Telos Music Mixer ZephyrExpress User Manual

Portable ISDN  
Digital Audio Transceiver / Mixer  
The Best Way to Hear from There™  
User’s Manual  
Manual Version: 1.0 / April, 1999  
(v1.2.1 software)  
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Customer Service  
We support you...  
·
By phone/Fax in the USA.  
Customer service is available from 9:30 AM to 6:00 PM USA Eastern Time,  
Monday through Friday at +1 216.241.7225. We’re often here at times outside of  
these, as well – please feel free to try at any time!  
Fax: +1 216.241.4103.  
·
By phone/Fax in Europe.  
Service is available from Telos Europe in Germany at +49 81 61 42 467.  
Fax: +49 81 61 42 402.  
·
By E-Mail.  
The address is: [email protected].  
Via World Wide Web.  
·
The Telos Web site has a variety of information which may be useful for  
product selection and locating other compatible users. The URL is:  
http://www.zephyr.com.  
Feedback  
We welcome feedback on any aspect of ZephyrExpress or this manual. In the  
past, many good ideas from users have made their way into software revisions  
or new products. Please contact us with your comments.  
Telos Systems  
2101 Superior Avenue  
Cleveland, OH 44114  
USA  
Telos Europe  
JohannisstraBe 6  
85354 Freising  
Germany  
+1 216.241.7225  
Fax: +1 216.241.4103  
+49 81 61 42 467  
Fax: +49 81 61 42 402  
Introduction  
iii  
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Blank Screen?  
If ZephyrExpress’ LEDs light when you first apply power but the LCD screen  
appears dark, or the LCD screen lights but no characters appear, the last user  
may have left its brightness or contrast at an extreme setting. To reset:  
Press the DROP button and hold that button in while turning the Edit  
knob clockwise to reset the backlighting. It may take a few turns.  
p
d
Press the DIAL button and hold that button in while turning the Edit  
knob either direction to change the LCD Contrast.  
Test Lines  
Telos Systems maintains ISDN test lines with continuously-playing music. Feel  
free to dial into them from your ZephyrExpress to test your setup or line.  
·
USA: +216 781.9310, +216 781.9311 (Layer 3 Dual transmit @ 32 kHz sample  
rate. Dial just one number to test Layer 3 Mono, or dial both numbers to test  
Layer 3 Dual. You can also test Layer 3 Stereo by dialing both numbers; a  
slight distortion of the stereo image may result because you’re receiving our  
Dual test signal rather than true stereo. Your ZephyrExpress will work  
correctly with a stereo transmission.)  
·
·
Germany: (49) 81 61 42 061 (Layer 3 Dual transmit @ 32 kHz sample rate; dial  
once to test Layer 3 Mono, or dial twice to test Layer 3 Dual. The warning  
about Layer 3 Stereo, above, applies.)  
Germany: (49) 81 61 42 062 (Layer 2 Mono @ 48 kHz; ZephyrExpress must be  
set to Layer 2 receive. Only one line is required.)  
HOT TIP:  
ZephyrExpress will dial a test line for you:  
h
1) Verify that the word Ready appears twice on the LCD screen. If it doesn’t, you  
have an ISDN problem and can’t place a call. ISDN setup instructions appear in  
this booklet.  
2) Press the DIAL button  
3) Turn the EDIT knob to select Auto... and tap the EDIT knob in toward the  
panel to confirm that choice  
4) Turn the EDIT knob to select a test line and tap the knob again  
5) The word Go! will be highlighted on the screen. Tap the knob one more time,  
and ZephyrExpress will place the call.  
iv  
Introduction  
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Updates  
How ZephyrExpress works is almost entirely determined by software. This  
booklet is based on software version 1.2.1.  
Power Supply  
ZephyrExpress is powered by a separate modular power supply, which is self-  
adjusting to any voltage between 100 - 250 VAC, 50 - 60 Hz. It connects to a 4-pin  
XLR connector on the rear panel. The supply must be turned off at its switch, or  
disconnected from the AC line, before plugging or unplugging this XLR  
connector.  
WARNING:  
Do not use the XLR connector as an on/off switch!  
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Connecting or disconnecting the power supply while it is powered can erase  
current ISDN setup and other user settings.  
Trademarks  
Telos Systems, the Telos logo, Zephyr, ZephyrExpress, and “The Best Way to  
Hear from There” are trademarks of TLS Corporation. All other trademarks are  
property of their respective holders.  
Copyright  
Copyright © 1999 by TLS Corporation. Published by Telos Systems, who  
reserves the right to make improvements or changes in the products described  
in this manual, which may affect the product specifications, or to revise the  
manual without notice. All rights reserved.  
Notice  
All versions, claims of compatibility, trademarks, etc. of hardware and software  
products not made by Telos mentioned in this manual or accompanying  
material are informational only. Telos Systems makes no endorsement of any  
particular product for any purpose, nor claims any responsibility for operation  
or accuracy.  
Warranty  
This product is covered by a one year limited warranty, the full text of which is  
in the Appendix section.  
Introduction  
v
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Repairs  
You must contact Telos before returning any equipment for repair. Telos  
Systems will issue a Return Authorization number which must be written on  
the exterior of your package. Be sure to adequately insure your shipment.  
Packages without proper authorization may be refused. US customers should  
contact Telos customer support at +1 216.241.7225. All other customers should  
contact their local Telos Dealer who will verify the problem and will contact  
Telos and arrange for repair.  
CAUTION: The installation and servicing instructions in this manual are for  
use by qualified personnel only. To avoid electric shock, do not perform any  
servicing other than that contained in the operating instructions unless you  
are qualified to do so. Refer all servicing to qualified personnel.  
WARNING: To reduce the risk of electrical shock, do not expose this product  
to rain or moisture. Avoid underwater remote broadcasts without adequate  
protection.  
This symbol, wherever it appears, alerts you to the presence of  
uninsulated, dangerous voltage inside the enclosure — voltage which  
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may be sufficient to constitute a risk of shock.  
This symbol, wherever it appears, alerts you to important operating  
and maintenance instructions. Read the manual.  
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CAUTION  
TO PREVENT RISKS OF ELECTRIC SHOCK, DISCONNECT  
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POWER CORD BEFORE SERVICING.  
USA CLASS A COMPUTING DEVICE INFORMATION TO USER. WARNING: This  
equipment generates, uses, and can radiate radio-frequency energy. If it is not installed  
and used as directed by this manual, it may cause interference to radio  
communication. This equipment complies with the limits for a Class A computing  
device, as specified by FCC Rules, Part 15, Subpart J, which are designed to provide  
reasonable protection against such interference when this type of equipment is  
operated in a commercial environment. Operation of this equipment in a residential  
area is likely to cause interference. If it does, the user will be required to eliminate the  
interference at the user’s expense. NOTE: Obje ctionable interference to TV or radio  
reception can occur if other devices are connected to this device without the use of  
shielded interconnect cables. FCC rules require the use of only shielded cables.  
CANADA WARNING: “This digital apparatus does not exceed the Class  
A limits for radio noise emissions set out in the Radio Interference  
Regulations of the Canadian Department of Communications.” “Le  
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present appareil numerique n’emet pas de bruits radioelectriques  
depassant les limites applicables aux appareils numeriques (de les Class  
A) prescrites dans le Reglement sur le brouillage radioelectrique edicte par  
le ministere des Communications du Canada.”  
vi  
Introduction  
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Table of Contents  
More comprehensive tables of contents, with page numbers, are at the start of each section.  
A complete index follows section 11.  
Section 1: Quick Results  
Section 4: Audio Operations  
A console at your fingertips...  
The Send Mixer  
Part I: Instant Gratification, or “How  
to hear stereo music on a phone line”  
Gather information about your ISDN line  
Set up the hardware  
The Monitor Mixers  
Receive Meters  
LOCK lights  
Configure ZephyrExpress for your ISDN line.  
Call yourself (testing your unit and the line)  
Tune into one of our test lines  
Analog (G.711) phone calls  
Dealing with Delay  
Part II: Fast Answers to Frequently-  
Asked Questions  
Section 5: Audio Coding  
OVERVIEW  
Introduction to Audio Coding  
Basic Principles of Perceptual Coding  
Section 2: What You’ve Got  
Here...  
ISO/MPEG LAYER 3  
THE BEST WAY TO HEAR FROM THERE™  
Layer 3 Features  
Introducing ZephyrExpress  
ISO/MPEG LAYER 2  
G.722  
CASCADING  
Features and Benefits  
Introducing ISDN  
ISDN Configurations  
CHOOSING THE CODING METHOD FOR  
Introducing Audio Coding  
YOUR APPLICATION  
About coding delays  
Compatibility  
About Layer 2 and Layer 3 Coding  
Compatibility and proprietary coding  
Section 6: Menu Reference  
About Telos Systems  
Making ZephyrExpress work for you  
The Menu System  
Menu Overview  
Using Setups  
Section 3: ZephyrExpress  
Hardware  
Applying a Setup  
Creating or Changing a Setup  
Master Setups  
About our hardware...  
Applying a Master Setup  
Creating or Changing a Master Setup  
Autodial Setups  
Front Panel  
The Mixer Section  
Display section  
Control section  
Menu Details  
Codec menu  
Rear Panel  
Audio menu  
Data connection section  
Audio i/o section  
Power connection  
ISDN menu  
System menu  
Safe mode menu  
Introduction vii  
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Section 7: ISDN Reference  
ISDN BASICS  
Section 10: Schematics and  
Data Sheets  
Background  
The Basic Rate Interface (BRI)  
HOW TO ORDER ISDN  
Section 11: Appendix  
ABOUT AUDIO LEVELS  
ZephyrExpress ISDN Compatibility  
Ordering: Central Office Switches and Protocols  
CODEC COMPATIBILITY INFORMATION  
Comprehensive ZephyrExpress Compatibility  
List  
Section 8: System Functions  
Software Updates  
FINDING PUBLIC ISDN SITES  
List of Known Working SPIDs by Telephone  
Company  
ZephyrExpress data ports  
The Serial Port  
The Parallel Port  
ISDN BRI, ZEPHYR, AND YOU  
Ordering ISDN  
Section 9: Troubleshooting  
The Faxable ISDN Order Form (for use  
in US only)  
First Steps  
GENERAL  
Thinking About Problem Solving  
Diagnostic Aids  
Some Error Conditions  
ISDN Problems  
viii Introduction  
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A Note From the President...  
Waaay back in 1984, Telos’ first product was being designed on a Radio Shack  
TRS-80 and the attached modem was considered to be respectably state-of-the-  
art, operating at the impressive speed of 300 bits per second. This was nearly  
three times the speed of the 110 bps, twenty-five pound, phone company-issue  
boxes I had been using over at the local college campus to talk to the hulking  
IBM in the bomb-shelter basement.  
The PC revolution had begun a few years back, so there were quite a few of  
them around, but they were, except for by grace of these modems and  
mainframes, islands. No one as yet had figured a way to link them up in any  
practical way.  
How the world has changed! Politicians talking up the “Information Super  
Highway” have made the phrase a parody, and 10 Million bits per second LANS  
are starting to be thought of as kind of slow.  
We radio broadcasters have until recently been only just a bit ahead of computer  
users a decade ago. Our stations mostly exist as islands, with what audio we get  
from elsewhere coming from the mainframe-like satellites and networks.  
But now come the liberating technologies that do for us what networking is  
doing for computing: digital telephony and high-power audio data coding.  
These make possible the instant dial-up transportation of audio from and to  
anywhere in the modern world. Digital telephone interconnection is being  
delivered to us via ISDN, and ISO/MPEG Layer III is the perfect coding method  
to exploit it for high-fidelity audio.  
ZephyrExpress is the next logical extension of our original high-quality audio  
network transceiver, the Zephyr.  
With Zephyr, we tried to bring together gracefully these technological pieces to  
permit you to easily do that which was previously difficult or impossible. It is  
my hope that it becomes, in your hands, an empowering tool for the creation of  
a more interesting audio future. It’s a result of what were once my personal  
passions, and what have now become what MBA types call our “core corporate  
competencies,” Digital Signal Processing and telephones for broadcast. It feels  
as if everything we’ve done until now have lead to this. Plug it in, dial it, listen,  
and see if you, too, don’t share the excitement we felt in the lab when we got the  
first prototype going, listening to a Zappa CD being played from our partner lab  
in Europe. It was absolutely mind-boggling – we were hearing CD-quality audio  
from the other side of the planet ... on a phone line.  
God, I love this technology!  
Steve Church  
Introduction  
ix  
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Notes About this Manual  
ZephyrExpress and the studio Zephyr unit share a lot of features in common,  
particularly in how they code audio and are connected to ISDN lines. In general,  
things you already know or learn here about one unit will apply to the other.  
We use the following symbols to draw your attention to particularly important  
points.  
DANGER!  
This symbol calls attention to the presence of dangerous voltages inside  
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ZephyrExpress.  
IMPORTANT!  
This information is essential to getting ZephyrExpress to work, or to prevent  
damage to it. Read these notes to avoid major headaches.  
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HOT TIP!  
This information will probably come in handy at some point. It’s a good  
idea to read these tips.  
ISDN TIP!  
Important information about ISDN and ZephyrExpress’ built-in Terminal  
Adapter. Recommended for all users.  
COMPATIBILITY TIP!  
Tips about operating modes, how to get the best results with other Telos  
units, and particularly how to connect ZephyrExpress to other brands of  
codec. You should read these.  
DEEP TECH NOTE!  
Details about the intricacies of ZephyrExpress and ISDN and coding  
technologies. Useful information for troubleshooting, and fascinating  
reading for the technically-minded.  
t
CURIOSITY NOTE!  
Amaze your friends with your grasp of ISDN and Coding trivia! Or just ignore  
these notes. It’s up to you.  
?
x
Introduction  
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Block Diagram  
Introduction  
xi  
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Menu Structure  
Utility Menu  
Codec  
ISDN  
Switch type  
SPID #1  
Transmit  
Receive  
Bitrate  
Sample Rate  
Compatibility  
Ancill Data  
Status Out  
Loop Mode  
Contacts Out  
Codec Setups  
SPID #2  
DN #1  
DN #2  
MSN #1  
MSN #2  
Outside Line  
Panic Dial  
Audio  
System  
LCD Contrast  
LCD Backlight  
Click Volume  
POTS Volume  
Menu Timeout  
Baud Rate  
Microphones  
Mic 1  
Sensitivity  
Mic 1  
Sensitivity  
Phantom Power  
Low Cut Filter  
Test Tone  
Phantom Power  
Low Cut Filter  
Test Tone  
Set Time  
Software  
About...  
Limiter Bypass  
Line Sensitivity  
Safe Mode  
Codec  
Mon 1 Xmt Pan  
A Setting  
Mon 1 Rcv Pan  
A Setting  
Audio  
ISDN  
B Setting  
B Setting  
AB setting A  
AB setting B  
AB setting A  
AB setting B  
System  
Channel Assign  
Manual Dial  
Autodial  
Mon 2 Xmt Pan  
A Setting  
Mon 2 Rcv Pan  
A Setting  
B Setting  
AB setting A  
AB setting B  
B Setting  
AB setting A  
AB setting B  
Master  
Autodial  
xii Introduction  
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SECTION 1:  
QUICK RESULTS  
Part I: Instant Gratification, or “How to hear stereo music over a phone line”  
Gather information about your ISDN line  
Set up the hardware  
1-2  
1-3  
1-5  
Configure ZephyrExpress for your ISDN line.  
Call yourself (testing your unit and the line)  
Configure the Codec  
1-7  
1-9  
1-9  
1-11  
1-11  
1-13  
Set up an audio input and output  
Place the call to yourself  
Tune into one of our test lines  
Part II: Fast Answers to Frequently-Asked Questions  
Blank Screen?  
1-15  
1-15  
The Basics  
1-15  
1: What do I do if I’m totally lost?  
1-15  
2: How do I use the menus?  
1-16  
1-17  
3: How do I use a menu that appears locked?  
4: How do I lock a specific menu?  
1-17  
5: How do I enter numbers or names?  
6: How do I create my own Setups and Master Setups?  
7: How do I connect ZephyrExpress to an ISDN circuit?  
8: How do I manually enter a network setup?  
9: How do I test that I’ve set things up properly?  
10: What do I do if I can’t connect?  
1-17  
1-18  
1-19  
1-20  
1-20  
1-21  
11: How do I set ZephyrExpress for my microphones?  
12: How do I use line-level sources?  
13: How do I create a monitor mix?  
14: How do I test my audio and compression setups?  
15: How do I place a call?  
1-22  
1-22  
1-23  
1-23  
1-24  
1-25  
1-26  
1-26  
1-27  
16: What do I do if they can’t hear me?  
17: How do I send a test tone?  
18: How do I hang up?  
19: Where do I find answers to other questions?  
QUICK RESULTS  
1-1  
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If you’re in  
a
hurry...  
This part of the manual will get you started quickly. It presents answers to the questions  
that come up often when using ZephyrExpress. It’s not a thorough technical guide —  
that’s what the rest of this book is about — but a way to get you through most operating  
situations.  
If you need to put the unit in service immediately, or have experience with Zephyr or  
other similar ISDN codecs, this section may be all you need. It’s in two parts:  
·
Step-by-step instructions for configuring ZephyrExpress and dialing our test site.  
You’ll be able to hear music in high-quality stereo as well as verify that  
ZephyrExpress and the ISDN line are working properly.  
·
Answers to common questions about using ZephyrExpress in the field. This material  
can also be found in our Mini-Manual.  
FAST TRACK!  
c
If you already know how to use a Zephyr, we recommend you read through the  
next five or six pages. ZephyrExpress’ controls and menus work differently, and  
the specific steps on these pages may be the fastest way to get acquainted with  
them... even if you’re not interested in “Instant Gratification”.  
Don’t ignore the rest of this book. Aside from the technical references, we’ve included  
interesting and useful information on audio coding and digital telephony. They’ll help  
you get the best results from your ZephyrExpress, teach you about a technology that’s  
becoming more important with the advent of digital broadcasting and Internet webcasts,  
and provide you with tons of tidbits you can use to impress others.  
Part I:  
Instant Gratification, or  
“How to hear stereo music over a phone line”  
This section is for you if you:  
·
·
·
Know how to dial a telephone call.  
Are not intimidated looking at the front panel of ZephyrExpress.  
Have Basic ISDN1, a switched digital service provided by the telephone company.  
ISDN allows two simultaneous connections on a single circuit — like having two  
simultaneous analog calls on a single copper pair. The circuit may show up as a  
standard telephone jack, an 8-pin RJ-45 jack, or even a pair of screw terminals or  
copper wires. US users should contact their telephone company to verify that the line  
1 Also known as a BRI or a 2B+D line. ZephyrExpress is not designed to be used with PRI,  
Switched 56, or fractional T-1 lines.  
1-2 QUICK RESULTS  
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was installed exactly as specified in the ISDN order instructions found at Telos’ web  
site and at the end of this manual.  
·
Have circuit information supplied by the phone company. This must include the  
type of switch on the circuit and the telephone number(s)1. In the US, it will probably  
also include two SPID numbers. In Europe, it may include MSN numbers.  
·
·
·
Have a ZephyrExpress, a microphone, and a pair of stereo headphones or other  
audio monitor.  
Understand that these instructions are just to get you started and will not answer all of  
your questions or demonstrate all of the features of ZephyrExpress.  
Promise to read the full manual later.  
Now, let’s get started.  
Gather information about your ISDN line  
Analog telephones are simple: all a phone needs to do is tap into a line, and it’ll probably  
start working immediately.  
ISDN is more complicated. Before any ISDN device can receive or transmit signals, it has  
to be matched to central office settings for that particular circuit. These settings include  
line identification numbers and a communication protocol.  
Your ISDN circuit consists of two digital lines, and both can operate at the same time on a  
single copper pair. Each line has an identification number, which may (or may not) be its  
telephone number. Sometimes, both lines will use the same identification number.  
The phone company’s equipment expects ZephyrExpress — or any other ISDN terminal  
equipment — to know the right identification numbers for the circuit it’s connected to,  
and to transmit them on demand. If the proper identification numbers aren’t entered  
into the equipment, you won’t be able to place or receive calls.  
In North America, these numbers take the form of Service Profile Identification (SPID)  
numbers: If you’re given SPIDs, they must be programmed into ZephyrExpress.  
The two lines also have standard telephone numbers, which users of other ISDN  
equipment will dial to call your ZephyrExpress. Unlike regular telephone lines, both lines  
may have the same telephone number assigned to them.  
European telephone systems don’t use SPID. They may use optional Multiple Subscriber  
Numbers (MSNs) to limit which lines will be answered. If you put two MSNs into  
ZephyrExpress, the unit will answer calls only on those lines.  
Confused? Here are some rules of thumb:  
1 There can be one or two standard phone numbers for a US circuit, and may be more  
than two for a European one.  
QUICK RESULTS  
1-3  
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1. If you’re given two SPIDs by the phone company, enter just those numbers into  
ZephyrExpress. This is the most common case in North America.  
2. If you’re given just one SPID, don’t enter it: instead, use the PTPsetting for Switch  
Type.  
3. If you’re in Europe you don’t have to enter anything. However, if you’re given MSNs  
and want to limit which numbers ZephyrExpress will answer, enter them for those  
numbers.  
There are also several different types of ISDN switching devices that can be used at the  
central office, each with a different set of protocols. You must know what type you have.  
ISDN TIP!  
i
If you have AT&T Point-to-Point protocol or European ISDN, the phone company  
might provide just one number for the MSN or Directory Number.  
These numbers, and possibly also the protocol, will be different for each ISDN circuit  
you connect to. Since ZephyrExpress is portable, it’s likely to be used in multiple  
locations. You can enter the complete information for each location into ZephyrExpress,  
and recall its complete setting at the touch of a button.  
Here’s a summary of circuit information. You may want to copy this form for each location.  
Item 1 and 2 are required. Use just one set of numbers for item 3. Item 4 is optional.  
Location___________________________________________  
Date ______________________  
1
ISDN type, check one:  
National ISDN-1 (The most frequent choice in the US. Will always have SPIDs. Also  
use this choice if your ISDN protocol is DMS Custom.)  
AT&T Point-to-Point or PTP. (Will not have SPIDs.)  
European ISDN (Euro-ISDN or ETS300. Will not have SPIDs.)  
Other  
(Contact Telos Customer Support.)  
2
3
ISDN telephone numbers with area code:  
Line 1 _______________________________  
Line 2 ___________________________________  
SPID numbers, i f supplied (US users only with National ISDN-1):  
Line 1 _______________________________  
Line 2 ___________________________________  
o r MSN numbers, i f supplied (Euro ETS300 only):  
Line 1 _______________________________  
Line 2 ___________________________________  
4
Prefix required by internal phone system for outside lines:  
1-4 QUICK RESULTS  
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Set up the hardware  
You’ll need:  
·
·
A ZephyrExpress  
The ZephyrExpress Modular Power Supply with an appropriate power cord for your  
local AC supply. The supply is self-adjusting for any voltage between 100 - 250 VAC,  
50 - 60 Hz. It connects to a 4-pin XLR connector on the rear panel. The modular  
supply must be turned off at its switch, or disconnected from the AC line,  
before plugging or unplugging its XLR connector.  
You may connect the power supply to ZephyrExpress now, and then apply AC power  
and turn it on. The screen and all the LEDs will light up. After a few seconds, you  
should see the word Statuson the top of the screen. If the screen goes dark or totally  
blank, see page 1-15 of this chapter.  
WARNING!  
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Do not use the XLR connector as an on/off switch!  
Connecting or disconnecting the power supply while it is powered can erase  
current ISDN setup and other user settings.  
·
An NT1 (also called a Network Termination Unit) with connection cables. All of the  
connection cables have telephone-type modular connectors and come packaged  
with your Zephyr. There are three ways your NT1 can be present:  
1. ZephyrExpress units sold in North America have a built-in NT1. If you see two  
modular-type telephone jacks on the back of your ZephyrExpress, the lower jack  
is the NT1. It’s marked U and LINE DIRECT. It uses a standard analog telephone line  
cord (type RJ-11 or RJ-14).  
If you have this kind of NT1 and a North American ISDN installation, you may  
connect them now. If the telco provided a large 8-pin (RJ-45) jack, you should  
still use the standard line cord: plug it into the middle of the jack, and it’ll find  
the right conductors.  
2. Most European and Asian telephone companies provide the NT1 as part of their  
installation. It uses a large eight-conductor telephone plug (RJ-45), the same as  
computer 10Base-T ethernet.  
If you have this kind of NT1 and a European ZephyrExpress with only one  
telephone jack on the back panel, you may connect them now.  
QUICK RESULTS  
1-5  
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WARNING!  
ZephyrExpress units sold in North America provide power for an external NT1. If  
you’re using one of these, disconnect any other power supply connec-  
ted to the NT1. If both ZephyrExpress and the NT1 are providing power, both  
will be damaged.  
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You can tell if a ZephyrExpress will supply power by looking at the ISDN  
connections: if there are two telephone jacks, it’s a North American unit and  
you must follow the above precaution. If there’s only one telephone jack, it’s a  
European unit and can be connected safely to powered NT1s.  
European units are also marked with this Euro Telecom logo on the rear panel.  
If you’re using a North American ZephyrExpress with two telephone jacks, and a  
European or Asian NT1, disconnect the NT1’s power supply! Once you have  
done this, you may connect an eight-conductor cable to the NT1. If you can’t  
disconnect the NT1’s power supply, contact Telos Customer Service before  
proceeding.  
3. If you’re using a European ZephyrExpress in North America, you’ll need an  
external NT1. It’s about the size of a small book, has some telephone-type  
connectors, and usually has some little indicator lights. You’ll need two cables:  
The first is a large, telephone-type modular cable with eight wires that fits into  
the single jack on the Zephyr and a jack on the NT1 that is labeled “Terminal.”  
The second is a telephone-type modular cable that fits into the jack on the NT1  
that is labeled “Line” and the jack provided by the telephone company.  
If you’re using this kind of NT1, you may connect the two telephone cables now.  
The external NT1 has its own power supply. Do not use the external NT1’s  
power supply if your ZephyrExpress has two telephone jacks on the back. If  
your ZephyrExpress has only one telephone jack, you may connect the NT1’s  
power supply now.  
·
You’ll also need a microphone, a mic cable with an XLR male plug, and a stereo  
headphone with a standard 1/4” tip/ring/sleeve plug.  
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Configure ZephyrExpress for your ISDN line.  
HOT TIP!  
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There are two boxes on the bottom of ZephyrExpress’ screen.  
If you see the word Readyin both of them, your unit is probably already  
configured for the ISDN line. Skip this step, and go right to “Calling Yourself” on  
page 1-9.  
If you see the word inactin both of them, your unit is not connected to a  
working ISDN circuit. Recheck your connections.  
ISDN TIP!  
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You can check ISDN continuity with an ordinary analog telephone or a pair of  
600Ω headphones. Disconnect ZephyrExpress, and briefly place the phone (or  
phones) across the line. You should hear either a rhythmic clicking — about  
once per second — or a loud, continuous white noise. If you hear a dial tone, it’s  
not an ISDN circuit. If you don’t hear anything, the line is dead.  
ZephyrExpress is configured by pressing the UTIL button, using the EDIT knob to select  
menu items, and tapping the EDIT knob in towards the panel to confirm choices. The  
process is intuitive, and you should be able to configure your unit with a minimum of  
instructions. But if you get lost, see the instructions on page 1-16.  
To configure ZephyrExpress for a particular line, first make sure you have the  
information about that line from page 1-4.  
Press the UTIL button.  
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The LCD display will change  
to look like this:  
Lost already?  
If you don’t see something that says Utility Screenat the top, don’t panic. Just turn the  
EDIT knob counterclockwise until it appears.  
If the second line of the screen says something other than System Defaults, don’t worry.  
If you don’t see anything at all on the screen, but you know ZephyrExpress is getting  
power (because some LEDs are on):  
If the screen is dark, press the DROP button and hold it in while turning the EDIT  
knob clockwise to reset the backlighting. This may take a few turns.  
If the screen is lit, press the DIAL button and hold it in while turning the EDIT knob  
either direction to chance the LCD contrast.  
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Turn the EDIT knob three clicks clockwise, to highlight ISDN.  
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Then tap the knob in toward the panel.  
The display will change to look like this:  
Turn the edit knob clockwise to highlight either SPID#1, DN#1, or MSN#1, depending on  
which type of number you entered in the form on page 1-4. The menu scrolls down as  
you keep turning the knob.  
Tap the editknob in toward the panel again to start entering that number.  
The display will change to look something like this, depending on what kind of number  
you’ll be entering.  
Use the numeric keys to enter the number.  
Enter exactly the digits the phone company supplied you with. Leading and trailing zeros  
are important. If you make a mistake, you can turn the EDIT knob counterclockwise to  
back up.  
Once the number is completely entered, tap the EDIT knob toward the panel to confirm.  
Turn the knob one click clockwise to highlight SPID#2, DN#2, or MSN#2. Tap the knob,  
then enter that number the same way. When you’re done entering the number, tap EDIT  
to confirm.  
If this line requires a prefix to reach an outside line (item 4 on the form on page 1-4), turn  
the knob clockwise to highlight Outside line prefix. Then enter the prefix the same  
way you’ve entered the line identification numbers, and tap the knob to confirm.  
Turn the EDIT knob counterclockwise to go back up to Switch Type, and tap it toward the  
panel. The screen will look like this. If you’ve entered a SPID#1, you should see it also.  
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Turn the knob to select the switch type for this line, and tap to confirm.  
HOT TIP!  
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The currently-selected switch type will have brackets around it (like [PTP]). If the  
current switch is correct for your line, select a different type and tap the knob to  
confirm. Then wait a few seconds, and select the proper one and confirm.  
This will force ZephyrExpress to resynchronize to the line using your circuit  
numbers.  
Hold the edit knob in toward the panel for about five seconds. This will take you back up  
through the menu system, back to the Statusscreen. Then release the knob.  
In a few seconds, you should see the word Readyin each of the boxes on the bottom of  
the screen.  
·
If you don’t see Readytwice on the Status screen, go back and check to make sure  
you’ve entered all the numbers and the switch type correctly.  
·
If that doesn’t work, turn to the Troubleshooting section of this manual.  
Call yourself (testing your unit and the line)  
Before you call our test lines, make sure ZephyrExpress is working properly with the  
phone system. The easiest way to do this is to place a call on one of your ISDN lines,  
through the telco’s central office, and back to yourself!  
Verify that the word Readyappears twice on ZephyrExpress’ screen. If it doesn’t, go back  
through the previous few pages to configure the system for your ISDN line.  
Configure the Codec  
Check the Statusscreen. If it shows Transmit L3-DUALand Receive L3-STEREOlike the  
picture below, you can skip the configuration steps and go to Place the Call on page 1-9.  
If the Transmitor Receivemodes are different from the picture above, follow the  
following steps:  
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Press the UTIL button.  
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A screen like this will appear. If you don’t see it, turn the EDIT knob counterclockwise.  
Turn the EDIT knob clockwise, to select Codec.  
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Tap the knob towards the panel to confirm that choice. The display will change to look  
like this:  
Turn the knob one click clockwise, to select the first text line (L3 stereo* in the picture  
above, but the text may be different on your ZephyrExpress). Tap the knob in towards the  
panel to confirm.  
Turn the knob to select L3 Stereo*. Tap to confirm.  
HOT TIP!  
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In the step above, make sure you are selecting L3 Stereo*in the centered line at  
the top of the screen.  
ZephyrExpress will show you a confirmation screen, like this:  
Turn the knob to select Yesand tap to confirm. It may take about ten seconds for  
ZephyrExpress to change codec modes. During that time, you’ll see a bent arrow,  
pointing down, in the upper right corner of the screen:  
When the arrow disappears, hold the edit knob in towards the panel for a few seconds to  
return to the status screen. It should show Transmit L3-DUALand Receive L3-STEREO,  
like the illustration at the top of this section. If it says L3-STEREOtwice, that’s okay.  
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Set up an audio input and output  
Plug the microphone into the MIC 1 INPUT jack on the back panel. Plug a stereo  
headphone into the MON 2 OUT headphone jack on the front panel.  
Mic 1 Volume  
Mic 1 Routing Switch  
Monitor 2 Receive  
routing switch  
Monitor 2 Receive  
volume  
Monitor 2 Headphone Jack  
Monitor 2 Send volume  
Tap the MIC 1 routing switch until the letters AB above it light up green.  
Talk into the mic, and raise its volume control until you see a good level on the top two  
meters in the middle of the front panel. If you can’t adjust the mic for a good level, or the  
letters AB are turning red on peaks, you’ll have to change ZephyrExpress’ input  
sensitivity1: see page 1-22.  
Tap the MONITOR 2 RECEIVE routing switch until both letters A and B above it light up. You  
shouldn’t hear anything in the headphones for now: if you do, make sure the MONITOR 2  
SEND volume control is turned all the way down.  
Place the call to yourself  
Verify that you can see the word Readytwice in the Status screen. If you can’t, check the  
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configuration steps on page 1-7.  
Then press the DIAL button. A screen like this will appear:  
If the word Manual...is not already highlighted, turn the EDIT knob to select it.  
HOT TIP!  
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Some screens prompt you to Press jogto enter data or confirm a choice. It  
means the same thing as tap the EDIT knob in toward the front panel... but we  
didn’t have enough room to say all that.  
1 Or if you’re eager to place your first call, leave the sensitivity alone for now — our audio  
circuits and codecs have a wide dynamic range — but be aware that any noise or  
distortion you hear during this test is because of that mismatch.  
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Now tap the EDIT knob toward the panel. The display will change to look like this:  
Using the numeric keypad, enter the local number — usually without an area code — for  
line 2 of this ISDN circuit. You want to enter line 2, because you’ll be calling it from line  
1.  
If you’ve placed a manually-dialed call since turning ZephyrExpress on, that number will  
already be entered. You can erase it, or delete any number you enter by mistake, by  
turning the EDIT knob counter-clockwise.  
When the number is completely entered, tap the EDIT knob toward the panel. This  
confirms the number. The Go!box will now turn dark:  
Tap the Editknob to place the call.  
In a few seconds, ZephyrExpress will beep twice to indicate the connection has been  
made. The two red LOCK lights towards the lower left of the display screen will light: if  
they don’t, verify that the status screen shows Transmit L3-DUALand Receive L3-STEREO  
(see page 1-9).  
Talk into the microphone. You should see the signal, slightly delayed, on both lower  
volume meters. Turn up the MONITOR 2 RECEIVE volume until you hear the mic in the  
headphone.  
CURIOSITY NOTE  
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While the signal you’re hearing sounds almost as good as if the mic were  
connected directly to the headphones, you’re actually listening to it after it’s  
gone to the phone company’s central office and been sent back to you. Both  
digital signals — sending and receiving — are multiplexed on the same copper  
ISDN pair.  
But the delay you’re hearing is not because of the round trip. It’s a result of the  
computer processing necessary to squeeze a high-fidelity signal into a very small  
amount of digital data.  
ZephyrExpress includes features to minimize the effect of this delay during live  
broadcasts. These include low-delay modes for less critical signals and flexible  
monitoring to let talent hear their voices locally while receiving music and cues from the  
distant studio. You’ll learn how to use these features later in this manual.  
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When you’re finished talking to yourself via ISDN, press the DROP button.  
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The screen will change to look like this:  
Tap the EDIT knob to hang up. Now you’re ready to really rock!  
Tune into one of our test lines  
Our US test line originates less than a mile from the Rock ‘n’ Roll Hall of Fame, in  
Cleveland, Ohio. There’s always something interesting playing through it.  
We also maintain a European test line in Freising, Germany.  
Here’s how to connect to them:  
Press the DIAL button.  
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A screen like this will appear:  
If the word Autois not highlighted, turn the EDIT knob until it is.  
With Auto highlighted, tap the knob towards the panel to confirm. The screen will  
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change like this:  
Turn the knob to select US testline*or Euro testline*. The asterisk means the number  
is pre-programmed at the factory. Tap the knob to confirm.  
After you tap, the highlighting will switch to the Go!box. Tap again to dial.  
If ZephyrExpress’ codec is not already set to the correct mode to receive the testline, the  
unit will automatically change to match. This may take a few seconds.  
Then ZephyrExpress will dial the test line. In a few seconds, you should see the red LOCK  
LEDs light, and music on the RECEIVE meters. If you see the words Busyor Connonce or  
twice on the status screen, try again later.  
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ISDN TIP  
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If you can place a local call to yourself, but can’t call our test line long distance,  
the problem is probably with your long-distance carrier. In the US, you can  
switch carriers by applying a “1010” code. Instructions are in the ISDN section of  
this manual.  
Press the small gray MONITOR 2 RECEIVE routing button until the letters A and B directly  
above it light up. This button is located along the bottom of the front panel, above the  
printed words MONITOR 2 MIX.  
Monitor 2 Receive button  
Monitor 2 volume  
Monitor 2 Headphone Jack  
Turn up the MONITOR 2 volume knob, and you should hear music through headphones  
plugged into the front panel headphone jack.  
Enjoy.  
When you’re finished listening, press the DROP button.  
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You’ll see a screen like this:  
The word Bothwill already be highlighted. Tap the EDIT knob to drop the lines, and  
ZephyrExpress will hang up.  
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Part II:  
Fast Answers to Frequently-Asked Questions  
This section covers common operating issues. Chances are it’ll tell you all you need to  
know about setting up ZephyrExpress and using it in the field. Scan through the topics  
now, so you’ll know what you can find here.  
Of course, the rest of this manual will tell you a lot more about ZephyrExpress, teach you  
how to use the system more efficiently, and turn you into an all-around ISDN and audio  
coding guru. Please don’t ignore it.  
HOT TIP!  
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This section also appears in the handy Mini-Manual that came with  
ZephyrExpress. We recommend you keep that booklet with the unit, and bring it  
along on remote broadcasts.  
Blank Screen?  
