3-862-713-11(1)
Stereo
Cassette Deck
EN
Operating Instructions
GB
F
ES
P
TC-WE825S
TC-WE725
TC-WE625
1998 by Sony Corporation
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TABLE OF CONTENTS
Getting Started
Unpacking 4
Hooking Up the System 4
Playing a Tape 5
Recording on a Tape 6
Advanced Playback Operations
Locating a Track (Multi-AMS/ Auto Play/ Memory Play) 8
Creating Your Own Program (RMS Play) 9
Advanced Recording Operations
Adjusting Bias and Recording Level Calibration Automatically 11
Adjusting the Recording Level Automatically (Auto Rec Level) 12
Fading In and Out (Fader) 13
Dubbing a Tape 13
Recording on Both Decks in Succession (Relay Recording) 14
Recording the Same Source on Both Decks (Simultaneous Recording) 15
Recording Your Own Program (RMS Dubbing) 15
Inserting a Blank Space During Recording (Record Muting) 16
Synchro-Recording With a CD Player Through a Control A1 Cable 16
Additional Information
Precautions 18
Notes on Cassette Tapes 18
Cleaning 19
Troubleshooting 20
Specifications 21
Glossary 22
Index 22
3
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Ge t t in g St a rt e d
• Connecting the tape deck to a CD player equipped
with CONTROL A1 connectors
For information on connections through the CONTROL
A1 connectors, refer to the pamphlet included with this
manual.
Unpacking
Check that you received the following items:
• Audio connecting cords (2)
• CONTROL A1 cord (1) (supplied for Canadian
models only)
Connecting the AC power cord
Connect the AC power cord to an AC outlet.
Hooking Up the System
Where do I go next?
This section describes how to hook up the tape deck to
an amplifier or a CD player equipped with CONTROL
A1 connectors. Be sure to turn off the power of each
component before making the connections.
Now you’re ready to use your tape deck.
For basic operations, go to pages 5 to 7; for advanced
operations, go to the sections starting from page 8.
Tape deck
to an AC
outlet
REC
OUT
TAPE
IN
Amplifier
to a
w all outlet
CONTROL
A1
CD player
ç: Signal flow
Hookups
• Connecting the tape deck to an amplifier
Connect the amplifier to the LINE IN/ OUT connectors
using the supplied audio connecting cords.
When connecting an audio connecting cord, be sure to
match the color-coded cord to the appropriate jacks on the
components: Red (right) to Red and White (left) to White.
Be sure to make connections firmly to avoid hum and
noise.
Tape deck
Amplifier
Ç
LINE
TAPE
IN OUT
REC OUT
IN
L
L
L
R
R
R
ç
ç: Signal flow
4
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Ba sic Op e ra t io n s
Pla yin g a Ta p e
3 2
4
RESET
MEMORY
A
COUNTER
B
RESET
MEMORY
AUTO
4
REC LEVEL
5
6
3
1
7
9
2
8
g
DIRECTION MODE
RELAY
RMS
AUTO CAL(STARTP)
DUBBING
A+B REC HIGH/NORMAL
START(DECK BP)
A
B
0
10
A
a
RMS/START
SET
CHECK
DISPLAY
DECK
A
DECK
B
–
RMS
+
FADER
ARL
0(AMS)
(AMS))
0(AMS)
(AMS))
ØON øOFF
π
SYNCHRO
PHONES
p
ª
·
p
ª
·
PITCH CONTROL
CLEAR
BACK
FRONT
DOLBY NR
OFF ON ON FILTER
B
C
S
PAUSE REC MUTING REC
PAUSE REC MUTING REC
P
R
r
P
R
r
–
+
§
§
• See page 4 for hookup
information.
• You can use either deck for
playback.
Turn on the amplifier and select the tape deck position.
1
2
Press 1/u (or U), and then press §
and insert a cassette.
z To adjust the pitch (Pitch
Control function)
(TC-WE825S/WE725 only)
With the side you w ant to play
facing you
OFF
ø
ON
Ø
PITCH CONTROL
Set DIRECTION MODE.
+
3
–
Push in the PITCH
To play back
Set to
A
CONTROL button to activate
Pitch Control function and
turn the control clockwise to
raise the pitch or counter-
clockwise to lower it.
One side only
Both sides continuously*
Both decks in succession*
a
RELAY
You can adjust the pitch
during playback on deck A or
normal-speed dubbing (but
not during RMS play or RMS
dubbing).
* The deck automatically stops after playing back five times.
Press ·.
4
The deck starts playing. Adjust the volume on the amplifier.
z To play a tape recorded
w ith the Dolby NR*
Do not press 1/u (or U) or § w hile the tape deck is
operating. If you do so, the tape may be damaged.
system
Set DOLBY NR to ON and
select the same position that
the tape was recorded in—B,
C, or S (TC-WE825S only).
To
Press
Stop playing
p
z You can connect the
headphones to PHONES
Start playback from the reverse side
Pause
ª
PAUSE P. Press the button again to
resume play.
* Dolby noise reduction
manufactured under license
from Dolby Laboratories
Licensing Corporation.
Fast-forward or rewind
) or 0 when the deck is stopped
Increase the tape fast-forward or
rewind speed (High-Speed Fast-
Forwarding and Rewinding
functions) (TC-WE825S/ WE725
only)
) or 0 again during fast-forwarding
or rewinding
“DOLBY“ and the double-D
symbol a are trademarks of
Dolby Laboratories Licensing
Corporation.
Take out the cassette
§ after stopping playing
5
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Ba sic Op e ra t io n s
Re co rd in g o n a Ta p e
2
5 4
RESET
MEMORY
A
COUNTER
B
RESET
MEMORY
AUTO
4
REC LEVEL
5
6
3
1
7
9
2
8
g
DIRECTION MODE
RMS
AUTO CAL(STARTP)
DUBBING
A+B REC HIGH/NORMAL
START(DECK BP)
A
B
0
10
A
a
RELAY
RMS/START
SET
CHECK
DISPLAY
DECK
A
DECK
B
–
RMS
+
FADER
ARL
0(AMS)
(AMS))
0(AMS)
(AMS))
ØON øOFF
π
SYNCHRO
PHONES
p
ª
·
FRONT
p
ª
·
PITCH CONTROL
CLEAR
BACK
DOLBY NR
OFF ON ON FILTER
B
C
S
PAUSE REC MUTING REC
PAUSE REC MUTING REC
P
R
r
R
–
+
§
§
3
• See page 4 for hookup
information.
• See "Dubbing a Tape" (page
13) to make a copy of the
tape.
Turn on the amplifier and play the program source you want
to record.
1
2
Press 1/u (or U), and then press § and
insert a cassette.
z To check the approximate
remaining time on a tape
(TC-WE825S/WE725 only)
1 Locate the end of the
recorded portion on the
tape and press RESET for
the deck you’re using to
reset the tape counter to
“0.00”.
With the side you w ant to record
facing you
Set DIRECTION MODE.
