OWNER’S OPERATING MANUAL
VX-40d / VX-50d
VX-60d / VX-80d
TM
Digital Light Processing Projector
and DHD Controller
Software Version 2.00
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TWO YEAR LIMITED WARRANTY
For Projectors, Video Processors and Controllers
Congratulations on your purchase of a Runco video product and welcome to the Runco family! We believe Runco produces
“The World’s Finest Home Theater Products.” With proper installation, setup and care, you should enjoy many years of
unparalleled video performance.
This is a LIMITED WARRANTY as defined in the Magnuson-Moss Warranty Act. Please read it carefully and retain it with your
other important documents.
WHAT IS COVERED UNDER THE TERMS OF THIS LIMITED WARRANTY:
SERVICE LABOR: Runco will pay for service labor by a Runco Authorized Service Center when needed as a result of
manufacturing defect for a period of two (2) years from the effective date of delivery to the end user (excluding the lamp).
PARTS (not including the lamp): Runco will provide new or rebuilt replacement parts for the parts that fail due to defects in
materials or workmanship for a period of two (2) years from the effective date of delivery to the end user. Such replacement
parts are then subsequently warranted for the remaining portion (if any) of the original warranty period.
PROJECTOR LAMP: Runco will pay for service labor by a Runco Authorized Service Center when needed as a result of a
manufacturing defect for a period of six (6) months or 1000 hours, whichever comes first, from the effective date of delivery to
the end user. In addition, Runco will provide a new or rebuilt replacement lamp for the lamp that fails due to defects in materials
or workmanship for a period of six (6) months or 1000 hours, whichever comes first, from the effective date of delivery to the
end user. Such replacement lamps are then subsequently warranted for the remaining portion (if any) of the original warranty
period.
WHAT IS NOT COVERED UNDER THE TERMS OF THIS LIMITED WARRANTY:
This Limited Warranty only covers failure due to defects in materials and workmanship that occur during normal use and does
not cover normal maintenance. This Limited Warranty does not cover cabinets or any appearance items; failure resulting from
accident, misuse, abuse, neglect, mishandling, misapplication, faulty or improper installation or setup adjustments; improper
maintenance, alteration, improper use of any input signal; damage due to lightning or power line surges, spikes and
brownouts; damage that occurs during shipping or transit; or damage that is attributed to acts of God. In the case of remote
control units, damage resulting from leaking, old, damaged or improper batteries is also excluded from coverage under this
Limited Warranty.
CAUTION: THIS LIMITED WARRANTY ONLY COVERS RUNCO PRODUCTS PURCHASED FROM RUNCO AUTHORIZED
DEALERS. ALL OTHER PRODUCTS ARE SPECIFICALLY EXCLUDED FROM COVERAGE UNDER THIS WARRANTY.
MOREOVER, DAMAGE RESULTING DIRECTLY OR INDIRECTLY FROM IMPROPER INSTALLATION OR SETUP IS
SPECIFICALLY EXCLUDED FROM COVERAGE UNDER THIS LIMITED WARRANTY. IT IS IMPERATIVE THAT INSTALLATION
AND SETUP WORK BE PERFORMED ONLY BY AN AUTHORIZED RUNCO DEALER TO PROTECT YOUR RIGHTS UNDER
THIS WARRANTY. THIS WILL ALSO ENSURE THAT YOU ENJOY THE FINE PERFORMANCE OF WHICH YOUR RUNCO
PRODUCT IS CAPABLE WHEN INSTALLED AND CALIBRATED BY RUNCO AUTHORIZED PERSONNEL.
RIGHTS, LIMITS AND EXCLUSIONS:
Runco limits its obligations under any implied warranties under state laws to a period not to exceed the warranty period. There
are no express warranties. Runco also excludes any obligation on its part for incidental or consequential damages related to
the failure of this product to function properly. Some states do not allow limitations on how long an implied warranty lasts, and
some states do not allow the exclusion or limitation of incidental or consequential damages. So the above limitations or
exclusions may not apply to you. This warranty gives you specific legal rights, and you may also have other rights that vary from
state to state.
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EFFECTIVE WARRANTY DATE:
This warranty begins on the effective date of delivery to the end user. For your convenience, keep the original bill of sale as
evidence of the purchase date.
IMPORTANT – WARRANTY REGISTRATION:
Please fill out and mail your warranty registration card. It is imperative that Runco knows how to reach you promptly if we
should discover a safety problem or product update for which you must be notified.
CONTACT A RUNCO AUTHORIZED SERVICE CENTER TO OBTAIN SERVICE:
Repairs made under the terms of this Limited Warranty covering your Runco video product will be performed at the location of
the product, during usual working hours, providing location of product is within normal operating distance from a Runco
Authorized Service Center. In some instances it may be necessary for the product to be returned to the Runco factory for
repairs. If, solely in Runco’s judgment, location of product to be repaired is beyond normal operating distance of the closest
Runco Authorized Service Center, or the repair requires the unit be returned to the Runco factory, it is the owner’s
responsibility to arrange for shipment of the product for repair. These arrangements must be made through the selling Runco
Dealer. If this is not possible, contact Runco directly for a Return Authorization number and shipping instructions. Runco will
return product transportation prepaid in the United States, unless no product defect is discovered. In that instance, shipping
costs will be the responsibility of the owner.
COPYRIGHT AND TRADEMARKS:
© Copyright 2006 Runco International. This document contains proprietary information protected by copyright, trademark and
other intellectual property laws. All rights are reserved. No part of this manual may be reproduced by any mechanical,
electronic or other means, in any form, without prior written permission of the manufacturer.
Reflection, Enhanced GEN3, DHD, Vivix, Virtual Cinema, CineWide, AutoScope, O-Path, CinOptx, LiveLink, CSMS, SuperOnyx
and VirtualWide are trademarks of Runco International. All other trademarks and registered trademarks used in this document
are the property of their respective owners.
Runco International products are manufactured under one or more of the following patents: US. Patent 6755540 and Other
Patents Pending.
iv
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ADDITIONAL INFORMATION:
To locate the name and address of the nearest Runco Authorized Service Center, or for additional information about this
Limited Warranty, please call or write:
RUNCO INTERNATIONAL, INC.
Attn: Customer Service Department
2900 Faber Street
Union City, CA 94587
Ph: (510) 324-7777
Fax: (510) 324-9300
Toll Free: (800) 23-RUNCO
RUNCO VIDEO-PRODUCT INFORMATION
RETAIN THIS INFORMATION FOR YOUR RECORDS
_________________________________________________________
Model Purchased
________________________________________
Date
____________________________________________________________________________________________________________
Serial Number
____________________________________________________________________________________________________________
Runco Authorized Dealer Name
____________________________________________________________________________________________________________
Address
____________________________________________
__________________
State/Province
________________________
Postal Code
City
____________________________________________
Phone
_______________________________________________________
Fax
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Safety Precautions
Thank you for your purchase of this quality Runco video projector! It has been designed to provide you with the quality of video
that is expected in a home theater. For the best performance, please read this manual carefully as it is your guide through the
menus and operation.
WARNING
This symbol is intended to alert the user to the presence of
uninsulated “dangerous voltage” within the product’s enclosure
that may be of sufficient magnitude to constitute a risk of electric
shock.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION:
TO REDUCE THE RISK OF ELECTRIC SHOCK
DO NOT REMOVE COVER (OR BACK)
NO USER SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED
SERVICE PERSONNEL.
This symbol is intended to alert the user to the presence of
important operating and maintenance (servicing) instructions in the
literature accompanying the appliance.
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC
Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Do not use this equipment near water, outdoors or otherwise exposed to the elements.
5. Clean only with a dry cloth.
6. Do not block any ventilation openings.
7. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that
produce heat.
8. Do not defeat the safety feature of the polarized or grounding type plug. A polarized type plug has two blades with one
wider than the other. A grounding type plug has two blades and a third grounding prong. The third prong is provided for
your safety. If the provided plug does not fit into your outlet, consult an electrician for the replacement of the obsolete
outlet.
9. The 12V trigger only outputs DC 12V signal for triggering. Do not connect to any other power input or output. This could
cause damage to this unit.
