4-198-307-11 (1)
Solid-State Memory
Camcorder
Operating Instructions
Before operating the unit, please read this manual thoroughly
and retain it for future reference.
PMW-320K
PMW-320L
© 2010 Sony Corporation
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This device complies with Part 15 of the FCC
Rules. Operation is subject to the following
two conditions: (1) this device may not cause
harmful interference, and (2) this device
must accept any interference received,
including interference that may cause
undesired operation.
For the customers in Taiwan only
For the customers in Canada
This Class A digital apparatus complies with
Canadian ICES-003.
For the customers in Europe
This product with the CE marking complies
with the EMC Directive issued by the
Commission of the European Community.
Compliance with this directive implies
conformity to the following European
standards:
• EN55103-1: Electromagnetic Interference
(Emission)
• EN55103-2: Electromagnetic
Susceptibility (Immunity)
This product is intended for use in the
following Electromagnetic Environments: E1
(residential), E2 (commercial and light
industrial), E3 (urban outdoors), E4
(controlled EMC environment, ex. TV
studio).
The manufacturer of this product is Sony
Corporation, 1-7-1 Konan, Minato-ku,
Tokyo, Japan.
The Authorized Representative for EMC and
product safety is Sony Deutschland GmbH,
Hedelfinger Strasse 61, 70327 Stuttgart,
Germany. For any service or guarantee
matters please refer to the addresses given
in separate service or guarantee documents.
For the State of California, USA only
Perchlorate Material - special handling may
apply, See
www.dtsc.ca.gov/hazardouswaste/
perchlorate
Perchlorate Material : Lithium battery
contains perchlorate.
3
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Table of Contents
Foreword ...................................................................................................... 9
Before Use......................................................................................... 9
Features ...................................................................................................... 10
Using the Software..................................................................................... 11
Viewfinder....................................................................................... 26
Viewfinder Screen Display........................................................................ 28
Preparing a Power Supply ........................................................................ 32
Attaching the Viewfinder.......................................................................... 33
Setting the Area of Use.............................................................................. 38
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Attaching a UHF Portable Tuner (for a UHF Wireless Microphone
System) ..................................................................................... 43
Tripod Mounting ....................................................................................... 44
Connecting a Video Light ......................................................................... 45
Using the Shoulder Strap .......................................................................... 45
Setting the Video Format .......................................................................... 47
Setting the Electronic Shutter................................................................... 52
Zooming...................................................................................................... 55
Adjusting the Focus ................................................................................... 55
Adjusting the Audio Level ........................................................................ 57
Manually Adjusting the Audio Levels of the Audio Inputs from the
AUDIO IN CH1/CH2 Connectors............................................ 57
Setting the Time Data................................................................................ 59
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Checking Camcorder Settings and Status Information (Status Screens)
............................................................................................................... 62
Basic Operations ........................................................................................ 68
Advanced Operations ................................................................................ 71
Starting to Record from Pre-stored Video (Picture Cache Function)
.................................................................................................. 71
Clip Playback ............................................................................................. 78
Thumbnail Operations .............................................................................. 82
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Menu List.................................................................................................... 94
Functions that can be assigned to the ASSIGN. 1 and 3 switches, the
................................................................................................ 130
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Testing the Camcorder............................................................................ 146
Maintenance ............................................................................................. 146
Operation Warnings................................................................................ 147
General.......................................................................................... 156
Display .......................................................................................... 157
About i.LINK ........................................................................................... 162
Table of Contents
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8
Foreword
Before Use
After purchasing the PMW-320K/320L Solid-
State Memory Camcorder, before operating, it is
necessary to set the area of use.
(Unless this setting is made, the camcorder will
not operate.)
For details of these settings, see “Setting the Area of
Note
Before attaching/removing optional components or
accessories to/from the PMW-320K/320L (referred to as
“the camcorder”), be sure to turn the power of the
camcorder off.
Foreword
9
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Chapter1 Overview
Multi-format support
Features
The camcorder supports interlace format
recording (1080/59.94i or 1080/50i), progressive
format recording (1080/29.97P, 1080/23.98P,
720/59.94P, 720/29.97P, 720/23.98P, or 1080/
25P, 720/50P, 720/25P), thus offering the
flexibility needed for worldwide HD recording.
(For 23.98P, native frequency recording is
possible.)
It also supports recording and playback of SD
signals (both NTSC and PAL). The camcorder
has an optional capability to record and play back
SD signals in DVCAM-AVI format, and can
output HD signals down-converted to SD.
The camcorder is a shoulder-mount HD memory
1
camcorder. It is provided with three / -type
2
11
(diagonal 8 mm (
/
inches)) full-HD
32
(1920×1080) “Exmor” CMOS image sensors.
1/2-type bayonet mount
The camcorder is provided with a / -type
bayonet mount (flange focal length 38 mm ( /
inches), allowing you to use Sony / -type
1
2
1
2
1
2
A special auto focus lens
The camcorder is provided with the / -type auto
bayonet mount exchangeable lenses.
1
2
focus lens, which ensures high-quality shooting
in all situations from wide angle to telephoto
(PMW-320K only).
S×S memory cards as recording media
Using S×S memory cards, the camcorder offers
nonlinear capabilities such as instant random
access and file-based operation.
A variety of functions for improved
performance under various shooting
conditions
Light weight, low power consumption
Design features such as CMOS image sensors,
custom video signal processing ICs, and S×S
memory card recording enable fanless operation
and power consumption of 15 W or less. The
camcorder’s light weight (3.2 kg (7 lb 0.88 oz))
and low center of gravity make it easy to carry on
the shoulder while ensuring superior stability.
• Picture Cache function
• Optical ND filters and electrical CC filters
• Hyper gamma
• Slow shutter function
• Frame Recording function
• Time lapse function (interval recording)
• Slow & quick motion function
• Freeze mix function
• Focus magnification function
• Image inversion function
• Assignable switches
HD recording using the “MPEG-2 Long
GOP” codec
The camcorder records 1920 × 1080, 1440 ×
1080, and 1280 × 720 HD images using “MPEG-
2 Long GOP” codec compression. It offers a
choice of bit rates: either 35 Mbps (HQ mode) or
25 Mbps (SP mode).
• 3.5-inch high-resolution color LCD viewfinder
• Remote control
By utilizing an efficient compression format, the
camcorder records high-quality HD images for
long recording time of approx. 100 minutes at 35
Mbps (HQ mode) or approx. 140 minutes at 25
Mbps (SP mode) on a single 32-GB S×S memory
card.
Features
10
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Inherits unique features of XDCAM EX
series
Using the Software
The camcorder inherits the workflow features of
the XDCAM EX series, including thumbnail
display and metadata management, and improves
them by introducing an improved man-machine
interface.
The supplied CD-ROM (labeled “Utility
Software for Solid-State Memory Camcorder and
Recorder”) contains application and device driver
software required to access to SxS memory cards
from a computer and to manage material shot
with the camcorder.
XDCAM EX web sites
For information on XDCAM EX, visit the
following web sites:
United States
http://www.sony.com/xdcamex
Information about how to install the software is
provided in PDF format.
Canada
http://www.sony.ca/xdcamex
Note
You must install the SxS device driver on your computer
if your computer is equipped with an ExpressCard slot
and you want to use it to access SxS memory cards.
Europe, Middle East, Africa, and Russia
http://www.sonybiz.net/xdcamex
Latin America
http://www.sonypro-latin.com/xdcamex
Reading the CD-ROM Manuals
Preparations
The following program must be installed on your
computer in order to read the operation manuals
contained on the CD-ROM.
Australia
http://www.sony.com.au/xdcamex
Asia (except Korea, China, and Japan)
http://pro.sony-asia.com
Korea
Adobe Reader Version 6.0 or higher
http://bp.sony.co.kr/xdcamex
China
Memo
http://pro.sony.com.cn/minisite/XDCAMEX
If Adobe Reader is not installed, you can download it
from the following URL:
http://www.adobe.com/
Japan
http://www.sony.co.jp/XDCAMEX
Adobe and Adobe Reader are trademarks of Adobe
Systems Incorporated in the United States and/or other
countries.
To read the documents
Do the following:
1
Insert the CD-ROM in your CD-ROM
drive.
A cover page appears automatically in your
browser.
If it does not appear automatically in the
browser, double-click on the index.htm file
on the CD-ROM.
2
Select and click on the manual that you
wish to read.
This opens the PDF file.
Using the Software
11
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For details, refer to the User’s Guide or ReadMe of
the software.
Memo
The files may not be displayed properly, depending on
the version of Adobe Reader. In such a case, install the
latest version you can download from the URL
mentioned in “Preparations” above.
Uninstalling an application program
Windows computer
Note
Choose “Start,” “Control Panel” then “Add or
Remove Programs” and specify the program to be
deleted.
If you have lost or damaged the CD-ROM, you can
purchase a new one to replace it. Contact a Sony service
representative.
Macintosh computer
Drop the folder of the software into Trash.
System Requirements for Using
the Applications
The following operating conditions are
recommended for using the software recorded on
the CD-ROM:
S×S Device Driver Software
Applicable hardware
Computer conforming to ExpressCard/34 or
ExpressCard/54
OS
• Microsoft Windows XP SP2 or later, Microsoft
Windows Vista, Microsoft Windows 7
• Mac OS X v10.4.9 or later, v10.5.0 or later,
v10.6.0 or later
For support information on the driver, refer to the
following URL:
http://www.sony.net/S×S-Support/
Software Installation
Do the following to install the software on the
CD-ROM on your computer:
1
Insert the CD-ROM in your CD-ROM
drive.
A cover page appears automatically in your
browser.
If it does not appear automatically in the
browser, double-click on the index.htm file
on the CD-ROM.
2
Select and click on the software that you
wish to install.
The installer for the software starts up.
Follow the displayed instructions:
Using the Software
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12
d DC OUT 12V (DC power output)
connector (4-pin, female)
Locations and Functions
of Parts and Controls
Supplies power for an optional WRR-860A/861/
862 UHF Synthesized Diversity Tuner
(maximum 0.5 A).
Do not connect any equipment other than the
UHF synthesized diversity tuner.
Power Supply
e Battery attachment shoe
Attach a BP-GL95/GL65/L80S/L60S Battery
Pack. Alternatively, you can attach an AC-
DN2B/DN10 AC Adaptor to operate the
camcorder on AC power supply.
For details, see “Preparing a Power Supply”
For details, see “Attaching a UHF Portable Tuner
Note
For your safety, and to ensure proper operation of the
camcorder, Sony recommends the use of the following
battery packs: BP-GL95, BP-GL65, BP-L60S, and
BP-L80S.
Accessory Attachments
a LIGHT switch
Determines how a video light connected to the
off.
AUTO: When the POWER switch of the video
light is in the on position, the video light is
turned on automatically while the camcorder
is recording.
MANUAL: You can turn the video light on or off
manually, using its own switch.
Note
When the camcorder is set for recording in Picture Cache
mode, it is not possible to turn on the light before
operation to start recording is carried out (or while data
is being stored in memory).
b POWER switch
Turns the main power supply on and off.
a Shoulder strap fitting
c DC IN (DC power input) connector
(XLR type, 4-pin, male)
To operate the camcorder from an AC power
supply, connect an optional DC power cord to this
terminal and then connect the cord to the DC
output terminal of the BC-L70, BC-L160, or
another battery charger.
b Accessory fitting shoe
Attach an optional accessory such as a video light
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c Viewfinder front-to-back positioning
l LIGHT (video light) connector (2-pin,
lever
female)
To adjust the viewfinder position in the front-to-
back direction, loosen this lever and the LOCK
knob. After adjustment, retighten this lever and
the LOCK knob.
A video light with a maximum power
consumption of 50 W, such as the Anton Bauer
Ultralight 2 or equivalent can be connected (see
d Viewfinder left-to-right positioning ring
Loosen this ring to adjust the left-to-right position
m Lens cable clamp
Clamp a lens cable.
n MIC IN (microphone input) (+48 V)
e Viewfinder fitting shoe
connector (XLR type, 5-pin, female)
Attach the viewfinder.
Connect a stereo microphone to this connector.
The power (+48 V) is supplied via this connector.
f VF (viewfinder) connector (26-pin,
rectangular)
o LENS connector (12-pin)
Connect the cable of the supplied viewfinder.
Connect a lens cable to this connector.
1
This connector is not used for a / -inch lens
2
g VF (viewfinder) connector (20-pin,
which is connected by a hot shoe inside the lens
mount.
round)
Connect the cable of the optional DXF-51, DXF-
C50W or DXF-20W viewfinder.
Note
When connecting or disconnecting the lens cable to this
connector, power off the camcorder first.
For connecting the DXF-51 or DXF-C50W, optional
parts are required. Consult a Sony service
representative for information about connecting the
DXF-51 or DXF-C50W.
p Tripod mount
When using the camcorder on a tripod, attach the
tripod adaptor (optional).
h Lens mount securing rubber
After locking the lens in position using the lens
locking lever, fit this rubber over the lower of the
two projections. This fixes the lens mount,
preventing it from coming loose.
q Lens mount (special bayonet mount)
Attach the lens.
On the inner side of the lens mount is a 14-pin
connector (two 7-pin connectors) for connecting
the lens.
i Viewfinder front-to-back positioning
knob (LOCK knob)
Loosen this knob to adjust the front-to-back
Consult a Sony service representative for
information about available lenses.
Note
The auto iris function is not available if the mounted lens
has a 7-pin connector for connection to the camera.
The video level indication and the iris position indication
are also disabled.
j Fitting for optional microphone holder
Fit an optional CAC-12 Microphone Holder (see
k Shoulder pad
r Lens locking lever
Raise the shoulder pad fixing lever to adjust the
position in the front-to-rear direction. Adjust the
position for maximum convenience when
operating the camcorder on your shoulder (see
After inserting the lens in the lens mount, rotate
the lens mount ring with this lever to lock the lens
in position.
After locking the lens, be sure to use the lens
mount securing rubber to prevent the lens from
becoming detached.
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s Lens mount cap
FILTERselector ND filter
setting
Remove by pushing up the lens locking lever.
When no lens is mounted, keep this cap fitted for
protection from dust.
1
2
3
4
/
ND (attenuates light to
1
4
approximately / )
4
1
/
ND (attenuates light to
1
16
Operating and Connectors Section
Front
approximately
1
/
)
16
/
ND (attenuates light to
1
64
approximately
/
)
64
You can change a MAINTENANCE menu
setting so that different white balance settings can
be stored for different FILTER selector positions.
This allows you to automatically obtain optimum
white balance for the current shooting conditions
in linkage with the filter selection.
For details, see “Adjusting the White Balance”
d MENU knob
Changes the item selection or a setting within the
e AUTO W/B BAL (automatic white/
black balance adjustment) switch
Activates the automatic white/black balance
adjustment functions.
WHITE: Adjust the white balance automatically.
set to A or B, the white balance setting is
stored in the corresponding memory. If the
WHITE BAL switch is set to PRST, the
automatic white balance adjustment function
does not operate.
BLACK: Adjust the black set and black balance
automatically.
You can use the AUTO W/B BAL switch even
when the ATW (Auto Tracing White Balance)
function is operating.
a REC START (recording start) button
Press to start recording. Press it again to stop
recording. The effect is the same as that of the
REC button on the lens.
b SHUTTER selector
Set to ON to use the electronic shutter. Push to
SELECT to switch the shutter speed or shutter
mode setting. When this switch is operated, the
new setting appears on the viewfinder screen for
about three seconds.
If you push the switch to the WHITE side once
more during the automatic white balance
adjustment, the adjustment is cancelled and the
white balance setting returns to the original
setting.
If you push the switch to the BLACK side once
more during the automatic black balance
adjustment, the adjustment is cancelled and the
black balance setting returns to the original
setting.
For details, see “Setting the Electronic Shutter”
c FILTER selector
Switches between four ND filters built into this
camcorder.
When this selector is used, the new setting
appears on the viewfinder screen for about three
seconds.
FILTER selector ND filter
setting
1
CLEAR
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f MIC (microphone) LEVEL control
c ALARM (alarm tone volume
adjustment) knob
Adjusts the input level of audio channels 1, 2, 3
Controls the volume of the warning tone that is
output via the built-in speaker or optional
earphones. When the knob is turned to the
minimum position, no sound can be heard.
However, if MAINTENANCE >Audio >Min
Alarm Volume in the setup menu is set to [Set],
the alarm tone is audible even when this volume
control is at the minimum position.
Right side (near the front)
ALARM
Minimum
Maximum
d MONITOR (monitor volume
adjustment) knob
Controls the volume of the sound other than the
warning tone that is output via the built-in speaker
or earphones. When the knob is turned to the
minimum position, no sound can be heard.
e MONITOR (audio monitor selection)
switches
By means of combinations of the two switches,
you can select audio that you want to hear through
the built-in speaker or earphones.
Position of down-side switch: CH-1/2
Position of up-side Audio output
switch
CH-1/CH-3
MIX
Channel 1 audio
a ASSIGN. (assignable) 1/2/3 switches
Channels 1 and 2 mixed
You can assign the desired functions to these
switches on OPERATION >Assignable SW in
a)
audio (stereo)
CH-2/CH-4
Channel 2 audio
EZ Mode is assigned to the ASSIGN. 1 switch,
and Off is assigned to the ASSIGN. 2/3 switches
as the factory default setting.
The ASSIGN.1/3 switches are provided with an
indicator to show whether a function is assigned
to the switch (ON) or not (OFF).
Position of down-side switch: CH-3/4
Position of up-side Audio output
switch
CH-1/CH-3
MIX
Channel 3 audio
Channels 3 and 4 mixed
a)
audio (stereo)
CH-2/CH-4
Channel 4 audio
b COLOR TEMP. (color temperature)
button
a) By connecting stereo headphones to the EARPHONE
jack, you can hear the audio in stereo. (Under
MAINTENANCE >Audio in the setup menu,
Headphone Out must be set to STEREO.)
Press to light the button and change the color
temperature for shooting (factory default setting).
You can use this as an assignable switch (see
Locations and Functions of Parts and Controls
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settings in memory A or memory B.
f ASSIGN. (assignable) 0 switch
You can assign the desired function to this switch
on OPERATION >Assignable SW in the setup
Off is assigned to this switch when the camcorder
is shipped from the factory.
1)
B (ATW ): When this switch is set to B and
OPERATION >White Setting >White
Switch<B> is set to [ATW] in the setup
menu, ATW is activated.
You can use the AUTO W/B BAL switch
even when ATW is in use.
When this switch is adjusted, the new setting
appears on the viewfinder screen for about three
seconds.
This is a momentary type switch. Each press of
the switch turns the function assigned to this
switch on or off.
g GAIN selector
1) ATW (Auto Tracing White Balance): The white
balance of the picture being shot is adjusted
automatically for varying lighting conditions.
Switches the gain of the video amplifier to match
the lighting conditions during shooting. The gains
corresponding to the L, M, and H settings can be
selected on OPERATION >Gain Switch in the
are L=0 dB, M=6 dB, and H=12 dB.)
When this switch is adjusted, the new setting
appears on the viewfinder screen for about three
seconds.
j MENU ON/OFF switch
To use this switch, open the cover.
This switch is used to display the menu on the
viewfinder screen or the test signal screen. Each
time the switch is pushed down, the menu screen
is turned on and off.
The function of this switch is the same as that of
the MENU button in the thumbnail screen
operations section.
h OUTPUT/DCC (output signal/dynamic
contrast control) switch
Switches the video signal output from the camera
module, between the following two.
k STATUS ON/SEL/OFF (menu display
BARS: Output the color bar signal.
on/page selection/display off) switch
CAM: Output the video signal being shot. When
1)
MENU CANCEL/PRST (preset) /
ESCAPE switch
this is selected, you can switch DCC on and
off.
When the menu is not displayed, this switch
functions as the STATUS ON/SEL/OFF switch.
When the menu is displayed, the switch functions
as the MENU CANCEL/PRST/ESCAPE switch.
(To use the MENU CANCEL/PRST/ESCAPE
switch, open the cover.)
1) DCC (Dynamic Contrast Control): Against a very
bright background with the iris opening adjusted to the
subject, objects in the background will be lost in the
glare. The DCC function will suppress the high
intensity and restore much of the lost detail and is
particularly effective in the following cases.
• Shooting people in the shade on a sunny day
• Shooting a subject indoors, against a background
through a window
Use the STATUS ON/SEL/OFF switch in the
following way.
• Any high contrast scene
ON/SEL: Each time this switch is pushed
upward, a window to confirm the menu
settings and status of the camcorder appears
window consists of five pages, which are
switched each time the switch is pushed
upward. Each page is displayed for about 10
seconds.
i WHITE BAL (white balance memory)
switch
Controls adjustment of the white balance.
PRST: Adjust the color temperature to the preset
value (the factory default setting: 3200K).
Use this setting when you have no time to
adjust the white balance.
A or B: Recall the white balance adjustment
settings already stored in A or B. Push the
the WHITE side, to automatically adjust the
white balance, and save the adjustment
OFF: To clear the page immediately after
display, push this switch down to the OFF
position.
Use the MENU CANCEL/PRST/ESCAPE in the
following way.
Locations and Functions of Parts and Controls
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CANCEL/PRST: Pushing this switch up to this
position after a setting is changed in the setup
menu displays the message to confirm
whether the previous settings are cancelled.
Pushing this switch up to this position again
cancels the previous settings.
Right side (near the rear)
Pushing this switch up to this position before
a setting is changed in the setup menu or after
a setting change is cancelled in the setup
menu displays the message to confirm
whether the setting is reset to the initial
value.
Pushing this switch up to this position again
resets the settings to the initial value.
ESCAPE: Use this switch when the menu page,
which has a hierarchical structure, is opened.
Each time the switch is pushed to this
position, the page returns to one stage higher
in the hierarchy.
l Cover
Open this cover to use the MENU ON/OFF
switch or the MENU CANCEL/PRST/ESCAPE
switch.
a Built-in speaker
1)
The speaker can be used to monitor E-E sound
during recording, and playback sound during
playback. The speaker also sounds alarms to
If you connect earphones to the EARPHONE
jack, the speaker output is suppressed
automatically.
1) E-E: Abbreviation of “Electric-to-Electric”. In E-E
mode, video and audio signals input to the camcorder
are output after passing through internal electric
circuits only. This can be used to check input signals.
b Monochrome LCD panel
Displays remaining battery capacity, remaining
media capacity, audio levels, time data, and so on
Locations and Functions of Parts and Controls
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clip (or the first frame of the current clip when no
preceding clips exist).
c WARNING indicator
Lights up or flashes when an abnormality occurs
k STOP button
Press this button to stop playback.
d ACCESS lamp
Lights up when data is written to or read from the
recording media.
l NEXT button
This jumps to the first frame of the next clip.
If you press this together with the F FWD button,
the jump is to the first frame of the last recorded
clip on the recording media.
e Protection cover of the audio control
section
Open to access the audio control section (see
m EXPAND (expand function) button
If you press this button when the thumbnail
screen is displayed, the duration of the selected
clip is divided into fractions, and the first frame of
each of the divisions is shown in a further
thumbnail display (expand function). For an HD
recorded MP4 clip, its duration is divided into 12.
If an SD recorded AVI clip comprises multiple
files, the divisions are displayed for the individual
files.
For MP4 clips, each time you press this button the
division is repeated. Hold down the SHIFT button
and press this button to step back through the
division process.
f Protection cover of the thumbnail
screen operations section
Open to access the thumbnail screen operations
g F REV (fast reverse) button and
indicator
This plays back at high speed in the reverse
direction. The playback speed changes in the
order ×4 t ×15 t ×24 with each press of the
button. The indicator lights during high-speed
playback in the reverse direction.
h PLAY/PAUSE button and indicator
n HOLD (display hold) button
Press this button to view play back video images
using the viewfinder screen or the LCD monitor.
The indicator lights during playback.
Press this button again during playback to pause,
outputting a still image. At this time the indicator
flashes at a rate of once per second.
Pressing this button instantly freezes the time data
displayed in the monochrome LCD panel. (The
timecode generator continues running.) Pressing
this button again releases the hold.
Pressing the F REV or F FWD button during
playback or pause starts high speed playback in
the forward or reverse direction.
o RESET/RETURN button
Resets the value shown in the time counter
display in the monochrome LCD panel.
According to the settings of the PRESET/
button resets the display as follows.
i F FWD (fast forward) button and
indicator
This plays back at high speed in the forward
direction. The playback speed changes in the
order ×4 t ×15 t ×24 with each press of the
button. The indicator lights during high-speed
playback in the forward direction.
Settings of switches To reset
DISPLAY switch:
COUNTER
Counter to 0:00:00:00
DISPLAY switch:
TC
PRESET/REGEN/
CLOCK switch:
PRESET
Timecode to 00:00:00:00
j PREV button
This jumps to the first frame of the current clip.
If you press this together with the F REV button,
the jump is to the first frame of the first recorded
clip on the recording media.
If you press this button twice in rapid succession,
the jump is to the first frame of the last preceding
F-RUN/SET/R-RUN
switch: SET
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19
Thumbnail screen operations section and audio
control section
Settings of switches To reset
a)
DISPLAY switch:
U-BIT
User bits data to 00 00 00
00
PRESET/REGEN/
CLOCK switch:
PRESET
F-RUN/SET/R-RUN
switch: SET
a) Of the timecode bits for every frame recorded on the
media, those bits which can be used to record useful
information for the user such as scene number,
shooting place, etc.
This button returns to the previous screen when
pressed during thumbnail screen display, expand
thumbnail screen display, or shot mark thumbnail
screen display.
a THUMBNAIL indicator
This lights when thumbnail screen is displayed.
b THUMBNAIL button
p DISPLAY switch
Press this button to display the thumbnail screen
(see page 78) and to carry out a thumbnail
operation.
This cycles the data displayed in the time counter
display in the monochrome LCD panel through
the sequence COUNTER, TC, and U-BIT (see
Press once more to return to the original display.
COUNTER: Display the elapsed recording/
playback time (hours, minutes, seconds,
frames).
TC: Display timecode.
U-BIT: Display user bits data.
c SET (set) button and arrow buttons
Use these buttons to make timecode and user bit
settings, and for thumbnail screen operations (see
When the menu is displayed, press this button to
select an item or to confirm the setting change.
q BACKLIGHT button
Turns the backlight of the monochrome LCD on
and off. The backlight of the monochrome LCD
panel will be turned on when the camcorder is
powered on for the first time after shipped from
the factory.
d MENU button
Each press of this button turns the setup menu
display on and off.
The function of this button is the same as that of
the MENU ON/OFF switch.
e F-RUN/SET/R-RUN (free run/set/
recording run) switch
Selects the operating mode of the internal
timecode generator. The operating mode is set as
explained below, depending on the position of the
switch.
F-RUN: Timecode keeps advancing, regardless
of whether the camcorder is recording. Use
this setting when synchronizing the timecode
with external timecode.
SET: Sets the timecode or user bits.
R-RUN: Timecode advances only during
recording. Use this setting to have a
consecutive timecode on the recording
media.
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For details, see “Setting the Timecode” (page 59)
k AUDIO SELECT CH-1/CH-2 (audio
channel 1/2 adjustment method
selection) switches
Select the audio level adjustment method for each
of audio channels 1 and 2.
f LEVEL CH-1/CH-2/CH-3/CH-4 (audio
channel 1/2/3/4 recording level) knobs
Adjust the audio levels to be recorded on channels
1, 2, 3, and 4 when the AUDIO SELECT CH-1/
CH-2 and AUDIO SELECT CH 3-4 switches are
set to MANUAL.
AUTO: Automatic adjustment
MANUAL: Manual adjustment
l AUDIO IN CH1/CH2/CH3/CH4 (audio
channel 1/2/3/4 input selection) switches
Select the audio input signals to be recorded on
audio channels 1, 2, 3 and 4.
FRONT: Audio input signals from the
microphone connected to the MIC IN
connector
REAR: Audio input signals from an audio device
connected to the AUDIO IN CH1/CH2
connectors
g AUDIO SELECT CH 3-4 (audio
channel 3/4 adjustment method
selection) switch
Select the audio level adjustment method for each
of audio channels 3 and 4.
AUTO: Automatic adjustment
MANUAL: Manual adjustment
h ESSENCE MARK button
WIRELESS: Audio input signals from the UHF
portable tuner if it is installed
By pressing this button when the thumbnail
display of a clip is on the screen, you can view the
following thumbnail display of the shot-marked
frames of that clip, depending on the item
selected in a list displayed on the screen.
Shot Mark1: Thumbnail display of the frames
marked with Shot Mark 1
Shot Mark2: Thumbnail display of the frames
marked with Shot Mark 2
Shot Mark: Thumbnail display of the frames
marked with either Shot Mark 1 or Shot Mark
2
i SHIFT button
Use this in combination with other buttons.
j PRESET/REGEN (regeneration)/
CLOCK switch
Selects the type of timecode to record.
PRESET: Record new timecode on the media.
REGEN: Record timecode continuous with the
existing timecode recorded on the media.
Regardless of the setting of the F-RUN/SET/
R-RUN switch, the camcorder operates in R-
RUN mode.
CLOCK: Record timecode synchronized to the
internal clock. Regardless of the setting of
the F-RUN/SET/R-RUN switch, the
camcorder operates in F-RUN mode.
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b USB connector
Left side and upper section
Used to put this camcorder into USB connection
mode and use it as an external storage device for
a computer. When a computer without
ExpressCard slot is connected to this connector,
every memory card inserted in the camcorder is
recognized as a drive for that computer.
c S×S memory card slots
These two slots (A and B) can receive S×S
memory cards or other recording media (see
d ACCESS lamps
You can check whether the lamps are lit even
when the slot cover is closed.
e EJECT buttons
To remove the recording media from the slot,
press the EJECT button to release the lock, then
press the button once more. This makes the media
f Slot cover
Slide to the left and right to open and close.
g SLOT SELECT (S×S memory card
select) button
When S×S memory cards are loaded in both card
slots A and B, press this button to select the card
h HDMI output connector
Outputs HDMI signals for video monitoring.
When a video monitor provided with an HDMI
signal input connector is connected to this
connector, you can monitor picture being shot
(camera picture) or playback picture.
i GENLOCK IN (genlock signal input)
a ASSIGNABLE 4/5 switches
connector (BNC type)
You can assign the desired functions to these
switches on OPERATION >Assignable SW in
Off is assigned to these switches when the
camcorder is shipped from the factory.
This connector inputs a reference signal when the
camcorder is to be genlocked or when timecode is
to be synchronized with external equipment.
Available reference signals vary depending on the
current system frequency as shown in the
following table.
System frequency Available reference signals
1080/59.94i
1080/29.97P
1080/59.94i, 480/59.94i
1080/59.94i, 480/59.94i
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System frequency Available reference signals
Rear
1080/23.98P (PsF
output)
1080/23.98PsF, 480/59.94i
1080/23.98P
(Pulldown output)
720/59.94P
1080/59.94i, 480/59.94i
1080/59.94i, 720/59.94P,
480/59.94i
720/29.97P
720/23.98P
1080/59.94i, 720/59.94P,
480/59.94i
1080/59.94i, 720/59.94P,
480/59.94i
480/59.94i
480/29.97P
1080/50i
1080/25P
720/50P
1080/59.94i, 480/59.94i
1080/59.94i, 480/59.94i
1080/50i, 576/50i
1080/50i, 576/50i
1080/50i, 720/50P, 576/50i
1080/50i, 720/50P, 576/50i
1080/50i, 576/50i
720/25P
576/50i
576/25P
1080/50i, 576/50i
(Genlock for the camera module supports
horizontal sync signals only.) Use
MAINTENANCE >GENLOCK in the setup
menu to adjust the genlock H-phase (phase of
horizontal sync signal).
j TC IN (timecode input) connector
(BNC type)
To apply an external lock to the timecode of the
camcorder, input the reference timecode.
a TALLY (back tally) indicators (red)
Light up during recording. They will not light if
the TALLY switch is set to OFF. These indicators
tally indicator on the front of the viewfinder and
the REC indication on the viewfinder screen light
or flash in the same manner.
k VIDEO OUT connector (BNC type)
Outputs video signals for monitoring. The output
signals can be selected either composite video or
HD-Y depending on the setting of OPERATION
>Input/Output >Output&i.LINK in the setup
menu.
b TALLY switch
l TC OUT (timecode output) connector
Set to ON to activate the TALLY indicator
function.
(BNC type)
To lock the timecode of an external VTR to the
timecode of this camcorder, connect this
connector to the external VTR’s timecode input
connector.
c EARPHONE jack (stereo, minijack)
You can monitor the E-E sound during recording
and playback sound during playback. When an
alarm is indicated, you can hear the alarm sound
through the earphone. Plugging an earphone into
the jack automatically cuts off the built-in
speaker.
You can select monaural or stereo on
MAINTENANCE >Audio in the setup menu.
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d AUDIO IN selectors
Select the audio source you connect to the
AUDIO IN CH1/CH2 connectors.
Monochrome LCD Panel
LINE: When connecting a stereo amplifier or
other external audio signal source
MIC: When connecting a microphone that does
not require 48 V power supply
+48V: When connecting a microphone that
requires 48 V power supply
e HD/SD SDI OUT connector (BNC type)
Outputs an HDSDI or SDSDI signal (with
embedded audio). The output from this connector
can be turned on and off with OPERATION
>Input/Output >SDI Output in the setup menu.
a Timecode status
NDF: Appears when non-drop-frame timecode is
selected.
EXT-LK: Appears when the internal timecode
generator is locked to an external signal input
to the TC IN (timecode input) connector.
f AUDIO IN CH1/CH2 (audio channel 1
and channel 2 input) connectors (XLR
type, 3-pin, female)
These are audio input connectors for channels 1
and 2 to which you can connect audio equipment
or a microphone.
b Counter display mode
Shows the type of information selected by the
DISPLAY switch to be displayed in the time
counter display.
COUNTER: Counter values
TC: Timecode
g Bottom cover
This is provided for protecting the cables
connected to the connectors on the rear panel.
By loosening the screws which retain the cover to
the bottom of the camcorder, you can adjust the
position of the cover depending on the size and
shape of the microphone or audio cable plugs.
After adjusting the position, tighten the screws to
secure the cover.
U-BIT: User bits data
c Time counter display
Switches displays of time counter values,
timecode, and user bits data, depending on the
position of the DISPLAY switch.
When the HOLD button is pressed to hold the
timecode value, the timecode is displayed in the
format shown below. When the HOLD button is
pressed again to release the hold, the timecode is
displayed in the normal format.
h AUDIO OUT connector (XLR type, 5-
pin, male)
Outputs the audio signals recorded on audio
channels 1 and 2 or audio channels 3 and 4. The
audio signals are selected by the MONITOR
switch.
The three dots indicates that timecode is
displayed in the hold mode.
i REMOTE connector (8-pin)
Connect a remote control unit, which makes it
possible to control the camcorder remotely.
d HOLD indication
Appears when the timecode generator output is
displayed in the hold mode.
