Yamaha Stereo Receiver HTR 5240RDS User Manual

G
HTR-5240RDS  
Natural Sound AV Receiver  
Ampli-tuner audio-vidéo  
OWNER’S MANUAL  
MODE D’EMPLOI  
BEDIENUNGSANLEITUNG  
BRUKSANVISNING  
MANUALE DI ISTRUZIONI  
MANUAL DE INSTRUCCIONES  
GEBRUIKSAANWIJZING  
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CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.  
1. To assure the finest performance, please read this  
manual carefully. Keep it in a safe place for future  
reference.  
12. To prevent lightning damage, disconnect the AC  
power cord and disconnect the antenna cable when  
there is an electrical storm.  
2. Install this unit in a cool, dry, clean place — away  
from windows, heat sources, sources of excessive  
vibration, dust, moisture and cold. Avoid sources of  
humming (transformers, motors).To prevent fire or  
electrical shock, do not expose the unit to rain or  
water.  
13. Grounding or polarization — Precautions should be  
taken so that the grounding or polarization of the unit  
is not defeated.  
14. AC outlet — Do not connect audio component to the  
AC outlet on the rear panel if that component  
requires more power than the outlet is rated to  
provide.  
3. Never open the cabinet. If something drops into the  
unit, contact your dealer.  
4. Do not use force on switches, controls or connection  
wires. When moving the unit, first disconnect the  
power cord and then the wires connected to other  
component. Never pull the wires themselves.  
This unit is not disconnected from the AC power source  
as long as it is connected to the wall outlet, even if this  
unit itself is turned off. This state is called the standby  
mode. In this state, this unit is designed to consume a  
very small quantity of power.  
5. The openings on the cover assure proper ventilation  
of the unit. If these openings are obstructed, the  
temperature inside the unit will rise rapidly.  
Therefore, avoid placing objects against these  
openings, and install the unit in a well-ventilated area  
to prevent fire and damage.  
For U.K. customers  
If the socket outlets in the home are not suitable for the plug  
supplied with this appliance, it should be cut off and an  
appropriate 3 pin plug fitted. For details, refer to the  
instructions described below.  
Be sure to allow a space of at least 20 cm behind,  
20 cm on both sides and 30 cm above the top panel  
of the unit to prevent fire and damage.  
Note  
6. The voltage used must be the same as that specified  
on this unit. Using this unit with a higher voltage than  
specified is dangerous and may result in fire or other  
accidents.YAMAHA will not be held responsible for  
any damage resulting from the use of this unit with a  
voltage other than that specified.  
• The plug severed from the mains lead must be destroyed, as a  
plug with bared flexible cord is hazardous if engaged in a live  
socket outlet.  
Special Instructions for U.K. Model  
IMPORTANT  
7. Digital signals generated by this unit may interfere  
with other component such as tuners, receivers and  
TVs. Move this unit farther away from such  
component if interference is observed.  
THE WIRES IN MAINS LEAD ARE COLOURED IN  
ACCORDANCE WITH THE FOLLOWING CODE:  
Blue: NEUTRAL  
Brown: LIVE  
8. Always set VOLUME to the “m” position before  
starting the audio source play. Increase the volume  
gradually to an appropriate level after playback has  
been started.  
As the colours of the wires in the mains lead of this  
apparatus may not correspond with the coloured  
markings identifying the terminals in your plug, proceed  
as follows:  
The wire which is coloured BLUE must be connected to  
the terminal which is marked with the letter N or  
coloured BLACK. The wire which is coloured BROWN  
must be connected to the terminal which is marked with  
the letter L or coloured RED.  
9. Do not attempt to clean the unit with chemical  
solvents; this might damage the finish. Use a clean,  
dry cloth.  
10. Be sure to read the “TROUBLESHOOTING” section  
regarding common operating errors before  
concluding that the unit is faulty.  
Making sure that neither core is connected to the earth  
terminal of the three pin plug.  
11. When not planning to use this unit for a long period  
of time (e.g., a vacation), disconnect the AC power  
cord from the wall outlet.  
CAUTION  
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INTRODUCTION  
FEATURES  
CONTENTS  
5-Channel Power Amplification  
Minimum RMS Output  
INTRODUCTION  
(0.06% THD, 20 Hz – 20 kHz)  
FEATURES .................................................................. 1  
CONTENTS ................................................................. 1  
GETTING STARTED ................................................. 2  
CONTROLS AND FUNCTIONS ............................... 4  
Main:  
Center:  
Rear:  
65 W + 65 W (8 )  
65 W (8 )  
65 W + 65 W (8 )  
Multi-mode Digital Sound Field  
Processing  
Digital Sound Field Processor (DSP)  
Dolby Digital Decoder  
Dolby Pro Logic Decoder  
DTS Decoder  
CINEMA DSP: Theater-like Sound Experience by  
the Combination of YAMAHA DSP Technology  
and Dolby Digital, Dolby Pro Logic or DTS  
Automatic Input Balance Control for Dolby Pro  
Logic decoding  
PREPARATION  
SPEAKER SETUP....................................................... 8  
CONNECTIONS.......................................................... 9  
ADJUSTING THE SPEAKER BALANCE ............ 18  
Sophisticated FM/AM Tuner  
40-Station Random Access Preset Tuning  
Automatic Preset Tuning  
Preset Station Shifting Capability (Preset Editing)  
Multi-Functions for RDS Broadcast Reception  
BASIC OPERATION  
PLAYING A SOURCE .............................................. 20  
DIGITAL SOUND FIELD PROCESSOR (DSP)  
EFFECT .................................................................. 24  
SOUND FIELD PROGRAM .................................... 25  
TUNING ..................................................................... 28  
RECEIVING RDS STATIONS................................. 32  
RECORDING A SOURCE ON TAPE, MD OR  
VIDEO CASSETTE ............................................... 35  
Other Features  
“SET MENU” which Provides You with 11 Items  
for Optimizing This Unit for Your Audio/Video  
System  
Test Tone Generator for Easier Speaker Balance  
Adjustment  
6-Channel External Decoder Input for Other Future  
Formats  
Video Signal Input/Output Capability  
(Including S Video Connections)  
2 Optical/1 Coaxial Digital Signal Input Terminals  
SLEEP Timer  
ADVANCED OPERATION  
SET MENU ................................................................. 36  
DELAY TIME AND SPEAKER  
OUTPUT LEVELS ................................................. 40  
SLEEP TIMER .......................................................... 42  
PRESET REMOTE CONTROL .............................. 43  
Remote Control with Preset Manufacturer Codes  
APPENDIX  
TROUBLESHOOTING ............................................ 50  
SPECIFICATIONS .................................................... 53  
GLOSSARY................................................................ 54  
INDEX ........................................................................ 55  
Manufactured under license from Dolby  
Laboratories. “Dolby”, “Pro Logic” and the  
double-D symbol are trademarks of Dolby  
Laboratories. Confidential Unpublished Works.  
©1992 – 1997 Dolby Laboratories, Inc. All  
rights reserved.  
y indicates a tip for your operation.  
Manufactured under license from Digital Theater Systems, Inc.  
US Pat. No. 5,451,942 and other world-wide patents issued and  
pending. “DTS”, “DTS Digital Surround”, are trademarks of  
Digital Theater Systems, Inc. Copyright 1996 Digital Theater  
Systems, Inc. All Rights Reserved.  
1
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GETTING STARTED  
Checking the Package Contents  
Check that the following items are included in your package.  
Remote control  
Batteries (AAA, R03, UM-4 type)  
75-ohm/300-ohm antenna adapter  
(U.K. model only)  
Indoor FM antenna  
Quick reference card  
AM loop antenna  
Connection guide  
Battery Installation in the Remote  
Control  
Battery Replacement  
If the remote control operates only when it is close to the  
unit, the batteries are weak. Replace all the batteries with  
new ones.  
Be sure to replace the batteries within about two minutes.  
If it takes longer than two minutes, the codes preset for  
the remote control will return to the factory settings.  
(Refer to pages 43 to 49 about the remote control.)  
2
1
3
Notes  
• Use only AAA, R03 or UM-4 batteries for replacement.  
• Be sure the battery polarity is correct. (See the illustration inside  
the battery compartment.)  
• Remove the batteries if the remote control will not be used for an  
extended period of time.  
• If the batteries have leaked, dispose of them immediately. Avoid  
touching the leaked material or letting it come into contact with  
clothing, etc. Clean the battery compartment thoroughly before  
installing new batteries.  
1 Turn the remote control over and slide the  
battery compartment cover in the direction of  
the arrow.  
2 Insert the batteries (AAA, R03 or UM-4 type)  
according the polarity markings on the inside  
of the battery compartment.  
3 Close the battery compartment cover.  
2
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GETTING STARTED  
Using the Remote Control  
The remote control transmits a directional infrared beam. Be  
sure to aim the remote control directly at the infrared sensor  
during operation. When the sensor is covered or there is a  
large object between the remote control and the sensor, the  
sensor cannot receive signals. The sensor may not be able to  
receive signals properly when it is exposed to direct sunlight  
or a strong artificial light (such as a fluorescent or strobe  
light). In this case, change the direction of the light or  
reposition the unit to avoid direct lighting.  
Remote control  
sensor  
Within approximately 6 m  
(20 feet)  
Notes  
• Handle the remote control with care.  
• Do not spill water, tea or other liquids on the remote control.  
• Do not drop the remote control.  
• Do not leave or store the remote control in the following  
conditions:  
– high humidity or temperature such as near a heater, stove or  
bath;  
– dusty places; or  
– extremely low temperature.  
3
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CONTROLS AND FUNCTIONS  
Front Panel  
1
2
3
4
5
6
+
+
L
R
7
8
9 0  
q
w e r t y u i o p a  
s d  
f
1 STANDBY/ON  
6 VOLUME  
Press this switch to turn on the power of this unit or to set  
this unit in the standby mode. Before turning the power on,  
set VOLUME to the “m” position.  
Turn this control to turn up or down the volume.  
7 PHONES jack  
Connect the headphones to the PHONES jack. You can  
listen to the sound to be output from the main speakers  
through the headphones.  
When using headphones only, set both SPEAKERS A and B  
to the OFF position and press EFFECT to turn off the effect  
speakers (center and rear) (so that no DSP program name  
appear on the display).  
Standby mode  
In this mode, this unit consumes a very small quantity of  
power to receive infrared-signals from the remote  
control.  
2 Remote control sensor  
This receives signals from the remote control.  
8 SPEAKERS  
Set A or B (or both A and B) to the ON position for the main  
speaker system (connected to this unit) that you want to use.  
Set the button(s) to the OFF position for the main speaker  
system that you don’t want to use.  
3 Display  
This shows various information. (Refer to page 6 for  
details.)  
4 INPUT MODE  
9 PROGRAM selector  
Press this button to select the input mode among AUTO,  
DTS and ANALOG for the DVD/LD, TV/digital TV and  
satellite tuner sources.  
Press l or h to select a DSP program when the effect  
speakers (center and rear) are turned on. The name of the  
selected program appears on the display.  
5 INPUT SELECTOR  
0 EFFECT  
Turn this selector to select the input source (TUNER, CD,  
PHONO, V-AUX, VCR, SAT/D-TV, DVD/LD) that you  
want to listen to or watch. The arrow for the selected input  
source indicator lights up on the display.  
Press this button to turn on or off the effect speakers (center  
and rear). If you turn them off, all Dolby Digital and DTS  
audio signals are directed to the right and left main  
speakers. In that case, the output levels of the right and left  
speakers may not match.  
4
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CONTROLS AND FUNCTIONS  
q Tone controls  
y PRESET/TUNING, EDIT  
These controls are only effective for the sound from the  
main speakers.  
a) BASS  
Turn this control clockwise to increase or counterclockwise  
to decrease the low-frequency response. The “0” position  
produces a flat response.  
Press this button to turn on or off “ z ” on the display and  
switch the function between for storing a broadcasting  
station (preset tuning) and for tuning. This button is also  
used to exchange the assignment of two preset stations with  
each other.  
u FM/AM  
b) TREBLE  
Press this button to switch the reception band between FM  
and AM.  
Turn this control clockwise to increase or counterclockwise  
to decrease the high-frequency response. The “0” position  
produces a flat response.  
i MEMORY (MAN’L/AUTO FM)  
Press this button to store the broadcasting stations. Hold  
down this button for more than three seconds to begin  
automatic preset tuning.  
w TAPE/MD MON / EXT. DECODER  
Press this button to select a tape or an MD source. The  
“TAPE/MD MONITOR” indicator lights up on the display.  
When you press the button next, the “TAPE/MD  
MONITOR” indicator goes off, “EXT. DECODER” appears  
on the display and you can listen to a source connected to  
the EXTERNAL DECODER INPUT terminals.  
o TUNING MODE (AUTO/MAN’L MONO)  
Press this button to switch the tuning mode between  
automatic and manual. To use the automatic tuning method,  
press this button so that the “AUTO” indicator lights up on  
the display. To use the manual tuning method, press this  
button so that the “AUTO” indicator goes off.  
e BALANCE  
This control is only effective for the sound from the main  
speakers.  
p RDS MODE/FREQ  
When an RDS station is received, press this button to  
change the display mode among the PS mode, PTY mode,  
RT mode, CT mode (if the station offers those RDS data  
services) and/or frequency display mode in turn.  
Turn the control to adjust the balance of the output volume  
from the right and left main speakers to compensate for  
sound imbalance caused by the speaker location or listening  
room conditions.  
a EON  
r A/B/C/D/E  
Press this button to select the desired program type (NEWS,  
INFO, AFFAIRS, SPORT) when you want to tune in to a  
radio program of that type automatically.  
Press this button to select one of a group (A to E) of preset  
stations.  
t PRESET/TUNING  
s PTY SEEK MODE  
When “ z ” appears  
Press this button to set the unit in the PTY SEEK mode.  
This button is used to select a preset station number (1 to 8).  
Press h to select a higher and l to select a lower preset  
station number.  
d PTY SEEK START  
Press this button to begin searching for a station after the  
desired program type has been selected in the PTY SEEK  
mode.  
When “ z ” goes off  
This button is used for tuning. Press h to tune in to higher  
frequencies, and l to tune in to lower frequencies.  
When this unit is in the PTY SEEK mode, press this button  
to select a program type.  
f VIDEO AUX terminals  
Connect an auxiliary audio or video input source such as a  
camcorder to these terminals. Use INPUT SELECTOR to  
select the source connected to these terminals.  
5
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CONTROLS AND FUNCTIONS  
Display  
1 t indicator  
8 MEMORY indicator  
The “t” indicator lights up when the built-in DTS  
decoder is turned on.  
This flashes for about five seconds after pressing  
MEMORY. During this period, the displayed station can be  
stored in the memory.  
2 DSP program indicators  
The name of the selected DSP program lights up in the  
following cases:  
9 RDS mode indicators  
The name(s) of the RDS data offered by the currently  
received RDS station light(s) up. Illumination of the red  
indicator next to the RDS data name shows that the  
corresponding RDS mode is now selected.  
When the tuner is selected as the input source.  
When DSP program No. 2, 3 or the subprogram  
“ENHANCED” of No.1 is selected.  
3 Multi-information display  
0 AUTO indicator  
This display shows various information: for example the  
name of the selected DSP program and the various settings  
during adjustment with the SET MENU. The current station  
frequency and band (FM or AM) also appear when the tuner  
is selected as the input source.  
This lights up when the unit is in the automatic tuning  
mode.  
q PTY HOLD indicator  
This lights up while searching for stations in the PTY SEEK  
mode.  
4 Input source indicators  
One of the arrows for these indicators lights up depending  
on which source is selected.  
w EON indicator  
This lights up when an RDS station that offers the EON data  
service is being received.  
5 TAPE/MD MONITOR indicator  
e Program type name indicators  
The name of the selected program type lights up when the  
“EON” indicator lights up.  
This lights up when the tape deck or MD recorder, etc. is  
selected as the input source by pressing TAPE/MD MON /  
EXT. DECODER (or TAPE/MD).  
r STEREO indicator  
This lights up when an FM stereo broadcast with sufficient  
signal strength is being received.  
6 g and o indicators  
g ” lights up when the built-in Dolby Digital  
decoder is on and the signals of the selected source are  
encoded with Dolby Digital. “ o ” lights up when  
the built-in Dolby Pro Logic decoder is on.  
t Signal-level indicator  
This indicates the signal level of the station being received.  
If multipath interference is detected, the indication  
decreases.  
7 x indicator  
x ” lights up when the built-in digital sound  
field processor is on.  
y SLEEP indicator  
This lights up while the built-in SLEEP timer is on.  
6
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CONTROLS AND FUNCTIONS  
Remote Control  
This section describes basic operation of this unit with the  
remote control. First, press AMP(TUNER) on the  
component selector. Refer to “PRESET REMOTE  
CONTROL” on page 43 for full details.  
3 POWER  
Each time you press this button, the unit switches between  
the power on and standby mode.  
4 TEST  
Press this button to output the test tone for each speaker.  
1
5 A/B/C/D/E, PRESET +/–  
These buttons are used to select a preset station.  
Press AMP(TUNER).  
A/B/C/D/E:  
To select one of a group (A to E) of preset  
stations  
2
PRESET +/–: To select a preset station number (1 to 8)  
3
6 MUTE  
Press this button to mute the sound. To cancel mute, press  
this button again.  
q
7 VOLUME  
These buttons are used to adjust the volume level.  
u: To turn up the volume  
d: To turn down the volume  
w
4
5
6
8 SLEEP  
Press this button to set the SLEEP timer.  
9 +/–  
These buttons adjust the settings of the SET MENU and  
TIME/LEVEL mode.  
TV VOLUME  
7
8
0 TIME/LEVEL  
Press this button to select the items in the TIME/LEVEL  
mode.  
TV INPUT  
9
0
q Input selector buttons  
These buttons select the input source.  
e
CD:  
To play a CD  
TUNER:  
TAPE/MD:  
DVD/LD:  
To listen to an FM (RDS) or AM broadcast  
To play a tape or MD  
To play a DVD or LD  
r
SAT/D-TV: To watch a TV or satellite broadcast  
VCR:  
PHONO:  
V-AUX:  
To play a video cassette  
To play an analog record  
To use a camcorder  
EXT. DEC.: To play other multi-channel source  
1 Indicator  
This flashes in red when pressing a button on the remote  
control. If it flashes rapidly several times, press the selected  
button again.  
w EFFECT  
Press this button to turn on or off the effect speakers (center  
and rear).  
2 Component selector buttons  
e PRG+, PRG–  
Press one of these buttons which corresponds to the  
component you want to control with the remote control.  
(The proper code must be set for your component. Refer to  
“Setup codes” on page 48.) When the component selector  
button has been pressed, the remote control is set to that  
component operation mode.  
Press these buttons to select a DSP program.  
r SET MENU  
Press this button to select the items in the SET MENU.  
7
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PREPARATION  
SPEAKER SETUP  
Speakers to Be Used  
Speaker Placement  
This unit is designed to provide the best sound-field quality  
with a 5-speaker system, using main speakers, rear speakers  
and a center speaker. If you use different brands of speakers  
(with different tonal qualities) in your system, the tone of a  
moving human voice and other types of sound may not shift  
smoothly. We recommend that you use speakers from the  
same manufacture or speakers with the same tonal quality.  
Refer to the following diagram when you place the  
speakers.  
Main speaker (R)  
Rear speaker (R)  
Subwoofer  
Main  
speaker (L)  
1.8 m  
The main speakers are used for the main source sound plus  
the effect sounds. They will probably be the speakers from  
your present stereo system. The rear speakers are used for  
the effect and surround sounds, and the center speaker is for  
the center sounds (dialog, vocals, etc.). If for some reason it  
is not practical to use a center speaker, you can do without  
it. Best results, however, are obtained with the full system.  
Center speaker  
Rear speaker (L)  
Main speakers  
Place the right and left main speakers an equal distance  
from the ideal listening position. The distance of each  
speaker from each side of the TV monitor should be the  
same.  
The main speakers should be high-performance models and  
have enough power-handling capacity to accept the  
maximum output of your audio system. The other speakers  
do not have to be equal to the main speakers. For precise  
sound localization, however, it is ideal to use high-  
performance models that can reproduce sounds over the full  
range for the center speaker and the rear speakers.  