10. Only use accessories specified by Runco International.
11. Keep the packing material in case the equipment should ever need to be shipped.
12. Unplug this projector during lightning storms or when it will not be used for an extended period of time.
13. The lamp becomes extremely hot during operation. Allow the projector to cool down for approximately 45 minutes prior to
removing the lamp assembly for replacement. Do not operate lamps beyond the rated lamp life. Excessive operation of
lamps beyond rated life could cause them to explode in rare occasions.
14. Refer all servicing to qualified service personnel. Servicing is required when the projector has been damaged in any way,
objects have fallen or spilled into the projector, the projector has been exposed to rain or moisture, does not operate
normally, or has been dropped.
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1Table of Contents
TWO YEAR LIMITED WARRANTY .................................................................................iii
Safety Precautions .........................................................................................................vi
1. Introduction ...............................................................................................................1
About This Manual .......................................................................................................1
If You Have Comments About This Manual.............................................................1
2. Controls and Functions ............................................................................................5
VX-40d/-50d/-60d/-80d at a Glance ............................................................................5
VX-40d/-50d/-60d/-80d Input Panel ............................................................................6
DHD Controller Front Panel ........................................................................................10
DHD Controller Remote Control .................................................................................13
3. Installation ...............................................................................................................17
Notes on Batteries................................................................................................17
Notes on Remote Control Operation.....................................................................17
Quick Setup ...............................................................................................................18
Installation Type....................................................................................................19
Other Considerations............................................................................................24
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Installing the Projection Lens ......................................................................................25
Install Anamorphic Lens Motor (CineWide with AutoScope)
or Base Plate (fixed CineWide) ..............................................................................26
Mounting the VX-40d/-50d/-60d/-80d .......................................................................28
Ceiling Mounting...................................................................................................28
RS-232 Controller Connection..............................................................................34
Selecting the Input Source .........................................................................................36
Adjusting the Picture Orientation ................................................................................37
Attach Lens Mounting Assembly to Lens Motor Carriage Plate
(CineWide with AutoScope) or Base Plate (fixed CineWide)...................................38
Adjust the Anamorphic Lens.................................................................................39
Calibrating Projector Inputs ........................................................................................42
Channel Setup......................................................................................................45
Size and Position Menu .......................................................................................48
Working With the Lamp .............................................................................................53
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4. Operation .................................................................................................................57
Using the On-Screen Menus ......................................................................................57
Input Source.........................................................................................................59
5. Maintenance and Troubleshooting ........................................................................73
Filter Replacement................................................................................................75
Lens Replacement .....................................................................................................76
Error Codes..........................................................................................................79
6. Serial Communications ..........................................................................................83
RS-232 Connection and Port Configuration ...............................................................83
7. Specifications ..........................................................................................................89
VX-40d/-50d/-60d/-80d Specifications ......................................................................89
DHD Controller Specifications ....................................................................................92
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Notes:
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1List of Figures
2-1. VX-40d/-50d/-60d/-80d Top/Rear/Front View..............................................................5
2-3. VX-40d/-50d/-60d/-80d Rear-Panel Keypad................................................................8
2-5. DHD Controller Rear Panel.........................................................................................11
3-1. Estimating Throw Distance.........................................................................................20
3-2. Projector Placement...................................................................................................22
3-3. Vertical Lens Shift.......................................................................................................22
3-5. Folded Optics.............................................................................................................24
3-17. Copying a Channel...................................................................................................46
3-18. Resize Presets: No Resizing.....................................................................................48
4-3. Typical Gray Bar Pattern for Adjusting Contrast..........................................................63
4-6. Keystone Correction...................................................................................................71
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5-4. Installing A New Lamp................................................................................................74
5-5. Recording the Serial Number of a New Lamp.............................................................75
7-1. VX-40d/-50d/-60d/-80d Dimensions..........................................................................93
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1. Introduction
This Owner’s Manual describes how to install, set up and operate the Runco Video
Extreme™ Series DLP Projector (Models VX-40d, VX-50d, VX-60d and VX-80d) and DHD
Controller. It describes the features and functions available with DHD Controller Software
version 2.0 and later.
1.1
About This Manual
Throughout this manual, the Runco Video Extreme DLP Projector and DHD Controller are
referred to as the “VX-40d/-50d/-60d/-80d.” The information in this manual applies to all
four projectors except where otherwise indicated.
Runco has prepared this manual to help home theater installers and end users get the
most out of the VX-40d/-50d/-60d/-80d.
Target Audience
Runco has made every effort to ensure that this manual is accurate as of the date it was
printed. However, because of ongoing product improvements and customer feedback, it
other Runco product manuals on-line, at www.runco.com.
If You Have Comments
About This Manual...
Text Conventions: The following conventions are used in this manual, in order to clarify
the information and instructions provided:
Textual and Graphic
Conventions
• Remote and built-in keypad button identifiers are set in upper-case bold type; for
example, “Press EXIT to return to the previous menu.”
• Computer input (commands you type) and output (responses that appear on-screen) is
shown in monospace (fixed-width) type; for example: “To change the aspect ratio to
Letterbox, type LETTERBOX <Enter>.”
• All keys with functional names are initial-capped, set in bold type and enclosed in angle
brackets. These keys are the following: <Enter>, <Spacebar>, <Control>,
<Esc>and <Tab>.
• <Enter>indicates that you may press either the RETURN or ENTER key on your
keyboard if it has both keys.
In addition to these conventions, underlining, boldface and/or italics are occasionally used
to highlight important information, as in this example:
A carriage return must be used after each command or string.
Note
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Graphic Conventions: These symbols appear in numerous places throughout the
manual, to emphasize points that you must keep in mind to avoid problems with your
equipment or injury:
TIPS highlight time-saving short cuts and helpful guidelines for using
certain features.
Tip
NOTES emphasize text with unusual importance or special
significance. They also provide supplemental information.
Note
CAUTIONS alert users that a given action or omitted action can
degrade performance or cause a malfunction.
Caution
WARNINGS appear when a given action or omitted action can result
in damage to the equipment, or possible non-fatal injury to the user.
WARNING
DANGER!
DANGER appears when a given action can cause severe injury or
death.
Use the following table to locate the specific information you need in this manual.
1.2
Using This Manual
If you need...
... Turn to page:
Information about obtaining service
General information about the Video Extreme™
DLP Projector and DHD Controller
Installation instructions
First-time configuration instructions
Advanced configuration instructions
Troubleshooting tips
Product specifications
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The new Video Xtreme™ Portfolio of 3-chip DLP™ projectors represent Runco’s ultimate
achievement in video projection design and performance. These models have been
created for the very finest home theater and home cinema applications and true
connoisseurs of big-screen picture perfection.
1.3
Description, Features
and Benefits
With Runco’s three-chip implementation of DLP, no color wheel is used, reducing
mechanical complexity and compromises to color spectrum purity. Four models are
offered with configuration options creating sixteen distinct versions, for a lineup so broad
and versatile that custom-tailoring for any conceivable installation requirement is now
possible.
All models feature newly designed Xenon illumination systems for tremendous light output.
The VX-40d and VX-60d are equipped with a 1.0 kW lamp, while the VX-50d and VX-80d
boast an impressive 1.2 kW lamp to produce our brightest pictures ever. Runco’s Xenon
lamp intensity control system can operate at lower output levels as well, for use with
smaller screens to preserve maximum black level performance and extend lamp life.
The VX-40d and VX-50d feature a native resolution of 1280 x 720, utilizing advanced 16:9
SuperOnyx™ DMD™ technology. The VX-60d and VX-80d use a new SuperOnyx DMD
array calibrated for 788p resolution on 16:9 screens, with an anamorphic lens option
bringing resolution all the way up to a native 1400 x 1050 for stunning, high-definition
performance.
All models offer world class CinOptx™ Telesto lenses, usually associated with the most
expensive professional screening applications. Telesto lenses are available in five different
throw distance ranges to accommodate a wide variety of implementations.
The VX-40d/-50d/-60d/-80d is supplied with Runco’s next-generation, all-digital DHD
Controller, featuring advanced Vivix II™ processing. This controller produces stunning
video imagery, elevating even standard NTSC material to near high-definition levels.
Multiple aspect ratio control includes Runco’s VirtualWide™ for viewing 4:3 material in
widescreen with no loss of picture quality. The DHD provides for a pure digital signal path
from input to output, making this system ready for Runco’s exclusive LiveLink™ DVI cable
solution to preserve HD signal quality over long runs.
