V1.7 Supplementary Manual
This supplementary manual explains mainly the functions that have been added or changed in
CL5/CL3/CL1 firmware V1.6 and V1.7.
Use it in conjunction with the CL5/CL3/CL1 Owner’s Manual and Reference Manual.
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SELECTED CHANNEL section
■ D.GAIN indication
SELECTED CHANNEL section
Improved gain indication
In the GAIN/PATCH field of the SELECTED CHANNEL VIEW screen, the analog gain and digital
gain of the head amp are both shown at all times.
■ A.GAIN indication
• Gain value
OVER indicator
If digital gain is assigned to the GAIN knob, the analog gain value is shown here.
Ø (Phase) indicator
The analog gain value is not shown if an input without a head amp
is patched to the input channel.
GAIN knob
+48V indicator
Gain value
HPF ON indicator
• Gain value
If analog gain is assigned to the GAIN knob, the digital gain value is shown here.
The GAIN knob, +48V indicator, and HPF ON indicator are not
shown if an input without a head amp is patched to the input
channel.
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Centralogic section
Improved HPF indication
The HPF status of an external head amp such as the R-series is now shown in the GAIN/PATCH field
of the SELECTED CHANNEL VIEW screen.
Centralogic section
Improved DCA group indication
If 15 or more channels are registered in the DCA member indication of the OVERVIEW screen, you
can now use the multifunction knobs of the Centralogic section to scroll the channels.
• HPF ON indicator
Indicates the HPF on/off status of the external head amp.
The HPF/EQ popup screen now shows an HPF ON indicator and the cutoff frequency.
1
2
1 HA HPF ON indicator
Indicates the HPF on/off status of the external head amp.
2 FREQUENCY
Indicates the HPF cutoff frequency of the external head amp.
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Input channels
■ Settings in the PORT SELECT popup window
Input channels
1. In the OVERVIEW screen, press the GAIN/PATCH field to access the GAIN/PATCH
popup window.
Additional head amp setting functions when
changing the input patching
2. Press the PATCH button (or INPUT PORT button) to access the PORT SELECT popup
window.
When you change the input patching, you can now choose whether the HA (Head Amp) settings of the
port you patched will be used, or whether the HA settings of the channel will be copied to the port you
patched.
1
2
Make this selection in the PORT SELECT popup window and the PATCH/NAME popup window.
NOTE
You can also choose whether the HA settings from CL Editor will be used without change or
copied from the channel. For details, refer to the CL Editor Owner’s Manual.
3. Press a button in the HA INFO field to specify whether the HA settings of the port
or the HA settings of the channel will take priority.
1 TAKE FROM PORT button
The HA settings of the port will take priority. Even if you change the patching, the HA settings of
the port will remain unchanged.
2 TAKE FROM CHANNEL button
The HA settings of the channel will take priority. The HA settings of the port that had been
previously patched will be copied to the newly-patched port.
A confirmation dialog box will appear when you switch buttons.
If an input without a HA is patched to the input channel, the dialog box is not shown.
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Input channels
If the channel’s HA settings are selected, the following HA settings will be copied from the channel
to the port that is patched. If you patch the input channel from an input that does not have these
settings (i.e., that does not have a HA), the default values will be specified.
HA setting
HA gain amount
Default value
–6 dB
Off
HPF on/off
Phantom power on/off
Gain compensation on/off
Off
Off
NOTE
If you’re newly patching a previously-unpatched input channel, the default values will be specified
if the HA INFO field’s TAKE FROM CHANNEL button is pressed.
■ Settings in the PATCH/NAME popup window
1. In the OVERVIEW screen, press a channel number / channel name field to access
the GAIN/PATCH popup window.
2. Make settings in the same way as in the PORT SELECT popup window.
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Grouping and linking
3. Press the NAME EDIT button to access the NAME screen.
Grouping and linking
The keyboard window will appear, allowing you to enter or edit the text.
Improved display of DCA group / MUTE group
names
In the DCA/MUTE GROUP ASSIGN MODE popup window, the DCA group names and mute group
names can now be displayed.
■ Editing and displaying DCA group names
1. In the Function Access Area, press the CH JOB button.
2. Press the DCA GROUP button to access the DCA/MUTE GROUP ASSIGN MODE
popup window.
4. The DCA group name is shown on the DCA group select button.
1
1 NAME EDIT button
Edits the group name of the currently selected DCA group.
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Grouping and linking
■ Editing and displaying mute group names
Added functions for DCA groups
Sends from an input channel to a bus whose send point is set to PRE can now be assigned to be muted
by a DCA group.
Mute group names can be specified in the same way as for DCA groups.
1
1 NAME EDIT button
Edits the group name of the currently selected MUTE group.
The registered group name is shown in the RECALL SAFE MODE popup window, the GLOBAL
RECALL SAFE popup window, and the GLOBAL PASTE window’s PATCH/NAME tab.
1
2
1 POST ONLY button
Specifies the object of muting as POST only.
2 PRE & POST button
Specifies the object of muting as PRE and POST.
The PRE&POST indicator is shown below a DCA group that has this setting.
The object of muting for a DCA group can be specified individually for each DCP group.
For channels that are assigned to more than one DCA group, muting any of the DCA groups will mute
that channel’s signal path (including sends to the corresponding buses).
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Grouping and linking
Improvements in channel link display
A link indicator has been added to the CH LINK MODE popup window, making it easier to determine
the currently-assigned link group.
■ Accessing the CH LINK MODE popup window
1. In the Function Access Area, press the CH JOB button.
2. Press the CH LINK button to open the CH LINK MODE popup window.
Link indicator
Channel display field
3. Use the [SEL] keys or the channel display field to select the channels that you want
to link; the link indicator will show the link group.
