU) ...................................................... 39
Muting ........................................................................................... 22
B
BALANCE .................................................................................... 22
BGV function ................................................................................ 22
P
Package contents ............................................................................. 3
PCM............................................................................................... 59
Playing ........................................................................................... 21
Power supply cords ....................................................................... 18
Preset stations
Exchanging preset station ....................................................... 30
Tuning in to a preset station ................................................... 29
Presetting tuning
C
CBL/SAT mode ............................................................................. 47
CD mode........................................................................................ 45
CINEMA DSP ......................................................................... 50, 58
Connections
Antennas ................................................................................. 26
Audio components (MD recorder, CD recorder and
CD player) .............................................................................. 12
External decoder ..................................................................... 12
Power supply cords ................................................................ 18
Speakers ................................................................................. 16
Video components (DVD player, VCR and
Automatic preset tuning ......................................................... 28
Manual preset tuning .............................................................. 29
R
RDS stations
TV/digital TV or cable TV/satellite tuner) ............................. 14
EON function ......................................................................... 33
PTY SEEK function ............................................................... 32
RDS mode .............................................................................. 31
Rear panel ........................................................................................ 9
Recording ...................................................................................... 34
Remote control
D
Delay time ..................................................................................... 40
Display............................................................................................. 8
DISPLAY SET (SET MENU)
DIMMER ............................................................................... 39
DOLBY D. SET (SET MENU)
Basic operation ......................................................................... 6
Batteries .................................................................................... 3
Operation range ........................................................................ 7
Setup codes ............................................................................. 48
D-RANGE .............................................................................. 38
LFE LEVEL ........................................................................... 38
Dolby Digital ................................................................................. 58
Dolby Surround (Dolby Pro Logic)............................................... 58
DSP program
CINEMA DSP program.......................................................... 50
Hi-Fi DSP program................................................................. 50
DTS ............................................................................................... 58
DTS SET (SET MENU) ................................................................ 38
Dust protection cap ........................................................................ 12
DVD/LD mode .............................................................................. 46
DVD MENU mode ........................................................................ 46
