Yamaha Recording Equipment DTR2 User Manual

YAMAHA  
Professional Series Digital Audio Tape Recorder  
OWNER'S MANUAL  
MODE D'EMPOl  
BEDIENUNGSANLEITUNG  
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Thank you for purchasing the YAMAHA DTR2 Digital Audio Tape Recorder.  
SAFETY INSTRUCTIONS  
FCC INFORMATION (U.S.A.)  
1. IMPORTANT NOTICE: DO NOT MODIFYTHIS UNIT!  
This product, when installed as indicated In the instructions  
contained in this manual, meets FCC requirements.  
Modifications not expressly approved by Yamaha may void your  
authority, granted by the FCC, to use the product.  
CAUTION: TO REDUCE THE RISK OF ELECTRIC  
SHOCK, DO NOT REMOVE COVER (OR BACK) NO  
USER-SERVICEABLE PARTS INSIDE, REFER  
2. IMPORTANT: When connecting this productto accessories and/  
or another product use only high quality shielded cables. Cable/  
s supplied with this product MUST be used. Follow all installation  
instructions. Failure to follow instructions could void your FCC  
authorization to use this product in the USA.  
SERVICING TO QUALIFIED SERVICE PERSONNEL.  
3. NOTE: This product has been tested and found to comply with  
the requirements listed in FCC Regulations, Part 15 for Class "B"  
digital devices. Compliance with these requirements provides a  
reasonable level of assurance that your use of this product, in a  
residential environment, will not result in harmful interferencewith  
other electronic devices.  
This equipment generates/uses radio frequencies and, if not  
installed and used according to the instructions found in the  
users manual, may cause interference harmful to the operation of  
other electronic devices. Compliance with FCC regulations does  
not guarantee that interference will not occur in all installations. If  
this product is found to be the source of interference, which can  
be determined by turning the product "OFF" and "ON", please try  
to eliminate the problem using one of the following measures:  
• Explanation of Graphical Symbols  
The lightning flash with arrowhead symbol, within an  
equilateral triangle, is intended to alert you to the presence  
of uninsulated "dangerous voltage" within the product's  
enclosure that may be of sufficient magnitude to constitute a  
risk of electric shock to persons.  
The exclamation pointwithin an equilateral triangle is  
intended to alert you to the presence of important operating  
and maintenance (servicing) instructions in the literature  
accompanying the appliance.  
Relocate either the product generating the interference of the  
device that is being affected by the interference.  
Utilize power outlets that are on different branch (circuit breaker  
or fuse) circuits or install AC line filter/s.  
In the case of radio or TV interference, relocate/reorient the  
antenna. If the antenna lead-in is 300 ohm ribbon lead, change  
the lead-in to coaxial type cable.  
Ifthese corrective measures do not produce satisfactory results,  
please contact your local retailer that is authorized to distribute  
this type of product. If you cannot locate the appropriate retailer,  
please contactYamahaCorporation ofAmerica, Electronic  
Service Division, 6600 Orangethorpe Ave., Buena Park, CA90620  
WARNING: CHEMICAL  
CONTENT NOTICE!  
The solder used in the manufacture of this product contains  
LEAD. In addition, the electrical/electronic and/or plastic  
(where applicable) components may also contain traces of  
chemicals found by the California Health and Welfare  
Agency (and possibly other entities) to cause cancer and/or  
birth defects or other reproductive harm.  
The above statements apply ONLY to those products distributed  
by Yamaha Corporation of America or its subsidiaries.  
DO NOTREMOVEANY ENCLOSURECOMPONENTS! There  
are no user serviceable parts inside. All service should be  
performed by a service representative authorized by Yamaha  
toperform such service.  
For Canada model  
THISDIGITALAPPARATUSDOESNOTEXCEEDTHE'CLASSB"  
LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL  
APPARATUS SET OUT IN THE RADIO INTERFERENCE  
REGULATION OFTHECANADIAN DEPARTMENTOF  
COMMUNICATIONS.  
IMPORTANT MESSAGE: Yamaha strives to produce  
products that are both user safe and environmentally  
"friendly". We sincerely believe that our products meet  
these goals. However, in keeping with both the spirit and the  
letter of various statutes we have included the messages  
shown above and others in various locations in this manual.  
2
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On drum life  
CAUTION: READ THIS BEFORE OPERATING  
YOUR UNIT.  
It is recommended to replace the head drum with a new one  
within about 1,500 hours of use.  
Dew condensation  
1. This unit is a sophisticated digital audio tape recorder. To  
ensure proper operation for the best possible performance,  
please read this manual carefully.  
Dew is the moisture that collects on a cold object in a warm room.  
Dew can form on the drum and head inside the tape deck  
causing damage to tapes and head. This unit contains a dew  
prevention heater. Once the unit is connected to an AC outlet,  
the heater turns on to prevent dew from forming. It takes from 1  
to 2 hours to remove dew. When dew is detected on the drum  
2. Before using this unit for the first time, wait 1 to 2 hours after  
plugging the AC power cord into the wall outlet.  
and head, the "DEW" indicator appears and the unit does not  
3. Choose the installation location of your unit carefully. Avoid  
operate. Wait about 1 to 2 hours after the display returns to  
normal before using the unit.  
placing it in direct sunlight or close to a source of heat. Also  
avoid locations subject to vibration and excessive dust, heat,  
cold or moisture. Keep it away from sources of hum such as  
transformers or motors. If interference in TV or radio  
reception occurs during operation, increase the distance  
between the two components.  
Dew forms easily:  
In highly humid and steamy rooms.  
When carrying the unit from a cold place to a warm room.  
*
Use the unit at room temperatures from 5° C to 35° C. Dew  
forms especially easily in cold temperature regions.  
4. Do not open the cabinet as this may result in damage to the  
deck or electrical shock. If a foreign object should drop into  
the deck, contact your local dealer.  
Amplifier volume adjustment  
Digital audio tapes produce considerably less noise than regular  
records and cassette tapes, and are extremely quiet between  
programs. Be careful not to raise the volume too high and  
exceed the amplifier and speaker ratings.  
5. When removing the power plug from the wall outlet, always  
pull directly on the plug; never pull the cord itself.  
Recommended amplifier input impedance is 600 ohms or higher.  
