G
HTR-5240RDS
Natural Sound AV Receiver
Ampli-tuner audio-vidéo
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
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CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1. To assure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
12. To prevent lightning damage, disconnect the AC
power cord and disconnect the antenna cable when
there is an electrical storm.
2. Install this unit in a cool, dry, clean place — away
from windows, heat sources, sources of excessive
vibration, dust, moisture and cold. Avoid sources of
humming (transformers, motors).To prevent fire or
electrical shock, do not expose the unit to rain or
water.
13. Grounding or polarization — Precautions should be
taken so that the grounding or polarization of the unit
is not defeated.
14. AC outlet — Do not connect audio component to the
AC outlet on the rear panel if that component
requires more power than the outlet is rated to
provide.
3. Never open the cabinet. If something drops into the
unit, contact your dealer.
4. Do not use force on switches, controls or connection
wires. When moving the unit, first disconnect the
power cord and then the wires connected to other
component. Never pull the wires themselves.
This unit is not disconnected from the AC power source
as long as it is connected to the wall outlet, even if this
unit itself is turned off. This state is called the standby
mode. In this state, this unit is designed to consume a
very small quantity of power.
5. The openings on the cover assure proper ventilation
of the unit. If these openings are obstructed, the
temperature inside the unit will rise rapidly.
Therefore, avoid placing objects against these
openings, and install the unit in a well-ventilated area
to prevent fire and damage.
■ For U.K. customers
If the socket outlets in the home are not suitable for the plug
supplied with this appliance, it should be cut off and an
appropriate 3 pin plug fitted. For details, refer to the
instructions described below.
Be sure to allow a space of at least 20 cm behind,
20 cm on both sides and 30 cm above the top panel
of the unit to prevent fire and damage.
Note
6. The voltage used must be the same as that specified
on this unit. Using this unit with a higher voltage than
specified is dangerous and may result in fire or other
accidents.YAMAHA will not be held responsible for
any damage resulting from the use of this unit with a
voltage other than that specified.
• The plug severed from the mains lead must be destroyed, as a
plug with bared flexible cord is hazardous if engaged in a live
socket outlet.
■ Special Instructions for U.K. Model
IMPORTANT
7. Digital signals generated by this unit may interfere
with other component such as tuners, receivers and
TVs. Move this unit farther away from such
component if interference is observed.
THE WIRES IN MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
Blue: NEUTRAL
Brown: LIVE
8. Always set VOLUME to the “m” position before
starting the audio source play. Increase the volume
gradually to an appropriate level after playback has
been started.
As the colours of the wires in the mains lead of this
apparatus may not correspond with the coloured
markings identifying the terminals in your plug, proceed
as follows:
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or
coloured BLACK. The wire which is coloured BROWN
must be connected to the terminal which is marked with
the letter L or coloured RED.
9. Do not attempt to clean the unit with chemical
solvents; this might damage the finish. Use a clean,
dry cloth.
10. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before
concluding that the unit is faulty.
Making sure that neither core is connected to the earth
terminal of the three pin plug.
11. When not planning to use this unit for a long period
of time (e.g., a vacation), disconnect the AC power
cord from the wall outlet.
CAUTION
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INTRODUCTION
FEATURES
CONTENTS
5-Channel Power Amplification
◆ Minimum RMS Output
INTRODUCTION
(0.06% THD, 20 Hz – 20 kHz)
FEATURES .................................................................. 1
CONTENTS ................................................................. 1
GETTING STARTED ................................................. 2
CONTROLS AND FUNCTIONS ............................... 4
Main:
Center:
Rear:
65 W + 65 W (8 Ω)
65 W (8 Ω)
65 W + 65 W (8 Ω)
Multi-mode Digital Sound Field
Processing
◆ Digital Sound Field Processor (DSP)
◆ Dolby Digital Decoder
◆ Dolby Pro Logic Decoder
◆ DTS Decoder
◆ CINEMA DSP: Theater-like Sound Experience by
the Combination of YAMAHA DSP Technology
and Dolby Digital, Dolby Pro Logic or DTS
◆ Automatic Input Balance Control for Dolby Pro
Logic decoding
PREPARATION
SPEAKER SETUP....................................................... 8
CONNECTIONS.......................................................... 9
ADJUSTING THE SPEAKER BALANCE ............ 18
Sophisticated FM/AM Tuner
◆ 40-Station Random Access Preset Tuning
◆ Automatic Preset Tuning
◆ Preset Station Shifting Capability (Preset Editing)
◆ Multi-Functions for RDS Broadcast Reception
BASIC OPERATION
PLAYING A SOURCE .............................................. 20
DIGITAL SOUND FIELD PROCESSOR (DSP)
EFFECT .................................................................. 24
SOUND FIELD PROGRAM .................................... 25
TUNING ..................................................................... 28
RECEIVING RDS STATIONS................................. 32
RECORDING A SOURCE ON TAPE, MD OR
VIDEO CASSETTE ............................................... 35
Other Features
◆ “SET MENU” which Provides You with 11 Items
for Optimizing This Unit for Your Audio/Video
System
◆ Test Tone Generator for Easier Speaker Balance
Adjustment
◆ 6-Channel External Decoder Input for Other Future
Formats
◆ Video Signal Input/Output Capability
(Including S Video Connections)
◆ 2 Optical/1 Coaxial Digital Signal Input Terminals
◆ SLEEP Timer
ADVANCED OPERATION
SET MENU ................................................................. 36
DELAY TIME AND SPEAKER
OUTPUT LEVELS ................................................. 40
SLEEP TIMER .......................................................... 42
PRESET REMOTE CONTROL .............................. 43
◆ Remote Control with Preset Manufacturer Codes
APPENDIX
TROUBLESHOOTING ............................................ 50
SPECIFICATIONS .................................................... 53
GLOSSARY................................................................ 54
INDEX ........................................................................ 55
Manufactured under license from Dolby
Laboratories. “Dolby”, “Pro Logic” and the
double-D symbol are trademarks of Dolby
Laboratories. Confidential Unpublished Works.
©1992 – 1997 Dolby Laboratories, Inc. All
rights reserved.
y indicates a tip for your operation.
Manufactured under license from Digital Theater Systems, Inc.
US Pat. No. 5,451,942 and other world-wide patents issued and
pending. “DTS”, “DTS Digital Surround”, are trademarks of
Digital Theater Systems, Inc. Copyright 1996 Digital Theater
Systems, Inc. All Rights Reserved.
1
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GETTING STARTED
Checking the Package Contents
Check that the following items are included in your package.
Remote control
Batteries (AAA, R03, UM-4 type)
75-ohm/300-ohm antenna adapter
(U.K. model only)
Indoor FM antenna
Quick reference card
AM loop antenna
Connection guide
Battery Installation in the Remote
Control
Battery Replacement
If the remote control operates only when it is close to the
unit, the batteries are weak. Replace all the batteries with
new ones.
Be sure to replace the batteries within about two minutes.
If it takes longer than two minutes, the codes preset for
the remote control will return to the factory settings.
(Refer to pages 43 to 49 about the remote control.)
2
1
3
Notes
• Use only AAA, R03 or UM-4 batteries for replacement.
• Be sure the battery polarity is correct. (See the illustration inside
the battery compartment.)
• Remove the batteries if the remote control will not be used for an
extended period of time.
• If the batteries have leaked, dispose of them immediately. Avoid
touching the leaked material or letting it come into contact with
clothing, etc. Clean the battery compartment thoroughly before
installing new batteries.
1 Turn the remote control over and slide the
battery compartment cover in the direction of
the arrow.
2 Insert the batteries (AAA, R03 or UM-4 type)
according the polarity markings on the inside
of the battery compartment.
3 Close the battery compartment cover.
2
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GETTING STARTED
Using the Remote Control
The remote control transmits a directional infrared beam. Be
sure to aim the remote control directly at the infrared sensor
during operation. When the sensor is covered or there is a
large object between the remote control and the sensor, the
sensor cannot receive signals. The sensor may not be able to
receive signals properly when it is exposed to direct sunlight
or a strong artificial light (such as a fluorescent or strobe
light). In this case, change the direction of the light or
reposition the unit to avoid direct lighting.
Remote control
sensor
Within approximately 6 m
(20 feet)
Notes
• Handle the remote control with care.
• Do not spill water, tea or other liquids on the remote control.
• Do not drop the remote control.
• Do not leave or store the remote control in the following
conditions:
– high humidity or temperature such as near a heater, stove or
bath;
– dusty places; or
– extremely low temperature.
3
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CONTROLS AND FUNCTIONS
Front Panel
1
2
3
4
5
6
+
+
L
R
–
–
7
8
9 0
q
w e r t y u i o p a
s d
f
1 STANDBY/ON
6 VOLUME
Press this switch to turn on the power of this unit or to set
this unit in the standby mode. Before turning the power on,
set VOLUME to the “m” position.
Turn this control to turn up or down the volume.
7 PHONES jack
Connect the headphones to the PHONES jack. You can
listen to the sound to be output from the main speakers
through the headphones.
When using headphones only, set both SPEAKERS A and B
to the OFF position and press EFFECT to turn off the effect
speakers (center and rear) (so that no DSP program name
appear on the display).
Standby mode
In this mode, this unit consumes a very small quantity of
power to receive infrared-signals from the remote
control.
2 Remote control sensor
This receives signals from the remote control.
8 SPEAKERS
Set A or B (or both A and B) to the ON position for the main
speaker system (connected to this unit) that you want to use.
Set the button(s) to the OFF position for the main speaker
system that you don’t want to use.
3 Display
This shows various information. (Refer to page 6 for
details.)
4 INPUT MODE
9 PROGRAM selector
Press this button to select the input mode among AUTO,
DTS and ANALOG for the DVD/LD, TV/digital TV and
satellite tuner sources.
Press l or h to select a DSP program when the effect
speakers (center and rear) are turned on. The name of the
selected program appears on the display.
5 INPUT SELECTOR
0 EFFECT
Turn this selector to select the input source (TUNER, CD,
PHONO, V-AUX, VCR, SAT/D-TV, DVD/LD) that you
want to listen to or watch. The arrow for the selected input
source indicator lights up on the display.
Press this button to turn on or off the effect speakers (center
and rear). If you turn them off, all Dolby Digital and DTS
audio signals are directed to the right and left main
speakers. In that case, the output levels of the right and left
speakers may not match.
4
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CONTROLS AND FUNCTIONS
q Tone controls
y PRESET/TUNING, EDIT
These controls are only effective for the sound from the
main speakers.
a) BASS
Turn this control clockwise to increase or counterclockwise
to decrease the low-frequency response. The “0” position
produces a flat response.
Press this button to turn on or off “ z ” on the display and
switch the function between for storing a broadcasting
station (preset tuning) and for tuning. This button is also
used to exchange the assignment of two preset stations with
each other.
u FM/AM
b) TREBLE
Press this button to switch the reception band between FM
and AM.
Turn this control clockwise to increase or counterclockwise
to decrease the high-frequency response. The “0” position
produces a flat response.
i MEMORY (MAN’L/AUTO FM)
Press this button to store the broadcasting stations. Hold
down this button for more than three seconds to begin
automatic preset tuning.
w TAPE/MD MON / EXT. DECODER
Press this button to select a tape or an MD source. The
“TAPE/MD MONITOR” indicator lights up on the display.
When you press the button next, the “TAPE/MD
MONITOR” indicator goes off, “EXT. DECODER” appears
on the display and you can listen to a source connected to
the EXTERNAL DECODER INPUT terminals.
o TUNING MODE (AUTO/MAN’L MONO)
Press this button to switch the tuning mode between
automatic and manual. To use the automatic tuning method,
press this button so that the “AUTO” indicator lights up on
the display. To use the manual tuning method, press this
button so that the “AUTO” indicator goes off.
e BALANCE
This control is only effective for the sound from the main
speakers.
p RDS MODE/FREQ
When an RDS station is received, press this button to
change the display mode among the PS mode, PTY mode,
RT mode, CT mode (if the station offers those RDS data
services) and/or frequency display mode in turn.
Turn the control to adjust the balance of the output volume
from the right and left main speakers to compensate for
sound imbalance caused by the speaker location or listening
room conditions.
a EON
r A/B/C/D/E
Press this button to select the desired program type (NEWS,
INFO, AFFAIRS, SPORT) when you want to tune in to a
radio program of that type automatically.
Press this button to select one of a group (A to E) of preset
stations.
t PRESET/TUNING
s PTY SEEK MODE
When “ z ” appears
Press this button to set the unit in the PTY SEEK mode.
This button is used to select a preset station number (1 to 8).
Press h to select a higher and l to select a lower preset
station number.
d PTY SEEK START
Press this button to begin searching for a station after the
desired program type has been selected in the PTY SEEK
mode.
When “ z ” goes off
This button is used for tuning. Press h to tune in to higher
frequencies, and l to tune in to lower frequencies.
When this unit is in the PTY SEEK mode, press this button
to select a program type.
f VIDEO AUX terminals
Connect an auxiliary audio or video input source such as a
camcorder to these terminals. Use INPUT SELECTOR to
select the source connected to these terminals.
5
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CONTROLS AND FUNCTIONS
Display
1 t indicator
8 MEMORY indicator
The “t” indicator lights up when the built-in DTS
decoder is turned on.
This flashes for about five seconds after pressing
MEMORY. During this period, the displayed station can be
stored in the memory.
2 DSP program indicators
The name of the selected DSP program lights up in the
following cases:
9 RDS mode indicators
The name(s) of the RDS data offered by the currently
received RDS station light(s) up. Illumination of the red
indicator next to the RDS data name shows that the
corresponding RDS mode is now selected.
•
•
When the tuner is selected as the input source.
When DSP program No. 2, 3 or the subprogram
“ENHANCED” of No.1 is selected.
3 Multi-information display
0 AUTO indicator
This display shows various information: for example the
name of the selected DSP program and the various settings
during adjustment with the SET MENU. The current station
frequency and band (FM or AM) also appear when the tuner
is selected as the input source.
This lights up when the unit is in the automatic tuning
mode.
q PTY HOLD indicator
This lights up while searching for stations in the PTY SEEK
mode.
4 Input source indicators
One of the arrows for these indicators lights up depending
on which source is selected.
w EON indicator
This lights up when an RDS station that offers the EON data
service is being received.
5 TAPE/MD MONITOR indicator
e Program type name indicators
The name of the selected program type lights up when the
“EON” indicator lights up.
This lights up when the tape deck or MD recorder, etc. is
selected as the input source by pressing TAPE/MD MON /
EXT. DECODER (or TAPE/MD).
r STEREO indicator
This lights up when an FM stereo broadcast with sufficient
signal strength is being received.
6 g and o indicators
“ g ” lights up when the built-in Dolby Digital
decoder is on and the signals of the selected source are
encoded with Dolby Digital. “ o ” lights up when
the built-in Dolby Pro Logic decoder is on.
t Signal-level indicator
This indicates the signal level of the station being received.
If multipath interference is detected, the indication
decreases.
7 x indicator
“ x ” lights up when the built-in digital sound
field processor is on.
y SLEEP indicator
This lights up while the built-in SLEEP timer is on.
6
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CONTROLS AND FUNCTIONS
Remote Control
This section describes basic operation of this unit with the
remote control. First, press AMP(TUNER) on the
component selector. Refer to “PRESET REMOTE
CONTROL” on page 43 for full details.
3 POWER
Each time you press this button, the unit switches between
the power on and standby mode.
4 TEST
Press this button to output the test tone for each speaker.
1
5 A/B/C/D/E, PRESET +/–
These buttons are used to select a preset station.
Press AMP(TUNER).
A/B/C/D/E:
To select one of a group (A to E) of preset
stations
2
PRESET +/–: To select a preset station number (1 to 8)
3
6 MUTE
Press this button to mute the sound. To cancel mute, press
this button again.
q
7 VOLUME
These buttons are used to adjust the volume level.
u: To turn up the volume
d: To turn down the volume
w
4
5
6
8 SLEEP
Press this button to set the SLEEP timer.
9 +/–
These buttons adjust the settings of the SET MENU and
TIME/LEVEL mode.
TV VOLUME
7
8
0 TIME/LEVEL
Press this button to select the items in the TIME/LEVEL
mode.
TV INPUT
9
0
q Input selector buttons
These buttons select the input source.
e
CD:
To play a CD
TUNER:
TAPE/MD:
DVD/LD:
To listen to an FM (RDS) or AM broadcast
To play a tape or MD
To play a DVD or LD
r
SAT/D-TV: To watch a TV or satellite broadcast
VCR:
PHONO:
V-AUX:
To play a video cassette
To play an analog record
To use a camcorder
EXT. DEC.: To play other multi-channel source
1 Indicator
This flashes in red when pressing a button on the remote
control. If it flashes rapidly several times, press the selected
button again.
w EFFECT
Press this button to turn on or off the effect speakers (center
and rear).
2 Component selector buttons
e PRG+, PRG–
Press one of these buttons which corresponds to the
component you want to control with the remote control.
(The proper code must be set for your component. Refer to
“Setup codes” on page 48.) When the component selector
button has been pressed, the remote control is set to that
component operation mode.
Press these buttons to select a DSP program.
r SET MENU
Press this button to select the items in the SET MENU.
7
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PREPARATION
SPEAKER SETUP
Speakers to Be Used
Speaker Placement
This unit is designed to provide the best sound-field quality
with a 5-speaker system, using main speakers, rear speakers
and a center speaker. If you use different brands of speakers
(with different tonal qualities) in your system, the tone of a
moving human voice and other types of sound may not shift
smoothly. We recommend that you use speakers from the
same manufacture or speakers with the same tonal quality.
Refer to the following diagram when you place the
speakers.
Main speaker (R)
Rear speaker (R)
Subwoofer
Main
speaker (L)
1.8 m
The main speakers are used for the main source sound plus
the effect sounds. They will probably be the speakers from
your present stereo system. The rear speakers are used for
the effect and surround sounds, and the center speaker is for
the center sounds (dialog, vocals, etc.). If for some reason it
is not practical to use a center speaker, you can do without
it. Best results, however, are obtained with the full system.
Center speaker
Rear speaker (L)
■ Main speakers
Place the right and left main speakers an equal distance
from the ideal listening position. The distance of each
speaker from each side of the TV monitor should be the
same.