If a channel belonging to a link group is selected, the associated link group is shown. The LINK
PARAMETER field and SEND PARAMETER field show the link settings.
While you hold down the [SEL] key of a channel that does not belong to any link group, the link
indicator shows the link group that will be created next. The LINK PARAMETER field and SEND
PARAMETER field show the settings of the link group that had been previously displayed.
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Monitor and Cue
Monitor and Cue
Meters
Extended cue functions
Added functions for meter display
The cue monitor level range has been expanded to –30 dB – +20 dB.
PRE GC METER and POST DIGITAL GAIN METER have been added to the METERING POINT
field of the METER screen. In addition, the name of PRE HPF has been changed to PRE D.GAIN.
Make this setting in the CUE popup window.
■ Accessing the CUE popup window
1. In the Function Access Area, press the MONITOR button to access the MONITOR
screen.
2. Press the CUE popup display button.
Use the knob to adjust the monitor level in the range of –30 dB – +20 dB.
Select the meter point at which the level will be detected.
■ For INPUT METER
• PRE GC .......................................Immediately before GAIN COMPENSATION
• POST D.GAIN...........................Immediately after DIGITAL GAIN
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Graphic EQ, Effects, and Premium Rack
M
O
N
ST
MIX
MATRIX CUE
1
O
Graphic EQ, Effects, and Premium Rack
(C)
1
2
2324
L
R
2
7
8
L
R
CH 1-72{64,48}
INSERT POINT
To RACKIN PATCH
To OUTPUT PATCH
CH INSERT OUT
1-72{64,48}
POST ON INSERT OUT
PRE FADER INSERT OUT
DIRECT OUT 1-72{64,48}
PRE HPF / PRE EQ / PRE FADER/POST ON
ON
LEVEL
To OUTPUT PATCH
PAN MODE
PRE EQ
INSERT OUT
CH INSERT IN
POST PAN L
POST PAN R
PAN
Improvements in popup window operation
1-72{64,48}
POST DG
METER
PRE EQ
METER
EQ OUT
METER
GR METER
DYNA1OUT
METER
GR METER
DYNA2OUT PRE FADER
POST ON
METER
TO MONO TO ST
LR MONO
PRE D.GAIN
METER
METER METER
ST L
LEVEL/
DCA1-16
MONO(C)
TO LCR
GATE
DUCK
COMP
COMPAND
DE-ESSER
ON
LCR
CSR
DELAY
Max
In the EFFECT popup window, GEQ popup window, and PREMIUM RACK popup window, you can
now use the [SEL] keys to switch channels.
INSERT
INSERT
INSERT
4BAND
EQ
Digital
GAIN
HPF
ATT
ST R
1000ms
72
{64,
48}
EXPAND
COMP
PRE HPF
PRE EQ POST EQ
PRE FADER
POST ON
KEYIN CUE
Keyin Filter
PRE EQ
PRE FADER
POST ON
OSCILLATOR
INSERT OUT
INSERT OUT
INSERT OUT
PAN LINK
Keyin
Self PRE EQ
MIX1,3...23
ON
ON
ON
ON
Self POST EQ
MIX21-24 OUT
To MIX
FIXED
POST ON
MIX2,4...24
CH[1-8,9-16,17-24,25-32,33-40,41-48, 49-56, 57-64, 65-72]POST EQ(CL5)
CH[1-8,9-16,17-24,25-32,33-40,41-48, 49-56, 57-64]POST EQ(CL3)
CH[1-8,9-16,17-24,25-32,33-40,41-48]POST EQ(CL1)
In the EFFECT popup window, pressing a top panel [SEL] key while editing an effect parameter will
switch the screen to the effect that is inserted in that channel. The same will occur in the GEQ popup
window and the PREMIUM RACK popup window. You can also switch from the EFFECT popup
window to the GEQ popup window or the PREMIUM RACK popup window.
The following items will change in conjunction with the channel being operated.
• Selected channel indication in the Function Access Area
To MIX
ON
ON
ON
ON
POST PAN L
POST PAN R
FIXED
STEREO
ON
ON
ON LEVEL
ON LEVEL
To MIX
VARI
PRE EQ / PRE FADER / POST ON
To MIX
ON
ON
LEVEL
PAN
PRE EQ / PRE FADER / POST ON
VARI
STEREO
ON
ON
MATRIX1,3...7
MATRIX2,4...8
ON LEVEL
ON LEVEL
To MATRIX
VARI
PRE EQ / PRE FADER / POST ON
PRE EQ / PRE FADER / POST ON
ON
ON LEVEL
PAN
To MATRIX
VARI
STEREO
ON
ON
(PRE FADER)PFL / (POST ON)AFL / POST PAN L
(PRE FADER)PFL / (POST ON)AFL / POST PAN R
CUE L
CUE R
• Channel being operated in the synchronized CL Editor
If no insert settings have been made in the channel to which you switched, a dialog box informing you
of this will appear.
Improved display for tap tempo function
If TAP TEMPO is assigned to a user defined key, and you are specifying the BPM (tempo value) by
pressing that key, a popup window like the following will now appear.
■ Tap tempo popup window
NOTE
This popup window will not appear if the EFFECT EDIT popup window in which you’re specifying
tap tempo is open.
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I/O device and external head amp
R-series
I/O device and external head amp
The Rio field of the I/O DEVICE screen shows indicators for the status of the R-series units and the
Dante network.
Added display functions for device status
You can now use the touch screen to verify the status of a connected CL series or R-series unit (except
the Ro8-D) or the Dante status.