Runco has engineered ISF™ calibration standards into every model for the purest video
performance and has incorporated AxiShift™ technology with a motorized horizontal and
vertical lens shift system to resolve even the most difficult projector placement issues.
For uncompromising widescreen reproduction of movies originally filmed in the “scope”
(2.35:1) format, the VX-40d/-50d/-60d/-80d can be equipped with Runco’s
patent-pending CineWide™ technology, a combination of software, electronics and
high-quality anamorphic optics. CineWide maintains constant vertical height on the screen
just as in a movie theater. When a viewer transitions from 1.78:1 (16:9) program material
to 2.35:1, the image simply gets wider while full height is maintained. Also available with
the VX-40d/-50d/-60d/-80d is CineWide with AutoScope™, an enhanced,
remote-controlled motorized version of CineWide.
Discrete IR and RS-232 control make custom installation seamless, while discrete source
and aspect ratio selection accommodate any automation control system.
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Key Features and Benefits
The VX-40d/-50d/-60d/-80d offers these key features and benefits:
• Native Resolution: 1280 x 720 (VX-40d/50d) or 1400 x 1050 (VX-60d/80d)
• Three-chip Digital Light Processing (DLP™) system
➤
• Two DVI Inputs (on DHD Controller) with High-bandwidth Digital Content Protection
(HDCP)
• HDTV Compatible
• CinOptx™ Telesto lens options for stunning sharpness and throw distance flexibility
Parts List
Your VX-40d/-50d/-60d/-80d is shipped with the following items. If any items are missing
or damaged, please contact your Runco dealer or Runco Customer Service at (800)
23-RUNCO.
➤
• Video Extreme™ DLP Projector and DHD Controller
• Remote Control Unit and two (2), AAA-size batteries
• TheaterMaster Remote Control Unit and four (4), AAA-size batteries
• Two (2), 110-VAC power cords (VX-40d/VX-60d)
– OR –
One 110-VAC and one 220-VAC power cord (VX-50d/VX-80d)
• RJ-11 Telephone Cable, 50 feet (15.24 meters)
• Serial Port Adapter, RJ-11 Female to DB-9 Male
• Rack-mounting brackets and hardware for the DHD Controller
• Warranty information and registration card
• Runco VX-40d/-50d/-60d/-80d Owner’s Operating Manual (this document)
Optional Accessories:
• CineWide™ technology (fixed, secondary anamorphic lens)
• CineWide™ with AutoScope™ system (secondary anamorphic lens and motorized
mount)
• Ceiling mount kit
• LiveLink™ DVI Cabling System
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2. Controls and Functions
Figure 2-1 shows the key VX-40d/-50d/-60d/-80d components.
2.1
VX-40d/-50d/-60d/
-80d at a Glance
1
2
4
3
5
6
7
8
9
10
11
Figure 2-1. VX-40d/-50d/-60d/-80d Top/Rear/Front View
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1. TOP IR SENSOR
2. BUILT-IN KEYPAD
The built-in keypad is located at the back of the projector, beside the input panel. Use
it similarly to the TheaterMaster Remote Control to perform service-related tasks on
the projector.
3. INPUT PANEL
Connect the DHD Controller outputs here.
4. LED STATUS DISPLAY
Indicates current operating status of the projector.
5. LAMP COVER
Remove this cover to access the lamp compartment.
6. REAR FOOT (Stationary)
7. POWER INPUT (100 to 240 VAC)
Connect the VX-40d/-50d/-60d/-80d to power here. (The VX-40 and VX-60 require
100 to 240 VAC; the VX-50 and VX-80 require 200 to 240 VAC.)
8. FRONT IR SENSOR
9. PROJECTION LENS
10. INTAKE VENT
Allows cool air to enter the projector, to help maintain proper operating temperature.
11. ADJUSTABLE FEET (2)
Located on the underside of the projector are two adjustable feet. Raise or lower
these feet when positioning the projector to ensure it is level on all sides so the
displayed image will appear rectangular without any keystone.
Figure 2-2 shows the VX-40d/-50d/-60d/-80d rear input panel.
2.2
VX-40d/-50d/-60d/
-80d Input Panel
1
2
3
4
5
6
7
8
9
11
10
Figure 2-2. VX-40d/-50d/-60d/-80d Input Panel
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1. RS232 IN
Connect the RS-232 output from the DHD Controller here, using the provided
RJ11-to-DB9 adapter and communication cable.
2. RS232 OUT
Not used.
3. RS422
Not used.
4. GPIO
Not used.
5. REMOTE
Wired input from an external remote control or infrared receiver.
6. ETHERNET
Reserved for future use.
7. INPUT 3 (Video) / INPUT 4 (S-Video)
Not used. Connect all video sources to the DHD Controller.
8. INPUT 2 (DVI)
HDCP-compliant digital video input. Connect the DVI output from the DHD Controller
to this input.
9. INPUT 1 (RGBHV)
Five, BNC connectors for connecting the RGBHV output from the DHD Controller.
10. INPUT 5 (Option 1)
Reserved for future use.
11. INPUT 6 (Option 2)
Reserved for future use.
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Figure 2-3 shows the VX-40d/-50d/-60d/-80d rear-panel keypad.
2.3
VX-40d/-50d/-60d/
-80d Rear-Panel
Keypad
9
10
11
1
3
4
5
7
8
2
6
13 12
Figure 2-3. VX-40d/-50d/-60d/-80d Rear-Panel Keypad
1. LED STATUS DISPLAY
The LED status window displays an active pattern of segments to indicate the
projector is changing its state from powered down to powered up. The message “On”
appears in the display when the projector has completed its initialization and is ready
for use.
2. POWER BUTTON
Not used. Use the DHD Controller to turn the projector on or off.
3. FOCUS (
/
)
Use these buttons to focus the projected image.
4. ZOOM (
/
)
Use these buttons to increase or decrease the projected image size.
5. LENS SHIFT
Press this button to access the motorized lens shift controls.
6. AUTO SETUP
Press this button to initiate an automated process in which the projector optimizes
critical display parameters for the current source.
7. SHUTTER
Press and hold this button for two seconds to toggle the internal mechanical shutter
blade closed or open. A closed shutter blanks the display (turns it to black). Close the
shutter to mute all display while maintaining access to projector functions. Opening
the shutter restores the image.
8. MENU
Press this button to show or hide the projector menus.
The VX-40d/-50d/-60d/-80d has its own internal menu system,
separate from that of the DHD Controller. However, it is intended
for use by trained service personnel only.
Note
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9. Menu Navigation Buttons:
UP BUTTON (
)
Used to move the menu cursor up in the VX-40d/-50d/-60d/-80d menu system.
LEFT BUTTON ( )
Used to move the menu cursor left in the VX-40d/-50d/-60d/-80d menu system.
DOWN BUTTON (
)
Used to move the menu cursor down in the VX-40d/-50d/-60d/-80d menu system.
RIGHT BUTTON ( )
Used to move the menu cursor right in the VX-40d/-50d/-60d/-80d menu system.
ENTER BUTTON
When an item is highlighted on the On-Screen Display, the ENTER button selects the
item.
10. INPUT 1 (BNC)
Press this button to select projector Input 1 (RGBHV output from the DHD Controller).
11. INPUT 2 (DVI)
Press this button to select projector Input 2 (DVI output from the DHD Controller).
12. HELP
Press HELP to display on-screen help text. Press HELP again (or EXIT) to hide it.
13. EXIT
When in the menu structure, the EXIT button brings the menu back one page or
cancels the current function.
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Figure 2-4 shows the controls and indicators on the DHD Controller front panel; the
paragraphs that follow describe them.
2.4
DHD Controller Front
Panel
2
4
5
6
8
9
1
3
7
10
Figure 2-4. DHD Controller Front Panel
1. RUNCO ICON
Lights red to indicate that the DHD Controller is in standby mode; lights blue to
indicate that the unit is on.
2. POWER BUTTON
Press once to toggle from standby mode to on mode. Press it again to return to
standby mode. For a discrete on or off command, you can use the direct access
buttons on the remote control.
3. IR SENSOR
Receives IR commands from the remote.
4. VACUUM FLUORESCENT DISPLAY
Can be used instead of the On-Screen Display (OSD). Displays currently-selected
menu or – if no menu is selected – the current source, signal format (NTSC or PAL),
input resolution and aspect ratio.
