3-776-794-11(1)
Color Video Camera
Operating Instructions
Before operating the unit, please read this manual
thoroughly and retain it for future reference.
DXC-D50K/D50PK
DXC-D50L/D50PL
DXC-D50WSL/D50WSPL
DXC-D50H/D50PH
2003 by Sony Corporation
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For the customers in the USA and Canada
RECYCLING NICKEL-CADMIUM BATTERIES
For customers in the USA
This equipment has been tested and found to comply with the
limits for a Class A digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable
protection against harmful interference when the equipment
is operated in a commercial environment. This equipment
generates, uses, and can radiate radio frequency energy
and, if not installed and used in accordance with the
instruction manual, may cause harmful interference to radio
communications. Operation of this equipment in a residential
area is likely to cause harmful interference in which case the
user will be required to correct the interference at his own
expense.
Nickel Cadmium batteries are recyclable.
You can help preserve our environment by
returning your unwanted batteries to your
nearest point for collection, recycling or
proper disposal.
Note: In some areas the disposal of nickel
cadmium batteries in household or
business trash may be prohibited.
RBRC (Rechargeable Battery Recycling Corporation)
advises you about spent battery collection by the following
phone number.
You are cautioned that any changes or modifications not
expressly approved in this manual could void your authority
to operate this equipment.
Call toll free number: 1-800-822-8837 (United States and
Canada only)
The shielded interface cable recommended in this manual
must be used with this equipment in order to comply with the
limits for a digital device pursuant to Subpart B of Part 15 of
FCC Rules.
Caution: Do not handle damaged or leaking nickel-cadmium
batteries.
For safety reasons, be sure to discharge the battery
before discarding it.
For the customers in Europe (for DXC-D50PK/D50PL/
D50WSPL/D50PH)
This product with the CE marking complies with the EMC
Directive (89/336/EEC) issued by the Commission of the
European Community.
Compliance with this directive implies conformity to the
following European standards:
• EN55103-1: Electromagnetic Interference (Emission)
• EN55103-2: Electromagnetic Susceptibility (Immunity)
This product is intended for use in the following
Electromagnetic Environment(s):
E1 (residential), E2 (commercial and light industrial), E3
(urban outdoors) and E4 (controlled EMC environment, ex.
TV studio).
Pour les utilisateurs aux Etats-Unis et au Canada
RECYCLAGE DES BATTERIES AU NICKEL-CADMIUM
Les batteries au nickel-cadmium sont
recyclables. Vous pouvez contribuer à
préserver l’environnement en rapportant les
batteries usées dans un point de ramassage,
recyclage ou retraitement.
Remarque: Dans certain pays, il est interdit
de jeter les batteries au nickel-
cadmium avec les ordures
Pour les clients européens (pour les DXC-D50PK/D50PL/
D50WSPL/D50PH)
Ce produit portant la marque CE est conforme à la Directive
sur la compatibilité électromagnétique (EMC) (89/336/CEE)
émise par la Commission de la Communauté Européenne.
La conformité à cette directive implique la conformité aux
normes européennes suivantes:
ménagères ou dans les
poubelles de bureau.
Questionnez chez RBRC (Rechargeable Battery Recycling
Corporation) pour les bateries usées.
• EN55103-1: Interférences électromagnétiques (émission)
• EN55103-2: Sensibilité électromagnétique (immunité)
Ce produit est prévu pour être utilisé dans les
environnements électromagnétiques suivants:
E1 (résidentiel), E2 (commercial et industrie légère),
E3 (urbain extérieur) et E4 (environnement EMC contrôlé, ex.
studio de télévision).
Le numéro est: 1-800-822-8837 (Etats-Unis et Canada
uniquement)
Avertissement: Ne pas utiliser des batteries au nickel-
cadmium qui sont endommagées ou qui
fuient.
Für Kunden in Europa (für DXC-D50PK/D50PL/D50WSPL/
D50PH)
Dieses Produkt besitzt die CE-Kennzeichnung und erfüllt die
EMV-Richtlinie (89/336/EWG) der EG-Kommission.
Angewandter Normen:
Par mesure de sécurité, déchargez bien la batterie avant
de la jeter.
• EN55103-1: Elektromagnetische Verträglichkeit
(Störaussendung)
• EN55103-2: Elektromagnetische Verträglichkeit
(Störfestigkeit),
für die folgenden elektromagnetischen Umgebungen:
E1 (Wohnbereich), E2 (kommerzieller und in beschränktem
Maße industrieller Bereich), E3 (Stadtbereich im Freien) und
E4 (kontrollierter EMV-Bereich, z.B. Fernsehstudio).
Gooi de batterij niet weg, maar lever hem in als
KCA.
3
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Table of Contents
Chapter 1
Overview
Product Configurations ....................................................7
Features .............................................................................9
Features on the DXC-D50/D50P/D50WS/D50WSP .......... 9
Features on the DXC-D50WS/D50WSP........................... 11
Location and Function of Parts .....................................12
Camera Head ..................................................................... 12
VCL-919BY Zoom Lens ................................................... 18
DXF-801/801CE Viewfinder ............................................ 20
Chapter 2
Replacing the Lithium Battery .......................................23
Fitting a VTR ....................................................................25
Using the Camcorder Grip ................................................ 26
Fitting the Lens ...............................................................29
Using Accessories ..........................................................31
Using the Viewfinder......................................................... 31
Using an Optional Microphone ......................................... 32
Fitting to a Tripod.............................................................. 33
Adjusting the Position of the Shoulder Pad ...................... 33
Using the LC-421 Carrying Case ...................................... 34
Connections ....................................................................35
Connecting a Portable VTR .............................................. 35
Fitting and
Connections
Connecting a Number of Cameras (Using a Camera
Control Unit) ................................................................ 35
Connecting a Number of Cameras (Without Using a
Camera Control Unit)................................................... 37
Power Supply ..................................................................38
Using Battery Packs .......................................................... 38
Camera Adaptor Power Supply ......................................... 39
Memory Stick...................................................................40
Using a Memory Stick....................................................... 40
Notes on Memory Sticks ................................................... 40
4
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Chapter 3
Shooting
Basic Procedure for Shooting........................................43
Shooting with the DSR-1/1P...........................................46
Using the Edit Search Function While Back Space
Editing .......................................................................... 46
Shuttle shot function.......................................................... 47
Chapter 4
Viewfinder Screen Indications .......................................49
Changing the Viewfinder Display ..................................... 49
Viewfinder Normal Indications.......................................52
Menu Operation ...............................................................55
Displaying the Menus........................................................ 55
Setting the Menus .............................................................. 56
Using the USER Menu ...................................................... 56
OPERATION Menu .......................................................... 60
PAINT Menu ..................................................................... 63
MAINTENANCE Menu ................................................... 66
FILE Menu ........................................................................ 68
Storing and Retrieving a Scene File .................................. 70
Storing to and Retrieving from a Memory Stick ............... 71
Viewfinder Screen
Indications and
Menus
Table of Contents
(Continued)
Table of Contents
5
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Table of Contents
Chapter 5
White Balance Adjustment .............................................73
Adjustments and
Settings
Saving an Appropriate White Balance Value in
Memory ........................................................................ 73
Using the Preset White Balance Settings .......................... 75
Light Sources and Color Temperature............................... 76
Using the ATW (Auto Tracing White Balance)
Function........................................................................ 76
Black Balance Adjustment .............................................77
Shutter Settings ..............................................................78
Setting the Clock and Timestamping Recordings .......80
Viewfinder Screen Adjustments ....................................81
Adjusting the Lens..........................................................82
Flange Focal Length Adjustment ...................................... 82
Aperture Adjustments........................................................ 83
Adjusting the Aperture Sensitivity .................................... 84
Macrophotography ............................................................ 85
Settings for Special Cases .............................................86
Skin Detail Correction....................................................... 86
Adjusting Color in the Specified Area .............................. 86
Appendix
Important Notes on Operation .......................................87
Characteristics of CCD Sensors ........................................ 88
Warning Indications ........................................................89
Specifications..................................................................90
Related Products................................................................ 91
Chart of Optional Components and Accessories ........93
6
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Chapter
1
Overview
Product Configurations
The eight models, DXC-D50K, DXC-D50L/D50WSL,
DXC-D50H, DXC-D50PK, DXC-D50PL/D50WSPL,
and DXC-D50PH, comprise both NTSC and PAL
versions and the components as shown in the figure on
next page. The operation of the basic camera unit is
the same in all cases.
Chapter 1 Overview
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Product Configurations
DXC-D50K/D50PK
DXC-D50L/D50PL/
D50WSL/D50WSPL
Microphone
VCT-U14 Tripod
Adaptor
DXF-801/801CE Viewfinder
DXC-D50H/D50PH
Test chart for flange
focal length
adjustment
DXC-D50/D50P/D50WSa)/
D50WSPa) Camera Head
VCL-919BY
Zoom Lens
a) The DXC-D50WS/D50WSP camera head has only the
L-model (DXC-D50WSL/D50WSPL) configuration.
Camera adaptor
The product kit does not include a camera adaptor: to
use a camera adaptor, you will need to purchase a
model CA-D50/D50P or CA-TX7/TX7P.
8
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Features
Variety of detail corrections
Features on the DXC-D50/D50P/
D50WS/D50WSP
• Skin detail function: this function gives a slightly
softer appearance to the subject’s face. The target
skin color can be easily set with the Menu operation.
• Black halo correction
• Red/green vertical detail correction: this function
performs vertical detail compensation for both red
and green signals.
The DXC-D50WS/S50WSP is a 16:9 wide-screen type
(4:3-16:9 switchable) digital video camera while the
DXC-D50/D50P is a 4:3 standard-screen type digital
video camera. Common features on both types are
described in this section. See also “Features on the
DXC-D50WS/D50WSP” (page 11) for using the
DXC-D50WS/D50WSP.
• Horizontal detail frequency control
Low key saturation
Enables color correction of dark areas where color
reproduction is difficult.
Newly developed 2/3-inch IT type Power
HAD (EX) CCD
Cross color suppression
The digital 3-line comb filter enables virtual
elimination of frequency elements from the Y/R-Y/
B-Y signals, decreasing the cross color and cross
luminance to the minimum.
The DXC-D50/D50P Color Video Camera uses 2/3
inch IT type Power HAD CCDs. (For the DXC-
D50WS/D50WSP, Power HAD EX CCDs for wide
screen are used. ) It outperforms most of the exiting
FIT type CCD cameras, in smear, sensitivity, and
signal-to-noise ratio.
-
Recording and managing scene file data
• Smear: –140 dB
• Sensitivity: F11.0 (at 3200 K, 2000 lux)
• S/N: 65 dB (NTSC)
The DXC-D50/D50P/D50WS/D50WSP is equipped
with the following functions to facilitate camera head
setup.
63 dB (PAL)
Scene file system
Using scene files, you can store setting data for up to
Various image processing
20 scenes in the camera.
TruEye™ processing makes possible the following
performance features. This digital signal processing
has brought reproduction of natural colors to the level
achieved by the human eye.
File operation using a Memory Stick
You can store a scene file into a Memory Stick and
easily retrieve the stored file to reproduce the same
setup conditions. A scene file stored in the Memory
Stick can be retrieved by other DXC-D50/D50P/
D50WS/D50WSP cameras or the RCP-D50/D51
Remote Control Panel to easily share the same setup
among several cameras. It is also possible for a PC
with a slot for a Memory Stick to read scene data and
transfer the data to a camera at a distant location.
Adaptive highlight control
Enables detailed adjustment of contrast control of each
pixel in response to a histogram of luminance signal
levels. This adjustment is automatically optimized for
the desired scene and is effective for shooting a scene
with bright and dark areas.
Knee saturation control
Preset matrix
Prevents white breakup when shooting a high intensity
subject, and also prevents color faults in high intensity
subject.
You can quickly make a setup of the camera using
matrix files for factory-preset standard lighting
conditions, such as STD (STANDARD), HI SAT
(HIGH SATURATION), and FL (FLUORESCENT).
Black gamma control
Enables control of luminance signal levels in black
areas without changing the hue.
Chapter 1 Overview
9
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Features
1-kHz audio reference signal output
A 1-kHz audio reference signal can also be output
during color-bar-output mode.
Dockable with various types of VTRs
The DXC-D50/D50P/D50WS/D50WSP docks with
the DSR-1/1P DVCAM VTR to configureadigital
camcorder. It also docks with the PVV-3/3P Betacam
SP VTR to configure a Betacam SP camcorder.
Edit Search Function (when using DSR-1/1P)
When using the DXC-D50/D50P/D50WS/D50WSP
with the DSR-1/1P, pressing the EDIT SEARCH
buttons allow the tape to play back in search mode.
Set either of two playback speeds.
New Functions boost operability
Optical ND filters and electronic CC filters
Ideal light-quantity and color controls are enabled with
the optical ND filters and electronic CC filters. Color
corrections are performed electronically, and the
optical ND filters easily control the depth of field and
the exposure. The electronic CC filters can be
remotely controlled.
EZ (easy) mode function
By simply pressing the EZ MODE button, you can
start shooting with the Total Level Control (TLCS)
and Auto Tracing White Balance (ATW) functions
activated with standard camera settings.
EZ (easy) focus
The aperture is automatically adjusted so that the depth
of field becomes shallow for easy focusing. Optimal
exposure is also automatically adjusted.
Clear scan function
A computer screen can be shot with a minimum of
interference by a horizontal roll and flicker, thanks to
the clear scan function, which enables the shutter
speed to accurately match the scan frequency of the
computer screen. The shutter speed can be varied in
the range of 60.38 to 6,000 Hz.
Programmable gain
The amount of gain relative to the GAIN switch setting
(H, M, or L) can be programmed as –3 dB, 0 dB, 3
dB, 6 dB, 9 dB, 12 dB, 18 dB, 24 dB, 30 dB, and 36
dB.
Other functions
Variable electronic shutter
Monitor output
EVS (Enhanced Vertical-Definition System)
Automatic aperture mode
Low-cut microphone output
Auto tracing white balance (ATW)
This function automatically traces the white balance,
which constantly changes as lighting conditions
change. Auto tracing white balance is especially
useful when there is no time to manually adjust the
white balance or when shooting moves between indoor
and outdoor locations.
Designed for ease of operation
Dual zebra pattern display
Front-to-back-position adjustable shoulder
pad
Two types of zebra patterns, zebra 1 and zebra 2 can
be displayed simultaneously or independently in the
viewfinder. The zebra 1 can be set to the levels
ranging from 50 to 109 IRE on the DXC-D50/D50WS
(or from 50 to 109% on the DXC-D50P/D50WSP) and
the zebra 2 indicates the levels of 50 IRE or more for
the DXC-D50/D50WS (or the levels of 50% or more
for the DXC-D50P/D50WSP).
The front-to-back position of the shoulder pad can be
adjusted so that the camera is stable on the shoulder.
You can replace the shoulder pad with the flexible
Dynafit Pad designed for the DSR-390/390P and
DSR-570WS/570WSP. For use with the Dynafit Pad,
consult your Sony dealer.
Slide cover
Video monitor output with text
The video signal with text superimposed that is shown
in the viewfinder can also be output to an external
video monitor.
The slide cover can hide the switches and buttons that
are seldom used during shooting.
10
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High-performance viewfinder (DXF-801/
801CE)
Features on the DXC-D50WS/
D50WSP
• High resolution (600 TV lines of horizontal
resolution)
• Large-diameter eye cup for easier viewing and
focusing
• PEAKING potentiometer for vertical and horizontal
detail control
• Two indicators can be used as TALLY indicators.
• Tough die-cast aluminum body
Features only on the DXC-D50WS/D50WSP is
described in this section. See “Features on the DXC-
D50/D50P/D50WS/D50WSP” (page 9) for common
features on a 4:3 standard-screen type digital video
camera and 16:9 wide-screen type digital video
camera.
• DISPLAY switch that can turn the character display
on and off
• Light that can light the lens control elements
• Switching the aspect ratio automatically between
16:9 (wide screen) and 4:3 (standard screen) when
used with the DXC-D50WS/D50WSP
Switchable between 16:9 and 4:3 aspect
ratios
A simple menu operation provides instant switching
between the 16:9 and 4:3 aspect ratios. In 4:3 mode, a
screen equivalent to a 4:3 screen is obtained through
digital processing of the 16:9 video signals produced
by the wide aspect CCD. (See page 67.)
VTR data display
When connected to a VTR, the DXC-D50/D50P/
D50WS/D50WSP is able to display the following data
on the viewfinder screen.
• Time values (counter, time code, or user bit values)
• VTR audio levels
Wide-aspect ID signals
A menu setting is available to add wide-aspect ID
signals1) to 16:9-mode video signals.2) (See page 67.)
• Remaining tape time
• VTR operation mode
• Remaining battery capacity (when using an Anton
Bauer Intelligent Battery System)
Selection of the safety zone size in 16:9
mode
When the aspect ratio is 16:9, you can change the
safety zone size through menu setting (see page 61.)
..........................................................................................................................................................................................................
1) ID signals complying with EIAJ CPR-1204 (DXC-
D50WS) or complying with ETS WSS (DXC-D50WSP).
2) Video signals refer to the following:
• Video signals output from the VIDEO OUT connector
and MONITOR OUT connector.
• The Y component of Y/C separate signals and the Y
component of component signals output from the VTR
connector.
Chapter 1 Overview
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Location and Function of Parts
Camera Head
Before attaching/detaching peripheral equipment to/
from the camera head, be sure to turn off the camera.
Otherwise, the camera may not function properly.
Right side view
1 5600K button
2 EDIT SEARCH buttons
3 A.IRIS MODE switch and indicator
4 EZ MODE button and indicator
EZ
FOCUS
EZ
MODE
5 EZ FOCUS button
ZEBRA
ON
BACK L.
STD
6 ZEBRA switch
OFF
LMOWICCUT
ON
SPOT L.