Note
Before connecting/disconnecting the Remote Control
Unit to/from the camcorder, be sure to turn off the
camcorder POWER switch.
e Audio level indicators
Indicate the audio recording or playback levels of
channels 1 to 4.
j i.LINK (HDV/DV) connector (6-pin,
IEEE1394 compliant, S400)
To input and output HDV/DV streams, connect to
an HDV/DV device.
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When the button is pressed, the auto focus
operates until the image is in focus, then
disengages.
f Lock icon
Appears when the recording media is write-
protected.
Even when the FOCUS switch is set to A (auto),
by pressing this button, you can restart the auto
focus.
g Remaining media capacity indicator
Shows bar segments indicating the remaining
capacity of recording media in the slots.
b FOCUS switch
h Remaining battery capacity indicator
Shows bar segments indicating the remaining
battery capacity.
A (auto): The auto focus function is constantly
active. Even with the switch in the A
position, you can manually adjust the focus
by operating the focus ring.
M (manual): The manual mode allows focusing
adjustment with the focus ring.
In manual mode, auto focus adjustment is also
possible, by pressing the PUSH AF button.
Auto Focus Lens (Supplied with
the PMW-320K)
c MACRO switch
When this switch is in the ON position, the macro
mode is enabled, allowing focusing over the
1)
whole range (5 cm to ∞) including the macro
1)
range (from 5 cm to 90 cm from the front of the
lens).
This operation is independent of whether the
focus adjustment mode is auto or manual.
In the macro range, the auto focusing speed is
lower.
1) At the wide-angle setting
d Iris ring
For manual iris adjustment, set the IRIS switch to
the M (manual) position, then turn this ring.
e Zoom ring
For manual zoom adjustment, set the ZOOM
switch to the MANUAL position, then turn this
ring.
f Focus ring
Turn this ring to adjust the focus.
This ring can be turned endlessly in both
directions. The faster you turn, the faster the
focusing mechanism operates, to minimize the
amount of turning required for focusing.
When you slide the focus ring back (toward the
camcorder), the focus mode becomes Full MF
mode (see page 56).
a PUSH AF (auto focus) button
When the focus adjustment is in the manual
mode, by pressing this button you can use the auto
focus for an instantaneous adjustment to the
subject.
g Flange focal length adjustment button
Press this to adjust the flange focal length (the
distance from the lens mounting flange plane to
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Note on zoom speed
h Zoom control connector (8-pin)
Depending on the shooting distance, the zoom
speed may fall as the lens approaches the
telephoto end.
Connecting an optional zoom servo controller
allows remote control of zooming.
i ZOOM switch
SERVO: Motorized zoom. Operate the zoom
with the power zoom lever.
MANU. (manual): Manual zoom. Operate the
zoom with the zoom ring.
m RET (return video) button
You can use this as an assignable switch (see
Use this to check the video when Lens RET is
assigned to this button (factory default setting). If
you press this during recording pause, the last few
seconds recorded appear on the viewfinder screen
Pressing this button (single click) during
recording or playback records a Shot Mark 1
mark, and double-clicking records a Shot Mark 2
j PUSH AUTO button
When the IRIS switch is in the M position for
manual adjustment, press this button for an
instantaneous auto adjustment.
The iris is automatically adjusted while the button
is held down.
k IRIS switch
A (auto): The iris is adjusted automatically.
n VTR button
Use this to start and stop recording. Press once to
start recording, then press once more to stop.
M (manual): Adjust the iris with the iris ring.
l Power zoom lever
This is enabled when the ZOOM switch is in the
SERVO position. Press the W end for wide-angle
and the T end for telephoto.
Viewfinder
Press the lever harder for a faster zoom action.
Notes on auto focus
• In the following cases, it may be difficult to
focus on the subject. If this does happen, use
manual focusing.
- If the subject has no contrast
- If the subject is moving rapidly
- When shooting point light sources, under
street lighting or at night
- When there are very bright objects close to the
subject
- When shooting through a glass window
• If there are a number of objects within the
screen at close and far range, the focus may not
be on the intended subject. In this case, with the
subject on which you want to focus in the center
of the screen, press the PUSH AF button.
• After focusing with the PUSH AF button, if you
operate the zoom or adjust the iris, the depth of
field may become shallower, losing crisp focus.
In such cases, press the PUSH AF button once
more.
• If you focus at wide-angle then zoom to
telephoto, the subject may no longer be in focus.
• It may take time until the image is in focus
while using the slow shutter mode.
a Plug
Connect to the VF connector (rectangular) on the
camcorder.
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OFF: Do not display a zebra pattern.
b Stopper
Prevents the viewfinder from coming off the
camcorder when it is slid from side to side.
m DISPLAY switch
Turns the display of text information on and off.
ON: Display text information.
c Eyecup
OFF: Do not display text information.
d Diopter adjustment ring
n MIRROR switch
Allows for optimal focus adjustment.
The image display on the monitor screen becomes
reversed horizontally or vertically when the
viewfinder barrel is raised up or rotated. Use this
switch to control the image display in such
situation.
L/R: Reverse the image horizontally.
OFF: Do not reverse the image.
B/T: Reverse the image vertically.
e Eyepiece
You can raise this up when required by the
situation.
f Viewfinder barrel
You can raise this up or rotate when required by
the situation.
g Tally indicator
o Viewfinder cable
Lights up when recording is started by a press of
the REC START button on this camcorder, the
VTR button on the lens, or the VTR button on the
remote control unit.
p Microphone holder
When an abnormality occurs, the tally indicator
flashes to indicate a warning.
h PEAKING control
Turning this control clockwise adjusts the picture
sharpness, and makes focusing easier. This
control has no effect on the output signals of the
camcorder.
i CONTRAST control
Adjusts the contrast of the screen. This control
has no effect on the output signals of the
camcorder.
j BRIGHT control
Adjusts the brightness of the screen. This control
has no effect on the output signals of the
camcorder.
k TALLY switch
Controls the tally indicator located on the front of
the viewfinder.
HIGH: The tally indicator brightness is set to
high.
OFF: The tally indicator is disabled.
LOW: The tally indicator brightness is set to low.
l ZEBRA (zebra pattern) switch
Controls the zebra pattern display on the
viewfinder screen as follows.
ON: Display a zebra pattern.
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Ex2D: The lens extender and the optional digital
extender function of this camcorder are both
on.
Viewfinder Screen
Display
b Zoom position (when the serial lens is
mounted)
The viewfinder screen displays not only the video
picture but also characters and messages
indicating the camcorder settings and operating
status, a center marker, a safety zone marker, etc.
When the menu screen is not displayed and the
DISPLAY switch is set to ON, the items for
which an ON setting was made with
Indicates the zoom position of the zoom lens in
the range from 0 to 99.
c Focus position (when the serial lens is
mounted)
Indicates the focus position as distance to the
subject (in units of m).
OPERATION >Super Impose in the setup menu
or with related switches are displayed at the top
and bottom of the screen.
Caution messages are indicated for three seconds
when you carry out operations to change
camcorder settings. Adjustment execution
messages are indicated while adjustments
proceed. When adjustments are finished,
messages showing the results of adjustments
appear for three seconds.
d Green tally
Lights when the camcorder is the following
states.
• MAINTENANCE >Camera Config >HD-SDI
Remote I/F is set to [G-Tally] in the setup menu
and a recording control signal is output from the
HD/SD SDI OUT connector.
• When the Picture Cache mode is enabled
Not only these indications are displayed on the
viewfinder screen, but a menu setting enables
them to be output as video signals.
e Media status
Displays the name of the currently active media
slot (A or B).
All items that can be displayed on the viewfinder
screen are shown below.
f Recording mode/operation status
Indicates the current recording mode/operation
status as follows.
Top of viewfinder screen
Indication
zREC
Meaning
Recording in progress
Standby for recording
Standby in Picture Cache mode
STBY
zCACHE
zINT REC Recording in progress in Interval
Recording mode
zINT STBY Standby for next recording in
Interval Recording mode
INT STBY
Standby in Interval Recording
mode
zFRM REC Recording in progress in Frame
Recording mode
zFRM
STBY
Standby for next recording in
Frame Recording mode
a Extender settings
FRM STBY Standby in Frame Recording mode
zS&Q REC Recording in progress in Slow &
Quick Motion mode
Indicates the setting of the digital extender
function (by digital extender option) of this
camcorder and the setting of the lens extender.
EX: The lens extender is on.
08: The lens shrinker is on.
x2D: The optional digital extender function of
this camcorder is on.
S&Q STBY Standby in Slow & Quick Motion
mode
zCALL
Being called from a connected
device
BREVIEW During recording review
Viewfinder Screen Display
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g Wireless receiver reception level
m Depth of field indication (when the
serial lens is mounted)
When a wireless receiver is installed in the
camcorder, “W” appears together with four
segment reception level indicators for each of the
channels (1 to 4) that can be used by the receiver.
The indications are as follows.
In normal situation: The number of white
segments indicates the strength of the signal
level.
Error/warning indication
A bar indicates the depth of field. The display unit
is meters or feet, as selected by OPERATION
>Display On/Off >Lens Info in the setup menu.
An error or warning message is displayed here
depending on the situation.
n Special recording mode indication
The following is displayed when the camcorder is
in a special recording mode.
• Frame Rec (Frame Recording mode)
• Interval Rec (Interval Recording mode)
• S&Q Motion (Slow & Quick Motion mode)
Muting (for an analog receiver) or error rate
aggravation (for a digital receiver): The
number of gray segments indicates the
strength of the signal level.
h Battery remaining/voltage capacity
The following is displayed depending on the type
of power source.
o Special recording mode settings
indication
Appears when the camcorder is in a special
recording mode.
Type of power What is displayed
source
InfoLithium
battery
Remaining battery capacity icon
and remaining recording time
Remaining battery capacity (%
indication)
Bottom of viewfinder screen
Anton Bauer
battery
Other type than Input voltage
above
i External power input
Appears when power is supplied from an external
power source connected to the DC IN connector.
j Color temperature
Displays a color temperature calculated from the
gain of R and B, in the range 1.5 K to 50.0 K (in
steps of 0.1 K). The +/– signs may be displayed
depending on the Offset White setting (see
No display: Offset White is OFF
+: The value of Offset White is greater than
3200K.
a TLCS iris control mode
The following icons are displayed to indicate the
video level control modes based on the Total
Level Control System (TLCS).
–: The value of Offset White is less than 3200K.
k Number of system lines
Icon
TLCS control mode
Indicates the number of system lines (1080/720/
576/480) of video currently being recorded or
played back.
Backlight mode
Standard mode
Spotlight mode
STD
l Video format
Indicates the format of video being currently
The video aspect ratio (16:9 or 4:3) can also be
displayed when the recording format is set to
DVCAM.
b Focus adjustment mode (when the auto
focus lens is mounted)
Indicates the current focus adjustment mode of
the camcorder.
Viewfinder Screen Display
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• AF (Auto Focus mode)
k Filter position
• MF (Manual Focus mode)
• MF* (Manual Focus mode when the MF Assist
function is on)
Indicates the currently selected ND filter position
When ELECTRICAL CC is assigned to an
assignable switch, the electrical filter position (A/
B/C/D) appears to the right of the ND filter
position (1 to 4), as shown on the previous page.
• Full MF (Full Manual Focus mode)
c External device control
“REC2” is displayed when MAINTENANCE
>Camera Config >HD-SDI Remote I/F is set to
[Chara] in the setup menu and a recording control
signal is output from the HD/SD SDI OUT
connector.
l White balance memory
Indicates the currently selected white balance
automatic adjustment memory.
ATW: ATW (Auto Tracing White Balance) mode
W:A: Memory A mode
W:B: Memory B mode
d Operation status of connected i.LINK
device
W:P: Preset mode
The operating format (HDV or DV) and operation
status of that device are indicated as follows.
3200: When the assignable switch to which Color
Temp SW 3200K has been assigned is on
4300: When the assignable switch to which Color
Temp SW 4300K has been assigned is on
5600: When the assignable switch to which Color
Temp SW 5600K has been assigned is on
6300: When the assignable switch to which Color
Temp SW 6300K has been assigned is on
Indication
zREC
STBY
Meaning
HDV recording in progress
Standby for HDV recording
DV recording in progress
Standby for DV recording
zREC
STBY
e Video level indication
m Gain value
Indicates the gain value (in dB) of the video
amplifier, as set by the GAIN selector.
An indication is displayed together with an
appropriate ND filter position number when the
light level of the subject is too high or too low.
n Shutter
Indicates the shutter speed or the shutter mode.
f Timecode
Caution message
For details, see “Setting the Electronic Shutter”
Indicates the elapsed recording/playback time,
timecode, user bits data or other information
Also indicates a caution message when caution is
required such as when you try to change settings.
o Audio level meters
Indicate the audio levels of channel 1 and channel
2.
g Brightness level
Indicates the average brightness level (%) of the
detection area.
p Remaining media capacity
Indicates the recording time remaining for each of
the media loaded in the slots. The available time
for recording with the current video format
(recording bit rate) is calculated according to the
remaining space of each media and indicated in
time units of minutes. A lock icon appears if the
media is write-protected.
h External input source
Indicates the type of external input signal (HDV)
to be recorded.
i Recording of external input
Indicates “EXT” when an external input is
recorded.
q Histogram
Shows a pixel distribution of video luminance
(HD mode only).
j Electric color temperature filter
Appears when the CC 5600K function is set to on.
Viewfinder Screen Display
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r Iris position (when the lens is mounted)
Indicates the iris position and the setting for iris
override (reference value for the lens iris) (see
The iris override setting is indicated by four
segments indicator as follows.
Reference Indicator
value
+0.25
Lower left segment is lit in grey.
x
+0.5
x
x
Left two segments are lit in grey.
+0.75
x
xx
Left two segments and lower
right segment are lit in grey.
+1
xx All segments are lit in grey.
xx
–0.25
Lower left segment is lit in
white.
s
–0.5
–0.75
–1
s
s
Left two segments are lit in
white.
s
ss
Left two segments and lower
right segment are lit in white.
ss All segments are lit in white.
ss
Viewfinder Screen Display
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31
Chapter2 Preparations
Note on using the battery pack
A warm battery pack may not be able to be fully
recharged.
Preparing a Power
Supply
To attach the battery pack
1
Press the battery pack against the back
of the camcorder, aligning the line on
the side of the battery pack with the
matching line on the camcorder.
For safety, use only the Sony battery packs and
AC adaptors listed below.
• BP-GL95/GL65/L60S/L80S Lithium-ion
Battery Pack
• AC power using the AC-DN2B/DN10 AC
Adaptor
CAUTION
Danger of explosion if battery is incorrectly replaced.
Replace only with the same or equivalent type
recommended by the manufacturer.
When you dispose of the battery, you must obey the law
in the relative area or country.
Using a Battery Pack
When a BP-GL95/GL65/L60S/L80S Battery
Pack is used, the camcorder will operate
continuously for the time shown below.
1 BP-GL95/GL65/L60S/L80S
2 Align these lines.
Model name
BP-GL95
BP-GL65
BP-L60S
Operating time
2
Slide the battery pack down until its
“LOCK” arrow points at the matching
line on the camcorder.
Approx. 310 minutes
Approx. 210 minutes
Approx. 210 minutes
Approx. 270 minutes
BP-L80S
WARNING
Batteries shall not be exposed to excessive heat such as
sunshine, fire or the like.
Note
The battery pack operating time depends on the
frequency of use of the battery pack, and the ambient
temperature when used.
Before use, charge the battery pack with a charger
suitable for each battery.
1 “LOCK” arrow
2 Matching line on the camcorder
For details on the battery charging procedure, refer
to the battery charger operation manual.
Preparing a Power Supply
32
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Note
Attaching the Viewfinder
If the battery pack is not attached correctly, the terminal
may be damaged.
To detach the battery pack
Holding the release button in, pull the battery
pack up.
CAUTION
When the viewfinder is attached, do not leave the
camcorder with the eyepiece facing the sun.
Direct sunlight can enter through the eyepiece, be
focused in the viewfinder and cause fire.
Attaching the Supplied Viewfinder
Note
When attaching the viewfinder, make notes of the
following points.
• Be sure to power off the camcorder before coupling the
viewfinder connector to the camcorder’s VF connector
(rectangular). If you make this connection when the
camcorder power is on, the viewfinder may not
function properly.
Release button
Notes
• Couple the viewfinder connector firmly to the
camcorder’s VF connector (rectangular). If the
coupling is loose, noise may appear on the video or the
tally indicator may not operate properly.
• During recording and playback (while the ACCESS
indicator is lit), be careful never to remove the battery
pack.
• Make sure to power the camcorder off before replacing
the battery pack.
1
1 Loosen the viewfinder left-to-right
positioning ring, 2 attach the
viewfinder to the viewfinder fitting
shoe, and 3 tighten the viewfinder left-
to-right positioning ring.
Using AC Power
Mount an AC-DN2B/DN10 on the camcorder in
the same way as a battery pack, then connect to
the AC power supply.
Stopper
The AC-DN2B/DN10 can supply up to 100 W of
power.
Viewfinder left-
to-right
positioning ring
To an AC outlet
Attaching the Viewfinder
33
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2
Couple the viewfinder connector to the
VF connector (rectangular).
Adjusting the Viewfinder Angle
VF connector (rectangular)
You can adjust the angle of the viewfinder.
To reverse the display (image/text indication)
vertically
The viewfinder can be rotated as much as 180
degrees toward the direction facing the subject.
When you do this, the picture and other
information displayed in the viewfinder appear
upside down. To restore the normal display, set
the MIRROR switch on the rear panel of the
viewfinder to B/T.
Detaching the viewfinder
You can detach the viewfinder by following the
attaching procedure in reverse order, but there is
an additional action to take: when detaching the
viewfinder from the fitting shoe, pull up the
stopper.
Lifting Up the Viewfinder Barrel
and Eyepiece
Adjusting the Viewfinder Position
You can view the LCD screen inside the
viewfinder or its mirrored image by lifting up the
viewfinder barrel or the eyepiece.
This section describes how to lift up the
viewfinder barrel and detach it. The eyepiece can
also be lifted up and detached in the same way.
To adjust the viewfinder left-to-right position,
loosen the left-to-right positioning ring, and to
adjust the front-to-back position, loosen the front-
to-back positioning knob.
Viewfinder left-to-right positioning ring
Viewfinder front-to-back positioning knob
LCD screen
Attaching the Viewfinder
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34
To raise up the viewfinder barrel
To detach the viewfinder barrel
Push the clip on the bottom to release (1) and
flip up the viewfinder barrel (2).
It locks at the 120-degree position.
Normally use it in the locked position.
Although you can open it farther from the lock
position, once return it to the closed position to
lock it at the 120-degree position again.
1
2
3
Push the clip on the bottom to release.
Flip up the viewfinder barrel.
Slide the knob on the top to the opposite
side of the viewfinder barrel.
4
Detach the viewfinder barrel by
horizontally sliding it.
To reverse the display (image/text indication)
horizontally
By setting the MIRROR switch on the rear panel
of the viewfinder to L/R, you can reverse the
picture and other information displayed in the
viewfinder horizontally.
Attaching the Viewfinder
35
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1
Loosen the front-to-back viewfinder
positioning levers and the front-to-back
viewfinder positioning knobs, and then
pull the viewfinder slide assembly
forward.
Adjusting the Viewfinder Focus
and Screen
To adjust the viewfinder focus
Turn the diopter adjustment ring until the
viewfinder image is sharpest.
2
Using a 2.5 mm diameter hexagonal
wrench, detach the viewfinder slide
assembly.
Bolts with
hexagonal
hole
Diopter adjustment ring
To adjust the viewfinder screen
Adjust the brightness, contrast, and peaking of the
viewfinder screen with the controls shown below.
Viewfinder slide assembly
3
Attach the BKW-401 with the supplied
bolts.
1 PEAKING control
2 CONTRAST control
3 BRIGHT control
Using the BKW-401 Viewfinder
Rotation Bracket
By fitting an optional BKW-401 Viewfinder
Rotation Bracket, you can rotate the viewfinder
out of the way so that your right leg does not hit
the viewfinder while you are carrying the
camcorder.
Bolts supplied with the BKW-401
Attaching the Viewfinder
36
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4
Adjust the front-to-back position so
that the arm of the BKW-401 does not
touch the handle when it is raised.
Adjust position so that arm
does not touch handle
Attaching a 5-inch Electronic Viewfinder
You can attach an optional DXF-51or DXF-C50W (5-inch) Electronic Viewfinder. To attach it, an
Accessory Shoe Kit (service part number: A-8274-968-B) is required.
For details, consult a Sony service representative.
Note
It is not possible to use the supplied viewfinder and a 5-inch viewfinder at the same time.
Remove the cover of the grip, and attach the shoe and stopper screw of the Accessory Shoe Kit.
Fixing ring
Guide plate
VF cable
Shoe a)
Stopper screw a)
a) Supplied with the Accessory Shoe Kit
Attaching the Viewfinder
37
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2
3
Press the MENU knob.
The settings for selectable areas of use are
displayed.
Setting the Area of Use
When using the camcorder for the first
time
The area of use is not factory preset. Before using
the camcorder, you need to set this item. (You
cannot use the camcorder without setting this
item.)
Turn the MENU knob to select the
desired area of use.
Setting
Area of use
To set the area of use
NTSC Area
NTSC area (for areas other
a)
than Japan)
b)
NTSC(J) Area
PAL Area
NTSC area (Japan)
c)
PAL area
a) The composite signal output from this camcorder
is an NTSC signal with a black setup (7.5 IRE).
The system frequency is 59.94i.
b) The composite signal output from this camcorder
is an NTSC signal with no black setup. The
system frequency is 59.94i.
c) The composite signal output from this camcorder
is a PAL signal. The system frequency is 50i.
POWER switch
MENU knob
1
Set the POWER switch to the ON
position.
The screen for setting the area of use appears
4
5
Set the following items.
• Time Zone
• Date/Time
in the viewfinder.
Turn the MENU knob to select
“Finish”, then press the MENU knob.
The camcorder is now ready for use.
Setting the Area of Use
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38
Setting the Date/Time of
the Internal Clock
Mounting and Adjusting
the Lens
You can set or change the date and time of the
internal clock. The date and time set are reflected
in the timecode.
Note
Always power the camcorder off before mounting or
removing a lens.
For menu operations, see “Basic Setup Menu
For information about using the lens, refer to the
operation manual for the lens.
1
2
3
Select MAINTENANCE >Clock Set
>Date/Time in the setup menu.
Lens mount
securing rubber
Press the MENU knob.
The Date/Time setting window appears.
Turn the MENU knob to display the
desired value, and press the knob.
The selection shifts to the next item on the
right.
1
2
3
Push the lens locking lever up and
remove the lens mount cap from the
lens mount.
4
5
To continue the remaining settings,
repeat step 3.
Align the center pin on the lens with the
center slot in the lens mount, and insert
the lens into the mount.
Making sure that “SET” is selected,
press the MENU knob.
The internal clock is set with the date and
Holding the lens in place, push the lens
locking lever down to lock the lens.
time set in steps 3 and 4.
Caution
To cancel the setting
If the lens is not firmly locked, it may come off
while the camcorder is being used. This could
cause a serious accident. Make sure the lens is
firmly locked. It is recommended that the lens
Before executing step 5, push the MENU
CANCEL/PRST/ESCAPE switch up to the
CANCEL/PRST side.
Setting the Date/Time of the Internal Clock / Mounting and Adjusting the Lens
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39
mount securing rubber be put on the lens locking
lever as illustrated above.
1
Open the iris, position the supplied
flange focal length adjustment chart
approximately 3 meters (10 ft) away
from the camcorder, and arrange the
lighting to obtain a satisfactory video
output.
If you have attached an aberration correction
lens
The aberration correction function is activated
automatically. Starting the camcorder with an
aberration correction lens may require more time
than normally because of data loading at start-up.
The lens supplied with the PMW-320K is an
aberration correction lens. Contact a Sony service
representative for information about other
aberration correction lenses.
2
3
Set the ZOOM switch to SERVO
(power zoom mode).
Hold down the flange focal length
adjustment button for 3 seconds.
The flange focal length adjustment starts.
Adjusting the Flange Focal Length
During adjustment
The message “AUTO FB Adjust
EXECUTING” appears on the viewfinder
screen.
If the lens does not stay in focus properly as you
zoom from telephoto to wide angle, adjust the
flange focal length (the distance from the plane of
the lens mounting flange to the imaging plane).
Make this adjustment just one time after
mounting or changing the lens.
If the adjustment completes correctly
The message on the viewfinder screen
changes to “Auto FB Adjust: OK”.
When carrying out the adjustment, use the
supplied flange focal length adjustment chart as
the subject.
If the flange focal length adjustment does
not complete correctly
Check the subject and lighting conditions,
and repeat the adjustment.
When using a non-auto focus lens
1
2
Set the iris to manual.
Open the iris, position the supplied
flange focal length adjustment chart
approximately 3 meters (10 ft) away
from the camcorder, and arrange the
lighting to obtain a satisfactory video
output.
About 3 m (10 ft)
Notes
3
Loosen the fixing screws on the F.f or
F.B ring (flange focal length adjustment
ring).
• If you use a subject with insufficient contrast, or move
the camcorder or subject during adjustment, this will
cause an adjustment error.
• Place the subject (the flange focal length adjustment
chart) so that it appears at the center of the screen at the
telephoto end. Arrange so that no nearby object (no
object closer to the camera than the chart) enters the
screen at the wide-angle end.
4
5
Use manual or power zoom to set the
lens to telephoto.
Point the camcorder at the chart by
turning the focus ring and focus on it.
Carrying out the adjustment
6
7
Set the zoom ring to wide angle.
When using the auto focus lens
With the lens supplied with the PMW-320K,
zoom and focus operations automatically adjust
the flange focal length.
Turn the F.f or F.B ring until the chart
is in focus, being careful not to disturb
the focus ring.
Mounting and Adjusting the Lens
40
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8
9
Repeat steps 4 to 7 until the chart stays
in focus all the way from wide angle to
telephoto.
Preparing the Audio
Input System
Tighten the F.f or F.B ring fixing
screws.
Connecting a Microphone to the
MIC IN Connector
Attach the supplied microphone to the
microphone holder of the supplied viewfinder.
1
Loosen the screw (1) and open the
microphone holder clamp (2).
Microphone holder clamp
2
Place the microphone in the
microphone holder.
1 Place the microphone in the holder so
that “UP” is at the top.
2 Close the microphone holder.
3 Tighten the screw.
3
Plug the microphone cable into the MIC
IN connector, then set the AUDIO IN
CH1/CH2/CH3/CH4 switch for the
Preparing the Audio Input System
41
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channel on which you want to record
the audio from this microphone to
FRONT.
Microphone
4
Secure the microphone cable with the
cable clamp.
Connecting Microphones to the
AUDIO IN Connectors
You can connect up to two monaural
microphones to the AUDIO IN CH1/CH2
connectors, using an optional CAC-12
Microphone Holder.
The following is the procedure for attaching an
electret condenser microphone such as the ECM-
674/678.
2
3
Connect the microphone cable to the
AUDIO IN CH1 or CH2 connector.
Set the switches as follows.
• Set the AUDIO IN selectors indicated
below, depending on the power supply type
of the microphone.
Internal power supply: MIC
External power supply: +48V
• Set the AUDIO IN CH1/CH2 switch for the
channel to which the microphone is
connected to REAR.
On how to attach the CAC-12, refer to the operation
manual for the CAC-12.
1
Attach the electret condenser
microphone.
1 Loosen the ball joint lock lever.
2 Wind the microphone spacer (sheet
type, supplied with the microphone)
around the microphone, while peeling
off the protective sheets on both sides
of the microphone spacer.
3 Place the microphone in the holder so
that “UP” is at the top.
4 Close the microphone holder.
5 Tighten the screw.
6 Position so that the microphone does
not interfere with the viewfinder and
tighten the ball joint lock lever.
Preparing the Audio Input System
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42
For details of these units, refer to the operation
manuals for them.
Note
The optional WRR Mount Bracket (service part number:
A-8278-057-B) is required to fit the WRR-862.
For details, contact your vendor or a Sony service
representative
To fit the DWR-S01D or WRR-855S
1
2
3
Remove the four fixing screws holding
the cover of the portable tuner/receiver
housing slot located in the rear of the
camcorder, to remove the cover.
1 AUDIO IN selectors
2 Monaural microphone
3 AUDIO IN CH1/CH2 switches
4 To AUDIO IN CH1 or CH2 connector
4
Switch the input level to match the
sensitivity of the microphone used.
Switch the input level by changing the setting of
MAINTENANCE >Audio >Rear MIC CH1/
CH2 Ref in the setup menu (factory default
Notes
Insert the DWR-S01D or WRR-855S
into the housing slot, and fasten the four
fixing screws.
• If the input level on the camcorder is not at an
appropriate setting for the microphone sensitivity, loud
sounds may be distorted, and the signal-to-noise ratio
may be affected.
• In order for the AUDIO IN CH1 and CH2 connectors
on the camcorder to be able to provide a phantom 48 V
power supply, female XLR connectors (3-pin) are
fitted. If the microphone cable has a female connector,
use an adaptor.
• When you detach a CAC-12 Microphone Holder once
you have attached to the camcorder, be careful not to
lose the two screws fixing the CAC-12 (in step 1).
After detaching the CAC-12, be sure to put the two
screws back into their original places.
DWR-S01D or WRR-855S
Set the AUDIO IN selector for the
channel to which you want to input
audio signal to WIRELESS (see
Attaching a UHF Portable Tuner
(for a UHF Wireless Microphone
System)
To use a Sony UHF wireless microphone system,
power the camcorder off and then fit one of the
following UHF portable tuners.
• DWR-S01D Digital Wireless Receiver
• WRR-855S UHF Synthesized Tuner Unit
• WRR-860A/861/862 UHF Synthesized
Diversity Tuner
Preparing the Audio Input System
43
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Tripod Mounting
1
Attach the optional VCT-14/U14
Tripod Adaptor to the tripod.
Red button
Tripod adaptor
Lever
Note
The tripod adaptor pin may remain in the engaged
position even after the camcorder is removed. If this
happens, press the red button and move the lever as
shown above until the pin returns to the stowed position.
If the pin remains in the engaged position, you will not
be able to mount the camcorder on the tripod adaptor.
Camera mount
2
Mount the camcorder on the tripod
adaptor.
Slide the camcorder forward along the
groove in the adaptor until it clicks.
To remove the camcorder from the tripod
adaptor
Hold down the red button and pull the lever in the
direction of the arrow.
Tripod Mounting
44
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Connecting a Video
Light
Using the Shoulder
Strap
With this camcorder, you can use the Anton
Bauer Ultralight 2 or equivalent video light
(powered by 12 V with maximum power
consumption of 50 W).
• If you connect the video light to the LIGHT
connector on the camcorder and set the LIGHT
switch to AUTO, you can turn the light on and
off automatically as you start and stop recording
on this camcorder.
To attach the shoulder strap
1
Fit one of the clips to a shoulder strap
fitting.
Pull up the strap to lock the fitting.
• The output of the LIGHT connector on the
camcorder is controlled to 12 V even when the
camcorder is supplied with over 12 V power
(through the DC IN connector or battery pack).
The brightness or color temperature of the light
will not change according to voltage increase.
Clip
Notes
• Do not use a video light with power consumption of
over 50 W.
• The brightness or color temperature of the light will
change when the voltage (supplied through the DC IN
connector or from the battery pack) is under 12 V.
2
Fit the other clip to the shoulder strap
fitting on the other side of the grip in the
same way as in step 1.
To attach the video light
Fit the video light to the accessory fitting shoe on
the camcorder grip, and connect the video light
cable to the LIGHT connector.
Note
The accessory fitting shoe on the camcorder is of the
1/4-inch tapped hole type. If you want to replace this with
a slide-type shoe, use the supplied cold shoe kit. On how
to fit the cold shoe kit, refer to “Using a External Hard
Disk” in the Supplement supplied in the CD-ROM
(labeled “Manuals for Solid-State Memory
Camcorder”).
Connecting a Video Light / Using the Shoulder Strap
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45
To remove the shoulder strap
Adjusting the Shoulder
Pad Position
Press here and pull in the direction
shown by the arrow to release.
You can slide the shoulder pad back and forth
within a 40 mm range. This adjustment helps you
get the best balance for shooting with the
camcorder on your shoulder.
Shoulder pad
1
2
3
Raise the lever in the center of the
shoulder pad to unlock the shoulder
pad.
Slide the shoulder pad backward or
forward until it is in the most
convenient position.
Bring down the lever to lock the
shoulder pad in the selected position.
Adjusting the Shoulder Pad Position
46
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Chapter3 Adjustments and Settings
Setting the Video Format
The following recording formats can be selected for different combinations of video resolution and system
frequency.
OPERATION >Format menu settings
HD/SD System Line Rec Format
Video format (recording
a) format/system frequency)
Frame size
System Frequency
59.94i
50i
HD
1080
HQ 1920
HQ 1920/59.94i
HQ 1920/50i
1920×1080
29.97P
25P
HQ 1920/29.97P
HQ 1920/25P
23.98P
59.94i
50i
HQ 1920/23.98P
HQ 1440/59.94i
HQ 1440/50i
HQ 1440
1440×1080
29.97P
25P
HQ 1440/29.97P
HQ 1440/25P
23.98P
59.94i
50i
HQ 1440/23.98P
SP 1440/59.94i
SP 1440/50i
SP 1440
HQ 1280
b)
SP 1440/23.98P
23.98P
720
—
59.94P
50P
HQ 1280/59.94P
HQ 1280/50P
720×1280
29.97P
25P
HQ 1280/29.97P
HQ 1280/25P
23.98P
59.94i
50i
HQ 1280/23.98P
DVCAM/59.94i
DVCAM/50i
SD
DVCAM
720×480
720×576
720×480
c)
DVCAM/29.97P
29.97P
c)
DVCAM/25P
720×576
25P
a) 59.94i/29.97P/59.94P/23.98P: When OPERATION >Format >Country in the setup menu is set to [NTSC Area] or
[NTSC(J) Area]
50i/25P/50P: When OPERATION >Format >Country in the setup menu is set to [PAL Area]
b) 59.94i after 2-3 pulldown is recorded
c) Converted to PsF and recorded
Setting the Video Format
47
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Changing the Video Format
Adjusting the Black
Balance and the White
Balance
Refer to the above table and change the settings of
the relevant items.
1
Select OPERATION >Format in the
To ensure excellent image quality when using this
camcorder, conditions may require that both the
black balance and the white balance be adjusted.
Black balance and white balance adjustment
values that are automatically set by the camcorder
and the various settings are stored in the
camcorder memory and retained even when the
power is turned off.
Black balance adjustment
The black balance will require adjustment in the
following cases.
• When the camcorder is used for the first time
• When the camcorder has not been used for a
long time
2
3
Turn the MENU knob to select the item
to change, and press the knob.
Turn the MENU knob to change the
setting, and press the knob.