Rear speakers  
Place these speakers behind your listening position, facing  
slightly inwards, nearly 1.8 m (approx. 6 feet) above the  
floor.  
Use of a subwoofer expands your  
sound field  
Center speaker  
It is also possible to further expand your system with the  
addition of a subwoofer. The use of a subwoofer is effective  
not only for reinforcing bass frequencies from any or all  
channels, but also for reproducing the LFE (low frequency  
effect) channel with high fidelity when playing back a  
source encoded with Dolby Digital or DTS. The YAMAHA  
Active Servo Processing Subwoofer System is ideal for  
natural and lively bass reproduction.  
Align the front face of the center speaker with the front face  
of your TV monitor. Place the speaker as close to the  
monitor as possible, such as directly over or under the  
monitor and centrally between the main speakers.  
Note  
• If the center speaker is not used, the sound will be heard from the  
right and left main speakers. In that case, “CENTER SP” in the  
SET MENU is set to the NONE position. (Refer to page 37 for  
details.)  
Subwoofer  
The position of the subwoofer is not so critical, because low  
bass sounds are not highly directional. But it is better to  
place the subwoofer near the main speakers. Turn it slightly  
toward the center of the room to reduce the wall reflections.  
CAUTION  
Some types of speakers interfere with a TV monitor. If  
this problem occurs, move the speakers away from the  
monitor. If you cannot avoid installing the center speaker  
or subwoofer near the TV monitor, use magnetically  
shielded speakers.  
8
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CONNECTIONS  
Before Connecting Components  
CAUTION  
Never connect this unit and other components to mains power until all connections between components have been  
completed.  
Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some  
components require different connection methods and have different terminal names. Refer to the instructions for each  
component to be connected to this unit.  
When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect  
it to the terminals with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.  
Use RCA-type pin plug cables for connecting audio/video components with the exception described later.  
The input and output terminals for pin plugs can be distinguished as follows:  
V
V
Yellow  
White  
Red  
video signals (composite)  
analog audio signals for the left channel  
analog audio signals for the right channel  
coaxial digital signals  
L
L
R
R
C
C
After completing all connections, check them again to make sure they are correct.  
Connecting the  
Antenna (page 10)  
Connecting to an External  
Decoder (page 14)  
Connecting Speakers  
(page 15)  
Connecting the Power  
Supply Cords (page 17)  
(Europe model)  
L
+
R
MAIN  
+
MAINS  
A
B
SET BEFORE POWER ON  
100W MAX. TOTAL  
SWITCHED  
REAR  
(SURROUND)  
MAIN  
A
OR  
B
B
:
:
:
:
4MIN. /SPEAKER  
8MIN. /SPEAKER  
6MIN. /SPEAKER  
6MIN. /SPEAKER  
L
R
CENTER  
+
A
CENTER  
REAR  
+
+
MAIN  
A
OR  
B
B
:
:
:
:
8MIN. /SPEAKER  
I6MIN. /SPEAKER  
8MIN. /SPEAKER  
8MIN. /SPEAKER  
+
A
CENTER  
REAR  
Connecting an Audio  
Component (page 12)  
Connecting a Video  
Component (page 13)  
IMPEDANCE SELECTOR  
switch (page 17)  
9
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CONNECTIONS  
Connecting the Antennas  
Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal  
strength. However, a properly installed outdoor antenna provides clearer reception than an indoor one. If you experience poor  
reception quality, an outdoor antenna may improve the quality.  
Connect each antenna correctly to the designated terminals.  
Indoor FM antenna (included)  
Firmly insert the connector into the FM ANT terminal. The  
Indoor FM  
antenna  
indoor FM antenna is only a simple antenna. For reception  
with better sound quality, installing the outdoor FM antenna  
(commercially available) is recommended.  
Note  
• Do not connect an outdoor FM antenna and the indoor FM  
antenna at the same time.  
Outdoor FM antenna  
You may be unable to obtain good FM radio reception  
depending on your local conditions (distance from the  
broadcasting station, interposing buildings and  
mountains, etc.). Consult your dealer or authorized service  
center and be sure to install an antenna that suits your local  
conditions.  
75-ohm/300-ohm antenna  
adapter (included for U.K.  
model)  
75-ohm coaxial cable  
75-ohm/300-ohm antenna  
adapter (included for U.K.  
model)  
Install the outdoor FM antenna (commercially available) in  
a high place as far away from any roads as possible to avoid  
being affected by automobile ignition noise.  
300-ohm feeder  
Connecting a coaxial cable to the included 75-ohm/300-ohm antenna  
adapter (U.K. model only)  
1 Open the cover of the included 75-ohm/  
2
1
3
300-ohm antenna adapter.  
11 (7/16)  
Unit: mm  
(inch)  
8 (5/16)  
6 (1/14)  
2 Cut the external sleeve of the 75-ohm coaxial  
Cover  
cable and prepare it for connection.  
3 Cut the lead wire and remove it.  
4 Insert the cable wire into the slot, and clamp it  
Lead wire  
with pliers.  
5 Snap the cover into place.  
4
5
Clamp with  
pliers.  
Clamp with  
pliers.  
Insert the wire  
into the slot.  
10  
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CONNECTIONS  
AM loop antenna (included)  
The AM loop antenna can be removed from the stand and  
attached to a wall, etc. However, note that the reception  
sensitivity may deteriorate if the antenna is attached to a  
metal or steel reinforced wall.  
AM loop antenna  
Notes  
• The AM loop antenna should be placed away from this unit.  
• The AM loop antenna should always be connected, even if an  
outdoor AM antenna is connected to this unit.  
Connecting the AM loop antenna  
1 Press the tab and unlock the terminal hole.  
1
3
2 Insert the AM loop antenna lead wires into the  
AM ANT and GND terminals.  
2
3 Return the tab to its original position to lock  
the lead wires. Lightly pull the lead wires to  
confirm a good connection.  
4
5
4 Attach the loop antenna to the antenna stand.  
5 Orient the AM loop antenna so that the best  
reception is obtained.  
Antenna stand  
Outdoor AM antenna  
If you cannot obtain good reception with the AM loop  
antenna, connect 5 m to 10 m of vinyl covered wire to the  
AM ANT terminal and extend it outdoors from a window.  
Vinyl covered wire (5 m to 10 m)  
Ground (GND terminal)  
For maximum safety and minimum interference, connect  
the antenna GND terminal to a good earth ground. A good  
earth ground is a metal stake driven into moist earth.  
11  
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CONNECTIONS  
Connecting an Audio Component  
Turntable  
OUTPUT  
GND  
L
R
(Europe model)  
Analog signal  
Signal flow  
L
R
L
R
L
R
L
R
OUTPUT  
LINE OUT  
LINE IN  
CD player  
Tape deck or  
MD recorder  
Be sure to connect the right channel (R), left channel (L),  
input (IN) and output (OUT) properly.  
PHONO terminals  
These terminals are used to connect a turntable with an MM  
or high-output MC cartridge. If you have a turntable with a  
low-output MC cartridge, use an inline boosting transformer  
or MC head amplifier when connecting to these terminals.  
y
Connecting the ground (earth) wire of the turntable to the GND  
terminal will normally minimize hum, but in some cases, better  
results may be obtained with the ground wire disconnected.  
12  
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CONNECTIONS  
Connecting a Video Component  
DVD/LD player  
TV/digital TV, satellite tuner, cable TV  
ANALOG  
AUDIO OUT  
VIDEO  
OUT  
COAXIAL  
DIGITAL OUT  
OPTICAL  
DIGITAL OUT  
OPTICAL  
DIGITAL OUT  
VIDEO  
OUT  
ANALOG  
AUDIO OUT  
L
R
V
C
V
L
R
O
O
(Europe model)  
L
Analog signal  
V
R
R
L
V
Video signal  
V
No connection  
SCART-plug  
O
Digital signal  
(optical)  
VIDEO  
IN  
L
R
V
V
L
R
C
Digital signal  
(coaxial)  
AUDIO  
OUT  
AUDIO  
IN  
VIDEO  
OUT  
VIDEO  
IN  
Signal flow  
VCR  
TV monitor  
Audio signal terminals  
Be sure to connect the right channel (R), left channel (L),  
TV monitor with a 21-pin connector  
Make a connection as shown above with a commercially  
input (IN) and output (OUT) properly.  
available SCART-plug connector cable.  
Notes  
Video signal terminals  
• Be sure to attach the covers when the OPTICAL terminals are not  
being used in order to protect them from dust.  
Be sure to connect the input (IN) and output (OUT)  
properly.  
• If your LD player has a Dolby Digital RF signal output terminal,  
be sure to use the RF demodulator (separately purchased).  
• No sound will be heard when connecting your LD player’s Dolby  
Digital RF signal output terminal directly to this unit’s COAXIAL  
DVD/LD digital signal input terminal.  
Digital audio signal terminals  
If your DVD/LD player, TV/digital TV or satellite  
tuner, etc. has coaxial or optical digital signal output  
terminals, they can be connected to this unit’s COAXIAL  
and/or OPTICAL digital signal input terminals. To make a  
connection between the optical digital signal terminals,  
remove the cover from each terminal, and then connect  
them by using a commercially available optical fiber cable  
that conforms to EIA standards. Other cables might not  
function correctly.  
y
• The input signal from the DVD/LD input terminals is selected in  
the following order of priority with the input mode set to AUTO:  
COAXIAL terminal OPTICAL terminal Analog terminal.  
Refer to page 22 for details.  
• All digital signal input terminals are applicable to sampling  
frequencies of 32 kHz, 44.1 kHz and 48 kHz.  
When making connections between the digital signal  
terminals, you should connect the components to the same-  
named analog audio signal terminals of this unit, because a  
digital signal cannot be recorded by a tape deck, MD  
recorder or VCR connected to this unit.  
13  
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CONNECTIONS  
S VIDEO terminals  
If your VCR, TV monitor or DVD/LD player has “S” (high-  
resolution) video terminals, they can be connected to this  
unit’s S VIDEO terminals. Connect the VCR’s “S” video  
input and output terminals to this unit’s S VIDEO VCR  
OUT and IN terminals, respectively. Connect the monitor’s  
“S” video input terminal to this unit’s S VIDEO MONITOR  
OUT terminal. Connect the DVD/LD player’s “S” video  
output terminal to this unit’s S VIDEO DVD/LD terminal.  
Otherwise, connect the composite video terminals of your  
VCR, TV monitor or DVD/LD player to this unit’s  
composite video terminals.  
DVD/LD player  
TV Monitor  
S VIDEO OUT  
S VIDEO IN  
S
S
Notes  
S
S Video signal  
Signal flow  
• Use a special S VIDEO cable (commercially available) for the S  
VIDEO connection.  
• If video signals are input from both the S VIDEO input and  
composite input terminals, the signals will be directed to their  
respective output terminals.  
S VIDEO  
OUT  
S VIDEO IN  
VCR  
VIDEO AUX terminals (on the front panel)  
These terminals are used to connect any video input source  
such as a camcorder to this unit.  
V
L
R
Camcorder  
AUDIO OUT R  
AUDIO OUT L  
VIDEO OUT  
Connecting to an External Decoder  
This unit has additional 6-channel audio signal input  
terminals for connecting an external decoder to this unit.  
Connect the 6-channel audio signal output terminals of the  
decoder to the EXTERNAL DECODER INPUT terminals  
of this unit.  
External decoder  
MAIN  
OUT  
SURROUND  
OUT  
CENTER  
OUT  
SUBWOOFER  
OUT  
L
R
L
R
(Europe model)  
Notes  
• When a source connected to these terminals is selected, the digital  
sound field processor cannot be used.  
• The settings of “CENTER SP”, “REAR SP”, “MAIN SP” and  
“BASS OUT” in the SET MENU have no effect on a source  
connected to these terminals. The setting of “MAIN LVL” is  
effective. (Refer to pages 37 and 38 for details.)  
14  
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CONNECTIONS  
Connecting Speakers  
Main speakers A  
Main speakers B  
Right  
Left  
Right  
Left  
(Europe model)  
L
+
R
MAIN  
+
MAINS  
A
B
SET BEFORE POWER ON  
100W MAX. TOTAL  
SWITCHED  
REAR  
(SURROUND)  
MAIN  
A
OR  
B
B
:
:
:
:
4MIN. /SPEAKER  
8MIN. /SPEAKER  
6MIN. /SPEAKER  
6MIN. /SPEAKER  
L
R
CENTER  
+
A
CENTER  
REAR  
+
+
MAIN  
A
OR  
B
B
:
:
:
:
8MIN. /SPEAKER  
I6MIN. /SPEAKER  
8MIN. /SPEAKER  
8MIN. /SPEAKER  
+
Subwoofer connection  
If you have a subwoofer with built-  
in amplifier, including the  
A
CENTER  
REAR  
YAMAHAActive Servo Processing  
Subwoofer System, connect the  
input terminal of the subwoofer  
system to the SUBWOOFER  
OUTPUT terminal of this unit.  
Right  
Left  
Center speaker  
Rear speakers  
Be sure to connect the right channel (R), left channel (L),  
“+” (red) and “–” (black) properly. If the connections are  
faulty, no sound will be heard from the speakers, and if the  
polarity of the speaker connections is incorrect, the sound  
will be unnatural and lack bass.  
Main speaker terminals  
One or two speaker systems can be connected to these  
terminals. If you use only one speaker system, connect it to  
either of the SPEAKERS A or B terminals.  
Rear speaker terminals  
A rear speaker system can be connected to these terminals.  
CAUTIONS  
• Use speakers with the specified impedance shown on  
the rear panel of this unit.  
Center speaker terminal  
A center speaker can be connected to this terminal.  
• Do not let the bare speaker wires touch each other and  
do not let them touch any metal part of this unit. This  
could damage the unit and/or speakers.  
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CONNECTIONS  
Speaker cables  
1 Remove approx. 10 mm (3/8”) of insulation  
10 mm (3/8”)  
from each of the speaker cable.  
2 Twist the exposed wires of the cable together  
to prevent short circuits.  
Connecting to the MAIN SPEAKERS terminals  
Red: positive (+)  
1 Unscrew the knob.  
2
3
Black: negative (–)  
2 Insert one bare wire into the hole in the side of  
1
each terminal.  
3 Tighten the knob to secure the wire.  
Connecting to the REAR and CENTER SPEAKERS terminals  
1 Open the tab.  
Red: positive (+)  
Black: negative (–)  
1
3
2 Insert one bare wire into the hole of each  
terminal.  
3 Return the tab to secure the wire.  
2
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CONNECTIONS  
IMPEDANCE SELECTOR Switch  
WARNING  
Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise the unit may be  
damaged.  
If this unit fails to turn on when STANDBY/ON is pressed, the IMPEDANCE SELECTOR switch may not be fully slide  
to either position. If so, slide the switch to either position fully when this unit is in the standby mode.  
Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only  
when this unit is in the standby mode.  
(Europe model)  
If you use  
left position  
right position  
Center  
The impedance must be 6 The impedance must be 8 Ω  
MAINS  
IMPEDANCE  
SELECTOR  
speaker  
or higher.  
or higher.  
Rear  
The impedance of each  
speaker must be 6 or  
higher.  
The impedance of each  
speaker must be 8 or  
higher.  
speakers  
SET BEFORE POWER ON  
100W MAX. TOTAL  
SWITCHED  
If you use one pair of main  
speakers, the impedance of  
If you use one pair of main  
speakers, the impedance of  
MAIN  
A
OR  
B
B
:
:
:
:
4MIN. /SPEAKER  
8MIN. /SPEAKER  
6MIN. /SPEAKER  
6MIN. /SPEAKER  
+
A
CENTER  
REAR  
MAIN  
A
OR  
B
B
:
:
:
:
8MIN. /SPEAKER  
I6MIN. /SPEAKER  
8MIN. /SPEAKER  
8MIN. /SPEAKER  
+
A
each speaker must be 4 or each speaker must be 8 or  
higher. higher.  
If you use two pairs of main If you use two pairs of main  
speakers, the impedance of speakers, the impedance of  
each speaker must be 8 or each speaker must be 16 or  
higher. higher.  
CENTER  
REAR  
Main  
speakers  
Connecting the Power Supply Cords  
After completing all connections, connect the AC power  
cord to an AC power outlet. Disconnect the AC power cord  
if you will not use this unit for a long period of time.  
AC OUTLETS (SWITCHED)  
Europe model .................................................... 2 OUTLETS  
U.K. model .......................................................... 1 OUTLET  
Use these outlets to connect the power cords from your  
components to this unit. The power to the AC OUTLET(S)  
is controlled by this unit’s STANDBY/ON (or POWER).  
These outlets will supply power to any connected  
(Europe model)  
MAINS  
SET BEFORE POWER ON  
100W MAX. TOTAL  
component whenever this unit is turned on. The maximum  
power (total power consumption of components) that can be  
connected to the AC OUTLET(S) is 100 W.  
SWITCHED  
MAIN  
A
OR  
B
B
:
:
:
:
4MIN. /SPEAKER  
8MIN. /SPEAKER  
6MIN. /SPEAKER  
6MIN. /SPEAKER  
+
A
CENTER  
REAR  
MAIN  
A
OR  
B
B
:
:
:
:
8MIN. /SPEAKER  
I6MIN. /SPEAKER  
8MIN. /SPEAKER  
8MIN. /SPEAKER  
+
A
CENTER  
REAR  
To AC outlet  
SWITCHED  
17  
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ADJUSTING THE SPEAKER BALANCE  
This procedure lets you adjust the sound output level  
Using the Test Tone  
balance between the main, center and rear speakers by using  
the built-in test tone generator. When this adjustment is  
performed, the sound output level heard at the listening  
position will be the same from each speaker. This is  
important for the best performance of the digital sound field  
processor, the Dolby Pro Logic decoder, Dolby Digital  
decoder and DTS decoder.  
The adjustment of each speaker sound output level should  
be performed at your listening position with the remote  
control. After completing the adjustments, use VOLUME  
(u/d) at your listening position to check if the adjustments  
are satisfactory.  
3
1
Before You Start Adjusting  
2
1
6
5
2,7  
+
+
L
R
1 Press AMP(TUNER) on the  
component selector.  
4
3
1 Set VOLUME to the “m”  
2 Press TEST.  
position.  
“TEST LEFT” appears on the display.  
2 Turn the power on.  
3 Turn up the volume.  
You will hear a test tone (like pink noise) from each  
speaker for about two seconds in following order: left  
main speaker, center speaker, right main speaker, right  
rear speaker and left rear speaker. The display changes  
as shown below.  
3 Press SPEAKERS A or B  
to select the main  
speakers to be used.  
If you use two main speaker  
systems, press both A and B.  
TEST  
LEFT  
TEST  
RIGHT  
4 Set BASS,TREBLE and BALANCE to the “0”  
position.  
TEST CENTER  
+
+
L
R
TEST L SUR.  
TEST R SUR.  
Notes  
• If the test tone cannot be heard, turn down the volume, set the unit  
in the standby mode and check the speaker connections.  
• If the test tone cannot be heard from the center speaker, check the  
setting of “CENTER SP” in the SET MENU.  
18  
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ADJUSTING THE SPEAKER BALANCE  
4 Adjust BALANCE on the  
front panel so that the  
sound output level of the  
right main speaker and the  
left main speaker is the  
same.  
L
R
Front panel  
5 Press TIME/LEVEL  
repeatedly to select the  
speaker to be adjusted.  
“CENTER”, “R SUR.” or  
“L SUR.” appears on the  
display.  
6 Press + to raise and – to  
lower the level. Adjust the  
sound output levels of the  
center speaker and the  
rear speakers so that they  
become almost the same  
as that of the main  
speakers.  
While adjusting, the test tone is  
heard from the selected speaker.  
Note  
You cannot adjust the delay time while the test tone is being heard  
even if “DELAY” appears on the display.  
7 When the adjustment is complete, press TEST.  
“TEST OFF” appears on the display and the test tone  
stops.  
Note  
• If “CENTER SP” in the SET MENU is set to the NONE position,  
the sound output level of the center speaker cannot be adjusted in  
step 6. The center channel sound is automatically output from the  
right and left main speakers.  
y
• Once you have completed the adjustments, you can only adjust  
the overall volume level of your audio system by using VOLUME  
(or VOLUME (u/d)).  