If ZephyrExpress’ LEDs light when you first apply power but the LCD screen appears  
dark, or the LCD screen lights but no characters appear, the last user may have left its  
brightness or contrast at an extreme setting. To reset:  
Press the DROP button and hold that button in while turning the  
Edit knob clockwise to reset the backlighting. It may take a few turns.  
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Press the DIAL button and hold that button in while turning the Edit  
knob either direction to change the LCD Contrast.  
The Basics  
TURN or TAP  
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The EDIT knob can be turned to scroll through menus or enter choices. It can  
also be tapped in toward the front panel, just like a push button, to confirm  
a choice.  
When the Statusscreen is showing, turning or tapping the EDIT knob brings  
up the help screen.  
1:  
What do I do if I’m totally lost?  
Press the HELP button on the right side of the front panel, near the Edit knob.  
Different Help screens will appear, depending on what you were doing when you  
pressed it.  
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To exit Help, tap the EDIT knob in towards the panel and you’ll return to the screen that  
was displayed when you pressed help.  
To exit any other screen and return to the main Statusscreen, press and hold the EDIT  
knob in for at least three seconds.  
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2:  
How do I use the menus?  
ZephyrExpress uses a series of nested menus to set how it works. To open the menu  
system, press the UTIL button to the right of the Edit knob. The Utility Screen, with a  
list of submenus, will appear:  
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Description of  
Highlighted  
Scrollbar  
Item  
Highlighted  
Item  
To access any menu item, turn the EDIT knob until that item is highlighted. The scrollbar  
moves up and down to show how far through the list you’ve gone.  
Once you’ve highlighted an item, tap the EDIT knob toward the panel and the item’s  
submenu will appear. Some screens refer to this knob as JOG to save space. It’s the  
same thing.  
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Indicates there’s  
a submenu  
Takes you up to next  
higher menu  
This item is directly  
settable anddoesn’t  
have submenus.  
Pre-programmed  
setup  
The first text entry in any menu is the current Setup for that menu (in this picture, it’s a  
user-programmed setup called Symphony Hall). Setups instantly set every parameter in  
every submenu below them. Some setups are pre-programmed at the factory, and  
appear with an asterisk in their name. You can also create your own setups, following  
instructions on page 1-18.  
If an item displays its current value (such as Line sens Professin the picture) you can  
change its value with the EDIT knob:  
1. Highlight the item and tap the knob once.  
2. Turn the knob to cycle through its possible values. The currently-active setting has  
brackets around it.  
3. When you see the value you want, tap the knob to set it.  
If you can’t change a value, make sure the SAFE light isn’t lit. See page 1-17 for more  
information about Safe Mode.  
When you change a Setup, every menu item below it is changed to match the stored  
value for that setup.  
If a menu item has a  
open the submenu.  
icon, there’s a submenu. Highlight it and tap the Edit knob to  
HOT TIP!  
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To jump to the top of any menu, hold the Edit knob in and turn it one click to  
the left. To jump to the bottom, hold the knob in and turn in one click to the  
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right.  
To exit any menu, hold the EDIT knob in for at least three seconds...  
·
·
or, select the  
icon in a submenu and tap the EDIT knob.  
or, hold the EDIT knob in and turn it to the left: each click will take you one step back  
through the menu structure, until you return to the Status screen.  
·
or ignore the menu. After a while (which can be set in the Systemmenu) it will time  
out and revert to the next-highest level.  
HOT TIP:  
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There’s a complete map to the menus in the front of this manual.  
3:  
How do I use a menu that appears locked?  
Critical parameters can be locked to protect against accidental changes. When Safe Mode  
is on, SAFE appears in red on the front panel and the message This menu is disabled in  
SAFE mode appears when you try to open a blocked submenu. Use the SAFE MODE switch  
on the rear panel to turn this mode on or off. A small screwdriver blade will help you  
reach the switch. Don’t use a pencil to change the setting — the graphite tip might break  
off, and cause a short within ZephyrExpress.  
NOTE:  
Don’t turn off Safe Mode unless you know what you’re doing. Codec settings  
have to match the distant studio and ISDN ones have to agree with the phone  
company. With the wrong ones, transmission will be impossible.  
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4:  
How do I lock a specific menu?  
Obviously, turning the SAFE MODE switch to its Onposition will lock something. But before  
you use it, enter the Utility: Safe Modesubmenu. You’ll see a list of ZephyrExpress  
activities that can be locked. Each can be set to Allowor Block.  
5:  
How do I enter numbers or names?  
To enter a number for any menu item or when dialing, use the keypad.  
To enter individual letters in a text field, press the number key with that letter printed on  
it. Tap the key repeatedly to cycle through the choices. When you see the one you want,  
move to the next character by tapping another number key or turning the Edit knob  
clockwise.  
If you make a mistake, turn the Edit knob counter-clockwise to back up. Once you’ve  
finished entering, tap the knob to confirm.  
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6:  
How do I create my own Setups and Master Setups?  
HOT TIP!  
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You can capture a “snapshot” of all your current settings by using the Auto-  
Createfunction, described in step 4 below.  
1. Make sure all the parameters within a menu page are set the way you want them for  
this Setup. Then enter the Setupssubmenu at the bottom of that page. It will be  
similar to this:  
2. Enter the Action box and select Create new. This will take you to the Namebox.  
3. Using the keypad, enter a name for this setup. This will take you to the Go! box.  
4. Tap the Edit knoband the parameters will be stored.  
The main Utility menu has two setup choices at the bottom:  
· Master Setupsactivate all the individual menu setups at once:  
If you select Action: Create New, you’ll be able to enter a name for this setup. Then  
you’ll see a list where you can choose individual Setups that will be activated for each  
of ZephyrExpress’ menus. After you’ve selected these setups, scroll back to the Go!  
field to create the new master setup.  
If you select Action: Auto-Create, after you enter the name the Go!field will be  
automatically selected. If you then tap EDIT again, ZephyrExpress will scan every  
current menu setting and create a full set of new Setups that include them. For  
example, Auto-creating a new “Arena” master setup will also create a “Arena-ISDN”  
setup, a “Arena-audio” setup, and so on. You can use these individually, or just leave  
them alone to be invoked by the maser setup.  
· Autodial Setupslet you enter phone numbers and call type (Zephyror standard phone)  
for each line, and select an optional Master Setupto apply whenever the call is  
placed.  
Autodial Setups can override Safe Mode. Even if a user is blocked from manually  
changing a parameter or setup in an individual menu, Autodialing will automatically  
change all the menus to match its master setup.  
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HOT TIP:  
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Create an Autodial that calls a Master Setup you’ve created for a specific remote  
venue. Then go to the Utility: Safe Modemenu and block everything except  
Autodialing.  
The remote operator can then just press the DIAL button for (virtually) foolproof  
remotes.  
ISDN connections  
7:  
How do I connect ZephyrExpress to an ISDN circuit?  
There are two telephone jacks on the left side of the rear panel. Only one of them should  
be connected to the ISDN line.  
The upper jack is an S/T interface, for lines that have an NT1 terminator (frequently  
supplied by phone companies in Europe). Use the supplied 8-conductor cable, or a  
10Base-T (“Category 5”) cable, to the NT1. This jack also provides power to the  
terminator.  
NOTE:  
ZephyrExpress sold in North America provide power for an external NT1. If  
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you’re using one of these, disconnect any other power supply connected to  
the NT1. If both ZephyrExpress and the NT1 are providing power, both will be  
damaged.  
You can tell if a ZephyrExpress will supply power by looking at the ISDN  
connections: if there are two telephone jacks, it’s a North American unit and  
you must follow the above precaution. If there’s only one telephone jack, it’s  
a European unit and can be connected safely to powered NT1s.  
European units are also marked with a Euro Telecom logo on the  
rear panel.  
The lower telephone jack on a North American ZephyrExpress is a U interface marked  
LINE DIRECT. This is designed for direct connection to the unterminated lines supplied by  
American telephone companies. This jack uses ZephyrExpress’ internal NT1. The phone  
company may have supplied an 8-pin jack (RJ-45) or a standard four-conductor jack (RJ-  
14 or RJ-11); you can plug a standard telephone line cord into either jack and it will work  
properly. If the phone company has supplied screw terminals or bare wires, use a  
modular cord with spade lugs, available from electronics stores, and connect to red and  
green.  
The green LED below the LINE DIRECT label will blink rapidly when first contacting the  
central office, and then blink slowly while handshaking is going on. When the  
connection is complete, the LED will light steadily. If this doesn’t appear to be  
happening, see section 9 of this manual for troubleshooting tips.  
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8:  
How do I manually enter a network setup?  
You’ll need to know the type of ISDN protocol your local phone company uses for the  
ISDN circuit, and any other numbers that are needed: SPIDs or Directory Numbers are  
required by some US installations, and MSNs by some European ones (your local phone  
company will have to tell you what you need). Open the Utility: ISDNmenu. Select  
Telco, and set the protocol being used. Then enter the two SPIDs, Directorynumbers, or  
MSNs.  
If these menus appear locked, check Safe Mode (page 1-17).  
9:  
How do I test that I’ve set things up properly?  
Connect to the ISDN line and turn ZephyrExpress on. After about twenty seconds, Ready  
should appear in both boxes on the bottom of the status screen. If it doesn’t, see the next  
question.  
Then call yourself. You’ll actually be calling one ISDN number with the other over the  
same copper pair, to check that you’re properly connected to the phone company  
switch and that ZephyrExpress is programmed correctly.  
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1. Set Codecfor L3-DUALtransmit and L3-STEREOreceive.  
2. Tap the DIAL button. A screen like this will appear:  
3. Select Manual. When you tap the EDIT knob, a screen like this will appear.  
4. Enter your second ISDN number. Since this is a local call, you probably won’t need  
“1” or an area code. If you make a mistake, turn the Edit knob counter-clockwise to  
back up.  
5. When your second number is completely entered, tap the Edit knob. This selects the  
Go!box. Tap again, and ZephyrExpress will use line 1 to call its own line 2.  
Once you’re successfully connected, play some audio routed to both channels or use the  
built-in tone generator (page 1-26). You’ll see it on the Send meters, and — with a slight  
delay — on the Receive meters.  
Whether or not you managed to connect, you must drop both lines before continuing.  
Tap the DROP button and turn the Edit knob to select Both. Then tap the Edit knob once.  
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Alternate test procedure  
This won’t test whether you’re set up properly to send audio, but does test the ISDN setup  
and ZephyrExpress receive circuits.  
1. Press the DIAL button and select Auto...  
2. In the Dial a Setupscreen that appears, select either US testline* or Euro  
testline*.  
3. Tapping the Edit knob at the Setup will select the Go! box. Tap again to configure  
ZephyrExpress for the test line and make the connection.  
Our test lines play continuous music. Since they’re intended for testing both mono and  
stereo connections with both Switched56 and ISDN connections, you may hear some  
distortion of the stereo image. This happens with the test line only: your ZephyrExpress  
will have correct imaging with a stereo connection.  
NOTE:  
Auto-dialing a testline will change your Codecmenu settings. Don’t do it unless  
you know how to restore these settings, or have a pre-programmed Codec  
Setup that’s appropriate for the current broadcast.  
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10: What do I do if I can’t connect?  
Try again.  
If you’re calling yourself, try dialing your first ISDN number instead of the second; the  
installer might have reversed them. Then check that the ISDN Settingswere entered  
correctly, including any extra digits at the end of the SPIDs.  
If you’re calling yourself, see the two call timers (00:00) on the status screen, but don’t  
hear audio and no LOCK LED is lit, make sure the transmit and receive coding methods  
match (see page 1-9).  
If you’re calling a Telos test line, try dialing manually using the numbers on page 3 of  
this booklet.  
If you can’t connect to a distant studio, try having them call you.  
More troubleshooting tips appear in Section 9 of this manual.  
* An asterisk in a setup’s name indicates that it was pre-programmed at the factory. But  
we’ll also use it here to point out that these calls may involve a long-distance connection  
at ISDN rates: the US test site is in Ohio, and the European test site is in Freising,  
Germany.  
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Audio setup  
11:  
How do I set ZephyrExpress for my microphones?  
From the Utility screen, select the Audiomenu and then the Microphonessubmenu. Each  
microphone has its own submenu, where you can:  
·
·
set sensitivity (60 dB, 45 dB, or 30 dBfor various ribbon, dynamic, and condenser  
microphones; or lineto use that input with a line-level source). If you can’t get a  
good meter reading no matter how high you turn a mic’s GAIN knob, try a higher  
sensitivity; if a mic sounds distorted at any setting of the GAIN knob, try a lower one.  
turn 48 volt phantom poweron or off. Phantom power is not available when sensitivity  
is set to line.  
NOTE:  
Phantom power may damage improperly-wired or ribbon microphones. Leave  
it off unless you’re sure a condenser mic needs it.  
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·
·
·
turn a low cutfilter on or off, to reduce rumble and wind noise. The filter is 12  
dB/octave, 3 dB down at 100 Hz.  
Substitute a test oscillator for that microphone’s signal. If a microphone’s audio is  
missing and replaced by a steady tone, make sure the mic’s test toneis set Off.  
The Microphonessubmenu also lets you turn a dual-channel limiteron or off.  
The phantom power selection is remembered even while ZephyrExpress is unplugged.  
When you finish a remote broadcast, turn phantom power off as a courtesy to the next  
user.  
HOT TIP:  
When phantom power is turned on, it’s supplied continuously — regardless  
of how the routing switch is set. That’s so you can use the routing switch as a  
microphone mute, without worrying about a turn-on “thunk”.  
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Turn each microphone on or off by pressing the small gray routing switch next to its gain  
knob, on the upper left of the front panel. LEDs indicate whether the mic is being sent to  
codec channel A, channel B, both, or is disconnected. If you’re sending a mono signal,  
use channel A.  
12:  
How do I use line-level sources?  
The rear-panel Line input jacks will accept XLR or 1/4” plugs, balanced or unbalanced.  
Wiring details appear later in this booklet. Line sensitivitycan be adjusted in the Utility  
Screen’s audiosubmenu: select Professfor +4dBu sources, and Consumerfor -10dBu  
sources.  
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The small gray routing button next to the line 1&2 gain pot lets you turn the line off, select  
A B to send both inputs as a stereo pair to both codec channels, or A+B to sum both inputs  
to mono and send it to both channels.  
If you want separate gain or routing controls for multiple line-level sources, you can  
temporarily convert either or both microphone inputs. Use the microphone sensitivity  
adjustment (page 1-22), and set it for line +1 dB.  
HOT TIP:  
The Line inputs do not pass through ZephyrExpress’ built-in limiter. If you’re  
using a line-level source that might have extreme peaks and want to avoid  
distortion through the codec, connect it through the microphone inputs with  
the mic limiter turned on.  
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13: How do I create a monitor mix?  
ZephyrExpress has two independent stereo monitor mixers, each with two routing  
buttons and two related level knobs. Both mixers have headphone outputs on the rear  
panel. Monitor 1 also has XLR outputs on the rear; Monitor 2 also has a headphone  
output on the front panel.  
One routing button on each monitor mixer is marked SEND: use it to select one or both  
send channels carrying local audio. Adjust its level using the adjacent knob, and panning  
(if necessary) with the Monitor XMTselection in the Audiosubmenu.  
The RECEIVE button and knob combinations do the same thing for audio received from  
the distant studio.  
We built two separate monitor mixers in ZephyrExpress for flexibility:  
·
·
If you’re playing music at the remote site, you can feed just the local signal to  
Monitor 1 and use it for a public address system. Feed both local and distant signals to  
Monitor 2, and talent will be able to hear both the local mix and cues coming back  
from the studio.  
If you’re originating voice at the remote site and playing music at the studio, have the  
studio send monaural music back on one of the receive channels. Route the local  
signal and the received channel to Monitor 1 for a public address system. You can  
then use the other receive channel for cues, routed to Monitor 2 only. Or have the  
studio send stereo music over both channels, and route them both to the public  
address system.  
14: How do I test my audio and compression setups?  
Use the Monitor 2 Send controls to listen to the signal you’ll be sending to the studio,  
with headphones plugged into the front- or rear-panel Monitor 2 jacks. Make sure the  
microphone and line routing switches are set correctly. Audio coding works best when  
average levels hover just below -10 dB on the meters — the red LEDs — and peaks don’t  
light the 0dB LED. If you have difficulty reaching these levels with a reasonable knob  
setting, or hear distortion at these levels, adjust microphone sensitivity (page 1-22). If  
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you can reach the right average level but peaks are too loud, make sure the limiteris  
turned on.  
To test the digital compression engine, verify in the Status Screen that both transmit and  
receive are set to the same coding method (use L3-Stereoas a generic receiver when  
transmitting with L3-Dual, L3-Stereo, or L3-Joint). If necessary, change the methods  
using the Codecsubmenu. Then scroll down the Codecsubmenu to Loop Mode, and set  
the mode to Near. After a few seconds, both LOCK LEDs should light. Turn off the  
Monitor 2 SEND routing switch, and set the Monitor 2 Receive routing switch to A B. Now,  
any audio you send should be heard in the headphones, after a slight coding delay.  
Don’t forget to set Loop Modeback to Offbefore connecting to the studio.  
ISDN Connection  
15: How do I place a call?  
1. Tap the DIAL button. A screen like this will appear:  
d
2. Select Manual, Auto, or Recent. Autolets you select pre-programmed setups; Recent  
lets you automatically redial numbers you’ve entered manually.  
If you select Auto, a screen like this will appear:  
Choose a setup from the top of the screen. When you tap, the Go! box will be selected. Tap  
again to dial that number. If any menu setups were preprogrammed with that Autodial setup,  
ZephyrExpress will apply them before placing the call. This may change the coding method,  
audio setups, or even ISDN setup and system behavior depending on how it was  
programmed.  
If you select Manualor Recent, a screen similar to this will appear:  
Select a recently-called number or enter a number from the keypad. If you’re entering  
manually, don’t forget to add any codes or “1” required in your dialing area. If you make a  
mistake, turn the knob counter-clockwise to back up.  
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HOT TIP:  
If your phone system requires an access code to get an outside line, you can enter up  
to three digits in ISDN settings: Outside line prefix. This code will then be  
automatically applied to every call you make.  
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If you can’t place a call, check the prefix setting.  
3. After you tap the EDIT knob to confirm the number, the word Go!will be highlighted.  
Tap again to place the call... or select an option:  
Line selects one of the two separate bearer channels of an ISDN circuit.  
Modeselects Zephyrfor audio transfers to another codec, or Phone to talk to a standard analog  
telephone using a microphone and headset plugged into ZephyrExpress.  
The Phonefeature lets you call the studio (or order pizza) without requiring an analog line  
and separate phone at the location. It can be very handy for tracing problems, since you  
can call the studio engineer using a telephone connection while testing various coding  
method and bitrate combinations on the digital one.  
Some of ZephyrExpress’ receive functions use Line 1 only. If you’re expecting to  
receive a codec call, leave this line available and make your analog calls on line 2.  
You don’t have to use any special settings for the studio to call you. If an analog call is  
received on one of the ISDN lines, ZephyrExpress will automatically connect and switch  
that line to Phone mode for the duration of the call.  
HOT TIP:  
Telephone companies often charge less for voice calls than for data, so you can  
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save money during the broadcast: send the studio high-quality voice on one  
ISDN channel, but place a standard call on the other channel for cueing.  
HOT TIP:  
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The keypad buttons don’t generate DTMF (“Touch-tone”) tones, even if you’re  
on a standard telephone call.  
If you want to access voice mail or remotely-control the transmitter from  
ZephyrExpress, get an accessory DTMF generator at an electronics store and pick  
up its signal with a mic.  
16: What do I do if they can’t hear me?  
First make sure your ISDN is properly configured.  
If your call is received at the studio but they can’t hear your audio:  
1. Can you can see the signal on one or both of the Send meters? If not, check the  
routing switches and microphone settings.  
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2. Are they set to a receive coding method that matches your send method? Try  
changing Codecsettings while they listen.  
3. Try changing the Codec: Bitrateand redialing. Some connections will pass one rate  
but not the other.  
4. If you're working in stereo, make sure both ISDN lines are connected. If one of them  
hasn't been dialed or has dropped the connection, they won't hear a single channel  
of audio — instead, they'll hear nothing at all.  
If they can hear you but the pitch sounds wrong, the Codec: Sample Ratesprobably  
don’t agree.  
More troubleshooting tips appear later in this manual.  
17: How do I send a test tone?  
Open the Audiosubmenu and then one of the microphone’s submenus. The last item in  
each mic submenu lets you turn test toneon or off. Then adjust the routing and level  
using that microphone's controls.  
NOTE:  
G.722 relies on the audio signal itself for synchronization, and can have problems  
w
with steady test tones. If you're using this coding method, avoid using the tone  
generator.  
18: How do I hang up?  
Press the DROP button. A screen like this will appear:  
p
One or both lines will be automatically selected, depending on which are currently  
connected. Tap the EDIT knob to hang up, or select just one line if that’s all you want to  
disconnect.  
Pressing DROP doesn’t do anything if neither line is connected.  
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19: Where do I find answers to other questions?  
Question  
Manual Section  
How do I order my ISDN line?  
ISDN information and order  
forms: Appendix  
How do I connect ZephyrExpress?  
How do the controls work?  
Hardware Details in Section 3;  
also Audio Details in Section 4;  
Hardware: Section 3  
What are the meanings of all the menu  
items?  
Full Menu Reference:  
Section 7  
Should I use Layer III, Layer II, or G.722?  
Brief Overview in Section 2; also  
Coding Details in Section 5  
What other codecs are compatible? How  
should they be configured?  
Codec Compatibility Info:  
Appendix  
How can I connect the ZephyrExpress to a  
computer or remote control?  
System-Level Functions:  
Section 6  
How do I contact Telos?  
Connector Pin-outs?  
Specifications?  
Customer Support: Page 2  
Hardware Details: Section 3  
Specifications & Warranty:  
Section 14  
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2
L
2B+D · 1-2  
limiter · 1-22, 1-23  
Line input · 1-22  
locked · 1-17, 1-20  
low cut · 1-22  
A
analog calls · 1-2, 1-25  
audio setup · 1-10  
M
Autodial · 1-18, 1-19, 1-24  
menu structure · 1-17  
B
menus, locked · 1-17  
menus, using · 1-16  
Basic ISDN · 1-2  
BRI · 1-2  
meters · 1-11, 1-12, 1-13, 1-20, 1-23, 1-25  
microphone inputs · 1-23  
microphone setup · 1-22  
Microphones · 1-22  
C
call yourself · 1-11  
calling · 1-20  
monitor mixers · 1-23  
MSN · 1-4, 1-8, 1-20  
circuit information · 1-4  
coding methods · 1-21  
N
navigating the manual · 1-27  
NT1 · 1-5, 1-6, 1-19  
D
directory number · 1-20  
display · 1-7, 1-8, 1-10  
DN · 1-8  
numeric entry · 1-17  
O
drop button · 1-7, 1-13, 1-26  
DTMF · 1-25  
oscillator · 1-22  
P
E
phantom · 1-22  
edit knob · 1-7, 1-8, 1-9, 1-10, 1-12, 1-15, 1-16  
phantom power · 1-22  
POTS (Plain Old Telephone Service) · 1-25  
power supply · 1-5, 1-6, 1-19  
F
Frequently-Asked Questions · 1-15  
Q
G
Quick Start · 1-2  
G.722 · 1-26, 1-27  
R
H
Ready · 1-7, 1-9, 1-20  
redial · 1-24  
HELP button · 1-15  
redialing · 1-24  
I
remote contro · 1-27  
ISDN: About · 1-3  
ISDN continuity · 1-7  
S
S/T interface · 1-19  
SAFE · 1-16, 1-17  
K
keypad · 1-12, 1-17, 1-18, 1-24, 1-25  
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safe mode · 1-17  
test lines · 1-9, 1-21  
testline · 1-21  
sensitivity · 1-22  
setup · 1-5, 1-16, 1-18, 1-21, 1-24  
SPID · 1-3, 1-4, 1-8, 1-20  
status screen · 1-10, 1-20  
text entry · 1-16, 1-17  
troubleshooting · 1-19  
U
T
U interface · 1-19  
test · 1-9  
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SECTION 3  
ZEPHYREXPRESS  
HARDWARE  
About our hardware...  
3-2  
Front Panel  
The Mixer Section  
Send Mixer  
3-2  
3-3  
3-3  
Monitor Mixers  
Display section  
Send and Receive Meters  
Lock LEDs  
3-4  
3-5  
3-5  
3-5  
LCD Display  
3-6  
3-6  
3-6  
3-7  
Blank Screen?  
SAFE indicator  
Control section  
Edit knob  
3-7  
DIAL button  
3-8  
3-9  
3-9  
3-9  
3-9  
DROP button  
UTIL button  
HELP button  
Numeric Keypad  
Rear Panel  
3-10  
3-11  
3-11  
3-11  
3-13  
3-14  
3-15  
3-15  
3-15  
3-16  
3-17  
3-17  
3-17  
3-18  
3-18  
3-18  
3-19  
Data connection section  
MODE switches  
ISDN Connections  
Remote Control jacks  
Inputs  
Outputs  
Audio i/o section  
About the XLR Connectors  
Microphone Inputs  
Line Inputs  
Monitor 1 XLR outputs  
Direct ISDN Receive outputs  
Monitor 1, Monitor 2 Headphone outputs  
Power connection  
Power Supply Jack  
Power Supply  
ZEPHYREXPRESS HARDWARE  
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About our hardware...  
ZephyrExpress, like almost everything else these days, is a software-driven device. This  
lets us put more features into the system, and means new updates can be installed without  
opening the case.  
But hardware’s important too. We put a lot of effort into making a system that would be  
compact and field-worthy, while looking and feeling like the precision audio equipment  
it is. The exterior features — all the knobs, buttons, and connectors — are organized in a  
logical way for intuitive operation. Even the design of the eight protective bumpers was  
carefully researched (though we must confess: we colored them teal just because we  
think it’s pretty).  
The first part of this section explains the panel features. The second details the connector  
and wiring standards. A separate section about hardware maintenance is at the end of this  
manual.  
Front Panel  
This overview will help you get oriented:  
“Edit” or  
Microphone Inputs Line Input  
Assign LEDs Gain  
Send Meters  
Safe Mode  
Dial Drop  
“Jog” Knob  
Routing  
Send Mixer  
Monitor 1 Mixer  
Monitor 2 Mixer  
Monitor 2  
Local Level Received Level  
to Monitors to Monitors  
Locked Indicator  
HELP Utility  
Receive Meters  
Headphone Jack  
ZephyrExpress has a self-test function for the front panel LEDs: all of the indicators, plus  
every segment of the VU meters, should glow for a few seconds when you first apply  
power.  
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The Mixer Section  
Mic 1 Gain  
Mic 2 Gain  
Line In Gain  
Assign LEDS  
MIXERS:  
Send  
Routing  
Monitor 1  
Monitor 2  
Switches  
Monitor 2 Headphone Jack  
Send Mixer  
Mic 1 and Mic 2 Routing Switches  
Press these buttons to cycle whether each mic’s signal will be sent to channel A, channel  
B, both channels, and off. The letters above each button will light up in green to indicate  
which channels are selected. This determines which one or two ISDN transmit channels  
will get the signal from that microphone. If you’re using Layer 2 mono or G.722, you  
must route the signal to A.  
HOT TIP!  
h
t
The microphone A and B LEDs are also overload indicators. Normally the letters  
appear in green, and flash red on peaks. If they’re turning red frequently, lower  
that microphone’s Sensitivityin the Audio: Microphonesubmenus.  
TECHNICAL TIP!  
If you’ve turned Phantom Poweron in the Audio: Microphonesubmenus, it won’t  
be affected by the routing switches. You can use the buttons to mute the  
microphones, without worrying about a “thunk” when they come back on.  
Line 1&2 Routing Switch  
Press to cycle between A B, A+B, and off. A B treats the two line inputs as a stereo pair,  
routing them to both ISDN channels. A+B combines the two inputs and then routes them  
to both channels, so you can use two different mono sources. If you want a mono line  
source to be routed to only one of the send channels, just plug in a single XLR connector  
— they have the letters A and B below them, to indicate their channel routing — and use  
the A B setting.  
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HOT TIP!  
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If you need line inputs with separate gain or routing controls, you can convert  
either or both microphones to line level: set the Audio: Microphone Sensitivity  
adjustments to line +1 dB.  
Level Controls  
The three large knobs, with black caps, control the send level for their respective inputs.  
MIC 1 and MIC 2 are mono controls; LINE 1&2 is a stereo control.  
Monitor Mixers  
Send Routing Switches  
There are two of these: one for each of the two stereo monitor circuits. Press to cycle  
between A, B, A B, and off. This determines which of the two SEND signals — the ones  
mixed by the large black knobs, and showing on the upper VU meters — will be sent to  
each monitor. Each of the two send signals is mono; you can adjust how they’re panned  
in the monitors by using the Audio: Monitor1 XMT and Monitor 2 XMT submenus.  
HOT TIP!  
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Our monitor panning system is very sophisticated and its submenus might not  
be immediately intuitive. There’s a full explanation of how they work in the next  
section of this manual.  
Receive Routing Switches  
Again, there are two: one of each of the two stereo monitor circuits. Press to cycle  
between A, B, A B, and off. These determine which of the two signals received via ISDN —  
the signals displayed on the lower VU meters — will be sent to each monitor. Each  
received signal is mono; you can adjust how they’re panned in these monitors by using  
the Audio: Monitor1 XMT and Monitor 2 XMT submenus.  
Level Controls  
These determine how much of the send and receive signal will be applied to each of the  
two stereo monitor circuits. Monitor 1’s knobs have gray caps, matching the gray rings  
around the MON 1 headphone and XLR output jacks on the rear panel. Monitor 2’s knobs  
have white caps, matching the white rings around the MON 2 headphone jacks on the  
front and rear panel.  
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Display section  
Send Meters  
LCD Display  
SAFE Indicator  
Receive Meters  
Locked Indicators  
Send and Receive Meters  
The SEND meters indicate the levels being sent to the audio encoders. This is important,  
because codecs work best when they’ve got a reasonably high signal to work with. Adjust  
the mixer so that most of the green LEDs below -10dB are lit during average program  
material, with the red LEDs flashing occasionally. As with most digital devices, 0dB is the  
clipping point: there isn’t any headroom above it, and this LED shouldn’t be lit.  
HOT TIP!  
h
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Heavily-compressed material, such as pre-recorded commercials and most pop  
music, can be set with their average levels in the red area. Just make sure that  
peaks never light the top LED segment.  
The RECEIVE meters show that audio is being received and decoded. They’re calibrated to  
match the send levels at the distant encoder.  
HOT TIP!  
ZephyrExpress provides a Far Loopbackdiagnostic mode to test its analog and  
digital conversion circuitry, and help distant studios test their codec and the line.  
When this mode is active, the meters are turned off; the middle LED of each  
meter will light steadily as a reminder that normal operation won’t be possible  
until Loopbackis turned off.  
Lock LEDs  
These light when the receive decoder is locked onto a valid coded signal, and the distant  
transmitter’s coding method matches the local decoder. They’ll flash if the receive  
decoder is set to one Layer 3 mode, such as mono, while the incoming signal is a  
different Layer 3 mode. If the signal and receiver are set to totally different algorithms, or  
there’s no coded signal coming in, they won’t light at all. They’ll turn off and received  
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audio will be muted if the coded audio bitstream is corrupted because of transmission  
problems.  
LCD Display  
This normally displays the Status screen.  
Transmit  
Coding Method  
ISDN channel  
Data Rate  
Receive Coding  
Method  
Audio Sample  
Rate  
When you press the DIAL, DROP, UTIL , or HELP buttons, the screen changes to show that  
dp function. Dial, Drop, and Help are self-explanatory. Util opens ZephyrExpress’ Utility  
menu, where you can change system parameters.  
l
To return to the Status screen from one of the other screens, press the EDIT knob toward  
the panel for three seconds — it works like a pushbutton, as well as a rotary control. If  
you’re in a Utility submenu, this takes you to the next higher level; keep holding the  
T
knob down until the Status screen reappears.  
If you’re in a hurry and don’t want to hold the knob for three seconds, hold it in and turn  
it counter-clockwise until the Status screen appears.  
Screens other than Status time out, and revert to the next higher screen, if you haven’t  
done anything for a preset time. Adjust the timeout value in the Systemmenu.  
The LCD’s contrast and backlighting are adjustable for various viewing conditions, also  
by using the Systemmenu. The entire menu system is described in section 7.  
Blank Screen?  
If ZephyrExpress’ LEDs light when you first apply power but the LCD screen appears  
dark, or the LCD screen lights but no characters appear, the last user may have left its  
brightness or contrast at an extreme setting. To reset:  
Press the DROP button and hold that button in while turning the EDIT knob clockwise to  
reset the backlighting. It may take a few turns.  
p
d
Press the DIAL button and hold that button in while turning the EDIT knob either  
direction to change the LCD Contrast.  
SAFE indicator  
The word SAFE lights in red when SAFE MODE is turned on from the rear panel. In this  
mode, various menus are locked and cannot be changed. You can set which menus will  
be blocked by using the Safe modemenu (with safe mode turned off at the time, of  
course).  
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The SAFE indicator flashes briefly when changing codec modes.  
If SAFE is blinking, it may mean that someone left ZephyrExpress in one of its loopback  
modes when they last turned the system off. Normal operation will be impossible until  
you use the Codecmenu to turn Loopback: Off. Blinking is normal if you have a European  
ISDN card and aren’t connected to an ISDN circuit.  
Control section  
“Edit” or “Jog” Knob  
Dial Drop  
Numeric Keypad  
HELP Utility  
Edit knob  
Turn this knob clockwise or counterclockwise to cycle through selections in a menu,  
and through fields in the Dial screen. If you’re entering text or a number using the  
keypad, turn counter-clockwise to erase the current character and back up. If you’re  
entering text, turn clockwise to get to the next character.  
U
T
The Edit knob encoder also includes a pressure-sensitive switch. If you press it towards  
the front panel, it works like a pushbutton.  
Tap the knob momentarily to activate a menu item so you can make choices, to confirm  
a choice, or to exit a text or numeric entry.  
Hold the knob in for three seconds to exit the current screen. Hold the knob in and turn it  
counter-clockwise one click to jump to the top of the menu. Hold it in and turn it a lot of  
clicks to get to the status screen quickly.  
If the status display is showing, anything you do to the knob will bring up a Help screen.  
That’s because you can’t use the knob to edit any of the fields in the status display. If Help  
appears, you may tap the knob again to return to the status screen.  
The knob generates a clicking sound when you turn or press it. You can adjust click  
volumein the Systemmenu.  
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HOT TIP  
h
The EDIT KNOB is frequently called JOG on ZephyrExpress’ screens. That’s simply  
because it takes less space to write it that way.  
DIAL button  
Dialing is a screen-driven software function. We’ve included complete  
instructions here, in the Hardware section of this manual, because the DIAL and  
DROP buttons don’t make any sense without it.  
Press DIAL to initiate an ISDN or analog phone call. The display will show the dialing  
selection screen:  
d
Select Manual...if you want to enter a number directly. If you’ve manually placed a call  
since turning ZephyrExpress on, the last number entered will already be in the Manual  
dialing screen; you can use it or replace it with something else.  
Select Auto...to choose from a pre-programmed list of places to call. Automatic dialing  
can be linked to codec and other menu setups, to change ZephyrExpress settings based  
on where you’re calling. You can edit or add to the list by using the Autodial setups  
menu.  
Select Recent...to choose from ZephyrExpress’ own list of recent calls it’s made. Recent  
calling keeps track of the line you called on and whether it was a high-quality or standard  
analog POTS call, but not the menu setups used for that call.  
HOT TIP!  
h
If you select the wrong dialing type, press DIAL again. This will take you back to  
the first dialing selection screen.  
When you select Manual or Recent, the display changes to a Dialing screen. There are  
separate dialing screens for each of these two modes, but they’re virtually identical:  
When you enter the screen, the Number:field will be active. If you’re dialing manually,  
enter a phone number using the keypad. If you’re redialing, use EDIT to select a number  
from the list of recently-called ones.  
After you press EDIT to confirm, the Go!box will turn black. Press EDIT to place the call, or  
turn EDIT to highlight either the Line: or the Mode:field. You’ll use Modeto place an  
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analog POTS call, as described in Section 4 (Audio Operations). Once you’ve changed one  
of these fields, press EDIT again. Then turn the knob to re-highlight the Go!field, and  
press EDIT to place the call.  
DROP button  
Press DROP to hang up an ISDN or analog phone call, regardless of whether you placed  
it or someone else called your ZephyrExpress. The display will show the drop selection  
p
screen:  
If only one line is in use, it will be pre-selected when the screen appears (such as Line 2,  
above). If both lines are in use, select which one(s) to drop. When you press EDIT, the call  
will be disconnected.  
USER NOTE!  
w
If you press DROP while neither line is in use, ZephyrExpress will beep but  
nothing else will happen. You can’t drop a non-existent call.  
UTIL button  
Press UTIL to open the Utility menu, where you can access various ZephyrExpress  
settings. This is fully discussed in Section 7.  
u
HELP button  
Press HELP to open ZephyrExpress’ context-sensitive HELP system. You’ll see various  
screens, based on what you were doing when you asked for help. Here’s a typical one,  
that you’d see if you pressed HELP while the Utility Screen’s Audiomenu selection is  
highlighted:  
l
If the bottom line has a downward triangle ( ), more text is available on this topic. Turn  
EDIT clockwise to scroll down.  
If the top line has an upward triangle (  
), there’s more  
text scrolled off the top of the screen. Turn EDIT counter-clockwise to retrieve it.  
When you’re finished reading, press EDIT to return to where you were when you pressed  
the HELP button.  
Numeric Keypad  
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Used to enter numbers for dialing, and text for setup names. Dialing works like a  
telephone.  
To enter text characters, press the key with the appropriate letter printed on it. Keep  
tapping it to cycle through the possible choices. For example, tapping the 2-key in a text  
field will first enter A. Repeated taps will change that to a B, then C, then the lower-case  
letters, then the number 2. Enter a space by pressing 1 three times. Punctuation characters  
appear on the * and # keys.  