A confirmation message appears.
• When the camcorder is used under conditions in
which the surrounding temperature has changed
greatly
• When the GAIN selector (L/M/H/Turbo) values
have been changed by using OPERATION
>Gain Switch in the setup menu.
It is not usually necessary to adjust the black
balance when using the camcorder after it has
been off.
4
5
Select [Execute] to execute, or select
[Cancel] to cancel, and then press the
MENU knob.
When the setting of HD/SD or Country
was changed, power the camcorder off
and on again.
White balance adjustment
Always readjust the white balance when the
lighting conditions change.
Adjusting the Black Balance
In automatic black balance mode, adjustments are
performed in the following order: black set and
black balance. Manual black balance adjustment
can be selected from the setup menu.
For details of manual black balance adjustment,
refer to the Maintenance Manual.
Automatic black balance adjustment is disabled
in the following case.
• During recording
• In a special recording modes (Picture Cache
Rec, Interval Rec, Frame Rec, Slow & Quick)
• When the shutter mode is SLS
Adjusting the Black Balance and the White Balance
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48
1
2
Set the OUTPUT/DCC switch to CAM.
Adjusting the White Balance
Push the AUTO W/B BAL switch to
BLACK and release the switch.
The message “Executing...” appears during
execution, and changes to “Done” when the
adjustment finishes. Adjustment values are
saved to memory automatically.
1
Set the switches and selectors as shown
below.
• GAIN switch: L (set to a gain value that is
as small as possible)
• OUTPUT/DCC switch: CAM
a)
• WHITE BAL switch: A or B
Notes
a) Adjustment values are saved to memory B only
when OPERATION >White Setting >White
Switch<B> in the setup menu, is set to
[Memory].
• During the black balance adjustment, the iris is
automatically closed.
• During the black balance adjustment, the gain
selection circuit is automatically activated so you may
see flickering on the viewfinder screen, but this is not
a fault.
• Output from the i.LINK connector stops temporarily if
you execute black balance adjustment during i.LINK
output. Output from the connector resumes when black
balance adjustment finishes.
2
3
Set the FILTER selector to suit the
lighting conditions as follows.
Place a white test card under the same
lighting conditions as for the subject to
be shot and zoom up to it.
Alternatively, any white object such as a
cloth or a wall can be used.
The absolute minimum white area is as
follows.
If automatic black balance adjustment
cannot be made
If the black balance adjustment cannot be
completed normally, an error message will appear
for about three seconds on the viewfinder screen.
Possible messages are listed below.
Rectangle centered on the screen. The
lengths of the sides are 70% of the length
and width of the screen.
Error message Meaning
NG: Iris Not
Closed
The lens iris did not close;
adjustment was impossible.
Adjustment could not be
completed within the standard
number of attempts.
NG: Timeout
NG: Out of
Range
The difference between the
reference value and the current
value is so great that it exceeds
the range. Adjustment was
impossible.
Note
Make sure there are not bright spots in the
rectangle.
If any of the above error messages is displayed,
retry the black balance adjustment.
If the error message occurs again, an internal
check is necessary.
4
5
Adjust the lens iris.
Manually adjusted lens: set the iris to an
appropriate setting.
Lens with automatic iris: set the automatic/
manual switch on the lens to automatic.
For information about this internal check, refer to
the Maintenance Manual.
Push the AUTO W/B BAL switch to
WHITE and then release the switch.
Note
If the lens cable is not firmly connected to the LENS
connector, it may not be possible to adjust the lens iris. If
this happens, the black balance will be incorrect.
Adjusting the Black Balance and the White Balance
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49
If you have no time to adjust the white
balance
Set the WHITE BAL switch to PRST.
This makes it possible to automatically set the
white balance to 5600K (factory default value) by
pressing the COLOR TEMP. button.
The color temperature to which the white balance
is set when the COLOR TEMP. button is pressed
can be selected from among 3200K, 4300K,
5600K, and 6300K on OPERATION
>Assignable SW in the setup menu. You can also
assign color temperatures to the ASSIGN. 1/3
switches or ASSIGNABLE 4/5 switches.
AUTO W/B BAL switch
The message “Executing...” appears during
execution, and changes to “OK: (color
temperature of subject)” when the
adjustment finishes.
The adjustment values are saved
automatically in the memory selected in
step 1 (A or B).
To change the color temperature when
the ND filter is switched
Note
You can assign electrical CC (color correction)
to change the color temperature automatically
when the ND filter is switched.
If the camcorder has a zoom lens with an automatic
iris, the iris may hunt 1) during the adjustment. To
prevent this, adjust the iris gain knob (indicated as
IG, IS, or S) on the lens.
1
Set MAINTENANCE >White Filter
>ND Filter C.Temp in the setup menu
(see page 122) to On.
For details, refer to the lens operation manual.
1) Hunting: Repeated brightening and darkening of
the image, resulting from repeated response to
automatic iris control.
2
To assign an electrical CC filter to
FILTER selector position number 1,
select [ND FLT C.Temp<1>]. To assign
it to positions 2 to 4, select [ND FLT
C.Temp<2-4>].
If the automatic white balance adjustment
cannot be made
If the white balance adjustment cannot be
completed normally, an error message will appear
for about three seconds on the viewfinder screen.
Possible messages are listed below.
3
4
Turn the MENU knob to select the
desired color temperature.
As you turn the MENU knob, the color
temperature changes as follows: 3200K y
4300K y 5600K y 6300K.
Error message Meaning
NG: Low Light The white video level is too low.
Either open the lens iris or
increase the gain.
NG: Timeout
Adjustment could not be
completed within the standard
number of attempts.
Repeat steps 2 and 3 as required.
NG: High Light The white video level is too
high. Either stop down the lens
iris or change the ND filter.
If any of the above error messages is displayed,
retry the white balance adjustment. If the error
message occurs again, an internal check is
necessary.
For information about this internal check, refer to
the Maintenance Manual.
Adjusting the Black Balance and the White Balance
50
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of the memories are not linked to ND filter
settings in the following cases.
• When the number of memories allocated to
each of A and B is limited to one by setting
OPERATION >White Setting >Filter White
Memory in the setup menu to Off.
• When the electrical CC filter switching function
has been assigned to an assignable switch, or
when a remote control unit has been connected.
(In these cases, the contents of white balance
memory are linked to electrical CC filter
positions (A to D).)
To switch between electrical CC filters
with an assignable switch
You can assign the function that switches
between electrical CC filters to an assignable
switch. This allows you to switch between color
temperatures (3200K/4300K/5600K/6300K) that
have been assigned to up to four positions (A to
D) with each press of the assignable switch.
Regardless of assignments to assignable
switches, you can also switch between the color
temperatures assigned to each position from a
RM-B150/B750 Remote Control Unit.
Also, when OPERATION >White Setting
>White Switch<B> in the setup menu is set to
[ATW (Auto Tracing White Balance)], and the
WHITE BAL switch is set to B, the ATW
function is activated to automatically adjust the
white balance of the picture being shot for
varying lighting conditions.
1
2
Select MAINTENANCE >White Filter
Select the position to which to assign a
CC filter by selecting one of [Electrical
CC<A>] to [Electrical CC <D>], and
then turn the MENU knob to select the
desired color temperature.
As you turn the MENU knob, the color
temperature changes as follows: 3200K y
4300K y 5600K y 6300K.
To set no color temperature
Select “-----” with Electrical CC<C> or <D>
selected.
When the assignable switch is pressed, the
setting for that position is not displayed. For
example, if “-----” is set for one position, then
switching between the remaining three
positions is carried out.
3
4
Repeat step 2 as required.
Assign the electrical CC filter switching
function (ELECTRICAL CC) to an
White balance memory
Values stored in memory are held until the white
balance is next adjusted even when the camcorder
power is turned off.
The camcorder has two white balance memories,
A and B. You can automatically save adjustment
values for each ND filter in the memory that
corresponds to the WHITE BAL switch setting
(A or B). The camcorder has four built-in ND
filters, allowing you to save a total of eight
adjustment values (4 × 2). However, the contents
Adjusting the Black Balance and the White Balance
51
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As shown in the following tables, the range of
shutter speeds that can be set varies depending on
whether the Slow & Quick Motion (S&Q)
function is on or off.
Setting the Electronic
Shutter
System lines: 1080
System
Shutter speed (unit: Hz)
frequency
S&Q: Off
S&Q: On
Shutter Modes
59.94i
50i
60.00 to 3800
50.00 to 3500
—
—
The shutter modes that can be used with the
electronic shutter and the shutter speeds that can
be selected are listed below.
29.97P
23.98P
25P
29.99 to 4100 32.01 to 4100
23.99 to 3700 32.02 to 3700
25.00 to 3900 32.03 to 3900
System lines: 720
Standard mode
Select this mode for shooting fast-moving
subjects with little blurring.
System
frequency
Shutter speed (unit: Hz)
S&Q: Off
S&Q: On
You can set the shutter speed in one of two shutter
modes: Speed mode, in which the speed is set in
seconds, and Angle mode, in which the speed is
set in degrees.
59.94P
50P
60.07 to 4100 32.01 to 4100
50.03 to 3900 32.03 to 3900
29.99 to 4100 32.01 to 4100
23.99 to 3700 32.02 to 3700
25.00 to 3900 32.03 to 3900
29.97P
23.98P
25P
Speed mode
System
frequency
59.94i
59.94P
50i
Shutter speed (unit: seconds)
SLS (slow speed shutter) mode
Select this mode for shooting subjects in low level
lighting conditions.
1
1
1
1
1
1
1
/
/
/
/
,
/
,
/
,
/
,
60, 100, 120 125 250 500
1
,
/
1000 2000
Number of accumulated frames
50P
2, 3, 4, 5, 6, 7, 8, 16, 32, 64
1
1
a)
1
a) 1
,
1
1
1
29.97P
/
/
/
/
/
/
, /
1
/
, /
/
, /
,
,
40
50
60 100, 120 125
1
1
Notes
,
/
,
/
,
/
250 500 1000 2000
• SLS mode cannot be used when the video format is SP
1440/23.98P or when the camcorder is in Slow &
Quick Motion mode.
• It is not possible to output the color bar signal, turn the
SLS mode on or off, or change the number of
accumulated frames when the number of accumulated
frames is set to 16, 32 or 64.
1
1
a)
1
a)
1
1
1
1
25P
, /
, /
/
, /
/
33
50
60, 100 120, 125
1
1
1
,
/
,
/
,
/
250 500 1000 2000
1
1
a)
1
a)
1
a)
1
1
1
23.98P
, /
, /
, / , / , /
,
32
48
50
60 96 100
1
1
1
1
1
/
, / , / , /
, /
120, 125 250 500 1000 2000
a) This speed cannot be selected when the camcorder is
in Slow & Quick Motion mode and OPERATION
>Rec Function >Frame Rate in the setup menu is set
to a value that is greater than the system frequency.
Selecting the Shutter Mode and
Shutter Speed
Angle mode
180°, 90°, 45°, 22.5°, and 11.25°
Notes
• When the automatic iris is used, the iris opens wider as
the shutter speed increases, thus reducing the depth of
field.
• The selectable shutter speeds vary depending on the
current system frequency.
ECS (Extended Clear Scan) mode
Select this mode for obtaining images with no
horizontal bands of noise when shooting subjects
such as monitor screens.
Setting the Electronic Shutter
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To switch between Speed mode and
Angle mode
To set the shutter speed in ECS or SLS
mode
1
Select OPEARTION >Shutter Select
>Shutter Select in the setup menu (see
1
2
Set the shutter mode to ECS or SLS (see
the previous item).
Turn the MENU knob to select the
desired frequency or number of frames.
2
Turn the MENU knob to select Second
or Degree, and then press the knob.
To set the shutter mode and standard-
mode shutter speed
Once the shutter speed is selected, it is retained
even when the camcorder power is turned off.
1
Push the SHUTTER selector from ON
to SELECT.
The current shutter setting indication appears
for about three seconds.
2
Before the shutter setting indication
disappears, push the SHUTTER
selector down to SELECT again and
repeat this until the desired mode or
speed appears.
When all modes and speeds are displayed,
the display changes in the following order.
Speed Mode (with system frequency 59.94i)
SLS Mode
ECS Mode
Note
shutter speeds cannot be selected in Slow & Quick
Motion mode. These speeds are replaced by the slowest
selectable shutter speed.
Example: If you perform Slow & Quick Motion
shooting when setting the frame rate to 60 and the video
format to HQ1280/29.97P
The shutter speed is indicated as follows.
When Slow & Quick Motion mode is off
1/40t1/50t1/60t1/100t...
When Slow & Quick Motion mode is on
1/60t1/60t1/60t1/100t...
Setting the Electronic Shutter
53
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To set the automatic iris window
Changing the Reference
Value for Automatic Iris
Adjustment
1
Set OPERATION >Auto Iris >Iris
Window Indication in the setup menu to
On.
The current automatic iris window appears
on the viewfinder screen.
If it is not necessary to display the auto iris
window on the screen, set to Off.
The reference value for automatic iris adjustment
can be changed to aid the shooting of clear
pictures of back-lit subjects, or to prevent blown-
out highlights. The reference value for the lens
iris can be set within the following range with
respect to the standard value.
• 0.25 to 1 (increasing by increments of 0.25):
About 0.25 to 1 stop further open
• –0.25 to –1 (decreasing by increments of 0.25):
About 0.25 to 1 stop further close
2
3
Turn the MENU knob to select Iris
Window, and then press the knob.
Turn the MENU knob until the desired
auto iris window appears, and then
press the knob.
Also you can set the area where light detection
occurs.
The shaded parts indicate the
area where light detection
To change the reference value
If you select “Var”, the following items
become effective and you can set the window
of the desired size. Set the following items
with MAINTENANCE >Auto Iris2.
1
Set OPERATION >Auto Iris >Iris
Override in the setup menu to On (see
2
3
Set the MENU ON/OFF switch to OFF.
Item
Setting
Iris Var Width The width of the window
Iris Var Height The height of the window
Iris Var H Pos The position of the window
in the horizontal direction
Turn the MENU knob to change the
reference value.
Note
Iris Var V Pos. The position of the window
in the vertical direction.
Be sure to confirm that the current shutter mode is
not ECS.
When you exit the menu, the auto iris window
selected in step 3 appears.
Unless you need to keep this window displayed,
set OPERATION >Auto Iris >Iris Window
Indication in the setup menu to Off.
An indicator of the current reference value is
shown at the iris position indication (see
page 31) on the viewfinder screen.
To make the iris more open
Turn the MENU knob counterclockwise as
seen from the front of the camcorder.
Select one of 0.25, 0.5, 0.75, or 1.
To counter problems with very bright
highlights
To stop down the iris
If the subject is too bright, the iris may close too
much, leaving the overall image dark, or the
highlights may be blown out. In such cases,
setting the highlight clip function on reduces the
luminance range, avoiding problems from the
automatic iris correction.
Turn the MENU knob clockwise as seen
from the front of the camcorder.
Select one of –0.25, –0.5, –0.75, or –1.
The changed reference value is retained until
the power of the camcorder is turned off.
Even if the reference value is changed, it
reverts to the standard value every time the
power is turned on.
Set OPERATION >Auto Iris >Clip High Light in
the setup menu to On.
Changing the Reference Value for Automatic Iris Adjustment
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54
Zooming
Adjusting the Focus
The lens supplied with the PMW-320K allows
you to shoot with manual and servo zooming.
The lens supplied with the PMW-320K allows
you to adjust the focus in the following three
ways.
Full MF (full manual focus) mode
This mode supports focusing with the focus ring
only.
Without changing your grip, you can focus all the
way from ∞ to the shortest shooting distance.
Switching between Zoom Modes
Set the ZOOM switch to SERVO (servo zoom) or
MANU (manual zoom).
MF (manual focus) mode
Using Manual Zoom
In this mode, auto focus is enabled temporarily
when you press the PUSH AF button.
You can also use the MF assist function.
With the ZOOM switch set to MANU, turn the
zoom ring.
AF (auto focus) mode
In this mode, auto focus is always enabled.
The focus ring and the PUSH AF button are also
enabled.
Using Servo Zoom
With the ZOOM switch set to SERVO, operate
the power zoom lever. The current lens zoom
position appears in the viewfinder, over the range
Push to the W (wide) side when you want wide-
angle, and push to the T (telephoto) side when
you want telephoto. The zoom speed increases
when you push the lever deeply, and decreases
when you push less deeply.
Note
The lens is designed with an extra margin at the infinity
position (∞), to compensate for focus drifting due to
variations in temperature. When shooting a subject at
infinity in MF or Full MF mode, check the picture in the
viewfinder as you focus.
Adjusting in Full MF Mode
When you slide the focus ring back (toward the
camcorder), the focus mode becomes Full MF
mode, in which all focus adjustments are manual.
Note
When you slide the focus ring back, the focus instantly
moves to the mark position.
Focus by turning the focus ring while viewing the
viewfinder.
The distance indications on the ring are valid in
Full MF mode. The distances where the picture is
in focus correspond to absolute positions of the
focus ring.
Zooming / Adjusting the Focus
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White line indicating the current distance
Adjusting in AF Mode
When you slide the focus ring forward, and set the
FOCUS switch to A (auto), the focus mode
becomes AF mode, in which auto focus is always
active.
The distance indications on the ring are invalid in
AF mode.
Distance indication
Focus ring
Focusing in AF mode
In AF mode, the camcorder monitors the video
for changes, and starts auto focus whenever it
detects a change. Auto focusing ends when the
subject is in focus, but the auto focus function
remains on standby.
In AF mode, you can also start auto focusing by
pressing the PUSH AF button or by turning the
focus ring.
Peaking
You can turn the PEAKING knob on the
viewfinder to use the peaking function. Edges are
emphasized in the monitor picture, which
facilitates manual focusing.
The recorded video signals are not affected.
Using Macro Mode
Adjusting in MF Mode
When the focus mode is MF or AF, you can set
the MACRO switch to the ON side to enable
macro mode. Macro mode allows you to focus
over the range that includes the macro area.
Macro mode is disabled in Full MF mode.
When you slide the focus ring forward (toward
the lens hood), and set the FOCUS switch to M
(manual), the focus mode becomes MF mode, in
which focus adjustments are manual but auto
focus is available only when necessary.
Using the focus ring
Focus by turning the focus ring while viewing the
viewfinder.
The distance indications on the ring are invalid in
MF mode.
One-push auto focus
Press the PUSH AF button. Auto focus is enabled
temporarily (one-push auto focus).
One-push auto focus ends when the subject is
brought into focus.
MF assist function
When the MF assist function is on, auto focus
starts when you stop adjusting with the focus ring,
enabling fine adjustments with the subject at the
center of the screen.
Auto focusing by the MF assist function ends
when the fine adjustments end.
Adjusting the Focus
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2
3
Set the AUDIO SELECT switch(es)
corresponding to the channel(s) selected
in step 1 to MANUAL.
Adjusting the Audio
Level
With the LEVEL control(s) for the
channel(s) selected in step 1, adjust so
that the audio level meter shows up to
–20 dB for a normal input volume.
When you set the AUDIO SELECT switch to
AUTO, the input levels of analog audio signals
recorded on each channel are adjusted
automatically. You can also make manual
adjustments.
Correspondence between recording level
adjustments and audio level controls
On MAINTENANCE >Audio in the setup menu,
you can select which audio level control controls
the audio recording level of the input to each of
the AUDIO IN CH1/CH2 connectors. The
correspondences between the settings of the menu
items and the controls are as follows.
Note
Even if you set the AUDIO SELECT switch to AUTO,
the input levels of digital audio signals are not adjusted
automatically.
Target audio level for manual audio level
adjustment
Make adjustment using –20 dB as the target level.
If the audio level meter shows a maximum level
of 0 dB, then it indicates that the input audio level
is excessive.
Rear1/WRR Level: Channel 1 recording level
Setting
Side1
Knob
LEVEL (CH1) knob
MIC LEVEL knob
Front
Front+Side1
LEVEL (CH1) knob and MIC
LEVEL knob (linked operation)
Excessive input level
Rear2/WRR Level: Channel 2 recording level
Setting
Side2
Knob
LEVEL (CH2) knob
MIC LEVEL knob
Front
Front+Side2
LEVEL (CH2) knob and MIC
LEVEL knob (linked operation)
Note
When you have operation of the LEVEL (CH-1/CH-2)
controls and MIC LEVEL control linked together, if the
MIC LEVEL control is set to 0, the audio signals on
channels 1 and 2 cannot be recorded. Check the position
of the MIC LEVEL control before adjusting the LEVEL
(CH-1/CH-2) controls.
Target input level
Manually Adjusting the Audio
Levels of the Audio Inputs from
the AUDIO IN CH1/CH2
Connectors
Manually Adjusting the Audio
Level of the MIC IN Connector
1
To adjust the signal input to the AUDIO
IN CH1 or CH2 connector, set the
AUDIO IN CH1 or CH2 switch to
REAR.
1
Set either or both of the AUDIO IN
switch(es) to FRONT.
2
Set the AUDIO SELECT switch(es) for
the desired channel(s) selected in step 1
to MANUAL.
To adjust both input signals, set both
switches to REAR.
Adjusting the Audio Level
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3
Turn the MIC LEVEL control, and
adjust so that the audio level meter
shows up to –20 dB for a normal input
volume.
CH3 switch
FRONT
Channel 3 recording target
Front microphone audio
Audio signal input to AUDIO IN
CH1 connector
REAR
WIRELESS
Wireless microphone audio
Correspondence between recording level
adjustments and audio level controls
On MAINTENANCE >Audio in the setup menu,
you can select which audio level control controls
the audio recording level of the front microphone
input. The correspondences between the settings
of the menu items and the controls are as follows.
CH4 switch
FRONT
Channel 4 recording target
Front microphone audio
Audio signal input to AUDIO IN
CH2 connector
REAR
WIRELESS
Wireless microphone audio
You can have the selection made automatically,
as follows.
MIC CH1 Level: Channel 1 recording level
To automatically select the same audio as on
channels 1 and 2
Set MAINTENANCE >Audio >Audio CH3/4
Setting
Side1
Knob
LEVEL (CH1) knob
MIC LEVEL knob
Front
Mode of the setup menu to [Ch 1/2].
Front+Side1
LEVEL (CH1) knob and MIC
LEVEL knob (linked operation)
Adjusting the audio recording levels
MIC CH2 Level: Channel 2 recording level
To adjust automatically
Set the AUDIO SELECT CH 3-4 switch to
AUTO.
Setting
Side2
Knob
LEVEL (CH2) knob
MIC LEVEL knob
Front
To adjust manually
Front+Side2
LEVEL (CH2) knob and MIC
LEVEL knob (linked operation)
1
2
Set the AUDIO SELECT CH 3-4 switch
to MANUAL.
Note
When you have operation of the MIC LEVEL control
and LEVEL (CH-1/CH-2) controls linked together, if the
LEVEL (CH-1/CH-2) controls are set to 0, the audio
signals on channels 1 and 2 cannot be recorded. Check
the position of the LEVEL (CH-1/CH-2) controls before
adjusting the MIC LEVEL control.
Select the knobs that adjust the audio
levels with the Audio CH3 Level and
Audio CH4 Level items under
MAINTENANCE >Audio in the setup
menu.
Audio CH3 Level: Channel 3 recording
Recording Audio on Channels 3
and 4
level
Setting
Side3
Knob
LEVEL (CH3) knob
MIC LEVEL knob
LEVEL (CH3) knob and
MIC LEVEL knob (linked
operation)
Selecting the recorded audio
You can select the audio recorded on audio
channels 3 and 4 with the AUDIO IN CH3/CH4
switches.
Front
Front+Side3
Audio CH4 Level: Channel 4 recording
level
Adjusting the Audio Level
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Setting
Side4
Knob
Setting the Time Data
LEVEL (CH4) knob
MIC LEVEL knob
LEVEL (CH4) knob and
MIC LEVEL knob (linked
operation)
Front
Front+Side4
You can now adjust the levels of audio
channels 3 and 4 with the knobs selected
here.
Note
When picture cache mode is enabled, it is not possible to
set time data, even if you set the F-RUN/SET/R-RUN
switch to SET. If you want to set time data, first exit
picture cache mode.
Setting the Timecode
The timecode setting range is from 00 : 00 : 00 :
00 to 23 : 59 : 59 : 29 (hours : minutes : seconds :
frames).
1
2
Set the DISPLAY switch to TC.
Set the PRESET/REGEN/CLOCK
switch to PRESET.
3
4
Set the F-RUN/SET/R-RUN switch to
SET.
The first (leftmost) digit of timecode flashes.
Use the up and down arrow buttons to
change values, and use the left and right
arrow buttons to move the flashing
digit. Repeat until all digits are set.
To reset the timecode value to 00:00:00:00
Press the RESET/RETURN button.
5
Set the F-RUN/SET/R-RUN switch to
F-RUN or R-RUN.
F-RUN: Free run. The timecode generator
keeps running.
R-RUN: Recording run. The timecode
generator runs only while recording.
To set the drop frame mode/non-drop frame
mode
You can select the drop frame (DF) mode or non-
drop frame (NDF) mode on MAINTENANCE
>Timecode in the setup menu.
Setting the Time Data
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To make the timecode consecutive
Synchronizing the Timecode
When the F-RUN/SET/R-RUN switch is set to
R-RUN, recording a number of scenes on the
media normally produces consecutive timecode.
However, once you remove the media and record
on another media, the timecode will no longer be
consecutive when you use the original media
again for recording. In this case, to make the
timecode consecutive, set the PRESET/REGEN/
CLOCK switch to REGEN.
You can synchronize the internal timecode
generator of this camcorder with an external
generator for the regeneration of an external
timecode. You can also synchronize the timecode
generators of other camcorders/VTRs with the
internal generator of this camcorder.
Connections for timecode
synchronization
Connect both the reference video signal and the
external timecode as illustrated below.
Saving the real Time in the Timecode
Setting the PRESET/REGEN/CLOCK switch to
CLOCK saves the real time in the timecode.
When it is necessary to set the actual time, use
MAINTENANCE >Clock Set >Date/Time in the
setup menu.
Example 1: Synchronizing with an external
timecode
For details, see “Setting the Date/Time of the
Setting the User Bits
By setting the user bits (up to 8 hexadecimal
digits), you can record user information such as
the date, time, or scene number on the timecode
track.
External timecode
Reference video signal
1
2
Set the DISPLAY switch to U-BIT.
1 GENLOCK IN connector
2 TC IN connector
Set the F-RUN/SET/R-RUN switch to
SET.
The first (leftmost) digit flashes.
3
Use the up and down arrow buttons to
change values, and use the left and right
arrow buttons to move the flashing
digit. Repeat until all digits are set.
To reset the user bit data to 00 00 00 00
Press the RESET/RETURN button.
4
Set the F-RUN/SET/R-RUN switch to
F-RUN or R-RUN, corresponding to the
desired operating mode for the
timecode generator.
To store the user bit setting in memory
The user bit setting (apart from the real time) is
automatically retained in memory even when the
power is turned off.
Setting the Time Data
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Example 2: Interconnecting a number of
camcorders (including one reference
camcorder)
This operation synchronizes the internal
timecode generator with the external
timecode. After about 10 seconds, you can
disconnect the external timecode without
losing the synchronization.
Notes
• When you finish the above procedure, the internal
timecode is immediately synchronized with the
external timecode and the counter display will show
the value of the external timecode. However, wait for
a few seconds until the sync generator stabilizes before
recording.
• If the frequency of the reference video signal is not the
same as the system frequency of the camcorder, the
camcorder cannot be correctly genlocked. In such a
case, the internal timecode is not correctly
synchronized with the external timecode.
User bit settings during timecode
synchronization
When the timecode is synchronized, only the time
data is synchronized with the external timecode
value.
To release the timecode synchronization
First disconnect the external timecode, then set
the F-RUN/SET/R-RUN switch to R-RUN.
To another camcorder to be synchronized
To change the power supply from the battery
pack to an external power supply during
timecode synchronization
1 VIDEO OUT connector
2 TC OUT connector
3 TC IN connector
To maintain a continuous power supply, connect
the external power supply to the DC IN connector
before removing the battery pack. You may lose
timecode synchronization if you remove the
battery pack first.
4 GENLOCK IN connector
To lock the timecode to an external
source
Camcorder synchronization during timecode
synchronization
During timecode synchronization, the camcorder
is genlocked to the reference video signal input
from the GENLOCK IN connector.
1
2
Turn on the POWER switch.
Set the PRESET/REGEN/CLOCK
switch to PRESET.
3
Set the F-RUN/SET/R-RUN switch to
F-RUN.
4
5
Set the DISPLAY switch to TC.
Supply a timecode signal and a
reference video signal complying with
the SMPTE standard and in proper
phase relationship, to the TC IN
connector and to the GENLOCK IN
connector, respectively.
Setting the Time Data
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AUDIO status screen
This screen displays settings and status
Checking Camcorder
Settings and Status
Information (Status
Screens)
information related to audio input and output.
The status screens allow you to check camcorder
settings and various types of status information.
There are five status screens, listed below.
CH-1/CH-2/CH-3/CH-4: Audio level meters
and input sources
Wind Filter: Wind filter settings
Status screen
Information displayed
CAMERA status Settings and status information
related to shooting
VIDEO status screen
This screen displays settings and status
information related to recording and playback.
AUDIO status
Settings and status information
related to audio input and
output
VIDEO status
Settings and status information
related to recording and
playback
ASSIGN
Names of functions assigned
to assignable switches
Status of the battery mounted
on the camcorder and the
media status
SWITCH status
BATTERY/
MEDIA status
Video Format: Video format
Rec Mode: Recording bit rate (HD mode only)
Output&i.LINK: Output&i.LINK setting and
i.LINK usage status
SDI Output: HD/SD SDI OUT connector output
setting
HDMI Output: HDMI connector output setting
Down Converter: SD output down converter
setting (HD mode only)
To display status screens
With no menu is displayed, push the STATUS
ON/SEL/OFF switch up to the ON/SEL side.
Each push selects the next status screen, in the
order given in the table above.
CAMERA status screen
This screen displays settings and status
information related to shooting.
ASSIGN SWITCH status screen
This screen displays the names of the functions
assigned to assignable switches
White Bal: White balance status
Gain: GAIN switch status
Zoom Speed: Zoom speed set with the lens
ZOOM button
Zebra: Zebra status
Skin Tone Detail: Skin details status
Checking Camcorder Settings and Status Information (Status Screens)
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62
BATTERY/MEDIA status screen
This screen displays the status of the battery
mounted on the camcorder and the media status.
Battery: The remaining battery capacity
Charge Count: The number of times the battery
has been charged
HDD A/HDD B: Remaining battery capacity of
PHU-60K/120K/120R
Media A/Media B:
• Remaining capacity of media
• Recordable time
• Approximate writable lifetime (Life)
“Life 100%” is shown for unused media.
Checking Camcorder Settings and Status Information (Status Screens)
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63
Chapter4 Shooting
Notes on the use of S×S memory cards
• Recorded data may be lost or corrupted in the
following cases.
Handling S×S Memory
Cards
- When the camcorder is subjected to shock or
vibrations during reading, writing, or
formatting of an S×S memory card, and when
the camcorder is powered off or an S×S
memory card is removed during reading,
writing, or formatting
- When the camcorder is used in an
environment subject to static electricity or
electric noise
• Do not use or store S×S memory cards in
locations that are:
- Outside the specified environmental ranges
- Very hot, such in as vehicles parked in the sun
during summer, or exposed to direct sunlight,
or near heaters
This camcorder records video and audio on S×S
memory cards (not supplied) loaded into one or
both of its memory card slots.
The PHU-60K/120K/120R Professional
Harddisk Unit or MEAD-MS01 Media Adaptor
can also be used for recording. For details, refer to
the Supplement supplied in the CD-ROM
(labeled “Manuals for Solid-State Memory
Camcorder”).
- Subject to high humidity and corrosion
• When inserting a memory card, insert with the
label side facing the correct direction.
• Carry and store S×S memory cards in their
cases, and lock the cases securely.
About S×S Memory Cards
S×S memory cards that can be used with
this camcorder
Use the following Sony S×S memory cards (S×S
PRO or S×S-1) with this camcorder.
S×S PRO
• SBP-8 (8 GB)
• SBP-16 (16 GB)
• SBP-32 (32 GB)
S×S-1
SBS-32G1 (32 GB)
• Guard against accidents and inadvertent data
loss by backing up the data stored on S×S
memory cards. Sony cannot be responsible for
any consequences of damage to or loss of data
stored on S×S memory cards.
Proper operation cannot be guaranteed when
memory cards other than S×S PRO and S×S-1 are
used.
• Do not attach anything other than the supplied
labels in the designated label space. When
attaching a label, make sure it does not protrude
beyond the label space.
The memory cards listed above comply with the
ExpressCard memory card standard.
• S×S, S×S PRO and S×S-1 are trademarks of
Sony Corporation.
• The ExpressCard label and logo are property of
the Personal Computer Memory Card
International Association (PCMCIA) and are
licensed to Sony Corporation. Other trademarks
and trade names are the property of their
respective owners.
Handling S×S Memory Cards
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Loading and Ejecting S×S Mem-
ory Cards
To load S×S memory cards
Label space
1
2
Slide the cover to the left to open.
• Use this camcorder to format S×S memory
cards that will be used with this camcorder.
When memory cards are formatted on another
unit, the format is regarded as an invalid format,
making it necessary to format the memory cards
again.
Insert an S×S memory card into a card
slot.
However, note that the format and delete
functions of this camcorder do not completely
remove data from memory cards. Before
discarding or disposing of a memory card, erase
it using commercial data erasure software, or
physically destroy it. Sony cannot be
responsible for any failure to erase data
completely.
• Clip operations may not be possible when the
remaining capacity of the media is low. In this
case, use a computer to delete unneeded files
and try again.
• Open the memory card case completely before
storing a card in the case or removing a card
from the case.
Insert with the label
side facing right.
The ACCESS lamp lights in orange, and then
lights in green to indicate that the memory
card is usable.
3
Close the cover.
ACCESS lamp status indications
Card slots A and B each have an ACCESS lamp
to indicate the slot status.
Lamp
Slot status
Preventing accidental erasure
You can prevent accidental recording, editing,
and deletion of data on an S×S memory card by
setting the write protect switch to the WP side.
Lights in orange Accessing the S×S memory card
(lights during data reading and
writing)
Lights in green Standby (the loaded S×S
memory card is ready for
recording or playback)
Write protect switch
• No S×S memory card is loaded.
• An unusable card is loaded.
• An S×S memory card is loaded,
but the other slot is selected.
Not lit
Note
Do not touch the write protect switch while an S×S
memory card is loaded in a card slot. Eject the card
before setting the write protect switch.
Handling S×S Memory Cards
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The camcorder switches automatically to the
other card if the selected card becomes full during
recording.
To eject S×S memory cards
1
Open the cover, and then press the
EJECT button to release the lock and
pull the button out.
Note
The SLOT SELECT button is disabled during playback.