• If there is insufficient sound output from the center and rear  
speakers, you may decrease the main speaker output level by  
setting “MAIN LVL” in the SET MENU to “–10 dB”. (Refer to  
page 38 for details.)  
19  
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BASIC OPERATION  
PLAYING A SOURCE  
4 Select the desired input  
source with INPUT  
When using the remote control, press AMP(TUNER) on  
the component selector.  
SELECTOR (or the input  
selector buttons). (Turn on  
the TV monitor for video  
sources.)  
Front panel  
or  
2
4
1,6  
The name of the selected input  
source appears for a moment  
and the arrow for the selected  
input source indicator lights up  
on the display.  
Remote control  
+
+
L
R
7
6
3
Input source  
6
7
a. To select a tape or an MD source  
Press TAPE/MD MON / EXT.  
DECODER (or TAPE/MD) so  
that the “TAPE/MD  
2
4
Front panel  
MONITOR” indicator lights up  
on the display.  
b. To select a source connected to the  
EXTERNAL DECODER INPUT terminals  
Press TAPE/MD MON / EXT. DECODER repeatedly  
(or EXT. DEC.) until “EXT. DECODER” appears on  
the display.  
Notes  
1 Set VOLUME to the “m”  
• An audio source can not be played if the “TAPE/MD MONITOR”  
indicator lights up or if “EXT. DECODER” appears. Press TAPE/  
MD MON / EXT. DECODER twice (or TAPE/MD once) to turn  
off the “TAPE/MD MONITOR” indicator. Press TAPE/MD  
MON / EXT. DECODER once (or EXT. DEC.) to turn off “EXT.  
DECODER”.  
• If you select and play a video source when the “TAPE/MD  
MONITOR” indicator lights up or “EXT. DECODER” appears,  
the play back result will be a video image from the video source  
and the sound from the audio source selected by using TAPE/MD  
MON / EXT. DECODER (or TAPE/MD or EXT. DEC.).  
position.  
Front panel  
2 Turn the power on.  
or  
Front panel  
Remote control  
Front panel  
y
3 Press SPEAKERS A or B  
to select the main  
For the DVD/LD, TV/digital TV and satellite tuner sources, the  
current input mode is also shown. Refer to page 22 for details about  
the input mode.  
speakers to be used.  
If you use two main speaker  
systems, press both A and B.  
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20  
PLAYING A SOURCE  
To mute the sound  
5 Play the source.  
Refer to the instructions for the source component (and  
page 28 for details about tuning).  
Press MUTE on the remote  
control.  
To cancel mute, press MUTE.  
Note  
• When controlling an audio/video component (tape deck, MD  
recorder, CD player, DVD/LD player, etc.) with the remote  
control, press one of the component selector buttons, (TAPE/MD,  
CD, DVD/LD, etc.), which corresponds to the component you  
want to control. Refer to “PRESET REMOTE CONTROL” on  
page 43.  
Note  
• During muting, “MUTE ON” appears on the display.  
When you have finished using this  
unit  
Press STANDBY/ON (or POWER) to set this unit in the  
standby mode.  
6 Adjust the volume to the desired output level.  
If desired, adjust BASS, TREBLE, BALANCE, etc.  
These controls are only effective for the sound from the  
main speakers.  
BGV (background video) function  
The BGV function allows you to combine a video image  
from a video source with a sound from an audio source.  
(For example, you can listen to classical music while you  
are watching a video.) This function can only be controlled  
with the remote control.  
• BASS controls the low-frequency response.  
• TREBLE controls the high-frequency response.  
• BALANCE adjusts the balance of the output volume  
from the right and left main speakers.  
Play a video source, and then select an audio source with  
the input selector buttons on the remote control. The BGV  
function does not work if you select the audio source with  
INPUT SELECTOR on the front panel.  
or  
Front panel  
Remote control  
+
+
L
R
Front panel  
7 Use the digital sound field processor.  
Refer to page 24.  
or  
Front panel  
Remote control  
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21  
PLAYING A SOURCE  
Switching the input mode  
Input Mode (for the DVD/LD and TV/  
digital TV and satellite tuner  
sources)  
This unit allows you to switch the input mode for sources  
that send both digital and analog signals to this unit. The  
AUTO, DTS and ANALOG input modes are provided.  
Press INPUT MODE (or the input selector  
button that you have pressed to select the  
input source on the remote control) repeatedly  
until the desired input mode is shown on the  
display.  
or  
When you turn on the power of this unit, the input mode for  
the DVD/LD source is always set to AUTO and for TV/  
digital TV or satellite tuner source is set according to “SAT  
INPUT” in the SET MENU. (Refer to page 39 for details.)  
Front panel  
Remote control  
AUTO  
In this mode, the input signal is selected in the following  
order of priority:  
1. Digital signal encoded with Dolby Digital or DTS  
2. Normal digital signal (PCM)  
3. Analog signal (ANALOG)  
Note  
Notes  
• If digital signals are input from both the OPTICAL and  
COAXIAL terminals, the digital signal from the COAXIAL  
terminal is selected.  
• Set the input mode to AUTO to play a DVD/LD source encoded  
with Dolby Digital.  
• Set the input mode to ANALOG to play a normal 2-channel  
source with a Dolby Surround program.  
• The sound output may be interrupted for some LD and DVD  
players in the following situation: The input mode is set to  
AUTO. A search is performed while playing the disc encoded  
with Dolby Digital or DTS, and then disc playing is restored. The  
sound output is interrupted for a moment because the digital  
signal was selected again.  
• The input mode cannot be changed for the CD, TUNER, TAPE/  
MD, VCR, PHONO and VIDEO AUX sources because only  
analog signals are used for these.  
DTS  
In this mode, only a digital signal encoded with DTS is  
selected, even if other signals are being input at the same  
time.  
ANALOG  
In this mode, only an analog signal is selected, even if a  
digital signal is being input at the same time. Select this  
mode when you want to use an analog signal instead of a  
digital signal.  
• The current input mode appears on the display when the DVD/  
LD, TV/digital TV or satellite tuner source is selected or the input  
mode is changed.  
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22  
PLAYING A SOURCE  
Notes on playing a source  
Notes on playing an LD source  
• Some audio/video component, such as LD player, output different  
audio signals through their analog and digital terminals. Change  
the input mode as necessary.  
encoded with DTS  
• If “DATA ERROR” appears on the display while playing an LD  
source encoded with DTS, stop playback and turn the player off  
and then on again.  
• If the input mode is set to AUTO for the LD source, this unit  
automatically determines which type of signal the LD source  
contains. If this unit detects a Dolby Digital or DTS signal, the  
decoder automatically switches to the appropriate setting and  
reproduces 5.1 channel sound.  
• If the LD player is transmitting signals by a non-normal method,  
this unit cannot detect the Dolby Digital or DTS signal. In this  
case, the decoder automatically switches to PCM or analog.  
• If the LD source does not contain a digital soundtrack, connect  
the LD player to the analog terminals and set the input mode to  
AUTO or ANALOG.  
• If the digital output data of the player has been processed in any  
way, you may not be able to perform DTS decoding even if you  
make a digital connection between this unit and the player.  
• If you play an LD source encoded with DTS and set the input  
mode to ANALOG, there will be the noise of an unprocessed  
DTS signal. When you want to play a DTS source, be sure to  
connect the source to the digital input terminal and set the input  
mode to AUTO or DTS.  
• If you switch the input mode to ANALOG while playing a source  
encoded with a DTS signal, this unit reproduces no sound.  
• If you play an LD source encoded with DTS and set the input  
mode to AUTO, there will be a short noise at first while the unit  
recognizes the DTS signal and turns on the DTS decoder. This is  
not a malfunction, and can be avoided by setting the input mode  
to DTS beforehand. In addition, if you continue to play an LD  
encoded with DTS with the input mode setting left to AUTO, this  
unit automatically switches to the “DTS-decoding” mode to  
prevent noise from being generated during subsequent operation.  
(The “t” indicator lights up on the display.) No sound will be  
heard if a normal PCM LD is played in this mode. (The “t”  
indicator will flash.) To play a normal disk, set the input mode to  
AUTO again.  
• While you are operating the LD player, if you switch from the  
pause or chapter forwarding function to normal playback, you  
may hear the PCM or analog sound an instant before the Dolby  
Digital sound is played.  
23  
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DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT  
3 Press PRG+ or PRG–  
Selecting a DSP Program  
repeatedly to select the  
You can enhance your listening experience by selecting a  
DSP program. Refer to pages 25 to 27 for details about each  
program.  
desired program.  
The name of the selected  
program appears on the display.  
+
+
L
R
DSP program name  
2
2
y
If desired, adjust the delay time and the sound output level of each  
speaker. (Refer to pages 40 and 41 for details.)  
Notes  
You can select a DSP program for each of the input sources. Once  
you select a program, it is linked with the input source selected at  
that time. So, when you select the input source next time, the  
same program is automatically selected.  
3
• When a monaural source is being played with PRO LOGIC/  
Normal or PRO LOGIC/ENHANCED, no sound will be heard  
from the main speakers and the rear speakers. Sound can only be  
heard from the center speaker. However, if “CENTER SP” in the  
SET MENU is set to the NONE position, the center channel  
sound is output from the main speakers.  
• When a source connected to the EXTERNAL DECODER INPUT  
terminals of this unit is selected, the digital sound field processor  
cannot be used.  
On the front panel  
1 Make sure that the effect speakers (center,  
rear, and subwoofer) are turned on.  
Canceling the Sound Effect (turning  
off the effect speakers)  
2 Press PROGRAM h or l  
repeatedly to select the  
desired program.  
The name of the selected  
program appears on the display.  
Press EFFECT to cancel  
the sound effect and  
Front panel  
monitor only the main  
sound.  
or  
Press EFFECT again to turn the  
sound effect back on.  
DSP program name  
Remote control  
On the remote control  
Notes  
1 Make sure that the effect speakers (center,  
• If the sound effect is canceled when Dolby Digital or DTS is  
decoding, the sounds of all channels are mixed and output from  
the main speakers.  
• If you turn off the sound effect when Dolby Digital or DTS is  
decoding, it may happen that the sound is output faintly or not  
output normally, depending on the source. In that case, turn back  
on the sound effect.  
rear, and subwoofer) are turned on.  
2 Press AMP(TUNER) on the  
component selector.  
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24  
SOUND FIELD PROGRAM  
This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to  
electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-  
like experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this  
will, of course, depend on what you are listening to).  
When you select a CINEMA DSP program, one of the built-in decoders (Dobly Pro Logic, Dolby Digital and DTS) is turned  
on according to which type of signals the source being played contains.  
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that  
most of these are precise digital re-creations of actual acoustic environments.  
For movie or audio/video sources (Program No. 1 to No. 5: CINEMA DSP  
programs)  
No.  
1
PROGRAM  
SUBPROGRAM  
FEATURES  
The built-in Dolby Pro Logic decoder, Dolby  
Digital decoder or DTS decoder precisely  
reproduces the sound and effect of a source  
encoded with Dolby Surround, Dolby Digital  
or DTS.  
The realization of a highly efficient decoding  
process improves cross talk and channel  
separation, and makes sound positioning  
smoother and more precise.  
q/DTS  
SURROUND  
[1] PRO LOGIC/Normal ( o )  
• Input source:  
Dolby Surround  
2-ch Dolby Digital  
4 channels  
• Output channel:  
• DSP:  
[2] DOLBY DIGITAL/Normal ( g )  
• Input source:  
• Output channel:  
• DSP:  
Dolby Digital  
5.1 channels  
In this program, the digital sound field  
processor is not turned on.  
[3] DTS DIGITAL SUR/Normal ( t )  
• Input source:  
• Output channel:  
• DSP:  
DTS  
5.1 channels  
[4] PRO LOGIC/ENHANCED  
This program ideally simulates the multi-  
surround speaker systems of the 35 mm-film  
movie theater. Dolby Pro Logic decoding,  
Dolby Digital decoding or DTS decoding and  
digital sound field processing are precisely  
performed without altering the original sound  
orientation.  
( o x )  
• Input source:  
Dolby Surround  
2-ch Dolby Digital  
4 channels  
1 (surround)  
• Output channel:  
• DSP:  
[5] DOLBY DIGITAL/ENHANCED  
The surround effect produced by the sound  
field folds around the viewer naturally from  
the rear to the right and left and toward the  
screen.  
( g x )  
• Input source:  
• Output channel:  
• DSP:  
Dolby Digital  
5.1 channels  
2 (surround L, R)  
[6] DTS DIGITAL SUR/ENHANCED  
( t x )  
• Input source:  
• Output channel:  
• DSP:  
DTS  
5.1 channels  
2 (surround L, R)  
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25  
SOUND FIELD PROGRAM  
No.  
2
PROGRAM  
MOVIE  
SUBPROGRAM  
[1] 70 mm SPECTACLE  
FEATURES  
This program creates the extremely wide sound  
field of a movie theater. It precisely reproduces  
the source sound in detail, giving both the video  
and the sound field incredible reality. It is ideal  
for any kind of video source encoded with  
Dolby Surround, Dolby Digital or DTS  
THEATER 1  
( o x )  
• Input source:  
Dolby Surround  
2-ch Dolby Digital  
3 channels  
2 (presence & surround)  
• Output channel:  
• DSP:  
(especially large-scale movie productions).  
[2] DGTL SPECTACLE  
( g x )  
• Input source:  
• Output channel:  
• DSP:  
Dolby Digital  
5.1 channels  
3 (presence & surround L, R)  
[3] DTS SPECTACLE ( t x )  
• Input source:  
• Output channel:  
• DSP:  
DTS  
5.1 channels  
3 (presence & surround L, R)  
[4] 70 mm SCI-FI ( o x )  
Clearly reproduces dialog and sound effects in  
the latest sound form of science fiction films,  
thus creating a broad and expansive cinematic  
space amid the silence. You can enjoy science  
fiction films in a virtual-space sound field that  
includes Dolby Surround, Dolby Digital and  
DTS-encoded software employing the most  
advanced techniques.  
• Input source:  
Dolby Surround  
2-ch Dolby Digital  
3 channels  
• Output channel:  
• DSP:  
2 (presence & surround)  
[5] DGTL SCI-FI ( g x )  
• Input source:  
• Output channel:  
• DSP:  
Dolby Digital  
5.1 channels  
3 (presence & surround L, R)  
[6] DTS SCI-FI ( t x )  
• Input source:  
• Output channel:  
• DSP:  
DTS  
5.1 channels  
3 (presence & surround L, R)  
3
MOVIE  
THEATER 2  
[1] 70 mm ADVENTURE  
Ideal for precisely reproducing the sound of the  
newest multi-track films. The sound field is  
made to be similar to that of the newest movie  
theaters, so the reverberations of the sound field  
itself are restrained as much as possible. The  
data for the sound field of an opera house are  
used for the front presence, so the three-  
dimensional feeling of the sound field is  
emphasized, and dialog is precisely oriented on  
the screen. By using the data for the sound field  
of a concert hall on the surround sound field,  
powerful reverberations are generated. You can  
enjoy watching action, adventure movies, etc.  
with strong presence.  
( o x )  
• Input source:  
Dolby Surround  
2-ch Dolby Digital  
3 channels  
2 (presence & surround)  
• Output channel:  
• DSP:  
[2] DGTL ADVENTURE  
( g x )  
• Input source:  
• Output channel:  
• DSP:  
Dolby Digital  
5.1 channels  
3 (presence & surround L, R)  
[3] DTS ADVENTURE ( t x )  
• Input source:  
• Output channel:  
• DSP:  
DTS  
5.1 channels  
3 (presence & surround L, R)  
[4] 70 mm GENERAL ( o x )  
This program is for reproducing sounds on a  
multi-track film, and is characterized by a soft  
and extensive sound field. The front presence of  
the sound field is relatively narrow. It spatially  
spreads all around and toward the screen,  
• Input source:  
Dolby Surround  
2-ch Dolby Digital  
3 channels  
• Output channel:  
• DSP:  
2 (presence & surround)  
restraining echo effect of conversations without  
losing clarity. For the surround sound field, the  
harmony of music or chorus sounds beautifully  
in a wide space at the rear of the sound field.  
[5] DGTL GENERAL ( g x )  
• Input source:  
• Output channel:  
• DSP:  
Dolby Digital  
5.1 channels  
3 (presence & surround L, R)  
[6] DTS GENERAL ( t x )  
• Input source:  
• Output channel:  
• DSP:  
DTS  
5.1 channels  
3 (presence & surround L, R)  
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26  
SOUND FIELD PROGRAM  
No.  
4
PROGRAM  
FEATURES  
MONO MOVIE  
This program is designed specifically to enhance monaural  
sources. Compared to a strictly mono setting, the sound image  
is wider and slightly forward of the speaker pair, lending an  
immediacy to the overall sound. It is particularly effective for  
old mono movie, news broadcasts and dialog.  
• Input source:  
• Output channel:  
• DSP:  
Monaural  
1 channel  
1
5
TV SPORTS  
This program is furnished with a tight sound field in which the  
sound will not spread excessively at the front, but the rear  
surround produces dynamic sound expansion. It is the most  
suitable for sports programs.  
• Input source:  
• Output channel:  
• DSP:  
Audio/Video  
2 to 5.1 channels  
2 to 3 (presence & surround)  
For Hi-Fi audio sources  
No.  
6
PROGRAM  
FEATURES  
DISCO  
This program simulates the acoustic environment of a disco in  
the heart of a lively city. The sound is dense and highly  
concentrated.  
• Input source:  
• Output channel:  
• DSP:  
2-ch PCM/Analog audio  
2 channels  
1
7
8
ROCK CONCERT  
This program is ideally suited for rock music. You will  
experience a dynamic and lively sound field.  
• Input source:  
• Output channel:  
• DSP:  
2-ch PCM/Analog audio  
2 channels  
1
CONCERT HALL  
This program creates the expansive ambience of a large concert  
hall. It is suited for orchestra and opera music.  
• Input source:  
• Output channel:  
• DSP:  
2-ch PCM/Analog audio  
2 channels  
1
CINEMA DSP: Dolby Surround + DSP/Dolby Digital + DSP/DTS + DSP  
Dolby Pro Logic + 2 digital sound fields  
Digital sound fields are created in both the presence and  
rear surround zones of the Dolby Pro Logic-decoded sound  
field. They create a wide acoustic environment and  
emphasize the surround effect in the room, letting you feel  
as much presence as if you were watching a movie in a  
popular Dolby Stereo theater.  
Dolby Digital or DTS + 3 digital sound fields  
Digital sound fields are created in the presence zone and  
independently on the left and right surround zones of the  
Dolby Digital-decoded or DTS-decoded sound field. They  
create a wide acoustic environment and strong surround  
effect in the room without losing high channel separation.  
With the wide dynamic range of Dolby Digital or DTS  
sound, this sound field combination lets you feel as if you  
were watching a movie in the newest Dolby Digital theater  
or DTS-installed theater. This is the most ideal home theater  
sound at the present time.  
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27  
TUNING  
Automatic tuning is effective when station signals are  
strong and there is no interference. However, if the signal  
from the station you want to select is weak, you must tune  
in to it manually (manual tuning).  
5 Press PRESET/TUNING h once to tune in to a  
higher frequency and l once to tune in to a  
lower frequency.  
Press the button again if the tuning search does not stop  
at the desired station.  
1
Note  
• If you tune in manually to an FM station, it will be automatically  
received in monaural mode to increase the signal quality.  
+
+
L
R
y
• Use the manual tuning method if the tuning search does not stop  
at the desired station (because the signal from the station is weak).  
• When tuned in to a station, the frequency of the received station is  
shown on the display. If an RDS station that offers the PS data  
service is being received, the station name is shown instead of the  
frequency on the display.  
5
4 2 3  
Automatic Tuning  
1 Use INPUT SELECTOR to  
select the tuner as the  
input source.  
Manual Tuning  
1 Use INPUT SELECTOR to  
select the tuner as the  
input source.  
2 Press FM/AM to select the reception band (FM  
or AM).  
“FM” or “AM” appears on the display.  
2 Press FM/AM to select the reception band (FM  
or AM).  
or  
“FM” or “AM” appears on the display.  
3 Press TUNING MODE so that the “AUTO”  
or  
indicator lights up on the display.  
3 PressTUNING MODE so that the “AUTO”  
Lights up  
indicator goes off.  