In order to verify the status of an R-series unit from the console, it must be assigned to REMOTE HA
in DANTE SETUP.
CL series
The SETUP field of the DANTE SETUP screen shows indicators for the status of the CL series console
and the Dante network.
For firmware that predates support for V1.61, the version indication will be yellow and the indicator
will be unlit.
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I/O device and external head amp
Messages
SYSTEM Indicators
Description
Possible Solution
Error, warning, and information messages are displayed. Messages are also displayed in the Dante
Controller Error Status field.
Each indicator lights or flashes as described below:
The DIP switches are not set Check the DIP switch settings, and set
correctly.
them correctly.
No call-out
Light
The indicator is off.
Flash
The indicator remains lit steadily.
The indicator continues to flash.
The indicator flashes twice cyclically.
The indicator flashes three times cyclically.
Flash
Flash x2
Flash x3
Dante flow number limit was
exceeded.
Examine the Dante network routing.
Light Flash
■ Error Messages
The SYSTEM indicators will remain lit/blinking as follows until the problem has been resolved.
If service is necessary, please contact the Yamaha service center listed in the CL5/CL3/CL1 owner’s
manual.
■ Warning Messages
The indicators will light and/or flash as shown until the cause is resolved.
If the green [SYNC] indicator is unlit, the unit’s clock is unconfirmed.
SYSTEM Indicators
Description
Possible Solution
SYNC Indicators
Description
Possible Solution
Set the clock master and sampling
frequency correctly on the CL5/CL3/
CL1-native device or in Dante
Controller.
An internal error has occurred.
The word clock is not set
correctly.
Flash x2
The device has failed. Contact your
Yamaha dealer for repair.
Flash
The MAC address setting has
been corrupted and no
communication can occur via
Dante.
Dante Network circuit is
broken.
Make sure that the Ethernet cables
are not removed or short-circuited.
Flash x3
Flash x2
Flash x3
Use the front-panel DIP switches to
set START UP MODE to REFRESH,
then restart the unit. If the problem
persists after setting START UP
MODE back to RESUME, consult your
Yamaha dealer.
The internal memory has
been corrupted.
Other Dante-compatible
devices cannot be found due Make sure that the Ethernet cables
to an incorrectly-wired Dante
Network.
Light Flash x3
are connected correctly.
Set a unique UNIT ID number for the
Dante network.
UNIT ID is not unique.
Light
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I/O device and external head amp
If the green indicator is flashing, the unit is the clock master.
If the green indicator is lit, the unit is the clock slave and the clock is synchronized.
Improvements in I/O device settings
When mounting an I/O device on the Dante audio network, the settings and indications have been
improved so that the units can be differentiated by their device type.
SYNC Indicators
Description
Possible Solution
The following device labels are detected as supported devices.
Y###-**********
A non-GbE-compatible device When transferring audio via Dante,
Light
or
flash
is connected.
use device that supports GbE.
Light
# is a three-digit hexadecimal number (000–FFF) consisting of the digits 0–9 and the uppercase
characters A–F
* indicates any desired character (alphabetical uppercase or lowercase, numerals, or - (hyphen)
may be used)
Up to 31 characters including the ‘Y’ are supported.
The SECONDARY connector
has taken over
communications during
redundant network operation.
Check the circuit connected to the
PRIMARY connector.
Light
or
flash
Flash
The DEVICE LIST field of the DEVICE SELECT popup window shows the device label and device type.
An abnormality has occurred
on the circuit connected to the
SECONDARY connector
during redundant network
operation.
Check the circuit connected to the
SECONDARY connector.
Light
or
flash
Flash x2
■ Information Messages
The status is shown by the lit/flashing state of the indicator.
If the orange [SYNC] indicator is unlit, the unit is operating normally.
If the green [SYNC] indicator is unlit, the unit’s clock is unconfirmed.
SYNC Indicators
Description
Explanation
Please wait until the unit synchronizes
completely. It may take up to
45 seconds to synchronize completely.
(If the DIP switches of an R-series unit
are set to REFRESH, synchronization
will not be completed until the CL
series unit that is set to “with RECALL”
has started up.)
Synchronization is occurring.
Light
The unit is functioning
correctly as the word clock
master.
The unit is operating as the word clock
master.
Flash
Light
The unit is functioning
correctly as the word clock
slave.
The unit is operating as the clock slave
and the clock is synchronized.
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User settings
Added custom fader bank functions
Custom fader bank settings can now be stored/recalled for individual scenes.
User settings
Custom fader bank settings are separated into areas for each model and stored together in the scene
data.
Added functions for the GAIN/PAN/ASSIGN knobs
(assignable encoders)
Custom fader bank settings
Functions have been added to the assignable encoders in SENDS ON FADER mode.
CL5
CL3
CL1
Recall
Store
Recall
Store
Recall
Store
■ If ASSIGN is selected by the top panel [GAIN/PAN/ASSIGN] key
Use the assignable encoders to adjust the channel levels.
CL5 console
CL3 console
CL1 console
NOTE
Channel name display indication
Custom fader bank settings differ between models, and are not compatible. For example, custom
fader bank settings included in a scene stored by the CL5 will not be reproduced if that scene is
recalled on the CL3 or CL1. The settings must be created and stored on the CL3 or CL1.
Channel level
Adjust using the assignable encoders.
Send level to MIX/MATRIX bus
Adjust using the top panel faders.
■ If PAN is selected by the top panel [GAIN/PAN/ASSIGN] key
Use the assignable encoders to adjust the pan of the send from the channel to the MIX/MATRIX bus
(buses that are assigned to stereo send in the BUS SETUP screen).