For example:  
Press the number 2 once..... See the character A  
... press it again..... See the character B  
... press it again..... See the character C  
... press it again..... See the character a  
... press it again..... See the character b  
... press it again..... See the character c  
... press it again..... See the numeral 2  
... press it yet again..... the cycle starts again from A  
To move to the next character in a field, tap any other key or turn the EDIT knob  
clockwise. To back up, turn the knob counter-clockwise.  
ISDN TIP!  
i
ISDN doesn’t use DTMF “Touch-tones”, even for calls to standard analog phones,  
so the keypad doesn’t generate these sounds. If you need those tones to control  
a remote device, get an accessory tone generator at an electronics store and  
either pick up its signal with a microphone, or modify the generator for line-  
level output.  
Rear Panel  
NOTE: You only need  
Remote and Download Mic Inputs Monitor 1 outputs  
to use one of these:  
From ISDN  
From ISDN  
direct line  
NT-1 Adapter  
SAFE  
switch  
Line Inputs  
XLR or 1/4”  
Direct ISDN  
Monitor 2  
output  
from  
Line sync indicator Parallel Control  
receive outputs  
Power Supply  
Note: This picture shows the back of a ZephyrExpress intended for sale in North  
America. Units shipped elsewhere will have only the upper NT1 phone jack, and no Line  
Sync indicator.  
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Data connection section  
Note: You only need to use  
From ISDN  
From ISDN  
NT-1 Adapter direct line  
one of the ISDN connectors.  
Remote  
and  
Download  
connector  
SAFE  
switch  
Line sync indicator  
Parallel Control  
MODE switches  
SAFE MODE  
Turn ON to protect menu settings against accidental changes. This switch can be turned  
off with a small screwdriver blade or ballpoint pen.  
IMPORTANT!  
w
Don’t attempt to move the SAFE MODE switch with a pencil. if the point breaks  
off, a piece of conductive graphite may fall inside ZephyrExpress where it will  
probably cause a short.  
Software Options  
These switches are reserved for future functions.  
ISDN Connections  
In most cases, you’ll use only one of these at a time:  
S Interface  
Connect to external NT1 Network Terminator, if supplied by your phone company. This  
is common practice in Europe.  
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IMPORTANT!  
The S interface, in US versions, provides power for the NT1. Disconnect any  
other power supply connected to the NT1. Failure to do so will result in  
damage to ZephyrExpress, the NT1, or both!  
w
European units — indicated by a single ISDN connection and the  
Euro Telecom logo shown here — do not provide power for the NT1.  
You may connect these directly to a powered NT1.  
The S interface is a standard modular RJ-45 style jack. Ethernet 10Base-T cables work best  
for this application, and are available at most computer stores.  
S Interface Pinouts  
PIN  
1
FUNCTION  
N/C  
2
N/C  
3
S Transmit to network +  
S Receive from network +  
S Receive from network -  
S Transmit to network -  
PS2 Power -  
4
5
6
7
Pins 7 and 8 are not connected  
on units sold in North America.  
8
PS2 Power + (Top pin)  
If you’re using a European ZephyrExpress in North America, you’ll need to provide your  
own NT1 and connect its Terminal jack to the S interface.  
If you’re using a North American ZephyrExpress with an external NT1, you’ll need to  
provide an external power supply for the NT1.  
When the U interface (below) is connected directly to the ISDN wiring, you can  
use the S interface jack to connect another device to the output of ZephyrExpress’  
internal NT1.  
i
The most common use for this would be when ZephyrExpress is using one ISDN  
channel for audio transmission, and you want to use a separate ISDN telephone  
or computer terminal adapter on the other channel.  
U Interface  
This jack appears only on units shipped within North America. It can be connected  
directly to the ISDN wiring, to use ZephyrExpress’ built-in NT1 terminator. This is  
common practice in the US.  
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IMPORTANT!  
w
North American ISDN connections are unterminated and not protected from line  
surges. These surges — from lightning and other causes — can damage  
electronic equipment, including ZephyrExpress’ U interface.  
Telephone-line protectors are available from electronics and computer stores. It’s  
your responsibility to ensure that adequate protection is provided.  
Only the two center conductors (red, green) of the ISDN jack are used with a U interface.  
If your phone company provided an 8-conductor RJ-45 jack, you can insert a standard  
RJ-11 or RJ-14 telephone line cord and it will properly center itself to connect to those  
conductors.  
U Interface Pinouts  
PIN  
1
FUNCTION  
N/C  
2
N/C  
3
Line  
4
Line  
5
N/C  
6
N/C (Top pin)  
Line Direct LED  
This LED indicates the state of ZephyrExpress’ internal NT1. It blinks rapidly when the  
built-in NT1 is first initializing the ISDN line, or if there is no ISDN line connected. It  
blinks slowly when contact is made with the central office. It will light steadily when all  
handshaking is complete and the basic line connection is good.  
The LED is not supplied on units shipped outside of North America.  
Remote Control jacks  
ZephyrExpress has two computer-style jacks on the back panel. A DB-9 is used for serial  
RS-232 communication with the system, and a DB-15 is used for parallel contact closures  
and logic-level inputs.  
RS-232  
The RS-232 port is used for:  
·
·
remote control of ZephyrExpress menus from a modem or personal computer  
downloading new ZephyrExpress software.  
Complete instructions and the remote control command language appear in section 6.  
The port accepts a male DB-9 and matches the format found on personal computers.  
The default line protocol is 8 bits, 1 Stop Bit, No Parity, 9600 bps. You can change the  
baud rate for remote control or downloads from the Systemmenu.  
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RS-232 Pinouts  
PIN  
2
FUNCTION  
Rx (Computer to ZephyrExpress)  
Tx (ZephyrExpress to Computer)  
DTR (ZephyrExpress ready output)  
Ground  
3
4
5
HOT TIP!  
h
This port is configured as DTE, not DCE. This means pins 2 and 3 are wired like a  
computer instead of as a modem. You can plug in a standard modem, set for  
auto-answer, to remotely control ZephyrExpress for automated remote  
broadcasting. If you want to connect directly to a computer, you’ll need a null  
modem (a molded plug/jack with crossed wires, available from computer stores)  
or will want to cross pins 3 and 4 in the cable.  
Parallel Port  
The parallel port functions are not available as of ZephyrExpress software version 1.2.1. If  
you’re using a subsequent update that supports the parallel port, here’s how it’s wired:  
Parallel Port  
PI  
N
FUNCTION  
PIN  
FUNCTION  
1
2
3
4
5
6
7
8
Ground  
9
N/C  
Output 2  
10  
11  
12  
13  
14  
15  
Output 0  
Output 1  
N/C  
Status Out  
Output 3  
N/C  
Input 2  
Input 1  
N/C  
Input 3  
Input 0/Panic Dial  
+5 volts 400 ma max.  
Inputs  
All parallel port inputs are wired to accept either a voltage (up to +24 DC) or a closure to  
ground. Ground closures can be through switches or either pulled-up or open-collector  
logic outputs.  
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+5V  
+30V Max  
Parallel logic input circuit.  
Outputs  
The outputs are open-collector closures to ground, active low. They require a pull-up  
resistor to use with logic-circuit inputs. The pull-up may be built into the external device;  
if not, use a 2.2kW resistor to the port’s +5v supply.  
Current should be limited to 400mA for each individual output and no more than 1 amp  
total. This isn’t a problem with logic circuits or individual LEDs, but you should check  
current consumption if using solid-state audible alarms, relays, or incandescent lights.  
If used with a relay or LED, wire the other side of that component to the port’s +5v  
supply; or wire to an external supply (no more than +24 v) and connect that supply’s  
ground to the port’s ground on pin 1.  
WARNING!  
w
LEDs and low-voltage relays connected to ZephyrExpress’ power supply need a  
current-limiting resistor in series.  
Audio i/o section  
Microphone  
Monitor 1 Mixer Outputs  
Inputs  
Left  
Right  
1
Line Inputs  
2
Chan A  
Chan B  
Mon Mix 2  
MonMix 1  
(XLR or 1/4” 2- or 3-conductor)  
Direct Receive Outputs Headphone Outputs (Stereo)  
About the XLR Connectors  
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ZephyrExpress XLR connectors are electronically balanced with pin 1 ground, pin 2 hot,  
and pin 3 return. Line inputs are bridging, high-impedance.  
Outputs are active-differential balanced, at a nominal +4dBu; an external resistive pad  
may be necessary for consumer amplifiers.  
All XLR Pinouts  
PIN  
1
FUNCTION  
Ground  
Audio +  
Audio -  
2
3
·
·
To use the line inputs with unbalanced sources, connect the signal to pin 2 and  
ground to pins 1 & 3. You may need to raise the inputs’ sensitivity in the Audiomenu.  
To feed the line outputs to an unbalanced device, connect pin 2 to the signal input and  
pin 1 to ground. Do not connect pin 3.  
HOT TIP!  
ZephyrExpress’ line outputs are at +4dBu, which may be too hot for the  
unbalanced inputs on most consumer and semi-pro equipment. You’ll probably  
need an attenuator, which can be as simple as a 5kΩ audio-taper potentiometer:  
h
?
ZephyrExpress  
5kΩ, audio  
Unbalanced Input  
From Pin 2  
Signal  
From Pin 1  
Ground  
CURIOSITY NOTE!  
ZephyrExpress uses the “pin-2-hot” scheme shared by most modern equipment.  
You can remember the pins with the mnemonic “George Washington Bridge”:  
pin 1 = G = Ground; pin 2 = W = White = “+” in most cables; pin 3 = B = “-” =  
Black.  
Microphone Inputs  
These are high-impedance inputs that’ll work with most modern microphones. Some  
older transformer-coupled mics might show a high-frequency rise when unloaded; if  
this is a problem bridge pins 2 and 3 with a 680W or 270W resistor, depending on the  
mic’s nominal impedance.  
Using Audio: microphonesubmenu choices, phantom power can be supplied at either or  
both inputs, and nominal gain is separately adjustable to -60dBu(for ribbon  
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microphones), -45dBu(most dynamic and condenser mics), or -30dBu(very hot  
condenser mics or dynamics in loud environments).  
Either microphone input’s sensitivity can also be set to line, with a nominal level of  
+1dBu, for use as an additional line input. When lineis selected, phantom power is not  
available.  
IMPORTANT!  
w
We don’t recommend using unbalanced microphones.  
Aside from the fact that their wiring is less immune to noise, using an  
unbalanced mic while phantom power is turned on can damage the mic,  
ZephyrExpress, or both.  
Line Inputs  
These jacks also accept standard 1/4" phone plugs, either balanced 3-conductor or  
unbalanced 2-conductor. Level is nominal -10dBuor +4 dBu, as selected in the Audio  
submenu. Peak input level is +19dBu.  
The line input impedance is approximately 100kW, so it will bridge almost any source.  
Some transformer-coupled devices or equalized analog telephone lines may require a  
680W resistor in parallel to prevent high-frequencies from being emphasized.  
3-conductor  
input plug  
2-conductor  
input plug  
CONTACT  
FUNCTION  
Audio +  
Audio -  
CONTACT  
FUNCTION  
Tip  
Tip  
Audio +  
Ground  
Ring  
Sleeve  
Sleeve  
Ground  
If using an unbalanced source with a 3-conductor plug, wire the ground to both the ring  
and the sleeve.  
Monitor 1 XLR outputs  
These carry the stereo signal from the Monitor 1 mixer, for use with monitor amps and  
public address systems. Their signal switching and volume is controlled from the front  
panel, and signal panning is controlled in the Audiomenu.  
Direct ISDN Receive outputs  
These are the direct outputs of the audio decoder, with no level control or panning. Their  
primary use is to feed a cue-only circuit when both monitor mixers are being used for  
other purposes, or for when ZephyrExpress is being used as a remote receiver only.  
If you want to hear the local microphones through these outputs, they have to be sent  
back from the distant studio (which will result in coding delays).  
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Monitor 1, Monitor 2 Headphone outputs  
Stereo jacks with left on the tip, right on the ring, and ground on the sleeve. Monitor 2’s  
front- and rear-panel headphone jacks have separate output buffers, so one can be used  
to drive low-impedance headphones while the other drives high-impedance ones or an  
unbalanced monitor amplifier.  
Headphone Jacks  
CONTACT  
FUNCTION  
Tip  
Left  
Ring  
Right  
Sleeve  
Ground  
Power connection  
Serial Number  
From Power  
Supply  
Power Supply Jack  
The 4-pin XLR connector is designed to be used with ZephyrExpress’ modular power  
supply.  
WARNING!  
w
Be sure the supply is turned off at its switch, or disconnected from  
the AC line, before plugging or unplugging this connector.  
Failure to do so can erase ZephyrExpress memory settings and damage the unit.  
We don’t recommend using any other power supply. If you must use a different power  
source in an emergency be sure to turn on or off all voltages simultaneously.  
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Power Input  
PIN  
1
Voltage  
+5Vdc @ 5A  
2
+12Vdc @ 1.5A  
-12Vdc @ .5A  
System Ground  
3
4
Power Supply  
A separate modular power supply is provided with ZephyrExpress. Make sure it is not  
turned on, or check to make sure it isn’t connected to an AC line. Then plug its 4-pin XLR  
connector into the jack on the right side of the rear panel.  
The supply is self adjusting between 100 - 250 VAC, 50-60Hz. Power consumption is 150  
Watts. The supply is cooled by convection through slots in the case; make sure these  
aren’t blocked during use. It is normal for the case to become warm during use.  
The input connector is a standard IEC, used on electronic equipment and most  
computers.  
Power Supply XLR Output  
PIN  
1
Wire Color*  
Voltage  
Black  
+5Vdc @ 5A  
2
Yellow  
+12Vdc @ 1.5A  
-12Vdc @ .5A  
System Ground  
3
White  
4
Blue + Red  
*Color codes correspond to power supply model HES61-30  
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IMPORTANT:  
Never connect or disconnect the modular supply while it is powered! Make sure  
the power supply’s green LED is dark before plugging or unplugging its XLR  
connector.  
w
Connecting or disconnecting the modular supply while powered can erase  
memory settings or even damage ZephyrExpress.  
N
O
T
E
:
WARNING!  
e
e
There are no user-serviceable parts in the power supply. Do not attempt to open  
it, as hazardous voltages may be present.  
WARNING!  
We urge you to keep the AC ground conductor connected, and not clip it or use  
an adapter that defeats the ground. Failure to keep the ground connected can  
create serious safety hazards. It also stops the internal power-line filter from  
working properly.  
IMPORTANT!  
w
As with any piece of electronic gear, it is advisable that precautions be taken to  
prevent damage caused by power surges. Standard line surge protectors can be  
used to offer some degree of protection. It's your responsibility to provide  
adequate protection.  
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loopback · 3-7  
A
M
A B switch · 3-3  
Autodial · 3-8  
Manual dialing · 3-8  
meters · 3-2, 3-4, 3-5  
B
microphone inputs · 3-16  
Microphone routing switch · 3-3  
monitor mixer · 3-17  
blank screen · 3-6  
D
N
DB-9 · 3-13  
NT1 · 3-11, 3-12, 3-13  
numeric entry · 3-7  
diagnostic · 3-5  
Dial button · 3-6, 3-8  
direct receive outputs · 3-17  
Drop button · 3-6, 3-9  
DTMF · 3-10  
P
parallel port · 3-14  
Phantom Power · 3-3, 3-16, 3-17  
phone plugs · 3-17  
E
power supply · 3-12, 3-18, 3-19, 3-20  
Edit knob · 3-6  
R
F
Redial · 3-8  
front panel · 3-2  
remote contro · 3-13, 3-14  
RJ-11 or RJ-14 jack · 3-13  
RJ-45 style jack · 3-12  
RS-232 port · 3-13  
G
G.722 · 3-3  
H
S
hardware overview · 3-2  
headphone jacks · 3-4, 3-18  
Help button · 3-6, 3-9  
S interface · 3-12  
SAFE · 3-6, 3-11  
Status screen · 3-6  
J
T
JOG · 3-7  
text entry · 3-10  
K
U
keypad · 3-7, 3-9, 3-10  
U interface · 3-12, 3-13  
Util button · 3-6  
L
Layer 2 · 3-3  
X
Layer 3 · 3-5  
XLR connectors · 3-16  
Line Direct · 3-13  
line inputs · 3-3, 3-4, 3-16  
locked · 3-5, 3-6  
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SECTION 4  
AUDIO OPERATIONS  
A console at your fingertips...  
The Send Mixer  
4-2  
4-3  
Microphone Inputs  
Mic Routing Switches  
Line Inputs  
4-3  
4-5  
4-6  
4-6  
4-7  
Line Routing Switch  
Send Level Controls  
SEND Meters  
4-7  
The Monitor Mixers  
Monitor Routing Switches  
About Monitor Panning  
Adjusting individual monitor panning  
Receive Meters  
4-8  
4-8  
4-9  
4-10  
4-11  
4-11  
4-12  
4-12  
4-12  
4-13  
4-13  
4-14  
4-14  
4-14  
LOCK lights  
Analog (G.711) phone calls  
Analog call signal routing  
Receiving calls  
Placing calls  
Hanging up  
Dealing with Delay  
Mix-Minus  
Phones and Remotes  
AUDIO OPERATIONS  
4-1  
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A console at your fingertips...  
ZephyrExpress includes three separate 4-input stereo mixers, designed to make remote  
broadcasting easier. They incorporate both digital and analog technology, giving you  
the best of both worlds.  
We used sophisticated analog circuits for:  
¥
¥
¥
¥
Wide input range  
Smooth limiting, with the ability to handle sudden peaks without digital artifacts  
Uncompromised audio specs  
Field-worthy reliability  
But we control these circuits digitally, for:  
¥
¥
¥
¥
Versatility  
Fast, repeatable setups  
The ability to store presets for different sites  
The ability to lock critical settings against accidental tampering  
Audio quality matches the highest standards:  
¥
¥
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Frequency response +0, -0.1dB between 20Hz - 20kHz  
Total harmonic distortion < 0.019% @ 10dB, 20Hz - 20kHz  
Dynamic range of +94dB, 20Hz - 20kHz  
Mix flexibility  
ZephyrExpress’ SEND mixer can control two microphones — each with switchable  
sensitivity, limiting, and low-cut filters — and either two mono or one stereo line-level  
devices. The line inputs accommodate professional or consumer-level sources, balanced  
or unbalanced, on XLR or 1/4" plugs. The microphone inputs can be switched to use as  
one or two additional balanced line-level inputs, or to use as test oscillators. All of the  
inputs have flexible routing and muting switches.  
ZephyrExpress has two separate MONITOR mixers, for ultimate flexibility when setting up  
remote broadcasts. You can send local mics down the ISDN line, while mixing them  
with high-quality music received over ISDN for a house PA system... at the same time  
monitoring distant studio cues along with the rest of the mix in a producer’s  
headphones. You can even carry a mic out into the audience, while all this is going on,  
and control its mono feed to the local PA system without affecting the ISDN  
transmission.  
Each monitor mixer has routing, pan, and level controls for the two send channels and  
for the two receive channels. Stereo panning can be set to switch automatically  
depending on how a signal is routed. One monitor mixer features XLR balanced outputs  
4-2 AUDIO OPERATIONS  
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to feed a local PA system or DAT recorder, along with a rear-panel stereo headphone  
jack. The other monitor mixer has dual stereo headphone outputs to feed producer and  
talent simultaneously.  
If we sound proud of the design of ZephyrExpress’ mixers, we are. But if you’d prefer to  
bypass them entirely, there are also separate direct-codec outputs . You can use these for  
high-quality stereo monitoring regardless of the mixer settings.  
The Send Mixer  
Send Meters  
Routing / Overload  
Indicators  
Routing Level  
Mic 1  
Routing Level  
Mic 2  
Routing Level  
Line  
Microphone Inputs  
Each of the two microphone inputs has the same signal flow:  
Routing  
A / B / A+B / off  
Overload LED  
Phantom Pwr  
on/off  
part of Routing indicator  
Gain  
+48v  
Oscillator  
on / off  
High Pass  
in / out  
Limiter  
in / out  
To Channel A  
Codec, Monitors, SEND Meter  
XLR  
+
To Channel B  
Codec, Monitors, SEND Meter  
BOLD FACE: Front Panel Hardware  
NORMAL FACE: Menu-item Software Switches  
Sensitivity  
The XLR inputs are differentially balanced, with pin 2 hot. Input impedance is 1kper  
leg, or 2kbalanced, to match most professional microphones. The phantom power  
supply provides 48vdc at 6 mA per microphone.  
PHANTOM POWER...  
?
provides DC to charge a condenser microphone and power its preamplifier on  
the same 2-conductor balanced shielded cable that’s carrying the mic’s audio. It  
does this by applying the voltage equally to both signal wires, returning the  
voltage through the cable’s shield. Since audio is carried differentially in a  
balanced wiring scheme, the two don’t interfere: there is no DC voltage from  
one signal wire to the other.  
It’s called “Phantom” because a properly-wired dynamic or ribbon microphone  
won’t see the voltage at all.  
AUDIO OPERATIONS  
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BEWARE THE PHANTOM!  
w
While properly-wired balanced microphones can’t be damaged by phantom  
power, improperly-wired ones will cause trouble. Plugging in an unbalanced  
mic, using a “cough button” that shorts the mic’s signal to ground, and some  
kinds of cable shorts can damage the microphone, ZephyrExpress, or both.  
If you’re not using a condenser microphone that specifically requires phantom  
power, leave that setting turned off.  
Input parameters are adjustable in separate submenus, one for each microphone, from  
the Audio: Microphonessubmenu:  
Microphones  
Mic1  
Sensitivity Selects the nominal level for a full scale reading on the  
meters (?) with the microphone’s level control fully up.  
Select high +60dBfor most ribbon mics, mid +45dBfor most  
dynamic and condenser mics, low +30dBfor hot condenser  
mics or dynamic mics in very loud surroundings. You can  
also select line +1dBto use the input with line-level sources.  
Phantom Power Select Onor Off, but see the warning above. Phantom power  
is automatically turned off when you select line sensitivity.  
Low Cut Filter  
Applies a gentle filter to reduce wind noise, popped  
plosives, and building rumble. It’s a good idea to leave this  
on for all voice applications, and turn it off for music  
transmissions.  
Mic 1 test tone Substitutes an 860Hz sine wave for the microphone’s  
signal, for testing the ISDN connection and setting nominal  
volumes through the broadcast chain. The tone’s routing  
and level are adjusted by the front-panel MIC 1 controls.  
Mic 2  
Sensitivity See above  
Phantom Power  
Low Cut Filter  
Mic 2 test tone  
"
"
"
Limiter bypass  
Applies a limiter to both microphones at once to preserve  
stereo imaging.  
ZephyrExpress’ limiter engages at 15 dB above the normal operating value, so minor  
overloads aren’t affected. The limiting action itself gives you as much as another 20 dB of  
headroom.  
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DEEP TECH NOTE!  
t
h
The limiter activity depends on the peak-to-average ratio of the program  
material and may appear to operate at less than 15 dB above nominal level,  
depending on the audio being limited.  
Why you might want to leave the limiter off:  
·
·
Dynamic range increases by about 7 dB, which may be desirable for non-  
broadcast applications.  
Total harmonic distortion and noise figures are slightly better with the  
limiteroff. You might want to turn off ZephyrExpress’ limiter if another limiter  
is already being used in the circuit.  
HOT TIP!  
Some forms of non-linear processing, including clipping and multiband  
compression, will make any perceptual coder less efficient.  
Why you might want to leave the limiteron:  
·
·
It prevents digital clipping and overloading of the A/D converter.  
Total harmonic distortion and noise figures are quite acceptable with the limiter  
engaged.  
Mic Routing Switches  
The front-panel MIC 1 and MIC 2 routing switches cycle through four settings, as indicated  
by green LEDs above the buttons:  
¥
¥
¥
A
Mic is routed to the codec via the A send bus: this is the proper setting for almost  
all mono transmission, and the left channel for stereo.  
B
Mic is routed via the B send bus, for a second mono transmission under Layer 3-  
Dualor the right channel of a stereo signal.  
A B Mic is routed to both send busses. Use this setting for mono mics when mixed  
with stereo line-level sources in a stereo transmission, or to send the same signal to  
two sites under Layer 3-Dual.  
¥
(OFF) LEDs don’t light and the microphone is turned off. Switching is instant and  
pop-free, so you can use this setting as a mic mute. Phantom power is still applied  
when the routing is off, so you can turn the signal back on without a “thump”.  
The A and B LEDs are dual color: they’ll glow red when a mic preamp is overloaded.  
Occasional overloads may be acceptable — the analog preamp can handle them  
gracefully — but if the lights stay red, you should lower the preamp’s sensitivityin the  
Mic 1or Mic 2menu.  
AUDIO OPERATIONS  
4-5  
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Line Inputs  
The two line inputs can be used for a single stereo or one or two mono signals.  
Line A  
Routing  
Gain  
XLR/TRS  
Stereo (A B) /  
Mono (A+B) / off  
+
To Channel A  
Codec, Monitors, SEND Meter  
Line B  
XLR/TRS +4 / -10 select  
+
To Channel B  
Codec, Monitors, SEND Meter  
BOLD FACE: Front Panel Hardware  
NORMAL FACE: Menu-item Software Switches  
+4 / -10 select  
Each input jack accommodates XLR or 1/4" phone plugs, wired balanced (pin 2 or tip  
hot) or unbalanced (signal on pin 2 or tip; ground to pins 1 and 3 or to ring and sleeve).  
Standard 2-conductor phone plugs can also be used for unbalanced signals: their sleeves  
will contact the jack’s sleeve and ring connections.  
Input impedance is approximately 100k, to bridge any line-level source. Transformer-  
coupled devices and equalized analog telephone lines can show a slight high frequency  
rise when they’re not terminated; if this is a problem, put a 680resistor in parallel with  
the input.  
There is one menu adjustment for the line input, Audio: Line sensitivity. Set it to  
Professfor +4dBu sources, and Consumerfor -10dBu sources. The line input can handle  
up to +19dBu in its Professsetting without clipping.  
Line Routing Switch  
The front-panel LINE 1&2 routing switch controls both line inputs simultaneously. It cycles  
between A B , A+B, and off.  
¥
¥
In A B mode, Line 1 is routed to the channel A send bus and Line 2 is routed to  
channel B: This is the normal mode for a stereo signal.  
In A+B mode, the two line inputs are summed to mono and then routed to both  
busses. This lets you use two different mono line-level sources.  
HOT TIP!  
h
If you want to use two line inputs with separate gain controls or more flexible  
routing, convert the mic inputs to line-level.  
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Send Level Controls  
The three large black knobs control the level of their respective signals to the send bus.  
They are calibrated in arbitrary gray dots that don’t mean much, since the best way to  
mix is by using your ears and the SEND meters.  
SEND Meters  
The two 14-segment SEND level meters have a fast attack and slow decay time, to alert you  
to any problems in the transmitted level. They monitor the signal as it enters the audio  
encoder, which works best when it’s got reasonably high levels to work with. Adjust the  
mixer so that most of the green LEDs are lit during average program material, with the  
red ones flashing occasionally.  
Heavily-compressed material, such as pre-recorded commercials and popular dance  
music, can be set to average in the red area as long as the OdB segment isn’t lit. Zero is the  
clip point, and there just isn’t any headroom above it.  
SEND  
CH A  
-30  
-20  
-10  
0dB  
CH B  
HOT TIP!  
h
t
The meters don’t operate on channels that are in standard telephone / G.711  
mode. During Far Loopbacktest mode, both meters are off and the center  
segment is lit as a reminder that normal operation is disabled.  
DIGITAL AUDIO TIP!  
You’ll notice that normal operating level is around -10dB and zero is at the top of  
the scale. This is different from analog VU and deciBel meters you may be used  
to, but it’s standard practice on digital devices.  
The reason is that analog equipment has a few dB headroom above the normal  
“zero” level (and zero itself is arbitrarily matched to a particular voltage,  
magnetic strength, or modulation). Digital equipment, on the other hand,  
counts deciBels down from absolute full scale — the condition where all bits are  
turned on — and there just isn’t anything that can be louder that that.  
AUDIO OPERATIONS  
4-7  
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The Monitor Mixers  
MONITOR 1  
Send  
Receive  
Receive Meters  
Lock Indicators  
Routing Level  
Routing Level  
Mon 2  
Routing Level  
Send  
Routing Level  
Receive  
Headphone Jack  
MONITOR 2  
There are two independent monitor mixers.  
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MONITOR 1 has a stereo headphone jack and two XLR output jacks on the rear panel.  
Its jacks are marked with gray circles, and its knobs have gray inserts.  
MONITOR 2 has stereo headphone jacks on the front and rear panel. Its jacks are  
marked with white circles, and its knobs have white inserts.  
Otherwise, the two mixers are identical. The following block diagram applies to both of  
them.  
Send  
Gain  
Send A  
Pan  
Send Routing  
A / B / A B / off  
Rear Panel  
XLR Outputs  
From Channel A SEND Bus  
(Monitor 1 only)  
Send B  
Pan  
From Channel B SEND Bus  
Receive  
Gain  
Receive RoutingRcv A  
Left  
Pan  
Rear Panel  
A / B / A B / off  
Headphone Amp  
Headphone Jack  
From Channel A Rcv Codec  
From Channel B Rcv Codec  
Right  
Headphone Amp  
Rcv B  
Pan  
Front Panel  
Headphone Jack  
(Monitor 2 only)  
Monitor Routing Switches  
Each of the two Monitor SEND routing switches (MONITOR 1 SEND MONITOR 2 SEND) works  
the same way, cycling through four choices:  
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A routes the signal from the Channel A send bus to the monitor.  
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¥
¥
¥
B routes the signal from the Channel B send bus to the monitor.  
A B routes both channel send busses to the monitor.  
(OFF) disconnects the send signal from the monitor.  
The two Monitor RECEIVE routing switches (MONITOR 1 RECEIVE, MONITOR 2 RECEIVE) do the  
same thing, only with the signal from the A and B Receive Decoders.  
But these are stereo monitor mixers, and the individual send busses or receive channels  
may be mono or part of a stereo pair. So we’ve given you a lot of flexibility in how the  
signals are panned in the monitor circuits.  
About Monitor Panning  
Since ZephyrExpress’ mixers are digitally controlled, we were able to build in a lot of  
versatility.  
Each of the four possible sources (A and B send bus, A and B receive codec output) is  
connected to four separate pan controls for each monitor mixer. Each control can be set  
to any position in the left/right field. (The controls themselves appear in the Audiomenu,  
and are discussed below.) ZephyrExpress will use the one control that matches that  
source’s routing switch:  
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¥
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If you select A on the routing switch, the submenu’s A settingwill be used.  
If you select B on the routing switch, the submenu’s B settingwill be used.  
If you select AB, the mixer will use the submenu’s AB setting A position for the A  
channel and the AB setting Bposition for the B channel.  
The drawing that follows describes what the software’s actually doing. Assume that the  
hidden “Monitor 1 Receive” block is identical to the Send block you can see. By the way,  
this is all repeated for the MONITOR 2 circuit... making a total of 16 pan pots in  
ZephyrExpress.  
AUDIO OPERATIONS  
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Monitor 1 Receive  
Monitor 1 Send  
From Rec A  
A-only Pan  
B-only Pan  
Select A Only  
Select B Only  
From Send A  
From Rec B  
From Send B  
Select A+B  
A+B A Pan  
A+B B Pan  
To rest of  
Monitor 1 Circuitry  
Adjusting individual monitor panning  
Scroll down the Audio settingsscreen and you’ll see four submenu entries, one for each  
of the four monitor outputs:  
The four submenus have identical structures:  
Select which setting you want to adjust by highlighting it and pressing EDIT. The position  
indicator ( ) will start flashing to indicate it’s active. Turn EDIT to move it toward the left  
or right. If there’s signal playing through that monitor, you can hear it pan in your  
headphones. When you’ve adjusted any setting’s pan the way you want it, press EDIT to  
confirm.  
Panning is continuous and can be completely arbitrary. In the screen shots above, the A  
settingis just slightly to the left of center.  
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You don’t have to pan mono signals to the middle:  
¥
Separating the microphones slightly to match their physical positions may make it  
easier to reach for the right knob when mixing a live show... even if you’re sending  
their signals in mono to the studio.  
¥
If you need more than two separate monitor mixes, you can use the individual stereo  
channels as monaural mixes and pan the signals to determine which mix will hear  
them.  
HOT TIP!  
h
The right- and left-most positions of each panning control are a switch that  
directs all of the signal to that side. This means you’ll hear a slight jump when  
you start to pan from the extreme side to the center, as the opposite side kicks  
in at a reduced volume.  
Receive Meters  
RECEIVE  
CH A  
0dB LOCK  
-30  
-20  
-10  
CH B  
The two 14-segment RECEIVE meters have response times and calibration similar to the  
SEND meters (page 4-7). They report the digital signal exactly as received from the distant  
studio: nothing happens in ZephyrExpress that can change the levels between the codec,  
these meters, and the RECEIVE OUT XLRs on the back panel.  
If the meter readings are too low or too high, ask the distant studio to change their send  
level. If the signal is occasionally lighting the red LEDs but you think you’re hearing  
distortion — particularly on peaks or sibilance — they could be overdriving their codec’s  
limits (many units force you to work “blind”, with no send meters). Ask them to lower  
their console level significantly — as much as 6dB to 12dB might be necessary before you  
hear any improvement.  
These meters aren’t active when receiving a G.711 (analog telephone) call, because that  
technology doesn’t use ZephyrExpress’ main digital signal processing. The meters are  
totally disabled in Far Loopbackmode, and the center LEDs light up in that mode to  
remind you that normal operation is impossible until you turn Loopback Off.  
LOCK lights  
The two red LOCK LEDs next to the receive meters will light steadily when ZephyrExpress  
is receiving a valid signal, the distant transmitter’s coding method matches the local  
decoder, and the sample rates match. They’ll flash if both codecs are synchronized and  
set for Layer 3, but the Layer 3 channel modes (mono, joint stereo, and so on) don’t  
match.  
AUDIO OPERATIONS  
4-11  
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Normally both LOCK LEDs work together. If the receive mode is G.722, however, they’ll  
operate independently to indicate the status of individual channels.  
Analog (G.711) phone calls  
ZephyrExpress can send or receive standard analog (or POTS1) calls on either ISDN line,  
eliminating the need for a separate telephone and analog circuit at the remote site. The  
call is carried as ISDN data to the telephone company’s switching office, where it’s  
converted and treated as a standard connection.  
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Station engineers can call the remote site before establishing a high-quality  
connection, to verify coding methods and bitrates.  
A studio producer can talk to the remote engineer while a mono broadcast is in  
progress, to relay cues and other information. The call can be routed to the talent’s  
headset, or just to the engineer.  
ISDN TIP!  
i
Since telcos usually charge less for a standard voice connection, using G.711 for  
talkback and cues can cut the cost of remote broadcasts.  
¥
Late-running talent, stuck in traffic, can call the remote site’s ISDN number from  
their cellphones to alleviate panic.  
Only one POTS call is possible at a time.  
Analog call signal routing  
The G.711 codec connects to either the Channel A or Channel B send and receive busses,  
depending on which ISDN line is used for the call. Normal microphones, headsets,  
routing switches, and level controls are used just as if the call were an ISDN broadcast. Of  
course, audio quality is limited by the analog phone system.  
Incoming POTS audio is also routed to ZephyrExpress’ internal speaker, so you can hear  
that a call is in progress even if you’re not wearing headphones. The speaker level is  
controllable by the Systemmenu’s POTS volumesetting, and it can be turned off by  
selecting 0%as the setting.  
Since G.711 bypasses ZephyrExpress’ main digital signal processing, analog telephone  
levels are not displayed on the RECEIVE meter.  
Receiving calls  
ZephyrExpress automatically switches to G.711 mode when a POTS call comes in on  
either ISDN line. All the caller has to do is dial one of the lines’ directory numbers, with  
any access or area codes they’d normally use for a phone call.  
When a call is received, ZephyrExpress picks up on the first ring. The internal speaker  
chirps once, and the call timer for that line starts counting. If the POTS volumeis turned  
1 The acronym stands for Plain Old Telephone Service. We didn’t make it up.  
4-12 AUDIO OPERATIONS  
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up, you’ll be able to hear the caller through the internal speaker. Otherwise, you can  
bring up caller audio through one of the monitor circuits as RECEIVE A or RECEIVE B,  
depending on which line the call came in on.  
HOT TIP!  
h
ZephyrExpress places most mono codec calls using the Channel A send bus and  
ISDN Line 1. It’s a good idea to tell analog callers to use Line 2 — or give them  
only that number — so Line 1 remains free.  
Placing calls  
To place a POTS call, press the DIAL button. In the  
d
screen that appears, select Manual..., Auto..., or  
Recent... and press EDIT to confirm. If you’ve  
selected Manualor Recent, a standard dialing  
screen will appear:  
Enter the number, or select it from a list of recent calls, and tap the EDIT knob to confirm.  
Then turn EDIT one click counter-clockwise to highlight the Mode: field. Tap to confirm,  
and choose Phoneas the mode. Tap again to confirm, and either choose a different Line  
or highlight Go!and tap to place the call.  
When the distant phone picks up, ZephyrExpress will chirp and you’ll be connected. The  
line’s call timer will start counting. Remember, they won’t hear you unless you’ve routed  
a mic to the send bus corresponding to that line and turned up the mic’s level.  
If the distant line is busy and the POTS volumeis turned up, you’ll hear a busy signal. DROP  
the connection and try again later.  
Hanging up  
Dropping a POTS call is identical to dropping a  
p high-quality one. Press the DROP button. A  
screen like this will appear:  
If the POTS call is the only line in use, its line  
will be pre-selected. Press EDIT and the call will  
be disconnected.  
BE CAREFUL!  
w
If a POTS call was placed while a high-quality transmission is taking place on the  
other line, Bothwill be pre-selected in the Drop screen. Select Line 2before  
pressing EDIT, or the high-quality call will also be dropped.  