The main speakers should be high-performance models and
have enough power-handling capacity to accept the
maximum output of your audio system. The other speakers
do not have to be equal to the main speakers. For precise
sound localization, however, it is ideal to use high-
performance models that can reproduce sounds over the full
range for the center speaker and the rear speakers.
■ Rear speakers
Place these speakers behind your listening position, facing
slightly inwards, nearly 1.8 m (approx. 6 feet) above the
floor.
■ Use of a subwoofer expands your
sound field
■ Center speaker
It is also possible to further expand your system with the
addition of a subwoofer. The use of a subwoofer is effective
not only for reinforcing bass frequencies from any or all
channels, but also for reproducing the LFE (low frequency
effect) channel with high fidelity when playing back a
source encoded with Dolby Digital or DTS. The YAMAHA
Active Servo Processing Subwoofer System is ideal for
natural and lively bass reproduction.
Align the front face of the center speaker with the front face
of your TV monitor. Place the speaker as close to the
monitor as possible, such as directly over or under the
monitor and centrally between the main speakers.
Note
• If the center speaker is not used, the sound will be heard from the
right and left main speakers. In that case, “CENTER SP” in the
SET MENU is set to the NONE position. (Refer to page 37 for
details.)
■ Subwoofer
The position of the subwoofer is not so critical, because low
bass sounds are not highly directional. But it is better to
place the subwoofer near the main speakers. Turn it slightly
toward the center of the room to reduce the wall reflections.
CAUTION
Some types of speakers interfere with a TV monitor. If
this problem occurs, move the speakers away from the
monitor. If you cannot avoid installing the center speaker
or subwoofer near the TV monitor, use magnetically
shielded speakers.
8
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CONNECTIONS
Before Connecting Components
CAUTION
Never connect this unit and other components to mains power until all connections between components have been
completed.
Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some
components require different connection methods and have different terminal names. Refer to the instructions for each
component to be connected to this unit.
When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect
it to the terminals with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.
Use RCA-type pin plug cables for connecting audio/video components with the exception described later.
The input and output terminals for pin plugs can be distinguished as follows:
V
V
Yellow
White
Red
video signals (composite)
analog audio signals for the left channel
analog audio signals for the right channel
coaxial digital signals
L
L
R
R
C
C
After completing all connections, check them again to make sure they are correct.
Connecting the
Antenna (page 10)
Connecting to an External
Decoder (page 14)
Connecting Speakers
(page 15)
Connecting the Power
Supply Cords (page 17)
(Europe model)
L
+
R
–
MAIN
–
+
MAINS
A
B
SET BEFORE POWER ON
100W MAX. TOTAL
SWITCHED
REAR
(SURROUND)
MAIN
A
OR
B
B
:
:
:
:
4ΩMIN. /SPEAKER
8ΩMIN. /SPEAKER
6ΩMIN. /SPEAKER
6ΩMIN. /SPEAKER
L
R
CENTER
+
A
CENTER
REAR
+
–
+
–
MAIN
A
OR
B
B
:
:
:
:
8ΩMIN. /SPEAKER
I6ΩMIN. /SPEAKER
8ΩMIN. /SPEAKER
8ΩMIN. /SPEAKER
+
A
CENTER
REAR
Connecting an Audio
Component (page 12)
Connecting a Video
Component (page 13)
IMPEDANCE SELECTOR
switch (page 17)
9
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CONNECTIONS
Connecting the Antennas
Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal
strength. However, a properly installed outdoor antenna provides clearer reception than an indoor one. If you experience poor
reception quality, an outdoor antenna may improve the quality.
Connect each antenna correctly to the designated terminals.
■ Indoor FM antenna (included)
Firmly insert the connector into the FM ANT terminal. The
Indoor FM
antenna
indoor FM antenna is only a simple antenna. For reception
with better sound quality, installing the outdoor FM antenna
(commercially available) is recommended.
Note
• Do not connect an outdoor FM antenna and the indoor FM
antenna at the same time.
■ Outdoor FM antenna
You may be unable to obtain good FM radio reception
depending on your local conditions (distance from the
broadcasting station, interposing buildings and
mountains, etc.). Consult your dealer or authorized service
center and be sure to install an antenna that suits your local
conditions.
75-ohm/300-ohm antenna
adapter (included for U.K.
model)
75-ohm coaxial cable
75-ohm/300-ohm antenna
adapter (included for U.K.
model)
Install the outdoor FM antenna (commercially available) in
a high place as far away from any roads as possible to avoid
being affected by automobile ignition noise.
300-ohm feeder
■ Connecting a coaxial cable to the included 75-ohm/300-ohm antenna
adapter (U.K. model only)
1 Open the cover of the included 75-ohm/
2
1
3
300-ohm antenna adapter.
11 (7/16)
Unit: mm
(inch)
8 (5/16)
6 (1/14)
2 Cut the external sleeve of the 75-ohm coaxial
Cover
cable and prepare it for connection.
3 Cut the lead wire and remove it.
4 Insert the cable wire into the slot, and clamp it
Lead wire
with pliers.
5 Snap the cover into place.
4
5
Clamp with
pliers.
Clamp with
pliers.
Insert the wire
into the slot.
10
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CONNECTIONS
■ AM loop antenna (included)
The AM loop antenna can be removed from the stand and
attached to a wall, etc. However, note that the reception
sensitivity may deteriorate if the antenna is attached to a
metal or steel reinforced wall.
AM loop antenna
Notes
• The AM loop antenna should be placed away from this unit.
• The AM loop antenna should always be connected, even if an
outdoor AM antenna is connected to this unit.
■ Connecting the AM loop antenna
1 Press the tab and unlock the terminal hole.
1
3
2 Insert the AM loop antenna lead wires into the
AM ANT and GND terminals.
2
3 Return the tab to its original position to lock
the lead wires. Lightly pull the lead wires to
confirm a good connection.
4
5
4 Attach the loop antenna to the antenna stand.
5 Orient the AM loop antenna so that the best
reception is obtained.
Antenna stand
■ Outdoor AM antenna
If you cannot obtain good reception with the AM loop
antenna, connect 5 m to 10 m of vinyl covered wire to the
AM ANT terminal and extend it outdoors from a window.
Vinyl covered wire (5 m to 10 m)
■ Ground (GND terminal)
For maximum safety and minimum interference, connect
the antenna GND terminal to a good earth ground. A good
earth ground is a metal stake driven into moist earth.
11
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CONNECTIONS
Connecting an Audio Component
Turntable
OUTPUT
GND
L
R
(Europe model)
Analog signal
Signal flow
L
R
L
R
L
R
L
R
OUTPUT
LINE OUT
LINE IN
CD player
Tape deck or
MD recorder
Be sure to connect the right channel (R), left channel (L),
input (IN) and output (OUT) properly.
■ PHONO terminals
These terminals are used to connect a turntable with an MM
or high-output MC cartridge. If you have a turntable with a
low-output MC cartridge, use an inline boosting transformer
or MC head amplifier when connecting to these terminals.
y
Connecting the ground (earth) wire of the turntable to the GND
terminal will normally minimize hum, but in some cases, better
results may be obtained with the ground wire disconnected.
12
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CONNECTIONS
Connecting a Video Component
DVD/LD player
TV/digital TV, satellite tuner, cable TV
ANALOG
AUDIO OUT
VIDEO
OUT
COAXIAL
DIGITAL OUT
OPTICAL
DIGITAL OUT
OPTICAL
DIGITAL OUT
VIDEO
OUT
ANALOG
AUDIO OUT
L
R
V
C
V
L
R
O
O
(Europe model)
L
Analog signal
V
R
R
L
V
Video signal
V
No connection
SCART-plug
O
Digital signal
(optical)
VIDEO
IN
L
R
V
V
L
R
C
Digital signal
(coaxial)
AUDIO
OUT
AUDIO
IN
VIDEO
OUT
VIDEO
IN
Signal flow
VCR
TV monitor
■ Audio signal terminals
Be sure to connect the right channel (R), left channel (L),
■ TV monitor with a 21-pin connector
Make a connection as shown above with a commercially
input (IN) and output (OUT) properly.
available SCART-plug connector cable.
Notes
■ Video signal terminals
• Be sure to attach the covers when the OPTICAL terminals are not
being used in order to protect them from dust.
Be sure to connect the input (IN) and output (OUT)
properly.
• If your LD player has a Dolby Digital RF signal output terminal,
be sure to use the RF demodulator (separately purchased).
• No sound will be heard when connecting your LD player’s Dolby
Digital RF signal output terminal directly to this unit’s COAXIAL
DVD/LD digital signal input terminal.
■ Digital audio signal terminals
If your DVD/LD player, TV/digital TV or satellite
tuner, etc. has coaxial or optical digital signal output
terminals, they can be connected to this unit’s COAXIAL
and/or OPTICAL digital signal input terminals. To make a
connection between the optical digital signal terminals,
remove the cover from each terminal, and then connect
them by using a commercially available optical fiber cable
that conforms to EIA standards. Other cables might not
function correctly.
y
• The input signal from the DVD/LD input terminals is selected in
the following order of priority with the input mode set to AUTO:
COAXIAL terminal → OPTICAL terminal → Analog terminal.
Refer to page 22 for details.
• All digital signal input terminals are applicable to sampling
frequencies of 32 kHz, 44.1 kHz and 48 kHz.
When making connections between the digital signal
terminals, you should connect the components to the same-
named analog audio signal terminals of this unit, because a
digital signal cannot be recorded by a tape deck, MD
recorder or VCR connected to this unit.
13
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CONNECTIONS
■ S VIDEO terminals
If your VCR, TV monitor or DVD/LD player has “S” (high-
resolution) video terminals, they can be connected to this
unit’s S VIDEO terminals. Connect the VCR’s “S” video
input and output terminals to this unit’s S VIDEO VCR
OUT and IN terminals, respectively. Connect the monitor’s
“S” video input terminal to this unit’s S VIDEO MONITOR
OUT terminal. Connect the DVD/LD player’s “S” video
output terminal to this unit’s S VIDEO DVD/LD terminal.
Otherwise, connect the composite video terminals of your
VCR, TV monitor or DVD/LD player to this unit’s
composite video terminals.
DVD/LD player
TV Monitor
S VIDEO OUT
S VIDEO IN
S
S
Notes
S
S Video signal
Signal flow
• Use a special S VIDEO cable (commercially available) for the S
VIDEO connection.
• If video signals are input from both the S VIDEO input and
composite input terminals, the signals will be directed to their
respective output terminals.
S VIDEO
OUT
S VIDEO IN
VCR
■ VIDEO AUX terminals (on the front panel)
These terminals are used to connect any video input source
such as a camcorder to this unit.
V
L
R
Camcorder
AUDIO OUT R
AUDIO OUT L
VIDEO OUT
Connecting to an External Decoder
This unit has additional 6-channel audio signal input
terminals for connecting an external decoder to this unit.
Connect the 6-channel audio signal output terminals of the
decoder to the EXTERNAL DECODER INPUT terminals
of this unit.
External decoder
MAIN
OUT
SURROUND
OUT
CENTER
OUT
SUBWOOFER
OUT
L
R
L
R
(Europe model)
Notes
• When a source connected to these terminals is selected, the digital
sound field processor cannot be used.
• The settings of “CENTER SP”, “REAR SP”, “MAIN SP” and
“BASS OUT” in the SET MENU have no effect on a source
connected to these terminals. The setting of “MAIN LVL” is
effective. (Refer to pages 37 and 38 for details.)
14
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CONNECTIONS
Connecting Speakers
Main speakers A
Main speakers B
Right
Left
Right
Left
(Europe model)
L
+
R
–
MAIN
–
+
MAINS
A
B
SET BEFORE POWER ON
100W MAX. TOTAL
SWITCHED
REAR
(SURROUND)
MAIN
A
OR
B
B
:
:
:
:
4ΩMIN. /SPEAKER
8ΩMIN. /SPEAKER
6ΩMIN. /SPEAKER
6ΩMIN. /SPEAKER
L
R
CENTER
+
A
CENTER
REAR
+
–
+
–
MAIN
A
OR
B
B
:
:
:
:
8ΩMIN. /SPEAKER
I6ΩMIN. /SPEAKER
8ΩMIN. /SPEAKER
8ΩMIN. /SPEAKER
+
Subwoofer connection
If you have a subwoofer with built-
in amplifier, including the
A
CENTER
REAR
YAMAHAActive Servo Processing
Subwoofer System, connect the
input terminal of the subwoofer
system to the SUBWOOFER
OUTPUT terminal of this unit.
Right
Left
Center speaker
Rear speakers
Be sure to connect the right channel (R), left channel (L),
“+” (red) and “–” (black) properly. If the connections are
faulty, no sound will be heard from the speakers, and if the
polarity of the speaker connections is incorrect, the sound
will be unnatural and lack bass.
■ Main speaker terminals
One or two speaker systems can be connected to these
terminals. If you use only one speaker system, connect it to
either of the SPEAKERS A or B terminals.
■ Rear speaker terminals
A rear speaker system can be connected to these terminals.
CAUTIONS
• Use speakers with the specified impedance shown on
the rear panel of this unit.
■ Center speaker terminal
A center speaker can be connected to this terminal.
• Do not let the bare speaker wires touch each other and
do not let them touch any metal part of this unit. This
could damage the unit and/or speakers.
15
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CONNECTIONS
■ Speaker cables
1 Remove approx. 10 mm (3/8”) of insulation
10 mm (3/8”)
from each of the speaker cable.
2 Twist the exposed wires of the cable together
to prevent short circuits.
■ Connecting to the MAIN SPEAKERS terminals
Red: positive (+)
1 Unscrew the knob.
2
3
Black: negative (–)
2 Insert one bare wire into the hole in the side of
1
each terminal.
3 Tighten the knob to secure the wire.
■ Connecting to the REAR and CENTER SPEAKERS terminals
1 Open the tab.
Red: positive (+)
Black: negative (–)
1
3
2 Insert one bare wire into the hole of each
terminal.
3 Return the tab to secure the wire.
2
16
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CONNECTIONS
IMPEDANCE SELECTOR Switch
WARNING
Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise the unit may be
damaged.
If this unit fails to turn on when STANDBY/ON is pressed, the IMPEDANCE SELECTOR switch may not be fully slide
to either position. If so, slide the switch to either position fully when this unit is in the standby mode.
Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only
when this unit is in the standby mode.
(Europe model)
If you use
left position
right position
Center
The impedance must be 6 Ω The impedance must be 8 Ω
MAINS
IMPEDANCE
SELECTOR
speaker
or higher.
or higher.
Rear
The impedance of each
speaker must be 6 Ω or
higher.
The impedance of each
speaker must be 8 Ω or
higher.
speakers
SET BEFORE POWER ON
100W MAX. TOTAL
SWITCHED
If you use one pair of main
speakers, the impedance of
If you use one pair of main
speakers, the impedance of
MAIN
A
OR
B
B
:
:
:
:
4ΩMIN. /SPEAKER
8ΩMIN. /SPEAKER
6ΩMIN. /SPEAKER
6ΩMIN. /SPEAKER
+
A
CENTER
REAR
MAIN
A
OR
B
B
:
:
:
:
8ΩMIN. /SPEAKER
I6ΩMIN. /SPEAKER
8ΩMIN. /SPEAKER
8ΩMIN. /SPEAKER
+
A
each speaker must be 4 Ω or each speaker must be 8 Ω or
higher. higher.
If you use two pairs of main If you use two pairs of main
speakers, the impedance of speakers, the impedance of
each speaker must be 8 Ω or each speaker must be 16 Ω or
higher. higher.
CENTER
REAR
Main
speakers
Connecting the Power Supply Cords
After completing all connections, connect the AC power
cord to an AC power outlet. Disconnect the AC power cord
if you will not use this unit for a long period of time.
■ AC OUTLETS (SWITCHED)
Europe model .................................................... 2 OUTLETS
U.K. model .......................................................... 1 OUTLET
Use these outlets to connect the power cords from your
components to this unit. The power to the AC OUTLET(S)
is controlled by this unit’s STANDBY/ON (or POWER).
These outlets will supply power to any connected
(Europe model)
MAINS
SET BEFORE POWER ON
100W MAX. TOTAL
component whenever this unit is turned on. The maximum
power (total power consumption of components) that can be
connected to the AC OUTLET(S) is 100 W.
SWITCHED
MAIN
A
OR
B
B
:
:
:
:
4ΩMIN. /SPEAKER
8ΩMIN. /SPEAKER
6ΩMIN. /SPEAKER
6ΩMIN. /SPEAKER
+
A
CENTER
REAR
MAIN
A
OR
B
B
:
:
:
:
8ΩMIN. /SPEAKER
I6ΩMIN. /SPEAKER
8ΩMIN. /SPEAKER
8ΩMIN. /SPEAKER
+
A
CENTER
REAR
To AC outlet
SWITCHED
17
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ADJUSTING THE SPEAKER BALANCE
This procedure lets you adjust the sound output level
Using the Test Tone
balance between the main, center and rear speakers by using
the built-in test tone generator. When this adjustment is
performed, the sound output level heard at the listening
position will be the same from each speaker. This is
important for the best performance of the digital sound field
processor, the Dolby Pro Logic decoder, Dolby Digital
decoder and DTS decoder.
The adjustment of each speaker sound output level should
be performed at your listening position with the remote
control. After completing the adjustments, use VOLUME
(u/d) at your listening position to check if the adjustments
are satisfactory.
3
1
Before You Start Adjusting
2
1
6
5
2,7
–
+
–
+
L
R
1 Press AMP(TUNER) on the
component selector.
4
3
1 Set VOLUME to the “m”
2 Press TEST.
position.
“TEST LEFT” appears on the display.
2 Turn the power on.
3 Turn up the volume.
You will hear a test tone (like pink noise) from each
speaker for about two seconds in following order: left
main speaker, center speaker, right main speaker, right
rear speaker and left rear speaker. The display changes
as shown below.
3 Press SPEAKERS A or B
to select the main
speakers to be used.
If you use two main speaker
systems, press both A and B.
TEST
LEFT
TEST
RIGHT
4 Set BASS,TREBLE and BALANCE to the “0”
position.
TEST CENTER
–
+
–
+
L
R
TEST L SUR.
TEST R SUR.
Notes
• If the test tone cannot be heard, turn down the volume, set the unit
in the standby mode and check the speaker connections.
• If the test tone cannot be heard from the center speaker, check the
setting of “CENTER SP” in the SET MENU.