Channel name display indication
Pan of the send from the channel to the MIX/MATRIX bus
Adjust using the assignable encoders.
Send level to MIX/MATRIX bus
Adjust using the top panel faders.
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User settings
■ Focus function
4. Press a button in the FOCUS PARAMETER field to access the FOCUS PARAMETER
popup window.
For the focus function, you can specify for each scene whether custom bank settings will be recalled
(loaded).
1. Press the SCENE field of the Function Access Area.
2. Press the FOCUS tab at the bottom of the SCENE LIST window.
5. Verify the object of focus.
6. Press the CLOSE button to close the popup window; then perform a recall
operation.
Custom bank settings are included in OTHER PARAMs.
3. Press the SET button of the scene for which you want to make settings; the FOCUS
RECALL popup window will appear.
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User settings
■ Recall Safe function
■ Global Paste function
In the Recall Safe function, you can specify that custom bank settings of all scenes will be globally
excluded from recall operations.
The global paste function lets you copy and paste the custom bank settings of the current scene to scene
data in memory.
1. In the Function Access Area, press the CH JOB button to access the CH JOB popup
1. In the Function Access Area, press the SCENE field to access the SCENE LIST
window.
window.
2. Press the RECALL SAFE button to access the RECALL SAFE MODE popup window.
2. Press the GLOBAL PASTE button located in the upper part of the SCENE LIST
window to open the GLOBAL PASTE window.
3. Press the GLOBAL RECALL SAFE field to access the GLOBAL RECALL SAFE popup
window.
3. Select the PATCH/OTHERs tab.
4. Press the CUSTOM FADER BANK button to specify it as the object of recall safe.
4. Select the CUSTOM FADER BANK button.
5. Press the CLOSE button to close the popup window; then perform a recall
operation.
5. In the DESTINATION SCENE area, select the range of paste-destination scenes.
6. Press the PASTE button.
NOTE
• If the internal data of the CL console was loaded from a USB flash drive as a package, load the
user authentication key as necessary. The custom fader bank settings of the user who loaded the
data will be applied.
• When in PREVIEW mode, changes from CL Editor are not reflected immediately. They will be
applied when you exit PREVIEW mode.
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User settings
3 DESTINATION field
Added load/save functions
CL series settings can now be loaded individually from a USB flash drive, or saved individually to a USB
flash drive.
Indicates the load-destination.
4 Data selection knob
This knob selects the data shown in the field.
Loading settings from a USB flash drive
Follow the steps below to load CL settings from the USB flash drive into the CL series console.
5 MULTI SELECT button
By pressing this button you can make a selection containing multiple items of data.
6 SELECT ALL button
1. In the Function Access Area, press the SETUP button to access the SETUP screen.
2. Press the SAVE/LOAD button to access the SAVE/LOAD popup window.
Press this button to select all items.
7 CLEAR ALL button
Press this button to clear all selections.
3. To select the file that you want to load, press the name of the desired file in the file
list, or rotate the corresponding multifunction knob on the panel.
5. Press the tabs and buttons of the TYPE field to select the type of data that you want
to load.
4. Press the LOAD button to access the LOAD SELECT popup window.
The content shown in the TYPE field will vary depending on the tab you select.
• ALL tab
All items will be the target of the operation.
1
• SCENE tab
Scene memories will be the target of the operation.
• INPUT/OUTPUT tab
The following table lists the items that you can select.
Buttons
IN CH LIB
Data content
Input channel library
Output channel library
Input EQ library
2
3
OUT CH LIB
IN EQ LIB
OUT EQ LIB
DYNA LIB
Output EQ library
Dynamics library
• EFFECT/GEQ tab
The following table lists the items that you can select.
Buttons
EFFECT LIB
Data content
Effect library
GEQ library
GEQ LIB
4
5
6
7
4
• PREMIUM tab
The following table lists the items that you can select.
1 TYPE field
Selects the type of data to be loaded.
Buttons
Data content
2 SOURCE field
5033 LIB
5043 LIB
U76 LIB
Portico 5033 library
Portico 5043 library
U76 library
This area lists the data that is saved on the USB flash drive.
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User settings
Saving the CL console’s settings on a USB flash drive
Here’s how to save the CL console’s internal data on a USB flash drive.
Buttons
Opt-2A LIB
Data content
Opt-2A library
EQ-1A LIB
EQ-1A library
1. In the Function Access Area, press the SETUP button to access the SETUP screen.
2. Press the SAVE/LOAD button to access the SAVE/LOAD popup window.
3. If necessary, press the directory icon and change the directory.
DynaEQ LIB
DynamicEQ library
• SETUP tab
The following table lists the items that you can select.
Buttons
MIXER SETUP
OUTPUT PORT
MONITOR
Data content
Mixer setup
4. Press the SAVE button to access the SAVE SELECT popup window.
Output ports
CUE/MONITOR/OSCILLATOR/TALKBACK
MIDI Setup
MIDI SETUP
MIDI PGM
1
MIDI program changes
MIDI control changes
DANTE input patch library
MIDI CTL
Dante In Patch
NOTE
If you load output port items individually, the settings of the channel assigned to the port will not
be reflected. Recall them after loading a scene that includes input/output patching with those
channel settings.
2
3
• ADMIN tab
The following table lists the items that you can select.
Buttons
Data content
ADMIN PREF
ADMIN UDEF
ADMIN FADER
GUEST PREF
GUEST UDEF
GUEST FADER
GUEST LEVEL
PREFERENCE (For administrator)
USER DEFINED KEYS/USER DEFINED KNOBS (For administrator)
CUSTOM FADER BANK (For administrator)
PREFERENCE (For guest)
USER DEFINED KEYS/USER DEFINED KNOBS (For guest)
CUSTOM FADER BANK (For guest)
4
5
6
7
4
USER LEVEL (For guest)
1 TYPE field
6. In the SOURCE field, add a check mark ( ) to select the data that you want to
This specifies the types of data to be saved.
load.
