EN
Owner’s Manual
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SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter).
This product may also use “household” type batteries. Some of these
may be rechargeable. Make sure that the battery being charged is a
rechargeable type and that the charger is intended for the battery being
charged.
DO NOT connect this product to any power supply or adapter other
than one described in the manual, on the name plate, or specifically
recommended by Yamaha.
This product should be used only with the components supplied or; a
cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is
used, please observe all safety markings and instructions that accom-
pany the accessory product.
When installing batteries, do not mix batteries with new, or with batter-
ies of a different type. Batteries MUST be installed correctly. Mis-
matches or incorrect installation may result in overheating and battery
case rupture.
Warning:
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the
time of printing. However, Yamaha reserves the right to change or mod-
ify any of the specifications without notice or obligation to update exist-
ing units.
Do not attempt to disassemble, or incinerate any battery. Keep all bat-
teries away from children. Dispose of used batteries promptly and as
regulated by the laws in your area. Note: Check with any retailer of
household type batteries in your area for battery disposal information.
This product, either alone or in combination with an amplifier and head-
phones or speaker/s, may be capable of producing sound levels that
could cause permanent hearing loss. DO NOT operate for long periods
of time at a high volume level or at a level that is uncomfortable. If you
experience any hearing loss or ringing in the ears, you should consult
an audiologist.
Disposal Notice:
Should this product become damaged beyond repair, or for some rea-
son its useful life is considered to be at an end, please observe all local,
state, and federal regulations that relate to the disposal of products that
contain lead, batteries, plastics, etc. If your dealer is unable to assist
you, please contact Yamaha directly.
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product.The model
number, serial number, power requirements, etc., are located on this
plate.You should record the model number, serial number, and the date
of purchase in the spaces provided below and retain this manual as a
permanent record of your purchase.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a
function or effect works (when the unit is operating as designed) are not
covered by the manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your
dealer before requesting service.
Model
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and envi-
ronmentally friendly. We sincerely believe that our products and the pro-
duction methods used to produce them, meet these goals. In keeping
with both the letter and the spirit of the law, we want you to be aware of
the following:
Serial No.
Purchase Date
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of
battery is approximately five years. When replacement becomes neces-
sary, contact a qualified service representative to perform the replace-
ment.
PLEASE KEEP THIS MANUAL
92-BP (bottom)
2
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FCC INFORMATION (U.S.A.)
not guarantee that interference will not occur in all installations. If
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions con-
tained in this manual, meets FCC requirements. Modifications not
expressly approved by Yamaha may void your authority, granted by
the FCC, to use the product.
this product is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try to elimi-
nate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by
the interference.
2. IMPORTANT:When connecting this product to accessories and/
or another product use only high quality shielded cables. Cable/s
supplied with this product MUST be used. Follow all installation
instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
Utilize power outlets that are on different branch (circuit breaker or
fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.
3. NOTE:This product has been tested and found to comply with the
requirements listed in FCC Regulations, Part 15 for Class “B” digital
devices. Compliance with these requirements provides a reason-
able level of assurance that your use of this product in a residential
environment will not result in harmful interference with other elec-
tronic devices. This equipment generates/uses radio frequencies
and, if not installed and used according to the instructions found in
the users manual, may cause interference harmful to the operation
of other electronic devices. Compliance with FCC regulations does
If these corrective measures do not produce satisfactory results,
please contact the local retailer authorized to distribute this type of
product. If you can not locate the appropriate retailer, please contact
Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by
Yamaha Corporation of America or its subsidiaries.
(class B)
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
OBSERVERA!
Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den ar
ansluten till vägguttaget, även om själva apparaten har stängts av.
ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, sålæenge
netledningen siddr i en stikkontakt, som er t endt — også selvom der or
slukket på apparatets afbryder.
VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta
verkosta.
(standby)
Entsorgung leerer Batterien (nur innerhalb Deutschlands)
Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder
Akkumulatoren dürfen nicht in den Hausmüll. Sie können bei einer Sam-
melstelle für Altbatterien bzw. Sondermüll abgegeben werden. Informieren
Sie sich bei Ihrer Kommune.
(battery)
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3
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
Water warning
• Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings.
• Use the specified adaptor (PA-5D or an equivalent recommended by Yamaha)
only. Using the wrong adaptor can result in damage to the instrument or
overheating.
• Never insert or remove an electric plug with wet hands.
• Check the electric plug periodically and remove any dirt or dust which may have
accumulated on it.
Fire warning
• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
• Do not place the AC adaptor cord near heat sources such as heaters or radiators,
and do not excessively bend or otherwise damage the cord, place heavy objects
on it, or place it in a position where anyone could walk on, trip over, or roll
anything over it.
If you notice any abnormality
• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a
sudden loss of sound during use of the instrument, or if any unusual smells or
smoke should appear to be caused by it, immediately turn off the power switch,
disconnect the adaptor plug from the outlet, and have the instrument inspected
by qualified Yamaha service personnel.
Do not open
• Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts. If it
should appear to be malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
• Do not attempt to recharge batteries that are not intended to be charged.
Power supply/AC power adaptor
• When the batteries run out, or if the instrument is not to be used for a long time,
• When removing the electric plug from the instrument or an outlet, always hold
remove the batteries from the instrument to prevent possible leakage of the
the plug itself and not the cord.
battery fluid.
• Unplug the AC power adaptor when not using the instrument, or during
• Keep batteries away from children.
electrical storms.
• If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid
• Do not connect the instrument to an electrical outlet using a multiple-connector.
should come in contact with your eyes, mouth, or skin, wash immediately with
Doing so can result in lower sound quality, or possibly cause overheating in the
water and consult a doctor. Battery fluid is corrosive and may possibly cause
outlet.
loss of sight or chemical burns.
Battery
Location
• Always make sure all batteries are inserted in conformity with the +/- polarity
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or
markings. Failure to do so might result in overheating, fire, or battery fluid
heat (such as in direct sunlight, near a heater, or in a car during the day) to
leakage.
prevent the possibility of panel disfiguration or damage to the internal
• Always replace all batteries at the same time. Do not use new batteries together
with old ones. Also, do not mix battery types, such as alkaline batteries with
manganese batteries, or batteries from different makers, or different types of
batteries from the same maker, since this can cause overheating, fire, or battery
fluid leakage.
components.
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,
mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio
may generate noise.
• Do not dispose of batteries in fire.
• Do not place the instrument in an unstable position where it might accidentally
fall over.
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4
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• Before moving the instrument, remove all connected adaptor and other cables.
Handling caution
• Do not insert a finger or hand in any gaps on the instrument.
• When setting up the instrument, make sure that the AC outlet you are using is
easily accessible. If some trouble or malfunction occurs, immediately turn off
the power switch and disconnect the plug from the outlet.
• Never insert or drop paper, metallic, or other objects into the gaps on the panel
or keyboard. If this happens, turn off the power immediately and unplug the
power cord from the AC outlet. Then have the instrument inspected by qualified
Yamaha service personnel.
• Use only the stand specified for the instrument. When attaching the stand or
rack, use the provided screws only. Failure to do so could cause damage to the
internal components or result in the instrument falling over.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel or keyboard.
Connections
• Do not rest your weight on, or place heavy objects on the instrument, and do not
use excessive force on the buttons, switches or connectors.
• Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all
components, set all volume levels to minimum. Also, be sure to set the volumes
of all components at their minimum levels and gradually raise the volume
controls while playing the instrument to set the desired listening level.
• Do not operate the instrument for a long period of time at a high or
uncomfortable volume level, since this can cause permanent hearing loss. If you
experience any hearing loss or ringing in the ears, consult a physician.
Saving data
Maintenance
Saving and backing up your data
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,
solvents, cleaning fluids, or chemical-impregnated wiping cloths.
The panel settings and some other types of data is lost when you turn off the power
to the instrument. Save the data to the Registration Memory (page 73.)
Saved data may be lost due to malfunction or incorrect operation.
Backing up the external media
• To protect against data loss through media damage, we recommend that you
save your important data onto two external media.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
When using a power adaptor, even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not
using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.
Make sure to discard used batteries according to local regulations.
The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may be different from the ones on your
instrument.
● Trademarks
®
• Windows is the registered trademark of Microsoft Corporation.
• The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.
(4)-10 2/2
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5
Copyright Notice
The following is the title, credits and copyright notices for the song pre-installed in this electronic keyboard:
Mona Lisa
Can’t Help Falling In Love
from the Paramount Picture CAPTAIN CAREY, U.S.A.
Words and Music by Jay Livingston and Ray Evans
Copyright © 1949 (Renewed 1976) by Famous Music Corporation
International Copyright Secured All Rights Reserved
from the Paramount Picture BLUE HAWAII
Words and Music by George David Weiss,
Hugo Peretti and Luigi Creatore
Copyright © 1961 by Gladys Music, Inc.
Copyright Renewed and Assigned to Gladys Music
All Rights Administered by Cherry Lane Music Publishing Com-
pany, Inc. and Chrysalis Music
Composition Title : Against All Odds
Composer’s Name : Collins 0007403
Copyright Owner’s Name : EMI MUSIC PUBLISHING LTD /
HIT & RUN MUSIC LTD
International Copyright Secured All Rights Reserved
All Rights Reserved, Unauthorized copying, public performance and broadcasting are strictly prohibited.
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with
respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all
computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of
such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright
has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
This device is capable of using various types/formats of music data by optimizing them to the proper format music
data for use with the device in advance. As a result, this device may not play them back precisely as their producers
or composers originally intended.
Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is
strictly prohibited except for your personal use.
Panel Logos
GM System Level 1
“GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compatible music
data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM
mark is affixed to all software and hardware products that support GM System Level.
XGlite
As its name implies, “XGlite” is a simplified version of Yamaha’s high-quality XG tone generation format.
Naturally, you can play back any XG song data using an XGlite tone generator. However, keep in mind that
some songs may play back differently compared to the original data, due to the reduced set of control
parameters and effects.
USB
USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with
peripheral Devices. It allows “hot swapping” (connecting peripheral devices while the power to the com-
puter is on).
STYLE FILE
The Style File Format is Yamaha’s original style file format which uses a unique conversion system to pro-
vide high-quality automatic accompaniment based on a wide range of chord types.
6
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Congratulations and thank you for purchasing
the Yamaha DGX-220/YPG-225 Portable Grand!
Please read this owner’s manual carefully before using the instrument
in order to take full advantage of its various features.
Make sure to keep this manual in a safe and handy place even after you finish reading,
and refer to it often when you need to better understand an operation or function.
Accessories
The DGX-220/YPG-225 package includes the following items. Please check that you have them all.
• Owner’s Manual
• Music rest
• Accessory CD-ROM
● Music Rest
Insert the music rest
into the slots as shown.
DGX-220/YPG-225 Owner’s Manual
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Special Features of the DGX-220/YPG-225
■ Play a Variety of Instrument Voices
Page 14
The instrument voice that sounds when you play the keyboard can be
changed to violin, flute, harp, or any of an extensive range of voices. You can
change the mood of a song written for piano, for example, by using violin to
play it instead. Experience a whole new world of musical variety.
■ Play Along with Styles
Page 19
Want to play with full accompaniment? Try the auto-accompaniment Styles.
The accompaniment styles provide the equivalent of a full backing band cov-
ering a wide variety of styles from waltzes to 8-beat to euro-trance ... and
much more. Select a style that matches the music you want to play, or exper-
iment with new styles to expand your musical horizons.
PopBossa
087
■ Performance assistant technology
Page 29
Play along with a song on the instrument’s keyboard and produce a perfect
performance every time ... even if you play wrong notes! All you have to do
is play on the keyboard—alternately on the left- and right-hand ranges of the
keyboard, for example—and you’ll sound like a pro as long as you play in
time with the music.
■ Learning Music is Fun
Page 36
This instrument includes a range of songs covering a variety of genres that
are enjoyable to listen to, or to play along with. You can start practicing with
just one hand, and you can even practice at your own tempo, one note at a
time as slowly as you like, until you are able to play at full speed. Song play-
back will automatically follow your tempo. You can also use songs you have
downloaded from the Internet for lessons, so your musical resources are
essentially unlimited! The instrument will even evaluate and grade your per-
formance for you!
Excellen
8
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Contents
Play a Style with Chords but No Rhythm
Play Different Voices with the Left and Right Hands
CHD/FREE Type—Applying the Chord Type
Track Clear—Deleting a Specified Track
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9
Setting Up
Be sure to do the following operations BEFORE turning on the power.
Power Requirements
Although the instrument will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC
adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete
resources.
■ Using an AC Power Adaptor
ᕡ Make sure that the [STANDBY/ON] switch of the
instrument is set to STANDBY.
WARNING
• Use ONLY aYamaha PA-5D AC Power Adaptor (or other adap-
tor specifically recommended byYamaha) to power your
instrument from the AC mains.The use of other adaptors may
result in irreparable damage to both the adaptor and the
instrument.
ᕢ Connect the AC adaptor (PA-5D or other adaptor
specifically recommended by Yamaha) to the power
supply jack.
ᕣ Plug the AC adaptor into an AC outlet.
CAUTION
• Unplug the AC Power Adaptor when not using the instrument,
or during electrical storms.
For battery operation the instrument requires six 1.5V
“D” size, R20P (LR20) or equivalent batteries. (Alkaline
batteries are recommended.) When battery power
becomes too low for proper operation, make sure to
replace all batteries, following the precautions listed
below.
ᕢ
If necessary, also make sure to save all important User
lost when the batteries are removed.
ᕣ
AC outlet
PA-5D
CAUTION
• Use only manganese or alkaline batteries for this instrument.
Other types of batteries (including rechargeable batteries) may
exhibit a sudden drop in power when the batteries are low, possi-
bly resulting in a loss of flash memory data.
■ Using Batteries
ᕡ Open the battery compartment cover located on the
• Be sure to install the batteries in the same direction, maintaining
the correct polarity (as shown). Incorrect battery installation may
result in heat, fire and/or leaking of corrosive chemicals.
instrument’s bottom panel.
• When the batteries run down, replace them with a complete set of
six new batteries. NEVER mix old and new batteries. Do not use
different kinds of batteries (e.g. alkaline and manganese) at the
same time.
ᕢ Insert the six new batteries, being careful to follow
the polarity markings on the inside of the compart-
ment.
• If the instrument will not be used for an extended period of time,
remove the batteries to prevent possible fluid leakage.
• Please use the power adaptor when transferring data to flash
memory. Batteries (including rechargeable types) can be drained
rapidly by this type of operation. If the batteries do become
drained during a data transfer, both the data being transferred and
the data currently in the transfer destination will be lost.
ᕣ Replace the compartment cover, making sure that it
locks firmly in place.
NOTE
• Connecting the AC power adaptor automatically supplies power from
the adaptor and overrides battery power, even when batteries are
installed.
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Setting Up
Make all necessary connections below BEFORE turning the power on.
Connecting Headphones (PHONES/OUTPUT Jack)
Connecting to a Computer (USB Terminal)
The DGX-220/YPG-225 speakers are automatically
shut off when a plug is inserted into this jack.
The PHONES/OUTPUT jack also functions as an exter-
nal output. You can connect the PHONES/OUTPUT
jack to a keyboard amplifier, stereo system, mixer, tape
recorder, or other line-level audio device to send the
instrument’s output signal to that device.
Connect the instrument’s USB terminal to the USB ter-
minal of a computer, and you can transfer performance
the USB data-transfer features you’ll need to do the fol-
lowing:
• First, make sure the POWER switch on the instru-
ment is set to OFF, then use a USB cable to con-
nect the instrument to the computer. After making
the connections, turn on the power of the instru-
ment.
WARNING
• Avoid listening with the headphones at high volume for long peri-
ods of time; doing so may not only result in ear fatigue, it may be
damaging to your hearing.
• Install the USB MIDI driver on your computer.
Installation of the USB MIDI driver is described on
CAUTION
• To prevent damage to the speakers, set the volume of the external
devices at the minimum setting before connecting them. Failure to
observe these cautions may result in electric shock or equipment
damage. Also, be sure to set the volumes of all devices at their
minimum levels and gradually raise the volume controls while
playing the instrument to set the desired listening level.
NOTE
• Make sure to purchase a quality USB cable at a musical instrument
store, computer store or electrical appliance store.
Turning the Power On
Turn down the volume by turning the [MASTER VOL-
UME] control to the left and press the [STANDBY/ON]
switch to turn on the power. Press the [STANDBY/ON]
switch again to turn the power OFF.
Connecting a Footswitch (SUSTAIN Jack)
The sustain function lets you produce a natural sustain
as you play by pressing a footswitch. Plug the Yamaha
FC4 or FC5 footswitch into this jack and use it to switch
sustain on and off.
Backup data in the flash memory is loaded to the instru-
ment when the power is turned on. If no backup data
exists on flash memory, all instrument settings are
restored to the initial factory defaults when the power is
turned on.
NOTE
• Make sure that the footswitch plug is properly connected to the SUS-
TAIN jack before turning on the power.
• Do not press the footswitch while turning the power on. Doing this
changes the recognized polarity of the footswitch, resulting in reversed
footswitch operation.
CAUTION
• Even when the switch is in the “STANDBY” position, electricity is
still flowing to the instrument at the minimum level. When you are
not using the instrument for a long time, make sure you unplug the
AC power adaptor from the wall AC outlet, and/or remove the bat-
teries from the instrument.
CAUTION
• Never attempt to turn the power off when a “WRITING!” message
is shown in the display. Doing so can damage the flash memory
and result in data loss.
DGX-220/YPG-225 Owner’s Manual 11
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Panel Controls and Terminals
Front Panel
Style Category List (page 106)
Display (page 52)
Song Category List (page 27)
Music Database List
e
r
t
q
w
y
o
u i
GrandPno
001
001
! ! ! ! !
!
@
Front Panel
! [REW]/
! [FF]/
! [PAUSE]/
! [EASY SONG ARRANGER]
o SONG MEMORY
! [REPEAT & LEARN]/
! [A-B REPEAT]/
@ CATEGORY [ ] and [ ]
12 DGX-220/YPG-225 Owner’s Manual
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Panel Controls and Terminals
Voice Category List (page 100)
!
!
!
!
@
@
no
001
@
@
@
@ @ @
@
Rear Panel
#
#
#
#
Rear Panel
@ Number buttons [0]–[9],
@ REGIST MEMORY
[MEMORY/BANK],
DGX-220/YPG-225 Owner’s Manual 13
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G
u
k
c
i
i
d
u
e
Q
Try Playing a Variety of Instrument Voices
Quick Guide
In addition to piano, organ, and other “standard” keyboard instruments,
this instrument has a large range of voices that includes guitar, bass,
strings, sax, trumpet, drums and percussion, sound effects ... a wide
variety of musical sounds.
Select and Play a Voice—MAIN
This procedure selects the main voice you will play on the keyboard.
Press the [VOICE] button.
1 The voice number and name will be displayed.
Voice name
GrandPno
Appears when the Voice mode
is engaged.
001
Voice number
Select the voice you want to play.
2 While watching the displayed voice name rotate the dial. The available
NOTE
• You can also select the voice
using the CATEGORY [ ] and
] buttons after pressing the
[VOICE] button. (page 51)
voices will be selected and displayed in sequence. The voice selected
here becomes the main voice.
For this example select the “092 Flute” voice.
[
Flute
Select 092 Flute
092
Play the keyboard.
3
Try selecting and playing a variety of voices.
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Try Playing a Variety of Instrument Voices
Play Two Voices Simultaneously—DUAL
You can select a second voice which will play in addition to the main voice when you play the keyboard.
The second voice is known as the “dual” voice.
Press the [DUAL ON/OFF] button.
1 The [DUAL ON/OFF] button turns the dual voice on or off.
NOTE
• The dual voice feature cannot
When turned on the dual voice icon will appear in the display. The cur-
be used during a song lesson
rently selected dual voice will sound in addition to the main voice when
you play the keyboard.
Flute
092
Dual voice icon
Press and hold the [DUAL ON/OFF] button for longer than
a second.
2
NOTE
“D.VOICE” appears in the display for a few seconds, then the currently
selected dual voice will be displayed.
• You can also select the Dual
Voice display by pressing the
[FUNCTION] button and then
using the CATEGORY [ ] and
[
] buttons to select the
D.Voice
“D.Voice” item.
Hold for longer
than a second
Marimba
The currently selected
dual voice
110
Select the desired dual voice.
3 Watch the displayed dual voice and rotate the dial until the voice you
want to use is selected. The voice selected here becomes the dual voice.
For this example try selecting the “109 Vibraphone” voice.
Vibes
109
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Try Playing a Variety of Instrument Voices
Play the keyboard.
4
Two voices will sound at the same time.
Try selecting and playing a range of dual voices.
Play Different Voices with the Left and Right Hands—SPLIT
In the split mode you can play different voices to the left and right of the keyboard “split point”. The main
and dual voices can be played to the right of the split point, while the voice played to the left of the split
point is known as the “split voice”. The split point setting can be changed as required (page 65).
Split point
Split voice
Main voice and dual voice
Press the [SPLIT ON/OFF] button.
1 The [SPLIT ON/OFF] button turns the split voice on or off.
NOTE
• The split voice feature cannot
be used during a song lesson
When turned on the split voice icon will appear in the display. The cur-
rently selected split voice will sound to the left of the keyboard split
point.
Flute
092
Split voice icon
Press and hold the [SPLIT ON/OFF] button for longer than
a second.
2
NOTE
“S.VOICE” appears in the display for a few seconds, then the currently
selected split voice will be displayed.
• You can also select the Split
Voice display by pressing the
[FUNCTION] button and then
using the CATEGORY [ ] and
[
] buttons to select the
S.Voice
“S.Voice” item.
Hold for longer than a second
FngrBass
The currently selected
SPLIT voice
042
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Try Playing a Variety of Instrument Voices
Select the desired split voice.
3 Watch the displayed split voice and rotate the dial until the voice you
want to use is selected. The voice selected here becomes the split voice
which will play to the left of the keyboard split point. For this example
try selecting the “033 Folk Guitar” voice.
Folk Gtr
033
Play the keyboard.
4
Try selecting and playing a range of split voices.
Play the Grand Piano Voice
When you just want to play piano, all you have to do is press one convenient button.
Press the [PORTABLE GRAND] button.
NOTE
The “001 Grand Piano” voice will be selected.
• When you press the [PORTA-
BLE GRAND] button all settings
other than touch sensitivity are
turned off. The dual and split
voices will also be turned off, so
only the Grand Piano voice will
play over the entire keyboard.
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Fun Sounds
This instrument includes a range of drum kits and unique sound effects you can
use for entertainment. Laughter, babbling brooks, jet fly-bys, eerie effects, and
much more.These sounds can be a great way to enhance the mood at parties.
Drum Kits
Drum kits are collections of drum and percussion instruments. When you select a violin or other normal
instrument main voice, for example, all keys produce the sound of the same violin, only at different pitches. If
you select a drum kit as the main voice, however, each key produces the sound of a different drum or percus-
sion instrument.
1 Press the [VOICE] button.
2 Use the dial to select “117 Std.Kit1”.
3 Try out each key and enjoy the drum and percussion sounds!
Try out each key and enjoy the drum and
percussion sounds! Don’t forget the black
keys! You’ll hear a triangle, maracas, bon-
gos, drums ... a comprehensive variety of
drum and percussion sounds. For details on
the instruments included in the drum kit
voices (voice numbers 117 to 128), see the
Sound Effects
The sound effects are included in the drum kit voice group (voice numbers 127 and 128). When either of these
voices are selected you will be able to play a range of sound effects on the keyboard.
1 Press the [VOICE] button.
2 Use the dial to select “128 SFX Kit2”.
3 Try out each key and enjoy the sound effects!
As you try out the various keys you’ll hear the sound
of a submarine, a telephone bell, a creaking door,
laughter, and many other useful effects. “127 SFX
Kit1” includes lightning, running water, dogs bark-
ing, and others. Some keys do not have assigned
sound effects, and will therefore produce no sound.
For details on the instruments included in the SFX kit
voices, see “SFX Kit 1” and “SFX Kit 2” in the
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Playing Styles
This instrument has an auto accompaniment feature that produces
accompaniment (rhythm + bass + chords) in the style you choose to
match chords you play with your left hand.You can select from 150 dif-
ferent styles covering a range of musical genres and time signatures
In this section we’ll learn how to use the auto accompaniment features.
Select a Style Rhythm
Most styles includes a rhythm part.You can select from a wide variety of rhythmic types—rock, blues, Euro
trance, and many, many more. Let’s begin by listening to just the basic rhythm. The rhythm part is played
using percussion instruments only.
Press the [STYLE] button.
1 The style number and name will appear in the display.
Style Name
8BtModrn
This icon appears when a style
number and name is displayed.
001
Style Number
Select a style.
2 Use the dial to select the style you want to use.
A list of all the available styles is provided on page 106.
PopBossa
087
Press the [START/STOP] button.