Of course, a POTS connection will also be dropped if the distant phone hangs up.  
After the call is completed, ZephyrExpress will disconnect its internal G.711 codec and  
reconnect that line to the high-quality DSP codec.  
AUDIO OPERATIONS  
4-13  
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Dealing with Delay  
Mix-Minus  
All perceptual coders have too much delay for talent on remote to hear themselves via a  
round-trip loop. Therefore, a special mix-minus arrangement is required – exactly the  
same as has been used with satellite linked remotes for years.  
The principle is this: The remote performers do not hear themselves via the studio cue  
return. Rather, their microphones are mixed locally with a studio feed which has  
everything but the remote audio – thus the “mix-minus” designation. The announcers  
hear a non-delayed version of themselves and a slightly delayed version of all of the  
studio pieces.  
That’s why ZephyrExpress’ monitor circuits have separate routing and level controls for  
SEND and RECEIVE audio: it’s a trivial matter to create a headphone mix that uses the local  
send signal for the microphones and a music-only signal from the remote codec. The  
only caveat is that the distant studio must be able to send the music-only signal, without  
the announcers’ microphones mixed in.  
The headphone mix can also be sent to a local public address system, for the benefit of a  
live audience at the remote. If the live audience can tolerate monaural music coming  
back from the studio, both the send and receive paths can be on a single ISDN line using  
Layer 3mono. The other ISDN channel could be used for a POTS call from the studio, to  
let the studio producer talk directly to the remote engineer using ZephyrExpress’ second  
monitor circuit.  
Phones and Remotes  
To save money and hassle, callers are usually received at the studio, rather than at the  
remote site. In this situation, phones need to be fed to the remote talent so that they can  
hear and respond to callers. And the phone callers need to hear the talent. In many cases,  
the remotes are sufficiently distant that the station can not be monitored for the caller  
feed. Even if it could, the profanity delay would be a problem, since the talent needs to  
hear the phone pre-delay.  
The talent hears callers via the return path. As before, this return is fed with mix-minus: a  
mix of everything on the program bus minus the remote audio.  
As for the second half of the equation, the callers hear the talent because the remote feed  
is added to the telephone mix-minus buss. No problem if you have a set-up which  
permits selective assignment to the phone mix-minus.  
The most common problem with this arrangement is a result of a phone hybrid with too  
much leakage combined with the system delay. If the hybrid isn't doing a good job of  
preventing the send audio from leaking to its output, the special remote send mix-minus  
is corrupted. Remember, if any of the announcer audio from the remote site is returned  
via the monitor feed, it will be delayed by the digital link, causing an echo effect. The  
answer is to make sure you have the best possible hybrid with the maximum trans-  
hybrid loss. If it has variable override (caller ducking), you should increase the amount  
when these remotes are in progress.  
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REMOTE  
SITE  
Music +  
phone to  
remote  
STUDIO  
Local send  
plus  
Remote anncr  
to studio  
ISDN receive  
Zephyr or  
ZephyrExpress  
Main  
+
Program  
Output  
Other  
Sources  
for  
music,  
etc.  
Telephone  
Mix-Minus  
+
+
Remote  
Mix-Minus  
Studio Console  
Phone  
Hybrid  
Diagram showing system set-up for remotes with delay in the transmission path and phones  
taken at the studio. Note that this is the same as required for satellite links.  
Another issue worth considering is the round trip delay. The apparent on-air response  
time of the talent to callers’ comments will be the sum of {studio-to-remote delay +  
remote-to-studio delay + talent’s thinking time}. For this reason the studio-to-remote  
path will generally use the G.722 mode, sacrificing high-fidelity for speed: after all, who  
needs a high-fidelity line to relay a phone call? If G.722 proves too ragged to use for  
music or commercials being sent from the studio to a remote site’s public address  
system, use a Layer 3mono mode for high-quality audio but send the telephone caller’s  
audio on ZephyrExpress’ second line as a POTS signal.  
Other intermediate tradeoffs are possible and will be dependent on your format. You  
may also be able to significantly speed up the talent’s thinking time by judicious  
applications of black coffee.  
For information on the tradeoff between audio quality and delay, refer to the next  
section.  
AUDIO OPERATIONS  
4-15  
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M
A
meters · 4-4, 4-7, 4-11  
microphone inputs · 4-2, 4-3  
mixer · 4-2  
analog circuits · 4-2  
analog phone calls · 4-12  
mix-minus · 4-14  
C
monitor · 4-2  
monitor mixer · 4-8, 4-9  
monitor output · 4-10  
coding delay · 4-14  
coding methods · 4-12  
O
D
overload indicator · 4-5  
delay · 4-14  
P
G
panning · 4-9  
G.711 · 4-12  
G.722 · 4-12  
phantom power · 4-3, 4-4  
POTS · 4-12  
H
power supply · 4-3  
headphone jacks · 4-8  
R
L
routing · 4-5, 4-6, 4-8  
Layer 3 · 4-5, 4-11  
limiter · 4-4, 4-5  
line inputs · 4-2, 4-6  
LOCK lights · 4-11  
low cut · 4-4  
S
sensitivity · 4-4, 4-6  
stereo pan · 4-9  
T
test tone · 4-4  
4-16 AUDIO OPERATIONS  
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SECTION 5  
AUDIO CODING  
OVERVIEW  
5-2  
5-2  
5-3  
Introduction to Audio Coding  
Basic Principles of Perceptual Coding  
ISO/MPEG LAYER 3  
5-5  
Layer 3 Features  
5-5  
5-5  
5-6  
5-6  
5-6  
5-7  
Psychoacoustic Masking  
Redundancy Reduction  
Bit Reservoir Buffering  
Ancillary Data  
Layer 3 Joint Stereo  
ISO/MPEG LAYER 2  
Layer 2 Joint Stereo  
Layer 2 Mono-128  
5-7  
5-8  
5-8  
G.722  
5-8  
CASCADING  
5-9  
Mixed MPEG Layer 2 And Layer 3 Signal Chains  
5-10  
CHOOSING THE CODING METHOD FOR YOUR APPLICATION  
5-11  
5-12  
5-12  
5-13  
5-13  
5-14  
Delay vs. Quality  
Dual vs Stereo vs Joint Stereo in Layer 3  
Dual Site Operation  
Layer 2: Mono64kpbs vs MONO128; Dual vs JSTEREO  
Sampling Rate  
Compatibility  
5-15  
5-15  
5-15  
Between Telos Codecs  
With Non-Telos Equipment  
CODING  
5-1  
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OVERVIEW  
Introduction to Audio Coding  
Audio takes up a lot of data.  
Without data reduction, CD-quality quality audio — 16 bits at 44.1kHz sample rate —  
requires a transmission capacity of about 705 thousand bits per second (kbps) for each  
audio channel. But the wires we use for remote broadcasting are on a telephone system  
designed for voice-grade communications: 8 bits at 7kHz sample rate, or 56kbps per  
channel. That’s less than 8% of what we need.  
CURIOSITY NOTE  
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You can arrive at these same numbers with nothing more complicated than  
grade-school math. Just multiply the sample rate by the sample depth: 44,100  
samples per second * 16 bits per sample = 705,600 bits per second for CD-quality  
mono audio.  
You can reduce the data requirements by lowering the quality somewhat. 13 bits would  
yield a respectable 78 dB dynamic range, certainly adequate for home listening. And a  
32kHz sample rate — with careful equipment design — will give you flat response to  
15kHz, the practical limit for analog FM broadcasting in North America. Unfortunately,  
that still leaves us with telephone data channels about 86% too small to do the job.  
Besides, 13 bits is an awkward bit depth for computers to deal with, and the audio it  
produces isn’t clean enough to survive today’s transmitter processors.  
CURIOSITY NOTE  
Bit depth and sample rate translate easily into audio specifications. Digital audio  
must have a sample rate of at least twice the desired bandwidth, so 15kHz audio  
requires (after a safety margin) 32kHz sampling. Each bit of sample depth  
represents slightly more than 6dB of dynamic range.  
The first practical coding methods used a principle called ADPCM, Adaptive Delta Pulse  
Code Modulation. This takes advantage of the fact that it takes fewer bits to code the  
difference, or delta, between successive audio samples compared to using the individual  
values. Further efficiency is had by adaptively varying the difference comparitor  
according to the nature of the program material. G.722 and APT-X are examples of  
ADPCM schemes. They achieve around a factor of 4 reduction in bitrate.  
G.722 achieves additional efficiency by allocating its bits to match the patterns in the  
human voice, and it’s considered adequate for news and talk programming over ISDN.  
But for high-fidelity transmission, algorithms with more power are required. These are  
based on psychoacoustics, where the coding process is adapted to the way we hear  
sounds. There are several algorithms available, with varying complexity and  
performance levels.  
Some years ago, the international standards group ISO/IEC established the ISO/MPEG  
(Moving Pictures Expert Group), to develop a universal standard for encoding moving  
pictures and sound for digital storage and transmission media. The standard was  
5-2 CODING  
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finalized in November 1992 with three related algorithms, called Layers, defined to take  
advantage of psychoacoustic effects when coding audio. Layer 1 and 2 are intended for  
compression factors of about 4:1 and 6 or 8:1 respectively, and these algorithms have  
become popular in satellite and hard-disk systems. Layer 3 achieves compression up to  
12.5:1 — 8% of the original size — making it ideal for ISDN.  
Basic Principles of Perceptual Coding  
With perceptual coding, only information that can be perceived by the human auditory  
system is retained.  
Lossless – which, for audio, translates to noiseless – coding with perfect reconstruction  
would be an optimum system, since no information would be lost or altered. It might  
seem that lossless, redundancy-reducing methods (such as PKZIP, Stuffit, and others  
used for computer hard-disk compression) would be applicable to audio. Unfortunately,  
no constant compression rate is possible due to signal-dependent variations in  
redundancy: There are highly redundant signals like constant sine tones (where the only  
information necessary is the frequency, phase, amplitude, and duration of the tone),  
while other signals, such as those which approach broadband noise, may be completely  
unpredictable and contain no redundancy at all. Furthermore, looking for redundancy  
can take time: while a popular song might have three choruses with identical audio data  
that would need to be coded only once, you’d have to store and analyze the entire song in  
order to find them. Any system intended for a real-time use over telephone channels  
must have a consistent output rate and be able to accommodate the worst case, so  
effective audio compression is impossible with redundancy reduction alone.  
Fortunately, psychoacoustics permits a clever solution! Effects called “masking” have  
been discovered in the human auditory system. These masking effects (which merely  
prove that our brain is also doing the equivalent of coding) have been found to occur in  
both the frequency and time domains and can be exploited for audio data reduction.  
Most important for audio coding are the effects in the frequency domain. Research into  
perception has revealed that a tone or narrow-band noise at a certain frequency inhibits  
the audibility of other signals that fall below a threshold curve centered on a masking  
signal.  
The figure below shows two threshold of audibility curves. The lower one is the typical  
frequency sensitivity of the human ear when presented with a single swept tone. When a  
single, constant tone is added, the threshold of audibility changes, as shown in the upper  
curve. The ear’s sensitivity to signals near the constant tone is greatly reduced. Tones that  
were previously audible become “masked” in the presence of “masking tones,” in this  
case, the one at 300 Hz.  
All signals below the upper “threshold of audibility” curve, or Masking Threshold are  
not audible, so we can drop them out or quantize them crudely with the least number of  
bits. Any noise which results from crude quantization will not be audible if it occurs  
below the threshold of masking. The masking depends upon the frequency, the level,  
and the spectral distribution of both the masker and the masked sounds.  
CODING  
5-3  
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90  
Masker  
60  
40  
20  
0
Masking  
Threshold  
Masked Sound  
Threshold  
in quiet  
Inaudible  
Signal  
.02  
.05 .1  
.2  
.5  
1
2
5
10 20  
kiloHertz  
Masking effects in the frequency domain. A masking signal inhibits audibility of signals  
adjacent in frequency and below the threshold.  
To benefit from the masking effects, perceptual coders use a filterbank to divide the  
input audio into multiple bands for analysis and processing. The maximum masked  
noise level is calculated depending upon the spectral content, and the available bits are  
allocated so as to keep the quantization noise below the masking threshold at every point  
in the spectrum.  
While coding efficiency increases with more bands and better frequency resolution, the  
time domain resolution decreases simultaneously owing to an inevitable side-effect of  
the band filtering process: higher frequency resolution requires a longer time window –  
which limits the time resolution. Happily, masking works also in the time domain. A  
short time before and a longer time after a tone is switched on and off, other signals  
below a threshold amplitude level are not noticeable. Filterbanks with higher frequency  
resolution naturally exploit the ear’s time-masking properties.  
90  
Pre-  
Simultaneous-  
Post- Masking  
60  
40  
20  
0
-60  
0
60 100 150  
0
50 100 150 200  
t (in ms.)  
Masking effects in the time domain. Masking occurs both before and after the masking signal.  
5-4 CODING  
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IMPORTANT!  
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Due to a perceptual coder’s reliance on precise principles of human perception,  
audio to be coded should not be processed with any non-linear dynamics-  
processing such as clipping, multi-band compression or limiting. Wideband  
compression or AGC is acceptable and may be desirable if a consistent level  
cannot otherwise be achieved.  
The same is true to audio which has been decoded after passing through a  
perceptual coding cycle, but to much lesser degree.  
For more information contact Telos Systems customer support for a copy of a  
paper delivered at the AES by Frank Foti on this topic.  
ISO/MPEG LAYER 3  
MPEG Layer 3 is the most powerful coding method available in ZephyrExpress, and we  
particularly like it because it is perfectly matched to the bitrates available on ISDN BRI  
lines.  
It offers:  
15 or 20kHz mono or stereo audio bandwidth.  
Full-fidelity mono on a single 56/64kbps channel.  
Near-CD quality stereo1 on a single ISDN Telco circuit.  
Affordable, transparent, audio transmission for AM/FM radio or television audio.  
After extensive testing by broadcasting organizations around the world under the  
direction of the CCIR, it has been designated as the most powerful of the three audio  
coding systems standardized in ISO/MPEG IS-11172. It is specifically recommended for  
56 and 64 kbps channels.  
Layer 3 Features  
Psychoacoustic Masking  
The audio in Layer 3 is divided into 576 frequency bands. First, a polyphase filterbank  
performs a division into the 32 “main” bands which correspond in frequency to those  
used by the less complex Layer 2. Filters are then used to further subdivide each of the  
1 20kHz bandwidth, 96dB dynamic range... just like a CD. The encoding process can  
cause some loss that a trained listener, using carefully-selected program material and  
good monitors, could detect. But most people won’t hear the loss, and there’s no  
accepted way to measure it.  
CODING  
5-5  
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main bands into 18 more. At a 32 kHz sampling rate, the resulting bandwidth is 27.78 Hz  
– allowing very accurate calculation of the masking threshold values. Sufficient  
frequency resolution is available to exceed the width of the ear’s critical bands (100 Hz  
below 500 Hz; 20% of the center frequency at higher frequencies) across the audible  
spectrum, resulting in better hiding of noise than would otherwise be possible.  
Redundancy Reduction  
Redundancy reduction is accomplished by a Huffman coding process to take advantage  
of the statistical properties of the simplified signal output from the psychoacoustic stage.  
Values that appear more frequently are coded with shorter words, whereas values that  
appear only rarely are coded with longer words. This results in an overall decrease in the  
data rate, with no degradation, since it is a lossless reduction scheme.  
Notice that this redundancy reduction process is the ideal supplement to psychoacoustic  
masking. In general, maskers with high tonality have more redundancy but allow less  
masking, while noise-like signals have low redundancy and high masking effect.  
32 bands  
576 Bands  
Polyphase  
Filterbank  
MDCT  
Filters  
Huffman  
Coding  
Non-uniform  
Quantization  
Distortion  
Control  
1024 point FFT/  
Perceptual Model  
Side  
Information  
External Control  
Block diagram of the Layer III coding process.  
Bit Reservoir Buffering  
Often, there are some critical parts in a piece of music that cannot be encoded at a given  
data rate without audible noise. These sequences require a higher data rate to avoid  
artifacts. Layer 3 uses a short time “bit reservoir” buffer to address that need. Similar to a  
savings account, this buffer is filled in “easy times” with data bits that are not required for  
the actual frame. If a critical part occurs, the encoder can use the saved bits to code this  
part with a higher data rate.  
Ancillary Data  
The bit reservoir buffer offers an interesting capability: an effective solution for the  
inclusion of such ancillary data as text or control signaling. The data is held in a separate  
buffer and gated onto the output bitstream using the bits allocated for the reservoir  
buffer when they are not required for audio.  
5-6 CODING  
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Layer 3 Joint Stereo  
A joint stereo mode permits advantage to be taken from the redundancy in stereo  
program material. The encoder switches from discrete L/R to a matrixed L+R/L-R mode  
dynamically, depending upon the program content. The matrixed mode of operation  
takes of advantage of the usual redundancy of the “center” channel information and  
therefore significantly improves overall fidelity.  
WARNING!  
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Joint stereo takes advantage of the way sounds distribute themselves over a  
normal stereo field. If you’re transmitting two signals that don’t comprise a  
normal stereo field — as would be the case if you’re transmitting an MS  
matrixed signal or two totally independent audio channels — it won’t save you  
anything.  
CURIOSITY NOTE!  
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Layer 3 is the direct successor to the “ASPEC” algorithm, which was based on  
coding methods by Fraunhofer/University of Erlangen, AT&T, Thomson  
Consumer Electronics, and CNET (Centre National d’Edudes des  
Télécommunications).  
In the first tests for ISO in 1990, ASPEC showed the best sound quality, with an  
advantage at lower bit rates. The precursor to the Layer 2 algorithm — originally  
called MUSICAM1 — had the advantage of lower complexity and simpler  
processing. L3 came from a merging of both systems: For easier transcoding, L3  
adopted the L2 filterbank for the first stage, and the bitstream rate was adjusted.  
ISO/MPEG LAYER 2  
MPEG Layer 2 is the world’s most popular perceptual coding method, primarily because  
it’s easier and less expensive to implement — particularly at the encoder — and practical  
devices using it were available earlier than Layer 3. It’s a preferred choice for applications  
where very large data capacity is available, such as satellite links, high-capacity Primary  
ISDN or T1 circuits, and hard disk storage systems using Ethernet for signal distribution.  
We include it in ZephyrExpress to offer compatibility with the widest variety of codecs.  
Our implementation is the highest quality, using DSP code licensed directly from the  
algorithm’s primary inventor: the IRT in Munich.  
1 While “Musicam” was the original European developer’s name for a particular coding  
process, it was subsequently registered as a product trademark by a US company...  
forcing world-wide users to drop the name and use “Layer 2” instead. That company’s  
products and the internationally-accepted algorithm have nothing to do with each  
other, except that ISO/MPEG Layer 2 is one of the processes supported by the products.  
CODING  
5-7  
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Layer 2 Joint Stereo  
The Layer 2 joint stereo mode uses an “intensity coding” method. This method has high  
coding power and is quite effective, but hurts stereo separation on some program  
material. Audio above 3 kHz or so is combined to mono and panned to one of seven  
positions across the stereo stage.  
Layer 2 Mono-128  
ZephyrExpress lets you combine ISDN channels and use the resulting 112/128kbps data  
stream for a single Layer 2 monaural channel. Since a bigger data path is available, this  
mode uses the least compression and can give you the highest mono quality for  
particularly critical applications.  
G.722  
This technology pre-dates perceptual coding. It is much simpler than the transform  
methods, but suffers from poorer audio performance. It has the benefit of low cost and  
the unique advantage of low delay. It has been around as an international standard the  
longest and is probably the most widely used system. In our view, this technology is  
acceptable for mono voice where high fidelity is not necessary. It is good also for cueing  
and intercom channels.  
We have included G.722 in ZephyrExpress because:  
It has been the most popular coding method until recently so there are many of  
these codecs in use. Because it is a standard, codecs from various manufacturers have  
a good probability of being able to interwork with one-another. (We’ve tested with  
many units and have found no problems so far.)  
G.722 has the lowest delay of all popular coding methods.  
This method was invented in the late 70s and adopted as a standard in 1984 by the CCITT,  
the Consultive Committee for International Telephony and Telegraphy, a division of  
the United Nations. The technique used is Sub-Band ADPCM, Adaptive Delta Pulse Code  
Modulation, which achieves data reduction by transmitting only the difference between  
successive samples. G.722 does this in two audio frequency sub-bands: 50-4kHz and  
4kHz-7kHz.  
DEEP TECH NOTE!  
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Only two bits are allocated per sample for audio frequencies above 4 kHz –  
sufficient for conveying the sibilance in voice signals, but not very good for  
intricate musical sounds. Also, the “predictor model” used to determine the step  
size in the adaptive function is designed only for speech. This is why music  
transmitted via G.722 has a distinct ‘fuzzy’ quality.  
G.722 has a frequency response extending to 7 kHz with fairly poor fidelity. Unless there  
is no alternative, it should not be used for music.  
5-8 CODING  
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G.722 uses a procedure called “statistical recovery timing” or “statistical framing” to lock  
the decoder to the data stream. (We use the procedures specified in ANSI standard  
T1.306-1989.) This process usually happens instantaneously, but can take up to 30  
seconds.  
Other strange effects may be observed. Tones and noises may be present before locking  
occurs, and some continuous audio tones may cause momentary unlocking. Please note  
this is inherent in G.722’s statistical framing and is not an implementation problem with  
ZephyrExpress.  
IMPORTANT!  
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The locking can be sensitive to audio present on the G.722 path, as it relies on  
properties of the audio itself. Some audio material and tones can prevent lock  
from ever happening. Silence is the most reliable signal for locking, and  
undistorted voice is usually OK. The most common problems are with sine tones  
and distorted voice or music signals, in which case turning off the audio signal  
— or lowering it 12dB or so — for a few seconds will generally let the system  
relock. In very rare cases, it may be necessary to disconnect and redial.  
HOT TIP!  
Another characteristic of G.722’s statistical framing is that the decoder may  
remain locked despite serious corruption of the data, although audio fidelity will  
degrade. In cases where you are unable to get a good connection you may find  
this characteristic desirable, however you will find that the fidelity will be  
substantially less under these circumstances.  
CASCADING  
This section is preliminary, as coder cascading is an active field of investigation among  
algorithm designers, standards organizations, and users. Telos urges you to be wary and  
to let your own ears be the final judge until better information becomes available.  
Some of what we do know:  
Some recent CCIR tests have demonstrated that one pass of Layer 3 at 56/64kbps can  
be cascaded with 2 - 5 passes of Layer 2 operating at high (112kbps+/channel mono;  
192kbps+ Joint Stereo) bitrates with good results.  
Informal tests at the Telos lab with two passes of ZephyrExpress Layer 3 have proven  
successful, with listeners noticing no audible degradation, even on “difficult” CDs.  
Tests with APT-X followed by one or two passes of Layer 3 or one or two passes of  
Layer III followed by APT-X proved to be quite acceptable.  
One user has reported that two passes of ZephyrExpress Layer 3, followed by one pass  
of SEDAT, is OK. (Stereo program mode.)  
CODING  
5-9  
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The goal is to get as much “coding headroom” as possible at each stage. This is  
achieved when you:  
1. Use the most possible bits at each stage, with the least possible compression (for  
example, by lowering the sample rate, and using 64kbps rather than 56kbps  
connection), and/or  
2. Use the more powerful coding method of those available at each stage.  
At the moment, we offer the following advice:  
Use coders only where necessary. Consider the alternatives at each stage. With the  
cost of hard disk capacity falling, is it really necessary to crunch at that point?  
Use the maximum bitrate you can afford at each stage. Hard disk recorders and  
other studio systems often have an option to adjust this. For very critical work,  
remember that ZephyrExpress may be used in a mode where a mono program is  
split over two digital network channels.  
Get the Layer 3 advantage on low bitrate channels.  
The people at Fraunhofer IIS, who developed the Layer 3 algorithm, have introduced a  
perceptual coding analyzer. This device has the potential of making objective  
measurements a reality. We’ll be hearing more about this.  
Mixed MPEG Layer 2 And Layer 3 Signal Chains  
What about the case where you will be using Layers 2 and 3 in a signal chain? It turns out  
that the two methods are nicely complimentary.  
At low bit-rates, Layer 3 gets more signal-to-mask margin than Layer 2. This is why it  
performs better in the low bit-rate tests. It accomplishes this by using a filter bank with  
more bands, 576 vs 32. One effect of this is “time spread.” (More frequency resolution  
requires a longer time window. It’s a law of physics thing...) For a small number of  
passes (one or two), this is good, as the ear has masking in the time domain as well as the  
frequency domain, and Layer 3 naturally exploits this additional dimension. The down-  
side is that when many stages of Layer 3 are used at low bit-rates, the time spread can  
become audible (softening of transients and pre-echoes, mostly), and this is a bad thing.  
While Layer 2 does not have this problem, it has another. Because it is closer to the edge  
for s/n, multiple generations result in unmasking (noise and grit, mostly).  
But the ISO/MPEG people do not propose that a bunch of passes of Layer 3 be used. The  
idea is that Layer 3 be used at ISDN/SW56 bit-rates for field pick-up and that Layer 2 be  
used at higher bit-rates in other parts of the signal path.  
This is why the ISO group decided to recommend the Layers as they did: Layer 3 for  
64kbps/channel and Layer 2 for equal to or greater than 128kbps/mono channel.  
Our own experiments with codec cascading confirm that this is the right approach: the  
two coding methods seem to complement each other. Two passes of Layer 3 sound  
noticeably better than two of Layer 2; a pass of Layer 3 followed by a pass of Layer 2 also  
sounds better than two of Layer 2. And we’ve had customers who have used a pass, or  
two, of Layer 3 followed by SEDAT without evident problems.  
5-10 CODING  
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CHOOSING THE CODING METHOD FOR YOUR APPLICATION  
This chart describes and compares some of the important characteristics of each  
method. Because ZephyrExpress includes all three popular coding methods, it’s possible  
to choose the most appropriate one for each application.  
Audio Coding Comparison Chart  
Layer 3  
Layer 2  
G.722  
ADPCM  
7 kHz  
Algorithm  
Perceptual+Huffman Perceptual  
Audio Freq. Response/mono  
24 kHz sample rate, 64 kbps line  
32 kHz sample rate, 56 kbps line  
48 kHz sample rate, 64 kbps line  
48 kHz s/r, 128 kbps line**  
15 kHz  
15 kHz  
20 kHz  
8.6 kHz*  
7.8 kHz*  
9.8 kHz*  
20 kHz  
Audio Freq. Response/stereo  
at 32 kHz sample rate  
7 kHZ  
15 kHz  
20 kHz  
at 48 kHz sample rate  
20 kHz  
Delay at HALF/24 kHz  
Delay at 32 kHz/mono  
45 ms  
275 ms  
275 ms  
225 ms  
225 ms  
45 ms-  
45 ms-  
45 ms-  
45 ms-  
Delay at 32 kHz/dual mono  
Delay at 48 kHz/mono  
160 ms  
160 ms  
220 ms  
Delay at 48 kHz/dual mono  
Delay at 48 kHz/mono-128  
Delay at 32 kHz/stereo/jstereo  
Delay at 48 kHz/stereo/jstereo  
Joint Stereo  
390 ms  
45 ms-  
45 ms-  
270 ms  
220 ms  
MS Matrix  
64kbps/channel  
12:1  
Intensity Coding  
ISO Target Bit Rate  
128kbps/channel N/A  
Coding Power as In/Out Ratio  
Frequency Bands  
6-8:1***  
32  
4:1  
2
576  
Frequency Resolution (48 kHz)  
42 Hz  
750 Hz  
--  
* Layer 2 was not designed for the low bitrates of a single ISDN channel,  
so the response is deliberately limited in some Layer 2 conditions  
to reduce unpleasant high-frequency artifacts.  
** Requires two 64kbps ISDN channels.  
*** 12:1 in Intensity Joint Stereo mode  
-G.722 delay will vary. Spec is 35 ms +/- 10 msec for 45 ms maximum  
Delay times may vary depending upon ISDN line delay and other factors.  
Frequency response is given for swept sine test; response with program material  
may vary owing to the dynamic nature of the coding process.  
CODING  
5-11  
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Delay vs. Quality  
Looking at the chart, one thing that should be apparent is that there is a trade-off  
between delay and audio performance. Layer 3’s excellent audio performance requires a  
significant delay. This is because some of its power comes from the ability to analyze the  
audio over a relatively long period, and because the audio must traverse four DSPs in the  
encoder. Layer 2 requires the next longest delay, and G.722 has minimal delay.  
ZephyrExpress permits the coding mode for the send and receive paths to be indepen-  
dently chosen, so the choice may be optimized for the specific requirements of each  
direction.  
It is generally agreed that delays of over 10 ms make live monitoring difficult. When  
modes other than G.722 are used and live transmission of remote programs is required,  
operational methods like those routinely used with satellite links are a necessity. The  
manual section 4 (Audio) has more information on this topic.  
HOT TIP!  
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The “round-trip” delay in a typical remote broadcast may be reduced by using  
the G.722 algorithm for the return cueing path and Layer 3 or Layer 2 for only the  
on-air direction.  
Dual vs Stereo vs Joint Stereo in Layer 3  
With one transmission path,  
L3 DUALprovides mono capability.  
With two transmission paths,  
L3 DUALmode is simply two simultaneous mono channels.  
L3 STEREOmode compensates for any delay between the two transmission paths, but  
keeps the two audio channels completely independent.  
L3 JOINT(Joint Stereo) mode takes advantage of the redundancy which usually is  
present in stereo program material. The encoder switches from discrete L/R to  
matrixed L+R/L-R dynamically. When in L+R/L-R mode bits are allocated  
dynamically to these two bit-streams allowing maximum advantage be taken  
advantage of redundancy between the two channels.  
HOT TIP!  
h
In L3 Joint Stereo mode, when the program is completely mono, the full bitrate  
of the two transmission channels are combined, resulting in the best quality  
mono signal with ZephyrExpress. This could be used for particularly critical  
mono material. The identical signal must be fed to both send busses by setting  
the routing switch to AB for microphones inputs, or A+B for line inputs.  
5-12 CODING  
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IMPORTANT!  
w
The Layer 3 decoder in L3 STEREOmode requires that both ISDN lines be  
connected and operating in order for the decoder to function. Until both lines  
are present, the decoder will not output anything, even if the transmission  
mode at the distant studio is not stereo. Any data drop outs would cause  
interruption in both audio channels.  
If your application requires the ability for the two channels to come and go  
independently, such as when they are from independent sites, you must use  
G.722 That is the only decode mode which supports fully independent  
operation.  
Dual Site Operation  
It is possible to use the dual mono transmit mode to send to two receivers at different  
sites. Set the transmit mode to L3-DUALand dial Line 1 at each site.  
This topic is covered more thoroughly in section 7 (Menu Reference). Receive, if used,  
must be set to the G.722 mode. The Layer II/III decoder is unable to accommodate the  
independent signals.  
IMPORTANT!  
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You must make the call to the telephone number for Line 1. The mono Layer 2/3  
decoder will work only with signals coming in on the first line.  
Layer 2: Mono64kpbs vs MONO128; Dual vs JSTEREO  
With one transmission path,  
The only usable L2 setting is monaural, at 64kbps (L2 MONO64).  
COMPATIBILITY TIP!  
c
c
Layer 2 Mono64 is called simply Layer 2 Mono on Zephyr.  
With two transmission paths,  
L2 MONO128provides the best Layer 2 quality by combining both transmission paths  
to achieve a higher bitrate. This mode requires 2 data paths, or both ISDN lines.  
L2 STEREOmode is simply two simultaneous mono channels, with compensated  
delay to preserve phase. Fidelity is identical to L2 MONO64, since the algorithm can’t  
take advantage of redundancy between the channels.  
COMPATIBILITY TIP!  
Layer 2 Stereo is called Layer 2 Dual on some systems.  
CODING  
5-13  
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L2 JOINT(Joint Stereo) mode uses the “intensity coding” method in order to provide  
maximum quality for stereo program material. Delay is also compensated to  
preserve phase.  
Sampling Rate  
This option sets the sample rate for the transmitted and received coded audio.  
Input/output is independent and is set in the AES menus. The Layer 3 mode may be  
operated at either 48 kHz or 32 kHz sample rate.  
48 kHz offers lower delay and 20 kHz audio bandwidth. However, the 32 kHz rate is  
generally preferred for broadcast applications because no bits are wasted on frequencies  
above 15 kHz – which are usually not transmitted in analog broadcasting, anyway.  
Layer 2 primarily operates at 48kHz sample rate. However, the L2 HALF/24modes allow  
operation at 24kHz when this sample rate is desired, primarily when communicating  
with “single line” capable Layer 2 codecs.  
5-14 CODING  
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Compatibility  
Between Telos Codecs  
The table below shows which Zephyr or ZephyrExpress transmit and receive modes may  
operate with each other, the resulting audio bandwidth for each, and information  
which describes what happens to the audio channels when they are output from the  
decoder.  
Xmt Mode  
Rcv Mode  
Audio Resp.  
Notes:  
L3 DUAL (one Line)  
(Channel A)  
L3 MONO  
(Line 1)  
15/20kHz*  
Audio appears on both  
outputs.  
L3 DUAL (two Lines to L3 MONO  
two sites) (Line 1)  
15/20kHz*  
15/20kHz*  
15/20kHz*  
7.8/9.8kHz**  
20kHz  
Audio appears on both  
outputs at both sites.  
L3 DUAL (two Lines to L3 STEREO  
one site)  
Audio output channels  
correspond to input.  
L3 JSTEREO or  
STEREO  
L3 STEREO  
Audio output channels  
correspond to input.  
L2 MONO64  
L2  
Audio appears on both  
outputs.  
L2 MONO128  
(Channel A)  
L2  
Audio appears on both  
outputs.  
L2 JSTEREO  
L2 DUAL  
L2 HALF/24  
G.722  
L2  
20kHz  
Audio output channels  
correspond to input.  
L2  
7.8/9.8kHz**  
8.6kHz  
Audio output channels  
correspond to input.  
L2 HALF/24  
G.722  
Audio appears on both  
outputs.  
7kHz  
Audio output corresponds  
to Line connection.  
* Depending upon sampling rate: 15kHz at 32 kHz; 20kHz at 48 kHz.  
** Depending upon bitrate: 8kHz at 56kbps; 11kHz at 64kbps.  
As well, both transmission bitrate and audio sampling rate must correspond in order for  
operation to occur.  
With Non-Telos Equipment  
Layer 2 offers compatibility with the widest variety of non-Telos equipment.  
ZephyrExpress bitstream is in standard ISO format and may be used to communicate  
with any codec supporting this standard. In modes which require two ISDN channels,  
the channel-splitting (IMUX) method becomes an issue. ZephyrExpress supports the  
CDQ splitting scheme, so it may be used with the codecs from a variety of vendors  
which support this mode.  
CODING  
5-15  
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While Layer 3 is a more complex algorithm to implement and so took longer to be  
supported, some non-Telos boxes can now communicate with Layer 3. Our  
implementation follows the strict ISO/MPEG standard.  
ZephyrExpress’ G.722 mode offers compatibility with almost all codecs which use this  
coding method, and which do not use the rare H.221 framing scheme.  
Section 7 (Menu Reference) includes more information that may be helpful in picking a  
standard for compatibility. The Appendix contains a section detailing known problems  
with non-Telos equipment.  
5-16 CODING  
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A
J
APT-X · 5-2  
joint stereo · 5-7, 5-8, 5-12, 5-13  
audio coding · 5-2  
L
B
Layer 2 · 5-7, 5-10, 5-11, 5-13  
Layer 3 · 5-3, 5-5, 5-10  
bandwidth · 5-14  
bit reservoir · 5-6  
M
C
masking · 5-3  
cascading coders · 5-9  
CCITT · 5-8  
mono128 · 5-13  
Mono-128 · 5-8  
coding methods · 5-2  
coding methods, comparing · 5-11  
compatibility · 5-15  
multi-band compression · 5-5  
multiple codecs · 5-9  
Musicam · 5-7  
D
P
delay · 5-12  
perceptual coding · 5-2  
dual mono · 5-13  
dynamic range · 5-2  
R
redundancy · 5-6  
F
S
filterbank · 5-4, 5-5  
Fraunhofer · 5-7, 5-10  
sample rate · 5-14  
SEDAT · 5-9, 5-10  
G
statistical framing · 5-9  
stereo modes · 5-12  
G.722 · 5-2, 5-8, 5-11, 5-15, 5-16  
I
ISO/MPEG · 5-2  
CODING  
5-17  
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SECTION 6  
MENU REFERENCE  
The Menu System  
A typical menu  
6-2  
6-2  
6-3  
6-4  
Navigation Shortcuts  
Getting HELP  
Menu Overview  
6-5  
Using Setups  
6-6  
6-6  
6-6  
6-7  
Applying a Setup  
Creating or Changing a Setup  
Master Setups  
Applying a Master Setup  
6-7  
Creating or Changing a Master Setup  
Auto-creating a new Master Setup  
Manually creating a Master Setup  
Updating an existing Master Setup  
Deleting a Master Setup  
6-8  
6-8  
6-9  
6-9  
6-9  
Autodial Setups  
6-10  
6-10  
6-10  
Creating a new Autodial  
Editing or deleting an Autodial  
Menu Details  
Codec menu  
6-11  
6-11  
Audio menu  
6-13  
6-15  
6-17  
6-19  
ISDN menu  
System menu  
Safe mode menu  
MENUS  
6-1  
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The Menu System  
ZephyrExpress’ operating parameters are set through a series of nested menus, organ-  
ized by function. Many menu items are “live” — changing the value makes an immedi-  
ate change in ZephyrExpress’ behavior — and every item is supported by specific, unique  
online HELP. To find out what a item menu does (without reading this section), high-  
light it and press the HELP button.  
HOT TIP!  
h
w
You can pre-program ZephyrExpress to simplify operation, so a field engineer  
never has to open any menus — even if the unit is used at multiple sites, with  
different codec and ISDN requirements. See “Master Setups”, page 6-7.  