6. Do not apply excessive force when operating switches and  
knobs.  
Connecting an amplifier (or other external audio device) having  
an input impedance that is too low may decrease the level of the  
output.  
7. When moving the deck. be sure to first pull out the power  
plug and remove all cords connecting the deck to other  
equipment.  
Rack mount  
The front panel of this unit conforms to the 2U size standards and  
can directly be installed in the 19 inch rack. However, if the  
space of the rack is small, remove 4 legs from the bottom panel,  
then install the unit in the rack. If the rack is not well ventilated,  
the temperature inside the rack becomes high. Be sure to keep  
the rack well ventilated.  
8. Do not attempt to clean this unit with chemical solvents as  
this may damage the finish. Use a clean, dry cloth.  
9.  
If the unit does not work properly while in use, after turning  
the POWER switch OFF, disconnect the AC power cord plug  
from the AC outlet and wait for about 30 seconds. After that,  
connect it again to operate.  
WARNING: THIS APPARATUS MUST BE EARTHED  
10. Be sure to read the "Troubleshooting" section of this manual  
for advice on common operating errors before concluding  
that your unit is faulty.  
IMPORTANT: The wires in this mains lead are coloured in  
accordance with the following code:  
1 1 . Keep this manual in a safe place for future reference.  
Green- and -yellow: Earth  
Blue: Neutral  
Cleaning the head  
Brown: Live  
When the head is slightly dirty, noise is heard or dropouts occur  
during playback. If the head becomes excessively dirty, a signal  
read error occurs during playback, and the sound cannot be  
heard. At this time, the "WARNING" indicator appears. If this  
As the colours of the wires in the mains lead of this apparatus  
may not correspond with the coloured markings identifying the  
terminals in your plug proceed as follows:  
The wire which is coloured green- and -yellow must be  
connected to the terminal in the plug which is marked by the  
occurs, use a commercially available digital audio cleaning tape  
or have your Yamaha dealer clean the head. After prolonged  
use, the head may require replacement due to wear. Consult  
your Yamaha dealer.  
or coloured green or  
letter E or by the safety earth symbol  
green- and -yellow.  
The wire which is coloured blue must be connected to the  
terminal which is marked with the letter N or coloured black.  
The wire which is coloured brown must be connected to the  
terminal which is marked with the letter L or coloured red.  
3
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TABLE OF CONTENTS  
FEATURES  
Cue/Review function lets you listen to the sound while  
APMSfunction allows you to program up to 30 tunes in  
any desired order  
APSSfunction skips to the beginning of previous/  
fast-forwarding or rewinding  
Fast search speed of up to 200 times the normal  
playback speed  
subsequent tunes  
Direct tune selection function allows you to quickly play  
any tune by simply entering its number  
ABS Search function allows you to locate any desired  
position on the tape by its absolute time (elapsed time  
from the start of the tape)  
Usable sampling frequencies of 48 kHz, 44.1 kHz, and  
32 kHz allow you to record/play a wide variety of digital  
sources  
Equipped with balanced type analog input/output jacks  
(XLR-3-31/XLR-3-32)  
Repeat function repeatedly plays all the tunes on the  
tape or in a program  
Equipped with two types of digital jacks (coaxial pin  
jack, optical connector)  
Skip Playback function skips undesirable sections of  
the tape  
Automatic tune number recording function  
automatically writes tune numbers on the tape during  
recording  
Convenient renumbering function allows you to  
renumber tunes after editing  
Employs a theoretically distortion-free 1-bit A/D  
converter in the A/D converter circuit, providing high-  
grand sound quality  
Combination of digital filter and 1-bit PDM D/A  
converter provides superior sound quality  
Two direct drive motors provide stable tape transport  
End Search function makes it easy to continue a  
recording from the end of a previous recording  
4
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START ID buttons  
END ID buttons  
AUTO WRITE: Press to automatically write the start ID  
signals and their tune numbers during recording.  
WRITE: Used to write the start ID signal manually  
during recording or playback.  
WRITE: Press this button at the end of a recording.  
The end ID signal is written to indicate that point.  
ERASE: Press to erase the end ID signal.  
SEARCH: Press to search for the end ID signal. The  
tape rapidly goes to the end of a recording and  
recording can be easily started from that point.  
ERASE: Press to erase the start ID signal.  
RENUMBER button  
PHONES LEVEL control  
Adjusts the volume of the headphones.  
Used to renumber the tunes in sequence from the  
beginning of the tape.  
SKIP ID buttons  
WRITE: Press to write the skip ID signal. When the  
SKIP PLAY switch is set to ON, playback skips from the  
point where this button was pressed to the beginning of  
the next tune.  
ERASE: Press to erase the skip ID signal.  
STOP button  
Press to stop the tape running.  
PLAY button  
Press to start playback. When the REC button is  
pressed, pressing this button or the PAUSE button  
initiates recording.  
REW (Rewind) button  
Press to rewind the tape.  
When this button is pressed during playback, playback  
starts from the beginning of the current tune. To play  
the previous tune, press this button again (APSS).  
FF (Fast forward) button  
Presstofastforward the tape.  
When this button is pressed during playback, playback  
starts from the beginning of the next tune (APSS).  
REVIEWbutton  
Press to rewind the tape while listening to its contents at  
approximately 3 times the normal speed.  
CUE button  
Press to fastforward the tape while listening to its  
contents at approximately 3 times the normal speed.  
REC(Record) button  
Press to enter record stand-by mode. To start  
recording, press the PLAY button or PAUSE button.  
PAUSE button  
Press to stop playback or recording temporarily. To  
resume playback or recording, press the PLAY button  
or this button again.  
REC MUTE button  
Press to create a blank section while recording. A  
blank section continues as long as the button is  
pressed.  
6
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Display window  
If this occurs, use a commercially available digital audio  
cleaning tape or have your Yamaha dealer clean the  
head.  
Remote control transmit indicator  
Lightswhen the remote control transmitter is operated.  
TOC (Table of Contents) indicator  
Lights when a tape containing a TOC is played.  
ST-ID/SKIP-ID/END-ID indicators  
Light when the start ID, skip ID or end ID signal is  
detected, orflasheswhen itiswritten orerased.  