5. UP BUTTON
Use to direct select aspect ratios or move the menu cursor up in the On-Screen
Display. When no menus are present on-screen, the UP button toggles you through
aspect ratios in the following order:
Anamorphic - Standard (4:3) - Letterbox - VirtualWide - Cinema - Virtualwide 2.35
(Virtualwide 2.35 is available only on CineWide-equipped projectors. For more
6. LEFT BUTTON
Used to direct select inputs or move the menu cursor left in the On Screen Display.
When no menu is present on-screen, the LEFT button toggles you through the
different sources, in this order:
HD Pass Thru 2 - HD Pass Thru 1 - DVI 2 - DVI 1 - HD/RGB2 - HD/RGB1 -
Component SD - S-Video 2 - S-Video 1 - Composite
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7. ENTER BUTTON
When an item is highlighted on the On-Screen Display, the ENTER button selects the
item.
8. DOWN BUTTON
Use to direct select aspect ratios or move the menu cursor down in the On-Screen
Display. When no menu is present on-screen, this button toggles you through the
different aspect ratios, in this order:
Virtualwide 2.35 - Cinema - VirtualWide - Letterbox - Standard (4:3) - Anamorphic
9. RIGHT BUTTON
Used to direct select inputs or move the menu cursor right in the On Screen Display.
When no menus are present on-screen, the RIGHT button toggles you through the
different sources, in this order:
Composite - S-Video 1 - S-Video 2 - Component SD - HD/RGB 1 - HD/RGB 2 - DVI 1
- DVI 2 - HD Pass Thru 1 - HD Pass Thru 2
10. MENU BUTTON
Pressing the MENU button brings up the main menu. Also, if you are in an adjustment
mode or function, pressing MENU brings the menu back one level.
Figure 2-5 shows the rear connector panel on the DHD Controller.
2.5
DHD Controller Rear
Panel
8
10
4
SYSTEM CONTROL INTERFACE
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
Serial No
INPUTS
B/Pb
!
R/Pr
G/Y
H
V
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR
TRIGGERS
2
CAUTION: TO REDUCE THE RISK OF ELECTRIC
SHOCK, DO NOT REMOVE COVER. NO USER-
SERVICEABLE PARTS INSIDE. REFER SERVICING
TO QUALIFIED SERVICE CENTER.
Runco International
Union City, CA
HD1
HD2
1
3
IR
Model
OUTPUTS
R/Pr
G/Y
B/Pb
Video Processor / Controller
WARNING: TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK, DO NOT EXPOSE
THIS APPLIANCE TO RAIN OR MOISTURE.
R/Pr
G/Y
B/Pb
H
V
SDI
Pb
Pr
Y
S-Video 1
100-230VAC 50-60 Hz, 165 Watts Max
Made In USA
H
V
H/V
DVI Out
DVI 1
DVI 2
Option
Component Video
Video
S-Video 2 RS-232 Out
RS-232 Control
1
2
3
9
11
12
5
6
7
13
14
Figure 2-5. DHD Controller Rear Panel
1. ANALOG OUTPUTS (RGBHV)
Outputs
Connect these to the RGBHV inputs (Input 1) on the VX-40d/-50d/-60d/-80d.
If the DVI 1 or DVI 2 input is active and the input signal is
HDCP-encrypted, the RGBHV output of the DHD Controller is
disabled.
Note
2. DVI OUT
Connect this to Input 2 (DVI) on the VX-40d/-50d/-60d/-80d.
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Inputs
3. DVI 1 / DVI 2 (Digital)
➤
Two, HDCP-compliant digital video inputs for connecting a DVD player or HD tuner
with a DVI or HDMI output.
4. HD1 / HD2 (Analog BNC connectors)
Five, BNC connectors for connecting either RGB or component high-definition
television signals. The VX-40d/-50d/-60d/-80d automatically detects the signal
format: RGB(HV) or YPrPb, 480p, 720p, 480i, 576i or 1080i.
5. COMPONENT VIDEO (RCA connectors)
Standard Definition (480i/576i) Component (YPrPb) input. This is the input for
component video from sources such as DVD players.
For best results, do not run your DVD player in progressive mode.
Tip
6. COMPOSITE VIDEO INPUT
Standard composite video input for connecting a VCR, laser disc player or other
composite video source.
7. S-VIDEO 1 / S-VIDEO 2
Two, standard S-Video inputs for connecting a DVD player, satellite receiver or Super
VHS (S-VHS) VCR.
8. 12-VOLT (750 mA) TRIGGER OUTPUTS
Connection for up to three (3), 12-volt trigger-controlled devices. These can be
retractable screens, screen masks or the Runco CineWide with AutoScope system.
9. RS-232 OUTPUT
Connect this to the RS232 input on the projector, using the provided RJ11-to-DB9
adapter and communication cable.
10. IR
Wired input from an external remote control or infrared receiver. It is a 3.5-mm, mini
phono jack, wired as follows:
Ring = +5V
Tip = IR Input
Sleeve = Ground
When an external remote control or infrared receiver is connected
to the wired IR input, the IR sensor on the front of the DHD is
disabled.
Note
11. RS-232 CONTROL PORT
A female, 9-pin D-sub connector for interfacing with a PC or home theater
automation/control system.
12. POWER INPUT (100 to 240 VAC)
Connect the DHD Controller to power here.
13. MAIN AC FUSE
This is the main AC input fuse (5mm x 20mm, 500 mA, 250V slow-blow).
14. MAIN POWER SWITCH
Disconnects or applies power to the DHD Controller.
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Figure 2-6 shows the DHD Controller remote control, and the paragraphs that follow
describe its functionality.
2.6
DHD Controller
Remote Control
2
1
3
4
6
5
8
7
10
11
9
12
13
Figure 2-6. DHD Controller Remote Control
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1. IR OUTPUT INDICATOR
Lights when a button is pressed to indicate that an IR signal is being transmitted.
2. ON / OFF
Press to turn the projector on or off.
3. ENTER
Press to select a highlighted menu item or confirm a changed setting.
4. Cursor Buttons ( ,
,
,
)
Use these buttons to select items or settings, adjust settings or switch display
patterns.
When no menus are present on-screen, the UP and DOWN buttons toggle through
the available aspect ratios, in this order:
UP Button = Anamorphic - Standard (4:3) - Letterbox - VirtualWide - Cinema -
Virtualwide 2.35
DOWN Button = Virtualwide 2.35 - Cinema - VirtualWide - Letterbox - Standard (4:3)
- Anamorphic
Virtualwide 2.35 is available only on CineWide-equipped projectors.
Note
Likewise, the LEFT and RIGHT buttons toggle through the different source inputs, in
this order:
LEFT Button = HD Pass Thru 2 - HD Pass Thru 1 - DVI 2 - DVI 1 - HD/RGB2 -
HD/RGB 1 - Component SD - S-Video 2 - S-Video 1 - Composite
RIGHT Button = Composite - S-Video 1 - S-Video 2 - Component SD - HD/RGB 1 -
HD/RGB 2 - DVI 1 - DVI 2 - HD Pass Thru 1 - HD Pass Thru 2
5. LIGHT
Press to illuminate the buttons.
6. MENU
Press this button to access the OSD controls, or to exit the current menu and return
to the previous one.
7. VIDEO (1)
Press to select Composite video input as the source or to enter the numeric
character “1.”
8. COMP (Component) (2)
Press to select Component SD (480i/576i) video input as the source or to enter the
numeric character “2.”
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9. Aspect Ratio Selection Buttons
Use the red buttons to select an aspect ratio directly or to enter numeric characters,
as follows:
ANA (Anamorphic) (3)
For viewing 16:9 DVDs or HDTV programs in their native aspect ratio.
4X3 (Standard 4:3) (6)
Scales the input signal to fit 4:3 display mode in the center of the screen.
LETBOX (Letterbox) (9)
For viewing LaserDisc movies or non-anamorphic DVDs on a 4:3 screen.
V-WIDE (VirtualWide)
Enlarges a 4:3 image horizontally in a NON-linear fashion to fit 16:9 full screen display.
CINEMA
For viewing 2.35:1 source material on a 1.78:1 (16:9) screen. The upper and lower
portions are masked.