3 The style rhythm will start playing.
NOTE
• Style numbers 121, 133–150
Press the [START/STOP] button a second time when you want to stop
have no rhythm part and there-
fore no rhythm will play if you
playback.
use them for the above exam-
ple. For these styles first turn
auto accompaniment on as
[START/STOP] button, and the
accompaniment bass and chord
parts will begin playing when
you play a key to the left of the
keyboard split point.
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Playing Styles
Play Along with a Style
You learned how to select a style rhythm on the preceding page.
Here we’ll see how to add bass and chord accompaniment to the basic rhythm to produce a full, rich accom-
paniment that you can play along with.
Press the [STYLE] button and select the desired style.
1
Turn automatic accompaniment on.
2 Press the [ACMP ON/OFF] button.
Pressing this button a second time will turn automatic accompaniment
off.
PopBossa
087
This icon appears when auto-
matic accompaniment is on.
NOTE
• The keyboard split point can be
changed as required: refer to
● When automatic accompaniment is on ...
The area of the keyboard to the left of the split point (54 : F#2) becomes the
“auto accompaniment region” and is used only for specifying the
accompaniment chords.
Split point (54 : F#2)
Auto accompaniment
region
Turn sync start on.
3 Press the [SYNC START] button to turn the sync start function on.
PopBossa
087
Flashes when sync
start is on.
When sync start is on, the bass and chord accompaniment included in a
style will start playing as soon as you play a note to left of the keyboard
split point. Press the button a second time to turn the sync start function
off.
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Playing Styles
Play a left-hand chord to start the style.
4 You can still “play” chords even if you don’t actually know any chords.
This instrument will recognize even a single note as a chord. Try play-
ing from one to three notes at the same time to the left of the split point.
The accompaniment will change according to the left-hand notes you
play.
Try this!
Scores for some chord progressions are provided on page 22.
These examples should help you get a feel for what types of chord
progressions sound good with the styles.
Split point
Auto accompaniment
region
Play a variety of left-hand chords while playing a melody
with your right hand.
5
Split point
Auto accompaniment
region
Press the [START/STOP] button to stop style playback
when you’re done.
6
You can switch style “sections” to add variety to the accompaniment.
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Playing Styles
Styles Are More Fun WhenYou Understand Chords
Chords, created by playing multiple notes at the same time, are the basis for harmonic accompaniment.
In this section we’ll take a look at sequences of different chords played one after another, or “chord
sequences”. Since each chord has it’s own unique “color”—even if it’s different fingerings of the same
chord—the chords you choose to use in your chord progressions have a huge influence on the overall
feel of the music you play.
On page 20 you learned how to play colorful accompaniments using styles. Chord progressions are vital
to creating interesting accompaniments, and with a little chord know-how you should be able to take
your accompaniments to a new level.
On these pages we’ll introduce three easy-to-use chord progressions. Be sure to try them out with the
instrument’s accompaniment styles. The style will respond to the chord progression you play, effectively
creating a complete song.
■Playing the Chord Progressions
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
Play the scores with the left hand.
* The scores provided here are not standard song scores, but rather simplified scores that indicate which notes to play to
produce the chord progressions.
Split point
Play to the left of the split point.
Recommended Style
031 Euro Trance
—Dance music with simple chords—
Press the [INTRO/ENDING/rit.] button.
F
C
G
Am
This is a simple-but-effective chord progression. When you play through to the end of the score, start
again from the beginning. When you’re ready to stop playing press the [INTRO/ENDING/rit.] button
and the auto accompaniment function will create a perfect ending.
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Playing Styles
Recommended Style
138 Piano Boogie
—3-chord boogie-woogie—
Press the [INTRO/ENDING/rit.] button.
C
F
C
C
G
F
Press the [INTRO/ENDING/rit.] button.
This progression provides varied harmonic backing with just three chords. When you get a feel for the
progression in the score, try changing the order of the chords!
Recommended Style
086 Bossa Nova
—Bossa nova with jazz-style chords—
Press the [INTRO/ENDING/rit.] button.
Dm
G7
CM7
FM7
5
Am
A7
Bm7
E7
This progression includes jazzy “two-five” (II-V) changes. Try playing it through several times. When
you’re ready to stop playing press the [INTRO/ENDING/rit.] button.
DGX-220/YPG-225 Owner’s Manual 23
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Playing Styles
Playing Auto-accompaniment Chords
There are two ways of playing auto-accompaniment chords:
● Easy Chords
● Standard Chords
The instrument will automatically recognize the different chord types. This function is called Multi Fingering.
the split point (default: 54/F#2) becomes the “accompaniment range”. Play the accompaniment chords in
this area of the keyboard.
Split point (default: 54/F#2)
b
b
#
#
b
b
b
#
F
D
E
F G
B
D
E
C D E F G A B C D E F
Accompaniment
range
Root notes and the corresponding keys
■Easy Chords
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
■Standard Chords
● ● ● ● ● ● ● ● ● ● ● ● ●
This method lets you easily play chords in the
accompaniment range of the keyboard using only
one, two, or three fingers.
This method lets you produce accompaniment by
playing chords using normal fingerings in the
accompaniment range of the keyboard.
● How to play Standard Chords [Example for “C” chords]
C
)
(
)
C
C(9
C6
C6
9
• To play a major chord
Press the root note of the chord.
(
)
(
)
)
C(b5
9
#11
Cm
CM7
CM7
CM7
Caug
Cm6
• To play a minor chord
Press the root note together with the
nearest black key to the left of it.
(
)
b5
CM7
Csus4
CM7aug
Cm7
C7
• To play a seventh chord
Press the root note together with the
nearest white key to the left of it.
(
)
9
Cm
Cm
Cm7
• To play a minor seventh chord
Press the root note together with the
nearest white and black keys to the left
of it (three keys altogether).
(
)
(
)
(
)
9
11
9
Cm7
Cm7
CmM7
Cdim
CmM7
Cdim7
(
)
(
b5
)
b5
Cm7
CmM7
(
)
(
)
(
)
b9
b13
9
C7
C7
C7
C7
(
)
(
)
(
)
(
)
#11
13
#9
b5
C7
C7
C7
C7
C7aug
C7sus4
C1+2+5
* Notes enclosed in parentheses ( ) are optional; the chords
will be recognized without them.
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Using Songs
With this instrument the term “song” refers the data that makes up a
piece of music.You can simply enjoy listening to the 30 internal songs,
or use them with just about any of the many functions provided—the
performance assistant technology feature, lessons, and more.The
songs are organized by category.
In this section we’ll learn how to select and play songs, and briefly
describe the 30 songs provided.
Song
Listen
Lesson
Record
Select and Listen to a Song
Press the [SONG] button.
1 The song number and name will be displayed.
You can use the dial to select a different song.
Nocturne
011
The currently selected song
and number are displayed
Select a song.
NOTE
• You can also play songs you
have recorded yourself (User
Songs) or songs that have been
transferred to the instrument
from a computer in the same
way that you play the internal
songs.
Use the dial to select the song you want to listen to.
ForElise
012
The song displayed here
can be played
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Using Songs
001–030
031–035
036–
Built in Songs (see next page)
User Songs (Songs you record yourself).
Songs transferred from a computer (pages 82–84)
Listen to the song.
3 Press the [START/STOP] button to begin playback of the selected song.
You can stop playback at any time by pressing the [START/STOP] but-
ton again.
Song start!
● Using the [DEMO] button
Press the [DEMO] button to play Songs 001–008 in sequence. Playback
will repeat when the end of the sequence is reached, starting again from the
first Song (001).
You can select a song by using the [-] and [+] buttons after pressing the
[DEMO] button.
You can stop playback at any time by pressing the [DEMO] button.
Song Fast Forward, Fast Reverse, and Pause
These are just like the transport controls on a cassette deck or CD player, letting you fast forward [FF],
rewind [REW] and pause [PAUSE] playback of the song.
NOTE
• When an A-B repeat range is
specified the fast reverse and
forward function will only work
within that range.
REW
FF
PAUSE
Press the fast
reverse button to
rapidly return to
an earlier point in
the song.
Press the fast for-
ward button to
rapidly skip
ahead to a later
point in the song.
Press the pause
button to pause
playback.
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Using Songs
● Song List
These 30 songs include songs that effectively demonstrate the instrument’s easy song arranger feature,
songs that are ideally suited for use with the performance assistant technology feature, and more. The “Sug-
gested Uses” column provides some ideas as to how the songs can most effectively used.
Category
No.
Name
Suggested Uses
CHORD
1
2
Magnetic
The songs in this category have been created to
give you an idea of the advanced capabilities of this
instrument.They’re great for listening, or for use with
the performance assistant technology feature.
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
Main Demo
Jessica
3
Winter Serenade
4
Grand Piano Demo
5
Sweet! TenorSax Demo
Cool! RotorOrgan Demo
Cool! Galaxy Electric Piano Demo
ModernHarp & Sweet Soprano Demo
Hallelujah Chorus
These songs features some of the instrument’s
many useful voices.They make maximum use of the
characteristics of each voice, and might serve as
inspiration for your own compositions.
Voice Demo
6
7
8
9
Use these songs to experience some of the
instrument’s advanced features: song number 9 for
the easy song arranger, and songs 10 and 11 for the
performance assistant technology feature.
Funciton Demo
Piano Solo
10
11
12
13
14
15
Ave Maria
Nocturne op.9-2
For Elise
These piano solo pieces are ideally suited for use as
lesson songs.
Maple Leaf Rag
Jeanie with the Light Brown Hair
Amazing Grace
CHORD
CHORD
Mona Lisa
(Jay Livingston and Ray Evans)
16
A selection of piano ensemble songs that are also
well suited for use as lesson songs.
Piano Ensemble
17
18
19
Piano Concerto No.21 2nd mov.
Scarborough Fair
CHORD
CHORD
Old Folks at Home
Ac Ballad
(Against All Odds: Collins 0007403)
CHORD
20
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
21
22
23
24
25
26
27
28
29
Ep Ballad
Boogie Woogie
Rock Piano
Salsa
When you need to practice backing
(accompaniment) patterns, these are the songs to
do it with.This is ability you’ll need if you’re invited to
play with a band. These songs allow you to practice
backing parts one hand at a time, which can be the
easiest way to master this important skill.
Country Piano
Gospel R&B
Medium Swing
Jazz Waltz
Piano Accompaniment
Medium Bossa
Slow Rock
(Can’t Help Falling In Love: George
David Weiss, Hugo Peretti and Luigi
Creatore)
CHORD
30
CHORD
: Includes chord data.
The scores for the internal songs—except for songs 1–11, and song 16, 20 and 30 which is copyrighted, are provided in the Song
Book on the CD-ROM. The scores for songs 9–11 are provided in this manual.
Some of the classic and/or traditional songs have been edited for length or for ease in learning, and may not be exactly the same
as the original.
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Using Songs
Types of Songs
The following three types of songs can be used by the DGX-220/YPG-225.
● Preset Songs (the 30 songs built into the instrument)................Song numbers 001–030.
● User Songs (recordings of your own performances) ..................Song numbers 031–035.
● External song files (song data transferred from a computer*) ...Song numbers 036–.
* The Accessory CD-ROM includes a selection of 70 MIDI songs. See page 83 for instructions on how to
transfer the songs to the instrument.
The chart below shows the basic DGX-220/YPG-225 processes flow for using the preset songs, user songs,
and external song files—from storage to playback.
Computer
Your own performance
External song file
Record
Transfer
External song files
can be saved to flash
memory
DGX-220/YPG-225 Song
Storage locations
NOTE
Preset Songs
(001–030)
User Songs
(031–035)
Flash Memory
(036–)
• Different flash memory areas
are used to store user songs
and external song files trans-
ferred from a computer. User
songs cannot be directly trans-
ferred to the external song file
flash memory area, and vice
versa.
The 30 songs built
into the instru-
ment.
Stored in the inter-
nal flash memory.
Save to internal
flash memory. Cur-
rently available.
Play
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The Easy Way to Play Piano
This instrument includes a performance assistant technology feature
that lets you play along with a song and sound like a great pianist (even
though you might be making lots of mistakes)! In fact, you can play any
notes and still sound good! So even if you can’t play piano and can’t
read a note of music, you can have some musical fun.
Performance assistant technology offers two selectable types. Select the type that produces the best results
for you.
● Chord.................No matter where or what you play, the result will be musical, well-balanced
sound. This type offers the greatest freedom, allowing you to play anything
with both your left and right hands.
● Chord/Free (CHD/FREE)
...............If you can play simple right-hand melodies but have trouble with left-hand
chords, this is the type for you. The Chord type applies to only the left-hand
section of the keyboard, allowing you to easily play chords to support the
melody you are playing with your right hand.
Split point
Play your own melody with the right hand.
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The Easy Way to Play Piano
CHORD Type—Play with Both Hands
Press the [P.A.T. ON/OFF] button.
1 This turns on the performance assistant technology feature.
The P.A.T. icon will appear when the performance assistant technology
feature is on.
Nocturne
011
Press the [P.A.T. ON/OFF] button
to turn the function on or off.
Icon will appear when performance
assistant technology is on.
Select the CHORD type.
2
CHORD
1
Hold for longer than
a second
Select Chord
Press and hold the [P.A.T. ON/OFF] button for longer than a second.
“PAT Type” appears in the display for a few seconds, then the currently
selected performance assistant technology type will be displayed. Select
the Chord type by using the dial.
Select a song.
3 Press the [SONG] button, and the Song Select display appears. Select a
NOTE
song by using the dial. For this example try selecting the “010 Ave
Maria”.
Song name
AveMaria
010
Song number
The song displayed here
will be played.
● What is a Song?
You know the normal meaning of this word, but in this instrument the term
“Song” refers to the data that makes up a complete song. The performance
assistant technology features uses the chord and melody data, and should
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The Easy Way to Play Piano
Press the [START/STOP] button.
4
5
Song playback will begin.
The basic pattern will play repeatedly. Listen to the basic pattern for
four measures while getting a feel for the basic pattern, then begin play-
ing yourself from the fifth measure.
Play on the keyboard.
Before
After
Try playing the score on the left with both hands. You can even play the
same keys over and over: C, E, G, C, E, G, C, E. You’ll notice that at
measure five the notes will come out according to the score on the right.
Keep playing, and performance assistant technology Chord type will
continue to “correct” the notes that you play.
This is the performance assistant technology Chord type.
You can stop song playback at any time by pressing the [START/STOP]
button.
Press the [P.A.T. ON/OFF] button to turn the performance
assistant technology feature off.
NOTE
• The score for Ave Maria is pro-
6
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The Easy Way to Play Piano
CHD/FREE Type—Applying the Chord Type to the Left Hand Only
Press the [P.A.T. ON/OFF] button.
1 This turns on the performance assistant technology feature.
The P.A.T. icon will appear when the performance assistant technology
feature is on.
AveMaria
010
Press the [P.A.T. ON/OFF] button
to turn the function on or off.
Icon will appear when performance
assistant technology is on.
Select the CHD/FREE type.
2
CHD/FREE
2
Hold for longer than
a second
Select CHD/FREE
Press and hold the [P.A.T. ON/OFF] button for longer than a second.
“PAT Type” appears in the display for a few seconds, then the currently
selected performance assistant technology type will be displayed. Select
the CHD/FREE type by using the dial.
Select a song.
3 Press the [SONG] button, and the Song Select display appears. Select a
NOTE
song by using the dial. For this example try selecting the “011 Noc-
turne”.
Song name
Nocturne
011
Song number
The song displayed here
will be played.
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The Easy Way to Play Piano
Press the [START/STOP] button.
4
Song playback will begin.
Play on the keyboard.
5 Play to the right of the split point with your right hand, and to the left of
the split point with your left hand.
Split point
With this type notes played on the
left-hand side of the split point will
actually sound an octave higher.
Play the Nocturne melody with your right hand. Continually play an F-
A-C arpeggio shown in the illustration with your left hand. Although
you’re repeatedly playing the same notes with your left hand, the actual
notes produced will change to match the music.
This is the performance assistant technology CHD/FREE type.
You can stop song playback at any time by pressing the [START/STOP]
button.
Press the [P.A.T. ON/OFF] button to turn the performance
NOTE
assistant technology feature off.
6
• The score for Nocturne is pro-
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The Easy Way to Play Piano
Use the Performance Assistant to Play Like a Pro!
Here are a few hints for using the Chord type.
If you select Chord/Free, the left-hand section of the keyboard becomes
the Chord type section, so use these hints on the lefthand section of the
keyboard.
To begin, try to feel the rhythm of the song. Then, with your hands
spread as shown in the illustration, simply play the keyboard alternately
with your left and right hands (any notes will do).
You will get even better
results if you match your
left-hand rhythm to rhythm
of the chord indicator in the
display.
Sounds like you’re
playing the right
notes!
How does it sound? You’ll get acceptable results no matter where you
play thanks to the performance assistant technology Chord type!
Next try the three playing methods illustrated below. Different ways of
playing produce different results.
● Play with the left and right hands
at the same timing—type 1.
● Play with the left and right hands
at the same timing—type 2.
● Play alternately with the left
and right hands—type 3.
Play 3 notes at once
with your right hand.
Play 1 note at a time with your right
Play 3 notes at once
with your right hand.
hand (for example: index finger
middle finger ring finger).
→
→
Once you get a feel for it, try playing chords with your left hand and a
melody with your right ... or any other combination.
To use the performance assistant technology feature it is necessary to play a song that includes chord data, or a
style with auto accompaniment on.
If a song includes the required data, the chords are shown on the right side of the display (page 52).
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The Easy Way to Play Piano
Change the Song Tempo
When using the performance assistant technology or in other situations in which the tempo of the song is
too fast or too slow for you, you can change the tempo as required. Press the [TEMPO/TAP] button. The
tempo display will appear and you can use the dial, the [+] and [-] buttons, or the [0] to [9] number buttons
to set to tempo to anywhere from 011 and 280 quarter-note beats per minute.
Tempo
090
Current tempo value
You can return to the original tempo by simultaneously pressing the [+] and [-] buttons.
● About the Beat Display
The arrow marks in the beat display flash in time with the rhythm of the song or style.
First beat of measure
Second beat
Third beat
Fourth beat
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Select a Song For a Lesson
Yamaha Education Suite
You can select song you like and use it for a left-hand, right-hand, or
both-hands lesson.You can also use songs (only SMF format 0) down-
ing the lesson you can play as slowly as you like, and you can even play
wrong notes. Song playback will slow down to a speed you can handle.
It’s never too late to start learning!
Lesson Flow:
Select a song from the Piano Solo, Piano Ensemble category!
Select the part you want
to work on (right hand,
left hand, both hands).
Select the
song you want
to learn.
Select lesson
1, 2, or 3.
Lesson
start!
The practice methods:
● Lesson 1..............Learn to play the correct notes.
● Lesson 2..............Learn to play the correct notes with the correct timing.
● Lesson 3..............Learn to play the correct notes at the correct timing along with the song.
Lesson 1—Waiting
In this lesson, try playing the correct notes. Play the note shown in the display. The song will wait until you
play the right note.
Select a song for your lesson.
1 Press the [SONG] button, and rotate the dial to select the song you want
types. For this example try selecting the “012 ForElise”.
ForElise
012
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Select a Song For a Lesson
Select the part you want to practice.
2 Press the [R] button for a right-hand lesson, [L] button for a left-hand
lesson, or press both the [R] and [L] buttons simultaneously for a both-
hands lesson.
The currently selected part is shown in the display.
Right
Left
Right-hand lesson
Left-hand lesson
BothHand Both-hands lesson
Start Lesson 1.
3 Press the LESSON [START] button to select Lesson 1. Each time the
LESSON [START] button is pressed the lesson modes are selected in
sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Lesson 1 .... The
currently selected mode is shown in the display.
Waiting
(Lesson 1)
r1
YourTemp
(Lesson 2)
r2
MinusOne
(Lesson 3)
r3
ForElise
(Song Lesson off)
012
Song playback will begin automatically when you select Lesson 1.
Start the lesson!
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Select a Song For a Lesson
Play the note shown in the display. When you play the correct note, the
next note you need play is shown. The song will wait until you play the
correct note.
Waiting
In this case “r1” indicate that right-hand
lesson 1 has been selected.
007
r1
Left-hand part
Right-hand part
(In the case of a right-hand lesson)
Stop the Lesson mode.
4 You can stop the Lesson mode at any time by pressing the [START/
STOP] button.
Once you’ve mastered Lesson 1, move on to Lesson 2.
■See HowYou’ve Done
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
~~~~~~~~
Excellent
When the lesson song has played all the way through your
performance will be evaluated in 4 levels: OK, Good, Very
Good, or Excellent. “Excellent!” is the highest evaluation.
~~~~~~
Very Good
~~~~
~~
Good
OK
NOTE
After the evaluation display has appeared, the lesson will start again
from the beginning.
• The evaluation feature can be
turned off via the FUNCTION
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Select a Song For a Lesson
Lesson 2—Your Tempo
Learn to play the correct notes with the correct timing. Song playback tempo will vary to match the speed
you are playing at. The song will slow down when you play wrong notes, so you can learn at your own
pace.
Select the song and part you want to practice (steps 1 and
1
Start Lesson 2.
2 Each time the LESSON [START] button is pressed the lesson modes are
selected in sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Les-
son 1 ...
YourTemp
In this case “r2” indicate that right-
hand lesson 2 has been selected.
r2
Song playback will begin automatically when Lesson 2 is selected.
Start the lesson!
Play the note shown in the display. Try to play the notes at the correct
timing. As you learn to play the right notes at the right timing the tempo
will increase until eventually you’ll be playing at the song’s original
tempo.
Left-hand part
Right-hand part
(In the case of a right-hand lesson)
Stop the Lesson mode.
3 You can stop the Lesson mode at any time by pressing the [START/
STOP] button.
Once you’ve mastered Lesson 2, move on to Lesson 3.
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Select a Song For a Lesson
Lesson 3—Minus One
Here’s where you can perfect your technique.
The song will play at the normal tempo, minus the part you have chosen to play. Play along while listening
to the song.
Select the song and part you want to practice (steps 1 and
1
Start Lesson 3.
2 Each time the LESSON [START] button is pressed the lesson modes are
selected in sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Les-
son 1 ...
MinusOne
In this case “r3” indicate that right-
hand lesson 3 has been selected.
r3
Song playback will begin automatically when Lesson 3 is selected.
Start the lesson!
Play the note shown in the display.
Left-hand part
Right-hand part
(In the case of a right-hand lesson)
Stop the Lesson mode.
3 You can stop the Lesson mode at any time by pressing the [START/
STOP] button.
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Select a Song For a Lesson
Practice Makes Perfect—Repeat and Learn
Use this feature when you want to start again just ahead of a section on which you made a mistake, or to
repeatedly practice a section you find difficult.
Press the [REPEAT & LEARN] button during a lesson.
The song location will move back four measures from the point at
which you pressed the button, and playback will begin after a one-mea-
sure count-in. Playback will continue up to the point at which you
NOTE
• You can change the number of
measures the Repeat and learn
function jumps back by pressing
a number button [1]–[9] during
pressed the [REPEAT & LEARN] button, and then jump back four mea-
repeat playback.
sures and begin again after a count-in. This process will repeat, so all
you have to do is press the [REPEAT & LEARN] button when you
make a mistake in order to repeat practice of that section until you get it
right.
e Jump back 4 measures and repeat playback
q
Song playback
direction
w
Press immediately
Oops!
A mistake!
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Play Using the Music Database
You want to play music in your favorite style, but you’re not sure how to
select the best voice and style for the type of music you want to play ...
simply select the appropriate style from the Music Database.The panel
settings will automatically be adjusted for the ideal combination of
sounds and style!
Press the [MUSIC DATABASE] button.
1
AlvFever
001
A Music Database list will appear in the display.
Select a Music Database.
the manual, use the dial to select a music database. Select one that
matches the image of the song you intend to play.
For this example select the “115 DayOfW&R”.
DayOfW&R
115
Play the chords with your left hand and melody with your
right.
3
The jazz style will start playing when you play a left-hand chord to the
playing chords.
Split Point
Press the [START/STOP] button to stop playback.
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Change a Song’s Style
In addition to each song’s default style, you can select any other style
to play the song with the Easy Song Arranger feature.This means that
you can play a song that is normally a ballad, for example, as a bossa
nova, as a hip-hop tune, etc.You can create totally different arrange-
ments by changing the style with which a song is played.
You can also change the song’s melody voice and the keyboard voice
for a complete change of image.
Listen to the DEMO Song for Easy Song Arranger
The “Hallelujah Chorus” in the preset songs lets you experience the Easy Song Arranger. Playing it.
Press the [SONG] button, then select a “009 Hallelujah
Chorus” by using the dial. Press the [START/STOP] button
to play it.
Halleluj
009
NOTE
As the song progresses, you will see only the style changes while the
song remains the same.