S
Sampling frequency ................................................................. 22, 59
SET MENU ................................................................................... 35
SILENT CINEMA................................................................... 25, 58
Sleep timer ..................................................................................... 42
SP DLY TIME (SET MENU) ........................................................ 39
Speaker
Output balance (test tone) ...................................................... 19
Output levels (TIME/LEVEL mode)...................................... 40
Placement ............................................................................... 10
SPEAKER SET (SET MENU)
BASS OUT ............................................................................. 37
CENTER SP ........................................................................... 36
MAIN LVL ............................................................................. 37
MAIN SP ................................................................................ 36
REAR LR SP .......................................................................... 36
Subwoofer ..................................................................................... 17
S VIDEO ....................................................................................... 59
E
External decoder ............................................................................ 12
F
Front panel ....................................................................................... 4
H
HP TONE CTRL (SET MENU) .................................................... 37
I
T
IMPEDANCE SELECTOR switch ............................................... 18
INPUT MODE (SET MENU) ....................................................... 38
Input modes ................................................................................... 23
I/O ASSIGN (SET MENU) ..................................................... 37, 59
TAPE/MD mode ............................................................................ 44
Test tone ........................................................................................ 19
Tuning
Automatic tuning .................................................................... 27
Manual tuning ........................................................................ 27
TV mode ........................................................................................ 47
L
LFE .................................................................................... 38, 39, 58
V
VCR mode ..................................................................................... 47
Virtual CINEMA DSP ............................................................. 25, 58
60
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LIST OF MANUFACTURER’S CODES
LISTES DES CODES FABRICANT
VERZEICHNIS DER HERSTELLERCODES
LISTA ÖVER TILLVERKARKODER
ELENCO DEI CODICI DEL FABBRICANTE
LISTA DE CÓDIGOS DE FABRICANTES
LIJST VAN CODES VAN FABRIKANT
Clarivox
Clatronic
Concerto
Condor
Contec
Continental Edison
0821, 0961, 1971
1181, 1331
0791
0761
0151, 1171
First Line
Fisher
1981
Hitachi
0001, 0011, 0031,
0081, 0141, 0291,
0331, 0341, 0451,
0601, 0631, 0701,
1281, 1561, 1601,
1821, 1831, 1841,
1861, 1871, 1881,
1891, 1941, 1981,
2051, 2321, 2341
0591, 0601, 1511,
1621
TV
Admiral
0021, 0091, 0141,
0511, 0601, 0801,
0821, 0981, 1021,
1081, 1981, 2091
2281
0451, 0491, 0761,
1081, 1451, 1541,
1981
0411, 0451, 0911,
1021, 1081
0891
0061, 0101, 0231,
1191, 1351, 1591,
1641, 1791, 1891,
1981
1331
1241, 1331, 2361
1971
1301, 1511
1171
0571
0571, 0761
0751
Aiko
Akai
0571, 0651,
0901
Forgestone
Formenti
Craig
Crosley
1171
0021, 0491, 1021,
1081, 1401, 1981,
2201, 2251, 2271
2541
0261
1171
0101, 1501, 1511,
2611
0101
0271, 0581, 0601,
0971, 1101, 1691
0271, 0581, 0601,
1101, 1681
0451, 1351
0991, 1511
0101
Akura
Alba
Formenti-phoenix
0021, 0431,
0451, 0591,
1411
Hyper
Albiral
Amstrad
Anam
Arc En Ciel
Arcam
Aristona
Arthur Martin 0451, 1641
ASA
Crown
Ctc Clatronic
CXC
Imperial
0451, 0491, 0811,
0981, 1401, 1611,
1621, 2201, 2251,
2271
Fortress
Frontech
Fujitsu
Funai
1081
0451, 1181, 1981
1261
0391, 0691, 1171,
1181, 1261
1171