18
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ADJUSTING THE SPEAKER BALANCE
4 Adjust BALANCE on the
front panel so that the
sound output level of the
right main speaker and the
left main speaker is the
same.
L
R
Front panel
5 Press TIME/LEVEL
repeatedly to select the
speaker to be adjusted.
“CENTER”, “R SUR.” or
“L SUR.” appears on the
display.
6 Press + to raise and – to
lower the level. Adjust the
sound output levels of the
center speaker and the
rear speakers so that they
become almost the same
as that of the main
speakers.
While adjusting, the test tone is
heard from the selected speaker.
Note
• You cannot adjust the delay time while the test tone is being heard
even if “DELAY” appears on the display.
7 When the adjustment is complete, press TEST.
“TEST OFF” appears on the display and the test tone
stops.
Note
• If “CENTER SP” in the SET MENU is set to the NONE position,
the sound output level of the center speaker cannot be adjusted in
step 6. The center channel sound is automatically output from the
right and left main speakers.
y
• Once you have completed the adjustments, you can only adjust
the overall volume level of your audio system by using VOLUME
(or VOLUME (u/d)).
• If there is insufficient sound output from the center and rear
speakers, you may decrease the main speaker output level by
setting “MAIN LVL” in the SET MENU to “–10 dB”. (Refer to
page 38 for details.)
19
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BASIC OPERATION
PLAYING A SOURCE
4 Select the desired input
source with INPUT
When using the remote control, press AMP(TUNER) on
the component selector.
SELECTOR (or the input
selector buttons). (Turn on
the TV monitor for video
sources.)
Front panel
or
2
4
1,6
The name of the selected input
source appears for a moment
and the arrow for the selected
input source indicator lights up
on the display.
Remote control
–
+
–
+
L
R
7
6
3
Input source
6
7
a. To select a tape or an MD source
Press TAPE/MD MON / EXT.
DECODER (or TAPE/MD) so
that the “TAPE/MD
2
4
Front panel
MONITOR” indicator lights up
on the display.
b. To select a source connected to the
EXTERNAL DECODER INPUT terminals
Press TAPE/MD MON / EXT. DECODER repeatedly
(or EXT. DEC.) until “EXT. DECODER” appears on
the display.
Notes
1 Set VOLUME to the “m”
• An audio source can not be played if the “TAPE/MD MONITOR”
indicator lights up or if “EXT. DECODER” appears. Press TAPE/
MD MON / EXT. DECODER twice (or TAPE/MD once) to turn
off the “TAPE/MD MONITOR” indicator. Press TAPE/MD
MON / EXT. DECODER once (or EXT. DEC.) to turn off “EXT.
DECODER”.
• If you select and play a video source when the “TAPE/MD
MONITOR” indicator lights up or “EXT. DECODER” appears,
the play back result will be a video image from the video source
and the sound from the audio source selected by using TAPE/MD
MON / EXT. DECODER (or TAPE/MD or EXT. DEC.).
position.
Front panel
2 Turn the power on.
or
Front panel
Remote control
Front panel
y
3 Press SPEAKERS A or B
to select the main
For the DVD/LD, TV/digital TV and satellite tuner sources, the
current input mode is also shown. Refer to page 22 for details about
the input mode.
speakers to be used.
If you use two main speaker
systems, press both A and B.
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20
PLAYING A SOURCE
■ To mute the sound
5 Play the source.
Refer to the instructions for the source component (and
page 28 for details about tuning).
Press MUTE on the remote
control.
To cancel mute, press MUTE.
Note
• When controlling an audio/video component (tape deck, MD
recorder, CD player, DVD/LD player, etc.) with the remote
control, press one of the component selector buttons, (TAPE/MD,
CD, DVD/LD, etc.), which corresponds to the component you
want to control. Refer to “PRESET REMOTE CONTROL” on
page 43.
Note
• During muting, “MUTE ON” appears on the display.
■ When you have finished using this
unit
Press STANDBY/ON (or POWER) to set this unit in the
standby mode.
6 Adjust the volume to the desired output level.
If desired, adjust BASS, TREBLE, BALANCE, etc.
These controls are only effective for the sound from the
main speakers.
■ BGV (background video) function
The BGV function allows you to combine a video image
from a video source with a sound from an audio source.
(For example, you can listen to classical music while you
are watching a video.) This function can only be controlled
with the remote control.
• BASS controls the low-frequency response.
• TREBLE controls the high-frequency response.
• BALANCE adjusts the balance of the output volume
from the right and left main speakers.
Play a video source, and then select an audio source with
the input selector buttons on the remote control. The BGV
function does not work if you select the audio source with
INPUT SELECTOR on the front panel.
or
Front panel
Remote control
–
+
–
+
L
R
Front panel
7 Use the digital sound field processor.
Refer to page 24.
or
Front panel
Remote control
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21
PLAYING A SOURCE
■ Switching the input mode
Input Mode (for the DVD/LD and TV/
digital TV and satellite tuner
sources)
This unit allows you to switch the input mode for sources
that send both digital and analog signals to this unit. The
AUTO, DTS and ANALOG input modes are provided.
Press INPUT MODE (or the input selector
button that you have pressed to select the
input source on the remote control) repeatedly
until the desired input mode is shown on the
display.
or
When you turn on the power of this unit, the input mode for
the DVD/LD source is always set to AUTO and for TV/
digital TV or satellite tuner source is set according to “SAT
INPUT” in the SET MENU. (Refer to page 39 for details.)
Front panel
Remote control
■ AUTO
In this mode, the input signal is selected in the following
order of priority:
1. Digital signal encoded with Dolby Digital or DTS
2. Normal digital signal (PCM)
3. Analog signal (ANALOG)
Note
Notes
• If digital signals are input from both the OPTICAL and
COAXIAL terminals, the digital signal from the COAXIAL
terminal is selected.
• Set the input mode to AUTO to play a DVD/LD source encoded
with Dolby Digital.
• Set the input mode to ANALOG to play a normal 2-channel
source with a Dolby Surround program.
• The sound output may be interrupted for some LD and DVD
players in the following situation: The input mode is set to
AUTO. A search is performed while playing the disc encoded
with Dolby Digital or DTS, and then disc playing is restored. The
sound output is interrupted for a moment because the digital
signal was selected again.
• The input mode cannot be changed for the CD, TUNER, TAPE/
MD, VCR, PHONO and VIDEO AUX sources because only
analog signals are used for these.
■ DTS
In this mode, only a digital signal encoded with DTS is
selected, even if other signals are being input at the same
time.
■ ANALOG
In this mode, only an analog signal is selected, even if a
digital signal is being input at the same time. Select this
mode when you want to use an analog signal instead of a
digital signal.
• The current input mode appears on the display when the DVD/
LD, TV/digital TV or satellite tuner source is selected or the input
mode is changed.
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22
PLAYING A SOURCE
■ Notes on playing a source
■ Notes on playing an LD source
• Some audio/video component, such as LD player, output different
audio signals through their analog and digital terminals. Change
the input mode as necessary.
encoded with DTS
• If “DATA ERROR” appears on the display while playing an LD
source encoded with DTS, stop playback and turn the player off
and then on again.
• If the input mode is set to AUTO for the LD source, this unit
automatically determines which type of signal the LD source
contains. If this unit detects a Dolby Digital or DTS signal, the
decoder automatically switches to the appropriate setting and
reproduces 5.1 channel sound.
• If the LD player is transmitting signals by a non-normal method,
this unit cannot detect the Dolby Digital or DTS signal. In this
case, the decoder automatically switches to PCM or analog.
• If the LD source does not contain a digital soundtrack, connect
the LD player to the analog terminals and set the input mode to
AUTO or ANALOG.
• If the digital output data of the player has been processed in any
way, you may not be able to perform DTS decoding even if you
make a digital connection between this unit and the player.
• If you play an LD source encoded with DTS and set the input
mode to ANALOG, there will be the noise of an unprocessed
DTS signal. When you want to play a DTS source, be sure to
connect the source to the digital input terminal and set the input
mode to AUTO or DTS.
• If you switch the input mode to ANALOG while playing a source
encoded with a DTS signal, this unit reproduces no sound.
• If you play an LD source encoded with DTS and set the input
mode to AUTO, there will be a short noise at first while the unit
recognizes the DTS signal and turns on the DTS decoder. This is
not a malfunction, and can be avoided by setting the input mode
to DTS beforehand. In addition, if you continue to play an LD
encoded with DTS with the input mode setting left to AUTO, this
unit automatically switches to the “DTS-decoding” mode to
prevent noise from being generated during subsequent operation.
(The “t” indicator lights up on the display.) No sound will be
heard if a normal PCM LD is played in this mode. (The “t”
indicator will flash.) To play a normal disk, set the input mode to
AUTO again.
• While you are operating the LD player, if you switch from the
pause or chapter forwarding function to normal playback, you
may hear the PCM or analog sound an instant before the Dolby
Digital sound is played.
23
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DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT
3 Press PRG+ or PRG–
Selecting a DSP Program
repeatedly to select the
You can enhance your listening experience by selecting a
DSP program. Refer to pages 25 to 27 for details about each
program.
desired program.
The name of the selected
program appears on the display.
–
+
–
+
L
R
DSP program name
2
2
y
If desired, adjust the delay time and the sound output level of each
speaker. (Refer to pages 40 and 41 for details.)
Notes
• You can select a DSP program for each of the input sources. Once
you select a program, it is linked with the input source selected at
that time. So, when you select the input source next time, the
same program is automatically selected.
3
• When a monaural source is being played with PRO LOGIC/
Normal or PRO LOGIC/ENHANCED, no sound will be heard
from the main speakers and the rear speakers. Sound can only be
heard from the center speaker. However, if “CENTER SP” in the
SET MENU is set to the NONE position, the center channel
sound is output from the main speakers.
• When a source connected to the EXTERNAL DECODER INPUT
terminals of this unit is selected, the digital sound field processor
cannot be used.
■ On the front panel
1 Make sure that the effect speakers (center,
rear, and subwoofer) are turned on.
Canceling the Sound Effect (turning
off the effect speakers)
2 Press PROGRAM h or l
repeatedly to select the
desired program.
The name of the selected
program appears on the display.
Press EFFECT to cancel
the sound effect and
Front panel
monitor only the main
sound.
or
Press EFFECT again to turn the
sound effect back on.
DSP program name
Remote control
■ On the remote control
Notes
1 Make sure that the effect speakers (center,
• If the sound effect is canceled when Dolby Digital or DTS is
decoding, the sounds of all channels are mixed and output from
the main speakers.
• If you turn off the sound effect when Dolby Digital or DTS is
decoding, it may happen that the sound is output faintly or not
output normally, depending on the source. In that case, turn back
on the sound effect.
rear, and subwoofer) are turned on.
2 Press AMP(TUNER) on the
component selector.
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24
SOUND FIELD PROGRAM
This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to
electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-
like experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this
will, of course, depend on what you are listening to).
When you select a CINEMA DSP program, one of the built-in decoders (Dobly Pro Logic, Dolby Digital and DTS) is turned
on according to which type of signals the source being played contains.
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that
most of these are precise digital re-creations of actual acoustic environments.
■ For movie or audio/video sources (Program No. 1 to No. 5: CINEMA DSP
programs)
No.
1
PROGRAM
SUBPROGRAM
FEATURES
The built-in Dolby Pro Logic decoder, Dolby
Digital decoder or DTS decoder precisely
reproduces the sound and effect of a source
encoded with Dolby Surround, Dolby Digital
or DTS.
The realization of a highly efficient decoding
process improves cross talk and channel
separation, and makes sound positioning
smoother and more precise.
q/DTS
SURROUND
[1] PRO LOGIC/Normal ( o )
• Input source:
Dolby Surround
2-ch Dolby Digital
4 channels
• Output channel:
• DSP:
—
[2] DOLBY DIGITAL/Normal ( g )
• Input source:
• Output channel:
• DSP:
Dolby Digital
5.1 channels
—
In this program, the digital sound field
processor is not turned on.
[3] DTS DIGITAL SUR/Normal ( t )
• Input source:
• Output channel:
• DSP:
DTS
5.1 channels
—
[4] PRO LOGIC/ENHANCED
This program ideally simulates the multi-
surround speaker systems of the 35 mm-film
movie theater. Dolby Pro Logic decoding,
Dolby Digital decoding or DTS decoding and
digital sound field processing are precisely
performed without altering the original sound
orientation.
( o x )
• Input source:
Dolby Surround
2-ch Dolby Digital
4 channels
1 (surround)
• Output channel:
• DSP:
[5] DOLBY DIGITAL/ENHANCED
The surround effect produced by the sound
field folds around the viewer naturally from
the rear to the right and left and toward the
screen.
( g x )
• Input source:
• Output channel:
• DSP:
Dolby Digital
5.1 channels
2 (surround L, R)
[6] DTS DIGITAL SUR/ENHANCED
( t x )
• Input source:
• Output channel:
• DSP:
DTS
5.1 channels
2 (surround L, R)
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25
SOUND FIELD PROGRAM
No.
2
PROGRAM
MOVIE
SUBPROGRAM
[1] 70 mm SPECTACLE
FEATURES
This program creates the extremely wide sound
field of a movie theater. It precisely reproduces
the source sound in detail, giving both the video
and the sound field incredible reality. It is ideal
for any kind of video source encoded with
Dolby Surround, Dolby Digital or DTS
THEATER 1
( o x )
• Input source:
Dolby Surround
2-ch Dolby Digital
3 channels
2 (presence & surround)
• Output channel:
• DSP:
(especially large-scale movie productions).
[2] DGTL SPECTACLE
( g x )
• Input source:
• Output channel:
• DSP:
Dolby Digital
5.1 channels
3 (presence & surround L, R)
[3] DTS SPECTACLE ( t x )
• Input source:
• Output channel:
• DSP:
DTS
5.1 channels
3 (presence & surround L, R)
[4] 70 mm SCI-FI ( o x )
Clearly reproduces dialog and sound effects in
the latest sound form of science fiction films,
thus creating a broad and expansive cinematic
space amid the silence. You can enjoy science
fiction films in a virtual-space sound field that
includes Dolby Surround, Dolby Digital and
DTS-encoded software employing the most
advanced techniques.
• Input source:
Dolby Surround
2-ch Dolby Digital
3 channels
• Output channel:
• DSP:
2 (presence & surround)
[5] DGTL SCI-FI ( g x )
• Input source:
• Output channel:
• DSP:
Dolby Digital
5.1 channels
3 (presence & surround L, R)
[6] DTS SCI-FI ( t x )
• Input source:
• Output channel:
• DSP:
DTS
5.1 channels
3 (presence & surround L, R)
3
MOVIE
THEATER 2
[1] 70 mm ADVENTURE
Ideal for precisely reproducing the sound of the
newest multi-track films. The sound field is
made to be similar to that of the newest movie
theaters, so the reverberations of the sound field
itself are restrained as much as possible. The
data for the sound field of an opera house are
used for the front presence, so the three-
dimensional feeling of the sound field is
emphasized, and dialog is precisely oriented on
the screen. By using the data for the sound field
of a concert hall on the surround sound field,
powerful reverberations are generated. You can
enjoy watching action, adventure movies, etc.
with strong presence.
( o x )
• Input source:
Dolby Surround
2-ch Dolby Digital
3 channels
2 (presence & surround)
• Output channel:
• DSP:
[2] DGTL ADVENTURE
( g x )
• Input source:
• Output channel:
• DSP:
Dolby Digital
5.1 channels
3 (presence & surround L, R)
[3] DTS ADVENTURE ( t x )
• Input source:
• Output channel:
• DSP:
DTS
5.1 channels
3 (presence & surround L, R)
[4] 70 mm GENERAL ( o x )
This program is for reproducing sounds on a
multi-track film, and is characterized by a soft
and extensive sound field. The front presence of
the sound field is relatively narrow. It spatially
spreads all around and toward the screen,
• Input source:
Dolby Surround
2-ch Dolby Digital
3 channels
• Output channel:
• DSP:
2 (presence & surround)
restraining echo effect of conversations without
losing clarity. For the surround sound field, the
harmony of music or chorus sounds beautifully
in a wide space at the rear of the sound field.
[5] DGTL GENERAL ( g x )
• Input source:
• Output channel:
• DSP:
Dolby Digital
5.1 channels
3 (presence & surround L, R)
[6] DTS GENERAL ( t x )
• Input source:
• Output channel:
• DSP:
DTS
5.1 channels
3 (presence & surround L, R)
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26
SOUND FIELD PROGRAM
No.
4
PROGRAM
FEATURES
MONO MOVIE
This program is designed specifically to enhance monaural
sources. Compared to a strictly mono setting, the sound image
is wider and slightly forward of the speaker pair, lending an
immediacy to the overall sound. It is particularly effective for
old mono movie, news broadcasts and dialog.
• Input source:
• Output channel:
• DSP:
Monaural
1 channel
1
5
TV SPORTS
This program is furnished with a tight sound field in which the
sound will not spread excessively at the front, but the rear
surround produces dynamic sound expansion. It is the most
suitable for sports programs.
• Input source:
• Output channel:
• DSP:
Audio/Video
2 to 5.1 channels
2 to 3 (presence & surround)
■ For Hi-Fi audio sources
No.
6
PROGRAM
FEATURES
DISCO
This program simulates the acoustic environment of a disco in
the heart of a lively city. The sound is dense and highly
concentrated.
• Input source:
• Output channel:
• DSP:
2-ch PCM/Analog audio
2 channels
1
7
8
ROCK CONCERT
This program is ideally suited for rock music. You will
experience a dynamic and lively sound field.
• Input source:
• Output channel:
• DSP:
2-ch PCM/Analog audio
2 channels
1
CONCERT HALL
This program creates the expansive ambience of a large concert
hall. It is suited for orchestra and opera music.
• Input source:
• Output channel:
• DSP:
2-ch PCM/Analog audio
2 channels
1
CINEMA DSP: Dolby Surround + DSP/Dolby Digital + DSP/DTS + DSP
■ Dolby Pro Logic + 2 digital sound fields
Digital sound fields are created in both the presence and
rear surround zones of the Dolby Pro Logic-decoded sound
field. They create a wide acoustic environment and
emphasize the surround effect in the room, letting you feel
as much presence as if you were watching a movie in a
popular Dolby Stereo theater.
