Sherwood Stereo Receiver R 765 User Manual
R-765  
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SAFETY INSTRUCTIONS  
1. Read Instructions - All the safety and operating instructions should  
be read before the product is operated.  
connection to grounding electrodes, and requirements for the  
grounding electrode. See Figure 1.  
2. Retain instructions - The safety and operating instructions should  
be retained for future reference.  
3. Heed Warnings - All warnings on the product and in the operating  
instructions should be adhered to.  
Figure 1  
Example of antenna grounding as per  
National Electrical Code, ANSI/NFPA 70  
ANTENNA  
LEAD IN  
WIRE  
4. Follow Insturctions - All operating and use instuctions should be  
followed.  
GROUND  
CLAMP  
5. Cleaning - Unplug this product from the wall outlet before cleaning.  
Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for  
cleaning.  
ANTENNA  
DISCHARGE UNIT  
(NEC SECTION 810-20)  
6. Attachments - Do not use attachments not recommended by the  
product manufacturer as they may cause hazards.  
7. Water and Moisture - Do not use this product near water - for  
example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in  
a wet basement, or near a swimming pool; and the like.  
8. Accessories - Do not place this product on an unstable cart, stand,  
tripod, bracket, or table. The product may fall, causing serious injury  
to a child or adult, and serious damage to the product. Use only with  
a cart, stand, tripod, bracket, or table recommended by the  
manufacturer, or sold with the product. Any mounting of the product  
should follow the manufacturer’s insturctions, and should use a  
mounting accessory recommended by the manufacturer.  
9. A product and cart combinaion should be moved with care. Quick  
stops, excessive force, and uneven surfaces may cause the product  
and cart combination to overturn.  
ELECTRIC  
SERVICE  
EQUIPMENT  
GROUNDING CONDUCTORS  
(NEC SECTION 810-21)  
GROUND CLAMPS  
POWER SERVICE GROUNDING  
ELECRODE SYSTEM  
(NEC ART 250, PART H)  
NEC-NATIONAL ELECTRICAL CODE  
15. Lightning - For added protection for this product during a lightning  
storm, or when it is left unattended and unused for long periods of  
time, unplug it from the wall outlet and disconnect the antenna or  
cable system. This will prevent damage to the product due to  
lightning and power-line surges.  
16. Power Lines - An outside antenna system should not be located in  
the vicinity of overhead power lines or other electric light or power  
circuits, or where it can fall into such power lines or circuits. When  
installing an outside antenna system, extreme care should be taken  
to keep from touching such power lines or circuits as contact with  
them might be fatal.  
10. Ventilation - Slots and openings in  
the cabinet are provided for  
ventilation and to ensure reliable  
operation of the product and to  
protect it from overheating, and  
these openings must not be  
blocked or covered. The openings  
should never be blocked by placing  
the product on a bed, sofa, rug, or other similar surface. This  
product should not be placed in a built-in installation such as a  
bookcase or rack unless proper ventilation is provided or the  
manufacturer’s intructions have been adhered to.  
17. Overloading - Do not overload wall outlets, extension cords, or  
integral convenience receptacles as this can result in a risk of fire  
or electric shock.  
18. Object and Liquid Entry - Never push objects of any kind into this  
product through openings as they may touch dangerous voltage  
points or short-out parts that could result in a fire or electric shock.  
Never spill liquid of any kind on the product.  
19. Servicing - Do not attempt to service this product yourself as  
opening or removing covers may expose you to dangerous voltage  
or other hazards. Refer all servicing to qualified service personnel.  
PORTABLE CART WARNING  
11. Power Sources - This product should be operated only from the  
type of power source indicated on the marking label. If you are not  
sure of the type of power supply to your home, consult your product 20. Damage Requiring Service - Unplug this product form the wall  
dealer or local power company. For porducts intended to operate  
from battery power, or other sources, refer to the operating  
instructions.  
outlet and refer servicing to qualified service personnel under the  
following conditions:  
a) When the power-supply cord or plug is damaged,  
b) If liquid has been spilled, or objects have fallen into the  
product,  
c) If the product has been exposed to rain or water,  
d) If the product does not operate normally by following the  
operating instructions. Adjust only those controls that are  
covered by the operating instructions as an improper  
adjustment of other controls may result in damage and will  
often require extensive work by a qualified technician to  
restore the product to its normal operation.  
e) If the product has been dropped or damaged in any way, and  
f) When the product exhibits a distinct change in performance -  
this indicates a need for service.  
12. Grounding or Polarization - This product may be equipped with a  
polarized alternating-current line plug (a plug having one blade  
wider than the other). This plug will fit into the power outlet only one  
way. This is a safety feature. If you are unable to insert the plug  
fully into the outlet, try reversing the plug. If the plug should still fail  
to fit, contact your electrician to replae your obsolete outlet. Do not  
defeat the safety purpose of the polarized plug.  
Alternate Warnings - This product is equipped with a three-wire  
grounding-type plug, a plug having a third(grounding) pin. This plug  
will only fit into a grounding-type power outlet. this is a safety  
feature. If you are unable to insert the plug into the outlet, contact  
your electrician to replace your obsolete outlet. Do not defeat the  
safety purpose of the gronding-type plug.  
21. Replacement Parts - When replacement parts are required, be  
sure the service technician has used replacement parts specified  
by the manufacturer or have the same characteristics as the  
original part. Unauthorized substitutions may result in fire, electric  
shock, or other hazards.  
22. Safety Check - Upon completion of any service or repairs to this  
product, ask the service technician to perform safety checks to  
determine that the product is in proper operating condition.  
23. Wall or Ceiling Mounting - The product should be mounted to a  
wall or ceiling only as recommended by the manufacturer.  
24. Heat - The product should be situated away from heat sources  
such as radiators, heat registers, stoves, or other products  
(including amplifiers) that produce heat.  
13. Power-Cord Protection - Power-supply cords should be routed so  
that they are not likely to be walked on or pinched by items placed  
upon or against them, paying particlar attention to cords at plugs,  
convenience receptacles, and the point where they exit from the  
product.  
14. Outdoor Antenna Grounding - If an outside antenna or cable  
system is connected to the product, be sure the antenna or cable  
system is grounded so as to provide some protection against  
voltage surges and built-up static charges. Article 810 of the  
National Electrical Code, ANSI/NFPA 70, provides information with  
regard to proper grounding of the mast and supporting structure,  
grounding of the lead-in wire to an antenna discharge unit, size of  
grounding conductors, location of antenna-discharge unit,  
3
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CONTENTS  
Introduction  
• READ THIS BEFORE OPERATING YOUR UNIT........................................................................................................ 2  
System Connections........................................................................................................................................................... 5  
Front Panel Controls....................................................................................................................................................... 11  
Universal Remote Controls............................................................................................................................................ 13  
• OPERATING COMPONENTS WITH REMOTE CONTROL...................................................................................... 15  
• REMOTE CONTROL OPERATION RANGE .............................................................................................................. 15  
• LOADING BATTERIES ................................................................................................................................................ 15  
• USING FUNCTIONS OF REMOTE CONTROL .......................................................................................................... 16  
Operations  
• LISTENING TO A PROGRAM SOURCE..................................................................................................................... 19  
• SURROUND SOUND .................................................................................................................................................... 22  
• ENJOYING SURROUND SOUND................................................................................................................................ 27  
• LISTENING TO RADIO BROADCASTS..................................................................................................................... 32  
• RECORDING.................................................................................................................................................................. 34  
• DIGITAL AUDIO RECORDING WITH MD RECORDER.......................................................................................... 35  
• OTHER FUNCTIONS .................................................................................................................................................... 36  
Using the OSD  
• CURRENT STATUS DISPLAY..................................................................................................................................... 37  
• MENU SCREEN ............................................................................................................................................................. 37  
Troubleshooting Guide ................................................................................................................................................... 40  
Specifications..................................................................................................................................................................... 41  
Setup Code Table ............................................................................................................................................................. 42  
4
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System Connections  
• Do not plug the AC input cord into the wall AC outlet until all connections are completed.  
• Be sure to observe the color coding when connecting audio and video cords.  
• Make connections firmly and correctly. If not, it can cause loss of sound, noise or damage to the receiver.  
• If the electricity fails or the AC input cord is left unplugged for more than 2 weeks, the memorized contents will be cleared.  
Should this happen, memorize them again.  
12  
6
5
COMPONENT  
VIDEO 2  
-
IN  
S
VIDEO  
IN  
IN  
MONITOR  
OUT  
VIDEO 1  
OUT  
P
R/CR  
PB/CB  
Y
PR/CR  
PB/CB  
Y
P
R/CR  
P
B/CB  
Y
VIDEO 1 VIDEO 2  
VIDEO 1 MONITOR  
DIGITAL  
DIGI-LINK  
OUT  
IN  
7
1
10  
FRONT  
SPEAKERS  
6
SURROUND  
SPEAKERS  
6
SURROUND  
BACK  
CENTER  
SPEAKER  
(
)
(
)
(6  
)
(6  
)
-
7
CH DIRECT INPUT  
SURROUND  
BACK  
OPTICAL  
PRE OUT  
SUB WOOFER  
OPT 1  
OPT 2 COAX  
1
COAX  
2
SUB  
WOOFER  
AM  
LOOP  
CENTER  
VIDEO  
IN  
VIDEO  
OUT  
9
MONITOR  
VIDEO 2  
TAPE  
VIDEO  
1
VIDEO  
2
AC OUTLET  
FM  
75  
ANTENNA  
11  
FRONT  
SURROUND  
AUX  
CD  
PLAY  
REC  
PLAY  
REC  
PLAY  
VIDEO 1  
VIDEO 1  
2
3
4
8
1. CONNECTING ANTENNAs  
FM Outdoor Antenna  
FM Indoor Antenna  
AM  
LOOP  
AM  
LOOP  
FM  
75  
FM  
75  
ANTENNA  
ANTENNA  
• Change the position of the FM indoor antenna until you  
get the best reception of your favorite FM stations.  
• A 75Ω outdoor FM antenna may be used to further  
improve the reception. Disconnect the indoor  
antenna before replacing it with the outdoor one.  
AM Outdoor Antenna  
AM Loop Antenna  
AM  
LOOP  
• Place the AM loop antenna as far as possible  
from the receiver, TV set, speaker cords and the  
AC input cord and set it to a direction for the  
best reception.  
FM  
75  
ANTENNA  
• If the reception is poor with the AM loop anten-  
na, an AM outdoor antenna can be used in  
place of the AM loop antenna.  
5
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2. CONNECTING 7 CH DIRECT INPUTS  
• Use these jacks to connect the corresponding analog outputs of a DVD player or external decoder, etc. that has 6 or 7  
channel outputs.  
• In case of 6 channel outputs, do not connect this SURROUND BACK input to your audio component.  
(For details, refer to the operating instructions of the component to be connected.)  
-
7 CH DIRECT INPUT  
SUB  
WOOFER  
SURROUND  
BACK  
CENTER  
FRONT  
SURROUND  
Decoder with 6 or 7  
channel outputs  
L
R
R
L
BACK  
CENTER  
SUBWOOFER  
FRONT  
SURROUND  
7 CH DIRECT OUTPUT  
3. CONNECTING AUDIO COMPONENTS  
• The AUX jacks may be connected to an additional audio component such as a CD player, a tape deck, etc.  
CD player  
L
AUDIO  
OUT  
R
L
AUDIO  
OUT  
AUX other audio component  
R
TAPE  
L
AUDIO  
OUT  
L
AUDIO  
IN  
R
R
PLAY  
REC  
AUX  
CD  
TAPE Tape deck, MD recorder, etc.  
6
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4. CONNECTING VIDEO COMPONENTS  
• The jacks of VIDEO 1 may also be connected to  
a VCR, DVD recorder or other digital video  
recording component. For details, refer to the  
operating instructions of the component to be  
connected.  
VIDEO 2  
AUDIO VIDEO  
OUT OUT  
DVD player,  
LD player, etc.  
L
R
• The jacks of VIDEO 2 can also be connected to  
an additional video component such as a cable  
TV tuner, an LD player or satellite system.  
VIDEO  
IN  
VIDEO  
OUT  
MONITOR  
VIDEO 2  
VIDEO  
1
VIDEO  
2
VIDEO  
IN  
PLAY  
REC  
PLAY  
VIDEO 1  
VIDEO 1  
MONITOR  
TV, projector, etc.  