2 SOURCE field
If you want to load multiple items of data in a single operation, press the MULTI SELECT button.
7. In the DESTINATION field, add a check mark ( ) to the load-destination.
8. Press the LOAD button.
This shows the internal data of the CL series console.
3 DESTINATION field
Indicates the save-destination.
4 Data selection knob
NOTE
This knob selects the data shown in the field.
If the number of loadable data items in the DESTINATION list is less than the number of items
being loaded, the allowable number of data items will be loaded.
5 MULTI SELECT button
By pressing this button you can make a selection containing multiple items of data.
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User settings
6 SELECT ALL button
• SETUP tab
The following table lists the items that you can select.
Press this button to select all items.
Buttons
MIXER SETUP
OUTPUT PORT
MONITOR
Data content
7 CLEAR ALL button
Mixer setup
Press this button to clear all selections.
Output ports
5. Press the tabs and buttons of the TYPE field to select the type of data that you want
CUE/MONITOR/OSCILLATOR/TALKBACK
MIDI Setup
to save.
MIDI SETUP
MIDI PGM
The content shown in the TYPE field will vary depending on the tab you select.
MIDI program changes
MIDI control changes
DANTE input patch library
MIDI CTL
• ALL tab
All items will be the target of the operation.
Dante In Patch
• SCENE tab
Scene memories will be the target of the operation.
NOTE
• If you save output port items individually, the settings for the channel assigned to the port will not
be saved. You will also need to save the scene that includes the input/output patching for those
channel settings.
• Items that are included in the ADMIN tab when loading items individually will be included in ALL
when saving.
• INPUT/OUTPUT tab
The following table lists the items that you can select.
Buttons
IN CH LIB
Data content
Input channel library
Output channel library
Input EQ library
6. In the SOURCE field, add a check mark ( ) to select the data that you want to
OUT CH LIB
IN EQ LIB
save.
If you want to save multiple items of data in a single operation, press the MULTI SELECT button.
7. In the DESTINATION field, add a check mark ( ) to the save-destination.
8. Press the SAVE button to access the FILE SAVE popup window.
OUT EQ LIB
DYNA LIB
Output EQ library
Dynamics library
• EFFECT/GEQ tab
The following table lists the items that you can select.
Buttons
EFFECT LIB
Data content
Effect library
GEQ library
GEQ LIB
• PREMIUM tab
The following table lists the items that you can select.
Buttons
Data content
5033 LIB
5043 LIB
U76 LIB
Portico 5033 library
Portico 5043 library
U76 library
Opt-2A LIB
EQ-1A LIB
DynaEQ LIB
Opt-2A library
EQ-1A library
DynamicEQ library
9. Enter a file name or comment, and press the SAVE button.
V1.7 Supplementary Manual
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User settings
Added function for recovering from USB
overcurrent
Even if the connection with the USB device was stopped because an overcurrent condition occurred at
the USB port, it is now possible to reconnect the USB device without restarting.
Recovery procedure
After removing the cause of the overcurrent at the USB port, press the location that shows “USB
REMOUNT” at the FORMAT button of the SAVE/LOAD screen.
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Other functions
Added channel color
Black can now be specified as a channel color. If black is selected for a channel, its channel color
indicator will be unlit.
Other functions
Improvements to the channel name display
Improvements have been made to the channel name display and channel color indicator.
Make this setting in the CH COLOR/ICON popup window.
The channel on/off status is now shown in SENDS ON FADER mode.
■ Channel color setting
1. Access the OVERVIEW screen that includes the input channel whose channel color
you want to specify.
Channel on
2. Press the channel number/channel name field of that channel to access the
PATCH/NAME popup window.
3. Select a channel color.
Channel off
If NAME DISPLAY is set to “NAME ONLY” in the PREFERENCE page of the USER SETUP popup
window, the channel number is now shown.
Channel number indication
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Other functions
Added GPI functions
Initializing the Dante audio network settings
You can now select the attributes (latched or unlatched) of an external switch connected to a GPI IN
port.
It is now possible for Dante-related settings to also be initialized to their factory-set state when an error
occurs on the Dante audio network.
NOTICE
■ GPI settings
When you initialize, all console settings including the Dante audio network settings that had been
previously saved in memory will be lost.
1. In the Function Access Area, press the SETUP button to access the SETUP screen.
2. Press the MIDI/GPI button to access the MIDI/GPI screen.
Proceed with the following operation only if you are very sure you want to do this!
1. While holding down the SCENE MEMORY [STORE] key and [INC] key on the panel,
3. Press the GPI tab.
turn on the power to the CL console.
Switch attribute button
2. A message indicates that initialization is complete; press the CLOSE button.
Each time you press a switch attribute button, its indication will alternate between LATCH and
UNLATCH.
LATCH (a switch that alternately turns on/off each time it is pressed) is selected.
UNLATCH (a switch that is on only while pressed and is off when released) is selected.