■ Dolby Digital or DTS + 3 digital sound fields
Digital sound fields are created in the presence zone and
independently on the left and right surround zones of the
Dolby Digital-decoded or DTS-decoded sound field. They
create a wide acoustic environment and strong surround
effect in the room without losing high channel separation.
With the wide dynamic range of Dolby Digital or DTS
sound, this sound field combination lets you feel as if you
were watching a movie in the newest Dolby Digital theater
or DTS-installed theater. This is the most ideal home theater
sound at the present time.
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27
TUNING
Automatic tuning is effective when station signals are
strong and there is no interference. However, if the signal
from the station you want to select is weak, you must tune
in to it manually (manual tuning).
5 Press PRESET/TUNING h once to tune in to a
higher frequency and l once to tune in to a
lower frequency.
Press the button again if the tuning search does not stop
at the desired station.
1
Note
• If you tune in manually to an FM station, it will be automatically
received in monaural mode to increase the signal quality.
–
+
–
+
L
R
y
• Use the manual tuning method if the tuning search does not stop
at the desired station (because the signal from the station is weak).
• When tuned in to a station, the frequency of the received station is
shown on the display. If an RDS station that offers the PS data
service is being received, the station name is shown instead of the
frequency on the display.
5
4 2 3
Automatic Tuning
1 Use INPUT SELECTOR to
select the tuner as the
input source.
Manual Tuning
1 Use INPUT SELECTOR to
select the tuner as the
input source.
2 Press FM/AM to select the reception band (FM
or AM).
“FM” or “AM” appears on the display.
2 Press FM/AM to select the reception band (FM
or AM).
or
“FM” or “AM” appears on the display.
3 Press TUNING MODE so that the “AUTO”
or
indicator lights up on the display.
3 PressTUNING MODE so that the “AUTO”
Lights up
indicator goes off.
4 Press PRESET/TUNING (EDIT) to turn “ z ” off.
Goes off
4 Press PRESET/TUNING (EDIT) to turn “ z ” off.
Turn “ z ” off
Turn “ z ” off
5 Press PRESET/TUNING h or l to tune in to
the desired station.
To continue the tuning search, hold down the button.
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28
TUNING
■ Automatic preset tuning options
Automatic Preset Tuning (for RDS
stations only)
You can make use of the automatic preset tuning function
for RDS stations only. This function enables the unit to
automatically tune in with strong signals and to sequentially
store up to 40 RDS stations (5 groups x 8 stations). (Refer to
pages 32 to 34 for details on RDS stations.)
You can select the preset number from which the unit will
store RDS stations and/or begin tuning toward lower
frequencies. Before automatic preset tuning begins (after
pressing MEMORY in step 3),
1. Press A/B/C/D/E and PRESET/TUNING to select the
preset number with which the first station will be stored.
The automatic preset tuning will stop when stations have
all been stored up to E8.
2. Press PRESET/TUNING (EDIT) to turn “ z ” off and
then press PRESET/TUNING l to begin tuning toward
lower frequencies.
■ When automatic preset tuning is
–
+
–
+
L
R
completed
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure in the section “To Recall a Preset
Station” on page 30.
13 2
1 Press FM/AM to select the FM band.
Notes
• A new setting can be stored in place of the former one.
• You can manually replace a preset station with another FM or AM
station by simply using the manual preset tuning method.
• Automatic preset tuning will be performed for all RDS network
stations until all have been stored up to E8. Even if the number of
received stations is not enough to be stored up to E8, automatic
preset tuning is automatically ended after searching for all
stations.
• Only RDS stations with sufficient signal strength are stored by
automatic preset tuning. If the station you want to store is weak in
signal strength, tune in to it manually in monaural mode and store
it by using the manual preset tuning method. (There may be a
case that this unit cannot receive a station which could be
received by using the automatic tuning method. This is because
this unit receives a large amount of PI (Program Identification)
data along with the station.)
2 Press TUNING MODE so that the “AUTO”
indicator lights up on the display.
Lights up
3 Hold down MEMORY for about three seconds.
The preset number, the “MEMORY” and “AUTO”
indicators flash. After about five seconds, automatic
preset tuning begins from the frequency currently
displayed toward the higher frequencies.
Received stations are sequentially stored as A1, A2 ...
A8. If more than 8 stations have been tuned, they are
stored as preset station numbers in other groups (B, C,
D and E) in that order.
Flashes
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the memory will be erased. If so, store the stations again
by using preset tuning methods.
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29
TUNING
Manual Preset Tuning
To Recall a Preset Station
You can also store up to 40 stations (5 groups x 8 stations)
manually.
You can recall any desired station simply by selecting the
preset station number with which it was stored.
You can also recall a preset station with the remote control.
Press AMP(TUNER) on the component selector and press
TUNER on the input selector.
–
+
–
+
L
R
3 4
2,5
–
+
–
+
L
R
1 Tune in to the desired station.
1
2
Refer to page 28 for the tuning procedure.
2 Press MEMORY.
The “MEMORY” indicator flashes for about five
seconds.
Flashes
3 Press A/B/C/D/E repeatedly to select the
desired group (A to E) of preset stations
before the “MEMORY” indicator goes off.
Make sure that “ z ” appears on the display. The
selected group appears on the display.
1
2
1 Press A/B/C/D/E to select the required group
of preset stations.
Make sure that “ z ” appears on the display.
4 Press PRESET/TUNING h or l to select a
preset station number (1 to 8) with which you
want to store the station before the “MEMORY”
indicator goes off.
or
Front panel
Remote control
2 Press PRESET/TUNING h or l (or PRESET
+/–) to select a preset station number (1 to 8).
The preset group and number appear on the display
along with the reception band, frequency and signal
strength information.
Press h to select a higher
preset station number and l to
select a lower preset station
number.
5 Press MEMORY before the“MEMORY”
indicator goes off.
or
The displayed station has been stored as the preset
group and number you have selected, and the reception
band and frequency appear on the display.
Front panel
Remote control
6 Repeat steps 1 to 5 to store other stations.
Notes
• A new setting can be stored in place of the former one.
• The reception mode (stereo or monaural) is stored along with the
station frequency.
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30
TUNING
Exchanging Preset Stations
You can exchange the assignment of two preset stations
with each other.
■ Example: If you want to exchange
preset station “E1” with “A5”.
2,4
–
+
–
+
L
R
1 Recall preset station “E1”.
Refer to the procedure in the section “To Recall a
Preset Station” on page 30.
2 Hold down (PRESET/TUNING) EDIT for about
three second.
“E1” and the “MEMORY” indicator flash.
Flashes
3 Recall preset station “A5” by using the buttons
on the front panel.
“A5” and the “MEMORY”
indicator flash.
Flashes
4 Press (PRESET/TUNING) EDIT again.
The display shows the exchange of stations has been
completed.
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31
RECEIVING RDS STATIONS
Radio Data System (RDS) is a data transmission system by
Changing the RDS Mode
FM stations in many countries. Stations using this system
transmit an inaudible stream of data in addition to the
normal radio signal.
The four modes are available in this unit for displaying RDS
data. When an RDS station is being received, PS, PTY, RT
and/or CT that correspond to the RDS data services offered
by the station light up on the display. Press RDS MODE/
FREQ repeatedly to change the display mode among the
RDS data offered by the transmitting station in the order
shown below. Illumination of the red indicator next to the
RDS mode indicator shows that the corresponding RDS
mode is now selected.
RDS data contains various information such as PI (Program
Identification), PS (Program Service name), PTY (Program
Type), RT (Radio Text), CT (Clock Time), EON (Enhanced
Other Networks), etc. The RDS function is carried out
among the network stations.
Description of RDS Data
Notes
• When an RDS station is being received, do not press RDS
MODE/FREQ until one or more RDS mode indicators light up on
the display. If you press the button before the indicators light up
on the display, the mode cannot be changed. This is because the
unit has not yet received all of the RDS data on the station.
• RDS data not offered by the station cannot be selected.
• The RDS data service cannot be utilized by this unit if the
received signal is not strong enough. In particular, the RT mode
requires a large amount of data to be received, so it is possible
that the RT mode may not be displayed even if other RDS modes
(PS, PTY, etc.) are displayed.
• RDS data cannot sometimes be receive under poor reception
conditions. If so, press TUNING MODE so that the “AUTO”
indicator goes off from the display. Although the reception mode
is changed to monaural by this operation, when you change the
display to RDS mode, RDS data may be displayed.
This unit can receive PI, PS, PTY, RT, CT, and EON data
when receiving RDS broadcasting stations.
■ PS (Program Service name) mode:
The name of the RDS station being received is displayed.
■ PTY (Program Type) mode:
The program type on the RDS station being received is
displayed. There are 15 program types to classify RDS
stations. You can make this unit search for a station which is
broadcasting a program of the desired type. Refer to page 33
for details.
■ RT (Radio Text) mode:
• If the signal strength is weakened by external interference during
the reception of an RDS station, the RDS data service may be cut
off suddenly and “...WAIT” will appear on the display.
Information about the program (such as the title of the song,
name of the singer, etc.) on the RDS station being received
is displayed by a maximum of 64 alphanumeric characters,
including the umlaut symbol. If other characters are used for
RT data, they are displayed with under-bars.
PS mode
■ CT (Clock Time) mode:
The current time is displayed and updated every minute. If
the data are accidentally cut off, “CT WAIT” may appear.
PTY mode
RT mode
■ EON (Enhanced Other Networks):
Refer to page 34.
CT mode
Frequency
display mode
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32
RECEIVING RDS STATIONS
■ To cancel this function
Press PTY SEEK MODE twice.
PTY SEEK Function
If you select the desired program type, the unit
automatically searches all preset RDS stations that are
broadcasting a program of the required type.
■ Program types in the PTY mode
There are 15 program types to classify RDS stations.
NEWS
News
AFFAIRS
INFO
Current affairs
General information
SPORT
Sports
EDUCATE
DRAMA
CULTURE
SCIENCE
VARIED
POP M
Education
Drama
–
+
–
+
L
R
Culture
Science
Light entertainment
2
1 3
Pops
ROCK M
M.O.R. M
LIGHT M
CLASSICS
OTHER M
Rock
Middle-of-the-road music (easy-listening)
Light classics
1 Press PTY SEEK MODE to set the unit in the
PTY SEEK mode.
Serious classics
The program type of the station being received or
“NEWS” flashes on the display.
Other music
Flashes
2 Press PRESET/TUNING h or l to select the
desired program type.
The selected program type appears on the display.
3 Press PTY SEEK START to begin searching all
preset RDS stations.
The selected program type flashes and the “PTY
HOLD” indicator lights up on the display while
searching for stations.
The selected
program type
flashes.
Light up
• If a station that is broadcasting a program of the
required type is found, the unit stops at that station.
• If the called station is not the desired one, press PTY
SEEK START again. The unit begins searching for
another station that is broadcasting a program of the
same type.
33
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RECEIVING RDS STATIONS
2 Press EON repeatedly to select the desired
program type (NEWS, INFO, AFFAIRS or
SPORT).
EON Function
This function uses the EON data service on the RDS station
network. If you simply select the desired program type
(NEWS, INFO, AFFAIRS or SPORT), the unit
The selected program type name indicator lights up on
the display.
automatically searches for all preset RDS stations that are
scheduled to broadcast a program of the required type and
switches from the station being currently received to the
new station when the broadcasts starts.
Note
• This function can only be used when an RDS station that offers
the EON data service is being received. When such a station is
being received, the “EON” indicator lights up on the display.
Lights up
• If a preset RDS station of the selected program type
starts broadcasting, the unit will automatically switch
from the program being currently received to that
program. The program type name indicator flashes.
–
+
–
+
L
R
Flashes
2
• When broadcasting of the required program ends, the
previously received station (or another program on
the same station) is recalled.
1 Make sure that the “EON” indicator lights up
on the display.
If the “EON” indicator does not light up, tune in to
another RDS station so that the “EON” indicator lights
up.
■ To cancel this function
Press EON repeatedly until no program type name lights up
on the display.
Lights up
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34
RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE
Recording adjustments and other operations are performed
y
If a tape deck or MD recorder is being used for recording, you can
monitor the sounds being recorded by pressing TAPE/MD MON /
EXT. DECODER (or TAPE/MD).
from the tape deck, MD recorder or VCR. Refer to the
instructions for these components.
2
1,4
Notes
• The DSP program and the setting of VOLUME, BASS, TREBLE
and BALANCE have no effect on the material being recorded.
• Composite video and S video signals pass independently through
this unit’s video circuits. Therefore, when recording or dubbing
video signals, if your video source component is connected to
provide only an S video (or only a composite video) signal, you
can record only an S video (or only a composite video) signal by
your VCR.
–
+
–
+
L
R
• A source connected to this unit only through the digital terminals
cannot be recorded by the tape deck, MD recorder or VCR
connected to this unit.
• A source connected to the EXTERNAL DECODER INPUT
terminals of this unit cannot be recorded.
4
• Check the copyright laws in your country to record from records,
CDs, radio, etc. Recording of copyrighted material may infringe
copyright laws.
2
If you play back a video source that uses scrambled or
encoded signals to prevent it from being dubbed, the
picture itself may be disturbed due to those signals.
1 Set VOLUME to the “m”
position.
Front panel
2 Select the source you want to record.
or
Front panel
Remote control
3 Begin recording by the tape deck, MD recorder
or VCR connected to this unit.
4 Play the source and then turn up the volume to
confirm the input source.
or
Front panel
Remote control
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35
ADVANCED OPERATION
SET MENU
This unit provides you with the following items in the SET
MENU to maximize the performance of your system and
expand your enjoyment for audio listening and video
watching.
2 Press SET MENU
repeatedly to select the
item you want to adjust.
The selected item appears on
the display.
1. CENTER SP
2. REAR SP
3. MAIN SP
4. BASS OUT
5. MAIN LVL
6. D.D. LFE
3 Press + or – repeatedly to
adjust the setting.
7. D-RANGE
8. DTS LFE
9. CNTR DELAY
10.MEM. GUARD
11.SAT INPUT
Adjusting Items in the SET MENU
4 Repeat steps 2 and 3 to adjust the setting of
Adjustments should be performed with the remote control
while watching the information on the display.
any other item in the same way.
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the settings of the SET MENU will automatically return
to the preset positions and values. If so, adjust the
settings of the SET MENU again.
1
3
2
1 Press AMP(TUNER) on the
component selector.
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36
SET MENU
3. MAIN SP
Choices: LARGE/SMALL
Description of Each Item
Preset position: LARGE
1. CENTER SP
Choices: LRG (Large)/SML (Small)/NONE
Preset position: LRG (Large)
LARGE
Select this position if your main speakers have high ability
for bass reproduction. In this position, full-range signals on
the main channels are directed to the right and left main
speakers.
LRG (Large)
Select this position if your center speaker is approximately
the same size as the main speakers. In this position, full-
range signals on the center channel are directed to the center
speaker.
SMALL
Select this position if your main speakers do not have high
ability for bass reproduction. However, if your system does
not include a subwoofer, do not select this position. In this
position, low bass signals (below 90 Hz) on the main
channels are distributed to the SUBWOOFER OUTPUT
terminal if “BASS OUT” is set to the SW or BOTH
position.
SML (Small)
Select this position if you use a center speaker that is
smaller than the main speakers. In this position, low bass
signals (below 90 Hz) on the center channel are distributed
to the SUBWOOFER OUTPUT terminal (or to the right and
left main speakers if “BASS OUT” is set to the MAIN
position).
4. BASS OUT
Choices: SW/MAIN/BOTH
Preset position: BOTH
NONE
Select this position if you do not have a center speaker
(4-speaker system). In this position, full-range signals on
the center channel are directed to the right and left main
speakers.
SW
2. REAR SP
Select this position if your system includes a subwoofer. In
this position, signals on the LFE channel and other low bass
signals that are distributed from other channels are directed
to the SUBWOOFER OUTPUT terminal when playing a
source encoded with Dobly Digital or DTS.
Choices: LARGE/SMALL
Preset position: LARGE
Note
LARGE
• When playing a 2-channel source (tape, MD, CD, video
cassette etc.), select the BOTH position to direct low bass signals
(below 90 Hz) to the SUBWOOFER OUTPUT terminals.
Select this position if your rear speakers have high ability
for bass reproduction, or if a subwoofer is connected in
parallel to the rear speaker. In this position, full-range
signals on the rear channels are directed to the rear speakers.
MAIN
Select this position if your system does not include a
subwoofer. In this position, besides full-range signals on the
main channels, signals on the LFE channel and other low
bass signals (below 90 Hz) that are distributed from other
channels are directed to the right and left main speakers.
SMALL
Select this position if your rear speakers do not have high
ability for bass reproduction. In this position, low bass
signals (below 90 Hz) on the rear channels are distributed to
the SUBWOOFER OUTPUT terminal (or to the right and
left main speakers if “BASS OUT” is set to the MAIN
position).
BOTH
Select this position if your system includes a subwoofer. In
this position, signals on the LFE channel are directed to the
SUBWOOFER OUTPUT terminal. Low bass signals on the
main channels are directed to both the main speakers and
the SUBWOOFER OUTPUT terminal.
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37
SET MENU
5. MAIN LVL
Choices: NORM (Normal)/–10 dB
Preset position: NORM (Normal)
7. D-RANGE (Adjusting the dynamic
range)
Choices: MAX/STD (Standard)/MIN
Preset position: MAX
NORM (Normal)
Normally select this position.
Note
–10 dB
• This adjustment is only effective when Dolby Digital is being
decoded.
Select this position if the sound output from the main
speakers is too loud and cannot be balanced with the sound
output from the center and rear speakers. In this position,
the sound output from the main speakers is attenuated.
“Dynamic range” is the difference between the maximum
level and the minimum level of sounds. Sounds on a movie
originally designed for movie theaters feature a very wide
dynamic range. Dolby Digital technology can modify the
original sound track into a home audio format with this
wide dynamic range unchanged. Powerful sounds of
extremely wide dynamic range are not always suitable for
home use. Depending on the condition of your listening
environment, it may not be possible to increase the sound
output to a level as high as that in a movie theater. However,
at the normal level suitable for listening in your room, the
low-level parts of source sound often cannot be heard well
because they will be lost among noise in your environment.
Dolby Digital technology has also made it possible to
reduce an original sound track’s dynamic range for a home
audio format by “compressing” the sound data.