SVC (CineWide-equipped projectors only)
Selects the VirtualWide 2.35 aspect ratio, which anamorphically compresses a 2.35:1
image to fill a 16:9 image area. The anamorphic lens then “stretches” the image back
to 2.35:1.
10. S-VID 1 (4) / S-VID 2 (5) (S-Video)
Press to select an S-Video input or to enter the numeric character “4” or “5.”
11. HD 1 (7) / HD 2 (8)
Press to select a HD (RGBHV or YPbPr component) input or to enter the numeric
character “7” or “8.”
12. DVI 1 / DVI 2 (0)
Press to select a Digital Video input. Press DVI2 to enter the numeric character “0.”
13. Memory Preset Buttons:
ISF NT (Night)
Press to recall settings for the current input from the “ISF Night” memory preset.
ISF DAY
Press to recall settings for the current input from the “ISF Day” memory preset.
CUST 1
Press to recall settings for the current input from the “Custom 1” memory preset.
CUST 2
Press to recall settings for the current input from the “Custom 2” memory preset.
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Notes:
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3. Installation
To install batteries in the remote control,
press up on the battery cover retainer clip
and lift off the cover. Install the two AAA
batteries with the correct polarity and then
replace the cover.
3.1
Remote Control
• Make sure that the battery polarities are correct when installing the batteries.
• Do not mix an old battery with a new one or different types of batteries.
Notes on Batteries
• If you will not use the remote control for a long time, remove the batteries to avoid
damage from battery leakage.
• Make sure that there is nothing obstructing the infrared beam between the remote
control and the IR receiver on the DHD Controller.
Notes on Remote Control
Operation
• If the effective range of the remote control decreases, or it stops working, replace the
batteries with new ones.
• The remote control may fail to operate if the infrared remote sensor is exposed to bright
sunlight or fluorescent lighting.
• Ambient conditions may possibly impede the operation of the remote control. If this
happens, point the remote control at the DHD Controller, and repeat the operation.
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Table 3-1 gives a quick overview of the VX-40d/-50d/-60d/-80d installation process. The
sections following this one provide detailed instructions.
3.2
Quick Setup
Installation should be performed by a qualified custom video
installation specialist.
Note
Table 3-1. Installation Overview
For Details, Refer to
page...
Step
Procedure
1
2
3
Choose a location for the projector
Install primary projection lens
Install CineWide lens mounting assembly (stationary base
plate or AutoScope lens motor – optional)
4
5
6
7
8
Mount the projector
Connect the DHD Controller to the projector
Connect signal sources to the DHD Controller
Connect external controller to RS-232 port (optional)
Connect other home theater components to 12-volt trigger
outputs (optional)
9
Apply power to the projector
10
For rear-screen and/or ceiling-mount installations, select
the proper picture orientation
11
Primary lens adjustments: projected image size (zoom),
position (shift) and focus
12
13
Install CineWide anamorphic lens (optional)
CineWide lens adjustments: projected image size (zoom),
position (shift) and focus
14
Calibrate projector input 1 (RGBHV): perform Auto Setup,
then adjust size/position, input levels, brightness/contrast
etc., as needed
15
16
17
Repeat Step 14 for projector Input 2 (DVI), if used
Adjust lamp output and optical aperture, as needed
DHD Controller input calibration: adjust the following for
each DHD Controller input, starting with Component SD;
save settings when finished:
• Aspect ratio
• Brightness
• Contrast
• Color level
• Tint
• Input position
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Proper installation of your projector will ensure the quality of your display. Whether you are
installing a projector temporarily or permanently, you should take the following into
account to ensure your projector performs optimally.
3.3
Installation
Considerations
Choose the installation type that best suits your needs: front or rear screen, floor mount or
Installation Type
Table 3-2. Projector Installation Options
Advantages
Front Screen, Floor Mount Installation
• Shares floor space with audience
Considerations
• Easy to set up
• Can be moved or changed quickly
• Easy to access
Front Screen, Inverted Mount (ceiling) Installation
• Does not take up audience space
• Projector is unobtrusive
• Installation is more permanent
• Projector access is more difficult
• Projector cannot be accidentally moved
Rear Screen, Floor Mount Installation
• Projector is completely hidden
• Projector is easily accessed
• Requires separate room
• Installation cost is usually higher
• Usually good ambient light rejection
Rear Screen, Inverted Mount (ceiling) Installation
• Projector is completely hidden
• Requires separate room
• Usually good ambient light rejection
• Installation cost is usually higher
Rear Screen, Floor Mount with Mirror
• Projector is completely hidden
• Usually good ambient light rejection
• Requires less space behind screen than
other rear screen installations
• Requires separate room
• Installation cost is usually higher
In general, minimize or eliminate light sources directed at the screen. Contrast ratio in your
images will be noticeably reduced if light directly strikes the screen, such as when a shaft
of light from a window or floodlight falls on the image. Images may then appear washed
out and less vibrant.
Ambient Light
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Throw Distance
Throw distance is the distance measured from the front of the projector to the screen.
This is an important calculation in any projector installation as it determines whether or not
you have enough room to install your projector with a desired screen size and if your
image will be the right size for your screen.
➤
You can quickly estimate the throw distance by taking the width of the screen and
roughly how far back the projector should be positioned from the screen in order to
project a focused image large enough to fill the screen.
Estimating Throw Distance
Throw Distance (TD) = Screen Width (w) x Lens Throw Ratio
VX-40d/-50d Throw Ratio: refer to Table 3-3
VX-60d/-80d Throw Ratio: refer to Table 3-4
Scr
een w
idth (w)
TD
Figure 3-1. Estimating Throw Distance
the VX-40d/-50d and their associated throw ratios.
Table 3-3. VX-40d/-50d Lens Options and Throw Ratios
Throw Distance Range
Throw Ratio
(in inches, with 100-inch Wide Screen)
Lens Option (Note 2)
(Throw Dist. ÷
Screen Width)
Minimum
Maximum
Telesto A
0.8 (Fixed)
For rear-screen installations only. Contact
Runco Technical Support for more information.
Telesto B
1.65 - 1.95
2.04 - 2.73
1.55 - 2.01
2.86 - 4.83
2.17 - 3.60
4.96 - 7.90
3.76 - 5.90
165
204
155
286
217
496
376
195
273
201
483
360
790
590
Telesto C
Telesto C with CineWide
Telesto D
Telesto D with CineWide
Telesto E
Telesto E with CineWide
Notes:
1. Throw distance does not affect image quality, provided these ranges are taken into account.
2. Only the Telesto C, D and E lenses can be used with the optional CineWide (secondary
anamorphic) lens. Doing so affects the throw distances as shown here.
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the VX-60d/-80d and their associated throw ratios.
Table 3-4. VX-60d/-80d Lens Options and Throw Ratios
Throw Distance Range
Throw Ratio
(in inches, with 100-inch Wide Screen)
Lens Option (Note 2)
(Throw Dist. ÷
Screen Width)
Minimum
Maximum
Telesto A
0.75 (Fixed)
For rear-screen installations only. Contact
Runco Technical Support for more information.
Telesto B
Telesto C
1.48 - 1.75
1.81 - 2.40
1.79 - 1.86
148
181
179
175
240
186
Telesto C with CineWide
(16:9 screen)
Telesto D
2.56 - 4.35
1.95 - 3.23
256
195
435
323
Telesto D with CineWide
(16:9 screen)
Telesto E
4.48 - 7.11
3.40 - 5.31
448
340
711
531
Telesto E with CineWide
(16:9 screen)
Telesto E with CineWide
(2.35:1 screen) (Note 3)
2.55 - 4.00
255
400
Notes:
1. Throw distance does not affect image quality, provided these ranges are taken into account.
2. Only the Telesto C, D and E lenses can be used with the optional CineWide (secondary
anamorphic) lens. Doing so affects the throw distances as shown here.
3. Due to optical and mechanical limitations, this lens combination is available only as a fixed
CineWide configuration. CineWide with AutoScope is not supported.
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Vertical and Horizontal
Proper placement of the projector relative to the screen will yield a rectangular,
perfectly-centered image that completely fills the screen.