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M
O
N
Block Diagram
ST
L R
MIX
2324
MATRIX CUE
1
O
CASCADE OUT
(C)
1
2
2
7
8
L
R
MIX CASCADE OUT1-24
To OUTPUT PATCH
To OUTPUT PATCH
CASCADE IN
To OUTPUT PATCH
To OUTPUT PATCH
STEREO CASCADE OUT L,R,MONO(C)
MATRIX CASCADE OUT1-8
SLOT1 1-16
SLOT2 1-16
SLOT3 1-16
To OUTPUT PATCH
To OUTPUT PATCH
To OUTPUT PATCH
CASCADE
IN
SELECT
To OUTPUT PATCH
To OUTPUT PATCH
+48V MASTER
To OUTPUT PATCH
To OUTPUT PATCH
+48V
ON
CUE CASCADE OUT LR
To OUTPUT PATCH
To OUTPUT PATCH
HA
METER
+48V
TALKBACK
TB INPUT
DANTE IN 1-64
OMNI IN 1-8
2
[TALKBACK
INPUT]
+
-
TALKBACK
INPUT
1
AD
3
1
ON
INPUT
TALKBACK
LEVEL
OSC
METER
MIX 1-24
To RACKIN PATCH
To OUTPUT PATCH
SELECT
OSCILLATOR
INSERT POINT
LEVEL
ON
POST ON INSERT OUT
PRE FADER INSERT OUT
Sine Wave
Pink Noise
Burst Noise
MIX
INSERT OUT 1-24
PRE EQ
INSERT OUT
MIX
HPF LPF
DANTE
IN
METER
INPUT
INSERT IN 1-24
PRE EQ
METER
EQ OUT
METER
POST ON
METER
DYNA OUT PRE FADER
METER METER
PATCH
DANTE
INPUT
GR METER
LEVEL
BAL
DANTE IN
1-64
[DANTE]
CH 1-72{64,48}
ON
(21-24)To KEYIN
COMP
COMPAND
EXPAND
64
INSERT
INSERT
INSERT
4BAND
EQ
MIX OUT1-24
To RACKIN PATCH
To OUTPUT PATCH
To MONITOR SELECT
INSERT POINT
ATT
To RACKIN PATCH
To OUTPUT PATCH
POST ON INSERT OUT
PRE FADER INSERT OUT
DIRECT OUT 1-72{64,48}
CH INSERT OUT
PRE HPF / PRE EQ / PRE FADER/POST ON
ON
LEVEL
PRE FADER
INSERT OUT
To OUTPUT PATCH
PAN MODE
PRE EQ POST EQ
PRE FADER
POST ON
POST ON
1-72{64,48}
PRE EQ
INSERT OUT
Keyin
PRE EQ
CH INSERT IN
Self PRE EQ/Self POST EQ/MIX21-24 OUT/
INSERT OUT
POST PAN L
POST PAN R
PAN
INSERT OUT
1-72{64,48}
HA
METER
MIX(1-8,9-16,17-24) POST EQ
CUE ON
+48V
DYNA1OUT
METER
GR METER
POST DG
METER
PRE EQ
METER
EQ OUT
METER
GR METER
DYNA2OUT PRE FADER
POST ON
METER
TO MONO TO ST
(PRE FADER)PFL / (POST ON)AFL
LR MONO
PRE D.GAIN
METER
METER METER
ST L
2
LEVEL/
[OMNI IN]
[1-8]
+
-
OMNI IN
1-8
OMNI IN
MATRIX1,3...7
LEVEL
LEVEL
ON
ON
1
AD
To MATRIX
DCA1-16
MONO(C)
PRE FADER / POST ON
3
TO LCR
8
GATE
DUCK
COMP
COMPAND
DE-ESSER
ON
LCR
CSR
DELAY
Max
MATRIX2,4...8
GAIN/TRIM
VARI
INSERT
INSERT
INSERT
4BAND
EQ
Digital
GAIN
HPF
ATT
ST R
1000ms
72
{64,
48}
EXPAND
COMP
LEVEL
ON
To MATRIX
PRE FADER / POST ON
VARI
PRE HPF
PRE EQ POST EQ
PRE FADER
POST ON
PAN/BAL
KEYIN CUE
Keyin Filter
STEREO
PAN/BAL
PRE EQ
PRE FADER
POST ON
PAN MODE
TO ST TO MONO
TO LCR
OSCILLATOR
LR MONO
INSERT OUT
INSERT OUT
INSERT OUT
ST L
To MONITOR
SELECT
PAN LINK
Keyin
Self PRE EQ
MONO(C)
ST R
MIX1,3...23
ON
ON
ON
ON
LCR
To CASCADE IN
SELECT
Self POST EQ
MIX21-24 OUT
To MIX
FIXED
POST ON
MIX2,4...24
POST ON
CH[1-8,9-16,17-24,25-32,33-40,41-48, 49-56, 57-64, 65-72]POST EQ(CL5)
CH[1-8,9-16,17-24,25-32,33-40,41-48, 49-56, 57-64]POST EQ(CL3)
CH[1-8,9-16,17-24,25-32,33-40,41-48]POST EQ(CL1)
CSR
To MIX
ON
ON
ON
ON
POST PAN L
POST PAN R
FIXED
SLOTIN SLOTIN SLOTIN
METER METER METER
STEREO
STEREO L,R,MONO(C)
ON
ON
ON LEVEL
To MIX
VARI
PRE EQ / PRE FADER / POST ON
INSERT POINT
To RACKIN PATCH
To OUTPUT PATCH
SLOT1 1-16
SLOT2 1-16
SLOT3 1-16
ON
LEVEL
POST ON INSERT OUT
PRE FADER INSERT OUT