4 Press PRESET/TUNING (EDIT) to turn “ z ” off.  
Goes off  
4 Press PRESET/TUNING (EDIT) to turn “ z ” off.  
Turn “ z ” off  
Turn “ z ” off  
5 Press PRESET/TUNING h or l to tune in to  
the desired station.  
To continue the tuning search, hold down the button.  
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28  
TUNING  
Automatic preset tuning options  
Automatic Preset Tuning (for RDS  
stations only)  
You can make use of the automatic preset tuning function  
for RDS stations only. This function enables the unit to  
automatically tune in with strong signals and to sequentially  
store up to 40 RDS stations (5 groups x 8 stations). (Refer to  
pages 32 to 34 for details on RDS stations.)  
You can select the preset number from which the unit will  
store RDS stations and/or begin tuning toward lower  
frequencies. Before automatic preset tuning begins (after  
pressing MEMORY in step 3),  
1. Press A/B/C/D/E and PRESET/TUNING to select the  
preset number with which the first station will be stored.  
The automatic preset tuning will stop when stations have  
all been stored up to E8.  
2. Press PRESET/TUNING (EDIT) to turn “ z ” off and  
then press PRESET/TUNING l to begin tuning toward  
lower frequencies.  
When automatic preset tuning is  
+
+
L
R
completed  
The display shows the frequency of the last preset station.  
Check the contents and the number of preset stations by  
following the procedure in the section “To Recall a Preset  
Station” on page 30.  
13 2  
1 Press FM/AM to select the FM band.  
Notes  
• A new setting can be stored in place of the former one.  
You can manually replace a preset station with another FM or AM  
station by simply using the manual preset tuning method.  
• Automatic preset tuning will be performed for all RDS network  
stations until all have been stored up to E8. Even if the number of  
received stations is not enough to be stored up to E8, automatic  
preset tuning is automatically ended after searching for all  
stations.  
• Only RDS stations with sufficient signal strength are stored by  
automatic preset tuning. If the station you want to store is weak in  
signal strength, tune in to it manually in monaural mode and store  
it by using the manual preset tuning method. (There may be a  
case that this unit cannot receive a station which could be  
received by using the automatic tuning method. This is because  
this unit receives a large amount of PI (Program Identification)  
data along with the station.)  
2 Press TUNING MODE so that the “AUTO”  
indicator lights up on the display.  
Lights up  
3 Hold down MEMORY for about three seconds.  
The preset number, the “MEMORY” and “AUTO”  
indicators flash. After about five seconds, automatic  
preset tuning begins from the frequency currently  
displayed toward the higher frequencies.  
Received stations are sequentially stored as A1, A2 ...  
A8. If more than 8 stations have been tuned, they are  
stored as preset station numbers in other groups (B, C,  
D and E) in that order.  
Flashes  
Memory back-up  
The memory back-up circuit prevents the stored data  
from being lost when this unit is set in the standby mode.  
If, however, the power cord is disconnected from the AC  
power outlet or the power is cut for more than one week,  
the memory will be erased. If so, store the stations again  
by using preset tuning methods.  
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29  
TUNING  
Manual Preset Tuning  
To Recall a Preset Station  
You can also store up to 40 stations (5 groups x 8 stations)  
manually.  
You can recall any desired station simply by selecting the  
preset station number with which it was stored.  
You can also recall a preset station with the remote control.  
Press AMP(TUNER) on the component selector and press  
TUNER on the input selector.  
+
+
L
R
3 4  
2,5  
+
+
L
R
1 Tune in to the desired station.  
1
2
Refer to page 28 for the tuning procedure.  
2 Press MEMORY.  
The “MEMORY” indicator flashes for about five  
seconds.  
Flashes  
3 Press A/B/C/D/E repeatedly to select the  
desired group (A to E) of preset stations  
before the “MEMORY” indicator goes off.  
Make sure that “ z ” appears on the display. The  
selected group appears on the display.  
1
2
1 Press A/B/C/D/E to select the required group  
of preset stations.  
Make sure that “ z ” appears on the display.  
4 Press PRESET/TUNING h or l to select a  
preset station number (1 to 8) with which you  
want to store the station before the “MEMORY”  
indicator goes off.  
or  
Front panel  
Remote control  
2 Press PRESET/TUNING h or l (or PRESET  
+/–) to select a preset station number (1 to 8).  
The preset group and number appear on the display  
along with the reception band, frequency and signal  
strength information.  
Press h to select a higher  
preset station number and l to  
select a lower preset station  
number.  
5 Press MEMORY before theMEMORY”  
indicator goes off.  
or  
The displayed station has been stored as the preset  
group and number you have selected, and the reception  
band and frequency appear on the display.  
Front panel  
Remote control  
6 Repeat steps 1 to 5 to store other stations.  
Notes  
• A new setting can be stored in place of the former one.  
• The reception mode (stereo or monaural) is stored along with the  
station frequency.  
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30  
TUNING  
Exchanging Preset Stations  
You can exchange the assignment of two preset stations  
with each other.  
Example: If you want to exchange  
preset station “E1” with “A5”.  
2,4  
+
+
L
R
1 Recall preset station “E1”.  
Refer to the procedure in the section “To Recall a  
Preset Station” on page 30.  
2 Hold down (PRESET/TUNING) EDIT for about  
three second.  
“E1” and the “MEMORY” indicator flash.  
Flashes  
3 Recall preset station “A5” by using the buttons  
on the front panel.  
“A5” and the “MEMORY”  
indicator flash.  
Flashes  
4 Press (PRESET/TUNING) EDIT again.  
The display shows the exchange of stations has been  
completed.  
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31  
RECEIVING RDS STATIONS  
Radio Data System (RDS) is a data transmission system by  
Changing the RDS Mode  
FM stations in many countries. Stations using this system  
transmit an inaudible stream of data in addition to the  
normal radio signal.  
The four modes are available in this unit for displaying RDS  
data. When an RDS station is being received, PS, PTY, RT  
and/or CT that correspond to the RDS data services offered  
by the station light up on the display. Press RDS MODE/  
FREQ repeatedly to change the display mode among the  
RDS data offered by the transmitting station in the order  
shown below. Illumination of the red indicator next to the  
RDS mode indicator shows that the corresponding RDS  
mode is now selected.  
RDS data contains various information such as PI (Program  
Identification), PS (Program Service name), PTY (Program  
Type), RT (Radio Text), CT (Clock Time), EON (Enhanced  
Other Networks), etc. The RDS function is carried out  
among the network stations.  
Description of RDS Data  
Notes  
• When an RDS station is being received, do not press RDS  
MODE/FREQ until one or more RDS mode indicators light up on  
the display. If you press the button before the indicators light up  
on the display, the mode cannot be changed. This is because the  
unit has not yet received all of the RDS data on the station.  
• RDS data not offered by the station cannot be selected.  
• The RDS data service cannot be utilized by this unit if the  
received signal is not strong enough. In particular, the RT mode  
requires a large amount of data to be received, so it is possible  
that the RT mode may not be displayed even if other RDS modes  
(PS, PTY, etc.) are displayed.  
• RDS data cannot sometimes be receive under poor reception  
conditions. If so, press TUNING MODE so that the “AUTO”  
indicator goes off from the display. Although the reception mode  
is changed to monaural by this operation, when you change the  
display to RDS mode, RDS data may be displayed.  
This unit can receive PI, PS, PTY, RT, CT, and EON data  
when receiving RDS broadcasting stations.  
PS (Program Service name) mode:  
The name of the RDS station being received is displayed.  
PTY (Program Type) mode:  
The program type on the RDS station being received is  
displayed. There are 15 program types to classify RDS  
stations. You can make this unit search for a station which is  
broadcasting a program of the desired type. Refer to page 33  
for details.  
RT (Radio Text) mode:  
• If the signal strength is weakened by external interference during  
the reception of an RDS station, the RDS data service may be cut  
off suddenly and “...WAIT” will appear on the display.  
Information about the program (such as the title of the song,  
name of the singer, etc.) on the RDS station being received  
is displayed by a maximum of 64 alphanumeric characters,  
including the umlaut symbol. If other characters are used for  
RT data, they are displayed with under-bars.  
PS mode  
CT (Clock Time) mode:  
The current time is displayed and updated every minute. If  
the data are accidentally cut off, “CT WAIT” may appear.  
PTY mode  
RT mode  
EON (Enhanced Other Networks):  
Refer to page 34.  
CT mode  
Frequency  
display mode  
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32  
RECEIVING RDS STATIONS  
To cancel this function  
Press PTY SEEK MODE twice.  
PTY SEEK Function  
If you select the desired program type, the unit  
automatically searches all preset RDS stations that are  
broadcasting a program of the required type.  
Program types in the PTY mode  
There are 15 program types to classify RDS stations.  
NEWS  
News  
AFFAIRS  
INFO  
Current affairs  
General information  
SPORT  
Sports  
EDUCATE  
DRAMA  
CULTURE  
SCIENCE  
VARIED  
POP M  
Education  
Drama  
+
+
L
R
Culture  
Science  
Light entertainment  
2
1 3  
Pops  
ROCK M  
M.O.R. M  
LIGHT M  
CLASSICS  
OTHER M  
Rock  
Middle-of-the-road music (easy-listening)  
Light classics  
1 Press PTY SEEK MODE to set the unit in the  
PTY SEEK mode.  
Serious classics  
The program type of the station being received or  
“NEWS” flashes on the display.  
Other music  
Flashes  
2 Press PRESET/TUNING h or l to select the  
desired program type.  
The selected program type appears on the display.  
3 Press PTY SEEK START to begin searching all  
preset RDS stations.  
The selected program type flashes and the “PTY  
HOLD” indicator lights up on the display while  
searching for stations.  
The selected  
program type  
flashes.  
Light up  
• If a station that is broadcasting a program of the  
required type is found, the unit stops at that station.  
• If the called station is not the desired one, press PTY  
SEEK START again. The unit begins searching for  
another station that is broadcasting a program of the  
same type.  
33  
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RECEIVING RDS STATIONS  
2 Press EON repeatedly to select the desired  
program type (NEWS, INFO, AFFAIRS or  
SPORT).  
EON Function  
This function uses the EON data service on the RDS station  
network. If you simply select the desired program type  
(NEWS, INFO, AFFAIRS or SPORT), the unit  
The selected program type name indicator lights up on  
the display.  
automatically searches for all preset RDS stations that are  
scheduled to broadcast a program of the required type and  
switches from the station being currently received to the  
new station when the broadcasts starts.  
Note  
• This function can only be used when an RDS station that offers  
the EON data service is being received. When such a station is  
being received, the “EON” indicator lights up on the display.  
Lights up  
• If a preset RDS station of the selected program type  
starts broadcasting, the unit will automatically switch  
from the program being currently received to that  
program. The program type name indicator flashes.  
+
+
L
R
Flashes  
2
• When broadcasting of the required program ends, the  
previously received station (or another program on  
the same station) is recalled.  
1 Make sure that the “EON” indicator lights up  
on the display.  
If the “EON” indicator does not light up, tune in to  
another RDS station so that the “EON” indicator lights  
up.  
To cancel this function  
Press EON repeatedly until no program type name lights up  
on the display.  
Lights up  
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34  
RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE  
Recording adjustments and other operations are performed  
y
If a tape deck or MD recorder is being used for recording, you can  
monitor the sounds being recorded by pressing TAPE/MD MON /  
EXT. DECODER (or TAPE/MD).  
from the tape deck, MD recorder or VCR. Refer to the  
instructions for these components.  
2
1,4  
Notes  
• The DSP program and the setting of VOLUME, BASS, TREBLE  
and BALANCE have no effect on the material being recorded.  
• Composite video and S video signals pass independently through  
this unit’s video circuits. Therefore, when recording or dubbing  
video signals, if your video source component is connected to  
provide only an S video (or only a composite video) signal, you  
can record only an S video (or only a composite video) signal by  
your VCR.  
+
+
L
R
• A source connected to this unit only through the digital terminals  
cannot be recorded by the tape deck, MD recorder or VCR  
connected to this unit.  
• A source connected to the EXTERNAL DECODER INPUT  
terminals of this unit cannot be recorded.  
4
• Check the copyright laws in your country to record from records,  
CDs, radio, etc. Recording of copyrighted material may infringe  
copyright laws.  
2
If you play back a video source that uses scrambled or  
encoded signals to prevent it from being dubbed, the  
picture itself may be disturbed due to those signals.  
1 Set VOLUME to the “m”  
position.  
Front panel  
2 Select the source you want to record.  
or  
Front panel  
Remote control  
3 Begin recording by the tape deck, MD recorder  
or VCR connected to this unit.  
4 Play the source and then turn up the volume to  
confirm the input source.  
or  
Front panel  
Remote control  
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35  
ADVANCED OPERATION  
SET MENU  
This unit provides you with the following items in the SET  
MENU to maximize the performance of your system and  
expand your enjoyment for audio listening and video  
watching.  
2 Press SET MENU  
repeatedly to select the  
item you want to adjust.  
The selected item appears on  
the display.  
1. CENTER SP  
2. REAR SP  
3. MAIN SP  
4. BASS OUT  
5. MAIN LVL  
6. D.D. LFE  
3 Press + or – repeatedly to  
adjust the setting.  
7. D-RANGE  
8. DTS LFE  
9. CNTR DELAY  
10.MEM. GUARD  
11.SAT INPUT  
Adjusting Items in the SET MENU  
4 Repeat steps 2 and 3 to adjust the setting of  
Adjustments should be performed with the remote control  
while watching the information on the display.  
any other item in the same way.  
Memory back-up  
The memory back-up circuit prevents the stored data  
from being lost when this unit is set in the standby mode.  
If, however, the power cord is disconnected from the AC  
power outlet or the power is cut for more than one week,  
the settings of the SET MENU will automatically return  
to the preset positions and values. If so, adjust the  
settings of the SET MENU again.  
1
3
2
1 Press AMP(TUNER) on the  
component selector.  
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36  
SET MENU  
3. MAIN SP  
Choices: LARGE/SMALL  
Description of Each Item  
Preset position: LARGE  
1. CENTER SP  
Choices: LRG (Large)/SML (Small)/NONE  
Preset position: LRG (Large)  
LARGE  
Select this position if your main speakers have high ability  
for bass reproduction. In this position, full-range signals on  
the main channels are directed to the right and left main  
speakers.  
LRG (Large)  
Select this position if your center speaker is approximately  
the same size as the main speakers. In this position, full-  
range signals on the center channel are directed to the center  
speaker.  
SMALL  
Select this position if your main speakers do not have high  
ability for bass reproduction. However, if your system does  
not include a subwoofer, do not select this position. In this  
position, low bass signals (below 90 Hz) on the main  
channels are distributed to the SUBWOOFER OUTPUT  
terminal if “BASS OUT” is set to the SW or BOTH  
position.  
SML (Small)  
Select this position if you use a center speaker that is  
smaller than the main speakers. In this position, low bass  
signals (below 90 Hz) on the center channel are distributed  
to the SUBWOOFER OUTPUT terminal (or to the right and  
left main speakers if “BASS OUT” is set to the MAIN  
position).  
4. BASS OUT  
Choices: SW/MAIN/BOTH  
Preset position: BOTH  
NONE  
Select this position if you do not have a center speaker  
(4-speaker system). In this position, full-range signals on  
the center channel are directed to the right and left main  
speakers.  
SW  
2. REAR SP  
Select this position if your system includes a subwoofer. In  
this position, signals on the LFE channel and other low bass  
signals that are distributed from other channels are directed  
to the SUBWOOFER OUTPUT terminal when playing a  
source encoded with Dobly Digital or DTS.  
Choices: LARGE/SMALL  
Preset position: LARGE  
Note  
LARGE  
• When playing a 2-channel source (tape, MD, CD, video  
cassette etc.), select the BOTH position to direct low bass signals  
(below 90 Hz) to the SUBWOOFER OUTPUT terminals.  
Select this position if your rear speakers have high ability  
for bass reproduction, or if a subwoofer is connected in  
parallel to the rear speaker. In this position, full-range  
signals on the rear channels are directed to the rear speakers.  
MAIN  
Select this position if your system does not include a  
subwoofer. In this position, besides full-range signals on the  
main channels, signals on the LFE channel and other low  
bass signals (below 90 Hz) that are distributed from other  
channels are directed to the right and left main speakers.  
SMALL  
Select this position if your rear speakers do not have high  
ability for bass reproduction. In this position, low bass  
signals (below 90 Hz) on the rear channels are distributed to  
the SUBWOOFER OUTPUT terminal (or to the right and  
left main speakers if “BASS OUT” is set to the MAIN  
position).  
BOTH  
Select this position if your system includes a subwoofer. In  
this position, signals on the LFE channel are directed to the  
SUBWOOFER OUTPUT terminal. Low bass signals on the  
main channels are directed to both the main speakers and  
the SUBWOOFER OUTPUT terminal.  
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37  
SET MENU  
5. MAIN LVL  
Choices: NORM (Normal)/–10 dB  
Preset position: NORM (Normal)  
7. D-RANGE (Adjusting the dynamic  
range)  
Choices: MAX/STD (Standard)/MIN  
Preset position: MAX  
NORM (Normal)  
Normally select this position.  
Note  
–10 dB  
• This adjustment is only effective when Dolby Digital is being  
decoded.  
Select this position if the sound output from the main  
speakers is too loud and cannot be balanced with the sound  
output from the center and rear speakers. In this position,  
the sound output from the main speakers is attenuated.  
“Dynamic range” is the difference between the maximum  
level and the minimum level of sounds. Sounds on a movie  
originally designed for movie theaters feature a very wide  
dynamic range. Dolby Digital technology can modify the  
original sound track into a home audio format with this  
wide dynamic range unchanged. Powerful sounds of  
extremely wide dynamic range are not always suitable for  
home use. Depending on the condition of your listening  
environment, it may not be possible to increase the sound  
output to a level as high as that in a movie theater. However,  
at the normal level suitable for listening in your room, the  
low-level parts of source sound often cannot be heard well  
because they will be lost among noise in your environment.  
Dolby Digital technology has also made it possible to  
reduce an original sound track’s dynamic range for a home  
audio format by “compressing” the sound data.  
Notes  
• The setting of “CENTER SP”, “REAR SP”, “MAIN SP” and  
“BASS OUT” have no effect on a source connected to the  
EXTERNAL DECODER INPUT terminals on the rear of this  
unit.  
• Once you have adjusted appropriately for “CENTER SP”, “REAR  
SP”, “MAIN SP”, “BASS OUT” and “MAIN LVL”, you do not  
have to change any settings unless your speaker system is  
modified.  
6. D.D. LFE (Adjusting the output  
level of the LFE channel for Dolby  
Digital)  
Control range: –20 dB to 0 dB (in 1 dB steps)  
Preset value: 0 dB  
MAX  
In this position, a source encoded with Dolby Digital is  
reproduced in the original sound track’s wide dynamic  
range to provide you with powerful sounds just like those in  
a movie theater. Selecting this position will be even better if  
you can listen to a source at a high output level in a room  
specially soundproofed for audio/video enjoyment.  
Note  
• This adjustment is only effective when Dolby Digital is being  
decoded and the selected source encoded with Dolby Digital  
contains LFE signals.  
STD (Standard)  
In this position, a source encoded with Dolby Digital is  
reproduced in the “compressed” dynamic range of the  
source that is suitable for low-level listening.  
This adjusts the output level of the LFE channel. If the LFE  
signals are mixed with signals of other channels and they  
are directed to the same speakers, the ratio of the LFE signal  
level to the level of the other signals can be adjusted.  
MIN  
In this position, the dynamic range is more reduced than in  
the STD position. Selecting this position will be effective  
when you must listen to a source at a low level.  
Note  
• It may happen that sound is output faintly or not output normally  
depending on the source. In that case, select the MAX or STD  
position.  
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38  
SET MENU  
8. DTS LFE (Adjusting the output  
level of the LFE channel for DTS)  
10.MEM. GUARD (Locking the  
settings)  
Control range: –10 dB to +10 dB (in 1 dB steps)  
Choices: ON/OFF  
Preset value: 0 dB  
Preset position: OFF  
If you wish to prevent accidental alterations to the settings  
of the SET MENU and other adjustments on this unit, select  
the ON position. The following settings on this unit can be  
locked:  
Note  
• This adjustment is effective only when DTS is being decoded and  
the selected source encoded with DTS contains LFE signals.  
