D00927620A
»
US-122L
USB Audio/MIDI Interface
OWNER'S MANUAL
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IMPORTANT SAFETY INSTRUCTIONS
1
2
3
4
5
6
7
Read these instructions.
* Microsoft, Windows, and Windows XP
are registered trademarks in the United
States and other countries of Microsoft
Corporation, USA.
Keep these instructions.
Heed all warnings.
Follow all instructions.
* Pentium is a registered trademark of
Intel Corporation, USA.
Do not use this apparatus near water.
Clean only with dry cloth.
* MIDI is a registered trademark of the
Association of Musical Electronics
Industries.
Do not block any ventilation openings.
Install in accordance with the manufactur-
er's instructions.
* Other company names and product
names in this document are the trade-
marks or registered trademarks of their
respective owners.
8
Do not install near any heat sources such
as radiators, heat registers, stoves, or other
apparatus (including amplifiers) that pro-
duce heat.
9
Only use attachments/accessories speci-
fied by the manufacturer.
10 Use only with the cart, stand, tripod, brack-
et, or table specified by the manufacturer,
or sold with the apparatus. When a cart is
used, use caution when moving the cart/
apparatus combination to avoid injury from
tip-over.
• Do not expose this apparatus to drips or
splashes.
• Do not place any objects filled with liquids,
such as vases, on the apparatus.
• Do not install this apparatus in a confined
space such as a book case or similar unit.
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Contents
Chart .................................. 22
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1 – Introduction
Please read this owner’s manual carefully
before you begin using the US-122L, and
use the product correctly as directed in
order to ensure long and trouble-free
enjoyment of all its functionality.
nearby for reference when required.
We can accept no responsibility for any
loss of the data you record using this prod-
uct onto other MIDI equipment in your
system or onto storage devices such as
hard disk.
After you have read this manual, keep it
Overview
The US-122L is a USB-based audio inter-
face designed for use with Digital Audio
Workstation (DAW) software. It provides a
two-input, two-output 24-bit 96 kHz audio
interface and a 16-channel MIDI interface.
since the US-122L operates using only
USB power, you can use it with a laptop
computer to create a very compact and
portable digital audio workstation system.
The US-122L is also an ideal way to cap-
ture analog sources such as records or cas-
sette tapes into your computer and pre-
serve them as audio CDs.
Because the US-122L is USB-based, it is
the ideal companion to any desktop- or
laptop-based digital recording setup. And
Features
• 24-bit / 96 kHz audio interface.
connector) and headphone output.
• MIDI IN/OUT.
• Analog input signals (L, R) can be input
at the same time and recorded simultane-
ously into your computer via USB.
• Direct Monitor function allows zero-
latency monitoring of the input.
• Two XLR mic/line inputs (balanced) and
two 1/4” phone mic/line inputs (bal-
anced/unbalanced) are provided. One of
the 1/4” phone inputs can be switched to
allow direct input of an electric guitar or
electric bass (R channel only).
• Power is supplied by the USB connector.
A note about computer operation
If you are unsure about how to perform
basic computer operations appearing in
this manual, please refer to the owner’s
manual that came with your computer.
• Unbalanced stereo line output (RCA
What is in the package
The US-122L package contains the follow-
ing items.
• CD-ROM (containing drivers and manuals)
• CD-ROM (Gigastudio 3 LE) [Windows
only]
• US-122L main unit
• USB cable
• CD-ROM (Cubase LE)
• Owner’s manual (this document)
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1 – Introduction
Conventions used in this manual
The following conventions are used in this
manual:
This typeface is used to designate messag-
es displayed by the software.
Example: Control Surface Protocol
Front panel keys, knobs, and indicators,
and rear panel connectors are designated in
all-capital letters.
This typeface is used to designate software
menu functions and on-screen controllers.
Example: LINE IN jacks
Example: ASIO Device
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2 – Parts of the US-122L
Top panel
1 PHONES/LINE OUT level knob
Controls the output level of the LINE OUT
jacks and the PHONES jack.
4 MON MIX balance knob Controls
the balance of the signal sources being out-
put from the LINE OUT jacks and the
PHONES jack. When this knob is turned to
the far left, the signal being input to the
US-122L (from the XLR jacks, or 1/4"
phone jacks) will be output. When this
knob is turned to the far right, the output
signal received from the computer via USB
will be output.