• The score for Hallelujah Chorus
is provided on page 94.
Keep in mind that you can enjoy using Easy Song Arranger with other
songs as well—any songs that include chord data.
Using the Easy Song Arranger
Press the [EASY SONG ARRANGER] button.
1 The song number and name will be displayed. You can use the dial to
select a different song.
Halleluj
The currently selected song number
and name are displayed here.
009
Select a Song.
2 Use the dial to select the song you want to arrange.
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Change a Song’s Style
Listen to the song.
3 Press the [START/STOP] button to begin playback of the song. Move
NOTE
• When playing song numbers
010, 011 and 020 to 030 while
using the Easy Song Arranger,
melody tracks will be automati-
cally muted and no melody will
sound. In order to hear the mel-
ody tracks you will need to press
the SONG MEMORY buttons [3]
to [5].
on to the next step while the song is playing.
Song start!
Press the [EASY SONG ARRANGER] button.
4 The style number and name will be displayed. You can use the dial to
select a different style.
PopShf 1
The currently selected style number
and name are displayed here.
015
Select a style.
5 Rotate the dial and listen to how the song sounds with different styles.
NOTE
• Because the Easy Song
As you select different styles the song will remain the same while only
the styles change. When you have selected a suitable style move on to
the next step while the song is still playing (if you have stopped the
song, start it again by pressing the [START/STOP] button).
Arranger uses song data you
can’t specify chords by playing
in the accompaniment range of
the keyboard. The [ACMP ON/
OFF] button will not function.
• If the time signature of the song
and style are different, the time
signature of the song will be
used.
Select a voice you want to play as a song melody.
6 Press the [VOICE] button. The currently selected voice number and
name will be displayed. Use the dial to select a different voice.
GrandPno
The currently selected voice number
and name are displayed here.
001
Change the song’s melody voice.
7 Press and hold the [VOICE] button for longer than a second. After
SONG MELODY VOICE appears on the display the voice you selected
in step 6 becomes the song’s melody voice.
SONG MEL
Hold for longer than a second
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Record Your Own Performance
You can record up to 5 of your own performances and save them as
user songs 031 through 035.The recoreded song can be played back on
the instrument.
■ Recordable Data
You can record to a total of 6 tracks: 5 melody tracks and 1 style (chord) track.
Each track can be recorded individually.
NOTE
• Up to approximately 10,000
notes can be recorded if you
record only to the melody
tracks. Up to approximately
5,500 chord changes can be
recorded if you record only to
the style track.
● Melody Track [1]–[5].......... Record the melody parts.
● Style Track [A] ................... Records the chord part.
Track Configuration
To record your own performance, first use the SONG MEMORY [1]–[5] and [A] buttons to specify the
track(s) you want to record on. The track you record on determines the part that plays back later.
Melody
Chords
• Track [1]—Will play back as the right-hand melody
part (MELODY R)
Specify
• Track [2]—Will play back as the left-hand melody
part (MELODY L)
track(s) and
record
• Tracks [3]–[5]—Will play back as “other” perfor-
mance data.
• Track [A]—Will play back as the Style (auto-accom-
paniment) part.
Track
1
Track
2
Track
3
Track
4
Track
5
Track
A
NOTE
• The Difference Between MELODY R and MELODY L ...
Songs are a combination of a melody and an auto-accom-
paniment style. Normally “melody” refers to the right-hand
part, but in this instrument “melody” parts are provided for
both the right and left hands. MELODY R is the melody
part played by the right hand, and MELODY L is the mel-
ody part played by the left hand.
Right-hand
melody
Left-hand
melody
Other perfor-
mance data
Style
The parts played by each track
when a user song is played back.
Recording Procedure
Press the [SONG] button, then use the dial to select the
user song number (031–035) you want to record to.
1
User 1
Rotate the dial to select a song
number between 031 and 035.
031
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Record Your Own Performance
Select the track(s) you want to record to and confirm your
selection on the display.
2
CAUTION
• If you record to a track that
contains previously-recorded
data the previous data will be
overwritten and lost.
◆ Record a Melody Track and the Accompaniment Track
Together
Press the melody track button [1]–[5] you want to record to while hold-
ing the [REC] button.
Next, press the [A] button while holding the [REC] button.
The selected tracks will flash in the display.
NOTE
• Style accompaniment is auto-
matically turned on when you
select the style track [A] for
recording.
• Style accompaniment cannot
turned on or off while recording
is in progress.
User 1
• If you use a split voice for
recording, notes played to the
left of the split point will not be
recorded.
001
rEC
Press and hold
NOTE
◆ Record a Melody track
• If style accompaniment is on
and track [A] has not yet been
recorded, the style track [A] will
automatically be selected for
recording when a melody track
is selected. If you only want to
record a melody track, be sure
to turn the style track [A] off.
Press the melody track button [1]–[5] you want to record to while hold-
ing the [REC] button.
The selected track will flash in the display.
User 1
001
rEC
To cancel recording to a selected track, press that track button a sec-
ond time. Style accompaniment cannot be turned on or off while
recording is in progress.
Recording will start when you play on the keyboard.
3 You can also start recording by pressing the [START/STOP] button.
The current measure will be shown on the display during recording.
NOTE
• If the memory becomes full dur-
ing recording a warning mes-
sage will appear and recording
will stop automatically. Use the
song clear or track clear (page
data and make more room avail-
able for recording, then do the
recording again.
User 1
003
rEC
Recording
starts
Current measure
Stop recording by pressing the [START/STOP] or [REC]
button.
4
or
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Record Your Own Performance
If you press the [INTRO/ENDING/rit.] button while recording the style
track an appropriate ending pattern will play and then recording will
stop. When recording stops the current measure number will return to
001 and the recorded track numbers in the display will light.
● To Record Other Tracks
Repeat steps 2 through 4 to record any of the remaining tracks.
By selecting an unrecorded track—SONG MEMORY buttons [1]–[5],
[A]—you can record the new track while listening to previously recorded
tracks (the playback tracks will appear in the display). You can also mute
previously recorded tracks (the muted tracks will not appear in the display)
while recording new tracks.
● To Re-record a Track
Simple select the track you want to re-record for recording in the normal
way.
The new material will overwrite the previous data.
When the recording is done ...
5
◆ To Play Back a User Song
User songs are played back in the same way as regular songs (page 25).
1 Press the [SONG] button.
2 The current song number/name will be displayed—use the dial
to select the user song (031–035) you want to play.
3 Press the [START/STOP] button to start playback.
● Data Recording Limitations
• The split voice cannot be recorded.
• The following data are recorded at the beginning of the track. Changes
made during the song will not be recorded.
reverb type, chorus type, time signature, style number, style volume,
tempo (When the style track is recorded)
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Record Your Own Performance
Song Clear—Deleting User Songs
This function clears an entire user song (all tracks).
NOTE
• If you only want to clear a spe-
cific track from a user song use
the Track Clear function.
Press the [SONG] button, then select the user song (031–
035) you want to clear.
1
Press and hold the SONG MEMORY [1] button for longer
than a second while holding the SONG MEMORY [A] button.
2
A confirmation message will appear on the display.
ClrUser1
YES
Hold for longer
than a second
Press and
hold
Press the [+] button.
3 A confirmation message will appear on the display.
NOTE
• To execute the Song Clear func-
tion press the [+] button. Press
[-] to cancel the Song Clear
operation.
You can cancel the clear operation by pressing the [-] button.
Press the [+] button to clear the song.
4 The clear-in-progress message will appear briefly on the display while
the song is being cleared.
Track Clear—Deleting a Specified Track from a User Song
This function lets you delete a specified track from a user song.
Press the [SONG] button, then select the user song (031–
035) you want to clear.
1
Press and hold the SONG MEMORY track button ([1]–[5],
[A]) corresponding to the track you want to clear for
longer than a second.
2
A confirmation message will appear on the display.
ClrTr1
Hold for longer than a second
YES
Press the [+] button.
3 A confirmation message will appear on the display.
NOTE
• To execute the Track Clear func-
tion press the [+] button. Press
[-] to cancel the Track Clear
operation.
You can cancel the clear operation by pressing the [-] button.
Press the [+] button to clear the track.
4 The clear-in-progress message will appear briefly on the display while
the track is being cleared.
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Backup and Initialization
Backup
The following settings are always backed up, and are maintained even when the power is turned off.
If you want to initialize the settings, use the Initialize operation as explained below.
● The Backup Parameters
• User Songs
• Style Files
• Registration Memory
• FUNCTION Settings: Tuning, Split Point, Touch Sensitivity, Style Volume,
Song Volume, Metronome Volume, Grade, Demo Cancel,
Master EQ type
Initialization
This function erases all backup data in the instrument’s flash memory and restores the initial default set-
tings. The following initialization procedures are provided.
■Backup Clear
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
To clear data backed up to the internal flash memory—panel user setting, reg-
istration memory, user songs, style file 151—turn the power on by pressing the
[STANDBY/ON] switch while holding the highest white key on the keyboard.
The backed up data will be erased and the default values restored.
■Flash Clear
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
To clear song data and style files that have been transferred to the internal flash
memory from a computer, turn the power on by pressing the [STANDBY/ON]
switch while simultaneously holding the highest white key on the keyboard
and the three highest black keys.
CAUTION
• When you execute the Flash
Clear operation, song data
you have purchased will also
be cleared. Be sure to save
data you want to keep to a
computer.
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Basic Operation and Displays
Basic Operation
Overall DGX-220/YPG-225 control is based on the following simple operations.
1Press a button to select a basic function.
2Use the dial to select an item or value.
3Start a function.
2Select an item or value.
3Start a function.
1Select a basic function.
Display (page 52)
GrandPno
001
001
● Volume Adjustment
Adjusts the volume of the sound heard via the
instrument’s speakers or a pair of headphones
plugged into the PHONES jack.
The “Press & Hold” Symbol
The “
” symbol that appears next
to some buttons indicates that the button
can be pressed and held for longer than a
second to call up a related function. This
provides convenient direct access to a
range of functions.
Rotate counter-
clockwise to lower
the volume.
Rotate clockwise
to increase the
volume.
1 Press a button to select a basic function.
Select a song you want to listen to or a song you want to use for a lesson.
Select an auto-accompaniment style.
Select a voice you want to play on the keyboard.
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Basic Operation and Displays
2 Use the dial to select an item or value.
When you select a basic function, the item corresponding to that function will be displayed. You can
then use the dial or the number buttons [0]–[9] to select the desired item.
This portion of the display indi-
cates the name and number of
the currently selected song,
voice and style. It also displays
ForElise
the name and current setting/
value of other functions.
012
■ Changing Values● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
● Dial
● CATEGORY [ ] and [ ] buttons
When selecting a song, style, or voice,
you can use these buttons to jump to the
first item in the next or previous category.
Rotate the dial clockwise to increase the
value of the selected item, or counter-
clockwise to decrease it’s value. Rotate
the dial continuously to continuously
increase or decrease the value.
Decrease
Increase
Jump to the first item
in the next or previous
category.
The CATEGORY [ ] and [ ] buttons
are useful for selecting categorized items,
as in the example below.
● [+] and [-] Buttons
Press the [+] button briefly to incre-
ment the value by 1, or press the [-]
button briefly to decrement the value
by 1. Press and hold either button to
continuously increment or decre-
ment the value in the corresponding
direction.
Example:VOICE SELECT
SweetFlt
Press
briefly to
decrement.
Press
briefly to
increment.
090
The first voice in the selected
category is selected.
● Number Buttons [0]–[9]
The number buttons can be used to directly enter a song number
or parameter value.
Hundreds or tens digits that are “0” can be omitted (see below).
In a display in which a category appears, selection is easy if you
first use the CATEGORY [ ] and [ ] buttons to select the cat-
egory containing the desired item, then use the dial or [+] and [-]
buttons to select the item. This can be particularly handy when
you have to select from a large number of voices.
Example: Song number “003”
can be entered in three ways.
• [0] → [0] → [3]
• [0] → [3]
In most procedures described throughout this owner’s
manual the dial is recommended for selection simply
because it is the easiest and most intuitive selection
method. Please note however, that most items or values
that can be selected using the dial can also be selected
using the [+] and [-] buttons.
(“003” will appear on the dis-
play after a brief delay)
• [3]
(“003” will appear on the dis-
play after a brief delay)
Press number buttons
[0], [0], [3].
3 Start a function.
This is the [START/STOP] button.
Press the [START/STOP] button after pressing the [SONG] or [STYLE]
button to start playback of the selected song or style (rhythm).
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Basic Operation and Displays
Display Items
The display shows all of the current basic settings: song, style, voice.
It also includes a range of indicators that show the on/off status of a range of functions.
Notation
BEAT number and MEASURE
Displays the melody and chord
notes of a song when the Easy
Performer function is in use, or
the notes of chords you specify
when the Dictionary function is
in use. At other times the notes
you play on the keyboard are
displayed.
Indicates the beat number in a measure
during the Metronome function. Indi-
cates the current measure during play-
back of a song or style. (see pages 56,
001
Chord Display
Indicates the name of the chord cur-
rently being played back, or the name of
the chord being played on the keyboard.
NOTE
• Any notes occurring below or above the staff are indi-
cated by “8va” in the notation.
Song Track Display
Information related to the song tracks is shown here. (see
• For a few specific chords, not all notes may be shown in
the notation section of the display. This is due to space
limitations in the display.
GrandPno
001
001
HARMONY
Indicates that Harmony is
turned on. (see page 53)
DUAL
Indicates that the Dual voice is
turned on. (see page 15)
SPLIT
Indicates that the Split voice is
turned on. (see page 16)
Beat Display
Indicates the current style or song
beat with flashing arrows. (see page
Performance assistant technology
Indicates that performance
assistant technology is turned
Registration Memory
The selected registration memory that
contains data is displayed.
ACMP ON
Indicates that Accompaniment
is turned on. (see page 20)
SYNC STOP
Indicates that SYNC STOP is
turned on. (see page 64)
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Reference
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Adding Effects
Harmony
This feature adds harmony notes to the main voice.
Press the [HARMONY ON/OFF] button
to turn Harmony feature on.
To turn Harmony off, press the [HARMONY
ON/OFF] button again.
Use the dial to select a harmony type.
1
3
Refer to the Effect Type List on page 109 for
information about the available harmony types.
Try playing the keyboard with the harmony
function. The effect and operation of each Har-
mony Type is different-refer to the below sec-
well as the Effect Type List for details.
When harmony is on the
harmony icon will appear
in the display.
When you press the [HARMONY ON/OFF]
button to turn this feature on, the appropriate
harmony type for the currently selected main
voice is automatically selected.
NOTE
• The harmony notes can be added only to the Main Voice, not to Dual
or Split Voices.
Press and hold the [HARMONY ON/
OFF] button for longer than a second so
that the Harmony Type item appears.
2
• The keys left of the Split Point of the keyboard produce no harmony
notes when the auto accompaniment is on (ACMP ON is lit).
“HarmType” appears in the display for a few
seconds, and the currently selected harmony
type will be displayed. Use the dial to select a
different harmony type.
HarmType
Trio
Hold for longer
than a second.
02
The currently selected harmony type
• Harmony type 13 to 19 (Tremolo)
● How to sound each Harmony Type
• Harmony type 01 to 05
Keep holding down the keys.
Press the right-hand keys while playing chords in
the auto accompaniment range of the keyboard
when the Auto Accompaniment is on (page 20).
• Harmony type 20 to 26 (Echo)
• Harmony type 06 to 12 (Trill)
Keep holding down the keys.
You can adjust the Harmony Volume in the
Hold down two keys.
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Adding Effects
Adding Reverb
Reverb lets you play with a rich concert hall type ambience. When you select a style or song the optimum
reverb type for the voice used is automatically selected. If you want to select a different reverb type, use the
procedure described below.
Press the [FUNCTION] button.
Use the dial to select a reverb type.
You can check how the selected reverb type
sounds by playing on the keyboard.
1
3
StyleVol
100
Hall3
Use the CATEGORY [ ] and [ ] buttons
to select the Reverb Type item.
2
03
“Reverb” appears in the display for a few sec-
onds, and the currently selected reverb type
will be displayed.
Selected reverb type
Refer to the Effect Type List on page 109 for
information about the available reverb types.
● Adjusting the Reverb Level
You can individually adjust the amount of reverb
that is applied to the main, dual, and split voices.
(See page 76).
Reverb
Hall2
02
The currently selected reverb type
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Adding Effects
Adding Chorus
The chorus effect creates a thick sound that is similar to many of the same voices being played in unison.
When you select a style or song the optimum chorus type for the voice used is automatically selected. If
you want to select a different chorus type, use the procedure described below.
Press the [FUNCTION] button.
Use the dial to select a chorus type.
You can check how the selected chorus type
sounds by playing on the keyboard.
1
3
Use the CATEGORY [ ] and [ ] buttons
to select the Chorus Type item.
2
“Chorus” appears in the display for a few sec-
onds, and the currently selected chorus type
will be displayed.
Chorus2
2
Selected chorus type
Refer to the Effect Type List on page 109 for
information about the available chorus types.
Chorus
● Adjusting the Chorus Level
You can individually adjust the amount of chorus
that is applied to the main, dual, and split voices.
(See page 76).
Chorus1
1
The currently selected chorus type
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Handy Performance Features
The Metronome
The instrument includes a metronome with adjustable tempo and time signature.
Use it to set the tempo that is most comfortable for you.
■Start the metronome
● ● ● ● ● ● ● ● ● ●
■Adjusting the Metronome
Tempo
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
Turn the metronome on and start it by
pressing the [METRONOME ON/OFF]
button.
Press the [TEMPO/TAP] button to call
up the tempo setting.
1
To stop the metronome, press the [METRO-
NOME ON/OFF] button again.
Tempo
090
GrandPno
1
Current Tempo setting
001
Use the dial to select a tempo from 11 to
280.
2
1
Indicates the beat number
in the measure
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Handy Performance Features
■Setting the Number of Beats
■Adjusting the Metronome
Volume
per Measure, and the Length of
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
Each Beat
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
Press the [FUNCTION] button.
1
In this example we’ll set up a 5/8 time signature.
Press and hold the [METRONOME ON/
1
OFF] button for longer than a second to
select the number of beats per measure
function “TimesigN”.
Use the CATEGORY [ ] and [ ] but-
tons to select the Metronome Volume
item.
2
TimesigN
04
Hold for longer than
a second
Number of beats per measure.
MtrVol
Use the dial to select the number of
beats per measure.
A chime will sound on the first beat of each
measure while the other beats will click. All
beats will simply click with no chime at the
beginning of each measure if you set this
parameter to “00”.
2
3
100
Metronome volume
Use the dial to set the metronome vol-
ume as required.
3
The available range is from 0 through 60.
Select 5 for this example.
NOTE
• The metronome time signature will synchronize to a style or song
that is playing, so these parameters cannot be changed while a style
or song is playing.
Press the CATEGORY [ ] and [ ] but-
tons as many times as necessary to
select the beat length function
“TimesigD”.
The currently selected beat length will be dis-
played.
TimesigD
04
The length of one beat.
Use the dial to select the beat length.
4
Select the required length for each beat: 2, 4, 8,
or 16 (half note, quarter note, eighth note, or
th
16 note). Select 8 for this example.
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Handy Performance Features
Tap Start
You can start the song/style by simply tapping the [TEMPO/TAP] button at the required tempo—4 times
for time signatures in 4, and three times for time signatures in 3. You can change the tempo during song
playback by pressing the button just twice.
Touch Response Sensitivity
When touch response is on you can adjust the keyboard’s sensitivity to dynamics in three steps.
Press the [FUNCTION] button.
Use the dial in response to keyboard
dynamics to select a touch sensitivity
setting between 1 and 3. Higher values
produce greater (easier) volume varia-
tion in response to keyboard dynam-
ics—i.e. greater sensitivity.
1
3
A setting of “4” results in a fixed touch
response, or no level change no matter how
hard or how soft you play the keys.
Use the CATEGORY [ ] and [ ] but-
tons to select the Touch Sensitivity
item.
“TouchSns” appears in the display for a few
seconds, and the currently selected touch sensi-
tivity will be displayed.
2
NOTE
• The initial default touch sensitivity setting is “2”.
TouchSns
Medium
2
Touch Sensitivity
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Handy Performance Features
Panel Sustain
This function adds sustain to the keyboard voices. Use it when you want to add sustain to the voices at all
times, regardless of footswitch operation. The sustain function does not affect split voice.
Press the [FUNCTION] button.
You can then use the [+] and [-] buttons
to turn panel sustain on or off.
1
3
NOTE
• The sustain of some voices may not be markedly affected when the
panel sustain function is turned on.
Use the CATEGORY [ ] and [ ] but-
tons to select the Sustain item.
2
The current setting is displayed.
Sustain
oFF
Pitch Bend
The pitch bend wheel can be used to add smooth pitch variations to notes you play on the keyboard. Roll
the wheel upward to raise the pitch, or downward to lower the pitch. If you use this feature with a voice
such as the “040 Overdriven” guitar voice, you can produce remarkably realistic string-bending effects.
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Handy Performance Features
Pitch Controls
◆ Large Pitch Changes (Transpose)
The overall pitch of the instrument can by shifted
up or down by a maximum of 1 octave in semitone
increments.
◆ Small Pitch Changes (Tuning)
The overall tuning of the instrument can by shifted
up or down by a maximum of 100 cents in 1-cent
increments (100 cents = 1 semitone).
Press the [FUNCTION] button.
Press the [FUNCTION] button.
1
1
Use the CATEGORY [ ] and [ ] but-
tons to select the Transpose item.
Use the CATEGORY [ ] and [ ] but-
tons to select the Tuning item.
2
2
Transpos
Tuning
00
000
Use the dial to set the transpose value
between -12 and +12 as required.
3
Use the dial to set the tuning value
between -100 and +100 as required.
3
NOTE
NOTE
• The pitch of Drum Kits voices cannot be changed.
• The pitch of Drum Kits voices cannot be changed.
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Handy Performance Features
One Touch Setting
Sometimes selecting the ideal voice to play with a song or style can be confusing. The One Touch Setting
feature automatically selects a well-balanced voice for you when you select a style or song. Simply select
voice number “000” to activate this feature.
Select voice number “000” (steps 1 to 2
on page 14).
Use the dial to change songs, then play
the keyboard and listen to the voice.
1
4
SweetSpr
000
Use the dial to select voice number 000.
You should hear a different keyboard voice
than you played in step 3. Press the [VOICE]
button after changing songs to see the name of
the voice being used.
Select and play back any song (steps 1
to 3 on page 25).
2
3
Play the keyboard and remember the
sound of the voice.
If you have stopped playback at some point
during this procedure press the [START/STOP]
button to start playback again.
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Handy Performance Features
Adjusting the Harmony Volume
Press the [FUNCTION] button.
Use the dial to set the harmony volume
between 000 and 127.
1
3
Use the CATEGORY [ ] and [ ] but-
tons to select the Harmony Volume
item.
2
HarmVol
080
Select an EQ Setting for the Best Sound
Five different master equalizer (EQ) settings are provided to give you the best possible sound when listen-
ing through different reproduction systems—the instrument’s internal speakers, headphones, or an external
speaker system.
Press the [FUNCTION] button.
The currently selected function will appear in
1
MasterEQ
the display.
Speaker1
1
Press the CATEGORY [ ] and [ ] but-
tons as many times as necessary to
2
The currently selected
master EQ type.
select the master EQ type function
“MasterEQ”.
Use the dial to select the desired Master
EQ setting.
Five settings are available: 1–5. Settings 1 and
2 are best for listening via the instrument’s
built-in speakers, setting 3 is for headphones,
and settings 4 and 5 are ideal for listening via
external speakers.
3
“MasterEQ” will be shown in the display for a
few seconds, then the currently selected EQ
type will appear.
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Style (Auto-accompaniment) Functions
Basic operation of the Style (auto-accompaniment) feature is described on page 19 of
the Quick Guide.
Here are some other ways you can play the styles, the style volume adjustment proce-
dure, how you can play chords using the styles, and more.
Pattern Variation (Sections)
The DGX-220/YPG-225 features a wide variety of style “sections” that allow you to vary the arrangement
of the accompaniment to match the song you are playing.
Intro
Main A/B
Ending
Auto fill
● INTRO section
This is used for the beginning of the Song. When the intro finishes playing, accompaniment shifts to the main sec-
tion. The length of the intro (in measures) differs depending on the selected Style.
● MAIN section
This is used for playing the main part of the Song. It plays a main accompaniment pattern, and repeats indefinitely
until another section’s button is pressed. There are two variations on the basic pattern (A and B), and the Style
playback sound changes harmonically based on the chords you play with your left hand.
● Fill-in section
This is automatically added before changing to section A or B.
● ENDING section
This is used for the ending of the Song. When the ending is finished, the auto accompaniment stops automatically.
The length of the ending (in measures) differs depending on the selected Style.