Even when pressed, it does not change the selected slot.
Button operations are enabled when a thumbnail screen
(see page 78) is displayed.
Formatting (Initializing) S×S
Memory Cards
When you load an unformatted S×S memory
card, or load an S×S memory card that has been
formatted to other specifications, a message
“Cannot Use Media(A)/Unsupported File
System” appears in the viewfinder. In this case,
format the memory card in the following way.
Press the button once
to release the lock.
Note
S×S memory cards must be formatted on an XDCAM
EX device. Cards in other formats cannot be used.
2
Press the EJECT button again to eject
the card.
To format (initialize) a memory card
1
2
3
Select OPERATION >Format Media in
Select [Media(A)] (slot A) or [Media(B)]
(slot B).
Turn the MENU knob to select
“Execute”, and then press the knob.
The confirmation message for formatting is
displayed on the viewfinder screen.
Note
4
Turn the MENU knob to select
“Execute”, and press the knob.
Execution of the format starts.
Data integrity cannot be guaranteed if you power the
camcorder off or remove a memory card while the card
is being accessed. Doing so may corrupt all data recorded
on the card. Always make sure that the ACCESS lamp is
lit green or not lit before you power the camcorder off or
remove a memory card.
During execution of the format, a progress
indication appears (%), and the ACCESS lamp
lights in orange.
Recording and playback during format execution
Even during execution of a format, recording and
playback are possible using an S×S memory card
loaded into the other card slot.
Selecting the S×S Memory Card to
Use
If the format operation fails
When S×S memory cards are loaded in both slot
A and slot B, you can press the SLOT SELECT
button to select the S×S memory card to use.
A format operation may fail because the S×S
memory card is write protected, or because it is
not the type of card specified for use with this
camcorder.
Handling S×S Memory Cards
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In this case, an error message appears. Following
the instructions in the error message and
exchange the card for an S×S memory card that
can be used with this camcorder.
Note
About up to 600 clips can be recorded on one S×S
memory card.
The display of remaining recording time changes to “0”
and the message “Media Full” appears when the clip
limit is reached.
Notes
• All data is erased when you format a memory card,
including setup files and all of the recorded video data.
• Use the format function of this camcorder to format
S×S memory cards for use on this camcorder. The
formats of cards formatted on other devices are not
recognized as valid formats, making it necessary to
format them again on this camcorder.
Restoring S×S Memory Cards
If for any reason an error should occur in a
memory card, the card must be restored before
use.
When you load an S×S memory card that needs to
be restored, a message appears in the viewfinder
to ask whether you want to restore it.
Checking the Remaining
Recording Time
To restore a card
Turn the MENU knob to select [Execute], and
then press the knob.
You can check the remaining capacity of the S×S
memory cards loaded in the two slots by checking
the recording media remaining capacity display
in the viewfinder.
The restoration starts.
During the restoration, a execution message
appears, the progress is displayed (%), and the
ACCESS lamp lights in orange.
When the restoration finishes, a completion
message is displayed for three seconds.
If restoration fails
The camcorder calculates the remaining
• Write protected S×S memory cards and cards
on which memory errors have occurred cannot
be restored. A warning message appears for
such cards. Follow the instructions in the
message and unprotect the card or replace it
with another card.
recording time for the media in each slot on the
basis of the current video format (recording bit
rate), and displays it in units of minutes.
You can also check the remaining time in the
• S×S memory cards on which memory errors
have occurred may become usable if they are
reformatted.
Note
The
protected.
mark appears when a memory card is write
• In some cases, some clips can be restored while
others cannot. The restored clips can be played
normally.
• If the message “Could not Restore Some Clips”
keeps appearing after repeated attempts at
restoration, it may be possible to restore the S×S
memory card with the following procedure.
When to exchange S×S memory cards
• The warning message “Media Near Full”
appears, the WARNING indicator and the REC
indication on the viewfinder screen flash, and
the buzzer sounds when the total remaining
recording time of the two memory cards falls to
five minutes during recording.
Exchange one of the cards for media with
available recording capacity.
• If you continue recording, the message “Media
Full” appears and recording stops when the total
remaining recording time falls to 0.
1 Use the camcorder’s copy function
(see page 85) or the supplied
copy the required clips to another S×S
memory card.
2 Format the unusable S×S memory card
on the camcorder.
Handling S×S Memory Cards
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3 Copy the required clips back to the
newly formatted S×S memory card.
Basic Operations
Recording and playback during restoration
Even while restoration is in progress, you can
record and play an S×S memory card in the other
card slot.
Note
This section explains the basic shooting and
recording procedures.
Before starting to shoot, inspect the camera
system to verify that it is operating properly.
For restoration of media recorded with this camcorder,
be sure to use this camcorder. Media recorded with a
device other than this camcorder or with another
camcorder of different version (even of the same model)
may not be restored using this camcorder.
1
2
Attach a fully charged battery pack (see
Load one or two S×S memory cards (see
If you load two cards, the camcorder
switches automatically to the second card
when the first card becomes full.
3
4
Set the camcorder’s POWER switch
(see page 13) to ON.
Make the following settings.
Camera output: Select the picture currently
being shot (camera picture), and turn the
Timecode advance mode: F-RUN (Free
Run) or R-RUN (Rec Run) (see page 59)
5
6
Push the AUTO W/B BAL switch to the
BLACK side to adjust the black balance
Select a filter according to the lighting
conditions, and adjust the white balance
7
8
Point the camcorder at the subject, and
If you are using the electronic shutter,
select an appropriate shutter mode and
9
Do one of the following to start
recording.
Basic Operations
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- Press the REC START button (see
11 Repeat steps 9 and 10 to continue
recording.
- Press the VTR button on the lens (see
With each repetition, another clip is created
on the memory card.
- Turn on the assignable switch to which the
Rec function has been assigned (see
Clip 1
Clip 2
Clip 3
During recording, the TALLY indicators, the
tally indicator on the front panel of the
viewfinder, and the REC indication on the
viewfinder screen light. Adjust the zoom and
focus as required.
Notes
• You cannot resume recording for about one second
after stopping recording.
• The maximum number of clips that can be recorded on
one memory card is 600. Even if the memory card has
enough free capacity to record more clips, when 600
clips have been recorded, no further recording is
possible.
Notes
• Never remove the battery pack while the
camcorder is recording (while an ACCESS lamp
is lit). Doing so risks the loss of several seconds
of data before the recording was interrupted,
because internal processing will not end
normally.
• The playback control buttons (EJECT, F REV, F
FWD, NEXT, PREV, PLAY/PAUSE, STOP) do
not function during recording.
Clip file sizes
The XDCAM EX-series products limit the
maximum file size of an HD clip to 4 GB and that
of an SD clip to 2 GB.
If you continue recording for an extended period,
recorded materials may be segmented into
multiple files, depending on the file size (the
maximum number of partitions is 99).
The camcorder regards continuous recording as
one clip even if it has been segmented into
multiple files.
10 To stop recording, perform one of the
operations listed in step 9.
The TALLY indicators, the tally indicator on
the front panel of the viewfinder, and the
REC indication on the viewfinder screen go
out, and camcorder enters recording standby
(STBY) mode.
A clip is created from the video and audio
data and the metadata recorded between steps
9 and 10.
Clip names
Eight-character clips names (consisting of a four-
character prefix and a four-digit number) are
generated automatically for clips recorded by this
camcorder.
Example: ABCD0001
To check the recording (recording review)
With the camcorder in recording standby
(STBY) mode, turn on the assignable switch
to which the Rec Review function or the
Freeze Mix function has been assigned (see
The camcorder plays the entire last clip, or
the last few seconds of that clip (3 seconds or
10 seconds), and then returns to standby
mode.
You can also use OPERATION >Clip >Title
clip name prefix to a user-specified string of
characters (four to 46 characters in length). (A
user-specified prefix cannot be changed after
recording.)
The four-digit number at the end of clip names is
generated automatically, counting up in order as
clips are recorded.
You can use MAINTENANCE >Camera
Config >Rec Review in the setup menu (see
page 121) to change the playback time.
When the Rec Review function is assigned to
the RET button on the lens, you can also
conduct a review by using the RET button.
Playing Recorded Clips
When the camcorder is in standby (STBY) mode,
you can play all or part of the most recently
Basic Operations
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1
2
Insert the S×S memory card to play (see
2
Turn the MENU knob to select
[Execute], and then press the knob. Or
use the J or j button to select
[Execute], and then press the SET
button.
up the clip to play.
3
Press the PLAY/PAUSE button.
The PLAY/PAUSE indicator lights, and the
playback picture appears in the viewfinder.
To pause the playback
Press the PLAY/PAUSE button.
The PLAY/PAUSE indicator flashes during
pause.
Press the button again to return to playback mode.
To play at high speed
To return to normal playback, press the PLAY/
PAUSE button.
To switch between memory cards
When two memory cards are loaded, press the
active slot.
It is not possible to switch between memory cards
during playback.
To end playback
Press the STOP button: Playback stops, and the
camcorder enters E-E mode.
Press the THUMBNAIL button: Playback
stops, and a thumbnail screen (see page 78)
appears in the viewfinder.
Playback also stops and the timecode screen
appears in the viewfinder when you start
recording during playback, and when you eject an
S×S memory card.
Deleting Recorded Clips
You can use the assignable switches to delete the
last recorded clips (Last Clip DEL function).
You can also use the THUMBNAIL menu to delete all
recorded clips (All Clips DEL function) or to delete
selected clips. For details, see “Deleting Clips”
1
Turn on the assignable switch to which
the Last Clip DEL function has been
A confirmation message appears.
Basic Operations
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70
details, see “Adding and Deleting OK Marks (HD
Advanced Operations
To set OK marks
After recording of a clip ends, turn on the
assignable switch to which the OK Mark function
function has been assigned to the RET button on
the lens, press RET button on the lens.
An OK mark is set in the most recently recorded
clip, and an “OK Mark” indication appears in the
viewfinder for about three seconds near the
timecode indication.
Recording Shot Marks
On this camcorder, two types of shot marks are
available in HD mode. You can record them at
user-specified positions to make it easier for
editors to cue up those positions. You can record
up to 127 shot marks per clip.
To delete OK marks
1
If an OK mark has been set in the most
recently recorded clip, turn on the
assignable switch to which the OK
Mark function has been assigned (see
Note
Shot marks cannot be recorded in SD mode.
You can also use the THUMBNAIL menu to add and
delete shot marks in clips. For details, see “Adding
If the OK Mark function has been
assigned to the RET button on the lens,
press RET button on the lens.
A confirmation message appears.
To record shot marks
Do one of the following.
2
Turn the MENU knob to select
[Execute], and then press the knob.
The OK mark is deleted from the most
recently recorded clip.
• Turn on an assignable switch to which Shot
Mark 1 or Shot Mark 2 has been assigned (see
• If Lens RET has been assigned to the RET
button on the lens, operate as follows.
To record shot mark 1: Press the RET button
once.
Starting to Record from Pre-
stored Video (Picture Cache
Function)
To record shot mark 2: Press the RET button
twice in quick succession.
The camcorder is equipped with enough internal
memory to pre-store up to 15 seconds of video
and audio data in a picture cache. This allows you
to begin recording a specified number of seconds
in advance of the time when you press a recording
start button.
When a shot mark is recorded, a “Shot Mark 1” or
“Shot Mark 2” indication appears in the
viewfinder for about three seconds near the
timecode indication.
Setting OK Marks
Selecting picture cache mode and setting
the picture cache time
Before recording in picture cache mode, you must
select picture cache mode and set the picture
cache time (the number of seconds of video and
audio data stored to memory) in the
To make it easier for editors to select good clips,
you can set OK marks in clips recorded in HD
mode.
Notes
• OK marks cannot be set in SD mode.
• OK marks cannot be set or deleted during recording or
playback.
OPERATION menu.
The picture cache time determines how far in
advance you can start recording, counting back in
seconds from the operation that starts recording.
You can also use the THUMBNAIL menu to add and
delete OK marks in previously recorded clips. For
Advanced Operations
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Note that it may not be possible to start this far in
advance in the special cases explained in the
following notes.
switch to which the Picture Cache function has
Camcorder data handling while recording in
picture cache mode
Notes
Recording procedures in picture cache mode are
basically the same as normal recording
procedures. However, note the following
differences with respect to how the camcorder
handles video, time, and output data.
• If you start recording while the media is being
accessed, the start point of the video that is
actually recorded may be later than the
currently specified picture cache time. Because
the delay increases as the number of recorded
clips increases, you should avoid rapid start-
and-stop recording operations in picture cache
mode.
• Storage of picture data to memory begins when you
select picture cache mode. Therefore, if you start
recording immediately after selecting picture cache
mode, the picture data from before the selection is not
recorded.
• No data is recorded to picture cache memory during
playback or recording review and display of
thumbnails. It is not possible to record picture data
from the time you were conducting playback or a
recording review.
To select picture cache mode and set the picture
cache time
Notes
• Regardless of the setting of the F-RUN/SET/
R-RUN switch, the advance mode of the
internal timecode generator is always F-RUN.
• In picture cache mode, you cannot set time data
by setting the F-RUN/SET/R-RUN switch to
SET.
To set time data, exit picture cache mode.
• If the remaining free capacity of the media in
the currently selected slot is less than the picture
cache time, and the media in the other slot has
enough remaining capacity, then data is
recorded to the media in the other slot.
However, no data is recorded when there is no
media in the other slot, and when the media in
the other slot does not have enough remaining
capacity. (A message appears in the viewfinder
to inform you that there is not enough remaining
capacity.)
• Picture cache recording is not possible in Frame Rec,
Interval Rec, and Slow & Quick Motion mode. The
camcorder exits Frame Rec, Interval Rec, or Slow &
Quick Motion mode whenever you select picture cache
mode. The camcorder exits picture cache mode
automatically whenever you select Frame Rec,
Interval Rec, or Slow & Quick Motion mode.
• The data stored in picture cache memory is cleared
when you change the system settings, for example by
selecting a different video format. Picture data from
before the change is not recorded even if you start
recording immediately after the change. The
camcorder exits picture cache mode automatically.
• It is not possible to set the picture cache time during
recording.
1
In the setup menu, select OPERATION
>Rec Function >Picture Cache Rec.
For menu operations, see “Basic Setup Menu
• Shot marks are not recorded if they are set
before the recording start operation.
• When you select a video format that supports
i.LINK HDV output and play a clip that was
recorded in picture cache mode, two or more
frames with the same picture and timecode may
follow on each other.
• i.LINK output is possible during picture cache
recording. However, the picture cache time is
limited.
2
3
Turn the MENU knob to select [On],
and then press the knob.
Select [P. Cache Rec Time], turn the
MENU knob to select the desired
picture cache time, and then press the
knob.
You can select from 0-2sec, 2-4sec, 4-6sec,
6-8sec, 8-10sec, 10-12sec, 12-14sec, and
13-15sec.
If power is lost during recording
• If you set the camcorder’s POWER switch to
OFF, the camcorder is powered off
automatically after a few seconds, during which
the media is accessed to record the video and
audio data stored in the camcorder’s memory up
to that point.
Once made, picture cache mode settings remain
in effect until changed.
Instead of carrying out steps 1 and 2, you can also
select picture cache mode by using an assignable
Advanced Operations
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• The data stored in picture cache memory is cleared
when you change the system settings, for example by
selecting a different video format. Picture data from
before the change is not recorded even if you start
recording immediately after the change. The
camcorder exits picture cache mode automatically.
• Interval Rec settings cannot be changed during
recording.
• If power is lost because the battery was
removed, the DC cable was disconnected, or the
power was turned off on the AC adaptor side,
then the video and audio data stored in memory
is lost. The data stored in memory is not
recorded. Be careful to avoid this when
exchanging the battery.
• Interval Rec is disabled when the following formats
are selected.
Recording Time-lapse Video
(Interval Rec Function)
- SP 1440/59.94i or SP 1440/50i, when the output
setting is HD and OPERATION >Input/Output
>i.LINK I/O in the setup menu is set to [Enable]
- SP 1440/23.98P (pull-down recording)
- Other than HQ 1920/23.98P or HQ 1280/23.98P,
when the output setting is SD and OPERATION
>Input/Output >i.LINK I/O in the setup menu is set
to [Enable]
The camcorder’s Interval Rec function allows
you to capture time-lapse video to the
camcorder’s internal memory. This function is an
effective way to shoot slow-moving subjects.
When you start recording, the camcorder
automatically records a specified number of
frames at a specified interval time.
To make Interval Rec settings
1
2
Select OPERATION >Rec Function
>Interval Rec in the setup menu.
Interval time
For menu operations, see “Basic Setup Menu
Turn the MENU knob to select [On],
and then press the knob.
The camcorder enters Interval Rec mode, the
“Interval” indication on the viewfinder
screen flashes.
3
Select [Number of Frames], turn the
MENU knob to select the number of
frames to record in one take, and then
press the knob.
Number of frames in one take
A pre-lighting function is available when Interval
Rec is enabled. This function automatically turns
on a video light before recording starts, which
allows you to record pictures under stable light
and color temperature conditions.
You can select from 1, 3, 6, 9 (or from 2, 6,
12 when the video format setting is 720/
59.94P or 720/50P).
4
5
Select [Interval Time], turn the MENU
knob to select the desired interval, and
then press the knob.
You can select 1 to 10/15/20/30/40/50 sec,
1 to 10/15/20/30/40/50 min, 1 to 4/6/12/24
hour.
Interval Rec settings and shooting
Notes
• The Interval Rec function cannot be used at the same
time as the picture cache, Frame Rec, or Slow & Quick
Motion function. When you select Interval Rec mode,
the picture cache, Frame Rec, and Slow & Quick
Motion functions are disabled. When you select
picture cache, Frame Rec, or Slow & Quick Motion
mode, the Interval Rec function is disabled.
As required, select [Pre-Lighting], turn
the MENU knob to select the length of
lighting time before recording starts,
and then press the knob.
You can select 1 to 10/15/20/30/40/50 sec,
1 to 10/15/20/30/40/50 min, 1 to 4/6/12/24
hour.
Advanced Operations
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• If you press the SLOT SELECT button, the
camcorder completes recording of the specified
number of frames, creates a clip, and switches
to the other media.
Notes
• If you want to turn the video light on before the start of
recording, set the camcorder’s LIGHT switch to
[AUTO]. The video light’s switch must also be turned
on. When this is done, the video light turns on and off
automatically. However, the video light remains lit
when the time that it is off is five seconds or less.
• If you set the LIGHT switch to [MANUAL] and turn
the video light’s switch on, the video light is always lit.
(It does not go on and off automatically.)
• Genlock is not possible.
If power is lost during recording
• If you set the camcorder’s POWER switch to
OFF, the camcorder is powered off
automatically after a few seconds, during which
the media is accessed to record the video and
audio data stored in the camcorder’s memory up
to that point.
• If power is lost because the battery was
removed, the DC cable was disconnected, or the
power was turned off on the AC adaptor side,
then the video and audio data shot up to that
point may be lost (maximum 10 seconds). Be
careful to avoid this when exchanging the
battery.
The camcorder exits Interval Rec mode when it is
powered off, but the number of frames, interval
time, and pre-lighting settings are maintained.
You do not need to set them again the next time
you shoot in Interval Rec mode.
To shoot in Interval Rec mode
Make the settings and preparations described in
“Basic Operations” (page 68), secure the
camcorder so that it does not move, and begin
shooting.
Shooting Stop Motion Animations
(Frame Rec Function)
When recording starts, the “Interval” indication
in the viewfinder changes from flashing to lit, and
“INT REC” and “INT STBY” appear
The Frame Rec function is useful for shooting
stop motion animations, such as animations with
puppets or clay figures.
Each time that you press the recording start
button, the camcorder shoots a specified number
of frames and then stops.
alternatively at the position of the REC
indication. The TALLY indicators and the tally
indicator on the front panel of the viewfinder light
as they do during normal recording.
If you are using the pre-lighting function, the
video light comes on before recording starts.
To stop shooting
Stop the recording.
Frame Rec settings and shooting
Notes
When shooting ends, the video data stored in
memory up to that point is written to the media.
• The Frame Rec function cannot be used at the same
time as the picture cache, Interval Rec, or Slow &
Quick Motion function. When you select Frame Rec
mode, the picture cache, Interval Rec, and Slow &
Quick Motion functions are disabled. When you select
picture cache, Interval Rec, or Slow & Quick Motion
mode, the Frame Rec function is disabled.
• The data stored in memory is cleared when you change
the system settings, for example by selecting a
different video format. Picture data from before the
change is not recorded even if you start recording
immediately after the change. The camcorder exits
Frame Rec mode automatically.
To exit Interval Rec mode
Do one of the following.
• Set the POWER switch to OFF.
• With the camcorder in recording standby mode,
set OPERATION >Rec Function >Interval Rec
in the setup menu to “Off”.
Limitations during recording
• The i.LINK (HDV/DV) connector cannot be
used.
• Regardless of the setting of the F-RUN/SET/
R-RUN switch, the advance mode of the
internal timecode generator is always F-RUN.
• Audio cannot be recorded.
• Frame Rec settings cannot be changed during
recording.
• Frame Rec is disabled when the following formats are
selected.
- SP 1440/59.94i or SP 1440/50i, when the output
setting is HD and OPERATION >Input/Output
>i.LINK I/O in the setup menu is set to Enable
• Recording review is not possible.
Advanced Operations
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- SP 1440/23.98P (pull-down recording)
- Other than HQ 1920/23.98P or HQ 1280/23.98P,
when the output setting is SD and OPERATION
>Input/Output >i.LINK I/O in the setup menu is set
to Enable
• Set the POWER switch to OFF
• With the camcorder in recording standby mode,
set OPERATION >Rec Function >Interval Rec
in the setup menu to “Off”.
Limitations during recording
• The i.LINK (HDV/DV) connector cannot be
To make Frame Rec settings
used.
1
2
Select OPERATION >Rec Function
>Frame Rec in the setup menu.
• Regardless of the setting of the F-RUN/SET/
R-RUN switch, the advance mode of the
internal timecode generator is always R-RUN.
• Audio cannot be recorded.
• Recording review is not possible.
• If you press the SLOT SELECT button, the
camcorder completes recording of the specified
number of frames, creates a clip, and switches
to the other media.
For menu operations, see “Basic Setup Menu
Turn the MENU knob to select [On],
and then press the knob.
The camcorder enters Frame Rec mode, the
“Frame Rec” indication on the viewfinder
screen flashes.
• Genlock is not possible.
3
Select [Number of Frames], turn the
MENU knob to select the number of
frames to record in one take, and then
press the knob.
You can select from 1, 3, 6, 9 (or from 2, 6,
12 when the video format setting is 720/
59.94P or 720/50P).
If power is lost during recording
• If you set the camcorder’s POWER switch to
OFF, the camcorder is powered off
automatically after a few seconds, during which
the media is accessed to record the video and
audio data stored in the camcorder’s memory up
to that point.
• If power is lost because the battery was
removed, the DC cable was disconnected, or the
power was turned off on the AC adaptor side,
then the video and audio data shot up to that
point may be lost (maximum 10 seconds). Be
careful to avoid this when exchanging the
battery.
The camcorder exits Frame Rec mode when it is
powered off, but the setting for the number of
frames setting is maintained. You do not need to
set it again the next time you shoot in Frame Rec
mode.
To shoot in Frame Rec mode
Make the settings and preparations described in
“Basic Operations” (page 68), secure the
camcorder so that it does not move, and begin
shooting.
Shooting with Slow & Quick
Motion
When the camcorder is in HD mode and the video
listed below, you can specify a recording frame
rate that is different from the playback frame rate.
When the Country setting is NTSC Area: HQ
1920/29.97P, HQ 1920/23.98P, HQ 1280/
59.94P, HQ 1280/29.97P, HQ 1280/23.98P
When the Country setting is PAL Area: HQ
1920/25P, HQ 1280/50P, HQ 1280/25P
When recording starts, the “Frame Rec”
indication in the viewfinder changes from
flashing to lit, and “FRM REC” and “FRM
STBY” appear alternatively at the position of the
REC indication. The TALLY indicators and the
tally indicator on the front panel of the viewfinder
light as they do during normal recording.
To stop shooting
Stop the recording.
By shooting with a frame rate that differs from the
playback frame rate, you can obtain slow and
quick motion effects that are smoother than low-
speed or high-speed playback of content recorded
at the normal frame rate.
When shooting ends, the video data stored in
memory up to that point is written to the media.
To exit Interval Rec mode
Do one of the following.
Advanced Operations
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Example
viewfinder by turning the MENU knob, or by
using the J or j button and then pressing the
SET button.
The Slow & Quick Motion mode setting and the
frame rate are retained even after the camcorder is
powered off.
When the video format is HQ 1280/23.98P, you
can obtain quick-motion effects by setting the
frame rate to 1 to 23, and obtain slow-motion
effects by setting the frame rate to 25 to 60.
Slow & Quick Motion settings and
shooting
To shoot in Slow & Quick Motion mode
Shoot as described in “Basic Operations”
Notes
• The Slow & Quick Motion function cannot be used at
the same time as the picture cache, Interval Rec, or
Frame Rec function. When you select Slow & Quick
Motion mode, the picture cache, Interval Rec, and
Frame Rec functions are disabled. When you select
picture cache, Frame Rec, or Interval Rec mode, the
Slow & Quick Motion function is disabled.
When recording starts, the “S&Q STBY”
indication in the viewfinder changes to the
“z S&Q REC” indication. The TALLY
indicators and the tally indicator on the front
panel of the viewfinder light as they do during
normal recording.
• Slow & Quick Motion is disabled when the slow
shutter function (viewfinder display “SLS”) function is
enabled. The slow shutter function is disabled when
the Slow & Quick Motion function is enabled.
• Slow & Quick Motion is disabled when OPERATION
>Input/Output >i.LINK I/O in the setup menu is set to
[Enable]. When Slow & Quick Motion is enabled,
i.LINK I/O is fixed as [Disable].
To stop shooting
Stop the recording.
Note
It takes longer than normal for recording to stop when
Frame Rate is set to a low value (for a slow frame rate).
To exit Slow & Quick Motion mode
With the camcorder in recording standby mode,
set OPERATION >Rec Function > Slow & Quick
in the setup menu to “Off”.
• Slow & Quick Motion settings cannot be changed
during recording.
To make Slow & Quick Motion settings
Limitations during recording
1
2
Select OPERATION >Rec Function >
Slow & Quick in the setup menu.
• The i.LINK (HDV/DV) connector cannot be
used.
• Regardless of the setting of the F-RUN/SET/
R-RUN switch, the advance mode of the
internal timecode generator is always R-RUN.
• Audio cannot be recorded when the recording
and playback frame rates differ.
For menu operations, see “Basic Setup Menu
Turn the MENU knob to select [On],
and then press the knob.
• Recording review is not possible.
• If you change the recording frame rate to a value
faster than the current shutter speed, the shutter
speed is changed to the slowest value for which
shooting is possible.
The camcorder enters Slow & Quick Motion
mode, and the “S&Q STBY” indication
appears in the viewfinder.
3
Select [Frame Rate], turn the MENU
knob to select the recording frame rate,
and then press the knob.
Example: If the frame rate is 32 and the shutter
1
speed is / , and you change the frame rate to
40
1
55, then the shutter speed is changed to /
.
The setting range for the frame rate is as
60
If is not possible to select a shutter speed that is
slower than the recording frame rate.
• Genlock is not possible.
follows.
System lines
1080
Frame rate
1 to 30
720
1 to 60
When you finish making these settings, the
system frequency and the frame rate appear at the
top of the viewfinder screen. You can change the
frame rate while viewing the display in the
Advanced Operations
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Framing Shots with the Freeze
Mix Function
The freeze mix function allows you to
temporarily overlap a still image (freeze picture)
from a clip shot in HD mode onto the current
camera picture. This makes it easier to frame the
shot.
Note
The freeze mix function is not available in the following
cases.
• When the recording format is SP 1440/23.98P
• When the video formats of the recorded picture and the
camera picture differ
• When you are shooting in Slow & Quick Motion mode
or slow shutter mode
• When there is i.LINK input
To display a freeze mix picture
1
Play a clip or conduct a recording
review of a clip with the same format as
the camera picture.
2
Display the picture that you want to use
as the frame, and then turn on the
assignable switch to which the Freeze
Mix function has been assigned.
The recording review picture is frozen and
overlaps the camera picture.
Note
The following functions are disabled at the freeze mix
times.
• Menu operations
• During Focus Mag display
• Marker display
• Zebra display
• Peaking display
• Skin tone details display
To cancel the freeze mix display
Do one of the following.
• Press an assignable switch again to which the
Freeze Mix function has been assigned.
The freeze mix display is canceled and the
display returns to the normal camera picture.
Normal recording starts.
Advanced Operations
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77
Chapter5 Clip Operations
Clip Playback
A thumbnail screen appears if you press the THUMBNAIL button in E-E or playback mode. Thumbnail
screens display lists of the clips stored on S×S memory cards in the form of index pictures. (A message
appears if you insert a memory card that contains no clips.)
You can select any clip (see page 80) in a thumbnail screen and start playback of that clip (see page 80).
Thumbnail Screen
In thumbnail screens, the timecode of the index picture appears beneath the thumbnail for each clip. (An
OK mark also appears when a clip has been marked with an OK mark.)
Note
Normal thumbnail screens display SD clips only or HD clips only, even if the S×S memory card contains clips in both
formats. You can select the format to display by selecting a mode with OPERATION >Format >HD/SD (see page 94) in
the setup menu.
If you want to display all recorded clips, regardless of the HD/SD mode, switch to the all clips thumbnail screen.
HD mode thumbnail screen
Cursor (yellow)
The icon of the currently selected S×S memory card is highlighted.
(If the card is write protected, a lock appears on the left.)
Clip number/Number of clips
Clip Playback
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a Index picture
f Video format of recording
When a clip is recorded, its first frame is set
automatically as the index picture. You can
change to index picture to any frame (see
g Special recording information
This displays the mode of clips that have been
recorded in a special mode (Slow & Quick
Motion, Interval Rec, Frame Rec).
b Lock mark
Indicates the selected clip is marked with an OK
mark and protected.
For Slow & Quick Motion clips, the frame rates
are displayed to the right as [Recording frame
rate/Playback frame rate] fps.
h OK mark
An OK mark appears only when the clip has been
c Date and start time of recording
d Clip name
e Independent AV file icon
i File format
This appears only when a clip is an independent
AV file. S×S memory cards may contain
Indicates the file format of the selected clip
(MP4).
independent files that have been added directly
from a computer. Because independent files lack
the associated management files, some operations
and information displays may not be available.
j Clip duration
k Timecode
This is the timecode of the index picture.
SD mode thumbnail screen
The icon of the currently selected S×S memory card is highlighted.
(If the card is write protected, a lock appears on the left.)
Cursor (yellow)
Clip number/Number of components
a Take mark
b Index picture
Indicates that the file size is larger than 2 GB, and
that the clip has been split before being saved.
You can check the segment files on the expand
When a clip is recorded, its first frame is set
automatically as the index picture.
Clip Playback
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c Date and start time of recording
To play clips sequentially starting from a
selected clip
d Clip name/Number of components
The number after the clip name (delimited by /) is
the number of components. This appears only for
clips larger than 2 GB in size, which have been
split into smaller files for storage.
1
2
Select the thumbnail of the clip that you
want to play first.
Press the PLAY/PAUSE button.
Play begins from the top of the selected clip.
e Video format of recording
f File format
Indicates the file format of the selected clip
(AVI).
Play continues through all clips after the selected
clip.
When the last clip has been played to the end, the
camcorder enters pause (still image) mode at the
last frame of the last clip.
g Clip duration
Press the THUMBNAIL button to return to the
thumbnail screen.
h Timecode
This is the timecode of the index picture.
Notes
• There may be momentary picture breakup or still
image display at the transition from one clip to another.
During this time, the playback controls and the
THUMBNAIL button cannot be operated.
To switch between S×S memory cards
When two S×S memory cards are loaded, you can
switch between them by pressing the SLOT
SELECT button.
• When you select a clip in the thumbnail screen and
begin playback, there may be momentary picture
breakup at the top of the clip. To view the top of the
clip without breakup, put the camcorder into playback
mode, pause, use the PREV button to return to the top
of the clip, and start playback again.
• On S×S memory cards that contain both HD-mode and
SD-mode clips, you cannot play all clips in sequence.
For example, while an HD mode thumbnail screen is
displayed, only HD mode clips are played in sequence.
Note
Switching between memory cards is possible only in the
normal thumbnail screen, the OK clip thumbnail screen,
or the all clips thumbnail screen, or when you have
pressed the STOP button to display the camera picture.
To hide the thumbnail screen
Press the THUMBNAIL button.
To pause playback
Press the PLAY/PAUSE button.
The PLAY/PAUSE indicator flashes while
playback is paused.
Playing Clips
Press the button again to return to playback mode.
To select clip thumbnails
To play at high speed
Do one of the following to move the yellow
cursor to the clip that you want to select.
• Press an arrow button (J, j, K, k).
• Turn the MENU knob.
To return to normal playback, press the PLAY/
PAUSE button.
• Press the PREV or NEXT button.
To stop playback
Press the STOP button: Playback stops and the
To select the first thumbnail
With the F REV button held down, press the
PREV button.
camcorder enters E-E mode.
Press the THUMBNAIL button: Playback stops
and the thumbnail screen (see page 78)
appears in the viewfinder.
To select the last thumbnail
With the F FWD button held down, press the
NEXT button.
Playback also stops if you eject the memory card.
In this case, the camera picture appears in the
viewfinder.
Clip Playback
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To cue up clips
To return to the top of the current clip
Press the PREV button.
To search for scenes in clips with the
expand thumbnail screen
The expand thumbnail screen is convenient when
you want to find and cue up a specific scene in a
long clip.
To display the expand thumbnail screen, select a
clip in the thumbnail screen and press the
THUMBNAIL >Thumbnail View >Forward
Expansion in the setup menu. The selected clip is
displayed as follows.
• During playback or F FWD, this jumps to the
top of the current clip and starts playback.
• During F REV or pause, this jumps to the top of
the current clip and displays a still image.
• Each subsequent press of the button moves to
the previous clip.
To play from the top of the first clip
Simultaneously press the PREV and F REV
buttons. This jumps to the top of the first clip on
the S×S memory card.
HD mode: The clip is divided into 12 equally-
sized blocks, and a thumbnail of the first
frame in each block is displayed.
SD mode: Only in the case of clips that have been
split into partial files because the file size was
larger than 2 GB, a thumbnail of the first
frame of each partial file is displayed.
To jump to the top of the next clip
Press the NEXT button.
• During playback or F FWD, this jumps to the
top of the next clip and starts playback.
• During F REV or pause, this jumps to the top of
the next clip and displays a still image.
• Each subsequent press of the button moves to
the next clip.
This helps you to quickly cue up to a desired
scene in a clip of long duration.