R
L R  
L
AUDIO AUDIO  
OUT IN  
VIDEO VIDEO  
OUT IN  
VIDEO 1  
VCR, etc.  
5. CONNECTING VIDEO COMPONENTS equipped with S-VIDEO jacks  
VIDEO 2  
DVD player,  
S-VIDEO  
OUT  
LD player, etc.  
-
S VIDEO  
IN  
OUT  
S-VIDEO  
IN  
VIDEO 1 VIDEO 2  
VIDEO 1 MONITOR  
MONITOR  
TV, projector, etc.  
S-VIDEO  
OUT  
S-VIDEO  
IN  
VIDEO 1  
VCR, etc.  
7
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6. CONNECTING VIDEO COMPONENTS equipped with COMPONENT VIDEO jacks  
VIDEO 2  
COMPONENT  
DVD player,  
VIDEO OUT  
LD player, etc.  
P
R
PB  
Y
COMPONENT  
VIDEO 2  
IN  
IN  
MONITOR  
OUT  
VIDEO 1  
P
R/CR  
PB/CB  
Y
P
R/CR  
P
B/CB  
Y
P
R/CR  
P
B/CB  
Y
PR  
PB  
Y
PR  
PB  
Y
COMPONENT  
VIDEO OUT  
COMPONENT  
VIDEO IN  
MONITOR  
TV, projector, etc.  
VIDEO 1  
VCR, etc.  
• The excellence in picture quality is as follows:  
"COMPONENT" > "S-VIDEO" > normal(composite) "VIDEO"  
• When making COMPONENT VIDEO connections, connect "Y" to "Y", "P /C " to "C " (or "B-Y", "P ") and "P /C " to  
B
B
B
B
R
R
"C "(or "R-Y", "P ").  
R
R
• Signals input into the COMPONENT VIDEO IN jacks will be output in only the MONITOR COMPONENT VIDEO OUT  
jacks.  
Notes :  
• The on-screen display function and recording the component video signals are not available when using the  
COMPONENT VIDEO connections.  
• When Sherwood DVD player such as V-756, etc. is connected to the DIGI LINK jack for system control, you should  
connect the DVD player to the "VIDEO 2" jacks of this unit.  
Because, if the PLAY button, etc. is pressed on the DVD player, the VIDEO 2 is automatically selected as an input  
source on this unit and the playback, etc. starts  
8
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7. CONNECTING DIGITAL INs and OUT  
• The COAXIAL or the OPTICAL DIGITAL OUTs of the components that are connected to CD and VIDEO 1~3 of this unit can  
be connected to these DIGITAL INs.  
• If a digital recorder or other component with OPTICAL DIGITAL IN/OUT jacks is connected to the corresponding jacks of this  
unit, you can playback and/or record the high quality sound of CD’s, etc. without analog conversion or degradation.  
• A digital input should be connected to the components such as a CD player, LD player, DVD player, etc. capable of outputting  
DTS Digital Surround, Dolby Digital or PCM format digital signals, etc.  
• For details, refer to the operating instructions of the component connected.  
• When making the COAXIAL DIGITAL connection, be sure to use a 75Ω COAXIAL cord, not a conventional AUDIO cord.  
• All of the commercially available optical fiber cords cannot be used for the equipment. If there is an optical fiber cord which  
cannot be connected to your equipment, consult your dealer or nearest service organization.  
DIGITAL  
OUT  
IN  
Component with  
COAXIAL DIGITAL OUT  
OPTICAL  
OPT 1  
OPT 2 COAX  
1
COAX  
2
Component with  
COAXIAL DIGITAL OUT  
Component with  
OPTICAL DIGITAL OUT  
Component with  
OPTICAL DIGITAL OUT  
Component as an MD recorder,  
CD recorder with OPTICAL DIGITAL IN  
8. CONNECTING SPEAKERS  
Front  
left  
Surround  
back  
Front  
right  
• Be sure to connect speakers firmly and correctly  
according to the channel(left and right) and the polarity(+  
and -). If the connections are faulty, no sound will be  
heard from the speakers, and if the polarity of the speaker  
connection is incorrect, the sound will be unnatural and  
lack bass.  
• For installing the speakers, refer to “Speaker placement”  
on page 24.  
• After installing the speakers, first adjust the speaker  
settings according to your environment and speaker  
layout.(For details, refer to “Adjusting the speaker  
settings” on page 24.)  
FRONT  
SPEAKERS  
6
SURROUND  
SPEAKERS  
6
SURROUND  
BACK  
CENTER  
SPEAKER  
(
)
(
)
(6  
)
(6  
)
Caution :  
• Be sure to use the speakers with the impedance of 6  
ohms or above.  
• Do not let the bare speaker wires touch each other or any  
metal part of this unit. This could damage this unit and/or  
the speakers.  
(Front)  
Center  
Surround  
left  
Surround  
right  
9
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9. SUBWOOFER PRE OUT connection  
• To emphasize the deep bass sounds, connect a  
powered subwoofer.  
PRE OUT  
SUB WOOFER  
Powered subwoofer  
10. CONNECTING SYSTEM CONTROL  
• Connect this jack to the DIGI LINK jack of the external  
Sherwood component that uses the DIGI LINK II or III  
remote control system.  
DIGILINK  
Sherwood component  
with DIGI LINK II or III  
CD player  
System  
control  
cord  
Tape deck  
DVD player  
11. SWITCHED AC OUTLET  
• This outlet is switched on(power-on mode) and  
off(standby mode) according to power control as  
follows(Maximum total capacity is 100 W).  
AC OUTLET  
Standby mode - Switched AC outlet off  
Power-on mode - Switched AC outlet on  
12. AC INPUT CORD  
• Plug this cord into a wall AC outlet.  
To a wall  
AC outlet  
10  
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Front Panel Controls  
252423 22  
21  
20 19  
MASTER VOLUME  
POW ER  
REMOTE  
SENSOR  
1
17  
ON/ OFF  
INPUT SELECTOR  
VIDEO  
SURROUND MODE  
DSP MODE  
STANDBY  
PLIIMUSIC  
PARAMETER  
DIGITAL  
INPUTS  
AUDIO  
7 CH DIRECT  
AUTO  
STEREO  
2
ON/ STANDBY  
18  
16  
VIDEO  
3
PHONES  
CHANNEL  
SELECTOR  
SPEAKER  
SETUP  
DYNAMIC  
RANGE  
SPEAKER  
ON/ OFF  
ADJ UST  
TONE MODE  
CINEMA EQ MEMO/ ENTER  
TUNING/ PRESET  
T/  
P
MODE  
FM MODE  
BAND  
3
-
-
VIDEO  
L
AUDIO  
R
4
5
6
7
8
9
10 11  
12  
13  
14 15  
1. POWER switch  
14. FM MODE button  
15. BAND button  
16. DSP MODE UP/DOWN(  
17. MASTER VOLUME control knob  
18. STEREO button  
19. PL II MUSIC PARAMETER button  
20. DIGITAL INPUTS button  
21. AUTO button  
2. STANDBY button/indicator  
3. HEADPHONE jack  
4. SPEAKER button/indicator  
/
) buttons  
5. CHANNEL SELECTOR button  
/
6. ADJUST UP/DOWN(  
7. TONE MODE button  
) buttons  
8. SPEAKER SETUP button  
9. DYNAMIC RANGE button  
10. CINEMA EQ button  
11. MEMORY/ENTER button  
12. TUNING/PRESET UP/DOWN(  
13. TUNING/PRESET MODE button  
22. Remote sensor  
23. AUDIO input selector button  
24. VIDEO input selector button  
25. 7 CH DIRECT button  
/
) buttons  
FLUORESCENT DISPLAY  
1. Input, frequency, volume level, operating information,  
etc.  
9
8
7
6
2. Surround mode indicators  
3. AUTO indicator  
4. DIGITAL input signal indicator  
5. PRESET number, SLEEP time, Speaker distance  
display  
ST TUNED  
DIRECT  
PRESET  
MEM  
dB  
kHz  
MHz  
ft  
DTS ES  
DIGITAL EX PRO LOGIC II C M DSP AUTO DIGITAL  
SLEEP  
6. MEMory indicator  
7. DIRECT indicator  
8. TUNED indicator  
9. STEREO indicator  
1
2
3
4
5
11  
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VIDEO 3 VIDEO/AUDIO INPUT JACKS  
VIDEO 3  
-
-
VIDEO  
L
AUDIO  
R
VIDEO  
3
-
-
VIDEO  
L
AUDIO  
R
When not using the  
VIDEO 3 INPUT jacks,  
cover these jacks  
with the supplied cap.  
VIDEO  
OUT  
AUDIO  
OUT  
VIDEO 3  
Additional video  
component  
• The VIDEO 3 jacks may be also connected to an additional video component such as a camcorder, a LD player or a video  
game player, etc.  
12  
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Universal Remote Controls  
This universal remote control can operate not only this receiver but also most popular brands of audio and video  
components such as CD players, cassette decks, TVs, cable boxes, VCRs, DVD players, satellite receivers, etc.  
• To operate 7 components other than this receiver, you should enter the setup code for each component.  
(For details, refer to “USING FUNCTIONS OF REMOTE CONTROL” on page 16.)  
Digi link system remote controls  
This remote control can also operate Sherwood compatible components bearing the DIGI LINK (II or III) logo.  
• For digi link system remote control operation, first make the DIGI LINK connections between Sherwood components.  
• The numbered buttons on the remote control have different functions in different device modes. For details, refer to  
“FUNCTION TABLE of the NUMBERED BUTTONS” on the following page 14.  
LED  
POWER button  
POW ER ON  
STANDBY  
1
2
AUD  
CD  
AUX  
TV  
DEVICE buttons  
To operate the desired component with  
this remote control, first select the  
corresponding DEVICE button.  
VCR  
DVD  
SAT  
CBL  
CHANNEL SELECTOR button  
3
4
CH.SEL  
T/ V  
CHANNEL LEVEL UP/DOWN(  
/
) buttons  
CH/ LEVEL  
VOLUME  
VOLUME UP/DOWN(  
/
) buttons  
5
MUTE  
MUTE button  
OSD button  
6
8
T.TONE  
MENU  
OSD  
TEST TONE button  
7
SETUP  
ENTER  
9
CURSOR CONTROL(  
ENTER buttons  
,
,
,
),  
SLEEP  
DIMMER  
DIMMER button  
SLEEP button  
11  
13  
10  
12  
16  
DISPLAY  
TUNE  
RETURN  
TUNE  
TUNING UP/DOWN(+/-) buttons  
PRESET  
P.SCAN  
PRESET  
14  
PRESET SCAN button  
15 PRESET UP/DOWN(+/-) buttons  
17  
DSP MODE UP/DOWN(  
/
) buttons  
AUTO  
DSP  
STEREO  
AUTO button  
STEREO button  
ADJUST UP/DOWN(  
/
) buttons  
ADJ UST  
SPK SET  
PLIIPARA.  
SPEAKER SETUP button  
PL II MUSIC PARAMETER button  
TUNER  
1
CD  
AUX  
TAPE  
4
2
3
VIDEO2  
7
NUMERIC(0~9, +10) /  
INPUT SELECTOR buttons  
18  
VIDEO1  
6
VIDEO3  
8
5
9
To select the desired input source  
of TUNER~VIDEO 3  
7 CH IN  
0
+1 0  
7 CH DIRECT button  
MACRO  
M2  
MACRO buttons  
To operate a macro function,  
M1  
M3  
press the corresponding MACRO button.  