Press the [STYLE] button and then
select a style.
Press the [SYNC START] button to turn
synchro start on.
1
2
3
Press the [ACMP ON/OFF] button to
turn auto accompaniment on.
Beat arrows will flash when
the synchro start standby
mode is engaged
Appears when Auto
Accompaniment is on.
● Synchro Start
When the synchro start standby mode is engaged,
style playback will begin as soon as you play a
chord in the accompaniment range of the keyboard.
You can disengage the synchro-start standby mode
by pressing the [SYNC START] button again.
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Style (Auto-accompaniment) Functions
Press the [MAIN/AUTO FILL] button.
Press the [INTRO/ENDING/rit.] button.
4
8
MAIN A
ENDING
The name of the selected section—
MAIN A or MAIN B—will be displayed.
This switches to the ending section.
When the ending is finished, the auto accompa-
niment stops automatically. You can have the
ending gradually slow down (ritardando) by
pressing the [INTRO/ENDING/rit.] button
again while the ending is playing back.
Press the [INTRO/ENDING/rit.] button.
5
● Synchro Stop
INTRO≥A
When this function is selected the accompaniment
style will only play while you are playing chords
in the accompaniment range of the keyboard.
Style playback will stop when you release the
keys. To turn the function on, press the [SYNC
STOP] button.
You’re now ready to play the intro.
As soon as you play a chord with your
left hand, the Intro of the selected Style
starts.
6
For this example, play a C major chord (as
shown below). For information on how to enter
chords, see “Playing Auto-accompaniment
Appears when the syn-
chro-stop function is
engaged.
Split point
Accompaniment range
Press the [MAIN/AUTO FILL] button.
7
The style will play
while you are playing
the keys
Style playback will
stop when you
release the keys
FILL A≥B
When the fill-in is finished, it leads smoothly
into the selected main section A/B.
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Style (Auto-accompaniment) Functions
Adjusting the Style Volume
Press the [STYLE] button to engage the
style function.
Use the CATEGORY [ ] and [ ] but-
tons to select the Style Volume item.
2
3
Press the [FUNCTION] button.
1
StyleVol
100
Use the dial to set the style volume
between 000 and 127.
Setting the Split Point
The initial default split point is key number 54 (the F#2 key), but you can change it to another key using the
procedure described below.
Press the [FUNCTION] button.
Use the dial to set the split point to any
key from 000 (C-2) through 127 (G8).
1
3
Split point (54 : F#2)
Main voice
Split voice
Use the CATEGORY [ ] and [ ] but-
tons to select the Split point item.
2
NOTE
• When you change the split point the auto-accompaniment split point
also changes.
• The split point cannot be changed during a song lesson.
• The split voice sounds when the split-point key is played.
SplitPnt
054
Split point
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Style (Auto-accompaniment) Functions
Play a Style with Chords but No Rhythm (Stop Accompaniment)
When auto accompaniment is on (the ACMP ON icon is showing) and Synchro Start is off, you can play
chords in the left-hand accompaniment range of the keyboard while the style is stopped and still hear the
accompaniment chords. This is “Stop Accompaniment”, and any of the chord fingerings recognized by the
instrument can be used (page 24).
Press the [STYLE] button to engage the
style function, then press the [ACMP ON/
OFF] button.
PopBossa
087
Appears when auto accompaniment is on
Accompaniment range
Playing Styles Using the Entire Keyboard
In “Play Along with a Style” on page 20 we described a method of playing styles in which chords were
detected only to the left of the keyboard split point. By making the settings described below, however,
chord detection for style accompaniment occurs over the entire range of the keyboard, allowing for even
more dynamic style performance. In this mode only chords played in the normal way (page 24) can be
detected.
Press the [FUNCTION] button.
1
ChdFing
Multi
Use the CATEGORY [ ] and [ ] but-
tons to select the function “Chord Fin-
gering”.
2
1
“ChdFing” will be shown in the display for a
few seconds, then the currently selected Chord
Fingering type will appear.
Use the dial to select 2 “FullKbd”.
3
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Style (Auto-accompaniment) Functions
Loading Style Files
This instrument features 150 internal styles, but other styles, such as those provided on the CD-ROM and
others that can be obtained from the internet (only styles with the “.sty” suffix), can be loaded into style
number 151 and used in the same way as the internal styles.
In order to use the style file load function, the file must already have been transferred from the computer to
the instrument. The procedure for transferring files from a computer to the instrument is described on page
The procedure described below loads a style file that has already been transferred from a computer to the
instrument into style number 151.
Press the [FUNCTION] button.
The currently selected function will appear in
the display.
Execute the load operation.
1
3
With the name of the style file you want to load
shown in the display, press the number [0] but-
ton.
Press the CATEGORY [ ] and [ ] but-
tons as many times as necessary to
select the style file load function “Sff
Load”.
2
A confirmation message for the load
operation will appear. Press the [+/YES]
button to actually load the file.
4
Sff Load
After about 2 seconds the name of a loadable
style file will appear in the display.
If multiple loadable style files have been trans-
ferred to the instrument, you can use the dial or
the [+] and [-] buttons to select the other files in
sequence.
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Style (Auto-accompaniment) Functions
Chord Basics
Two or more notes played together constitute a “chord”.
The most basic chord type is the “triad” consisting of three notes: the
root, third, and fifth degrees of the corresponding scale. A C major triad,
for example, is made up of the notes C (the root), E (the third note of the
C major scale), and G (the fifth note of the C major scale).
3rd
3rd
Root
In the C major triad shown above, the lowest note is the “root” of the
chord (this is the chord’s “root position” ... using other chord notes for
the lowest note results in “inversions”). The root is the central sound of the chord, which supports and
anchors the other chord notes.
The distance (interval) between adjacent notes of a triad in root position is either a major or minor third.
Major third–four half steps (semitones)
Minor third–three half steps (semitones)
The lowest interval in our root-position triad (between the root and the third) determines whether the triad
is a major or minor chord, and we can shift the highest note up or down by a semitone to produce two addi-
tional chords, as shown below.
Major chord
CM
Minor chord
Cm
Augmented chord
Diminished chord
Caug
Cdim
Minor 3rd
Minor 3rd
Major 3rd
Major 3rd
Minor 3rd
Major 3rd
Major 3rd
Minor 3rd
The basic characteristics of the chord sound remain intact even if we change the order of the notes to create
different inversions. Successive chords in a chord progression can be smoothly connected, for example, by
choosing the appropriate inversions (or chord “voicings”).
● Reading Chord Names
Chord names tell you just about everything you need to know about a chord
(other than the inversion/voicing). The chord name tells you what the root of the
Cm
chord is, whether it is a major, minor, or diminished chord, whether it requires a
Root note
Chord type
major or flatted seventh, what alterations or tensions it uses ... all at a glance.
● Some Chord Types (These are just some of the “Standard” chord types recognized by the DGX-220/YPG-225.)
th
th
th
th
Major 7
Suspended 4
7
Minor 7
Csus4
C7
Cm7
CM7
th
th
th
th
th
Major 7
Perfect 5
Perfect 4
Flatted 7
Major chord
Flatted 7
Minor chord
Major chord
th
th
th
th
Minor 7 , flatted 5
th
th
th
Minor/major 7
7
, flatted 5
7
, suspended 4
(
)
(
)
b5
b5
CmM7
C7sus4
C7
Cm7
th
th
th
th
th
Minor 7 chord
th
Flatted 7
Major 7
Minor chord
Flatted 5
7
chord
Flatted 5
Suspended
th
4
chord
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Style (Auto-accompaniment) Functions
■Recognized Standard Chords● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
All chords in the chart are “C-root” chords.
Chord Name/[Abbreviation]
Major [M]
Normal Voicing
1 - 3 - 5
Chord (C)
Display
C
C
C
)
C(9
(9)
Add ninth [(9)]
Sixth [6]
1 - 2 - 3 - 5
1 - (3) - 5 - 6
1 - 2 - 3 - (5) - 6
C6
C6
C6
(
)
9
(9)
Sixth ninth [6(9)]
*
C6
1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
Major seventh [M7]
CM7
CM7
CM7
CM7
(
)
9
(9)
Major seventh ninth [M7(9)]
1 - 2 - 3 - (5) - 7
*
CM7
1 - (2) - 3 - #4 - 5 - 7 or
1 - 2 - 3 - #4 - (5) - 7
1 - 3 - b5
1 - 3 - b5 - 7
1 - 4 - 5
(
)
#11
(#11)
Major seventh add sharp eleventh [M7(#11)]
*
CM7
)
C(b5
b5
Flatted fifth [(b5)]
C
*
(
)
b5
b5
Major seventh flatted fifth [M7b5]
Suspended fourth [sus4]
Augmented [aug]
CM7
*
CM7
Csus4
Caug
Csus4
Caug
CM7aug
Cm
1 - 3 - #5
1 - (3) - #5 - 7
1 - b3 - 5
Major seventh augmented [M7aug]
Minor [m]
CM7aug *
Cm
(
)
9
(9)
Minor add ninth [m(9)]
1 - 2 - b3 - 5
1 - b3 - 5 - 6
1 - b3 - (5) - b7
1 - 2 - b3 - (5) - b7
1 - (2) - b3 - 4 - 5 - (b7)
1 - b3 - (5) - 7
1 - 2 - b3 - (5) - 7
1 - b3 - b5 - b7
1 - b3 - b5 - 7
1 - b3 - b5
Cm
Cm
Minor sixth [m6]
Cm6
Cm7
Cm6
Minor seventh [m7]
Cm7
(
)
9
(9)
Minor seventh ninth [m7(9)]
Minor seventh add eleventh [m7(11)]
Minor major seventh [mM7]
Minor major seventh ninth [mM7(9)]
Minor seventh flatted fifth [m7b5]
Minor major seventh flatted fifth [mM7b5]
Diminished [dim]
Cm7
Cm7
(
)
11
(11)
Cm7
*
Cm7
CmM7
CmM7
CmM7
(
)
9
(9)
*
CmM7
(
)
b5
b5
Cm7
Cm7
(
)
b5
b5
CmM7
Cdim
*
CmM7
Cdim
Diminished seventh [dim7]
1 - b3 - b5 - 6
1 - 3 - (5) - b7 or
1 - (3) - 5 - b7
1 - b2 - 3 - (5) - b7
1 - 3 - 5 - b6 - b7
1 - 2 - 3 - (5) - b7
Cdim7
Cdim7
C7
Seventh [7]
C7
(
)
b9
(b9)
(b13)
(9)
Seventh flatted ninth [7(b9)]
Seventh add flatted thirteenth [7(b13)]
Seventh ninth [7(9)]
C7
C7
C7
C7
(
)
b13
C7
(
)
9
C7
1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7
(
)
#11
(#11)
Seventh add sharp eleventh [7(#11)]
C7
C7
(
)
)
13
(13)
Seventh add thirteenth [7(13)]
Seventh sharp ninth [7(#9)]
Seventh flatted fifth [7b5]
Seventh augmented [7aug]
Seventh suspended fourth [7sus4]
One plus two plus five [1+2+5]
1 - 3 - (5) - 6 - b7
1 - #2 - 3 - (5) - b7
1 - 3 - b5 - b7
1 - 3 - #5 - b7
1 - 4 - (5) - b7
1 - 2 - 5
C7
C7
C7
C7
(
C7
#9
(#9)
b5
C7b5
*
C7aug
C7aug
C7sus4
C *
C7sus4
C1+2+5
* These chords are not shown in the Dictionary function.
NOTE
NOTE
• Notes in parentheses can be omitted.
• Inversion of the 7sus4 and m7(11) chords are not recognized if the
notes shown in parentheses are omitted.
• Playing two same root keys in the adjacent octaves produces accompa-
niment based only on the root.
• The auto accompaniment will sometimes not change when related
chords are played in sequence (e.g. some minor chords followed by the
minor seventh).
• A perfect fifth (1+5) produces accompaniment based only on the root
and fifth which can be used with both major and minor chords.
• Two-note fingerings will produce a chord based on the previously played
chord.
• The chord fingerings listed are all in “root” position, but other inversions
can be used—with the following exceptions: m7, m7b5, 6, m6, sus4,
aug, dim7, 7b5, 6(9), 1+2+5.
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Style (Auto-accompaniment) Functions
Looking Up Chords Using the Chord Dictionary
The Dictionary function is essentially a built-in “chord book” that shows you the individual notes of chords.
It is ideal when you know the name of a certain chord and want to quickly learn how to play it.
Press and hold the LESSON [START]
button for longer than a second.
Press the “M7” (major seventh) key in
the section of the keyboard labeled
“CHORD TYPE”. (The note doesn’t
sound.) The notes you should play for
the specified chord (root note and
chord type) are shown in the display,
both as notation and in the keyboard
diagram.
1
3
Hold for longer than
a second
Dict.
As an example, we’ll learn how to play a
GM7 (G major seventh) chord. Press the
“G” key in the section of the keyboard
labeled “ROOT”. (The note doesn’t
sound.) The root note you set is shown
in the display.
2
Notation of chord
Chord name (root and type)
Dict.
001
Individual notes of chord (keyboard)
To call up possible inversions of the chord,
press the [+]/[-] buttons.
Dict.
001
NOTE
• About major chords: Simple major chords are usually indicated only
by the root note. For example, “C” refers to C major. However, when
specifying major chords here, make sure to select “M” (major) after
pressing the root note.
Try playing a chord in the auto accom-
paniment section of the keyboard,
checking the indications in the display.
When you’ve played the chord properly,
a bell sound signals your success and
the chord name in the display flash.
4
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Song Settings
Song Volume
Press the [FUNCTION] button.
Use the dial to set the song volume
between 000 and 127.
1
2
3
NOTE
• Song volume can be adjusted while a song is selected.
Use the CATEGORY [ ] and [ ] but-
tons to select the Song Volume item.
SongVol
100
Song volume
A-B Repeat
You can specify a section of a song—“A” is the
start point and “B” is the end point—for repeat
playback.
Press the [A-B REPEAT] button a sec-
ond time at the end of the section you
want to repeat (the “B” point).
2
3
A
B
Play the song (page 25) and press the
[A-B REPEAT] button at the beginning
of the section you want to repeat (the
“A” point).
1
The specified A-B section of the song
will now play repeatedly.
You can stop repeat playback at any time by
pressing the [A-B REPEAT] button.
NOTE
• The repeat start and end points can be specified in one-measure
increments.
• The current measure number is shown in the display during play-
back.
• If you want to set the start point “A” at the very beginning of the song
press the [A-B REPEAT] button before starting playback of the song.
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Song Settings
Muting Independent Song Parts
Each “track” of a song plays a different part of the
song—melody, percussion, accompaniment, etc.
You can mute individual tracks and play the muted
part on the keyboard yourself, or simply mute
tracks other than the ones you want to listen to.
Use the SONG MEMORY [1]–[5] and [A] buttons
to mute or un-mute the corresponding tracks. The
track number in the display disappears when that
track is muted. Refer to page 45 for information
about the song track configuration.
Track number on—Track will playback
Track number off—Track is muted or
contains no data
Change the Melody Voice
You can change a song’s melody voice to any other voice you prefer.
Press the [VOICE] button for longer
than a second.
NOTE
3
• You cannot change the melody voice of a user song.
“SONG MELODY VOICE” appears in the
display for a few seconds, indicating
that the voice selected in step #2 has
replaced the song’s original melody
voice.
Select the song and play it.
1
Rotate the dial to select the voice you
want to listen to after pressing the
[VOICE] button.
2
Strings
050
Hold for longer than
a second
SONG MEL
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Memorize Your Favorite Panel Settings
This instrument has a Registration Memory feature that lets you save your favorite set-
tings for easy recall whenever they’re needed. Up to 16 complete setups can be saved
(8 banks of two setups each).
8 Banks
Up to 16 presets (eight
banks of two each) can be
memorized.
Memory 1
Memory 2
Saving to the Registration Memory
Set the panel controls as required—
select a voice, accompaniment style,
etc.
Press the REGIST MEMORY [1] or [2]
button while holding the [MEMORY/
BANK] button to store the current panel
settings to the specified registration
memory.
1
2
4
Press the [MEMORY/BANK] button. A
bank number will appear in the display
when you release the button.
Writing!
Bank
1
NOTE
Bank number
• If you select a Registration Memory number that already contains
data, the previous data is deleted and overwritten by the new data.
Use the dial or the [1]–[8] number but-
tons to select a bank number from 1 to
8.
3
CAUTION
• Do not turn off the power while saving settings to the registra-
tion memory, otherwise the data may be damaged or lost.
NOTE
• Data cannot be saved to the registration memory during song play-
back.
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Memorize Your Favorite Panel Settings
Recalling a Registration Memory
Press the [MEMORY/BANK] button.
A bank number will appear in the dis-
play when you release the button.
1
● Settings That Can be Saved to the Registra-
tion Memory
• Style settings*
Style number, Auto Accompaniment ON/OFF,
Split Point, Style settings (Main A/B),
Style Volume, Tempo, Chord Fingering
• Voice settings
Main Voice setting (Voice number, Volume,
Octave, Pan, Reverb Level, Chorus Level),
Dual Voice settings (Dual ON/OFF,
Voice number, Volume, Octave, Pan,
Reverb Level, Chorus Level),
Bank
1
Split Voice settings (Split ON/OFF,
Voice number, Volume, Octave, Pan,
Reverb Level, Chorus Level)
Bank number
• Effect settings
Reverb Type, Chorus Type,
Panel Sustain ON/OFF,
Use the dial or the [1]–[8] number but-
tons to select bank you want to recall.
2
• Harmony settings
Harmony ON/OFF, Harmony Type,
Harmony Volume
• Other settings
Transpose, Pitch Bend Range
* Style settings are not available for Registration Memory when
using the Song features.
Press the REGIST MEMORY button, [1]
3
or [2], containing the settings you want
to recall.The recalled REGIST MEMORY
number appears in the display for a few
seconds.The panel controls will be
instantly set accordingly.
REGIST 1
1
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The Functions
The “Functions” provide access to a range of detailed instrument parameters for tun-
ing, setting the split point, and adjusting the voices and effects.Take a look at the func-
tion list starting on the opposite page.There are 47 function parameters in all.
When you locate a function you want to set up, simply select the function’s display
name (shown to the right of the function name in the list) and adjust as required.
Selecting and Setting Functions
Find the function you want to set in the
list that begins on page 76.
Use the dial, the [+] and [-] buttons, or
the [0]–[9] number buttons to set the
selected function as required.
The [+] and [-] buttons are used to make ON/
OFF type settings: [+] = ON, [-] = OFF.
In some cases the [+] button will initiate execu-
tion of the selected function, and the [-] will
cancel the selection.
1
2
4
Press the [FUNCTION] button.
StyleVol
100
Select a function.
3
Press the CATEGORY [ ] and [ ] buttons as
many times as necessary until the function’s
display name appears in the display.
Direct numeric
entry.
• Decrement value by 1.
• OFF
• Increment value by 1.
• ON
• Cancel
• Execute
Transpos
Press simultaneously to recall
the default setting.
00
The selected function.
Function settings are stored in memory as soon
as they are changed. To restore all initial factor
tion on page 49.
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The Functions
● Function Setting List
Setting
Style Volume
Item title
StyleVol
SongVol
Transpos
Tuning
Range/Settings
000–127
000–127
-12–12
Description
Determines the volume of the Style.
Song Volume
Transpose
Determines the volume of the Song.
Determines the pitch of the instrument by semitone increments.
Sets the pitch of the instrument’s sound in 1-cent increments.
Sets the pitch bend range in semitone increments.
Tuning
-100–100
01–12
Pitch Bend Range
PBRange
Determines the highest key for the Split voice and sets the Split “point”—
in other words, the key that separates the Split (lower) and Main (upper)
voices.The Split Point setting and Accompaniment Split Point setting are
automatically set to the same value.
000–127
(C-2–G8)
Split Point
SplitPnt
TouchSns
ChdFing
1(Soft),
2(Medium),
3(Hard),
4(Off)
Touch Sensitivity
Fingering Chord
Determines the sensitivity of the feature.
Sets the chord detection mode. In the Multi Finger mode both standard
chords and easy chords played to the left of the split point are detected.
In the Full Keyboard mode standard chords played anywhere on the
keyboard will be detected, and the notes played will be sound as well.
Multi(1),
FullKbd(2)
Main Voice Volume
Main Voice Octave
M.Volume
M.Octave
000–127
-2–+2
Determines the volume of the Main voice.
Determines the octave range for the Main voice.
000 (left)–
64 (center)–
127 (right)
Determines the pan position of the Main voice in the stereo image. The
value “0” results in the sound being panned full left; the value “127”
results in the sound being panned full right.
Main Voice Pan
M.Pan
Determines how much of the Main voice’s signal is sent to the Reverb
effect.
Main Voice Reverb Level M.Reverb
Main Voice Chorus Level M.Chorus
000–127
000–127
Determines how much of the Main voice’s signal is sent to the Chorus
effect.
Dual Voice
D.Voice
D.Volume
D.Octave
001–489
000–127
-2–+2
Selects the Dual voice.
Dual Voice Volume
Dual Voice Octave
Determines the volume of the Dual voice.
Determines the octave range for the Dual voice.
000 (left)–
64 (center)–
127 (right)
Determines the pan position of the Dual voice in the stereo image. The
value “0” results in the sound being panned full left; the value “127”
results in the sound being panned full right.
Dual Voice Pan
D.Pan
Determines how much of the Dual voice’s signal is sent to the Reverb
effect.
Dual Voice Reverb Level D.Reverb
Dual Voice Chorus Level D.Chorus
000–127
000–127
Determines how much of the Dual voice’s signal is sent to the Chorus
effect.
Split Voice
S.Voice
S.Volume
S.Octave
001–489
000–127
-2–+2
Selects the Split voice.
Split Voice Volume
Split Voice Octave
Determines the volume of the Split voice.
Determines the octave range for the Split voice.
000 (left)–
64 (center)–
127 (right)
Determines the pan position of the Split voice in the stereo image. The
value “0” results in the sound being panned full left; the value “127”
results in the sound being panned full right.
Split Voice Pan
S.Pan
Determines how much of the Split voice’s signal is sent to the Reverb
effect.
Split Voice Reverb Level S.Reverb
Split Voice Chorus Level S.Chorus
000–127
000–127
Determines how much of the Split voice’s signal is sent to the Chorus
effect.
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The Functions
Setting
Reverb Type
Item title
Reverb
Range/Settings
Description
Determines the Reverb type, including off (10). (See the list on page
01–10
Determines the Chorus type, including off (05). (See the list on page
Chorus Type
Chorus
01–05
Determines whether or not panel sustain is always applied to the MAIN/
DUAL voices. Panel sustain is applied continuously when ON, or not
Panel Sustain
Sustain
ON/OFF
Speaker1,
Speaker2,
Headphone,
Line Out1,
Line Out2
Sets the equalizer applied to the speaker output for optimum sound in
different listening situations.
Master EQ Type
MasterEQ
Harmony Type
HarmType
HarmVol
01–26
Determines the Harmony type. (See the list on page 109)
Determines the volume of the Harmony effect.
Harmony Volume
000–127
Performance assistant
technology Type
CHORD(1),
CHD/FREE(2):
PAT Type
Determines the performance assistant technology type.
Style File Load
PC mode
Sff Load
PC mode
001–nnn
Loads a Style file.
PC1/PC2/OFF
Optimizes the MIDI settings when you connect to a computer (page 81).
Determines whether the instrument’s keyboard controls the internal tone
generator (ON) or not (OFF). (page 80)
Local On/Off
External Clock
Keyboard Out
Style Out
Local
ON/OFF
ON/OFF
ON/OFF
ON/OFF
ON/OFF
YES/NO
00–60
Determines whether the instrument synchronizes to the internal clock
(OFF) or an external clock (ON). (page 80)
ExtClock
KbdOut
Determines whether keyboard performance data of the instrument is
transmitted (ON) or not (OFF).
Determines whether Style data is transmitted (ON) via USB or not (OFF)
during Style playback.
StyleOut
SongOut
InitSend
TimesigN
Determines whether Song data is transmitted (ON) via USB or not (OFF)
during Song playback.
Song Out
Lets you send the data of the panel settings to a computer. Press [+] to
send, or press [-] to cancel.
Initial Send
Time Signature
Numerator
Determines the time signature of the Metronome.
Half note,
Time Signature
Denominator
Quarter note,
Eighth note,
Sixteenth note
TimesigD
Sets the length of each metronome beat.
Determines the volume of the Metronome.
Metronome Volume
Lesson Track (R)
MtrVol
R-Part
000–127
Determines the guide track number for your right hand lesson. The
setting is only effective for songs in SMF format 0 transferred from a
computer.
GuideTrack
1–16
GuideTrack
1–16
Determines the guide track number for your left hand lesson.The setting
is only effective for songs in SMF format 0 transferred from a computer.