To play from the top of the last clip
Simultaneously press the NEXT and F FWD
buttons. This jumps to the top of the last clip on
the S×S memory card.
(page 87) for more information about the expand
thumbnail screen.
To add a shot mark during playback
(HD mode only)
You can add shot marks to clips during playback
by using the same method used during recording
To search for shot marks in clips with the
shot mark thumbnail screen (HD mode)
When a clip contains one or more shot marks, you
can easily find them with the shot mark thumbnail
screen. The shot mark thumbnail screen displays
a thumbnail of each shot mark frame in the clip.
To display the shot mark thumbnail screen, press
select THUMBNAIL >Thumbnail View >
Notes
• Shot marks cannot be recorded when the S×S memory
card is write protected.
• Shot marks cannot be added at the first or last frame of
a clip.
Essence Mark Thumbnail in the setup menu.
(HD Mode Only)” (page 88) for more information
about the shot mark thumbnail screen.
Using Thumbnails to Search
Inside Clips
You can switch a thumbnail screen to the
following thumbnail search screens, which allow
you quickly find the clips you want.
• Expand thumbnail screen
• Shot mark thumbnail screen (HD mode only)
Like the normal thumbnail screen and the OK clip
thumbnail screen, these screens allow you to
Clip Playback
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Thumbnail Operations
You can use the THUMBNAIL menu to perform various operations on clips, to check clip properties, and
to change clip metadata.
THUMBNAIL Menu Configuration
Menu items
Sub-items
Description
Clip Properties
—
—
Displays detailed properties (see page 84)
a)
Changes index pictures in the expand thumbnail screen or
the shot mark thumbnail screen (see page 89)
Set Index Picture
• In the expand thumbnail screen, increases the number of
divisions (see page 87)
Thumbnail View
Forward Expansion
Back Expansion
In the expand thumbnail screen, decreases the number of
divisions
a)
Displays the shot mark thumbnail screen (see page 88)
Essence Mark Thumbnail
Clip Thumbnail
Displays the normal thumbnail screen
All Clip Thumbnail
Add Shot Mark1
Displays the all clips thumbnail screen (see page 83)
a)
In the expand thumbnail screen or the shot mark thumbnail
screen, adds a Shot Mark1 mark (see page 88)
Set Shot Mark
Delete Shot Mark1
Add Shot Mark2
Delete Shot Mark2
In the expand thumbnail screen or the shot mark thumbnail
screen, deletes a Shot Mark1 mark (see page 89)
In the expand thumbnail screen or the shot mark thumbnail
screen, adds a Shot Mark2 mark (see page 88)
In the expand thumbnail screen or the shot mark thumbnail
screen, deletes a Shot Mark2 mark (see page 89)
a)
—
—
Adds an OK mark and protects a clip (see page 85)
Add OK Mark
a)
Deletes an OK mark and unprotects a clip (see page 85)
Delete OK Mark
Copy Clip
—
—
—
Copies a clip (see page 85)
Deletes a clip (see page 86)
Divides a clip (see page 89)
Delete Clip
a)
Divide Clip
a)
—
Displays the OK clip thumbnail screen (see page 83)
Filter Clips
Copy All Clips
Delete All Clips
a) HD mode only
Execute/Cancel
Execute/Cancel
Copies all clips (see page 86)
Deletes all unprotected clips (see page 86)
Thumbnail Operations
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82
To hide the clip properties screen
Do one of the following.
Press the RESET/RETURN button: This
returns to the THUMBNAIL menu.
Press the THUMBNAIL button: The
camcorder enters E-E mode, and the camera
picture appears.
Basic THUMBNAIL Menu
Operations
information about menu operations.
To display the THUMBNAIL menu
Press the PLAY/PAUSE button: Playback from
the selected clip starts.
1
2
Set the MENU ON/OFF switch to ON,
or press the MENU button.
Changing the Thumbnail Screen
Type
Turn the MENU knob to select “TH”,
and then press the knob. Or press the J
or j button to select “TH”, and then
press the SET button.
To display OK clip thumbnails (HD mode
only)
The THUMBNAIL menu appears.
From among all clips stored on the currently
selected S×S memory card, the OK clip
thumbnail screen displays only clips which have
been marked with an OK mark.
When the normal thumbnail screen is displayed,
you can select THUMBNAIL >Filter Clips to
switch to the OK clip thumbnail screen.
To hide the THUMBNAIL menu, press the
MENU button again.
Only)” (page 85) for information about how to add
OK marks.
To select menu items and sub-items
Do one of the following.
• Turn the MENU knob to select an item or sub-
item, and then press the knob.
• Press the arrow buttons (J, j, K, k) to
select an item or sub-item, and then press the
SET button.
According to the selected item or sub-item, a
selection list or a clip properties screen appears
To display the all clips thumbnail screen
The all clips thumbnail screen displays
thumbnails of all of the clips on the selected
memory card, including both HD-mode and
SD-mode clips. This is useful when you want to
check whether the memory card contains clips in
another mode.
You can switch to the all clips thumbnail screen
by selecting THUMBNAIL >All Clip Thumbnail
in the setup menu in the normal thumbnails
screen.
To return to the previous state, push the MENU
CANCEL/PRST/ESCAPE switch down to the
ESCAPE side.
Notes
Pressing the RESET/RETURN button returns
you to the normal thumbnails screen, where you
can perform playback and other clip operations.
• When an S×S memory card is write protected, it is not
possible to copy, delete, or divide clips, to change
index pictures, or to add and delete OK marks and shot
marks.
• Some items cannot be selected, depending on the state
of the camcorder when the menu was displayed.
Note
You cannot start playback from the all clips thumbnail
screen.
Thumbnail Operations
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Displaying Clip Properties
The clip properties screen appears when you select Clip Properties in the THUMBNAIL menu.
HD mode
SD mode
When clip names are 12 characters or longer,
only the first five characters and the last five
characters are displayed. If you want to check
the abbreviated characters, press the MENU
knob to switch to long display mode. In long
display mode, up to 53 characters are displayed
in clip names.
a Image of the current clip
b Image of the previous clip
Press the PREV button to display the properties
of the previous clip.
c Image of the next clip
Press the NEXT button to display the properties
of the next clip.
Press the MENU knob again to exit long
display mode. Pressing the PREV or NEXT
button to display the previous or next clip also
exists long display mode.
d Clip name
In SD mode, only for clips that have been
divided because the file size was greater than 2
GB, the number of component clips appears
after the clip name.
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The screen changes to the clip properties
screen, and a confirmation message appears
beneath the index picture.
e Lock mark (HD mode only)
This appears when the clip is marked with an
OK mark and protected.
2
Select [Execute], and press the MENU
knob.
f OK mark (HD mode only)
This appears only when an OK mark has been
added.
An OK mark is added to the selected clip.
g Date and start time of recording
To delete an OK mark
A Delete OK Mark item appears in the
THUMBNAIL menu when you have selected a
clip that has an OK mark.
h File format
The file format of the clip (MP4 or AVI)
appears.
i Special recording information (HD
mode only)
1
In the thumbnail screen, select
THUMBNAIL >Delete OK Mark.
The screen changes to the clip properties
screen, and a confirmation message appears
beneath the index picture.
This displays the mode of clips that have been
recorded in a special mode (Slow & Quick
Motion, Interval Rec, Frame Rec).
For Slow & Quick Motion clips, the frame rates
are displayed to the right as [Recording frame
rate/Playback frame rate].
2
Select [Execute], and press the MENU
knob.
The OK mark is deleted from the selected clip.
j Timecode of the displayed image
k Timecode of the recording start point
l Timecode of the recording end point
m Duration
Copying Clips
You can copy clips to other S×S memory cards.
Clips are copied to destination S×S memory cards
using the same names as the original clips.
n Recorded audio channels
o Video format of recording
Notes
• If a clip with the same name already exists at the copy
destination S×S memory card, a one-digit number in
parentheses is added to the original name.
The number in parentheses is the smallest number that
does not exist at the copy destination.
Adding and Deleting OK Marks
(HD Mode Only)
Examples:
ABCD0002tABCD0002(1)
ABCD0002(1)tABCD0002(2)
ABCD0005(3)tABCD0005(4)
You can add OK marks to clips. This makes it
possible to display thumbnails of only the clips
that you need by pressing the THUMBNAIL
button.
Clips with OK marks cannot be deleted or
divided. If you want to delete or divide such a
clip, delete the OK mark first.
• If the parenthetical numbers (1) to (9) already exist at
the copy destination, it is not possible to copy any more
clips under that name. (A tenth clip cannot be copied.)
• A message appears if there is not enough free capacity
at the copy destination S×S memory card. Exchange
the card for one with more free capacity.
• When multiple clips are copied from a source SxS
memory card, it may not be possible to copy all clips
to the end. Depending on memory characteristics and
usage of the memory cards, this can occur even when
the source and destination memory cards have the
same capacity.
To add an OK mark
1
In the thumbnail screen, select
THUMBNAIL >Add OK Mark.
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1
2
In the thumbnail screen, select the
thumbnail of the clip to copy, and then
select THUMBNAIL >Copy Clip.
The screen changes to the properties screen
of that clip, and a confirmation message
appears beneath the index picture.
Deleting Clips
You can delete clips from S×S memory cards.
Note
HD clips with OK marks cannot be deleted.
If you want to delete such clips, first delete the OK marks
Select [Execute], and press the MENU
knob.
The copy starts.
1
2
In the thumbnail screen, select the
thumbnail of the clip to delete, and then
select THUMBNAIL >Delete Clip.
The screen changes to the properties screen
of that clip, and a confirmation message
appears beneath the index picture.
During the copy, an execution message and
progress bar are displayed.
When the copy finishes, the display returns to the
thumbnail screen.
To cancel a copy operation
Select [Execute], and press the MENU
knob.
The clip is deleted.
Press the RESET/RETURN button.
The copy is cancelled, and the display returns to
the thumbnail screen.
In the thumbnail screen, the clips that followed
the deleted clip move up one position.
To batch copy groups of clips
You can batch copy groups of clips from one S×S
memory card to another S×S memory card.
When both HD-mode and SD-mode clips exist on
the source S×S memory card, only clips in the
currently selected mode are copied. This is a
convenient way to extract clips in one of the
modes.
To batch delete groups of clips
You can batch delete groups of clips from an S×S
memory card.
Notes
• When both HD-mode and SD-mode clips exist on the
S×S memory card, only clips in the currently selected
mode are deleted.
1
In the thumbnail screen, select the
thumbnails of the clips to copy and then
select THUMBNAIL >Copy All Clips.
The confirmation message “Copy All Clip?”
appears.
• In HD mode, clips with OK marks are not deleted,
even when a deletion is executed for a group of clips
that includes them.
1
2
In the thumbnail screen, select the
thumbnails of the clips to delete and
then select THUMBNAIL >Delete All
Clips.
The confirmation message “Delete All
Clips?” appears.
2
Select [Execute], and press the MENU
knob.
The copy starts.
During the copy, the progress of the copy is
displayed.
If you executed the copy in HD mode, only
HD-mode clips are copied.
If you executed the copy in SD mode, only
SD-mode clips are copied.
Select [Execute], and press the MENU
knob.
The deletion starts.
During the deletion, the progress of the
deletion is displayed.
To cancel the copy operation
Press the RESET/RETURN button.
If you executed the deletion in HD mode,
only HD-mode clips are deleted.
If you executed the deletion in SD mode,
only SD-mode clips are deleted.
When the copy finishes
A completion message appears, and the
THUMBNAIL menu screen appears again.
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To cancel the deletion
Press the RESET/RETURN button.
Index picture
When the deletion finishes
A completion message appears, and the
THUMBNAIL menu screen appears again.
Frame with Shot Mark1
Frame with Shot Mark2
S1
S2
The same icons are also displayed beneath the
thumbnails. However, when several icons could
be displayed for the same frame, one icon is
selected for display, in the order of priority
Index picture > Shot Mark1 > Shot Mark2.
Displaying the Expand Thumbnail
Screen
The expand thumbnail screen allows you to
search inside clips by using thumbnails (see
b Timecode
This displays the timecode of the selected
To display the screen
frame in the expand thumbnail screen.
In the thumbnail screen, select a thumbnail and
THUMBNAIL >Thumbnail View >Forward
Expansion.
An expand thumbnail screen for the selected clip
appears.
Expand thumbnail screen in SD mode
In SD mode, only in the case of clips that have
been split into partial files because the file size
was larger than 2 GB, a thumbnail of the first
frame of each partial file is displayed.
Expand thumbnail screen in HD mode
Number of the selected frame
In HD mode, the selected clip is divided into 12
equally-sized blocks, and a thumbnail of the first
frame in each block is displayed.
Number of the selected frame
S1
S2
Clip properties are displayed at the bottom of the
screen.
S2
S1
Except for the items listed below, the information
displayed here is the same as the information
displayed in the normal thumbnail screen.
Clip properties are shown at the bottom of the
screen.
Except for the items listed below, the information
displayed here is the same as the information
displayed in the normal thumbnail screen.
a Timecode
This is the timecode of the selected partial file.
b Duration
This is the duration of the selected partial file.
a Frame information
This displays frame information using icons.
To increase the number of divisions
When you press the EXPAND button, or select
THUMBNAIL >Thumbnail View >Forward
Expansion, the divided clip or file is further
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divided into 12 equally-sized blocks (a clip or file
that has been divided into 12 is further divided
into 12, for 12 × 12 = 144 divisions). You can
repeat the same operation to increase the number
of division.
Example shot mark thumbnail screen
(with Shot Mark selected)
To return to the previous division level
S1
S2
S2
S1
Press the EXPAND button with the SHIFT button
held down, or select THUMBNAIL >Thumbnail
View >Back Expansion. The expand thumbnail
screen returns to the previous division level.
S1
S1
Displaying the Shot Mark
Thumbnail Screen (HD Mode
Only)
The properties of the clip appear at the bottom of
the screen.
Except for the following item, the information
displayed here is the same as the information
displayed in the expand thumbnail screen.
In the shot mark thumbnail screen (shown only in
HD mode), you can search for shot marks in clips
a Timecode
This is the timecode of the selected frame in the
1
In the thumbnail screen, select the
thumbnail of a clip, and press the
ESSENCE MARK button (see page 21)
or select THUMBNAIL >Thumbnail
View >Essence Mark Thumbnail.
shot mark thumbnail screen.
Adding and Deleting Shot Marks
(HD Mode Only)
2
3
The shot mark thumbnail screen
appears, and a selection list is displayed.
In the shot mark thumbnail screen (see page 88)
you can add thumbnails to any frame of clips
recorded in HD mode, and delete recorded shot
marks.
Select Shot Mark, Shot Mark1, or Shot
Mark2.
Shot Mark1: Display only frames marked
with Shot Mark1 marks.
Shot Mark2: Display only frames marked
with Shot Mark2 marks.
To add shot marks
Shot Mark: Display frames marked with
either Shot Mark1 or Shot Mark2 marks.
1
Select the frame where you want to add
a shot mark, and then select
THUMBNAIL > Set Shot Mark > Add
Shot Mark1 (or Add Shot Mark2).
The properties screen of the selected frame
appears, and a confirmation message appears
below the image.
2
Select [Execute], and press the MENU
knob.
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88
The properties screen of the selected frame
appears, and a confirmation message appears
below the image.
To delete shot marks
1
Select the frame where you want to
delete a shot mark, and then select
THUMBNAIL > Set Shot Mark >
Delete Shot Mark1 (or Delete Shot
Mark2).
2
Select [Execute], and press the MENU
knob.
The clip is divided at the selected frame, and
two clips with different names are created.
The properties screen of the selected frame
appears, and a confirmation message appears
below the image.
The first four characters of the clip name are
taken from the name of the original clips, and the
last four characters are new serial numbers.
2
Select [Execute], and press the MENU
knob.
Example: When the name of a newly recorded
clip would be EFGH0100, and a clip named
ABCD0002 is divided, the names of the two
newly created clips are ABCD0100 and
ABCD0101.
Changing Clip Index Pictures
(HD Mode Only)
Note
In the shot mark thumbnail screen (see page 88)
you can set the selected frame as the clip index
picture in HD mode.
When there is not enough remaining capacity on the S×S
memory cards to store the divided clips, a message
appears to inform you that there is not enough capacity.
1
Select the thumbnail of the frame that
you want to use as the index picture,
and then select THUMBNAIL >Set
Index Picture.
The properties screen of the selected frame
appears, and a confirmation message appears
below the image.
2
Select [Execute], and press the MENU
knob.
Note
Even if you set the index picture to a frame that is not the
first frame of a clip, playback of that clip from a
thumbnail screen always begins at the first frame.
Dividing Clips (HD Mode Only)
HD-mode clips can be divided into two clips at
the selected frame.
1
Select the thumbnail of the frame where
you want to divide the clip, and then
select THUMBNAIL >Divide Clip.
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Chapter6
Menu and Detailed Settings
OPERATION Menu (see page 94)
Setup Menu
OPERATION
Format
Organization and Levels
Format Media
Input/Output
Super Impose
Rec Function
Assignable SW
VF Setting
Marker
On this camcorder, settings for shooting and
playback are made in the setup menu, which
appears in the viewfinder.
The setup menu can also be displayed on an
Gain Switch
TLCS
Zebra
Setup Menu Organization
Display On/Off
Auto Iris
The setup menu consists of the following menus.
White Setting
Offset White
Shutter Select
Time Zone
Clip
Op: OPERATION menu
Settings related to shooting, except settings
related to picture quality (see page 94)
Pa: PAINT menu
Settings related to picture quality (see page 108)
Th: THUMBNAIL menu
Settings related to clip thumbnails (see page 82)
Note
The THUMBNAIL menu is used only when a thumbnail
thumbnail screen is displayed.
Ma: MAINTENANCE menu
Settings related to audio and timecode (see
Fi: FILE menu
Settings related to file operations (see page 125)
Setup Menu Levels
for the organization of the THUMBNAIL menu.
Setup Menu Organization and Levels
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PAINT Menu (see page 108)
PAINT
Basic Setup Menu
Operations
Switch Status
White
Black
Flare
Gamma
Black Gamma
Knee
To display the setup menu
Set the MENU ON/OFF switch to ON, or press
the MENU button.
The camcorder enters menu mode and the menu
list appears on the screen.
A cursor appears over the first two characters of the
most recently used menu, and the corresponding
menu item selection area appears to the right.
White Clip
Detail(HD Mode)
Detail(SD Mode)
Aperture
Skin Detail
Matrix
Example: When the cursor is positioned at the
OPERATION menu
Multi Matrix
V Modulation
Low Key Saturation
Menu list
MAINTENANCE Menu (see page 114)
MAINTENANCE
White Shading
Battery
Audio
WRR Setting
Timecode
Menu item selection area
Essence Mark
Camera Config
Preset White
White Filter
Auto Iris2
Note
The setup menu cannot be used when the camcorder is in
focus magnification mode. Exit focus magnification
mode by pressing the assignable switch to which the
Focus Mag function has been assigned.
Flicker Reduce
Genlock
To make menu settings
ND Comp
Lens
1
2
Turn the MENU knob, or press the J or
j button, to move the cursor to the item
that you want to set.
A list of selectable menu items appears in the
menu item selection area to the right of the
icon.
Trigger Mode
Clock set
Language
Hours Meter
Version
Press the MENU knob or the SET
button.
The cursor moves to the menu item selection
area.
FILE Menu (see page 125)
FILE
All
Scene
Reference
Lens
You can also move the cursor to the menu
item selection area by pressing the k
button.
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• The menu item selection area displays a
maximum of seven lines. You can scroll
through menus with more than seven lines
by moving the cursor up and down.
Triangles appear at the upper right and
lower right of the menu item selection area
to indicate that a menu is scrollable.
4
Turn the MENU knob, or press the J or
j button, to move the cursor to the sub-
item that you want to set, and then
confirm the selection by pressing the
MENU knob or the SET button.
The settings of the selected sub-item appear,
and the cursor moves to the currently
selected value.
NTSC Area
Appears when more menu items
are available below the last line.
(v appears when more menu items
are available above the first line.)
Settings area
• The settings area displays a maximum of
seven lines. You can scroll through menus
with more than seven sub-items by moving
the cursor up and down. Triangles appear at
the upper right and lower right of the
settings area to indicate that a sub-item
menu is scrollable.
Menu item selection area
•
•
•
B appears to the right when more detailed
sub-items are available.
Settings appear to the right when a menu
item has no sub-items.
You can select
previous level.
to return to the
• For sub-items with a large settings range
(for example, –99 to +99), the settings area
is not displayed. Instead, the sub-item name
is highlighted to indicate that the sub-item
can be set.
3
Turn the MENU knob, or press the J or
j button, to move the cursor to the item
that you want to set, and then confirm
by pressing the MENU knob or the SET
button.
The sub-items area appears to the right of the
menu item selection area, and the cursor
moves to the first sub-item.
5
Turn the MENU knob, or press the J or
j button, to select the value to set, and
then confirm by pressing the MENU
knob or the SET button.
The setting is changed, and the display is
updated to show the new setting.
If you select [Execute] for an executable
item, the corresponding function is executed.
Items that require confirmation before execution
In step 3, the menu disappears and a confirmation
message appears if you select an item that
requires confirmation before execution. Follow
the instructions in the message to execute or
cancel the operation.
Sub-items area
• Displays sub-items and their current
settings
• To return to the previous level, select
,
press the K button, or push the MENU
CANCEL/PRST/ESCAPE switch down to
the ESCAPE side.
To enter text
Some items, such as time data or file names, must
be set by entering text. When you select one of
these items, the text entry area is highlighted, with
“SET” displayed to the right.
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92
1
Turn the MENU knob, or press the J or
j button, to select a character, and then
confirm by pressing the MENU knob or
the SET button.
The cursor moves to the next position.
To return to the previous position, push the
MENU CANCEL/PRST/ESCAPE switch
down to the ESCAPE side.
2
3
Select characters for all positions up to
the last.
The cursor moves to “SET”.
Press the MENU knob or the SET
button.
This confirms the setting.
To cancel the setting change
Push the MENU CANCEL/PRST/ESCAPE
switch down to the ESCAPE side.
To reset a setting to the initial value
1
Before a setting is changed or after a
setting change is cancelled, push the
MENU CANCEL/PRST/ESCAPE
switch up to the CANCEL/PRST side.
2
When the message to confirm whether
the current setting is reset to the initial
value, push the MENU CANCEL/
PRST/ESCAPE switch up to the
CANCEL/PRST side again.
The current setting is reset to the initial value.
To exit the menu
Set the MENU ON/OFF switch to OFF or press
the MENU button.
The normal camera picture reappears.
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93
Menu List
Settings in bold are the factory default values.
OPERATION Menu
OPERATION
Menu items
Sub-item
Settings
Description
Format
Specifies the
camcorder’s operating
mode and recording
format.
HD/SD
HD/SD
Switches between HD or SD as the
operating mode (execute by
selecting Execute).
HD System Line
1080/720
When the operating mode is HD,
sets the number of system lines to
1080 or 720 (execute by selecting
Execute).
System Frequency
The available settings
vary depending on the
settings in HD/SD, HD
System Line, and
Country.
Selects the system frequency
(execute by selecting Execute).
59.94i/29.97P/23.98P
When the HD/SD setting is [HD],
the HD System Line setting is
[1080], and the Country setting is
other than [PAL Area].
59.94P/29.97P/23.98P
When the HD/SD setting is [HD],
the HD System Line setting is [720],
and the Country setting is other than
[PAL Area].
59.94i/29.97P
When the HD/SD setting is [SD],
and the Country setting is other than
[PAL Area].
• When the HD/SD setting is [HD], the
HD System Line setting is [1080],
and the Country setting is [PAL
Area].
50i/25P
• When the HD/SD setting is [SD], and
the Country setting is [PAL Area].
50P/25P
When the HD/SD setting is [HD],
the HD System Line setting is [720],
and the Country setting is [PAL
Area].
Menu List
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OPERATION
Menu items
Format
Sub-item
Settings
Description
Rec Format
The available settings
vary depending on the
settings in HD/SD, HD
System Line, and System
Frequency.
Selects the recording format
(execute by selecting Execute).
Specifies the
camcorder’s operating
mode and recording
format.
HQ 1920/HQ 1440
When the HD/SD setting is [HD],
the HD System Line setting is
[1080], and the System Frequency
setting is [29.97P] or [25P].
When the HD/SD setting is [HD],
the HD System Line setting is
[1080], and the System Frequency
setting is other than [29.97P] and
[25P].
HQ 1920/HQ 1440/
SP 1440
HQ 1280
When the HD/SD setting is [HD],
and the HD System Line setting is
[720].
DVCAM
When the HD/SD setting is [SD].
Selects the aspect ratio when SD
mode (recording format: DVCAM)
is selected (execute by selecting
Execute).
Aspect Ratio (SD)
16:9/4:3
Country
NTSC Area/NTSC(J)
Area/PAL Area
Selects the area of use (execute by
selecting Execute).
Format Media
Executes a media
format.
Media(A)
Execute/Cancel
Initializes the S×S memory card in
slot A (execute by selecting
Execute).
Media(B)
Execute/Cancel
Initializes the S×S memory card in
slot B (execute by selecting
Execute).
Menu List
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OPERATION
Menu items
Sub-item
Settings
Description
Input/Output
Makes settings related
to I/O signals.
Output& i.LINK
HD&HDV/SD&HDV/
SD&DV/480P (576P)
Selects the signals output from the
video connectors and the i.LINK
(HDV/DV) connector.
• When the HD/SD setting is SD,
“SD&DV” is selected.
• On 480P576P, “480P” can be
selected when the Country setting is
other than “PAL Area”, and “576P”
can be selected when the Country
setting is “PAL Area”.
23.98P Output
Source Select
i.LINK I/O
PsF/Pull Down
Camera/i.LINK
Enable/Disable
When the video format is HQ 1920/
23.98P or HQ 1440/23.98P, selects
whether to use progressive output
(PsF) or pulldown output (Pull
Down).
Selects whether to use the video
camera picture (Camera) or the
signal input from the i.LINK (HDV/
DV) connector (i.LINK) as the video
input source.
Selects whether to enable or disable
input and output of signals via the
i.LINK (HDV/DV) connector.
When Enable is selected, you can
execute auto black balance
adjustment during i.LINK output.
Turns on or off the output of signals
from the HD/SD SDI OUT
SDI Output
On/Off
connector.
HDMI Output
On/Off
Turns on or off the output of signals
from the HDMI connector.
SDI/HDMI Out
Super
On/Off
Turns on or off the superimposition
of text information on the output of
the HD/SD SDI OUT and HDMI
connectors.
Video Out Super
On/Off
Turns on or off the superimposition
of text information on the output of
the VIDEO OUT connector.
Menu List
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OPERATION
Menu items
Sub-item
Settings
Description
Input/Output
Makes settings related
to I/O signals.
Down Converter
Crop/Letter/Squeeze
Selects the signal conversion mode
for output of SD signals.
Crop: Crop the edges of the 16:9
picture and output as a 4:3
picture.
Letter: Mask the top and bottom of
the 4:3 picture and display in
the center of the screen as a
16:9 picture.
Squeeze: Squeeze the 16:9 picture
horizontally and output as a 4:3
picture.
Wide ID
Through/AUTO
Selects whether to add wide picture
information to the SD output signal.
Through: Output without adding
wide picture information.
AUTO: Add and output wide
picture information when the
Down Converter setting is
Squeeze.
Super Impose
Super(VF Display) On/Off
When the setting of Input/Output
>SDI/HDMI Out Super or Video
Out Super is On, superimpose text
information on the output from the
HD/SD SDI OUT connector, HDMI
connector, and VIDEO OUT
connector, as specified (On or Off)
for each item.
Makes settings related
to superimposed text
and markers.
Super(Menu)
On/Off
Super(Timecode)
On/Off
Super(Marker)
On/Off
When the setting of Input/Output
>Video Out Super is On, specifies
whether to superimpose markers on
the output from the VIDEO OUT
connector.
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OPERATION
Menu items
Sub-item
Settings
Description
Rec Function
Slow & Quick
On/Off
Turns the Slow & Quick Motion
function on or off. (When this is set
to On, the Picture Cache Rec,
Interval Rec, and Frame Rec sub-
items are set to Off.)
Makes settings related
to special recording
modes.
Frame Rate
The available settings
vary depending on the
When the Slow & Quick setting is
On, sets the frame rate for Slow &
Format >HD System Line Quick Motion shooting.
setting.
When Format >Country When the HD System Line setting is
is set to other than [PAL 1080.
Area]: 1 to 30
When Format >Country
is set to [PAL Area]: 1 to
25 to 30
When Format >Country When the HD System Line setting is
is set to other than [PAL 720.
Area]: 1 to 30 to 60
When Format >Country
is set to [PAL Area]: 1 to
25 to 60
Picture Cache Rec
On/Off
Turns the picture cache function on
or off. (When this is set to On, the
Slow & Quick, Interval Rec, Frame
Rec sub-items are set to Off.)
P. Cache Rec Time
Interval Rec
0-2sec/2-4sec/4-6sec/
6-8sec/8-10sec/10-12sec/ is On, set the picture cache time.
12-14sec/13-15sec
When the Picture Cache Rec setting
On/Off
Turns the Interval Rec function on or
off. (When this is set to On, the Slow
& Quick, Picture Cache Rec, and
Frame Rec sub-items are set to Off.)
Turns the Frame Rec function on or
off. (When this is set to On, the Slow
& Quick, Picture Cache Rec, and
Interval Rec sub-items are set to
Off.)
Frame Rec
On/Off
Number of Frames
The available settings
vary depending on the
settings in Format >HD
When Interval Rec or Frame Rec is
set to On, specifies the number of
frames to shoot in one Interval Rec
System Line and Format or Frame Rec take.
>System Frequency.
2frame/6frame/12frame When the HD System Line setting is
720, and the System Frequency
setting is 59.94P or 50P.
1frame/3frame/6frame/ When the HD System Line setting is
9frame
other than 720, or the System
Frequency setting is other than
59.94P or 50P.
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Menu items
Sub-item
Settings
1/2/3/4/5/6/7/8/9/10/15/ When the Interval Rec setting is On,
20/30/40/50 (sec) sets the interval for Interval Rec
1/2/3/4/5/6/7/8/9/10/15/ shooting.
20/30/40/50 (min) 1/2/3/
4/6/12/24 (hour)
Description
Rec Function
Interval Time
Makes settings related
to special recording
modes.
Pre-Lighting
Off/2sec/5sec/10sec
If you want the video light to be
turned on before Interval Rec
shooting, select a number of seconds
before the start of shooting. If you
do not want it to be turned on, select
Off.
Assignable SW
Assigns functions to
assignable switches.
<0>
Assigns function to ASSIGN. 0
switch.
<1>
Assigns function to ASSIGN. 1
switch.
for more information
about assigning
<2>
Assigns function to ASSIGN. 2
switch.
<3>
Assigns function to ASSIGN. 3
switch.
functions.
<4>
Assigns function to ASSIGNABLE
4 switch.
<5>
Assigns function to ASSIGNABLE
5 switch.
RET
Assigns function to RET button on
the lens.
C. Temp
Zoom Speed
Assigns function to COLOR TEMP.
button.
0 to 20 to 99
When Zoom has been assigned to
the ASSIGNABLE 4 or 5 switch,
specifies the zoom speed.
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Menu items
VF Setting
Makes settings related
to the viewfinder
screen.
Sub-item
Settings
Description
Color
–99 to 0 to +99
Adjusts the density of the colors
displayed in the viewfinder screen.
Selects Color or B&W as the display
mode of the viewfinder screen.
(Even when B&W is selected, some
indications are always displayed in
color. Examples include tally
indications, thumbnails, and the skin
gate area.)
Mode
Color/B&W
Peaking Type
Normal/Color/Both
Selects the peaking type.
Normal: Normal peaking
Color: Color peaking
Both: Both
Peaking Frequency Normal/High
Selects Normal or High as the
peaking frequency.
Peaking Color
White/Red/Yellow/Blue When the Peaking Type setting is
Color, selects the peaking color from
among White, Red, Yellow, and
Blue.
Peaking Level
DXF Rec Tally
Low/Mid/High
When the Peaking Type setting is
Both, selects the color peaking level
from among Low, Mid, and High.
When a separately sold viewfinder is
installed, specified whether to light
the tally indicator on the upper side
only (Upper), or on both the upper
and lower sides (Both).
Upper/Both
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Menu items
Marker
Makes settings related
to marker display in the
viewfinder screen.
Sub-item
Setting
Settings
On/Off
Description
Turns all markers on or off.
When the center marker is
displayed, selects the type. Select
Off if you do not want to display the
marker.
Center Marker
1/2/3/4/Off
Center H Position
Center V Position
Safety Zone
–40 to 0 to 40
–40 to 0 to 40
On/Off
Specifies the horizontal position of
the center marker.
Specifies the vertical position of the
center marker.
Turns the safety zone display on or
off.
Safety Area
80%/90%/92.5%/95%
Selects the safety zone range.
When an aspect marker is to be
displayed, selects the display
method. Select Off if you do not
want to display the marker.
Line: Show as white lines.
Mask: Display by lowering the
video signal level of areas
outside the marker range.
Selects the aspect ratio of the
marker.
Aspect Marker
Line/Mask/Off
Aspect Select
Aspect Mask
15:9/14:9/13:9/4:3/
1.66:1/1.85:1/2.35:1/
2.4:1
0% to 30% to 90% (10% When the Aspect Marker setting is
step)
Mask, specifies the video signal
level of areas outside the marker
range as a percentage value relative
to the video signal level of areas
inside the marker range.
User Box
On/Off
Turns the box cursor display on or
off.
User Box Width
40 to 500 to 999
Specifies the box cursor width
(distance from the center to the left
and right edges).
User Box Height
70 to 500 to 999
Specifies the box cursor height
(distance from the center to the top
and bottom edges).
User Box H Position –479 to 0 to 479
Specifies the horizontal position of
the box cursor center.
User Box V Position –464 to 0 to 464
Specifies the vertical position of the
box cursor center.
Guide Frame
On/Off
Turns display of the guide frame on
or off.
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Menu items
Gain Switch
Makes settings related
to the GAIN switch.
Sub-item
Settings
–3dB/0dB/3dB/6dB/9dB/ Specifies the gain value for the
12dB/18dB L position of the GAIN switch.
–3dB/0dB/3dB/6dB/9dB/ Specifies the gain value for the
12dB/18dB M position of the GAIN switch.
–3dB/0dB/3dB/6dB/9dB/ Specifies the gain value for the
12dB/18dB H position of the GAIN switch.
–3dB/0dB/3dB/6dB/9dB/ Specifies the gain value for the
Description
Gain Low
Gain Mid
Gain High
Gain Turbo
12dB/18dB/24dB
Turbo Gain function, which can be
assigned to an assignable switch.
Turns shockless gain (a function that
switches smoothly when the gain is
switched) on or off.
Shockless Gain
Mode
On/Off
TLCS
Makes settings related
to total level control.