13  
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FUNCTION TABLE of the NUMBERED BUTTONS  
VCR  
DVD  
SAT  
CBL  
TV  
CD  
AUX  
Device to be  
controlled  
(for CD player)  
(for tape deck)  
(for TV)  
(for VCR)  
(for DVD player) (for satellite receiver) (for cable box)  
Button symbol  
POW ER ON  
1
2
POWER ON  
STANDBY  
POWER ON  
STANDBY  
POWER ON  
STANDBY  
POWER ON  
STANDBY  
POWER ON  
STANDBY  
POWER ON  
STANDBY  
POWER ON  
STANDBY  
STANDBY  
CH.SEL  
(POWER OFF) (POWER OFF) (POWER OFF) (POWER OFF) (POWER OFF) (POWER OFF) (POWER OFF)  
INPUT SELECTOR INPUT SELECTOR  
INPUT SELECTOR INPUT SELECTOR  
3
4
T/  
V
CHANNEL LEVEL CHANNEL LEVEL  
CHANNEL LEVEL CHANNEL LEVEL  
CH/ LEVEL  
UP/DOWN(  
/
/
)
)
UP/DOWN(  
/
/
)
)
UP/DOWN(  
/
/
)
)
UP/DOWN(  
/
/
)
)
VOLUME  
VOLUME  
VOLUME  
VOLUME  
VOLUME  
MUTE  
5
UP/DOWN(  
UP/DOWN(  
UP/DOWN(  
UP/DOWN(  
MUTE  
MUTE  
MUTE  
MUTE  
6
7
T.TONE  
MENU  
MENU  
OSD  
SETUP  
8
SETUP  
CURSOR  
CONTROL  
9
ENTER  
ENTER  
SLEEP  
10  
11  
DISPLAY  
DISPLAY  
DIMMER  
RETURN  
RETURN  
TUNE  
TUNE  
REWIND( ) /  
REWIND( ) /  
REVERSE SEARCH( ) /  
12  
13  
FAST FORWARD(  
)
FAST FORWARD(  
)
FORWARD SEARCH(  
)
RECORD  
STOP  
RECORD  
STOP  
P.SCAN  
STOP  
STOP  
14  
15  
16  
PRESET  
PRESET  
REVERSE SKIP( ) /  
REVERSE SKIP( ) /  
FORWARD SKIP(  
)
FORWARD SKIP(  
)
PAUSE  
REVERSE PLAY  
PAUSE  
PLAY  
PAUSE  
PLAY  
PLAY  
FORWARD PLAY  
17  
NUMERIC  
NUMERIC  
NUMERIC  
NUMERIC  
NUMERIC  
NUMERIC  
0
~
9
+1 0  
18  
,
Notes:  
• Some functions for each component may not be available or may work differently.  
• Depending on other kinds of components that are available for each DEVICE button, some functions may not be  
available or may work differently, too.  
• For details about functions, refer to the operating instructions of each component.  
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OPERATING COMPONENTS WITH REMOTE CONTROL  
REMOTE CONTROL OPERATION RANGE  
Enter the setup code for each component  
other than this receiver you wish to  
control. For details, refer to “Entering a  
• Use the remote control unit within a range of  
about 7 meters (23 feet) and angles of up to 30  
degrees aiming at the remote sensor.  
1
setup code” on page 16.  
MASTER VOLUME  
Turn on the component you want to  
operate.  
EON  
P
TY  
EON  
T
A
SEARCH  
P
OW ER  
REMOTE  
SENSOR  
DISPLA  
Y
P
TY SELECT  
ON/ OFF  
STANDBY  
INPUT SELECTOR  
SURROUND MODE  
DSP MODE  
P
PARAMETER  
L
IIMUSI  
C
DIGITAL  
NPUTS  
AUDIO  
VIDEO  
7
CH DIRECT  
AUTO  
STEREO  
I
2
ON/  
S
TANDBY  
VIDEO  
3
P
HONES  
CHANNEL  
SELECTOR  
SPEAKER  
SETUP  
DYNAMI  
RANGE  
C
SPEAKER  
ON/ OFF  
ADJ UST  
TONE MODE  
CINEMA  
EQ  
MEMO/  
E
NTE  
R
TUNING/  
P
RESET  
T/  
P
MODE  
FM MODE  
BAND  
VIDEO  
L
-
AUDIO  
-
R
Press the DEVICE button on the remote  
control corresponding to the component  
you wish to operate.  
7m  
3
Aim the remote control at the REMOTE  
SENSOR of the component you wish to  
control and press the button corresponding  
4
T
/
V
to the operation you want.  
• When operating a Sherwood CD player or tape deck  
using digi link system remote control, aim the remote  
control at the REMOTE SENSOR of this receiver.  
However, to operate a Sherwood DVD player, aim at  
the REMOTE SENSOR of the corresponding  
component.  
1
5
9
2
6
0
3
7
4
8
+1  
0
MACRO  
M
1
M
2
M3  
LOADING BATTERIES  
• When the remote control does not operate, the old batteries should be replaced. In this case, load new batteries within  
several minutes after removing old batteries.  
• If the batteries are removed or have been exhausted for a longer period of time, memorized contents will be cleared.  
Should this happen, you should memorize them again.  
Remove the cover.  
Load two batteries(“AAA” size) matching  
the polarity.  
1
2
• Remove the batteries when they are not used for a  
long time.  
• Do not use the rechargeable batteries(Ni-Cd type).  
• Be sure to use alkaline batteries.  
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USING FUNCTIONS OF REMOTE CONTROL  
• This remote control can control up to 8 different components.  
• Before operating audio and video components other than this receiver with using this remote control, the setup  
code for each component should be entered.  
• For system remote control operation, “000” was stored previously in the memory of the device button “CD” for  
Sherwood CD player, “DVD” for Sherwood DVD player and “AUX” for Sherwood tape deck respectively as its  
factory setup code. So, you don’t need to enter its code for each Sherwood component except in such a case  
that its code does not work.  
Entering a setup code  
Turn on the component you want to control  
Find the setup codes according to the type  
and the brand name of your component,  
referring to “Setup Code Table” on page 42.  
1
3
2
4
Press and hold down both the ENTER  
button and the DEVICE button you want  
for more than 1 second.  
Enter a 3 digit code, aiming the remote control  
at the remote sensor on the component.  
Example) When entering “001”.  
2
6
0
3
7
4
8
1
5
9
DEVICE  
buttons  
0
0
1
+1 0  
T/  
V
MACRO  
M2  
M1  
M3  
• If entering is performed successfully, the LED will  
flicker twice.  
ENTER  
• To be sure that the setup code is correct, press the  
POWER(or STANDBY) button.  
If your component is tuned off, the setup code is correct.  
• When your component is not turned off, repeat the  
above steps 2 to 4, trying each code for your component  
until you find one that works.  
• The LED will flicker once.  
Note:  
• The AUDIO button is unavailable for the audio  
components other than this receiver.  
Notes:  
• If the LED did not flicker twice, then repeat the above  
steps 3 to 4 and try entering the same code again.  
• Manufacturers may use different setup codes for the  
same product category. For that reason, it is important  
that you check to see if the code you have entered  
operates as many controls as possible. If only a few  
functions operate, check to see if another code will  
work with more buttons.  
Repeat the above steps 1 to 4 for each of  
your components.  
• When operating a Sherwood CD player or tape deck  
using the system remote control, aim the remote  
control at the REMOTE SENSOR on this receiver.  
However, in case of Sherwood DVD player and MD  
recorder, aim it at the REMOTE SENSOR on the  
corresponding component.  
5
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Using a punch-through function  
Removing a punch-through function  
• When removing the AUDIO volume punch-  
through, press and hold down both “AUD” button  
and “VOLUME ” button for more than 1 second.  
This remote control may be programmed to operate  
either the AUDIO volume punch-through or the TV  
volume and/or TV channel punch-through in  
conjunction with any of the eight components  
controlled by this remote control.  
For example, since this receiver will likely be used as  
the sound system while watching TV, you may want to  
adjust this receiver’s volume although this remote  
control is set to control the TV.  
AUD  
+
• When programming this remote control for the  
AUDIO volume punch-through, press and hold down  
both “AUD” button and “VOLUME ” button for  
more than 1 second.  
T/ V  
VOLUME  
• If removing is performed successfully, the LED  
will flicker twice.  
When you want to remove either TV volume or  
TV channel punch-through, press and hold down  
both “TV” button and either “VOLUME ” or  
“CH/LEVEL ” button for more than 1 second.  
AUD  
+
•
VOLUME  
T/ V  
Removing all punch-through functions  
Press and hold down both “AUD” button and  
“AUTO” button for more than 1 second.  
• If programming is performed successfully, the LED  
will flicker twice.  
AUD  
+
•
When you want either TV volume or TV channel  
punch-through, press and hold down both “TV”  
button and either “VOLUME ” or “CH/LEVEL  
” button for more than 1 second.  
AUTO  
Note :  
• If you use one of AUDIO and TV volume punch-  
through functions, you cannot use the other.  
• If removing all punch-through functions is performed  
successfully, the LED will flicker twice.  
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Press the operation buttons you want to  
program in order.  
Programming a macro function  
• The macro function enables you to program a series  
of button operations(up to 10) on this remote control  
into a single button.  
• You can store up to three separate macro command  
sequences into “M1”, “M2” and “M3” buttons.  
2
Note:  
You should press the corresponding DEVICE buttons  
before pressing each operation button.  
Press and hold down both “ENTER” button  
and one of three NUMERIC buttons  
(“1”~“3”) corresponding to “M1”~“M3”  
Example) When playing a DVD on the DVD player  
connected to VIDEO 2 jacks of this receiver.  
1. Press “AUDIO” button to control this receiver.  
2. Press “POWER” button to turn this receiver on.  
3. Press “AUDIO” button to control this receiver.  
4. Press “VIDEO 2(7)” button to select the desired  
input source.  
1
buttons for more than 1 second.  
Example) When programming a series of button  
operations into “M1” button.  
5. Press “DVD” button to control the DVD player.  
6. Press “POWER” button to turn the DVD player on.  
7. Press “DVD” button to control the DVD player.  
8. Press “ ” button to start playback.  
ENTER  
+
1
VIDEO2  
AUD  
AUD  
POW ER ON  
7
2
3
4
1
DVD  
DVD  
POW ER ON  
• If the macro mode is entered, the LED will flicker  
once.  
Press “ENTER” button.  
To remove a macro program  
• When removing a macro program, perform the above  
steps 1 and 3, but ignore the step 2.  
3
ENTER  
To change a macro program  
• When a new macro program is stored into a MACRO  
button with performing the above steps 1 to 3, the  
previous macro program is cleared from the memory  
of the MACRO button.  
• If the programming is performed successfully, the  
LED will flicker twice.  
Operating a macro function  
Notes:  
• Aim the remote control at the REMOTE SENSORs  
of the components to be controlled and press the  
MACRO button you want.  
• The codes programmed into a MACRO button will  
be transmitted at an interval of 0.5 seconds.  
However, some components may not be able to  
complete one operation in 0.5 seconds and may miss  
the next code.  
Example) When pressing “M1” button.  
9
0
+1 0  
In this case, the macro function cannot control the  
corresponding components correctly.  
MACRO  
M2  
M1  
• Be sure to use the remote control within the remote  
control operation range of the components.  
• Depending on the operation status of the  
components, etc., the macro function cannot control  
the corresponding components correctly.  
M1  
M3  
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Operations  
• Note : Before operating this receiver with the supplied remote control, refer to “Universal Remote Controls” on page 13 for  
details about operation.  
LISTENING TO A PROGRAM SOURCE  
Select the desired input source.  
Before operation  
3
AUDIO  
POW ER  
• Enter the standby mode.  
TUNER  
CD  
AUX  
TAPE  
INPUT SELECTOR  
VIDEO  
• The STANDBY indicator lights up.  
ON/ OFF  
VIDEO 1  
VIDEO 2  
VIDEO 3  
When the power operation switch  
is in the OFF or STANDBY state,  
the apparatus is still connected on  
some AC line voltages.  
1
5
9
2
6
0
3
7
4
8
or  
+1 0  
Please be sure to unplug the cord when you leave  
home for, say, a vacation.  
• To switch the power off, push the POWER switch again.  
• Then the power is cut off and the STANDBY indicator  
goes off.  
• Each time the “AUDIO” button on the front panel is  
pressed, the input source changes as follows;  
TUNER  
(frequency display)  
CD  
TAPE  
AUX  
In the standby mode, turn the power on.  
• Each time the “VIDEO” button on the front panel is  
pressed, the input source changes as follows;  
1
VIDEO 1  
VIDEO 2  
VIDEO 3  
STANDBY  
POWER ON  
ON/ STANDBY  
or  
When selecting the 7 CH DIRECT as desired,  
INPUT SELECTOR  
7 CH DIRECT  
1
5
9
2
6
0
3
7
4
8
• In the operating mode, if the STANDBY button on the  
remote control is pressed, the receiver is turned off and  
enters the standby mode.  