➤
Position
Ideally, the projector should be positioned perpendicular to the screen and in such a way
Ceiling Installation
Ceiling
Height
Projection Distance
Lens Center
x
Screen Lens Center
Floor Installation
Screen
Lens Center
Height
Lens Center
x
Projection Distance
Floor
Figure 3-2. Projector Placement
Vertical and Horizontal
Lens Shift
the lens shift controls to center the image on the screen. Lens shift is generally expressed
➤
Screen Center
0%
50% Height
Lens Shift
(0.5 x H)
Base plate
to lens center =
approx. 6-7" (depending
on the amount of lens shift)
100% Height
Lens Shift
(1.0 x H)
150% Height
Lens Shift
(1.5 x H)
Note: This is a general example of lens shift. Lenses vary in their shift capabilities. No
particular lens or projector is used in this example.
Figure 3-3. Vertical Lens Shift
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150% Width Lens Shift
(1.5 x W)
100% Width Lens Shift
(1.0 x W)
50% Width Lens Shift
(0.5 x W)
Screen Center
0%
Screen Width (W)
Note: This is a general example of lens shift. Lenses vary in their shift capabilities. No particular
lens or projector is used in this example.
Figure 3-4. Horizontal Lens Shift
Vertical Lens Shift – VX-40d/VX-50d: The VX-40d/-50d zoom lenses (Telesto B, C, D
and E) provide up to 65% of vertical lens shift up or down. For example, with a 96 x
54-inch (16:9) screen, you can shift the image up to 35.10 inches (89.15 cm) above or
below the screen center. (Vertical lens shift is not possible with the Telesto A lens.)
Vertical Lens Shift – VX-60d/VX-80d: The VX-60d/-80d zoom lenses (Telesto B, C, D
and E) provide up to 50% of vertical lens shift up or down. For example, with a 96 x
54-inch (16:9) screen, you can shift the image up to 27.00 inches (68.58 cm) above or
below the screen center. (Vertical lens shift is not possible with the Telesto A lens.)
Horizontal Lens Shift: The VX-40d/-50d/-60d/-80d zoom lenses (Telesto B, C, D and E)
allow up to 25% of horizontal lens shift in either direction (left or right). For example, with a
96 x 54-inch (16:9) screen, you can shift the image up to 24.00 inches (60.96 cm) left or
right of the screen center. (Horizontal lens shift is not possible with the Telesto A lens.)
1. With no vertical or horizontal lens shift, the lens center and
Note
screen center are aligned with each other.
2. Vertical shift limits are percentages of the screen height.
Horizontal shift limits are percentages of the screen width.
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Folded Optics
In rear screen applications where space behind the projector is limited, a mirror may be
mirror must be accurately set. If you are considering this type of installation, contact your
dealer for assistance.
➤
Screen
Mirror
Figure 3-5. Folded Optics
Other Considerations
Other considerations and tips that can help improve your installation:
➤
• Keep the ambient temperature constant and below 35°C (95°F). Keep the projector
away from heating and/or air conditioning vents. Changes in temperature may cause
drifts in the projector circuitry, which may affect performance.
• Keep the projector away from devices that radiate electromagnetic energy such as
motors and transformers. Common sources of these include slide projectors,
speakers, power amplifiers and elevators.
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The projection lens is shipped separately from the projector. Proceed as follows to install
the projection lens:
3.4
Installing the
Projection Lens
1. Remove the lens plug from the lens opening in the projector.
2. Place the lens cap on the projection lens to protect it from being damaged during the
installation process.
3. Remove the rear cap from the lens. This protective cap is only used during shipping to
protect the lens from damage.
4. Slide the new lens into the lens opening of the projector. Make sure to align the
connector on the side of the lens with the connector assembly on the lens retaining
ring; see Figure 3-6.
As you connect the lens, you may have to re-align it slightly until the tabs on the lens fit
into the slots in the lens retaining ring.
Figure 3-6. Lens Assembly (Front View)
5. With the lens fully inserted (and connected), turn it clockwise until the lens release
button “pops” indicating the lens is fully inserted.
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If you are installing a VX-40d/-50d/-60d/-80d with the optional CineWide or CineWide with
AutoScope system, proceed as follows to install the anamorphic lens mounting assembly
(stationary base plate or AutoScope lens motor).
3.5
Installing the Optional
CineWide Lens Mount
1. Do not install the CineWide lens yet, only the mounting plate or
Note
lens motor. You will install the CineWide lens after you install the
projector and adjust the primary lens.
2. Some of the following steps are necessary only for CineWide
with AutoScope installations.
Remove Projector Front
(Skip this step if you are installing a fixed CineWide anamorphic lens.)
➤
Feet (CineWide with
AutoScope)
Place the projector upside down on a blanket or other soft surface. Loosen and remove
the two front feet on the projector.
Install Anamorphic Lens
Motor (CineWide with
AutoScope) or Base Plate
(fixed CineWide)
➤
The anamorphic lens mounting kit is partially pre-assembled at the
factory – the AutoScope lens motor and lens mounting assemblies
are both fully assembled.
Note
CineWide with AutoScope: Line up the
eight mounting holes on the lens motor
housing with those on the bottom of the
projector.
Secure the motor to the projector with the
eight screws provided for this purpose.
Fixed CineWide: Line up the seven
mounting holes on the lens mount base plate
with those on the bottom of the projector,
directly below the primary lens. Secure the
base plate to the projector with the screws
provided for this purpose.
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DO NOT OVER-TIGHTEN THE SCREWS.
Caution
(Skip this step if you are installing a fixed CineWide anamorphic lens, or
ceiling-mounting an AutoScope-equipped projector.)
Install Projector Stand
(CineWide with
AutoScope, Floor-Mount)
If you are installing the VX-40d/-50d/-60d/-80d in an upright position (not
ceiling-mounted), use the supplied hardware to attach the projector stand to the bottom
of the projector as shown below. This stand allows the projector to lie flat on the mounting
surface with the AutoScope lens motor installed.
AutoScope stand used
for floor-mounted
projector
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There are several methods for mounting the projector. Depending on your chosen
installation, one method may be more suitable than another.
3.6
Mounting the
VX-40d/-50d/-60d/
-80d
Floor Mounting
In typical front and rear screen installations, the projector can be placed on a secure and
level surface such as a table or cart. Carts are useful when moving a projector during a
presentation or from site to site. If possible, lock the wheels when it’s in position to prevent
it from being moved during a presentation.
➤
➤
Ceiling Mounting
The projector can also be inverted and suspended from the ceiling using a specially
designed ceiling mount fixture. This type of mounting is recommended for fixed
installations and for those that want the projector out of sight or have a limited space for
projector and audience.
Use only the Runco-approved ceiling mount kit designed for your
WARNING
projector. Carefully read and follow the installation instructions
provided with the ceiling mount kit. Failure to do so could cause
serious personal injury.
Adjusting the Projection
Angle
If the VX-40d/-50d/-60d/-80d is ceiling-mounted and the screen is significantly lower than
the projector, you can tilt the projector at an angle by adjusting the ceiling mount.
➤
The projector can be rotated (front-to-back) up to 360 degrees and mounted without it
affecting performance. However, to ensure optimal performance of the lamp, limit the
360º
15º
Figure 3-7. Mounting Angle Ranges (Front-to-Back and Side-to-Side)
For a floor (non-AutoScope) installation, turn the two adjustable feet on the bottom of the
projector to adjust the projection angle.
If you do either of these things, you may need to make keystone adjustments or vertically
shift the image using the on-screen display (OSD) controls, to compensate. For detailed
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Proceed as follows to connect the DHD Controller to the VX-40d/-50d/-60d/-80d, your
video sources, external controller(s) – if present – and AC power.
3.7
Connections to the
VX-40d/-50d/-60d/
-80d and DHD
When connecting your equipment:
• Turn off all equipment before making any connections.
• Use the correct signal cables for each source.
Controller
• Ensure that the cables are securely connected. Tighten the thumbscrews on
connectors that have them.
To access the connector panel, pull firmly on the cable access cover to open it.
Connector Panel Access
Connect the DVI, RGBHV and RS-232 outputs from the DHD Controller to the
Connecting the DHD
Controller to the
VX-40d/-50d/-60d/-80d
Red
Green Blue Horiz Vert
INPUTS
SYSTEM CONTROL INTERFACE
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
!
Pr
R
Y
G
Pb
B
H
V
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR
TRIGGERS
CAUTION: TO REDUCE THE RISK OF ELECTRIC
SHOCK, DO NOT REMOVE COVER. NO USER-
SERVICEABLE PARTS INSIDE. REFER SERVICING
TO QUALIFIED SERVICE CENTER.