Backlight/Standard/
Spotlight
Selects the auto iris mode used when
the TLCS system is activated.
Backlight: Backlight mode (lessens
the blackout of the main subject
that occurs under backlit
conditions)
Standard: Standard mode
Spotlight: Spotlight mode (lessens
the whiteout of the main subject
that occurs under a spotlight)
Specifies the control speed (speed of
reaction to changes in the video)
used when the TLCS system is
activated. (Larger values specify
quicker reaction times.)
Speed
–99 to 0 to +99
AGC
On/Off
Turns the AGC (auto gain control)
function on or off.
AGC Limit
AGC Point
3dB/6dB/9dB/12dB/
18dB
Specifies the maximum gain used
when AGC is on.
F5.6/F4/F2.8
Specifies the F value where control
by auto iris switches to control by
AGC, used when AGC is on.
Turns the auto shutter function on or
off.
Auto Shutter
On/Off
Auto Shutter Limit 1/100 / 1/150 / 1/200 /
Selects the maximum shutter speed
used when auto shutter is on.
Specifies the F value where control
by auto iris switches to control by
auto shutter, used when auto shutter
is on.
1/250
Auto Shutter Point
F5.6/F8/F11/F16
Zebra
Makes settings related
to zebra displays.
Zebra Select
1/2/BOTH
Selects the zebra pattern type
(Zebra1, Zebra2, Both).
Zebra1 Level
Zebra1 Aperture
Level
50% to 70% to 107%
Specifies the Zebra1 display level.
Specifies the Zebra1 aperture level.
1 to 10% to 20%
Zebra2 Level
52% to 100% to 109%
Specifies the Zebra2 display level.
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Menu items
Sub-item
Video Level
Warnings
Settings
Description
Display On/Off
Selects the items to
display in the
On/Off
Turns the warnings that appear when
the video level is too bright or too
dark on or off.
viewfinder screen.
Brightness Display On/Off
Turns the numerical indication of the
video brightness on or off.
Turns the histogram display of video
signal levels on or off (in HD mode
only).
Histogram Display On/Off
Lens Info
Off/Meter/Feet
Selects meters or feet as the unit for
display of the depth of field. Select
Off if you do not want to display the
depth of field.
Focus Position
Zoom Position
On/Off
Turns the indication of the lens focus
position on or off.
On/Off
Turns the indication of the lens
zoom position on or off.
Audio Level Meter On/Off
Turns the display of the audio level
meters on or off.
Timecode
On/Off
Turns the display of time data
(timecode, user bits, counter,
duration) on or off.
Battery Remain
On/Off
Turns the indications of the
remaining battery time and input
voltage on or off.
Media Remain
TLCS Mode
Focus Mode
On/Off
On/Off
On/Off
Turns the indication of the
remaining media capacity on or off.
Turns the indication of the TLCS
operating mode on or off.
Turns the indication of the focus
operating mode on or off.
Turns the indication of the white
balance mode on or off.
White Balance Mode On/Off
Filter Position
Iris Position
Gain Setting
Shutter Setting
Color Temp
On/Off
On/Off
On/Off
On/Off
On/Off
On/Off
Turns the indication of the ND filter
setting on or off.
Turns the indication of the iris
position on or off.
Turns the indication of the gain
setting on or off.
Turns the indications of the shutter
mode and shutter speed on or off.
Turns the indication of the color
temperature on or off.
Video Format
Turns the indication of the video
format on or off.
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Menu items
Sub-item
Settings
Description
Display On/Off
Selects the items to
display in the
System Line
On/Off
Turns the indication of the system
lines on or off.
Rec Mode
On/Off
Turns the indication of special
recording modes (S&Q, Interval,
Frame Rec, Picture Cache Rec) on
or off.
viewfinder screen.
Extender
On/Off
Turns the lens extender indication on
or off.
WRR RF Level
On/Off
Turns the indication of the digital
wireless receiver reception level on
or off.
Clip Number(PB)
Iris Override
On/Off
Turns the indication of clip
information on or off.
Auto Iris
Makes settings related
to auto iris.
On/Off
Turns iris override (a setting that
opens or closes the iris more than
normal) on or off.
Iris Speed
–99 to 0 to +99
Specifies the iris control speed
(speed of reaction to changes in the
video). (Larger values specify
quicker reaction times.)
Clip High light
Iris Window
On/Off
Turns on or off the function that
disregards highlights and forces a
flatter reaction to high luminance.
Selects the auto iris detection
window type.
1/2/3/4/5/6/Var
On/Off
Var: Variable
Iris Window
Indication
Turns the indication of the auto iris
detection window frame on or off.
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Sub-item
Settings
Description
White Setting
White Switch<B>
Memory/ATW
Specifies the operating mode
selected by the B position of the
WHITE BAL switch.
Makes settings related
to auto white balance
adjustments.
Memory: Auto white balance
ATW: Auto tracing white balance
Specifies the reaction speed when
the WHITE BAL switch setting is
changed. Off is an instant reaction,
and 1 is faster than 2 or 3.
Specifies the reaction speed when
the White Switch<B> setting is
ATW. 1 is the fastest reaction.
Specifies whether auto white
balance is executed at the center of
the screen.
Shockless White
Off/1/2/3
ATW Speed
1/2/3/4/5
AWB Fixed Area
On/Off
On: Execute in an area
corresponding to 25% of the
height and width of the screen.
Off: Execute in an area
corresponding to 70% of the
height and width of the screen.
Specifies whether to allocate a white
balance memory area for each
FILTER knob position.
Filter White Memory On/Off
On: Allocation a white balance
memory area for each FILTER
knob position.
Off: Use A/B memory regardless of
the filter position.
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Menu items
Offset White
Makes settings related
to white balance offset
values.
Sub-item
Settings
Description
Offset White <A>
On/Off
Specifies whether to add (On) or not
to add (Off) an offset value to the
white balance value in memory A.
When the setting of Offset
White<A> is On, specifies (as a
color temperature) the offset to add
to the white balance value in
memory A. (Note that the error
range becomes larger for higher
offset color temperatures. Adjust
while viewing the actual video.)
Specifies a more precise color
temperature, for use when
Warm Cool <A>
Approximate color
temperature
Warm Cool
Balance<A>
–99 to 0 to +99
satisfactory video cannot be
obtained with the Warm Cool <A>
setting.
Offset White <B>
Warm Cool <B>
On/Off
When this is set to On, the offset
adjusted set with this item is added
to the white balance of channel B.
When the setting of Offset
White<B> is On, specifies (as a
color temperature) the offset to add
to the white balance value in
memory B. (Note that the error
range becomes larger for higher
offset color temperatures. Adjust
while viewing the actual video.)
Specifies a more precise color
temperature, for use when
Approximate color
temperature
Warm Cool
Balance<B>
–99 to 0 to +99
satisfactory video cannot be
obtained with the Warm Cool <B>
setting.
Shutter Select
Shutter Select
Zone
Second/Degree
Specifies the unit used to select
shutter speeds.
Makes settings related
to shutter speed
selection.
Second: Select in units of seconds.
Degree: Select in units of degrees.
Specifies a difference from UTC
(Greenwich Mean Time) in units of
30 minutes.
Time Zone
Specifies the time zone.
–12:00 to +0:00 to
+14:00 (in steps of
30 minutes)
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Clip
Make settings for clip
name or clip
Sub-item
Settings
Description
Title Prefix
Text input
Specifies the title part (4 to 46
alphanumeric characters) of clip
titles.
When the currently specified title is
eight characters or fewer in length,
the entire title appears. When the
title is longer than eight characters,
the first seven characters appear and
a “···” symbol appears in place of the
eighth character.
management.
Note
Do not assign clip
names that begin with
the “.” (period) symbol.
Clips with names in
which the first
character is “.” cannot
be viewed on the
Displays the Character Set screen.
Windows or Macintosh
application software.
Character Set screen configuration
• Character selection area (three
lines)
Select the character to insert at the
title prefix cursor position.
!#$%()+.-.;=@[]^_~0123456789
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUV
WXYZ
• Cursor operation area (one line)
Space: Changes the character at the
cursor position to a space
INS: Inserts a space at the cursor
position
DEL: Deletes the character at the
cursor position
T: Moves the cursor to the left
t: Moves the cursor to the right
ESC: Cancels the change and return
to the normal menu
END: Executes the change and
return to the normal menu
• Title prefix area (one line)
An area to enter the title
To set titles
1 Turn the MENU knob or press the
arrow buttons to select a
character, highlighting it, in the
character selection area, and then
press the MENU knob or the SET
button to insert it at the cursor
position in the title prefix area.
(The cursor moves to the right.)
2 Repeat step 1 to add more
characters to the title (using
Space, INS, and DEL as
required).
3 When you have finished entering
the title, select END to close the
Character Set screen.
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Menu items
Clip
Make settings for clip
name or clip
Sub-item
Settings
Description
Number Set
0001 to 9999
Specifies the initial value of the
numeric part (four digits) of clip
names.
management.
Update
Media<A>/Media<B>
Updates the management files on the
media in the selected slot (execute
by selecting Execute).
PAINT Menu
PAINT
Menu items
Switch Status
Turns various signal
correction functions
and a test signal on or
off.
Sub-item
Gamma
Settings
On/Off
On/Off
Description
Turns gamma correction on or off.
Turns black gamma correction on or
off.
Black Gamma
Matrix
On/Off
Turns linear matrix correction and
user matrix correction on or off.
Turns knee correction on or off.
Turns white clip correction on or
off.
Knee
On/Off
White Clip
On/Off
Detail
On/Off
Turns detail correction on or off.
Turns aperture correction on or off.
Turns flare correction on or off.
Turns the test saw signal on or off.
Displays the white balance color
temperature saved in memory A.
Aperture
Flare
On/Off
On/Off
Test Saw
Color Temp <A>
On/Off
White
Sets the color
1500K to 3200K to
50000K (reference
values)
temperature, and
performs manual white
balance adjustment.
Color Temp BAL
<A>
–99 to 0 to +99
Specifies the white balance gain
values saved in memory A (linked R
gain and B gain).
R Gain <A>
–99 to 0 to +99
Specifies the white balance R gain
value saved in memory A.
B Gain <A>
–99 to 0 to +99
Specifies the white balance B gain
value saved in memory A.
Color Temp <B>
1500K to 3200K to
50000K (reference
values)
Displays the white balance color
temperature saved in memory B.
Color Temp BAL
<B>
–99 to 0 to +99
Specifies the white balance gain
values saved in memory B (linked R
gain and B gain).
R Gain <B>
B Gain <B>
–99 to 0 to +99
Specifies the white balance R gain
value saved in memory B.
–99 to 0 to +99
Specifies the white balance B gain
value saved in memory B.
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Menu items
Sub-item
Master Black
R Black
Settings
Description
Black
–99 to 0 to +99
–99 to 0 to +99
–99 to 0 to +99
Specifies the master black level.
Specifies the R black level.
Specifies the B black level.
Specifies the black
level (level of the
unilluminated parts of
the video).
B Black
You can achieve a
desired look by
adjusting the black
level for deeper or
shallower blacks.
Flare
Makes settings related
to flare.
Flare is light generated
from a bright image
region that spreads
broadly across the
image, adding light to
dark regions and
Flare
On/Off
Turns flare correction on or off.
Sets the master flare correction
level.
Master Flare
–99 to 0 to +99
R Flare
G Flare
B Flare
–99 to 0 to +99
–99 to 0 to +99
–99 to 0 to +99
Sets the R flare correction level.
Sets the G flare correction level.
Sets the B flare correction level.
reducing contrast. It is
caused by reflection
inside the lens system.
Gamma
Gamma
On/Off
Turns gamma correction on or off.
Makes settings related
to gamma.
Gamma correction
allows you to
significantly alter the
impression made by the
video by adjusting the
contrast.
Step Gamma
0.35 to 0.45 to 0.90 (0.05 Specifies a gamma correction value
step)
in steps of 0.05
Master Gamma
R Gamma
–99 to 0 to +99
–99 to 0 to +99
–99 to 0 to +99
–99 to 0 to +99
The available settings
vary depending on the
setting in Gamma
Category (see
Specifies the master gamma level.
Specifies the R gamma level.
Specifies the G gamma level.
Specifies the B gamma level.
Select the gamma table to use in
gamma correction.
When Gamma Category is STD:
1 DVW: DVW camcorder
equivalent
G Gamma
B Gamma
Gamma Select
“Description”).
2 ×4.5: ×4.5 gain
3 ×3.5: ×3.5 gain
4 240M: SMPTE-240M equivalent
5 R709: ITU-R709 equivalent
(default setting)
6 ×5.0: ×5.0 gain
When Gamma Category is HG:
1 3250: Condense 325% video input
to 100% video output
2 4600: Condense 460% video input
to 100% video output
3 3259: Condense 325% video input
to 109% video output
4 4609: Condense 460% video input
to 109% video output (default
setting)
Gamma Category
STD/HG
Selects use of standard gamma
(STD) or HyperGamma (HG).
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Menu items
Sub-item
Settings
Description
Black Gamma
Black Gamma
On/Off
Turns black gamma correction on or
Makes settings related
to black gamma
correction.
off.
Gamma Level
Range
–99 to 0 to +99
Specifies the master black gamma
level.
Black gamma
Low/L.Mid/H.Mid/High Selects the black gamma correction
correction allows you
to reproduce gradations
and color nuances in
black or near-black
(dark) parts of the
picture.
effective range.
LOW: 0 to 3.6%
L.MID: 0 to 7.2%
H.MID: 0 to 14.4%
HIGH: 0 to 28.8%
Knee
Makes settings related
to knee correction.
Knee correction is
processing that
prevents washout by
compressing the bright
parts of the video
according to an upper
limit for the dynamic
range of the recorded
and output picture. The
signal level where knee
processing begins is
called the “knee point”,
and the slope of knee
compression is called
the “knee slope”.
Knee
On/Off
Turns knee correction on or off.
Specifies the knee point.
Knee Point
50.0% to 90.0% to
109.0%
Knee Slope
–99 to 0 to +99
On/Off
Specifies the knee slope.
Turns the knee saturation function
on or off.
Knee Saturation
Knee Saturation
Level
–99 to 0 to +99
Specifies the knee saturation level.
White Clip
White Clip
Level
On/Off
Turns white clipping adjustment on
or off.
Makes settings related
to white clipping
adjustments.
90.0% to 109.0%
Specifies the white clip level.
White clipping is
processing that limits
the maximum level of
video output signals.
The maximum video
signal output value is
called the “white clip
level”.
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Menu items
Sub-item
Detail
Settings
Description
Detail(HD Mode)/
Detail(SD Mode)
Makes settings related
to details adjustments
in HD mode and SD
mode.
Detail adjustment is
processing that
improves the clarity of
the video by adding
detail signals to the
edges of the subject.
On/Off
Turns detail adjustment on or off.
Specifies the detail level.
Specifies the mix ratio between the
H detail level and the V detail level.
Specifies the crispening level.
Turns the level depend adjustment
function on or off.
Level
–99 to 0 to +99
–99 to 0 to +99
H/V Ratio
Crispening
–99 to 0 to +99
Level Depend
On/Off
Level Depend Level –99 to 0 to +99
Specifies the level depend level.
Specifies the central frequency for H
detail signals. Larger values give
finer details.
Frequency
–99 to 0 to +99
Knee Aperture
On/Off
Turns the knee aperture function on
or off.
Knee Aperture Level –99 to 0 to +99
Specifies the knee aperture level.
Specifies the detail limiter values for
both the white-side and black-side
direction.
Limit
–99 to 0 to +99
White Limit
–99 to 0 to +99
–99 to 0 to +99
–99 to 0 to +99
NAM/G/R+G/Y
Specifies the white-side detail
limiter value.
Black Limit
Specifies the black-side detail
limiter value.
V-BLK Limit
V Detail Creation
Specifies the black-side V detail
limiter value.
Selects the source signal used to
generate the V detail signal.
NAM: A V detail signal created
from the R signal, or a V detail
signal created from the G
signal, or a V detail signal
created from the B signal,
whichever is the signal with the
highest level
G: G signal
G+R: Composite signal comprising
the G signal and R signal in a
1:1 ratio
Y: Y signal
Aperture
Aperture
Level
On/Off
Turns aperture correction on or off.
Sets the aperture level.
Makes settings related
to aperture correction.
Aperture correction is
processing to improve
resolution by adding
high-frequency
–99 to 0 to +99
aperture signals to the
video signal, which
corrects degeneration
due to high-frequency
characteristics.
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Menu items
Sub-item
Settings
Description
Skin Detail
Makes settings related
to skin detail
correction.
Skin detail correction is
processing that
increases or decreases
the detail level of a
specified color range
(skin tone range), for
the purpose of
obtaining attractive
reproduction of skin
tones.
Skin Detail
On/Off
Turns skin detail correction on or
off.
Area Detection
Area Indication
Color detection screen
Detects the color to be targeted by
skin detail correction.
Turns on or off the function that
displays a zebra pattern in the area
targeted by skin detail correction.
Specifies the skin detail level.
Specifies the saturation of the color
targeted by skin detail correction.
Specifies the hue of the color
targeted by skin detail correction.
Specifies a range for the hue of the
color targeted by skin detail
correction.
On/Off
Level
–99 to 0 to +99
Saturation
–99 to 0 to +99
Hue
0 to 359
Width
0 to 40 to 90
Matrix
Matrix
On/Off
Turns the matrix correction function
on or off.
Makes settings related
to matrix correction.
Matrix correction
Preset Matrix
Preset Select
On/Off
Turns the preset matrix function on
or off.
allows you to adjust the
color and vividness of
the video. Depending
on the effect you want,
you can select one from
among a number of
preset matrixes, which
define different
1/2/3/4/5/6
Selects a preset matrix.
1: SMPTE-240M equivalent
2: ITU-709 equivalent
3: SMPTE WIDE equivalent
4: SD equivalent
5: EBU equivalent
6: Standard
parameter sets. Or you
can select a user matrix
with your own
User Matrix
On/Off
Turns the user matrix function on or
off.
parameters.
User Matrix R-G
User Matrix R-B
User Matrix G-R
User Matrix G-B
User Matrix B-R
User Matrix B-G
–99 to 0 to +99
–99 to 0 to +99
–99 to 0 to +99
–99 to 0 to +99
–99 to 0 to +99
–99 to 0 to +99
Specifies a freely defined R-G user
matrix.
Specifies a freely defined R-B user
matrix.
Specifies a freely defined G-R user
matrix.
Specifies a freely defined G-B user
matrix.
Specifies a freely defined B-R user
matrix.
Specifies a freely defined B-G user
matrix.
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PAINT
Menu items
Sub-item
Settings
Description
Multi Matrix
Makes settings related
to multi matrix
Multi Matrix
On/Off
Turns the multi matrix correction
function on or off.
Area Indication
On/Off
Turns on or off the function that
displays a zebra pattern in the color
area targeted by multi matrix
correction.
correction.
Multi-matrix correction
allows specific colors
to be selected for
saturation correction in
a 16-axis hue space.
Color Detection
Axis
Color detection screen
Detects colors targeted by multi
matrix correction.
B/B+/MG–/MG/MG+/
Specifies a color targeted by multi
R/R+/YL–/YL/YL+/G–/ matrix correction (16-axis mode)
G/G+/CY/CY+/B–
Hue
–99 to 0 to +99
Specifies the hue of the color
targeted by multi matrix correction
for each 16-axis mode.
Saturation
V Modulation
–99 to 0 to +99
Specifies the saturation of the color
targeted by multi matrix correction
for each 16-axis mode.
V Modulation
On/Off
Turns V modulation shading on or
off.
Makes settings related
to V modulation
shading.
V modulation shading
corrects vertical
imbalances in
sensitivity arising from
the relationship
between a lens and
prism.
Master V
Modulation
R V Modulation
–99 to 0 to +99
–99 to 0 to +99
–99 to 0 to +99
–99 to 0 to +99
Specifies the master V modulation
level.
Specifies the V modulation level of
R signals.
G V Modulation
B V Modulation
Specifies the V modulation level of
G signals.
Specifies the V modulation level of
B signals.
Low Key Saturation Low Key Saturation On/Off
Turns low key saturation correction
on or off.
Makes settings related
to low key saturation
correction.
Level
–99 to 0 to +99
Specifies the saturation of colors in
low luminance areas.
You can correct the
saturation of colors in
dark parts of the video
only.
Range
Low/L.Mid/H.Mid/High Specifies the luminance level for
which low key saturation is enabled.
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MAINTENANCE Menu
MAINTENANCE
Menu items
Sub-item
Settings
Description
White Shading
Channel Select
Red/Green/Blue
Selects the target of white shading
correction.
Makes settings related
to white shading.
White shading is
required for each
different lens to correct
irregularities arising
from lens
characteristics. It
corrects luminance and
color irregularities in
bright areas.
R/G/B White H Saw –99 to 0 to +99
R/G/B White H Para –99 to 0 to +99
R/G/B White V Saw –99 to 0 to +99
R/G/B White V Para –99 to 0 to +99
Specifies a SAW white shading
correction value for the horizontal
direction.
Specifies a parabola white shading
correction value for the horizontal
direction.
Specifies a SAW white shading
correction value for the vertical
direction.
Specifies a parabola white shading
correction value for the vertical
direction.
White Saw/Para
Info Before End
On/Off
Turns the white shading SAW and
parabola correction functions on or
off.
Battery
Makes settings related
to batteries.
5%/10%/15%...95%/
100%
Specifies a threshold value that
triggers a “Battery Near End”
warning when a BP-GL65/GL95
battery pack is used.
Info End
0%/1%/2%/3%/4%/5% Specifies a threshold value that
triggers a “Battery End” warning
when a BP-GL65/GL95 battery
pack is used.
Sony Before End
Sony End
11.5V to 17V (0.1V step) Specifies a threshold value that
triggers a “Battery Near End”
warning when a BP-L60S/L80S
battery pack is used.
11.0V to 11.5V (0.1V
step)
Specifies a threshold value that
triggers a “Battery End” warning
when a BP-L60S/L80S battery pack
is used.
Other Before End
Other End
11.5V to 11.8V to 17.0V Specifies a threshold value that
(0.1V step)
triggers a “Battery Near End”
warning when a non-Sony battery
pack is used.
11.0V to 14.0V (0.1V
step)
Specifies a threshold value that
triggers a “Battery End” warning
when a non-Sony battery pack is
used.
DC In Before End
11.5V to 11.8V to 17.0V Specifies a threshold value that
(0.1V step)
triggers a “Battery Near End”
warning when an external power
source is connected to the DC IN
connector.
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MAINTENANCE
Menu items
Battery
Makes settings related
to batteries.
Sub-item
Settings
Description
DC In End
11.0V to 14.0V (0.1V
step)
Specifies a threshold value that
triggers a “Battery End” warning
when an external power source is
connected to the DC IN connector.
Detected Battery
Type Detection
Info/Sony/Other/DC IN Displays the results of automatic
battery pack type detection.
Auto/Other
Auto: Detect the battery type
automatically.
Other: Fix battery type detection as
“Other”.
Segment No.10
Segment No.9
Segment No.8
Segment No.7
Segment No.6
Segment No.5
Segment No.4
Segment No.3
Segment No.2
Segment No.1
11.0V to 17.0V (0.1V
step)
Specify voltage threshold values
that cause remaining capacity
segments to go off in the display of
remaining battery capacity (see
page 29). (The segments go off
below the specified value.)
These values are used when the
battery type has been found to be
“Other”.
11.0V to 16.0V to 17.0V
(0.1V step)
11.0V to 15.0V to 17.0V
(0.1V step)
11.0V to 14.0V to 17.0V
(0.1V step)
11.0V to 13.5V to 17.0V
(0.1V step)
11.0V to 13.0V to 17.0V
(0.1V step)
11.0V to 12.5V to 17.0V
(0.1V step)
11.0V to 12.0V to 17.0V
(0.1V step)
11.0V to 11.5V to 17.0V
(0.1V step)
11.0V to 17.0V (0.1V
step)
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MAINTENANCE
Menu items
Audio
Makes settings related
to audio.
Sub-item
Settings
Description
Front MIC Select
Mono/Stereo
Selects whether the front
microphone is monaural (Mono) or
stereo (Stereo).
Audio CH3/4 Mode Ch1/2 / Switch
Selects the input signals for the
AUDIO IN CH3/CH4 connectors.
CH1/2: The same signals as the
AUDIO IN CH1/ CH2
connectors.
Switch: The signals selected with
the AUDIO IN CH3/CH4
switches.
Front MIC CH1 Ref –70dB/–60dB/–50dB/
–40dB/–30dB/–20dB
Selects the reference level for
channel 1 of the front microphone.
Selects the reference level for
channel 2 of the front microphone.
Selects the reference input level
when the setting of the AUDIO IN
CH1 switch is MIC.
Front MIC CH2 Ref –70dB/–60dB/–50dB/
–40dB/–30dB/–20dB
Rear MIC CH1 Ref –70dB/–60dB/–50dB/
–40dB/–30dB/–20dB
Rear MIC CH2 Ref –70dB/–60dB/–50dB/
Selects the reference input level
when the setting of the AUDIO IN
CH2 switch is MIC.
–40dB/–30dB/–20dB
Line Input Ref
+4dB/0dB/–3dB/EBUL Selects the reference input level
when the AUDIO IN CH1 and
AUDIO IN CH2 switches are set to
LINE.
Min Alarm Volume Off/Set
Selects the volume when the
ALARM knob is turned all the way
down.
OFF: Almost inaudible
SET: Fairly audible
Speaker Attenuate
Off/3dB/6dB/9dB/12dB Selects the volume from the monitor
speaker (does not affect earphone
volume).
Headphone Out
Reference Level
Reference Out
Mono/Stereo
Selects whether the earphones are
monaural (Mono) or stereo (Stereo).
Selects the output level of the 1 kHz
test signal.
–20dB/–18dB/–16dB/
–12dB/EBUL
0dB/+4dB/–3dB/EBUL Specifies the output level with
respect to the reference input level.
CH1&2 AGC Mode Mono/Stereo
For automatic adjustment of the
input level of analog audio signals
recorded on channels 1 and 2,
specifies whether to make the
adjustments separately for each
channel (Mono) or in stereo mode
(Stereo).
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Menu items
Audio
Makes settings related
to audio.
Sub-item
Settings
Description
CH3&4 AGC Mode Mono/Stereo
For automatic adjustment of the
input level of analog audio signals
recorded on channels 3 and 4,
specifies whether to make the
adjustments separately for each
channel (Mono) or in stereo mode
(Stereo).
AGC Spec
–6dB/–9dB/–12dB/
–15dB/–17dB
Off/–6dB/–9dB/–12dB/ For manual audio level adjustments,
Selects the AGC saturation level.
Limiter Mode
–15dB/–17dB
selects the saturation level for the
limiter applied to loud input signals.
Select Off if you do not wish to use
the limiter.
Output Limiter
On/Off
Turns the audio output limiter on or
off.
CH1 Wind Filter
CH2 Wind Filter
CH3 Wind Filter
CH4 Wind Filter
Audio SG (1KHz)
On/Off
Turns the channel 1 wind filter on or
off.
On/Off
Turns the channel 2 wind filter on or
off.
On/Off
Turns the channel 3 wind filter on or
off.
On/Off
Turns the channel 4 wind filter on or
off.
On/Off/Auto
Selects whether to output (On) or
not output (Off) a 1 kHz test signal
in color bar mode.
Auto: Output a test signal only
when the AUDIO SELECT
CH1 switch is set to AUTO.
MIC CH1 Level
Side1/Front/Front+Side1 For recording input audio from the
front microphone on channel 1,
selects the knob that adjusts the
audio level.
Side1: The LEVEL knob (left) on
the side panel
Front: The MIC LEVEL knob on
the front panel
Front+Side1: Adjust with both the
LEVEL knob (left) and the
MIC LEVEL knob.
MIC CH2 Level
Side2/Front/Front+Side2 For recording input audio from the
front microphone on channel 2,
selects the knob that adjusts the
audio level.
Side2: The LEVEL knob (right) on
the side panel
Front: The MIC LEVEL knob on
the front panel
Front+Side2: Adjust with both the
LEVEL knob (right) and the
MIC LEVEL knob.
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Menu items
Audio
Makes settings related
to audio.
Sub-item
Settings
Description
Rear1/WRR Level
Side1/Front/Front+Side1 Selects the knob that adjusts the
audio levels of a wireless
microphone and a device connected
to the AUDIO IN CH1 connector on
the rear panel.
Side1: The LEVEL knob (left) on
the side panel
Front: The MIC LEVEL knob on
the front panel
Front+Side1: Adjust with both the
LEVEL knob (left) and the
MIC LEVEL knob.
Rear2/WRR Level
Side2/Front/Front+Side2 Selects the knob that adjusts the
audio levels of a wireless
microphone and a device connected
to the AUDIO IN CH2 connector on
the rear panel.
Side2: The LEVEL knob (right) on
the side panel
Front: The MIC LEVEL knob on
the front panel
Front+Side2: Adjust with both the
LEVEL knob (right) and the
MIC LEVEL knob.
Audio CH3 Level
Side3/Front/Front+Side3 Selects the knob that adjusts the
level of audio recorded on channel
3.
Side3: The LEVEL knob on side
panel
Front: The MIC LEVEL knob on
the front panel
Front+Side3: Adjust with both the
LEVEL knob and the MIC
LEVEL knob.
Audio CH4 Level
Side4/Front/Front+Side4 Selects the knob that adjusts the
level of audio recorded on channel
4.
Side4: The LEVEL knob on side
panel
Front: The MIC LEVEL knob on
the front panel
Front+Side4: Adjust with both the
LEVEL knob and the MIC
LEVEL knob.
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MAINTENANCE
Menu items
Sub-item
Settings
Description
WRR Setting
Makes settings related
to the wireless tuner.
WRR Valid CH Sel All/CH1
Selects whether to enable channels 1
and 2 of the wireless receiver (All)
or channel 1 only (CH1).
WRR CH Select
TX1/TX2
Specifies the target channel for other
sub-items.
TX1: Channel 1
TX2: Channel 2
WRR Delay Comp On/Off
Enables (On) or disables (Off) delay
compensation for wireless audio
input. (When On is selected, the
audio in all E-E output is delayed by
about 8 ms.)
TX
---
Displays the name of the transmitter
whose signals are being received on
the channel selected by WRR CH
SELECT.
TX Audio Peak
TX Input Level
---/Peak
---/Mic/Line
Displays whether the AF level of the
transmitter whose signals are being
received on the channel selected by
WRR CH SELECT are over peak.
Displays whether the input level of
the transmitter whose signals are
being received on the channel
selected by WRR CH SELECT is
set to microphone (Mic) or line
(Line).
TX ATT Level
TX LCF Freq
---
---
Sets the ATT level of the transmitter
whose signals are being received on
the channel selected by WRR CH
SELECT. (The setting range varies
depending on the transmitter.)
Sets the low cut filter frequency of
the transmitter whose signals are
being received on the channel
selected by WRR CH SELECT.
(The setting range varies depending
on the transmitter.)
TX System Delay
Auto/0.0ms to 8.0ms
Specifies the amount of audio delay.
Auto: Automatically adjusts the
amount of delay so that the
delay in the audio received
from the wireless transmitter is
zero.
0.0ms to 8.0ms: Sets the amount of
anticipated wireless system
delay, for cases in which
several wireless systems are
being used over a devices such
as an audio mixer.
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MAINTENANCE
Menu items
Sub-item
Settings
Description
Timecode
Makes settings related
to timecode.
TC Out
Auto/Generator
Selects the source for timecode
output.
Auto: During recording, output
values generated by the
timecode generator, and during
playback output values
obtained by the timecode
reader.
Generator: Output values
generated by the timecode
generator during both recording
and playback.
DF/NDF
DF/NDF
When the Country setting is other
than PAL Area, selects drop-frame
mode (DF) or non-drop-frame mode
(NDF).
LTC UBIT
Fix/Time
Specifies the data recorded in LTC
user bits.
Fix: Record user-specified data.
Time: Record the current time.
Select the method used to reset the
counter value displayed on the
viewfinder screen.
Counter Display
Counter/Duration
Counter: Continue to increment
until the RESET button is
pressed.
Duration: Reset each time that
recording is started.
Essence Mark
Ret Shot Mark 1
Ret Shot Mark 2
On/Off
Specify whether to input Shot
Mark1 marks using the RET button
on the lens.
Makes settings related
to shot marks and clip
index picture
On/Off
Specify whether to input Shot
Mark2 marks using the RET button
on the lens.
thumbnails.
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MAINTENANCE
Menu items
Sub-item
Settings
Description
Camera Config
Rec Tally Blink
On/Off
Turns warning flashes by the
TALLY indicator on or off. The
warnings alert you an almost
exhausted battery pack or low
remaining media capacity.
Selects the recording review time.
Clip: Review all of the most
recently recorded clip.
Makes settings related
to various camcorder
operations.
Rec Review
3sec/10sec/Clip
HD SDI Remote I/F Off/Chara/G-Tally/
Selects whether to use the function
that enables recording control from
this camcorder of an external device
connected to the HD/SD SDI OUT
connector (HDSDI output). When
the function is used, also selects the
indication that shows whether the
external device is recording.
Off: Do not use the remote
recording control function.
Chara: Indicate by the remote
device indication in the
R-Tally
viewfinder screen.
G-Tally: Indicate by the TALLY
indicator in the viewfinder
(green tally).
R-Tally: Indicate by the REC
indication (recording/Rec tally)
on the viewfinder screen.
Color Bars Select
RM Common
Memory
ARIB/100%/75%
Selects the color bar type.
Selects whether to share (On) or not
share (Off) settings between times
when a remote control unit is
connected and times when the
camcorder is used locally.
For times when a remote control
unit is connected, selects whether
recording start/stop buttons are
enabled on the camcorder or the
remote control unit.
On/Off
RM Rec Start
RM/CAM/PARA
RM: Remote control unit
CAM: Camcorder
PARA: Both
Image Invert
On/Off
Turns the function that inverts
images vertically on or off.
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MAINTENANCE
Menu items
Sub-item
Settings
Description
Preset White
Color Temp<P>
1500K to 3200K to
50000K (reference
values)
Specifies the white balance preset
value.
Makes settings related
to white balance preset
values.
Color Temp
Balance<P>
–99 to 0 to +99
Specifies finer color temperature
settings, for use when satisfactory
video cannot be obtained with Color
Temp<P>.
R Gain <P>
–99 to 0 to +99
–99 to 0 to +99
On/Off
Specifies the R gain preset value.
Specifies the B gain preset value.
Turns on and off execution of the
AWB (auto white balance) function
when the WHITE BAL switch is set
to PRST.
B Gain <P>
AWB Enable <P>
White Filter
Makes settings related
to filters.
ND Filter C.Temp
On/Off
Turns the function that assigns
electrical CC filters to ND filters on
or off.
ND FLT C.Temp<1> 3200K/4300K/5600K/
Selects the color temperature for
when electrical CC filters are
assigned to ND filters.