Tune number display  
Indicates the tune number.  
APMS (Automatic Programmable Music Selector)  
indicator  
COUNTER indicator  
Lights when the display is in counter mode.  
Appearswhen programming or during program  
playback.  
ABS (Absolute time) indicator  
Lights when the display shows ABS time (elapsed  
playing time from the beginning of the tape).  
APSS(Auto ProgramSearchSystem)indicator  
Appears when the beginning ofatune is searched for.  
Peaklevelmeter  
Displays the recording level or playback level.  
Counter/ABS time/Tune playing time/Programmed  
tune number display  
Displays the tape counter reading, ABS time, tune  
playing time (elapsed playing time from the beginning  
of the current tune) or programmed tune number.  
EMPHASIS indicator  
Appears when tapes recorded with emphasis are  
played, or when recording from a digital source on  
which emphasis is applied. The emphasis function  
reduces the noise of the high frequency revel by  
boosting the high frequency level during recording  
(Pre-emphasis function) and lowering it during  
playback (De-emphasis function). This unit  
incorporates only the de-emphasis circuit. You can  
play or record emphasized signals but cannot newly  
apply emphasis to signals.  
PROG indicator  
Lights when the display shows the elapsed playing time  
from the beginning of the current tune.  
Sampling frequency indicators  
Light according to the sampling frequency of the audio  
signal.  
DEW indicator  
Play indicator  
Appears when condensation occurs in this unit (drum,  
head, etc.).  
Lights when the PLAY button is pressed.  
Recording indicator  
Lights when the REC button is pressed.  
COPY PROHIBIT indicator  
Appearswhen a recording cannot be performed with a  
digital signal. In this case, record the source using the  
ANALOG jacks.  
Pause indicator  
Lights when the PAUSE button is pressed, or in record  
stand-by mode.  
WARNING indicator  
If the head becomes excessively dirty, a signal read  
error occurs during playback, and the sound cannot be  
heard. At this time, the "WARNING" indicator appears.  
Repeat indicator  
Lights during repeat playback.  
7
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NAMES OF CONTROLS  
Rear Panel  
ANALOG INPUT jacks (unbalanced type pin-jacks)  
When these jacks are used for recording, adjust the  
input level with the REC LEVEL control.  
ANALOG INPUT terminals (balanced type Cannon-  
jacks)  
The second pin is HOT.  
ANALOGINPUTselector  
Used to select the analog input jacks between  
balanced type (XLR) and unbalanced type.  
ANALOG OUTPUT terminals (balanced type  
Cannon-jacks)  
Reference level is +4 dBm.  
Pin assignment of the balanced type (XLR-3-31/XLR-  
3-32) connectors  
ANALOG OUTPUTjacks (unbalanced type pin-jacks)  
Maximum output level is 2 V.  
OPTICAL DIGITAL INPUT/OUTPUT jacks  
These optical digital I/O jacks are based on EIAJ CP  
340 specifications.  
DIGITAL INPUT selector  
Used to select the digital input jacks between OPTICAL  
and COAXIAL.  
COAXIAL DIGITAL INPUT/OUTPUTjacks  
REMOTE jack  
Connect to the plug of the supplied remote control  
transmitter.  
These coaxial digital I/O jacks are based on IEC 958  
specifications.  
*
Never connect a remote control unit other than the  
supplied remote control transmitter.  
8
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Wired remote control transmitter  
Digit buttons  
Start ID buttons  
Skip ID buttons  
End ID buttons  
Clear button  
Call button  
Absolute time button  
Display button  
Counter reset button  
Cue button  
Program button  
Repeat button  
Open/close button  
Review button  
Fastforwardbutton  
Rewind button  
Stop button  
Play button  
NOTES:  
Recordbutton  
Pause button  
All buttons have the same functions as those on the  
front panel.  
The remote control transmitter does not require any  
battery. Power is supplied from the REMOTE jack on  
the rear panel.  
Remote control cable  
Connect to the REMOTE jack on the rear panel.  
Renumber button  
9
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CONNECTIONS  
Connecting an analog audio component  
Be sure to disconnect the power cords of both  
components from the AC outlet before connecting.  
The same channels of this unit and the other  
component should be connected properly; right to  
right, and left to left.  
1
Connect the ANALOG INPUT jacks (balanced type or  
unbalanced type) of this unit to the analog output jacks  
of the amplifier or stereo mixer, etc.  
2
3
Connect the ANALOG OUTPUT jacks (balanced type or  
unbalanced type) of this unit to the analog input jacks  
of the amplifier or stereo mixer, etc.  
Set the ANALOG INPUT selector. When using the  
balanced type terminals, set this selector to the XLR  
position. When using the unbalanced type jacks, set  
this selector to the PIN position.  
NOTE:  
Make sure all connections are securely made. Loose  
connections may cause intermittent sound or noise.  
10  
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Connecting to another digital audio tape deck, or an amplifier, etc. which has digital jacks  
When this unit is connected to another DAT deck,  
amplifier or other digital source, such as a CD player  
with digital jacks, digital-to-digital recording will be  
carried out.  
NOTES:  
When the POWER switch is turned on, the inside of the  
OPTICAL OUTPUT jack illuminates red. This red light  
(which is completely harmless) is used to send the  
digital signal.  
Be sure to disconnect the power cords of both  
components from the AC outlet before connecting.  
Do not fold or bend the optical fiber cable because it  
damages easily.  
When using the COAXIAL DIGITAL jacks  
1
Connect the COAXIAL DIGITAL INPUTjack to the  
coaxial digital output jack and the COAXIAL DIGITAL  
OUTPUT jack to the coaxial digital input jack of another  
DAT deck, or amplifier, etc. using the coaxial cables.  
2 Set the DIGITAL INPUT selector to the COAXIAL  
position.  
When using the OPTICAL DIGITAL jacks  
1
Connect the OPTICAL DIGITAL INPUT jack to the  
optical digital output jack and the OPTICAL DIGITAL  
OUTPUT jack to the optical digital input jack of another  
DAT deck, or amplifier, etc. using the optical fiber  
cables.  
2 Set the DIGITAL INPUT selector to the OPTICAL  
position.  
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11  
Connecting the remote control transmitter  
By connecting the remote control cable to the REMOTE jack on the rear panel, this unit can be operated with the remote  
controltransmitter.  