0021, 0141, 1321,
1511, 1621, 1981
0451, 1101, 1281,
2321
0031, 0081, 0581,
0601, 1101, 1281,
1561
0021, 0411, 0451,
1321, 1511, 1621,
1981
Daewoo
Ingersol
Inno Hit
1511
Dansai
Decca
0581, 0601, 0841,
1101, 1331, 1371,
1511, 2011
Futuretech
GBC
0411, 0451, 0521,
0781, 0871, 1021,
1081, 1421, 2051,
2091, 2151, 2551
1511
0761
0761
1511
1181, 1321, 1511
0491, 1411
0091, 0351, 0481,
0491, 0601, 0781,
0951, 1051, 1081,
1391, 1421
Decca (UK)
Innovation
Interfunk
2591, 2601, 2611,
2621, 2641, 2651,
2661, 2711, 2721,
2761, 2771, 2781
0031, 0041, 0061,
0121, 0181, 0451,
0491, 1081, 1641,
1791, 1821, 1981,
2231
GEC
Degraaf
Dixi
Domeos
Doric
Astra
GEC (UK)
Atantic
Atlantic
Atori
Audiosonic
Ausind
Autovox
1031
Dual
0091, 0601, 1611,
1641, 2101
0601, 1511, 1621,
2111
0261, 0521, 0781,
1021, 1081, 1981,
2121, 2151
0101
1551, 1971, 2031
1511
0771
0261, 1621
1511
0921, 1021, 1081,
1121, 1171, 1261,
1301
Geloso
Dual-Tec
Dumont
General Technic
Genexxa
GoldStar
2681
Irradio
0491, 1321, 1331,
1371, 1411, 1511,
2011
0451, 1331
0591, 0601, 0761,
0791, 1371, 1491,
1511, 1561, 1621,
1641
0141, 1101, 1371,
1641, 2301
0981, 1061
0451
0141, 0451, 0491,
0581, 0601, 1101,
1111, 1351, 1981,
2321
Isukai
ITT
1331
Baird
1101, 1351
1081
1321, 1331
Dynatron
Elbe
Electro Tech
Elektronska
Elman
0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431
0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431
0071, 0721, 1441,
1581, 1591, 1741,
1791
0591, 1321, 1331
0601
0591, 0601, 0841,
1091, 1321, 1511,
1561, 2051
Bang & Olufsen
Basic Line
Bauer
Goodmans
1451
Baur
0041, 0061, 0121,
0131, 0221, 1561
2491, 2501
0221, 0231, 0241,
0251, 0471, 0741,
2201, 2211, 2221,
2231, 2241, 2261,
2571, 2581
0571, 0651, 0731,
0901, 1821
1021, 1051, 1081
0761
0821, 0991, 1021,
1081
0391, 0691, 1621,
1901, 1981
0451, 1241, 1331,
1641, 1741, 2131,
2151
0481, 1561, 1611
0791
Gorenje
Graetz
Granada
Elta
Emerson
Beko
Blaupunkt
ITT-nokia
Erres
Etron
Europhon
0101
1981
Granada (UK) 0081, 0141, 0451,
0491, 0581, 0601,
0261, 0581, 0601,
0771, 1091, 1621,
2001
0101, 1511
0281, 0371, 0551,
0651, 0781, 0861,
0881, 1131, 1181,
1361, 1461, 1971,
1991, 2281, 2311,
2341
Brandt
1031, 1311, 1521,
1561, 1641
Brionvega
Britannia
Bruns
Fenner
Ferguson
Grundig
0221, 0231, 0471,
0491, 0711, 0741,
1381, 2021, 2041,
2141, 2151
0021, 0121, 0141,
0431, 0591, 1561
0581
JVC (Victor)
BSR
Bush
Hanseatic
Hantarex
Hemmermann 0061
Hifivox
Hinari
Kaisui
Kamosonic
Karcher
Fidelity
0451, 0761, 2281
Fidelity (UK) 0561, 0591, 1931,
2281
Filmnet
Finlandia
Finlux
0331, 0571
Bush (UK)
Candle
Century
CGE
0071, 0141, 0451,
1261, 1351, 1511,
1641, 1981, 2011
1141
0451, 2321
Kawasho
Kendo
Kennedy
0761
0261
0021, 0351, 0951,
1981
1021, 1081
0491, 0811, 0981,
1401, 1531, 1611,
1621, 1981, 2201,
2251, 2271
0021, 0261, 0491,
0521, 0781, 0811,
0871, 1081, 1411,
1421, 1981, 2051,
2091, 2121, 2151,
2551
Citizen
0791
i
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Konka
Korting
2701
0431, 1011, 1021,
1081, 1541
0601, 1171
0601, 1511
NEC
0141, 1711, 1721,
1731
0451, 0601, 0981,
1081, 1561, 1931,
1981, 2211, 2231,
2241
Prandoni-promce
0451, 0491,
0581
Seleco
0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
1601
0141, 0151, 0191,
1761, 1781
0021, 0261, 0581,
0641, 1021, 1081,
1981
Neckermann
Prima
0451
1981
KTV
Profex
Protech
Quelle
Lenoir
Leyeo
Lifetec
0641, 1181, 1981
0041, 0061, 0121,
0221, 0231, 0391,
0491, 0521, 0601,
0781, 1371, 1381,
1411, 1421, 1641,
1681, 2051, 2091,
2141, 2151, 2201,
2211, 2231, 2241,
2251, 2271, 2551,
2571, 2581
Sentra
Sharp
1181
2591, 2601, 2611,
2621, 2641, 2651,
2661, 2671, 2681,
2691, 2711, 2761,
2771, 2781
0121, 0131, 0581,
0611, 1081
1691, 2281
0551, 1681, 2281
0831
0351, 0451, 1901
0791
Nediator
Nicamagic
Nikkai
0101
0761
Siarem
1101, 1331, 1641,
1701, 2011
0261, 0491, 0591,
0641, 1381, 1411
0571
Nobliko
Sicatel
Siemens
1971
Loewe Opta
0151, 0221, 0231,
0451, 0741, 2011,
2201, 2211, 2221,
2231, 2241, 2261,
2571, 2581
1181
0021, 0261, 1021,
1081
0101, 0021, 0061,
0261, 0391, 0641,
0691, 0851, 0941,
1021, 1081, 1241,
1301, 1321, 1481,
1631, 1981
Nogamatic
Nokia
Logic
Logik
Lowewe
Luma
Luxman
0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431, 2461, 2791
0031, 0291, 0331,
0451, 0531, 0541,
0571, 1051, 1131,
1591, 1791, 1811,
1821, 1891, 1941,