7 MIC LOW CUT switch
ATW
OFF
8 ATW button and indicator
9 Memory Stick slot
0 MENU switch
qa W. BAL switch
qs OUTPUT/DCC switch
qd MENU dial
qf POWER switch
qg GAIN switch
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1 5600K button
Note
When this button is pressed (lit,) the standard color
temperature for shooting is switched to 5600K. Use
this button for outdoor shooting in daytime or shooting
under lighting with higher color temperature. When
the white balance is adjusted while the Wide Band
White Balance is set, the button may go on or off
automatically.
If the “easy focus” function is still on when you press
the VTR button, it turns off automatically and
recording starts.
6 ZEBRA switch
Set this switch to the ON position to display a zebra
pattern (diagonal stripes) in the viewfinder.
Depending on the zebra setting on page 9 of the
OPERATION menu (page 61), the zebra 1 for video
levels between 50 to 109 IRE (or 70 to 90%) and the
zebra 2 for video levels 50 to 109 IRE or more (or
100% or more) can be displayed independently or
simultaneously.
2 EDIT SEARCH buttons (for operation with
DSR-1/1P)
When using the DSR-1/1P to record, you can see the
search playback while pressing either of these buttons
at recording pause mode to quickly find the next
recording start point. Two playback speeds are
available, and press either of the buttons to the inner
position to increase the speed.
7 MIC LOW CUT switch
Set this switch to the ON position to insert a high-pass
filter in the microphone circuit, reducing wind noise.
Normally leave the switch in the OFF position.
3 A.IRIS (auto aperture) MODE switch and
indicator
When you use the auto aperture function (by setting
the aperture selector on the lens to A), set this switch
to suit the shooting conditions. Selecting BACK L.
gives more light to back-lit subjects, and selecting
SPOT L. adjusts for high contrast in spot-lit subjects.
For normal shooting, set this switch to STD.
8 ATW (auto tracing white balance) button and
indicator
Press this button, turning the indicator on, when you
want the white balance to be adjusted automatically to
follow changes in lighting conditions. (See page 76.)
9 Memory Stick slot
Insert a Memory Stick for storage of file data.
4 EZ (“easy”) MODE button and indicator
Depress this button (EZ mode on) when you want to
be able to shoot immediately, with automatic
adjustment of the camera settings to standard values.
When this function is used, the aperture and the white
balance are adjusted automatically. Press this button
again to return the camera to the previous settings (EZ
mode off).
For details, see “Notes on Memory Sticks” on page 40.
0 MENU switch
When you press this switch to the ON/CANCEL
position, the USER menu is displayed. When you
press the switch to the OFF/STATUS position, the
DXC-D50/D50P/D50WS/D50WSP’s status (of current
settings) is displayed.
Note
When connecting the CCU-D50/D50P/TX7/TX7P
Camera Control Unit or the RM-M7G Remote Control
Unit, RCP-D50/D51 Remote Control Panel, the “easy
mode” function is disabled.
qa W. BAL (white balance) switch
This selects the white balance setting from the preset
value, the value in memory A or the value in memory
B. (See page 73.)
5 EZ FOCUS button
Press this button to turn the “easy focus” function on.
This opens the aperture, to make it easier to focus
before beginning shooting. The indication “EZ
FOCUS” appears in the viewfinder while the function
is on; to turn it off, press the EZ FOCUS button again.
If left on, the function automatically turns off after
about ten seconds.
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Location and Function of Parts
qs OUTPUT/DCC (Color bar output/dynamic
contrast control) switch
Use this switch to select the DCC function or color
bar output.
Select the CAM/ON position in most cases.
CAM/ON: This activates the DCC function. This
prevents color faults when shooting high-intensity
subjects.
CAM/OFF: When the DCC functions are disabled,
you can manually adjust knee values on page P5
<KNEE/WHITE CLIP> of the PAINT menu. (See
page 64).
BARS: This setting displays color bars.
qd MENU dial
Turn this dial to change menu pages, items, or setting
values, and press it to register.
For details on menu operation, see Chapter 4 “Viewfinder
Screen Indications and Menus” (page 49).
qf POWER switch
This powers the camera on and off. There are two
different ON settings as follows.
ON STBY: This puts the VTR on standby. In this
state, pressing the VTR button on the camera
head, the lens or a camera adaptor starts recording
immediately.
ON SAVE: This puts the VTR in the power-saving
state, with the video head drum stationary. In this
state, it takes a few seconds to start recording after
pressing the VTR button.
Note
The VTR state when this switch is in the ON STBY or
ON SAVE position may depend on the VTR model.
qg GAIN switch
This selects one of the three gain settings, high,
medium or low. You can choose the gain values
assigned to the H, M and L settings from values from
–3 dB to +36 dB. (See page 60.) The factory default
selections are 18 dB (H), 9 dB (M) and 0 dB (L).
14
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Front view
1 MIC IN +48 V connector
2 VF connector
3 FILTER control
4 Lens mount
5 SHUTTER switch
6 WHT/BLK switch
7 AUDIO LEVEL knob
8 VTR button
1 MIC (microphone) IN +48 V connector (XLR 3-
pin, female)
Connect the supplied microphone or an optional
microphone (operable with a +48 V supply).
5 SHUTTER switch
Use this switch to turn the shutter on/off, or set the
shutter speed or CLS (clear scan) setting (see page 78).
Usually, set this switch to OFF.
2 VF (viewfinder) connector (20-pin)
This is the connector for the DXF-801/801CE
viewfinder.
6 WHT/BLK (white balance/black balance) switch
This switch is used for automatic adjustment of the
white balance and black balance. (See pages 73 to 77.)
3 FILTER control
7 AUDIO LEVEL knob
Select the ND filter appropriate to the lighting
conditions. (See page 44.)
When the DSR-1/1P is attached, you can use this knob
to manually adjust the channel 1 audio recording level.
4 Lens mount
8 VTR button
Attach the zoom lens here.
Pressing this button starts and stops recording on the
VTR.
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Location and Function of Parts
Left and upper view
1 Fitting for optional microphone holder
2 Accessory fitting shoe and screw hole
3 Shoulder strap fixture
4 Viewfinder front-to-back position locking lever
5 Viewfinder fitting shoe
6 Viewfinder left-to-right position fixing ring
7 Viewfinder front-to-back position locking knob
8 MONITOR OUT connector
9 VIDEO OUT connector
0 LENS connector
qa REMOTE connector
qs VTR and camera adaptor connectors
1 Fitting for optional microphone holder
You can fit an optional CAC-12 Microphone Holder
here. (See page 32.)
6 Viewfinder left-to-right position fixing ring
Loosen this ring to adjust the left-to-right position of
the viewfinder. (See page 31.)
2 Accessory fitting shoe and screw hole
Attach optional video lights or other accessories here.
7 Viewfinder front-to-back position locking knob
Loosen this knob to adjust the front-to-back position of
the viewfinder. (See page 31.)
3 Shoulder strap fixture
To use the shoulder strap supplied with the VTR, fix
one end here and the other end to the VTR.
8 MONITOR OUT connector (BNC)
Outputs both the camera video and the character
information as displayed on the viewfinder screen.
You can connect an optional LCD color monitor to this
connector.
4 Viewfinder front-to-back position locking lever
Release this lever to adjust the front-to-back position
of the viewfinder. (See page 31.)
9 VIDEO OUT connector (BNC)
This outputs the video signal captured by the camera.
5 Viewfinder fitting shoe
Fix the DXF-801/801CE Viewfinder here.
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0 LENS connector (12-pin, for 2/3-inch lens)
Connect the lens connector.
qa REMOTE connector (10-pin)
Connect the optional RM-M7G Remote Control Unit,
or the RCP-TX7 or RCP-D50/D51 Remote Control
Panel to this connector. Set the CAMERA HEAD
SELECT switch on the bottom of RM-M7G
to 1.
Note
When using a remote control unit or a remote control
panel, note the following points.
• When operating the camera head from the camera
control unit, connect the remote control unit or
remote control panel to the camera control unit.
• EZ mode cannot be used if a remote control unit or a
remote control panel is connected to the camera head.
• Before attaching/detaching the remote control unit or
remote control panel to/from the camera head, be sure
to turn off the camera. Otherwise, the camera may not
function properly.
qs VTR and camera adaptor connectors (PRO 76-
pin DIGITAL and PRO 50-pin)
Connect a dockable VTR or a camera adaptor. A PRO
76-pin DIGITAL connector is for the DSR-1/1P and
the CA-D50/D50P and CA-TX7/TX7P camera
adaptor, and a PRO 50-pin connector is for the PVV-3/
3P.
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Location and Function of Parts
VCL-919BY Zoom Lens
1 Focus ring
2 Zoom ring
3 Aperture ring
4 M button
5 F.B adjustment ring and F.B fixing knob
6 MACRO ring
7 ZOOM selector
8 Zoom remote control connector
9 VTR button
0 Shtl button
qa RET button
qs Motorized zoom lever
qd IRIS selector
qf Instant automatic aperture
adjustment button
qg DIP switch
qh Aperture gain adjustment trimmer
qj Shuttle memory position setting knob
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1 Focus ring
0 Shtl (shuttle shot) button
Turn this ring to focus the lens on the subject.
Use this button for the shuttle shot function.
2 Zoom ring
qa RET (return video) button
For direct manual zoom control, set the ZOOM
selector 7 to the “MANU.” position, and turn this
ring.
This allows you to check the video signal as follows.
When operating with a portable VTR connected
via other equipment: when the VTR is in
recording, pressing this button connects the E-E
video signal1) from the VTR to the viewfinder.
When operating with a DSR-1/1P or PVV-3/3P
mounted on the camera head: when the VTR is in
recording pause mode, press this button to review
the last few seconds of the recording in the
viewfinder (recording review).
When operating with a CCU-D50/D50P/
TX7/TX7P Camera Control Unit connected:
pressing this button connects the return video
signal from the camera control unit to the
viewfinder.
3 Aperture ring
For manual aperture control, set the IRIS selector qd to
the “M” position, and turn this ring.
4 M (close-up) button
For close-up work, turn the MACRO ring 6 while
holding this button down. (See page 85.)
5 F.B (flange focal length) adjustment ring and
F.B fixing knob
F.B adjustment ring : To adjust the flange focal
length, loosen the F.B fixing knob, then turn the
ring. (See page 82.)
When this button is not pressed, the viewfinder
displays the video signal captured by the camera.
F.B fixing knob: Fixes the F.B adjustment ring.
qs Motorized zoom lever
Use this to carry out a power zoom. Pressing the lever
harder increases the zoom speed.
W end: zoom toward wide angle
T end: zoom toward telephoto
6 MACRO (close-up) ring
For close-up, turn this ring while holding the M
button 4 down. (See page 85.)
7 ZOOM selector
This selects the mode of zoom operation.
qd IRIS selector
This selects the mode of aperture operation.
A (automatic): automatic aperture
M (manual): manual aperture
SERVO: power zoom
MANU. (manual): manual zoom
8 Zoom remote control connector (8-pin)
Connect the optional LO-26 lens remote control unit
for remote control of zooming.
qf Instant automatic aperture adjustment button
While using manual aperture control, press this button
to switch temporarily to the automatic aperture control
setting. The automatic setting is maintained as long as
you hold the button down.
9 VTR button
When operating with a VTR: this button starts and
stops recording, and once more to stop.
When operating with a CCU-D50/D50P Camera
Control Unit connected: pressing this button
connects the return video signal from the camera
control unit to the viewfinder.
qg DIP switch
The DIP switch for the shuttle shot function. Usually
this switch is covered by a rubber cap.
qh Aperture gain adjustment trimmer
Use this to adjust the aperture gain. Usually the
trimmer is covered by a rubber cap.
(Starting and stopping recording is controlled on
the VTR.)
When operating with a CCU-TX7/TX7P Camera
Control Unit connected: pressing this button
connects the intercom audio signal from the
camera to the camera control unit.
qj Shuttle memory position setting knob
Use this button for the shuttle shot function.
..........................................................................................................................................................................................................
1) E-E video signal: “electric-to-electric” video signal.
internal electrical circuits, but has not been converted to
a magnetic signal.
This is the input video signal which has passed through
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Location and Function of Parts
DXF-801/801CE Viewfinder
You can switch the scan size of the DXF-801/801CE
in accordance with the aspect ratio selected on the
camera or camcorder.
4 TAKE/TALLY indicator
TALLY
TAKE REC BATT
5 BATT indicator
6 REC/TALLY indicators
1 Eyepiece focusing knob
7 GAIN UP indicator
SHUTTER
GAIN UP
2 Stopper
8 SHUTTER indicator
Microphone holding screw
Microphone holder
Microphone
Eye cup
9 PEAKING control
0 CONTRAST control
qa Tally lamp
qs BRIGHT control
qd Eyepiece release catch
qf TALLY switch
qg DISPLAY switch
3 LIGHT switch and light
HIGH LOW OFF
qh Viewfinder connector
LIGHT
4 TAKE/TALLY indicator (orange)
This indicator functions as a green tally lamp when the
CCU is connected with this camera.
1 Eyepiece focusing knob
Turn this to adjust the viewfinder focus to match your
eyesight. (See page 81.)
5 BATT (battery) indicator (red)
2 Stopper
This lights when the battery capacity is low.
Lift up when detaching the viewfinder (See page 31).
3 LIGHT switch and light
The light lights the lens and the switch controls the
light as follows.
HIGH/LOW: Turn the light on and control the
brightness.
OFF: Turns the lights off.
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6 REC/TALLY (recording/tally) indicators (red)
• This flashes from the time when you press the VTR
button (8 on page 15 and 9 on page 19) on the lens
or camcorder until recording starts, then stays on
continuously during recording.
• When using a camera control unit, this lights when
the video from the camera is selected.
• This is also used to indicate a fault. (See page 89.)
• The lower indicator can be enabled by menu setting.
(See page 61.)
qg DISPLAY switch
Set this switch to OFF when you want to remove the
character data from the viewfinder and the monitor
connected to the MONITOR OUT connector.
However, items which are set to OFF on page 7 <VF
DISPLAY1> and page 8 <VF DISPLAY2> of the
OPERATION menu are not displayed even when this
switch is set to ON.
Note
If CHARACTER is set to OFF on page 10
<MONITOR OUT> of the OPERATION menu,
character data are not superimposed on the MONITOR
OUT signal even if this switch is set to ON.
7 GAIN UP indicator (orange)
This lights when the gain is 3 dB or more.
8 SHUTTER indicator (red)
This lights when the SHUTTER switch (5 on page
15) is in the ON position.
qh Viewfinder connector (20-pin)
Connect this to the VF connector (2 on page 15).
9 PEAKING control
This adjusts the outline intensity of the viewfinder
image. (See page 81.)
0 CONTRAST control
This adjusts the contrast of the viewfinder image. (See
page 81.)
qa Tally lamp
When the TALLY switch qf is in the ON position, this
operates in the same way as the REC/TALLY
indicators 6.
qs BRIGHT (brightness) control
This adjusts the brightness of the viewfinder image.
(See page 81.)
qd Eyepiece release catch
To view the viewfinder screen directly, press this
catch, and hinge up the eyepiece.
qf TALLY switch
Set this switch to the ON position to use the tally lamp
qa.
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Chapter
2
Fitting and
Connections
Before attaching/detaching peripheral equipment to/
from the camera head, be sure to turn off the camera.
Otherwise, the camera may not function properly.
Replacing the Lithium Battery
Notes
The camera head uses a lithium battery (CR2032) to
retain date and time data.
• Carefully read the instructions for replacing the
lithium battery. Lithium batteries may explode if
misused.
• Use only CR2032-type lithium batteries. Other types
of lithium batteries may come loose when the
camcorder is moved. If you have difficulty finding
CR2032-type lithium batteries, contact your Sony
dealer.
When the lithium battery’s voltage falls, the clock
indication dose not appear. Replace the lithium battery
and set the clock (see page 80).
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23
Replacing the Lithium Battery
1 Open the battery cover (on the
rear of the camera head). Pull
the catch of the cover toward
you while pushing it
downward.
Rear of the
camera head
For detaching the VTR or camera
adaptor, see “Fitting a VTR” on
the next page.
Battery cover
2 Take out the lithium battery.
Press down and pull out toward you.
3 Reverse step 2 to insert a
replacement lithium battery.
Make sure that the + symbol
on the battery is facing you.
4 Close the battery cover.
24
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Fitting a VTR
When replacing the camera head grip with a camcorder
grip, see “Using the Camcorder Grip” (page 26).
This section explains how to attach the DSR-1/1P to
the camera head. The method for attaching a PVV-3/
3P is similar.
1 Set the PRO 76-pin DIGITAL
connector on the DSR-1/1P.
(The camera connector on the
PVV-3/3P is PRO 50-pin.)
VTR (DSR-1/1P)
For details, see the operating
instructions for the DSR-1/1P.
Camera connector
(PRO 76-pin DIGITAL)
2 Loosen the two screws and
slide the shoulder pad as far as
it will go toward the front.
Screws
3 Align the projection on the
bottom of the DSR-1/1P with
the slot on the camera head.
Slot
Projection
Camera head
Groove
4 Slide the DSR-1/1P and the
camera head together in the
groove as far as possible.
Tighten the two screws in the
grip connector and the two
screws in the shoulder pad
section.
Chapter 2 Fitting and Connections
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Fitting a VTR
Using the Camcorder Grip
When using the camera head with a VTR as a
camcorder, you can replace the camera head’s grip
with a camcorder grip (not supplied). The type of
camcorder grip and the method for attaching it differ
slightly depending on the type of VTR.
Attaching a camcorder grip to the DSR-1/1P
The CAC-H101 (optional) is required.
1 Adjust the viewfinder to the
full-forward position.
For details, see “Adjusting the
viewfinder position” on page 31.
2 Remove the camera head
grip’s three screws, then pull
up the grip to remove it.
3 Remove the VTR connection
plate.
VTR connection
plate
4 Remove the DSR-1/1P’s
shoulder strap fitting and the
camera head connection plate.
Camera head
connection plate
Shoulder strap
fitting
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5 Perform the first three steps in
“Fitting a VTR”.
6 Screw the connection plate
(supplied with the grip for the
DVCAM camcorder) which
straddles the connection
between the camera head and
the DSR-1/1P. Also, tighten
the two screws in the shoulder
pad section. (See page 33.)