NOTES:  
Do not strike or drop the remote control transmitter.  
Do not connect this remote control transmitter to other  
equipment.  
Connect only the supplied remote control transmitter to  
theREMOTEjack.  
Also, do not getthe remote control transmitter wet or  
place it in a humid location.  
Connecting headphones  
Connecting the AC power cord  
12  
For best results, use 8-ohm to 32-ohm headphones with a  
standard stereo headphone plug 1/4" (6.3 mm).  
The headphone volume can be adjusted with the PHONES  
LEVELcontrol.  
After connecting all equipment, connect the AC power cord  
plug to an AC wall outlet.  
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DAT (Digital Audio Tape)  
DATcassettes  
A DAT cassette measures 2-7/8" x7/16" x 2-1/8" (73 mm x  
10.5 mm x 54 mm), nearly half the size of analog audio  
cassettes. Furthermore, the case is constructed to prevent  
the tape from being scratched or soiled.  
DATrecordingscheme  
In the DAT system, the head is rotated at high speed and  
mounted at an angle with respect to the direction of tape  
travel.  
The PCM (audio signal) area is recorded with the digital  
signal which has been converted from the audio signal.  
(PCM=Pulse Code Modulation). The subcode areas are  
recorded with information such as the tune number,  
individual tune elapsed time and absolute time. The  
subcode areas enable accurate tune searching since the  
signals in the subcode areas are read while the tape is  
moving.  
Sampling frequencies  
There are 3 sampling frequencies used when converting  
analog audio signals to digital signals: 48 kHz, 44.1 kHz  
and 32 kHz.  
48 kHz: Used for commercially available DAT music tapes  
or standard recorded DATtapes.  
44.1 kHz: Used for commercially available DAT music tapes  
and CDs.  
32 kHz: Used for satellite broadcasts.  
At 32 kHz, this DAT deck can not record analog signals.  
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13  
 
Preventingaccidentalerasure  
To prevent accidental erasure, slide the tab to the left to  
open the hole. The tape cannot be recorded even if the  
REC button is pressed. See Fig. A.  
To allow recording on the tape again, slide the tab to  
the right to close the hole. See Fig. B.  
Handling digital audio tapes  
Digital audiotapes are preciselyconstructed to record  
and play back highly accurate data. Never open the  
cassette lid and touch the tape. Touching the tape may  
damaged it.  
Do not use scratched, dirty orwrinkled tapes. Use of  
such tapes may cause sound dropouts or damage the  
head.  
Storing digitalaudiotapes  
Always keep tapes that are not in use in their cases.  
Avoid storing tapes in direct sunlight, near heat  
generating equipment or in humid locations.  
Avoid storing tapes in dusty locations.  
Do not store near strong magnetic fields (e.g. near  
electric clocks, toys using magnets, etc.). Magnetic  
fields will damage recordings.  
Do not drop or subject the tape to strong vibrations.  
Rewind the tape after use. If there is any slack in the  
tape, rewind again.  
Serial Copy Management System (SCMS)  
Most digital sources contain a copy prohibit code. This  
unit utilizes the serial copy management system that  
permits digital-to-digital recording for at least one  
generation.  
Even when a tape which has been recorded from analog  
sources is dubbed, this system regards the source as a  
digital source containing the copy prohibit code since the  
dubbing was performed through the A/D converter, and  
permits digital-to-digital recording only for one generation.  
14  
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LOADING AND UNLOADING CASSETTES  
Loading a cassette  
1
2
Turn the POWER switch ON.  
Press the OPEN/CLOSE button  
cassetteholder.  
3 Place a DAT cassette in the cassette holder.  
Be surethewindow ofthe cassettefacesyou and the  
slide tab faces you on the right side.  
to open the  
4
Press the OPEN/CLOSE button  
the cassette holder.  
again to close  
"OPEN" flashes on the display.  
Unloading the cassette  
1
Press the OPEN/CLOSE button  
cassette holder.  
to open the  
2
3
Remove the cassette from the cassette holder.  
Press the OPEN/CLOSE button  
thecassetteholder.  
again to close  
NOTES:  
The cassette holder will not close completely if the tape  
is inserted improperly. In this case, press the OPEN/  
CLOSE button  
insert again.  
to open the cassette holder and  
If the cassette holder does not close completely, it will  
automatically open afterabout 10 seconds even if the  
OPEN/CLOSEbutton  
is not pressed.  
Do not attempt to open or close the cassette holder by  
hand. Doing so will damage it.  
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15  
 
RECORDING  
Introduction to DAT recording  
Unlike ordinary audio cassette tapes, various control codes  
called subcodes can be written on the DAT cassette tape  
separately from the audio signal. The subcodes are written  
for a variety of convenient playback and tape editing  
functions. You can write three types of subcodes; start ID,  
end ID and skip ID.  
Start ID: Indicates the beginning of each tune and is used  
for programming and searching for tunes.  
End ID: Indicates the end of the recording.  
Skip ID: Indicates the beginning of a section to be  
skipped.  
In addition, absolute time is automatically written after the  
recording is completed.  
Before making an important recording, it is  
recommended that you make a trial recording to ensure  
that the desired audio is being recorded properly.  
Recording from the digital input jacks (coaxial or optical jack)  
This procedure is recommended when recording from another DAT deck  
or other digital audio source.  
1
Turn the POWER switch ON.  
7
When the recording is completed, press the END ID  
WRITEbutton.  
Afterthe end ID signal is written, the tape stops  
automatically.  
If the end ID signal is written, it is easy to continue a  
recording from the end of a previous recording. See  
page 20.  
Wheneverthe POWERswitch isturned ON, the START  
ID AUTO WRITE button is setto on and the button  
lights up. The tune numbers will be written  
automatically during recording. If the tune numbers are  
notnecessary, presstheSTARTIDAUTOWRITEbutton  
so that the light of the button goes off.  
NOTES:  
2
3
Set the INPUT selector to the DIGITAL position.  
When digital sources are recorded from a DAT deck  
which can send category code "DAT and the start ID  
and skip ID signals to digital outputs, make sure the  
START ID AUTO WRITE button is turned on (lit). The  
unit records start ID and skip ID signals, which are  
contained in the source, as they are.  