7 CH IN  
or  
+1 0  
MACRO  
M2  
• In the standby mode, if the INPUT SELECTOR button  
is pressed, the receiver is turned on automatically and  
the desired input is selected.  
M1  
M3  
• “7-DIRECT” is displayed and the 7 or 6 separate  
analog signals from the component connected to this  
input can be controlled only by channel level(s) and  
volume depending on the surround back speaker  
setting.  
• Press the 7 CH DIRECT button or select the desired  
input source to cancel the 7 CH direct function.  
• These analog signals can be heard only, not recorded.  
Switch the speakers on.  
SPEAKER  
2
ON/ OFF  
• Then the SPEAKER indicator lights up and the sound  
can be heard from the speakers connected to the  
speaker terminals.  
• When using the headphone for private listening, press  
the SPEAKER button again to switch the speakers off.  
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To compensate for edgy or shrill movie  
sound tracks.  
When CD, VIDEO 1~3 is selected as an  
input source  
7
CINEMA EQ  
Select the digital or analog input  
connected as desired.  
DIGITAL  
4
INPUTS  
• Then “C-EQ OFF” is scrolled.  
• Each time this button is pressed, the corresponding  
input is selected as follows ;  
• Press it again to work, the “C-EQ ON” is scrolled.  
• When 96 kHz PCM(2 CH stereo) signals are input,  
the cinema EQ function does not work.  
A(nalog) c(oaxial) 1 c(oaxial) 2  
o(ptical) 2  
o(ptical) 1  
• To listen to a DTS or Dolby Digital program source  
in the 2-CH downmix mode, in the stereo mode, the  
corresponding digital input should be selected. (For  
details, refer to “Downmixing into 2 front channels”  
on page 31.)  
To mute the sound.  
8
T/ V  
MUTE  
Notes :  
• When the selected optical or coaxial digital input is  
not connected, the “DIGITAL” indicator flickers,  
meaning no sound. (Refer to “ENJOYING  
SURROUND SOUND” on page 27.)  
• The sound from the component connected to the  
selected digital input can be heard regardless of the  
selected input source.  
• “MUTE” will flicker.  
• To resume the previous sound level, press it again.  
Operate the selected component for  
playback.  
To listen with the headphones.  
PHONES  
5
9
• When playing back the program sources with  
surround sound, refer to “ENJOYING SURROUND  
SOUND” on page 27.  
Adjust the (overall) volume.  
• Ensure that the SPEAKER button is set to off.  
• When listening to a DTS or Dolby Digital program  
source, if the headphones are plugged and the  
SPEAKER button is set to off, it enters the 2-CH  
downmix mode automatically. (For details, refer to  
“Downmixing into 2 front channels”on page 31.)  
6
MASTER VOLUME  
VOLUME  
T/  
V
or  
DOWN  
UP  
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At the desired tone mode, adjust the tone  
as desired.  
Adjusting the tone(bass and treble)  
11  
Enter the tone mode.  
ADJ UST  
10  
TONE MODE  
• At “TONE ON” mode, you can select “TONE OFF”  
mode and vice versa.  
TONE ON: When adjusting the tone for your taste.  
(“DIRECT” indicator goes off.)  
TONE OFF: When listening to a program source  
without the tone effect.  
(“DIRECT” indicator light up.)  
• Each time this button is pressed, the corresponding  
tone mode is selected and shown for several seconds  
as follows:  
BASS TRBL(treble) TONE ON  
• In general, we recommend the bass and the treble to  
be set to 0(flat) level.  
• When the tone mode is off, “TONE OFF” is shown.  
Notes:  
• If the tone display disappears, start from the step 10  
again.  
• Extreme settings at high volume may damage your  
speakers.  
• When the digital signals from DTS or Dolby Digital  
program sources are input in available surround  
mode or the 7 CH DIRECT is selected as an input  
source, you cannot adjust the tone and can hear a  
program source without the tone effect.  
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SURROUND SOUND  
• This receiver incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound quality and sound  
atmosphere in your personal Home Theater.  
Surround modes  
DTS Digital Surround  
DTS Neo : 6™ surround  
DTS Digital Surround(also called simply DTS) is a multi-  
channel digital signal format which can handle higher data  
rates than Dolby Digital. Although both Dolby Digital and  
DTS are 5.1 channel formats, discs bearing the “  
This mode applies conventional 2-channel signals such as  
digital PCM or analog stereo signals to the high precision  
digital matrix decoder used for DTS-ES Matrix 6.1 to  
achieve 6.1-channel surround playback. DTS Neo : 6  
surround includes two modes for selecting the optimum  
decoding for the signal source.  
”
are generally thought to provide better sound quality due to  
the lower audio compression required.  
It also provides wide dynamic range and separation,  
resulting in magnificent sound.  
DTS Neo : 6 Cinema  
This mode is optimum for playing movies. Decoding is  
performed with emphasis on separation performance to  
achieve the same atmosphere with 2-channel sources as  
with 6.1-channel sources.  
(
)
DTS - ES Extended Surround™  
This is a new multi channel digital signal format which  
greatly improves the 360- degree surround impression and  
space expression thanks to further expanded surround  
signals, offering high compatibility with the conventional  
DTS format.  
DTS Neo : 6 Music  
This mode is suited mainly for playing music. The front left  
and front right signals bypass the decoder and are played  
directly so there is no loss of sound quality, and the effect  
of the surround signals from the center, surround left,  
surround right and surround back channels adds a natural  
sense of expansion to the sound field.  
In addition to the 5.1 channels, DTS-ES Extended  
Surround also offers the surround back (sometimes also  
referred to as “surround center”) channel for surround  
playback with a total of 6.1 channels. DTS-ES Extended  
Surround includes two signal formats with different  
surround signal recording methods as follows:  
“DTS”, “DTS-ES” and “Neo : 6” are trademarks of Digital  
Theater Systems,Inc.  
DTS-ES™ Discrete 6.1  
Dolby Digital  
Dolby Digital is the multi- channel digital signal format  
Because the signals for 6.1 channels (including the surround  
back channel) are fully independent, it is possible to achieve a  
sense that the acoustic image are moving about freely among  
the background sounds surrounding the listener from 360  
degrees.  
Though maximum performance is achieved when sound  
tracks recorded with this system are played using a DTS -ES  
decoder, when played with a conventional DTS decoder, the  
surround back channel signals are automatically downmixed  
to the surround left and surround right channels so that none  
of the signal components are lost.  
developed by Dolby Laboratories. Discs bearing the  
“
” includes the recording of up to 5.1 channels of  
digital signals, which can reproduce much better sound  
quality, spatial expansion and dynamic range  
characteristics than the previous Dolby Surround effect.  
Dolby Digital EX  
This mode creates the back (sometimes also referred to as  
“surround center”) signals from the surround left and right  
signals in Dolby Digital 5.1 channel source using a matrix  
decoder and provides 6.1 channel surround playback. For  
the best results, this mode should be selected during  
DTS - ES™ Matrix 6.1  
With this format, the additional surround back channel signals  
undergo matrix encoding and are input to the surround left and  
surround right channels beforehand. During playback, they are  
decoded to the surround left, surround right and surround back  
channels.  
Because the bit stream format is 100% compatible with  
conventional DTS signals, the effect of the DTS-ES Matrix 6.1  
format can be achieved even with DTS 5.1- channel signal  
sources. Of course, it is possible to play DTS-ES Matrix 6.1 -  
channel signal sources with a DTS 5.1 - channel decoder.  
When DTS-ES Discrete 6.1 or Matrix 6.1 sources are decoded  
with a DTS - ES decoder, the format is automatically detected  
upon decoding and the optimum surround mode is selected.  
However, some DTS - ES Matrix 6.1 sources may be  
detected as DTS sources. In this case, the DTS - ES Matrix  
mode should be selected manually to play these sources.  
playback of sources(bearing the “  
”) recorded in  
Dolby Digital Surround EX. With this additional channel,  
you can experience more dynamic and realistic moving  
sound especially.  
When Dolby Digital EX sources are decoded with a Dolby  
Digital EX decoder, the format is automatically detected  
upon decoding and the Dolby Digital EX mode is selected.  
However, some Dolby Digital EX sources may be detected  
as Dolby Digital sources. In this case, the Dolby Digital EX  
mode should be selected manually to play these sources.  
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When using the 7 CH DIRECT INPUTs to playback the  
sound from an additional multichannel decoder for  
surround sound, you can enjoy the corresponding  
surround sound, too. For details, refer to the operating  
instructions of the component to be connected.  
Dolby Pro Logic  
Dolby Pro Logic is a specially encoded two channel  
surround format which consists of four channels ( front left,  
center, front right and surround). Sources bearing the  
“
” provide the theater-like surround sound.  
The surround channel is monaural, but is played through  
both surround speakers.  
The following modes apply conventional 2-channel signals  
such as digital PCM or analog stereo signals to high  
performance Digital Signal Processor to recreate sound fields  
artificially. Select one of the three provided surround modes  
according to the program source you want to play.  
Dolby Pro Logic II surround  
This mode applies conventional 2- channel signals such as  
digital PCM or analog stereo signals as well as Dolby  
Surround signals, etc. to surround processing to offer  
improvements over conventional Dolby Pro Logic circuits.  
Dolby Pro Logic II surround includes two modes as follows:  
Theater  
This mode provides the effect of being in a movie theater  
when watching a movie.  
Dolby Pro Logic II Movie  
Hall  
When enjoying movies, this mode allows you to further  
enhance the cinematic quality by adding processing that  
emphasizes the sounds of the action special effects.  
This mode provides the ambience of a concert hall for  
classical music sources such as orchestral, chamber music  
or an instrumental solo.  
Dolby Pro Logic II Music  
Matrix  
When listening to music, this mode allows you to further  
enhance the sound quality by adding processing that  
emphasizes the musical effects.  
This mode reproduces a delayed signals from the surround  
channels to emphasize the sense of expansion for music  
sources.  
Dolby Virtual  
This mode employs sophisticated digital processing to  
create the illusion of “phantom” speakers, this mode allows  
you to experience surround sound effects from Dolby  
Digital, Dolby Surround or 2-channel (recorded in digital  
PCM or analog stereo) sources, through just a single pair  
of front speakers.  
Manufactured under license from Dolby Laboratories.  
“Dolby”, “Pro Logic”, “Surround EX” and the double-D  
symbol are trademarks of Dolby Laboratories.  
For your reference, the sound from each channel can be reproduced according to the surround modes as follows:  
Channels  
(FRONT)  
CENTER  
SURROUND  
L/R  
SURROUND BACK  
(CENTER)  
FRONT L/R  
SUBWOOFER  
Modes  
DTS  
DTS ES DISCRETE/MATRIX  
DTS NEO:6 CINEMA/MUSIC  
DOLBY DIGITAL  
DOLBY DIGITAL EX  
DOLBY PRO LOGIC  
DOLBY PRO LOGIC II MOVIE/MUSIC  
DOLBY VIRTUAL  
MATRIX  
Other Surround  
STEREO  
7 CH DIRECT  
• Depending on the speaker settings and the number of the encoded channels, the sound from the corresponding channels  
cannot be reproduced.(For details, refer to “Adjusting the speaker settings” on page 24.)  
(*): Depending on the speaker settings, the sound from the subwoofer channel may be reproduced.  
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Speaker placement  
TV or SCREEN  
Ideal speaker placement varies depending on the size of your room  
and the wall coverings, etc. The typical example of speaker placement  
and recommendations are as follows :  
1
CENTER  
SUBWOOFER  
FRONT (LEFT)  
4
FRONT (RIGHT)  
3
Front left and right speakers and center speaker  
Place the front speakers with their front surfaces as flush with TV or  
monitor screen as possible.  
Place the center speaker between the front left and right speakers  
and no further from the listening position than the front speakers.  
Place each speaker so that sound is aimed at the location of the  
listener’s ears when at the main listening position.  
LISTENING  
POSITION  
6
7
Surround left and right speakers  
SURROUND  
(LEFT)  
SURROUND  
(RIGHT)  
Place the surround speakers approximately 1 meter (40 inches)  
above the ear level of a seated listener on the direct left and right of  
them or slightly behind.  