Lesson Track (L)
Grade
L-Part
Grade
ON/OFF
ON/OFF
Determines whether the Grade function is on or off.
Determines whether Demo cancel is enabled or not. When this is set to
ON, the Demo Song will not play, even if the [DEMO] button is pressed.
Demo Cancel
D-Cancel
* All these settings can be conveniently reset to their initial default values by pressing the [+] and [-] buttons simultaneously. (The exception to this is
Initial Send, which is an operation, not a setting.)
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Connecting to a Computer
Nearly all of the electronic musical instruments made today—particularly synthesizers,
sequencers and computer music related devices—use MIDI. MIDI is a worldwide stan-
dard that allows these devices to send and receive performance and setting data. Natu-
rally, this instrument lets you save or send your keyboard performance as MIDI data, as
well as the songs, styles and panel settings.
The potential MIDI holds for your live performances and music creation/production is
enormous—simply by connecting this instrument to a computer and transmitting MIDI
data. In this section, you’ll learn the basics of MIDI and the specific MIDI functions pro-
vided by this instrument.
What Is MIDI?
No doubt you have heard the terms “acoustic
instrument” and “digital instrument”. In the world
today, these are the two main categories of instru-
ments. Let’s consider a grand piano and a classical
guitar as representative acoustic instruments. They
are easy to understand. With the piano, you strike a
key, and a hammer inside hits some strings and
plays a note. With the guitar, you directly pluck a
string and the note sounds. But how does a digital
instrument go about playing a note?
For example, let’s say you play a “C” quarter note
using the grand piano sound on the instrument.
Unlike an acoustic instrument that puts out a reso-
nated note, the electronic instrument puts out infor-
mation from the keyboard such as “with what
voice”, “with which key”, “about how strong”,
“when was it pressed”, and “when was it released”.
Then each piece of information is changed into a
number value and sent to the tone generator. Using
these numbers as a basis, the tone generator plays
the stored sampling note.
● Acoustic guitar note production
Example of Keyboard Information
Voice number (with what voice)
Note number (with which key)
1 (grand piano)
60 (C3)
Note on (when was it pressed) and Timing expressed
note off (when was it released)
numerically (quarter note)
Velocity (about how strong)
120 (strong)
Pluck a string and the body
resonates the sound.
Your keyboard performance and all panel opera-
tions of this instrument are processed as MIDI
data. The songs, auto accompaniment (styles), and
User songs are also made up of MIDI data.
MIDI is an acronym that stands for Musical Instru-
ment Digital Interface and it allows different musi-
cal instruments and devices to instantly
communicate with each other, via digital data. The
MIDI standard is used all over the world and was
designed to transmit performance data between
electronic musical instruments (or computers).
Thanks to MIDI, you can control one instrument
from another and transmit performance data
between the devices-taking your creative and per-
formance potential to even higher levels.
● Digital instrument note production
Tone Generator
L
R
Sampling
Note
Sampling
Note
(Electronic circuit)
Playing the keyboard
Based on playing information from the keyboard, a sampling note
stored in the tone generator is played through the speakers.
As shown in the illustration above, in an electronic
instrument the sampling note (previously recorded
note) stored in the tone generator section (elec-
tronic circuit) is played based on information
received from the keyboard. So then what is the
information from the keyboard that becomes the
basis for note production?
MIDI messages can be divided into two groups:
Channel messages and System messages.
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Connecting to a Computer
● Channel Messages
● System Messages
This instrument is capable of handling 16 MIDI
channels simultaneously—meaning it can play up
to sixteen different instruments at the same time.
Channel messages transmit information such as
Note ON/OFF, Program Change, for each of the 16
channels.
This is data that is used in common by the entire
MIDI system. System messages include messages
like Exclusive Messages that transmit data unique
to each instrument manufacturer and Realtime
Messages that control the MIDI device.
Message Name
Instrument Operation/Panel Setting
Message Name
Instrument Operation/Panel Setting
Exclusive Message Reverb/chorus settings, etc.
Realtime Messages Start/stop operation
Performance data of the keyboard (contains
note number and velocity data)
Note ON/OFF
Instrument selection (including bank select
MSB/LSB, if necessary)
Program Change
Control Change
Instrument settings (volume, pan, etc.)
Connecting a Personal Computer
The following functions become available when this instrument is connected to a computer.
The connection procedure is as follows:
■ USB Precautions
Please observe the following precautions when
connecting the instrument to a computer via a USB
cable.
Failure to do so can cause the instrument and/or the
computer to hang up (freeze), possibly causing
corruption or loss of data.
Install the USB-MIDI driver on your com-
puter.
The USB–MIDI driver is included on the CD-ROM.
Installation of the USB MIDI driver is described on
1
If the instrument or computer does hang up, turn
the power to both devices off and then on again,
and restart the computer.
Connect the USB terminal of the computer
2
to the USB terminal on the instrument using
a standard USB cable (USB cable sold sep-
arately).
CAUTION
• Wake the computer from a sleep/suspended/standby mode before
connecting the USB cable.
• Connect the USB cable to the instrument and computer before
turning power to the instrument on.
The supplied CD-ROM also includes a Musicsoft
Downloader application that allows you to transfer
song files from your computer to the instrument’s
flash memory. For instructions about how to install
Musicsoft Downloader and how to transfer song
files, see page 83.
• Check the following points before turning the instrument’s power
on or off, and before plugging or unplugging the USB cable.
• Quit all applications.
• Make sure that no data transfer is in progress (data is trans-
ferred whenever you play on the keyboard or play a song).
• Allow at least 6 seconds between turning the instrument’s power
on and off, and between plugging and unplugging the USB cable.
• Directly connect the instrument to the computer using a single
USB cable. Do not use a USB hub.
NOTE
• The Musicsoft Downloader application may not be able to access the
instrument in the following cases:
• During style playback.
• During song playback.
DGX-220/YPG-225
USB cable
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Connecting to a Computer
Transferring Performance Data to and from a Computer
By connecting the instrument to a computer, the instrument’s performance data can be used on the com-
puter, and performance data from the computer can be played on the instrument.
● When the instrument is connected with computer,
it transmits/receives performance data.
USB terminal
USB terminal
DGX-220/YPG-225
USB cable
■MIDI settings
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
These settings pertain to performance data transmission and reception.
Item
Local
Range/Settings
Description
Local control determines whether or not notes played on the instrument are sounded by its internal
tone generator system: the internal tone generator is active when local control is on, and inactive when
local control is off.
ON/OFF
These settings determine whether the instrument is synchronized to its own internal clock (OFF), or to
a clock signal from an external device (ON).
External Clock
Keyboard Out
ON/OFF
ON/OFF
These settings determine whether keyboard performance data of the instrument is transmitted (ON) or
not (OFF).
Style Out
Song Out
ON/OFF
ON/OFF
These settings determine whether Style data is transmitted (ON) or not (OFF) during Style playback.
These settings determine whether Song data is transmitted (ON) or not (OFF) during Song playback.
Use the CATEGORY [ ] and [ ] buttons
to select the item you want to change its
value.
2
CAUTION
• If you can’t get any sound out of the instrument, this may be the
most likely cause.
CAUTION
• If External Clock is ON and no clock signal is being received from
an external device, the song, style, and metronome functions will
not start.
Press the [FUNCTION] button.
1
Use the dial to select ON or OFF.
3
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Connecting to a Computer
Press and hold the [DEMO] button for
longer than a second so that the PC
Mode item appears.
■PC Mode
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
1
2
A number of MIDI settings need to be made when
you want to transfer performance data between the
computer and the instrument. The PC Mode item
can conveniently make multiple settings for you in
one operation. Three settings are available: PC1,
PC2, and OFF.
This setting is not necessary when transferring
song or backup files between the computer and the
instrument.
PC mode
oFF
* Set the PC mode to PC2 when using Digital Music Note-
book.
PC1
OFF
ON
PC2*
OFF
OFF
OFF
OFF
ON
OFF
ON
Use the dial to select PC1, PC2, or OFF.
Local
External Clock
Song Out
OFF
OFF
OFF
ON
NOTE
OFF
OFF
OFF
• When the PC2 setting is selected the instrument’s style, song, demo,
song recording, and lesson features cannot be used.
Style Out
Keyboard Out
NOTE
• You can also access the PC Mode item by first pressing the [FUNC-
TION] button and then using the CATEGORY [ ] and [ ] buttons to
Remote Control of MIDI Devices
You can also use this instrument as a remote control device for the Digital Music Notebook application on
your computer (via the USB connection)—controlling playback, stop and transport functions from the
panel.
■Remote control keys
● ● ● ● ● ● ● ● ● ●
To use the remote control functions, simulta-
neously hold down the lowest two keys on the key-
board (E0 and F#0) and press the appropriate key
(shown below).
F#0
E0
G6: Fast forward
F6: Start
E6: Stop
D6: Rewind
C6: Top (move to the beginning
of the song)
B5: Metronome ON/OFF
NOTE
• Remote control of MIDI devices will function independently of the PC2
mode.
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Connecting to a Computer
Initial Send
This function lets you send the panel setup data to a computer. Before you record performance data to a
sequencer application running on your computer, it is a good idea to first send and record the panel setup
data before the actual performance data.
Press the [FUNCTION] button.
Press [+/YES] to send, or press [-/NO]
to cancel.
1
3
Use the CATEGORY [ ] and [ ] buttons
to select the Initial Send item.
2
Transferring Data between the Computer and Instrument
MIDI songs residing on a computer, as well as the
70 MIDI songs and 5 Style files provided on the
CD-ROM, can be transferred to the instrument.
Backup files can also be transferred from the
instrument to the computer and back. Songs and
styles transferred to the instrument can be used
with the instrument’s lesson and other functions.
In order to transfer songs between your computer
and the instrument you will need to install the
Musicsoft Downloader application and the USB-
MIDI Driver included on the Accessory CD-ROM
on your computer. Refer to the Accessory CD-
details.
● What is SMF (Standard MIDI File)?
The SMF (Standard MIDI File) format is one of the
most common and widely compatible sequence
formats used for storing sequence data. There are
two variations: Format 0 and Format 1. A large
number of MIDI devices are compatible with SMF
Format 0, and most commercially available MIDI
sequence data is provided in SMF Format 0.
■With the Musicsoft
DownloaderYou Can.
● ● ● ● ● ● ● ● ●
● Transfer MIDI songs you have downloaded
from the Internet or created on your computer
from the computer to the instrument’s flash
memory.
● Data that can be transferred from a computer
⇒ refer to the procedure described on
page 83.
to this instrument.
• Song Capacity (max.): Flash memory 99 songs
(Song 036–)
• Data Capacity: Flash memory 373 kb
• Data Format: SMF format 0,
style file (extension: .sty),
The procedure for transferring songs included
on the Accessory CD-ROM from your com-
puter to the instrument is given as an example.
Backup File (06PG76.BUP)
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Connecting to a Computer
● Backup files can be transferred from the instru-
q Click the CD-ROM drive
ment to a computer and back.
⇒ refer to the procedure described on
page 84.
Use the Musicsoft Downloader application with
Internet Explorer 5.5 or higher.
■Use Musicsoft Downloader
To Transfer Songs From the
Accessory CD-ROM To the
w Double-click “SongData” Folder and
click a song file.
e Click “Open”
A copy of the selected MIDI song file
will appear in the “List of files stored
temporarily” at the top of the window.
6
Instrument’s flash memory
● ● ● ● ●
NOTE
• If a song or style is being played, stop playback before proceeding.
The memory medium will also be displayed at
the bottom of the window to specify the desti-
nation for the transfer. Click the “Electronic
Musical Instruments”, and then “Flash mem-
ory”.
Install the Musicsoft Downloader and
1
USB MIDI driver to your computer, then
connect the computer and the instru-
ment (page 87).
Insert the included CD-ROM into the
CD-ROM drive.
A start window will appear automatically.
2
3
Double-click the Musicsoft Downloader
shortcut icon that is created on the
desktop.
This will launch the Musicsoft Downloader
application and the main window will appear.
NOTE
• The instrument cannot be operated while the Musicsoft Downloader
is running.
Click the “Add File” button and the Add
File window will appear.
4
5
q Click the “Electronic Musical Instruments”,
and then “Flash Memory”
Click the button to the right of “Look in”
and select the CD-ROM drive from the drop-
down menu that appears. Double-click the
“SongData” Folder on the window. Select
the file you want to transfer to the instru-
ment, and click “Open”.
After selecting the file in the “List of
files stored temporarily”, click the
downward [Move] button and a confir-
mation message will appear. Click [OK]
and the song will be transferred from
the “List of files stored temporarily” to
the instrument’s memory.
7
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Connecting to a Computer
Close the window to end the Musicsoft
Downloader.
■Transfer a backup file from
8
9
the instrument to a computer
● ● ●
NOTE
You can use the Musicsoft Downloader to transfer
Songs stored on the instrument, to a computer. If
you click “Electronic Musical Instruments” in the
Musicsoft Downloader display, and then “System
Drive”, a file named “06PG76.BUP” will appear in
the lower right corner of the Musicsoft Down-
loader display. This is the backup file. For details
about how to transmit backup file using the Music-
soft Downloader application, refer to the Online
help in the application.
• End the Musicsoft Downloader to playback the song transferred
from your computer.
To playback a song stored in flash
memory, press the [SONG] button.
Use the dial to select the song you want
to play, then press the [START/STOP]
button to start playback.
Style files (files with the “.STY” extension) can
be transferred to Flash memory using the same
procedure as described above. Style files trans-
ferred to the Flash Memory can be loaded into
style number 151 and then played (page 67).
NOTE
• Preset Song data cannot be transmitted from the instrument.
CAUTION
• Do not unplug the USB cable during a data transfer. Not only
will the data not be transferred and saved, but operation of the
memory media may become unstable and its contents may dis-
appear completely when the power is turned on or off.
CAUTION
• The backup data, including the five User Songs is transmitted/
received as a single file. As a result, all backup data will be over-
written every time you transmit or receive. Keep this in mind when
transferring data.
CAUTION
• Store data can be lost due to equipment malfunction or
improper operation. For safety we recommend that you keep a
copy of all important data stored on your computer.
CAUTION
• Do not rename the backup file on the computer. If you do so, it will
not be recognized when transferred to the instrument.
• We recommend that you use a power adaptor rather than bat-
teries when transferring data.The data can be corrupted if the
batteries fail during the transfer.
● To Use transferred Songs For Lessons...
In order to use songs (only SMF format 0)
transferred from a computer for lessons it is
necessary to specify which channels are to be
played back as the right-hand and left-hand parts.
1 Press the [SONG] button and select the song
(036–) residing in flash memory for which you
want to set the guide track.
2 Press the [FUNCTION] button.
3 Use the CATEGORY [ ] and [ ] buttons to
select the R-Part or L-Part item.
4 Use the dial to select the channel you want to
play back as the specified right- or left-hand
part.
We recommend that you select channel 1 for the
right-hand part and channel 2 for the left-hand part.
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e
r
n
e
f
c
e
e
R
Accessory CD-ROM Installation Guide
SPECIAL NOTICES
This CD-ROM is copy-protected. Yamaha makes no representations or warranties with regard to any problems
while attempting to copy the CD-ROM or software and cannot be held responsible for the results of attempts to
copy the data.
• The software and this owner’s manual are the exclusive copyrights of Yamaha Corporation.
• Use of the software and this manual is governed by the license agreement which the purchaser fully agrees to upon
breaking the seal of the software packaging. (Please read carefully the Software Licensing Agreement at the end of
this manual before installing the application.)
• Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden
without the written consent of the manufacturer.
• Yamaha makes no representations or warranties with regard to the use of the software and documentation and can-
not be held responsible for the results of the use of this manual and the software.
• This disk is a CD-ROM. Do not attempt to play the disk on an audio CD player. Doing so may result in irreparable
damage to your audio CD player.
• Future upgrades of application and system software and any changes in specifications and functions will be
announced separately.
• The screen displays as illustrated in this owner’s manual are for instructional purposes, and may appear somewhat
different from the screens which appear on your computer.
Important Notices about the CD-ROM
● Data Types
This CD-ROM includes application software. Please refer to page 87 for software installation instructions.
CAUTION
• Do not attempt to play this CD-ROM on an audio CD player.The
result high-volume noise can potentially cause hearing damage or
damage your CD player and speakers.
● Operating System (OS)
The applications in this CD-ROM are provided in versions for Windows operating systems.
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Accessory CD-ROM Installation Guide
CD-ROM Contents
q
e
r
w
Folder Name
Application / Data Name
Contents
This application can be used to download MIDI song data from the Internet and
transfer it from the computer to the instrument’s memory.
MSD_
Musicsoft Downloader
q
w
Digital Music Notebook is an educational content that lets you enjoy music while
learning.
Full motion demo software which introduces all features of the Digital Music
Notebook.
DMN_FlashDemo Flash Demo
DMN_DemoSong Demo Song
You can experience Digital Music Notebook functions with the demo song.You need
to download and install Digital Music Notebook on your computer prior to using the
demo song.
Includes score data for the 30 internal songs provided on the instrument as well as
70 MIDI songs provided on the CD-ROM. The exceptions are songs 1–11, 16, 20
and song 30 which is copyrighted. The scores for songs 9–11 are provided in this
SongBook
Song Book
e
r
USB-MIDI Driver
(Windows 98/Me)
This driver software is necessary to connect MIDI devices to your computer via
USB.
USB-MIDI Driver
(Windows 2000/XP)
USBdrv2k
SongData
StyleData
These songs can be transferred to the instrument and played or used with the
instrument’s functions.
MIDI 70 songs
5 style files
These styles can be transferred to the instrument and played or used with the
instrument’s functions.
In order to view PDF scores, you will need to install Adobe Reader in your computer.
You can download the Adobe Reader. Please check the following URL: http://www.adobe.com/
Connect the instrument to the com-
puter.
The connection procedure is described on page
■Using the CD-ROM
Please read the Software License Agreement on
● ● ● ● ● ● ● ● ● ● ●
4
Check the system requirements to
make sure that the software will run on
your computer.
1
Install the software.
Musicsoft Downloader:
5
6
See page 89.
Insert the included CD-ROM into the
CD-ROM drive.
Launch the software.
2
The start window should appear automatically.
For further software operation refer to the online
help supplied with the software.
Install the USB MIDI driver to the com-
3
puter.
you have trouble with installing the driver.
Refer to “Installing the USB-MIDI Driver” on
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Accessory CD-ROM Installation Guide
System Requirements
Application/Data
OS
CPU
Memory
Hard Disk
Display
at least 128 MB of
free space (at least 800 x 600
(256 MB or more 512 MB of free
is recommended) space is
recommended)
®
®
Windows 98SE/Me/2000/ 233 MHz or higher; Intel
64 MB or more
®
®
Musicsoft Downloader
XP Home Edition/
XP Professional
Pentium /Celeron
processor family
HighColor
(16-bit)
USB Driver for Windows
98/Me
Windows 98/Me
166 MHz or higher; Intel
Pentium /Celeron
processor family
32 MB or more
at least 2 MB of free
(64 MB or more is
space
®
®
—
USB Driver for Windows Windows 2000/XP Home
recommended)
2000/XP
Edition/XP Professional
®
400MHz or higher; Intel
128 MB or more
(256 MB or more
is recommended)
®
Windows XP
®
®
Pentium /Celeron
Processor family (1GHz
or more is recommended)
Digital Music Notebook
Professional Edition,
SP1a more
1024 x 768
HighColor
(16-bit)
at least 50 MB of
free space
®
Windows XP Home
®
1GHz or higher; Intel
Digital Music Notebook
(Requirements for
playing content with
video included.)
Edition, SP1a more
Windows 2000
Professional, SP4 more
®
®
Pentium /Celeron
256 MB or more
Processor family (1.4GHz
or more is recommended)
Software Installation
■
Installing the USB-MIDI Driver● ● ● ●
● Uninstall (Removing the Software)
In order to be able to communicate with and use
MIDI devices connected to your computer, the
appropriate driver software must be properly
installed on your computer.
The USB-MIDI driver allows sequence software
and similar applications on your computer to trans-
mit and receive MIDI data to and from MIDI
devices via a USB cable.
Installed software can be removed from your
computer as follows:
From the Windows Start menu select Start →
Settings → Control panel → Add or Remove
Applications → Install and Uninstall. Select the
item you want to remove and click [Add or
Remove]. Follow the on-screen instructions to
remove the selected software.
NOTE
Computer
• The actual names of the menu items and buttons will depend on
the OS version you are using.
Sequence
software
USB
MIDI device
Cable
Driver
Check the drive name of the CD-ROM drive you
will be using (D:, E:, Q: etc.) The drive name is
displayed beside the CD-ROM icon in your “My
Computer” folder. The root directory of the CD-
ROM drive will be D:\ , E:\ , or Q:\ , respectively.
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Accessory CD-ROM Installation Guide
Installing the driver on Windows 98/Me
Installing the driver on Windows 2000
Start the computer.
Start the computer and use the “Adminis-
trator” account to log into Windows 2000.
1
1
Insert the supplied CD-ROM into the CD-
ROM drive. A start window will appear
automatically.
2
Select [My Computer] ➔ [Control Panel]
2
➔ [System] ➔ [Hardware] ➔ [Driver Sign-
ing] ➔ [File Signature Verification], and
check the radio button to the left of
“Ignore—Install all files, regardless of file
signature” and click [OK].
First, make sure the POWER switch on
3
the instrument is set to OFF, then use a
USB cable to connect the USB terminal of
the computer to the USB connector of the
instrument. When the instrument is
Insert the supplied CD-ROM into the CD-
ROM drive. A start window will appear
automatically.
3
turned on, the computer automatically
displays the “Add New Hardware Wizard.
Otherwise, refer to “Troubleshooting” in
the “Accessory CD-ROM Installation
Guide” section of the Owner’s Manual.
For Windows Me users, check the radio button to
the left of “Automatic search for a better driver
(Recommended)” and click [Next]. The system
automatically starts searching and installing the
driver. Proceed to Step 8. If the system does not
detect the driver, select “Specify the location of
the driver (Advanced)” and specify the CD-ROM
drive’s root directory to install the driver and click
[Next]. Execute the installation by following the
onscreen instructions and proceed to Step 8.
First, make sure the POWER switch on the
4
MIDI device is set to OFF, then use a USB
cable to connect the MIDI device to the
computer. After making the connections,
turn on the power of the MIDI device.The
system automatically launches the Found
New Hardware Wizard.
of the Owner’s Manual. Click [Next]. (Some
computers may take a while to display the Wizard
window.)
Select the radio button for “Search for a
suitable driver for my device [recom-
mended]”, then click [Next].
5
NOTE
• If you are using Windows Me, skip Step 4–7.
Click [Next].
The window enables you to select the search
method.
NOTE
4
• If the Wizard panel informs you that “The software you are about to
install does not contain a Microsoft digital signature”, click [Yes].
Check the radio button to the left of
5
Check the “CD-ROM drives” check box,
deselect all other check boxes, then click
[Next].
6
“Search for the best driver for your
device. (Recommended)”. Click [Next].
The window enables you to select a location in
which to install the driver.
NOTE
• If the system prompts you to insert the Windows CD-ROM during
detection of the drivers, point to the “USBdrv2k_” folder (e.g.,
D:\USBdrv2k_) and continue the installation.
Check the “Specify a location” box, click
6
“Browse..”, then specify the root direc-
tory of the CD-ROM drive and continue
the installation.The CD-ROM drive letter
may vary depending on your computer’s
configuration.
Deselect the “Install one of the other driv-
ers”, then click [Next].
7
When the installation is complete, the
Wizard displays “Completing the Found
New Hardware Wizard”.
Click [Finish]. (Some computers may take a
while to display the Wizard window.)
8
When the system detects the driver on
7
the CD-ROM and is ready for installation,
it is shown as a message on the screen.
Make sure that the “YAMAHA USB MIDI
Driver” is listed, and click [Next].The sys-
tem starts the installation.
Restart the computer.
The USB-MIDI driver installation is complete.
9
When installation is complete, a message
indicating so appears. Click [Finish].
The driver has been installed.
8
NOTE
• Some computers may take about ten seconds to show this screen
after the installation is complete.
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Installing the driver on Windows XP
■Installing the Musicsoft
Downloader and Digital
Music Notebook Applications● ● ●
Start the computer and use the “Adminis-
trator” account to log into Windows.
1
Select [Start] ➔ [Control Panel]. If the
2
IMPORTANT
control panel appears as “Pick a cate-
gory”, click “Switch to Classic View” in
the upper left of the window. All control
panels and icons will be displayed.
• You will need to log in with administrator (root) privileges in order
to install Musicsoft Downloader on a computer running Windows
2000 or XP.
• You will need to log in with administrator (root) privileges in order
to install Digital Music Notebook on a computer running Windows
2000 or XP.
Go to [System] ➔ [Hardware] ➔ [Driver
Signing Options] and check the radio but-
ton to the left of “Ignore” and click [OK].