2631
0321, 1651, 1981
0031, 0061, 0321,
0441, 1661
0601
1171
0061, 0391, 0691,
0851, 1211, 1241,
1251, 1301, 1481,
1511, 1681, 1691,
1981, 2371, 2421
2011
1101, 1331, 2011
0151
0021, 0121, 0141,
0221, 0601, 1561,
1741, 1981
Radiomarelli
0101, 0451, 0661,
0771, 1081
Silver
Singer
Radionette
Radiola
Rank
0031, 2051, 2091
2291
0481, 2151
Luxman Stereo Tuner 0791
Luxor
0001, 0061, 0181,
Sinudyne
0341, 0421, 0451,
0461, 0491, 0601,
0671, 1351, 1371,
1561, 1601, 1911,
1921, 1981
Rbm
2131, 2151
Nordmende
Rbm (UK)
Rediffusion
0481
0451, 0661, 1641,
1981, 2331
Rediffusion (UK)
0061, 0081,
1031
Lyco
Magnadyne
1181
Skantic
Solavox
Sonoko
Sony
0451
0021, 0061, 0261,
0581, 0641, 0771,
1021, 1081, 1621,
1981
0261, 0491, 0581,
0591, 0641, 0761,
1091, 2001
0101
0101
1081
0101
0061, 0451, 0601,
0691, 1101, 1151,
1241, 1271, 1301,
1511, 1561, 1681,
1691
Rex
0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
0451, 1641, 2011
1181, 1511, 0101
0141, 0171, 1121,
1681, 1691, 2751
1171
Oceanic
Oceanic (F)
Magnafon
Onceas
Onwa
Orion
Rft
0991, 2511
Soundesign
SSS
Stern
Roadstar
Rotel
Saba
1321, 1511
0151
1171
0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
0691
0791
0161, 0331, 0611,
1021, 1421, 1771,
1791, 2081
0451, 0191, 1331,
1531
Manesth
Marantz
Marelli
Mark
0291, 0331, 0421,
0451, 0531, 0541,
0571, 0581, 0651,
0731, 0931, 1021,
1071, 1081, 1131,
1791, 1811, 1821,
1891, 1941, 2631
1971
Sunkai
Supra
Tandberg
Matsui
Osaka
Osaki
Osume
Otto Versand
Saccs
Saisho
0451, 0601, 1161,
1241, 1301, 1511,
1671, 1681, 1691
0011, 0041, 0061,
0071, 0341, 0451,
0671, 1291, 1351,
1521, 1561, 1601,
1641, 1911, 1921,
1931, 1981, 2321
0261, 0491, 0581,
0641, 1091, 1371,
1411, 2001
0101, 0601, 0841,
0981, 1101, 1181,
1371, 1511, 2011
0141, 0151, 0401,
0601, 0801, 0821,
0981, 1021, 1101,
1111, 1291, 1351,
1691, 1741, 2051,
2091, 2551
Tandy
Maximal
McMichael
Medion
0071, 1981
1281
Pael
Panasonic
0591, 1411
Tashiko
Tatung
0141
2591, 2601, 2611,
2621, 2641, 2651,
2661, 2671, 2681,
2691, 2711, 2721,
2761, 2771, 2781
1511
0231, 0741, 1001,
1041, 1081, 1481,
2071, 2081
0031, 0201, 0211,
0451, 0701, 1311,
1751, 1961, 2561,
2741
Salora
0271, 0581, 0601,
0971, 1101, 1681,
1691
2621, 2641, 2711,
2761, 2771, 2781
1311
0791
1171, 1231, 1261
1141
Tcm
Panoramic
Pathe Marconi 0571
Pathe’ Cinema (F)
2351
Memorex
Metz
Technics
Techwood
Teknika
Tele
0431, 0591,
1621, 1661,
1971
Sambers
Samsung
Sanyo
MGA
Micromaxx
1231
Pausa
Pauza
Perdio
Philco
1511
1511
0891, 1101
Teleavia
0571, 0651, 0731,
1821
2591, 2621, 2641,
2651, 2711, 2761,
2771, 2781
0221, 0231, 0491,
1381, 2141, 2151
2281
0141, 0201, 0231,
0661, 1191, 1201,
1231, 1671, 1691,
1741
0491, 0501, 0581,
0591, 0761, 0771,
1371, 1431, 2031
0791
Telefunken
0291, 0301, 0311,
0551, 0731, 1131,
1471, 1591, 1791,
1801, 1811, 1821,
1991, 2161, 2171,
2181, 2191, 2201,
2251, 2271, 2521,
2631
1511
2381, 2391, 2401,
2411
1331, 2091
0601
0331, 0481, 0531,
0571, 0631, 0651,
0731, 0901, 1241,
1571, 1591, 1791,
1811, 1821, 1891,
1941, 2531
0021, 0491, 0811,
0981, 1021, 1081,
1401, 1611, 1621,
1751, 2201, 2251,
2271, 2451, 2471
0101, 0361, 0591,
0621, 0681, 0751,
0761, 1021, 1081,
1281, 2031, 2281,
2291, 2431, 2441,
2511, 2731
Minerva
Mistral
Mitsubishi
Philips
SBR
0681, 0751, 1281,
2281
Teletech
Tempest
Mivar
Schaub Lorenz 0451
Schneider
0021, 0071, 0091,
0451, 0511, 0591,
0601, 0751, 1321,
1361, 1621, 1641,
2101, 2111, 2291
1171, 1261
Tensai
Texet
Thomson
MTC
Multitech
Phoenix
Phonola
Pioneer
1081
0751, 1081
0291, 0451, 1341,
1821
0261, 0581, 0601,
0641, 0981, 1321,
1511
Scott
SEG
Murphy
Murphy (UK) 0081, 1031
N.E.I.
NAD
0451, 2091
Prandoni-prince
0411, 0451,
0491, 0581,
1411
0261, 0601, 0821,
0991
0101, 0961
1341
SEI
0641, 0691, 1081,
1301, 1481, 1981
Thorn
0741, 0861, 2091,
2251, 2271, 2281
ii
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Thorn-Ferguson 0281, 0371, 0551,
0651, 0781, 0861,
Nikko
Nokia
1136, 1146
0066, 0126, 0176,
0446, 1156, 1166,
1336
0786
0966
0046, 0176, 0296,
0936, 0956, 1306
0946
0616, 0686, 0706
0396
SATELLITE TUNER
VCR
Aiwa
Akai
Akai
1276
0042, 0352, 0432
0042, 0422, 0492,
0582, 0612, 0642,
0652, 0762, 0912
0002, 0112, 0282,
0332, 0342, 0972
0322, 0432, 0452
0002
0881, 1131, 1181,
1361, 1461, 1971,
1991, 2281
Alba
Amstrad
0826, 1276
0166, 0796, 1016,
1026, 1296
0476