SLOT1
SLOT2
SLOT3
16
16
16
STEREO
PRE EQ
INSERT OUT
INSERT OUT L,R,MONO(C)
To MIX
ON
ON
LEVEL
PAN
[SLOT]
PRE EQ / PRE FADER / POST ON
STEREO
VARI
INSERT IN L,R,MONO(C)
STEREO
PRE EQ
METER
EQ OUT
METER
POST ON
METER
DYNA OUT PRE FADER
METER METER
ON
ON
MATRIX1,3...7
MATRIX2,4...8
ON LEVEL
ON LEVEL
To MATRIX
VARI
GR METER
PRE EQ / PRE FADER / POST ON
PRE EQ / PRE FADER / POST ON
LEVEL
BAL
FX1-8 OUT
A(L)/B(R)
STEREO OUT
L,R,MONO(C)
ON
COMP
COMPAND
EXPAND
INSERT
INSERT
INSERT
4BAND
EQ
To OUTPUT PATCH
To MONITOR SELECT
ATT
ON
ON LEVEL
PAN
To MATRIX
PR1-2 OUT
A(L)/B(R)
PRE FADER
INSERT OUT
VARI
PRE EQ POST EQ
PRE FADER
POST ON
STEREO
ON
ON
Keyin
POST ON
INSERT OUT
PRE EQ
(PRE FADER)PFL / (POST ON)AFL / POST PAN L
(PRE FADER)PFL / (POST ON)AFL / POST PAN R
CUE L
CUE R
Self PRE EQ/Self POST EQ/MIX21-24 OUT/
ST(L,R,MONO(C)) POST EQ
INSERT OUT
PLAYBACK OUT
METER
[PLAYBACK
OUT]
CUE ON
(PRE FADER)PFL / (POST ON)AFL
DECODER
1
2
3
4
2
MATRIX1,3...7
MATRIX2,4...8
LEVEL
LEVEL
ON
ON
To MATRIX
GAIN
PRE FADER / POST ON
POST PAN L
POST PAN R
PAN/BAL
ST IN 1L – 8R
USB
VARI
PRE EQ
METER
EQ OUT
METER
DYNA1OUT
DYNA2OUT PRE FADER
METER METER
GR METER
POST ON
METER
PAN MODE
TO MONO TO ST
LR MONO
METER
ST L
To MATRIX
To MONITOR SELECT
RECORDER CUE
LEVEL
ON
LEVEL/
DCA1-16
PRE FADER / POST ON
GR METER
PRE D.GAIN
METER
MONO(C)
ON
VARI
TO LCR
PAN/BAL
GATE
DUCK
EXPAND
COMP
DELAY
Max
1000ms
STEREO
COMP
COMPAND
DE-ESSER
LCR
CSR
Digital
GAIN
4BAND
EQ
HPF
ATT
ST R
16
PRE HPF
PRE EQ POST EQ
PRE FADER
POST ON
KEYIN CUE
Keyin Filter
MATRIX 1-8
OSCILLATOR
INSERT POINT
PAN LINK
Keyin
To RACKIN PATCH
POST ON INSERT OUT
Self PRE EQ
Self POST EQ
MIX1,3...23
MIX2,4...24
To OUTPUT PATCH
PRE FADER INSERT OUT
MATRIX
To MIX
PRE EQ
INSERT OUT
INSERT OUT 1-8
MIX21-24 OUT
SAME as INPUT1-72{64,48}
SAME as INPUT1-72{64,48}
ST IN 1L-8R POST EQ
MATRIX
INSERT IN 1-8
PRE EQ
METER
EQ OUT
METER
POST ON
METER
DYNA OUT PRE FADER
METER METER
GEQ
To MATRIX
MATRIX1,3...7
MATRIX2,4...8
INSERT IN
PATCH
GEQ RACK1(GEQ1)
RACK IN
RACK IN
PATCH
GR METER
LEVEL BAL
(INPUT CH)
ON
RACK OUT
METER
METER
MATRIX OUT 1-8
MIX
INSERT OUT
1-24
STEREO
INSERT OUT
L,R,MONO(C)
MATRIX
INSERT OUT
1-8
COMP
COMPAND
EXPAND
INSERT
INSERT
INSERT
4BAND
EQ
To OUTPUT PATCH
To MONITOR SELECT
OMNI IN 1-8
ATT
31BandGEQ
SLOT1 1-16
SLOT2 1-16
SLOT3 1-16
(PRE FADER)PFL / (POST ON)AFL / POST PAN L
(PRE FADER)PFL / (POST ON)AFL / POST PAN R
ON
ON
CUE L
CUE R
PRE FADER
INSERT OUT
PRE EQ POST EQ
PRE FADER
POST ON
POST ON
RACK IN A
RACK IN B
Flex15GEQ
RACK OUT
RACK OUT
A
B
METER
METER
METER
METER
Keyin
PRE EQ
INSERT OUT
Self PRE EQ/Self POST EQ/MIX21-24 OUT/
MATRIX1-8 POST EQ
INSERT OUT
GEQ1 IN
A(L)/B(R)
FX1-8 OUT
A(L)/B(R)
CUE ON
(PRE FADER)PFL / (POST ON)AFL
PR1-8 OUT
A(L)/B(R)
GEQ2-16 IN
A(L)/B(R)
GEQ RACK2-16(GEQ2-16) (same as GEQ RACK1)
EFFECT RACK1(FX1)
CH INSERT IN 1-72{64,48}
To CH INSERT IN
ON
KEYIN CUE
SELECT
72
KEYIN CUE
KEYIN CH1-72{64,48}
EFFECT
RACK IN
PATCH
ON
ON
FX1-8 OUT L/R
PR1-8 OUT L/R
EFFECT CUE
SELECT
INSERT IN
PATCH
EFFECT CUE
MIX INSERT IN 1-24
RACK IN
RACK OUT