2 MIDI IN indicator Lights when MIDI
data is being received at the MIDI IN con-
nector.
MIDI OUT indicator Lights when MIDI
data is being transmitted from the MIDI
OUT connector.
3 USB indicator Lights to indicate a
valid USB connection to the host comput-
er.
5 MONO switch Turn this switch ON if
you want to monitor in monaural. This
switch affects only the analog input signal.
6 INPUT knobs (L, R) Adjust the level
of the audio signal being input to the MIC
IN jacks and LINE IN jacks.
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2 – Parts of the US-122L
ic musical instrument, audio device, or mic.
7 SIG/OL indicators Light when signals
are being input to the input channels (L,
R). They will light green to indicate a sig-
nal is present, and will light red immedi-
ately before distortion occurs. These indi-
cators apply only to the analog inputs.
NOTE
9 PHANTOM switch Turns on the +48V
phantom power supplied to the MIC IN
jacks.
WARNING
Microphones should not be connected
to or disconnected from the US-122L
with phantom power switched on.
Unbalanced dynamic microphones
should never be connected to phantom-
powered connectors.
These indicators will light green when
the input signal level is in the range of -
30 dBFS to -2 dBFS. The indicators will
light red when the input signal level
exceeds -2 dBFS.
NOTE
Turn this switch on only if you are using
condenser microphones that require
phantom power.
Please note that if you are operating
the unit with a battery-powered laptop
computer, the battery life of the com-
puter will be reduced if the PHANTOM
switch is on.
8 MIC/LINE-GUITAR select switch Set
this switch as appropriate for the input
source you have connected to the LINE IN
jack R channel. Use the GUITAR position if
you have directly connected an electric
guitar or electric bass. Use the MIC/LINE
position if you have connected an electron-
Rear panel
0 USB connector Use a USB cable to
connect this to the host computer’s USB
2.0 port.
C LINE OUT L/R jacks (RCA connector,
unbalanced) These are analog stereo output
jacks.
NOTE
A MIDI OUT connector Transmits
If you connect headphones to the
PHONES jack, no signal will be output
from the LINE OUT jacks.
MIDI messages.
B MIDI IN connector Receives MIDI
messages.
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2 – Parts of the US-122L
Front panel
If the MIC/LINE-GUITAR select switch is in
the MIC/LINE position, the R jack operates
as a balanced input jack. (Sleeve = ground,
tip = hot, ring = cold)
D MIC IN (L, R) jacks (XLR balanced)
These are analog mic input jacks. The wir-
ing is as follows: pin 1 = ground, pin 2 =
hot, pin 3 = cold.
F PHONES jack (stereo 1/4" phone) This
is a headphone output jack.
NOTE
E LINE IN (L, R) jacks (TRS 1/4" phone
jacks) These are balanced line input jacks.
The R channel also accommodates guitar
input. If the top panel MIC/LINE-GUITAR
select switch is in the GUITAR position, the
R jack operates as an unbalanced input
jack for guitar.
If you connect headphones to this jack,
no signal will be output from the LINE
OUT jacks.
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3 – Installation
System requirements
Windows XP
The faster your hard disk, the better
your results will be.
Supported operating system: Windows
XP SP2
We recommend that you have at least
256 MB of memory, but when using dig-
ital audio application software, the
more memory you have the happier you
will be.
Recommended system: Pentium or
Athlon 1 GHz or faster (or equivalent pro-
cessor), 512 MB or more memory, USB 2.0
port
Although this product has been checked
for use with typical computers that
meet the above operating require-
ments, we cannot guarantee that it will
operate with all computers that meet
these requirements. Please be aware
that even under the same conditions,
processing capability may vary depend-
ing on differences of the design and
system.
These requirements are for when using
Cubase LE. If you are using other applica-
tion software, you will need to consult the
operating requirements for the software
you are using.
NOTE
The number of usable audio tracks will
depend on the speed of your hard disk.
Mac OS X
• Macintosh computer with a USB 2.0
connector
For Macintosh as well, the more memory
you have and the faster your hard disk, the
happier you will be when using digital
audio application software
• Mac OS X 10.3.9 & higher on PowerPC
Mac systems
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3 – Installation
Installing the drivers
In order to use the US-122L, you must
install the appropriate drivers into your
computer. As described below, this is an
easy process using the CD-ROM included
with the US-122L.