If the power of the source to be recorded is turned off,  
the unit enters record stand-by mode and the tape  
running stops. In this state, turning on the power of the  
source to be recorded resumes recording starting from  
Set the DIGITAL INPUT selector on the rear panel  
according to thejacks to be used.  
Coaxial jacks: Setto the COAXIAL position.  
Optical jacks: Set to the OPTICAL position.  
Load a DAT cassette in the cassette holder.  
4
5
Press the REC button  
The unit enters record stand-by mode. When recording  
from the beginning of the tape, a sound muted section  
of about 7 seconds is automatically recorded before the  
deck enters record stand-by mode.  
the next tune number.  
When recording through the digital input jacks, no  
signal is output to the digital output jacks.  
6
Set the source to be recorded to play mode and  
Be sure to set the INPUT selector and DIGITAL INPUT  
selector before recording. If they are switched during  
recording, the unit enters pause mode.  
Dress the PLAY button  
to start recording.  
When the START ID AUTO WRITE button is set to on  
and the unit encounters a sound muted section of more  
than 2 seconds, a start ID is written and the tune is  
The sampling frequency is automatically switched  
according to the source being recorded.  
When recording from the digital input jacks, there is no  
need to adjust the recording level.  
numbered automatically.  
16  
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Recording from the analog input jacks  
This procedure is recommended when making a recording  
from a mixing console, analog tape deck, tuner,  
phonograph or other similar external audio source.  
When recording from these sources, the tune numbers may  
not bewritten properlywith the Start ID AutoWritefunction.  
In this case, you can manually write start ID signals during  
recording or after recording. See page 19.  
1
Turn the POWER switch ON.  
8
9
Play the source to be recorded and adjust the  
recording level with the REC LEVEL control. See  
below.  
2 Set the START ID AUTO WRITE button.  
If the source to be recorded does not contain a sound  
muted section of about 2 seconds between tunes,  
presstheSTARTIDAUTOWRITEbutton sothatthe  
light of the button goes off.  
Press the PLAY button  
to start recording.  
10 When recording is completed, press the END ID  
WRITE button.  
3
4
5
Set the INPUT selector to the ANALOG position.  
Set the REC fs selector.  
After the end ID signal is written, the tape stops  
automatically.  
If the end ID signal is written, it is easy to continue a  
recording from the end of a previous recording. See  
page 20.  
Set the ANALOG INPUT selector on the rear panel  
according to the jacks to be used.  
Unbalanced pin jacks: Set to the PIN position.  
Balanced pin jacks: Set to the XLR position.  
NOTE:  
6
7
Load a DAT cassette.  
Be suretosetthe INPUT, ANALOG INPUTand RECfs  
selectors before recording. Ifthe INPUT or REC fs selector  
is switched during recording, the unit enters pause mode.  
Ifthe ANALOG INPUTselector is switched, a several-  
second blank section is recorded.  
Press the REC button  
The unit enters record stand-by mode. When recording  
from the beginning of the tape, a sound muted section  
of about 7 seconds is automatically recorded and the  
unit enters record stand-by mode.  
Toadjusttherecordinglevelwhenrecording  
from the analog input jacks  
As a guide, adjust the recording level so that the peak level  
meter is between"-18 dB" and "0". Be sure the peak levels  
do not reach "OVER". Ifthe peak levels exceed "0", "OVER"  
lights and distorted sound may result.  
If the recording levels for the left and right channels are  
different, adjust the left and right channels separately  
(See the figure.)  
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17  
To stop recording temporarily  
1
2
Press the PAUSE button  
Recording stops temporarily.  
Press the PLAY button  
or PAUSE button  
again to resume recording.  
When the START ID AUTO WRITE button is ON (lit), the  
start ID signal is written at the point where recording  
resumes.  
NOTE:  
To protect the tape and the head, the head will separate  
from the tape after about 5 minutes have passed in  
recording pause mode.  
Blanksectionsandsoundmutedsections  
With conventional analog audio tapes, the sections on  
which no recording has ever been made (blank section  
created with fast-forwarding, etc.) and the sections on  
which a recording has been made but the sound is muted  
(sound muted section created with the record muting  
function) are treated the same, and they are used to search  
for tunes, since no sound can be heard from these sections.  
Conversely, the DAT deck distinguishes between blank  
sections and sound muted sections. If blank sections  
remain on the tape, search operation using the APSS  
function may take quite a long time and search operation  
using absolute time may not be carried out properly.  
Therefore, when recording, be sure that no blank sections  
are left on the tape.  
In addition, since no-sound sections between tunes must be  
recorded on analog audio tapes for tune search operation,  
recording no-sound sections (sound muted sections)  
between tunes is recommended considering dubbing from  
DAT cassettes to analog audio tapes.  
To insert silence between tunes, press the REC MUTE  
button during recording. A sound muted section will be  
created as long as the button is kept pressed. It is  
recommended to create a sound muted section of  
about 4 seconds for dubbing onto an analog audio tape  
later on. Do not create a blank section by advancing  
the tape with the FF button  
or PLAY button  
To start recording from the middle of the tape, use the  
end search function (page 20) to locate the end of the  
previous recording. This will avoid leaving a blank  
section.  
18  
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START ID SIGNALS AND TUNE NUMBERS  
The actual number of a recorded tune on a tape and the  
Short intervals (i. e., 2 seconds or less) between tunes.  
tune number displayed on the unit may not be the same,  
even if the tune numbers are written automatically with the  
START ID AUTO WRITEfunction. This may occur due tothe  
contents of the recorded tune.  
Long quiet pianissimo passages.  
Noise or hum between tunes.  
If the tune numbers are not written properly, it may be  
necessary to add or erase the tune numbers.  
The tune numbers may not be recorded properly when  
recording from sources that contain the following:  
Conversations with breaks in them.  
When recording is performedfromsourceswithoutsilence  
betweentunes, it is recommendedtowritethetune  
numbers manually during recording or after recording.  
Low overall recording level.  
To write tune numbers manually during  
recording  
Press the START ID WRITE button (the button lights) at  
the beginning of each tune.  
EverytimetheSTART IDWRITE button is pressed, thestart  
ID signal is written and the tune number is switched to next  
number. While the start ID signal is written, the ST-ID  
indicator flashes.  