Connection
plate
7 Screw the grip for the
Grip for the DVCAM camcorder
DVCAM camcorder.
Attaching a camcorder grip to the PVV-3/3P
The CAC-H102 (optional) is required.
1 Perform steps 2 to 4 in “Fitting
a VTR”.
2 Adjust the viewfinder to the
full-forward position.
For details, see “Adjusting the
viewfinder position” on page 31.
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27
Fitting a VTR
3 Remove the grip’s three
screws, then pull up the grip to
remove it.
4 Remove the PVV-3/3P’s
shoulder strap fitting.
Shoulder strap
fitting
5 Attach the cover using the
screw supplied with the CAC-
H102, then screw in to attach
the grip for the Betacam
camcorder.
Grip for the Betacam camcorder
Screw
Cover
28
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Fitting the Lens
In the case of the DXC-D50K/D50PK model, the lens
is already fitted. In other cases, use the following
procedure to fit the lens.
1 Remove the retaining rubber
which prevents the lens mount
from coming loose, then raise
the lens fixing lever, and
Retaining rubber
remove the lens mount cap.
Lens fixing lever
Lens mount cap
2 With the lens fixing lever
turned fully counterclockwise,
push in the lens, aligning the
projection on the lens with the
cutout on the camera.
Align and push in.
3 Supporting the lens, turn the
lens fixing lever fully
clockwise. Replace the
retaining rubber on the lens
mount.
Chapter 2 Fitting and Connections
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Fitting the Lens
4 Using the triangular mark as a
guide, push the lens connector
into the LENS connector on
the camera head, until it clicks
into place. Fasten the cable
with the clamps.
Triangular
mark
LENS connector
Fitting optional filters
Loosen the lens hood fixing screw to remove the lens
hood, then attach the filter.
Remove lens hood
Lens hood fixing screw
Filter (optional)
30
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Using Accessories
Using the Viewfinder
Removing the Viewfinder
Remove any microphone from the viewfinder before
beginning.
VF connector
1 Pull the viewfinder connector
out of the VF connector on the
front of the camera head.
Retaining catch
2 Loosen the viewfinder left-to-
right position fixing ring, then
pulling up the retaining catch,
slide the viewfinder out.
Viewfinder left-to-right
position fixing ring
To fit the viewfinder
Reverse the removal procedure.
Adjusting the viewfinder position
To adjust the viewfinder left-to-right position, loosen
the left-to-right fixing ring, and to adjust the front-to-
back position loosen the front-to-back position locking
lever and knob.
Viewfinger front-to-back
position locking lever
and knob
Viewfinder left-to-right
position fixing ring
Chapter 2 Fitting and Connections
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Using Accessories
Note
Left eye adaptor
By fitting a left eye adaptor, you can use the camera
with your left eye to the viewfinder.
You cannot stow the camera attached with a left eye
adaptor in the LC-421 Carrying Case.
For details, consult your Sony dealer.
Using an Optional Microphone
To use a long microphone such as the optional ECM-
670/672, fit an optional CAC-12 Microphone Holder
to the camera, then mount the microphone in this
holder.
Fitting the optional CAC-12 Microphone
Holder
Remove the two retaining screws (M3 × 8) for the
optional microphone holder, then use these screws to
attach the CAC-12 Microphone Holder.
Screws removed
from the camera
CAC-12
Fitting an optional microphone
Use the following procedure to attach an optional
ECM-670 Microphone.
Microphone adaptor
1 Loosen the screw of the CAC-
12 Microphone Holder, then
open the holder and replace the
microphone adaptor with the
one supplied with the ECM-
670 Microphone.
2 Insert the microphone in the
microphone holder, close the
holder, and tighten the screw.
Connect the microphone cable
to the MIC IN +48 V
MIC IN +48 V
connector
Mark
connector.
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Fitting optional microphones (operable with a
+48 V supply) other than the ECM-670
Use the same fitting procedure as for the ECM-670,
but note the following differences with respect to the
microphone adaptor.
ECM-672: No microphone adaptor required.
Slender microphones (19 mm (3/4 inch) diameter):
Use the microphone adaptor supplied with the
CAC-12.
Note
After removing the camera, if the tripod adaptor pin
has not returned to its original position, hold down the
red button and move the lever in the direction of the
arrow to return the pin to its original position. It is not
possible to mount a camera with the pin left out.
Pin
Fitting to a Tripod
First fit the VCT-U14 Tripod Adaptor to the tripod,
then mount the camera on the tripod adaptor.
Adjusting the Position of the
Shoulder Pad
The position of the shoulder pad can be adjusted in the
following manner:
1 Loosen the two screws.
Screws
VCT-U14 Tripod Adaptor
Tripod
Side the camera forward
along the slot, until it clicks
firmly into place.
Removal
2 Move the shoulder pad forward or backward for
your best fit position.
3 Tighten the two screws.
Hold down the red button
and pull the lever in the
direction of the arrow.
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33
Using Accessories
Using the LC-421 Carrying Case
Stowing the camera
Align the camera with the base of the
carrying case.
Turn the eyepiece downwards. Then, align the camera
with the base of the case, and slide the camera in
forward.
Checking that the pin at the rear engages correctly,
push forward until it locks into place.
Notes
• Turn the eyepiece of the viewfinder downwards, slide
the viewfinder fully rearward and to the left, then
secure it in place before stowing.
• When an optional microphone (ECM-670/672, C-74,
etc.) is attached, loosen the microphone fixing
screws, move the microphone to the lowest position,
and fix before stowing.
Base
Lever
Example of fully-stowed carrying case
DXC-D50/D50P/D50WS/D50WSP Color Video Camera
This can be stored with the following system
component fitted.
• CA-D50/D50P/TX7/TX7P Camera Adaptor
or DSR-1/1P, PVV-3/3P Videocassette
Recorder
• DXF-801/801CE Viewfinder
• ECM-670/ECM-672/C-74 Microphone
• Zoom lens (VCL-919BY, etc.)
• CAC-12 Microphone Holder
LC-421 Carrying
Case
VCT-U14 Tripod Adaptor
Fasten straps.
Cassettes, camera cables, etc.
34
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Connections
Video monitor
Connecting a Portable VTR
• If using an S-VHS VTR, using a video monitor with
an S-video input connector and connecting it to the S-
video connector of the VTR will allow you to
monitor a clear picture, with no flecking.
• The output video signal from the VIDEO OUT
connector of this unit is a composite video signal.
Connect the VIDEO OUT connector of this unit to a
composite video signal input connector of the
monitor.
Using the optional CA-D50/D50P Camera Adaptor
and a camera cable, you can connect a portable VTR.
Set the VTR selector switch on the camera adaptor
according to the VTR connected.
If using a VTR from another manufacturer, consult your
Sony dealer.
Connecting a Number of
Cameras (Using a Camera
Control Unit)
Checks before making connections
Check first that the video camera, camera adaptor,
VTR, and other devices are all powered off.
When using a number of cameras in the studio, it may
be necessary to use a CCU-D50/D50P/TX7/TX7P
Camera Control Unit to provide video and color sync
between cameras, and special effects and other devices
to allow switching, wipes and so forth.
In the studio it may also be convenient to use a DXF-
51 Viewfinder.
Making connections
Using a camera cable, connect the CCU/VTR/CMA
connector on the camera adaptor to the camera input
connector of the VTR.
The figure below shows an example studio
configuration.
Example: Connecting a DVW-250/250P Portable VTR to a
CA-D50/D50P Camera Adaptor
For details, consult your Sony dealer.
CA-D50/D50P
Camera Adaptor
Notes
• When using the CCU-TX7/TX7P Camera Control
Unit, use the PRO 76 PIN (DIGITAL) connector of
the CA-TX7/TX7P Camera Adaptor.
• Before connection, be sure to turn off the camera and
its peripheral equipment.
CCU/VTR/CMA
26-pin connector
DXC-D50/D50P/
D50WS/D50WSP
CCZ-A Camera Cable
26-pin connector
CAMERA IN
DVW-250/250P Portable VTR
Camera cable
• Select a camera cable to fit the camera connector on
the VTR you are using.
• The maximum camera cable extent is 10 m (33 ft).
For details, consult your Sony dealer.
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35
ConnectionsCCU-D50/D50P
DXF-51
DXC-D50/D50P/
D50WS/D50WSP
Prompter video signal
Return video signal
Reference sync signal
CA-D50/D50P
Headset
RM-M7G
Camera Remote
Control Unit
RCP-D50/D51
Remote Control
Panel
INTERCOM
(on the front)
CCU-D50/D50P Camera Control Unit
Headset
VTR,
chroma keyer,
etc.
to AC power supply
DXF-51
DXC-D50/D50P/
D50WS/D50WSP
CA-D50/D50P
Switcher,
video
Headset
monitor,
etc.
RM-M7G RCP-D50/D51
Camera Remote Remote Control
Control Unit Panel
CCU-D50/D50P Camera Control Unit
Headset
INTERCOM
(on the front)
a) Switching of the SDI, Y/R-Y/B-Y, R/G/B signals can be done
with the System Setting switch located on the front panel of the
CCU and by changing wiring of the SDI unit.
to AC power supply
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Connecting a Number of Cameras (Without Using a Camera Control
Unit)
signal. The camera will then operate synchronized to
this signal.
You can adjust the synchronization using the
MAINTENANCE menus. (See page 66.)
When using two or more synchronized cameras
without a camera control unit, connect an external sync
signal to the GEN LOCK IN connector on the camera
adaptor (CA-D50/D50P etc.), supplying a VBS or BS
Example 1: Camera 2 synchronized to the signal from camera 1
BNC cable
Camera 1
Camera 2
Portable VTR
DXC-D50/D50P/
D50WS/D50WSP
DXC-D50/D50P/
D50WS/D50WSP
CA-D50/D50P
CA-D50/D50P
GEN LOCK IN
VIDEO OUT
VIDEO OUT
CCU/VTR/CMA
To camera
connector
To video input
connector
BNC cable
CCZ-A Camera Cable
Example 2: Cameras 1 and 2 synchronized to the signal from a special effects unit or similar
CA-D50/D50P
Camera 1
DXC-D50/D50P/
D50WS/D50WSP
Video input connector
BNC cable
BNC cable
VIDEO OUT
GEN LOCK IN
Sync signal output
connector
Special effects
unit or similar
Camera 2
DXC-D50/D50P/
D50WS/D50WSP
CA-D50/D50P
Video input connector
BNC cable
BNC cable
VIDEO OUT
Sync signal output
connector
GEN LOCK IN
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37
Power Supply
This unit operates on either a battery pack or an AC
supply (using the optional CMA-8A/8ACE AC
Adaptor).
Using Battery Packs
Always fully charge a battery pack before using it.
For details of the power supplies which can be used, refer to
the documentation supplied with the VTR connected to this
unit or the camera adaptor.
Notes
• Be careful that other metal objects do not come in
contact with the metal parts of the battery pack, as
this could cause a short.
• Do not leave the battery pack in the camera if it is not
going to be used for a long time.
Using an Anton Bauer Intelligent Battery
System and Ultralight System
Fitting the special battery mount made by Anton Bauer
Corporation to this unit allows you to use their
Intelligent Battery System and Ultralight System.
• If the battery pack is recharged after use while still
hot, it may not be possible to obtain a full charge.
For details, consult your Anton Bauer products supplier or
Sony dealer.
Battery pack operating times
The following table shows approximate continuous
operating times, when operating the camera and 1.5-
type viewfinder at normal temperatures, with a camera
adaptor and the DSR-1/1P or PVV-3/3P connected.
Battery pack
NP-1Ba)
Continuous operating time
about 55 minutes
BP-90Ab)
about 115 minutes
about 70 minutes
BP-L40Ac)
BP-M50c)
BP-IL75c)
BP-M100c)
about 90 minutes
about 140 minutes
about 200 minutes
a) Requires the dedicated DC-L1 Battery Case when the
DSR-1/1P is attached.
b) Requires the dedicated DL-L90 Battery Case when the
DSR-1/1P is attached, or the dedicated DC-500 Battery
Case when the PVV-3/3P is attached.
c) Requires the dedicated BKW-L601 Battery Case when
the PVV-3/3P is attached.
Battery low indications
When the voltage of the supply to the camera head
lowers to or below 11.0 V, LOW BATT appears in the
viewfinder. At this time, the BATT indicator in the
viewfinder flashes when operating with the DSR-1/1P
or PVV-3/3P.
If you continue using the camera head, the BATT
indicator lights up.
When the battery pack is low, replace it with a fully-
charged battery pack.
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Battery pack charging
Camera Adaptor Power Supply
Before using a battery pack, charge it as shown in the
following table.
The camera adaptor automatically operates on power
supplied to the CCU/VTR/CMA connector from the
portable VTR, CCU-D50/D50P Camera Control Unit,
CMA-8A/8ACE AC Adaptor or other connected
device.
For details of battery charger operation, refer to the
instructions provided with the battery charger to be used.
Battery pack
NP-1B
Battery charger
Note
BC-1WD/1WDCE, BC-410/410CE
BC-410/410CE
Before use, check that the device connected to the
CCU/VTR/CMA connector is able to provide the
power required by the camera.
If it is not able to provide the necessary power, or
when it is necessary to prolong the operating time, use
the camera with a separate power supply.
BP-90A
BP-M50, BP-M100, BC-M50/M100/M100CE
BP-IL75, BP-L40A
Notes
• A warm battery pack may not be able to be fully
recharged.
• Even when fully charged, battery packs gradually
lose their charge naturally. Use the battery packs as
soon as possible after recharging.
• To prolong the life of battery packs, store them in a
cool place (about 20°C (68°F)), and charge in a place
with an ambient temperature between 10°C and 30°C
(50°F and 86°F).
• At low temperatures, the usable time of battery packs
decreases. The usable time of battery packs increases
if they are warmed to the room temperature (about
20°C (68°F)) before use at low temperatures.
• Compared to the BP-L40A, the BP-IL75 offers better
performance at low temperature. The BP-IL75 is
recommended for use at low temperature.
• Carrying a spare battery pack is recommended.
The BP-L40A and BP-IL75 are free from memory
effect. There is no need to discharge it fully before
recharging.
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39
Memory Stick
Types of Memory Stick
Using a Memory Stick
There are two types of Memory Stick: MagicGate
Memory Stick that are equipped with the MagicGate
copyright protection technology and general Memory
Stick. You can use either type of Memory Stick with
your camera. However, because your camera does not
support the MagicGate standards, data recorded with
your camera is not subject to MagicGate copyright
protection.
When an optional Memory Stick is inserted into the
camera, file data can be stored in the Memory Stick,
which enables you to share data among several
cameras.
Inserting a Memory Stick
Insert a Memory Stick with the labeled side up into
the Memory Stick slot with the connecting section
facing the slot until it clicks and the access lamp lights
in red.
On MagicGate
MagicGate is copyright-protection technology that
uses encryption technology.
Access lamp
Before using a Memory Stick
Memory Stick
Labeled side
Terminal
Write-protect tab
Notes
• Never insert/remove a Memory Stick while the red
access lamp is lit or flashing.
• If MEMORY STICK ERROR appears on the
viewfinder screen, wait until it disappears before
removing the Memory Stick.
Labeling position
• You cannot record or erase data when the write-
protect tab on the Memory Stick is set to LOCK.
• We recommend backing up important data.
• Data may be damaged in the following cases:
— If you remove the Memory Stick, or turn the
power off when the access lamp is lit or flashing
— If you use a Memory Stick near static electricity
or a magnetic field
To remove a Memory Stick
If you push on the inserted Memory Stick, it will pop
out a little. Then pull the Memory Stick out.
Notes on Memory Sticks
Notes
On Memory Stick
• Prevent metallic objects or your finger from coming
into contact with the terminal of the connecting
section.
• Do not attach any material other than the supplied
label to the label space.
• Attach the label at the prescribed labeling position.
Make sure the label is attached at the labeling
position properly.
Memory Stick is a new compact, portable and
versatile IC recording medium with a data capacity
that exceeds that of a floppy disk. Memory Stick is
specially designed for exchanging and sharing digital
data among Memory Stick compatible products.
Because it is removable, Memory Stick can also be
used for external data storage.
40
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• Do not bend, drop, or apply strong shock to a
Memory Stick.
• Do not disassemble or modify a Memory Stick.
• Do not let the Memory Stick get wet.
• Do not use or keep a Memory Stick in locations that
are:
— Extremely hot such as in a car parked in the sun
— Under direct sunlight
— Very humid or subject to corrosive gases
• When you carry or store a Memory Stick, keep it in
its case.
Access lamp
If the access lamp is lit or flashing, data are being read
from or written to the Memory Stick. Do not shake
the camera or subject it to shock. Do not turn off the
power of the camera or remove the Memory Stick.
This may damage the data.
• Memory Stick and
are the trademarks of
Sony Corporation.
• MagicGate Memory Stick and
are the trademarks of Sony Corporation.
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Chapter
3
Shooting
Basic Procedure for Shooting
5600K button
ZEBRA switch
RET button
POWER switch
Focusing ring
FILTER control
VTR button
1 Attach the VTR or camera adaptor to the camera
2 Set the FILTER control and the 5600K button
head, then turn each device’s power on.
appropriately for the lighting conditions.
(continued)
Chapter 3 Shooting
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Basic Procedure for Shooting
FILTER control settings
8 If required, switch on the center marker and/or
safety zone (OPERATION menu page 5) and zebra
pattern (ZEBRA switch) in the viewfinder image.
Filter setting
1 (CLEAR)
2 (1/4 ND)
Lighting conditions
Indoor shooting
Outdoor in cloudy or rainy day.
Indoor shooting and you wish to reduce
the depth of field1).
9 Adjust the white balance (page 73) and black
balance (page 77).
3 (1/6 ND)
4 (1/64ND)
Outdoor shooting in daytime
10Turn the focusing ring so that the subject is
sharply in focus.
Outdoor shooting and you wish to reduce
the depth of field, or especially bright
outdoor ambient light
It may be convenient to use the EZ FOCUS button
for the “easy focus” function (see page 13).