This adjusts the output level of the LFE channel. If the LFE  
signals are mixed with signals of other channels and they  
are directed to the same speakers, the ratio of the LFE signal  
level to the level of the other signals can be adjusted.  
Settings of other items in the SET MENU  
Settings in the TIME/LEVEL mode  
Settings when using TEST  
11.SAT INPUT (Selecting the initial  
input mode for a source connected  
to the SAT/D-TV input terminals)  
9. CNTR DELAY (Adjusting the delay  
of the center sound)  
Control range: 0 ms to 5 ms (in 1 ms steps)  
Choices: AUTO/LAST  
Preset value: 0 ms  
Preset position: AUTO  
The input mode for a source connected to the SAT/D-TV  
input terminals of this unit can be automatically set when  
the power of this unit is turned on. Refer to page 22 for  
details about the input mode.  
Note  
• This adjustment is only effective when Dolby Digital or DTS is  
being decoded and the selected source encoded with Dolby  
Digital or DTS contains center channel signals.  
AUTO  
This adjusts the delay between the main sound (on the main  
channels) and dialog, etc. (on the center channel). The larger  
the value, the later the dialog, etc. is generated.  
In this position, the input mode is always set to AUTO.  
LAST  
In this position, the input mode is automatically set to that  
selected the last time when the power of this unit was turned  
on.  
This makes sounds from the left main, center and right main  
speakers reach your listening position at the same time. This  
is achieved by delaying the sound from the center speaker if  
the distance from the center speaker to your listening  
position is shorter than the distance from the right and left  
main speaker to your listening position.  
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39  
DELAY TIME AND SPEAKER OUTPUT LEVELS  
When using the digital sound field processor with the Dolby  
Sound Output Level of the Center,  
Right Rear and Left Rear Speakers,  
and Subwoofer  
Pro Logic decoder, Dolby Digital decoder or DTS decoder,  
you can adjust the delay time between the main sound and  
sound effect, and each speaker’s output level as you wish.  
If desired, you can adjust the sound output level of each  
speaker even if it has already been adjusted in  
“ADJUSTING THE SPEAKER BALANCE” on pages 18  
and 19.  
Delay Time  
You can adjust the time difference between the beginning of  
the sound from the main speakers and the beginning of the  
sound effect from the rear speakers. The larger the value,  
the later the sound effect is generated. The delay time can be  
individually adjusted to all DSP programs.  
Notes  
• The sound output level of the center speaker cannot be adjusted  
when the input signal is analog, PCM audio, or encoded with  
Dolby Digital in 2-channel.  
• If “CENTER SP” in the SET MENU is set to the NONE position,  
the sound output level of the center speaker cannot be adjusted.  
This is because the center channel sound is automatically output  
from the right and left main speakers.  
Notes  
• Adding too much delay will cause an unnatural effect with some  
sources.  
• The sound is momentarily interrupted while adjusting the delay  
time.  
• Once the sound output level has been adjusted, the level will be  
the same for all DSP programs.  
Preset  
value  
Control  
range (ms)  
Program  
Speaker  
Control range (dB)  
–20 to +10  
Preset value  
1. PRO LOGIC/Normal  
15 to 30  
0 to 15  
0 to 15  
15 to 30  
0 to 15  
20  
5
Center  
0
0
0
0
DOLBY DIGITAL/Normal  
DTS DIGITAL SUR/Normal  
PRO LOGIC/ENHANCED  
DOLBY DIGITAL/ENHANCED  
Right rear  
Left rear  
Subwoofer  
–20 to +10  
5
–20 to +10  
20  
5
–20 to 0  
DTS DIGITAL SUR/ENHANCED 0 to 15  
5
2. 70 mm SPECTACLE  
DGTL SPECTACLE  
DTS SPECTACLE  
70 mm SCI-FI  
15 to 30  
1 to 99  
1 to 99  
15 to 30  
1 to 99  
1 to 99  
15 to 30  
1 to 99  
1 to 99  
15 to 30  
1 to 99  
1 to 99  
1 to 99  
1 to 99  
1 to 99  
1 to 99  
1 to 99  
23  
15  
15  
20  
16  
16  
20  
15  
15  
20  
15  
15  
49  
9
DGTL SCI-FI  
DTS SCI-FI  
3. 70 mm ADVENTURE  
DGTL ADVENTURE  
DTS ADVENTURE  
70 mm GENERAL  
DGTL GENERAL  
DTS GENERAL  
4. MONO MOVIE  
5. TV SPORTS  
6. DISCO  
40  
16  
44  
7. ROCK CONCERT  
8. CONCERT HALL  
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40  
DELAY TIME AND SPEAKER OUTPUT LEVELS  
3 Press + or – to adjust the  
Adjusting Method  
delay time or speaker  
Adjustments should be performed with the remote control  
while watching the information on the display.  
output levels.  
4 Repeat steps 2 and 3 to adjust the settings of  
any other item.  
1
Memory back-up  
The memory back-up circuit prevents the stored data  
from being lost when this unit is set in the standby mode.  
If, however, the power cord is disconnected from the AC  
power outlet or the power is cut for more than one week,  
the latest values for the delay time and the center/rear/  
subwoofer output levels that were set will automatically  
return to the preset values. If so, adjust the delay time  
and output levels again.  
3
2
1 Press AMP(TUNER) on the  
component selector.  
2 Press TIME/LEVEL repeatedly to select the  
item you want to adjust.  
Each time you press TIME/LEVEL, the selected item  
changes and appears on the display as below.  
D E L A Y  
C E N T E R  
R
L
S U R .  
S U R .  
S W F R  
Note  
• Depending on the setting of the SET MENU, you may not be able  
to select all these items.  
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41  
SLEEP TIMER  
The SLEEP timer can be used to automatically set this unit  
Canceling the Selected SLEEP  
Timer  
in the standby mode. This timer is useful when you are  
going to sleep while enjoying a broadcast or other desired  
input source. The SLEEP timer can only be set with the  
remote control.  
Press SLEEP repeatedly until “SLEEP OFF”  
appears on the display.  
Notes  
It will soon disappear and the “SLEEP” indicator will  
go off.  
• First press AMP(TUNER), TAPE/MD, CD or DVD/LD on the  
component selector to set the SLEEP timer for this unit.  
• The SLEEP timer is effective for the components connected to the  
AC OUTLET(S) on the rear panel of this unit.  
Note  
Setting the SLEEP Timer  
• The SLEEP timer can also be canceled by setting the unit in the  
standby mode by using POWER on the remote control (or  
STANDBY/ON), or by disconnecting the AC power cord from  
the AC power outlet.  
1 Play a source you want to enjoy when you are  
going to sleep.  
2 Press SLEEP repeatedly to  
select the desired SLEEP  
time.  
Each time you press SLEEP, the  
SLEEP time will change as  
below:  
120  
90  
60  
30  
The SLEEP timer is off  
(SLEEP OFF).  
(This is the state before  
SLEEP is pressed.)  
Flashes  
3 The “SLEEP” indicator soon lights up on the  
display after the SLEEP timer has been set.  
The display returns to the previous indication.  
Lights up  
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42  
PRESET REMOTE CONTROL  
The provided remote control is factory set to control not only this unit but also most YAMAHA audio components connected  
to it.  
There are eight component selector buttons. Press one of these buttons which corresponds to the component you want to  
control with the remote control. For example, if you press CD on the component selector, the remote control is set to the CD  
operation mode, allowing the CD player to be controlled by the buttons on the remote control.  
AMP(TUNER)  
You can perform the basic operations of this  
unit. Refer to page 7.  
TAPE/MD  
The code for a YAMAHA tape deck is  
factory set. (The code for the YAMAHA  
MD recorder can also be set.)  
VCR  
A VCR can be controlled.  
TV  
A TV can be controlled.  
CBL/SAT  
A cable TV or satellite tuner can be  
controlled.  
CD  
The code for a YAMAHA CD player is  
factory set.  
DVD/LD & DVD MENU  
An LD player can be controlled in  
the DVD/LD mode. A DVD player can be  
controlled in the DVD/LD and DVD  
MENU modes. The code for a YAMAHA  
DVD player is factory set. If the remote  
control does not operate your YAMAHA  
DVD player, you need to set the code  
number “0048”.  
Note  
• The button functions on the remote control differ depending on the operation mode. Refer to the following pages for details.  
Controlling the Components Connected to This Unit  
Example:To controlYAMAHA CD  
5 Press CD on the  
player  
component selector.  
5
7
2
6 Press p.  
Refer to page 45 for the CD  
player operation buttons.  
3
4
6
7 Adjust the volume.  
If you set the remote control with the manufacturers’  
codes listed from page i at the end of this  
manual, you can control other brands of components.  
Refer to “Setup codes” on page 48 for details.  
1 Make sure that VOLUME is set to the “m”  
position.  
2 Press AMP(TUNER) on the  
component selector.  
3 Turn on the power.  
4 Press CD on the input selector.  
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43  
PRESET REMOTE CONTROL  
Description of Each Mode  
TAPE/MD MODE  
Note  
• TV VOLUME functions if you have set the code for your TV.  
Press TAPE/MD.  
POWER  
(TAPE) This button turns this unit on if you have set  
the code for a YAMAHA tape deck. This button  
turns on the tape deck that has a remote control with  
a power button if you have set the code for another  
manufacturer.  
Input selector buttons  
(MD) This button turns this unit on if you have set  
the code for the YAMAHA MD recorder.  
EFFECT  
VOLUME  
MUTE  
TV VOLUME  
DISPLAY (MD)  
SLEEP  
DECK A/B (TAPE)  
This button selects deck A or B on a double-cassette  
tape deck.  
e PAUSE (MD)  
This button gives a pause in operation.  
a DIR B (TAPE)  
This button selects the playing direction of deck B.  
SKIP+ (MD)  
This button skips to the next track.  
s STOP  
r REC/PAUSE  
This button gives a pause in recording on a tape deck  
or MD recorder.  
p PLAY  
This button plays a tape or an MD.  
b DIR A (TAPE)  
This button selects the playing direction of deck A.  
SKIP– (MD)  
This button skips to the previous track.  
w REWIND (TAPE)  
This button rewinds a tape.  
SEARCH (MD)  
This button stops operation on a tape deck or MD  
recorder.  
f FAST FORWARD (TAPE)  
This button winds a tape fast forward.  
SEARCH (MD)  
This button initiates a backward search on the track  
that is playing to find the point from which you want  
to listen.  
This button initiates a fast-forward search on the track  
that is playing to find the point from which you want to  
listen.  
The dark-shaded buttons do not function. Refer to the instructions for details of each component.  
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44  
PRESET REMOTE CONTROL  
CD MODE  
Note  
• TV VOLUME and TV INPUT function if you have set the code for your TV.  
Press CD.  
POWER  
This button turns this unit on if you have set the code  
for a YAMAHA CD player. This button turns on the CD  
player that has a remote control with a power button if  
you have set the code for another manufacturer.  
Input selector buttons  
EFFECT  
DISC SKIP +/– (for a CD player with CD  
changer)  
These buttons skip to the next or previous CD.  
VOLUME  
MUTE  
TV VOLUME  
DISPLAY  
SLEEP  
TV INPUT  
e PAUSE  
This button gives a pause in operation. The button  
functions as PAUSE/STOP* for operating a  
YAMAHA CD player under factory setting.  
a SKIP+  
This button skips to the beginning of the next  
track.  
p PLAY  
This button plays a CD.  
b SKIP–  
This button skips to the beginning of the previous  
track.  
w SEARCH  
This button initiates a backward search on the track  
that is playing to find the point from which you want  
to listen.  
s STOP  
This button stops operation. The button functions  
as PAUSE/STOP* for operating YAMAHA CD  
players.  
f SEARCH  
This button initiates a fast-forward search on the  
track that is playing to find the point from which  
you want to listen.  
y
PAUSE/STOP function  
Press the button once to give a pause in operation and press once more to stop operation.  
The dark-shaded buttons do not function. Refer to the instructions for details of each component.  
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45  
PRESET REMOTE CONTROL  
DVD/LD MODE  
Note  
• TV VOLUME and TV INPUT function if you have set the code for your TV.  
Press DVD/LD.  
POWER  
(DVD) This button turns this unit on if  
you have set the code for a YAMAHA  
DVD player. This button turns on the  
DVD player that has a remote control  
with a power button if you have set the  
code for another manufacturer.  
Input selector buttons  
EFFECT  
DISC SKIP +/–  
(LD) This button turns this unit on if you  
have set the code for a YAMAHA LD  
player. This button turns on the LD player  
that has a remote control with a  
power button if you have set the  
code for another manufacturer.  
VOLUME  
MUTE  
TV VOLUME  
SLEEP  
DISPLAY  
TV INPUT  
PAUSE  
SKIP +  
PLAY  
SEARCH  
SKIP –  
STOP  
SEARCH  
DVD MENU MODE  
Note  
• TV VOLUME and TV INPUT function if you have set the code for your TV.  
Press DVD MENU.  
POWER  
This button turns the unit on if you have  
set the code for a YAMAHA DVD player.  
This button turns on the DVD player that  
has a remote control with a power button  
if you have set the code for another  
manufacturer.  
Numeric buttons  
CLEAR  
+10  
DISC SKIP +/–  
VOLUME  
TV VOLUME  
MUTE  
INDEX  
RETURN  
TV INPUT  
MENU UP  
MENU RIGHT  
MENU LEFT  
MENU SELECT  
MENU  
MENU DOWN  
TITLE  
The dark-shaded buttons do not function. Refer to the instructions for details of each component.  
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46  
PRESET REMOTE CONTROL  
VCR MODE  
CBL/SAT MODE  
Note  
Note  
• TV VOLUME, TV INPUT and TV SLEEP function if you have  
set the code for your TV.  
• TV VOLUME, TV INPUT and TV SLEEP function if you have  
set the code for your TV.  
CBL/SAT POWER  
VCR POWER  
Press VCR.  
Press CBL/SAT.  
CHANNEL  
CHANNEL  
EFFECT  
CHANNEL  
ENTER  
+100  
CHANNEL  
ENTER  
CBL/SAT  
CHANNEL +/–  
VOLUME  
VCR CHANNEL +/–  
VOLUME  
TV VOLUME  
TV VOLUME  
MUTE  
MUTE  
DISPLAY  
TV SLEEP  
DISPLAY  
TV SLEEP  
TV INPUT  
VCR PAUSE  
VCR REC  
Press this button twice to  
start recording.  
TV INPUT  
MENU UP  
MENU LEFT  
MENU DOWN  
MENU RIGHT  
MENU SELECT  
MENU  
VCR PLAY  
VCR  
FAST FORWARD  
VCR STOP  
VCR REWIND  
RECALL  
TV MODE  
Note  
You can control your VCR if you have set the  
code for it.  
TV POWER  
Press TV.  
CHANNEL  
EFFECT  
CHANNEL  
ENTER  
TV CHANNEL +/–  
VOLUME  
TV VOLUME  
TV MUTE  
DISPLAY  
TV SLEEP  
TV INPUT  
VCR PAUSE  
VCR REC  
Press this button twice.  
VCR PLAY  
VCR  
FAST FORWARD  
VCR STOP  
VCR REWIND  
The dark-shaded buttons do not function. Refer to the instructions for details of each component.  
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47  
PRESET REMOTE CONTROL  
To use a second (and third) VCR  
You can control a second (and third) VCR in the CBL/SAT  
and DVD MENU modes if a cable TV or satellite tuner, or  
DVD player is not being used.  
Advanced Information  
Setup codes  
You can set the code for the manufacturer of your  
component after pressing the component selector buttons  
other than AMP(TUNER).  
Note  
• If you want to control a second (and third) VCR in the DVD  
MENU mode, you must set the code for an LD player in the  
DVD/LD mode.  
1 Turn on your component to be used.  
1 Turn on the VCR to be used.  
2 Press one of the  
component selector  
buttons which  
2 Press CBL/SAT or DVD  
MENU on the component  
selector.  
corresponds to the  
component to be  
controlled.  
3 Press both VOLUME  
buttons (u/d) at the same  
time for about four  
seconds.  
3 Press both VOLUME  
buttons (u/d) at the same  
time for about four  
seconds.  
The indicator flashes twice.  
The indicator flashes twice.  
4 Use the numeric buttons to  
enter the four-digit code  
for the second (and third)  
VCR. Make sure that the  
indicator flashes twice.  
If the indicator does not flash,  
repeat step 3 and re-enter the  
code.  
4 Use the numeric buttons to  
enter the four-digit  
manufacturer’s code for  
the component to be used.  
Make sure that the  
indicator flashes twice.  
If the indicator does not flash,  
repeat step 3 and re-enter the  
code.  
5 Press POWER (or any other button) on the  
remote control to check if you have set the  
code correctly.  
5 Press POWER (or any other button) on the  
remote control to check if you have set the  
code correctly.  
If the VCR cannot be controlled  
with the remote control, try  
setting another code for the  
If your component cannot be  
controlled with the remote  
control, try setting another code  
for the same manufacturer.  
same manufacturer.  
Notes  
You can set only one code for one mode.  
• In the DVD/LD and DVD MENU modes:  
– Be sure to press DVD/LD on the component selector before  
entering the code for the DVD/LD player. The code set in the  
DVD/LD mode is also simultaneously set in the DVD MENU  
mode. You cannot set the code for a DVD player after pressing  
DVD MENU on the component selector.  
– DVD MENU operations cannot be performed for some DVD  
players.  
• A second (and third) VCR can be controlled. Refer to “To use a  
second (and third) VCR” for details.  
• If your component does not respond to any of the codes listed for  
the manufacturer, use the original remote control supplied with  
your component.  
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48  
PRESET REMOTE CONTROL  
To return each component to the factory-set codes, follow  
these steps.  
Returning to the factory-set codes  
To return all components to the factory-set codes, follow  
these steps.  
1 Press one of the  
component selector  
buttons which  
1 Press one of the  
component selector  
buttons other than  
AMP(TUNER).  
corresponds to the  
component to be returned  
to the factory-set code.  
2 Press both VOLUME  
buttons (u/d) at the same  
time for about four  
seconds.  
2 Press both VOLUME  
buttons (u/d) at the same  
time for about four  
seconds.  
The indicator flashes twice.  
The indicator flashes twice.  
3 Enter the code number  
“9990”.  
3 Enter the code number  
“0000”.  
Make sure that the indicator  
flashes twice.  
Make sure that the indicator  
flashes twice.  
The following codes are factory set.  
Component  
Code  
Component  
selector button  
TV  
TV  
0101  
CBL/SAT  
VCR  
Satellite tuner 0006  
VCR  
0002  
DVD/LD  
CD  
DVD player  
CD player  
Tape deck  
0008 (YAMAHA DVD player)  
0005 (YAMAHA CD player)  
0004 (YAMAHA Tape deck)  
TAPE/MD  
We recommend that you write all the code numbers you  
have set on the “Quick Reference Card”.  
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49  
APPENDIX  
TROUBLESHOOTING  
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple  
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power  
cord and contact your authorized YAMAHA dealer or service center.  
General  
Refer to  
page  
SYMPTOM  
CAUSE  
REMEDY  
The unit fails to turn on  
when STANDBY/ON is  
pressed, or enters in the  
standby mode soon after  
the power has been  
turned on.  
The power cord is not connected or the plug is  
not completely inserted.  
Firmly connect the power cord.  
17  
17  
The IMPEDANCE SELECTOR switch on the  
rear panel is not fully set to the right or left  
position.  
Set the switch fully to the right or left position  
when the unit is in the standby mode.  
The internal microcomputer has been frozen by  
an external electric shock (lightning, excessive  
static electricity, etc.) or by a power supply with  
low voltage.  
Set the unit in the standby mode and disconnect  
the AC power cord from the AC power outlet.  
After about 30 seconds have passed, connect  
the power and operate the unit again.  
The unit does not work  
normally.  
No sound and/or no  
picture.  
Incorrect input or output cable connections.  
Connect the cables properly. If the problem  
persists, the cables may be defective.  
12, 13  
20  
An appropriate input source has not been  
selected.  
Select an appropriate input source with INPUT  
SELECTOR or TAPE/MD MON / EXT.  
DECODER (or the input selector buttons).  
The speaker connections are not secure.  
SPEAKERS have not been set properly.  
Secure the connections.  