3
4
To record on
Only one side
Both sides*
Set to
A
2 Press ) to fast-forward
the tape to its end. The
tape counter shows the
approximate remaining
time.
a
* Recording stops when the tape reaches the end of reverse side.
Note
Press REC r.
Since the counter is not a
digital clock, the displayed
value will differ slightly from
the actual elapsed recording
or playing time.
· lights up for recording on the side facing you. If it doesn’t,
press · once.
The tape deck automatically adjusts the recording level (see
page 12). After the AUTO indicator lights up continuously,
stop playing the program source. If you wish to adjust the
recording level manually, see “To adjust the recording level
manually” on page 7.
Do not press 1/u (or U) or § w hile the tape deck is
operating. If you do so, the tape may be damaged.
6
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Ba sic Op e ra t io n s
z To protect recordings
against accidental erasure
Break out the record-protect
tab(s) (see page 18).
Press PAUSE P or ·.
Recording starts.
5
Start playing the program source.
6
To
Press
Stop recording
p
Start recording from the reverse side
Pause
ª twice in Step 5
PAUSE P. Press the button again to
resume recording.
Take out the cassette
§ after stopping recording
z The Dolby HX PRO*
system automatically
w orks during recording
Distortion and noise in the
high-frequency response are
reduced to produce high-
quality sound that can be
enjoyed even during
Use these sw itches (controls) to perform additional
operations
RESET
MEMORY
A
COUNTER
B
RESET
MEMORY
AUTO
4
REC LEVEL
5
6
3
1
7
9
2
8
g
RMS
AUTO CAL(STARTP)
DUBBING
A+B REC HIGH/NORMAL
START(DECK BP)
A
B
0
10
RMS/START
SET
CHECK
DISPLAY
DECK
A
DECK
B
–
RMS
+
FADER
ARL
0(AMS)
(AMS))
0(AMS)
(AMS))
playback on other tape decks.
π
SYNCHRO
PHONES
p
ª
·
FRONT
p
ª
·
CLEAR
BACK
DOLBY NR
OFF ON ON FILTER
B
C
S
PAUSE REC MUTING REC
PAUSE REC MUTING REC
P
R
r
P
R
r
§
§
DOLBY NR
REC LEVEL
To record w ith the Dolby NR system
Set DOLBY NR to ON, and select B, C, or S (TC-WE825S only) before you start
recording.
To record FM broadcasts w ith the Dolby NR system
If the FM reception is unsatisfactory, set DOLBY NR to ON FILTER (multiplex
filter) (see page 22).
To adjust the recording level manually
After pressing REC r in Step 4 on page 6, turn
0
+
+
8
–
∞
–30 –20
–10
–4
a
4
dB
L
R
REC LEVEL so that the peak level meters reach
the recommended level for the corresponding
tape type. After completing the adjustments,
stop playing the program source, then continue
the procedure from Step 5.
For type I or
type II tape
* HX Pro headroom extension
originated by Bang & Olufsen
and manufactured under license
from Dolby Laboratories
For type IV tape
Licensing Corporation.
“DOLBY“, the double-D symbol
a and “HX PRO” are
trademarks of Dolby
Laboratories Licensing
Corporation.
7
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Ad va n ce d Pla yb a ck Op e ra t io n s
Notes
•
The Multi-AMS function may not work correctly if:
Locating a Track (Multi-AMS/
Auto Play/Memory Play)
— the blank space between tracks is less than 4 seconds
long.
— there is a passage of low frequencies or very low
volume within a track.
You can locate the following/ previous tracks within a
range of 30 tracks (Multi-AMS: Automatic Music
Sensor) or the beginning of a tape quickly (Auto Play).
You can even locate a specific point anywhere on a
tape (Memory Play).
— the signal strength of the left and right channels are
very different.
•
•
•
The Multi-AMS function is inoperative on a deck
whenever the other deck is playing, recording (except
during dubbing), or in pause.
Even if DIRECTION MODE is set to a, the deck stops
when the current side reaches the end during Multi-AMS
operation.
RESET
MEMORY RESET
RESET
MEMORY
A
COUNTER
B
RESET
MEMORY
AUTO
4
REC LEVEL
5
6
The tape counters are reset to “0.00” (TC-WE825S/ WE725
only) or to “0000” (TC-WE625 only) when you turn off the
tape deck.
3
1
7
9
2
8
g
DIRECTION MODE
RELAY
DUBBING
A+B REC HIGH/NORMAL
START(DECK BP)
A
B
RMS
AUTO CAL(STARTP)
0
10
A
a
RMS/START
SET
CHECK
DISPLAY
DECK
A
DECK
B
–
RMS
+
FADER
ARL
0(AMS)
(AMS))
0(AMS)
(AMS))
ØON øOFF
π
SYNCHRO
p
ª
·
FRONT
p
ª
·
PITCH CONTROL
CLEAR
BACK
DOLBY NR
OFF ON ON FILTER
B
C
S
PAUSE REC MUTE
REC
PAUSE REC MUTE
REC
PHONE
P
R
r
P
R
r
–
§
§
0 / ) ª / ·
0 / )
Note
Check the direction indicator of the deck you use. When you
locate a track on the reverse side (when ª lights up), press
the button(s) in the parentheses.
To locate
Press
The beginning of the
next or succeeding
tracks
) (or 0) as many times as you
want during playback.
For example, to locate 2 tracks
ahead, press twice.
(Multi-AMS)
The beginning of the
current track
0 (or )) once during playback.
(Multi-AMS)
The beginning of the
preceding tracks
(Multi-AMS)
0 (or )) as many times as
you want during playback.
For example, to locate 2 tracks
behind, press three times.
The beginning of a
tape (Auto Play)
MEMORY on the deck being used
repeatedly until “M” disappears in
the display. Then press 0 (or
)) while holding down · (or
ª).
A particular point on
a tape (Memory Play)
MEMORY on the deck being used
repeatedly until “M” appears in the
display. Find the point you want,
then press RESET to reset the tape
counter and to memorize the point.
To locate the memorized point and
start playback, press 0 (or ))
while holding down · (or ª).
(Press 0 or ) to stop at “0.00”
(TC-WE825S/ WE725 only) or at
“0000” (TC-WE625 only). )
8
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Ad va n ce d Pla yb a ck Op e ra t io n s
5
6
Repeat Steps 2 to 4 to program more tracks.
Creating Your Own Program
(RMS Play)
If “FULL” appears in the display
This means that you’ve already programmed 28 tracks
and can’t program any more.
By creating a program, you can play back tracks on
deck A in any order that you want. The Random
Music Sensor (RMS) function lets you create a program
of up to 28 tracks, from the 1st to the 14th tracks on
each side of the tape.
Press RMS/ START to start RMS Play.
The peak level meters appear in the display.
To stop RMS Play
Press p (CLEAR) once. The RMS program still remains.