You can lock any or all menus so they can’t be accidentally changed in the field.  
See “Safe Mode”, page 6-19.  
IMPORTANT NOTE!  
If a menu item is locked, you’ll see the message This menu is disabled in SAFE  
mode for your own security!when you try to change it.Don’t be offended.  
Instead, take a small screwdriver or ball-point pen1 and flip the SAFE switch on  
the rear panel. The red SAFE light on the front panel will go out, and you’ll be  
able to change the menu settings.  
A typical menu  
Menu Name  
Takes you to next  
higher menu  
Higlighted item (gray)  
This item is a submenu  
This item is a setting  
Scrollbar  
Description of  
highlighted item  
Menus are navigated by turning the EDIT knob to scroll up and down, highlighting each  
item in turn. Most menus have more than four choices, so there may be additional lines  
scrolled off the top or bottom. The Scrollbar on the side of the screen moves up and  
down like an elevator car, to show you how far you’ve scrolled through the available  
lines.  
When you highlight an item, it turns gray.  
1 Don’t use a pencil. The graphite tip can break off and cause shorts inside ZephyrEx-  
press. This happened to one of our early field units, and it wasn’t pretty.  
6-2 MENUS  
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If the item is all text or numbers (such as Line sens Profess), it directly changes  
this operating parameter. Select it by pressing EDIT, and you can change its setting..  
If the item has an arrow icon (such as Microphones  
), it opens up a submenu when  
EDIT  
you press  
. Here you’ll find additional choices related to the item (in this case,  
you can set each microphone’s sensitivity, phantom power, and so on).  
The top item in any menu is an bent arrow, facing up (  
item, it takes you back to the menu immediately above.  
). When you select this  
Default  
The second item in most menus is a Setting (  
in the picture). Selecting this  
item changes all every parameter below it to a preset value. Settings are programmed  
at the factory or by the user. This feature is described fully on page 6-6.  
Once you’ve highlighted the item you want to change, tap EDIT in toward the panel. The  
item will turn black to indicate it’s selected.  
Selected item (black)  
Brackets indicate this  
setting is currently active  
Asterisk indicates factory preset  
If you turn EDIT when an item is selected, you can adjust the item’s setting. In the picture  
above, a Setup is selected: turning EDIT brings up a list of other Audio setups. If you had  
selected Line Sens, turning EDIT would it would let you choose Professor Consumersen-  
sitivity.  
While you’re going through the possible settings for any item, brackets (such as  
[Default*]for the audio setup) indicate the currently active value.  
Possible settings may be on either side of the current one. Turn EDIT both ways to see  
them all.  
If the name of a preset has an asterisk, it was programmed at the factory.  
When you’ve found the right setting for a selected item, press EDIT to confirm. This  
changes that item to match the setting.  
Navigation Shortcuts  
From any menu, press and hold EDIT in toward the panel for more than three sec-  
onds, and you’ll jump to the parent menu. Continue holding EDIT in, and you’ll keep  
jumping to higher levels until you reach the Status screen.  
Hold EDIT in while you turn it one click clockwise, to jump to the bottom item on any  
menu. In most high-level menus, this is the setupsitem.  
MENUS  
6-3  
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Hold EDIT in and turn it one click counter-clockwise, to jump to the top item on any  
menu. In menus, this is , taking you to the next higher menu or the Utility  
screen. In the Utility screen, this takes you back to the Status screen.  
HOT TIP!  
h
The shortcut above means you can hold EDIT in and spin it many clicks counter-  
clockwise to return to the Status screen... no matter how deep you are in the  
menu system. This is often the fastest way to escape from menus.  
Getting HELP  
ZephyrExpress’ context-sensitive HELP system is always aware of which menu item  
you’ve highlighted, and will report complete details on how that item works and its  
possible settings.  
For example, if you highlight the Codec: Compatibilityitem...  
...and then press HELP, you’ll see a description of how to choose the right Compatibility  
setting:  
Most Help screens are larger than four lines. A white arrow in the top line (  
) means  
you can scroll up. A black arrow in the bottom line ( ) means you can scroll down.  
HOT TIP!  
h
?
When the Status screen is showing, doing anything at all to the EDIT knob —  
pressing it, or turning it in either direction — will display general help.  
When you’re finished looking at Help, press EDIT toward the panel to return to where  
you were.  
WE’RE NOT FORTUNE TELLERS...  
Telos Systems is continuously updating and improving ZephyrExpress’ features,  
so this manual —based on software 1.2.1 — might not accurately reflect every-  
thing you see on your screen.  
Even if your manual is older than your software, items that are described will  
work according to the manual. And you can always press HELP while highlight-  
ing anything that was invented after we wrote this book.  
6-4 MENUS  
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Menu Overview  
Utility Menu  
Codec  
ISDN  
Switch type  
SPID #1  
SPID #2  
DN #1  
DN #2  
MSN #1  
MSN #2  
Outside Line  
Panic Dial  
Transmit  
Receive  
Bitrate  
Sample Rate  
Compatibility  
Ancill Data  
Status Out  
Loop Mode  
Contacts Out  
Codec Setups  
Audio  
System  
LCD Contrast  
LCD Backlight  
Click Volume  
POTS Volume  
Menu Timeout  
Baud Rate  
Microphones  
Mic 1  
Sensitivity  
Mic 1  
Sensitivity  
Phantom Power  
Low Cut Filter  
Test Tone  
Phantom Power  
Low Cut Filter  
Test Tone  
Set Time  
Software  
About...  
Limiter Bypass  
Line Sensitivity  
Safe Mode  
Codec  
Mon 1 Xmt Pan  
A Setting  
Mon 1 Rcv Pan  
A Setting  
Audio  
ISDN  
B Setting  
B Setting  
AB setting A  
AB setting B  
AB setting A  
AB setting B  
System  
Channel Assign  
Manual Dial  
Autodial  
Mon 2 Xmt Pan  
A Setting  
Mon 2 Rcv Pan  
A Setting  
B Setting  
AB setting A  
AB setting B  
B Setting  
AB setting A  
AB setting B  
Master  
Autodial  
MENUS  
6-5  
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Using Setups  
Codec Setup  
Items  
The first text item in any menu is an automatic Setupfunction, which applies pre-  
programmed values to all the items in that menu. Setups can be preset at the factory or  
created by the user. Factory-built setups are indicated with an asterisk at the end of their  
names. Custom setups are saved through a menu item at the bottom of each menu.  
In the picture above, L3 mono*is a factory-supplied setup. Like any other codec setup, it  
changes all of the items in the Codec menu — not just Transmitand Receive, but also the  
Bitrate, Sample rate, and other items you’d see if you scrolled down.  
HOT TIP!  
h
Custom setups are a great way to change all the items in a menu quickly as you  
use ZephyrExpress for different kinds of remotes. If you create a custom ISDN  
setup for each venue where ZephyrExpress is used, you won’t have to worry  
about SPIDs or other critical numbers being mis-entered in the field.  
Applying a Setup  
To apply a setup, highlight the setup name at the top of a menu and press EDIT to select it.  
Then turn EDIT to scroll through the possible setups for that menu. The currently-applied  
setup will have brackets around its name. Be sure to turn EDIT in both directions: there  
may be setups on both sides of the current one.  
When you find the desired setup, press EDIT to confirm. You’ll see a confirmation screen  
with the message Do you really want to activate this setup?Turn EDIT to highlight  
Yes, and press it to confirm.  
You can still change any menu item’s setting manually, even after applying a setup.  
Creating or Changing a Setup  
HOT TIP!  
h
You can use Master Setups — described on page 7 — to change multiple Setups  
simultaneously.  
The last item in any menu is the Setupssubmenu. Before selecting it, make sure the  
menu has all the items set the way you’d like them stored for the new or modified setup.  
Then select Setups. You’ll see a screen like this:  
6-6 MENUS  
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Select the Actionfield and choose from Create new, Update, Activate, View, or Delete.  
Then confirm.  
If you’re creating a new setup, you’ll then be able to enter a name using the keypad. After  
you confirm the name, the Go!box will be selected. Press EDIT again to confirm, and all  
the current settings for this menu will be stored with that name.  
If you’re updating an existing setup, the Name field will display the existing setups for  
this menu. Select one and the Go!box will be selected. Press EDIT again, and — after a  
confirmation screen — all the values for this setup will be changed to match the current  
menu settings. You can’t update a setup that was programmed at the factor (indicated by  
an asterisk in its name).  
If you’re Deleting a setup, select it the same way. When you confirm Go!, you’ll see the  
message Do you really want to delete this setup?Select Yesand confirm. You can’t  
delete a setup that’s used in a Master setup (below); delete or change that Master setup  
first. You also can’t delete a setup that was preset at the factory.  
You can also use Activateto apply a setupfrom this screen, but it’s faster to use the setup  
item at the top of the menu.  
Master Setups  
Master Setup  
Menus  
The top item in the Utility screen is the Master setup It works like individual menu setups,  
but can change all the menus at once. You can use factory-supplied Master setups or cre-  
ate your own.  
HOT TIP!  
h
Master setups don’t have to change every menu, so you can create your own for  
particular kinds of remotes — say, Talkshowor News Eventor Concert— that  
modify just the Audioand Codecmenus without affecting the ISDNsetups for a  
venue.  
Applying a Master Setup  
Highlight the top line of the Utility screen and press EDIT to select it. Then turn EDIT to  
scroll through the possible Master setups. The currently-applied setup will have brackets  
around its name. Be sure to turn EDIT in both directions: there may be setups on both  
sides of the current one.  
MENUS  
6-7  
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When you find the desired setup, press EDIT to confirm. You’ll see a confirmation screen  
with the message Do you really want to activate this setup?Turn EDIT to highlight  
Yes, and press it to confirm.  
You can still change individual menu items setting manually, even after applying a Mas-  
ter setup.  
HOT TIP!  
h
Auto-Dial Setups (page 10) can include a Master Setup. Then, when you select  
that Auto-Dial number the Maser Setup will be applied automatically.  
Creating or Changing a Master Setup  
The next-to-last item in the Utility screen is the MasterSetupsmenu. Master setups can  
be created automatically, capturing the current setups of every ZephyrExpress menu, or  
they can be created by manually selecting just the menus you want this Master setup to  
control.  
If you’re intending to auto-create a Master setup, make sure all of ZephyrExpress’ menus  
are set the way you’d like them before selecting the Master Setups menu.  
When you select MasterSetups, you’ll see a screen like this:  
Select the Actionfield and choose from Create new, Auto create1, Update, Activate,  
View, or Delete. Then confirm.  
Auto-creating a new Master Setup  
The easiest way to create a Master Setup is to let ZephyrExpress do it for you. If you  
confirmed Action: Auto create, you’ll then be able to enter a name for this new Master  
Setup. When you then select the Go!box and confirm, ZephyrExpress will scan each  
menu. If a menu setup is currently active, it will note which one; if you’ve manually  
entered settings for that menu, it will create a new menu setup with the same name as the  
new Master Setup. Then it will store all of the individual menu setups as the new Master.  
NOTE!  
w
Auto-created Master setups change every ZephyrExpress setting when they’re  
applied. You can’t Auto-create a Master that will just affect a few menus and  
leave others unchanged. You can, however, update previously auto-created  
Master setups to ignore particular menus.  
1 May be appear with brackets as [Auto crea...], if it’s the last way you used this screen.  
6-8 MENUS  
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Manually creating a Master Setup  
You can also create Master Setups by picking and choosing individual setups, letting the  
system auto-create setups only for specfic menus, and telling the system not to change  
other menus when the Master Setup is applied.  
After you select Create Newand enter a setup name, the screen will scroll down to show a  
list of ZephyrExpress menus, such as Codecin the screen shot below:  
Choose a menu setup to be stored with this Master setup. You can select from  
Any existing setup for that individual menu;  
or (custom), which will create a new menu setup with the same name as the Master  
setup;  
or (none), which will tell the Master setup to leave that menu’s settings unchanged.  
After you’ve selected what this Master setup should do for each menu, select the Go!box.  
You’ll be shown a confirmation screen; select Yesto store the setup.  
Updating an existing Master Setup  
After you select an existing Master setup in the Namefield, you be given a scrolling list of  
menus identical to the one used when manually creating a Master setup. Follow the in-  
structions above to select an existing menu setup, a custom one, or none.  
You can’t update a Master Setup that was preset by Telos ( indicated with an asterisk in its  
name).  
Deleting a Master Setup  
After you select an existing Master setup in the Namefield, select the Go!box. Then select  
Yesin the confirmation screen to delete the Master setup.  
Deleting a Master Setup does not delete individual menu setups, even if they were auto-  
created when you created the Master.  
You can’t delete a Master Setup that was preset by Telos ( indicated with an asterisk in its  
name). We’re very retentive about these things.  
MENUS  
6-9  
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Autodial Setups  
The last item in the Utility screen lets you pre-program numbers for auto-dialing (see the  
dialing instructions in Section 3, Hardware). When you select it, you’ll see a screen like  
this:  
In the Actionfield, you can select Create new, Update, View, and Delete.  
Creating a new Autodial  
If you select Create New, you’ll be able to enter a Namefor the setup This name will appear  
in the scrolling list when a user selects Autodialfrom the DIAL button.  
After you confirm the name, you’ll see scrolling fields where you can enter telephone  
Number1and Number2for the two lines, a Call typefor each line (either Zephyror analog  
Phone), and a Mastersetup to be invoked when this autodial entry is used. You may enter  
only one phone number if you prefer. You may set Mastercan be set to (none) if you  
don’t want to automatically invoke a Master setup when the Autodial is used.  
After you confirm the Master, the Go!box will be selected. Press EDIT to store the setup.  
Editing or deleting an Autodial  
If you selected Updateas the Action, the Namefield will display a scrolling list of existing  
Autodial setups. Select one, and then change data as necessary in the scrolling fields be-  
low it. Then select the Go!box and confirm.  
If you selected Deleteas the Action, the Namefield will also display a scrolling list. When  
you select one, the Go! box will be selected. Press Edit to confirm, and select Yesin the  
confirmation screen that appears. You can’t delete a factory-preset Autodial: these are  
Telos’ ISDN test lines, and we want them to be available for every user.  
6-10 MENUS  
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Menu Details  
Codecmenu  
The first item in this menu is the Codec Setup. See page 6-6.  
Transmit  
Selects the transmit coding algorithm1:  
L3-DUAL  
L3-STEREO  
L3-JOINT  
G.722  
L2-MONO64  
L2-MONO128  
L2-DUAL (may appear as L2-STEREO)  
L2-JOINT  
L2-HALF/24  
Receive  
Selects the receive coding algorithm2:  
L3-STEREO  
L3-MONO  
G.722  
L2  
L2-HALF/24  
Bitrate  
56kbpsor 64kpbsper ISDN channel3. Both lines will use the same rate.  
In most modes, ZephyrExpress will automatically adapt to the in-  
coming bitrate when accepting a data call. The bitrate can be changed  
while a call is in progress, but audio will be lost while the system re-  
synchronizes. If the bitrate is manually changed while a call is in pro-  
gress, ZephyrExpress can’t auto-adapt and audio will be lost until it’s  
changed back.  
1 The distant receiver must be compatible. You can use the DUALmono or G.722settings to  
send to two sites at once. Details on choosing an appropriate algorithm appear in Section  
5, Coding.  
2 The distant transmitter must compatible. ZephyrExpress can use different receive and  
transmit algorithms at the same time.  
3 We refer to a per-line bitrate, even for two-line calls. Some other manufacturers refer to  
the total bitrate of 112kbps or 128kpbs for two-line calls. It means the same thing.  
MENUS  
6-11  
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ISDN TIP!  
i
c
Some long-distance connections don’t support 64kbps. If ZephyrExpress won’t  
lock under these circumstances, both you and the distant site should change to  
56kbps.  
Sample Rate  
32kHzor 48kHz. Codec sampling rates can be selected for Layer III  
(32kHz or 48kHz) and Layer II (48kHz only). Layer II can also operate  
at 24 kHz using the special L2 HALF/24 transmit and receive modes.  
Layer III provides 15kHz audio at 32kHz sampling and 20kHz audio at  
48kHz sampling. 32kHz sampling is recommended for Layer III be-  
cause it results in fewer coding artifacts. You are in the best position to  
judge if the wider audio response of 48kHz sampling is appropriate  
for your application and you should feel free to experiment.  
The sampling rate for G.722 (16kHz) is automatically configured by  
Zephyr.  
COMPATIBILITY TIP!  
If incoming audio sounds pitch-shifted, ZephyrExpress’ sample rate doesn’t  
agree with the distant studio’s. Change it to match... or enjoy the effect.  
Compatibility Zephyr — Use this mode with most other modern codecs  
Dialog4— This mode enables the a frame slipping/repetition feature  
to avoid occasional dropouts when receiving from most Dialog4  
codecs  
Slimline — This also enables the frame slip feature, and inverts the  
Layer 3 bitstream data to match Dialog4 Slimline codecs  
Ancill Data  
For future software options  
Status Out  
Selects the condition which activates pin 3 of the parallel port2:  
DecLockWhen decoder is locked  
Line 1When ISDN Line 1 connects  
Line 2 When ISDN Line 2 connects  
Line 1&2When both Lines 1 and 2 are connected  
Line 1or2When either Line 1 or 2 connects  
1 Details on this feature are in Section 6, System Functions. Connection details are in Sec-  
tion 3, Hardware.  
2 See previous footnote.  
6-12 MENUS  
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Loop Mode  
Used for testing (see Troubleshooting, section 9)  
Off(Normal operation is possible)  
Far(Incoming ISDN immediately routed back to ISDN line)  
Near(Local encoded audio immediately routed to local decoder)  
IMPORTANT NOTE!  
w
h
Normal operation is impossible unless Loop Modeis Off. When this mode is on,  
[Loop Mode]is displayed in the upper right of the Status Screen.  
The level meters are disabled in Loop Mode: Far, and the middle LED of each is lit  
as a reminder.  
Contacts Out Lets you program the parallel contacts for testing1  
Normal(Contacts reflect incoming Ancillary Data)  
0000, 0001, 0010, 0011...  
...1111(Any 4-bit pattern can be forced to parallel contacts when you  
press EDIT)  
Codec setups See Setups, page 6-6.  
Audiomenu  
The first item in this menu is the Audio Setup. See page 6-6.  
Microphones  
Opens the Microphones submenu  
Opens the Microphone 1 submenu  
Mic1  
Sensitivity Selects the nominal level for a full scale reading on the me-  
ters with the microphone’s level control fully up.  
High +60dBfor most ribbon mics  
Mid +45dBfor most dynamic and condenser mics  
Low +30dBfor hot condenser mics or dynamic mics in very  
loud surroundings.  
Line +1dBto use the input with line-level sources.  
HOT TIP!  
The MIC 1 routing LEDs also function as preamp clipping indicators. If they’re  
lighting up in red, lower the sensitivity.  
1 See two footnotes ago.  
MENUS  
6-13  
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Phantom Power Applies +48vdc in a phantom configuration1.  
On  
Off Phantom power is automatically turned off when you  
select Sensitivity: line.  
WARNING!  
w
If you apply phantom power to an unbalanced microphone, or to a mic with  
shorted wiring or cables, you may damage the microphone and ZephyrExpress.  
Don’t use phantom power unless you’re using a condenser microphone that  
you’re sure is wired for it.  
Low Cut Filter  
Applies a gentle filter2 to reduce wind noise, popped plo-  
sives, and building rumble. It’s a good idea to leave this on  
for all voice applications, and turn it off for music transmis-  
sions.  
Mic 1 test tone Substitutes an 860Hz sine wave for the microphone’s  
signal, for testing the ISDN connection and setting nominal  
volumes through the broadcast chain. The tone’s routing  
and level are adjusted by the front-panel MIC 1 controls.  
— Mic 2  
Sensitivity See Mic 1 submenu, above.  
Phantom Power  
Low Cut Filter  
Mic 2 test tone  
"
"
"
Limiter bypass  
The limiter is applied to both microphones at once  
to preserve stereo imaging.  
— Line Sens  
Both line inputs are switched simultaneously.  
Professional(+4dBu nominal)  
Consumer(-10dBu nominal).  
HOT TIP!  
h
The line inputs remain electrically balanced even when Consumeris selected. You  
can use this to support long cable lengths (with a transformer at the other end),  
or for phase inversion. For unbalanced wiring details, see Section 5 Hardware.  
1 See Section 4, Audio.  
2 -3.75 dB @ 100 Hz; -10 dB @ 40 Hz.  
6-14 MENUS  
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Mon1 XMT pan Opens the Monitor 1 Send panning submenu.  
A setting Sets how the Send A bus signal is panned when Monitor 1’s A-only  
routing is used.  
B setting Sets how the Send B bus signal is panned when Monitor 1’s B-only  
routing is used.  
AB setting A  
Sets how the Send A bus signal is panned when Monitor 1’s  
Sets how the Send B bus signal is panned when Monitor 1’s  
AB routing is used.  
AB setting B  
AB routing is used.  
HOT TIP!  
h
ZephyrExpress’ monitor panning is a sophisticated feature designed to support  
complex routing and mix-minus configurations in the field. Read about it in Sec-  
tion 4, Audio.  
Mon1 RCV Pan Opens the Monitor 1 Receive panning submenu. See above.  
Mon2 XMT Pan Opens the Monitor 2 Send panning submenu. Ditto.  
Mon2 RCV Pan Opens the Monitor 2 Send panning submenu. And again.  
Audio Setups See Setups, page 6-6  
ISDNmenu  
The first item in this menu is the ISDN Setup. See page 6-6.  
Switch Type Selects the ISDN switch protocol, and must match information given  
to you by the telephone company1.  
Ntl.I-1  
PTP  
National ISDN -1, the most common switch in the US.  
AT&T Point-to-Point; also for DMS-100 Custom ISDN.  
European ISDN  
ETS300  
1 ZephyrExpress will not be able to communicate with an ISDN line if this information is  
wrong. See section 7, ISDN, for complete details.  
MENUS  
6-15  
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ISDN TIP!  
i
When you confirm a change of Switch Type, ZephyrExpress tries to resynchronize  
the line.  
If you’re sure you’ve entered the correct type but the Status screen doesn’t show  
Ready Ready, try changing the type to something else and confirming. Then  
change it back and confirm again: this often fixes a balky line.  
SPID#1  
Service Profile Identification Number. Required only by Ntl.I-1.  
"
SPID#2  
DN#1  
Directory Number (7 digits).  
DN#2  
" Some circuits will use the same number for both 1 and 2.  
MSN#1  
Multiple Subscriber Number. Used with Euro ISDN to control which  
number will ring this line.  
MSN#2  
"
ISDN TIP!  
i
i
Only one category of numbers — SPID, DN, or MSN — should generally be  
used. The others should remain blank.  
ISDN TIP!  
These numbers usually don’t have punctuation. If the installer has given you  
numbers with hyphens or parentheses, enter the numerals only.  
Outside line prefix  
Number to be automatically applied before dialing.  
Used when an internal phone system requires an access code — such  
as 9 — to reach outside numbers.  
HOT TIP!  
h
You can also use the Outside line prefixto pre-dial a “1010-xxx” code for an al-  
ternative long distance carrier. But if you won’t be able to dial local numbers un-  
til you remove this prefix.  
6-16 MENUS  
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Panic dial  
Lets you choose a dialing setup to be activated when pin 7 of the par-  
allel remote control is pulled to ground. Pin 7 must be held to ground  
until you want to drop the call.  
HOT TIP!  
h
It’s not just for panics. You can use the Panic Dial feature for automatic backup  
of a satellite or alternative ISDN system by connecting it to that system’s Lock  
output. Or connect it to a timer for automatic activation at repeating unsuper-  
vised events (such as daily press conferences or meetings), or to an SPST switch  
for one-touch access to the studio.  
ISDN Setups  
See Setups, page 6-6  
Systemmenu  
The first item in this menu is the System Setup. See page 6-6.  
Contrast  
Adjusts the LCD display’s contrast for different viewing angles  
Adjusts the LCD display’s backlighting  
Backlight  
ADJUSTING A BLANK SCREEN  
h
If someone has left the Contrastor Backlightat a position where the screen is  
invisible, you’ll have a hard time finding these menu items to reset them.  
To reset contrast from any screen, press DIAL and hold that button in while you  
turn EDIT.  
To reset backlighting from any screen, press DROP and hold it in while you turn  
EDIT.  
Click Volume Adjusts the volume of all of ZephyrExpress’ button and menu re-  
sponse sounds. Can be set to 0 for quiet operation.  
POTS volume  
Adjusts the volume of the internal speaker when ZephyrExpress is  
connected to an analog call. Can be used as an alert for incoming  
calls1, or set to 0 for quiet operation.  
Menu timeout Sets the length of inactivity before ZephyrExpress reverts to the next  
higher-level menu. The timer starts again at the higher menu, and  
will keep reverting until it reaches the Status screen.  
1 You might need the alert because ZephyrExpress picks up on the first ring... so there  
won’t be a long ringing sound.  
MENUS  
6-17  
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15 seconds  
30 seconds  
1 minute  
5 minutes  
30 minutes  
Never  
Baud rate  
Sets the rate in bits per second1 for RS-232 remote control. The serial  
format is always 8 bits, no parity, one stop bit (8N1). See section 6,  
System Level functions.  
System Setups See Setups, page 6-6  
Set time  
ZephyrExpress’ clock will keep track of the time and date in US or  
European styles, depending on how you enter it. To set the clock, se-  
lect this item and enter the current date and time according to the in-  
structions below. Hours are in military (24-hour) format. You may  
enter the year as two digits if you prefer; the Y2K rollover is hardly  
relevant to ZephyrExpress. You may omit entering the seconds if you  
prefer.  
To set the clock for US-style dates, enter the date and time using this  
format. The pound sign — # — is used as the separator.  
mm#dd#yyyy#hh#mm#ss  
For example, 1:00 PM on De-  
cember 25, 1999, would be entered as 12#25#1999#13#00#00, or  
— if you shorten the year and omit the seconds — as  
12#25#99#13#00.  
To set the clock for European-style dates, enter the date and time  
using this format. The star sign — * — is used as the separator:  
dd*mm*yyyy*hh*mm*ss  
For example, 11:30 AM on Janu-  
ary 5, 2000, would be entered as 05*01*2000*11*30*00, or — if  
you shorten the year and omit the seconds — as  
05*01*00*11*30.  
Software  
The first four choices of this item are used when installing new soft-  
ware versions. See section 6, System Functions, or the instructions  
that are shipped with the software.  
This item also includes two choices for resetting ZephyrExpress in  
case of system problems:  
Reboot— This reloads the software without restarting the hardware  
(“warm boot”).  
Hart Reset— This restarts the hardware and reloads the software  
(“cold boot”).  
1 Most people confuse Baud rate, used in low-speed modems, with bits per second. But  
they’re not the same thing. Bits per second is correct in this application — goodness,  
you’d expect us to know that — but we couldn’t fit it on the LCD.  
6-18 MENUS  
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When you select either choice, you’ll see a confirmation screen. Se-  
lect Yesto reset ZephyrExpress.  
About...  
When you select this item, you’ll see a screen like this:  
V1.2.1/2.36is the version number. 16.07.1998 12:39reflects when  
the software was compiled.  
If your ZephyrExpress’ Aboutscreen shows a lower version number,  
you have old software. If yours shows a significantly higher version  
number, this manual is probably out-of-date. In either case, contact  
Telos customer support.  
Safe modemenu  
The first item in this menu is the Safe Mode Setup. See page 6-6.  
The other items in this menu can be set to Blockor Allow, to determine whether a user  
can change the settings for that item when SAFE MODE is turned on from the back panel.  
See section 3, Hardware, and the front of this section for details.  
Codec  
Audio  
ISDN  
Locks the Codec menu  
Locks the Audio menu  
Locks the ISDN menu  
Locks the System menu  
System  
Channelassign Locks the front-panel MIC, LINE , and MONITOR routing buttons  
Manual dial  
Prevents the user from manually entering a phone number to dial.  
Autodial  
Prevents the user from dialing a preprogrammed number. This is  
most useful when using a contact closure or logic level to initiate a call  
through the Panic Dial feature.  
Safe Setups  
See Setups, page 6-6  
HOT TIP!  
h
Locked menus are still viewable from the menu system, even when SAFE MODE is  
on. They just can’t be changed. This is so a remote user can report the settings of  
a unit without changing the lock mode.  
MENUS  
6-19  
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A
L
access code · 6-16  
arrow icon · 6-3  
autodial · 6-10  
line inputs · 6-14  
lock · 6-2  
Loop Mode · 6-13  
D
M
Dialog4 · 6-12  
menu navigating · 6-3  
menu overview · 6-5  
G
menu system · 6-2  
menu, detailed description · 6-11  
G.722 · 6-11  
S
H
SAFE · 6-2  
help button · 6-2  
Help system · 6-4  
safe mode · 6-19  
Settings · 6-3  
setup · 6-6, 6-7, 6-9, 6-10  
setup, auto-create · 6-8  
Slimline · 6-12  
K
keypad · 6-7  
software updates · 6-4  
6-20 MENUS  
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SECTION 7  
ISDN  
ISDN BASICS  
7-2  
Background  
7-2  
The Basic Rate Interface (BRI)  
7-3  
7-4  
7-6  
7-6  
SPIDS  
Directory Numbers (DNs)  
Long-Distance Digital Connectivity  
HOW TO ORDER ISDN  
Dealing with The Phone Company  
Details, Details  
7-7  
7-7  
7-8  
ZephyrExpress ISDN Compatibility  
7-9  
Protocols  
7-9  
Ordering: Central Office Switches and Protocols  
National ISDN-1 (USA and Canada)  
7-10  
7-10  
7-11  
AT&T Point-to-Point (Custom) (USA, Japan, Israel, some others)  
AT&T Point-to-Multipoint (Custom)  
7-12  
7-12  
7-13  
Northern Telecom DMS100 ‘Functional’ (Custom, PVC1) (USA, Canada, some others)  
Euro-ISDN (Europe, Hong Kong, some others)  
ISDN  
7-1  
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ISDN BASICS  
Background  
Like just about every other aspect of our high-tech world, telephones have been making  
a transition from analog to digital. Digital telephone transmission services — originally  
intended just to make basic voice calls more cost-effective — have also made the high-  
quality transmissions of ZephyrExpress possible.  
The first significant users of digital audio techniques were the phone companies: In the  
mid 60’s a digital transmission method called “T-carrier” began to be widely deployed to  
expand the voice-channel carrying capacity of existing copper wires. Engineers discov-  
ered that these wires, originally installed for simple single-channel analog, were capable  
of much higher bandwidth than the 3.4 kHz required for speech. Indeed, it was deter-  
mined that two of these pairs could be made to relay 24 voice conversations – if they were  
digitized and appropriately multiplexed. Thus was born the basic technology used for  
digital telephony today.  
The standards that were developed then continue to define the digital telephone net-  
work: an 8 kHz sampling rate (resulting from the desired 4 kHz Nyquist frequency to ac-  
commodate a 3.4 kHz audio bandwidth, with guard band) with 8 bits of amplitude  
resolution (instantaneously companded to provide performance roughly the same as a 13  
bit linear system producing 78 dB dynamic range for speech signals). Thus the basic  
voice channel bit rate was established to be 64kbps. (8kbyte/sec x 8bits = 64kbps.)  
These early applications of digital technology were invented by the telephone industry  
for its own benefit. The fact that they were digital was neither obvious nor important to  
customers. However, telephone engineers learned to appreciate digital audio for the  
same reason we in the pro audio community have: immunity to noise and other quality  
impairments, ease and flexibility of routing and multiplexing, and lower cost due to  
compatibility with the electronics and media invented for the rapidly advancing com-  
puter industry.  
Nearly all long-distance calls are now connected from city-to-city using digital paths on  
fiber cables and most switching and routing is performed by digital machines.  
With the digital nature of the modern telephone network is hidden from subscribers,  
voice and signaling has been delivered just as they have been since the era of wooden  
phone sets and mechanical bells. In the age of digital communication, this “last mile”  
bottleneck had become increasingly frustrating for those who have need to send digital  
information through Ms. Bell’s wires.  
With most of the network now digital, it is clearly ironic that we have been using mo-  
dems to convert a computer’s digital information to analog beeps... just to accommodate  
the mile or two of ancient analog linkage at each end of a thousand-mile connection.  
ISDN is the technology which has evolved to eliminate this analog bottleneck yet still  
utilize existing copper infrastructure.  
7-2 ISDN  
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ISDN TIP!  
While ISDN uses existing copper wires, its high frequencies mean the signal isnÕt as  
robust as conventional analog over those wires. How much cable there is from the  
telco switch or repeater is critical: in most cases, ISDN wonÕt work if the site is  
more than three miles from the switch.  
i
h
Your local telephone company must determine if a particular site qualifies on a case-  
by-case basis.  
HOT TIP!  
Since the total cable distance is critical, the additional wiring you add between the  
telco interface (often in a Òwire roomÓ in the basement) and ZephyrExpress can dis-  
able a marginal circuit... particularly in the case of large office buildings, arenas, and  
concert halls. As a rule of thumb, a few hundred feet is usually benign.  
If in doubt, use Category 5 unshielded twisted-pair wire between the telco interface  
and the NT1 (or built-in NT1 in ZephyrExpress). While ordinary phone wires may  
work between an external NT1 and an S interface, 10Base-T Ethernet cables are  
better at rejecting noise.  
As a last resort, move ZephyrExpress closer to the telco interface and pipe the audio  
instead.  
The Basic Rate Interface (BRI)  
On one ISDN BRI circuit, there are three simultaneous channels: Two 64kbps “bearer”  
channels for the transmission of user information and one 16kbps signaling channel for  
call set-up and status communication. This is Basic Rate Interface (BRI), 2B+D service. It  
can be implemented over most of the millions of standard copper two-wire phone cir-  
cuits already in service.  
CURIOSITY NOTE!  
While the D channel is always present for signaling, it theoretically can also carry  
?
usersÕ packet data connections. ISDN lines where the D channel is restricted to sig-  
naling only are sometimes referred to as 2B+0D rather than 2B+D service. Packet  
service over the D channel is not widely available.  
ISDN BRIs are perfectly matched to Zephyr’s transmission capabilities. One channel  
provides FM quality mono, while the two channels can carry near-CD quality stereo.  
From the perspective of telephone network routing, each channel appears to be a sepa-  
rate line with its own number and independent dial-out capabilities. Since each has to be  
dialed or answered separately, they appear to be “lines” to users also. To reduce confu-  
sion (hopefully) for non-technical users, we refer to a B channel as a “line” on the  
ZephyrExpress menus and LEDs.  
ISDN  
7-3  
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ISDN TIP!  
In some cases your ISDN line will only have only one phone number for the two B  
channels. This is the case of the AT&T Custom PTP protocol. It shouldnÕt present a  
problem. The lines work as if they were on a business phoneÕs Òhunt groupÓ: the  
first incoming call on the number is assigned to Line 1, and the second incoming call is  
assigned to Line 2. Of course you have the option of which line to use on outgoing  
calls.  
i
DEEP TECH NOTE!  
The actual 2 B channels of the BRI are assigned on a per call basis. Therefore, from a  
theoretically correct viewpoint, Lines 1 and 2 do not fully correspond to B1 and B2.  
t
i
SPIDS  
ISDN TIP!  
European users should disregard all references to SPIDs. Euro ISDN does not have  
SPIDs! If you want, use the MSNs instead.  
Service Profile Identification numbers (SPIDS) are only required with ZephyrExpress  
when you are using the National I-1 ISDN or DMS Custom functional ISDN protocols in  
the USA. This number is given to the user by the phone company and must be entered  
into ZephyrExpress for the connection to function. SPIDs usually consist of the phone  
number plus a few prefix or suffix digits.... but they don’t have to. There is frequent con-  
fusion between telephone numbers and SPIDS, even among Telco personnel. While the  
SPID frequently includes the corresponding phone number, this is not necessarily the  
case.  
If you are using the National I-1 or the DMS Custom functional protocol, your Telco  
service representative must give you one or two SPID numbers.  
Upon power-up, connection of the ISDN line, reboot, or protocol change, ZephyrEx-  
press and the phone company switch go through an initialization and identification  
routine. ZephyrExpress sends the SPID(s), and if the switch thinks they’re correct com-  
munication is possible. Thereafter the SPID is not sent again to the switch.  
The two line status indicators on the bottom of the status screen will show you how the  
initialization process is going. Check the screen after ISDN has been connected for thirty  
seconds orso:  
Inact Inact means no ISDN connection  
Init  
Init  
means the ISDN: Switch typedoesn’t match the  
phone company’s setup or SPIDs haven’t been en-  
tered.  
Init Initcan also appear when a European ISDN  
connection has been idle for a while. This is normal,  
and Ready will appear when you start using the con-  
nection again.  
Wait  
Init  
means incorrect SPID1  
Ready Init  
means only one working ISDN channel  
7-4 ISDN  
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Ready Wait  
means incorrect SPID2  
Ready Ready This is what you want to see. ISDN is working.  
Realtors remind buyers that the three most important factors of real-estate success are  
Location, Location, and Location! We want to remind you that the three most important  
factors to ISDN success are:  
Get the SPIDs,  
GEGTeTt tHheESSPPIDIsD, S!  
You must have these numbers, and they must be 100% correct, or the system won’t work.  
Don’t let the installer depart without giving them to you. You’ve been warned!  
ISDN TIP!  
In an emergency, to save a remote, you can sometimes get a line working without  
the proper SPIDs by dialing into it. This fix Ñ if it works Ñ is only temporary and the  
line will fail to initialize next time the Zephyr is booted.  
i
i
i
ISDN TIP!  
If you have trouble getting to Ready Ready and youÕre sure the SPIDs are correct, try  
unplugging the ISDN line for a minute or two, and then replugging. This shakes things  
up at the telco, and might fix the problem.  
ISDN TIP!  