6300K
ND FLT C.Temp<2- 3200K/4300K/5600K/
Selects the color temperature for
when electrical CC filters are
assigned to ND filters.
4>
6300K
Electrical CC<A>
3200K/4300K/5600K/
6300K
Selects the color temperature for
when the electrical CC filter
switching function is assigned to an
assignable switch.
Electrical CC<B>
Electrical CC<C>
3200K/4300K/5600K/
6300K
Selects the color temperature for
when the electrical CC filter
switching function is assigned to an
assignable switch.
3200K/4300K/5600K/
6300K/-----
Selects the color temperature for
when the electrical CC filter
switching function is assigned to an
assignable switch.
Select “----” if you do not want to
use C.
Electrical CC<D>
3200K/4300K/5600K/
6300K/-----
Selects the color temperature for
when the electrical CC filter
switching function is assigned to an
assignable switch.
Select “----” if you do not want to
use D.
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MAINTENANCE
Menu items
Sub-item
Settings
Description
Auto Iris2
Makes settings related
to auto iris.
Iris Window
1/2/3/4/5/6/Var
Selects the type of iris detection
window.
Var: Variable
Iris Window Ind
On/Off
Turns on or off the function that
displays a frame marker for the auto
iris detection window.
Iris Level
–99 to 0 to +99
Adjusts the level of the auto iris
target value.
Iris APL Ratio
–99 to 0 to +99
Adjusts the mix ratio of auto iris
detection peak value and average
value.
Iris Var Width
Iris Var Height
Iris Var H Position
Iris Var V Position
Iris Speed
40 to 500 to 999
70 to 500 to 999
–479 to 0 to +479
–464 to 0 to +464
–99 to 0 to +99
Adjusts the width of the detection
window when the setting of Iris
Window is VAR.
Adjusts the height of the detection
window when the setting of Iris
Window is VAR.
Specifies the horizontal position of
the detection window when the
setting of Iris Window is VAR.
Specifies the vertical position of the
detection window when the setting
of Iris Window is VAR.
Specifies the control speed (speed of
reaction to changes in the video).
(Larger values specify quicker
reaction times.)
Clip High Light
Mode
On/Off
Turns on or off the function that
disregards highlights and forces a
flatter reaction to high luminance.
Enables or disables flicker
reduction.
On: Always enabled.
Auto: Enabled when flicker is
detected.
Flicker Reduce
Auto/On/Off
Makes settings related
to flicker reduction.
Reduces the flicker that
can occur when a
subject is shot under a
light source with a
periodically varying
brightness, such as
fluorescent lights, due
to the relationship with
the camcorder’s
Off: Disabled
Frequency
60Hz/50Hz
Set to the frequency of the lighting
fixture that is causing the flicker.
(The factory default setting is 50 Hz
when the Country setting is
“PAL Area”, 60 Hz when it is other
than “PAL Area”.)
recording frame rate.
Genlock
Makes settings related
to genlock.
H Phase(HD)
H Phase(SD)
Reference
–999 to 0 to +999
–99 to 0 to +99
Internal/Genlock
Specifies the H phase of HD output
when genlock is enabled.
Specifies the H phase of SD output
when genlock is enabled.
Displays the type of reference signal
used by the camcorder.
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Menu items
Sub-item
Settings
Description
ND Comp
ND Offset Adjust
On/Off
ND filter color compensation
function.
Makes settings related
to ND filter color
compensation.
Clear ND Offset
Execute/Cancel
Clears ND filter color compensation
values (execute by selecting
Execute).
Although the
differences are very
slight, each of the built-
in ND filters has
different color
characteristics. When
you switch between ND
filters, the white
balance may be
disturbed. You can
correct for these slight
color differences
automatically by
registering
compensation values
for each filter.
Lens
Auto FB Adjust
Execute/Cancel
Executes auto flange back
Executes auto flange
back adjustment.
adjustment, only for supported
lenses (execute by selecting
Execute).
Trigger Mode
i.LINK Trigger
Mode
Internal/Both/External
Select Internal when recording start
and stop operations target S×S
memory cards only. Select External
when they target only devices
connected to the i.LINK (HDV/DV)
or HD/SD SDI OUT connectors.
Select Both when they target both
memory cards and external devices.
Sets the current date and time.
Selects the 12-hour format (12H) or
the 24-hour format (24H) for
display of times.
Makes settings related
to triggers for starting
and stopping recording.
Clock Set
Sets the internal clock.
Date/Time
12H/24H
12H/24H
Date Mode
Language
YYMMDD/MMDDYY/ Selects the display format for dates.
DDMMYY
YYMMDD: Year, Month, Day
MMDDYY: Month, Day, Year
DDMMYY: Day, Month Year
Selects the language for messages
from English or Chinese.
Language
Selects the language for
messages.
English/Chinese
Hours Meter
Hours(Sys)
Hours(Reset)
Reset
Displays the cumulative hours of
use (cannot be reset).
Makes settings related
to the digital hours
meter.
Displays the hours of use (can be
reset).
Execute/Cancel
Resets Hours(Reset) to 0.
(Execute by selecting Execute.)
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Menu items
Version
Displays the version of
the camcorder, and
Sub-item
Settings
Description
Version
Displays the software version of the
camcorder (Vx.xx).
Version Up
Execute/Cancel
Updates the camcorder (execute by
selecting Execute).
updates the camcorder.
Note
This cannot be selected unless an SxS
memory card is inserted.
FILE Menu
FILE
Menu items
All
Makes settings related
to ALL file operations.
Sub-item
Settings
Description
Display Mode
Date&Time/Model
Name
Selects the items to be displayed in
the list box that appears when a file
is saved or loaded.
All File Load
All File Save
File ID
Execute/Cancel
Execute/Cancel
Loads an ALL file (execute by
selecting Execute).
Stores an ALL file (execute by
selecting Execute).
Assigns a name to a file. Names can
be up to 16 characters in length.
Return all items to their preset
values (execute by selecting
Execute).
All Preset
Execute/Cancel
Execute/Cancel
Store All Preset
Store the current settings of all items
as the preset values (execute by
selecting Execute).
Clear All Preset
3Sec Clr Preset
Execute/Cancel
Clear the preset values of all items
(execute by selecting Execute).
Turns on or off the function that
clears each preset value when the
MENU CANCEL/PRST/ESCAPE
switch is pushed up and held for
three seconds on the CANCEL/
PRST side.
On/Off
Menu List
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FILE
Menu items
Sub-item
s1
Settings
Standard
Standard
Standard
Standard
Standard
Description
Scene
Makes settings related
to scene file operations.
File number and file ID
s2
File number and file ID
s3
File number and file ID
s4
File number and file ID
s5
File number and file ID
sStandard
Display Mode
Standard settings
Date&Time/Model
Name
Selects the items to be displayed in
the list box that appears when a file
is saved or loaded.
Scene Recall Mem
Scene Store Mem
Scene Recall S×S
Scene Store S×S
File ID
Execute/Cancel
Execute/Cancel
Execute/Cancel
Execute/Cancel
Loads a file from internal memory
(execute by selecting Execute).
Stores a file in internal memory
(execute by selecting Execute).
Loads a file from an S×S memory
card (execute by selecting Execute).
Stores a file to an S×S memory card
(execute by selecting Execute).
Assigns a name to a file. Names can
be up to 16 characters in length.
Stores the current settings of
reference file items in the reference
file that is maintained in internal
memory (execute by selecting
Execute).
Reference
Reference Store
Execute/Cancel
Makes settings related
to reference file
operations.
Reference Clear
Reference Load
Execute/Cancel
Execute/Cancel
Clear the reference file (execute by
selecting Execute).
Load a reference file from an S×S
memory card (execute by selecting
Execute).
Reference Save
Execute/Cancel
Store a reference file to an S×S
memory card (execute by selecting
Execute).
File ID
Assigns a name to a file. Names can
be up to 16 characters in length.
Selects whether to load (On) or not
load (Off) white balance data when
Scene >Scene Recall or Scene
>Standard is executed.
Scene White Data
On/Off
Menu List
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FILE
Menu items
Sub-item
Settings
Description
Lens
Display Mode
Date&Time/Model
Name
Selects the items to be displayed in
the list box that appears when a file
is saved or loaded.
Makes settings related
to lens file operations.
Lens Recall Mem
Lens Store Mem
Lens Recall S×S
Lens Store S×S
File ID
Execute/Cancel
Execute/Cancel
Execute/Cancel
Execute/Cancel
Loads a file from internal memory
(execute by selecting Execute).
Stores a file in internal memory
(execute by selecting Execute).
Loads a file from an S×S memory
card (execute by selecting Execute).
Stores a file to an S×S memory card
(execute by selecting Execute).
Assigns a name to the most recently
loaded file. Names can be up to 16
characters in length.
Source
Displays the number of the selected
file.
Lens No Offset
Lens Auto Recall
Execute/Cancel
Clears a file (execute by selecting
Execute).
Off/On/Serial Number
When the installed lens supports
serial communication, specifies
whether to automatically load that
reference file.
Off: Do not use this function.
On: Load the reference for the
model name and reflect the
contents of the file.
Serial Number: For lenses that
support serial number
communication, load the lens
file that corresponds to the
serial number and model name,
and reflect the contents of that
file. For lenses that do not
support serial number
communication, load the
reference for the model name
(in the same way as when On is
selected).
Serial Number
Lens ID
Displays the serial number of the
installed lens (only for lenses that
support serial communication).
Displays the model name of the
installed lens (only for lenses that
support serial communication).
Displays the name of the
L Manufacturer
manufacturer of the installed lens
(only for lenses that support serial
communication).
M V Modulation
–99 to 0 to +99
Sets a vertical SAW shading
compensation value in the lens file.
Menu List
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FILE
Menu items
Sub-item
Settings
Description
Lens
Lens Center H
–40 to 0 to 40
Sets a center marker horizontal
position in the lens file.
Makes settings related
to lens file operations.
Lens Center V
–40 to 0 to 40
Sets a center marker vertical
position in the lens file.
Lens R Flare
Lens G Flare
Lens B Flare
Lens W-R Offset
–99 to 0 to +99
–99 to 0 to +99
–99 to 0 to +99
–99 to 0 to +99
Sets a R flare level in the lens file.
Sets a G flare level in the lens file.
Sets a B flare level in the lens file.
Sets a R white balance
compensation value in the lens file.
Sets a B white balance
compensation value in the lens file.
Selects the white shading
compensation target.
Lens W-B Offset
Shading Ch Sel
L R/G/B H Saw
–99 to 0 to +99
Red/Green/Blue
–99 to 0 to +99
Sets a horizontal SAW white
shading compensation value in the
lens file.
L R/G/B H Para
–99 to 0 to +99
Sets a horizontal parabola white
shading compensation value in the
lens file.
L R/G/B V Saw
L R/G/B V Para
–99 to 0 to +99
Sets a vertical SAW white shading
compensation value in the lens file.
Sets a vertical parabola white
shading compensation value in the
lens file.
–99 to 0 to +99
Menu List
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Assigning Functions to Assignable Switches
Using the Assignable SW item of the OPERATION menu, you can assign user-specified functions to the
ASSIGN. 0 to 3 switches, the ASSIGNABLE 4 and 5 switches, the COLOR TEMP. button, and the RET
button on the lens.
The following tables lists the functions that are assigned when the camcorder is shipped from the factory.
Switch or button
ASSIGN. 0 switch
ASSIGN. 1 switch
Function
Assignable SW setting
No assignment
Off
Execute EZ mode, according to the setting of
OPERATION >TLCS.
EZ Mode
ASSIGN. 2 switch
ASSIGN. 3 switch
No assignment
No assignment
Off
Off
Off
Off
ASSIGNABLE 4 switch No assignment
ASSIGNABLE 5 switch No assignment
RET button
During recording or playback: Write a shot mark. Lens RET
In the other states: Conduct a recording review
(if playback is allowed).
COLOR TEMP. button
Adjust the white balance with the preset white
balance value of 5600K.
Color Temp SW 5600K
Functions that can be assigned to the ASSIGN. 0 switch
Assignable switch setting Function
State when camcorder
is next powered on
Off
No assignment
—
Marker
ATW Hold
Turn the display of all markers on or off.
Setting retained
Hold the white balance setting in the ATW (auto-tracking —
white balance) mode
Picture Cache
Freeze Mix
Focus Mag
Zebra
Turn the picture cache function on or off.
Execute the freeze mix function.
Turn the focus magnification function on or off.
Turn zebra display on or off.
Write Shot Mark1.
Setting retained
—
Setting not retained
Setting not retained
Shot Mark1
Shot Mark2
OK Mark
—
—
—
Write Shot Mark2.
Add or delete an OK mark.
Assigning Functions to Assignable Switches
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129
Functions that can be assigned to the ASSIGN. 2 switch
Note
Immediately after you assign a function to the ASSIGN. 2 switch or you switch the recording format, the setting of the
switch at that point may not match the camcorder’s internal state. After assigning a function, switch the ASSIGN. 2
switch or power the camcorder off and on again.
Assignable switch setting Function
Off
No assignment
Front Mic
Marker
Switch between stereo and monaural when a stereo microphone is connected.
Turn the display of all markers on or off.
Turn the picture cache function on or off.
a)
Picture Cache
Zebra
Turn zebra display on or off.
Digital Extender
Turn the screen magnification function on or off (only when the option for digital
extender is installed).
Note
a) Immediately after you assign a functionThe OPERATION >Rec Function item in the setup menu is disabled (displayed
in grey) and cannot be set when the Picture Cache function is turned on.
Functions that can be assigned to the ASSIGN. 1 and 3 switches, the
ASSIGNABLE 4 and 5 switches, and the COLOR TEMP. button
Assignable switch setting Function
State when camcorder
is next powered on
Off
No assignment
—
Front Mic
Switch between stereo (On) and monaural (Off) when a Setting retained
stereo microphone is connected.
Marker
Turn the display of all markers on or off.
Delete the most recently recorded clip.
Setting retained
—
Last Clip Delete
ATW
Turn ATW (auto tracing white balance) mode on or off. Setting not retained
ATW Hold
EZ Mode
Hold the white balance setting in the ATW mode.
—
Execute EZ mode according to the setting of
OPERATION >TLCS.
Setting retained
Turbo Gain
Execute Turbo Gain according to the setting of
OPERATION >Gain Switch >Gain Turbo.
Setting not retained
Rec Review
Rec
Conduct a recording review.
—
Start or stop recording.
—
Picture Cache
Freeze Mix
Spotlight
Turn the picture cache function on or off.
Execute the freeze mix function.
Setting retained
Setting not retained
Setting retained
Turn the spotlight function in auto iris mode on or off.
Backlight
Turn the backlight function in auto iris mode on or off. Setting retained
EVF Mode
Switch the viewfinder screen between B&W (On) and
color (Off).
Setting retained
BRT Disp
Histogram
Turn the display of the brightness level on or off.
Turn the histogram display on or off.
Setting retained
Setting retained
Assigning Functions to Assignable Switches
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130
Assignable switch setting Function
State when camcorder
is next powered on
Lens Info
Switch the depth of field indication between off,
Setting retained
displayed in meters, and displayed in feet.
Zoom Tele/Wide
When a lens that supports serial communication is
installed, assign the Zoom Tele function to
ASSIGNABLE 4, and assign the Zoom Wide function to
ASSIGNABLE 5 (displayed only when <4> and <5> are
set).
—
Zoom Wide/Tele
When a lens that supports serial communication is
installed, assign the Zoom Wide function to
ASSIGNABLE 4, and assign the Zoom Tele function to
ASSIGNABLE 5 (displayed only when <4> and <5> are
set).
—
Manual Focus Assist
Focus Mag
Zebra
Turn the manual focus assist function on or off.
Turn the focus magnification function on or off.
Turn zebra display on or off.
Setting retained
Setting not retained
Setting not retained
—
Lens RET
During recording or playback: Write a shot mark.
In the other states: Conduct a recording review
(if playback is allowed).
a)
Display return video signals.
—
Return Video
Shot Mark1
Write Shot Mark1.
—
Shot Mark2
Write Shot Mark2.
—
OK Mark
Add or delete an OK mark.
Adjust the white balance with a 3200K preset value.
—
Color Temp SW 3200K
Setting retained
Color Temp SW 4300K
Color Temp SW 5600K
Color Temp SW 6300K
Electrical CC
Adjust the white balance with a 4300K preset value.
Adjust the white balance with a 5600K preset value.
Adjust the white balance with a 6300K preset value.
Setting retained
Setting retained
Setting retained
Setting retained
Function that switches the electrical CC filter (3200K/
4300K/5600K/6300K) applied to white balance
adjustment values.
Each press of the switch or button switches in the order
3200Kt4300Kt5600Kt6300K.
These can also be applied from a menu (apply with
Electrical CC<A><B><C><D>).
Note
This function is not available when White Filter >ND
Filter C.Temp in the Maintenance menu is set to On.
If you set ND Filter C.Temp to On after assigning the
function, the assignable switch ceases to function.
CC5600K
Apply a 5600K electrical CC filter to white balance
adjustment values.
Setting retained
a)
Turn the screen magnification function on or off (only
when the option for digital extender is installed).
Setting not retained
Digital Extender
a) Not available in this version.
Assigning Functions to Assignable Switches
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131
Functions that can be assigned to the RET button on the lens
Assignable switch setting Function
State when camcorder
is next powered on
Off
No assignment
—
—
Lens RET
During recording or playback: Write a shot mark.
In the other states: Conduct a recording review (if
playback is allowed).
Return Video
Rec Review
Shot Mark1
Shot Mark2
OK Mark
Display return video signals.
Execute recording review.
Write Shot Mark1.
—
—
—
Write Shot Mark2.
—
Add or delete an OK mark.
Turn the focus magnification function on or off.
—
Focus Mag
Setting not retained
Assigning Functions to Assignable Switches
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132
Adjusting Picture Characteristics to Match the PMW-
EX1R
You can make the following menu settings to adjust picture characteristics to match those of the PMW-
EX1R.
Menu item
Setting
HD
SD
PAINT >Black Gamma
Black Gamma: OFF
Black Gamma: ON
Gamma Level: –16
Preset Select: 4
Gamma Select: 4 240M
PAINT >Matrix
PAINT >Gamma
Preset Select: 6
Gamma Select: 5 R709
Adjusting Picture Characteristics to Match the PMW-EX1R
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133
Chapter7 Saving and Loading User Setting Data
Saving Setting Data
Saving and Loading
Settings
This section explains how to save setting data in
an ALL file.
Before starting, insert a writable S×S memory
card into a memory card slot.
information about menu operations.
You can save setup menu settings in the
camcorder’s internal memory and on S×S
memory cards. This allows you to quickly recall
an appropriate set of menu settings for the current
situation.
Setting data is saved in the following categories.
ALL files: ALL files save the setting data of all
menus. You can save up to 64 ALL files on
an S×S memory card.
1
Select FILE >All in the setup menu.
To assign a name to the data before saving
it
Assign a name before proceeding to step 2.
For details, see “To assign names to files”
Note
2
Select All File Save >Execute.
An ALL file list box appears.
File numbers where “No File” is displayed
are empty file numbers. File numbers with a
file name or a date and time are the number
of files that already contain data.
Device specific data (shading, output levels, and
other data that requires adjustment for the specific
device) is not saved.
Scene files: Scene file save adjustments to
PAINT menu items for the purpose of
shooting a particular scene. You can save up
to five scene files in the camcorder’s internal
memory and up to 64 scene files on an S×S
memory card.
3
4
5
Turn the MENU knob to select the
desired file number.
Reference files: Reference files save the
reference values that are set when you
execute FILE >Scene > Standard in the setup
menu. You can save one reference file in the
camcorder’s internal memory and one on an
S×S memory card.
Lens files: Lens files save the setting data used to
compensate for lens characteristics, such as
flare, white shading, white balance and
center markers. You can save up to 32 lens
files in the camcorder’s internal memory and
up to 64 lens files on an S×S memory card.
Press the MENU knob.
A confirmation message appears.
To execute the save, select [Execute],
and then press the MENU knob.
To cancel the save, select [Cancel], and
then press the MENU knob.
If you choose to execute the save, the
ACCESS lamp lights. A completion message
appears and the ACCESS lamp goes out
when the data has been saved to the S×S
memory card.
The first settings stored in a file are called
“preset” values.
Even after loading files to set up the camcorder,
and overwriting original files with new settings,
you can still recover preset values and reset files
If an error message appears
One of the following error messages may appear
during execution of the save, or as soon as you
select [Execute]. In this case, the file is not saved
to the S×S memory card.
Saving and Loading Settings
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3
4
5
Turn the MENU knob to select the
desired file number.
Error message Problem
What to do
NG:Cannot Save No recordable Insert
media is
recordable
media.
Press the MENU knob.
A confirmation message appears.
inserted.
NG:Media Full The media is
full.
Use media with
free capacity
remaining.
To execute the load, select [Execute],
and then press the MENU knob.
To cancel the load, select [Cancel], and
then press the MENU knob.
To assign names to files
Assigning a name before you save data in an ALL
file can make it easier to distinguish your files.
The following characters can be used in file
names.
Alphanumeric characters (a–z, A–Z, 0–9) and
special characters ( ! # $ % & ' ( ) * + , - . / : ; < =
> ? @ [ \ ] ~)
If you choose to execute the load, the
ACCESS lamp lights. The ACCESS lamp
goes out and a completion message appears
when the data has been loaded from the S×S
memory card.
If an error message appears
One of the following error messages may appear
during execution of the load, or as soon as you
select [Execute]. In this case, the file is not loaded
from the S×S memory card.
1
2
Select FILE >All >File ID in the setup
menu.
Turn the MENU knob to select a
character, and then press the MENU
knob.
Error message Problem
• There is no
What to do
Insert the
NG:No Data
readable
media
• The specified
file does not
exist on the
media
media that
contains the file
you want.
3
4
Repeat step 3.
When you have finished entering
characters, press the MENU knob to
move the cursor to “SET”, and then
press the MENU knob.
Resetting a File after Changing Its
Contents
The specified name is displayed.
data will be saved under this name.
information about menu operations.
Loading Setting Data
1
2
Select FILE >All in the setup menu.
Select [All Preset], and then press the
MENU knob.
Note
When you load a file from an S×S memory card, the data
saved in the camcorder’s internal memory is overwritten.
3
To execute the reset, select [Execute],
and then press the MENU knob.
To cancel the reset, select [Cancel], and
then press the MENU knob.
If you choose to execute the reset, all settings
in the ALL file are reset to preset values.
information about menu operations.
1
2
Select FILE >All in the setup menu.
Select All File Load >Execute.
A list box of ALL files appears.
File numbers where “No File” is displayed
are empty file numbers. File numbers with a
file name or a date and time are the number
of files that already contain data.
Saving and Loading Settings
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5
To execute the save, select [Execute],
and then press the MENU knob.
To cancel the save, select [Cancel], and
then press the MENU knob.
If you selected Scene Store S×S in step 2, the
ACCESS lamp lights when you execute the
save.
Saving and Loading
Scene Files
When the data has been saved to the S×S
memory card, a completion message appears
and the ACCESS lamp goes out.
Scene files allow you to save the following types
of data.
• Values set in the PAINT menu
• Shutter speeds set in standard mode or ECS
mode
Loading Scene Files
• White balance data
The data that is saved and loaded depends on the
setting of FILE >Reference >Scene White Data
in the setup menu.
To load a scene file from an S×S memory card,
insert the S×S memory card into a memory card
slot, and then proceed as follows.
information about menu operations.
Saving Scene Files
1
2
Select FILE >Scene in the setup menu.
To save a scene file to an S×S memory card,
insert the card into a memory card slot and then
proceed as follows.
Select Scene Recall Mem or Scene
Recall S×S.
Select Scene Recall Mem if you want to load
the file from the camcorder’s internal
memory, and select Scene Recall (S×S) if
you want to load the file from an S×S
memory card.
information about menu operations.
1
Select FILE >Scene in the setup menu.
To assign a name to the data before saving
it
3
Press the MENU knob.
Assign a name before proceeding to step 2.
A list box of scene files appears. File
numbers where “No File” is displayed are
empty file numbers.
For details, see “To assign names to files”
2
Select Scene Store Mem or Scene Store
S×S.
Select Scene Store Mem if you want to save
the data in the camcorder’s internal memory,
and select Scene Store S×S if you want to
save the data on an S×S memory card.
4
5
Select the desired file number, and then
press the MENU knob.
A confirmation message appears.
To execute the load, select [Execute],
and then press the MENU knob.
To cancel the load, select [Cancel], and
then press the MENU knob.
If you selected Scene Recall S×S in step 2,
the ACCESS lamp lights when you execute
the load.
When the data has been loaded from the S×S
memory card, a completion message appears
and the ACCESS lamp goes out.
3
4
Press the MENU knob.
A list box of scene files appears.
File numbers where “No File” is displayed
are empty file numbers
Select the file number under which you
want to save the data, and then press the
MENU knob.
A confirmation message appears.
Saving and Loading Scene Files
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136
Note
Saving and Loading
Lens Files
The settings data (ALL file, scene file, reference file,
lens file) of this camcorder and the PMW-350 are not
compatible.
Setting Lens File Data
to set the data in lens files.
You can set the following data and save it as a
lens file.
Setting data
Sub-items
V modulation shading
compensation values
Center marker position
M V Modulation
Lens Center H
Lens Center V
Lens R Flare
Flare level
Lens G Flare
Lens B Flare
White balance
compensation value
White shading
Lens W-R Offset
Lens W-B Offset
L R/G/B H Saw
L R/G/B H Para
L R/G/B V Saw
L R/G/B V Para
compensation value
information about menu operations.
Saving Lens Files
To save a lens file to an S×S memory card, insert
the card into a memory card slot and then proceed
as follows.
information about menu operations.
1
Select FILE >Lens in the setup menu.
To assign a name to the data before saving
it
Assign a name before proceeding to step 2.
For details, see “To assign names to files”
Saving and Loading Lens Files
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2
3
Select Lens Store Mem or Lens Store
S×S, and press the MENU knob.
Select Lens Store Mem if you want to save
the data in the camcorder’s internal memory,
and select Lens Store S×S if you want to save
the data on an S×S memory card.
To cancel the load, select [Cancel], and
then press the MENU knob.
If you select [Execute], a list box of lens files
appears. File numbers where “No File” is
displayed are empty file numbers.
4
5
Select the desired file number, and then
press the MENU knob.
A confirmation message appears.
To execute the save, select [Execute],
and then press the MENU knob.
To cancel the save, select [Cancel], and
then press the MENU knob.
If you select [Execute], a list box of lens file
number appears. File numbers where “No
File” is displayed are empty file numbers.
To execute the load, select [Execute],
and then press the MENU knob.
To cancel the load, select [Cancel], and
then press the MENU knob.
If you selected Lens Recall S×S in step 2, the
ACCESS lamp lights when you execute the
load.
When the specified lens file has been loaded
from the S×S memory card, a completion
message appears and the ACCESS lamp goes
out.
4
5
Select the file number under which you
want to save the data, and then press the
MENU knob.
A confirmation message appears.
To execute the save, select [Execute],
and then press the MENU knob.
To cancel the save, select [Cancel], and
then press the MENU knob.
Loading Lens Files Automatically
If you selected Lens Store S×S in step 2, the
ACCESS lamp lights when you execute the
save.
When the data has been saved to the S×S
memory card, a completion message appears
and the ACCESS lamp goes out.
When you are using a lens that support serial
communication, you can set up the camcorder by
automatically loading the lens file that
corresponds to the lens settings (Lens Auto Recall
function).
To use the Lens Auto Recall function, set FILE
>Lens >Lens Auto Recall in the setup menu to
one of the following.
On: Load the lens file that corresponds to the
model name.
Off: Do not use the Lens Auto Recall function.
Serial Number: Load the lens file that
corresponds to the model name and serial
number (when the lens supports
Loading Lens Files
To load a lens file from an S×S memory card,
insert the S×S memory card into a memory card
slot, and then proceed as follows.
information about menu operations.
communication of the serial number).
If the lens does not support communication of the
serial number, both settings load the lens file that
corresponds to the model name.
1
2
Select FILE >Lens in the setup menu.
Select Lens Recall Mem or Lens Recall
S×S, and press the MENU knob.
Select Lens Recall Mem if you want to load
the file from the camcorder’s internal
memory, and select Lens Recall S×S if you
want to load the file from an S×S memory
card.
3
To execute the load, select [Execute],
and then press the MENU knob.
Saving and Loading Lens Files
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138
Chapter8
Connecting External Devices
You can connect an RM-B150/B750 Remote Control Unit and operate this camcorder. For connection and
operation of the RM-B150/B750, refer to the Supplement supplied in the CD-ROM (labeled “Manuals for
Solid-State Memory Camcorder”).
Connecting External Monitors
Select the output signal and use an appropriate cable for the monitor to be connected.
BNC cable (not supplied)
HDMI cable (not supplied)
BNC cable (not supplied)
Regardless of whether the signal is HD or SD, the
same status information and menus can be
displayed on the external monitor as those on the
following restrictions:
viewfinder screen.
Note
SD signals down-converted for output have the
Images of 50P/50i/25P are output as PAL signals, those
of 59.94P/59.94i/29.97P are output as NTSC signals, and
those of 23.98P are output as 2-3 pulled-down NTSC
signals.
Connecting External Monitors
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HD/SD SDI OUT connector (BNC)
i.LINK (HDV/DV) connector
The HD/SD SDI OUT connector can be used to
connect a device that supports SDI. The device
type can be a monitor, switcher, or VTR or other
recording device.
The output from this connector can be turned on
and off with OPERATION >Input/Output >SDI
For connection, use a BNC cable (not supplied).
The i.LINK (HDV/DV) connector supports HDV
and DV input/output. However, DV streams
cannot be recorded on this camcorder.
This connector can be used to connect a device
that supports i.LINK (HDV). The device type can
be a monitor, read/write device such as VTR or
HDD, or computer.
To input/output HDV signals
HDV input/output is supported when the video
format is an HDV compatible format (SP 1440/
59.94i, SP 1440/50i, or SP 1440/23.98P), Input/
Output >Output&i.LINK in the OPERATION
menu is set to [HD&HDV] or [SD&HDV], and
Input/Output >i.LINK I/O is set to [Enable].
When the video format is SP 1440/23.98P, a
59.94i HDV signal subjected to 2-3 pulldown
processing is output.
HDMI connector
The HDMI connector can be used to connect a
device that supports HDMI. The device type can
be a monitor or VTR or other recording device.
The output from this connector can be turned on
and off with OPERATION >Input/Output
For connection, use an HDMI cable (not
supplied).
To input/output DV signals
DV input/output is supported under either of the
VIDEO OUT connector
following conditions.
• Input/Output >i.LINK I/O in the OPERATION
menu is set to [Enable] on SD mode.
• On HD mode, the video format is other than DV
incompatible formats (HQ 1920/23.98P, HQ
1440/23.98P, and HQ 1280/23.98P), Input/
Output >Output&i.LINK is set to [SD&DV],
and Input/Output >i.LINK I/O is set to
[Enable].
The VIDEO OUT connector can be used to
connect a device that supports analog composite
signal. The device type can be a monitor or VTR
or other recording device.
The analog composite signal output from this
connector is the same as the NTSC or PAL
encoded signal that is output from the HD/SD
SDI OUT connector when the setting of output is
SD signal (you can switch between NTSC and
PAL with OPERATION >Format >Country in
To input the VIDEO OUT connector output
signal to an external analog composite device, it
may be necessary to change the input signal
setting of that external device to be matched with
the analog composite signal setting for the
VIDEO OUT connector.
To input camcorder output audio to an external
device such as a monitor or VTR or other
recording device, connect the audio output of the
AUDIO OUT connector to the audio input of that
external device.
For connection, use a BNC cable (not supplied).
Connecting External Monitors
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With a Macintosh computer
An icon is displayed on the menu bar.
Operating Clips with a
Computer
To connect with a USB cable
When you connect the camcorder or the SBAC-
US10 S×S Memory Card USB Reader/Writer
(optional) using a USB cable (not supplied), the
memory card in the slot is acknowledged as an
extended drive by the computer.
When two memory cards are mounted in this
camcorder, they are acknowledged as two
independent extended drives by the computer.
The clips recorded on S×S memory cards with
this camcorder can be controlled on a computer or
edited using the optional nonlinear editing
software.
For these purposes, the clips on an S×S memory
card can be operated by directly loading the card
in a computer or by connecting the camcorder or
the optional SBAC-US10 S×S Memory Card
USB Reader/Writer to the computer, using an
USB cable as shown below.
S×S memory card
Preparations
To use the ExpressCard slot of a computer
If the computer is equipped with an ExpressCard/
34 or ExpressCard/54 slot, you can directly insert
the S×S memory card containing clips recorded
with this camcorder and access to the files.
USB cable
(not supplied)
For the operating requirements for the computer, see
Note
The S×S Device Driver Software on the CD-ROM
supplied with the camcorder must be installed on your
computer. Before installation, be sure to read the
enclosed S×S Device Driver Software End-User License
Agreement.
For information on installation of the driver
software, refer to the ReadMe on the supplied CD-
ROM.
Notes
• When connecting the USB cable to the computer, be
careful to check the form and direction of the USB
connector.
• The camcorder does not work on the bus power from
the computer.
For support information for the driver software, visit
the following URL:
http://www.sony.net/S×S-Support/
To connect a computer to the USB
connector
To the ExpressCard slot
Note
S×S memory card
Computer with S×S
When a computer is connected to the USB connector of
the camcorder and at the same time an optional
PHU-60K/120K/120R Professional Harddisk Unit
(powered from a battery) is connected to the computer,
battery exhaustion on the PHU-60K/120K/120R
(indicated by a Battery End warning) disables the
following.
Device Driver
Software installed
With a Windows computer
Check that a Removable Disk appears in My
Computer. This indicates normal status.
Operating Clips with a Computer
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• To guard the PHU-60K/120K/120R against access
from the computer
Disabling the USB connection
To disable the USB connection, follow the same
procedure as that for removing a device from the
computer.
To enable the USB connection again, first
disconnect the USB cable and then reconnect it.
The message “Connect USB Now?” appears
again.
• To disconnect the PHU-60K/120K/120R’s cable from
the memory card slot or plug again the cable into the
slot
• To turn on the tally indicator on the viewfinder screen
to warn the operator
When you connect a computer to the USB
connector with a USB cable (not supplied), the
message “Connect USB Now?” is displayed to
prompt you to confirm that you wish to enable the
USB connection.
If you select “Cancel” or push the MENU
CANCEL/PRST/ESCAPE down to the ESCAPE
side or if you disconnect the USB cable, the
message “Connect USB Now?” disappears.
Note
If you connect the camcorder to the computer using an
i.LINK cable, you cannot use the computer to operate
files stored in a recording media loaded in the memory
card slot of this camcorder.
To remove an S×S memory card
Windows
1. Click on the icon of “Safely Remove
Hardware” on the task bar of the computer.