Notes
• The setting of “CENTER SP”, “REAR SP”, “MAIN SP” and
“BASS OUT” have no effect on a source connected to the
EXTERNAL DECODER INPUT terminals on the rear of this
unit.
• Once you have adjusted appropriately for “CENTER SP”, “REAR
SP”, “MAIN SP”, “BASS OUT” and “MAIN LVL”, you do not
have to change any settings unless your speaker system is
modified.
6. D.D. LFE (Adjusting the output
level of the LFE channel for Dolby
Digital)
Control range: –20 dB to 0 dB (in 1 dB steps)
Preset value: 0 dB
MAX
In this position, a source encoded with Dolby Digital is
reproduced in the original sound track’s wide dynamic
range to provide you with powerful sounds just like those in
a movie theater. Selecting this position will be even better if
you can listen to a source at a high output level in a room
specially soundproofed for audio/video enjoyment.
Note
• This adjustment is only effective when Dolby Digital is being
decoded and the selected source encoded with Dolby Digital
contains LFE signals.
STD (Standard)
In this position, a source encoded with Dolby Digital is
reproduced in the “compressed” dynamic range of the
source that is suitable for low-level listening.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they
are directed to the same speakers, the ratio of the LFE signal
level to the level of the other signals can be adjusted.
MIN
In this position, the dynamic range is more reduced than in
the STD position. Selecting this position will be effective
when you must listen to a source at a low level.
Note
• It may happen that sound is output faintly or not output normally
depending on the source. In that case, select the MAX or STD
position.
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38
SET MENU
8. DTS LFE (Adjusting the output
level of the LFE channel for DTS)
10.MEM. GUARD (Locking the
settings)
Control range: –10 dB to +10 dB (in 1 dB steps)
Choices: ON/OFF
Preset value: 0 dB
Preset position: OFF
If you wish to prevent accidental alterations to the settings
of the SET MENU and other adjustments on this unit, select
the ON position. The following settings on this unit can be
locked:
Note
• This adjustment is effective only when DTS is being decoded and
the selected source encoded with DTS contains LFE signals.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they
are directed to the same speakers, the ratio of the LFE signal
level to the level of the other signals can be adjusted.
•
•
•
Settings of other items in the SET MENU
Settings in the TIME/LEVEL mode
Settings when using TEST
11.SAT INPUT (Selecting the initial
input mode for a source connected
to the SAT/D-TV input terminals)
9. CNTR DELAY (Adjusting the delay
of the center sound)
Control range: 0 ms to 5 ms (in 1 ms steps)
Choices: AUTO/LAST
Preset value: 0 ms
Preset position: AUTO
The input mode for a source connected to the SAT/D-TV
input terminals of this unit can be automatically set when
the power of this unit is turned on. Refer to page 22 for
details about the input mode.
Note
• This adjustment is only effective when Dolby Digital or DTS is
being decoded and the selected source encoded with Dolby
Digital or DTS contains center channel signals.
AUTO
This adjusts the delay between the main sound (on the main
channels) and dialog, etc. (on the center channel). The larger
the value, the later the dialog, etc. is generated.
In this position, the input mode is always set to AUTO.
LAST
In this position, the input mode is automatically set to that
selected the last time when the power of this unit was turned
on.
This makes sounds from the left main, center and right main
speakers reach your listening position at the same time. This
is achieved by delaying the sound from the center speaker if
the distance from the center speaker to your listening
position is shorter than the distance from the right and left
main speaker to your listening position.
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39
DELAY TIME AND SPEAKER OUTPUT LEVELS
When using the digital sound field processor with the Dolby
Sound Output Level of the Center,
Right Rear and Left Rear Speakers,
and Subwoofer
Pro Logic decoder, Dolby Digital decoder or DTS decoder,
you can adjust the delay time between the main sound and
sound effect, and each speaker’s output level as you wish.
If desired, you can adjust the sound output level of each
speaker even if it has already been adjusted in
“ADJUSTING THE SPEAKER BALANCE” on pages 18
and 19.
Delay Time
You can adjust the time difference between the beginning of
the sound from the main speakers and the beginning of the
sound effect from the rear speakers. The larger the value,
the later the sound effect is generated. The delay time can be
individually adjusted to all DSP programs.
Notes
• The sound output level of the center speaker cannot be adjusted
when the input signal is analog, PCM audio, or encoded with
Dolby Digital in 2-channel.
• If “CENTER SP” in the SET MENU is set to the NONE position,
the sound output level of the center speaker cannot be adjusted.
This is because the center channel sound is automatically output
from the right and left main speakers.
Notes
• Adding too much delay will cause an unnatural effect with some
sources.
• The sound is momentarily interrupted while adjusting the delay
time.
• Once the sound output level has been adjusted, the level will be
the same for all DSP programs.
Preset
value
Control
range (ms)
Program
Speaker
Control range (dB)
–20 to +10
Preset value
1. PRO LOGIC/Normal
15 to 30
0 to 15
0 to 15
15 to 30
0 to 15
20
5
Center
0
0
0
0
DOLBY DIGITAL/Normal
DTS DIGITAL SUR/Normal
PRO LOGIC/ENHANCED
DOLBY DIGITAL/ENHANCED
Right rear
Left rear
Subwoofer
–20 to +10
5
–20 to +10
20
5
–20 to 0
DTS DIGITAL SUR/ENHANCED 0 to 15
5
2. 70 mm SPECTACLE
DGTL SPECTACLE
DTS SPECTACLE
70 mm SCI-FI
15 to 30
1 to 99
1 to 99
15 to 30
1 to 99
1 to 99
15 to 30
1 to 99
1 to 99
15 to 30
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
23
15
15
20
16
16
20
15
15
20
15
15
49
9
DGTL SCI-FI
DTS SCI-FI
3. 70 mm ADVENTURE
DGTL ADVENTURE
DTS ADVENTURE
70 mm GENERAL
DGTL GENERAL
DTS GENERAL
4. MONO MOVIE
5. TV SPORTS
6. DISCO
40
16
44
7. ROCK CONCERT
8. CONCERT HALL
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40
DELAY TIME AND SPEAKER OUTPUT LEVELS
3 Press + or – to adjust the
Adjusting Method
delay time or speaker
Adjustments should be performed with the remote control
while watching the information on the display.
output levels.
4 Repeat steps 2 and 3 to adjust the settings of
any other item.
1
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the latest values for the delay time and the center/rear/
subwoofer output levels that were set will automatically
return to the preset values. If so, adjust the delay time
and output levels again.
3
2
1 Press AMP(TUNER) on the
component selector.
2 Press TIME/LEVEL repeatedly to select the
item you want to adjust.
Each time you press TIME/LEVEL, the selected item
changes and appears on the display as below.
D E L A Y
C E N T E R
R
L
S U R .
S U R .
S W F R
Note
• Depending on the setting of the SET MENU, you may not be able
to select all these items.
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41
SLEEP TIMER
The SLEEP timer can be used to automatically set this unit
Canceling the Selected SLEEP
Timer
in the standby mode. This timer is useful when you are
going to sleep while enjoying a broadcast or other desired
input source. The SLEEP timer can only be set with the
remote control.
Press SLEEP repeatedly until “SLEEP OFF”
appears on the display.
Notes
It will soon disappear and the “SLEEP” indicator will
go off.
• First press AMP(TUNER), TAPE/MD, CD or DVD/LD on the
component selector to set the SLEEP timer for this unit.
• The SLEEP timer is effective for the components connected to the
AC OUTLET(S) on the rear panel of this unit.
Note
Setting the SLEEP Timer
• The SLEEP timer can also be canceled by setting the unit in the
standby mode by using POWER on the remote control (or
STANDBY/ON), or by disconnecting the AC power cord from
the AC power outlet.
1 Play a source you want to enjoy when you are
going to sleep.
2 Press SLEEP repeatedly to
select the desired SLEEP
time.
Each time you press SLEEP, the
SLEEP time will change as
below:
120
90
60
30
The SLEEP timer is off
(SLEEP OFF).
(This is the state before
SLEEP is pressed.)
Flashes
3 The “SLEEP” indicator soon lights up on the
display after the SLEEP timer has been set.
The display returns to the previous indication.
Lights up
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42
PRESET REMOTE CONTROL
The provided remote control is factory set to control not only this unit but also most YAMAHA audio components connected
to it.
There are eight component selector buttons. Press one of these buttons which corresponds to the component you want to
control with the remote control. For example, if you press CD on the component selector, the remote control is set to the CD
operation mode, allowing the CD player to be controlled by the buttons on the remote control.
AMP(TUNER)
You can perform the basic operations of this
unit. Refer to page 7.
TAPE/MD
The code for a YAMAHA tape deck is
factory set. (The code for the YAMAHA
MD recorder can also be set.)
VCR
A VCR can be controlled.
TV
A TV can be controlled.
CBL/SAT
A cable TV or satellite tuner can be
controlled.
CD
The code for a YAMAHA CD player is
factory set.
DVD/LD & DVD MENU
An LD player can be controlled in
the DVD/LD mode. A DVD player can be
controlled in the DVD/LD and DVD
MENU modes. The code for a YAMAHA
DVD player is factory set. If the remote
control does not operate your YAMAHA
DVD player, you need to set the code
number “0048”.
Note
• The button functions on the remote control differ depending on the operation mode. Refer to the following pages for details.
Controlling the Components Connected to This Unit
■ Example:To controlYAMAHA CD
5 Press CD on the
player
component selector.
5
7
2
6 Press p.
Refer to page 45 for the CD
player operation buttons.
3
4
6
7 Adjust the volume.
If you set the remote control with the manufacturers’
codes listed from page i at the end of this
manual, you can control other brands of components.
Refer to “Setup codes” on page 48 for details.
1 Make sure that VOLUME is set to the “m”
position.
2 Press AMP(TUNER) on the
component selector.
3 Turn on the power.
4 Press CD on the input selector.
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43
PRESET REMOTE CONTROL
Description of Each Mode
■ TAPE/MD MODE
Note
• TV VOLUME functions if you have set the code for your TV.
Press TAPE/MD.
POWER
(TAPE) This button turns this unit on if you have set
the code for a YAMAHA tape deck. This button
turns on the tape deck that has a remote control with
a power button if you have set the code for another
manufacturer.
Input selector buttons
(MD) This button turns this unit on if you have set
the code for the YAMAHA MD recorder.
EFFECT
VOLUME
MUTE
TV VOLUME
DISPLAY (MD)
SLEEP
DECK A/B (TAPE)
This button selects deck A or B on a double-cassette
tape deck.
e PAUSE (MD)
This button gives a pause in operation.
a DIR B (TAPE)
This button selects the playing direction of deck B.
SKIP+ (MD)
This button skips to the next track.
s STOP
r REC/PAUSE
This button gives a pause in recording on a tape deck
or MD recorder.
p PLAY
This button plays a tape or an MD.
b DIR A (TAPE)
This button selects the playing direction of deck A.
SKIP– (MD)
This button skips to the previous track.
w REWIND (TAPE)
This button rewinds a tape.
SEARCH (MD)
This button stops operation on a tape deck or MD
recorder.
f FAST FORWARD (TAPE)
This button winds a tape fast forward.
SEARCH (MD)
This button initiates a backward search on the track
that is playing to find the point from which you want
to listen.
This button initiates a fast-forward search on the track
that is playing to find the point from which you want to
listen.
The dark-shaded buttons do not function. Refer to the instructions for details of each component.
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44
PRESET REMOTE CONTROL
■ CD MODE
Note
• TV VOLUME and TV INPUT function if you have set the code for your TV.
Press CD.
POWER
This button turns this unit on if you have set the code
for a YAMAHA CD player. This button turns on the CD
player that has a remote control with a power button if
you have set the code for another manufacturer.
Input selector buttons
EFFECT
DISC SKIP +/– (for a CD player with CD
changer)
These buttons skip to the next or previous CD.
VOLUME
MUTE
TV VOLUME
DISPLAY
SLEEP
TV INPUT
e PAUSE
This button gives a pause in operation. The button
functions as PAUSE/STOP* for operating a
YAMAHA CD player under factory setting.
a SKIP+
This button skips to the beginning of the next
track.
p PLAY
This button plays a CD.
b SKIP–
This button skips to the beginning of the previous
track.
w SEARCH
This button initiates a backward search on the track
that is playing to find the point from which you want
to listen.
s STOP
This button stops operation. The button functions
as PAUSE/STOP* for operating YAMAHA CD
players.
f SEARCH
This button initiates a fast-forward search on the
track that is playing to find the point from which
you want to listen.
y
PAUSE/STOP function
Press the button once to give a pause in operation and press once more to stop operation.
The dark-shaded buttons do not function. Refer to the instructions for details of each component.
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45
PRESET REMOTE CONTROL
■ DVD/LD MODE
Note
• TV VOLUME and TV INPUT function if you have set the code for your TV.
Press DVD/LD.
POWER
(DVD) This button turns this unit on if
you have set the code for a YAMAHA
DVD player. This button turns on the
DVD player that has a remote control
with a power button if you have set the
code for another manufacturer.
Input selector buttons
EFFECT
DISC SKIP +/–
(LD) This button turns this unit on if you
have set the code for a YAMAHA LD
player. This button turns on the LD player
that has a remote control with a
power button if you have set the
code for another manufacturer.
VOLUME
MUTE
TV VOLUME
SLEEP
DISPLAY
TV INPUT
PAUSE
SKIP +
PLAY
SEARCH
SKIP –
STOP
SEARCH
■ DVD MENU MODE
Note
• TV VOLUME and TV INPUT function if you have set the code for your TV.
Press DVD MENU.
POWER
This button turns the unit on if you have
set the code for a YAMAHA DVD player.
This button turns on the DVD player that
has a remote control with a power button
if you have set the code for another
manufacturer.
Numeric buttons
CLEAR
+10
DISC SKIP +/–
VOLUME
TV VOLUME
MUTE
INDEX
RETURN
TV INPUT
MENU UP
MENU RIGHT
MENU LEFT
MENU SELECT
MENU
MENU DOWN
TITLE
The dark-shaded buttons do not function. Refer to the instructions for details of each component.
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46
PRESET REMOTE CONTROL
■ VCR MODE
■ CBL/SAT MODE
Note
Note
• TV VOLUME, TV INPUT and TV SLEEP function if you have
set the code for your TV.
• TV VOLUME, TV INPUT and TV SLEEP function if you have
set the code for your TV.
CBL/SAT POWER
VCR POWER
Press VCR.
Press CBL/SAT.
CHANNEL
CHANNEL
EFFECT
CHANNEL
ENTER
+100
CHANNEL
ENTER
CBL/SAT
CHANNEL +/–
VOLUME
VCR CHANNEL +/–
VOLUME
TV VOLUME
TV VOLUME
MUTE
MUTE
DISPLAY
TV SLEEP
DISPLAY
TV SLEEP
TV INPUT
VCR PAUSE
VCR REC
Press this button twice to
start recording.
TV INPUT
MENU UP
MENU LEFT
MENU DOWN
MENU RIGHT
MENU SELECT
MENU
VCR PLAY
VCR
FAST FORWARD
VCR STOP
VCR REWIND
RECALL
■ TV MODE
Note
• You can control your VCR if you have set the
code for it.
TV POWER
Press TV.
CHANNEL
EFFECT
CHANNEL
ENTER
TV CHANNEL +/–
VOLUME
TV VOLUME
TV MUTE
DISPLAY
TV SLEEP
TV INPUT
VCR PAUSE
VCR REC
Press this button twice.
VCR PLAY
VCR
FAST FORWARD
VCR STOP
VCR REWIND
The dark-shaded buttons do not function. Refer to the instructions for details of each component.
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47
PRESET REMOTE CONTROL
■ To use a second (and third) VCR
You can control a second (and third) VCR in the CBL/SAT
and DVD MENU modes if a cable TV or satellite tuner, or
DVD player is not being used.
Advanced Information
■ Setup codes
You can set the code for the manufacturer of your
component after pressing the component selector buttons
other than AMP(TUNER).
Note
• If you want to control a second (and third) VCR in the DVD
MENU mode, you must set the code for an LD player in the
DVD/LD mode.
1 Turn on your component to be used.
1 Turn on the VCR to be used.
2 Press one of the
component selector
buttons which
2 Press CBL/SAT or DVD
MENU on the component
selector.
corresponds to the
component to be
controlled.
3 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
3 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
The indicator flashes twice.
The indicator flashes twice.
4 Use the numeric buttons to
enter the four-digit code
for the second (and third)
VCR. Make sure that the
indicator flashes twice.
If the indicator does not flash,
repeat step 3 and re-enter the
code.
4 Use the numeric buttons to
enter the four-digit
manufacturer’s code for
the component to be used.
Make sure that the
indicator flashes twice.
If the indicator does not flash,
repeat step 3 and re-enter the
code.
5 Press POWER (or any other button) on the
remote control to check if you have set the
code correctly.
5 Press POWER (or any other button) on the
remote control to check if you have set the
code correctly.
If the VCR cannot be controlled
with the remote control, try
setting another code for the
If your component cannot be
controlled with the remote
control, try setting another code
for the same manufacturer.
same manufacturer.
Notes
• You can set only one code for one mode.
• In the DVD/LD and DVD MENU modes:
– Be sure to press DVD/LD on the component selector before
entering the code for the DVD/LD player. The code set in the
DVD/LD mode is also simultaneously set in the DVD MENU
mode. You cannot set the code for a DVD player after pressing
DVD MENU on the component selector.
– DVD MENU operations cannot be performed for some DVD
players.
• A second (and third) VCR can be controlled. Refer to “To use a
second (and third) VCR” for details.
• If your component does not respond to any of the codes listed for
the manufacturer, use the original remote control supplied with
your component.
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48
PRESET REMOTE CONTROL
To return each component to the factory-set codes, follow
these steps.
■ Returning to the factory-set codes
To return all components to the factory-set codes, follow
these steps.
1 Press one of the
component selector
buttons which
1 Press one of the
component selector
buttons other than
AMP(TUNER).
corresponds to the
component to be returned
to the factory-set code.
2 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
2 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
The indicator flashes twice.
The indicator flashes twice.
3 Enter the code number
“9990”.
3 Enter the code number
“0000”.
Make sure that the indicator
flashes twice.
Make sure that the indicator
flashes twice.
The following codes are factory set.