RMS buttons (RMS/START, SET, CHECK, DISPLAY)
RESET
MEMORY
A
COUNTER
B
RESET
MEMORY
AUTO
4
REC LEVEL
5
6
3
1
7
9
To cancel RMS Play
2
8
g
DIRECTION MODE
RELAY
DUBBING
A+B REC HIGH/NORMAL
START(DECK BP)
A
B
RMS
AUTO CAL(STARTP)
0
10
A
a
RMS/START
SET
CHECK
DISPLAY
DECK
A
DECK
B
–
RMS
+
FADER
ARL
Press p (CLEAR) repeatedly until the peak level meters
appear in the display or eject the tape in deck A. When RMS
Play is canceled, the RMS program is automatically erased.
0(AMS)
(AMS))
0(AMS)
(AMS))
ØON øOFF
π
SYNCHRO
ª
·
FRONT
p
ª
·
PITCH CONTROL
CL
BACK
DOLBY NR
OFF ON ON FILTER
B
C
S
PAUSE REC MUTE
REC
PAUSE REC MUTE
REC
PHONE
P
R
r
P
R
r
–
§
§
0 / ) p ª / ·
To alternate between the RMS and peak level meter
displays
Press DISPLAY.
1
2
3
Press RMS/ START.
“RMS” and a flashing cursor appear in the
display.
z You can play the program again after RMS Play ends
Press RMS/ START.
Press ª (BACK) or · (FRONT) to select the
side of the tape.
ª or · appears in the display.
Notes
•
•
•
•
During RMS Play, you can only use CHECK, DISPLAY, p
on deck A, and p, 0, ) on deck B.
The RMS function may not work properly if a blank space
between tracks is short.
Press 0 or ) repeatedly until the track
number you want appears in the display.
If there is a long blank space between tracks, the deck may
fast-forward a portion of the blank space.
·
0 3
If your program includes a number for a track that does
not exist, the deck will skip that number during RMS Play.
FRONT
RMS
1
2
3
4
5
6
7
8
9
10 11 12 13 14
BACK
Side of the cassette
Checking the order of tracks in the
program
Track number
Press CHECK.
4
Press SET to store your selection.
Each time you press this button, the display shows the
track numbers in the order they were programmed.
After the last track in the program, “End” appears in
the display.
To program the same track again, press SET once
more.
·
1 3
FRONT
RMS
1
2
3
4
5
6
7
8
9
10 11 12 13 14
BACK
(Continued)
Track number
Order on the program
9
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Ad va n ce d Pla yb a ck Op e ra t io n s
Adding tracks to the end of a program
Press p (CLEAR) once, and follow Steps 2 to 5 in
“Creating Your Own Program (RMS Play)” on page 9.
z To create another program
Press p (CLEAR) until the order on the program
returns to 0 and the cursor flashes above track number 1
in the display, then follow Steps 2 to 5 on page 9.
z You can use your Sony remote to perform RMS
programming
If your Sony stereo receiver’s remote has RMS buttons,
do the following steps.
1 Turn on the receiver and press TAPE.
2 Press RMS/ START.
3 Press · or ª to select the front or reverse side of
the tape, and the number keys and the >10 key to
specify the tracks.
4 Press RMS/ START again to start RMS Play.
Note
For more information on the availability of Sony stereo
receiver remotes with RMS capability, contact your
nearest Sony dealer.
10
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Ad va n ce d Re co rd in g Op e ra t io n s
4
Press PAUSE P to start the automatic calibration
procedure.
Adjusting Bias and Recording
Level Calibration
Automatically
The automatic calibration procedure starts (i.e.,
recording test tones, rewinding, and playing
back).
During the calibration, the counter changes from
9 to 0.
Since there are many different types of cassettes on the
market, your tape deck automatically sets the
appropriate equalization characteristics and bias
current for each tape type (ATS: Automatic Tape
Selection). However, you can get better recording
results by doing the automatic bias current and the
recording level calibration.
CAL
B
REC
CAL.9
When the automatic calibration procedure ends,
the tape rewinds to the original position, the
counter returns to normal and the tape deck stops.
DECK A / DECK B
ª / ·
RESET
MEMORY
A
COUNTER
B
RESET
MEMORY
5
Start the actual recording (see page 6).
AUTO
4
REC LEVEL
5
6
3
1
7
9
2
8
g
DIRECTION MODE
RELAY
DUBBING
A+B REC HIGH/NORMAL
START(DECK BP)
A
B
RMS
AUTO CAL(STARTP)
0
10
A
a
RMS/START
SET
CHECK
DISPLAY
DECK
A
DECK
B
–
RMS
+
FADER
ARL
0(AMS)
(AMS))
0(AMS)
(AMS))
ØON øOFF
π
SYNCHRO
p
ª
·
FRONT
p
ª
·
To cancel the automatic calibration function
PITCH CONTROL
CLEAR
BACK
DOLBY NR
OFF ON ON FILTER
B
C
S
PAUSE REC MUTE
REC
PAUSE REC MUTE
REC
PHONES
R
r
R
r
–
+
Press p on the deck you’re using.
§
§
ª / ·
PAUSE P
PAUSE P
If “A” or “B” flashes continuously
The automatic calibration procedure has been interrupted
by:
1
Insert the cassette you want to record on into
either deck.
Make sure the record-protect tabs on the cassette
have not been removed.
— The end of the tape. Reverse the tape direction or rewind
the tape to a new position that allows recording of the
test tone.
— Damaged tape or dirty heads. Change the cassette or
clean and demagnetize the heads (see page 19).
2
3
Press DECK A or DECK B until “CAL” appears in
the display.
Updating the calibration setting
Press · or ª to select the side of the tape to be
recorded.
If you insert a cassette and “[A] CAL” or “CAL [B]”
appears in the display, it means that automatic
calibration data in that deck for that tape type (I, II or
IV) exists. However, we recommend that you repeat
the automatic calibration procedure each time you
insert a new cassette since cassettes of the same type
also vary in their characteristics.
To select
Press
·
The front side
The reverse side
ª
Before recalibrating, be sure to turn off “[A] CAL” or
“CAL [B]” by pressing DECK A or DECK B. Then start
from Step 2 of the automatic calibration procedure.
11
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Ad va n ce d Re co rd in g Op e ra t io n s
z You should adjust the recording level manually with
REC LEVEL in the following cases:
Adjusting the Recording Level
Automatically (Auto Rec Level)
—The recording level cannot be adjusted properly due
to excessive noise in the program source.
—The program source level is too low and the recording
level does not increase.
The Auto Rec Level function automatically measures
the peak signal level and adjusts the recording level
accordingly. The Auto Rec Level function operates
during normal recording, Relay Recording or
Simultaneous Recording on either deck.
During a quiet passage in a program source such as
classical music, the recording level may not increase
for some time. If a high sound level is expected later
on in the track, play that portion first so that the right
adjustment can be obtained.
—The recording level does not decrease for a long time.
The Auto Rec Level function may not work properly
when you try to record sound produced by a graphic
equalizer that has extremely high-level signals.