From the viewpoint of the characteristics of lenses,
shooting with the aperture set in the range of f-4 to
f-8 is generally recommended for good quality
pictures. Set the FILTER control to bring the
aperture setting into that range. However, this may
not apply when special composition is desired.
11Set up the VTR according to your shooting
objectives, then start recording.
If a camera control unit is not connected: Press
the VTR button on the camera head or on the
lens.
If a camera control unit is connected: Press the
VTR’s record button to begin recording.
Setting of the 5600K button
5600K button
Example of lighting conditions
For details of VTR setup and operations, see your
VTR’s operating instructions.
OFF (not lit)
Indoor shooting under lighting with lower
color temperature, such as a halogen or
tungsten lamp.
• During recording, the REC/TALLY indicator(s)
in the viewfinder light(s), and “REC” appears on
the viewfinder screen.
ON (lit)
Outdoor shooting in daytime, or indoor
shooting under lighting with higher color
temperature
• When recording on the DSR-1/1P, you can use
the AUDIO LEVEL knob on the front of the
camera head to manually adjust the channel 1
audio level. To do this, you must first set up the
DSR-1/1P to enable manual adjustment of the
audio recording level.
3 Check the switch settings on the camera head.
(See pages 12 to 17.)
If there is not sufficient time to check the camera
settings, you can use “easy mode” by pressing the
EZ MODE button to turn the “easy mode” function
on. The camera is automatically adjusted to
standard settings, and the iris and the white balance
are adjusted automatically.
For details of this operation, see the operating
instructions for the DSR-1/1P.
12To pause recording, press the VTR button again.
4 Check the settings in the OPERATION menu
(page 60) and PAINT menu (page 63).
5 Check the lens settings (page 83) and flange focal
length adjustment (page 82).
6 Adjust the eyepiece focus, and the contrast and
brightness of the viewfinder image (page 81).
7 Check the sound system settings.
• Microphone connections
• Settings on the VTR (refer to the VTR
instructions)
..........................................................................................................................................................................................................
1) Depth of field: This is the range over which the subject
is sharply in focus.
44
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Reviewing the recording
It is possible to review the last few seconds of the
recording on the tape (recording review).
Press the VTR button to pause recording, then press
the RET button on the lens.
Depending on how long the button is pressed, the tape
is automatically rewound over the last two to ten
seconds from the paused position, and then this part is
played back in the viewfinder. If the RET button is
kept pressing, about ten seconds of the recording
review is possible.
The VTR then returns to the paused state.
Note
This function may not be provided by some VTRs.
Refer to the instructions for the VTR.
Chapter 3 Shooting
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Shooting with the DSR-1/1P
The DXC-D50/D50P/D50WS/D50WSP docks with
the DSR-1/1P to configure a DVCAM digital
camcorder.
The following describes how to shoot using a
DVCAM digital camcorder.
Note
Do not shut off the camera head’s power while
using the edit search function. The DSR-1/1P may
not be able to find the continue point.
4 Release the REV or FWD button when you find
the tape location where you wish to continue
shooting.
Using the Edit Search Function
While Back Space Editing
The DSR-1/1P enters recording pause mode.
While the DSR-1/1P is in recording pause mode, press
and hold the EDIT SEARCH buttons to activate the
search playback function for as long as you hold down
the button. You can use the edit search function to
find the desired tape location after a recording stop
during back space editing or when continuing to record
from any other location on the tape.
5 Press the VTR button on the camera head or the
lens.
The DSR-1/1P starts recording.
1 Dock the DSR-1/1P to the camera head and turn on
the power, then insert a cassette into the DSR-1/1P.
2 Perform steps 2 to 12 in “Basic Procedure for
Shooting” (page 43).
3 Press and hold either of the EDIT SEARCH
buttons (REV or FWD).
REV button
FWD button
The tape is moved in reverse or forward search
mode for as long as you hold down the REV or
FWD button, and the image is shown in the
viewfinder.
To change the playback speed
Press the REV or FWD button down firmly into
the inner position to make the tape move at the
faster speed. Press the button down lightly to
make the tape move at the slower speed.
46
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While pressing the Shtl button, rotate the shuttle
memory position knob 1 to set the zoom position.
Rotate the knob to the T side to move in the telephoto
direction, and rotate to the W side to move in the wide-
angle direction.
Shuttle shot function
What is the shuttle shot function?
The shuttle shot function allows you to zoom at
maximum speed to a preset position (shuttle memory
position) simply by pressing the lens Shtl button.
When you release the Shtl button, the lens returns to
the original position.
To zoom to the preset shuttle memory
position
Press the Shtl button and keep it held down. The lens
zooms to the preset position and stops.
When you release the Shtl button, the lens returns to
the position it was in before the operation.
Position before
operation
Shuttle memory
position
Hold Shtl button down.
Note
The motorized zoom lever does not function while the
Shtl button 2 is held down.
Release Shtl button.
DIP switch settings
To set the shuttle memory position
The DIP switches 3 on the VCL-919BY zoom lens
are used to make shuttle shot settings.
By DIP switch settings, the shuttle shot function can
be assigned to the VTR button and the RET button.
3
1
Purpose
DIP switch setting
(number: position)
Turn shuttle shot
function on or off
Turn on
Turn off
1: ON
1: OFF
2: OFF
Assign shuttle shot
function to VTR
button
Turn VTR control
function on
Turn shuttle shot
function on
2: ON
Assign shuttle shot
function to RET
button
Turn return video
display function on
3: OFF
Turn shuttle shot
function on
3: ON
DIP switch 4 is reserved. It is not used currently.
2
Chapter 3 Shooting
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Chapter
4
Viewfinder Screen
Indications and Menus
Viewfinder Screen Indications
There are four types of indication screen which appear
in the viewfinder and the video monitor connected to
the MONITOR OUT connector, as follows.
• Normal indications
These show the operating state of the camera and
connected VTR. (See page 52.)
Changing the Viewfinder Display
Use the MENU switch and MENU dial shown in the
following figure to switch the viewfinder display
among the normal indications, USER menu pages and
TOP MENU.
• Status indications
Pressing the MENU switch to the OFF/STATUS side
while the normal indications are present calls a
display of current settings. (See page 51.)
• USER menu
These provide settings for the lens aperture, shutter
speed, and so forth. (See page 51.)
• TOP MENU
This menu is used for user’s menu customization,
picture quality settings, and storing/retrieving data to/
from a Memory Stick. (See page 55.)
MENU dial
MENU switch
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49
Viewfinder Screen Indications
Status indications
PLAY
TAPE NEAR END
TCG 12:34:56:00
WHITE
: 3200K
A.IRIS : SPOT L.
SCENE 01: ABCD1234
DCC
BATT
: ON
: 13.1V
03 08 01
12:34:56PM
5600K
64ND SKIN W:A 36dB
1
00.4HZ
:::::::: 30-25 F5.6
Press the MENU switch
toward the OFF/STATUS
side.
Normal
USER menu
indications
PLAY
TAPE NEAR END
TCG 12:34:56:00
<USER PAGE 1>
U1
WHITE:OK
A.IRIS OVERRIDE
DTL LEVEL
MASTER BLACK
PRESET MATRIX
SCREEN MODE
:
:
:
0
0
0
: STD
: 16:9
Press
the MENU
switch
Set the POWER
switch to ON.
03 08 01
12:34:56PM
5600K
64ND SKIN W:A 36dB
1
00.4HZ
:::::::: 30-25 F5.6
toward the
ON/
CANCEL
side.
Turn the MENU dial for
selection, and press it
for registration.
While holding the
TOP MENU
USER MENU CUSTOMIZE menu
MENU dial pressed,
press the MENU
switch toward the
ON/CANCEL side.
<PAGE EDIT>
WHITE:OK
PAGE: 1/1
U1 TOP
<TOP MENU>
USER
1:<USER PAGE 1>
2:<USER PAGE 2>
3:<USER PAGE 3>
4:<USER PAGE 4>
5:<USER PAGE 5>
6:-----
USER MENU CUSTOMIZE
OPERATION
PAINT
MAINTENANCE
FILE
7:-----
8:-----
9:-----
Turn the MENU
OPERATION menu
dial for selection,
and press it for
registration.
<SWITCH>
1
TOP
WHITE:OK
GAIN
[L]
[M]
[H]
:
:
:
0dB
9dB
18dB
OUTPUT [DCC] : AUTO KNEE
5600K DIMMER : 5
OPERETION MENU RESET
PAINT menu
<SHUTTER>
P1 TOP
WHITE:OK
: 1/100
CLS FREQUENCY: 60.38H
SHUTTER
Z
EVS : OFF
PAINT MENU RESET
MAINTENANCE menu
<RESET>
M1 TOP
ALL MENU RESET
FILE menu
<SCENE FILE1>
F1 TOP
STORE
WHITE:OK
PAGE 1/2
1 :
2 :
3 :
4 :
5 :
6 :
7 :
8 :
9 :
10:
• When each menu is selected, the previously selected page of the
menu is displayed.
STANDARD
• If the power is turned off while a menu page is displayed, the same
menu page is displayed when the power is turned on again.
SCENE WHITE DATA: ON
50
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Displaying the normal indications
<USER PAGE 1>
U1
A.IRIS OVERRIDE :
DTL LEVEL
0
0
0
:
To display the normal indications, set the POWER
switch to the ON position.
MASTER BLACK
PRESET MATRIX
SCREEN MODE
:
: STD
: 16:9
PLAY
TAPE NEAR END
TCG 12:34:56:00
03 08 01
12:34:56PM
Displaying the TOP MENU
5600K
64ND SKIN W:A
36dB
1
00.4H
Z
:::::::: 30-25 F5.6
While the normal indications are displayed, while
holding the MENU dial pressed, press the MENU
switch toward the ON/CANCEL side. The TOP
MENU is displayed. From the TOP MENU, you can
proceed to each menu for advanced settings for the
camera, user’s menu customization, and storing/
retrieving data to/from a Memory Stick.
Displaying the Status indications
While the normal indications are displayed, press the
MENU switch toward the OFF/STATUS side. The
current settings are displayed.
<TOP MENU>
PLAY
TAPE NEAR END
TCG 12:34:56:00
USER
WHITE
A.IRIS : SPOT L.
SCENE 01: ABCD1234
: 3200K
USER MENU CUSTOMIZE
OPERATION
PAINT
DCC
BATT
: ON
: 13.1V
MAINTENANCE
FILE
03 08 01
12:34:56PM
5600K
64ND SKIN W:A 36dB
1
00.4H
Z
:::::::: 30-25 F5.6
To reinitialize all settings on the menus to
their factory defaults
Indication
Content
WHITE
Color temperature during the white balance
adjustment
1 Select MAINTENANCE from the TOP MENU.
A. IRIS
SCENE
DCC
Aperture adjustment method (STD/SPOT L./
BACK L.)
2 Display page M1.
Number and filename of the selected scene
file
For details, see “Displaying your desired menu page”
on page 55.
ON/OFF of DCC while DCC is selected in the
menu setting, or ON/OFF of ADAPTIVE while
ADAPTIVE is selected in the menu setting
3 Move the cursor to ALL MENU RESET and press
BATT
Power voltage indication
the MENU dial.
The indication changes to “RESET OK?”.
Displaying the USER menu
4 Press the MENU dial again.
While the normal indications are displayed, press the
MENU switch toward the ON/CANCEL side. The
USER menu is displayed. On the USER menu, basic
camera settings and selection of scene files can be
performed.
The indication changes to “ALL MENU RESET,”
and reinitialization completes.
To cancel reinitialization, press the MENU switch
toward the ON/CANCEL side.
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51
Viewfinder Normal Indications
During normal operation, the following items can be
indicated in the viewfinder.
1 VTR warning indicationa), b), c)
2 VTR operation status
PLAY TAPE NEAR END
TCG 12:34:56:00
indicationa), b), c)
3 Time data indicationa), b), c)
4 Status display area
5 Camera ID indicationc)
ABCD1234
5600K
03 08 01
12:34:56PM
qg Clock indicationc), d)
6 5600K indicationc)
qf Lens f-stop indicationc)
64ND SKIN W:A
36dB
1
00.4H
Z
:::::::: 30-25 F5.6
7 Filter setting indicationc)
qd Tape remaining indicationa), b), c)
8 SKIN DTL indicationc)
9 White balance indicationc)
0 Gain indicationc)
qs Audio recording level
indicatorsa), b), c)
qa Shutter setting indicationc)
a) Displayed only when a DSR-1/1P is connected.
b) Displayed only when a PVV-3/3P is connected.
c) Whether or not to display can be selected by menu setting.
d) This is recorded over the picture being shot.
The significance of each of the indications shown in
the figure is as follows.
Indication
HUMID
RF
Meaning
There is condensation.
The video heads are clogged, or there
is some other fault in the recording
system.
1 VTR warning indication
This shows warning indications about operation or
status of the connected VTR.
SLACK
The tape is not wound properly.
OXIDE TAPE
(PVV-3/3P only)
An oxide tape has been loaded. (The
tape is automatically ejected.)
When connecting the DSR-1/1P or PVV-3/3P
Indication
NO TAPE
Meaning
a) Even if a VTR is not connected, LOW BATT is displayed
when the voltage of the power supply to the camera head
fall to or below 11.0 V.
There is no tape loaded.
REC INHIBIT
The tape is in the recording inhibited
state.
LOW BATTa)
BATT. END
The battery is almost exhausted.
The battery is exhausted.
TAPE NEAR END The tape is near the end.
TAPE END
The tape is at the end.
A device other than a remote control
unit (e.g. headphones) is connected to
the REMOTE connector.
CHECK REMOTE
(PVV-3/3P only)
The servo lock has been lost.
SERVO
52
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Only when connecting the DSR-1/1P
5 Camera ID indication
The camera ID is displayed while the camera is in
Color Bar mode.
Meaning
Indication
MP TAPE
An incorrect type of cassette has
been loaded. (The cassette is
automatically ejected and the
indication disappears in about two
seconds.)
6 5600K indication
This is displayed when the 5600K button is pressed.
7 Filter setting indication
This shows the setting of the FILTER control.
AUDIO 48kHz?
(4 flashes/s)
At back space editing, audio
recording mode has changed from
32 kHz mode (4-channel mode) to
48 kHz mode (2-channel mode).
Indication
CLEAR
4ND
FILTER control setting
1 (CLEAR)
2 (1/4ND)
At back space editing, audio
AUDIO 32kHz?
(4 flashes/s)
recording mode has changed from
48 kHz mode (2-channel mode) to
32 kHz mode (4-channel mode).
16ND
3 (1/16ND)
Failure in loading or saving the
cassette memory data.
4 (1/64ND)
ERROR:91-13F
64ND
When other error indication
appears, refer to the operating
instructions for the DSR-1/1P.
8 SKIN DTL indication
This appears when the skin detail function is activated.
(See page 64.)
2 VTR operation status indication
This indicates the VTR’s current operation status
(REC, PLAY, etc.).
9 White balance indication
The following indications appear.
Indication Meaning
3 Time data indication
EZ
Operating in EZ mode (The ATW function is
selected.)
Time data from the VTR depending on the DISPLAY
switch settings on the VTR are displayed as shown in
the following table.
ATW
The ATW function is selected. (The ATW
button was pressed and the indicator is lit.)
W:A
W:B
W:P
W:M
White balance memory A is selected.
White balance memory B is selected.
Preset white balance is selected.
DISPLAY switch
setting
Time data displayed
COUNTER
TC
CNT: Tape transport time
TCG: a time code data from the time
code generator
Manual adjustment is performed remotely.
TCR: a time code data from the time
code reader
0 Gain indication
This shows the gain value.
UBG: a user bit data from the user
bit generator
U-BIT
qa Shutter setting indication
When the SHUTTER switch is set to ON, the shutter
speed or CLS frequency set on page 1 <SHUTTER> of
the PAINT menu is displayed here. You can select the
shutter speed or the CLS frequency with the
SHUTTER switch.
When using the DSR-1/1P, time data appear during
playback, fast forward, rewind, or recording review.
4 Status display area
One of the following values or messages is displayed
to indicate the camera head’s current status or its
operation status.
• New values when changing camera head’s settings
• Messages indicating progress or results of
adjustments
• The camera head’s current settings (See “Displaying
the Status indications” on page 51.)
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53
Viewfinder Normal Indications
qs Audio recording level indicators
These show the recording levels of audio channels 1
and 2 on the VTR.
Channel 1
Channel 2
PVV-3/3P –20 dB
DSR-1/1P – ∞
+3 dB
0 dB
0 dB
–2 dB
qd Tape remaining indication
This shows the tape remaining in the VTR as follows.
Indication
F-30
Tape remaining
At least 30 minutes
25 - 30 minutes
20 - 25 minutes
15 - 20 minutes
10 - 15 minutes
5 - 10 minutes
2 - 5 minutes
30-25
25-20
20-15
15-10
10-5
5-0
5-0 (flashing)
0 - 2 minutes
qf Lens f-stop indication
This shows the f-stop of the lens.
Note
Depending on the lens being used, this indication may
differ slightly from the actual f-stop on the lens.
qg Clock indication
The clock indication is shown in one of the following
ways (according to the CLOCK IND setting on page
M3 of the MAINTENANCE menu).
CAM: Always displayed.
BARS: Displayed whenever color bars are
displayed.
OFF: Not displayed.
If the clock indication is displayed during recording, it
is superimposed on the image.
Note
If the charge of the lithium battery inside the camera
head is exhausted, the clock indication cannot be
displayed. Replace the lithium battery and set the clock
again.
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Menu Operation
To perform menu operations, first display the menu on
the viewfinder screen or the monitor connected via the
MONITOR OUT connector. There are six menus:
USER, USER MENU CUSTOMIZE, OPERATION,
PAINT, MAINTENANCE, and FILE. You can display
the USER menu directly from the normal-indication
display, but to select other menus, first display the
TOP MENU, then select the desired menu.
Displaying the TOP MENU
The TOP MENU can be displayed in either of the
following ways:
• While holding the MENU dial pressed, press the
MENU switch toward the ON/CANCEL side.