15  
20  
Set SPEAKERS corresponding to the speakers  
in use to the ON position.  
21  
The sound is muted.  
Set VOLUME to the “m” position, press  
MUTE to cancel a mute and adjust the volume.  
Digital signals other than PCM audio and the  
signals encoded with Dolby Digital or DTS  
which this unit cannot reproduce are being input  
to this unit by a CD-ROM, etc.  
Play a source whose signals this unit can  
reproduce.  
No picture.  
There is no S VIDEO connection between this  
unit and the TV monitor, although S video  
signals are being input to this unit.  
Connect the monitor’s “S” video input terminal  
to this unit’s S VIDEO MONITOR OUT  
terminal.  
14  
The sound suddenly  
goes off.  
The protection circuit has been activated  
because of a short circuit, etc.  
Set the unit in the standby mode and then turn  
on to reset the protection circuit.  
Turn on the power, and play the source again.  
The SLEEP timer has functioned.  
Incorrect cable connections.  
42  
15  
Only the speaker on one  
side can be heard.  
Connect the cables properly. If the problem  
persists, the cables may be defective.  
Incorrect setting of BALANCE.  
The sound effect is off.  
Adjust it to the appropriate position.  
Press EFFECT to turn it on.  
21  
24  
27  
No sound from the effect  
speakers.  
Select another DSP program.  
A Dolby Surround, Dolby Digital or DTS  
decoding DSP program is being used with  
material not encoded with Dolby Surround,  
Dolby Digital or DTS.  
No sound from the  
center speaker.  
The sound output level of the center speaker is  
set to minimum.  
Raise the level of the center speaker.  
Select the LRG or SML position.  
Select the appropriate program.  
40  
37  
“CENTER SP” in the SET MENU is set to the  
NONE position.  
25, 26, 27  
Incorrect DSP program is selected.  
The source encoded with Dolby Digital or DTS  
does not have a center channel signal.  
40  
27  
No sound from the rear  
speakers.  
The output level of the rear speakers is set to  
minimum.  
Raise the output level of the rear speakers.  
A monaural source is being played with the PRO Select another DSP program suitable for the  
LOGIC/Normal or PRO LOGIC/ENHANCED  
program.  
monaural source.  
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50  
TROUBLESHOOTING  
Refer to  
page  
SYMPTOM  
CAUSE  
REMEDY  
No sound from the  
subwoofer.  
“BASS OUT” in the SET MENU is set to the  
SW or MAIN position when playing a 2-channel  
source.  
Select the BOTH position.  
37  
The source does not contain low bass signals  
(below 90 Hz).  
A “humming” sound can  
be heard.  
Incorrect cable connections.  
Firmly connect the audio plugs. If the problem  
persists, the cables may be defective.  
12, 13  
12  
No connection from the turntable to the GND  
terminal.  
Make the GND connection between the  
turntable and this unit.  
The volume level is low  
while playing a record.  
The record is being played on a turntable with an The turntable should be connected to the unit  
12  
MC cartridge.  
through the MC head amplifier.  
The volume level cannot  
be increased, or the  
sound is distorted.  
The component connected to the TAPE/MD  
OUT (REC) terminals of this unit is in the  
standby mode.  
Turn on the power to the component.  
The sound effect cannot  
be recorded.  
It is not possible to record the sound effect by a  
tape deck or MD recorder connected to the  
TAPE/MD OUT (REC) terminals of this unit.  
35  
13  
The DVD/LD,TV/digital TV The DVD/LD player, TV/digital TV or satellite  
Make additional connections between the  
analog terminals.  
or satellite tuner source  
cannot be recorded by  
tape deck, MD recorder  
or VCR connected to this  
unit.  
tuner is connected to the unit only through the  
digital terminals.  
Adjusting this unit by  
using SET MENU,TIME/  
LEVEL or TEST cannot  
be performed.  
“MEM. GUARD” in the SET MENU is set to  
the ON position.  
Set “MEM. GUARD” to the OFF position.  
39  
Tuner  
Refer to  
page  
SYMPTOM  
CAUSE  
REMEDY  
FM stereo reception  
is noisy.  
The characteristics of FM stereo broadcasts  
may cause this problem when the transmitter is  
too far away or the antenna input is poor.  
Check the antenna connections.  
Try using a high-quality directional FM  
antenna.  
10, 28  
Use the manual tuning method.  
Adjust the antenna position to eliminate  
multipath interference.  
10  
There is distortion,  
and clear reception  
cannot be obtained  
even with a good FM  
There is multipath interference.  
FM  
antenna.  
Use the manual tuning method.  
Use a high-quality directional FM antenna.  
The station is too weak.  
The desired station  
cannot be tuned in  
with the automatic  
tuning method.  
10, 28  
The unit has been disconnected for a long  
period.  
Re-store the stations.  
Previously preset  
stations can no  
29  
longer be tuned in.  
The desired station  
cannot be tuned in  
with the automatic  
tuning method.  
The signal is weak or the antenna connections  
are loose.  
Tighten the AM loop antenna connections and  
orient it for best reception.  
Use the manual tuning method.  
11, 28  
There are continuous  
crackling and hissing  
noises.  
Noises result from lightning, fluorescent lamps,  
motors, thermostats and other electrical  
equipment.  
Use an outdoor antenna and a ground wire. This  
will help somewhat, but it is difficult to  
eliminate all noise.  
11  
AM  
Move this unit away from the TV.  
There are buzzing and  
whining noises  
(especially in the  
evening).  
A TV set is being used nearby.  
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51  
TROUBLESHOOTING  
Remote control  
Refer to  
page  
SYMPTOM  
CAUSE  
REMEDY  
Reposition the unit.  
Direct sunlight or lighting (from an inverter  
type of fluorescent lamp, etc.) is striking the  
remote control sensor of this unit.  
The remote control does  
not work.  
3
2
The batteries are weak.  
Replace all batteries with new ones.  
The unit or other  
component cannot be  
controlled.  
The component to be controlled has not been  
selected.  
Press one of the component selector buttons  
which corresponds to the component to be  
controlled.  
43  
The manufacturer’s code has not been set  
properly.  
Enter the code again.  
48  
Try setting another code for the same  
manufacturer.  
Others  
Refer to  
page  
SYMPTOM  
CAUSE  
REMEDY  
This unit is in the standby mode.  
Turn on the power of the unit.  
The sound is degraded  
when listening with  
headphones to a tape  
deck or CD player  
connected to this unit.  
There is noise  
interference from digital  
or high-frequency  
The unit is too close to the digital or high-  
frequency equipment.  
Move the unit further away from such  
equipment.  
equipment, or the unit.  
When playing back a source encoded with DTS  
Refer to  
page  
SYMPTOM  
CAUSE  
REMEDY  
A loud hissing noise is  
heard when playing back connected to a digital audio signal input  
a source encoded with  
DTS.  
The player which plays back the source is not  
The player must be connected to a digital audio  
signal input terminal of this unit besides the  
analog audio signal terminal connections.  
13  
terminal of this unit.  
The input mode is set to ANALOG on this unit.  
Set a proper input mode to turn on the built-in  
DTS decoder.  
22  
22  
A percussive noise is  
heard when playing back some sources, there may be a noise heard while  
If the input mode is set to AUTO, depending on  
Set the input mode of the currently selected  
input source to DTS.  
a source encoded with  
DTS.  
this unit is identifying the format of the input  
signal.  
No sound is heard when  
playing back a source  
encoded with DTS, even  
if the input mode is set  
to AUTO on this unit.  
The built-in DTS decoder does not function  
because the player has a digital volume control  
and it is set at a position other than  
Set the player’s digital volume control at the  
maximum, neutral or ineffective position.  
“maximum,” “neutral” or “ineffective.”  
No sound is heard when  
playing back an MD or  
DAT on which has been  
recorded a source  
A source encoded with DTS cannot be recorded  
on an MD or DAT.  
23  
encoded with DTS.  
No sound is heard when  
playing back a source  
(CD, etc.) even if the  
currently selected input  
mode is AUTO.  
Set the input mode to AUTO again.  
In the AUTO mode, the DTS-decoding mode  
cannot be automatically changed to the normal  
(PCM) digital signal input mode.  
Notes  
• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must be connected  
to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a D-to-A converter is  
being used without using a DTS decoder, only a loud hissing noise will be heard when you play back the source.  
• If you make a search (or skip, etc.) operation while playing back a source encoded with DTS, the “t” indicator goes off. This is because  
this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode to prevent a noise from being  
output.  
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52  
SPECIFICATIONS  
AUDIO SECTION  
• Minimum RMS Output Power  
FM SECTION  
• Tuning Range .................................... 87.5/87.50 to 107.9/108.00 MHz  
20 Hz to 20 kHz, 0.06% THD, 8 ohms  
Main L/R, Center, Rear L/R ......................................... 70 W*/65 W  
1 kHz, 0.09% THD, 8 ohms  
• Usable Sensitivity (DIN)  
Mono (S/N 26 dB) ................................................................... 0.9 µV  
Stereo (S/N 46 dB) ................................................................... 28 µV  
Main L/R, Center, Rear L/R ....................................... 80 W*/70 W  
• Selectivity (two signals, 40 kHz Dev., ±300 kHz) ...................... 55 dB  
• Maximum Output Power (EIAJ)  
• Signal-to-Noise Ratio (Mono/Stereo)  
1 kHz, 10% THD, 8 ohms ........................................................ 100 W  
DIN ................................................................................. 75 dB/69 dB  
IHF ................................................................................. 81 dB/75 dB  
• DIN Standard Output Power  
1 kHz, 0.7% THD, 4 ohms ....................................................... 100 W  
• Harmonic Distortion (1 kHz)  
• IEC Output Power  
Mono/Stereo ........................................................................ 0.1/0.2%  
1 kHz, 0.06% THD, 8 ohms ....................................................... 70 W  
• Stereo Separation (1 kHz) ........................................................... 48 dB  
• Frequency Response ........................................ 20 Hz to 15 kHz, ±1 dB  
• Antenna Input ...................................................... 75 ohms, Unbalanced  
• Dynamic Power (IHF)  
8/6/4/2 ohms .................... 100/120/140/160 W*, 90/110/130/150 W  
• Damping Factor  
20 Hz to 20 kHz, 8 ohms ................................................................ 60  
AM SECTION  
• Tuning Range ............................................530/531 to 1,710/1,611 kHz  
• Frequency Response  
CD etc. to MAIN L/R ................................ 20 Hz to 20 kHz, ±0.5 dB  
• Usable Sensitivity ................................................................. 300 µV/m  
• Signal-to-Noise Ratio ................................................................... 52 dB  
• Antenna ........................................................................... Loop antenna  
• Total Harmonic Distortion (20 Hz to 20 kHz)  
CD etc. to MAIN L/R, 1/2 power, 8 ohms ............................ 0.025%  
• Signal-to-Noise Ratio (IHF-A Network)  
CD etc. to MAIN L/R  
(150 mV, Input Shorted) ........................................................ 96 dB  
(250 mV, Input Shorted) ...................................................... 100 dB  
GENERAL  
• Power Supply  
[U.S.A. and Canada models] .................................. AC 120 V, 60 Hz  
[Europe, U.K. and Singapore models] .................... AC 230 V, 50 Hz  
[Australia model] ..................................................... AC 240 V, 50 Hz  
[China model] ......................................................... AC 220 V, 50 Hz  
[General model] ............................. AC 110/120/220/240 V, 50/60 Hz  
• Residual Noise (IHF-A Network)  
MAIN L/R .............................................................................. 150 µV  
• Input Sensitivity/Impedance  
CD etc. ................................................................. 150 mV/47 k-ohms  
EXT. DECODER ......................................... 150 mV/40 – 47 k-ohms  
• Power Consumption ...................................................... approx. 220 W  
• Output Level/Impedance  
• AC Outlets (100 W max. total)  
REC OUT ........................................................... 150 mV/1.2 k-ohms  
SUBWOOFER ....................................................... 4.0 V/1.2 k-ohms  
PHONES ................................................................. 0.47 V/390 ohms  
[U.K. and Australia models] ..................................... 1 (SWITCHED)  
[Other models] .......................................................... 2 (SWITCHED)  
• Dimensions (W x H x D)  
• Channel Separation (Vol. –30 dB)  
..................... 435 x 151 x 391 mm (17-1/8’’ x 5-15/16’’ x 15-3/8’’)  
CD etc. (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)  
..................................................................................... 60 dB/45 dB  
• Weight ............................................................................ 10 kg (22 lbs.)  
• Tone Control Characteristics  
• Accessories ................................................................ AM loop antenna  
.......................................................................... Indoor FM antenna  
..................... 75-ohm/300-ohm antenna adapter (U.K. model only)  
........................ Antenna adapter (U.S.A. and Canada models only)  
................................................................................. Remote control  
........................................................................................... Batteries  
BASS: Boost/cut .......................................................... ±10 dB/50 Hz  
TREBLE: Boost/cut ................................................... ±10 dB/20 kHz  
* for U.S.A. and Canada models  
VIDEO SECTION  
• Video Signal Type ........................................................... NTSC or PAL  
Specifications are subject to change without notice.  
• Video Signal Level ...................................................... 1 Vp-p/75 ohms  
• Signal-to-Noise Ratio .................................................................. 50 dB  
• Monitor Out Frequency Response .................... 5 Hz to 10 MHz, –3 dB  
53  
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GLOSSARY  
CINEMA DSP  
CINEMA DSP  
Dolby Surround  
Dolby Surround uses four discrete channels and five  
speakers to reproduce realistic and dynamic sound effects:  
two main channels (left and right), a center channel for  
dialog, and a rear channel for special sound effects. The rear  
channel reproduces sound within a narrow frequency range.  
Most video tapes and laser discs include Dolby Surround  
encoding, as do many TV and cable broadcasts. The Dolby  
Pro Logic decoder built into this unit employs a digital  
signal processing system that stabilizes each channel for  
even more accurate sound positioning than is available with  
standard analog processors.  
The Dolby Surround and Dolby Digital sound and DTS  
systems show their full ability in a large movie theater,  
because movie sounds are originally designed to be  
reproduced in a large movie theater that uses a multitude of  
speakers. Trying to create a sound environment similar to  
that of a movie theater in your home is difficult because of  
the room size, material inside the walls, the number of  
speakers, and so on. In other words, your listening room is  
very different from a movie theater.  
However, YAMAHA DSP technology allows you to create  
nearly the same sound experience as that of a large movie  
theater in your home by compensating for the lack of  
presence and dynamics in the listening room with original  
digital sound fields combined with Dolby Surround, Dolby  
Digital or DTS Digital Surround sounds.  
The YAMAHA “CINEMA DSP” logo indicates those  
programs that are created by the combination of YAMAHA  
DSP technology and Dolby Surround, Dolby Digital or  
DTS.  
Dolby Digital  
Dolby Digital is a digital surround sound system that  
provides completely independent multi-channel audio to  
you. Dolby Digital provides five full-range channels in what  
is sometimes referred to as a “3/2” configuration: three front  
channels (left, center and right), and two surround channels.  
A sixth bass-only effect channel is also provided for output  
of LFE (low frequency effect), or low bass effects that are  
independent of other channels. (This is called the “LFE  
channel”.) This channel is counted as 0.1, thus giving rise to  
the term 5.1 channels in total.  
LFE 0.1 Channel  
This channel is for reproduction of low bass signals. The  
frequency range for this channel is 20 Hz to 120 Hz. This  
channel is called the channel 0.1 because it only reproduces  
a low frequency range compared to the full-range from  
20 Hz to 20 kHz that is reproduced by the 5 channels in a  
Dolby Digital or DTS 5.1 channel system.  
The wide dynamic range of sound reproduced by the five  
full-range channels and precise sound orientation by digital  
sound processing provides listeners with excitement and  
realism that have never been experienced before.  
DTS (Digital Theater System)  
S VIDEO Signal  
Digital Surround  
The S VIDEO signal is separated and transmitted as the Y  
signal which indicates the luminance and the C signal which  
indicates the chroma of the video signal (composite signal).  
Using the S VIDEO terminal eliminates video signal  
transmission loss and allows recording and playback of  
even more beautiful images.  
DTS was developed to replace analog soundtracks of  
movies with six discrete channels of digital soundtracks,  
and it is now installed in many theaters around the world.  
The DTS digital playback system changed the way we  
experienced movies in theaters with six discrete channels of  
superb digital audio.  
DTS technology, through intense research and development  
has made it possible to deliver similar encode/decode  
discrete technology to home audio surround-sound  
entertainment.  
DTS Digital Surround is an encode/decode system which  
delivers six channels of master-quality, 20-bit audio;  
technically, it is 5.1 channels, which means 5 full-range  
(left, center, right and two surround) channels, plus a  
subwoofer (LFE) channel (as “0.1”). It is compatible with  
the 5.1 speaker configurations that are currently available  
for home theater systems.  