AUTO indicator
REC LEVEL
RESET
MEMORY
A
COUNTER
B
RESET
MEMORY
UTO
4
REC LEVEL
5
6
3
1
7
9
2
8
g
DIRECTION MODE
RELAY
DUBBING
A+B REC HIGH/NORMAL
START(DECK BP)
A
B
RMS
AUTO CAL(STARTP)
0
10
A
a
RMS/START
SET
CHECK
DISPLAY
DECK
A
DECK
B
–
RMS
+
FADER
A
0(AMS)
(AMS))
0(AMS)
(AMS))
ØON øOFF
π
SYNCHRO
p
ª
·
FRONT
p
ª
·
PITCH CONTROL
CLEAR
BACK
DOLBY NR
OFF ON ON FILTER
B
C
S
PAUSE REC MUTE
REC
PAUSE REC MUTE
REC
PHONES
z To record with the optimum recording level
P
R
r
R
r
–
+
§
§
•
To prevent changes in the recording level after
recording starts, press REC r while playing the
highest sound level portion of the program source to
be recorded. The result is a more natural-sounding
recording.
PAUSE P REC r
·
ARL
1
2
Follow Steps 1 to 3 of “Recording on a Tape” on
page 6.
Make sure that record-protect tabs on the cassette
have not been removed.
•
If you play the entire program source after the AUTO
indicator has stopped flashing and is lit continuously,
the deck will set the recording level for the portion of
the program source with the highest signal level.
Press REC r.
z Recording level setting remains even after the
recording has ended
The AUTO indicator flashes and the deck
automatically adjusts the recording level. The
AUTO indicator lights up continuously after the
recording level has been adjusted.
After you have finished recording with the Auto Rec
Level function, the AUTO indicator remains on and the
recording level setting remains the same. To cancel the
setting, do one of the following:
3
Press PAUSE P or ·.
Recording starts.
•
•
•
Press ARL to turn off the AUTO indicator.
Turn REC LEVEL.
Turn the deck off.
To cancel the Auto Rec Level function
Press ARL or turn REC LEVEL so that the AUTO indicator
goes off. If you do either of these during recording,
recording will continue but with the Auto Rec Level function
turned off.
To stop recording
Press p.
z How the Auto Rec Level function adjusts the
recording level
While the AUTO indicator is flashing, the deck sets the
recording level as high as possible without causing
distortion. If the signal level rises excessively after the
start of recording, the deck gradually decreases the
recording level.
12
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Ad va n ce d Re co rd in g Op e ra t io n s
Fading In and Out (Fader)
Dubbing a Tape
You can gradually increase the recording level at the
beginning of a recording (fade in) or gradually
decrease the recording level at the end of a recording
(fade out).
You can copy a tape in deck A to a tape in deck B at
normal or high speed.
DIRECTION MODE
ª / · HIGH / NORMAL
It is convenient to use this function, for example, when
the tape reaches to its end and you don’t want the track
to be cut off abruptly.
RESET
MEMORY
A
COUNTER
B
RESET
MEMORY
AUTO
4
REC LEVEL
5
6
3
1
7
9
2
8
g
DIRECTION MODE
DUBBING
A+B REC HIGH/NMAL
START(DECK
A
B
RMS
AUTO CAL(STARTP)
0
10
A
a
RELAY
RMS/START
SET
CHECK
DISPLAY
DECK
A
DECK
B
–
RMS
+
FADER
ARL
0(AMS)
(AMS))
0(AMS)
(AMS))
ØON øOFF
π
SYNCHRO
p
ª
·
FRONT
p
ª
·
PITCH CONTROL
CLE
BACK
DOLBY NR
OFF ON ON FILTER
B
C
S
PAUSE REC MUTE
REC
PAUSE REC MUTE
REC
PHONES
P
R
r
R
r
–
+
§
§
FADER
AUTO indicator
RESET
MEMORY
A
COUNTER
B
RESET
MEMORY
PAUSE P
p
TO
4
REC LEVEL
5
6
3
1
7
9
2
8
g
DIRECTION MODE
RELAY
DUBBING
A+B REC HIGH/NORMAL
START(DECK BP)
A
B
RMS
AUTO CAL(STARTP)
0
10
A
a
RMS/START
SET
CHECK
DISPLAY
DECK
A
DECK
B
–
RMS
+
FAR
ARL
0(AMS)
(AMS))
0(AMS)
(AMS))
ØON øOFF
π
SYNCHRO
1
2
Insert the recorded cassette into deck A and a
blank cassette into deck B.
Make sure the record-protect tabs on the cassette
in deck B have not been removed.
p
ª
·
FRONT
p
ª
·
PITCH CONTROL
CLEAR
BACK
DOLBY NR
OFF ON ON FILTER
B
C
S
PAUSE REC MUTE
REC
PAUSE REC MUTE
REC
PHONES
P
R
r
P
R
r
–
+
§
§
To
Do the following:
Select the side(s) to be recorded on.
Fade in
1 Follow Steps 1 to 4 of “Recording on a
Tape” on page 6.
To record on
Set DIRECTION MODE to
One side
A
2 Press FADER. During fade-in, the
AUTO indicator flashes. When the
fade-in has completed, the AUTO
indicator lights up if the Auto Rec
Level function is working, or goes off if
the Auto Rec Level function is not
working.
Both sides
a.
Recording on the reverse side on
deck B starts independently of
playback on deck A.
RELAY.
Recording on the reverse side on
deck B starts simultaneously with
playback of the reverse side on
deck A.
Fade out
Press FADER when you want to start
fading out while recording. When the
fade-out has completed, “REC” flashes
in the display and the deck pauses.
3
Select the dubbing speed.
Note
To select
Press HIGH/NORMAL
Fade-in or fade-out is not possible when you have used REC
LEVEL to manually set the recording level to 0 (minimum)
(see page 7).
Normal speed
High speed
Once
Twice
“HIGH” or “NORM” appears in the display.
The tape deck changes to dubbing standby.
4
5
Select the side from which to start dubbing.
To record from
The front side
Press
·
The reverse side
ª
Press PAUSE P on deck B to start dubbing.
(Continued)
13
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Ad va n ce d Re co rd in g Op e ra t io n s
To stop dubbing
Recording on Both Decks in
Succession (Relay Recording)
During
Press
Normal-speed dubbing
High-speed dubbing
p on deck B
p on either deck
You can make a continuous recording that starts on a
cassette in deck A and ends on a cassette in deck B.
z During high-speed dubbing
DIRECTION MODE
ª / · REC r
Only p is operative.
RESET
MEMORY
A
COUNTER
B
RESET
MEMORY
AUTO
4
REC LEVEL
5
6
3
1
7
9
z You don‘t have to adjust the recording level or
select the Dolby NR system during dubbing
Dubbing is automatically performed with the same
recording level and Dolby NR system as the original in
deck A. If, however, you want to monitor the sound
during normal-speed dubbing, set DOLBY NR to match
the tape in deck A (see page 5).