• Select TOP at the right top on the menu.
Note
<TOP MENU>
The menus cannot be displayed during EZ MODE, EZ
FOCUS, auto white balance adjustment, or auto black
balance adjustment.
USER
USER MENU CUSTOMIZE
OPERATION
PAINT
MAINTENANCE
FILE
Displaying the Menus
To make the TOP MENU disappear
Turn off the camera or press the MENU switch toward
the OFF/STATUS side.
The TOP MENU automatically disappears when the
EZ MODE or EZ FOCUS button is pressed.
Displaying your desired menu
1 Display the TOP MENU.
MENU dial
MENU switch
For details, see “Displaying the TOP MENU.”
2 Turn the MENU dial to move the arrow to your
desired menu, then press the MENU dial.
The first page of the selected menu is displayed.
To make the menu disappear
Press the MENU switch toward the OFF/STATUS
side.
Displaying the USER menu
While the normal indications are displayed, press the
MENU switch toward the ON/CANCEL side. The
USER menu that had been displayed when the power
was turned off the last time is displayed on the
viewfinder screen.
Displaying your desired menu page
1 Turn the MENU dial to move the arrow to the page
number at the top of the screen, then press the
MENU dial.
Or, press the MENU switch to the ON/CANCEL
side.
<USER PAGE 1>
U1
A.IRIS OVERRIDE :
DTL LEVEL
MASTER BLACK
PRESET MATRIX
SCREEN MODE
0
0
0
:
:
The arrow changes to a question mark.
: STD
: 16:9
2 Turn the MENU dial until your desired menu page
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55
Menu Operation
is displayed, then press the MENU dial.
Using the USER Menu
The question mark changes to an arrow, and the
selected menu page is displayed.
You can select desired pages from among the
OPERATION, PAINT, MAINTENANCE and FILE
menu pages and copy and set them on the USER
menu. If you register pages frequently used on the
USER menu, you can easily call those pages and use
them. In addition, USER PAGE 1 through USER
PAGE 5, on which you can copy and register
individual items from the menus, are provided on the
USER menu. You can place up to ten desired menu
items on each of these pages.
Setting the Menus
Display the menu page on which you wish to make
settings, then proceed in the following manner:
1 Turn the MENU dial to move the arrow to your
desired item, then press the MENU dial.
The arrow changes to a question mark.
Registering a desired menu page on the
USER menu
2 Turn the MENU dial to select your desired setting
item or value, then press the MENU dial.
1 Display the TOP MENU.
The question mark changes to an arrow, and your
setting is registered.
For details, see “ Displaying the TOP MENU” on
page 55.
Repeat Steps 1 and 2.
2 Turn the MENU dial to select USER MENU
CUSTOMIZE, then press the MENU dial.
When you finish making settings
Press the MENU switch toward the OFF/STATUS side
to exit the menu.
3 Display page U1 <PAGE EDIT>.
For details, see “Displaying your desired menu page”
on page 55.
To cancel changing a setting
While the question mark is displayed in Step 2, press
the MENU switch toward the ON/CANCEL side. The
original setting will be restored.
<PAGE EDIT>
WHITE:OK
PAGE: 1/1
U1 TOP
1:<USER PAGE 1>
2:<USER PAGE 2>
3:<USER PAGE 3>
4:<USER PAGE 4>
5:<USER PAGE 5>
6:-----
7:-----
8:-----
9:-----
To return a setting item to the default value
Turn the MENU dial to move the cursor to the item
whose value you wish to return to its default, then hold
the MENU dial pressed for three seconds.
4 Turn the MENU dial to select the number for
which the menu page is to be registered, then press
the MENU dial.
The operation select screen appears.
SELECT
MOVE
DELETE
RET
56
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If you select a menu page on which no user page
has been registered, the PAGE SELECT screen
shown in Step 5 is displayed.
2 Turn the MENU dial to select USER MENU
CUSTOMIZE, then press the MENU dial.
3 Display page U1 <PAGE EDIT>.
5 Turn the MENU dial to select SELECT, then press
For details, see “Displaying your desired menu page”
on page 55.
the MENU dial.
The PAGE SELECT screen appears.
The PAGE EDIT screen is displayed.
<PAGE SELECT>
1 RET
4 Turn the MENU dial to select the menu page to be
moved, then press the MENU dial.
1 :<SWITCH>
2 :<AUTO IRIS>
3 :<PRESET WHITE>
4 :<WHITE MEMORY>
5 :<VF/MARKER>
6 :<BOX CURSOR>
7 :<VF DISPLAY1>
8 :<VF DISPLAY2>
9 :<ZEBRA>
The operation select screen appears.
5 Turn the MENU dial to select MOVE, then press
the MENU dial.
10:<MONITOR OUT>
The screen returns to the PAGE EDIT screen.
6 Select a menu page to be registered, and register
that page following the procedure below.
6 Turn the MENU dial to move the arrow to the
position where the page selected in step 4 is to be
placed, then press the MENU dial.
To select from among menu pages 1 - 10
Turn the MENU dial to select a menu page to be
registered, then press the MENU dial. The selected
menu page is registered on the USER menu, and
the screen returns to the TOP MENU screen.
The selected page moves to the position pointed to
by the arrow.
To delete a registered page
To select menu page 11 or after
1 Display the TOP MENU.
1) Turn the MENU dial to move the arrow to the
figure at the top of the screen, then press the
MENU dial.
For details, see “ Displaying the TOP MENU” on
page 55.
2 Turn the MENU dial to select USER MENU
The arrow changes to a question mark.
CUSTOMIZE, then press the MENU dial.
2) Turn the MENU dial until the desired menu
3 Display page U1 <USER P1 EDIT>.
page appears, then press the MENU dial.
For details, see “Displaying your desired menu page”
on page 55.
The question mark changes to the arrow.
3) Turn the MENU dial to select a menu page to be
The PAGE EDIT screen is displayed.
registered, then press the MENU dial.
4 Turn the MENU dial to select the menu page to be
The selected menu page is registered on the USER
menu, and the screen returns to the PAGE EDIT
screen.
deleted, then press the MENU dial.
The operation select screen appears.
To change the order of the pages
5 Turn the MENU dial to select DELETE, then press
the MENU dial.
1 Display the TOP MENU.
For details, see “ Displaying the TOP MENU” on
page 55.
The menu page selected in Step 4 is deleted, and
the screen returns to the PAGE EDIT screen.
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57
Menu Operation
6 Turn the MENU dial to select SELECT, then press
Registering a desired item on a USER
PAGE
the MENU dial.
The ITEM SELECT screen appears.
To register a desired item on a USER PAGE, follow
the procedure below.
<ITEM SELECT>
1 RET
1 :GAIN[L]
2 :GAIN[M]
3 :GAIN[H]
4 :OUTPUT[DCC]
5 :5600K DIMMER
6 :OPERATION RESET
7 :A.IRIS OVERRIDE
8 :WHT C. TEMP
9 :WHT C. TEMP FINE
1 Display the TOP MENU.
For details, see “Displaying the TOP MENU” on page
55.
10:WHT C. TEMP R GAIN
2 Turn the MENU dial to select USER MENU
CUSTOMIZE, then press the MENU dial.
7 Select an item to be registered, following the
procedure below.
3 Turn the MENU dial to move the arrow to the page
number at the top of the screen, then press the
MENU dial.
To select from among items 1 - 10
Turn the MENU dial to select an item to be
registered, then press the MENU dial. The screen
returns to the USER P1 EDIT screen, and the
selected item is displayed.
The arrow changes to a question mark.
4 Turn the MENU dial to select any of U2 through
U11, then press the MENU dial.
<USER P1 EDIT>
U2 TOP
The USER PAGE setting screen appears.
U2: USER PAGE 1 setting screen <USER P1
GAIN[L]
DTL LEVEL
MASTER BLACK
PRESET MATRIX
SCREEN MODE
EDIT>
U3: USER PAGE 2 setting screen <USER P2
EDIT>
.
.
U11: USER PAGE 10 setting screen <USER P10
EDIT>
To select items 11 or after
1) Turn the MENU dial to move the arrow to the
figure at the top of the screen, then press the
MENU dial.
<USER P1 EDIT>
U2 TOP
A.IRIS OVERRIDE
DTL LEVEL
MASTER BLACK
PRESET MATRIX
SCREEN MODE
The arrow changes to a question mark.
2) Turn the MENU dial until the desired item
appears, then press the MENU dial.
The question mark changes to an arrow.
5 Turn the MENU dial to select the line for which
the menu item is to be registered, then press the
MENU dial.
3) Turn the MENU dial to select the item to be
registered, then press the MENU dial.
The screen returns to the USER P1 EDIT
screen, and the selected item is displayed.
The operation select screen appears.
If you select a line for which no item has been
registered, the ITEM SELECT screen shown in
Step 6 is displayed.
Repeat Steps 5, 6 and 7 as required.
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8 When registration of all your desired items on the
page is completed, turn the MENU dial to move
the arrow to TOP at the top of the screen, then
press the MENU dial.
Displaying the USER menu
The USER menu that has been registered as described
above can be displayed and operated in the same
manner as with other menus.
The screen returns to the TOP MENU screen.
1 Display the TOP MENU.
You must register the USER PAGE you have set to
one of USER PAGE 1 through USER PAGE 10. Then
you can retrieve and use the registered USER PAGE
from the USER menu.
For details, see “Displaying the TOP MENU” on
page 55.
2 Turn the MENU dial to select USER, then press
the MENU dial.
For details on how to register a USER PAGE, see
“Registering a desired menu page on the USER menu,”
page 56.
To display other menu pages
1 Turn the MENU dial to move the arrow to the
figure at the top of the screen, then press the
MENU dial.
To change the order of the items
You can change the order for the items with the same
method as that for the menu pages.
The arrow changes to a question mark.
To delete an item
You can delete an item with the same method as that
for the menu pages.
2 Turn the MENU dial to select the page to be
displayed, then press the MENU dial.
The selected menu page is displayed.
Resetting the settings on all USER PAGEs
to the factory-preset values
1 Display the TOP MENU.
For details, see “Displaying the TOP MENU,” page 55.
2 Turn the MENU dial to select USER MENU
CUSTOMIZE, then press the MENU dial.
3 Display page U12.
For details, see “Displaying your desired menu page”
on page 55.
4 Turn the MENU dial to select CUSTOMIZE
MENU RESET, then press the MENU dial.
The prompt “RESET OK?” is displayed.
5 Press the MENU dial.
The indication “USER MENU RESET” is
displayed, and the settings on all USER PAGEs are
reset to the factory-preset values.
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59
Menu Operation
OPERATION Menu
The OPERATION menu consists of 11 pages. To
display the OPERATION menu, first display the TOP
MENU, turn the MENU dial to select OPERATION,
then press the MENU dial.
<SWITCH>
1
TOP
GAIN
[L]
[M]
[H]
:
:
0dB
9dB
: 18dB
OUTPUT [DCC] : AUTO KNEE
5600K DIMMER : 5
For details on how to display the TOP MENU, see
“Displaying the TOP MENU” on page 55.
OPERATION MENU RESET
Structure and setting values of the OPERATION menu
Submenu title
Page Setting item:
Initial value
Selectable
values
Remarks
<SWITCH>
1
GAIN [L]: 0 dB
GAIN [M]: 9 dB
GAIN [H]: 18 dB
–3, 0, 3, 6, 9, 12, To set the GAIN L value
18, 24, 30, 36
–3, 0, 3, 6, 9, 12, To set the GAIN M value
18, 24, 30, 36
–3, 0, 3, 6, 9, 12, To set the GAIN H value
18, 24, 30, 36
OUTPUT [DCC]:
AUTO KNEE
AUTO KNEE,
ADAPTIVE
To set DCC operation mode
5600K DIMMER: 5
0 to 5 to 9
To adjust the brightness for the LED of the 5600K
button when it is lit to indicate the button’s
activation
OPERATION MENU
RESET
—
To reset the OPERATION menu settings to
factory-preset values
<AUTO IRIS>
2
3
AUTO IRIS
OVERRIDE: 0
–99 to 0 to 99
To adjust the reference value for auto aperture
<PRESET WHITE>
COLOR TEMP:
3200K
1520K to 3200K
to 65535K
To adjust the preset color temperature value
(when the W.BAL switch is set to PRE) for
white balance
FINE: 0
–99 to 0 to 99
–99 to 0 to 99
–99 to 0 to 99
2, 2×4FL
To fine-tune the preset color temperature value
for white balance
R GAIN: 0
B GAIN: 0
To adjust the R (red) gain of the preset color
temperature value for white balance
To adjust the B (blue) gain of the preset color
temperature value for white balance
<WHITE MEMORY>
4
AWB MEMORY
MODE: 2
To select if the two A and B white balance values
are to apply to all four settings of the FILTER
control or not
2: Not apply to the FILTER control
2×4FL: Apply to the FILTER control
WIDE BAND AWB:
ON
ON, OFF
To select if the 5600K button is to be automatically
activated when the color temperature changes
greatly
SHOCKLESS WHITE: OFF, 1, 2, 3, 4, 5 To adjust the transient time of switching white
3
balance (this setting does not apply to on/off of the
5600K button)
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Submenu title
Page Setting item:
Initial value
Selectable
values
Remarks
<VF/MARKER>
5
SAFETY ZONE: ON
ON, OFF
To turn the safety-zone display on/off
To select the size of the safety zone
90%
80%, 90%
NORMALa) NORMAL,
ASPECT
To select if the safety zone is to change in
accordance with the aspect ratio
ASPECT IND: OFFa)
LINE, MASK,
LINE&MASK,
OFF
To select the aspect indication: by line (LINE)
or masking off a portion (MASK)
(- -)a)
15:9, 14:9, 13:9,
4:3
To select the aspect ratio for aspect indication
(available only when ASPECT IND is set to LINE)
CENTER MARKER:
OFF
ON, OFF
To turn the center marker on/off
VF SCAN: AUTOa)
AUTO, 16:9, 4:3
To select if the aspect ratio of the camera is
to apply to the viewfinder
<BOX CURSOR>
<VF DISPLAY1>
6
7
CURSOR: OFF
H POSITION: 50
V POSITION: 50
H WIDTH: 50
V WIDTH: 50
IRIS: ON
ON, OFF
To turn the box cursor display on/off
0 to 50 to 99
0 to 50 to 99
0 to 50 to 99
0 to 50 to 99
ON, OFF
To adjust the horizontal position of the box cursor
To adjust the vertical position of the box cursor
To adjust the horizontal width of the box cursor
To adjust the vertical width of the box cursor
To turn on/off the display of IRIS setting value
on the viewfinder
GAIN: ON
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
×1, ×2
To turn on/off the display of GAIN setting value
on the viewfinder
WHITE: ON
To turn on/off the display of WHITE setting value
on the viewfinder
ND FILTER: ON
5600K: ON
To turn on/off the display of FILTER setting value
on the viewfinder
To turn on/off the 5600K indication on the
viewfinder
SHUTTER: ON
SKIN DTL: ON
AUDIO: ON
To turn on/off the display of SHUTTER setting
value on the viewfinder
To turn on/off the display of SKIN DTL setting
value on the viewfinder
<VF DISPLAY2>
8
To turn on/off the display of AUDIO setting
value on the viewfinder
TAPE REMAIN: ON
VTR STATUS: ON
VTR ALARM: ON
TIME CODE: ON
VF TALLY: ×1
To turn on/off the tape remaining time display
on the viewfinder
To turn on/off the VTR status display on the
viewfinder
To set if VTR warning indications are displayed on
the viewfinder or not
To set if time code is displayed on the viewfinder or
not
To select if both the upper and lower tally
lamps (×2) in the viewfinder are to function or only
the upper lamp (×1) functions
<ZEBRA>
9
ZEBRA MODE: 1&2
1, 2, 1&2
To select if one zebra pattern or two zebra
patterns are to be displayed
ZEBRA1 LEVEL: 75% 50 to 75 to 109
WIDTH: 10% 0 to 10 to 30
ZEBRA2 LEVEL: 100% 50 to 100 to 109
To adjust the display level of Zebra 1
To adjust the range of video level of Zebra 1
To adjust the display level of Zebra 2
a) - -: Not available for the DXC-D50/D50P
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61
Menu Operation
Submenu title
Page Setting item:
Initial value
Selectable
values
Remarks
<MONITOR OUT>
10
MONITOR OUT: ENC ENC, Y
To select the output signal from the
MONITOR OUT connector
CHARACTER: ON
ON, OFF
ON, OFF
ON, OFF
To select if character data are to be superimposed
on the MONITOR OUT signal or not
RM CHARACTER:
OFF
To select if character data are to be superimposed
on the REMOTE signal or not
<TLCS>
11
AGC: ON
To set if AGC is to be activated or not when TLCS
is activated
AGC LIMIT: 12
3, 6, 9, 12, 15, 18 To adjust the limit value for AGC when TLCS
is activated
AGC CHANGE
POINT: F2.8
F-5.6, F-4,F-2.8,
F-2, OPEN
To adjust the aperture value at which AGC (auto
gain control) is to be activated when TLCS is
activated
AE: ON
ON, OFF
To set if AE (electronic shutter) is to be activated or
not when TLCS is activated
AE LIMIT: 1/250
1/100, 1/150,
1/200, 1/250
To set the limit value for AE (electronic shutter)
operation when TLCS is activated
AE CHANGE
POINT: F16
F-16, F-11, F-8,
F-5.6
To set the aperture limit value at which AE
(electronic shutter) operation is to be activated
when TLCS is activated
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PAINT Menu
The PAINT menu consists of 10 pages. To display the
PAINT menu, first display the TOP MENU, turn the
MENU dial to select PAINT, then press the MENU
dial.
<SHUTTER>
SHUTTER
CLS FREQUENCY: 60.38H
P1 TOP
: 1/100
Z
EVS : OFF
For details on how to display the TOP MENU, see
“Displaying the TOP MENU” on page 55.