If either of the line status indicators on the bottom of the status screen shows Wait,  
youÕve entered an incorrect SPID. Check to make sure youÕve entered exactly what  
the telco gave you. WeÕve also seen cases where the telco gave customers an incor-  
rect SPID.  
If youÕre sure youÕve entered it correctly and it still doesnÕt work, see the Trouble-  
shooting section for hints on what to say1 to the phone company.  
ThereÕs a list of known working SPIDs by telephone company in the Appendix.  
1 What you should say in technical terms. What you tell them in scatological terms is  
your own decision.  
ISDN  
7-5  
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DEEP TECH NOTE!  
SPIDs were designed to let telephone switches support different feature requirements  
by sensing the different identifier of each device on a BRI circuit. For example, mul-  
tibutton phones could retain functions when moving from line to line. (In this case, the  
line number would probably not be used as the SPID.) This lets a variety of different  
types of equipment, with different service requirements, share a single circuit.  
t
?
None of this matters with our application, but we must enter the SPIDs nevertheless.  
CURIOSITY NOTE!  
There is hope that SPID difficulties will become a thing of the past. For one thing, the  
Telcos are beginning to standardize on area code + phone number + 0101 for SPIDs on  
National ISDN lines.  
Standards for future versions of National ISDN will include automatic SPID assign-  
ment and selection, and non-initializing terminals which could operate basic functions  
without a SPID at all.  
WeÕre monitoring these developments carefully, and at some point may be able to  
support these features Ñ if they become available ÑÊin a ZephyrExpress software  
upgrade.  
Directory Numbers (DNs)  
Directory Numbers, or DNs for short, are the 7 digit telephone numbers assigned to the  
ISDN line (or what you’d typically find in a telephone directory). You may be assigned  
one or two, depending upon the line configuration. In the case where you have two ac-  
tive ISDN B channels, you will usually have two DNs (but not always). However, the  
“physical” channels are independent from the “logical” numbers. A call coming in on  
the second number will be assigned the first physical B channel, if it is not already occu-  
pied. Therefore, there must be some way for the Zephyr to sort out which call goes to  
which channel/line. The DN is used for this function.  
ISDN TIP!  
You donÕt need to enter DNs if theyÕre already contained as a seven-digit string  
within your SPIDs. When DNs are required, only the seven digits Ñ not the area code  
ÑÊshouldbeentered.  
i
When a call rings in, it contains set-up information which includes the DN that was di-  
aled by the originating caller. The last seven digits are matched with the DNs pro-  
grammed into the Zephyr and the proper assignment is made. Therefore, problems  
with Directory Numbers will virtually always result in trouble receiving calls.  
Long-Distance Digital Connectivity  
Long-distance connectivity via ISDN is routinely available in most parts of the USA from  
the “big-three” carriers: AT&T, Sprint, and MCI. Connectivity between any two given  
points is somewhat variable. The default long-distance carrier may be chosen at the time  
you order the line, just as with traditional voice lines. Also, just as endless television  
7-6 ISDN  
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commercials remind us for voice calls, you can choose an ISDN long-distance company  
on a per-call basis by prefixing the number with the “1010-xxx” carrier code.  
You must dial the full number, including the 1 or 011 + country code, following the 1010-  
xxx numbers.  
ISDN TIP!  
If you want to temporarily switch carriers, try prefixing the call with these numbers:  
i
t
1010-222 for MCI  
1010-288 for AT&T  
1010-333 for Sprint  
AT&T can be unfriendly to ISDN, and at times will block 1010 access for that service. You  
may have to contact them before dialing their access code.  
Some long-distance carriers — not the big three — can’t handle ISDN at all. For the lat-  
est information check the section in the Appendix “ISDN, BRI, ZephyrExpress, and You”.  
Some long-distance connections are limited to 56kbps/channel. This limitation is be-  
coming more rare. There is no certain way to know in advance. In addition, some carri-  
ers may work at 64Kbps and not 56Kbps. So, you may need to try both or temporarily  
switch carriers.  
In our experience, the only sure way to know the capacity of  
a
given connection is to try it, first at 64kbps and then at 56kbps if the higher rate fails.  
DEEP TECH NOTE!  
This limitation arises from a quirk of the older telephone infrastructure. The channel  
banks that have been widely employed in the long-distance network have a native  
64kbps capability, but ÒrobÓ the low order PCM bit on every sixth frame in order to  
convey supervision information (on-hook/off-hook and dial pulses).  
As new telephone plant is built for clear 64kbps transmission and a technology called  
ÒSignaling System 7Ó is deployed to allow the various elements of the phone network  
to communicate without using the robbed bits, this limitation will disappear. The  
European network has universal full 64kbps capability.  
ZephyrExpress provides standard rate adaptation (officially known as ‘CCITT V.110’)  
from 56 to 64 kbps and vice versa when required. Bitrate adaptation happens automati-  
cally within the system depending upon the rate selected by the calling party. Since  
ZephyrExpress can’t communicate at two rates simultaneously, it ignores rate adaptation  
information on any second incoming call.  
HOW TO ORDER ISDN  
Dealing with The Phone Company  
As is often the case when we broadcasters interface with the phone people, the lines of  
communication on ISDN can get a little tangled. Face it: we are not the usual customer.  
The first order of business is to find someone who knows what ISDN is. While your  
usual account agent will be the normal entry point, you may be talking to a number of  
phone people before you find one who understands your needs. Some of the regional  
ISDN  
7-7  
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Bell companies offer a single point of contact number for switched digital services.  
Some Telcos use “Resellers” or “Agents”. If so, you should be sure to ask what experi-  
ence the particular agent has with ordering lines for high fidelity audio codecs. If in  
doubt, go direct to the Telco. And always order your line in writing, using the ISDN or-  
der forms in the Appendix of this manual.  
This section is intended to be used as a reference. It is probably not necessary to under-  
stand everything in order to get an ISDN line for ZephyrExpress.  
The easiest way to order the line is to use the Faxable form in the Appendix, ISDN BRI,  
ZephyrExpress, & You. There is also a list of contact telephone numbers for most of the  
regional telephone companies.  
Details, Details  
In order to communicate accurately what it is you need, you might want to learn about  
the nature of the ISDN service and the vocabulary used to describe it. As with anything,  
for best results, it helps to know what you’re talking about. We already have a good start,  
but there is more to learn.  
CSD and CSV  
Recall that each ISDN BRI has two possible B channels. It is possible to order a line with  
one or both of the B channels enabled – and each may be enabled for voice and/or data  
use. Phone terminology for the class of service is CSV for Circuit Switched Voice and  
CSD for Circuit Switched Data.  
CSV is for calls to standard voice phone service and allows ISDN to interwork with ana-  
log phone lines and phones. CSD is required for Zephyr connections. Even though you  
may be sending voice, the codec bitstream output looks like computer data to the phone  
network. Alternate CSD/CSV means both are supported.  
DEEP TECH NOTE  
Both CSD and CSV are different from PSD Ñ Packet Switched Data (which is irrele-  
vant to ZephyrExpress).  
t
ZephyrExpress allows voice calls on either of the channels as well as the coded hi-fi  
audio. Thus you can make calls to any normal telephone number on one channel while a  
program is being transmitted on the other.  
Therefore, you may want to order CSV as well as CSD on one or both B channels. To get a  
line with one B channel to be used with either hi-fi or speech, you would request an  
ISDN BRI 1B+D line with alternate CSV/CSD capability; for both B channels, you would  
order an ISDN BRI 2B+D line with alternate CSV/CSD on both channels; if you don’t  
need voice possibility on the channels, you want 2B+D with only CSD enabled.  
HOT TIP!  
While the D channel is always present for signaling purposes, it can, in theory, be  
used for packet data connections. ISDN lines where the D channel is used for signaling  
only are sometimes referred to as 2B+0D rather than 2B+D service. D channel packet  
service is not widely available.  
h
7-8 ISDN  
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NT1s  
The ISDN standard specifies two reference points, the ‘U’ and the ‘S’ interfaces.  
The U is the single-pair bare copper from the Telco central office. A device called a  
‘Network Termination, Type 1’ (NT1) converts this to the two-pair S interface.  
In Europe and Asia the NT1 is always provided by the phone company, and only the S  
interface may be on user equipment. ZephyrExpress units shipped outside the USA and  
Canada have the S interface only. In North America, the NT1 is usually provided by the  
user: ZephyrExpress units sold within that area include an NT1 built into the terminal  
adapter.  
North American ZephyrExpress terminal adapters provide power for an external NT1, if  
one is connected. The practice in the rest of the world is for the NT1 to have its own  
power supply, and ZephyrExpress units sold outside North America don’t provide NT1  
power.  
WARNING!  
Using both an external NT1 power supply and the supply in a North American Zephyr-  
Express at the same time will damage the NT1... and probably the ZephyrExpress as  
well.  
w
If you have even the slightest belief that this might be possible in your installation,  
see the detailed warnings in Section 1 (Quick Results) or Section 3 (Hardware).  
Terminals and Terminal Types  
Any equipment connected to an ISDN line is a ‘terminal’ – whether phone, computer, or  
ZephyrExpress. Point-to-point lines support one terminal, while multipoint lines can  
have up to eight in some applications.  
‘Terminal Type’ is a parameter sometimes requested by the phone people. The appropri-  
ate value for the ZephyrExpress varies depending upon protocol and is given below.  
ZephyrExpress ISDN Compatibility  
The ZephyrExpress internal ISDN interface (sometimes called by its generic name  
‘Terminal Adapter’) is used to connect to ISDN telephone lines. Use the ISDN: Switch  
typemenu selection to adapt ZephyrExpress to the various types of services offered by  
telephone companies in most parts of the world. No EPROM changes are required.  
Protocols  
In a perfect world, all ISDN terminal equipment would work with all ISDN lines, with-  
out regard for such arcana as 5ESS, DMS100, CSV/CSD, SPIDs, etc. Unfortunately, the  
ISDN “standard” has been in evolution for the past years and has only recently begun to  
settle down. And, sadly, there will remain different standards for the USA and Europe.  
The Telco network and ZephyrExpress communicate via a ‘protocol’ – the language the  
user equipment and the telephone network use to converse (on the D channel) for setting  
up calls and the like. This is where there are differences depending upon the central of-  
fice switch used on that particular line and the standards which are followed. While each  
ISDN  
7-9  
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will work with ZephyrExpress, the differences need to be taken into account when lines  
are ordered and the equipment set up.  
In the USA, telephone companies use either AT&T 5ESS, Northern Telecom DMS100, or  
Siemens EWSD switches. Each of these can support the National ISDN 1 (NI-1) protocol  
standard, which has been specified by Bellcore, the technical lab jointly owned by the  
phone companies. However, both AT&T and Northern Telecom had “custom” versions  
of ISDN which pre-date the NI-1 standard and some switches have not been upgraded to  
the new format.  
In Europe, the common standard is Euro-ISDN, following the ETS300 documents. It is  
an (apparently successful!) attempt for all of the European telephone networks to use a  
single, compatible protocol. The Telco authorities in most countries have adopted it al-  
ready, with most of the rest planning to do so.  
CURIOSITY NOTE!  
There are also newer NI-2 and NI-97 standards, but they are designed to be compati-  
ble with NI-1 for all of the basic functions.  
?
ZephyrExpress supports all of these with the appropriate selection of the ISDN: Switch  
type menu, as follows:  
· PTP  
· Natl I-1 NI-1 from all switches; Northern Telecom “Functional” custom.  
· ETS300 “Euro-ISDN”, ETS300 pan-European protocol.  
AT&T Point-to-Point Custom.  
In the USA, if you have a choice, the AT&T custom PTP protocol is often preferred be-  
cause you don't have to trouble with the SPIDs.  
Ordering: Central Office Switches and Protocols1  
Here are detailed descriptions of what you tell the phone company you want and the cor-  
responding ZephyrExpress settings for each of the protocols.  
National ISDN-1 (USA and Canada)  
Available on AT&T 5ESS, Northern Telecom DMS100, and Siemens EWSD switches  
which have newer generation software.  
If the Telco uses IOC Capability Packages, specify Capability Package “S”.  
If they do not use IOCs, use the information that follows:  
CO VALUES (TO TELL THE PHONE COMPANY)  
Line Type: National ISDN-1  
Bearer Service: CSD and/or CSV as desired (see above)  
TEI: One dynamic per channel  
1 This information is also included in our handy ISDN Order Form, in the appendix.  
7-10 ISDN  
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Terminal Type: A  
1010XXX: Yes  
Turn off features such as: packet mode data, multiline hunt, multiple call appearances, Elec-  
tronic Key Telephone Sets (EKTS), shared directory numbers, accept special type of number,  
intercom groups, network resource selector (modem pools), message waiting, hunting, in-  
terLata competition, call waiting, etc.  
Get from Telco: One or two SPID numbers, depending upon number of active B channels;  
one or two directory numbers.  
ZEPHYREXPRESS SETTINGS (FOR YOU TO ENTER)  
Set Switch typeto: Natl I-1  
SPIDs: Enter one or two numbers, depending upon number of active B channels  
AT&T Point-to-Point (Custom) (USA, Japan, Israel, some others)  
Available on AT&T CO switches version 5E4.2 and above. This is the most basic possible  
configuration of ISDN, but supports all ZephyrExpress functions. It is the most conven-  
ient protocol for ZephyrExpress set-up because no SPIDs are required.  
CO VALUES (TO TELL THE PHONE COMPANY):  
Line Type (DSL class): Point-to-Point (PTP)  
B1 Service: On Demand (DMD)  
B2 Service: On Demand (DMD)  
Maximum B Channels (MaxChan): 1 or 2  
CSV Channels: Any  
Number of CSV calls: 1  
CSD Channels: Any  
Number of CSD calls: 1 or 2  
Terminal Type: A  
Number Display: No  
Call Appearance Pref: Idle  
1010XXX: Yes  
Turn off features such as: packet mode data, multiline hunt, multiple call appearances, Elec-  
tronic Key Telephone Sets (EKTS), shared directory numbers, accept special type of number,  
intercom groups, network resource selector (modem pools), message waiting, hunting, in-  
terLata competition, call waiting, etc.  
ISDN  
7-11  
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ZEPHYREXPRESS SETTINGS (FOR YOU TO ENTER):  
Set Switch typeto: PTP  
SPIDs: Not required  
AT&T Point-to-Multipoint (Custom)  
Available on AT&T 5ESS CO switches version 5E6 and above. This is becoming essentially  
obsolete as NI-1 has the same capabilities.  
It is not supported by ZephyrExpress.  
Order AT&T Point-to-Point (Custom) or National ISDN-1 instead.  
Northern Telecom DMS100 ‘Functional’ (Custom, PVC1)  
(USA, Canada, some others)  
Available on Northern Telecom DMS100 switches BCS 31 and above.  
CO VALUES (TO TELL THE PHONE COMPANY)  
Line Type: Basic Rate, Functional  
EKTS: No  
Call Appearance Handling: No  
Non-Initializing Terminal: No  
Circuit Switched Service: Yes  
Packet Switched Service: No  
TEI: Dynamic  
1010XXX: Yes  
Bearer Service: CSD and/or CSV as desired (see above)  
Turn off features such as: packet mode data, multiline hunt, multiple call appearances, Elec-  
tronic Key Telephone Sets (EKTS), shared directory numbers, accept special type of number,  
intercom groups, network resource selector (modem pools), message waiting, hunting, in-  
terLata competition, call waiting, etc.  
Get: One or two SPID numbers, depending upon number of active B channels  
ZEPHYR SETTINGS (FOR YOU TO ENTER)  
Set Switch typeto: Natl I-1  
SPIDs: Enter one or two numbers, depending upon number of active B channels  
7-12 ISDN  
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Euro-ISDN (Europe, Hong Kong, some others)  
ZephyrExpress works with any ISDN line which conforms to the Euro-ISDN, ETS300  
standard. Fortunately, this protocol is standardized and there are no further details to  
worry about.  
Bearer Service: CSD and/or CSV as desired (see above)  
ZEPHYREXPRESS SETTINGS (FOR YOU TO ENTER)  
Set Switch typeto: ETS300  
SPIDs: Not required.  
MSNs: Two Multiple Subscriber Numbers may be provided by the telco, but are not required  
under normal circumstances.  
ISDN TIP!  
Sometimes a European telephone company provides more than two telephone numbers  
for a single ISDN circuit. MSNs are a way of determining which numbers will be an-  
swered.  
i
If you enter MSNs in ZephyrExpress, it will answer only those two numbers. Other-  
wise, ZephyrExpress will answer calls on any of the circuitÕs directory numbers.  
ISDN  
7-13  
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ISDN ordering · 7-7  
ISDN wiring · 7-3  
1
1010-xxx · 7-7  
N
A
NT1 · 7-3, 7-9  
alternative long distance · 7-7  
P
B
phone company · 7-7  
power supply · 7-9  
protocol · 7-9  
bearer channel · 7-3  
BRI · 7-3  
R
C
Ready · 7-4, 7-5  
CSD, CSV · 7-8  
S
D
S interface · 7-3, 7-9  
setup · 7-4  
directory number · 7-11, 7-12  
directory numbers · 7-6  
DN · 7-6  
SPID · 7-4, 7-11, 7-12  
T
E
terminal type · 7-9  
Euro-ISDN · 7-10  
W
I
Wait · 7-4, 7-5  
Inact · 7-4  
Init · 7-4  
ISDN basics · 7-2  
7-14 ISDN  
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SECTION 8  
SYSTEM FUNCTIONS  
Software Updates  
ZephyrExpress data ports  
8-2  
8-3  
8-3  
8-4  
8-5  
The Serial Port  
Communicating  
Security Levels  
Command Help  
8-6  
8-7  
Command Language Details  
The Parallel Port  
8-12  
SYSTEM FUNCTIONS  
8-1  
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Introduction  
This section covers system-level functions that have aren’t part of normal audio or ISDN  
operations: updating the software, and using the serial and parallel ports.  
One other system function — setting the internal clock — is so simple that it’s covered in  
a few paragraphs as Systemmenu: Set timein section 6.  
Actually, all of the system functions in ZephyrExpress are designed to be transparent to  
the user. Unless you want to learn all its inner details and capabilities and intend to make  
your ZephyrExpress sit up and do tricks, you can probably skip this section.  
Software Updates  
This manual is being written for the first public software release, and there haven’t been  
any updates yet. The procedure for distributing new software — whether it’ll be sent on  
eproms, floppy disk or distributed over the Internet for download from a computer, or  
even transmitted directly to ZephyrExpress via an ISDN call — is still undetermined.  
HOT TIP!  
h
New software and upgrade procedures will always be announced at our web  
site, www.zephyr.com.  
The System: Softwaremenu item includes four choices for using new software once it’s  
been downloaded into the unit:  
Try new  
Reboots ZephyrExpress and runs the new software for this startup only.  
The older software remains the default, and will be active the next time you start up.  
But the new software also stays in memory, and you can Try newagain.  
Revert  
Reboots ZephyrExpress with the default software. This is the older  
version until you specifically replace it by using the Set defaultcommand. The  
newer version remains in memory, and you can Try newagain.  
Set default  
Reboots the unit using the currently-running software and make  
it the default. If you are currently running the new software under of a Try new  
command, it will become the default and the older software will be erased.  
However, if you run Set defaultimmediately after downloading new software, the  
newer software isn’t running yet and won’t be made the default.  
No change Escapes from the menu item, doing nothing.  
TO INSTALL NEW SOFTWARE AS THE DEFAULT:  
1. Download the software into ZephyrExpress  
2. Select SystemSoftware: Try new. This restarts ZephyrExpress with the new  
software. Try it and make sure you’re happy with the newer version.  
8-2 SYSTEM FUNCTIONS  
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3. Select System Software: Set default. This restarts ZephyrExpress. Since the  
newer version was previously running (because of step 2), it becomes the default.  
The older version is erased from system memory.  
WARNING!  
w
Try new, Revert, and Set defaultall reboot the system. This drops any current  
calls, and causes ZephyrExpress to resynchronize to the ISDN line.  
ZephyrExpress data ports  
The Serial Port  
ZephyrExpress’ serial port lets you control ZephyrExpress’ from a modem or personal  
computer. Any parameter that can be set using a menu can be queried and set via remote  
control, and you can remotely instruct ZephyrExpress to place a call on one or both ISDN  
lines. There is no provision for remotely controlling the front-panel routing switches or  
volume knobs.  
You can connect a palmtop or portable computer to ZephyrExpress to quickly set  
parameters in the field. You can connect ZephyrExpress to a modem or terminal adapter  
on a separate telephone line for remote control of broadcasts or emergency studio-  
transmitter links.  
The serial port accepts a male DB-9 and matches the pinouts on most personal  
computers. The default line protocol is 8 bits, 1 Stop Bit, No Parity, 9600 bps. You can  
change the speed using System: Baud Rateor via a remote command.  
CURIOSITY NOTE!  
?
Baud refers to the speed of an analog data stream in transitions per second, so  
the term doesn’t really describe what comes out ZephyrExpress’ serial port.  
Modems for analog telephone lines use phase techniques to pack more than  
one bit per transition, so — except for very slow ones — they should also be  
described in bits per second rather than baud. But people generally use the  
terms interchangeably.  
RS-232 Pinouts  
PIN  
2
FUNCTION  
Rx (Computer to ZephyrExpress)  
Tx (ZephyrExpress to Computer)  
DTR (ZephyrExpress ready output)  
Ground  
3
4
5
SYSTEM FUNCTIONS  
8-3  
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HOT TIP!  
h
c
This port is configured as DTE, not DCE. This means pins 2 and 3 are wired like a  
computer instead of as a modem. You can plug in a standard modem, set for  
auto-answer, to remotely control ZephyrExpress for automated remote  
broadcasts.  
If you want to connect directly to a computer, you’ll need a null modem (a  
molded plug/jack with crossed wires, available from computer stores) or will  
want to wire a cable like this, using DB-9 connectors:  
ZephyrExpress  
pin 5  
signal  
ground  
<<< data  
data >>>  
Computer  
pin 5  
pin 2  
pin 3  
pin 3  
pin 2  
Communicating  
ZephyrExpress speaks standard ASCII text at the selected baud rate.  
When you first turn on ZephyrExpress’ power, it sends the message:  
Hello world!!  
ZephyrExpress V1.2.1/2.36, 16.07.1998 12:39:42  
Copyright 1997 TLS Corp. All rights reserved.  
Current time is 30.03.1999 15:46:10  
The V1.2.1/2.36, 16.07.1998 12:39:42refers to the software version and when  
it was compiled, not the current date and time.  
DOCUMENTATION NOTE!  
In this manual, we’ll use Courier Regular to indicate text ZephyrExpress is  
sending to you.  
We’ll use Courier Bold to indicate text you type into your computer and  
send to ZephyrExpress. A paragraph mark () indicates you should press the  
enter or return key.  
After a few seconds, you’ll see the ZephyrExpress system prompt:  
>>  
If you do not get any text, the problem is probably:  
The cable.  
The terminal program itself. Does it work in other communications setups?  
8-4 SYSTEM FUNCTIONS  
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The terminal program’s baud rate settings. If you have the latter problem, you will  
probably see some “garbage” text. Verify the setting in the System: baud rateitem  
(default is 9600 baud), or try different rates at your computer.  
COM port selection at the computer.  
ZephyrExpress echoes any data sent to it, to verify proper operation: If a connection is  
properly made, anything you type will be returned to you. Try typing something:  
>>Hello,ÊZephyrExpress!  
You should see the letters on your computer’s screen as you type them.  
If you see double letters as you type,  
>>HHeelllloo,,ÊZZeepphhyyrrEExxpprreessss!!  
be sure to turn off Local Echo on your computer’s terminal program.  
ZephyrExpress commands are terminated by a Return character (ASCII CR, Decimal 13,  
Hex 0D... or just hit the Enter or Return key on your computer). When you send a Return,  
the system tries to analyze what you’ve sent and respond to it:  
ERROR: Unknown command: hello,  
>>  
If ZephyrExpress doesn’t understand what you’ve sent, it’ll let you know. It will also  
respond Unknown command if it doesn’t think you don’t have a high enough security  
level to use a specific command.  
Security Levels  
ZephyrExpress has two Security Levels, User and Expert. Each supports one password.  
You must log in at one of these levels, using its password, before you can remotely  
control the system. When you’re finished with a session you can log out, disabling  
remote contro until the next login.  
DEEP TECH NOTE  
t
We included the log in/out procedure so you can leave ZephyrExpress connected  
to a modem without fear of a hacker changing its settings.  
HOT TIP!  
h
The only difference between levels is that Expert has access to a few additional  
remote diagnostic tools. You can use the two levels instead to support two  
different passwords.  
The default password for User-level control is user.  
The default password for Expert-level control is expert.  
You can change the password to something less obvious, using the command detailed  
later in this section. Passwords are case-sensitive: userand expertare not the same as  
Useror ExPeRt.  
SYSTEM FUNCTIONS  
8-5  
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To log in, wait for the prompt. Then type login followed by the password for the  
desired level and press Enter:  
>>loginÊuserÊ  
If it recognizes the password, ZephyrExpress will respond with:  
Welcome to ZephyrExpress control system user level.  
Press ? for help.  
>>  
WARNING!  
w
If ZephyrExpress does not respond to user or expert when you try to log in,  
somebody changed your password. You can’t change it back without knowing  
the new one. Even a cold boot — which restores all other factory defaults —  
won’t restore the default password1.  
When you’re finished with a session at either security level, type logoutor bye.  
This resets ZephyrExpress’ communication, and no commands will be accepted until the  
next login.  
Command Help  
As implied by ZephyrExpress’ response above, ?is a specific command. When you send  
a question mark followed by Return, the system responds:  
Available commands:  
? baud bye conn country disc fan help lcdcont (... and so on)  
Type '/' or '-' to repeat, '.' to edit last command  
Type '? <command>' to get specific help  
Type '? *' to get detailed list of commands  
>>  
The first line is a list of every command available at the current security level.  
To get information on a specific command, type a question mark followed by the  
command name and then Return. For example, if you send:  
>>?Êbaud ¶  
ZephyrExpress will reply:  
baud  
[<#300|#600|#1200|#2400|#4800|#9600|#19200|#38400|#57600>]  
---  
Change the serial port speed immediately or display current  
speed.  
>>  
1 That’s why they call it “security”. There is a difficult and time-consuming procedure  
that we can sometimes use to extract a lost password, but we’re not promising anything.  
8-6 SYSTEM FUNCTIONS  
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The reply will always take the same format:  
The first line is the name of the command ZephyrExpress is describing.  
The second line is the argument — a word or number that modifies the command.  
Anything within brackets [ ] is optional. Some commands have the entire  
argument within brackets; if you send this command without an argument, it will  
report the present value. So if you just sent baud and Return, ZephyrExpress would  
send back the current communication rate.  
Anything between < >is a single argument. A bar |means or, as in “choose this  
argument or the other”. So you could send baud #4800, or baud #9600, or  
baud #19200 and Return to set ZephyrExpress to one of those rates.  
The text after the ---separator describes how the command works.  
If an argument allows a hyphen, you can use it keep the existing value for that  
parameter.  
For most commands, you can enter a hyphen (the line should consist of just ) to  
repeat the last command with all the same arguments.  
If you sendÊ?Ê*, ZephyrExpress will describe all the commands available at the  
current security level. Since this is a lot of text sent in a continuous burst, be sure to have  
your terminal program’s logging or capture to file function turned on.  
Command Language Details  
This chart shows the commands available at the User security level.  
Command  
?
Argument  
none  
Notes  
Display general help instructions  
Get help about topic.  
[topicÊ|  
Ê*]  
Display all topics with their help.  
Example ?ÊbaudÊ ¶  
Returns instructions on using the Baud  
command  
baud  
none  
Display current port speed.  
[<#300|#600|#1200|#2400|  
#4800|#9600|#19200|  
#38400|#57600>]  
Immediately change to the serial port  
speed indicated.  
Example baudÊ#19200Ê ¶  
Sets serial port to 19.2kbps  
SYSTEM FUNCTIONS  
8-7  
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WARNING!  
w
baud changes the port speed as soon as you send Return. You must  
immediately change your terminal program’s speed to match, or  
communication can’t continue.  
bye  
none  
Log out from ZephyrExpress control  
system.  
Example byeʶ  
No commands will be accepted until the  
next logon.  
conn  
<1|2>Ê<number>  
Using line 1 or 2, place a call to number.  
Example connÊ1Ê2417225Ê  
Place an ISDN call to 241-7225 on line 1.  
Hypens and parentheses in the phone  
number are optional.  
COMPATIBILITY NOTE  
c
You can command ZephyrExpress to place a high-quality ISDN audio call on  
either line, but you can’t use the remote control to place an analog POTS call.  
country  
none  
Display whether front-panel time and date  
readout is in USA or German format.  
[<usa|germany>]  
Set front-panel time/date readout to the  
specified format.  
Example countryÊusaÊ ¶  
<1|2>  
Display will read Month / Day / Year  
Disconnect specified ISDN line.  
Hang up call on line 1  
disc  
Example discÊ1Ê ¶  
heh heh...  
egg  
Easter egg. We won’t tell you the  
argument.  
help  
none  
Display general help instructions  
Get help about topic.  
[topicÊ|  
Ê*]  
Display all topics with their help.  
Example helpÊlcdbackÊ ¶  
ZephyrExpress will return instructions  
about the lcdback command.  
lcdback  
none  
Display current LCD backlighting level.  
Set backlighting to value indicated.  
Backlight will be at its brightest.  
Display current LCD contrast level.  
Set contrast to value indicated.  
[<20...79>]  
Example lcdbackÊ79Ê ¶  
none  
lcdcont  
[<0...79>]  
8-8 SYSTEM FUNCTIONS  
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DEEP TECH NOTE!  
t
Remote control values for LCD contrast and backlighting are only vaguely  
related to the 0-100% settings in the Systemmenu.  
level  
none  
Display current encoder input & decoder  
output level, for testing the meter  
calibration.  
log  
[<GEN>Ê<SYS>Ê<ISDN>Ê<IMON>  
<DEB>Ê<off>]  
Used for remote debugging. During a  
support call, we may ask you to send this  
command and tell us what the result is.  
login  
[<?>Ê|  
Display current security level.  
<password>]  
Unlock at the security level associated with  
this password.  
Example loginÊuserÊ ¶  
Opens communication at User level.  
logout  
none  
Log out from ZephyrExpress control  
system.  
metertest none  
Resets front panel level meters to normal  
operation after a test.  
[<0...9Ê0...9Ê0...9  
Turns on the four level meter LEDs up to  
the number indicated, for lamp testing.  
0...9>]  
If you’re going to specify an argument, you  
must supply numbers for all four meters:  
metertest 9 9 would be rejected.  
Example metertestÊ9Ê9Ê9Ê9Ê  
Lights up all four metersas if they were  
indicating a signal at -10dB.  
mic  
mop  
<1|2|both>Ê[<phant|highf>  
<on|off>]Ê|  
Switches microphone phantom power or  
highpass filter on or off, or sets mic  
sensitivity.  
[<hisens|medsens|losens|  
linesense>]  
Example micÊ2ÊhighfÊonÊ  
Turns on the highpass filter for mic 2.  
none  
Displays the current codec mode (using the  
codes below).  
[<l3du|l3st|l3jo|g722|  
l2mo64|l2mo128|l2du|  
l2jo|->]  
Sets the transmit mode to L3-dual or L3-  
stereo or L3-joint or G.722 or L2-mono64  
or L2-mono128 or L2 dual or L2-joint. If  
the parameter is sent as “–”, the current  
transmit mode is kept.  
[<l3st|l3mo|g722|l2|->]  
Sets the receive mode to L3-stereo or L3-  
mono or G.722 or L2. If the parameter is  
sent as “–”, the current receive mode is  
SYSTEM FUNCTIONS  
8-9  
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kept.  
[<br56|br64|->]  
[<sr32|sr48|->]  
Sets the ISDN bitrate to 56kbps or 64kbps,  
or keeps the current value.  
Sets the audio sample rate to 32kHz or  
48kHz, or keeps the current value.  
You must specify all four arguments.  
Example mopÊ-Êl3moÊbr64  
Set the receive mode to L3-mono, the  
bitrate to 64kbps, and the sample rate to  
32kHz. Leave the transmit mode alone.  
sr32Ê ¶  
passwo  
<current-pw>Ê[<new-pw>]  
Change password for current security level.  
If you don’t specify a new password, this  
level will accept all logins without a  
password.  
Example passwoÊuserÊsteveÊ  
If the current password is “user”, this will  
change it to “steve”.  
Response New password for user  
ZephyrExpress confirms the new  
password.  
level:steve  
>>  
WARNING!  
w
Be sure you can remember the new password. Once you change it, there is no  
way to restore the original1. Check the response to make sure you typed the new  
password correctly.  
Passwords are case-sensitive.  
rtc  
Read current time from ZephyrExpress’ real-time clock. Time will be  
in the format:  
30.03.1999 19:02:12, 15331 msec, 15.330856 sec,  
where the first string is the date, the second is the time of day, and the third  
and fourth indicate the total time since last startup.  
telco  
none  
Display ISDN switch type.  
[<ETS300|PTP|NI1>]  
Select switch type. This will restart the  
ISDN engine.  
Example telcoÊptpÊ ¶  
Sets the switch type to Point-to-Point.  
Displays the current software versions.  
version  
none  
Systemsoftware:1.2.1  
Loadsetsoftware:2.36  
1 Well, there possibly is... but it’s messy and will take up a lot of your time and ours.  
8-10 SYSTEM FUNCTIONS  
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In addition, Expert level includes these commands:  
Set default number base to either decimal,  
numbase  
<dec|hex|bin|none>  
hexadecimal, binary or none. If none is  
selected all numbers must be preceded by  
explicit specifiers.  
The default base can always be overridden  
by explicit specifiers:  
% for binary  
for hex  
for decimal numbers.  
DEEP TECH NOTE!  
t
Numbase is provided for users who want to write their own control software. It  
affects only the remote control function: the displays remain in decimal at all  
times.  
oscill  
<on|off>  
Switch on/off test tone oscillator on both  
mic inputs.  
parport  
none  
Display parallel contact closure status.  
[<val0..valF>Ê|  
Sets the four parallel contacts to match the  
bit pattern and ignore incoming ancillary  
data.  
<norm>]  
Restores normal operation.  
Sets contacts to off-on-on-on.  
example parportÊval3Ê ¶  
[cold|res]  
reset  
Reset the system by restarting the code  
without physical reset. cold will wipe out  
all user-defined system parameters and  
setups. res will maintain user settings.  
We may ask you to enter some other  
arguments during a support call.  
rtcset  
switch  
<dateÊtime>  
Set date and/or time of RTC (real time  
clock).  
Return information about internal and  
backpanel switches.  
SYSTEM FUNCTIONS  
8-11  
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The Parallel Port  
ZephyrExpress’ parallel port has five contact-closure outputs and four logic or contact-  
closure inputs. Voltages and connection details are in Section 3, Hardware.  
Parallel Port  
PIN  
1
FUNCTION  
Ground  
PIN  
FUNCTION  
N/C  
9
2
Output 2  
10  
11  
12  
13  
14  
15  
Output 0  
Output 1  
N/C  
3
Status Out  
Output 3  
4
5
N/C  
Input 2  
Input 1  
N/C  
6
Input 3  
7
Input 0/Panic Dial  
+5 volts 400 ma max.  
8
One of the five outputs, pin 3, is used to report successful connections. Use the Codec:  
Status Outmenu item to set this pin to go active low when the receive decoder is locked,  
or when either or both lines are connected.  
One of the four inputs, pin 7, can be used to initiate “Panic Dial” and call a particular  
number when it’s pulled low. Use the ISDN: Panic dialmenu item to specify an autodial  
setup, which can also include a master setup that configures the codec or other menus.  
If no Panic Dial setup is specified, the input can be used for ancillary data.  
ISDN TIP!  
i
Panic Dial calls stay connected only while pin 7 is low. When pin 7 is lifted from  
ground, the call is dropped.  
8-12 SYSTEM FUNCTIONS  
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C
P
codec mode · 8-9, 8-9  
parallel port · 8-12  
password · 8-6, 8-9  
phantom power · 8-9  
POTS · 8-8  
D
DB-15 · 8-12  
DB-9 · 8-3  
R
diagnostic · 8-5  
remote control · 8-3, 8-8  
remote control language · 8-4  
RS-232 · 8-3  
G
G.722 · 8-9, 8-9  
S
L
security levels · 8-5  
serial port · 8-3  
setup · 8-12  
locked · 8-12  
M
software updates · 8-2  
syntax · 8-4  
meters · 8-9  
O
oscillator · 8-11  
SYSTEM FUNCTIONS  
8-13  
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SECTION 9  
TROUBLESHOOTING  
First Steps  
GENERAL  
9-2  
9-3  
Thinking About Problem Solving  
Diagnostic Aids  
9-3  
9-5  
Look into the Lights  
9-5  
LOOPBACK modes  
9-6  
Some Error Conditions  
9-10  
9-10  
9-11  
9-12  
9-12  
9-12  
9-13  
9-13  
No functionality; the box is totally or partly dead.  
Condition: ISDN Connecting OK, But No Audio  
Condition: No Audio In Both Directions  
Condition: Audio In One Direction Only  
Condition: Audio Distorted  
Condition: Major Echo Action  
Error Messages  
ISDN Problems  
9-13  
9-13  
9-18  
9-18  
Condition: Can’t Get ISDN Ready Ready Indication  
Intermittent ISDN Problems  
ISDN Cause Phrases/Values  
TROUBLESHOOTING  
9-1  
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First Steps  
You don’t want to be reading this.  
Chances are, you reached for these pages because something isn’t working the way you  
expect it to.  
Cheer up. Most ZephyrExpress and ISDN problems are easily resolved, either by yourself  
or with the help of the telephone company. Unless you see blue smoke pouring out of  
the unit, these pages are probably all you’ll need to get running again. And if they aren’t  
— or if you do see blue smoke — you can always contact Telos Customer Service at  
+1 216.241.7225 in the US (fax +1 261.241.4103)  
+49 81 61 42 467 in Germany (fax +49 81 61 42 402)  
support@zephyr.com  
http://www.zephyr.com  
But try these pages first. It’s faster.  