3
IMPORTANT
• When installing the Digital Music Notebook, make sure that Inter-
net Explorer 6.0 (with SP1) or higher is installed to your computer.
Click the [OK] button to close System
4
Properties, and then click“X”in the upper
right of the window to close the Control
Panel.
IMPORTANT
• Credit card settlement is required to purchase Digital Music Note-
book content. Credit card processing may not be possible for
some areas, so please check with your local authorities to make
sure that your credit card can be used.
Insert the supplied CD-ROM into the CD-
ROM drive. A start window will appear
automatically.
5
Insert the Accessory CD-ROM into your
1
computer’s CD-ROM drive.The start win-
dow will appear automatically showing
software applications.
First, make sure the POWER switch on the
6
MIDI device is set to OFF, then use a USB
cable to connect the MIDI device to the
computer. After making the connections,
turn on the power of the MIDI device.
The system launches the Found New
Hardware Wizard automatically. Other-
section of the Owner’s Manual. If the sys-
tem displays “Found New Hardware” in
the lower right corner, wait until Wizard
windows is displayed. (Some computers
may take a while to display the window.)
If the Wizard window prompts you to specify
whether or not to connect to Windows Update,
select the radio button for “No, not this time”,
then click [Next].
NOTE
• If the start window does not appear automatically, double click your
“My Computer” folder to open it. Right-click the CD-ROM icon and
select “Open” from the pop-up menu. Double click “Start.exe” and
proceed to step 2, below.
Click [Musicsoft Downloader] or [Digital
Music Notebook].
2
3
Click the [install] button for Musicsoft
downloader, or [Digital Music Notebook
Download] button for Digital Music Note-
book, and follow the on-screen instruc-
tions to install the software.
For Digital Music Notebook operating instruc-
tions see the help menu: launch the Digital Music
Notebook application and click “Help”.
Select the radio button for “Install the
software automatically (recommended)”,
then click [Next].
7
For Musicsoft Downloader operating instructions
see the Help menu: launch the Musicsoft Down-
loader application and click “Help”.
NOTE
• If during the installation the system displays “...has not passed Win-
dows Logo testing to verify its compatibility with Windows XP”, click
[Continue Anyway].
* You can obtain the latest version of the Musicsoft
Downloader at the following Internet URL.
http://music.yamaha.com/download/
When the installation is complete, the
Wizard displays “Completing the Found
New Hardware Wizard”.
Click [Finish]. (Some computers may take a
while to display the Wizard window.)
8
IMPORTANT
• Only Musicsoft Downloader can be used to transfer files between
this instrument and a computer. No other file transfer application
can be used.
Restart the computer.
9
If the system displays “Found New Hardware” in
the lower right corner, wait until the Wizard win-
dow is displayed. (Some computers may take a
while to display the Wizard window.)
The USB-MIDI driver installation is complete.
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Accessory CD-ROM Installation Guide
■Troubleshooting
The driver cannot be installed.
When controlling the instrument from
your computer via USB, the instrument
does not operate correctly or no sound
is heard.
• Is the USB cable connected correctly?
Check the USB cable connection. Disconnect the
USB cable, then connect it again.
• Did you install the driver? (page 87)
• Is the USB cable connected correctly?
• Is the USB function enabled on your com-
puter?
When you connect the instrument to the
computer for the first time, if the “Add New
Hardware Wizard” does not appear, the USB
function on the computer may be disabled.
Perform the following steps.
• Are the volume settings of the instrument,
playback device, and application program set
to the appropriate levels?
• Have you selected an appropriate port in the
sequence software?
1 Select [Control Panel] ➔ [System] ➔
[Device Manager] (for Windows 98/Me), or
select [Control Panel]* ➔ [System] ➔
[Hardware] ➔ [Device Manager] (for Win-
dows 2000/XP).
• Are you using the latest USB MIDI driver?
The latest driver can be downloaded from the
following web site.
http://music.yamaha.com/download/
* Classic View only in Windows XP.
2 Make sure that no “!” or “x” marks appear
at “Universal serial bus controller” or
“USB Root Hub”. If you see an “!” or “x”
mark, the USB controller is disabled.
Playback response is delayed.
• Does your computer satisfy the system
requirements?
• Is any unknown device registered?
• Is any other application or device driver run-
ning?
If driver installation fails, the instrument will be
marked as an “Unknown device”, and you will
not be able to install the driver. Delete the
“Unknown device” by following the steps below.
Cannot suspend or resume the
computer correctly.
• Do not suspend the computer while the MIDI
application is running.
If you are using Windows 2000, you may not be
able to suspend/resume normally, depending on
the particular environment (USB Host
Controller, etc.). Even so, simply disconnecting
and connecting the USB cable will allow you to
use the instrument functions again.
1 Select [Control Panel] ➔ [System] ➔
[Device Manager] (for Windows 98/Me), or
select [Control Panel]* ➔ [System] ➔
[Hardware] ➔ [Device Manager] (for Win-
dows 2000/XP).
* Classic View only in Windows XP.
2 Look for “Other devices” in the menu
“View devices by type”.
3 If you find “Other devices”, double-click it
to extend the tree to look for “Unknown
device”. If one appears, select it and click
the [Remove] button.
How can I delete or re-install the
driver?
[Windows Me/98]
4 Remove the USB cable from the instru-
ment, and make the connection again.
5 Install the driver again.
1 When the instrument is recognized cor-
rectly, double-click “System” in the Con-
trol Panel to open the System window.
• Windows 98/Me users...... see page 88
• Windows 2000 users........ see page 88
• Windows XP users........... see page 89
2 Double-click the “Device Manager” tab,
select “YAMAHA USB MIDI Driver” and
delete it.
3 Use the MS-DOS prompt or Explorer to
delete the following three files.
90 DGX-220/YPG-225 Owner’s Manual
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Accessory CD-ROM Installation Guide
4. LIMITED WARRANTY ON MEDIA
NOTE
As to SOFTWARE sold on tangible media,Yamaha warrants that the tangible
media on which the SOFTWARE is recorded will be free from defects in mate-
rials and workmanship under normal use for a period of fourteen (14) days
from the date of receipt, as evidenced by a copy of the receipt. Yamaha’s entire
liability and your exclusive remedy will be replacement of the defective media
if it is returned toYamaha or an authorizedYamaha dealer within fourteen days
with a copy of the receipt. Yamaha is not responsible for replacing media dam-
aged by accident, abuse or misapplication. TO THE FULLEST EXTENT
PERMITTED BY LAW, YAMAHA EXPRESSLY DISCLAIMS ANY
IMPLIED WARRANTIES ON THE TANGIBLE MEDIA, INCLUDING THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR
A PARTICULAR PURPOSE.
• To delete these files using Explorer, select “Folder Options” from
the Tool (View) menu, and select “Show all files” (and folders).
• \WINDOWS\INF\OTHER\1039.INF
• \WINDOWS\SYSTEM\Xgusb.drv
• \WINDOWS\SYSTEM\Ymidusb.sys
4 Disconnect the USB cable.
5 Restart the computer.
6 Re-install the driver.
5. DISCLAIMER OF WARRANTY ON SOFTWARE
You expressly acknowledge and agree that use of the SOFTWARE is at your
sole risk. The SOFTWARE and related documentation are provided “AS IS”
and without warranty of any kind. NOTWITHSTANDING ANY OTHER
PROVISION OF THIS AGREEMENT, YAMAHA EXPRESSLY DIS-
CLAIMS ALL WARRANTIES AS TO THE SOFTWARE, EXPRESS, AND
IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WAR-
RANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR
PURPOSE AND NON-INFRINGEMENT OF THIRD PARTY RIGHTS.
SPECIFICALLY, BUT WITHOUT LIMITING THE FOREGOING,
YAMAHA DOES NOT WARRANT THAT THE SOFTWARE WILL MEET
YOUR REQUIREMENTS, THAT THE OPERATION OF THE SOFTWARE
WILL BE UNINTERRUPTED OR ERROR-FREE, OR THAT DEFECTS IN
THE SOFTWARE WILL BE CORRECTED.
ATTENTION
SOFTWARE LICENSE AGREEMENT
PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (“AGREE-
MENT”) CAREFULLY BEFORE USING THIS SOFTWARE. YOU ARE
ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE
TERMS AND CONDITIONS OF THIS AGREEMENT. THIS AGREEMENT
IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND
YAMAHA CORPORATION (“YAMAHA”).
BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING TO
BE BOUND BY THE TERMS OF THIS LICENSE. IF YOU DO NOT AGREE
WITH THE TERMS, DO NOT INSTALL, COPY, OR OTHERWISE USE THIS
SOFTWARE.
6. LIMITATION OF LIABILITY
YAMAHA’S ENTIRE OBLIGATION HEREUNDER SHALL BE TO PER-
MIT USE OF THE SOFTWARE UNDER THE TERMS HEREOF. IN NO
EVENT SHALLYAMAHA BE LIABLE TO YOU OR ANY OTHER PER-
SON FOR ANY DAMAGES, INCLUDING, WITHOUT LIMITATION, ANY
DIRECT, INDIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGES,
EXPENSES, LOST PROFITS, LOST DATA OR OTHER DAMAGES ARIS-
ING OUT OF THE USE, MISUSE OR INABILITY TO USE THE SOFT-
WARE, EVEN IFYAMAHA OR AN AUTHORIZED DEALER HAS BEEN
ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. In no event shall
Yamaha’s total liability to you for all damages, losses and causes of action
(whether in contract, tort or otherwise) exceed the amount paid for the SOFT-
WARE.
1. GRANT OF LICENSE AND COPYRIGHT
Yamaha hereby grants you the right to use one copy of the software program(s)
and data (“SOFTWARE”) accompanying this Agreement. The term SOFT-
WARE shall encompass any updates to the accompanying software and data.
The SOFTWARE is owned byYamaha and/orYamaha’s licensor(s), and is pro-
tected by relevant copyright laws and all applicable treaty provisions. While
you are entitled to claim ownership of the data created with the use of SOFT-
WARE, the SOFTWARE will continue to be protected under relevant copy-
rights.
• You may use the SOFTWARE on a single computer.
• You may make one copy of the SOFTWARE in machine-readable form for
backup purposes only, if the SOFTWARE is on media where such backup
copy is permitted. On the backup copy, you must reproduceYamaha’s copy-
right notice and any other proprietary legends that were on the original copy
of the SOFTWARE.
• You may permanently transfer to a third party all your rights in the SOFT-
WARE, provided that you do not retain any copies and the recipient reads
and agrees to the terms of this Agreement.
7.THIRD PARTY SOFTWARE
Third party software and data (“THIRD PARTY SOFTWARE”) may be
attached to the SOFTWARE. If, in the written materials or the electronic data
accompanying the Software, Yamaha identifies any software and data as
THIRD PARTY SOFTWARE, you acknowledge and agree that you must abide
by the provisions of any Agreement provided with the THIRD PARTY SOFT-
WARE and that the party providing the THIRD PARTY SOFTWARE is
responsible for any warranty or liability related to or arising from the THIRD
PARTY SOFTWARE. Yamaha is not responsible in any way for the THIRD
PARTY SOFTWARE or your use thereof.
• Yamaha provides no express warranties as to the THIRD PARTY SOFT-
WARE. IN ADDITION, YAMAHA EXPRESSLY DISCLAIMS ALL
IMPLIED WARRANTIES, INCLUDING BUT NOT LIMITED TO THE
IMPLIED WARRANTIES OF MERCHANTABILITYAND FITNESS FOR
A PARTICULAR PURPOSE, as to the THIRD PARTY SOFTWARE.
• Yamaha shall not provide you with any service or maintenance as to the
THIRD PARTY SOFTWARE.
2. RESTRICTIONS
• You may not engage in reverse engineering, disassembly, decompilation or
otherwise deriving a source code form of the SOFTWARE by any method
whatsoever.
• You may not reproduce, modify, change, rent, lease, or distribute the SOFT-
WARE in whole or in part, or create derivative works of the SOFTWARE.
• You may not electronically transmit the SOFTWARE from one computer to
another or share the SOFTWARE in a network with other computers.
• You may not use the SOFTWARE to distribute illegal data or data that vio-
lates public policy.
• Yamaha is not liable to you or any other person for any damages, including,
without limitation, any direct, indirect, incidental or consequential damages,
expenses, lost profits, lost data or other damages arising out of the use, mis-
use or inability to use the THIRD PARTY SOFTWARE.
• You may not initiate services based on the use of the SOFTWARE without
permission byYamaha Corporation
Copyrighted data, including but not limited to MIDI data for songs, obtained
by means of the SOFTWARE, are subject to the following restrictions which
you must observe.
• Data received by means of the SOFTWARE may not be used for any com-
mercial purposes without permission of the copyright owner.
• Data received by means of the SOFTWARE may not be duplicated, trans-
ferred, or distributed, or played back or performed for listeners in public
without permission of the copyright owner.
8. GENERAL
This Agreement shall be interpreted according to and governed by Japanese
law without reference to principles of conflict of laws. Any dispute or proce-
dure shall be heard before the Tokyo District Court in Japan. If for any reason
a court of competent jurisdiction finds any portion of this Agreement to be
unenforceable, the remainder of thisAgreement shall continue in full force and
effect.
• The encryption of data received by means of the SOFTWARE may not be
removed nor may the electronic watermark be modified without permission
of the copyright owner.
9. COMPLETE AGREEMENT
3.TERMINATION
This Agreement constitutes the entire agreement between the parties with
respect to use of the SOFTWARE and any accompanying written materials and
supersedes all prior or contemporaneous understandings or agreements, writ-
ten or oral, regarding the subject matter of this Agreement. No amendment or
revision of this Agreement will be binding unless in writing and signed by a
fully authorized representative of Yamaha.
This Agreement becomes effective on the day that you receive the SOFT-
WARE and remains effective until terminated. If any copyright law or provi-
sions of this Agreement is violated, the Agreement shall terminate
automatically and immediately without notice fromYamaha. Upon such ter-
mination, you must immediately destroy the licensed SOFTWARE, any
accompanying written documents and all copies thereof.
DGX-220/YPG-225 Owner’s Manual 91
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Appendix
Troubleshooting
Problem
Possible Cause and Solution
When the instrument is turned on or off, a popping
sound is temporarily produced.
This is normal and indicates that the instrument is receiving electrical power.
Using a mobile phone in close proximity to the instrument may produce interfer-
ence. To prevent this, turn off the mobile phone or use it further away from the
instrument.
When using a mobile phone, noise is produced.
Check that nothing is connected to the PHONES/OUTPUT jack on the rear
panel. When a set of headphones is plugged into this jack, no sound is output.
There is no sound even when the keyboard is played or
when a song or style is being played back.
Check the Local Control on/off. (See page 80.)
Playing keys in the right hand area of the keyboard
does not produce any sound.
are used only for entering the chord root and type.
• The volume is too soft.
• The sound quality is poor.
• The rhythm stops unexpectedly or will not play.
• The recorded data of the song, etc. does not play cor-
rectly.
The batteries are low or dead. Replace all six batteries with completely new
ones, or use the optional AC adaptor.
• The LCD display suddenly goes dark, and all panel
settings are reset.
The style or song does not play back when the
[START/STOP] button is pressed.
Is External Clock set to ON? Make sure External Clock is set to OFF; refer to
“External Clock” on page 80.
Is the split point set at an appropriate key for the cords you are playing? Set the
split point at an appropriate key (page 65).
The style does not sound properly.
Is the “ACMP ON” indicator showing in the display? If it is not showing press the
[ACMP ON/OFF] button so that it does show.
This is not a malfunction. Style number 121 and style numbers 133–150 (Pia-
nist) have no rhythm parts, so no rhythm will play. The other parts will begin
playing when you play a chord in the accompaniment range of the keyboard if
style playback is turned on.
No rhythm accompaniment plays when the [START/
STOP] button is pressed after selecting style number
121 or a style between 133–150 (Pianist).
The instrument is polyphonic up to a maximum of 32 notes. If the Dual voice or
Split voice is being used and a style or song is playing back at the same time,
some notes/sounds may be omitted (or “stolen”) from the accompaniment or
song.
Not all of the voices seem to sound, or the sound
seems to be cut off.
The footswitch (for sustain) seems to produce the
opposite effect. For example, pressing the footswitch
cuts off the sound and releasing it sustains the sounds.
The polarity of the footswitch is reversed. Make sure that the footswitch plug is
properly connected to the SUSTAIN jack before turning on the power.
This is normal. The AWM tone generation method uses multiple recordings
(samples) of an instrument across the range of the keyboard; thus, the actual
sound of the voice may be slightly different from note to note.
The sound of the voice changes from note to note.
The wrong notes sound when the keyboard is played.
Perhaps the performance assistant technology is turned on.
Press the [PERFORMANCE ASSISTANT] button to turn it off.
The ACMP ON indicator does not appear when the
[ACMP ON/OFF] button is pressed.
Is the [STYLE] button lit? Always press the [STYLE] button first when you are
going to use any style-related function.
The harmony effects (01–26) behave differently according to their type. Types
01–05 function when style playback is on, chords are played in the accompani-
ment range of the keyboard, and a melody is played in the right-hand range.
Types 06–26 will function whether style playback is on or off. For types 06 = 12
you need to play two notes at the same time.
There is no harmony sound.
92 DGX-220/YPG-225 Owner’s Manual
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Memo
DGX-220/YPG-225 Owner’s Manual 93
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Scores
DGX-220/YPG-225 Owner’s Manual 95
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Scores
This score is provided with the intent that the pitch will be corrected by the performance assistant technol-
ogy feature. If you play the “Play These Notes” part using the performance assistant technology feature, the
part will be corrected and played so that it matches the backing part.
q
(Function Demo for performance assistant technology)
Song No.
10
=61
Ave Maria
P.A.T.
Type =CHORD
Your Turn.
Repeatedly Play the Same Key.
96 DGX-220/YPG-225 Owner’s Manual
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Scores
DGX-220/YPG-225 Owner’s Manual 97
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Scores
This score is provided with the intent that the pitch will be corrected by the performance assistant technol-
ogy feature. If you play the “Play These Notes” part using the performance assistant technology feature, the
part will be corrected and played so that it matches the backing part.
q
(Function Demo for performance assistant technology)
Song No.
11
=108
Nocturne op.9-2
P.A.T.
Type =CHD/FREE
98 DGX-220/YPG-225 Owner’s Manual
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Voice List
■ Maximum Polyphony
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
NOTE
The instrument has 32-note maximum polyphony. This means
that it can play a maximum of up to 32 notes at once, regard-
less of what functions are used. Auto accompaniment uses a
number of the available notes, so when auto accompaniment
is used the total number of available notes for playing on the
keyboard is correspondingly reduced. The same applies to the
Split Voice and Song functions. If the maximum polyphony is
exceeded, earlier played notes will be cut off and the most
recent notes have priority (last note priority).
• The Voice List includes MIDI program change numbers for
each voice. Use these program change numbers when
playing the instrument via MIDI from an external device.
• Program Numbers 001 to 128 directly relate to MIDI Pro-
gram Change Numbers 000 to 127.That is, Program Num-
bers and Program Change Numbers differ by a value of 1.
Remember to take this into consideration.
• Some voices may sound continuously or have a long
decay after the notes have been released while the sus-
tain pedal (footswitch) is held.
● Panel Voice List
Bank Select
MIDI
Bank Select
MIDI
Voice
No.
Program
Change#
(1–128)
Voice
No.
Program
Change#
(1–128)
Voice Name
Voice Name
MSB LSB
(0–127) (0–127)
MSB LSB
(0–127) (0–127)
PIANO
Grand Piano
STRINGS
String Ensemble
001
002
003
004
005
006
000
000
000
000
000
000
112
112
112
112
112
113
001
002
007
004
003
003
050
051
052
053
054
055
056
057
058
059
060
061
000
000
000
000
000
000
000
000
000
000
000
000
112
112
113
112
112
112
112
112
112
112
112
112
049
050
050
045
051
046
041
043
044
047
106
056
Bright Piano
Harpsichord
Honky-tonk Piano
MIDI Grand Piano
CP 80
Chamber Strings
Slow Strings
Tremolo Strings
Synth Strings
Pizzicato Strings
Violin
Cello
Contrabass
Harp
E.PIANO
007
008
009
010
011
012
000
000
000
000
000
000
114
113
112
112
114
112
005
006
005
006
006
008
Cool! Galaxy Electric Piano
Hyper Tines
Funky Electric Piano
DX Modern Electric Piano
Venus Electric Piano
Clavi
Banjo
Orchestra Hit
CHOIR
ORGAN
062
063
064
065
000
000
000
000
112
113
112
112
053
053
055
054
Choir
Vocal Ensemble
Air Choir
013
014
015
016
017
018
019
020
021
022
023
024
025
026
000
000
000
000
000
000
000
000
000
000
000
000
000
000
118
117
112
113
112
114
112
116
127
121
120
113
112
112
019
019
017
017
019
019
018
017
019
020
020
020
020
021
Cool! Organ
Cool! Rotor Organ
Jazz Organ 1
Jazz Organ 2
Rock Organ
Purple Organ
Click Organ
Bright Organ
Theater Organ
16'+2' Organ
16'+4' Organ
Chapel Organ
Church Organ
Reed Organ
Vox Humana
SAXOPHONE
066
067
068
069
070
071
072
073
074
075
076
000
000
000
000
000
000
000
000
000
000
000
117
113
112
112
112
112
114
112
112
112
112
067
065
067
066
065
068
067
072
069
070
071
Sweet! Tenor Sax
Sweet! Soprano Sax
Tenor Sax
Alto Sax
Soprano Sax
Baritone Sax
Breathy Tenor Sax
Clarinet
Oboe
English Horn
Bassoon
ACCORDION
027
028
029
030
031
000
000
000
000
000
112
113
113
113
112
022
022
024
023
023
Musette Accordion
Traditional Accordion
Bandoneon
Modern Harp
Harmonica
077
078
079
080
081
082
083
000
000
000
000
000
000
000
115
112
112
113
112
112
112
GUITAR
032
033
034
035
036
037
038
039
040
041
000
000
000
000
000
000
000
000
000
000
112
112
112
117
113
112
113
112
112
112
025
026
027
028
026
028
027
029
030
031
Classical Guitar
Folk Guitar
Jazz Guitar
60’s Clean Guitar
12Strings Guitar
Clean Guitar
Octave Guitar
Muted Guitar
084
085
086
087
088
089
000
000
000
000
000
000
112
113
113
119
114
112
Overdriven Guitar
Distortion Guitar
BASS
090
091
092
093
094
095
096
000
000
000
000
000
000
000
114
113
112
112
112
112
112
074
076
074
073
076
075
080
Sweet! Flute
Sweet! Pan Flute
Flute
042
043
044
045
046
047
048
049
000
000
000
000
000
000
000
000
112
112
112
112
112
112
113
113
034
033
035
036
037
039
039
040
Finger Bass
Acoustic Bass
Pick Bass
Fretless Bass
Slap Bass
Synth Bass
Hi-Q Bass
Dance Bass
Piccolo
Pan Flute
Recorder
Ocarina
SYNTH LEAD
081 Square Lead
097
000
112
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Voice List
Bank Select
MIDI
Program
Change#
(1–128)
082
082
082
099
086
101
SYNTH PAD
092
095
089
090
101
Bank Select
MIDI
Program
Change#
(1–128)
012
012
013
013
013
013
013
014
015
015
015
016
016
016
016
Voice
No.
Voice
No.
Voice Name
Sawtooth Lead
Analogon
Fargo
Star Dust
Voice Lead
Brightness
Voice Name
Vibraphone
Vibraphone KSP
Marimba
Marimba KSP
Sine Marimba
Balimba
Log Drums
Xylophone
Tubular Bells
Church Bells
Carillon
MSB LSB
(0–127) (0–127)
MSB LSB
(0–127) (0–127)
098
099
100
101
102
103
000
000
000
000
000
000
112
115
119
112
112
112
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
001
000
001
064
097
098
000
000
096
097
000
035
096
097
104
105
106
107
108
000
000
000
000
000
112
112
112
113
113
Xenon Pad
Equinox
Fantasia
Dark Moon
Bell Pad
Dulcimer
PERCUSSION
Dulcimer 2
Cimbalom
Santur
109
110
111
112
113
114
115
116
000
000
000
000
000
000
000
000
112
112
112
112
112
112
112
112
012
013
014
115
009
011
015
048
Vibraphone
Marimba
Xylophone
Steel Drums
Celesta
Music Box
Tubular Bells
Timpani
ORGAN
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
032
033
034
035
037
040
064
065
066
067
000
024
032
033
037
000
064
065
066
000
032
035
040
064
065
000
040
000
000
032
000
064
017
017
017
017
017
017
017
017
017
017
017
018
018
018
018
018
019
019
019
019
020
020
020
020
020
020
021
021
022
023
023
024
024
Drawbar Organ
Detuned Drawbar Organ
60’s Drawbar Organ 1
60’s Drawbar Organ 2
70’s Drawbar Organ 1
60’s Drawbar Organ 3
16+2'2/3
Organ Bass
70’s Drawbar Organ 2
Cheezy Organ
Drawbar Organ 2
Percussive Organ
70’s Percussive Organ
Detuned Percussive Organ
Light Organ
Percussive Organ 2
Rock Organ
Rotary Organ
Slow Rotary
Fast Rotary
Church Organ
Church Organ 3
Church Organ 2
Notre Dame
Organ Flute
Tremolo Organ Flute
Reed Organ
DRUM KITS
117
118
119
120
121
122
123
124
125
126
127
128
127
127
127
127
127
127
127
127
127
127
126
126
000
000
000
000
000
000
000
000
000
000
000
000
001
002
009
017
025
026
113
033
041
049
001
002
Standard Kit 1
Standard Kit 2
Room Kit
Rock Kit
Electronic Kit
Analog Kit
Dance Kit
Jazz Kit
Brush Kit
Symphony Kit
SFX Kit 1
SFX Kit 2
● XGlite Voice/XGlite Optional Voice* List
Bank Select
MIDI
Voice
No.