Norsat
Otto Versand
Pace
TMK
Toshiba
0141, 0791, 1471
0141, 0381, 0481,
1221, 1271, 1701,
1741, 1851, 2151,
2801, 2811
Ankaro
Ast
Alba
0406
Astra
0126
Amstrad
Anitech
Anitsch
Pace Mss
Palcom
Palsat
Barcom
Blaupunkt
0476
0966
1002
Trans Continens 0451
Bmc Satellite 0106
British Telecom
ASA
Audiosonic
Baird
Bang & Olufsen
Baur
Blaupunkt
0012, 0052
0002
Tristar
Triumph
Uher
2281
Paltec
Panasonic
Pansat
0706
0806, 1306
1076
0326, 0346, 0476,
0956, 1126, 1186,
1196, 1206, 1216,
1306, 1316
1176
0306, 0896
0966
1056
0316, 0786
1186, 1196, 1206,
1216
1276
0481, 0581, 2121
0431, 0451, 0481,
0491, 0511, 1311,
1541
0021, 0261, 0591,
1021, 1081, 1981
1181, 2051
1971
Bush
0826
0956
0196, 1276
0016, 0696, 1006
0616
0042, 0282, 0492
0042
0052, 0062, 0812
0062, 0092, 0252,
0462, 0672, 0992
0032
0002, 0282, 0332,
0342, 0512, 0972
0812
0112
0042, 0432, 0762
0072, 0482
0112, 0282, 1212
0112, 0282, 1212
0012
Bush (UK)
Cambridge
Chaparral
Columbus
Connexions
Philips
Ultravox
0306, 0426
Brionvega
Bush
Universum
Univox
Vegavox
Vexa
Videoton
Vortec
Prosat
Ptt Telecom
Quelle
Radix
Rediffusion
Rft
Discus Elipse 0856, 0866
Diskxpress
Drake
0426, 0476
1516
0811
0101, 1511
2481
Bush (UK)
Capehart
CGE
Echostar
0226, 0236, 0606,
0626, 0666, 0926,
0996, 1046, 1056,
1066, 1106
1286
0101, 0651
0411, 0451, 0491,
1021, 1081
0451
0431, 2201, 2241
0021, 0061, 0261,
0591, 0641, 0761,
1091, 1971, 1981,
2001
Craig
Voxson
Crown
Daewoo
Dansai
Daytron
Decca
Sagem
Sakura
Salora
1256
Elta
Waltham
Watson
Watt Radio
0566, 0816
0066, 0126, 0136,
0446, 0456, 0486,
0496, 0576
0746, 0756
0406
0896
0646
1266
1096
Elta Sat
Eurodec
Ferguson
0146
1226, 1236, 1246
0046, 0176, 0186,
0296, 0846, 0956,
1306
0112
0042, 0052, 0432,
0942
0052
0052, 0132, 0432,
0532, 0602
Samsung
Sat
Satcom
Sateco
Sector
Sedea
Decca (UK)
Degraaf
Finlux
Fracarro
Fuba
0976
Wega
0141, 1081, 1981
1021
0101
0026, 0536, 0776
0476, 0616, 0636,
1056
Wega Color
Weltblick
Weston
Dixi
Dual
0442
0042, 0632
1621
Giucar Record 0206, 0336
Grundig 0176, 0946, 0956,
0966
High Performance
Dumont
Dynatech
Dynatron
Elbe
Elin
Emerson
0052, 0432, 0532
0432
0012
0122
0072
0012, 0162, 0202,
0432, 0512, 0522
0012
0042, 0712, 0722,
0852, 0902, 1012,
1022, 1082
White Westinghouse 0101, 0261,
Sentra
Siemens
Sintrack
Skylab
Skyscan
Sony
0416
0896, 0966
0906
0476
0876
0736, 0946
0306
0156, 0396, 1036,
1086
0636
1116, 1366
0916
0431, 0591,
0761, 1401,
1541
0916
Hirschmann
Hitachi
0756, 0966
0446, 0516, 0706,
0946
Yoko
0601, 1511
Zanussi
0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
Stella
Strong
Icx International
ITT
0886
Erres
Ferguson
0066, 0126, 0176,
0446, 1156
0066, 0126, 0176,
0446, 1156
0146
Zoppas
0451
Stv
Tandberg
Tandy
Tantec
Tatung
Technisat
ITT/Nokia
Fidelity
Finlandia
Finlux
0432
0052, 0532
CABLE
Cabletime
Jeemon
0616
1446, 1456, 1476
Jerrold
0846, 0986
0246
1276
0116, 0266, 0276,
0366
0012, 0042, 0052,
0082, 0262, 0382,
0432, 0462, 0492,
0532, 0572, 0602,
0912
0002, 0912
0162, 0482, 0532,
0542, 0572, 0592
0516, 0546
0086, 0096, 0526,
0556, 1056
0306
Clyde Cablevision
1426
Johansson
JVC (Victor)
Kathrein
Filmnet
France Telecom
GEC
1396, 1436
1386
1426
Telecom
Telemax
Thorn-Ferguson
0586
Jerrold
1416
Kosmos
Kyostar
Leng
0266
1036, 1086
0246
First Line
Fisher
0046, 0076,
0176, 0186,
0956
Movie Time
NSC
1466
1466
Philips
1386
Lifesat
Luxor
1326, 1346, 1356
0126, 0136, 0446,
0466, 0506, 1156
0356
Formenti-Phoenix
Frontech
Funai
GBC
GEC (UK)
Geloso
0012, 0052
Toshiba
Triad
Uniden
0946
0406
Pioneer
0006
0112
0432
0002
0022, 0052
0002
1172
0012, 0812, 0952,
1202
0002, 0072, 0282,
0432, 0502
0002
0022, 0042
0052, 0132, 0532,
0572
Samsung
Scientific Atlanta
Starcom
STS
1496
0036, 0216, 0676,
0716, 0726
0886
0756, 1036, 1076
0436
1486, 1506
Macab
1416
1466
Maspro
0016, 0116, 0256,
0956
US Electronics
Vortec
Vtech
Winersat
Wisi
Tele
1436
Medion
Metz
1326, 1346
0966
General Technic
GoldStar
Tele+1
1436
0246
Teleservice
Tudi
1406, 1476
1376
Micromaxx
Mitsubishi
Morgans
Muratto
NEC
1326, 1346
0966
0596
0056, 0356, 0376,
0386, 0406, 0656,
1056, 1156
0916
0266, 0406
0406
Goodmans
United Cable
Zenith
1416
1406
0406
Goodmans (UK)
Graetz
Granada
Wolsey
Zehnder
Zender
0286, 0316, 0766,
0786, 0836
0046
Network
Granada (UK) 0052, 0092, 0462,
0602, 0812, 0822
iii