Manually writing the tune numbers is possible  
regardless of the setting of the START ID AUTO WRITE  
button.  
Up to 99 tune numbers can be written. If a tape which  
contains more than 99 tunes is played, the tune number  
is not displayed after the 100th tune.  
To write start ID signals manually during  
playback  
A start ID signal indicates the beginning of a tune. If this  
signal and corresponding tune number are not written, tune  
selection byAPSS, APMS and direct selection is  
impossible.  
If start ID signals and tune numbers are not written properly  
on a tape, insert start ID signals according to the following  
procedure, and then renumber them (page 20).  
1
During playback, press the START ID WRITE button  
(the button starts flashing) at the point where the  
start ID signal is to be inserted.  
The tape is played back for 3 seconds and then  
rewound to a point 2seconds before the START ID  
WRITE button was pressed. Playback starts from this  
pointfor 5 seconds and repeats 10 times (Test  
playback). Since the ST-ID indicator lights when the  
tape encounters the start-ID signal, the placement of  
the start ID signal can be verified. Check the position  
of the start ID signal while listening to the test playback.  
2
3
If the start ID signal is not correctly inserted at the  
beginning ofthe tune, move it backward or forward  
with the REW  
or FF  
button.  
Each time the REW button  
is Dressed, the start ID  
signal moves backward 0.3 seconds. Each time the FF  
button is pressed, the start ID signal moves  
forward 0.3 seconds.  
When the start ID signal is correctly inserted, press  
the START ID WRITE button again during test  
playback.  
The button lights and the tape is rewound to the  
beginning of the tune, and the start ID signal is written.  
(While writing, the ST-ID indicator flashes.) Playback  
resumesafterthestartID)signal iswritten.  
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19  
 
Notes on writing start ID signals  
The interval between start ID signals (playing time of a  
tune) should be 9 seconds or more. This 9-second  
interval is necessary to ensure proper operation of the  
APSSfunction, APMSfunction and renumbering tunes.  
If a start ID signal is written on a point where a skip ID  
signal has been written, the skip ID signal is erased.  
To erase start ID signals  
If a start ID signal is written on a undesirable point, you can  
erase it during playback. Be sure to renumber the tunes  
after erasing a start ID signal.  
Pressthe START ID ERASE button (the button flashes)  
when the ST-ID indicator appears on the display.  
The tape rewinds to the beginning of the tune being played  
and the start ID signal is erased. While erasing, the ST-ID  
indicatorflashes. Playback resumes after the start ID  
signal is erased.  
If a tune number is also written with the start ID, both  
signals will be erased at the same time.  
To renumbertune numbers  
When start ID signals are inserted or erased, tune numbers  
are displaced. Renumber the tune numbers following this  
procedure.  
Press the RENUMBER button in stop mode.  
The tape is rewound to the beginning of the tape, and the  
tune numbers are automatically renumbered at high speed.  
Whenever the unit encounters a start ID signal, the proper  
tune number iswritten starting from P-NO 1.  
When renumbering is completed at the end of the tape,  
the tape automatically rewinds to the beginning.  
END ID SIGNALS  
An end ID signal indicates the end of a recording. The tape  
does not advance beyond the point where this signal is  
written. Therefore, it is easy to continue a recording from  
the end of a previous recording. Also, this will avoid making  
a blank section between recordings.  
To write an end ID signal  
During recording, press the END ID WRITE button.  
A sound muted section is automatically inserted and the  
end ID signal is written. While the end ID signal is being  
written, the END-ID indicator flashes and then the tape  
automatically stops.  
When the unit encounters an end ID during playback,  
fast-forwarding or cueing, the tune number changes to  
"EE", and the tape stops automatically.  
Do not write an end ID signal if the interval between  
start ID signals is shorter than 9 seconds. APSS and  
renumbering functions may not be carried out properly.  
20  
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To continue a recording from the end of a  
previous recording  
1
Press the END ID SEARCH button in stop mode or  
during playback.  
The button starts flashing. The tape is rewound to the  
beginning and then fast-forwarded to the pointwhere  
the end ID signal iswritten (End search function). The  
light of the button goes off when the tape stops.  
2 Start recording from the point where the tape stops.  
Tune numbers and absolute time will be continued from  
thepreviouslyrecordedcontents.  
The end ID signal of the previous recording is  
automatically erased.  
To erase the end ID signal  
An end ID signal is automatically erased when successive  
recording is performed using the end search function. To  
erase an end ID signal without successive recording,  
performthefollowingprocedure.  
When thetapestopsafter end search operation, press  
the END ID ERASE button.  
The button starts flashing. When the end ID signal is  
erased, the tape stops. (While erasing the end ID signal,  
the tape is advanced for a few seconds and the END-ID  
indicator flashes.)  
To erase the recorded contents  
When a recording is made over a previous recording, the  
previous recording is automatically erased. To erase the  
recorded contents without making a new recording, perform  
the following procedure.  
1
2
3
Set the INPUT selector to the ANALOG position.  
Load the tape in the cassette holder.  
Turn the REC LEVEL control fully counterclockwise  
to 0 (MIN).  
4
5
Press the REC button  
Press the PLAY button  
The previously recorded contents will be erased.  
21  
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PLAYBACK  
Normal playback  
1 Load the tape into the cassette holder.  
2 Press the PLAY button  
To stop playback  
1 Press the STOP button  
2 To start playback again, press the PLAY button  
To stop playback temporarily  
1 Press the PAUSE button.  
2 To resume playback, press the PLAY button  
or  
PAUSE  
button again.  
To protect the tape, the pause mode automatically  
cancels after 5 minutes and the unit enters stop mode.  
To fast-forward or rewind the tape  
1 To fast-forward the tape, press the STOP button  
then the FF button  
To rewind the tape, press the STOP button  
the REW button  
then  
2 Press the STOP button  
to stop the tape running.  
22  
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APSS (Auto Program Search System)  
APSS allows you to locate the beginning of any tune during  
playback. Simply press the REW  
move backward orforward.  
NOTES:  
or FF  
button to  
For tapes with a start ID signal interval shorter than 9  
seconds, APSSmaynotfunction properly(page20).  
if a tune is not played according to the tune number  
selected with APSS, the start ID signal and tune number  
have not been correctly written. See page 19.  