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54  
INDEX  
A
M
Accessories .......................................................................... 2  
AC outlet ........................................................................... 17  
Antennas ...................................................................... 10, 11  
Muting ............................................................................... 21  
P
Playing ............................................................................... 20  
B
Preset stations  
BALANCE ........................................................................ 21  
To recall a preset station .............................................. 30  
Exchanging preset stations .......................................... 31  
Preset tuning  
BGV (background video) function .................................... 21  
C
Automatic preset tuning .............................................. 29  
Manual preset tuning ................................................... 30  
Canceling sound effect ...................................................... 24  
CINEMA DSP ............................................................. 27, 54  
Connections  
R
Antennas ................................................................ 10, 11  
Audio components (tape deck/MD recorder, CD player  
and turntable) .............................................................. 12  
Digital connections...................................................... 13  
Speakers ...................................................................... 15  
TV monitor .................................................................. 13  
Video components (DVD/LD player, VCR and TV/  
digital TV, satellite tuner) ............................................ 13  
RDS mode  
EON function .............................................................. 34  
PTY SEEK function .................................................... 33  
Recording .......................................................................... 35  
Remote control  
Basic operations ............................................................ 7  
Batteries......................................................................... 2  
Component selector................................................. 7, 43  
Factory-set code .......................................................... 49  
Manufacturer’s codes .......... i (at the end of this manual)  
Setup codes.................................................................. 48  
D
Delay time (TIME/LEVEL mode) .................................... 40  
Display................................................................................. 6  
Dolby Digital ..................................................................... 54  
Dolby Surround ................................................................. 54  
DSP program ............................................................ 24 to 27  
DTS Digital Surround ....................................................... 54  
S
SET MENU ....................................................................... 36  
Sleep timer ......................................................................... 42  
Speaker  
Output levels (TIME/LEVEL mode) .......................... 40  
Output mode (SET MENU) .................................. 37, 38  
Speaker balance (test tone).......................................... 18  
Placement ...................................................................... 8  
STANDBY/ON.................................................................... 4  
E
External decoder ................................................................ 14  
F
Front panel ........................................................................... 4  
T
I
Test tone....................................................................... 18, 19  
Tone controls ..................................................................... 21  
Tuning  
IMPEDANCE SELECTOR switch ................................... 17  
Input mode ......................................................................... 22  
L
Automatic tuning......................................................... 28  
Manual tuning ............................................................. 28  
LFE ........................................................................ 38, 39, 54  
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55  
LIST OF MANUFACTURER’S CODES  
LISTES DES CODES FABRICANT  
VERZEICHNIS DER HERSTELLERCODES  
LISTA ÖVER TILLVERKARKODER  
ELENCO DEI CODICI DEL FABBRICANTE  
LISTA DE CÓDIGOS DE FABRICANTES  
LIJST VAN CODES VAN FABRIKANT  
Clarivox  
Clatronic  
Concerto  
Condor  
Contec  
Continental Edison  
0821, 0961, 1971  
1181, 1331  
0791  
0761  
0151, 1171  
First Line  
Fisher  
1981  
Hitachi  
0001, 0011, 0031,  
0081, 0141, 0291,  
0331, 0341, 0451,  
0601, 0631, 0701,  
1281, 1561, 1601,  
1821, 1831, 1841,  
1861, 1871, 1881,  
1891, 1941, 1981,  
2051, 2321, 2341  
0591, 0601, 1511,  
1621  
TV  
Admiral  
0021, 0091, 0141,  
0511, 0601, 0801,  
0821, 0981, 1021,  
1081, 1981, 2091  
2281  
0451, 0491, 0761,  
1081, 1451, 1541,  
1981  
0411, 0451, 0911,  
1021, 1081  
0891  
0061, 0101, 0231,  
1191, 1351, 1591,  
1641, 1791, 1891,  
1981  
1331  
1241, 1331, 2361  
1971  
1301, 1511  
1171  
0571  
0571, 0761  
0751  
Aiko  
Akai  
0571, 0651,  
0901  
Forgestone  
Formenti  
Craig  
Crosley  
1171  
0021, 0491, 1021,  
1081, 1401, 1981,  
2201, 2251, 2271  
2541  
0261  
1171  
0101, 1501, 1511,  
2611  
0101  
0271, 0581, 0601,  
0971, 1101, 1691  
0271, 0581, 0601,  
1101, 1681  
0451, 1351  
0991, 1511  
0101  
Akura  
Alba  
Formenti-phoenix  
0021, 0431,  
0451, 0591,  
1411  
Hyper  
Albiral  
Amstrad  
Anam  
Arc En Ciel  
Arcam  
Aristona  
Arthur Martin 0451, 1641  
ASA  
Crown  
Ctc Clatronic  
CXC  
Imperial  
0451, 0491, 0811,  
0981, 1401, 1611,  
1621, 2201, 2251,  
2271  
Fortress  
Frontech  
Fujitsu  
Funai  
1081  
0451, 1181, 1981  
1261  
0391, 0691, 1171,  
1181, 1261  
1171  
0021, 0141, 1321,  
1511, 1621, 1981  
0451, 1101, 1281,  
2321  
0031, 0081, 0581,  
0601, 1101, 1281,  
1561  
0021, 0411, 0451,  
1321, 1511, 1621,  
1981  
Daewoo  
Ingersol  
Inno Hit  
1511  
Dansai  
Decca  
0581, 0601, 0841,  
1101, 1331, 1371,  
1511, 2011  
Futuretech  
GBC  
0411, 0451, 0521,  
0781, 0871, 1021,  
1081, 1421, 2051,  
2091, 2151, 2551  
1511  
0761  
0761  
1511  
1181, 1321, 1511  
0491, 1411  
0091, 0351, 0481,  
0491, 0601, 0781,  
0951, 1051, 1081,  
1391, 1421  
Decca (UK)  
Innovation  
Interfunk  
2591, 2601, 2611,  
2621, 2641, 2651,  
2661, 2711, 2721,  
2761, 2771, 2781  
0031, 0041, 0061,  
0121, 0181, 0451,  
0491, 1081, 1641,  
1791, 1821, 1981,  
2231  
GEC  
Degraaf  
Dixi  
Domeos  
Doric  
Astra  
GEC (UK)  
Atantic  
Atlantic  
Atori  
Audiosonic  
Ausind  
Autovox  
1031  
Dual  
0091, 0601, 1611,  
1641, 2101  
0601, 1511, 1621,  
2111  
0261, 0521, 0781,  
1021, 1081, 1981,  
2121, 2151  
0101  
1551, 1971, 2031  
1511  
0771  
0261, 1621  
1511  
0921, 1021, 1081,  
1121, 1171, 1261,  
1301  
Geloso  
Dual-Tec  
Dumont  
General Technic  
Genexxa  
GoldStar  
2681  
Irradio  
0491, 1321, 1331,  
1371, 1411, 1511,  
2011  
0451, 1331  
0591, 0601, 0761,  
0791, 1371, 1491,  
1511, 1561, 1621,  
1641  
0141, 1101, 1371,  
1641, 2301  
0981, 1061  
0451  
0141, 0451, 0491,  
0581, 0601, 1101,  
1111, 1351, 1981,  
2321  
Isukai  
ITT  
1331  
Baird  
1101, 1351  
1081  
1321, 1331  
Dynatron  
Elbe  
Electro Tech  
Elektronska  
Elman  
0031, 0041, 0051,  
0061, 0071, 0081,  
0181, 0411, 0451,  
0491, 1241, 1291,  
1351, 1501, 1601,  
1641, 1741, 1921,  
1981, 2091, 2331,  
2431  
0031, 0041, 0051,  
0061, 0071, 0081,  
0181, 0411, 0451,  
0491, 1241, 1291,  
1351, 1501, 1601,  
1641, 1741, 1921,  
1981, 2091, 2331,  
2431  
0071, 0721, 1441,  
1581, 1591, 1741,  
1791  
0591, 1321, 1331  
0601  
0591, 0601, 0841,  
1091, 1321, 1511,  
1561, 2051  
Bang & Olufsen  
Basic Line  
Bauer  
Goodmans  
1451  
Baur  
0041, 0061, 0121,  
0131, 0221, 1561  
2491, 2501  
0221, 0231, 0241,  
0251, 0471, 0741,  
2201, 2211, 2221,  
2231, 2241, 2261,  
2571, 2581  
0571, 0651, 0731,  
0901, 1821  
1021, 1051, 1081  
0761  
0821, 0991, 1021,  
1081  
0391, 0691, 1621,  
1901, 1981  
0451, 1241, 1331,  
1641, 1741, 2131,  
2151  
0481, 1561, 1611  
0791  
Gorenje  
Graetz  
Granada  
Elta  
Emerson  
Beko  
Blaupunkt  
ITT-nokia  
Erres  
Etron  
Europhon  
0101  
1981  
Granada (UK) 0081, 0141, 0451,  
0491, 0581, 0601,  
0261, 0581, 0601,  
0771, 1091, 1621,  
2001  
0101, 1511  
0281, 0371, 0551,  
0651, 0781, 0861,  
0881, 1131, 1181,  
1361, 1461, 1971,  
1991, 2281, 2311,  
2341  
Brandt  
1031, 1311, 1521,  
1561, 1641  
Brionvega  
Britannia  
Bruns  
Fenner  
Ferguson  
Grundig  
0221, 0231, 0471,  
0491, 0711, 0741,  
1381, 2021, 2041,  
2141, 2151  
0021, 0121, 0141,  
0431, 0591, 1561  
0581  
JVC  
BSR  
Bush  
Hanseatic  
Hantarex  
Hemmermann 0061  
Hifivox  
Hinari  
Kaisui  
Kamosonic  
Karcher  
Fidelity  
0451, 0761, 2281  
Fidelity (UK) 0561, 0591, 1931,  
2281  
Filmnet  
Finlandia  
Finlux  
0331, 0571  
Bush (UK)  
Candle  
Century  
CGE  
0071, 0141, 0451,  
1261, 1351, 1511,  
1641, 1981, 2011  
1141  
0451, 2321  
Kawasho  
Kendo  
Kennedy  
0761  
0261  
0021, 0351, 0951,  
1981  
1021, 1081  
0491, 0811, 0981,  
1401, 1531, 1611,  
1621, 1981, 2201,  
2251, 2271  
0021, 0261, 0491,  
0521, 0781, 0811,  
0871, 1081, 1411,  
1421, 1981, 2051,  
2091, 2121, 2151,  
2551  
Citizen  
0791  
i
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Konka  
Korting  
2701  
0431, 1011, 1021,  
1081, 1541  
0601, 1171  
0601, 1511  
NEC  
0141, 1711, 1721,  
1731  
0451, 0601, 0981,  
1081, 1561, 1931,  
1981, 2211, 2231,  
2241  
Prandoni-promce  
0451, 0491,  
0581  
Seleco  
0071, 0101, 0351,  
0411, 0451, 0951,  
1901, 2061, 2101,  
2111  
1601  
0141, 0151, 0191,  
1761, 1781  
0021, 0261, 0581,  
0641, 1021, 1081,  
1981  
Neckermann  
Prima  
0451  
1981  
KTV  
Profex  
Protech  
Quelle  
Lenoir  
Leyeo  
Lifetec  
0641, 1181, 1981  
0041, 0061, 0121,  
0221, 0231, 0391,  
0491, 0521, 0601,  
0781, 1371, 1381,  
1411, 1421, 1641,  
1681, 2051, 2091,  
2141, 2151, 2201,  
2211, 2231, 2241,  
2251, 2271, 2551,  
2571, 2581  
Sentra  
Sharp  
1181  
2591, 2601, 2611,  
2621, 2641, 2651,  
2661, 2671, 2681,  
2691, 2711, 2761,  
2771, 2781  
0121, 0131, 0581,  
0611, 1081  
1691, 2281  
0551, 1681, 2281  
0831  
0351, 0451, 1901  
0791  
Nediator  
Nicamagic  
Nikkai  
0101  
0761  
Siarem  
1101, 1331, 1641,  
1701, 2011  
0261, 0491, 0591,  
0641, 1381, 1411  
0571  
Nobliko  
Sicatel  
Siemens  
1971  
Loewe Opta  
0151, 0221, 0231,  
0451, 0741, 2011,  
2201, 2211, 2221,  
2231, 2241, 2261,  
2571, 2581  
1181  
0021, 0261, 1021,  
1081  
0101, 0021, 0061,  
0261, 0391, 0641,  
0691, 0851, 0941,  
1021, 1081, 1241,  
1301, 1321, 1481,  
1631, 1981  
Nogamatic  
Nokia  
Logic  
Logik  
Lowewe  
Luma  
Luxman  
0031, 0041, 0051,  
0061, 0071, 0081,  
0181, 0411, 0451,  
0491, 1241, 1291,  
1351, 1501, 1601,  
1641, 1741, 1921,  
1981, 2091, 2331,  
2431, 2461, 2791  
0031, 0291, 0331,  
0451, 0531, 0541,  
0571, 1051, 1131,  
1591, 1791, 1811,  
1821, 1891, 1941,  
2631  
0321, 1651, 1981  
0031, 0061, 0321,  
0441, 1661  
0601  
1171  
0061, 0391, 0691,  
0851, 1211, 1241,  
1251, 1301, 1481,  
1511, 1681, 1691,  
1981, 2371, 2421  
2011  
1101, 1331, 2011  
0151  
0021, 0121, 0141,  
0221, 0601, 1561,  
1741, 1981  
Radiomarelli  
0101, 0451, 0661,  
0771, 1081  
Silver  
Singer  
Radionette  
Radiola  
0031, 2051, 2091  
2291  
Luxman Stereo Tuner 0791  
Luxor  
0001, 0061, 0181,  
Rank  
0481, 2151  
Sinudyne  
0341, 0421, 0451,  
0461, 0491, 0601,  
0671, 1351, 1371,  
1561, 1601, 1911,  
1921, 1981  
Rbm  
2131, 2151  
Nordmende  
Rbm (UK)  
Rediffusion  
0481  
0451, 0661, 1641,  
1981, 2331  
Rediffusion (UK)  
0061, 0081,  
1031  
Lyco  
Magnadyne  
1181  
Skantic  
Solavox  
Sonoko  
Sony  
0451  
0021, 0061, 0261,  
0581, 0641, 0771,  
1021, 1081, 1621,  
1981  
0261, 0491, 0581,  
0591, 0641, 0761,  
1091, 2001  
0101  
0101  
1081  
0101  
0061, 0451, 0601,  
0691, 1101, 1151,  
1241, 1271, 1301,  
1511, 1561, 1681,  
1691  
Rex  
0071, 0101, 0351,  
0411, 0451, 0951,  
1901, 2061, 2101,  
2111  
0451, 1641, 2011  
1181, 1511, 0101  
0141, 0171, 1121,  
1681, 1691, 2751  
1171  
Oceanic  
Oceanic (F)  
Magnafon  
Onceas  
Onwa  
Orion  
Rft  
0991, 2511  
Soundesign  
SSS  
Stern  
Roadstar  
Rotel  
Saba  
1321, 1511  
0151  
1171  
0071, 0101, 0351,  
0411, 0451, 0951,  
1901, 2061, 2101,  
2111  
0691  
0791  
0161, 0331, 0611,  
1021, 1421, 1771,  
1791, 2081  
0451, 0191, 1331,  
1531  
Manesth  
Marantz  
Marelli  
Mark  
0291, 0331, 0421,  
0451, 0531, 0541,  
0571, 0581, 0651,  
0731, 0931, 1021,  
1071, 1081, 1131,  
1791, 1811, 1821,  
1891, 1941, 2631  
1971  
Sunkai  
Supra  
Tandberg  
Matsui  
Osaka  
Osaki  
Osume  
Otto Versand  
Saccs  
Saisho  
0451, 0601, 1161,  
1241, 1301, 1511,  
1671, 1681, 1691  
0011, 0041, 0061,  
0071, 0341, 0451,  
0671, 1291, 1351,  
1521, 1561, 1601,  
1641, 1911, 1921,  
1931, 1981, 2321  
0261, 0491, 0581,  
0641, 1091, 1371,  
1411, 2001  
0101, 0601, 0841,  
0981, 1101, 1181,  
1371, 1511, 2011  
0141, 0151, 0401,  
0601, 0801, 0821,  
0981, 1021, 1101,  
1111, 1291, 1351,  
1691, 1741, 2051,  
2091, 2551  
Tandy  
Maximal  
McMichael  
Medion  
0071, 1981  
1281  
Pael  
Panasonic  
0591, 1411  
Tashiko  
Tatung  
0141  
2591, 2601, 2611,  
2621, 2641, 2651,  
2661, 2671, 2681,  
2691, 2711, 2721,  
2761, 2771, 2781  
1511  
0231, 0741, 1001,  
1041, 1081, 1481,  
2071, 2081  
0031, 0201, 0211,  
0451, 0701, 1311,  
1751, 1961, 2561,  
2741  
Salora  
0271, 0581, 0601,  
0971, 1101, 1681,  
1691  
2621, 2641, 2711,  
2761, 2771, 2781  
1311  
0791  
1171, 1231, 1261  
1141  
Tcm  
Panoramic  
Pathe Marconi 0571  
Pathe’ Cinema (F)  
2351  
Memorex  
Metz  
Technics  
Techwood  
Teknika  
Tele  
0431, 0591,  
1621, 1661,  
1971  
Sambers  
Samsung  
Sanyo  
MGA  
Micromaxx  
1231  
Pausa  
Pauza  
Perdio  
Philco  
1511  
1511  
0891, 1101  
Teleavia  
0571, 0651, 0731,  
1821  
2591, 2621, 2641,  
2651, 2711, 2761,  
2771, 2781  
0221, 0231, 0491,  
1381, 2141, 2151  
2281  
0141, 0201, 0231,  
0661, 1191, 1201,  
1231, 1671, 1691,  
1741  
0491, 0501, 0581,  
0591, 0761, 0771,  
1371, 1431, 2031  
0791  
Telefunken  
0291, 0301, 0311,  
0551, 0731, 1131,  
1471, 1591, 1791,  
1801, 1811, 1821,  
1991, 2161, 2171,  
2181, 2191, 2201,  
2251, 2271, 2521,  
2631  
1511  
2381, 2391, 2401,  
2411  
1331, 2091  
0601  
0331, 0481, 0531,  
0571, 0631, 0651,  
0731, 0901, 1241,  
1571, 1591, 1791,  
1811, 1821, 1891,  
1941, 2531  
0021, 0491, 0811,  
0981, 1021, 1081,  
1401, 1611, 1621,  
1751, 2201, 2251,  
2271, 2451, 2471  
0101, 0361, 0591,  
0621, 0681, 0751,  
0761, 1021, 1081,  
1281, 2031, 2281,  
2291, 2431, 2441,  
2511, 2731  
Minerva  
Mistral  
Mitsubishi  
Philips  
SBR  
0681, 0751, 1281,  
2281  
Teletech  
Tempest  
Mivar  
Schaub Lorenz 0451  
Schneider  
0021, 0071, 0091,  
0451, 0511, 0591,  
0601, 0751, 1321,  
1361, 1621, 1641,  
2101, 2111, 2291  
1171, 1261  
Tensai  
Texet  
Thomson  
MTC  
Multitech  
Phoenix  
Phonola  
Pioneer  
1081  
0751, 1081  
0291, 0451, 1341,  
1821  
0261, 0581, 0601,  
0641, 0981, 1321,  
1511  
Scott  
SEG  
Murphy  
Murphy (UK) 0081, 1031  
N.E.I.  