Component
Code
Component
selector button
TV
TV
0101
CBL/SAT
VCR
Satellite tuner 0006
VCR
0002
DVD/LD
CD
DVD player
CD player
Tape deck
0008 (YAMAHA DVD player)
0005 (YAMAHA CD player)
0004 (YAMAHA Tape deck)
TAPE/MD
We recommend that you write all the code numbers you
have set on the “Quick Reference Card”.
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49
APPENDIX
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power
cord and contact your authorized YAMAHA dealer or service center.
■ General
Refer to
page
SYMPTOM
CAUSE
REMEDY
The unit fails to turn on
when STANDBY/ON is
pressed, or enters in the
standby mode soon after
the power has been
turned on.
The power cord is not connected or the plug is
not completely inserted.
Firmly connect the power cord.
17
17
—
The IMPEDANCE SELECTOR switch on the
rear panel is not fully set to the right or left
position.
Set the switch fully to the right or left position
when the unit is in the standby mode.
The internal microcomputer has been frozen by
an external electric shock (lightning, excessive
static electricity, etc.) or by a power supply with
low voltage.
Set the unit in the standby mode and disconnect
the AC power cord from the AC power outlet.
After about 30 seconds have passed, connect
the power and operate the unit again.
The unit does not work
normally.
No sound and/or no
picture.
Incorrect input or output cable connections.
Connect the cables properly. If the problem
persists, the cables may be defective.
12, 13
20
An appropriate input source has not been
selected.
Select an appropriate input source with INPUT
SELECTOR or TAPE/MD MON / EXT.
DECODER (or the input selector buttons).
The speaker connections are not secure.
SPEAKERS have not been set properly.
Secure the connections.
15
20
Set SPEAKERS corresponding to the speakers
in use to the ON position.
21
—
The sound is muted.
Set VOLUME to the “m” position, press
MUTE to cancel a mute and adjust the volume.
Digital signals other than PCM audio and the
signals encoded with Dolby Digital or DTS
which this unit cannot reproduce are being input
to this unit by a CD-ROM, etc.
Play a source whose signals this unit can
reproduce.
No picture.
There is no S VIDEO connection between this
unit and the TV monitor, although S video
signals are being input to this unit.
Connect the monitor’s “S” video input terminal
to this unit’s S VIDEO MONITOR OUT
terminal.
14
—
The sound suddenly
goes off.
The protection circuit has been activated
because of a short circuit, etc.
Set the unit in the standby mode and then turn
on to reset the protection circuit.
Turn on the power, and play the source again.
The SLEEP timer has functioned.
Incorrect cable connections.
42
15
Only the speaker on one
side can be heard.
Connect the cables properly. If the problem
persists, the cables may be defective.
Incorrect setting of BALANCE.
The sound effect is off.
Adjust it to the appropriate position.
Press EFFECT to turn it on.
21
24
27
No sound from the effect
speakers.
Select another DSP program.
A Dolby Surround, Dolby Digital or DTS
decoding DSP program is being used with
material not encoded with Dolby Surround,
Dolby Digital or DTS.
No sound from the
center speaker.
The sound output level of the center speaker is
set to minimum.
Raise the level of the center speaker.
Select the LRG or SML position.
Select the appropriate program.
40
37
“CENTER SP” in the SET MENU is set to the
NONE position.
25, 26, 27
—
Incorrect DSP program is selected.
The source encoded with Dolby Digital or DTS
does not have a center channel signal.
40
27
No sound from the rear
speakers.
The output level of the rear speakers is set to
minimum.
Raise the output level of the rear speakers.
A monaural source is being played with the PRO Select another DSP program suitable for the
LOGIC/Normal or PRO LOGIC/ENHANCED
program.
monaural source.
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50
TROUBLESHOOTING
Refer to
page
SYMPTOM
CAUSE
REMEDY
No sound from the
subwoofer.
“BASS OUT” in the SET MENU is set to the
SW or MAIN position when playing a 2-channel
source.
Select the BOTH position.
37
—
The source does not contain low bass signals
(below 90 Hz).
A “humming” sound can
be heard.
Incorrect cable connections.
Firmly connect the audio plugs. If the problem
persists, the cables may be defective.
12, 13
12
No connection from the turntable to the GND
terminal.
Make the GND connection between the
turntable and this unit.
The volume level is low
while playing a record.
The record is being played on a turntable with an The turntable should be connected to the unit
12
MC cartridge.
through the MC head amplifier.
The volume level cannot
be increased, or the
sound is distorted.
The component connected to the TAPE/MD
OUT (REC) terminals of this unit is in the
standby mode.
Turn on the power to the component.
—
The sound effect cannot
be recorded.
It is not possible to record the sound effect by a
tape deck or MD recorder connected to the
TAPE/MD OUT (REC) terminals of this unit.
35
13
The DVD/LD,TV/digital TV The DVD/LD player, TV/digital TV or satellite
Make additional connections between the
analog terminals.
or satellite tuner source
cannot be recorded by
tape deck, MD recorder
or VCR connected to this
unit.
tuner is connected to the unit only through the
digital terminals.
Adjusting this unit by
using SET MENU,TIME/
LEVEL or TEST cannot
be performed.
“MEM. GUARD” in the SET MENU is set to
the ON position.
Set “MEM. GUARD” to the OFF position.
39
■ Tuner
Refer to
page
SYMPTOM
CAUSE
REMEDY
FM stereo reception
is noisy.
The characteristics of FM stereo broadcasts
may cause this problem when the transmitter is
too far away or the antenna input is poor.
Check the antenna connections.
Try using a high-quality directional FM
antenna.
10, 28
Use the manual tuning method.
Adjust the antenna position to eliminate
multipath interference.
10
There is distortion,
and clear reception
cannot be obtained
even with a good FM
There is multipath interference.
FM
antenna.
Use the manual tuning method.
Use a high-quality directional FM antenna.
The station is too weak.
The desired station
cannot be tuned in
with the automatic
tuning method.
10, 28
The unit has been disconnected for a long
period.
Re-store the stations.
Previously preset
stations can no
29
longer be tuned in.
The desired station
cannot be tuned in
with the automatic
tuning method.
The signal is weak or the antenna connections
are loose.
Tighten the AM loop antenna connections and
orient it for best reception.
Use the manual tuning method.
11, 28
There are continuous
crackling and hissing
noises.
Noises result from lightning, fluorescent lamps,
motors, thermostats and other electrical
equipment.
Use an outdoor antenna and a ground wire. This
will help somewhat, but it is difficult to
eliminate all noise.
11
—
AM
Move this unit away from the TV.
There are buzzing and
whining noises
(especially in the
evening).
A TV set is being used nearby.
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51
TROUBLESHOOTING
■ Remote control
Refer to
page
SYMPTOM
CAUSE
REMEDY
Reposition the unit.
Direct sunlight or lighting (from an inverter
type of fluorescent lamp, etc.) is striking the
remote control sensor of this unit.
The remote control does
not work.
3
2
The batteries are weak.
Replace all batteries with new ones.
The unit or other
component cannot be
controlled.
The component to be controlled has not been
selected.
Press one of the component selector buttons
which corresponds to the component to be
controlled.
43
The manufacturer’s code has not been set
properly.
Enter the code again.
48
Try setting another code for the same
manufacturer.
■ Others
Refer to
page
SYMPTOM
CAUSE
REMEDY
This unit is in the standby mode.
Turn on the power of the unit.
The sound is degraded
when listening with
headphones to a tape
deck or CD player
—
connected to this unit.
There is noise
interference from digital
or high-frequency
The unit is too close to the digital or high-
frequency equipment.
Move the unit further away from such
equipment.
—
equipment, or the unit.
■ When playing back a source encoded with DTS
Refer to
page
SYMPTOM
CAUSE
REMEDY
A loud hissing noise is
heard when playing back connected to a digital audio signal input
a source encoded with
DTS.
The player which plays back the source is not
The player must be connected to a digital audio
signal input terminal of this unit besides the
analog audio signal terminal connections.
13
terminal of this unit.
The input mode is set to ANALOG on this unit.
Set a proper input mode to turn on the built-in
DTS decoder.
22
22
A percussive noise is
heard when playing back some sources, there may be a noise heard while
If the input mode is set to AUTO, depending on
Set the input mode of the currently selected
input source to DTS.
a source encoded with
DTS.
this unit is identifying the format of the input
signal.
No sound is heard when
playing back a source
encoded with DTS, even
if the input mode is set
to AUTO on this unit.
The built-in DTS decoder does not function
because the player has a digital volume control
and it is set at a position other than
—
Set the player’s digital volume control at the
maximum, neutral or ineffective position.
“maximum,” “neutral” or “ineffective.”
No sound is heard when
playing back an MD or
DAT on which has been
recorded a source
A source encoded with DTS cannot be recorded
on an MD or DAT.
—
23
encoded with DTS.
No sound is heard when
playing back a source
(CD, etc.) even if the
currently selected input
mode is AUTO.
Set the input mode to AUTO again.
In the AUTO mode, the DTS-decoding mode
cannot be automatically changed to the normal
(PCM) digital signal input mode.
Notes
• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must be connected
to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a D-to-A converter is
being used without using a DTS decoder, only a loud hissing noise will be heard when you play back the source.
• If you make a search (or skip, etc.) operation while playing back a source encoded with DTS, the “t” indicator goes off. This is because
this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode to prevent a noise from being
output.
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52
SPECIFICATIONS
AUDIO SECTION
• Minimum RMS Output Power
FM SECTION
• Tuning Range .................................... 87.5/87.50 to 107.9/108.00 MHz
20 Hz to 20 kHz, 0.06% THD, 8 ohms
Main L/R, Center, Rear L/R ......................................... 70 W*/65 W
1 kHz, 0.09% THD, 8 ohms
• Usable Sensitivity (DIN)
Mono (S/N 26 dB) ................................................................... 0.9 µV
Stereo (S/N 46 dB) ................................................................... 28 µV
Main L/R, Center, Rear L/R ....................................... 80 W*/70 W
• Selectivity (two signals, 40 kHz Dev., ±300 kHz) ...................... 55 dB
• Maximum Output Power (EIAJ)
• Signal-to-Noise Ratio (Mono/Stereo)
1 kHz, 10% THD, 8 ohms ........................................................ 100 W
DIN ................................................................................. 75 dB/69 dB
IHF ................................................................................. 81 dB/75 dB
• DIN Standard Output Power
1 kHz, 0.7% THD, 4 ohms ....................................................... 100 W
• Harmonic Distortion (1 kHz)
• IEC Output Power
Mono/Stereo ........................................................................ 0.1/0.2%
1 kHz, 0.06% THD, 8 ohms ....................................................... 70 W
• Stereo Separation (1 kHz) ........................................................... 48 dB
• Frequency Response ........................................ 20 Hz to 15 kHz, ±1 dB
• Antenna Input ...................................................... 75 ohms, Unbalanced
• Dynamic Power (IHF)
8/6/4/2 ohms .................... 100/120/140/160 W*, 90/110/130/150 W
• Damping Factor
20 Hz to 20 kHz, 8 ohms ................................................................ 60
AM SECTION
• Tuning Range ............................................530/531 to 1,710/1,611 kHz
• Frequency Response
CD etc. to MAIN L/R ................................ 20 Hz to 20 kHz, ±0.5 dB
• Usable Sensitivity ................................................................. 300 µV/m
• Signal-to-Noise Ratio ................................................................... 52 dB
• Antenna ........................................................................... Loop antenna
• Total Harmonic Distortion (20 Hz to 20 kHz)
CD etc. to MAIN L/R, 1/2 power, 8 ohms ............................ 0.025%
• Signal-to-Noise Ratio (IHF-A Network)
CD etc. to MAIN L/R
(150 mV, Input Shorted) ........................................................ 96 dB
(250 mV, Input Shorted) ...................................................... 100 dB
GENERAL
• Power Supply
[U.S.A. and Canada models] .................................. AC 120 V, 60 Hz
[Europe, U.K. and Singapore models] .................... AC 230 V, 50 Hz
[Australia model] ..................................................... AC 240 V, 50 Hz
[China model] ......................................................... AC 220 V, 50 Hz
[General model] ............................. AC 110/120/220/240 V, 50/60 Hz
• Residual Noise (IHF-A Network)
MAIN L/R .............................................................................. 150 µV
• Input Sensitivity/Impedance
CD etc. ................................................................. 150 mV/47 k-ohms
EXT. DECODER ......................................... 150 mV/40 – 47 k-ohms
• Power Consumption ...................................................... approx. 220 W
• Output Level/Impedance
• AC Outlets (100 W max. total)
REC OUT ........................................................... 150 mV/1.2 k-ohms
SUBWOOFER ....................................................... 4.0 V/1.2 k-ohms
PHONES ................................................................. 0.47 V/390 ohms
[U.K. and Australia models] ..................................... 1 (SWITCHED)
[Other models] .......................................................... 2 (SWITCHED)
• Dimensions (W x H x D)
• Channel Separation (Vol. –30 dB)
..................... 435 x 151 x 391 mm (17-1/8’’ x 5-15/16’’ x 15-3/8’’)
CD etc. (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)
..................................................................................... 60 dB/45 dB
• Weight ............................................................................ 10 kg (22 lbs.)
• Tone Control Characteristics
• Accessories ................................................................ AM loop antenna
.......................................................................... Indoor FM antenna
..................... 75-ohm/300-ohm antenna adapter (U.K. model only)
........................ Antenna adapter (U.S.A. and Canada models only)
................................................................................. Remote control
........................................................................................... Batteries
BASS: Boost/cut .......................................................... ±10 dB/50 Hz
TREBLE: Boost/cut ................................................... ±10 dB/20 kHz
* for U.S.A. and Canada models
VIDEO SECTION
• Video Signal Type ........................................................... NTSC or PAL
Specifications are subject to change without notice.
• Video Signal Level ...................................................... 1 Vp-p/75 ohms
• Signal-to-Noise Ratio .................................................................. 50 dB
• Monitor Out Frequency Response .................... 5 Hz to 10 MHz, –3 dB
53
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GLOSSARY
CINEMA DSP
■ CINEMA DSP
■ Dolby Surround
Dolby Surround uses four discrete channels and five
speakers to reproduce realistic and dynamic sound effects:
two main channels (left and right), a center channel for
dialog, and a rear channel for special sound effects. The rear
channel reproduces sound within a narrow frequency range.
Most video tapes and laser discs include Dolby Surround
encoding, as do many TV and cable broadcasts. The Dolby
Pro Logic decoder built into this unit employs a digital
signal processing system that stabilizes each channel for
even more accurate sound positioning than is available with
standard analog processors.
The Dolby Surround and Dolby Digital sound and DTS
systems show their full ability in a large movie theater,
because movie sounds are originally designed to be
reproduced in a large movie theater that uses a multitude of
speakers. Trying to create a sound environment similar to
that of a movie theater in your home is difficult because of
the room size, material inside the walls, the number of
speakers, and so on. In other words, your listening room is
very different from a movie theater.
However, YAMAHA DSP technology allows you to create
nearly the same sound experience as that of a large movie
theater in your home by compensating for the lack of
presence and dynamics in the listening room with original
digital sound fields combined with Dolby Surround, Dolby
Digital or DTS Digital Surround sounds.
The YAMAHA “CINEMA DSP” logo indicates those
programs that are created by the combination of YAMAHA
DSP technology and Dolby Surround, Dolby Digital or
DTS.
■ Dolby Digital
Dolby Digital is a digital surround sound system that
provides completely independent multi-channel audio to
you. Dolby Digital provides five full-range channels in what
is sometimes referred to as a “3/2” configuration: three front
channels (left, center and right), and two surround channels.
A sixth bass-only effect channel is also provided for output
of LFE (low frequency effect), or low bass effects that are
independent of other channels. (This is called the “LFE
channel”.) This channel is counted as 0.1, thus giving rise to
the term 5.1 channels in total.
■ LFE 0.1 Channel
This channel is for reproduction of low bass signals. The
frequency range for this channel is 20 Hz to 120 Hz. This
channel is called the channel 0.1 because it only reproduces
a low frequency range compared to the full-range from
20 Hz to 20 kHz that is reproduced by the 5 channels in a
Dolby Digital or DTS 5.1 channel system.
The wide dynamic range of sound reproduced by the five
full-range channels and precise sound orientation by digital
sound processing provides listeners with excitement and
realism that have never been experienced before.
■ DTS (Digital Theater System)
■ S VIDEO Signal
Digital Surround
The S VIDEO signal is separated and transmitted as the Y
signal which indicates the luminance and the C signal which
indicates the chroma of the video signal (composite signal).
Using the S VIDEO terminal eliminates video signal
transmission loss and allows recording and playback of
even more beautiful images.
DTS was developed to replace analog soundtracks of
movies with six discrete channels of digital soundtracks,
and it is now installed in many theaters around the world.
The DTS digital playback system changed the way we
experienced movies in theaters with six discrete channels of
superb digital audio.
DTS technology, through intense research and development
has made it possible to deliver similar encode/decode
discrete technology to home audio surround-sound
entertainment.
DTS Digital Surround is an encode/decode system which
delivers six channels of master-quality, 20-bit audio;
technically, it is 5.1 channels, which means 5 full-range
(left, center, right and two surround) channels, plus a
subwoofer (LFE) channel (as “0.1”). It is compatible with
the 5.1 speaker configurations that are currently available
for home theater systems.