CAUTION
Handle the enclosed CD-ROM with care.
If the disc becomes scratched or dirty,
your computer may be unable to read it
and the software cannot be installed. If
the disc becomes unreadable, a fee will
be charged for its replacement.
Drivers are updated from time to time. You
can download the most recent version of
the drivers from the TASCAM website
<http://www.tascam.com/>.
WARNING
Never attempt to play the enclosed CD-
ROM in a conventional audio CD player,
as the resulting noise may damage your
speakers or your hearing.
Do not connect the US-122L to your com-
puter before you have installed the drivers.
Installing the drivers for Windows XP
The US-122L’s drivers are provided on the
CD-ROM as an executable installer enti-
tled US-122L & US-144 driver x_yy.exe.
(x_yy is the version number.)
NOTE
During driver installation, a warning
that this software ... has not passed
Windows Logo testing will appear. This
warning appears when you attempt to
install a driver that has not passed
Windows Logo testing; however, please
be assured that TASCAM has verified
that this driver for Windows XP does
work correctly.
Installation procedure
1 Make sure that the US-122L is not
connected to your computer.
2 Double-click the executable installa-
tion file US-122L & US-144 driver x_
yy.exe. The installer will start up.
If this message appears, click Continue to
proceed with the installation.
If a message asks you to restart your com-
puter, restart your computer.
3 Select the desired language from the
menu and click the OK button. A dia-
log box will appear.
After restarting, connect the US-122L to
your computer. The Windows Plug and
Play system will detect the new USB hard-
ware, and the Add New Hardware wizard
will start up. The wizard will automatically
find the necessary files. (This will take
about 30 to 60 seconds.)
4 Click the Install the Driver button.
The drivers will be installed.
The drivers are now installed, and the
US-122L is ready to operate.
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3 – Installation
Installing the drivers for Mac OS X
The US-122L’s drivers are provided on the
CD-ROM as a package file entitled US-
122L & US-144 driver x_yy.mpkg. (x_yy is
the version number.) Simply double-click
on this package file’s icon to launch it and
follow the directions that appear on your
screen.
Installing Cubase LE
1 Insert the Cubase LE CD-ROM into
your computer.
3
Enter the serial number of Cubase LE
The Cubase LE serial number is
affixed to the soft case of the Cubase
LE disc.
.
The opening screen will appear.
4 When you have finished entering the
information, click the OK button.
5 Follow the instructions shown on the
screen with the installation.
When the installation is completed, a
dialog box indicating that installa-
tion was successful will appear, and
then you will return to the opening
screen.
2 Click the Install Cubase LE button.
6 Close the opening screen.
Settings on your computer
Here are a few basic points to help you set
up your computer for best performance
with audio applications.
Internet tools) at the same time as your
audio application, the processing may
not happen fast enough.
• Do not run other applications. You will
probably use your computer for applica-
tions other than audio, but we recom-
mend that you avoid running other appli-
cations at the same time you are running
audio programs. Processing digital audio
places a considerable load on your com-
puter.
• Certain devices such as network cards or
WinModems can cause conflicts with
USB processing. If you experience such
a conflict, you can use the Device
Manager to temporarily disable the
offending device.
• If your computer has an IDE hard disk,
enabling Direct Memory Addressing
(DMA) will improve performance. In
Windows XP, this is enabled by default.
This means that if you are running other
applications (especially graphics or
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4 – Control panel settings
Overview
The Control Panel lets you make various
settings for the US-122L’s functionality.
Setting section
Here you can edit the various settings of
The Control Panel is divided into the fol-
lowing two sections.
the driver.
Status section
This shows the current status of the driver
and the connected hardware.
You cannot edit the settings from this sec-
tion.
Driver settings
Audio Performance
The US-122L driver temporarily stores
input and output audio samples in buffers.
cessing faster. If the processing does not
occur in time (e.g., if other system opera-
tions are occurring), you may hear clicks,
pops, or dropouts in the audio signal.
The Audio Performance setting lets you
adjust the buffer size. The Lowest Latency
setting is the minimum buffer size, and the
Highest Latency setting is the maximum
buffer size.