PAINT MENU RESET
Structure and setting values of the PAINT menu
Submenu title
Page Setting item:
Initial value
Selectable
values
Remarks
<SHUTTER>
P1
SHUTTER: 1/100 a)
CLS FREQUENCY:
50.31 (PAL)
60.38 (NTSC)
—
To adjust the shutter speed
To adjust the CLS frequency
60.38 Hzb)
EVS: OFF
ON, OFF
To set EVS (The vertical resolution is chaged
from 400 lines to 450 lines.)
Note
When EVS is turned ON, the vertical resolution
can be increased, but aliasing may be
generated when shooting a moving subject.
PAINT MENU RESET
MASTER BLACK: 0
—
To reset the PAINT menu settings
<BLACK/FLARE>
<DETAIL>
P2
P3
–99 to 0 to 99 To adjust the master black level
FLARE LEVEL:
[R] 0 [G] 0 [B] 0
–99 to 0 to 99 To adjust the flare level
ON
LEVEL: 0
ON, OFF
To turn the flare on/off
–99 to 0 to 99 To adjust the detail (contour correction) level
H/V RATIO: 0
–99 to 0 to 99 To adjust the ratio of vertical detail to horizontal
detail in detail correction (contour correction)
LEVEL DEPEND: 0
FREQUENCY: 0
CRISP: 0
–99 to 0 to 99 To decrease the black level in the detail
correction (contour correction)
–99 to 0 to 99 To adjust thickness of contour lines for the detail
correction (contour correction)
–99 to 0 to 99 To adjust the level at which noise signals are to
be removed in the detail correction (contour
correction)
<GAMMA/BLACK
GAMMA>
P4
GAMMA LEVEL:
[R] 0 [B] 0 [M] 0
–99 to 0 to 99 To adjust the gamma curve
BLACK GAMMA LEVEL: –99 to 0 to 99 To adjust the gamma curve near the black
[R] 0 [B] 0 [M] 0
a) NTSC: 1/100, 1/125, 1/250, 1/500, 1/1000, 1/2000, CLS
PAL: 1/60, 1/125, 1/250, 1/500, 1/1000, 1/2000, CLS
b) When the camera is used alone
When the camera is used with the RCP-D50/D51
NTSC: 60.38 Hz to 6000 Hz
PAL: 50.31 Hz to 6000 Hz
NTSC: 60.38 Hz to 6000 Hz
PAL: 50.00 Hz to 6000 Hz
When the camera is used with the RCP-TX7
NTSC: 60.38 Hz to 200.3 Hz (The display on the panel
of the RCP-TX7 is 60.4.)
PAL: 50.31 Hz to 201.4 Hz
Chapter 4 Viewfinder Screen Indications and Menus
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Menu Operation
Submenu title
Page Setting item:
Initial value
Selectable
values
Remarks
<KNEE/WHITE CLIP>
P5
KNEE POINT: 0
(not available when DCC
is activated)
–99 to 0 to 99 To adjust the knee point
KNEE SLOPE: 0
(not available when DCC
is activated)
–99 to 0 to 99 To adjust the knee slope
WHITE CLIP: 0
–99 to 0 to 99 To adjust the white clip level
<WHITE SHADING>
<SKIN DTL/MATRIX>
P6
P7
V MODULATION:
[R] 0 [G] 0 [B] 0
–99 to 0 to 99 For vertical shading correction of the white
SKIN DTL: OFF
LEVEL: 50
ON, OFF
To turn skin tone detail on/off
0 to 50 to 99
To adjust the detail level when skin-tone detail
is set to ON. At 99, the maximum effects are
obtained.
SET: EXECUTE
—
To execute the skin set (The box cursor
appears at the center of the screen. Move the
cursor to where you wish to execute the skin set
by turning the MENU dial, then press it to
execute the skin set. For about 3 seconds after
the MENU dial is pressed, a zebra pattern will
be displayed to indicate the location where the
skin tone is activated.)
PHASE: 0
WIDTH: 30
0 to 359 to 0
0 to 30 to 90
To adjust the color phase when the skin-tone
detail is activated (the color phase is
automatically calculated when SET is executed,
but it can be manually changed)
To adjust the width of color phase when skin-
tone detail is activated (as the value becomes
smaller, the width of the detail effects
decreases)
SATURATION: –89
–99 to 0 to 99 To adjust the saturation (color intensity) of the
color on which skin-tone detail is to function
GATE: OFF
ON, OFF
To turn on/off the function that enables checking
of the range where skin-tone detail is
functioning (If GATE is set to ON, the areas
where skin-tone detail is functioning can be
checked with the zebra signal displayed on the
viewfinder. If the MONITOR OUT signal is
monitored, the color tone of the area where
skin-tone deail is functioning changes. The
GATE signal is not superimposed on the output
from the VIDEO OUT connector.)
SKIN MATRIX
—
To change the matrix of the phase area where
skin-tone detail is functioning
SATURATION: 0
HUE: 0
–99 to 0 to 99 To adjust the color saturation (color intensity)
–99 to 0 to 99 To adjust the hue
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Submenu title
Page Setting item:
Initial value
Selectable
values
Remarks
<USER MATRIX>
P8
SATURATION: 0
–99 to 0 to 99 To adjust the color saturation (color intensity) of
the whole picture
HUE: 0
–99 to 0 to 99 To adjust the hue of the whole picture
[-R] [-G] [-B]
—
To adjust the matrix
R: –
G: 0
B: 0
0
–
0
0
0
–
–99 to 0 to 99 To adjust the R-G, R-B axes
–99 to 0 to 99 To adjust the G-R, G-B axes
–99 to 0 to 99 To adjust the B-R, B-G axes
STD, HI SAT, To adjust the preset matrix
PRESET MATRIX: STD
FL
STD: Standard color tone
HI SAT: For more vivid picture (The color
intensity increases a little.)
FL: For shooting under fluorescent light, to
prevent the skin color’s becoming greenish
<LOW KEY
SATURATION>
P9
LEVEL: 0
–99 to 0 to 99 To correct the color saturation (color intensity)
in dark areas
<CROSS COLOR>
P10
SUPPRESSION: 0
0 to 99
To reduce coloring caused by cross color when
a fine pattern is shot
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65
Menu Operation
MAINTENANCE Menu
The MAINTENANCE menu consists of 6 pages. To
display the MAINTENANCE menu, first display the
TOP MENU, turn the MENU dial to select
<RESET>
M1 TOP
ALL MENU RESET
MAINTENANCE, then press the MENU dial.
For details on how to display the TOP MENU, see
“Displaying the TOP MENU” on page 55.
Structure and setting values of the MAINTENANCE menu
Submenu title
Page Setting item:
Initial value
Selectable
values
Remarks
<RESET>
M1
ALL MENU RESET
—
To reset all user-set menu items to the
factory-preset values (The date and time settings
are not reset.)
<GEN LOCK>
M2
GENLOCK
—
GENLOCK settings (No value is displayed when
genlock is not performed.)
H PHASE [COARSE]: 0 –99 to 0 to 99
To adjust the horizontal phase
To fine-adjust the horizontal phase
To adjust the SC phase
H PHASE [FINE]: 0
SC PHASE: 0
–99 to 0 to 99
0 to 99
MAINTENANCE
MENU RESET:
—
To reset the MAINTENANCE menu settings to the
factory-preset values (The date and time settings
are not reset.)
<CLOCK>
M3
Ex.)2003/04/30 08:32:45
HOUR TYPE: 12H
DATE TYPE: 1
—
To set the date and time
12H, 24H
1 to 6
To select the type of time indication
To select the type of date indication:
1: Y/Mn/D (year/month/day, month in numerics)
2: Mn/D (month/day, month in numerics)
3: D/M/Y (day/month/year)
4: D/M (day/month)
5: M/D/Y (month/day/year)
6: M/D (month/day)
CLOCK IND: OFF
OFF, CAM, BARS To select the clock indication to be output from
the VIDEO OUT connector:
OFF: No clock indication
CAM: To display clock indication during
video output and color-bar output
BARS: To display the clock indication only during
color-bar output
<CAMERA ID>
M4
CAMERA ID:
—
Up to 8 characters are output during color-bar
output (On the character-input screen, press RET
to register an entered camera ID.)
CAMERA ID IND: OFF
LENS: 3
ON, OFF
1 to 16
To turn on/off the camera ID indication in color bar
mode
<LENS SELECT> M5
Select the lens number according to the lens to be
used. (If your lens is not among the choices, shoot
a white subject and select the lens number for
which no color appears at the upper and lower
portions of the screen.)
For details, see “Designating the lens” on page 83.
—
To display the typical products of the selected lens
file
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Submenu title
Page Setting item:
Initial value
Selectable
values
Remarks
<OTHERS>
M6
COLOR BARS
SMPTE
To select the type of the color bars
MODE: SMPTE (NTSC) (SPLIT for PAL),
FULL (75%) (PAL) FULL (75%),
FULL (100%)
TONE: ON
ON, OFF
To turn on/off 1-kHz-tone signal output (When
TONE is set to ON, the tone signal is output in
color bar mode.)
VF PB SELECT: Y
–, Y, VBS
To select the video output to the viewfinder
(available when the DSR-1/1P is connected):
Y: Monochrome signal
VBS: Color signal
SCREEN MODE: 16:9 16:9, 4:3
(Not available for the
To select the aspect ratio of the output signal
DXC-D50/D50P)
WIDE ID: ON
ON, OFF
To turn on/off wide ID output when SCREEN
MODE is set to 16:9
Chapter 4 Viewfinder Screen Indications and Menus
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Menu Operation
FILE Menu
The FILE menu consists of 4 pages. To display the
FILE menu, first display the TOP MENU, turn the
MENU dial to select FILE, then press the MENU dial.
Using the scene files, data for specific shooting
conditions are stored in memory of this unit, and
stored data can be retrieved.
Up to 20 scene files can be registered, and scene files
can be stored in a Memory Stick. A scene file stored in
a Memory Stick can be copied to other DXC-D50/
D50P/D50WS/D50WSP cameras to easily share the
same setup among several cameras.
For details on how to display the TOP MENU, see
“Displaying the TOP MENU” on page 55
<SCENE FILE1>
WHITE:OK
F1 TOP
STORE
PAGE 1/2
1 :
2 :
6 :
7 :
8 :
9 :
10:
For details, see “Storing and Retrieving a Scene File” on
page 70, and “Storing to and Retrieving from a Memory
Stick” on page 71.
3 :
4 :
5 :
STANDARD
SCENE WHITE DATA: ON
Structure and setting values of the FILE menu
Submenu title
Page Setting item:
Initial value
Selectable Remarks
values
<SCENE FILE1>
F1
PAGE 1/2
1/2, 2/2
To select a scene file. Up to 20 files can be set or
selected. If the 11th file or onward is not set, Page
2/2 will not be displayed.
STORE
—
—
To store a scene file
PAGE 1/2:1: to 10:
PAGE 2/2:11: to 20:
To retrieve the scene file corresponding to the selected
number
STANDARD:
—
To select if the standard settings are to be used or not
SCENE WHITE DATA:
ON
ON, OFF
To select if white balance data are to be included in the
scene files. When SCENE WHITE DATA is set to ON,
white balance data are included in the scene files.
<SCENE FILE2>
F2
SCENE FILE
—
—
To write or read a scene file to/from a Memory Stick
To copy the data in the Memory Stick to the camera
READ (MStCAMERA)
Note
If scene files are stored in the camera, they are
replaced by the data from the Memory Stick.
WRITE
(CAMERAtMS)
—
To write the data in the camera onto the Memory Stick.
All scene files set in the camera are copied.
Note
If any scene file data are stored in the Memory Stick,
they are replaced by the data from the camera.
FILE ID:
—
—
A filename within 8 characters can be set.
CAM CODE
The model name of the camera is automatically
displayed.
DATE 2003/08/01
—
To display the date when a file is created
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Submenu title
Page Setting item:
Initial value
Selectable Remarks
values
<OPERATOR FILE> F3
OPERATOR FILE
—
To write or read data for this camera (incl. settings
of customized USER menu) to/from a Memory
Stick
READ (MStCAMERA)
—
To copy the data in the Memory Stick to the camera
Note
If any scene file data are stored in the camera, they are
replaced by the data from the Memory Stick.
WRITE (CAMERAtMS)
—
To write the data in the camera to the Memory Stick
Note
If any scene file data are stored in the Memory Stick,
they are replaced by the data from the camera.
FILE ID:
—
—
A filename within 8 characters can be set.
CAM CODE
The model name of the camera is automatically
displayed.
DATE 2003/08/01
—
—
To display the date when a file is created
To format a Memory Stick
<MEMORY STICK>
F4
MEMORY STICK FORMAT
Note
All data stored in the Memory Stick will be erased.
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69
Menu Operation
Retrieving a scene file
Storing and Retrieving a Scene
File
1 Display page F1 <SCENE FILE1> of the FILE
menu.
Storing a scene file
For details, see “Displaying your desired menu” on
page 55.
<SCENE FILE1>
WHITE:OK
F1 TOP
STORE
2 Turn the MENU dial to select the number
corresponding to the desired scene file, then press
the MENU dial.
PAGE 1/2
1 :
2 :
6 :
7 :
8 :
9 :
10:
3 :
4 :
5 :
The selected scene file is retrieved, and the settings
of the camera are replaced with the data from the
retrieved file.
STANDARD
SCENE WHITE DATA: ON
1 Make the adjustments of the camera so that the
values you wish to store as a scene file are
obtained.
2 Display page F1 <SCENE FILE1> of the FILE
menu.
For details, see “Displaying your desired menu” on
page 55.
3 Turn the MENU dial to select STORE, then press
the MENU dial.
4 Turn the MENU dial to select FILE NO, then press
the MENU dial.
The arrow changes to a question mark.
5 Turn the MENU dial to select a scene-file number
corresponding to the memory cell in which you
wish to store the setting data, then press the MENU
dial.
6 Turn the MENU dial to select FILE NAME, then
press the MENU dial.
The arrow changes to a question mark.
7 Enter a filename within 8 characters.
8 Press EXECUTE.
The setting values of the camera adjusted in Step 1
are stored in the camera as a scene file.
You can store a scene file without entering a filename
(only with the file number).
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All scene files stored in the Memory Stick are
written to the camera. If any scene file has already
been stored in the camera, that is replaced with the
data from the Memory Stick.
Storing to and Retrieving from a
Memory Stick
A scene file or an operator file stored in the camera
can be copied to and stored in the Memory Stick, and
stored data can be read by another camera.
Storing the operator file
1 Display page F3 <OPERATOR FILE> of the FILE
Storing a scene file
menu.
For details, see “Displaying your desired menu” on
page 55.
<SCENE FILE2>
SCENE FILE
F2 TOP
READ (MS tCAMERA)
WRITE(CAMERAt MS)
2 Turn the MENU dial to select FILE ID, then press
the MENU dial.
FILE ID :
CAM CODE DXC-D50WS
DATE 2003/08/01
3 Enter a filename within 8 characters, then press
RET.
4 Turn the MENU dial to select WRITE
(CAMERAtMS), then press the MENU dial.
1 Display page F2 <SCENE FILE2> of the FILE
menu.
All setting data, including the customized USER
menu, in the camera are written to the Memory
Stick as the operator file. If any data have already
been stored in the Memory Stick, those data are
replaced with the data from the camera.
For details, see “Displaying your desired menu” on
page 55.
2 Turn the MENU dial to select FILE ID, then press
the MENU dial.
Retrieving the operator file
3 Enter a filename within 8 characters, then press
RET.
1 Display page F3 <OPERATOR FILE> of the FILE
menu.
4 Turn the MENU dial to select WRITE
(CAMERAtMS), then press the MENU dial.
For details, see “Displaying your desired menu” on
page 55.
All files stored in the camera are written to the
Memory Stick. If any data have already been
stored in the Memory Stick, those data are replaced
with the data from the camera.
2 Turn the MENU dial to select READ
(MStCAMERA), then press the MENU dial.
The operator file stored in the Memory Stick is
written to the camera. If an operator file has
already been stored in the camera, that is replaced
with the data from the Memory Stick.
Retrieving a scene file
1 Display page F2 <SCENE FILE2> of the FILE
menu.
For details, see “Displaying your desired menu” on
page 55.
2 Turn the MENU dial to select READ
(MStCAMERA), then press the MENU dial.
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Chapter
5
Adjustments and
Settings
White Balance Adjustment
Adjusting the white balance ensures that as lighting
conditions change white objects remain white in the
image and tones remain natural.
Saving an Appropriate White
Balance Value in Memory
The color of light emitted varies from one light source
to another, and as the lighting changes the apparent
color of an illuminated subject changes. It is therefore
necessary to adjust the white balance each time the
principal lighting source changes.
You can save two white balance values in separate
memories, A and B. Unless changed, the saved values
are retained for approximately ten years, even when
the camera is powered off.
Once a value is saved, you can automatically restore
the adjustment by moving the W. BAL switch to the A
or B position. This makes shooting under alternating
lighting conditions easy.
Separate white balance values for each
FILTER control setting
In the default case, as described above, the same two A
and B white balance values apply to all four settings of
the FILTER control. It is possible, however, to change
the AWB MEMORY MODE setting on page 4
<WHITE MEMORY> of the OPERATION menu (see
page 60) so that there are eight possibly different
values for the A and B positions and for the four
FILTER control settings.
(continued)
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73
White Balance Adjustment
Area of white within this
rectangle should be
equivalent to at least 10% of
the image area.
1
2 1
4
Center of the screen
approximately
approximately
70% of the
width of the
image
70% of the
height of the
image
5 3 1 3
5 Push the WHT/BLK switch in the WHT direction
and release.
The white balance adjustment is carried out.
During the adjustment the legend
1 Make the following settings on the camera.
• POWER switch: ON/SAVE
• OUTPUT/DCC switch: one of the CAM
positions
“AWB:EXECUTING” appears in the viewfinder.
After a few seconds the adjustment is complete,
and the legend in the viewfinder changes to
“AWB:OK” plus a color temperature, as shown in
the following figure.
• Lens aperture selector: A (automatic)
• ATW button: OFF
2 Set the FILTER control according to the lighting
conditions. (See page 44.)