2
8
g
DIRECTION MODE
DUBBING
A+B REC HIGH/NORMAL
START(DECK BP)
A
B
RMS
AUTO CAL(STARTP)
0
10
A
a
RELAY
RMS/START
SET
CHECK
DISPLAY
DECK
A
DECK
B
–
RMS
+
FADER
ARL
0(AMS)
(AMS))
0(AMS)
(AMS))
ØON øOFF
π
SYNCHRO
p
ª
·
FRONT
p
ª
·
PITCH CONTROL
CLEAR
BACK
DOLBY NR
OFF ON ON FILTER
B
C
S
PAUSE REC MUTE
REC
PAUSE REC MUTE
REC
PHONES
P
R
P
R
r
–
+
§
§
1
Insert blank cassettes into both decks.
Make sure that record-protect tabs on the
cassettes have not been removed.
z You can adjust the pitch of the playback on deck A
(TC-WE825S/WE725 only)
2
3
4
Select the Dolby NR system (see page 7).
Set DIRECTION MODE to RELAY.
See page 5.
Note
If a TV set is placed near the tape deck, noise may occur
during high-speed dubbing. In that case, turn the television
set off or move it away from the tape deck.
Press REC r on deck A.
Deck A changes to recording pause.
5
6
Start playing the program source.
Dubbing only specific portions
You can do this only during the normal-speed
dubbing.
Adjust the recording level manually, if necessary
(see page 7).
7
Start recording.
1
Press p on deck A at the portion you want to
skip.
Deck B changes to recording pause.
To record from
The front side
Press
· on deck A
ª on deck A
2
3
Locate the point you want to resume recording on
deck A, then stop the tape.
The reverse side
To stop Relay Recording
During
Press PAUSE P on deck B to resume dubbing.
Press
Recording on deck A
Recording on deck B
p on deck A
p on deck B
Note
Make sure that · on deck B appears in the display. If it
doesn’t, press · on deck B once; otherwise, Relay
Recording stops when the reverse side of the cassette in deck
B finishes.
14
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Ad va n ce d Re co rd in g Op e ra t io n s
Recording the Same Source on
Both Decks (Simultaneous
Recording)
Recording Your Own Program
(RMS Dubbing)
You can record an RMS program that you’ve created
(see “Creating Your Own Program (RMS Play)” on
page 9). This function works only at normal speed.
You can record the same source on cassettes in deck A
and B at the same time.
RMS / START ª / · HIGH / NORMAL
DIRECTION MODE
ª / · A+B REC
ª / ·
RESET
MEMORY
A
COUNTER
B
RESET
MEMORY
AUTO
4
REC LEVEL
5
6
RESET
MEMORY
A
COUNTER
B
RESET
MEMORY
3
1
7
9
2
8
AUTO
4
REC LEVEL
5
6
g
3
1
7
9
DIRECTION MODE
RELAY
RMS
AUTO CAL(STARTP)
DUBBING
A+B REC HIGMAL
START(DECK
A
B
0
10
A
a
RMSRT
SET
CHECK
DISPLAY
DECK
A
DECK
B
2
8
–
RMS
+
FADER
ARL
0(AMS)
(AMS))
0(AMS)
(AMS))
ØON øOFF
g
DIRECTION MODE
DUBBING
AHIGH/NORMAL
ART(DECK BP)
A
B
RMS
AUTO CAL(STARTP)
π
SYNCHRO
0
10
A
a
RELAY
RMS/START
SET
CHECK
DISPLAY
DECK
A
DECK
B
p
ª
·
FRONT
p
ª
·
PITCH CONTROL
–
RMS
+
CLEAR
BACK
FADER
ARL
0(AMS)
(AMS))
0(AMS)
(AMS))
DOLBY NR
OFF ON ON FILTER
ØON øOFF
B
C
S
PAUSE REC MUTE
REC
PAUSE REC MUTE
REC
PHONES
π
SYNCHRO
P
R
r
R
r
–
+
p
ª
·
FRONT
p
ª
·
PITCH CONTROL
CLEAR
BACK
DOLBY NR
OFF ON ON FILTER
B
C
S
PAUSE REC MUTE
REC
PAUSE REC MUTE
REC
§
§
PHONES
P
R
r
R
r
–
+
§
§
PAUSE P
PAUSE P
1
Insert the recorded cassette into deck A and a
blank cassette into deck B.
1
Insert blank cassettes into both decks.
Make sure that record-protect tabs on the
cassettes have not been removed.
Make sure the record-protect tabs on the cassette
in deck B have not been removed.
2
3
4
Program tracks on deck A (see Steps 1 to 5 on
page 9).
2
3
Select the Dolby NR system (see page 7).
Select the side(s) to be recorded on.
Press HIGH/ NORMAL once to change the tape
deck to dubbing standby.
To record on
Only one side
Both sides
Set DIRECTION MODE to
A
Select the side of the tape in deck B you want to
record on.
a
Press
·
To start recording
4
Press A+B REC.
Both decks change to recording pause.
On the front side
On the reverse side
ª
5
6
Start playing the program source.
5
Press RMS/ START or PAUSE P on deck B to
start RMS Dubbing.
Adjust the recording level manually, if necessary
(see page 7).
7
Select the side you want to start recording from
on both decks.
To stop RMS Dubbing
Press p on deck B. The RMS program remains even after
RMS Dubbing stops.
To record from
The front side
Press
·
z To insert a blank space on the tape before you start
RMS Dubbing
The reverse side
ª
You can insert a blank space of 4 seconds or more on
the tape in deck B by pressing REC MUTING R after
Step 4.
8
Press PAUSE P on deck B.
Simultaneous Recording starts.
For details, see “Inserting a Blank Space During
Recording (Record Muting)” on page 16.
To stop Simultaneous Recording
Press p on both decks.
z A blank of 10 seconds is automatically inserted on
the tape when you start RMS Dubbing if:
— you insert a new cassette into deck B.
z PAUSE P and REC MUTING R (see page 16) on deck
B can control both decks at the same time
— the tape in deck B is completely rewound to its
beginning and automatically stopped.
During Simultaneous Recording, PAUSE P and REC
MUTING R on deck B control both decks, but not
PAUSE P and REC MUTING R on deck A.
15
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Ad va n ce d Re co rd in g Op e ra t io n s
Inserting a Blank Space During
Recording (Record Muting)
Synchro-Recording With a CD
Player Through a Control A1
Cable
You can insert a blank space of 4 seconds between each
track. The blank spaces allow you to locate the start of
specific tracks afterwards using the Multi-AMS
function (see page 8). You can also use this function to
erase unwanted portions on a tape.
By pressing SYNCHRO, you can perform synchro-
recording on your tape deck with a Sony CD player
connected to the CONTROL A1 connector through an
optional control A1 cable (see page 4). The control A1
cable supports advanced functions not possible with
the commander-based CD synchro-recording function
on previous models. Further information on the
various operations made possible by a control A1 cable
is provided in the pamphlet attached to this manual.