A larger buffer size provides more safety
against such problems caused by other sys-
tem activities, but will produce greater
delay when monitoring the audio signal.
The US-122L lets you select the buffer size
that works best for your system.
A smaller buffer size will reduce the delay
when monitoring the input signal, but will
require your computer to perform the pro-
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5 – Connections
USB connections
Using the included cable, connect the
US-122L to your computer as shown in the
illustration.
NOTE
Some USB devices access the USB bus
frequently. To avoid dropouts and clicks
in the audio signal, we strongly recom-
mend that you do not connect other
USB devices to the USB bus used by the
US-122L.
USB keyboards and mice are exceptions
to this, and will probably not cause
problems.
Computer
USB
Audio connections
Connect the output signal of your mic, gui-
tar, keyboard, or other audio device to the
US-122L, where it will be converted into
digital audio and sent via USB to your
computer. Connect the output of the
US-122L to your speakers (via an amp) or
headphones, so you will be able to monitor
the audio signals coming into the US-122L
or being produced by your computer.
Mic
Connect your mics to the MIC IN (L, R)
jacks (XLR). If you are using a condenser
mic that requires phantom power, turn on
the phantom power.
NOTE
If you're using a
condenser mic
The US-122L has two input channels (L,
R), with a MIC IN jack (XLR) and LINE IN
jack (1/4” phone jack) provided for each
channel. Do not connect signals to both
of these analog input jacks at the same
time. If both are connected, the signal
will not be correctly input to the
US-122L.
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5 – Connections
Guitar
Analog record player
Connect your guitar to the R-channel LINE
IN jack (1/4” phone jack) and set the MIC/
LINE-GUITAR switch to GUITAR.
The output of an analog record player can-
not be connected directly to the US-122L.
You must connect a phono amp between
your analog record player and the
US-122L. (Alternatively, you can connect
it via an audio amp that has PHONO
inputs.)
Guitar
Phono amp or
amp with PHONO input
OUT
Keyboard / drum machine /
sound module / cassette deck /
MD / CD etc. (analog connec-
tion)
Connect the analog audio output of these
devices to the LINE IN (L, R) jacks (1/4”
phone jack). If you use the R-channel, set
the MIC/LINE-GUITAR switch to LINE.
Analog record
player
Speakers/headphones
Powered speakers,
or amp and speakers
Headphones
Keyboard /
drum machine /
sound module /
cassette deck /
MD / CD or similar device
OUT
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5 – Connections
MIDI connections
Connect your sound module, keyboard/
synthesizer, drum machine, or other MIDI
device to the US-122L as shown below.
You can use the MIDI IN/MIDI OUT con-
nectors to transmit and receive MTC
(MIDI Time Code). This allows the MTC-
compatible DAW (Digital Audio
Workstation) computer application to syn-
chronize with your MIDI equipment.
USB
Computer
MIDI OUT
MIDI IN
Keyboard /
synthesizer etc.
USB
Sound module etc.
Computer
MIDI IN
MIDI OUT
Sequencer /
drum machine etc.
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6 – Recording with Cubase LE
This chapter explains the basics you will
the user manual of your software.
need to understand when using the
US-122L with Cubase LE.
If you have questions specific to Cubase
LE, please refer to the Cubase LE user
manual.
This discussion is not intended to replace
Input setting
1 Start up Cubase LE. From the
Devices menu, choose Device Setup.
The Device Setup window will
appear.
4 From the Devices menu, choose VST
Inputs to access the VST Inputs win-
dow. Verify that the Port field shows
the input name of the audio interface
you are using, and that the Active
indicator is lit.
2 From the device list in the left side of
the Device Setup window, choose VST
Multitrac.
3 In the right side of the window, click
the Setup tab, specify the ASIO Driver
for the interface that uses an ASIO
driver, and click the Apply button.
If you have connected the digital
input, set the Clock Source to exter-
nal.
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6 – Recording with Cubase LE
5 From the File menu, choose New
Project. A window will appear, allow-
ing you to choose a template for your
new project. Choose the desired tem-
plate and press the OK button.
Specify the location in which to save
your project, and the new project
will be created.
Now you are ready to begin recording.
Recording
1 As the input for the track you want
to record, choose an input channel of
the audio interface you are using.