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Grundig
0052, 0062, 0092,
0232, 0252, 0262,
0752, 0802
Nordmende
0042, 0102, 0142,
0192, 0222, 0242,
0392, 0402, 0632,
0732, 0742, 0762,
0782, 0792, 0832,
0842, 0872
0462
0132, 0502
0162, 0202, 0312,
0442, 0512, 0522,
0982
STS
Sunkai
Sunstar
Sylvania
Symphonic
Tandegerg
0602
0512
0432
LD PLAYER
Aiwa
0137
Funai
0137
Hanseatic
Harman/Kardon
Hcm
0052, 0812
0432, 0912
0432, 0912
0062, 0162, 0522,
0932
0132, 0432
0042, 0052, 0432,
0922
1142, 1162, 1172
0042, 0432
0462
0012, 0432
0042, 0192, 0632,
0732, 0742, 0762,
0782, 0882, 0892
1032, 1042, 1052
0002
Hitachi
Magnavox
Panasonic
Pioneer
Realistic
Samsung
Sony
0047
0077
0027
0037
0922, 1202
0002
0002, 0202, 0412,
0442, 0522
0042, 0172, 0292,
0432, 0602, 0662,
0812, 1022
0072, 0432
0442
0002, 0052, 0072
1142, 1162, 1172
0022, 0052
Hinari
Olympus
Optonica
Orion
Tashiko
Tatung
0137
Hitachi
0017, 0087
0057, 0097, 0107,
0117
TCM
Teac
Technics
Teknika
Telefunken
Imperial
Ingersol
Inno Hit
Innovation
Interfunk
Irradio
Osaka
Osaki
Otto Versand
Panasonic
0432
Victor
0127
0002, 0012, 0432
0052, 0062, 0812
0022, 0212, 0462,
0672, 0992, 1092,
1102, 1182
0172, 0602
0432
1062
0052, 0082, 0092,
0152, 0182, 0362,
0372, 0472, 0502,
1072
0052, 0152
0012
0052, 0142, 0372,
0472
0112
0432
0052, 0152
Yamaha
0007
CD PLAYER
0002, 0012
Accuphase
0315
ITT
0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762
0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762
0042
0042, 0102, 0142,
0272, 0742, 0762,
0782, 0902
0052, 0072, 0812
0492
0042, 0142, 0572
1142, 1162, 1172
0432
0052, 0092, 0152
0002, 0072, 0442
0162
0492, 0572, 0812
0432
0052
0572
0012
0012, 0052, 0092,
0502, 1202
Pentax
Perdio
Philco
Philips
Tempest
Tenosal
Thomson
Adc
0865
Adcom
Akai
0785, 1015
0115, 0125, 0725,
0735, 0745, 0935,
1155
0042, 0102, 0142,
0192, 0402, 0632,
0762
ITT-Nokia
Thorn
0042, 0902
Arcam
1875
Jensen
JVC (Victor)
Thorn-Ferguson 0042, 0222, 0302,
0712, 0722, 0742,
Arcam-Rotel
0165
Phonola
Pilot
Pioneer
Audio-Technica 0835
0762, 0852, 0862,
0872, 0902
0522
0002
0042, 0622, 0912,
1212
0012, 0072
0922
0042, 0072
0032
0072
Audiosonic
Awia
0155
1105, 1235, 1245,
1765, 1915, 1935
0875
Karcher
Kendo
Kenwood
Lifetec
Lloyd
Loewe Opta
Logik
TMK
Tonsai
Toshiba
Portland
Proline
Pye
Quartz
Quelle
BSR
California Audio Lab 1075
Carrera
0555, 0875
0572
Totevision
Triumph
Uher
Ulravox
Unitech
Vector Research 0122
Videon
Weltblick
White Westinghouse 0032
Carver
0825, 1415
0012, 0032, 0042,
0052, 0062, 0072,
0092, 0202, 0462,
0552, 0942
Cyrus-Rotel
Denon
0205
0045, 0955, 1045,
1595, 1795, 1805
1005
Luma
Luxor
Dual
M Electronic
Magnadyne
Magnasonic
Manesth
Marantz
Radionette
Realistic
0022
Elin
0185
0012, 0072, 0132,
0432, 0482, 0502,
0532, 0572
1072
0042, 0742, 0782
0952
0042, 0142, 0192,
0222, 0242, 0392,
0632, 0732, 0742,
0762, 0772, 0782,
0792, 0872
0162, 0202, 0292,
0442, 0512, 0522,
0972
0192, 0572, 0812,
0822, 0912
0052, 0072, 0652,
1192, 1212
1162, 1172
0012
Emerson
Fisher
1015, 1285, 1675
0105, 0595, 0605,
0825, 1165, 1175
0525, 0825, 0855,
0875, 0995, 1265,
1285, 1345, 1355,
1485, 1575, 1675,
1715, 1825
Ret
Rex
Ricoh
Saba
Xenon
Yamaha
Yoko
0162
0042, 1202
0012, 0062, 0072
Genexxa
Mark
Marta
Matsui
0012
0012
0012, 0442, 0512,
0522, 0812, 0972
1142, 1162, 1172
0012, 0132, 0432,
0482, 0532, 0572
0062, 0092, 0932
0912
1142, 1162, 1172
0062, 0092, 0252
0172, 0602
0052, 0062, 0142,
0912, 0922
0072, 0432
0002, 0052, 0062,
0282, 0432
0432
DVD PLAYER
Akai
Denon
Hitachi
JVC (Victor)
Kenwood
Magnavox
Mitsubishi
Onkyo
Panasonic
Philips
Pioneer
Proscan
RCA
Samsung
Sharp
Sony
Technics
Thomson
Toshiba
Yamaha
GoldStar
Grundig
0555, 1185, 1195,
1585
0175
0108
0368
0388
0168, 0348
0288
Medion
Memorex
Saisho
Harman Kardon 0495, 0565, 0325,
1135, 1145, 1155
Metz
MGA
Micromaxx
Minerva
Minolta
Mitsubishi
Hitachi
0065, 0585, 0685,
0945, 1005, 1015,
1225, 1545
0248
0268
Salora
0128, 0248
0048
0188, 0248
0208, 0228
0308
0067, 0308
0148
0068
0028
0048
0328
0088, 0248
0008, 0048, 0188,
0248
Samsung
Innovation
ITT-Nokia
JVC (Victor)
1995, 2005, 2015
0185
0385, 0395, 0455,
0575, 0585
Sansui
Sanyo
0042, 0142
0482, 0532, 0562,
0572
MTC
Multitech
Karcher
0485
SBR
0052, 0152, 0182
Kenwood
0025, 0055, 0145,
0215, 0595, 0675,
0695, 0705, 0715,
0925, 1355, 1485,
1575, 1675, 1715,
1825
Murphy
N.E.I.