9
8
Surround back speaker  
SURROUND  
(BACK)  
Place the surround back speaker at the rear center facing the front at  
a slightly higher position (0 to 10 inches) than the surround speakers.  
We recommend installing the surround back speaker at a slightly  
downward facing angle. This effectively prevents the surround back  
channel signals from reflecting off the TV or screen at the front  
center, resulting in interference and making the sense of movement  
from the front to the back less sharp.  
Surround speaker  
Front speaker  
Surround back  
speaker  
Point slightly  
downward  
Subwoofer  
The subwoofer reproduces powerful deep bass sounds.  
Place a powered subwoofer anywhere in the front as desired.  
60 to 90 cm  
Notes :  
When using a conventional TV , to avoid interference with the TV picture, use only magnetically shielded front left and right  
and center speakers.  
To obtain the best surround effects, the speakers except the subwoofer should be full range speakers.  
Adjusting the speaker settings  
• After you have installed this unit and connected all the components, you should adjust the speaker settings for the optimum  
sound acoustics according to your environment and speaker layout.  
Speaker distance settings  
When enjoying multi-channel surround playback with Dolby Digital and DTS sources, it is ideal that the center and surround  
speakers, etc. should be the same distance from the main listening position as the front speakers. By entering the distance  
between the listening position and each speaker, the delay times of center and surround speakers are automatically adjusted  
to create an ideal listening environment virtually as if the center and surround speakers were at their ideal locations  
respectively as below:  
Ideal location of a  
center speaker  
FL  
SW  
FR  
C
Dc  
All speakers should be located  
within a circle with a radius of Df  
Df : Distance between front speakers and listening position  
Dc : Distance between center speakers and listening position  
Ds : Distance between surround speakers and listening position  
Db : Distance between surround back speaker and listening position  
Df  
Ds  
SB SR  
Db  
SL  
Ideal location of a  
surround speaker  
Ideal location of a  
surround back speaker  
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Setting the type of speakers  
Depending or relationship between speakers, settings  
possible for each speaker are as follows:  
The composition of the signals output from the different  
channels and the frequency reponse are adjusted  
automatically according to the combination of speakers  
actually being used.  
Front L/R Center Surr. L/R Surr. Back Subwoofer  
Large  
Large  
Small  
None  
Large  
Small  
None  
X
Select “Large” or “Small” not according to the actual size  
of the speaker but according to the speaker’s capacity for  
playing low frequency (bass sound below frequency set for  
the Crossover Frequency mode and below) signals.  
Large  
Small  
Large : Select this when connecting speakers that can fully  
reproduce sounds below crossover frequency(*) of  
your speaker.  
Small : Select this when connecting speakers that cannot  
fully reproduce sound below crossover frequency.  
When this setting is selected, sound below  
crossover frequency is assigned to the subwoofer  
or speakers which are set to “Large”(when not  
using a subwoofer).  
None : Select this when no speakers are connected.  
When this is selected, sound is sent to the front  
speakers.  
Yes / None : Select the desired depending on whether a  
subwoofer is connected or not.  
None  
Large  
Large  
Small  
None  
Large  
Small  
None  
X
Yes  
or  
Large  
Small  
None  
None  
Small  
None  
Large  
Large  
Small  
None  
Large  
Small  
None  
X
Small  
(*) : Crossover frequency is the frequency (Hz) below which the  
bass sound of each main speakers is to output from the  
subwoofer or from speakers which are set to “Large” (when not  
using a subwoofer).  
None  
Small  
None  
Small  
Small  
None  
X
Refer to the operating instructions of the speakers to be connected.  
If the frequency range of your speaker is 100 Hz ~ 12 kHz, the  
crossover frequency have to set to 120 Hz.  
Small  
None  
Small  
Yes  
If you do not know, try comparing the sound at both settings  
(setting the volume to a level low enough so as not to damage the  
speakers) to determine the proper setting.  
Small  
None  
X
None  
Refer to the above and adjust the speaker settings  
Note : When the SPEAKER button is set to off or the 7 CH DIRECT is selected as an input source, the speaker setting function  
cannot be available.  
When selecting each setting mode,  
When adjusting the selected setting  
mode to the desired setting,  
1
2
SPEAKER  
SETUP  
ADJ UST  
ADJUST  
<, >  
SPK SET  
or  
or  
1
2
3
4
1
5
2
6
3
7
4
8
• Each time the SPEAKER SETUP button is pressed,  
the speaker setting mode changes in succession and  
is displayed for several seconds as follows.  
• When the speaker setting mode disappears, press the  
SPEAKER SETUP button repeatedly to select the  
desired mode.  
• Each time the ADJUST UP(  
/
) or DOWN(  
/
) button is pressed, one of the settings is selected  
and displayed for several seconds as follows.  
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• When selecting the type of front speaker,  
“FRONT L 10(ft)”  
• You can select one of 2 different speaker settings.  
L
S
(L: Large, S: Small)  
• When selecting the distance of front speaker,  
“FRONT L 10(ft)”  
• You can adjust the distance within the range of 1 ~  
30 feet in 1 foot intervals.  
1 (ft) ~ 30 (ft)  
• When selecting the type of center speaker,  
“CNTR L 10(ft)”  
• You can select one of 3 different speaker settings.  
L
S
N
(L: Large, S: Small, N: None)  
• When selecting the distance of center speaker,  
“CNTR L 10(ft)”  
• You can adjust the distance within the range of 1 ~  
30 feet in 1 foot intervals.  
1 (ft) ~ 30 (ft)  
• When selecting the type of surround speaker,  
“SURR L 5(ft)”  
• You can select one of 3 different speaker settings.  
L
S
N
• When selecting the distance of surround speaker,  
“SURR L 5(ft)”  
• You can adjust the distance within the range of 1 ~  
30 feet in 1 foot intervals.  
1 (ft) ~ 30 (ft)  
• When selecting the type of surround back speaker,  
“SURR-B L 5(ft)”  
• You can select one of 3 different speaker settings.  
L
S
N
• When selecting the distance of surround speaker,  
“SURR-B L 5(ft)”  
• You can adjust the distance within the range of 1 ~  
30 feet in 1 foot intervals.  
1 (ft) ~ 30 (ft)  
• When selecting the subwoofer,  
“SUB-W Y”  
Y(es)  
N(one)  
• When the front speaker is set to “S”, the subwoofer  
is automatically set to “Y”.  
• When selecting the Dolby Virtual delay time,  
“NARROW”  
NARROW : Relatively long distance for the main  
listening position to front speakers.  
• This mode can work only in the Dolby Virtual  
mode. In the other surround modes, this setting is  
just displayed.  
WIDE : Relatively short distance.  
• When selecting the crossover frequency,  
“FC 80Hz”  
80  
100  
(unit : Hz)  
120  
When the speaker type is N , the distance displays -.- .  
Memorize the adjusted speaker settings.  
3
MEMO/ ENTER  
ENTER  
• The adjusted speaker settings are  
stored in the memory.  
or  
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ENJOYING SURROUND SOUND  
Depending on the input digital signal format, select the desired decoding mode.  
• Each time the AUTO button is pressed, the decoding  
mode changes as follows :  
1
SURROUND MO  
IN-AUTO : The input digital signal format(DTS, Dolby  
Digital or PCM(2 channel stereo), etc.) used  
by the selected digital input source is detected  
automatically to perform the necessary  
decoding process for optimum surround mode.  
IN-DTS : The DTS signal processing is performed only  
when DTS signals are input.  
AUTO  
AUTO  
or  
2
6
3
7
4
8
1
5
IN-PCM : The PCM signal processing is performed only  
when PCM signals are input.  
Notes :  
• Only when the digital input is selected as signal input for the input sources except TUNER, TAPE and AUX, the  
decoding mode can be selected.  
• Noise may be generated at the beginning of playback and while searching during DTS playback in the IN-AUTO  
mode. In this case, try playing in the IN-DTS mode.  
Select the desired surround mode.  
SURROUND MODE  
2
DSP MODE  
DSP <, >  
or  
2
6
3
7
4
8
1
5
• Each time the DSP MODE (<) or (>) button is pressed, the surround mode changes depending on the input signal  
format and the selected decoding mode as follows :  
Signal format being input  
Dolby Digital EX 6.1 channel sources  
Dolby Digital 5.1 channel sources  
Dolby Digital 2-channel  
sources  
Selected decoding mode Selectable surround mode  
IN-AUTO mode  
IN-AUTO mode  
IN-AUTO mode  
DOLBY DIGITAL EX, DOLBY VIRTUAL  
DOLBY DIGITAL, DOLBY VIRTUAL  
PL II MOVIE, PL II MUSIC,  
PRO LOGIC, DOLBY VIRTUAL  
PL II MOVIE, PL II MUSIC, PRO LOGIC,  
DOLBY VIRTUAL, NEO 6 CINEMA, NEO 6  
MUSIC, THEATER, HALL, MATRIX  
corresponding DTS mode  
PCM(2 channel) sources  
Analog stereo sources  
IN-AUTO, IN-PCM mode  
DTS sources  
IN-AUTO, IN-DTS mode  
• When the analog input is selected as signal input and analog stereo signals are input, you can select the desired of  
these above surround modes, too.  
• However, when DTS signals are input in the IN-AUTO or IN-DTS mode, the corresponding DTS mode will be  
selected regardless of using the DSP MODE (<) or (>) button.  
Notes:  
• When the selected decoding mode is not matched to the input signal format, the “DIGITAL” indicator flickers and  
no sound is heard. Therefore, be sure to select the required decoding mode and the available surround mode  
according to the input signal format.  
• When the 7 CH DIRECT is selected as an input source, the decoding and surround modes cannot be selected.  
• When the digital signals are not inputted, the desired surround mode cannot be selected.  
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To cancel the surround mode for stereo operation  
SURROUND MODE  
STEREO  
STEREO  
or  
2
6
3
7
4
8
1
5
• Then the stereo mode is selected.  
• To cancel the stereo mode, select the desired surround mode with using the DSP MODE (<) or (>) button.  
Adjusting the Dolby Pro Logic II Music parameters  
• When selecting the Dolby Pro Logic II Music mode, you can adjust the various surround parameters for optimum  
surround effect.  
Press the PL II MUSIC PARAMETER button to select the desired parameter.  
1
PLIIMUSIC  
PARAMETER  
PL II PARA.  
or  
2
6
0
3
7
4
8
1
5
9
+1 0  
• Each time this button is pressed, the parameter changes and is displayed for several seconds as follows;  
Panorama mode(“PANO”, default value : OFF)  
This mode extends the front stereo image to include the surround speakers for an exciting “wraparound”  
effect with side wall imaging. Select “OFF” or “ON”.  
Center width control(“C-WID”, default value : 0)  
This adjusts the center image so it may be heard only from the center speaker, only from the left/right  
speakers as a phantom image, or from all three front speakers to varying degrees.  
The control can be set in 8 steps from 0 to 7.  
Dimension control(“DIMEN”, default value : 0)  
This gradually adjusts the soundfield either towards the front or towards the rear. The control can be set in 7  
steps from -4 to +2.  
At the desired parameter, adjust it as desired.  
Repeat the above steps 1 and 2 to adjust  
other parameters.  
2
3
ADJ UST  
ADJUST  
<, >  
or  
1
5
2
6
3
7
4
8
• If the parameter display disappears, start from the  
step 1 again.  
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Adjusting each channel level with test tone  
• The volume level of each channel can be adjusted easily with the test tone function.  
Note : When the 7 CH DIRECT is selected as an input source, the SPEAKER button is set to off or it is in the stereo  
mode, the test tone function does not work.  
Enter the test tone mode.  
• The test tone will be heard from the speaker of each  
channel for 2 seconds as follows:  
1
T/  
V
FL  
C
FR  
SR  
Surround  
Right  
SB  
Surround  
Back  
SL  
Surround  
Left  
Front Left Center Front Right  
T.TONE  
SW  
Subwoofer  
• When the speaker setting is “N”, the test tone of the  
corresponding channel is not available.  
Cancel the test tone function.  
At each channel, adjust the level as desired  
until the sound level of each speaker is heard  
to be equally loud.  
3
2
T/  
V
ADJ UST  
CH/LEVEL  
T/  
V
T.TONE  
or  
• You can select the desired channel and adjust its level with  
repeating the steps 1 and 2 in “Adjusting each channel  
level” procedure.  