Press the FF button  
to go to the beginning of the  
next tune. Press the REW button  
to return to the  
beginning of the current tune.  
Each press of the FF button  
skips to the beginning of  
the subsequent tunes. Each press of the REW button  
skips to the beginning of the previous tunes.  
The tape can be caused at the beginning of the desired  
tune by pressing the PAUSE button  
after pressing  
theFF or REW button. The desired tune can  
<Examples>  
then be played by pressing the PLAY button  
To go to tune 4 while tune 3 is playing  
once while tune 3 is playing. The  
Press the FF button  
tune number indicator changes from 3 to a flashing 4 and  
the tape is fast-forwarded to the beginning of tune 4.  
Playback starts from the beginning of tune 4.  
To replay from the beginning of tune 4 while tune 4 is  
playing  
PresstheREWbutton  
once while tune 4 is playing.  
The tune number indicator changes to a flashing 4 and the  
tape is rewound to the beginning of tune 4. Playback starts  
again from the beginning of tune 4.  
To skip to tune 8 while tune 5 is playing  
PresstheFFbutton  
three times while tune 5 is playing  
The tune number indicator changes from 5 to a flashing 8  
and the tape is fast-forwarded to the beginning of tune 8.  
Playback starts from the beginning of tune 8.  
To skip to tune 6 while tune 10 is playing  
five times while program 10 is  
Pressthe REWbutton  
playing. The tune number indicator changes from 10 to a  
flashing 6 and the tape is rewound to the beginning of tune  
6. Playback starts from the beginning of tune 6.  
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23  
To program desired tunes (APMS=Automatic Programmable Music Selector)  
You can program desired tunes in any desired order.  
If the tunes are not numbered properly, the desired tunes may not be programmed, or program playback may stop  
suddenly.  
1
2
Load the tape.  
4
Press the PLAY button  
The programmed tunes are played in the programmed  
order.  
Press the PROGRAM button.  
The APMS indicator lights.  
3
Using the digit buttons (1-0, +10, +20), enter the  
desired tune numbers in the desired order.  
To skip to the beginning of a tune in the program:  
Press the FF or REW button to skip to the  
beginning of previous/subsequent programmed tunes.  
Example:  
To selecttune 12:  
Press "+10" and "2".  
To select tune 20:  
Press "+20" and "0".  
To select tune 54:  
Press "+20" twice, "+10" and "4".  
The display shows the program number (playback  
order) and the programmed tune number.  
To check the program contents  
In stop mode, press the CALL button.  
The programmed tunes are displayed in programmed  
order.  
When the CALL button is pressed during program  
playback, the next programmed tune number to be  
played is displayed for about one second.  
To erase a programmed tune  
Press the STOP button  
then the CLEAR button.  
Each time the CLEAR button is pressed, one programmed  
tune will be erased beginning with the last programmed  
tune.  
To clear the whole program  
Press the PROGRAM button in stop mode. Also, pressing  
the OPEN/CLOSE button or turning off the power clears the  
whole program.  
24  
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Direct selection  
Any tune can be directly selected and played back by  
specifying the tune number.  
In stop mode or play mode, enter the desired tune  
number using the digit buttons (0-1, +10, +20).  
Example:  
To select tune 12:  
Press "+10" and "2".  
To select tune 20:  
Press "+20" and "0".  
To select tune 54:  
Press "+20" twice, "+10" and "4".  
The beginning of the specified tune will be searched for and  
played automatically.  
The direct selection function can be used to cue up to  
the beginning of a tune. Enter a tune number and  
pressthe PAUSE button  
The specified tune is  
searched for and the unit enters pause mode. To start  
playback, press the PLAY button  
If a tune number which does not exist on the tape is  
specified, the tape fast-forwards until the end.  
Direct selection cannot be carried out on tapes which  
do not contain tune numbers, or have their tunes  
numbered incorrectly.  
Direct selection cannot be used for programmed tunes  
inAPMS.  
Absolute time search  
Playback can be started from any point when the absolute  
time (fromthe beginning of the tapeto the pointwhereyou  
want to start playback) is specified.  
1
2
Press the ABS TIME button in stop mode or  
playback mode.  
Enter the desired absolute time using the digit  
buttons(0-1).  
For example, when searching for "one hour, 25 minutes  
and 32seconds", press"1", "2", "5", "3"and"2".  
3
Press the PLAY button  
Playback starts from the specified ABS time.  
When a time longer than the recording time on the tape  
is specified, the tape will stop at the end.  
During playback, the absolute time must be entered  
within 4 seconds after pressing the ABS TIME button.  
Otherwise, the function will be canceled.  
25  
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Cue and review  
The CUE and REVIEW buttons allowyou to quickly move to  
a desired location on the tape while listening to the tunes at  
3 times the speed of normal playback.  
In stop mode:  
1 Press the CUE button to move forward or the  
REVIEWbuttontomovebackward.  
2 Press the PLAY button  
positionisreached.  
whenthedesired  
During playback:  
1 Press and hold the CUE button to moveforward or  
theREVIEWbuttontomovebackward.  
2 Playback will resume when the CUE or REVIEW  
button is released.  
When the end of the tape is reached, the tape stops  
automatically.  
NOTE:  
The CUEand REVIEW buttons donotfunctionfor  
programmedtunesinAPMS.  
Repeatplayback  
Repeat playback allows you to continuously repeat an entire  
tape or a program in APMS. To repeat a program, program  
the tunes beforehand (page 24).  
1
Press the REPEAT button.  
The indicator lights.  
2 Press the PLAY button  
The entire tape or program will be played repeatedly.  
Toreturn to normal playback, press the REPEAT button  
again.  
Repeat playback will stop automatically after playback  
is repeated 24 times.  
26  
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To skip undesirable sections-using the skip ID  
When the unit encounters a skip ID signal, the tape fast-  
forwards to the beginning of the next tune.  
To write the skip ID signal  
During playback, pressthe SKIP ID WRITE button at the  
beginning of the section to be skipped.  
The button lights. Playback stops temporarily and the skip  
ID signal is written. (While writing, the SKIP-ID indicator  
flashes.)  