National
NEC
Schaub Lorenz 0022, 0042
Schneider
0012, 0052
0462
0002, 0012, 0052,
0072, 0432
0002, 0072
0042, 0122, 0142,
1202
0032, 0042, 0052,
0072, 0092, 0202,
0522, 0572, 0762,
0812
0112
0092
0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762,
1152
SEG
Sei-Sinudyne 0442
Seleco
Sentra
Sharp
Shintom
Siemens
Neckermann
0042
0112
0132, 0502, 0702
0002
0062, 0092, 0252,
0572
0052, 0382, 0442,
0932
0282
0432, 0552, 0682,
0692, 0942, 0952,
0962, 1122, 1132
Korting
Lifetec
0175
2015
Light Control 1155, 1645, 1655,
1665
Zenith
0248
Nikkai
Nobliko
Nokia
Linn
0165, 1875
Luxman
0265, 0275, 0795,
0805, 1295, 1305,
1555, 1925
Sinudyne
Sonoko
Sony
Luxor
Magnavox
0185, 1895, 1905
1865, 1875
iv
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Marantz
0165, 0175, 0545,
0665, 1275, 1335,
1405, 1505, 1875,
1955
Vector Research 0555, 0865
Yamaha 0005, 0015, 0085,
0345, 0615, 0655,
0815, 0835, 0895
Matsushita
MCS
Medion
1095, 1605
0535
0075, 1995, 2005,
2015
0525, 1015, 1265,
1275, 1285, 1675
1125
CD-RECORDER/CD-RW
Hitachi
0304
JVC (Victor)
Marantz
Philips
0334
0314, 0324
0274
Memorex
MGA
Pioneer
Yamaha
0284, 0294
0244
Micromaxx
Mission
Mitsubishi
NAD
2015
0165, 1875
1125, 1205
0255, 0285, 0295,
0305, 0345, 0135,
0755, 0765, 1315,
1325
0635, 0645, 1565
0405, 0535, 0775,
0785
MD RECORDER
Kenwood
Pioneer
Sharp
0214
0254
0264
Sony
0224
Nakamichi
NEC
Yamaha
0024, 0224, 0234
TAPE DECK
Neckerman
Nikko
Oceanic
Okano
0155, 0225
0835, 1165
0185
0155, 0225
0885, 1385, 1425,
1455, 1515
1055, 1075, 1615,
1625
0165, 0175, 0195,
1865, 1875
0095, 0335, 0425,
0435, 0445, 0525,
0855, 1035, 1945
0905, 1875
1075
Akai
0124
Denon
0204
Grundig
Harman
JVC (Victor)
Kenwood
Korting
Luxman
0134
0044
0194
0164
0134
0054, 0064, 0074,
0084
Onkyo
Panasonic
Philips
Pioneer
Marantz
NAD
0134, 0144
0174
Onkyo
Philips
Pioneer
Sony
0184
Proton
Quasar
Radiola
Radiotone
Realistic
0134, 0144, 0154
0034, 0114
0094, 0104
0004, 0014
1845, 1855
0485
0825, 1015, 1265,
1275, 1285, 1575
1875
Yamaha
Rotel
Saba
1005
SAE
1875
Salora
Sansui
0185
0415, 0965, 0975,
0985, 1255, 1675,
1875
Sanyo
0625, 0825, 0845,
0915
Schneider
Scott
Sharp
1845, 1855
1285, 1675
0025, 0035, 1025,
1115, 1275, 1635,
1785, 1815, 1825,
1835
Sherwood
Siemens
Signature
Sony
1275, 1445
1085
1155
0345, 0355, 0365,
0375, 0865, 1685,
1695, 1705, 1715,
1725, 1735, 1745
1875
Sytvania
Tandberg
Tashiko
TCM
1885
1525
1985, 2015
0235, 0245, 1275,
1365, 1375, 1395,
1435, 1465, 1475
0465, 0475, 1065,
1075, 1625
1005
Teac
Technics
Telefunken
Theta Digital
Thomson
1865
1005
Toshiba
0755, 0765
v
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YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B.