PAUSE P
RESET
MEMORY
A
COUNTER
B
RESET
MEMORY
AUTO
4
REC LEVEL
5
6
3
1
7
9
2
8
g
DIRECTION MODE
RELAY
DUBBING
A+B REC HIGH/NORMAL
START(DECK BP)
A
B
RMS
AUTO CAL(STARTP)
0
10
A
a
RMS/START
SET
CHECK
DISPLAY
DECK
A
DECK
B
–
RMS
+
FADER
ARL
0(AMS)
(AMS))
0(AMS)
(AMS))
ØON øOFF
π
SYNCHRO
p
ª
·
FRONT
p
ª
·
PITCH CONTROL
CLEAR
BACK
DOLBY NR
OFF ON ON FILTER
B
C
S
PAUSE REC MUTE
REC
PAUSE REC MUTE
REC
PHONES
r
r
–
+
§
§
DIRECTION MODE
ª / ·
SYNCHRO
RESET
MEMORY
A
COUNTER
B
RESET
MEMORY
REC MUTING R
AUTO
4
REC LEVEL
5
6
3
1
7
9
2
8
g
DIRECTION MODE
DUBBING
A+B REC HIGH/NORMAL
START(DECK BP)
A
B
RMS
AUTO CAL(STARTP)
0
10
A
a
RELAY
RMS/START
SET
CHECK
DISPLAY
DECK
A
DECK
B
–
RMS
+
1
2
Start recording.
FADER
ARL
0(AMS)
(AMS))
0(AMS)
(AMS))
ØON øOFF
π
SYNHRO
p
ª
·
FRONT
p
ª
·
PITCH CONTROL
CLEAR
BACK
DOLBY NR
OFF ON ON FILTER
B
C
S
PAUSE REC MUTE
REC
PAUSE REC MUTE
REC
PHONES
P
R
r
P
R
r
–
+
§
§
Press REC MUTING R where you want to insert a
blank space.
“REC” flashes in the display and a blank is
recorded on the tape.
After 4 seconds, P lights up and the tape deck
changes to recording pause.
1
Set the source selector on the amplifier to CD
player.
2
3
Insert a CD into the CD player.
3
Press PAUSE P to resume recording.
Select the play mode (CONTINUE, SHUFFLE, or
PROGRAM) of the CD player.
z If you want to insert a blank space longer than 4
seconds
4
5
Insert a cassette into deck B.
Hold down REC MUTING R as long as you want.
After 4 seconds, “REC” flashes faster.
When you release REC MUTING R, P lights up and the
tape deck changes to recording pause.
Press PAUSE P to resume recording.
Select the side(s) to be recorded on.
To record on
Only one side
Both sides
Set DIRECTION MODE to
A
a or RELAY
6
Select the side you want to start recording from
on deck B.
To record from
The front side
Press
·
The reverse side
ª
16
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Ad va n ce d Re co rd in g Op e ra t io n s
Notes
•
7
Press SYNCHRO.
To prevent interruption of the recording process, do not
press any operation buttons on the CD player during CD
Synchro-Recording.
If your CD player has the Peak Search function:
The SYNCHRO button indicator lights up and the CD
player locates the highest signal level among the tracks
to be recorded as the tape deck adjusts the recording
level. When the recording level adjustment is
completed, CD Synchro-Recording starts.
•
Certain operation buttons on the tape deck are disabled
during CD Synchro-Recording.
If your CD player does not have the Peak Search
function:
The CD player changes to play pause and deck B to
recording pause. Press PAUSE P on deck B to start
Synchro-Recording.
To stop CD Synchro-Recording
Press p on deck B or the CD player.
z You can use an optional remote to operate the CD
player
To start CD play, press P twice; to pause CD play, press
P once; to locate a CD track, press = or +.
z If the SYNCHRO button indicator goes off after
flashing three times
The tape cannot be recorded on because the record-
protect tab(s) on the cassette has (have) been removed.
z Length of tape used for recording
Tracks on a CD differ in length. Classical music CDs
and others often have tracks that exceed the recording
time of a single cassette side. In this case, record the
tape manually.
z When recording from the middle of the tape
A tape that is inserted and has not been played or
recorded on is assumed by the deck to be a new tape,
even if the present location is in the middle of the tape.
The deck will transport the tape for 10 seconds before
starting CD Synchro-Recording to bypass the portion
corresponding with the leader. To begin CD Synchro-
Recording without the ten-seconds delay, play or record
on the tape for a few seconds before starting the CD
Synchro-Recording procedure.
z If the tape ends during CD Synchro-Recording on the
front side of the tape (· lights up) and DIRECTION
MODE is set to a or RELAY
Recording of the track ends immediately, the tape
direction is reversed, and recording starts again from
the beginning of the track. If the tape ends on the
reverse side of the tape (ª lights up), CD Synchro-
Recording stops and the CD player stops playing.
17
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Ad d it io n a l In fo rm a t io n
Precautions
Notes on Cassette Tapes
To protect a recording on side A or B
Break out the respective tab.
On safety
•
•
•
The unit is not disconnected from the AC power source
(mains) as long as it is connected to the wall outlet, even if
the unit itself has been turned off.
Side A
Do not disassemble the cabinet — this may result in an
electrical shock. Refer servicing to qualified personnel
only.
Should any solid object or liquid fall into the cabinet,
unplug the tape deck and have it checked by qualified
personnel before operating it any further.
Tab for side A
Tab for side B
To record on a tape with a missing record-protect tab
Cover the respective tab hole with adhesive tape.
On power sources
•
•
•
Before operating the tape deck, check that the operating
voltage of the tape deck is identical with your local power
supply. The operating voltage is indicated on the
nameplate at the rear of the tape deck.
If you are not going to use the tape deck for a long time,
be sure to disconnect the tape deck from the wall outlet.
To disconnect the AC power cord, grasp the plug itself;
never pull the cord.
AC power cord must be changed only at the qualified
service shop.
When you are using a type II or type IV tape, be careful not
to cover the detector slots that the deck uses to determine
the tape type.
On operation
•
Because of a safety mechanism, the function buttons will
not operate if the cassette holder is not completely closed,
if there is no cassette in the cassette holder, or if a cassette
has been incorrectly inserted into the cassette holder.
Be sure to stop the tape before turning off the tape deck.
Otherwise, the tape may be damaged.
Type II
Type IV
•
Detector slots
Detector slots
On placement
•
Place the tape deck in a location with adequate ventilation
to prevent heat build-up in the tape deck.
Do not place the tape deck:
On tapes longer than 90 minutes
•
We do not recommend the use of tapes longer than 90
minutes except for a long continuous recording or playback.
They are very thin and tend to stretch easily.
— on a soft surface such as a rug that might block the
ventilation holes on the bottom.
— in a location near heat sources.
— in a place subject to direct sunlight.
— in an inclined position.
On handling cassettes
•
To prevent the heads and tape path from getting dirty,
avoid touching the tape surface of a cassette.