METER
METER
To MIX INSERT IN
(OUTPUT CH)
24
31BandGEQ
STEREO INSERT IN L,R,MONO(C)
MATRIX INSERT IN 1-8
To STEREO INSERT IN
To MATRIX INSERT IN
RECORDER CUE
SELECT
MIX OUT
1-24
RECORDER INL/R
OMNI IN 1-8
3
RECORDER CUE
PLAYBACK OUT L/R
SLOT1 1-16
RACK IN A
RACK IN B
RACK OUT
RACK OUT
A
B
METER
METER
METER
METER
SLOT2 1-16
SLOT3 1-16
8
MATRIX OUT
1-8
Flex15GEQ
GEQ1-16
OUT
RACK IN L
RACKEINFRFECT
RACK OUT L
RACK OUT R
METER
METER
METER
METER
STEREO OUT
L,R,MONO(C)
CH
INSERT OUT
1-72{64,48}
A(L)/B(R)
EFFECT CUE
FX1 IN
A(L)/B(R)
FX1 OUT
A(L)/B(R)
OUTPUTS
CUE / MONITOR
FX2-8 IN
A(L)/B(R)
FX2-8 OUT
A(L)/B(R)
EFFECT RACK2-8(FX2-8) (same as EFFECT RACK1)
PREMIUM RACK1(PR1)
Refer to CL5/CL3/CL1 Mixer Block Diagram 2/2
Refer to CL5/CL3/CL1 Mixer Block Diagram 2/2
PREMIUM
RACK IN
PATCH
RACK IN L
RPACRKOINCRESSOR
RACK OUT L
RACK OUT R
METER
METER
METER
METER
EFFECT CUE
PR1 IN
A(L)/B(R)
PR1 OUT
A(L)/B(R)
PR2-8 IN
A(L)/B(R)
PR2-8 OUT
A(L)/B(R)
PREMIUM RACK2-8 (same as PREMIUM RACK1)
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CUE / MONITOR
MONITOR DELAY AUTO BYPASS
CUE TRIM
CUE ON
(INPUT/OUTPUT/DCA)
MONO
CUE OUT ON
DELAY
(MAX:1000ms)
METER CUE L
METER CUE R
CUE OUT
CUE OUT
L
CUE L
CUE R
To OUTPUT PATCH
To OUTPUT PATCH
CUE L BUS
CUE R BUS
R
DELAY
(MAX:1000ms)
CUE OUT
LEVEL
CUE LOGIC
PHONES
LEVEL LINK
DELAY
(MAX:1000ms)
PHONES L
PHONES R
To PHONES OUT
To PHONES OUT
DELAY
(MAX:1000ms)
OMNI IN 1/2
OMNI IN 3/4
OMNI IN 5/6
OMNI IN 7/8
PLAYBACK OUT
MONO
MONITOR OUT
MONITOR OUT
L
METER MONITOR L
DELAY
MONITOR L
MONITOR R
To OUTPUT PATCH
To OUTPUT PATCH
To OUTPUT PATCH
(MAX:1000ms)
STEREO OUT L,R
R
METER MONITOR R
STEREO OUT MONO(C)
STEREO OUT L,C,R
DELAY
(MAX:1000ms)
MONITOR OUT MONO(C)
METER MONITOR MONO(C)
DELAY
(MAX:1000ms)
MONITOR MONO(C)
OMNI IN 1/2
OMNI IN 3/4
OMNI IN 5/6
OMNI IN 7/8
ON
+MONO(C)
ON
An output port delay becomes invalid by
assigning a monitor out to the output port.
CUE INTERRUPTION
DEFINE
PLAYBACK OUT
TALKBACK ON
MONITOR DIMM ON
MONITOR MONITOR
MIX
STEREO OUT L,R
LEVEL
FADER
(MAX:8ch)
STEREO OUT MONO(C)
MIX OUT1-24
MATRIX OUT1-8
OUTPUTS
MIX CASCADE OUT 1-24
STEREO CASCADE OUT L,R,MONO(C)
MATRIX CASCADE OUT 1-8
CUE CASCADE OUT L,R
DIRECT OUT 1-72{64,48}
Tip
PHONES OUT LR
DA
Ring
Sleeve
MIX OUT 1-24
STEREO OUT L,R,MONO(C)
MATRIX OUT 1-8
[PHONES]
2
OUTPUT
PATCH
PHONES LEVEL
GAIN TRIM
1 6
MONITOR OUT L,R,MONO(C)
CUE OUT L,R
SLOT1OUT
SLOT2OUT
SLOT3OUT
METER
METER
METER
DELAY
SLOT1
SLOT2
SLOT3
(MAX:1000ms)
DELAY
(MAX:1000ms)
CH INSERT OUT 1-72{64,48}
MIX INSERT OUT 1-24
[SLOT]
1 6
1 6
DELAY
(MAX:1000ms)
STEREO INSERT OUT L,R,MONO(C)
MATRIX INSERT OUT 1-8
GAIN TRIM
OMNI OUT
OUTPUT
PATCH
METER
2
DELAY
(MAX:1000ms)
+
DA
[OMNI OUT] (1-8)
1
-
8
3
GAIN
DANTE OUT
OUTPUT
PATCH
METER
METER
DANTE
DELAY
[DANTE OUT] (1-64)
[DIGITAL OUT]
OUTPUT
(MAX:1000ms)
6 4
GAIN TRIM
DIGITAL
OUT
OUTPUT
PATCH
DELAY
(MAX:1000ms)
DIT
AES/EBU
2
RECORDER IN
METER
RECORDER CUE
OUTPUT
PATCH
STEREO L
MONO(C)
STEREO R
[2TR RECORDER]
1
2
3
4
ENCODER
2
GAIN
USB
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