Runco International
Union City, CA
HD1
HD2
1
2
3
IR
WARNING: TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK, DO NOT EXPOSE
THIS APPLIANCE TO RAIN OR MOISTURE.
OUTPUTS
Pr
R
Y
G
Pb
B
Vidlle
R
Pr
G
Y
B
Pb
H
V
SDI
Pb
Pr
Y
S-Video
S-Video
1
2
100-230VAC 50-60 Hz, 165 Watts Max
Made In USA
H
V
H/V
DVI Out
DVI
1
DVI
2
Option
Component Video
Video
RS-232 Out
RS-232 Control
RS-232
OUT
DVI
RGB-HV OUT OUT
Figure 3-8. Connecting the VX-40d/-50d/-60d/-80d to the DHD Controller
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Connecting Source
Components to the DHD
Controller
Connect your video sources to the DHD Controller as shown and described in the
sections that follow.
➤
Use the DVI inputs whenever possible. This ensures the highest
Tip
video quality because the signal is carried in the digital domain
throughout the entire signal path, from source component output
into the projector.
You can also connect computers with DVI output to these inputs.
However, accepted VESA standard resolutions are limited to VGA
(640x480), SVGA (800x600), XGA (1024x768) and SXGA
(1280x1024) at 60Hz refresh.
Note
INPUTS
R/Pr
G/Y
B/Pb
H
V
TRIGGERS
2
HD1
HD2
1
3
IR
R/Pr
G/Y
B/Pb
H
V
Pb
Pr
Y
S-Video 1
DVI 1
DVI 2
Component Video
Video
S-Video 2
DVI Source
(DVD Player or
HD Tuner with
HDMI or DVI out)
Figure 3-9. DVI Source Connections
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INPUTS
R/Pr
G/Y
B/Pb
H
V
TRIGGERS
2
HD1
HD2
1
3
R/Pr
G/Y
B/Pb
H
V
S-Video 1
Pb
Pr
Y
Video
S-Video 2
DVI 1
DVI 2
Component Video
Red/Pr Green/Y Blue/Pb
Horiz
Vert
DTV or Progressive
Component (YPbPr)
Source
Figure 3-10. Digital (DTV) RGB or Component Video Connections
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INPUTS
R/Pr
G/Y
B/Pb
H
V
TRIGGERS
2
HD1
HD2
1
3
R/Pr
G/Y
B/Pb
H
V
S-Video 1
Pb
Pr
Component Video
Y
Video
S-Video 2
DVI 1
DVI 2
Red Green Blue Horiz Vert
Personal Computer
Figure 3-11. Analog RGB Connections
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INPUTS
R/Pr
G/Y
B/Pb
H
V
TRIGGERS
2
HD1
HD2
1
3
R/Pr
G/Y
B/Pb
H
V
S-Video 1
Pb
Pr
Component Video
Y
Video
S-Video 2
DVI 1
DVI 2
Pb Pr
Y
DVD Player, VCR,
Satellite Receiver,
Laser Disc etc.
Figure 3-12. Composite, S-Video and Component Video Connections
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RS-232 Controller
Connection
Use a standard, 9-pin RS-232 cable to connect a PC or home theater control/automation
➤
5
4
3
1
2
TRIGGERS
2
6
9
8
7
1
3
IR
Pb
Pr
Y
S-Video 1
2 Transmit Data
3 Receive Data
5 Ground
Component Video
Video
S-Video 2 RS-232 Out
RS-232 Control
(none of the other pins are used)
to Automation/
Control System
or PC
Figure 3-13. RS-232 Control System Connection
Connecting 12-Volt
Trigger Outputs to
External Theater
Components
If your VX-40d/-50d/-60d/-80d is equipped with a CineWide with AutoScope system,
connect the AutoScope lens motor to a 12-volt trigger output on the DHD Controller; see
➤
Similarly connect other 12-volt trigger-activated equipment (such as retractable screens or
screen masks) to the other trigger outputs.
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AutoScope Lens Motor (Rear)
Power
Switch
AC Input
3.5-mm
mini plug
DHD Controller
Rear Panel
SYSTEM CONTROL INTERFACE
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
Serial No
INPUTS
B/Pb
!
R/Pr
G/Y
H
V
Retractable Screen or other
12-Volt trigger-activated
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR
TRIGGERS
2
CAUTION: TO REDUCE THE RISK OF ELECTRIC
SHOCK, DO NOT REMOVE COVER. NO USER-
SERVICEABLE PARTS INSIDE. REFER SERVICING
TO QUALIFIED SERVICE CENTER.
Runco International
Union City, CA
HD1
HD2
1
3
IR
device
OUTPUTS
R/Pr
G/Y
WARNING: TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK, DO NOT EXPOSE
THIS APPLIANCE TO RAIN OR MOISTURE.
R/Pr
G/Y
B/Pb
H
V
SDI
Pb
Pr
Y
S-Video
S-Video
1
2
100-230VAC 50-60 Hz, 165 Watts Max
Made In USA
DVI
1
DVI
2
Option
Component Video
Video
RS-232 Out
RS-232 Control
Figure 3-14. Connecting 12-Volt Trigger Outputs
The VX-40d/-50d/-60d/-80d system includes two (2) AC power cords (one each for the
DHD Controller and projector).
Connecting to AC Power
DHD Controller: Plug the female end of one power cord into the AC receptacle on the
rear of the DHD Controller. Connect the other end to your AC power source
(100 to 240 VAC).
Projector: Similarly connect the VX-40d/-50d/-60d/-80d to a nearby AC outlet. The input
voltage to a VX-40d or VX-60d must be between 100 and 240 VAC. The input voltage to
a VX-50d or VX-80d must be between 200 and 240 VAC.
The LED status window displays an active pattern of segments to
indicate the projector is changing its state from powered down to
powered up. “--” appears in the display when the projector is
ready to be turned on.
AutoScope Lens Motor: With AutoScope-equipped projectors, a third power cord is
provided for the lens motor. Plug the female end of the AC power cord into the AC
receptacle on the rear of the lens motor assembly. Connect the other end to a 110 VAC
power source.
The input voltage to the AutoScope lens motor must be between
100 and 120 VAC. Do not connect the AutoScope lens motor
Caution
to a 200-240 VAC power source!
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1. Turn on your source components.
3.8
Turning on the Power
2. Turn on the main power switch at the rear of the DHD Controller.
3. If this is an AutoScope-equipped projector, turn on the main power switch at the rear of
the AutoScope lens motor. The lens motor power switch is located next to the AC input
4. Press the ON button on the remote control – or the POWER button on the DHD
Controller front panel – to turn on the system. The vacuum fluorescent display on the
DHD Controller front panel briefly displays “Starting Display.”
The LED status window at the rear of the projector displays an active pattern of
segments to indicate that it is changing its state from “standby” to “on.”
5. When the projector has completed its initialization and is ready
for use, “On” appears in the projector LED status window.
The fluorescent display on the DHD Controller indicates the active source, signal format
(NTSC or PAL), input resolution and aspect ratio; for example:
Input
Current Source
Format
Resolution
Component SD NTSC
Anamorphic
480i
VX-40/50 DVI
Aspect Ratio
By default, the VX-40d/-50d/-60d/-80d is configured to display the signal received on
Input 1 (RGB). To use Input 2 (DVI) instead:
3.9
Selecting the Input
Source
1. On the DHD Controller, press MENU and enter the Service Menu passcode.
You must enter a passcode to access the Service menu.
Note
2. Select Service from the Main Menu.
3. Select Display Device from the Service Menu.
4. Press
to select DVI/HDMI, then press ENTER.
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By default, the VX-40d/-50d/-60d/-80d is configured for a “floor/front” installation, in
which the projector is installed upright and in front of the screen. If it is installed behind the
screen and/or mounted on a ceiling, you must change the picture orientation. To do this:
3.10
Adjusting the Picture
Orientation
1. On the DHD Controller, press MENU and enter the Service Menu passcode.
2. Select Service from the Main Menu.
3. Select Display Device from the Service Menu.
4. Select Configure from the Display Device menu, then select Installation.
5. Choose Floor/Rear, Ceiling/Front or Ceiling/Rear, to match the installation method.
To access the motorized primary lens controls:
3.11
Primary Lens
Adjustments
1. On the DHD Controller, press MENU and enter the Service Menu passcode.
2. Select Service from the Main Menu.
3. Select Display Device from the Service Menu.
4. Select Configure from the Display Device menu, then select Lens.
The Lens menu gives you a great deal of control over the picture size, position and focus:
To focus the projected image, use the cursor buttons to highlight “In” or “Out.” Then,
press and hold the ENTER button.