Place cassettes away from equipment with magnets, such
as speakers and amplifiers, which may cause tape
distortion or erase the recordings.
— in a place subject to excessive dust or mechanical shock.
•
On cleaning the tape deck
Clean the cabinet, panel and controls with a soft cloth
slightly moistened with a mild detergent solution. Do not
use any type of abrasive pad, scouring powder or solvent
such as alcohol or benzine.
•
Do not expose cassettes to direct sunlight, extremely cold
temperature, or moisture.
If you have any questions or problems concerning your
tape deck, please consult your nearest Sony dealer.
18
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Ad d it io n a l In fo rm a t io n
Demagnetizing the heads
Cleaning
After 20 to 30 hours of use, or when you notice a
hissing sound or loss of high frequencies, demagnetize
the heads with a commercially available demagnetizer
for tape decks. Please refer to the instructions of the
demagnetizer.
Head assembly
Pinch rollers
Capstans
Erasing head
Recording/playback head
1/u
2
A
a
RELAY
0(AMS)
(AMS))
0(AMS)
(AMS))
p
ª
·
p
ª
·
CLEAR
BACK
FRONT
B
C
S
P
R
r
P
R
r
–
+
§
Cleaning the heads and tape path
Clean the heads and tape path of the tape deck after
every 10 hours of operation to guard against:
• low-quality sound
• a decrease in sound level
• excessive wow or flutter
• sound dropout
• incomplete erasure
• impairment of recording function
To ensure better recording, we recommend that you
clean the heads and tape path before every recording.
1
Press § to open the cassette holder. Grasp the
front cover on both sides and gently lift to remove
it.
2
With the tape deck turned off, wipe the heads, the
pinch rollers and the capstans with a cotton swab
slightly moistened with alcohol or a commercially
available cleaning fluid for tape decks.
3
Replace the front cover.
19
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Ad d it io n a l In fo rm a t io n
The tape stops before the tape has been fully rewound.
/ The tape is slack. Take up the tape slack.
/ If “M” is shown in the display, press MEMORY
repeatedly until “M” disappears.
Troubleshooting
If you’ve experienced any of the following difficulties
while using the tape deck, use this troubleshooting
guide to help you remedy the problem. Should the
problem persist, consult your nearest Sony dealer.
/ The cassette shell is bent. Use another cassette.
The Multi-AMS function does not work properly.
/ One of the tracks contains a long pause, a
passage of low frequencies or very low volume,
or a gradual increase or decreace in volume.
/ The space before a track is less than 4 seconds
long. Insert a blank space of 4 seconds using
REC MUTING R.
The function buttons do not work.
/ The tape deck has been just turned on and does
not operate for about 3 seconds. Wait until P
stops flashing.
/ Check that the cassette is inserted correctly and
the cassette holder is closed completely.
/ The signal strength of the left and right
channels are very different.
/ There is noise in the space before a track.
/ You pressed ) (or 0) immediately before
the beginning of the next track or immediately
after the beginning of the current track.
The tape deck does not play or record.
/ There is no cassette in the cassette holder.
/ The tape has come to the end.
/ The tape is slack. Take up the tape slack.
/ The record-protect tab has been removed from
the cassette (see page 18).
The DOLBY NR function does not work properly during
playback.
/ The Pitch Control function is on and the
frequency characteristics of the sound is
altered. Push the PITCH CONTROL button
again to turn off the function (TC-WE825S/
WE725 only).
/ Make sure the amplifier setting is correct.
/ Check that the tape deck connections are
secure.
/ The heads and tape path are dirty. Clean them
(see page 19).
/ The recording/ playback head is magnetized.
Demagnetize it (see page 19).
The High-Speed Fast-Forwarding and Rewinding
functions do not work (TC-WE825S/WE725 only).
/ You pressed ) (or 0) when there is little
tape remaining in that direction. This is to
protect the tape.
There is excessive wow, flutter or sound drop-out.
/ The capstans and pinch rollers are dirty. Clean
them (see page 19).
/ To protect the tape, the high-speed fast-
forwarding or rewinding function may operate
for only a short time or not at all when
activated in the middle of the tape.
There is a decrease in sound level, sound drop-out, or
poor reproduction of high frequencies./The tape does not
erase completely./Noise increases.
There is excessively loud tape transport noise during
fast-forwarding or rewinding.
/ The recording/ playback or erasing head and
tape path are dirty. Clean them (see page 19).
/ The recording/ playback or erasing head is
magnetized. Demagnetize it (see page 19).
/ This noise is caused by the cassette and is not a
mechanical problem.
§ does not work.
/ The tape deck is playing back or recording.
Press p or PAUSE P to stop playback or
recording before pressing §.
/ A power failure has occurred, the tape deck has
been turned off or the power cord has been
disconnected during tape operation. Reconnect
the power or turn off the tape deck, then on
again.
There is hum or noise.
/ The tape deck is placed near a TV or VCR.
Move the tape deck away from the TV or VCR.
/ The tape deck is placed on or under the
amplifier. Move the tape deck away from the
amplifier.
There is an unbalanced tone.
/ Check that DOLBY NR position is the same as
when the tape was recorded. An unbalanced
tone may result when a tape recorded in the S
Dolby NR system is played back in B or C
system, or when a tape recorded in the B or C
Dolby NR system is played back in the S
system (TC-WE825S only).
/ The tape deck is placed near a TV or VCR.
Move the tape deck away from the TV or VCR.
20
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Ad d it io n a l In fo rm a t io n
Inputs
Specifications
Line inputs (phono jacks)
Sensitivity : 0.16 V
Input impedance : 47 kilohms
System
Outputs
Recording system
4-track 2-channel stereo
Line outputs (phono jacks)
Rated output level : 0.5 V at a load impedance of
47 kilohms
Load impedance : Over 10 kilohms
Fast-winding time (approx.)
90 sec. (with Sony C-60 cassette)
High-speed fast-winding time (approx.) (TC-WE825S and TC-WE725
only)
Headphones (stereo phone jack)
Output level : 0.25 mW at a load impedance of
32 ohms
45 sec. (with Sony C-60 cassette)
Bias
General
AC bias
Power requirements
Where purchased
Signal-to-noise ratio (at peak level and weighted with Dolby NR off)
Type I tape, Sony Type I (NORMAL): 55 dB
Type II tape, Sony Type II (HIGH): 57 dB
Power requirements
120 V AC, 60 Hz
Type IV tape, Sony Type IV (METAL): 58 dB
U.S.A. and Canada
220 – 230 V AC, 50/ 60 Hz
S/N ratio improvement (approximate values)
With Dolby B NR on: 5 dB at 1 kHz, 10 dB at 5 kHz
With Dolby C NR on: 15 dB at 500 Hz, 20 dB at 1 kHz
With Dolby S NR on (TC-WE825S only): 10 dB at 100
Hz, 24 dB at 1 kHz
U.K., China and certain
countries in Asia
Australia
240 V AC, 50/ 60 Hz
Power consumption
Harmonic distortion
30 W
0.4% (with Type I tape, Sony Type I (NORMAL):
160 nWb/ m 315 Hz, 3rd H.D.)