Then press the REC FUNCTION but-
ton to enable recording for that
track.
2 In the transport, press the REC but-
ton to begin recording.
STOP REC
3 When you are finished recording,
press the STOP button, and then
press the REC button to disable
recording. Rewind if necessary.
REC FUNCTION
4 Repeat steps 1, 2, and 3 to overdub
additional tracks.
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6 – Recording with Cubase LE
Mixdown
1 Move the left and right locators to
specify the region that you want to
mix down.
3 In the Export Audio Mixdown dialog
box, make the desired settings and
then press the Save button.
Specify the region
2 From the File menu, choose Export ->
Audio Mixdown.
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7 – Troubleshooting
This chapter lists frequently asked ques-
tions related to recording with Cubase LE,
with answers to these questions.
EQ bypass
Q. I have finished making input
settings, but the meter of the
audio track is not moving.
A. Make sure that the monitor button of
the track is enabled.
Q. I mixed-down a song that
was three minutes long, but
the result was only ten seconds
long.
A. Make sure that the left and right locator
region is set to the entire range that you
want to mix down.
Monitor
Q. I cannot set the locator
region to more than ten min-
utes.
A. The default setting is ten minutes.
From the Project menu, choose Project
Setup and adjust the length of the project.
Q. I would like to record two
channels simultaneously for a
stereo recording.
A. Before you record, press the stereo/
mono select button of the track so that the
yellow indicator is lit. In this case, the
track input is shown as In 1 + In 2 or a
similar indication.
Stereo/mono select
Q. I am trying to use the EQ,
but it does not seem to do any-
thing.
A. Check the VST channel settings etc. to
make sure that EQ bypass is not enabled.
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7 – Troubleshooting
Q. I performed a mixdown, but
the automation and effects
were not reflected in the mixdown.
A. In the Export Audio Mixdown dialog
box, make sure that automation and effects
are enabled.
Q. Using the ReWire protocol,
can I record the incoming audio
on a track?
A. In Cubase LE, ReWire tracks do not
Q. I made a CD using the WAV
file I mixed-down, but the
speed is obviously different.
have recording capability.
You will have to export the audio data, and
then import it into an audio track.
A. Could your project be set to 48 kHz?
Q. I have connected an audio
source to the US-122L, but can-
not hear anything.
If your ultimate objective is to create a CD,
we recommend that you work in 44.1 kHz
from the beginning.
To specify the sample rate, pull down the
Project menu, choose Project Settings, and
set the sample rate to 44,100 Hz.
A. Make sure that the input level is raised
appropriately. If the input is analog, the
green indicator will light when a signal is
being input.
Make sure that the monitor (or headphone)
level is raised, and that the connections are
correct.
Q. The sound is distorted.
A. Make sure that the signal is not over-
loading. The ideal level is when the red
indicator lights occasionally.
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8 – MIDI Implementation Chart
Function
Transmitted
Received
Remarks
Basic Channel
At power ON
Changed
X
X
X
X
Through
Mode
At power ON
Messages
Altered
X
X
X
X
Through
*************
X
Note
Number
X
Through
Through
Through
Range
Note ON
Note OFF
Polyphonic
Channel
*************
Velocity
X
X
X
X
X
X
X
X
After Touch
Pitch Bender
Control Change
Program Change
X
X
X
X
X
X
Through
Through
Through
Range #
*************
X
System Exclusive
System Common
X
Through
Through
:Song Pos
:Song Sel
:Tune
X