2. Select “Safely remove S×S Memory Card -
Drive(X:)” from the displayed menu.
If you select “Execute” and press the MENU
knob, the USB connection is enabled and this
camcorder is recognized as an extension drive.
You can carry out the same operations by using
3. Check that the Safe To Remove Hardware
message appears then remove the card.
Macintosh
Drag the S×S memory card icon on the desktop to
Trash.
If the S×S memory card icon is located on Finder,
click on the eject icon on its side.
Note
Do not select “Card Power Off” from the S×S memory
card icon displayed on the menu bar.
If the USB connection is enabled during
recording/playback operation, the operation is
stopped and the message “USB Connecting”
appears on the viewfinder screen.
To use the supplied application software
To copy clips to the local disk of your computer
and perform other management tasks, install the
application software on the supplied CD-ROM.
Install the application software on the supplied
CD-ROM to your computer.
Although the data regarding recorded materials
are stored over multiple files and folders, you can
easily handle the clips without considering such
data and directory structure by using the
application software.
At this time, the output signal from the VIDEO
OUT connector, HDMI connector, and HD/SD
SDI OUT connector changes to a black signal.
Notes
• The camcorder cannot be operated for recording,
playback, and so on while the message “USB
Connecting” is displayed.
• When the computer accesses the media loaded in the
camcorder, do not try to carry out the following
operations.
- Operating the camcorder (turning the power on/off,
switching the operation mode, etc.)
Note
If you operate, e.g. copy the clips on the S×S memory
card by using the Explorer (Windows) or Finder
(Macintosh), the subsidiary data contained by the clips
may not be maintained. To avoid such a problem, use the
application software.
- Removing or loading a media from an active slot
(being accessed from the computer)
- Removing or connecting the USB cable
Operating Clips with a Computer
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For the operating requirements, see “XDCAM EX
web sites” (page 11), and for installation and
operations, refer to the User’s Guide contained in
the CD-ROM.
Connecting an External
Device (i.LINK
Connection)
For support information on the application software,
visit the web sites shown in “XDCAM EX web sites”
(page 11) or on the cover page of the supplied CD-
ROM.
You can record the same images as those
recorded on the memory card in this camcorder
on an external device connected to the i.LINK
(HDV/DV) connector, or record the playback
picture of the external device on the memory card
in the camcorder.
When you connect the camcorder to a non-linear
editing system that supports HDV format, you
can edit the images recorded on the memory card
in the camcorder.
To use a nonlinear editing system
For a nonlinear editing system, optional editing
software that corresponds to the recording
formats used with this camcorder is required.
Store the clips to be edited on the HDD of your
computer in advance, using the supplied
application software.
Some editing software may not operate properly.
Be sure to confirm before use that it conforms to
the recording formats used with this camcorder.
Notes
• When you set OPERATION >Input/Output
>Output&i.LINK in the setup menu to [480P (570P)],
no signal is output from the HD/SD SDI OUT
connector.
To use Final Cut Pro of Apple Inc.
It is necessary to convert the clips to files that can
be edited with the Final Cut Pro.
• Use the i.LINK (HDV/DV) connector only for one-to-
one i.LINK connection.
For information on application software to perform
the conversion, visit the web sites shown in “XDCAM
EX web sites” (page 11) or on the cover page of the
supplied CD-ROM.
• When you change a setting which affects output
signals from the i.LINK (HDV/DV) connector, such as
HD/SD, HD System Line, System Frequency, and Rec
Format under OPERATION >Format in the setup
menu or i.LINK I/O and Down Converter under
OPERATION >Input/Output in the setup menu,
disconnect the i.LINK cable and change the setting.
Changing such a setting with the i.LINK cable
connected may cause improper operation of the
connected i.LINK device.
• The external signal input via the i.LINK connection
that can be recorded on the camcorder is HDV streams
only. You cannot record DV streams via the i.LINK
connection.
Recording the Camera Picture on
an External Device
The picture being shot with this camcorder is
output as an HDV or DV stream via the i.LINK
(HDV/DV) connector. It can be recorded on a
connected HDV or DVCAM recorder in
synchronization with a recording start/stop
operation on this camcorder.
1
Perform the preparatory settings of the
camcorder.
Connecting an External Device (i.LINK Connection)
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143
• Set OPERATION >Input/Output >Output
& i.LINK in the setup menu (see page 96)
to “HD & HDV” or “SD & HDV”.
HD & HDV or SD & HDV: To output an
HDV stream in HD mode when the
video format is set to an HDV
Nonlinear Editing
You can transfer an HDV stream to a nonlinear
editing system connected via the i.LINK (HDV/
DV) connector.
compatible format (SP 1440/59.94i,
SP 1440/50i, or SP 1440/23.94P)
SD & DV: To output a DV stream
• Set OPERATION >Input/Output >i.LINK
I/O in the setup menu to [Enable].
• Set MAINTENANCE >Trigger Mode
>i.LINK Trigger Mode in the setup menu
(see page 124) to [Both] or [External].
Both: To perform recording both on the
memory card in this camcorder and on
the external device
Notes
• The i.LINK (HDV/DV) connector of this camcorder is
a 6-pin connector. Check the number of pins of the
i.LINK connector on your computer and use an
appropriate i.LINK cable.
• In searching pictures of this camcorder on the
computer, it may take some time until the display is
reflected on the computer.
• If the playback clip is short or the playback starting
point is near the end of the clip, the i.LINK signal may
be interrupted between the clip and the next clip. When
you try to capture such a signal using the nonlinear
editing system, a malfunction may occur, depending
on the nonlinear editing software in use.
External: To perform recording only on
the external device
• If you specify a search speed other than 4, 15, or 24
times normal with the nonlinear editing system, no
i.LINK signal is fed out. In such a case, the picture on
the LCD monitor may stay frozen.
• High-speed playback picture may not be displayed on
the computer screen, depending on the nonlinear
editing software in use.
2
3
Set the external device to recording
standby status.
For operations of the external device, refer to
the operation manual of that device.
Start recording.
The external device starts recording in
synchronization.
Setting on this camcorder
Set OPERATION >Input/Output >i.LINK I/O in
the setup menu to [Enable].
The status of the external device is displayed in
the viewfinder screen.
For operations of the nonlinear editing software,
refer to the operation manual of the software.
Indication
Status of the external device
Recording External Input Signals
In HDV recording standby
STBY
zREC
STBY
zREC
HDV
HDV
DV
In HDV recording
In DV recording standby
In DV recording
The HDV stream input from a device connected
via the i.LINK (HDV/DV) connector can be
recorded on an S×S memory card in this
camcorder.
DV
The timecodes superimposed on the i.LINK input
are recorded regardless of the settings of the
camcorder.
Notes
• Operation may be different depending on the type of
external device.
Note
• There is some time lag from which you start recording
until the i.LINK status indication changes. Even if
MAINTENANCE >Trigger Mode >i.LINK Trigger
Mode is set to [Both], the connected i.LINK device
does not start recording until it is in synchronization
with this camcorder.
• While you can record shot marks on the memory card
during recording, they are not added to the pictures
recorded on the external device.
DV stream cannot be recorded.
1
Set the external signal to a format that
can be recorded on the camcorder.
Select an HDV compatible format (SP 1440/
59.94i, SP 1440/50i, or SP 1440/23.94P) for
the video format.
Connecting an External Device (i.LINK Connection)
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2
Make the following settings with
OPERATION >Input/Output in the
• Set Output&i.LINK to [HD&HDV] or
[SD&HDV].
• Set i.LINK I/O to [Enable].
• Set Source Select to [i.LINK].
The input video is displayed on the
viewfinder screen or the monitor connected
to the VIDEO OUT connector.
Audio signals are output through the built-in
speakers, the headphones connected to the
EARPHONE connector, and the speaker of
the monitor connected to the VIDEO OUT
connector.
3
Start the recording.
Notes
• An error is generated in the following cases. In such a
case, cancel Recording mode.
- The video format of input signal does not match that
specified on the camcorder.
- A copy-protected stream is being fed in.
• If the input to the camcorder becomes no signal during
recording, the TALLY indicators, the tally indicator on
the front of the viewfinder, and the REC indication
(zREC) on the viewfinder screen flash, indicating that
no signal is being recorded on the S×S memory card.
When an input signal is resumed, recording is
restarted, incrementing the clip number on the memory
card.
Connecting an External Device (i.LINK Connection)
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145
Chapter9 Maintenance
Testing the Camcorder
Maintenance
Check the functions of the camcorder before
setting out for a shooting session, preferably by
recording and playing back video and audio
signals.
Cleaning the Viewfinder
Use a dust blower to clean the lens, the LCD
screen, and mirror inside the viewfinder barrel.
Note
Never use organic solvents such as thinners.
Note about the Battery Terminal
The battery terminal of this unit (the connector for
battery packs and AC adaptors) is a consumable
part.
Power may not be supplied to the unit properly if
the pins of the battery terminal are bent or
deformed by shock or vibrations, or if they
become corroded due to prolonged outdoor use.
Periodic inspections are recommended to keep
the unit working properly and to prolong its
usable lifetime.
Contact a Sony service or sales representative for
more information about inspections.
Testing the Camcorder / Maintenance
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Operation Warnings
If a problem occurs when the camcorder is powered or is being operated, a warning is issued by various
visible and audible indicators. These visible and audible indicators are:
• Warning message (“A” in the “Layout of the table of warning messages” below)
• WARNING indicator (“B”), warning sound from the speaker and earphones (“C”), tally/REC indication
(“D”), and battery remaining indicator (“E”).
A warning message, and the REC indication appear on the viewfinder screen.
The volume of the warning sound can be adjusted with the ALARM knob. Set the ALARM knob to the
minimum position to suppress the sound.
Layout of the table of warning messages
WARNING indicator Warning sound
Tally/REC
Battery remaining
B
C
D
E
Problem
Operation in the recorder Action to take
module
• The operation of the WARNING indicator, the tally/REC indication, and the battery indicator is
represented by graphic symbols as follows.
: Continuous
: 1 flash/s
: 4 flashes/s
• The warning sounds are represented by graphic symbols as follows.
: Continuous beep
: 1 beep/s
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
Problem
Operation in the recorder Action to take
module
Free space on the S×S Recording continues.
memory card has
Replace it with another at the earliest opportunity.
become insufficient.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
Problem
Operation in the recorder Action to take
module
No space is left on the Recording stops.
S×S memory card.
Recording, clip
Replace it with another.
copying and clip
division cannot be
performed.
Operation Warnings
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WARNING indicator Warning sound
Tally/REC
Battery remaining
Problem
Operation in the recorder Action to take
module
The battery power will Recording continues.
be exhausted soon.
Charge the battery pack at the earliest
opportunity.
WARNING indicator Warning sound
Tally/REC
Battery remaining
Problem
Operation in the recorder Action to take
module
The battery pack is
exhausted. Recording
cannot be performed.
Recording stops.
Connect a power source via the DC IN connector
or stop operation to charge the battery pack.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
Problem
Operation in the recorder Action to take
module
The internal
Recording continues.
Suspend operation, turn off the power, and wait
until the temperature falls.
temperature has risen
above a safe operation
limit.
WARNING indicator Warning sound
Tally/REC
Battery remaining
Problem
Operation in the recorder Action to take
module
The DC IN voltage has Recording continues.
become low (stage 1).
Check the power supply.
WARNING indicator Warning sound
Tally/REC
Battery remaining
Problem
Operation in the recorder Action to take
module
The DC IN voltage is Recording stops.
too low (stage 2).
Connect other power source.
Recording cannot be
performed.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
An error was detected Recording stops.
with the battery pack.
Replace the battery pack with a normal one.
Operation Warnings
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148
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
The remaining power Recording continues.
of the backup battery
Refer to a Sony service representative to replace
the battery with a new one.
is insufficient.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
A partitioned memory Recording continues.
card or one that
This card cannot be used with this camcorder.
Remove it and load a compatible card.
contains recorded clips
exceeding the number
permitted with this
camcorder is loaded.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
The maximum number Recording stops.
of clips for a single
memory card is
Replace it with another card.
reached. No more clip
can be recorded on the
card.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
An error occurred with Recording stops.
the memory card. The
card requires
Remove the card, load it again, and restore it.
restoration.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
Recording cannot be Recording stops.
done, as the memory
card is defective.
As playback may be possible, it is recommended
to replace it with another card after copying the
clips, as required.
Operation Warnings
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WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
Neither recording nor Recording stops.
playback can be done,
as the memory card is
defective.
It cannot be operated with this camcorder.
Replace it with another card.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
A card of a different
file system was
inserted.
Recording stops.
It cannot be used with this camcorder. Replace it
with another card.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
The external signal
input via the i.LINK
connection cannot be
recorded, as the Video
Format setting is
Recording stops.
Change settings of OPERATION >Format in the
setup menu to match it to that of the external
signal.
different from the
signal format of the
external input signal.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
The external signal
input via the i.LINK
connection cannot be
recorded, as the stream
is copy-protected.
Recording stops.
Check the input signal.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
The external signal
input via the i.LINK
connection cannot be
recorded, as it is a DV
stream.
Recording stops.
—
Operation Warnings
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150
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
An error occurred in
reading data from the
memory card, and
playback cannot be
continued.
Recording stops.
If this frequently occurs, change the memory card
after copying the clips, as required.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
Recording cannot be Recording stops.
done, as an error
If this frequently occurs, change the memory
card.
occurred with the
memory card.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
Problem
Operation in the recorder Action to take
module
The battery power of
the connected HDD
will be exhausted
soon.
Change the battery at the earliest opportunity.
Recording continues.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
Problem
Operation in the recorder Action to take
module
The battery of the
Recording stops.
Stop operation to change the battery.
connected HDD is
exhausted. Recording
cannot be performed.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
There is not enough
Recording continues
Replace the card in slot A with another one.
capacity for copying. (disallowing copy).
Operation Warnings
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WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
The card has already Recording continues
Replace the card in slot A with another one.
ten clips having the
same name as that you
tried to duplicate.
(disallowing copy).
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
There is not enough
Recording continues
—
capacity for dividing a (disallowing divide).
clip.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
Will switch to other
slot soon.
Recording continues.
Make sure that a memory card is loaded in the
other slot.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
There is no clip to be Recording continues.
displayed.
—
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
There is no clip with Recording continues.
the OK mark.
—
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
The card has already Recording continues
clips having the same (disallowing copy).
name as that you tried
Replace the card in slot A with another one.
to duplicate.
Operation Warnings
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152
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
The memory card
comes to the end of its
service life.
Recording stops.
Make a backup copy and replace the card with
another one as soon as possible. Recording/
playback may not be performed properly if you
continue to use the card.
For details, refer to the operating instructions of
the memory card.
WARNING indicator Warning sound
Tally/REC
Battery remaining
—
—
—
—
Problem
Operation in the recorder Action to take
module
The inserted memory
card contains clips
recorded in a format
that is not supported
by this camcorder.
—
The card in slot A cannot be used with this
camcorder.
1) (B) for the card in slot B
2) B for a HDD connected to slot B
Operation Warnings
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Appendix
Use and storage locations
Important Notes on
Store in a level, ventilated place. Avoid using or
storing the camcorder in the following places.
• In excessive heat or cold (operating temperature
range: 0°C to 40°C (32°F to 104°F))
• Remember that in summer in warm climates the
temperature inside a car with the windows
closed can easily exceed 50°C (122°F).
• In damp or dusty locations
• Locations where the camcorder may be exposed
to rain
• Locations subject to violent vibration
• Near strong magnetic fields
Operation
Use and storage
Do not subject the camcorder to severe shocks
• The internal mechanism may be damaged or the
body warped.
• If an accessory mounted on the accessory shoe
is subjected to severe shock, the accessory shoe
may be damaged. In such a case, stop using it
and contact your dealer or a Sony service
representative.
• Close to radio or TV transmitters producing
strong electromagnetic fields.
• In direct sunlight or close to heaters for
extended periods
Do not cover the camcorder while operating
Putting a cloth, for example, over the camcorder
can cause excessive internal heat build-up.
To prevent electromagnetic interference from
portable communications devices
The use of portable telephones and other
communications devices near this camcorder can
result in malfunctions and interference with audio
and video signals.
It is recommended that the portable
communications devices near this camcorder be
powered off.
After use
Always turn off the POWER switch.
Before storing the camcorder for a long period
Remove the battery pack.
Shipping
• Remove the media before transporting the
camcorder.
• If sending the camcorder by truck, ship, air or
other transportation service, pack it in the
shipping carton of the camcorder.
Note on laser beams
Laser beams may damage the CMOS image
sensors.
If you shoot a scene that includes a laser beam, be
careful not to let the laser beam be directed into
the lens of the camcorder.
Care of the camcorder
Remove dust and dirt from the surfaces of the
lenses or optical filters using a blower.
Fitting the zoom lens
If the body of the camcorder is dirty, clean it with
a soft, dry cloth. In extreme cases, use a cloth
steeped in a little neutral detergent, then wipe dry.
Do not use organic solvents such as alcohol or
thinners, as these may cause discoloration or
other damage to the finish of the camcorder.
It is important to fit the lens correctly, as
otherwise damage may result. Be sure to refer to
the section “Mounting and Adjusting the Lens”
Viewfinder
In the event of operating problems
Do not leave the camcorder with the eyepiece
pointing directly at the sun.
The eyepiece lens can concentrate the sun’s rays
and melt the interior of the viewfinder.
If you should experience problems with the
camcorder, contact a Sony service representative.
Important Notes on Operation
154
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About the LCD panels
The LCD panel fitted to this unit is manufactured
with high precision technology, giving a
functioning pixel ratio of at least 99.99%. Thus a
very small proportion of pixels maybe “stuck”,
either always off (black), always on (red, green,
or blue), or flashing. In addition, over a long
period of use, because of the physical
characteristics of the liquid crystal display, such
“stuck” pixels may appear spontaneously. These
problems are not a malfunction. Note that any
such problems have no effect on recorded data.
In such cases, set the flicker-reduction function to
If the frame rate selected for recording is close to
the power-supply frequency, flicker may not be
reduced sufficiently even if you activate the
Flicker-Reduction function. In such cases, use the
electronic shutter.
Phenomena specific to CMOS image
sensors
The following phenomena that may appear in
images are specific to CMOS (Complementary
Metal Oxide Semiconductor) image sensors.
They do not indicate malfunctions.
Focal plane
Owing to the characteristics of the pickup
elements (CMOS image sensors) for reading
video signals, subjects that quickly move across
the screen may appear slightly skewed.
White flecks
Flash band
Although the CMOS image sensors are produced
with high-precision technologies, fine white
flecks may be generated on the screen in rare
cases, caused by cosmic rays, etc. This is related
to the principle of CMOS image sensors and is
not a malfunction.
The luminance at the top and bottom of the screen
may change when shooting a flashlight beam or a
light source that quickly flashes.
You can use the supplied application software to
correct clips that contain frames with flash bands.
The white flecks especially tend to be seen in the
following cases:
• when operating at a high environmental
temperature
• when you have raised the master gain
(sensitivity)
• when operating in Slow-Shutter mode
The problem may be alleviated by executing
automatic black balance adjustment.
Note on data compatibility with other XDCAM EX-
series products
When you use a PMW-EX1/EX3/EX30 to play
materials recorded on the camcorder, any media
in which clips of formats not supported by the
PMW-EX1/EX3/EX30 have been recorded
cannot be used.
The PMW-EX1/EX3/EX30 cannot divide a clip
recorded on this camcorder, even if the clip is in a
video format supported by the PMW-EX1/EX3/
EX30.
Aliasing
When fine patterns, stripes, or lines are shot, they
may appear jagged or flicker.
Fragmentation
If pictures cannot be recorded/reproduced
properly, try formatting the recording medium.
While repeating picture recording/playback with
a certain recording medium for an extended
period, files in the medium may be fragmented,
disabling proper recording/storage. In such a
case, make a backup of clips in the medium then
perform formatting of the medium using
the setup menu.
Flicker
If recording is made under lighting produced by
discharge tubes, such as fluorescent, sodium, or
mercury-vapor lamps, the screen may flicker,
colors may vary, or horizontal stripes may appear
distorted.
Important Notes on Operation
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Exchanging the Battery
of the Internal Clock
Specifications
The camcorder’s internal clock is powered by a
lithium battery. If the message “BackUp Battery
End” appears in the viewfinder, this battery must
be exchanged. Contact a Sony service
representative.
General
Power requirements
12 V DC (11 V to 17.0 V)
Power consumption
Approx. 17 W
Main unit (camcorder) + LCD viewfinder + auto
focus lens + microphone
During recording, power source: battery pack
Notes
• Do not use a video light with power
consumption of over 50 W.
• When connecting a device to the DC OUT
connector, use one with current consumption
of 0.5 A or more.
Operating temperature
0ºC to 40ºC (32ºF to 104ºF)
Storage temperature
–20ºC to +60ºC (–4ºF to 140ºF)
Recording/playback formats
Video
HD HQ Mode: MPEG-2 MP@HL, 35 Mbps/
VBR
1920 × 1080/59.94i, 50i, 29.97P, 25P,
23.98P
1440 × 1080/59.94i, 50P, 29.97P, 25P,
23.98P
1280 × 720/59.94P, 50P, 29.97P, 25P,
23.98P
HD SP Mode: MPEG-2 MP@H-14, 25 Mbps/
CBR
1440 × 1080 /59.94i, 50i
(23.98P is converted to 59.94i in 2-3 pull-
down processing.)
SD Mode: DVCAM
720 × 480/59.94i
720 × 576/50i
720 × 480/29.97P
720 × 576/25P
Exchanging the Battery of the Internal Clock / Specifications
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156
Audio
Minimum illumination
0.05 lx (F1.6, +24 dB, 64-frame accumulation)
Video S/N
54 dB
Horizontal resolution
1000TV lines or more
LPCM (16 bits, 48 kHz, HD: 4 channels, SD: 2
channels)
Recording/playback time
With one SBP-8
SP or DVCAM mode: Approx. 35 min.
HQ mode: Approx. 25 min.
With one SBP-16
Gain
–3, 0, 3, 6, 9, 12, 18, 24 dB, AGC
Shutter speed
59.94i/P, 50i/P: 1
29.97P: 1 40 to 1
2000 sec.
33 to 1
2000 sec.
32 to 1
2000 sec.
SP or DVCAM mode: Approx. 70 min.
HQ mode: Approx. 50 min.
With one SBP-32 or SBS-32G1
SP or DVCAM mode: Approx.140 min.
HQ mode: Approx. 100 min.
/
60 to 1
/2000 sec.
/
/
25P: 1
/
/
23.94P: 1
/
/
Note
Slow shutter
The actual recording/playback time may differ
slightly from the values shown here, depending
on usage conditions, memory characteristics,
etc.
2 to 8, 16, 32, 64 frames
Audio Block
Continuous operation time
Sampling frequency
48 kHz
With the BP-GL95
Approx. 330 min.
Quantization
16 bits
Mass
Main body only: 3.2 kg (7 lb 0.88 oz)
Dimensions
Headroom
20 dB (the factory default setting)
(20, 18, 16, 12 dB)
Frequency response
See page 160.
Supplied accessories
MIC: 50 Hz to 20 kHz (within 3 dB)
LINE: 20 Hz to 20 kHz (within 3 dB)
WRR Analog: 50 Hz to 20 kHz (within 3 dB)
WRR Digital: 20 Hz to 20 kHz (within 3 dB)
Camera Block
Pickup device
Dynamic range
90 dB (typical)
Distortion
0.08% max. (with input level 40dBu)
Built-in speaker
1/2-type, CMOS image sensor
Effective picture elements:
1920 (H) × 1080 (V)
Format
3-chip RGB
Optical system
F1.6 prism system
ND filters
Monaural
Output: 300 mW
Display
1: Clear
2: 1/4ND
Viewfinder (supplied)
3: 1
4: 1
/
16ND
64ND
Screen size
/
8.8 cm diagonal (3.5-inch)
Sensitivity
F10 (System frequency: 59.94i)
Aspect ratio
16:9
F11 (System frequency: 50i)
(2000lx, 89.9% reflection)
Picture elements
640 (H) × 3 × 480 (V) Sequence delta
Specifications
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157
Others
DC IN: XLR type, 4-pin, male
11 to 17 V DC
DC OUT: 4-pin
Media Block
Card slots
Type: Express Card34
11 to 17 V DC, maximum rated current:
0.5 A
Number of slots: 2
Connector: Conforms to PCMCIA Express Card
Standard
LENS: 12-pin
Supplying power to the lens
11 to 17 V DC, maximum rated current:
1.0 A
Writing rate
50 Mbps or more
Reading rate
REMOTE: 8-pin
LIGHT: 2-pin
50 Mbps or more
USB: 4-pin
i.LINK (HDV/DV): 6-pin, complies with
IEEE1394
Inputs/Outputs
VF: 26-pin, rectangular, 20-pin round
For wireless receiver: 15-pin, DSUB
Input/Output connectors
Signal inputs
AUDIO IN CH1/CH2: XLR type, 3-pin, female
Lens Block (PMW-320K only)
–60 dBu/–4 dBu (0 dBu=0.775 Vrms)
MIC IN: XLR type, 5-pin, female
–60 dBu
Focal length
5.8 mm (1/4 inches) to 93 mm (3 3
(equivalent to 31.4 mm (1 1
4 inches) to
503 mm (19 7
8 inches) on 35 mm
(1 7
16 inches) lens)
/4 inches)
GENLOCK IN: BNC type
1.0 Vp-p, 75 Ω, unbalanced
TC IN: BNC type
/
/
/
0.5 V to 18 Vp-p, 10 kΩ
Zoom
Signal outputs
Servo/Manual selectable
VIDEO OUT: BNC type
HDMI: Type A, 19-pin
HD/SD SDI OUT 1/2: BNC type
AUDIO OUT: XLR type, 5-pin, male
0 dBu
Zoom ratio
16×
Maximum relative aperture
1:1.9
TC OUT: BNC type
Iris
1.0 Vp-p, 75 Ω
EARPHONE (minijack)
Auto/Manual selectable
F1.9 to F16 and C (close)
Focus
8 Ω, –∞ to –18 dBs variable
Auto/Manual selectable
Ranges:
800 mm (31 1
50 mm (2 inches) to ∞ (Macro ON, Wide)
Filter thread
M82 mm, pitch 0.75 mm
Macro
ON/OFF switchable
/2 inches) to ∞ (Macro OFF)
Specifications
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158
Media
Supplied Accessories
S×S Memory Card
S×S PRO SBP-8 (8 GB)
Viewfinder (1)
S×S PRO SBP-16 (16 GB)
S×S PRO SBP-32 (32 GB)
S×S-1 SBS-32G1 (32 GB)
Professional Harddisk Unit
Shoulder strap (1)
Stereo microphone (1)
Windscreen (1)
Cold shoe kit (1 set)
PHU-60K/120K/120R
Lens mount cap
Media Adaptor
Flange back adjustment chart
Auto focus lens (supplied with the PMW-320K) (1)
Operating Instructions
Media AdaptorMEAD-MS01 (for “Memory
Stick PRO-HG Duo HX” series)
MEAD-SD01 (for SDHC card)
English version (1)
CD-ROM
Mobile Storage Unit
- Utility Software for Solid-State Memory
Camcorder and Recorder (Application software,
S×S Device Driver Software) (1)
- Manuals for Solid-State Memory Camcorder
(PDF Operating Instructions and Supplement)
(1)
PXU-MS240
Audio equipment
Microphone
ECM-678/674/673/680S
Microphone Holder
CAC-12 compatible
Wireless Microphone
S×S Device Driver Software End-User License
Agreement (1)
DWR-S01D
Recommended Additional
Equipment
WRR-855S/860A/861/862
Other peripheral devices
Power supply and related equipment
Tripod adaptor
AC Adaptor
VCT-14/U14
Video Light
AC-DN10/DN2B
Battery Pack
Ultralight (Anton Bauer)
Pad
BP-GL95/GL65/L80S/L60S
Battery Charger
BC-L160/L500/L70
CBK-SP01 DynaFit Shoulder Pad (soft type)
Equipment for maintenance and easier handling
Lens, Viewfinder and Related Equipment
Hard Carrying Case
LC-H300
Lens
1/2-type bayonet mount lenses only
Soft Carrying Case
LC-DS300SFT
Viewfinder
DXF-20W/51/C50W
Viewfinder Rotation Bracket
BKW-401
Maintenance Manual
Note
The viewfinder able to use the BKW-401 is DXF-20W
besides the supplied camcorder.
Equipment for remote control
Remote Control Unit
RM-B150/B750
Specifications
159
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Dimensions
(in mm (inches))
Design and specifications are subject to change
without notice.
Notes
•
Always make a test recording, and verify that it was
recorded successfully.
SONY WILL NOT BE LIABLE FOR DAMAGES
OF ANY KIND INCLUDING, BUT NOT
LIMITED TO, COMPENSATION OR
REIMBURSEMENT ON ACCOUNT OF
FAILURE OF THIS UNIT OR ITS RECORDING
MEDIA, EXTERNAL STORAGE SYSTEMS OR
ANY OTHER MEDIA OR STORAGE SYSTEMS
TO RECORD CONTENT OF ANY TYPE.
Always verify that the unit is operating properly
before use. SONY WILL NOT BE LIABLE FOR
DAMAGES OF ANY KIND INCLUDING, BUT
NOT LIMITED TO, COMPENSATION OR
REIMBURSEMENT ON ACCOUNT OF THE
LOSS OF PRESENT OR PROSPECTIVE
PROFITS DUE TO FAILURE OF THIS UNIT,
EITHER DURING THE WARRANTY PERIOD
OR AFTER EXPIRATION OF THE
•
WARRANTY, OR FOR ANY OTHER REASON
WHATSOEVER.
Specifications
160
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Chart of Optional Components and Accessories
HD monitor/SD monitor
ECM-680S/678/
674/673
Microphone
CAC-12
Microphone Holder
XDCAM HD series recorder
PDW-F1600/HD1500, PDW-F75
DXF-51
Viewfinder
HDCAM series recorder
HDW-2000 series recorder, HDW-S280
DXF-20W
Viewfinder
DXF-C50W
Viewfinder
WRR-855S UHF Synthesized Tuner Unit
WRR-860A/861/862 UHF Synthesized Diversity Tuner
DWR-S01D Digital Wireless Receiver
SBP-8/16/32
SBS-32G1
S×S memory card
PMW-320 a)
MEAD-MS01, MEAD-SD01 Media Adaptor
PXU-MS240 Mobile Storage Unit
RM-B150/B750
RCP-730/750/751/920/921
MSU-900/950/700
Remote Control Unit
PHU-60K/120K/120R
Professional Harddisk Unit
VCT-14/U14
Tripod adaptor
Tripod
BP-GL95/GL65/L80S/
L60S
Battery Pack
BC-L70
Battery
Charger
BC-L160
Battery
Charger
LC-DS300 SFT b)
Soft carrying case
BC-L500 Battery
Charger
LC-H300
Hard carrying case
AC-DN10/DN2B
AC Adaptor
a) The PMW-320L requires a separately sold lens.
b) The carrying case is large enough to hold the camcorder with lens and microphone mounted. However,
remove them if they protrude more than 25 cm (9 7
8 inches) from the front of the main unit.
/
Chart of Optional Components and Accessories
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161
About data transfer speed of i.LINK
About i.LINK
i.LINK defines a maximum data transfer speed of
1)
approximately 100, 200 and 400 Mbps that are
described as S100, S200 and S400 respectively.
For i.LINK devices, a maximum data transfer
speed that the device supports is identified on
“Specifications” page of the operating
instructions supplied with the device or near its
i.LINK connector.
This section explains the specifications and
features of i.LINK.
1) When connecting with the device that support
different data transfer speed, the actual data transfer
speed may be different from those described on the
i.LINK connectors.
What is i.LINK?
i.LINK is a digital serial interface designed to
integrate devices equipped with i.LINK
connectors. i.LINK allows your device to:
• Perform two-way transmission and reception of
data such as digital audio and digital video
signals.
What is Mbps?
Mega bits per second. A measure of the rate at
which data is transmitted per second. In case of
100 Mbps, 100 Mega bits of data can be
transmitted per second.
• Control other i.LINK devices.
• Easily connect multiple devices with a single
i.LINK cable.
Your i.LINK device is capable of connecting to a
wide range of digital AV devices for data transfer
and other operations.
Other advantages include the following feature.
When connected to multiple i.LINK devices,
your i.LINK device can perform data transfer and
other operations not only
i.LINK operation with your camcorder
For details on operation when other equipment
with i.LINK (HDV or DV) connector is
For details on connection with i.LINK cable and
necessary software, refer to the operating
instructions supplied with the connected device.
with the directly connected devices but also with
any of the devices that are connected to those
devices. Therefore, you do not need to be
concerned with device connection order.
However, depending on the features and
specifications of the connected devices, you may
need to use certain functions differently, and you
may not be able to transfer data or perform certain
operations.
About the required i.LINK cable
Use the Sony 6-pin-to-4-pin or 6-pin-to-6-pin
i.LINK cable to connect the i.LINK devices.
i.LINK and are trademarks.
i.LINK, a nickname for IEEE 1394 proposed by
Sony, is a trademark supported by many
companies worldwide.
IEEE 1394 is an international standard defined by
IEEE, the Institute of Electrical and Electronics
Engineers, Inc.
Note
The camcorder can be connected to one device with the
i.LINK cable (DV cable). When you connect with an
HDV or DV device that has two or more i.LINK
connectors, refer to the operating instructions supplied
with the connected device.
About i.LINK
162
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MPEG-2 Video Patent
Portfolio License
ANY USE OF THIS PRODUCT OTHER THAN
CONSUMER PERSONAL USE IN ANY
MANNER THAT COMPLIES WITH THE
MPEG-2 STANDARD FOR ENCODING
VIDEO INFORMATION FOR PACKAGED
MEDIA IS EXPRESSLY PROHIBITED
WITHOUT A LICENSE UNDER
APPLICABLE PATENTS IN THE MPEG-2
PATENT PORTFOLIO, WHICH LICENSE IS
AVAILABLE FROM MPEG LA, L.L.C., 250
STEELE STREET, SUITE 300, DENVER,
COLORADO 80206.
“PACKAGED MEDIA” means any storage
media storing MPEG-2 video information such as
DVD movie which are sold/distributed to general
consumers. Disc replicators or sellers of the
PACKAGED MEDIA need to obtain licenses for
their own business from MPEG LA. Please
contact MPEG LA for any further information.
MPEG LA. L.L.C., 250 STEELE STREET,
SUITE 300, DENVER, COLORADO 80206
http://www.mpegla.com
MPEG-2 Video Patent Portfolio License
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163
F
L
Lens
Focus
Lens file(s)
G
M
Media
H
I
Iris
N
Index
165
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O
Scene files
Search
P
Power source voltage/battery remaining
capacity 29
Shot mark(s)
R
Shutter
Recording
S
Index
166
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T
Thumbnail(s)
W
X
U
Z
User setting data
V
Index
167
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