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
J
A
WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
Printed in Malaysia ID
V735940
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Connection Guide (when listening to a digital 5.1-channel source)
Main speakers A
Main speakers B
DVD player
AUDIO OUT
S VIDEO
OUT
VIDEO
OUT
OPTICAL
L
R
R
L R
L
S VIDEO
OUT
OPTICAL
OUT
AUDIO
OUT
VIDEO
OUT
L
R
V
O
S
SPEAKERS
—
+
—
+
DIGITAL
INPUT
R
L
TUNER
AM ANT GND
FM ANT
CD
A
COAXIAL
OPTICAL
75 UNBAL.
MAIN
D-TV/CBL
B
6CH INPUT
VIDEO SIGNAL
VCR 1
DVD
D-TV/CBL
MONITOR OUT
VIDEO
IN
OUT
MAIN
SURROUND
CENTER
DVD
L
L
MD/CD-R
CENTER
REAR
R
L
(SURROUND)
S VIDEO
R
R
SUB WOOFER
+
OPTICAL
MD/CD-R
L
—
R
IN(PLAY) OUT(REC)
MD/CD-R
IN
OUT
SUB
WOOFER
AUX
CD
DIGITAL
OUTPUT
DVD
D-TV/CBL
VCR 1
AUDIO SIGNAL
OUTPUT
S
(U.S.A. model)
V
*
*
*
RX-V520/RX-V520RDS
HTR-5450/HTR-5450RDS only
VIDEO IN
L
Analog signal
S Video signal
Video signal
Signal flow
S VIDEO IN
R
V
O
Optical signal
Subwoofer
system
R
L
V728210 RX-V520/RX-V420 (ML)
Center speaker
Video Monitor
Rear speakers
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Quick Reference Card
AMP(TUNER)
TAPE/MD
CD
DVD/LD
POWER
POWER
POWER
POWER
Input selector
buttons
Input selector
buttons
Input selector
buttons
Input selector
buttons
6CH INPUT
6CH INPUT
6CH INPUT
6CH INPUT
A/B/C/D/E
TEST
EFFECT
EFFECT
EFFECT
EFFECT
PRESET–/+
DISC SKIP–/+
DISC SKIP–/+
VOLUME
MUTE
VOLUME
MUTE
VOLUME
MUTE
VOLUME
MUTE
TV VOLUME
TV VOLUME
TV VOLUME
TV VOLUME
SLEEP
–/+
SLEEP
SLEEP
SLEEP
DISPLAY (MD)
DISPLAY
DISPLAY
DECK A/B (TAPE)
TV INPUT
TV INPUT
TV INPUT
REC/PAUSE
PLAY
DIR A (TAPE)
SKIP– (MD)
PAUSE (MD)
PAUSE
SKIP+
PAUSE
SKIP+
PLAY
SKIP–
PLAY
SKIP–
PRG+,
PRG–
DIR B (TAPE)
SKIP+ (MD)
TIME/LEVEL
REWIND (TAPE)
SEARCH (MD)
SET
MENU
FAST FORWARD (TAPE)
SEARCH (MD)
SEARCH
STOP
SEARCH
SEARCH
STOP
SEARCH
STOP
V728130
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Quick Reference Card
DVD MENU
VCR
CBL/SAT
TV
VCR
POWER
CBL/SAT
POWER
TV
POWER
POWER
Numeric buttons
CHANNEL
CHANNEL
+100
CHANNEL
ENTER
CHANNEL
CLEAR
+10
EFFECT
CHANNEL
ENTER
EFFECT
CHANNEL
ENTER
VCR
CBL/SAT
CHANNEL–/+
VOLUME
TV
CHANNEL–/+
DISC SKIP–/+
CHANNEL–/+
VOLUME
VOLUME
VOLUME
TV VOLUME
TV VOLUME
TV VOLUME
TV VOLUME
MUTE
MUTE
MUTE
TV MUTE
RETURN
TV SLEEP
TV SLEEP
TV SLEEP
INDEX
DISPLAY
DISPLAY
DISPLAY
TV INPUT
TV INPUT
TV INPUT
VCR REC*1
VCR PLAY
VCR REC*1
VCR PLAY
TV INPUT
MENU UP
VCR
PAUSE
VCR
PAUSE
MENU UP
MENU SELECT
MENU LEFT
MENU SELECT
MENU LEFT
MENU RIGHT
MENU RIGHT
VCR
REWIND
VCR
REWIND
VCR FAST
FORWARD
VCR FAST
FORWARD
TITLE
MENU
MENU
RECALL
MENU DOWN
VCR STOP
MENU DOWN
VCR STOP
*1
Premere due volte questo tasto per iniziare la registrazione.
Presione dos veces este botón para empezar a grabar.
Druk tweemaal op deze toets om met opnemen te beginnen.
Press this button twice to start recording.
Appuyer deux fois sur cette touche pour commencer l’enregistrement.
Drücken Sie diese Taste zweimal, um die Aufnahme zu starten.
Tryck två gånger på den här knappen för att börja spela in.
V728130
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