Adjusting the current channel level  
• After adjusting each channel level with test tone, adjust the channel levels either according to the program sources  
or to suit your tastes.  
Press the CHANNEL SELECTOR button.  
1
• “REF. 1”(or “USER”, etc.) is displayed and each  
time this button is pressed, the corresponding channel  
CHANNEL  
SELECTOR  
is selected and displayed for several seconds as  
CH.SEL  
follows:  
T/  
V
or  
FL  
C
FR  
SR  
SB  
SL  
( DTS L DD L )  
DTS LFE Dolby Digital LFE  
SW  
( ) : impossible when the analog input is selected as  
signal input.  
• You can adjust the LFE level for Dolby Digital or DTS program source that includes LFE signal.  
• When it is in the stereo or Dolby Virtual mode or the speaker setting is “N”, center, surround L/R,  
surround back or subwoofer channel will not be selected.  
• When the SPEAKER button is set to off, only the front L/R channel can be selected.  
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Adjust the level of the selected channel  
as desired.  
• The LFE level can be adjusted within the range of  
-10~0 dB and other channel levels within the range  
of -15~+15 dB.  
2
3
ADJ UST  
• In general, we recommend the LFE level to be  
adjusted to 0 dB.(However, the recommended LFE  
level for some early DTS software is -10 dB.) If the  
recommended levels seem too high, lower the setting  
as necessary.  
CH/LEVEL  
T/  
V
or  
• If the channel display disappears, start from the step  
1 again.  
Repeat the above steps 1 and 2 to adjust each channel level.  
Memorizing the adjusted channel levels  
This unit gives two spaces(“REF.1” and “REF.2”) for memory of the adjusted channel levels. You can call the  
memorized again whenever you want.  
After doing the above steps 1~3 in “Adjusting the current channel level”, press the below button.  
1
MEMO/ ENTER  
ENTER  
or  
• ”REF. 1” is displayed and “1” flickers.  
Select the desired space between REF. 1 and  
REF. 2.  
Press below button.  
2
3
MEMO/ ENTER  
ENTER  
ADJ UST  
or  
CH/LEVEL  
T/  
V
or  
• The adjusted channel levels have now been  
memorized.  
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Calling the memorized levels  
Press the CHANNEL SELECTOR button.  
1
• “REF.1” (or “USER”, etc.) is displayed for  
several seconds.  
CHANNEL  
SELECTOR  
• If the channel level mode display disappears,  
press the CHANNEL SELECTOR button  
again.  
CH.SEL  
T/  
V
or  
Select the desired one between REF.1 and REF.2  
2
• Then the current channel levels are changed to  
the memorized ones.  
ADJ UST  
CH/LEVEL  
T/  
V
or  
Downmixing into 2 front channels  
• To cancel the 2 - CH downmix mode, select the  
desired surround mode with the DSP MODE (<) or  
(>) button.  
• Allows the multi - channel DTS or Dolby Digital  
signal to be reproduced through only two speakers or  
through headphones.  
• When the digital signals from the DTS or Dolby  
Digital program sources are input in available  
surround mode, press the STEREO button.  
• When the playback of the source on the player is  
stopped, interrupted, etc., the 2 - CH downmix mode  
is not canceled even though “ ST” and the DTS or  
Dolby Digital indicators go off.  
• If headphones are plugged in and the SPEAKER  
button is set to off while the digital signals from the  
DTS or Dolby Digital program sources are being  
input, it will enter the 2-CH downmix mode  
automatically and if the headphones are unplugged  
and the SPEAKER button is set to on in the 2-CH  
downmix mode, it will return to the previous mode.  
UND MODE  
STEREO  
STEREO  
or  
1
5
9
2
6
0
3
7
4
8
+1 0  
• “ST” indicator lights up and “2 CH DOWNMIX” is  
scrolled, meaning it enters the 2-CH downmix mode,  
and then the discrete multi-channels(except LFE) are  
mixed down into 2 front channels.  
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LISTENING TO RADIO BROADCASTS  
Select the desired band.  
Auto tuning  
Select the tuner.  
2
BAND  
1
MHz  
INPUT SELECTOR  
AUDIO  
BAND  
FREQUENCY  
TUNER  
1
5
9
2
6
0
3
7
4
8
• Each time this button is pressed, the band is changed  
to FM or AM.  
or  
• When pressing the BAND button without selecting  
the TUNER, the tuner will be selected automatically.  
+1 0  
Press the TUNING(/PRESET) UP(  
)
Select the tuning mode.  
or DOWN(  
second.  
) button for more than 0.5  
4
3
T/ P MODE  
TUNING/ PRESET  
TUNE +  
TUNE -  
or  
• Each time this button is pressed, the mode changes  
as follows;  
• The tuner will now search until a station of sufficient  
strength has been found. The display shows the tuned  
frequency and “TUNED”.  
• If the station found is not the desired one, simply  
repeat this operation.  
Tuning mode : “PRESET” goes off.  
Preset mode : “PRESET” lights up.  
• Weak stations are skipped during auto tuning.  
• When pressing the TUNE +/- buttons on the remote  
control, you need not select the tuning mode on step 3.  
Manual tuning  
TUNING/ PRESET  
• Manual tuning is useful when you already know the  
frequency of the desired station.  
TUNE +  
TUNE -  
or  
• Perform the steps 1 to 3 in “Auto tuning” procedure and  
press the TUNING(/PRESET) UP(  
) or DOWN(  
)
button repeatedly until the right frequency has been  
reached.  
Press the MEMORY/ENTER button.  
Presetting radio stations  
2
• You can store up to 30 preferred stations in the  
memory.  
MEMO/ ENTER  
Tune in the desired station with auto or  
manual tuning.  
ENTER  
or  
1
• “MEM” is flickering for 5 seconds.  
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Repeat the above steps 1 to 3 to memorize  
other stations.  
Select the desired preset number (1~30) and  
press the below button.  
4
3
TUNING/ PRESET  
MEMO/ ENTER  
MEMORY BACKUP FUNCTION  
The following items, set before the receiver is turned  
off, are memorized.  
• INPUT SELECTOR settings  
• Surround mode settings  
• Preset stations,etc.  
ENTER  
PRESET +  
PRESET -  
• The station has now been stored in the memory.  
• A stored frequency is erased from the memory by  
storing another frequency in its place.  
Note : If the electricity fails or the AC input cord is  
disconnected for more than 2 weeks, they are all  
cleared. So you should memorize them again.  
• If “MEM” goes off, start again from the above step 2.  
Select the desired preset number.  
Tuning to preset stations  
2
After selecting the tuner as an input  
source, select the preset mode.  
1
TUNING/ PRESET  
T/ P MODE  
or  
PRESET +  
PRESET -  
• When pressing the PRESET +/- buttons on the  
remote control, you need not select the preset mode  
on step 1.  
• Then “PRESET” lights up.  
Listening to FM stereo broadcasts  
Scanning preset stations in sequence  
• While listening to FM broadcasts.  
FM MODE  
P.SCAN  
• Each time this button is pressed, the FM mode  
changes as follows;  
Stereo mode : “ST” lights up.  
Mono mode : “ST” goes off.  
• The receiver will start scanning the stations in the preset  
sequence and each station is received for 5 seconds.  
• At the desired station, press this button again to stop  
scanning.  
• When FM stereo broadcasts are poor because of weak  
broadcast signals, select the FM mono mode to reduce  
the noise, then FM broadcasts are reproduced in  
monaural sound.  
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RECORDING  
• The analog signals from the 7 CH DIRECT inputs as well as the digital signals from the coaxial or optical digital input can be  
heard but cannot be recorded.  
• The volume and tone (bass, treble) settings have no effect on the recording signals.  
Recording with TAPE  
Start recording on the TAPE.  
Select the desired input as a recording  
source except for TAPE.  
2
3
1
TUNER  
CD  
AUX  
INPUT SELECTOR  
VIDEO  
AUDIO  
Start play on the desired input.  
VIDEO 1  
VIDEO 2  
VIDEO 3  
1
5
9
2
6
0
3
7
4
8
or  
+1 0  
Start recording on the VIDEO 1.  
Dubbing from video components onto  
VIDEO 1  
2
3
Select VIDEO 2 or VIDEO 3 as a recording  
source.  
1
Start play on the VIDEO 2 or the VIDEO 3.  
INPUT SELECTOR  
VIDEO  
1
5
9
2
6
0
3
7
4
8
VIDEO 2  
VIDEO 3  
or  
• The audio and video signals from the VIDEO 2 or the  
VIDEO 3 will be dubbed onto the VIDEO 1 and you  
can enjoy them on the TV set and from the speakers.  
+1 0  
Select CD as an audio recording source.  
Dubbing the audio and video signals  
separately onto VIDEO 1  
2
Example) When dubbing the VIDEO 2 video signal and  
the CD audio signal separately onto VIDEO 1.  
Select VIDEO 2 as a video recording source.  
INPUT
AUDIO  
1
or  
CD  
INPUT SELECTOR  
VIDEO  
2
6
3
7
4
8
1
5
or  
1
5
9
2
6
0
3
7
4
8
VIDEO 2  
+1 0  
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Start play on the VIDEO 2 and the CD  
respectively.  
Start recording on the VIDEO 1.  
4
3
• The audio signal from the CD and the video signal  
from the VIDEO 2 will be dubbed and you can  
enjoy them on the TV set and from the speakers.  
Note : Be sure to observe the order of the above steps  
1 and 2.  
DIGITAL AUDIO RECORDING WITH MD RECORDER  
• Only when the OPTICAL DIGITAL OUT of this receiver is connected to the OPTICAL DIGITAL IN of the MD recorder or CD  
recorder, you can enjoy high-quality sound of digital recording without converting the original signals. Refer to “  
CONNECTING AUDIO COMPONENTS”, “CONNECTING VIDEO COMPONENTS” and “CONNECTING DIGITAL INs and  
OUT” on pages 6~9 and the operating instructions of the MD recorder or CD recorder.  
Notes:  
• Digital recording is available for the digital audio program sources such as CDs, MDs, some DVDs, etc.  
• In most DVDs as well as some CDs, etc., digital recording may not be available depending on the signal format.  
• There are some restrictions on recording digital signals. When making digital recordings, refer to the operating instructions of  
your digital recording equipment to know what restrictions are imposed.  
Select a desired input of CD, VIDEO 1~3  
as a recording source.  
For digital recording, select the desired  
digital input as recording signal input.  
1
2
DIGITAL  
INPUTS  
INPUT SELECTOR  
VIDEO  
AUDIO  
CD  
VIDEO 1  
VIDEO 2  
VIDEO 3  
• Each time this button is pressed, the corresponding  
input is selected as follows:  
1
5
9
2
6
0
3
7
4
8
or  
A(nalog) c(oaxial) 1 c(oaxial) 2  
o(ptical) 2 o(ptical) 1  
+1 0  
MACRO  
Note : When the selected digital input is not  
connected, “DIGITAL” indicator flickers.  
There will be no recording as well as no sound.  
Start play on the desired input.  
Start recording on the component  
connected to OPTICAL DIGITAL OUT.  
4
3
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OTHER FUNCTIONS  
Compressing the dynamic range (Dolby Digital sources only)  
• This function compresses the dynamic range of  
previously specified parts of the Dolby Digital sound  
track(with extremely high volume) to minimize the  
difference in volume between the specified and non-  
specified parts.  
• Each time this button is pressed, the mode changes  
and the display scrolls.  
DYNR 0.0 : Off  
This makes it easy to hear all of the sound track when  
watching movies at night at low levels.  
• When the digital signals from Dolby Digital program  
source are input in available surround mode.  
DYNR 0.5 : Low compression  
DYNR 1.0 : High compression  
• In some Dolby Digital softwares, this function may  
not be available.  
DYNAMIC  
RANGE  
Operating the sleep timer  
Adjusting the brightness of the  
fluorescent displays  
• The sleep timer allows the system to continue to  
operate for a specified period of time before  
automatically shutting off.  
• To set the receiver to automatically turn off after the  
specified period of time.  
DIMMER  
SLEEP  
• Each time this button is pressed, the brightness of  
all fluorescent displays of Sherwood components  
connected by the DIGI LINK III changes together  
as follows;  
• Each time this button is pressed, the sleep time  
changes as follows:  
10  
20  
30  
Unit : minutes  
60  
90  
OFF  
ON  
dimmer  
OFF  
• While operating the sleep timer, “SLEEP” lights up.  