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54
INDEX
A
M
Accessories .......................................................................... 2
AC outlet ........................................................................... 17
Antennas ...................................................................... 10, 11
Muting ............................................................................... 21
P
Playing ............................................................................... 20
B
Preset stations
BALANCE ........................................................................ 21
To recall a preset station .............................................. 30
Exchanging preset stations .......................................... 31
Preset tuning
BGV (background video) function .................................... 21
C
Automatic preset tuning .............................................. 29
Manual preset tuning ................................................... 30
Canceling sound effect ...................................................... 24
CINEMA DSP ............................................................. 27, 54
Connections
R
Antennas ................................................................ 10, 11
Audio components (tape deck/MD recorder, CD player
and turntable) .............................................................. 12
Digital connections...................................................... 13
Speakers ...................................................................... 15
TV monitor .................................................................. 13
Video components (DVD/LD player, VCR and TV/
digital TV, satellite tuner) ............................................ 13
RDS mode
EON function .............................................................. 34
PTY SEEK function .................................................... 33
Recording .......................................................................... 35
Remote control
Basic operations ............................................................ 7
Batteries......................................................................... 2
Component selector................................................. 7, 43
Factory-set code .......................................................... 49
Manufacturer’s codes .......... i (at the end of this manual)
Setup codes.................................................................. 48
D
Delay time (TIME/LEVEL mode) .................................... 40
Display................................................................................. 6
Dolby Digital ..................................................................... 54
Dolby Surround ................................................................. 54
DSP program ............................................................ 24 to 27
DTS Digital Surround ....................................................... 54
S
SET MENU ....................................................................... 36
Sleep timer ......................................................................... 42
Speaker
Output levels (TIME/LEVEL mode) .......................... 40
Output mode (SET MENU) .................................. 37, 38
Speaker balance (test tone).......................................... 18
Placement ...................................................................... 8
STANDBY/ON.................................................................... 4
E
External decoder ................................................................ 14
F
Front panel ........................................................................... 4
T
I
Test tone....................................................................... 18, 19
Tone controls ..................................................................... 21
Tuning
IMPEDANCE SELECTOR switch ................................... 17
Input mode ......................................................................... 22
L
Automatic tuning......................................................... 28
Manual tuning ............................................................. 28
LFE ........................................................................ 38, 39, 54
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55
LIST OF MANUFACTURER’S CODES
LISTES DES CODES FABRICANT
VERZEICHNIS DER HERSTELLERCODES
LISTA ÖVER TILLVERKARKODER
ELENCO DEI CODICI DEL FABBRICANTE
LISTA DE CÓDIGOS DE FABRICANTES
LIJST VAN CODES VAN FABRIKANT
Clarivox
Clatronic
Concerto
Condor
Contec
Continental Edison
0821, 0961, 1971
1181, 1331
0791
0761
0151, 1171
First Line
Fisher
1981
Hitachi
0001, 0011, 0031,
0081, 0141, 0291,
0331, 0341, 0451,
0601, 0631, 0701,
1281, 1561, 1601,
1821, 1831, 1841,
1861, 1871, 1881,
1891, 1941, 1981,
2051, 2321, 2341
0591, 0601, 1511,
1621
TV
Admiral
0021, 0091, 0141,
0511, 0601, 0801,
0821, 0981, 1021,
1081, 1981, 2091
2281
0451, 0491, 0761,
1081, 1451, 1541,
1981
0411, 0451, 0911,
1021, 1081
0891
0061, 0101, 0231,
1191, 1351, 1591,
1641, 1791, 1891,
1981
1331
1241, 1331, 2361
1971
1301, 1511
1171
0571
0571, 0761
0751
Aiko
Akai
0571, 0651,
0901
Forgestone
Formenti
Craig
Crosley
1171
0021, 0491, 1021,
1081, 1401, 1981,
2201, 2251, 2271
2541
0261
1171
0101, 1501, 1511,
2611
0101
0271, 0581, 0601,
0971, 1101, 1691
0271, 0581, 0601,
1101, 1681
0451, 1351
0991, 1511
0101
Akura
Alba
Formenti-phoenix
0021, 0431,
0451, 0591,
1411
Hyper
Albiral
Amstrad
Anam
Arc En Ciel
Arcam
Aristona
Arthur Martin 0451, 1641
ASA
Crown
Ctc Clatronic
CXC
Imperial
0451, 0491, 0811,
0981, 1401, 1611,
1621, 2201, 2251,
2271
Fortress
Frontech
Fujitsu
Funai
1081
0451, 1181, 1981
1261
0391, 0691, 1171,
1181, 1261
1171
0021, 0141, 1321,
1511, 1621, 1981
0451, 1101, 1281,
2321
0031, 0081, 0581,
0601, 1101, 1281,
1561
0021, 0411, 0451,
1321, 1511, 1621,
1981
Daewoo
Ingersol
Inno Hit
1511
Dansai
Decca
0581, 0601, 0841,
1101, 1331, 1371,
1511, 2011
Futuretech
GBC
0411, 0451, 0521,
0781, 0871, 1021,
1081, 1421, 2051,
2091, 2151, 2551
1511
0761
0761
1511
1181, 1321, 1511
0491, 1411
0091, 0351, 0481,
0491, 0601, 0781,
0951, 1051, 1081,
1391, 1421
Decca (UK)
Innovation
Interfunk
2591, 2601, 2611,
2621, 2641, 2651,
2661, 2711, 2721,
2761, 2771, 2781
0031, 0041, 0061,
0121, 0181, 0451,
0491, 1081, 1641,
1791, 1821, 1981,
2231
GEC
Degraaf
Dixi
Domeos
Doric
Astra
GEC (UK)
Atantic
Atlantic
Atori
Audiosonic
Ausind
Autovox
1031
Dual
0091, 0601, 1611,
1641, 2101
0601, 1511, 1621,
2111
0261, 0521, 0781,
1021, 1081, 1981,
2121, 2151
0101
1551, 1971, 2031
1511
0771
0261, 1621
1511
0921, 1021, 1081,
1121, 1171, 1261,
1301
Geloso
Dual-Tec
Dumont
General Technic
Genexxa
GoldStar
2681
Irradio
0491, 1321, 1331,
1371, 1411, 1511,
2011
0451, 1331
0591, 0601, 0761,
0791, 1371, 1491,
1511, 1561, 1621,
1641
0141, 1101, 1371,
1641, 2301
0981, 1061
0451
0141, 0451, 0491,
0581, 0601, 1101,
1111, 1351, 1981,
2321
Isukai
ITT
1331
Baird
1101, 1351
1081
1321, 1331
Dynatron
Elbe
Electro Tech
Elektronska
Elman
0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431
0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431
0071, 0721, 1441,
1581, 1591, 1741,
1791
0591, 1321, 1331
0601
0591, 0601, 0841,
1091, 1321, 1511,
1561, 2051
Bang & Olufsen
Basic Line
Bauer
Goodmans
1451
Baur
0041, 0061, 0121,
0131, 0221, 1561
2491, 2501
0221, 0231, 0241,
0251, 0471, 0741,
2201, 2211, 2221,
2231, 2241, 2261,
2571, 2581
0571, 0651, 0731,
0901, 1821
1021, 1051, 1081
0761
0821, 0991, 1021,
1081
0391, 0691, 1621,
1901, 1981
0451, 1241, 1331,
1641, 1741, 2131,
2151
0481, 1561, 1611
0791
Gorenje
Graetz
Granada
Elta
Emerson
Beko
Blaupunkt
ITT-nokia
Erres
Etron
Europhon
0101
1981
Granada (UK) 0081, 0141, 0451,
0491, 0581, 0601,
0261, 0581, 0601,
0771, 1091, 1621,
2001
0101, 1511
0281, 0371, 0551,
0651, 0781, 0861,
0881, 1131, 1181,
1361, 1461, 1971,
1991, 2281, 2311,
2341
Brandt
1031, 1311, 1521,
1561, 1641
Brionvega
Britannia
Bruns
Fenner
Ferguson
Grundig
0221, 0231, 0471,
0491, 0711, 0741,
1381, 2021, 2041,
2141, 2151
0021, 0121, 0141,
0431, 0591, 1561
0581
JVC
BSR
Bush
Hanseatic
Hantarex
Hemmermann 0061
Hifivox
Hinari
Kaisui
Kamosonic
Karcher
Fidelity
0451, 0761, 2281
Fidelity (UK) 0561, 0591, 1931,
2281
Filmnet
Finlandia
Finlux
0331, 0571
Bush (UK)
Candle
Century
CGE
0071, 0141, 0451,
1261, 1351, 1511,
1641, 1981, 2011
1141
0451, 2321
Kawasho
Kendo
Kennedy
0761
0261
0021, 0351, 0951,
1981
1021, 1081
0491, 0811, 0981,
1401, 1531, 1611,
1621, 1981, 2201,
2251, 2271
0021, 0261, 0491,
0521, 0781, 0811,
0871, 1081, 1411,
1421, 1981, 2051,
2091, 2121, 2151,
2551
Citizen
0791
i
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Konka
Korting
2701
0431, 1011, 1021,
1081, 1541
0601, 1171
0601, 1511
NEC
0141, 1711, 1721,
1731
0451, 0601, 0981,
1081, 1561, 1931,
1981, 2211, 2231,
2241
Prandoni-promce
0451, 0491,
0581
Seleco
0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
1601
0141, 0151, 0191,
1761, 1781
0021, 0261, 0581,
0641, 1021, 1081,
1981
Neckermann
Prima
0451
1981
KTV
Profex
Protech
Quelle
Lenoir
Leyeo
Lifetec
0641, 1181, 1981
0041, 0061, 0121,
0221, 0231, 0391,
0491, 0521, 0601,
0781, 1371, 1381,
1411, 1421, 1641,
1681, 2051, 2091,
2141, 2151, 2201,
2211, 2231, 2241,
2251, 2271, 2551,
2571, 2581
Sentra
Sharp
1181
2591, 2601, 2611,
2621, 2641, 2651,
2661, 2671, 2681,
2691, 2711, 2761,
2771, 2781
0121, 0131, 0581,
0611, 1081
1691, 2281
0551, 1681, 2281
0831
0351, 0451, 1901
0791
Nediator
Nicamagic
Nikkai
0101
0761
Siarem
1101, 1331, 1641,
1701, 2011
0261, 0491, 0591,
0641, 1381, 1411
0571
Nobliko
Sicatel
Siemens
1971
Loewe Opta
0151, 0221, 0231,
0451, 0741, 2011,
2201, 2211, 2221,
2231, 2241, 2261,
2571, 2581
1181
0021, 0261, 1021,
1081
0101, 0021, 0061,
0261, 0391, 0641,
0691, 0851, 0941,
1021, 1081, 1241,
1301, 1321, 1481,
1631, 1981
Nogamatic
Nokia
Logic
Logik
Lowewe
Luma
Luxman
0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431, 2461, 2791
0031, 0291, 0331,
0451, 0531, 0541,
0571, 1051, 1131,
1591, 1791, 1811,
1821, 1891, 1941,
2631
0321, 1651, 1981
0031, 0061, 0321,
0441, 1661
0601
1171
0061, 0391, 0691,
0851, 1211, 1241,
1251, 1301, 1481,
1511, 1681, 1691,
1981, 2371, 2421
2011
1101, 1331, 2011
0151
0021, 0121, 0141,
0221, 0601, 1561,
1741, 1981
Radiomarelli
0101, 0451, 0661,
0771, 1081
Silver
Singer
Radionette
Radiola
0031, 2051, 2091
2291
Luxman Stereo Tuner 0791
Luxor
0001, 0061, 0181,
Rank
0481, 2151
Sinudyne
0341, 0421, 0451,
0461, 0491, 0601,
0671, 1351, 1371,
1561, 1601, 1911,
1921, 1981
Rbm
2131, 2151
Nordmende
Rbm (UK)
Rediffusion
0481
0451, 0661, 1641,
1981, 2331
Rediffusion (UK)
0061, 0081,
1031
Lyco
Magnadyne
1181
Skantic
Solavox
Sonoko
Sony
0451
0021, 0061, 0261,
0581, 0641, 0771,
1021, 1081, 1621,
1981
0261, 0491, 0581,
0591, 0641, 0761,
1091, 2001
0101
0101
1081
0101
0061, 0451, 0601,
0691, 1101, 1151,
1241, 1271, 1301,
1511, 1561, 1681,
1691
Rex
0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
0451, 1641, 2011
1181, 1511, 0101
0141, 0171, 1121,
1681, 1691, 2751
1171
Oceanic
Oceanic (F)
Magnafon
Onceas
Onwa
Orion
Rft
0991, 2511
Soundesign
SSS
Stern
Roadstar
Rotel
Saba
1321, 1511
0151
1171
0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
0691
0791
0161, 0331, 0611,
1021, 1421, 1771,
1791, 2081
0451, 0191, 1331,
1531
Manesth
Marantz
Marelli
Mark
0291, 0331, 0421,
0451, 0531, 0541,
0571, 0581, 0651,
0731, 0931, 1021,
1071, 1081, 1131,
1791, 1811, 1821,
1891, 1941, 2631
1971
Sunkai
Supra
Tandberg
Matsui
Osaka
Osaki
Osume
Otto Versand
Saccs
Saisho
0451, 0601, 1161,
1241, 1301, 1511,
1671, 1681, 1691
0011, 0041, 0061,
0071, 0341, 0451,
0671, 1291, 1351,
1521, 1561, 1601,
1641, 1911, 1921,
1931, 1981, 2321
0261, 0491, 0581,
0641, 1091, 1371,
1411, 2001
0101, 0601, 0841,
0981, 1101, 1181,
1371, 1511, 2011
0141, 0151, 0401,
0601, 0801, 0821,
0981, 1021, 1101,
1111, 1291, 1351,
1691, 1741, 2051,
2091, 2551
Tandy
Maximal
McMichael
Medion
0071, 1981
1281
Pael
Panasonic
0591, 1411
Tashiko
Tatung
0141
2591, 2601, 2611,
2621, 2641, 2651,
2661, 2671, 2681,
2691, 2711, 2721,
2761, 2771, 2781
1511
0231, 0741, 1001,
1041, 1081, 1481,
2071, 2081
0031, 0201, 0211,
0451, 0701, 1311,
1751, 1961, 2561,
2741
Salora
0271, 0581, 0601,
0971, 1101, 1681,
1691
2621, 2641, 2711,
2761, 2771, 2781
1311
0791
1171, 1231, 1261
1141
Tcm
Panoramic
Pathe Marconi 0571
Pathe’ Cinema (F)
2351
Memorex
Metz
Technics
Techwood
Teknika
Tele
0431, 0591,
1621, 1661,
1971
Sambers
Samsung
Sanyo
MGA
Micromaxx
1231
Pausa
Pauza
Perdio
Philco
1511
1511
0891, 1101
Teleavia
0571, 0651, 0731,
1821
2591, 2621, 2641,
2651, 2711, 2761,
2771, 2781
0221, 0231, 0491,
1381, 2141, 2151
2281
0141, 0201, 0231,
0661, 1191, 1201,
1231, 1671, 1691,
1741
0491, 0501, 0581,
0591, 0761, 0771,
1371, 1431, 2031
0791
Telefunken
0291, 0301, 0311,
0551, 0731, 1131,
1471, 1591, 1791,
1801, 1811, 1821,
1991, 2161, 2171,
2181, 2191, 2201,
2251, 2271, 2521,
2631
1511
2381, 2391, 2401,
2411
1331, 2091
0601
0331, 0481, 0531,
0571, 0631, 0651,
0731, 0901, 1241,
1571, 1591, 1791,
1811, 1821, 1891,
1941, 2531
0021, 0491, 0811,
0981, 1021, 1081,
1401, 1611, 1621,
1751, 2201, 2251,
2271, 2451, 2471
0101, 0361, 0591,
0621, 0681, 0751,
0761, 1021, 1081,
1281, 2031, 2281,
2291, 2431, 2441,
2511, 2731
Minerva
Mistral
Mitsubishi
Philips
SBR
0681, 0751, 1281,
2281
Teletech
Tempest
Mivar
Schaub Lorenz 0451
Schneider
0021, 0071, 0091,
0451, 0511, 0591,
0601, 0751, 1321,
1361, 1621, 1641,
2101, 2111, 2291
1171, 1261
Tensai
Texet
Thomson
MTC
Multitech
Phoenix
Phonola
Pioneer
1081
0751, 1081
0291, 0451, 1341,
1821
0261, 0581, 0601,
0641, 0981, 1321,
1511
Scott
SEG
Murphy
Murphy (UK) 0081, 1031
N.E.I.