Program
Change#
(1–128)
Voice Name
MSB LSB
(0–127) (0–127)
PIANO
Grand Piano
Puff Organ
Accordion
Harmonica
Harmonica 2
Tango Accordion
Tango Accordion 2
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
*145
146
147
148
149
150
151
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
001
040
041
000
001
000
001
032
000
001
000
001
032
000
001
032
041
000
001
035
000
001
001
001
001
001
002
002
003
003
003
004
004
005
005
005
006
006
006
006
007
007
007
008
008
Grand Piano KSP
Piano Strings
Dream
Bright Piano
Bright Piano KSP
Electric Grand Piano
Electric Grand Piano KSP
Detuned CP80
GUITAR
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
043
096
000
035
040
041
096
000
032
000
032
000
040
041
045
000
043
000
040
041
025
025
025
026
026
026
026
026
027
027
028
028
029
029
029
029
030
030
031
031
031
Nylon Guitar
Velocity Guitar Harmonics
Ukulele
Honky-tonk Piano
Honky-tonk Piano KSP
Electric Piano 1
Electric Piano 1 KSP
Chorus Electric Piano 1
Electric Piano 2
Electric Piano 2 KSP
Chorus Electric Piano 2
DX + Analog Electric Piano
Harpsichord
Steel Guitar
12-string Guitar
Nylon & Steel Guitar
Steel Guitar with Body Sound
Mandolin
Jazz Guitar
Jazz Amp
Clean Guitar
Chorus Guitar
Muted Guitar
Funk Guitar
Muted Steel Guitar
Jazz Man
Overdriven Guitar
Guitar Pinch
Distortion Guitar
Feedback Guitar
Feedback Guitar 2
Harpsichord KSP
Harpsichord 2
Clavi
Clavi KSP
CHROMATIC
152
153
154
155
000
000
000
000
000
000
000
064
009
010
011
011
Celesta
Glockenspiel
Music Box
Orgel
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Voice List
Bank Select
MIDI
Program
Change#
(1–128)
032
032
032
Bank Select
MIDI
Program
Change#
(1–128)
056
Voice
No.
Voice
No.
Voice Name
Guitar Harmonics
Guitar Feedback
Guitar Harmonics 2
Voice Name
MSB LSB
(0–127) (0–127)
MSB LSB
(0–127) (0–127)
225
226
227
000
000
000
000
065
066
294
000
064
Impact
BRASS
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
032
000
018
000
000
000
006
032
037
000
035
000
020
000
018
041
057
057
058
058
059
060
061
061
061
061
062
062
063
063
064
064
064
Trumpet
BASS
Warm Trumpet
Trombone
Trombone 2
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
*254
255
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
040
045
000
018
040
043
045
065
000
028
000
032
033
034
000
032
000
043
000
040
000
006
012
018
019
040
041
033
033
033
034
034
034
034
034
034
035
035
036
036
036
036
037
037
038
038
039
039
040
040
040
040
040
040
040
Acoustic Bass
Jazz Rhythm
Velocity Crossfade Upright Bass
Finger Bass
Finger Dark
Bass & Distorted Electric Guitar
Finger Slap Bass
Finger Bass 2
Modulated Bass
Pick Bass
Muted Pick Bass
Fretless Bass
Fretless Bass 2
Fretless Bass 3
Fretless Bass 4
Slap Bass 1
Punch Thumb Bass
Slap Bass 2
Velocity Switch Slap
Synth Bass 1
Techno Synth Bass
Synth Bass 2
Mellow Synth Bass
Sequenced Bass
Click Synth Bass
Synth Bass 2 Dark
Modular Synth Bass
DX Bass
Tuba
Muted Trumpet
French Horn
French Horn Solo
French Horn 2
Horn Orchestra
Brass Section
Trumpet & Trombone Section
Synth Brass 1
Resonant Synth Brass
Synth Brass 2
Soft Brass
Choir Brass
REED
312
313
314
315
316
317
318
319
320
321
000
000
000
000
000
000
000
000
000
000
000
000
040
000
040
000
000
000
000
000
065
066
066
067
067
068
069
070
071
072
Soprano Sax
Alto Sax
Sax Section
Tenor Sax
Breathy Tenor Sax
Baritone Sax
Oboe
English Horn
Bassoon
Clarinet
PIPE
322
323
324
325
326
327
328
329
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
073
074
075
076
077
078
079
080
Piccolo
Flute
STRINGS
256
257
258
259
260
261
262
263
264
265
266
267
000
000
000
000
000
000
000
000
000
000
000
000
000
008
000
000
000
000
008
040
000
000
040
000
041
041
042
043
044
045
045
045
046
047
047
048
Violin
Slow Violin
Viola
Recorder
Pan Flute
Blown Bottle
Shakuhachi
Whistle
Cello
Contrabass
Tremolo Strings
Slow Tremolo Strings
Suspense Strings
Pizzicato Strings
Orchestral Harp
Yang Chin
Ocarina
SYNTH LEAD
Square Lead
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
006
008
018
019
064
065
066
000
006
008
018
019
020
096
000
065
000
000
064
000
000
035
000
016
064
065
081
081
081
081
081
081
081
081
082
082
082
082
082
082
082
083
083
084
085
085
086
087
087
088
088
088
088
Square Lead 2
LM Square
Hollow
Timpani
Shroud
Mellow
Solo Sine
ENSEMBLE
Strings 1
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
003
008
035
040
041
042
045
000
003
008
040
041
000
000
000
003
032
040
000
000
040
041
064
000
035
049
049
049
049
049
049
049
049
050
050
050
050
050
051
052
053
053
053
053
054
055
055
055
055
056
056
Stereo Strings
Slow Strings
60’s Strings
Orchestra
Orchestra 2
Sine Lead
Sawtooth Lead
Sawtooth Lead 2
Thick Sawtooth
Dynamic Sawtooth
Digital Sawtooth
Big Lead
Sequenced Analog
Calliope Lead
Pure Lead
Tremolo Orchestra
Velocity Strings
Strings 2
Stereo Slow Strings
Legato Strings
Warm Strings
Kingdom
Synth Strings 1
Synth Strings 2
Choir Aahs
Stereo Choir
Mellow Choir
Choir Strings
Voice Oohs
Synth Voice
Synth Voice 2
Choral
Analog Voice
Orchestra Hit
Orchestra Hit 2
Chiff Lead
Charang Lead
Distorted Lead
Voice Lead
Fifths Lead
Big Five
Bass & Lead
Big & Low
Fat & Perky
Soft Whirl
SYNTH PAD
357
358
359
360
000
000
000
000
000
064
000
000
089
089
090
091
New Age Pad
Fantasy
Warm Pad
Poly Synth Pad
102 DGX-220/YPG-225 Owner’s Manual
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Voice List
Bank Select
MIDI
Program
Change#
(1–128)
092
092
093
094
095
096
Bank Select
MIDI
Program
Change#
(1–128)
115
116
116
117
117
118
118
118
118
119
119
119
120
Voice
No.
Voice
No.
Voice Name
Voice Name
MSB LSB
(0–127) (0–127)
MSB LSB
(0–127) (0–127)
361
362
363
364
365
366
000
000
000
000
000
000
000
066
000
000
000
000
Choir Pad
Itopia
428
429
430
431
432
433
434
435
436
437
438
439
440
000
000
000
000
000
000
000
000
000
000
000
000
000
098
000
096
000
096
000
064
065
066
000
064
065
000
Thai Bells
Woodblock
Castanets
Taiko Drum
Gran Cassa
Melodic Tom
Melodic Tom 2
Real Tom
Bowed Pad
Metallic Pad
Halo Pad
Sweep Pad
SYNTH EFFECTS
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
065
066
000
027
000
012
014
018
035
040
041
042
065
070
071
072
000
018
019
040
064
065
066
000
000
064
065
067
068
070
071
096
000
000
097
097
097
098
098
099
099
099
099
099
099
099
099
099
099
099
099
100
100
100
100
100
100
100
101
102
102
102
102
102
102
102
102
103
104
Rain
African Wind
Carib
Sound Track
Prologue
Rock Tom
Synth Drum
Analog Tom
Electronic Percussion
Reverse Cymbal
Crystal
Synth Drum Comp
Popcorn
SOUND EFFECTS
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
000
000
000
000
000
000
000
000
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
121
122
123
124
125
126
127
128
001
002
004
017
033
034
035
036
037
038
049
050
051
056
065
066
067
068
069
070
071
081
082
083
084
085
086
087
088
089
090
091
097
098
099
100
101
113
114
115
116
Fret Noise
Breath Noise
Seashore
Bird Tweet
Telephone Ring
Helicopter
Applause
Gunshot
Cutting Noise
Cutting Noise 2
String Slap
Flute Key Click
Shower
Tiny Bells
Round Glockenspiel
Glockenspiel Chimes
Clear Bells
Chorus Bells
Soft Crystal
Air Bells
Bell Harp
Gamelimba
Atmosphere
Warm Atmosphere
Hollow Release
Nylon Electric Piano
Nylon Harp
Harp Vox
Atmosphere Pad
Brightness
Goblins
Thunder
Wind
Stream
Bubble
Feed
Dog
Horse
Goblins Synth
Creeper
Bird Tweet 2
Maou
Ritual
To Heaven
Night
Phone Call
Door Squeak
Door Slam
Scratch Cut
Scratch Split
Wind Chime
Telephone Ring 2
Car Engine Ignition
Car Tires Squeal
Car Passing
Car Crash
Siren
Glisten
Bell Choir
Echoes
Sci-Fi
WORLD
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
032
035
097
000
028
096
097
098
000
000
096
097
000
000
000
000
105
105
105
105
106
106
106
106
106
107
108
108
108
109
110
111
112
Sitar
Detuned Sitar
Sitar 2
Tamboura
Banjo
Muted Banjo
Rabab
Gopichant
Oud
Train
Jet Plane
Starship
Burst
Shamisen
Koto
Roller Coaster
Submarine
Laugh
Taisho-kin
Kanoon
Kalimba
Bagpipe
Fiddle
Scream
Punch
Heartbeat
Footsteps
Machine Gun
Laser Gun
Explosion
Firework
Shanai
PERCUSSIVE
419
420
421
422
423
424
425
426
427
000
000
000
000
000
000
000
000
000
000
096
097
098
099
100
000
000
097
113
113
113
113
113
113
114
115
115
Tinkle Bell
Bonang
Altair
The voice number with an asterisk (*) is XGlite optional voice.
Gamelan Gongs
Stereo Gamelan Gongs
Rama Cymbal
Agogo
Steel Drums
Glass Percussion
DGX-220/YPG-225 Owner’s Manual 103
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Drum Kit List
• “
” indicates that the drum sound is the same as “Standard Kit 1”.
• Each percussion voice uses one note.
• The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example,
in “117: Standard Kit 1”, the “Seq Click H” (Note# 36/Note C1) corresponds to (Note# 24/Note C0).
• Key Off: Keys marked “O” stop sounding the instant they are released.
• Voices with the same Alternate Note Number (*1 ... 4) cannot be played simultaneously. (They are
designed to be played alternately with each other.)
Voice No.
117
118
119
120
121
122
MSB (0–127) / LSB (0–127) / PC (1–128)
127/000/001
127/000/002
127/000/009
127/000/017
127/000/025
127/000/026
Keyboard
Note# Note Note# Note
25 C# 13 C# -1
26 14 -1
MIDI
Key Alternate
Standard Kit 1
Standard Kit 2
Room Kit
Rock Kit
Electronic Kit
Analog Kit
Off
assign
0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5
5
5
5
5
6
6
6
6
6
6
6
6
3
3
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
D
D
27 D#
15 D# -1
28
29
E
F
16
17
E
F
-1
-1
E0
F0
4
4
30 F#
31
32 G#
33
18 F# -1
19 -1
20 G# -1
21 -1
Scratch L
F#0
G#0
A#0
G
G
Finger Snap
Click Noise
Metronome Click
Metronome Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
Brush Tap Swirl
Snare Roll
Castanet
Snare Soft
Sticks
Kick Soft
Open Rim Shot
Kick Tight
Kick
G0
A0
A
A
34 A#
22 A# -1
B0
C1
35
36
B
C
23
24
B
C
-1
0
0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5
37 C#
25 C#
C#1
D#1
38
D
26
D
O
D1
39 D#
27 D#
E1
F1
40
41
E
F
28
29
E
F
O
O
Reverse Cymbal
Hi Q 2
Reverse Cymbal
Hi Q 2
Snare Roll 2
Snare Soft 2
42 F#
43
44 G#
45
30 F#
31
32 G#
33
F#1
G#1
A#1
G
G
Snare Noisy
Snare Snappy Electro Snare Noisy 4
G1
A1
A
A
Kick Tight 2
Kick 3
Kick Tight 2
46 A#
34 A#
Open Rim Shot H Short
Kick Tight Short
Kick Short
B1
C2
47
48
B
C
35
36
B
C
Kick 2
Kick Gate
Kick Gate
Kick Gate Heavy
Kick Analog Short
Kick Analog
Side Stick Analog
Snare Analog
49 C#
37 C#
Side Stick
Snare
C#2
D#2
50
D
38
D
Snare Short
Snare Snappy
Snare Rock
Snare Noisy 2
D2
51 D#
39 D#
Hand Clap
Snare Tight
Floor Tom L
Hi-Hat Closed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
Crash Cymbal 1
High Tom
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
E2
F2
52
53
E
F
40
41
E
F
Snare Tight H
Snare Tight Snappy Snare Rock Rim
Snare Noisy 3
Tom Electro 1
Snare Analog 2
Tom Analog 1
Hi-Hat Closed Analog
Tom Analog 2
Hi-Hat Closed Analog 2
Tom Analog 3
Hi-Hat Open Analog
Tom Analog 4
Tom Room 1
Tom Room 2
Tom Room 3
Tom Rock 1
Tom Rock 2
Tom Rock 3
54 F#
55
56 G#
57
42 F#
43
44 G#
45
1
1
1
F#2
G#2
A#2
G
G
Tom Electro 2
Tom Electro 3
G2
A2
A
A
58 A#
46 A#
B2
C3
59
60
B
C
47
48
B
C
Tom Room 4
Tom Room 5
Tom Rock 4
Tom Rock 5
Tom Electro 4
Tom Electro 5
Tom Analog 5
Crash Analog
Tom Analog 6
61 C#
49 C#
C#3
D#3
62
D
50
D
Tom Room 6
Tom Rock 6
Tom Electro 6
D3
63 D#
51 D#
E3
F3
64
65
E
F
52
53
E
F
66 F#
67
68 G#
69
54 F#
55
56 G#
57
F#3
G#3
A#3
G
G
G3
A3
Cowbell Analog
A
A
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Bongo H
70 A#
58 A#
B3
C4
71
72
B
C
59
60
B
C
73 C#
61 C#
Bongo L
C#4
D#4
74
D
62
D
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
Samba Whistle H
Samba Whistle L
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
Triangle Mute
Triangle Open
Shaker
Conga Analog H
Conga Analog M
Conga Analog L
D4
75 D#
63 D#
E4
F4
76
77
E
F
64
65
E
F
78 F#
79
80 G#
81
66 F#
67
68 G#
69
F#4
G#4
A#4
G
G
G4
A4
A
A
82 A#
70 A#
Maracas 2
Claves 2
B4
C5
83
84
B
C
71
72
B
C
O
O
85 C#
73 C#
C#5
D#5
86
D
74
D
O
D5
87 D#
75 D#
E5
F5
88
89
E
F
76
77
E
F
90 F#
91
92 G#
93
78 F#
79
80 G#
81
Scratch H 2
Scratch L 2
Scratch H 2
Scratch L 3
F#5
G#5
A#5
G
G
G5
A5
2
2
A
A
94 A#
82 A#
B5
C6
95
96
B
C
83
84
B
C
Jingle Bells
Bell Tree
97 C#
85 C#
C#6
D#6
98
D
86
D
D6
99 D#
87 D#
E6
F6
G6
100
101
E
F
88
89
E
F
102 F#
90 F#
F#6
103
G
91
G
104 DGX-220/YPG-225 Owner’s Manual
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Drum Kit List
Voice No.
117
123
124
125
126
127
128
MSB (0–127) / LSB (0–127) / PC (1–128)
127/000/001
127/000/113
127/000/033
127/000/041
127/000/049
126/000/001
126/000/002
Keyboard
Note# Note Note# Note
25 C# 13 C# -1
26 14 -1
MIDI
Key Alternate
Standard Kit 1
Dance Kit
Jazz Kit
Brush Kit
Symphony Kit
SFX Kit 1
SFX Kit 2
Off
assign
0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5
5
5
5
5
6
6
6
6
6
6
6
6
3
3
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
D
D
27 D#
15 D# -1
28
29
E
F
16
17
E
F
-1
-1
E0
F0
4
4
30 F#
31
32 G#
33
18 F# -1
19 -1
20 G# -1
21 -1
Scratch L
F#0
G#0
A#0
G
G
Finger Snap
Click Noise
Metronome Click
Metronome Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
Brush Tap Swirl Reverse Cymbal
Snare Roll
Castanet
Snare Soft
Sticks
Kick Soft
Open Rim Shot
Kick Tight
Kick
Side Stick
Snare
Hand Clap
Snare Tight
Floor Tom L
Hi-Hat Closed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
G0
A0
A
A
34 A#
22 A# -1
B0
C1
35
36
B
C
23
24
B
C
-1
0
0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5
37 C#
25 C#
C#1
D#1
38
D
26
D
O
D1
39 D#
27 D#
E1
F1
40
41
E
F
28
29
E
F
O
O
42 F#
43
44 G#
45
30 F#
31
32 G#
33
Hi Q 2
Snare Techno
F#1
G#1
A#1
G
G
Snare Jazz H
Brush Slap 2
Kick Small
G1
A1
A
A
Kick Techno Q
Rim Gate
Kick Techno L
Kick Techno
Side Stick Analog
Snare Clap
Kick Soft 2
46 A#
34 A#
B1
C2
47
48
B
C
35
36
B
C
Gran Cassa
Gran Cassa Mute Cutting Noise
Kick Jazz
Phone Call
49 C#
37 C#
Cutting Noise 2 Door Squeak
C#2
D#2
50
D
38
D
Snare Jazz L
Brush Slap 3 Band Snare
Door Slam
D2
51 D#
39 D#
String Slap
Scratch Cut
Scratch H 3
Wind Chime
Telephone Ring 2
E2
F2
52
53
E
F
40
41
E
F
Snare Dry
Tom Analog 1
Hi-Hat Closed Analog3
Tom Analog 2
Hi-Hat Closed Analog 4
Tom Analog 3
Hi-Hat Open Analog 2
Tom Analog 4
Tom Analog 5
Snare Jazz M
Tom Jazz 1
Brush Tap 2 Band Snare 2
Tom Brush 1 Tom Jazz 1
54 F#
55
56 G#
57
42 F#
43
44 G#
45
1
1
1
F#2
G#2
A#2
G
G
Tom Jazz 2
Tom Jazz 3
Tom Brush 2 Tom Jazz 2
Tom Brush 3 Tom Jazz 3
G2
A2
A
A
58 A#
46 A#
B2
C3
59
60
B
C
47
48
B
C
Tom Jazz 4
Tom Jazz 5
Tom Brush 4 Tom Jazz 4
Tom Brush 5 Tom Jazz 5
Hand Cymbal
61 C#
49 C#
Crash Cymbal 1 Crash Analog
High Tom
C#3
D#3
62
D
50
D
Tom Analog 6
Tom Jazz 6
Tom Brush 6 Tom Jazz 6
D3
63 D#
51 D#
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Bongo H
Hand Cymbal Short
E3
F3
64
65
E
F
52
53
E
F
Flute Key Click Car Engine Ignition
Car Tires Squeal
Car Passing
Car Crash
Siren
Train
Jet Plane
Starship
Burst
Roller Coaster
Submarine
66 F#
67
68 G#
69
54 F#
55
56 G#
57
F#3
G#3
A#3
G
G
G3
A3
Cowbell Analog
A
A
Hand Cymbal 2
70 A#
58 A#
B3
C4
71
72
B
C
59
60
B
C
Hand Cymbal 2 Short
73 C#
61 C#
Bongo L
C#4
D#4
74
D
62
D
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
Samba Whistle H
Samba Whistle L
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
Triangle Mute
Triangle Open
Shaker
Conga Analog H
Conga Analog M
Conga Analog L
D4
75 D#
63 D#
E4
F4
76
77
E
F
64
65
E
F
78 F#
79
80 G#
81
66 F#
67
68 G#
69
F#4
G#4
A#4
G
G
G4
A4
Shower
Thunder
Wind
Stream
Bubble
Feed
Laugh
Scream
Punch
Heartbeat
Footsteps
A
A
82 A#
70 A#
Maracas 2
Claves 2
B4
C5
83
84
B
C
71
72
B
C
O
O
85 C#
73 C#
C#5
D#5
86
D
74
D
O
D5
87 D#
75 D#
E5
F5
88
89
E
F
76
77
E
F
90 F#
91
92 G#
93
78 F#
79
80 G#
81
Scratch H 2
Scratch L 3
F#5
G#5
A#5
G
G
G5
A5
2
2
A
A
94 A#
82 A#
B5
C6
95
96
B
C
83
84
B
C
Jingle Bells
Bell Tree
Dog
Horse
Bird Tweet 2
Machine Gun
Laser Gun
Explosion
Firework
97 C#
85 C#
C#6
D#6
98
D
86
D
D6
99 D#
87 D#
E6
F6
G6
100
101
E
F
88
89
E
F
102 F#
90 F#
F#6
103
G
91
G
Maou
DGX-220/YPG-225 Owner’s Manual 105
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Style List
Style No.
Style Name
8BEAT
Style No.
Style Name
SWING&JAZZ
Style No.
105
Style Name
ChaChaCha
001
002
003
004
005
006
007
008
009
010
011
012
013
8BeatModern
Cool8Beat
60’sGuitarPop
8BeatAdria
60’s8Beat
053
054
055
056
057
058
059
060
061
062
063
064
065
066
BigBandFast
BigBandMedium
BigBandBallad
BigBandShuffle
JazzClub
106
Rumba
107
Jive
TRADITIONAL
USMarch
108
109
110
111
112
113
114
115
116
117
118
6/8March
BubblegumPop
BritPopSwing
8Beat
Swing1
GermanMarch
PolkaPop
Swing2
OrchestraSwing
Five/Four
OberPolka
Tarantella
OffBeat
60’sRock
JazzBallad
Dixieland
Showtune
HardRock
ChristmasSwing
ChristmasWaltz
ScottishReel
Hawaiian
RockShuffle
8BeatRock
16BEAT
Ragtime
AfroCuban
Charleston
R&B
014
015
016
017
018
019
020
021
16Beat
WALTZ
PopShuffle1
PopShuffle2
GuitarPop
067
068
069
070
071
072
073
074
075
076
Soul
119
120
121
122
123
124
125
126
127
ItalianWaltz
MariachiWaltz
GuitarSerenade
SwingWaltz
JazzWaltz1
JazzWaltz2
CountryWaltz
OberWaltzer
Musette
DetroitPop1
60’sRock&Roll
6/8Soul
16BeatUptempo
KoolShuffle
JazzRock
CrocoTwist
Rock&Roll
DetroitPop2
BoogieWoogie
ComboBoogie
6/8Blues
HipHopLight
BALLAD
022
023
024
025
026
027
028
029
030
PianoBallad
LoveSong
CHILDREN
Learning2/4
Learning4/4
Learning6/8
Fun 3/4
6/8ModernEP
6/8SlowRock
6/8OrchBallad
OrganBallad
PopBallad
COUNTRY
Country8Beat
CountryPop
CountrySwing
CountryBallad
Country2/4
CowboyBoogie
CountryShuffle
Bluegrass
LATIN
128
129
130
131
132
077
078
079
080
081
082
083
084
Fun 4/4
16BeatBallad1
16BeatBallad2
DANCE
PIANIST
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
Stride
PianoBlues1
PianoBlues2
PianoRag
031
032
033
034
035
036
037
038
039
040
041
042
043
044
045
EuroTrance
Ibiza
DreamDance
HouseMusik
SwingHouse
TechnoPolis
Clubdance
ClubLatin
085
086
087
088
089
090
091
092
093
094
095
096
BrazilianSamba
BossaNova
PopBossa
Tijuana
PianoRock&Roll
PianoBoogie
PianoJazzWaltz
PianoJazzBld
Arpeggio
DiscoLatin
Mambo
Musical
Garage1
Salsa
Habanera
Garage2
Beguine
SlowRock
TechnoParty
UKPop
GuitarRumba
RumbaFlamenco
RumbaIsland
Reggae
8BtPianoBallad
PianoMarch
6/8PianoMarch
PianoWaltz
PianoBeguine
PianoSwing
HipHopGroove
HipShuffle
HipHopPop
DISCO
BALLROOM
VienneseWaltz
EnglishWaltz
Slowfox
097
098
099
100
101
102
103
104
046
047
048
049
050
051
052
70’sDisco1
70’sDisco2
LatinDisco
DiscoPhilly
SaturdayNight
DiscoChocolate
DiscoHands
Foxtrot
Quickstep
Tango
Pasodoble
Samba
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Music Database List
MDB No.