AWB:0K
3200K
This step is not required when WIDE BAND
AWB is set to ON on page 4 <WHITE
MEMORY> of the OPERATION menu.
3 Set the W. BAL switch to A or B.
The adjustment value is automatically saved in
memory A or B as selected above.
4 Arrange a white subject (paper, cloth, etc.) under
the same lighting conditions as for shooting, and
zoom in on it so that as far as possible the whole
screen is white.
If you press the WHT/BLK switch toward either
side while “AWB: EXECUTING” is being
displayed, the white balance adjustment in
progress is canceled, and the camera returns to the
previous state.
The minimum white area requirements for the
adjustment are shown in the following figure.
To save the white balance adjustment for different
lighting conditions, repeat steps 2 to 4 above. You can
save two different values for the white balance, in
memories A and B.
Note
When using a camera control unit or remote control
unit, if the W/B BALANCE switch of the control unit
is set to PRESET or MANUAL, it is not possible to
carry out white balance adjustment on the camera.
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To retrieve a white balance value from
memory
Before beginning shooting, set the W. BAL switch to
the A or B position. This automatically sets the
camera to the white balance adjustment saved in the
corresponding memory.
Message
AWB:NG
Meaning and corrections to be made
Check the subject, then perform the
Auto White Balance adjustment again.
If AWB adjustment cannot be performed
on the second try, consult your Sony
dealer.
TIME LIMIT
AWB:BREAK
This message is displayed when the
AWB adjustment is canceled upon your
pressing the WHT/BLK switch to either
side while the adjustment is being
performed.
If white balance adjustment cannot be
completed automatically
The warning message “AWB:NG” appears in the
viewfinder.
WHITE:PRESET The W. BAL switch is in the PRESET
Make the necessary corrections, then carry out the
process again.
position.
Move the W. BAL switch to the A or B
position.
Warning messages for white balance adjustment
BARS
The camera is outputting a color bar
signal.
Move the OUTPUT/DCC switch to one
of the CAM positions.
Message
Meaning and corrections to be made
AWB:NG
Light level is too low.
LOW LIGHT
• Increase the illumination level, open
the aperture, or use the GAIN switch
to increase the video signal level.
• Check the setting of the FILTER
control.
Using the Preset White Balance
Settings
• After these checks, retry the
adjustment.
AWB:NG
OVER LEVEL
The camera provides two preset white balance settings,
for instant shooting with approximately the correct
adjustment.
There are also particular shooting conditions under
which the preset values may give better results than the
human eye adjustment.
The subject is not white, or the lighting
level is too high.
• Use a white subject.
• Lower the illumination level, stop down
the aperture, or use the GAIN switch
to decrease the video signal level.
• Check the setting of the FILTER
control.
• After these checks, retry the
adjustment.
1 Set the W. BAL switch to PRE.
AWB:NG
The color temperature is too low. Try
The white balance is automatically adjusted for the
preset white balance selected on page 3 <PRESET
WHITE> of the OPERATION menu (see
page 60).
C.TEMP.LOW the following, in this order of
precedence.
(1) If the FILTER control is in position 3
or 4, change it to position 1 or 2,
then retry the adjustment.
(2) Check that the subject is completely
white, then retry the adjustment.
(3) The color temperature may be
outside the range of the camera. Fit
an appropriate color temperature
conversion filter, then retry the
adjustment.
2 Press the 5600K button as required.
The color temperature is too high. Try
the following, in this order of
precedence.
AWB:NG
C.TEMP.HI
(1) If the FILTER control is in position 1
or 2, change it to position 3 or 4,
then retry the adjustment.
(2) Check that the subject is completely
white, then retry the adjustment.
(3) The color temperature may be
outside the range of the camera. Fit
an appropriate color temperature
conversion filter, then retry the
adjustment.
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75
White Balance Adjustment
Light Sources and Color
Temperature
Using the ATW (Auto Tracing
White Balance) Function
Adjustment of the white balance to match the light
source is essential to ensure correct color rendering.
The color of a light source is indicated as a color
temperature in kelvins (K). It is higher for bluish light,
and lower for reddish light. When the camera is
shipped it is adjusted for use with video lights (halogen
lamps with a color temperature of 3200 K). For use
with other light sources, therefore, adjustment is
required.
The ATW function continuously adjusts the white
balance automatically to adapt to changes in lighting
conditions.
Note
Depending on the shooting conditions, automatic
adjustment may not necessarily give optimum results.
For the best possible results, use the W. BAL switch.
First use the FILTER control to set the approximate
color temperature, then carry out white balance
adjustment.
The following table shows typical color temperature
values for different light sources.
To use the ATW function
Press the ATW button turning the indicator on.
This activates the ATW function, and the ATW
indication appears in the viewfinder.
To disable the ATW function, press the ATW button
again, turning the indicator off.
Color temperatures of different light sources
If the ATW function does not operate correctly
A warning massage appears in the viewfinder as
shown in the table below.
Color temperature (K)
Light source
Natural
Artificial
Clear sky
Light cloud
V
10,000
8,000
7,000
6,000
5,000
Meaning and corrections to be made
Message
Cloudy or rainy
skies
Blue light
:C.TEMP.LOW If the 5600K button is turned on (lit),
press the button to turn it off. Then retry
the ATW operation.
V
Fluorescent light
(daylight white)
:C.TEMP.HIGH If the 5600K button is turned off (not lit),
press the button to turn it on (lit). Then
retry the ATW operation.
Direct sunlight, Mercury lighting
v
White light
V
noon
Fluorescent light
(white)
One hour after
sunrise or
before sunset
Fluorescent light
(warm white)
4,000
3,500
3,200
3,000
2,500
Studio lighting
v
Yellow light
V
Halogen lamps
and video lights
Thirty minutes
Incandescent
after sunrise or lighting
before sunset
Sodium street-
lighting
v
Sunrise or
sunset
Candlelight
Red light
2,000
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Black Balance Adjustment
Correct adjustment of the black balance is important
for optimum operation of a video camera. It is
necessary when using the camera for the first time or
after a significant period out of use, and also when
there has been a sudden change in temperature.
The adjustment value is saved in memory, and
readjustment is not normally necessary after powering
the camera off or simply when lighting conditions
change.
is canceled, and the camera returns to the previous
state.
Notes
•When using a camera control unit or remote control
unit, if the W/B BALANCE switch of the control unit
is set to MANUAL, it is not possible to carry out
black balance adjustment on the camera.
•The black balance cannot be adjusted while
recording. Since the readout mode of the CCD
changes during black balance adjustment, some
disturbance may be generated in the video output
signal from the camera. If automatic black balance is
activated when any peripheral equipment is
connected, noise may be generated or warning
indication may light, but this is not a problem.
If black balance adjustment cannot be
completed automatically
The warning message “ABB:NG” appears in the
viewfinder.
Make the necessary corrections, then carry out the
process again.
2
1
Warning messages for black balance adjustment
1 Move the POWER switch to the ON/SAVE
position, and check that the OUTPUT/DCC switch
is in one of the CAM positions.
Message
ABB:NG
IRIS
NOT CLOSE
Meaning and corrections to be made
The lens aperture did not close fully.
Check whether the lens cable is
connected properly, and whether there is
a fault in the lens. If a second attempt to
carry out the adjustment fails, consult
your Sony dealer.
2 Push the WHT/BLK switch in the BLK direction
and release.
The lens aperture closes, and black balance
adjustment is carried out.
During the adjustment the legend
ABB:NG
OVER FLOW
The aperture opened during adjustment
or there is a hardware error.
Close the aperture and try again. If this
fails, consult your Sony dealer.
“ABB:EXECUTING” appears in the viewfinder.
Close the lens, then perform the Auto
Black Balance adjustment again.
If ABB adjustment cannot be performed
on the second try, consult your Sony
dealer.
ABB:NG
TIME LIMIT
ABB:EXECUTING
REFERENCE READ G
ABB:BREAK
BARS
This message is displayed when the ABB
adjustment is canceled upon your
pressing the WHT/BLK switch to either
side while the adjustment is being
performed.
The camera is outputting a color bar
signal.
Move the OUTPUT/DCC switch to one of
the CAM positions.
After a dozens of seconds the adjustment is
complete, and the legend in the viewfinder changes
to “ABB:OK.”
If you press the WHT/BLK switch toward either
side while “ABB: EXECUTING” is being
displayed, the black balance adjustment in progress
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77
Shutter Settings
This section covers the settings for electronic shutter
speed and CLS (clear scan ) function.
The new value for the shutter speed or clear scan
frequency setting remains set until changed, even
when the camera is powered off.
Shutter speeds
There are six shutter speeds, from 1/100 s (DXC-D50/
D50WSL) or 1/60 s (DXC-D50P/D50WSPL) to 1/2000 s.
Increasing the shutter speed reduces blurring when
shooting a fast-moving subject. It is also possible to
reduce flicker when shooting under fluorescent
lighting by changing the shutter speed.
SHUTTER switch
CLS (Clear Scan) function
When shooting a computer screen or projected image,
horizontal bands may appear in the camera image.
This is because the vertical scan frequency of the
computer-generated image is different from the
vertical scan frequency of the video system. The clear
scan function allows you to select a vertical scan
frequency to reduce this interference.
1 Set the SHUTTER switch to the ON position.
The SHUTTER indicator in the viewfinder comes
on, and it is now possible to change the shutter
speed or clear scan frequency setting.
2 Press the SHUTTER switch toward the SEL side
from the ON position.
The current shutter setting is displayed for about 3
seconds at the shutter setting indication in the
viewfinder.
Setting the shutter speed and CLS
function
Example: “:SHUTTER:1/250”, “:CLS:60.38Hz”
Notes on setting the shutter speed
• The faster you make the shutter speed, the darker the
image becomes. Check the brightness in the
viewfinder, and if necessary increase the lighting
level or adjust the aperture.
• When the shutter speed is very fast, shooting a high
intensity subject may cause long vertical tails to
appear on the highlights (smear).
3 Before the current setting indication disappears in
Step 2, press the SHUTTER switch toward the
SEL side again.
Repeat this step until the desired mode or shutter
speed is displayed.
The indication changes in the following order:
1/100
1/125
1/250
1/500
1/1000
1/2000
CLS
Note on setting the CLS function
(Value when shipped)
The vertical scan frequencies of computer screens
vary, and it may not be possible to eliminate the
interference patterns entirely. Note also that the
vertical scan frequency may change depending on the
software being run.
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When using the CLS function
Watching the monitor screen, adjust the frequency to
give minimum interference.
If there is a black band in the monitor image, reduce
the frequency, and if there is a white band, increase the
frequency.
For details on CLS setting, see page P1 <SHUTTER> of the
PAINT menu.
To exit the menut to return to the normal
indications
Press the MENU switch to the OFF/STATUS side.
The new setting of the shutter speed or CLS frequency
appears in the normal screen display.
When shooting is finished
Set the SHUTTER switch to the OFF position.
The SHUTTER indicator in the viewfinder goes off.
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79
Setting the Clock and Timestamping Recordings
Use the page M3 <CLOCK>of the MAINTENANCE
<CLOCK>
M3 TOP
menu to set the camera head’s internal clock and
record the date and time.
2003/08/01
08:32:45
HOUR TYPE
DATE TYPE
CLOCK IND
: 12H
: Y/Mn/D
: BARS
Notes
•If the following date/time setting procedure for the
internal clock does not cause the date/time
information to be displayed in the MAINTENANCE
menu, it may be due to a worn-out lithium battery in
the camera head. See page 23 and replace the lithium
battery.
7 Turn the MENU dial until your desired figure
appears, then press the MENU dial to register it.
•After replacing the lithium batteries, set the internal
clock again. If you don’t, the date/time will not be
displayed.
Repeat Steps 6 and 7 until the date and time are
set.
Timestamping recordings
How to set the clock
You can timestamp recordings by superimposing the
current date and time.
Before shooting, display page M3 <CLOCK> of the
MAINTENANCE menu, and set CLOCK IND to
CAM.
1 Display the page M3 <CLOCK> of the
MAINTENANCE menu.
For details, see “Displaying your desired menu page”
on page 55.
The date and time appear in the viewfinder, and are
superimposed on the video signal output from the
camera.
<CLOCK>
M3 TOP
2003/08/01
08:32:45
HOUR TYPE
DATE TYPE
CLOCK IND
: 12H
: Y/Mn/D
: BARS
To stop superimposing the date and time
Set CLOCK IND to OFF.
2 Turn the MENU dial to move the cursor to HOUR
TYPE, then press the MENU dial to select it.
3 Turn the MENU dial to select either of 12H or
24H, then press the MENU dial to register it.
4 Turn the MENU dial to move the cursor to DATE
TYPE, then press the MENU dial to select it.
5 Turn the MENU dial to select the indication
method of year, month, and day, then press the
MENU dial to register it.
6 Turn the MENU dial to move the cursor to the
figure you wish to change in the date and time
indication, then press the MENU dial.
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Viewfinder Screen Adjustments
The following adjustments are provided to improve the
visibility of the viewfinder screen.
Contrast and brightness adjustment
Although these adjustment may make the viewfinder
image clearer, they have no effect on the output video
signal from the camera.
Carry out these adjustments with the color bars
displayed.
1 Set the OUTPUT/DCC switch to the BARS
Eyepiece focusing knob
BRIGHT control
position.
The color bars appear in the viewfinder.
CONTRAST control
PEAKING control
2 Watching the color bars, turn the CONTRAST and
BRIGHT controls to adjust the contrast and
brightness.
3 Return the OUTPUT/DCC switch to its original
position.
Outline emphasis adjustment
Turning the PEAKING control changes the degree of
outline emphasis in the viewfinder image, to make
focusing easier.
OUTPUT/DCC
switch
Adjusting the eyepiece focus
Depending on the eyesight of the camera operator —
whether longsighted or shortsighted — the optimal
position of the viewfinder image varies. Adjust the
eyepiece focus to get the clearest viewfinder image for
your eyesight. First focus the image with the lens,
then adjust the eyepiece focusing knob. The
adjustment range is from –3 to 0 diopters1) (default
when shipped is 0 diopters).
Using an optional part allows you to modify the
adjustment range to –2 to +1 diopters or –0.5 to +3
diopters.
For details, consult your Sony dealer.
..........................................................................................................................................................................................................
1) Diopter: A unit to indicate the degree of convergence or
divergence of a bundle of rays.
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81
Adjusting the Lens
Flange Focal Length Adjustment
It is necessary to adjust the flange focal length (the
distance from the lens flange to the plane of the image
along the optical axis) in the following cases.
• When a lens is fitted for the first time
• After changing lenses
• When during zoom operations the focus does not
match properly from telephoto to wide angle
4,11
2 1
3
About 3 m (10 feet)
Flange focal length
adjustment test chart
9
8
6
7 5
ZOOM
MANU.
SERVO
1 Set the aperture selector to the M position.
7 Turn the focusing ring so that the test chart is in
focus.
2 Turn the aperture ring to f/1.8 (fully open).
8 Move the manual zoom control to the wide angle
3 Place the supplied flange focal length adjustment
position.
test chart at a distance of about 3 meters (10 feet),
and adjust the lighting so that an appropriate video 9 Turn the F.B adjustment ring so that the test chart
output level is obtained with the aperture at f/1.8.
is in focus. Do not move the focusing ring.
4 Loosen the F.B fixing screw.
10Repeat steps 6 to 9 until the image stays in focus
from telephoto to wide angle.
5 Set the ZOOM selector to the MANU. position.
11After adjustment, tighten the F.B fixing screw.
6 Move the manual zoom control to the telephoto
position.
82
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Aperture Adjustments
Aperture ring
Instant automatic
aperture button
Aperture selector
ZEBRA switch
A.IRIS MODE switch
To make the image clearer when shooting a
subject lit by a spotlight
In the automatic aperture adjustment mode, set the
A.IRIS MODE switch to SPOT L., turning the
indicator on.
There are three ways of adjusting the aperture:
automatically, manually, and with the instant
automatic aperture adjustment function.
Aperture adjustment
Adjustment method
Operation
Automatic adjustment mode
The aperture is adjusted
automatically to adapt to changes in
the brightness of the subject. This is
the mode for normal shooting.
Set the aperture
selector to the A
position.
Using the zebra pattern in manual
adjustment mode
To use the zebra pattern as a guideline for aperture
adjustment in manual adjustment mode, set the
ZEBRA switch to the ON position.
Select the zebra pattern to be displayed on page 9
<ZEBRA> of the OPERATION menu (see page 61).
• When the subject is a person
Manual adjustment mode
Use this mode in the following cases:
• For special effects
• When filming a person with a very
bright sky background
Set the aperture
selector to the M
position and turn the
aperture ring as
required.
• When shooting a subject with
extreme contrast
Adjust the aperture manually so that the zebra pattern
appears on the highlights of the subject’s face.
• For other subjects
Adjust the aperture manually so that the zebra pattern
appears on the most important parts of the subject.
The zebra pattern can be used as a
guideline for aperture adjustment.
Instant automatic adjustment
function
While in manual adjustment mode,
this function makes a temporary
automatic adjustment.
With the aperture
selector in the M
position, hold down
the instant
automatic aperture
button for as long as
necessary.
Designating the lens
To make the image brighter when shooting
against the light
You have to designate the lens number according to
the types of your lens.
In the automatic aperture adjustment mode, set the
A.IRIS MODE switch to BACK L., turning the
indicator on.
If the number is not designated properly, other colors
may appear on the upper and lower of the screen when
shooting a white subject.
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83
Adjusting the Lens
To designate the lens number
Set the number on page M5 <LENS SELECT> of the
MAINTENANCE meu (page 66) according to the
following table.
Adjusting the Aperture
Sensitivity
You usually need not adjust the aperture sensitivity
because lenses are equipped with aperture sensitivity
adjustment function.
Lens number Typical product
1
In auto aperture mode, if hunting or response delay
happens, adjust the aperture sensitivity using the
aperture sensitivity trimmer.