HOT TIP!  
h
i
It may be that something isn’t working the way you expect it to, because it’s not  
supposed to work that way. ISDN and audio coding is not as intuitive as tradi-  
tional analog audio. If you’re not familiar with both of these new technologies,  
read the first section of this manual before assuming something’s wrong.  
ISDN TIP!  
If ISDN won’t initialize — if you don’t see the word Readytwice on the screen —  
and you’re absolutely sure the line is good and ZephyrExpress is programmed  
properly, try these tricks. One of them will usually work.  
Unplug the telephone line from the back of ZephyrExpress, wait a minute or  
two, and plug it in again.  
Change the ISDN: Switch typemenu setting to the wrong kind of switch  
and press EDIT to confirm. Wait a few seconds, change it back to the right  
kind, and press EDIT again.  
Turn ZephyrExpress off, wait a few seconds, and turn it back on again. DO  
NOT DO THIS BY DISCONNECTING THE XLR POWER CONNECTOR ON THE  
BACK PANEL! This can damage the unit, or erase your settings. Use the  
power supply’s switch, or disconnect it from the power line.  
9-2 TROUBLESHOOTING  
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ISDN TIP!  
i
i
You can check ISDN continuity with an ordinary telephone or pair of 600 ohm  
headphones. Disconnect ZephyrExpress, and briefly place the phone (or phones)  
across the line. You should hear a rhythmic clicking — about once per second —  
or a loud, continuous white noise. If you hear a dial tone, it’s not an ISDN line. If  
you don’t hear anything, the line is dead.  
ISDN TIP!  
Are you sure you’re plugged into the right port?  
For most US installations, the line should be plugged into the lower, 4-  
conductor jack on the back of ZephyrExpress — even if the phone company  
supplied an 8-conductor RJ-45 jack with the line. Use a standard telephone line  
cord: when you plug it into the RJ-45, it’ll automatically center itself and locate  
to the right conductors.  
GENERAL  
Thinking About Problem Solving  
Despite best intentions, something could always go wrong. Sometimes troubleshootinga  
balky set-up can make even the toughest engineer a Maalox and Rogaine addict.  
You can’t fix any system without the right world view; a zeitgeist of suspicion tempered  
by trust in the laws of physics, curiosity dulled only by the determination to stay focused  
on a single problem, and a zealot’s regard for the scientific method. Perhaps these are  
successful characteristics of all who pursue the truth.  
In a world where we are surrounded by complexity, where we deal daily with equipment  
and systems only half-understood, it seems wise to follow understanding by an iterative  
loop of focus, hypothesis, and experiment.  
The notions here apply whether you are solving problems at the system level or at the  
component level. At the system level, the actions you might take would be very different  
– checking cables, trying different menu settings – but the thinking is the same.  
Too many times, we fall in love with our suppositions. We are quick to overtly or subcon-  
sciously assume the problem being chased is due to lousy design, the stupid phone  
company, or the manager’s latest memo.  
Armed with a healthy skeptical attitude, the basic philosophy of troubleshooting any  
system is to follow these steps:  
1. Observe the behavior to find the apparent problem;  
2. Observe collateral behavior to gain as much information as possible about the  
problem;  
TROUBLESHOOTING  
9-3  
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3. Round up the usual suspects;  
4. Generate a hypothesis;  
5. Generate an experiment to test the hypothesis;  
6. Fix the problem;  
Then, repeat, if necessary, to attack additional problems.  
Let’s cover each step of the troubleshooting sequence in detail.  
Step 1. Observe the behavior to find the apparent bug. In other words, determine  
the bug’s symptoms. Remember always that many problems are subtle and exhibit  
themselves via a confusing set of symptoms. Remember, depending on the nature of  
the problem, the system you are troubleshooting may include your data circuits,  
yours or the calling party’s long distance carrier, and the data circuit and equipment  
at the other end.  
It’s never just “The ISDN isn’t working”...  
but how isn’t it working?  
Step 2. Observe collateral behavior to gain as much information as possible about  
the problem. Does the LCD’s problem correlate to an LED flashing? Try to avoid  
studying a problem in isolation, but at the same time be wary of trying to fix too  
many at the same time. No one is smart enough to deal with multiple problems all at  
once – unless they are all manifestations of something more fundamental. Always  
note any messages ZephyrExpress may present when the problem occurs. Enlist the  
help of the users to keep track of these messages and give you this information.  
Step 3. Round up the usual suspects. At the system level, always suspect the menu  
set-up, the cables, the phone company line setup, the punch-blocks, etc. At the  
component level, lots of computer problems stem from the same few sources.  
Never, never, never forget to check Vcc.  
Step 4. Generate a hypothesis. Before changing things, formulate a hypothesis  
about the cause of the problem. You probably don’t have the information to do this  
without gathering more data.  
Sometimes you’ll have no clue what the problem might be. Sometimes, when the  
pangs of desperation set in, it’s worthwhile to try anything practically at random. You  
might find a bad plug, an unconnected line, or something unexpected. Look  
around, but be always on the prowl for a working hypothesis.  
Step 5. Generate an experiment to test the hypothesis. Plug this ZephyrExpress into a  
known good line; call a known good Zephyr or ZephyrExpress at the other end; if  
long-distance doesn’t work, try a local call.  
NOTE: You should plan your tests to eliminate 50% of the possible problems in one  
test, if possible. Just keep careful track so you know what you have eliminated.  
Step 6. Fix the problem.  
9-4 TROUBLESHOOTING  
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Other Ideas  
Constantly apply sanity checks. Almost thirty years ago, the Firesign Theater put out an  
album called “Everything You Know is Wrong”. Use that as your guiding philosophy in  
troubleshooting a Zephyr set-up. For example, just because you checked the Telco line  
last night and it was fine doesn’t mean it’s OK now.  
At 3:00 AM when the problems seem intractable and you’re ready to give up engineering  
as a career, remember that the system has worked and will work again. Relax: you’re  
smarter than the ISDN is, and you’ll figure it out.  
Diagnostic Aids  
Fortunately, ZephyrExpress has some features designed to aid your troubleshooting ef-  
fort.  
Look into the Lights  
You can learn a lot about an error condition by observing ZephyrExpress’ panel lights:  
Front-panel LEDs  
All of ZephyrExpress’ LEDs should light for a few seconds on power-up or reboot. The  
MIC1 and MIC2 routing switches’ A and B LEDs will glow red; the other routing LEDs glow  
green, the meters are fully on, and the LOCK and SAFE LEDs glow red. It’s a veritable  
Christmas Tree. If you don’t see these lights, chances are very good you’ve got a power  
supply problem.  
The LOCK LEDs light when the decoder is receiving valid data. If they’re off, chances are  
the Receive mode doesn’t match the distant unit’s send mode. If it’s flashing, both units  
are probably in Layer 3 but in different channel or stereo modes. In either case, the cause  
might also be bad data due to equipment or ISDN problems.  
The SAFE LED should either be steadily on or off, depending on how the SAFE MODE  
switch on the rear panel is set. If SAFE is blinking, it either means:  
Someone left ZephyrExpress in one of its loopback modes when they last turned the  
system off. Use the Codecmenu to turn Loopback: Off.  
You have a European ISDN card (no NT1), and the ISDN circuit is disconnected or  
dead.  
There is a hardware problem preventing ZephyrExpress’ codec from synchronizing  
with the telco’s clock.  
Normal operation is impossible until SAFE stops blinking.  
LCD  
The LCD display should show the word Initializing...for a few seconds, and then the  
Status Screen should appear. The upper right corner of the Status Screen should say  
Loading...for a few seconds, and then display the date and time1. If things don’t happen  
1 Or at least some date and time. We don’t consider a misset clock to be a major problem.  
TROUBLESHOOTING  
9-5  
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this way, you’ve probably got a software problem... but there’s a possibility something  
has gone wrong with the hardware.  
If the LEDs light up but you can’t see any text on the LCD display, the most probable  
cause is that someone left the backlighting or contrast at an inappropriate setting.  
Press the DROP button and hold that button in while turning the EDIT knob clockwise to  
reset the backlighting. It may take a few turns.  
p
d
Press the DIAL button and hold that button in while turning the EDIT knob either direc-  
tion to change the LCD Contrast.  
NT1 status LED  
North American ZephyrExpress units, with built-in NT1s, have a green LED on the back  
of the unit next to the LINE DIRECT jack. It should be steadily lit.  
Rapid flashing means there’s no ISDN continuity. Check the line. Be sure it’s plugged  
into the lower ZephyrExpress jack.  
Slow flashing is normal when the connection is being established. If the LED continues  
to flash slowly, check the SPIDs and switch type. And don’t automatically assume the  
numbers that the telco installer gave you are correct.  
LOOPBACK modes  
You can check ZephyrExpress’ audio circuits by looping the send bus directly into the re-  
ceive bus, check its coding operation by looping the transmit encoder directly into its re-  
ceive encoder, or check the entire unit by dialing into another Zephyr or ZephyrExpress  
that’s set to loop an incoming signal directly back.  
Far Loopback for local audio testing  
Set Codec: Loopmode to Farto connect ZephyrExpress’ send mixer directly to the receive  
bus. The loopbackcircuit looks like the drawing on the next page.  
Using Far Loopback and the block diagram, you should be able to trace an audio signal  
through ZephyrExpress.  
When using Far Loopback for local audio testing, the ISDN line doesn’t need to be active  
and the transmit and receive coding methods don’t have to match.  
IMPORTANT!  
w
ZephyrExpress’ volume meters are driven by the audio codec. For this reason,  
they’re disconnected during Far Loopback mode.  
9-6 TROUBLESHOOTING  
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Block diagram of the audio circuitry during Far Loopback  
In Far Loopback, you should be able to:  
1. Route the mic to one or both send circuits;  
2. Shout into the mic, and see the A or B routing LED turn red to indicate overload1;  
3. Turn off the Monitor 2 SEND switch, set its RECEIVE switch to AB , raise the level, and  
hear the microphone in a headphone plugged into the front panel.  
If these tests fail, and you’re sure the Audiomenu settings are correct, the problem is ei-  
ther with the mic and headset and their wiring or with ZephyrExpress’ internal audio  
circuits. You may be able to broadcast using the alternate mic input or the line input, until  
you can get it fixed. You may be able to receive signals using the direct RECEIVE output on  
the rear panel.  
ISDN TIP!  
i
If you’re in Far Loopback and an ISDN line is connected and properly configured,  
ZephyrExpress will answer any incoming calls and send the data directly back to  
the caller. This is handy for testing the data path and the distant studio’s codec,  
as explained on page 9-9.  
1 If it doesn’t turn red, raise the Sensitivityin that mic’s submenu.  
TROUBLESHOOTING  
9-7  
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Near Loopback for codec testing  
When the Codec: Loopbackmenu item is set to Near, incoming audio gets coded in the  
usual manner, sent into the ISDN interface but then looped directly back to the decoder.  
This checks over 90% of ZephyrExpress’ functionality with no ISDN line present.  
IMPORTANT NOTE!  
w
If you are using the European ISDN TA and aren’t connected to an active ISDN  
line, you will hear dropouts in the audio signal during Near Loopback. This is not  
a problem with the equipment.  
COMPATIBILITY NOTE!  
c
Near Loopback requires both the transmit and receive coding methods to be  
compatible.  
CURIOSITY NOTE!  
?
Near Loopback is great for trying ZephyrExpress’ audio coding algorithms with-  
out an ISDN line, and getting used to what the different settings sound like. It’s  
also great for impressing people with the quality that ISDN can yield over a  
good system.  
9-8 TROUBLESHOOTING  
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When Near Loopback is engaged and the coding methods match, the LOCK LEDs should  
light. Audio can be routed to the send bus, and monitored through the RECEIVE routing  
switches. Normal coding delays will be present.  
In Near Loopback, you should be able to:  
1. Route the mic to one or both send circuits;  
2. Shout into the mic, and see the A or B routing LED turn red to indicate overload;  
3. Raise the mic’s level and see it on the send meters;  
4. See the LOCK LEDs lit, and the microphone’s signal slightly delayed on the receive  
meters;  
5. Turn off the Monitor 2 SEND switch, set its RECEIVE switch to AB , raise the level, and  
hear the microphone delayed in a headphone plugged into the front panel.  
If these tests fail but the Far Loopback tests pass, and you’re sure the Codecmenu settings  
are correct, the problem is with ZephyrExpress’ encoder or decoder circuit. Try testing  
with a different set of coding methods.  
Far Loopback from the distant studio  
If the Status Screen is showing Ready Ready, and there’s an audio problem, but Zephyr-  
Express passes the local Near and Far Loopback tests described above, set the Codec: Loop  
modeitem to Off. Then have the distant studio set their Loopback mode to Far. Set your  
ZephyrExpress so that both the transmit and receive methods match, and call the distant  
studio. Their Far Loopback should route your signal directly back to you.  
You should hear yourself, after a coding delay. If you do, you’ve verified that ZephyrEx-  
press and the line are working correctly: the problem is with the distant studio’s codec. If  
you don’t, try changing the Codec:bitrate.  
NOTE!  
w
Don’t forget to set Codec: Loop modeback to Offbefore attempting normal  
operation.  
Loopback Summary  
These two loopbackmodes are powerful troubleshooting tools:  
NEAR loopback can eliminate substantial portions of the ZephyrExpress circuitry by  
testing to see if the coder and decoder are working. Be sure to test in the relevant  
transmit and receive modes for your situation.  
Assuming only one problem, FAR loopback can effectively determine whether it’s  
due to the communications channel(s) or one of the codecs.  
While the problem is occurring, first put your ZephyrExpress into Far Loopback  
while the distant studio stays in normal mode. Then restore your ZephyrExpress  
to normal and have them use their far loopback mode.  
TROUBLESHOOTING  
9-9  
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If either unit can lock to itself, consistently, while looping through the other  
unit’s Far Loopback, then the ISDN connection is good.  
If neither unit can lock to itself then the ISDN connection is failing somewhere.  
This can be because some part of the connection doesn’t support the bitrate  
you’ve chosen. It can also happen in the unlikely event that both codecs are  
broken.  
Using two Far Loopback tests, to check units at both ends, will often tell you exactly  
where a problem lies. For example: If they can’t hear you during normal operation, but  
you can hear yourself when they’re in Far Loopback, you know both your transmit coder  
and receive decoder are working and the line is good. Have them test their codec with  
your ZephyrExpress in Far Loopback. If they can’t hear themselves either, you know it’s  
their receive decoder. If they can hear themselves, the problem is an incompatibility  
between codecs: try a different mode.  
Some Error Conditions  
No functionality; the box is totally or partly dead.  
Does ZephyrExpress have power?  
Does the outlet have power? Is the power module’s fuse blown? The green LED on the  
power module should be lit. If it is, then the LCD display on ZephyrExpress should be  
lit1. You can test the power supply for the voltages as listed in section 3, Hardware. Since  
switching supplies must be tested under load, you’ll have to dismantle the its XLR con-  
nector, and leave the insert plugged into ZephyrExpress, while checking.  
IMPORTANT NOTE!  
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Do not connect or disconnect the 4-pin XLR power connector on the rear of  
ZephyrExpress while the power is on. If you’re probing voltages with the con-  
nector disassembled, make sure the XLR insert stays in place the whole time that  
power is applied.  
Disconnecting the power supply while it’s powered can damage ZephyrExpress  
or erase its memory.  
Does ZephyrExpress have basic functionality?  
Upon initial power-up, the LCD display should show the word Initializing...for a  
few seconds, and then the Status Screen should appear. The upper right corner of the  
Status Screen should say Loading...for a few seconds, and then display the date and  
time.  
1 If the LCD doesn’t light, check that the backlight and contrast are correctly set. See  
page 9-6.  
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During the initializing period, a self-test is performed. If there is a problem, this is re-  
ported on the LCD and progress is halted. The message should be noted for discussion  
with Telos customer support.  
If the unit does not reach the INITIALIZING stage, suspect a problem with the system  
processor, system clocks, or EPROMS  
Condition: ISDN Connecting OK, But No Audio  
What is the state of the LOCK LED?  
Check the LOCK LED. On means you’re connected and receiving valid data. If it’s not lit  
up, try cycling through receive modes to see if you can “find” the mode at the other end.  
If it’s flashing, you’re both in Layer 3 but the stereo mode doesn’t match.  
What happens when you call yourself?  
Try calling yourself from one ISDN line to the other. Use a 56 kbps rate first, as this is the  
most universal. Set Codec: Transmitto L3-Dualand Codec: Receiveto L3-Mono. Audio  
should work in both directions. This confirms that ZephyrExpress is OK, and that the  
problem lies somewhere downstream: either the distant codec is having trouble, or the  
telco’s switching equipment or long distance carrier is having problems.  
ISDN TIP!  
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Try both directions. Sometimes a connection won’t carry data when site A calls  
site B, but works perfectly when site B calls site A.  
What happens if you try a different long distance carrier for the call? If the call  
doesn’t go through at 64kbps, try 56kbps... or vice versa. Try placing a local call as a  
long distance call.  
Since most of the network uses separate transmit and receive paths, it is entirely possible  
to have a path in one direction but not the other. This is particularly true with long-  
distance calls, where one end of the connection might be using a different carrier... or  
not be authorized for long distance at all! The above steps will force you through the  
network via a different path.  
What happens when you try a NEAR loopback?  
If successful, this eliminates over 90% of the ZephyrExpress circuitry as the culprit. Re-  
maining suspects would be primarily the ISDN card. Remember, transmit and receive  
modes must be compatible.  
Are the coding modes set properly?  
The transmit and receive modes and the bitrate must be set to match the unit  
at the other end.  
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Condition: No Audio In Both Directions  
Does ZephyrExpress’ loopback isolate the problem?  
See above for tips on using the loopback modes.  
Is the ZephyrExpress mode set properly?  
Your Codec: transmitmode must match their receive mode. Their transmit mode must  
match your Codec: receivemode.  
Sometimes cycling between modes can clear a decode problem.  
Is audio properly connected and configured?  
Do the loopback tests described earlier. Make sure the audiomenu settings are correct.  
Try different microphones and cables.  
HOT TIP!  
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Use ZephyrExpress’ POTS facility to place an analog call over the ISDN line to a  
standard phone at the distant studio, so you can compare notes on the codecs’  
settings.  
Condition: Audio In One Direction Only  
You’ve already checked that the codec modes at both ends are set properly, right?  
This problem can be either analog or digital in nature. Unlike analog telephone lines, the  
two directions of a digital line are mostly independent. It is possible to have a telephone  
channel failure in one direction only. Try these steps to force the network to use a differ-  
ent path.  
1. What happens if you try a different long distance carrier for the call?  
2. Try the call at 56kbps vs 64kbps (or vice versa)?  
3. Try reversing the direction of the call?  
4. Try placing a local call as a long distance call?  
Are audio signals and connections OK?  
Try changing the routing switch settings, using a different ZephyrExpress input or out-  
put, using the other channel, or placing an L3-dual call on the other line.  
Condition: Audio Distorted  
Are the Audio: Microphone Sensitivitysettings correct? Is the microphone wired  
properly for a balanced input?  
If the MIC1 or MIC2 routing LEDs light up red, the sensitivity is too high and you’re sure to  
get distortion.  
9-12 TROUBLESHOOTING  
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Some mics — and many direct boxes and press feeds — will choke if phantom power is  
turned on when they don’t expect it.  
Send gain set OK?  
With Audio: Limiterturned off, check the SEND meters for proper indication. The top  
two LEDs shouldn’t be lighting at all.  
Do the sample rates match?  
If the rates don’t match — if one codec is set to 48kHz and the other to 32kHz — the sig-  
nals will be transposed about half an octave and drop out every few seconds. This may be  
desirable if you’re trying for a Mickey Mouse or Darth Vader voice, but is not considered  
a normal operating condition.  
Condition: Major Echo Action  
If you can’t receive distant audio, but get a delayed version of your own transmitted sig-  
nal, it’s probable that either your ZephyrExpress or the distant unit is in Loopback mode.  
Use the Codec: Loopbackmenu item to turn it off, and make sure they perform an  
equivalent step on their unit. It’s also possible that a telco or bridge service left some of  
their gear in a loopback mode; try the steps for Audio One Direction, above.  
If you can receive distant audio but also get a delayed version of your own transmitted  
signal, they’ve probably formed a feedback path through their console. Tell them to  
remove their codec’s output from the console bus that’s feeding their codec’s input.  
Error Messages  
The ZephyrExpress software has a system for self-monitoring. When a major problem is  
detected, a message appears on the LCD screen. The message gives general information  
about the problem in a text phrase, and specific information in an error number Please  
note the exact wording of the message and its number, and contact Telos customer sup-  
port.  
ISDN Problems  
Condition: Can’t Get ISDN Ready ReadyIndication  
Interpreting the Status indicators  
The ISDN status boxes on the bottom of the Status Screen can tell you a lot about how  
the connection is working:  
Inact  
Inact  
means a bad ISDN connection or no ISDN service at all.  
This can also happen because you’ve used the wrong jack on  
the wall or on ZephyrExpress.  
Wait  
Init  
Init  
Init  
means incorrect SPID1  
means the telco typedoesn’t match the phone company’s  
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setup or SPIDs haven’t been entered.  
Init Initcan also appear when a European ISDN connection  
has been idle for a while. This is normal, and Readywill appear  
when you start using the connection again.  
Ready  
Init  
Wait  
means only one working ISDN channel  
means incorrect SPID2  
Ready  
Ready  
Ready This is what you want to see. ISDN is working.  
ISDN TIP!  
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If you see Ready Readywhen the switch type is set to PTP, and you cannot  
dial, it’s likely that your line is really National ISDN-11.  
What kind of ISDN do you have, and is the Zephyr set to match it?  
The telephone company should have given you the ISDN protocol when the line was  
ordered. If you find yourself in the field without this information, it is usually possible to  
piece together what you need.  
If you are given SPIDS, you probably have National ISDN-1. One SPID means one  
channel was activated, rather than the usual two. You won’t be able to make a stereo  
connection.  
No SPIDs and only one phone number generally means AT&T PTP. However:  
Sometimes the telco will give you a SPID even when you have PTP. If so, disregard  
it.  
SPIDS beginning with 01 mean you are on the AT&T 5ESS switch. A SPID of  
01YYYZZZZ0 generally means that you have PTP. If you have 2 SPIDS with this format  
suspect that you may have Custom Point-to-Multipoint (PMP) which is not supported by  
the Zephyr (but see below). 2 SPIDS which look like 01YYYZZZZ000 means you probably  
have Natl ISDN 1. National ISDN SPIDS can take many other forms as well.  
The above generalizations aren’t law. Technically, a phone company can assign any  
string of digits — your phone number, their phone number, or even their birthdays — as  
a SPID.  
In Europe, you have either NET3, EuroISDN or an older protocol, such as ITR6 in  
Germany or VN2 in France. The Zephyr only works with EuroISDN although it may  
work with NET3.  
ISDN TIP!  
If your Telco did not properly follow the ordering information you sent them  
from the appendix of this manual (you did use that information, didn’t you?)  
1 The PTP protocol does not require SPIDs, so ZephyrExpress does not send or check  
them but assumes the line is okay. Meanwhile, the telco is still waiting for those darn  
SPIDs.  
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they may have given you a 2 B-channel AT&T “Custom Point to Multipoint” line  
with 2 phone numbers and 2 SPIDS. ZephyrExpress does not support this con-  
figuration.  
If you have Custom Point to Multipoint, you can often get things working temporarily  
by following these steps:  
1. Remove both SPIDS and both directory numbers  
2. Set Switch Typeto PTP  
3. Have the distant codec call either of your phone numbers twice: that is, they should  
dial one of your ISDN numbers, drop the line, and then dial it again. They should be  
able to connect.  
4. The line will probably now function normally for outgoing calls until ZephyrExpress  
is rebooted or the ISDN connection is reinitialized.  
ISDN TIP!  
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If your Telco did not properly follow the ordering information you sent them  
from the appendix of this manual, they may have given you a 2 B-channel Na-  
tional ISDN-1 line with only one SPID and one phone number.  
If you have only one SPID and one phone number on a Natl I-1 line, you can often get  
things working by following these steps:  
1. Enter the SPID they gave you as SPID#1  
2. Enter your 7-digit directory number twice as both Directory 1 and Directory 2  
A REALLY IMPORTANT ISDN TIP!  
Carefully verify that you have the correct SPID from the Telco, and that you have  
properly entered it into the Zephyr.  
SPIDs must exactly, perfectly correct for ISDN to work! We’ve seen a few cases  
where numbers were transposed by Telco personnel, so it might be a good idea  
to re-check with them if things are pointing in this direction.  
For a list of known working SPIDS by Telephone Company, see the Appendix.  
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HOT TIP!  
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If you suspect the SPIDs given you are wrong, or the basic line provisioning  
(configuration) is incorrect, call the Telco and ask them to verify the SPIDS and  
provisioning from the switch.  
They’ll probably need to have someone call you back. Verify this person is logged  
into the switch. Get their fax number and fax them ZephyrExpress’ ISDN infor-  
mation from the Appendix of this manual.  
Sometimes the information in the Business Office computer is wrong. By verifying what  
is programmed into the switch itself you can save time.  
ISDN TIP!  
In an emergency, to save a remote, you can sometimes get a line working with-  
out the proper SPIDs or line configuration by dialing into it. This fix is only tem-  
porary and the line will fail to initialize next time ZephyrExpress is booted.  
Can you place a “pots” call?  
From the dialing screen, change the Modefrom Zephyrto Phoneand try placing a call. Try  
it on both outgoing lines. If you can place ordinary analog calls but not data calls, then  
the phone company probably didn’t give you CSD (Circuit switched data) capability. The  
line won’t work for data, and won’t carry high-quality audio calls.  
The faxable order form in the appendix specifies CSD. Make them give it to you: it’s the  
reason you specified ISDN.  
Is your long-distance carrier OK?  
If you can successfully call locally, but long-distance calls don’t go through, ZephyrEx-  
press usually displays Far end disconnect, No route available, or Incompatible Bear  
Capas the ISDN “Cause” phrase.  
You may try another by dialing the appropriate 10XXX prefix.  
Some carriers and codes that we’ve tried are:  
MCI  
10222  
10288  
10333  
AT&T  
Sprint  
You must dial the full number, including the 1 or 011 + country code following the pre-  
fix. You may program the 10xxx prefix into the ISDN: Outside Line Prefixfield, but you  
must remove the prefix before attempting local calls.  
In our experience, other carriers are unlikely to be able to handle ISDN data calls. Let us  
know if you find otherwise.  
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You should also try the call at different bit rates (56/64 Kbps): that can affect how the call  
gets routed through the network.  
What does the ISDN “Cause” phrase say?  
This phrase or something similar will appear on the LCD after dialing. It comes directly  
from the telephone company equipment and can be valuable for troubleshooting. Gen-  
erally these phrases are self-explanatory.  
Getting a Cause phrase means you are at least talking to the Central Office equipment.  
There is a full description of the phrases and their meanings later in this section.  
Are you using the Zephyr’s internal NT1?  
The green LINE DIRECT LED is on the rear panel, near the U jack of North American  
ZephyrExpress units. If there’s no ISDN line connected, or the line is dead, the light will  
blink rapidly (about 5 Hz). If NT1 can contact the central office, the light will blink  
slowly (about 1 Hz). The LED comes on steadily when all handshaking is completed and  
the basic line connection is good.  
If the LED is off, or blinking slowly, there could be a problem with ZephyrExpress.  
Sometimes disconnecting the ISDN line and rebooting the system will fix things: when  
power is reapplied, the light should blink rapidly until you re-connect the line..  
Are you using an external NT1?  
If so, check the LEDs on the unit. The following indicators are typical, but not all NT1s  
will work this way.  
Power. Should be lit. In North America, power for the NT1 is normally provided by  
the terminal device; in this case, ZephyrExpress. Units sold in North America have  
both S and U interface jacks (and an internal NT1), and provide power over the 8-pin  
S interface cable. Elsewhere, power is normally provided by a separate NT1 power  
supply. Units sold outside North America have just an S interface jack, and do not  
provide power.  
WARNING!  
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Do not power the NT1 from both ZephyrExpress and an external supply. If you’re  
using a North American ZephyrExpress and an external NT1, disconnect any other  
power supply.  
A blinking Power light usually indicates insufficient voltage.  
Active. Lights green when all is well.  
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Terminal Error. Lights red to indicate a problem on the terminal (ZephyrExpress) side.  
Could be a problem with the cable or with ZephyrExpress itself.  
Line Error. Lights red to indicate a problem with the Telco line. This means a very ba-  
sic kind of problem; usually no physical connection.  
HOT TIP!  
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You can use an analog phone, high-impedance headphones, or a telephone  
“butt” test set to do a basic check of ISDN lines:  
You should hear a clicking sound or white noise. If you don’t, the line is dead.  
Combinations of lights and blinking allow a fine degree of explanation, see the  
NT1manual for complete information.  
Intermittent ISDN Problems  
These are among the most difficult kinds of problems to solve. Rest assured, however,  
that we’ve yet to lose one! This section addresses problems where the NT1 indicates that  
the line is good.  
The most important tool is ZephyrExpress’ integrated ISDN analyzer. This lets  
you look at the transactions between the Telco line and ZephyrExpress, to help you figure  
out where the problem lies.  
The usual cause is a Telco problem, like mis-programming or an intermittent connec-  
tion.  
If you are convinced that the problem lies with the ISDN line, you may be able to con-  
vince the Telco to have an engineer look at the line with an analyzer. This works much  
like the Zephyr’s internal analyzer, but with more detail, and in a format which is more  
readily understandable by telephone people. This procedure may sometimes be the only  
way to get a phone company to pay attention: it’s hard to deny evidence provided by your  
own test set.  
Problems which happen at a certain time of day, or a certain day of the week could be  
related to diagnostic routines the Telco may run periodically.  
In rare cases, there could be a software bug in the Zephyr which reacts badly to some-  
thing coming from the ISDN line. Telos customer support will communicate the prob-  
lem to our engineering guys for resolution once it has been verified.  
ISDN Cause Phrases/Values  
When there is an ISDN problem in the network, a phrase appears on the Zephyr’s LCD  
(or using the built-in protocol analyzer) which communicates information about the  
cause of the trouble. These “Cause Values” are numbers generated by the network,  
which the Zephyr translates to the associated phrases. When possible, we use those sug-  
gested by the Bellcore standard.  
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Note that in some cases there may be more than one meaning. This can frequently be  
evaluated by whether the message has been received by the calling party or the called  
party.  
Cause No. 1 - Check number, redial  
This cause indicates that the called party cannot be reached because, although  
the called party number is in a valid format, it is not currently allocated(assigned).  
Cause No. 2 - No route to network  
This cause indicates that the equipment sending this cause has received a request to route  
the call through a particular transit network which it does not recognize. The equipment  
sending this cause does not recognize the transit network either because the transit net-  
work does not exist or because that particular transit network, while it does exist, does not  
serve the equipment which is sending this cause.  
Cause No. 3 - No route to destination. Prefix 1 dialed in error  
This cause indicates that the called party cannot be reached because the network  
through which the call has been routed does not serve the destination desired. This  
cause is supported on a network-dependent basis.  
or  
A 1 was dialed when not required. Redial without the 1.  
Cause No. 4 - No prefix 1  
The prefix 1 is required for this number.  
Cause No. 6 - Channel unacceptable  
Channel on called unit is not available.  
Cause No. 8 - Call is proceeding  
Call in process, please stand by.  
Cause No. 14 - Excess digits received, call is proceeding  
More digits were dialed than expected. Called number has been truncated to the ex-  
pected number.  
Cause No. 16 - Far end disconnect / Normal call clearing  
This cause indicates that the call is being cleared because one of the users involved in the  
call or the switch has requested that the call be cleared. Under normal situations, the  
source of this cause is not the network.  
Cause No. 17 - Busy, try again later  
This cause is used to indicate that the called party is unable to accept another call because  
the user busy condition has been encountered. This cause value may be generated by the  
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called user or by the network. In the case of user determined user busy it is noted that the  
user equipment is compatible with the call.  
Cause No. 18 - No far end response  
This cause is used when a called party does not respond to a call establishment message  
with either an alerting or connect indication within a prescribed period of time.  
Cause No. 19 - No answer  
This cause is used when the called party has been alerted (has provided an alerting indi-  
cation) but does not respond with a connect indication within a prescribed period.  
Cause No. 21 - Call rejected  
This cause indicates that the equipment sending this cause does not wish to accept this  
call, although it could have accepted the call because the equipment sending this cause  
is neither busy nor incompatible.  
This cause may also be generated by the network, indicating that the call was cleared due  
to a supplementary service constraint.  
Cause No. 22 - Number changed  
This cause is returned to a calling party when the called party number indicated  
by the calling party is no longer assigned, The new called party number may optionally  
be included in the diagnostic field. If a network does not support this cause, an unas-  
signed number message (cause number 1) may appear instead.  
Cause No. 26 - Non-selected user clearing  
This cause indicates the user has not been awarded the incoming call.  
Cause No. 27 - Dest. out of order  
This cause indicates that the destination indicated by the user cannot be reached because  
the interface to the destination is not functioning correctly. The term “not functioning  
correctly” indicates that a signal message was unable to be delivered to the remote party;  
e.g. a physical layer or data link layer failure at the remote party, or user equipment off-  
line.  
Cause No. 28 - Incorrect number (Invalid number format, address incomplete)  
This cause indicates that the called party cannot be reached because the called party  
number is not in a valid format or is not complete.  
Cause No. 29 - Facility rejected/Special intercept announcement: undefined code  
This cause indicates that the user cannot use this feature  
or  
This cause value indicates that a user in a special business group (i.e. Centrex) dialed an  
undefined code  
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Cause No. 30 - Result of a STATus ENQuiry/Special Intercept announcment:# unassigned  
This cause is included in the STATus message the user sends to the switch when the rea-  
son for generating this message was a prior receipt of a STATus ENQuiry message  
or  
This value indicates that a user from outside a special business group (i.e. Centrex) has di-  
aled a number associated with the business group which is unassigned.  
Cause No. 31 - Network disconnect/Special Intercept Announc.:Call blocked  
This cause is used to report a normal event only when no other cause in the normal class  
applies.  
or  
This cause is used to indicate that a user in a special business group (i.e. Centrex) has vio-  
lated an access restriction feature.  
Cause No. 34 - No circuit available  
This cause indicates that there is no appropriate circuit/channel presently available to  
handle the call. May be due to switch congestion as well as trunk congestion.  
Cause No. 38 - Net out of order  
This cause indicates that the network is not functioning correctly and that the condition  
is likely to last a relatively long period of time e.g. immediately re-attempting the call is  
not likely to be successful.  
Cause No. 41 - Net problem, redial  
This cause indicates that the network is not functioning correctly and that the condition  
is not likely to last a long period of time; e.g. the user may wish to try another call attempt  
almost immediately. May also indicate a data link layer malfunction locally or at the re-  
mote network interface or that a call was cleared due to protocol error(s) at the remote  
network interface.  
Cause No. 42 - Net busy, redial  
This cause indicates that the switching equipment generating this cause is experiencing a  
period of high traffic.  
Cause No. 43 - Access information discarded  
This cause indicates that the network was unable to deliver user information (i.e. subad-  
dress) to the remote user as requested.  
Cause No. 44 - No channel available  
This cause is returned when the circuit or channel indicated by the requesting entity can-  
not be provided by the other side of the interface.  
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Cause No. 47 - Resource unavailable  
This cause is used to report a resource unavailable event only when no other cause in the  
resource unavailable class applies.  
Cause No. 50 - Requested facility not subscribed  
This cause is used to report that the cannot use this feature because s/he has not sub-  
scribed to it.  
Cause No. 51 - Bearer capability incompatible with service request  
This cause indicates a user request for action was rejected because the action was incom-  
patible with the capability of the call.  
Cause No. 53 - Service operation violated  
This cause indicates the caller has violated the service operation  
Cause No. 57 - Data/voice not auth./Bearer capability not authorized  
This cause indicates that the user has requested a bearer capability which is implemented  
by the equipment which generated this cause but the user is not authorized to use it. This  
is a common problem caused by wrong Telco provisioning of the line at the time of in-  
stallation.  
Cause No. 65 - Incompatible bearcap  
This cause indicates that the equipment sending this cause does not support the bearer  
capability requested.  
Cause No. 69 - Request facility not implemented  
This cause indicates that the network (or node) does not support the request bearer capa-  
bility  
Cause No. 70 - Restricted only  
This cause indicates that the calling party has requested an unrestricted bearer service but  
the equipment sending this cause only supports the restricted version of the requested  
bearer capability.  
Cause No. 81 - Invalid call reference value  
This cause indicates the equipment sending this cause received a message with a call ref-  
erence that is not in use on the user interface.  
Cause No. 88 - Incompatible dest.  
This cause indicates that the equipment sending this cause has received a request to es-  
tablish a call which has low layer compatibility, high layer compatibility or other com-  
patibility attributes (e.g. data rate, DN subaddress) which cannot be accommodated.  
Cause No. 96 - Info missing  
This cause indicates that the equipment sending this cause has received a message which  
is missing an information element which must be present in the message before that  
message can be processed.  
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Cause No. 97 - Message type nonexistent or not implemented  
This cause indicates the equipment sending this cause received a message with a mes-  
sage type it does not recognize because the message is undefined, or it is defined but not  
implemented by the equipment sending this cause.  
Cause No. 99 - Information element non existent or not implemented  
This cause indicates the equipment sending this cause received a message that includes  
an information element identifier not recognized because the information element  
identifier is undefined, or it is defined but not implemented by the equipment sending  
this cause.  
Cause No. 100 - Invalid information element contents  
This cause indicates the equipment sending this cause received an information element  
that it has implemented; however one or more fields of the information element are  
coded in a way that has not been implemented by the equipment.  