Song Name
POP
MDB No.
067
068
069
070
071
072
073
074
075
076
077
078
079
080
081
082
083
084
085
086
087
088
089
090
091
092
093
094
095
096
097
098
Song Name
Bl Bayou
CatMemry
CavaSolo
E Weiss
ElizSere
ElvGhett
Feeling
Fly Away
Fnl Date
GreenSlv
GtCncert
HrdToSay
LonlyPan
MBoxDnce
Mn Rivr
My Song
NorwWood
OnMyMnd
OverRbow
Red Lady
ReleseMe
SavingLv
Shore Cl
SierraMd
SilverMn
SmokyEye
SndOfSil
SumerPlc
TblWater
WhereLov
WhisprSx
WomanLov
R & B
AmazingG
BoogiePf
Clock Rk
CU later
GreenDor
HappyDay
JohnnyB
MercySax
RisingSn
S Preems
SuperStv
TeddyBer
Yeh Orgn
MDB No.
135
Song Name
WhatsNew
Wild Cat
MDB No.
201
Song Name
NxtAlice
PalomaFl
Tijuana
001
002
003
004
005
006
007
008
009
010
011
012
013
014
015
016
017
018
019
020
021
022
023
024
025
026
027
028
029
030
031
032
033
034
035
036
037
038
039
040
041
042
AlvFever
CoinLane
Croco Rk
DayPdise
DwnTown
EasySday
GoMyWay
HowDeep!
HurryLuv
I breath
I’lBTher
I’m Torn
Imagine
ISurvive
JustCall
136
202
203
204
EASY LISTENING
137
BlackFst
ByeBlues
CaliBlue
CiaoCpri
Close2U
DAmorStr
DolanesM
ElCondor
Entrtain
Why MCA?
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
BALLROOM
205
206
207
208
209
210
211
212
213
214
215
BrazilBr
CherryTp
DanubeWv
MantoStr
SandmnFx
SpainTwn
SundyNvr
TangoAc
Tea4Two
TulipWtz
YesSirQk
TRADITIONAL
AlpenTri
AnchorAw
Balalaik
Frippers
LoveLove
LuckySax
LuvStory
MyPrince
OSoleMio
PupetStr
Raindrop
RedMouln
R’ticGtr
Schiwago
ShadowGt
SingRain
SmallWld
SpkSoft
SpnishEy
StrangeN
TieRibbn
TimeGoes
WhteXmas
WishStar
WonderN
WondrWld
LATIN
JustWay
LeadPack
LoveFeel
LoveMeT
LveMeDo
Mi Shell
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
BlkSheep
CampRace
Ceilidh
Cielito
CielPari
Cl Polka
Comrades
DAmorCl
FrogSong
Funiculi
GrndClok
HappyPlk
Herzlin
My Baby
NikitTrp
NoMatter
ProudGtr
RainOnMe
SailngSx
SeeAgain
Sept.Pop
SultanSw
SweetLrd
ThnkMsic
TitanicH
UNeedLv
UptnGirl
WantToBe
WatchGrl
WhatALoo
WhitePle
Woman
YelowSub
Yesterdy
ROCK
DavAgain
JumpRock
OyComCha
PickUpPc
RdRiverR
SatsfyGt
Sheriff
SmokeWtr
TwistAgn
VenusPop
DANCE
2 of Us
B Leave
Back St
Crockett
DsrtRose
FunkyTwn
Kids
099
100
101
102
103
104
105
106
107
108
109
110
111
HornPipe
JacknJil
JinglBel
169
170
171
172
173
174
175
176
177
178
179
180
181
BambaLa
BeHappy!
CopaLola
DayNight
Ipanema
JamboMbo
MarinaAc
MuchoTrp
SmoothLt
SunOfLif
Sunshine
Tico Org
TrbWave
COUNTRY
ABitMore
BlownWnd
Bonanza
BoxerFlt
Kufstein
MexiHat
MickMrch
RkABaby
RlBarrel
Showbiz
SnowWtz
StarMrch
WashPost
WdCuttrs
XmasWalz
YankDood
PIANIST
CatMemry
DoReMi
Entrtain
Extra
Favorite
FineRmce
Foggy
043
044
045
046
047
048
049
050
051
052
SWING & JAZZ
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
Alex Rag
Blue Set
ChooChoo
DayOfW&R
HighMoon
InMood
MisJones
MistySax
MoonLit
New York
PanthrSw
PetiteCl
RedRoses
SaintMch
SatinDll
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
182
183
184
185
186
187
188
189
190
191
192
CntryRds
GreenGrs
Jambala
LondonSt
LooseEL
TopWorld
YlwRose
053
054
055
056
057
058
059
060
061
062
063
I Woman
JBGood
NitTrain
Obaladi
OldHouse
PubPiano
RinSpain
Sera
ShookUp
Swonder
TedPicnc
Twirler
DISCO & PARTY
193
KillSoft
SF Heart
ShearJz
SplnkyBr
SunnySde
TstHoney
Tunisia
AlhHwaii
Babylon
Nine PM
SingBack
StrandD
BALLAD
AdelineB
ArgenCry
BeautBdy
194
195
196
197
198
199
200
Barbados
DnceBird
FestaMex
HandsPty
LuvTheme
ModrnTlk
064
065
066
TwoFoot5
USPatrol
WayWere
YesterPf
DGX-220/YPG-225 Owner’s Manual 107
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Songs Provided On the Supplied CD-ROM
File Name
001Nutcr.mid
Song Name
Danse des Mirlitons from “The Nutcracker”
“Orphée aux Enfers” Ouverture
Slavonic Dances op.72-2
La Primavera (from Le Quattro Stagioni)
Méditation (Thaïs)
Composer
P.I. Tchaikovsky
J. Offenbach
A. Dvorˇák
A. Vivaldi
J. Massenet
G. Rossini
002Orphe.mid
003Slavo.mid
004Prima.mid
005Medit.mid
006Guill.mid
Guillaume Tell
007Fruhl.mid
008Ungar.mid
009Fruhl.mid
010Dolly.mid
011Cande.mid
012Arabe.mid
013Pasto.mid
014Petit.mid
015Innoc.mid
016Progr.mid
017Taren.mid
018Cheva.mid
019Etude.mid
020Marci.mid
021Turki.mid
022Valse.mid
023Menue.mid
024Momen.mid
025Enter.mid
026Prelu.mid
027Violl.mid
028Angel.mid
029Saraf.mid
030Ameri.mid
031Brown.mid
032Lomon.mid
033Bonni.mid
034Londo.mid
035Banjo.mid
036Vogle.mid
037Lorel.mid
038Funic.mid
039Turke.mid
040Campt.mid
041Jingl.mid
042Muss.mid
043Liebe.mid
044Jesu.mid
045Joy.mid
Frühlingslied
Ungarische Tänze Nr.5
Fruhlingsstimmen
Dolly’s Dreaming and Awakening
La Candeur
Arabesque
Pastorale
Petite Réunion
Innocence
Progrès
Tarentelle
La Chevaleresque
Etude op.10-3 “Chanson de l’adieu”
Marcia alla Turca
Turkish March
Valse op.64-1 “Petit Chien”
Menuett
Moments Musicaux op.94-3
The Entertainer
Prelude (Wohltemperierte Klavier 1-1)
La Viollette
Angels Serenade
Krasnyj Sarafan
America the Beautiful
Little Brown Jug
Loch Lomond
My Bonnie
Londonderry Air
Ring de Banjo
Wenn ich ein Vöglein wär ?
Die Lorelei
Funiculi Funicula
Turkey in the Straw
Camptown Races
Jingle Bells
Muss i denn
Liebesträume Nr.3
Jesu, Joy Of Man’s Desiring
Ode to Joy
F. Mendelssohn
J. Brahms
J. Strauss II
T.Oesten
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
F.Chopin
L.v. Beethoven
W.A. Mozart
F.Chopin
L. Boccherini
F. Schubert
S. Joplin
J.S. Bach
L.Streabbog
Traditional
Traditional
S.A. Ward
Traditional
Traditional
Traditional
Traditional
S.C. Foster
Traditional
F. Silcher
L. Denza
Traditional
S.C. Foster
J.S. Pierpont
F. Silcher
F. Liszt
J.S. Bach
L.v. Beethoven
G. Bizet
046Pearl.mid
047Gavot.mid
048Seren.mid
049Menue.mid
050Canon.mid
051Vogel.mid
052Piano.mid
053Surpr.mid
054WildR.mid
055Chans.mid
056Babbi.mid
057RowRo.mid
058Smoky.mid
059WeWis.mid
060ImMai.mid
061Chris.mid
062MaryH.mid
063TenLi.mid
064PopGo.mid
065Twink.mid
066Close.mid
067Cucko.mid
068Augus.mid
069Londo.mid
070Three.mid
Pearl Fisher
Gavotte
Serenade/Haydn
F.J. Gossec
F.J. Haydn
J.S. Bach
J. Pachelbel
W.A Mozart
L.v. Beethoven
F.J. Haydn
E.A. MacDowell
G. Bizet
G. Puccini
Traditional
Traditional
Traditional
Traditional
Traditional
Traditional
Septimus Winner
Traditional
Traditional
J.J. Rousseau
Traditional
Traditional
Traditional
Menuett BWV. Anh.114
Canon in D
Der Vogelfanger Bin Ich Ja “Die Xauberflote”
Piano Sonate No.14 op.27-2 “Mondschein”
The “Surprise” Symphony No.94
To a Wild Rose
Chanson du Toreador
O Mio Babbino Caro
Row Row Row Your Boat (DUET)
On Top of Old Smoky (DUET)
We Wish You A Merry Christmas (DUET)
Im Mai (DUET)
O Christmas Tree (DUET)
Mary Had a Little Lamb (DUET)
Ten Little Indians (DUET)
Pop Goes The Weasel (DUET)
Twinkle Twinkle Little Star (DUET)
Close Your Hands, Open Your Hands (DUET)
The Cuckoo (DUET)
O du lieber Augustin (DUET)
London Bridge (DUET)
Three Blind Mice (DUET)
Traditional
The easy song arranger can only be used with songs that include chord data.
108 DGX-220/YPG-225 Owner’s Manual
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Effect Type List
● Harmony Types
No.
01
02
03
04
05
Harmony Type
Description
Harmony types 01–05 are pitch-based and add one-, two- or three-note harmonies to the sin-
gle-note melody played in the right hand. These types sound when chords are played in the
auto accompaniment range of the keyboard. These Harmony types will also work when playing
songs that contain chord data.
Duet
Trio
Block
Country
Octave
Types 6–26 are rhythm-based effects and add embellishments or delayed repeats in
time with the auto accompaniment.These types sound whether the auto accompani-
06
07
08
09
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
Trill 1/4 note
3
ment is on or not; however, the actual speed of the effect depends on the Tempo set-
Trill 1/6 note
ting (page 35). The individual note values in each type let you synchronize the effect
precisely to the rhythm. Triplet settings are also available: 1/6 = quarter-note triplets,
1/12 = eighth-note triplets, 1/24 = sixteenth-note triplets.
• The Trill effect Types (06–12) create two-note trills (alternating notes) when two
notes are held.
• The Tremolo effect Types (13–19) repeat all held notes (up to four).
• The Echo effect Types (20–26) create delayed repeats of each note played.
Trill 1/8 note
3
Trill 1/12 note
Trill 1/16 note
3
Trill 1/24 note
Trill 1/32 note
Tremolo 1/4 note
Tremolo 1/6 note
Tremolo 1/8 note
Tremolo 1/12 note
Tremolo 1/16 note
Tremolo 1/24 note
Tremolo 1/32 note
Echo 1/4 note
Echo 1/6 note
Echo 1/8 note
Echo 1/12 note
Echo 1/16 note
Echo 1/24 note
Echo 1/32 note
3
3
3
3
3
3
● Reverb Types
No.
Reverb Type
Description
Concert hall reverb.
01–03
04–05
06–07
08–09
10
Hall 1–3
Room 1–2
Stage 1–2
Plate 1–2
Off
Small room reverb.
Reverb for solo instruments.
Simulated steel plate reverb.
No effect.
● Chorus Types
No.
Chorus Type
Description
Conventional chorus program with rich, warm chorusing.
Pronounced three-phase modulation with a slight metallic sound.
No effect.
01–02
03–04
05
Chorus 1–2
Flanger 1–2
Off
DGX-220/YPG-225 Owner’s Manual 109
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MIDI Implementation Chart
DGX-220/YPG-225 Owner’s Manual 111
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MIDI Data Format
NOTE:
<MIDI Master Tuning> F0H, 43H, 1nH, 27H, 30H, 00H, 00H,
mm, ll, cc, F7H
• This message simultaneously changes the tuning value of
all channels.
• The values of “mm” and “ll” are used for MIDI Master Tuning.
• The default value of “mm” and “ll” are 08H and 00H, respec-
tively. Any values can be used for “n” and “cc”.
1
By default (factory settings) the instrument ordinarily functions
as a 16-channel multi-timbral tone generator, and incoming
data does not affect the panel voices or panel settings. How-
ever, the MIDI messages listed below do affect the panel
voices, auto accompaniment, and songs.
• MIDI Master Tuning
• System exclusive messages for changing the Reverb Type
and Chorus Type.
<Reverb Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 00H, mmH,
llH, F7H
• mm : Reverb Type MSB
• ll : Reverb Type LSB
2
3
Messages for these control change numbers cannot be trans-
mitted from the instrument itself. However, they may be trans-
mitted when playing the accompaniment, song or using the
Harmony effect.
<Chorus Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 20H, mmH,
llH, F7H
• mm : Chorus Type MSB
Exclusive
• ll : Chorus Type LSB
<GM System ON> F0H, 7EH, 7FH, 09H, 01H, F7H
• This message automatically restores all default settings for
the instrument, with the exception of MIDI Master Tuning.
4
5
When the accompaniment is started, an FAH message is trans-
mitted. When accompaniment is stopped, an FCH message is
transmitted. When the clock is set to External, both FAH
(accompaniment start) and FCH (accompaniment stop) are
recognized.
<MIDI Master Volume> F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H
• This message allows the volume of all channels to be
changed simultaneously (Universal System Exclusive).
• The values of “mm” is used for MIDI Master Volume. (Values
for “ll” are ignored.)
Local ON/OFF
<Local ON> Bn, 7A, 7F
<Local OFF> Bn, 7A, 00
Value for “n” is ignored.
■ Effect map
* When a Type LSB value is received that corresponds to no effect type, a value corresponding to the
effect type (coming the closest to the specified value) is automatically set.
* The numbers in parentheses in front of the Effect Type names correspond to the number indicated in
the display.
● REVERB
TYPE LSB
16
TYPE
MSB
00
No Effect
(01)Hall1
Room
01
02
08
17
18
19
20
000
001
002
003
004
(02)Hall2
(03)Hall3
(04)Room1
(05)Room2
Stage
(06)Stage1 (07)Stage2
Plate
(08)Plate1
(09)Plate2
005...127 No Effect
● CHORUS
TYPE LSB
16
TYPE
MSB
00
01
02
08
17
18
19
20
000...063 No Effect
064
065
066
067
Thru
Chorus
Celeste
Flanger
(02)Chorus2
(01)Chorus1
(04)Flanger2
(03)Flanger1
068...127 No Effect
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Specifications
Keyboards
Effects
• 76 box type keys (E0–G6), with Touch Response.
• Reverb:
• Chorus:
• Harmony: 26 types
9 types
4 types
Display
• LCD display (backlit)
Song
Setup
• 30 Preset Songs + 5 User Songs + Accessory CD-ROM
Songs (70)
• Song Clear, Track Clear
• STANDBY/ON
• MASTER VOLUME: MIN–MAX
• Song Volume
• Song Control: REPEAT & LEARN, A-B REPEAT, PAUSE,
REW, FF, START/STOP
Panel Controls
• SONG, VOICE, STYLE, EASY SONG ARRANGER,
P.A.T. ON/OFF, LESSON L, LESSON R, LESSON
START, METRONOME ON/OFF, PORTABLE GRAND,
DEMO, FUNCTION, MUSIC DATABASE, HARMONY ON/
OFF, DUAL ON/OFF, SPLIT ON/OFF, TEMPO/TAP, [0]–
[9], [+], [-], CATEGORY, Dial, REPEAT & LEARN (ACMP
ON/OFF), A-B REPEAT (INTRO/ENDING/rit.), PAUSE
(SYNC START), START/STOP, REW (MAIN/AUTO FILL),
FF (SYNC STOP), REGIST MEMORY ([MEMORY/BANK],
[1], [2]), SONG MEMORY (REC, [1]–[5], [A])
Performance assistant technology
• Chord, Chord/Free
Recording
• Song
User Song:
Recording Tracks: 1, 2, 3, 4, 5, STYLE
5 Songs
MIDI
Realtime Control
• Local On/Off
• Keyboard Out • Style Out
• Initial Send
• External Clock
• Song Out
• Pitch Bend Wheel
Voice
Auxiliary jacks
• 116 panel voices + 12 drum/SFX kits + 361 XGlite voices
• PHONES/OUTPUT, DC IN 12V, USB, SUSTAIN
• Polyphony: 32
• DUAL
• SPLIT
Amplifier
• 6W + 6W
Speakers
Style
• 12cm x 2 + 3cm x 2
• 150 Preset Styles + 1 User Style File
• Style Control: ACMP ON/OFF, SYNC STOP,
SYNC START, START/STOP,
Power Consumption
• 20W
INTRO/ENDING/rit., MAIN/AUTO FILL
• Fingering:
• Style Volume
Multi Finger, Full Keyboard
Power Supply
• Adaptor: Yamaha PA-5D AC power adaptor
• Batteries: Six “D” size, R20P (LR20) or equivalent batteries
Music Database
• 267
Dimensions (W x D x H)
Education Feature
• 1,178 x 412 x 137 mm (46-3/8" x 16-1/4" x 5-3/8")
• Dictionary
• Lesson 1–3, Repeat & Learn
Weight
• 8.3kg (18 lbs. 5 oz.) (not including batteries)
Registration Memory
Supplied Accessories
• 8 banks x 2 types
• Music Rest
• Accessory CD-ROM
• Owner’s Manual
Function
• VOLUME:
• OVERALL:
Style Volume, Song Volume
Tuning, Transpose, Split Point, Touch Sensi-
tivity, Pitch Bend Range, Chord Fingering
Optional Accessories
• MAIN VOICE: Volume, Octave, Pan, Reverb Level,
• AC Power Adaptor: PA-5D
Chorus Level
• Footswitch:
• Keyboard Stand:
• Headphones:
FC4/FC5
LW-16
HPE-150
• DUAL VOICE: Voice, Volume, Octave, Pan, Reverb Level,
Chorus Level
• SPLIT VOICE: Voice, Volume, Octave, Pan, Reverb Level,
Chorus Level
• EFFECT:
Reverb Type, Chorus Type, Master EQ Type,
Sustain
Harmony Type, Harmony Volume
* Specifications and descriptions in this owner’s manual are for
information purposes only. Yamaha Corp. reserves the right
to change or modify products or specifications at any time
without prior notice. Since specifications, equipment or op-
tions may not be the same in every locale, please check with
your Yamaha dealer.
• HARMONY:
• Performance assistant technology:
Performance assistant technology Type
Style File Load
• SFF Load:
• PC:
PC Mode
• MIDI:
Local On/Off, External Clock, Initial Send,
Keyboard Out, Style Out, Song Out
• METRONOME: Time Signature Numerator, Time Signature
Denominator, Metronome Volume
• LESSON:
• UTILITY:
Lesson Track (R), Lesson Track (L), Grade
Demo Cancel
DGX-220/YPG-225 Owner’s Manual 113
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Index
N
O
T
Time Signature
P
R
U
V
S
X
DGX-220/YPG-225 Owner’s Manual 115
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Limited Warranty
90 DAYS LABOR
1 YEAR PARTS
Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed
below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models
included in the following series of products:
DGX,YPG SERIES OF Portable Grand ELECTRONIC KEYBOARDS
If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect
in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.
If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject
to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the
consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as
warranty replacements.
THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICHYAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY
IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO
THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR
INCIDENTAL OR CONSEQUENTIAL DAMAGES.
Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these
limitations and exclusions may not apply to you.
This warranty gives you specific legal rights. You may also have other rights which vary from state to state.
CONSUMERS RESPONSIBILITIES
If warranty service should be required, it is necessary that the consumer assume certain responsibilities:
1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for
assistance. You may also contact Yamaha directly at the address provided below.
2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or toYamaha with an explanation
of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts
under warranty.
3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.
*Repaired units will be returned PREPAID if warranty service is required within the first 90 days.
IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has
a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed.
4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and
to follow all safety precautions.
EXCLUSIONS
This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to
failures and/or damages that may occur as a result of:
1. Neglect, abuse, abnormal strain, modification or exposure to extremes in temperature or humidity.
2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an
authorized service center, or an authorized service representative of Yamaha.
3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia,
and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.
Please record the model and serial number of the product you have purchased in the spaces provided below.
Model___________________________ Serial #________________________________ Sales Slip #________________________________
Purchased from____________________________________________________________ Date______________________________________
(Retailer)
YAMAHA CORPORATION OF AMERICA
Electronic Service Division
6600 Orangethorpe Avenue
Buena Park, CA 90620
KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!
116 DGX-220/YPG-225 Owner’s Manual
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For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
Para detalles sobre productos, contacte su tiendaYamaha más cercana
o el distribuidor autorizado que se lista debajo.
THE NETHERLANDS/
NORTH AMERICA
ASIA
BELGIUM/LUXEMBOURG
CANADA
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd.
25/F., United Plaza, 1468 Nanjing Road (West),
Jingan, Shanghai, China
Yamaha Music Central Europe GmbH,
Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
Tel: 021-6247-2211
FRANCE
U.S.A.
HONG KONG
Yamaha Musique France
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tom Lee Music Co., Ltd.
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
Tel: 714-522-9011
ITALY
Yamaha Musica Italia S.P.A.
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
SPAIN/PORTUGAL
Yamaha-Hazen Música, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
KOREA
Yamaha Music Korea Ltd.
Tong-Yang Securities Bldg. 16F 23-8Yoido-dong,
Youngdungpo-ku, Seoul, Korea
Tel: 02-3770-0660
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
BRAZIL
Yamaha Musical do Brasil Ltda.
Av. Reboucas 2636-Pinheiros CEP: 05402-400
Sao Paulo-SP. Brasil
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
Tel: 011-3085-1377
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-4371-7021
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
SINGAPORE
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
Tel: +507-269-5311
TAIWAN
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
891/1 Siam Motors Building, 15-16 floor
Rama 1 road, Wangmai, Pathumwan
Bangkok 10330, Thailand
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000
Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
Tel: 02-215-2626
OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2317
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH,
Branch Switzerland
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
OCEANIA
AFRICA
AUSTRALIA
Yamaha Corporation,
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
AUSTRIA
Tel: 3-9693-5111
Yamaha Music Central Europe GmbH,
Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
CZECH REPUBLIC/SLOVAKIA/
HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH,
Branch Austria, CEE Department
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025
Tel: 9-634-0099
COUNTRIES AND TRUST
OTHER COUNTRIES
TERRITORIES IN PACIFIC OCEAN
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: +971-4-881-5868
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
POLAND
Yamaha Music Central Europe GmbH
Sp.z. o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273
[PK] 36
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