2
3
A12×6.8
VCL-918BY, VCL-919BY, YJ18×9B KRS,
YJ19×9B KRS, J33a×11B IASD
4
A16×9BRM/VCL-916BYA, A16×9.5BRM/
VCL-916BY, YJ19×9B IRS, J33a×15B
IASDS, PJ55×13.5B, A13×6.3BERM/BRM,
A20×8.6BRM
Aperture sensitivity trimmer
(S or IRIS GAIN is indicated.)
5
JY12×6.5B4 IRS, YJ18×98 IRS, J21a×7.8B
IRSD/IASD, J22e×7.6B IRSD/IASD,
A13×4.5BERM, A22×7.8BERM
IRIS
GAIN
6
7
J9a×5.2B IRS/IAS, J11a×4.5B IRSD/IASD,
J17a×7.7B IRSD/IASD
J15a×8B IRS, A16×9BERM,
A17×7.8BERM, A19×8.7BERM/BRM,
A20×8BEVM/BERD, A20×8.6BERM
8
A10×4.8BE, A15×8.8E, PJ55×9B
9 - 16
More precise settings according to your
lenses are possible for lens numbers 9-16,
if necessary. For details, consult your Sony
dealer. (No data setting at shipping)
You can see the aperture sensitivity trimmer when
removing the rubber cap on the front of the lens
driving unit. Use a small-screwdriver to turn the
trimmer. If you turn it clockwise, the sensitivity
increases, and if you turn it counterclockwise, the
sensitivity decreases.
If using a lens not mentioned in the above
table
Shoot a white subject so that the entire screen is filled
with white. Try each lens number from 1 to 8 in order
and set to the lens number with which other colors
appearing on the upper and lower of the screen are
most minimized. It should be noted that it takes several
seconds until the results of a lens change is reflected
on the screen.
It is recommended that you confirm the aperture
sensitivity after replacing the lens.
For more information, refer to the operating instructions for
the lens (or consult the lens maker).
If an extender of the lens or a conversion lens is used,
first turn it off, then select the lens number. In this
case, care must be taken that color shading caused by
light sources will not be generated.
More accurate setting is possible using measuring
equipment, such as a waveform monitor.
84
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Macrophotography
Use the macro function when the subject is at a
distance of less than about 90 cm (3 feet) (for the
VCL-919BY) from the front of the lens. It is possible
to shoot close-ups down to a distance of 10 mm (wide
angle, f = 9 mm).
2
3
1
4
ZOOM
MANU.
SERVO
1 Bring the lens up to the subject so that the image is
the required size.
2 Move the focusing ring to the closest focus
position.
3 Slide the M button toward the rear of the camera,
and turn the MACRO ring fully in the direction
shown by the arrow.
4 Move the ZOOM selector to the MANU. position,
and turn the manual zoom control to focus the
image.
To finish close-up shooting
Return the MACRO ring to its original position (turn
fully in the opposite direction to the arrow in the
figure).
To reduce the size of the image
After completing steps 1 to 4 above, if you wish to
reduce the size of the image, turn the MACRO ring
back slightly, then use the manual zoom control again
to focus the image.
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85
Settings for Special Cases
Settings for special cases
Shooting conditions
Setting
Effect
The background is very bright, and the
subject is too dark.
Set the A.IRIS MODE switch to BACK
L., turning the indicator on.
This lightens the foreground.
The subject is under a spotlight.
Set the A.IRIS MODE switch to SPOT
L., turning the indicator on.
This prevents white burn-out in highlights
of faces and clothes.
The subject is completely still (e.g. when Enable the EVS (Enhanced Vertical
This enhances the vertical resolution.
shooting documents, drawings, etc.).
definition System) function. Set EVS to
ON on pageP1 <SHUTTER> of the
PAINT menu.
Note
Enabling the EVS function tends to
increase the occurrence of aliasing
problems (moiré patterns). Therefore,
normally leave the function disabled.
When you wish to give a lush effect, as Set PRESET MATRIX to HI SAT on
This increases the saturation of primary
page P8 <USER MATRIX> of the PAINT colors.
menu.
when shooting a wedding or similar
occasion.
Set PRESET MATRIX toFL on page P8 This eliminates the blue-green cast, and
Shooting under fluorescent lighting.
<USER MATRIX> of the PAINT menu.
rstores natural hues.
See “Skin Detail Correction” or
“Adjusting Color in the Specified Area”
(below).
When adjusting for skin detail or tone
(Example: When shooting to hide skin
details)
Adjusts the skin detail or tone to a
designated active area.
This opens the aperture to make it easier
to focus before beginning shooting.
Press the EZ FOCUS button, turning the
“easy focus” function on.
To make focusing before shooting
easier.
To begin shooting immediately when
there is no time to make adjustments.
This provides automatic adjustment to a
set of standard values, to allow
immediate shooting.
Press the EZ MODE button, turning the
“easy mode” function on.
Adjusting Color in the Specified
Area
Skin Detail Correction
You can adjust the skin tone by setting the items on
page P7 <SKIN DTL/MATRIX> of the PAINT menu.
You can adjust the specified color using scene files.
Perform the same procedure with the skin detail
correction to designate the target area .
For details, see “Structure and setting values of the PAINT
menu” on page 64.
86
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Appendix
Important Notes on Operation
Fitting the zoom lens
Shipping
It is important to fit the lens correctly, as otherwise
damage may result. Be sure to refer to the section
“Fitting the Lens” (See page 29).
Use the optional LC-421 Carrying Case for optimal
shipping.
If sending the camera by truck, ship, air or other
transportation service, first store it in the carrying case,
then pack the carrying case in the supplied carton (or
an equivalent).
Do not cover the unit while operating
Putting a cloth, for example, over the unit can cause
excessive internal heat build-up.
Care of the unit
Remove dust and dirt from the surfaces of the lenses or
Operation and storage
Avoid storing or operating the unit in the following
optical filters using a blower.
conditions.
If the body of the camera is dirty, clean it with a soft,
dry cloth. In extreme cases, use a cloth steeped in a
little neutral detergent, then wipe dry. Do not use
organic solvents such as alcohol or thinners, as these
may cause discoloration or other damage to the finish
of the unit.
• In excessive heat or cold (operating temperature
range: –10 °C to +45 °C (14 °F to 113 °F))
Remember that in summer in warm climates the
temperature inside a car with the windows closed can
easily exceed 50 °C (122 °F).
• In damp or dusty locations
• Locations where the unit may be exposed to rain
• Locations subject to violent vibration
• Close to radio or TV transmitters producing strong
electromagnetic fields.
In the event of operating problems
If you should experience problems with the unit,
contact your supplier or Sony service representative.
Connection with peripheral equipment
Before attaching/detaching peripheral equipment to/
from the camera head, be sure to turn off the camera.
Otherwise, the camera may not function properly.
Viewfinder
• Do not leave the camera with the eyepiece pointing
directly at the sun.
The eyepiece lens can concentrate the sun’s rays and
melt the interior of the viewfinder.
• Do not use the viewfinder close to strong magnetic
fields. This can cause picture distortion.
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Important Notes on Operation
Characteristics of CCD Sensors
The following effects may appear in the image. They
are characteristic of cameras using CCDs (Charge-
Coupled Devices), and do not indicate a malfunction.
Vertical smear
When shooting a very bright object, such as a light, the
highlight tends to produce vertical tails. This effect is
much reduced in this camera.
Vertical tail on the image
Monitor screen
Bright object
(electric light, sun,
etc.)
White flecks
If the camera is operated at a high temperature, white
flecks may appear in the image.
88
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Warning Indications
If a fault occurs during operation, a warning is given
by the REC/TALLY and BATT indicators in the
viewfinder and the tally lamp lighting or flashing, and
also by warning indications on the viewfinder screen.
When you are using a DSR-1/1P or PVV-3/3P, the
WARNING indicator on the VTR also lights or
flashes, and warning indications appear in the display
window. There is also a warning tone in the earphone.
Warning indications
VTR
Camera
Fault
VTR action
What to do
REC/
BATT
indicator screen
indication
Viewfinder WARNING Display Warning tone
TALLY
indicator
and tally
lamp
indicator
window
—
—
RF
The video
heads are
clogged, or
The VTR emits Carry out head cleaning,
a warning tone referring to the instruction
when it detects manual for the VTR. If the
(during
recording
only)
there is some head clogging. problem persists after cleaning
(During
recording only)
other fault in
the recording
system.
the heads, disconnect the
power and consult your Sony
dealer.
—
—
—
—
SERVO
HUMID
The servo
lock has
been lost.
Recording
Disconnect the power and
consult your Sony dealer. (The
SERVO indication may flash
momentarily when the tape
transport starts, but this does
not indicate a problem.)
continues, but
the recording
may not be
satisfactory.
There is
condensation. continues, but
if the tape
Recording
Stop the tape transport. Wait
until the HUMID indication
does not appear when you
power the unit on.
(During
recording)
sticks to the
drum,
recording
stops.
Playback,
rewind, or fast
forward stops.
(During
playback,
rewind, or fast
forward)
The tape is
not wound
properly.
—
—
SLACK
The operation
stops. (Refer
to the service
manual or
maintenance
manual.)
Press the EJECT button to
eject the cassette. Close the
cassette compartment and
check that the top panel has
descended before powering
off. Then consult your Sony
dealer. (Do not attempt to
insert any cassette.)
—
—
—
—
TAPE
The tape is
near the end. continues.
Operation
Change the cassette if
necessary.
(During
recording
only)
(During
recording
only)
TAPE
(flashing)
The tape is at Recording,
the end.
Change the cassette.
playback, and
fast forward all
stop.
BATT
11.0V
BATT
(flashing) (During
recording)
The battery is Operation
Change the battery when
possible.
almost
continues.
exhausted.
BATT
10.5V
BATT
(flashing)
The battery is Operation
exhausted.
continues.
Change the battery.
Continuous
Flashing once per second
Flashing four times per second
Continuous
Four beeps per second
One beep per second
For the warnings appearing in the viewfinder when a VTR is connected, see the section “Viewfinder Normal Indications” (page
52).
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Specifications
Sensitivity
Gain levels
2000 lux (f/11.0 standard, 3200 K)
Selectable –3 dB, 0 dB, 3 dB, 6 dB,
9 dB, 12 dB, 18 dB, 24 dB,
30 dB, 36 dB
Composite signal
1.0 Vp-p, sync negative, 75-ohm,
unbalanced
Y/C separate signals
Y: 1.0 Vp-p, sync negative,
unbalanced
C: burst level 0.286 Vp-p (DXC-
D50/D50WS) or 0.3 Vp-p
(DXC-D50P/D50WSP),
no sync
DXC-D50/D50P/D50WS/D50WSP Camera
Head
Imaging element Three-chip interline transfer CCD
Pixel resolution 980 (horizontal) × 504 (vertical)
Video output
Imaging area
DXC-D50/D50P: 8.8 × 6.6 mm
(2/3-inch, 4:3 optical system)
DXC-D50WS/D50WSP:
9.6 × 5.4 mm (2/3-inch, 16:9
optical system)
Built-in filter settings
1: CLEAR
2: 1/4ND
3: 1/16ND
Video S/N ratio 65 dB (typical) (DXC-D50/
4: 1/64ND
D50WS)
63 dB (typical) (DXC-D50P/
D50WSP)
Lens mount
Bayonet mount
Signal standards EIA standard signal (NTSC color
system) (DXC-D50/D50WS)
CCIR standard signal (PAL color
system) (DXC-D50P/D50WSP)
Scanning system 525 lines, 2:1 interlace
(DXC-D50/D50WS)
625 lines, 2:1 interlace
(DXC-D50P/D50WSP)
Scanning frequencies
Registration
Input/output connectors
VIDEO OUT connector: BNC,
0.05% for all zones, without lens
75-ohm, unbalanced
LENS connector: 12-pin, for
2
/3-inch lens
VF connector (front): 20-pin
REMOTE connector: 10-pin
MONITOR OUT connector: BNC,
75-ohm, unbalanced
Horizontal:
15.734 kHz (DXC-D50/D50WS)
15.625 kHz (DXC-D50P/
D50WSP)
Vertical: 59.94 Hz (DXC-D50/
D50WS)
Power supply
Power consumption
12 V DC
14 W
Operating temperature
–10 °C to +45 °C (14 °F to 113 °F)
Storage temperature
50.00 Hz (DXC-D50P/D50WSP)
Synchronization Internal sync
External sync, using signal input
(VBS or BS) to the GEN LOCK
IN connector of an optional
camera adaptor or input from the
GEN LOCK connector of a
camera control unit to the CCU/
VTR/CMA connector of an
optional camera adaptor.
–20 °C to +60 °C (–4 °F to
+140 °F)
Approx. 2.2 kg (4 lb 14 oz)(camera
head)
Mass
External dimensions in millimeters (inches)
242(95/8
)
Horizontal resolution (center)
DXC-D50/D50P: 920 TV lines
DXC-D50WS/D50WSP: 850 TV
lines (4:3 mode), 800 TV lines
(16:9 mode)
258(101/4
)
Minimum illumination
469(181/2
)
0.5 lux (at f/1.4, +36 dB)
0.8 lux (at f/1.8, +36 dB)
90
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VCL-919BY Zoom Lens
Supplied accessories
Focal length
Zoom
9.0 to 171 mm
Manual or power, selectable; zoom
ratio: ×19
VCL-919BY Zoom Lens1) (1)
DXF-801/801CE Viewfinder2) (1)
Microphone2) (1)
Maximum aperture
Aperture
Wind screen2) (1)
1:1.8
VCT-U14 Tripod Adaptor2) (1)
Lens mount cap (1)
Flange focal length adjustment test chart (1)
Operating Instructions (1 set)
Manual or automatic, selectable;
f/1.8 to f/16 and C (closed)
Subject area (at 0.9 m (3 feet))
Wide angle: 789 × 592 mm
(311/8 × 233/8 inches)
Telephoto: 43 × 32 mm
(13/4 × 15/16 inches)
Infinity to 0.9 m
Design and specifications are subject to change
without notice.
Focusing range
Filter attachment threads
Related Products
82 mm dia., 0.75 mm pitch
Mounting
Mass
Sony 2/3-inch bayonet mount
Approx. 1.45 kg (3 lb 3 oz)
(including lens hood)
There is a range of Sony products available to meet
every conceivable video shooting requirement. For
details, consult your Sony sales representative or
supplier.
External dimensions (w/h/d)
122 × 102 × 223.5 mm (47/8 × 41/8
× 87/8 inches) (with lens hood,
Camera adaptor products
CA-D50/D50P/TX7/TX7P Camera Adaptor
without lens grip)
CMA-8A/8ACE AC Adaptor
RM-M7G Camera Remote Control Unit
RCP-D50/D51 Remote Control Panel
DXF-801/801CE Viewfinder
Picture tube
Indicators
1.5-inch monochrome
REC/TALLY (×2), TAKE, BATT,
SHUTTER, GAIN UP
600 TV lines
VTR products
DSR-1/1P Digital Videocassette Recorder
PVV-3/3P Portable Videocassette Recorder
DVW-250/250P, DSR-50/50P Portable Videocassette
Recorder
Resolution
Power supply
Power consumption
12 V DC
2.1 W
Microphone products
Mass
Approx. 620 g (1 lb 5 oz)
ECM-670/672 Electret Condenser Microphone
C-74 Condenser Microphone
CAC-12 Microphone Holder
EC-0.5C2 Microphone Cable
EC-0.3C2 Micorphone Cable
Maximum external dimensions (w/h/d)
241 × 91 × 203 mm
(91/2 × 35/8 × 8 inches)
Scan size
Switchable between 4:3 and 16:9
..........................................................................................................................................................................................................
1) DXC-D50K/D50PK
2) DXC-D50K/D50L/D50WSL/D50PK/D50PL/D50WSPL
Appendix
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Specifications
Studio equipment
CCU-D50/D50P Camera Control Unit
DXF-51 5-inch Viewfinder (monochrome)
DR-100 Intercom Headset
Cables and miscellaneous
The suffix number on a cable part number indicates the
length in meters: e.g. a CCZ-A2 is 2 meters
long. (Approximate equivalents in feet: 2 m = 6
ft, 5 m = 16 ft, 10 m = 33 ft, 25 m = 82 ft, 50 m
= 164 ft, 100 m = 328 ft)
Camera cables with Z-type 26-pin connectors
CCZ-A2/A5/A10/A25/A50/A100
Camera cables with Z-type 26-pin and Q-type 14-pin
connectors CCZQ-A2/A5/A10/A2AM
CCZZ-1B/1E Cable Extension Connector
Camera cables with Q-type 14-pin connectors
CCQ-2BRS/5BRS/10BRS
CCQ-10AM/25AM/50AM/100AM
CCZJ-2 Camera Cable with Z-type 26-pin connector
and J-type 10-pin connector
LC-421 Carrying Case
LCR-1 Rain Cover
LC-DS300SFT Soft Case
CAC-H101, CAC-H102 Long Grip Kit
92
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Chart of Optional Components and Accessories
EC-0.5C2 Microphone Cable
ECM-670/672 and C-74 Microphone
CAC-12 Microphone Holder
CCU-TX7/TX7P
TLCS
Camera Control Unit
DXF-51 5-inch Viewfinder
CA-TX7/TX7P
Camera Adaptora)
CCZ-A
cable
CCU-D50/D50P
Camera Control Unit
CCZ-A
cable
DVW-250/250P
Digital Betacam Recorder
CCZ-A
cable
CA-D50/D50P
Camera Adaptor
DXC-D50/D50P/
D50WS/D50WSP
DSR-50/50P
Portable VTR
CCA-7 cable
RM-M7G
Remote Control Unit
CAC-H101 Long Grip Kit
DSR-1/1P
DVCAM Recorder
RCP-D50/D51
Remote Control Panel
VCT-U14
Tripod Adaptor
CAC-H102 Long Grip Kit
PVV-3/3P
Betacam SP
Recorder
Tripod
LC-421 Carrying Case
LCR-1 Raincover
a) When the CA-TX7/TX7P is connected to the camera, use
the 76-pin (DIGITAL) connector of the CA-TX7/TX7P.
Appendix
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Sony Corporation
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