NAD  
0451, 2091  
Prandoni-prince  
0411, 0451,  
0491, 0581,  
1411  
0261, 0601, 0821,  
0991  
0101, 0961  
1341  
SEI  
0641, 0691, 1081,  
1301, 1481, 1981  
Thorn  
0741, 0861, 2091,  
2251, 2271, 2281  
ii  
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Thorn-Ferguson 0281, 0371, 0551,  
0651, 0781, 0861,  
Nikko  
Nokia  
1136, 1146  
0066, 0126, 0176,  
0446, 1156, 1166,  
1336  
0786  
0966  
0046, 0176, 0296,  
0936, 0956, 1306  
0946  
0616, 0686, 0706  
0396  
SATELLITE TUNER  
VCR  
Aiwa  
Akai  
Akai  
1276  
0042, 0352, 0432  
0042, 0422, 0492,  
0582, 0612, 0642,  
0652, 0762, 0912  
0002, 0112, 0282,  
0332, 0342, 0972  
0322, 0432, 0452  
0002  
0881, 1131, 1181,  
1361, 1461, 1971,  
1991, 2281  
Alba  
Amstrad  
0826, 1276  
0166, 0796, 1016,  
1026, 1296  
0476  
Norsat  
Otto Versand  
Pace  
TMK  
Toshiba  
0141, 0791, 1471  
0141, 0381, 0481,  
1221, 1271, 1701,  
1741, 1851, 2151,  
2801, 2811  
Ankaro  
Ast  
Alba  
0406  
Astra  
0126  
Amstrad  
Anitech  
Anitsch  
Pace Mss  
Palcom  
Palsat  
Barcom  
Blaupunkt  
0476  
0966  
1002  
Trans Continens 0451  
Bmc Satellite 0106  
British Telecom  
ASA  
Audiosonic  
Baird  
Bang & Olufsen  
Baur  
Blaupunkt  
0012, 0052  
0002  
Tristar  
Triumph  
Uher  
2281  
Paltec  
Panasonic  
Pansat  
0706  
0806, 1306  
1076  
0326, 0346, 0476,  
0956, 1126, 1186,  
1196, 1206, 1216,  
1306, 1316  
1176  
0306, 0896  
0966  
1056  
0316, 0786  
1186, 1196, 1206,  
1216  
1276  
0481, 0581, 2121  
0431, 0451, 0481,  
0491, 0511, 1311,  
1541  
0021, 0261, 0591,  
1021, 1081, 1981  
1181, 2051  
1971  
Bush  
0826  
0956  
0196, 1276  
0016, 0696, 1006  
0616  
0042, 0282, 0492  
0042  
0052, 0062, 0812  
0062, 0092, 0252,  
0462, 0672, 0992  
0032  
0002, 0282, 0332,  
0342, 0512, 0972  
0812  
0112  
0042, 0432, 0762  
0072, 0482  
0112, 0282, 0622  
0112, 0282, 0622  
0012  
0112  
0042, 0052, 0432,  
0942  
0052  
0052, 0132, 0432,  
0532, 0602  
0442  
0042, 0632  
0052, 0432, 0532  
0432  
0012  
Bush (UK)  
Cambridge  
Chaparral  
Columbus  
Connexions  
Philips  
Ultravox  
0306, 0426  
Brionvega  
Bush  
Universum  
Univox  
Vegavox  
Vexa  
Victor  
Videoton  
Vortec  
Prosat  
Ptt Telecom  
Quelle  
Radix  
Rediffusion  
Rft  
Discus Elipse 0856, 0866  
Diskxpress  
Drake  
0426, 0476  
1516  
0811  
Bush (UK)  
Capehart  
CGE  
0101, 1511  
1441, 1591  
2481  
0101, 0651  
0411, 0451, 0491,  
1021, 1081  
0451  
0431, 2201, 2241  
0021, 0061, 0261,  
0591, 0641, 0761,  
1091, 1971, 1981,  
2001  
Echostar  
0226, 0236, 0606,  
0626, 0666, 0926,  
0996, 1046, 1056,  
1066, 1106  
1286  
Craig  
Crown  
Daewoo  
Dansai  
Daytron  
Decca  
Voxson  
Sagem  
Sakura  
Salora  
1256  
Elta  
0566, 0816  
0066, 0126, 0136,  
0446, 0456, 0486,  
0496, 0576  
0746, 0756  
0406  
0896  
0646  
1266  
1096  
0416  
0896, 0966  
0906  
0476  
0876  
0736, 0946  
0306  
0156, 0396, 1036,  
1086  
0636  
1116, 1366  
0916  
Elta Sat  
Eurodec  
Ferguson  
0146  
Waltham  
Watson  
Watt Radio  
1226, 1236, 1246  
0046, 0176, 0186,  
0296, 0846, 0956,  
1306  
Samsung  
Sat  
Satcom  
Sateco  
Sector  
Sedea  
Sentra  
Siemens  
Sintrack  
Skylab  
Skyscan  
Sony  
Decca (UK)  
Degraaf  
Finlux  
Fracarro  
Fuba  
0976  
0026, 0536, 0776  
0476, 0616, 0636,  
1056  
Wega  
0141, 1081, 1981  
1021  
0101  
Dixi  
Dual  
Dumont  
Dynatech  
Dynatron  
Elbe  
Wega Color  
Weltblick  
Weston  
Giucar Record 0206, 0336  
Grundig 0176, 0946, 0956,  
0966  
High Performance  
1621  
White Westinghouse 0101, 0261,  
0431, 0591,  
0761, 1401,  
1541  
0916  
0122  
0072  
Hirschmann  
Hitachi  
0756, 0966  
0446, 0516, 0706,  
0946  
Elin  
Emerson  
0012, 0162, 0202,  
0432, 0512, 0522  
0012  
0042, 0712, 0722,  
0852, 0902, 1012,  
1022, 1082  
Yoko  
Zanussi  
0601, 1511  
0071, 0101, 0351,  
0411, 0451, 0951,  
1901, 2061, 2101,  
2111  
Stella  
Strong  
Icx International  
ITT  
0886  
Erres  
Ferguson  
0066, 0126, 0176,  
0446, 1156  
0066, 0126, 0176,  
0446, 1156  
0146  
0846, 0986  
0246  
1276  
Stv  
Tandberg  
Tandy  
Tantec  
Tatung  
Technisat  
ITT/Nokia  
Zoppas  
0451  
Fidelity  
Finlandia  
Finlux  
0432  
0052, 0532  
Jeemon  
Jerrold  
Johansson  
JVC  
0616  
CABLE  
Cabletime  
Clyde Cablevision  
Filmnet  
France Telecom  
GEC  
Jerrold  
Movie Time  
NSC  
Philips  
Pioneer  
Samsung  
Scientific Atlanta  
Starcom  
STS  
Tele  
Tele+1  
Teleservice  
Tudi  
United Cable  
Zenith  
0012, 0042, 0052,  
0082, 0262, 0382,  
0432, 0462, 0492,  
0532, 0572, 0602,  
0912  
0002, 0912  
0162, 0482, 0532,  
0542, 0572, 0592  
0516, 0546  
0086, 0096, 0526,  
0556, 1056  
0306  
1446, 1456, 1476  
1426  
1396, 1436  
1386  
1426  
1416  
1466  
1466  
1386  
0006  
1496  
Kathrein  
0116, 0266, 0276,  
0366  
Telecom  
Telemax  
Thorn-Ferguson  
0586  
Kosmos  
Kyostar  
Leng  
0266  
1036, 1086  
0246  
First Line  
Fisher  
0046, 0076,  
0176, 0186,  
0956  
Lifesat  
Luxor  
1326, 1346, 1356  
0126, 0136, 0446,  
0466, 0506, 1156  
0356  
Formenti-Phoenix  
Frontech  
Funai  
GBC  
GEC (UK)  
Geloso  
0012, 0052  
Toshiba  
Triad  
Uniden  
0946  
0406  
0112  
0432  
0002  
0022, 0052  
0002  
1172  
0012, 0122, 0812,  
0952  
0002, 0072, 0282,  
0432, 0502  
0002  
0022, 0042  
0052, 0132, 0532,  
0572  
0036, 0216, 0676,  
0716, 0726  
0886  
0756, 1036, 1076  
0436  
Macab  
1486, 1506  
Maspro  
0016, 0116, 0256,  
0956  
US Electronics  
Vortec  
Vtech  
Winersat  
Wisi  
1416  
1466  
1436  
1436  
1406, 1476  
1376  
1416  
Medion  
Metz  
1326, 1346  
0966  
General Technic  
GoldStar  
0246  
Micromaxx  
Mitsubishi  
Morgans  
Muratto  
NEC  
1326, 1346  
0966  
0596  
0056, 0356, 0376,  
0386, 0406, 0656,  
1056, 1156  
0916  
0266, 0406  
0406  
Goodmans  
0406  
Goodmans (UK)  
Graetz  
Granada  
Wolsey  
Zehnder  
Zender  
1406  
0286, 0316, 0766,  
0786, 0836  
0046  
Network  
Granada (UK) 0052, 0092, 0462,  
0602, 0812, 0822  
iii  
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Grundig  
0052, 0062, 0092,  
0232, 0252, 0262,  
0752, 0802  
Nordmende  
0042, 0102, 0142,  
0192, 0222, 0242,  
0392, 0402, 0632,  
0732, 0742, 0762,  
0782, 0792, 0832,  
0842, 0872  
0462  
0132, 0502  
0162, 0202, 0312,  
0442, 0512, 0522,  
0982  
STS  
Sunkai  
Sunstar  
Sylvania  
Symphonic  
Tandberg  
0602  
0512  
0432  
CD PLAYER  
Accuphase  
0315  
Adc  
0865  
Hanseatic  
Harman/Kardon  
Hcm  
0052, 0812  
0432, 0912  
0432, 0912  
0062, 0162, 0522,  
0932  
0132, 0432  
0042, 0052, 0432,  
0922  
1142, 1162, 1172  
0042, 0432  
0462  
0012, 0432  
0042, 0192, 0632,  
0732, 0742, 0762,  
0782, 0882, 0892  
1032, 1042, 1052  
0002  
Adcom  
Akai  
0785, 1015  
0115, 0125, 0725,  
0735, 0745, 0935,  
1155  
0122, 0922  
0002  
0002, 0202, 0412,  
0442, 0522  
0042, 0172, 0292,  
0432, 0602, 0662,  
0812, 1022  
0072, 0432  
0442  
0002, 0052, 0072  
1142, 1162, 1172  
0022, 0052  
Hinari  
Olympus  
Optonica  
Orion  
Tashiko  
Tatung  
Arcam  
1875  
Hitachi  
Arcam-Rotel  
0165  
Audio-Technica 0835  
TCM  
Teac  
Technics  
Teknika  
Telefunken  
Audiosonic  
Awia  
0155  
Imperial  
Ingersol  
Inno Hit  
Innovation  
Interfunk  
Irradio  
Osaka  
Osaki  
Otto Versand  
Panasonic  
0432  
1105, 1235, 1245,  
1765, 1915, 1935  
0875  
0002, 0012, 0432  
0052, 0062, 0812  
0022, 0212, 0462,  
0672, 0992, 1092,  
1102, 1182  
0172, 0602  
0432  
1062  
0052, 0082, 0092,  
0152, 0182, 0362,  
0372, 0382, 0472,  
0502, 1072  
0052, 0152  
0012  
0052, 0142, 0372,  
0472  
0112  
0432  
0052, 0152  
BSR  
California Audio Lab 1075  
Carrera  
0555, 0875  
0002, 0012  
Carver  
0825, 1415  
ITT  
0022, 0032, 0042,  
0072, 0292, 0492,  
0532, 0572, 0762  
0022, 0032, 0042,  
0072, 0292, 0492,  
0532, 0572, 0762  
0042  
0042, 0102, 0142,  
0272, 0742, 0762,  
0782, 0902  
0052, 0072, 0812  
0492  
0042, 0142, 0572  
1142, 1162, 1172  
0432  
0052, 0092, 0152  
0002, 0072, 0442  
0162  
0492, 0572, 0812  
0432  
0052  
0572  
0012  
0012, 0052, 0092,  
0122, 0502  
Pentax  
Perdio  
Philco  
Philips  
Tempest  
Tenosal  
Thomson  
Cyrus-Rotel  
Denon  
0205  
0045, 0955, 1045,  
1595, 1795, 1805  
1005  
0042, 0102, 0142,  
0192, 0402, 0632,  
0762  
ITT-Nokia  
Dual  
Elin  
0185  
Thorn  
0042, 0902  
Emerson  
Fisher  
1015, 1285, 1675  
0105, 0595, 0605,  
0825, 1165, 1175  
0525, 0825, 0855,  
0875, 0995, 1265,  
1285, 1345, 1355,  
1485, 1575, 1675,  
1715, 1825  
Jensen  
JVC  
Thorn-Ferguson 0042, 0222, 0302,  
0712, 0722, 0742,  
Phonola  
Pilot  
Pioneer  
0762, 0852, 0862,  
0872, 0902  
0522  
0002  
0042, 0622, 0912,  
1212  
0012, 0072  
0922  
0042, 0072  
0032  
0072  
Genexxa  
Karcher  
Kendo  
Kenwood  
Lifetec  
Lloyd  
Loewe Opta  
Logik  
TMK  
Tonsai  
Toshiba  
Portland  
Proline  
Pye  
Quartz  
Quelle  
GoldStar  
Grundig  
0555, 1185, 1195,  
1585  
0175  
0572  
Totevision  
Triumph  
Uher  
Ultravox  
Unitech  
Vector Research 0122  
Victor  
Videon  
Weltblick  
White Westinghouse 0032  
0012, 0032, 0042,  
0052, 0062, 0072,  
0092, 0202, 0462,  
0552, 0942  
Harman Kardon 0495, 0565, 0325,  
1135, 1145, 1155  
Luma  
Luxor  
Hitachi  
0065, 0585, 0685,  
0945, 1005, 1015,  
1225, 1545  
M Electronic  
Magnadyne  
Magnasonic  
Manesth  
Marantz  
Radionette  
Realistic  
0022  
0012, 0072, 0132,  
0432, 0482, 0502,  
0532, 0572  
1072  
0042, 0742, 0782  
0952  
0042, 0142, 0192,  
0222, 0242, 0392,  
0632, 0732, 0742,  
0762, 0772, 0782,  
0792, 0872  
0162, 0202, 0292,  
0442, 0512, 0522,  
0972  
0192, 0572, 0812,  
0822, 0912  
0052, 0072, 0622,  
0652, 1192  
0042, 0102, 0142  
1162, 1172  
0012  
Innovation  
ITT-Nokia  
JVC  
1995, 2005, 2015  
0185  
0385, 0395, 0455,  
0575, 0585  
Ret  
Rex  
Ricoh  
Saba  
Xenon  
Yoko  
0162  
0012, 0062, 0072  
Mark  
Marta  
Matsui  
0012  
0012  
Karcher  
0485  
Kenwood  
0025, 0055, 0145,  
0215, 0595, 0675,  
0695, 0705, 0715,  
0925, 1355, 1485,  
1575, 1675, 1715,  
1825  
0012, 0442, 0512,  
0522, 0812, 0972  
1142, 1162, 1172  
0012, 0132, 0432,  
0482, 0532, 0572  
0062, 0092, 0932  
0912  
1142, 1162, 1172  
0062, 0092, 0252  
0172, 0602  
0052, 0062, 0142,  
0912, 0922  
0072, 0432  
0002, 0052, 0062,  
0282, 0432  
0432  
DVD PLAYER  
Akai  
JVC  
0108  
0168  
0128  
0048  
0188  
0208, 0228  
0148  
0068  
0028  
Medion  
Memorex  
Onkyo  
Panasonic  
Philips  
Pioneer  
Samsung  
Sharp  
Sony  
Toshiba  
Yamaha  
Saisho  
Metz  
MGA  
Micromaxx  
Minerva  
Minolta  
Mitsubishi  
Korting  
Lifetec  
0175  
2015  
Salora  
Light Control 1155, 1645, 1655,  
1665  
Samsung  
Linn  
0165, 1875  
0088  
0008, 0048  
Luxman  
0265, 0275, 0795,  
0805, 1295, 1305,  
1555, 1925  
Sansui  
Sanyo  
0042, 0142  
0482, 0532, 0562,  
0572  
MTC  
Multitech  
LD PLAYER  
Aiwa  
Funai  
Luxor  
Magnavox  
Marantz  
0185, 1895, 1905  
1865, 1875  
0165, 0175, 0545,  
0665, 1275, 1335,  
1405, 1505, 1875,  
1955  
SBR  
0052, 0152, 0182  
0137  
0137  
0047  
0077  
0027  
0037  
0067  
0137  
0017, 0087  
0057, 0097, 0107,  
0117  
0127  
0007  
Murphy  
N.E.I.  
National  
NEC  
Schaub Lorenz 0022, 0042  
Schneider  
0012, 0052  
0462  
0002, 0012, 0052,  
0072, 0432  
0002, 0072  
Hitachi  
Magnavox  
Panasonic  
Pioneer  
RCA  
Realistic  
Samsung  
Sony  
0042, 0122, 0142,  
1202  
0032, 0042, 0052,  
0072, 0092, 0202,  
0522, 0572, 0762,  
0812  
0112  
0092  
0022, 0032, 0042,  
0072, 0292, 0492,  
0532, 0572, 0762,  
1152  
SEG  
Sei-Sinudyne 0442  
Seleco  
Sentra  
Sharp  
Shintom  
Siemens  
Matsushita  
MCS  
1095, 1605  
0535  
Neckermann  
0042  
0112  
0132, 0502, 0702  
0002  
0062, 0092, 0252,  
0572  
0052, 0382, 0442,  
0932  
0282  
0432, 0552, 0682,  
0692, 0942, 0952,  
0962, 1122, 1132  
Medion  
0075, 1995, 2005,  
2015  
Memorex  
0525, 1015, 1265,  
1275, 1285, 1675  
1125  
Nikkai  
Nobliko  
Nokia  
Victor  
Yamaha  
MGA  
Sinudyne  
Micromaxx  
Mission  
2015  
0165, 1875  
Sonoko  
Sony  
Mitsubishi  
1125, 1205  
iv  
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NAD  
0255, 0285, 0295,  
0305, 0345, 0135,  
0755, 0765, 1315,  
1325  
MD RECORDER  
Yamaha  
0024  
Nakamichi  
NEC  
0635, 0645, 1565  
0405, 0535, 0775,  
0785  
0155, 0225  
0835, 1165  
0185  
0155, 0225  
0885, 1385, 1425,  
1455, 1515  
1055, 1075, 1615,  
1625  
0165, 0175, 0195,  
1865, 1875  
0095, 0335, 0425,  
0435, 0445, 0525,  
0855, 1035, 1945  
0905, 1875  
1075  
TAPE DECK  
Akai  
0124  
Denon  
Grundig  
Harman  
JVC  
0204  
0134  
0044  
0194  
Neckerman  
Nikko  
Oceanic  
Okano  
Kenwood  
Korting  
Luxman  
0164  
0134  
0054, 0064, 0074,  
0084  
Onkyo  
Panasonic  
Philips  
Marantz  
NAD  
0134, 0144  
0174  
Onkyo  
Philips  
Pioneer  
Sony  
0184  
Pioneer  
0134, 0144, 0154  
0034, 0114  
0094, 0104  
0004, 0014  
Proton  
Quasar  
Yamaha  
Radiola  
Radiotone  
Realistic  
1845, 1855  
0485  
0825, 1015, 1265,  
1275, 1285, 1575  
1875  
Rotel  
Saba  
1005  
SAE  
1875  
Salora  
Sansui  
0185  
0415, 0965, 0975,  
0985, 1255, 1675,  
1875  
Sanyo  
0625, 0825, 0845,  
0915  
Schneider  
Scott  
Sharp  
1845, 1855  
1285, 1675  
0025, 0035, 1025,  
1115, 1275, 1635,  
1785, 1815, 1825,  
1835  
Sherwood  
Siemens  
Signature  
Sony  
1275, 1445  
1085  
1155  
0345, 0355, 0365,  
0375, 0865, 1685,  
1695, 1705, 1715,  
1725, 1735, 1745  
1875  
Sytvania  
Tandberg  
Tashiko  
TCM  
1885  
1525  
1985, 2015  
0235, 0245, 1275,  
1365, 1375, 1395,  
1435, 1465, 1475  
0465, 0475, 1065,  
1075, 1625  
1005  
Teac  
Technics  
Telefunken  
Theta Digital  
Thomson  
1865  
1005  
Toshiba  
0755, 0765  
Vector Research 0555, 0865  
Victor  
0575  
Yamaha  
0005, 0015, 0895,  
1815  
v
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YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.  
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA  
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY  
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE  
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND  
YAMAHA SCANDINAVIA A.B.  
J
A
WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN  
Printed in Malaysia ID  
V502920-2  
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA  
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Quick Reference Card  
AMP(TUNER)  
TAPE/MD  
CD  
DVD/LD  
POWER  
POWER  
POWER  
POWER  
Input selector  
buttons  
Input selector  
buttons  
Input selector  
buttons  
Input selector  
buttons  
A/B/C/D/E  
TEST  
EFFECT  
EFFECT  
EFFECT  
EFFECT  
PRESET+/–  
DISC SKIP+/–  
DISC SKIP+/–  
VOLUME  
MUTE  
VOLUME  
MUTE  
VOLUME  
MUTE  
VOLUME  
MUTE  
TV VOLUME  
TV VOLUME  
TV VOLUME  
TV VOLUME  
SLEEP  
+/–  
SLEEP  
SLEEP  
SLEEP  
DISPLAY (MD)  
DISPLAY  
DISPLAY  
DECK A/B (TAPE)  
PAUSE (MD)  
TV INPUT  
TV INPUT  
TV INPUT  
REC/PAUSE  
PLAY  
PAUSE  
SKIP+  
PAUSE  
SKIP+  
PLAY  
SKIP–  
PLAY  
SKIP–  
PRG+,  
PRG–  
DIR A (TAPE)  
SKIP– (MD)  
DIR B (TAPE)  
SKIP+ (MD)  
TIME LEVEL  
REWIND (TAPE)  
SEARCH (MD)  
SET  
MENU  
FAST FORWARD (TAPE)  
SEARCH (MD)  
SEARCH  
STOP  
SEARCH  
SEARCH  
STOP  
SEARCH  
STOP  
V503030  
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Quick Reference Card  
DVD MENU  
VCR  
CBL/SAT  
TV  
VCR  
POWER  
CBL/SAT  
POWER  
TV  
POWER  
POWER  
Numeric buttons  
CHANNEL  
CHANNEL  
+100  
CHANNEL  
CLEAR  
+10  
EFFECT  
EFFECT  
CHANNEL  
ENTER  
CHANNEL  
ENTER  
CHANNEL  
ENTER  
VCR  
CBL/SAT  
CHANNEL+/–  
VOLUME  
TV  
CHANNEL+/–  
DISC SKIP+/–  
CHANNEL+/–  
VOLUME  
VOLUME  
VOLUME  
TV VOLUME  
TV VOLUME  
TV VOLUME  
TV VOLUME  
MUTE  
MUTE  
MUTE  
TV MUTE  
RETURN  
TV SLEEP  
TV SLEEP  
TV SLEEP  
INDEX  
DISPLAY  
DISPLAY  
DISPLAY  
TV INPUT  
TV INPUT  
TV INPUT  
VCR REC*1  
VCR PLAY  
VCR REC*1  
VCR PLAY  
TV INPUT  
MENU UP  
VCR  
PAUSE  
VCR  
PAUSE  
MENU UP  
MENU SELECT  
MENU LEFT  
MENU SELECT  
MENU LEFT  
MENU RIGHT  
MENU RIGHT  
VCR  
REWIND  
VCR  
REWIND  
VCR FAST  
FORWARD  
VCR FAST  
FORWARD  
TITLE  
MENU  
MENU  
RECALL  
MENU DOWN  
VCR STOP  
MENU DOWN  
VCR STOP  
*1  
Premere due volte questo tasto per iniziare la registrazione.  
Presione dos veces este botón para empezar a grabar.  
Druk tweemaal op deze toets om met opnemen te beginnen.  
Press this button twice to start recording.  
Appuyer deux fois sur cette touche pour commencer l’enregistrement.  
Drücken Sie diese Taste zweimal, um die Aufnahme zu starten.  
Tryck två gånger på den här knappen för att börja spela in.  
V503030  
Download from Www.Somanuals.com. All Manuals Search And Download.  
Download from Www.Somanuals.com. All Manuals Search And Download.  

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