Skip playback  
Set the SKIP PLAY button to the ON position.  
When a skip ID signal is detected during playback, the tape  
fast-forwards to the beginning of the next tune and  
playback resumes.  
When you want to play a tape containing a skip ID  
signal without the skip play function, set the SKIP PLAY  
button to the OFF position. The tape will be played  
normally, but the skip ID signal is not erased.  
To erase the skip ID signal  
1
2
Set the SKIP PLAY button to the OFF position.  
Play the tune which contains the skip ID to be  
erased, and press the SKIP ID ERASE button when  
the SKIP ID indicator lights.  
The tape is rewound to the position where the skip ID  
was written. The SKIP ID indicator flashes and the skip  
ID is erased. Playback resumes after the skip ID is  
erased.  
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27  
To display elapsed time and the tape counter  
Each time the DISPLAY button is pressed during playback,  
the display changes to 1, 2, or 3, in that order.  
1
The PROG indicator lights and the elapsed playback  
time from the beginning of the current tune is  
displayed.  
When a tune which does not contain a start ID signal is  
played,"-- M -- S" is displayed.  
The absolute time is displayed during APSS mode.  
In fast-forward, rewind, cue or review mode,"-- M --S" is  
displayed.  
2
3
The COUNTER indicator lights and the tape counter  
reading is displayed.  
To resetthe counter reading, press the COUNTER  
RESET button. The display shows "0000". In any other  
display mode, the COUNTER RESET button does not  
function.  
The ABS indicator lights and the total elapsed time  
(absolute time) from the beginning of the tape is  
displayed.  
For tapes on which the absolute time is not recorded, "--  
M --S" is displayed.  
NOTES:  
When a section which does not contain both a start ID  
signal and a tune number is played, the tune number is  
notdisplayed.  
28  
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TROUBLESHOOTING  
If this unit functions abnormally during operation, first check the following items. If the unit continues to function abnormally, or  
if an abnormality other than those listed below appears, turn off the deck's power and disconnect the AC plug, then consult  
your Yamaha dealer or servicing personnel.  
PROBLEM  
CHECK  
Is the AC power cord plugged in?  
Power does not turn on.  
The cassette holder does not close after a tape is  
loaded.  
Is the tape loaded properly?  
Is aDATcassette used?  
This unit does not operate.  
Is there a tape loaded?  
Arethereanyforeignobjects inthecassette holder?  
Is there dew on the head or tape?  
No playback sound from both channels.  
No playback sound from one channel.  
The absolute time is incorrectly displayed.  
Is this unit connected properly to an amplifier?  
Is a cable loose or disconnected?  
Are the program numbers written in the correct order?  
The actual number of recorded tunes and the tune  
numbers do not match, (e.g. There are 6 recorded  
tunes but tune numbers are 1, 2, 3, 4 and 5 only.)  
This can happen with certain types of recorded material  
(caused by noise between tunes, short interval between  
tunes, dropouts, etc.). See page 19.  
Atune selectedwithAPSSorAPMS is notthedesired  
tune.  
Do the actual number of recorded tunes and the tune  
numbers match? See page 19.  
The tape stops during APMS operation.  
Are all the APMS tune numbers valid?  
Are the tune numbers renumbered?  
The sound from the digital input cannot be recorded.  
Is the INPUT selector set to DIGITAL?  
Is the coaxial cable or optical fiber cable connected  
properly?  
Is the DIGITAL INPUT selector on the rear panel set  
properly?  
Is the optical fiber cable cut or broken?  
The recording level cannot be adjusted when recording  
from the digital input.  
There is no need to adjust the recording level when  
recording from the digital input.  
Clicking sounds are heard from the tape deck when a  
button is pressed.  
These sounds are heard when the tape or head protection  
function is operating.  
These sounds may also be heard when a blank section on  
the tape is reached during fast-forwarding or rewind.  
(These sounds are normal.)  
29  
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SPECIFICATIONS  
DAT system Rotary head type digital audio tape recorder  
Power supplies  
U.S.A. model  
Loading system  
Horizontal front loading  
120 V, 60 Hz  
230 V, 50 Hz  
Recording system  
Recording sampling frequency  
Digital  
Analog  
Quantization system  
Tape speed  
Fast winding time  
Serial Copy Management System  
Europe model  
Dimensions (W x H x D)  
480  
x
88 329 mm  
x
48 kHz, 44.1 kHz, 32 kHz/2-channeI  
48 kHz, 44.1 kHz/2-channeI  
16 bit linear conversion  
8.15 mm /sec.  
45 sec. maximum for 120-minute tape  
(18-7/8" x 3-7/16" x 12-15/16")  
6 kg (13 IDS. 4 oz.)  
Weight  
Accessories  
Remote control transmitter  
1
Overall frequency response  
fs=48 kHz  
* Specifications subject to change without notice.  
2 Hz to 22 kHz, ±0.5 dB  
fs=44.1 kHz  
THD + Noise  
Dynamic range  
Separation  
2
Hz to 20 kHz, ±0.5 dB  
0.003% at 1 kHz  
92 dB  
96 dB at  
1
kHz  
Digital input  
Coaxial  
Optical  
0.2 Vp-p/75 ohms (IEC 958)  
(EIAJ CP-340)  
Digital output  
Coaxial  
Optical  
0.5 Vp-p/75 ohms (IEC 958)  
(EIAJ CP-340)  
Analog input  
Balance  
Unbalance  
Ref. level +4dB/10 kohms (XLR 3-31)  
0.3 Vrms minimum  
for full scale (RCA pin jack)  
Analog output  
Balance  
Ref. level +4 dBm/  
Full scale +22 dBm (XLR 3-32)  
2 Vrms maximum (RCA pin jack)  
75 mW/32 ohms maximum  
(1/4" phonejack)  
Unbalance  
Headphone output  
Power consumption  
28  
W
30  
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This product complies with the radio frequency interference  
requirements of the Council Directive 82/499/ECC and /or  
87/308/EEC.  
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YAMAHA  
SERVICE  
This product is supported by Yamaha's worldwide network of  
factory trained and qualified dealer service personnel.  
In the event of a problem, contact your nearest Yamaha  
dealer.  
YAMAHA CORPORATION  
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