NAD
0451, 2091
Prandoni-prince
0411, 0451,
0491, 0581,
1411
0261, 0601, 0821,
0991
0101, 0961
1341
SEI
0641, 0691, 1081,
1301, 1481, 1981
Thorn
0741, 0861, 2091,
2251, 2271, 2281
ii
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Thorn-Ferguson 0281, 0371, 0551,
0651, 0781, 0861,
Nikko
Nokia
1136, 1146
0066, 0126, 0176,
0446, 1156, 1166,
1336
0786
0966
0046, 0176, 0296,
0936, 0956, 1306
0946
0616, 0686, 0706
0396
SATELLITE TUNER
VCR
Aiwa
Akai
Akai
1276
0042, 0352, 0432
0042, 0422, 0492,
0582, 0612, 0642,
0652, 0762, 0912
0002, 0112, 0282,
0332, 0342, 0972
0322, 0432, 0452
0002
0881, 1131, 1181,
1361, 1461, 1971,
1991, 2281
Alba
Amstrad
0826, 1276
0166, 0796, 1016,
1026, 1296
0476
Norsat
Otto Versand
Pace
TMK
Toshiba
0141, 0791, 1471
0141, 0381, 0481,
1221, 1271, 1701,
1741, 1851, 2151,
2801, 2811
Ankaro
Ast
Alba
0406
Astra
0126
Amstrad
Anitech
Anitsch
Pace Mss
Palcom
Palsat
Barcom
Blaupunkt
0476
0966
1002
Trans Continens 0451
Bmc Satellite 0106
British Telecom
ASA
Audiosonic
Baird
Bang & Olufsen
Baur
Blaupunkt
0012, 0052
0002
Tristar
Triumph
Uher
2281
Paltec
Panasonic
Pansat
0706
0806, 1306
1076
0326, 0346, 0476,
0956, 1126, 1186,
1196, 1206, 1216,
1306, 1316
1176
0306, 0896
0966
1056
0316, 0786
1186, 1196, 1206,
1216
1276
0481, 0581, 2121
0431, 0451, 0481,
0491, 0511, 1311,
1541
0021, 0261, 0591,
1021, 1081, 1981
1181, 2051
1971
Bush
0826
0956
0196, 1276
0016, 0696, 1006
0616
0042, 0282, 0492
0042
0052, 0062, 0812
0062, 0092, 0252,
0462, 0672, 0992
0032
0002, 0282, 0332,
0342, 0512, 0972
0812
0112
0042, 0432, 0762
0072, 0482
0112, 0282, 0622
0112, 0282, 0622
0012
0112
0042, 0052, 0432,
0942
0052
0052, 0132, 0432,
0532, 0602
0442
0042, 0632
0052, 0432, 0532
0432
0012
Bush (UK)
Cambridge
Chaparral
Columbus
Connexions
Philips
Ultravox
0306, 0426
Brionvega
Bush
Universum
Univox
Vegavox
Vexa
Victor
Videoton
Vortec
Prosat
Ptt Telecom
Quelle
Radix
Rediffusion
Rft
Discus Elipse 0856, 0866
Diskxpress
Drake
0426, 0476
1516
0811
Bush (UK)
Capehart
CGE
0101, 1511
1441, 1591
2481
0101, 0651
0411, 0451, 0491,
1021, 1081
0451
0431, 2201, 2241
0021, 0061, 0261,
0591, 0641, 0761,
1091, 1971, 1981,
2001
Echostar
0226, 0236, 0606,
0626, 0666, 0926,
0996, 1046, 1056,
1066, 1106
1286
Craig
Crown
Daewoo
Dansai
Daytron
Decca
Voxson
Sagem
Sakura
Salora
1256
Elta
0566, 0816
0066, 0126, 0136,
0446, 0456, 0486,
0496, 0576
0746, 0756
0406
0896
0646
1266
1096
0416
0896, 0966
0906
0476
0876
0736, 0946
0306
0156, 0396, 1036,
1086
0636
1116, 1366
0916
Elta Sat
Eurodec
Ferguson
0146
Waltham
Watson
Watt Radio
1226, 1236, 1246
0046, 0176, 0186,
0296, 0846, 0956,
1306
Samsung
Sat
Satcom
Sateco
Sector
Sedea
Sentra
Siemens
Sintrack
Skylab
Skyscan
Sony
Decca (UK)
Degraaf
Finlux
Fracarro
Fuba
0976
0026, 0536, 0776
0476, 0616, 0636,
1056
Wega
0141, 1081, 1981
1021
0101
Dixi
Dual
Dumont
Dynatech
Dynatron
Elbe
Wega Color
Weltblick
Weston
Giucar Record 0206, 0336
Grundig 0176, 0946, 0956,
0966
High Performance
1621
White Westinghouse 0101, 0261,
0431, 0591,
0761, 1401,
1541
0916
0122
0072
Hirschmann
Hitachi
0756, 0966
0446, 0516, 0706,
0946
Elin
Emerson
0012, 0162, 0202,
0432, 0512, 0522
0012
0042, 0712, 0722,
0852, 0902, 1012,
1022, 1082
Yoko
Zanussi
0601, 1511
0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
Stella
Strong
Icx International
ITT
0886
Erres
Ferguson
0066, 0126, 0176,
0446, 1156
0066, 0126, 0176,
0446, 1156
0146
0846, 0986
0246
1276
Stv
Tandberg
Tandy
Tantec
Tatung
Technisat
ITT/Nokia
Zoppas
0451
Fidelity
Finlandia
Finlux
0432
0052, 0532
Jeemon
Jerrold
Johansson
JVC
0616
CABLE
Cabletime
Clyde Cablevision
Filmnet
France Telecom
GEC
Jerrold
Movie Time
NSC
Philips
Pioneer
Samsung
Scientific Atlanta
Starcom
STS
Tele
Tele+1
Teleservice
Tudi
United Cable
Zenith
0012, 0042, 0052,
0082, 0262, 0382,
0432, 0462, 0492,
0532, 0572, 0602,
0912
0002, 0912
0162, 0482, 0532,
0542, 0572, 0592
0516, 0546
0086, 0096, 0526,
0556, 1056
0306
1446, 1456, 1476
1426
1396, 1436
1386
1426
1416
1466
1466
1386
0006
1496
Kathrein
0116, 0266, 0276,
0366
Telecom
Telemax
Thorn-Ferguson
0586
Kosmos
Kyostar
Leng
0266
1036, 1086
0246
First Line
Fisher
0046, 0076,
0176, 0186,
0956
Lifesat
Luxor
1326, 1346, 1356
0126, 0136, 0446,
0466, 0506, 1156
0356
Formenti-Phoenix
Frontech
Funai
GBC
GEC (UK)
Geloso
0012, 0052
Toshiba
Triad
Uniden
0946
0406
0112
0432
0002
0022, 0052
0002
1172
0012, 0122, 0812,
0952
0002, 0072, 0282,
0432, 0502
0002
0022, 0042
0052, 0132, 0532,
0572
0036, 0216, 0676,
0716, 0726
0886
0756, 1036, 1076
0436
Macab
1486, 1506
Maspro
0016, 0116, 0256,
0956
US Electronics
Vortec
Vtech
Winersat
Wisi
1416
1466
1436
1436
1406, 1476
1376
1416
Medion
Metz
1326, 1346
0966
General Technic
GoldStar
0246
Micromaxx
Mitsubishi
Morgans
Muratto
NEC
1326, 1346
0966
0596
0056, 0356, 0376,
0386, 0406, 0656,
1056, 1156
0916
0266, 0406
0406
Goodmans
0406
Goodmans (UK)
Graetz
Granada
Wolsey
Zehnder
Zender
1406
0286, 0316, 0766,
0786, 0836
0046
Network
Granada (UK) 0052, 0092, 0462,
0602, 0812, 0822
iii
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Grundig
0052, 0062, 0092,
0232, 0252, 0262,
0752, 0802
Nordmende
0042, 0102, 0142,
0192, 0222, 0242,
0392, 0402, 0632,
0732, 0742, 0762,
0782, 0792, 0832,
0842, 0872
0462
0132, 0502
0162, 0202, 0312,
0442, 0512, 0522,
0982
STS
Sunkai
Sunstar
Sylvania
Symphonic
Tandberg
0602
0512
0432
CD PLAYER
Accuphase
0315
Adc
0865
Hanseatic
Harman/Kardon
Hcm
0052, 0812
0432, 0912
0432, 0912
0062, 0162, 0522,
0932
0132, 0432
0042, 0052, 0432,
0922
1142, 1162, 1172
0042, 0432
0462
0012, 0432
0042, 0192, 0632,
0732, 0742, 0762,
0782, 0882, 0892
1032, 1042, 1052
0002
Adcom
Akai
0785, 1015
0115, 0125, 0725,
0735, 0745, 0935,
1155
0122, 0922
0002
0002, 0202, 0412,
0442, 0522
0042, 0172, 0292,
0432, 0602, 0662,
0812, 1022
0072, 0432
0442
0002, 0052, 0072
1142, 1162, 1172
0022, 0052
Hinari
Olympus
Optonica
Orion
Tashiko
Tatung
Arcam
1875
Hitachi
Arcam-Rotel
0165
Audio-Technica 0835
TCM
Teac
Technics
Teknika
Telefunken
Audiosonic
Awia
0155
Imperial
Ingersol
Inno Hit
Innovation
Interfunk
Irradio
Osaka
Osaki
Otto Versand
Panasonic
0432
1105, 1235, 1245,
1765, 1915, 1935
0875
0002, 0012, 0432
0052, 0062, 0812
0022, 0212, 0462,
0672, 0992, 1092,
1102, 1182
0172, 0602
0432
1062
0052, 0082, 0092,
0152, 0182, 0362,
0372, 0382, 0472,
0502, 1072
0052, 0152
0012
0052, 0142, 0372,
0472
0112
0432
0052, 0152
BSR
California Audio Lab 1075
Carrera
0555, 0875
0002, 0012
Carver
0825, 1415
ITT
0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762
0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762
0042
0042, 0102, 0142,
0272, 0742, 0762,
0782, 0902
0052, 0072, 0812
0492
0042, 0142, 0572
1142, 1162, 1172
0432
0052, 0092, 0152
0002, 0072, 0442
0162
0492, 0572, 0812
0432
0052
0572
0012
0012, 0052, 0092,
0122, 0502
Pentax
Perdio
Philco
Philips
Tempest
Tenosal
Thomson
Cyrus-Rotel
Denon
0205
0045, 0955, 1045,
1595, 1795, 1805
1005
0042, 0102, 0142,
0192, 0402, 0632,
0762
ITT-Nokia
Dual
Elin
0185
Thorn
0042, 0902
Emerson
Fisher
1015, 1285, 1675
0105, 0595, 0605,
0825, 1165, 1175
0525, 0825, 0855,
0875, 0995, 1265,
1285, 1345, 1355,
1485, 1575, 1675,
1715, 1825
Jensen
JVC
Thorn-Ferguson 0042, 0222, 0302,
0712, 0722, 0742,
Phonola
Pilot
Pioneer
0762, 0852, 0862,
0872, 0902
0522
0002
0042, 0622, 0912,
1212
0012, 0072
0922
0042, 0072
0032
0072
Genexxa
Karcher
Kendo
Kenwood
Lifetec
Lloyd
Loewe Opta
Logik
TMK
Tonsai
Toshiba
Portland
Proline
Pye
Quartz
Quelle
GoldStar
Grundig
0555, 1185, 1195,
1585
0175
0572
Totevision
Triumph
Uher
Ultravox
Unitech
Vector Research 0122
Victor
Videon
Weltblick
White Westinghouse 0032
0012, 0032, 0042,
0052, 0062, 0072,
0092, 0202, 0462,
0552, 0942
Harman Kardon 0495, 0565, 0325,
1135, 1145, 1155
Luma
Luxor
Hitachi
0065, 0585, 0685,
0945, 1005, 1015,
1225, 1545
M Electronic
Magnadyne
Magnasonic
Manesth
Marantz
Radionette
Realistic
0022
0012, 0072, 0132,
0432, 0482, 0502,
0532, 0572
1072
0042, 0742, 0782
0952
0042, 0142, 0192,
0222, 0242, 0392,
0632, 0732, 0742,
0762, 0772, 0782,
0792, 0872
0162, 0202, 0292,
0442, 0512, 0522,
0972
0192, 0572, 0812,
0822, 0912
0052, 0072, 0622,
0652, 1192
0042, 0102, 0142
1162, 1172
0012
Innovation
ITT-Nokia
JVC
1995, 2005, 2015
0185
0385, 0395, 0455,
0575, 0585
Ret
Rex
Ricoh
Saba
Xenon
Yoko
0162
0012, 0062, 0072
Mark
Marta
Matsui
0012
0012
Karcher
0485
Kenwood
0025, 0055, 0145,
0215, 0595, 0675,
0695, 0705, 0715,
0925, 1355, 1485,
1575, 1675, 1715,
1825
0012, 0442, 0512,
0522, 0812, 0972
1142, 1162, 1172
0012, 0132, 0432,
0482, 0532, 0572
0062, 0092, 0932
0912
1142, 1162, 1172
0062, 0092, 0252
0172, 0602
0052, 0062, 0142,
0912, 0922
0072, 0432
0002, 0052, 0062,
0282, 0432
0432
DVD PLAYER
Akai
JVC
0108
0168
0128
0048
0188
0208, 0228
0148
0068
0028
Medion
Memorex
Onkyo
Panasonic
Philips
Pioneer
Samsung
Sharp
Sony
Toshiba
Yamaha
Saisho
Metz
MGA
Micromaxx
Minerva
Minolta
Mitsubishi
Korting
Lifetec
0175
2015
Salora
Light Control 1155, 1645, 1655,
1665
Samsung
Linn
0165, 1875
0088
0008, 0048
Luxman
0265, 0275, 0795,
0805, 1295, 1305,
1555, 1925
Sansui
Sanyo
0042, 0142
0482, 0532, 0562,
0572
MTC
Multitech
LD PLAYER
Aiwa
Funai
Luxor
Magnavox
Marantz
0185, 1895, 1905
1865, 1875
0165, 0175, 0545,
0665, 1275, 1335,
1405, 1505, 1875,
1955
SBR
0052, 0152, 0182
0137
0137
0047
0077
0027
0037
0067
0137
0017, 0087
0057, 0097, 0107,
0117
0127
0007
Murphy
N.E.I.
National
NEC
Schaub Lorenz 0022, 0042
Schneider
0012, 0052
0462
0002, 0012, 0052,
0072, 0432
0002, 0072
Hitachi
Magnavox
Panasonic
Pioneer
RCA
Realistic
Samsung
Sony
0042, 0122, 0142,
1202
0032, 0042, 0052,
0072, 0092, 0202,
0522, 0572, 0762,
0812
0112
0092
0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762,
1152
SEG
Sei-Sinudyne 0442
Seleco
Sentra
Sharp
Shintom
Siemens
Matsushita
MCS
1095, 1605
0535
Neckermann
0042
0112
0132, 0502, 0702
0002
0062, 0092, 0252,
0572
0052, 0382, 0442,
0932
0282
0432, 0552, 0682,
0692, 0942, 0952,
0962, 1122, 1132
Medion
0075, 1995, 2005,
2015
Memorex
0525, 1015, 1265,
1275, 1285, 1675
1125
Nikkai
Nobliko
Nokia
Victor
Yamaha
MGA
Sinudyne
Micromaxx
Mission
2015
0165, 1875
Sonoko
Sony
Mitsubishi
1125, 1205
iv
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NAD
0255, 0285, 0295,
0305, 0345, 0135,
0755, 0765, 1315,
1325
MD RECORDER
Yamaha
0024
Nakamichi
NEC
0635, 0645, 1565
0405, 0535, 0775,
0785
0155, 0225
0835, 1165
0185
0155, 0225
0885, 1385, 1425,
1455, 1515
1055, 1075, 1615,
1625
0165, 0175, 0195,
1865, 1875
0095, 0335, 0425,
0435, 0445, 0525,
0855, 1035, 1945
0905, 1875
1075
TAPE DECK
Akai
0124
Denon
Grundig
Harman
JVC
0204
0134
0044
0194
Neckerman
Nikko
Oceanic
Okano
Kenwood
Korting
Luxman
0164
0134
0054, 0064, 0074,
0084
Onkyo
Panasonic
Philips
Marantz
NAD
0134, 0144
0174
Onkyo
Philips
Pioneer
Sony
0184
Pioneer
0134, 0144, 0154
0034, 0114
0094, 0104
0004, 0014
Proton
Quasar
Yamaha
Radiola
Radiotone
Realistic
1845, 1855
0485
0825, 1015, 1265,
1275, 1285, 1575
1875
Rotel
Saba
1005
SAE
1875
Salora
Sansui
0185
0415, 0965, 0975,
0985, 1255, 1675,
1875
Sanyo
0625, 0825, 0845,
0915
Schneider
Scott
Sharp
1845, 1855
1285, 1675
0025, 0035, 1025,
1115, 1275, 1635,
1785, 1815, 1825,
1835
Sherwood
Siemens
Signature
Sony
1275, 1445
1085
1155
0345, 0355, 0365,
0375, 0865, 1685,
1695, 1705, 1715,
1725, 1735, 1745
1875
Sytvania
Tandberg
Tashiko
TCM
1885
1525
1985, 2015
0235, 0245, 1275,
1365, 1375, 1395,
1435, 1465, 1475
0465, 0475, 1065,
1075, 1625
1005
Teac
Technics
Telefunken
Theta Digital
Thomson
1865
1005
Toshiba
0755, 0765
Vector Research 0555, 0865
Victor
0575
Yamaha
0005, 0015, 0895,
1815
v
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YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B.
J
A
WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
Printed in Malaysia ID
V502920-2
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
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Quick Reference Card
AMP(TUNER)
TAPE/MD
CD
DVD/LD
POWER
POWER
POWER
POWER
Input selector
buttons
Input selector
buttons
Input selector
buttons
Input selector
buttons
A/B/C/D/E
TEST
EFFECT
EFFECT
EFFECT
EFFECT
PRESET+/–
DISC SKIP+/–
DISC SKIP+/–
VOLUME
MUTE
VOLUME
MUTE
VOLUME
MUTE
VOLUME
MUTE
TV VOLUME
TV VOLUME
TV VOLUME
TV VOLUME
SLEEP
+/–
SLEEP
SLEEP
SLEEP
DISPLAY (MD)
DISPLAY
DISPLAY
DECK A/B (TAPE)
PAUSE (MD)
TV INPUT
TV INPUT
TV INPUT
REC/PAUSE
PLAY
PAUSE
SKIP+
PAUSE
SKIP+
PLAY
SKIP–
PLAY
SKIP–
PRG+,
PRG–
DIR A (TAPE)
SKIP– (MD)
DIR B (TAPE)
SKIP+ (MD)
TIME LEVEL
REWIND (TAPE)
SEARCH (MD)
SET
MENU
FAST FORWARD (TAPE)
SEARCH (MD)
SEARCH
STOP
SEARCH
SEARCH
STOP
SEARCH
STOP
V503030
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Quick Reference Card
DVD MENU
VCR
CBL/SAT
TV
VCR
POWER
CBL/SAT
POWER
TV
POWER
POWER
Numeric buttons
CHANNEL
CHANNEL
+100
CHANNEL
CLEAR
+10
EFFECT
EFFECT
CHANNEL
ENTER
CHANNEL
ENTER
CHANNEL
ENTER
VCR
CBL/SAT
CHANNEL+/–
VOLUME
TV
CHANNEL+/–
DISC SKIP+/–
CHANNEL+/–
VOLUME
VOLUME
VOLUME
TV VOLUME
TV VOLUME
TV VOLUME
TV VOLUME
MUTE
MUTE
MUTE
TV MUTE
RETURN
TV SLEEP
TV SLEEP
TV SLEEP
INDEX
DISPLAY
DISPLAY
DISPLAY
TV INPUT
TV INPUT
TV INPUT
VCR REC*1
VCR PLAY
VCR REC*1
VCR PLAY
TV INPUT
MENU UP
VCR
PAUSE
VCR
PAUSE
MENU UP
MENU SELECT
MENU LEFT
MENU SELECT
MENU LEFT
MENU RIGHT
MENU RIGHT
VCR
REWIND
VCR
REWIND
VCR FAST
FORWARD
VCR FAST
FORWARD
TITLE
MENU
MENU
RECALL
MENU DOWN
VCR STOP
MENU DOWN
VCR STOP
*1
Premere due volte questo tasto per iniziare la registrazione.
Presione dos veces este botón para empezar a grabar.
Druk tweemaal op deze toets om met opnemen te beginnen.
Press this button twice to start recording.
Appuyer deux fois sur cette touche pour commencer l’enregistrement.
Drücken Sie diese Taste zweimal, um die Aufnahme zu starten.
Tryck två gånger på den här knappen för att börja spela in.
V503030
Download from Www.Somanuals.com. All Manuals Search And Download.
Download from Www.Somanuals.com. All Manuals Search And Download.
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