• When the sleep time is selected, all display panels  
of Sherwood components connected by the DIGI  
LINK III are dimly lit.  
• In the display OFF mode, pressing any button will  
restore the display ON mode.  
36  
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Using the OSD  
This unit incorporates an OSD(On-screen display) function to provide information about basic operation of this unit and to  
simplify the setup procedures.  
The OSD function uses a monitor TV connected to this unit as a display and has two kinds of display modes such as current  
status display and menu screen.  
Notes: Any on-screen display shown on the monitor TV will not be recorded onto VIDEO 1.  
CURRENT STATUS DISPLAY  
When the AUTO OSD mode is set to ON on the menu screen, this mode shows the status corresponding to each  
operation.  
• The on-screen display will automatically disappear in several seconds.  
• For examples, there are 2 status displays as follows.  
When selecting the desired input source  
When selecting the TEST TONE mode  
• When the speaker setting is “N”, the test tone of the  
corresponding channel is not shown.  
Input source  
Digital input  
• When adjusting each channel level or overall volume, the  
volume level display will be shown.  
• The test tone display will be shown until the test tone mode is  
canceled.  
MENU SCREEN  
• This function simplifies the setup procedures.  
• The menu screen operation is performed easily with the CURSOR control(  
,
,
,
), OSD and ENTER buttons.  
Turn the menu screen on.  
1
T/  
V
OSD  
• The main menu will be shown.  
• To turn the menu screen off, press this button.  
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Select the desired menu using the  
CURSOR UP( ) or DOWN( ) button.  
CURSOR  
UP,DOWN  
2
3
Confirm your selection.  
ENTER  
When selecting the SPEAKER SETUP  
When selecting the FUNCTION SELECT  
When selecting the SURROUND MODE  
• Only when one of TUNER, CD, TAPE and AUX is selected, you can select a video input source on the  
VIDEO SELECT menu and enjoy the audio and video signals separately. (In case of selecting TUNER, you  
cannot enjoy component video signals)  
• When dubbing them onto VIDEO 1, select either VIDEO 2 or VIDEO 3 on the VIDEO SELECT menu.  
When selecting the CH LEVEL TRIM  
• According to your selections for the input source, input signal, decoding mode, surround mode,  
speaker settings, etc., the conditions of each menu may differ.  
• When adjusting the distance or channel level, etc., use the CURSOR LEFT( ) and RIGHT(  
buttons.  
)
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When selecting the AUTO OSD  
• Each time the ENTER button is pressed, the AUTO OSD mode is set to ON to turn on the current display or  
OFF to turn it off.  
• When the AUTO OSD mode is set to ON, the current status display overlays the program image on the monitor  
TV and may interference with your movie enjoyment. In such a case, set it to OFF.  
Select the desired menu or(and) change  
the condition with the corresponding  
buttons.  
Repeat the above steps 2~4 to change the  
conditions on other menus.  
4
5
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Troubleshooting Guide  
If a fault occurs, run through the table below before taking your receiver for repair.  
If the fault persists, attempt to solve it by switching the receiver off and on again. If this fails to resolve the situation, consult  
your dealer. Under no circumstances should you attempt to repair the receiver yourself. This could void the warranty.  
PROBLEM  
POSSIBLE CAUSE  
REMEDY  
No power  
• The AC input cord is disconnected.  
• Poor connection at AC wall outlet or the outlet  
is inactive.  
• Connect the cord securely.  
• Check the outlet using a lamp or another  
appliance.  
No sound  
• The speaker cords are disconnected.  
• The master volume is adjusted too low.  
• The MUTE button on the remote control is  
pressed to ON.  
• Check the speaker connections.  
• Adjust the master volume.  
• Press the MUTE button to cancel the muting  
effect.  
• Speakers are not switched on.  
• Incorrect selection of the input source.  
• Incorrect connections between the  
components.  
• Press the SPEAKER button to ON.  
• Select the desired input source correctly.  
• Make connections correctly.  
No sound from the surround  
speakers  
• Surround mode is switched off(stereo mode).  
• Select a surround mode.  
• Master volume and surround level are too low. • Adjust master volume and surround level.  
• A monaural source is used.  
• Surround speaker setting is “N”.  
• Select a stereo or surround source.  
• Select the desired surround speaker setting.  
No sound from the center  
speaker  
• Dolby Virtual, stereo mode, etc. is selected.  
• Center speaker setting is “N”.  
• Master volume and center level are too low.  
• Select the desired surround.  
• Select the desired center speaker setting.  
• Adjust master volume and center level.  
No sound from the surround  
back speaker  
• The input signal format or the current surround  
mode cannot support the 6.1 surround playback.  
• Master volume and surround back level are  
too low.  
• Under the proper situations, perform the 6.1  
surround playback.  
• Adjust master volume and surround back  
level.  
• Surround back speaker setting is “N”.  
• Select the desired surround back speaker  
setting.  
Stations cannot be received  
• No antenna is connected.  
• The desired station frequency is not tuned in.  
• The antenna is in wrong position.  
• Connect an antenna.  
• Tune in the desired station frequency.  
• Move the antenna and retry tuning.  
Preset stations cannot be  
received  
• An incorrect station frequency has been  
memorized.  
• The memorized stations are cleared.  
• Memorize the correct station frequency.  
• Memorize the stations again.  
Poor FM reception  
• No antenna is connected.  
• The antenna is not positioned for the best  
reception.  
• Connect an antenna.  
• Change the position of the antenna.  
Change the position of the antenna.  
Install an outdoor antenna.  
Continuous hissing noise during  
FM reception, especially when a  
stereo broadcast is received.  
• Weak signals.  
•
•
Continuous or intermittent  
hissing noise during AM  
reception, especially at night.  
• Noise is caused by motors, fluorescent lamps  
or lightning, etc.  
• Keep the receiver away from noise sources.  
• Install an outdoor AM antenna.  
Remote control unit does not  
operate.  
• Batteries are not loaded or exhausted.  
• The remote sensor is obstructed.  
• Replace the batteries.  
• Remove the obstacle.  
Other Sherwood components do  
not react to remote control  
commands.  
• DIGI LINK connections are not made properly. • Make proper DIGI LINK connections.  
OSD function is not available  
• Video connections between this unit and the  
TV monitor are not made correctly.  
• Make proper video connections.  
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Specifications  
AMPLIFIER SECTION  
Power output, stereo mode, 6 Ω, THD 0.2 %, 40 Hz~20 kHz  
FM TUNER SECTION  
Tuning frequency range  
87.5~108 MHz  
2
100 W  
Usable sensitivity, THD 3%, S/N 30 dB  
50 dB quieting sensitivity, mono/stereo  
Signal to noise ratio, 65 dBf, mono/stereo  
12.8 dBf  
20.2/45.3 dBf  
70/65 dB  
Total harmonic distortion, 6 Ω, 95 W, 1 kHz  
Intermodulation distortion  
0.09%  
0.1%  
60 Hz : 7 kHz= 4 : 1 SMPTE, 6 Ω, 95 W  
Input sensitivity, 47 kΩ  
Total harmonic distortion, 65 dBf,1 kHz, mono/stereo  
0.5 / 0.8 %  
Line (CD, TAPE, VIDEO)  
200 mV  
Frequency response, 30 Hz~15 kHz  
Stereo separation, 1 kHz 32 dB  
3 dB  
Signal to noise ratio, IHF “A” weighted  
Line (CD, TAPE, VIDEO)  
Frequency response  
90 dB  
Capture ratio  
4 dB  
60 dB  
IF rejection ratio  
Line (CD, TAPE, VIDEO), 20 Hz~50 kHz  
Output level  
+0 dB, -3 dB  
AM TUNER SECTION  
Tuning frequency range  
520~1710 kHz  
500 V/m  
40 dB  
TAPE REC, 2.2 kΩ 200 mV  
Bass/Treble control, 100 Hz/10 kHz  
Usable sensitivity  
Signal to noise ratio  
Selectivity  
10 dB  
Surround mode, only channel driven  
25 dB  
Front power output, 6 Ω, 1 kHz, THD 0.7 %  
Center power output, 6 Ω, 1 kHz, THD 0.7 %  
Surround power output, 6 Ω, 1 kHz, THD 0.7 %  
110 W+110 W  
110 W  
GENERAL  
Power supply  
110 W+110 W  
120 V ~ 60 Hz  
2.5 A  
Surround back power output, 6 Ω, 1 kHz, THD 0.7 %  
110 W  
Power consumption  
Switched AC outlet  
TOTAL 100 W max.  
17-3/8 5-1/2 13 inches  
(440 141 330 mm)  
DIGITAL AUDIO SECTION  
Dimensions (W  
H
D)  
Sampling frequency  
Digital input level  
Coaxial, 75 Ω  
32, 44.1, 48, 96 kHz  
Weight (Net)  
9.9 kg (21.8 Ibs)  
0.5 Vp-p  
-15~-21 dBm  
Optical, 660 nm  
Note: Design and specifications are subject to change without notice  
for improvements.  