X
X
X
X
X
System
:Clock
:Commands
:Local on/off
:All note off
:Active sensing
:Reset
X
X
X
X
X
X
X
X
X
X
X
X
Through
Through
Real Time
Other
Notes
Mode 1: Omni on, Poly
Mode 3: Omni off, Poly
Mode 2: Omni on, Mono
Mode 4: Omni off, Mono
O:Yes
X:No
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9 – Specifications and performance
Audio specifications
Nominal input levels
MIC IN L and
R
(XLR balanced)
–58 dBu (TRIM=max) to –14 dBu
TRIM=min)
(
MIC/LINE-GUITAR L and
MIC/LINE position (1/4” jack, unbalanced)
R
in
–40 dBu (TRIM=max) to +4 dBu
(TRIM=min)
MIC/LINE-GUITAR R in GUITAR
position (1/4” jack, unbalanced)
–51 dBu (TRIM=max) to –7 dBu
(TRIM=min)
Maximum input levels
MIC L and
R
(XLR balanced)
+2 dBu (TRIM=min)
+20 dBu (TRIM=min)
+9 dBu (TRIM=min)
MIC/LINE-GUITAR L and
MIC/LINE position (1/4” jack, unbalanced)
R
in
MIC/LINE-GUITAR R in GUITAR
position (1/4” jack, unbalanced)
Input impedance
MIC IN L and
R
(XLR balanced)
2.4 kΩ
10 kΩ
1 MΩ
MIC/LINE-GUITAR L and
MIC/LINE position (1/4” jack, unbalanced)
R
in
MIC/LINE-GUITAR R in GUITAR
position (1/4” jack, unbalanced)
Nominal output level
LINE OUT (RCA unbalanced)
Maximum output level
LINE OUT (RCA unbalanced)
Output impedance
LINE OUT (RCA unbalanced)
Maximum output power
PHONES (1/4” stereo jack)
–10 dBV
+6 dBV
100 Ω
14 mW + 14 mW (32 Ω)
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9 – Specifications and performance
Audio performance
Signal-to-noise ratio
LINE IN (through ADC and DAC) to LINE > 96 dB (A-weighted, TRIM=min., input
OUT
impedance at 40 Ω)
LINE IN (through direct monitor) to LINE > 100 dB (A-weighted, TRIM=min.,
input impedance 40 Ω)
OUT
Total harmonic distortion (THD+N, 22 Hz to 22 kHz)
LINE IN (through ADC and DAC) to LINE < 0.006% (1 kHz sine +20 dBu input,
OUT
TRIM=min.)
LINE IN (through direct monitor) to LINE < 0.0.04% (1 kHz sine +20 dBu input,
OUT
TRIM=min.)
Other characteristics
Digital audio
A/D Conversion (AK5381)
D/A Conversion (AK4384)
24-bit/96 kHz, 27.6 samples delay
24-bit/96 kHz, 19.3 samples delay
MIDI
MIDI IN and MIDI OUT ports (DIN 5-pin)
USB
Conform to MIDI standards
USB 2.0 Format
USB port (down stream connector)
Host computer compatibility
Windows
Windows XP
Operating system
Macintosh
Mac OS 10.3.9 or later
USB 2.0
Communication
Windows
ASIO, ASIO2, GSIF2, WDM
CoreAudio, CoreMIDI (OS X)
Audio/MIDI interface
protocols
Macintosh
Bundled software
Cubase LE (for Windows or Macintosh),
Gigastudio 3 LE (Windows only)
ꢀꢂ TASCAM US-122L
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9 – Specifications and performance
Physical characteristics
Dimensions
External dimensions (w x h x d)
147 x 192 x 48 mm
1 Kg
Weight
Power
Supplied via USB
5V, maximum current 500 mA
Dimensions
147 mm
5.79 inch
48 mm
1.89 inch
TASCAM US-122L ꢀꢃ
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Notes
ꢀꢄ TASCAM US-122L
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Notes
TASCAM US-122L ꢀꢅ
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»
US-122L
TEAC CORPORATION
Phone: +81-422-52-5082
3-7-3, Nakacho, Musashino-shi, Tokyo 180-8550, Japan
TEAC AMERICA, INC.
Phone: +1-323-726-0303
7733 Telegraph Road, Montebello, California 90640
TEAC CANADA LTD.
Phone: +1905-890-8008 Facsimile: +1905-890-9888
5939 Wallace Street, Mississauga, Ontario L4Z 1Z8, Canada
TEAC MEXICO, S.A. De C.V
Phone: +52-555-581-5500
Campesinos No. 184, Colonia Granjes Esmeralda, Delegaacion Iztapalapa CP 09810, Mexico DF
TEAC UK LIMITED
Phone: +44-8451-302511
Unit 19 & 20, The Courtyards Hatters Lane, Watford, Hertfordshire. WD18 8TE, U.K.
TEAC EUROPE GmbH
Phone: +49-611-71580
Printed in China
Bahnstrasse 12, 65205 Wiesbaden-Erbenheim, Germany
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