Cause No. 101 - Message not compatible with call state/Protocol error threshold  
This cause indicates the equipment sending this cause received a message that procedure  
indicate is not permissible at this time.  
or  
This cause indicates that the switch sending this cause is clearing the call because a  
threshold is being exceeded for multiple protocol errors during an active call.  
Cause No. 102 - Timeout disconnect  
This cause indicates that a procedure has been initiated by the expiry of a timer  
in association with error handling procedures.  
Cause No. 111 - Protocol Error, Unspecified  
Among other things, this cause can be displayed if you failed to dial the appropriate  
code for an outside line from an internal system (usually the digit 7, 8, or 9). Also may be  
returned if you have some types of restrictions as to the number of calls, etc.  
Cause No. 118 -  
Cause No. 127 - SW56 disconnect/Internetworking, unspecified  
This cause indicates that an interworking call (usually a call to SW56 service)  
has ended. May also be seen in the case of a non-specific rejection by your long distance  
carrier (try again at a different rate).  
TROUBLESHOOTING  
9-23  
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A
M
audio problems · 9-11  
Maalox · 9-3  
C
N
Customer Service · 9-2  
NT1 · 9-17  
D
P
diagnostic · 9-20  
phantom power · 9-13  
directory number · 9-15  
power supply · 9-10, 9-17  
E
R
error message · 9-13  
Ready · 9-14  
I
S
Inact · 9-13  
S interface · 9-17  
self-diagnostics · 9-5  
setup · 9-4, 9-14  
SPID · 9-15  
Init · 9-13, 9-14  
ISDN “Cause” · 9-17  
ISDN analyzer · 9-18  
ISDN continuity · 9-3  
ISDN problem · 9-13  
T
troubleshooting · 9-1, 9-4  
L
U
Layer 3 · 9-11  
loopback modes · 9-6  
loopback, far · 9-7  
loopback, near · 9-9  
U interface · 9-17  
W
Wait · 9-13, 9-14  
9-24 TROUBLESHOOTING  
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SECTION 10  
SCHEMATICS  
and DATA SHEETS  
SCHEMATICS and DATA SHEETS  
10-1  
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SECTION 11  
APPENDIX  
ABOUT AUDIO LEVELS  
“Nominal” Levels  
11-2  
11-2  
11-2  
Level, Gain, dBu and dBm  
CODEC COMPATIBILITY INFORMATION  
11-3  
Comprehensive ZephyrExpress Compatibility List  
11-5  
FINDING PUBLIC ISDN SITES  
11-7  
11-9  
List of Known Working SPIDs by Telephone Company  
Ameritech  
11-9  
Bell Atlantic  
11-9  
Bell South  
11-9  
Cincinatti Bell  
11-9  
Fort Mills Telephone  
11-9  
GTE  
11-10  
11-10  
11-10  
11-10  
11-10  
11-10  
11-10  
11-10  
Northern Pittsburgh Telephone  
Nynex  
Pacific Bell  
SNET (Southern New England Telephone)  
Southwestern Bell  
Sprint/Centel  
US West  
ISDN BRI, ZEPHYR, AND YOU  
11-10  
Ordering ISDN  
11-11  
11-11  
Dealing with the Phone Company  
Details, Details  
11-12  
11-12  
11-12  
11-13  
11-13  
11-13  
11-14  
11-14  
11-14  
IOC Capability Packages  
Protocols  
SPIDs  
CSD and CSV  
56/64kbps  
NT1s  
Terminals and Terminal Types  
Long Distance Carriers  
The Faxable ISDN Order Form (for use in US only)  
11-15  
APPENDIX  
11-1  
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ABOUT AUDIO LEVELS  
“Nominal” Levels  
The following will help to understand what we mean by nominal: A mixing console has  
its analog VU meter calibrated so that a test tone set to the 0 dB red-green junction outputs  
+4 dBu to ZephyrExpress. The mixer is adjusted so that the VU meter looks “normal” on  
a music or voice program. A nominal +4 dBu is being sent to ZephyrExpress.  
Level, Gain, dBu and dBm  
We use dBu, rather than dBm, when describing both input and output levels.  
dBu is decibels referred to a voltage of 0.7746 volts; unlike dBm, it does not imply any  
value of circuit impedance or power. ZephyrExpress, as with most modern broadcasting  
and pro audio equipment, has an output impedance much lower than the input imped-  
ance. It operates on a voltage transfer basis and therefore, the dBm, as a power unit, is not  
appropriate – as the proper unit for voltage based systems is dBu.  
dBm is decibels referred to a power level of one milliwatt across 600. The 0 dBu value of  
0.7746 volts is the voltage across a 600resistor when exactly one milliwatt is being dissi-  
pated in the resistor, which means that under the condition that the measurement is in a  
600circuit, dBu and dBm are numerically equivalent.  
Which brings us to our concern here: How does ZephyrExpress get along with other  
equipment?  
ZephyrExpress’ line input can be set to a nominal +4dBu for professional equipment, or  
to a nominal -10dBu for consumer equipment. But the gain can be fine-trimmed by us-  
ing the front-panel volume controls. The only time input impedance matching becomes  
important is with older transformer-coupled devices or passively-equalized analog  
phone lines. In this case, a 680resistor might be necessary across the input to prevent  
frequency-response problems.  
However, ZephyrExpress’ line outputs are designed to feed modern, high-impedance  
+4dBu devices. This is particularly important with the direct RECEIVE outputs, which have  
no gain adjustment.  
The outputs themselves have a 200source impedance. When connected to a high im-  
pedance input, levels should match as expected. However, if the output is terminated in  
600, a drop of 2.5 dB will be observed. This is due to the voltage divider effect of the in-  
ternal resistance being loaded by the external 600.  
Incidentally, +4 dBu is 1.23 VAC, and this value can be read on a Digital Voltmeter (such  
as the common Fluke) to confirm that this level is what you have.  
11-2 APPENDIX  
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100Ω  
20kΩ  
+4 dBu  
+4 dBu  
100Ω  
Here, the output is loaded with a high impedance, as would be the case with  
modern equipment. ZephyrExpress’ voltage level is conveyed to the load with  
no noticeable attenuation.  
100Ω  
600Ω  
+1.5dBu  
+4 dBu  
100Ω  
When a 600 load is used, the voltage divides, with 2.5 dB being lost in Zephyr-  
Express’ internal source resistance. Note that, in this case, the meter across the  
600 resistor can be said to be indicating dBu or dBm.  
CODEC COMPATIBILITY INFORMATION  
We believe strongly in the benefits of compatibility. That is why we include a variety of  
operational modes designed to accommodate the largest number of non-Telos codecs.  
We are constantly testing compatibility in our own labs, as well as accumulating infor-  
mation from others regarding using ZephyrExpress with other codecs. For the latest  
compatibility information please check our web site, http://www.Zephyr.com, or con-  
tact Telos customer support.  
This is an area constantly in flux, so please contact us with any specific needs not covered  
below. We also appreciate your contacting us with any information which could be of  
use to others.  
APPENDIX  
11-3  
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CCS  
CCS  
CCS  
CCS  
CCS  
— COMREX —  
INTRAPLEX  
CDQ2000 CDQ1000 CDQPrima Roadrunner Micro 56 DX200 DXP/DXR  
4400  
Micro 64  
N/S  
NEXUS  
N/S  
LAYER 3  
N/S  
N/S  
YES  
YES  
N/S  
N/S  
LAYER 2  
J-STEREO  
DUAL  
YES  
YES  
YES  
YES  
N/S  
N/S  
YES  
N/S  
YES  
YES  
YES  
YES  
N/S  
N/S  
YES  
YES  
N/S  
N/S  
N/S  
N/S  
YES  
YES  
YES  
YES  
N/S  
N/S  
N/S  
N/S  
NO  
N/S  
N/S  
N/S  
MONO  
128 MONO  
G.722  
N/S  
YES  
YES  
YES  
YES  
YES  
YES  
N/S  
GENERAL NOTES:  
YES = Compatible with ZephyrExpress.  
N/S=Not supported by other codec.  
ZephyrExpress supports ISO/MPEG Layer II at 48kHz sampling only.  
ZephyrExpress supports “CCS CDQ protocol compatible” channel splitting for ISO/MPEG  
Layer II stereo and mono 128 modes.  
ZephyrExpress G/722 uses statistical sync. G.722 sample rate is fixed at 16 kHz regardless of  
menu setting.  
CCS NOTES:  
CDQ 1000: Switch off H.221 (DIP switch 7 , on back, in down position; to “AUTO” mode) on  
CDQ to transmit from CDQ to ZephyrExpress. Terminal adapter must have “BONDING”  
turned off and be set to 64/56Kbps. Switch on ISO/MPEG bit stream (DIP switches 6 and 8 on  
back, to up position).  
CDQ 2000: Switch to “Decoder independent from encoder” (Decoder DIP switch #6 in up  
position; “INDEPENDENT”). Terminal adapter must have “BONDING” turned off and be set  
to 64/56Kbps.  
Prima: must be set to front panel option “DECODER/GENERAL/INDEP=YES” OR Serial  
port command “DIN YES”. To transmit G.722 sample rate must be set to 16 kHz. Only Primas  
with serial numbers beginning with 2 support Layer 3.  
COMREX NOTES:  
DX200 must have ERROR PROTECTION set to “ON” and IMUX set to “TELOS/CCS” or  
“CCS”. Terminal adapter must have “BONDING” turned off and be set to 64/56Kbps.  
Nexus must have “H.221” off.  
11-4 APPENDIX  
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AEQ  
— DIALOG 4 —  
GLEN  
NAGRA  
RE  
PHILLIPS YouCom  
ACD3001 MUSICTAXI REPORTER SOUND  
ARES-C 660/661 Baby Blue ReporterSet  
LAYER 3  
LAYER 2  
N/S  
LIMITED  
MONO  
N/S  
N/S  
N/S  
N/S  
N/S  
J-STEREO N/S  
NO  
NO  
NO  
NO  
NO  
NO  
NO  
NO  
N/S  
N/S  
N/S  
N/S  
NO  
NO  
YES  
NO  
see note  
see note  
YES  
N/S  
N/S  
YES  
N/S  
N/S  
N/S  
YES  
NO  
DUAL  
N/S  
YES  
MONO  
128 MONO N/S  
G.722 YES  
DIALOG4 NOTE:  
NO  
YES  
YES  
YES  
YES  
YES  
YES  
YES  
ZephyrExpress can transmit to DIALOG4 in the modes indicated. For DIALOG4 to transmit  
to ZephyrExpress, compatibility mode must be set correctly. MUSICTAXI must have  
“Configuration/ISDN accept mode” set to ALL, and “Configuration/ISDN mode” set to RI,  
DNRI, or DNR depending on firmware version.  
NAGRA NOTE:  
Nagra “SYNC” mode must be set to “SRT”.  
RE NOTE:  
Modes which require greater than 64kpbs will not work. Terminal adapter must have  
BONDING turned off and be set to 64/56 kbps. Zephyr can receive Layer 2 JStereo, Stereo,  
and Dual from RE when transmitted at 64kbps.  
Comprehensive ZephyrExpress Compatibility List  
yes!  
no!  
yes+ :  
no-  
yes?  
no?  
?
:
:
compatible, tested by Telos R&D  
incompatible, tested by Telos R&D  
compatible, tested by someone else  
incompatible, tested by someone else  
compatible, probably (from specs)  
incompatible, probably (from specs)  
unknown  
:
:
:
:
:
-
this mode is not supported by the product  
L2-Stereo  
:
:
:
?
?
?
AETA  
L2-M128  
G.722  
Incompatible... because of proprie-  
tary L-II implementation?  
CCS CDQ1000  
AEQ  
L3-Mono  
L3-Stereo  
:
:
-
-
L3-Mono  
L3-Stereo  
:
:
-
-
L2-Mono@48 : yes!  
L2-Mono@48 : yes!  
APPENDIX  
11-5  
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L2-Mono@24 : must be set to ISO  
bitstream.  
Dialog4 MusicTaxi  
ZephyrExpress Codec: Compatibil-  
itymust be set to Dialog4.  
L2-Stereo  
L2-M128  
G.722  
:
:
:
-
-
MusicTaxi “Configuration /ISDN ac-  
cept mode” must be set to ALL and  
“Configuration/ISDN mode” to RI.  
yes! ZephyrExpress  
can always receive. CDQ must have  
H.221 switched off in order to receive  
from ZephyrExpress  
L3-Mono  
:
yes+. There will be  
dropouts in the MusicTaxi to Zephyr-  
Express path because of D4’s asyn-  
chronous mode.  
CCS CDQ2000  
CDQ2000: Decoder DIP switch 6 up  
(decoder independent from encoder).  
L3-Stereo  
:
yes+, but see above  
L2-Mono@48 :  
?
L3-Mono  
L3-Stereo  
:
:
-
-
L2-Stereo  
L2-M128  
G.722  
:
:
:
?
?
L2-Mono@48 : yes!  
yes?  
L2-Stereo  
L2-M128  
G.722  
:
:
:
yes!  
yes!  
-
Dialog4 ReporterSet  
L3-Mono  
L3-Stereo  
:
:
?
?
?
?
?
?
CCS CDQ2001  
L2-Mono@48 :  
See CDQ2000. 48kHz sample rate.  
L2-Stereo  
L2-M128  
G.722  
:
:
:
CCS Prima  
Prima: Front panel option de-  
coder/general/indep=yes  
Dialog4 Slimline  
Or serial port command "din yes".  
Sample rate set to 48kHz  
ZephyrExpress Codec: Compatibility  
must be set to Slimline.  
L3-Mono  
:
Slimline “Configuration /ISDN ac-  
cept mode” must be set to ALL and  
“Configuration/ISDN mode” to RI.  
(some units have layer III and are  
compatible)  
L3-Stereo  
:
L3-Mono  
:
yes+. There will be  
(some units have layer III and are  
compatible)  
dropouts in the MusicTaxi to Zephyr-  
Express path because of D4’s asyn-  
chronous mode.  
L2-Mono@48  
L2-Mono@24  
L2-Stereo  
L2-M128  
: yes!  
: yes!  
yes!  
L3-Stereo  
:
yes+, but see above  
:
:
:
L2-Mono@48 :  
?
yes!  
L2-Stereo  
L2-M128  
G.722  
:
:
:
?
G.722  
yes!  
?
yes?  
Comrex Layer-II DX-200  
L3-Mono  
L3-Stereo  
:
:
-
-
EELA  
L3-Mono  
L3-Stereo  
L2-Mono@48  
L2-Stereo  
L2-M128  
G.722  
:
:
-
L2-Mono@48 : yes!  
L2-Stereo yes! Must be  
switched to “Telos /CCS compatibil-  
ity” mode for stereo.  
-
:
: yes?  
no?  
no?  
yes?  
:
:
:
L2-M128  
G.722  
:
:
yes!  
Yes  
Intraplex  
Comrex G.722 DXP and DXR  
L3-Mono  
L3-Stereo  
:
:
-
-
G.722  
only  
:
yes! Standard G.722  
L2-Mono@48 : yes?  
11-6 APPENDIX  
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L2-Stereo  
L2-M128  
G.722  
:
:
:
?
?
?
L3-Stereo  
:
-
L2-Mono@48 : yes!  
L2-Stereo  
L2-M128  
G.722  
:
:
:
-
-
PKI G.722 phone  
G.722 no? Because of  
yes!  
:
H.221 and SETUP indicator.  
RE  
L3-Mono  
L3-Stereo  
L2-Mono  
:
:
:
:
-
PKI Magic  
-
Completely incompatible because of  
J.52?  
yes!  
L2-Stereo  
splitting.  
no. Wrong channel  
L3-Mono  
L3-Stereo  
:
:
?
?
?
?
?
?
L2-M128  
G.722  
:
:
no. See stereo.  
?
L2-Mono@48 :  
L2-Stereo  
L2-M128  
G.722  
:
:
:
Telos Zephyr (rack-mount)  
L3-Mono  
L3-Stereo  
Zephyrs are mono-only.  
:
:
Of course, yes!  
Some rack-mount  
Philips MPR LIIBlue  
TrueBlue: Must be switched to  
:
L2-Mono  
:
yes!  
“CCS compatibility” mode for  
modes that use both B-channels  
(stereo, mono128)  
L2-Stereo  
:
Some rack-mount  
Zephyrs are mono-only.  
L2-M128 Mono-only Zephyrs  
do not support this mode.  
:
L3-Mono  
L3-Stereo  
:
:
-
-
G.722  
:
yes!  
L2-Mono@48 : yes?  
L2-Stereo  
L2-M128  
G.722  
:
:
:
yes?  
yes?  
yes?  
You/Com  
L3-Mono  
L3-Stereo  
:
:
-
-
L2-Mono@48 : yes+  
L2-Mono@24 : yes+  
Philips MPR Baby Blue  
Baby Blue Must be switched to  
“CCS compatibility” mode for  
modes that use both B-channels  
(stereo, mono128)  
:
L2-Stereo  
L2-M128  
G.722  
:
:
:
yes+  
yes?  
yes?  
L3-Mono  
:
-
FINDING PUBLIC ISDN SITES  
When you need to find a ZephyrExpress, Zephyr, or compatible codec to connect with in  
another city, there are a number of resources to which you can turn. There are many  
hundreds of sites around the country – and the world – which offer a wide variety of  
services.  
Some are music recording studios; some are broadcast stations; some are recording stu-  
dios specializing in broadcast projects; and many are home studios belonging to an-  
nouncers or producers. Some come with award-winning engineering or vocal talent,  
while others are offered “bare.” Chances are, you’ll find what you are looking for  
somewhere below...  
APPENDIX  
11-7  
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Telos World Wide Web site  
http://www.zephyr.com will connect you to a variety of information about Zephyr-  
Express and ISDN, including site pointers.  
Audiobahn  
A list of broadcasters and sound studios using codecs, maintained by Jay Rose’s  
Digital Playroom, a broadcast promo studio in Boston.  
These sites have submitted their names so other professionals can call them for  
newsfeeds, help with remotes, audio transfers, and so on. All services are optional,  
and fees are negotiated by the parties involved. The list is maintained as a public  
service to help you find each other... after that, it’s up to you.  
Audiobahn is updated approximately once a month. Submission information is on  
the list, and has to follow a precise format. Comments may be sent by e-mail to:  
WWW:  
http://www.dplay.com  
Paper:  
Telos usually has printouts of the current list. Comrex keeps the list in a fax-on-  
demand system, for use by their customers.  
Digifon List  
Dave Immer’s Digifon publishes a list of codec users around the world, heavily  
geared toward recording studios. Most (those using equipment which supports  
MPEG Layers II or III) are able to work with ZephyrExpress. Those that cannot  
(mostly APT-X, but some Dolby) are able to do so via various bridge services, includ-  
ing one offered by Digifon itself. The list is available on the World Wide Web. Send  
e-mail comments to [email protected].  
WWW:  
http://www.digifon.com  
Phone  
203-254-0869  
203-256-5723 (Fax)  
EdNet  
San Francisco, CA  
415.274.8800  
Service to recording studios and broadcasters. Operates about two hundred sites,  
mostly at recording studios. They handle billing and booking, etc. Provides  
“translation” service. Full-service Zephyr and ZephyrExpress dealer.  
11-8 APPENDIX  
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List of Known Working SPIDs by Telephone Company  
Your SPIDs may be different! The phone company can assign any darned thing they  
want to as a SPID... but they usually adhere to these standards.  
Note, for each line there is only one configuration which will work. Your SPID is dis-  
tinct from your telephone number and does not necessarily contain your area code or  
telephone number (although this is generally the case).  
A standardized SPID format for national ISDN of XXXYYYZZZZ0101 has been phased in  
and is worth trying.  
Incorrect SPIDS will be indicated by a line status of “Wait, Init” on ZephyrExpress.  
Often the Telco will leave the last “00” or “01” off the end of your SPID when giving it to  
you.  
For the latest info, check http://www.zephyr.com. Additional SPIDS can be found at  
INTEL’s SPID Page (http://support.intel.com/enduser_reseller/isdn/spid-tip.htm).  
XXX=Area code  
YYY=exchange  
ZZZZ=phone number  
Ameritech  
Bell South  
XXXYYYZZZZ0101  
— or —  
XXXYYYZZZZ0101  
— or —  
XXXYYYZZZZ0111  
— or —  
XXXYYYZZZZ0100  
— or —  
01YYYZZZZ011  
— or —  
XXXYYYZZZZ01  
— or —  
XXXYYYZZZZ01  
01YYYZZZZ0  
— or —  
01YYYZZZZ000  
Bell Atlantic  
01YYYZZZZ00  
— or —  
Cincinatti Bell  
01YYYZZZZ000  
— or —  
01YYYZZZZ000  
— or —  
01XXXYYYZZZZ000  
— or —  
SPID1 00YYYZZZZ01  
SPID2 00YYYZZZZ02  
— or —  
XXXYYYZZZZ100  
— or —  
00YYYZZZZ01  
XXXYYYZZZZ0101  
— or for former Nynex sites —  
XXXYYYZZZZ0000  
Fort Mills Telephone  
XXXYYYZZZZ  
APPENDIX  
11-9  
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GTE  
SNET (Southern New  
England Telephone)  
XXXYYYZZZZ0101  
— or —  
01YYYZZZZ00  
01YYYZZZZ000  
— or —  
Southwestern Bell  
XXXYYYZZZZ00  
— or —  
XXXYYYZZZZ0101  
— or —  
SPID1 XXXYYYZZZZ01  
SPID2 XXXYYYZZZZ02  
01YYYZZZZ000  
— or —  
Northern Pittsburgh Tele-  
phone  
01YYYZZZZ00  
— or —  
XXXYYYZZZZ01  
XXXYYYZZZZ000  
Sprint/Centel  
Nynex  
XXXYYYZZZZ100  
— or —  
See BellAtlantic  
XXXYYYZZZZ1  
— or —  
Pacific Bell  
XXXYYYZZZZ0101  
— or —  
SPID1 XXXYYYZZZZ000  
SPID2 XXXYYYZZZZ100  
SPID1 XXXYYYZZZZ01  
SPID2 XXXYYYZZZZ02  
— or —  
US West  
XXXYYYZZZZ1111  
— or —  
01YYYZZZZ000  
— or —  
01YYYZZZZ00  
— or —  
SPID1 XXXYYYZZZZ1  
SPID2 XXXYYYZZZZ2  
or  
XXXYYYZZZZ00  
or  
01YYYZZZZ000  
XXXYYYZZZZ  
ISDN BRI, ZEPHYR, AND YOU  
This section applies to users in North America and is intended to help you when you or-  
der your ISDN line. We assume you have read the description of ISDN in section 8, and  
are familiar with ISDN’s basic concepts. If you haven’t read that section, do it now. It’ll  
help you understand the following information better.  
ISDN (Integrated Services Digital Network) is the information superhighway at your  
front door. Because ISDN has only been recently introduced in some parts of the coun-  
try, there is a great deal of confusion about what it is and how to get it. If you know who  
to call and provide them with complete information, the ISDN ordering process can be  
simple and straightforward. This guide takes you through the process step-by-step.  
Telos Customer Support is available by phone or fax to answer any further questions you  
may have.  
11-10 APPENDIX  
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From the perspective of the telephone network, each channel appears to be a separate  
line with its own number and independent dial-out capabilities. Since each has to be di-  
aled or answered separately, they appear to be “lines” to users also. We refer to a B chan-  
nel as a “line” on ZephyrExpress menus.  
ZephyrExpress’ internal interface (sometimes called by its generic name “Terminal  
Adapter”) is used to connect to digital ISDN telephone lines. It easily adapts to the various  
types of service offered by the range of Central Office (CO) switches installed by tele-  
phone companies in the USA and Canada.  
Ordering ISDN  
Dealing with the Phone Company  
As is often the case when broadcasters interface with phone people, the lines of com-  
munication on ISDN can get a little tangled.  
The first order of business is to find someone who knows what ISDN is. While your  
usual account agent will be the normal entry point, you will probably be talking to a  
number of phone people before you find one who understands your needs.  
Some of the regional Bell companies offer a single point of contact number for switched  
digital services. Note that in many cases the phone company will need to do a “loop  
qualification” (line loss test) from your site before they can verify that ISDN will be avail-  
able. Some telephone companies use “resellers”. If this is the case you should inquire  
what experience this reseller has with installing ISDN for audio codecs.  
Here are some contact numbers we use – if you have particularly positive or negative ex-  
periences with these offices, please let us know.  
COMPANY  
TELEPHONE NUMBER  
WORLDWIDE WEB  
Ameritech  
800-TEAMDATA (800-832-6328)  
http://www.ameritech.com  
Bell Atlantic  
Business 800-570-ISDN (800-570-4736) http://www.ba.com  
Residential 800-204-7332  
Bell Atlantic areas that were formerly Nynex, call your account rep or:  
800-GET-ISDN (800-428-4736)  
800-428-ISDN (800-428-4736)  
513-566-DATA (513-566-3282)  
800-GTE-4WCN (800-483-4926)  
800-775-6682 ext 288  
http://www.bell-atl.com  
Bell South  
Cincinnati Bell  
GTE  
http://www.bell.bellsouth.com  
http://www.gte.com  
Natco  
Nevada Bell  
Small Business 702-333-4811;  
large business 702-688-7100  
Nynex (see Bell Atlantic)  
APPENDIX  
11-11  
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Pacific Bell  
SNET  
800-4PB-ISDN (800-472-4736)  
For questions or assistance 403-944-8130  
http://www.pacbell.com  
http://www.ntplx.net  
800-420-4736  
Stentor (Canada) Fax server 800-578-4736, document #200 has list of local ordering numbers.  
403-944-8130 (questions/assistance).  
Southwestern Bell 800SWB-ISDN (800-792-4736)  
http://www.sbc.com  
US West  
Fax server 800-728-4949  
http://www.uswest.com  
Small business 800-246-5226  
For questions or assistance 206-447-4029  
*You may need to call this number more than once to find someone who can arrange for  
fast installation for remotes. Be sure to explain that you are a broadcaster.  
Details, Details  
In order to communicate accurately what it is you need, we think you should be familiar  
with the vocabulary used to describe ISDN. As with anything, for best results, it helps to  
know what you are talking about. For an in-depth glossary of terminology see manual  
appendix or visit Telos System’s web site at http://www.zephyr.com  
IOC Capability Packages  
More and more telcos are using ISDNOrdering Code (IOC) capability packages for ISDN  
ordering. If your telephone company uses these you need only tell them you need IOC  
package “S”.  
Protocols  
In a perfect world, all ISDN terminal equipment would work with all ISDN  
lines, without regard for such arcana as 5ESS, DMS100, CSV/CSD, SPIDs, etc. Unfortu-  
nately, the ISDN “standard” has been evolving for the past years and has only recently  
begun to settle down.  
At their central offices, the telephone companies use either AT&T 5ESS, Northern Tele-  
com DMS100, or Siemens EWSD switching equipment. While each will work with  
ZephyrExpress, there are some differences which need to be taken into account when  
lines are ordered and used. Each has a “protocol” – the language the user equipment and  
the telephone network use to converse (on the D channel) for setting up calls and the  
like.  
There is a standard protocol which all switches may provide, called National ISDN 1  
(NI-1). This protocol was standardized and specified by Bellcore, the technical lab jointly  
owned by the phone companies. However, both AT&T and Northern Telecom had  
“custom” versions of ISDN which predated the NI-1 standard and some switches have  
not been upgraded to the new format.  
There is also a newer NI-2 and NI-97 standards, but they are designed to be compatible  
with NI-1 for all of the basic functions.  
11-12 APPENDIX  
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SPIDs  
Service Profile Identification (SPID) numbers are required in all but one the AT&T proto-  
cols. This number is given to the user by the phone company and must be entered cor-  
rectly into ZephyrExpress in order for the connection to function. SPIDs usually consist  
of the phone number plus a few prefix or suffix digits. There is frequent confusion be-  
tween phone numbers and SPIDs, even among telco personnel. While the SPID fre-  
quently includes the corresponding phone number, this is not necessarily the case.  
The intention of the SPID is to allow the Telco equipment to automatically adapt to vari-  
ous user requirements by sensing different SPIDs from each type or configuration of  
user terminal. None of this matters with our application, but we must enter the SPIDs  
nevertheless. BellSouth has proposed, and most of the other telephone companies have  
agreed to implement, a standardized SPID for new National ISDN installations. They an-  
nounced this would be phased in during 1996. As of this writing, it has generally been  
implemented by most telcos. The standard is area code+phone number+0101  
(XXXYYYZZZZ0101).  
Unless you are using the AT&T PTP protocol, your Telco service representative should  
give you one SPID for each B channel you order. Don’t let the phone company installer  
leave without providing you with the phone numbers of your B channels (called Direc-  
tory Numbers, or DNs) and your SPIDs!  
CSD and CSV  
Recall that each ISDN BRI has two possible B channels. It is possible to order a line with  
one or both of the B channels enabled – and each may be enabled for voice and/or data  
use. Phone terminology for the class of service is CSV for Circuit Switched Voice and  
CSD for Circuit Switched Data. (In contrast to PSD, Packet Switched Data, which is pos-  
sible but irrelevant to our needs.)  
CSD is required for ZephyrExpress connections. Even though you may be sending voice,  
the codec bit-stream output looks like computer data to the phone network.  
CSV is for interworking with standard voice phone service and allows ISDN to call to  
analog phone lines and phones. ZephyrExpress allows outgoing voice calls on either of  
the channels if you have CSV. ZephyrExpress’ voice capability exists on both channels.  
Thus you can make calls to any normal telephone number on one channel while a pro-  
gram is being transmitted on the other. This is a feature you may want to use.  
You will be ordering an ISDN BRI 2B+D line with CSD and CSV (sometimes called alter-  
nate CSD/CSV) available on any B channel.  
56/64kbps  
All ISDN BRIs have a 64 kbps per channel capacity and almost all local calls operate at  
this rate. Some long distance connections, however, operate at only 56 kbps.  
ZephyrExpress provides standard rate adaptation (officially known as CCITT V.110) from  
56 to 64 kbps when required. Bit rate adaptation happens automatically within Zephyr-  
Express depending upon the rate of an incoming call.  
In our experience, the only sure way to know the capacity of a given connection is to try  
it, first at 64 kbps and then at 56 kbps if the higher rate fails.  
APPENDIX  
11-13  
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If you find that you have the 56 kbps limit on your line, you might want to request the  
Telco to upgrade the “RBOC-to-IXC tandem” circuit.  
NT1s  
The ISDN standard specifies two reference points, the “U” and the “S” interfaces. The U  
is the single-pair bare copper from the Telco CO. A device called a “Network Termina-  
tion, Type 1” converts this to the two-pair S interface.  
In Europe and Asia the NT1 is always provided by the phone company, and only the S  
interface may be on user equipment. ZephyrExpress units shipped outside of the USA  
and Canada have the “S” interface only. In the USA and Canada the NT1 is provided by  
the user and is therefore built-in to the ISDN terminal adapter.  
Terminals and Terminal Types  
Any equipment connected to an ISDN line is a ‘terminal’ – whether phone, computer, or  
ZephyrExpress. Point-to-point lines support one terminal, while multipoint lines can  
have up to eight in some applications.  
“Terminal Type” is a parameter sometimes requested by the phone people. The appro-  
priate value for ZephyrExpress varies depending upon protocol and is included on the  
order forms.  
Long Distance Carriers  
Not all long distance carriers can make reliable long distance connections for ISDN. We  
have found that the following work best (listed from better to worse): MCI, AT&T,  
Sprint. If you have difficulties with long distance calls you should contact Telos cus-  
tomer support for troubleshooting tips.  
For unknown reasons, the long distance companies try to charge extra if you tell them  
you are using an ISDN line. We therefore advise that you order your long distance  
through your local telephone company. Tell them to “PIC” you to 288 for AT&T, 222 for  
MCI, or 333 for Sprint. If the local telephone company insists that you contact the long  
distance company directly, we advise that you call and just give them your phone num-  
bers. Don’t mention what type of line it is.  
Since we advise you not mention that the line is an ISDN line, it will be best to call the  
number listed in your Yellow Pages under “Telephone Long Distance Companies” to or-  
der. If you are prepared to admit that you are using ISDN (and prepared to pay a 25 to  
50% surcharge) you can contact the “Switched Data Services” ordering numbers:  
AT&T  
MCI Worldcom 800-727-5555 or 800-888-0800 Business  
Sprint 800-326-1015  
800-222-0400 Business  
800-222-0300 Residential  
800-444-3333 Residential  
11-14 APPENDIX  
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The Faxable ISDN Order Form (for use in US only)  
The following three pages can be copied, filled out, and faxed to the phone company to  
order an ISDN line. They should give the phone company all the information they need.  
The majority of installations, if ordered in writing, with this information, go smoothly. If  
you do experience problems Telos Systems customer support is available to assist you.  
You may wish to also consult manual section 10 (Advanced Problem Solving) for addi-  
tional troubleshooting information.  
Complete the top portion of the form and send all three pages to the phone company.  
Keep the form handy and show it to the installer who puts in your line, and ask the in-  
staller to verify that the line is configured as ordered.  
APPENDIX  
11-15  
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FAXABLE ISDN BRI LINE ORDER FORM Page 1 of 3  
To:______________________________________________________  
Telephone Company  
Attention:  
From:  
Location for line:  
Company:  
Address:  
City/State/ZIP:  
Phone:  
Company:  
Address:  
City/State/ZIP:  
Phone:  
Contact:  
Contact:  
Long distance carrier:  
Date needed:  
Termination Date (if known:  
We request an ISDN Basic Rate Interface (BRI) line for use with a ZephyrExpress hi-fidelity audio codec. This  
device is used to transmit audio using digital telephone services. It requires Circuit Switched Data (CSD).  
ZephyrExpress transmits audio in real time and therefore needs reliable constant bit rate (CBR) service. It  
can also make standard POTS voice calls using Circuit Switched Voice (CSV) service. Please advise us if there  
is a cost penalty for having both CSD and CSV. 10XXX long distance option must be set to “Yes”. Clear  
channel 64kbps access should be provided. If only 56kbps is available, this is acceptable, but please notify  
us.  
If you use IOC Capability Packages, please use Capability Package “S”. If you do not use IOCs, use the  
information on the pages that follow.  
ZephyrExpress has an integral BRI terminal adapter which supports these protocols:  
AT&T 5ESS: Custom Point-to-Point (5E4.2 or later), National ISDN-1  
Northern Telecom: Functional (PVC1), National ISDN-1 (PVC2)  
Siemens EWSD: National ISDN-1  
We can use any of the protocols given above. Please let us know which protocol you will provide and  
the switch type. We will provide the NT1 and need a U interface with 2B1Q line coding on an a standard,  
six-pin/4-conductor RJ-11-style modular jack, of which only the center two conductors will be used.  
You may call the manufacturer of ZephyrExpress, Telos Systems, at +1 216.241.7225 for any additional  
required information. Ask for “ISDN Customer Support.”  
11-16 APPENDIX  
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Fax page 2 of 3  
PROTOCOL: National ISDN-1  
From AT&T 5Ess, Northern Telecom DMS100, and Siemens EWSD.  
If you use IOC Capability Packages, please use Capability Package “S”  
CO Values:  
Line Type: National ISDN-1  
Bearer Service: CSD/CSV on both channels  
TEI: One dynamic per number  
10XXX Long Distance Prefix: Yes  
Turn off features such as: packet mode data, multiline hunt, multiple call appearances, Electronic Key Tele-  
phone Sets (EKTS), shared numbers, accept special type of number, intercom groups, network resource  
selector (modem pools), message waiting, hunting, interLata competition, etc.  
Note for EWSD running NI-97: Switch must be programmed CLID=DN  
Give us:  
1) Two SPID numbers, depending upon active number of B channels  
2) Two Directory Numbers  
PROTOCOL: AT&T Point-to-Point (Custom)  
Software version 5E4.2 and above  
CO Values:  
Line Type (DSL class): Point-to-Point (PTP)  
B1 Service: On Demand (DMD)  
B2 Service: On Demand (DMD)  
Maximum B Channels (MaxChan): 2  
CSV Channels: Any  
Number of CSV calls: 1  
CSD Channels: Any  
Number of CSD calls: 2  
Terminal Type: A  
APPENDIX  
11-17  
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Fax page 3 of 3  
Number Display: No  
Call Appearance Pref:Idle  
10XXX Long Distance Prefix: Yes  
Turn off features such as: packet mode data, multiline hunt, multiple call appearances, Electronic Key Tele-  
phone Sets (EKTS), shared directory numbers, accept special type of number, intercom groups, network  
resource selector (modem pools), message waiting, hunting, interLata competition, etc.  
Give us:  
1) One Directory Number  
PROTOCOL: AT&T Point-to-Multipoint (Custom)  
Not supported by ZephyrExpress  
Please provide National ISDN 1 or AT&T Point-to-Point (Custom)  
PROTOCOL: Northern Telecom DMS100 ‘Functional’ (Custom, PVC1)  
Northern Telecom DMS100 switches BCS 31 and above  
CO Values  
Line Type: Basic Rate, Functional  
EKTS: No  
Call Appearance Handling: No  
Non-Initializing Terminal: No  
Circuit Switched Service: Yes  
Packet Switched Service: No  
TEI: Dynamic  
Bearer Service: CSD/CSV on both channels  
10XXX Long Distance Prefix: Yes  
Give us:  
1) Two SPID numbers  
2) Two Directory Numbers  
11-18 APPENDIX  
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ISDN finding sites · 11-7  
ISDN order form · 11-16  
ISDN ordering · 11-10  
A
analog levels · 11-2  
Audiobahn · 11-8  
L
C
line input/output · 11-2  
Long Distance · 11-14  
compatibility · 11-3  
CSD/CSV · 11-13  
P
D
phone company · 11-10  
phone company contact info · 11-11  
protocol · 11-12  
Digifon · 11-8  
E
S
EdNet · 11-8  
SPID · 11-13  
SPIDs by telephone company · 11-9  
I
IOC · 11-12  
APPENDIX  
11-19  
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