VIDEO SECTION  
Video format  
NTSC  
Input sensitivity(=Output level), 75 Ω  
Video (Composite(normal))  
S-Video (luminance signal)  
(chrominance signal)  
1 Vp-p  
1 Vp-p  
0.286 Vp-p  
0.5 Vp-p  
0.5 Vp-p  
1.0 Vp-p  
Component video (R-Y signal)  
(B-Y signal)  
(Y signal)  
41  
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Setup Code Table  
TV  
AOC  
005 003  
Goldstar  
Gradiente  
Grunpy  
Hallmark  
Harley Davidson  
Harman/Kardon  
Havard  
Hitachi  
Infinity  
005 025 003 011  
Admiral  
Aiko  
041 031  
009 011  
014  
027 026  
Akai  
005  
025  
Alaron  
026  
026  
Ambassador  
America Action  
Ampro  
024  
010  
027  
027  
043  
016 011 018  
Anam  
027 047 048 049  
010  
Audiovox  
Baysonic  
Belcor  
030 027 014 034  
Inteq  
002  
027  
JBL  
010  
003  
JCB  
050  
Bell & Howell  
Bradford  
Brockwood  
Broksonic  
CXC  
019 001  
JVC  
009 046  
027  
KEC  
027  
003  
KTV  
027 005 006  
028 031  
Kenwood  
LG  
005 003  
027  
011 003  
Candle  
005 011  
LXI  
007 010 019 020 025  
Carnivale  
Carver  
005  
Logik  
001  
010  
Luxman  
MGA  
011  
Celebrity  
Cineral  
050  
017 005 025 003  
030 014  
MTC  
012 005 003 011  
Citizen  
012 005 011 006 014  
Magnavox  
Magestic  
Marantz  
Matsushita  
Magatron  
Memorex  
010 005 026  
Concerto  
Contec  
011  
001  
027  
010 005  
Craig  
027  
042  
Crosley  
Crown  
010  
025 016  
027 006  
019 042 031 017 025 011  
Curtis Mathes  
007 010 019 008 030 041  
001  
012 005 016 011 001 006  
Midland  
Minutz  
Mitsubishi  
Motorola  
Multitech  
NAD  
007 002 008 006 015  
022 032 038 040  
004  
Daewoo  
Daytron  
Denon  
030 003 006 014 034 035  
041 017 025 003  
003  
041  
016  
027  
Dumont  
Dwin  
002 003  
020 025 022  
005 003 011  
014  
044 036  
NEC  
Electroband  
Emerson  
050  
NTC  
019 028 031 027 029 025  
Nikko  
005 025 014  
027  
003 026 006 024 034 035  
Onwa  
Envision  
Fisher  
Fujitsu  
Funai  
005  
Optimus  
Optonica  
Orion  
019 042 022  
041 021  
019  
026  
028 031 026  
008 042  
027 026 023  
Panasonic  
Penney  
Futuretech  
GE  
027  
007 020 008 012 005 025  
004 003 011 006 015 040  
010 031 005 016 003  
010  
007 008 030 041 029 025  
004 015 038 040  
002 005 003  
Pilco  
Gibralter  
Philips  
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Pilot  
005 003 006  
Vidtech  
Wards  
025 003  
Pioneer  
Portland  
Prism  
022  
010 021 005 025 004 003  
026 011 001  
003 006 014  
008  
White Westinghouse  
Yamaha  
031 034 035  
Proscan  
Proton  
Pulsar  
Quasar  
RCA  
007  
005 003  
025 032  
Zenith  
002 031 001 014  
002 003  
008 042 021  
007 008 041 003 013 015  
VCR  
037 038 039 040  
Radio Shack  
Realistic  
007 019 021 027 005 025  
Admiral  
027 021  
003 011 006  
Adventura  
Aiko  
000  
019 021 027 005 025 003  
025  
011 006  
Aiwa  
005 000  
Runco  
SSS  
002 005 033  
Akai  
026  
027 003  
America Action  
America High  
Asha  
025  
Sampo  
Samsung  
Samsux  
Sansei  
Sansui  
Sanyo  
Scimitsu  
Scotch  
Scott  
005 006  
004  
012 005 025 003 011 045  
023  
006  
Audiovox  
Beaumark  
Bell & Howell  
Brocksonic  
Broksonic  
CCE  
005  
030  
023  
031  
017  
019  
021  
003  
020 018 021 001  
025  
015 025  
028 027 025 003 026  
Calix  
005  
Sears  
007 010 019 020 025 026  
Canon  
004  
011 006  
Carver  
081  
Semivox  
Semp  
027  
Cineral  
025  
020  
Citizen  
005 025  
Sharp  
041 021 006  
Colt  
015  
Sherwood  
Shogun  
000  
Craig  
005 012 023 015 024  
003  
Curtis Mathes  
Cybernex  
Daewoo  
Denon  
013 004 026 028  
Signature  
Sony  
001  
023  
050  
010 025  
Soundesign  
Squareview  
Starlite  
027 025 026  
008  
023  
Dynatech  
Electrohome  
Electrophonic  
Emerex  
000  
027  
005  
Supreme  
Sylvania  
Symphonic  
TMK  
050  
005  
010 005  
002  
023  
Emerson  
005 020 000 018 009 021  
025 011 024  
001 025  
Tandy  
041  
Fisher  
012 017  
Technics  
Technoi Ace  
Techwood  
Teknika  
008 042  
Fuji  
004 003  
026  
Funai  
000  
008 011  
GE  
013 004 027 023  
010 027 017 012 003 026  
Garrard  
Go Video  
GoldStar  
Gradiente  
HI-Q  
000  
011 001 006 014  
052  
Telefunken  
Toshiba  
011  
005 006  
000  
019 020 012  
Totevision  
Vector Research  
Victor  
006  
005  
009  
010  
012  
Harley Davidson  
Harman/Kardon  
Harwood  
000  
016 006  
015  
Vidikron  
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Headquarter  
Hitachi  
011  
Realistic  
004 005 027 012 000 017  
000 008 026  
011  
Hughes Net.Sys  
JVC  
008  
Runco  
STS  
007  
014 026  
008  
Jensen  
KEC  
026  
Samsung  
Sanky  
Sansui  
Sanyo  
Scott  
023 010 033  
005 025  
027 007  
KLH  
015  
000 014 021 026 024  
Kenwood  
Kodak  
014 026 006  
012 023 017 011  
004 005  
020 010 018 009  
LXI  
005  
Sears  
004 005 012 000 008 017  
Lloyd’s  
000  
011  
Logik  
015  
Semp  
010  
MEI  
004  
Sharp  
027  
MGA  
023 009  
Shintom  
Shogun  
Singer  
015  
MGN Technology  
MTC  
023  
023  
023 000  
015  
Magnasonic  
Magnavox  
Magnin  
Marantz  
Marta  
025  
Sony  
004 002 000 003  
004 007 016 000 019  
Syvania  
Symphonic  
TMK  
004 016 000 009  
023  
000  
004 016  
023  
005  
Tatung  
026  
Matsushita  
Memorex  
004 028 029  
Teac  
000 026  
004 005 027 007 012 023  
Technics  
Teknika  
Thomas  
Toshiba  
Totevision  
Unitech  
Vector  
004 028  
000 017 021 011 031 032  
004 005 000  
Minolta  
Mitsubishi  
Motorola  
Multitech  
NEC  
008  
000  
027 014 009  
010 009  
004 027  
005 023  
000 015  
023  
017 014 026 006  
010  
Nikko  
005  
Vector Research  
Video Concepts  
Videosonic  
Wards  
006  
Noblex  
Olympus  
Opimus  
023  
010  
004  
023  
005 027 017 028 029 030  
013 004 027 012 016 023  
031 032  
000 008 015 019  
Orion  
020 021 001  
White WestingHouse  
XR-100  
021 025  
Panasonic  
Penny  
004 028 022 029 031  
004 000 015  
004 005 023 008 006  
Yamaha  
Zenith  
006  
Pentax  
Philco  
008  
007 000 021 003  
004 021  
Ameira High  
Brocksonic  
Colt  
004 (TV use 008)  
Philips  
Pilot  
004 016  
001  
005  
015  
Pioneer  
Profitronic  
Proscan  
Protec  
014  
Cutis Mathes  
Daewoo  
Emerson  
Funai  
004 (TV use 008)  
023  
025  
013  
001  
015  
000  
Pulsar  
007  
GE  
004 (TV use 008) 013 (TV use 012)  
Quarter  
Quartz  
Quasar  
RCA  
011  
027 (TV use 041) 023  
011  
Hitachi  
HQ  
004 (TV use 008) 000  
004 028 029 031  
000  
013 004 027 023 008 019  
Lloyds  
MGA  
000  
Radio Shack  
Radix  
000  
005  
005  
023  
Megavox  
016 (TV use 010) 004 (TV use 008)  
000  
Randex  
44  
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Magnin  
023  
CBL  
Memorex  
Mitsubishi  
Orion  
005 028 (TV use 025)  
027 (TV use 041)  
ABC  
002 003 009 030  
001  
007 006 008  
018 021  
018 026  
009  
Panasonic  
Penney  
004 (TV use 008) 028 (TV use 042)  
Allegro  
004 (TV use 008) 023  
Archer  
028 (TV use 042)  
Bell&Howell  
Century  
Citizen  
Quasar  
RCA  
004 (TV use 008) 028 (TV use 042)  
018  
013 (TV use 012) 004 (TV use 008)  
018 021  
014  
027 (TV use 041)  
Comtronics  
Contec  
Sansui  
Sanyo  
Sear  
000  
011  
023  
Easten  
001  
000 005  
027 (TV use 041)  
002 (TV use 000)  
000  
Emerson  
Everquest  
Focus  
026  
Sharp  
010 014  
022  
Sony  
Symphonic  
Zenith  
Garrard  
Gemini  
018  
000  
010  
General Instrument 033 276 006 034  
GoldStar  
Goodmind  
Hamlin  
Hitachi  
Hytex  
017 040  
DVD  
026  
012 020 004 013  
Harman/Kardon  
JVC  
009  
006  
008  
007  
Kenwood  
Megavox  
Mitsubishi  
Onkyo  
005  
Jasco  
010 018 021  
011  
Jerrold  
002 007 033 032 009 010  
016  
006 034  
011  
Memolex  
Movie Time  
NSC  
000  
Panasonic  
Philips  
013  
015  
011 006  
015  
Pioneer  
003 014 026  
Oak  
011  
Proscan  
RCA  
002  
Optimus  
Panasonic  
Paragon  
Philips  
031  
002  
000 016 031  
Samsung  
Sherwood  
017  
000  
001 012 000 018 019  
018  
020 021 022 023 025  
Pioneer  
017 025  
Sony  
004  
Popular Mechanics  
Pulsar  
022  
Technics  
Theta Digital  
Toshiba  
Yamaha  
Zenith  
013  
000  
014  
Quasar  
000  
011  
RCA  
031  
013 007  
011 010  
Radio Shack  
Recoton  
Regal  
010 021 026 028  
022  
012 020  
Regency  
Rembrandt  
Runco  
001  
006  
000  
SL Marx  
Smasung  
Scientific Atlanta  
Signal  
014  
017 014  
003 023 030 027  
010 014  
006  
Signature  
Sprucer  
031  
Starcom  
002 010  
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Stargate  
Starquest  
TV86  
010 014 026  
010  
AUX-LD  
015  
Denon  
007  
Teleview  
Tocom  
014  
Mitsubishi  
NAD  
007  
007 008  
000  
007  
Toshiba  
Tusa  
Pioneer  
Sony  
007  
010  
017 018  
Unika  
018  
United Artists  
Universal  
Viewstar  
Zenith  
007  
153 019  
015  
000 024  
022  
AUX-TAPE  
Zentek  
Aiwa  
004 034  
004  
Carver  
Harman/Kardon  
JVC  
016 004  
022 024  
008  
SAT  
Kenwood  
Megavox  
Marantz  
Onkyo  
AlphaStar  
Chaparral  
Echostar  
Expreevu  
008  
001  
009  
009  
004  
004  
012 025  
002 020  
038  
Opimus  
Panasonic  
Pioneer  
Sansui  
General Instrument 016 015 018  
HTS  
009  
002 020 011  
004  
Hitachi  
011  
Hughes Net.Sys  
JVC  
007  
Sony  
021 014 026  
038  
009  
Technics  
Victor  
Jerrold  
016 015  
024  
Megavox  
Memorex  
Next Level  
Panasonic  
Philips  
006 005  
Wards  
002  
006  
Yamaha  
010 009  
006  
017  
006 005  
Primestar  
RCA  
016 015  
AUX-AMP  
003 000 002 012  
Radio Shack  
Realistic  
Sony  
018  
Awia  
029  
014  
Carver  
023  
004  
Curtis Mathes  
Denon  
027  
Star Choice  
Toshiba  
Uniden  
018  
037  
010  
Harman/Kardon  
Linn  
040  
006 005 014  
013  
023  
Zenith  
Megavox  
Marantz  
Panasonic  
Philips  
023  
023  
039  
023 040  
003 027  
019 033  
039  
AUX-TAPE/MD  
Pioneer  
Sony  
Sherwood  
000 (for tape deck)  
035 (for MD recorder)  
Technics  
Wards  
003  
Yamaha  
028  
46  
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Kenwood  
Krell  
003 029 016 024 025  
AUX-HOME AUTOMATION  
010  
LXI  
035  
GE  
043  
044  
042  
043  
042  
042  
042  
Linn  
010  
Lutron  
MCS  
002  
One For All  
Radio Shack  
Security System  
Universal X10  
X10  
MTC  
019  
Megavox  
Marantz  
Mission  
NSM  
010 035  
002 010 013  
010  
010  
Nikko  
033  
Onkyo  
Opimus  
008 026  
001 004 012 035 029  
AUX-DBS  
019 009 021 020  
Panasonic  
Parasound  
Philips  
Pioneer  
Proton  
QED  
002 031  
Awia  
045 059 029  
019  
Fisher  
005  
046  
046  
047  
031  
006  
032  
045  
031  
010 023  
Harman/Kardon  
JBL  
004 035 021 017  
010  
JVC  
010  
Jerrold  
Quasar  
RCA  
002  
RCA  
012 035 006 036  
Scientific Artlanta  
Sony  
Realistic  
Rotel  
012 019 013  
010 019  
Starcom  
SAE  
010  
Sansui  
Sanyo  
Scott  
010 035  
012  
035  
AUX-ACCESSORY  
Sears  
035  
Sharp  
029 013 037  
Archer  
013  
013  
013  
036  
013  
Sherwood  
013 027 038 039 040 041  
GC Electronics  
Jebsee  
000  
Sony  
001 014 022  
Rabbit  
Soundesign  
Tascam  
Teac  
009  
Radio Shack  
019  
019 018 033 013  
002 031  
007  
Technics  
Victor  
CD  
Wards  
Yamaha  
Yorx  
010 006  
005 015  
032  
Awia  
010 030  
019  
Burmester  
California Audio Lab  
Carver  
002  
010 012 020  
001  
DKK  
Denon  
028 034  
035  
Emerson  
Fisher  
012 033  
019 018  
004 035  
010 011  
004  
Garrard  
Genexxa  
Harman/Kardon  
Hitachi  
JVC  
007  
47  
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R-765  
Download from Www.Somanuals.com. All Manuals Search And Download.  

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