Dimensions (approx) (w/h/d)
1.8% (with Type IV tape, Sony Type IV (METAL):
250 nWb/ m 315 Hz, 3rd H.D.)
Model for U.K. and Australia:
430 × 120 × 310 mm (w/ h/ d)
(17 x 4 3/ 4 x 12 1/ 4 in.)
Frequency response (Dolby NR off)
Tape type
Model for other countries:
430 × 120 × 290 mm (w/ h/ d)
including projecting parts and controls
Type I tape, Sony Type I
(NORMAL)
30 – 16,000 Hz (±3 dB, IEC),
20 – 17,000 Hz (±6 dB)
Mass (approx.)
4.3 kg (9 lbs 8 oz)
Type II tape, Sony Type II
(HIGH)
30 – 17,000 Hz (±3 dB, IEC),
20 – 18,000 Hz (±6 dB)
Supplied accessories
Type IV tape, Sony Type IV
(METAL)
30 – 19,000 Hz (±3 dB, IEC),
20 – 20,000 Hz (±6 dB),
30 – 13,000 Hz (±3 dB, –4 dB
recording)
Audio connecting cords (2 phono plugs - 2 phono
plugs) (2)
CONTROL A1 cord (supplied for Canadian models
only) (1)
Wow and flutter
Optional accessory
±0.13% W. Peak (IEC)
0.07% W. RMS (NAB)
±0.18% W. Peak (DIN)
Remote commander RM-J910
For more information on the availability of the remote
commander, contact your nearest Sony dealer.
Variable pitch range (approx.)
Design and specifications are subject to change without
notice.
–30 to +30%
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Ad d it io n a l In fo rm a t io n
In d e x
Glossary
Index
ATS
A, B
Automatic Tape Selection. The tape deck automatically sets
the appropriate equalization characteristics and bias current
according to the type of tape inserted in the deck.
Accessories
optional 21
supplied 4, 21
Adjusting
recording level automatically. See Auto rec
level
recording level manually 7
volume 5
ATS 11, 22
Audio connecting cord 4, 21
Auto play 8
Automatic calibration
The automatic adjustment of the bias current and recording
level for the inserted tape.
This adjustment works together with the deck’s ATS
(Automatic Tape Selection, see above) to get the best
possible recording results on any tape.
Automatic Music Sensor. See Multi-AMS
Automatic calibration 11, 22
Automatic Tape Selection. See ATS
Auto rec level 12, 22
Auto rec level function
A function that automatically sets the recording level
according to the peak signal level of the program source
prior to recording.
C
When active, this function gradually decreases the recording
level when the signal level rises excessively during
recording.
Cassette. See Tape
CD synchro-recording 16
Cleaning
cabinet 18
heads and tape path 19
Connecting. See Hooking up
Control A1 cable 4, 16
Dolby HX PRO system
A system that reduces distortion and noise in high-frequency
response during recording. A tape recorded with this
system produces the same high-quality sound even when
played on other tape decks.
D, E, F, G
Difference among the models 2
Dolby HX PRO system 7, 22
Dolby NR system 5, 7, 22
Dubbing
high-speed dubbing 13
normal-speed dubbing 13
only specific portions 14
RMS dubbing 15
Fader 13
Dolby NR (noise reduction) system
A system that eliminates tape hiss noise by boosting low-
level signals in the high-frequency range during recording,
then lowering them during playback.
There are four types of systems: A, B, C and S (TC-WE825S
only). Type A is for professional use (and is not available on
your tape deck), and types B, C and S are for consumer use.
Type S has the maximum noise reduction capability,
followed by types C and B.
Fading
in. See Fader
out. See Fader
FILTER. See Multiplex filter
Multi-AMS
H, I, J, K
Multi-Automatic Music Sensor is a function that locates the
beginning of up to 30 tracks before or after the current track
by detecting the blank space (of over 4 seconds) between
tracks.
Heads
cleaning 19
demagnetizing 19
High-speed
fast-forwarding function 5
rewinding function 5
Hooking up
hookups 4
overview 4
Insert
blank space 16
cassette 5, 6
Multiplex filter
A filter for eliminating the 19-kHz stereo carrier and the
38-kHz sub-carrier signals that may impair the Dolby NR
system. Though tuners are usually equipped with this filter,
if you got poor results when recording FM broadcasts with
the Dolby NR system, your tuner may not have a filter or the
filter may not be working. In this case, set the DOLBY NR
switch on the tape deck to ON FILTER.
L
Locating
beginning of the tape 8
particular point 8
tracks 8
Test tones
Signals (10-kHz and 400-Hz) generated by the tape deck for
bias current and recording level calibration.
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Index
M, N, O
Na m e s o f Co n t ro ls
Memory play 8
Multi-AMS 8, 22
Multiplex filter 7, 22
Bu t t o n s
A+B REC (simultaneous recording) 15
ARL (automatic recording level adjustment) 12
CHECK 9
DECK A/ DECK B 11
P, Q
Pitch control function 5
Playing
DISPLAY 9
auto play 8
FADER 13
basic play 5
memory play 8
RMS play 9
HIGH/ NORMAL 13, 15
MEMORY 8
PAUSE P 5, 7, 11 – 13, 15, 16
PITCH CONTROL 5
REC (recording) r 6, 12, 14
REC MUTING (record muting) R 16
RESET 8
RMS/ START 9, 15
SET 9
SYNCHRO 16
§ (eject) 5 – 7, 19
p (stop/ RMS CLEAR) 5, 7, 9, 13
· (forward play/ RMS FRONT) 5 – 16
ª (reverse play/ RMS BACK) 5, 7 – 11, 13 – 16
), 0 (fast-forwarding and rewinding/ AMS/
RMS +/ –) 5, 8, 9
R
Random Music Sensor. See RMS play or dubbing
Recording
basic recording 6
CD synchro-recording 16
FM broadcasts 7
on both decks in succession. See Relay
recording
the same source on both decks. See
Simultaneous recording
Record muting 16
Relay recording 14
Remote commander 21
RMS dubbing 15
Sw it ch e s
RMS play
adding tracks 10
DIRECTION MODE 5, 6, 13 – 16
DOLBY NR 7
checking the order of tracks 9
1/u (or U) (power) 5, 6
S
T
Co n t ro ls
Searching. See Locating
Simultaneous recording 15
Specifications 21
PITCH CONTROL 5
REC (recording) LEVEL 7
Ja cks
CONTROL A1 4
LINE IN 4
Tape
ejecting 5, 7
notes 18
LINE OUT 4
PHONES 5
path cleaning 19
protect the recording 18
type 18
Test tones 11, 22
Troubleshooting 20
Ot h e rs
AUTO indicator 6, 12, 13
Cassette holder 5, 6, 19
Peak level meters 7
U, V, W, X, Y, Z
Unpacking 4
23
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Sony Corporation Printed in China
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