Focus
Zoom
To make the picture smaller (zoom out), use the cursor buttons to highlight the minus sign
(-). Then, press and hold the ENTER button.
To enlarge the picture (zoom in), use the cursor buttons to highlight the plus sign (+).
Then, press and hold the ENTER button.
To change the lens position, use the cursor buttons to highlight “Left,” “Right,” “Up” or
“Down” in the Lens menu. Then, press and hold the ENTER button to shift the lens in that
direction.
Vertical and Horizontal
Lens Shift
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If you are installing a CineWide-equipped projector, proceed as follows to install and
adjust the anamorphic lens.
3.12
Installing and
Adjusting the
CineWide Anamorphic
Lens
It is extremely important that the primary lens is properly
Note
adjusted before you install the anamorphic lens. Ensure that
the 16:9 or 4:3 image from the primary lens is perfectly
centered on the screen.
Attach Lens Mounting
1. Remove the two Z-Adjustment Levers and 1/4-20 Fiber Washers from the bottom of
the lens mounting assembly.
➤
Assembly to Lens Motor
Carriage Plate (CineWide
with AutoScope) or Base
Plate (fixed CineWide)
2. Place the Lens Mounting Assembly on top of (or under, if the projector is inverted) the
Lens Motor Carriage Plate or Base Plate, so that the two threaded posts at the bottom
of the Z-Adjustment Plate pass through the corresponding slots on the carriage plate
or base plate.
3. Secure the Lens Mounting Assembly to the plate with the Z-Adjustment Levers and
Washers that you removed in Step 1.
If this is an AutoScope installation, leave enough space between
Note
the projector and the lens mounting assembly to allow the lens to
move out of the light path without the assembly coming into
contact with the projector front jewelry.
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(Skip this step if you are installing a fixed CineWide anamorphic lens.)
Configure Lens Motor
Trigger (CineWide with
AutoScope)
CineWide with AutoScope maintains constant image height independent of the aspect
ratio, while using the full display resolution of the projector. It accomplishes this by moving
the anamorphic lens in front of the primary lens when widescreen material is being viewed.
When the viewer transitions back to 16:9 or 4:3 source material, the anamorphic lens
moves out of the light path.
To configure the lens motor trigger on the DHD Controller for proper AutoScope
operation:
1. Press MENU on the remote control and enter the Service menu passcode.
2. Select Service from the Main menu.
3. Select Triggers from the Service menu.
4. Assign the trigger output to which the lens motor is connected to the Cinema and
Virtualwide 2.35 aspect ratios. This enables the lens motor to move the anamorphic
lens into position (in front of the primary lens) when either aspect ratio is selected.
5. To save the trigger settings, press
repeatedly to highlight “Save.” Then, press
ENTER.
6. Select the Cinema or Virtualwide 2.35 aspect ratio to move the anamorphic lens into
position, if it isn’t already. To do this, press CINEMA or SVC on the DHD Controller
or
repeatedly with no menus visible
on-screen.
Horizontal Position (X) Adjustment:
Adjust the Anamorphic
Lens
1. Project a white field on the screen.
2. Loosen the Yaw/X-Adjustment Levers underneath the lens.
3. Slowly move the anamorphic lens into place so that there are no shadows on either
side of the screen:
Too Far Left
Correct position
Too Far Right
4. When the horizontal position is properly set, tighten the Yaw/X-Adjustment Levers to
secure the lens in place.
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Height (Y) Adjustment: With the white field still on-screen, loosen the Height Adjustment
Levers on either side of the lens. Then, slowly move the anamorphic lens into place so that
there are no shadows on the top or bottom of the screen:
Too Low
Correct position
Too High
When the height is properly set, tighten the Height Adjustment Levers to secure the lens in
place.
Pitch (Angle): Next, angle the lens to even out any top-to-bottom pincushion distortion.
To do this, loosen the Pitch Adjustment Levers (directly above the Height Adjustment
Levers) on either side of the lens to allow it to pivot freely. Then, adjust the anamorphic
lens angle so that the projected image is rectangular:
Correct Lens Angle
Incorrect Lens Angle
The anamorphic lens will almost always be angled with respect to the projector; this is
normal.
Once the proper lens angle has been set, firmly tighten the Pitch Adjustment Levers to
secure the lens in place.
There may be some pincushion distortion even after the lens is
Note
properly adjusted, especially at shorter throw distances. If this is the
case, Runco recommends that you slightly over-scan the image
into the screen frame area to mask the distortion.
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Yaw Adjust: Loosen the Yaw/X-Adjustment Levers to allow the lens to pivot freely from
side to side. Then, angle the lens to even out any left-right pincushion distortion:
Correct Position
Wrong Position
Once the proper lens angle has been set, firmly tighten the Yaw/X-Adjustment Levers to
secure the lens in place.
Geometry:
1. Input an anamorphic cross-hatch test pattern to the DHD Controller.
2. Loosen the three Lens Rotation Set Screws (shown
at right) on the lens adapter plate just enough to
allow it to rotate freely.
3. Grasp the lens by the front ring and rotate the lens until the image is properly
anamorphic:
Wrong Position
Correct Position
4. When the image geometry appears correct, tighten the three Lens Rotation Set Screws
to secure the lens in place.
Focus: Finally, rotate the Focus Ring on the anamorphic lens to fine-tune the optical
focus. When finished, hand-tighten the Focus Rotation Set Screw to lock the lens in
position.
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After you have installed and adjusted the projector and lens (or lenses), you are ready to
begin calibrating the RGBHV input (Input 1) to the VX-40d/-50d/-60d/-80d.
3.13
Calibrating Projector
Inputs
Runco calibrates both the VX-40d/-50d/-60d/-80d and DHD
Controller at the factory for optimum performance in most typical
home cinema environments, before the system ships.
Note
Carefully assess the displayed image quality before proceeding with
calibration. In most cases, it is not necessary to calibrate the
projector inputs, as the DHD Controller gives you as much control
as you will need over the image quality.
Only ISF-certified installation technicians should attempt the
calibration procedures described here, and ONLY if absolutely
necessary to accommodate an atypical installation.
Before proceeding, set the Display Device Input Source to RGB at the DHD Controller
repeat the procedure described in this section for Input 2 (DVI), if that input is being used.
follow. Once you have completed the projector input calibration, the end user can use the
ratios, switch between sources and more. (The exception to this rule is when sources are
connected directly to the projector. Although this is technically possible, Runco advises
against this.)
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TheaterMaster Remote
1. POWER Button
➤
Control Functions
Hold this button down for 1-2 seconds to turn on or off the projector.
2. FUNCS Button
This button brings you to a sub-page in which you can access the projector’s internal
test patterns, view help text, auto-calibrate the projector and perform various other
functions.
3. BACKLIGHT Button
Lights the LCD display and buttons for use in a dark room.
4. LCD Display
Displays currently-selected LCD Menu page.
5. MAIN Button
Brings up the Main LCD Menu page.
6. MUTE Button
Activates the Shutter control on the projector. Press and hold for 1-2 seconds to
activate the shutter, and press and hold again to de-activate the shutter.
7. MENU Button
Displays or hides the on-screen projector menu.
8. ENTER Button
Though it has a ‘stop’ icon (and can be programmed as such for other sources), this
button serves as an ‘ENTER’ button for the projector when navigating through the
menus.
9. Numeric Keypad
Used for entering numeric values or passcodes. Also allows direct selection of
numbered on-screen menu items.
10.ENTER Button
Same as 8.
11.LENS Button
Brings up the lens adjustment LCD Menu for making zoom, focus and shift
adjustments.
12.SOURC Button
Brings up the projector’s source selection LCD Menu.
13.Directional Keypad
The directional keypad (large, black button just above the numeric keypad) behaves
similarly to a joystick. Press the left or right side of this button to change a slidebar
value or to select a different option within a pull-down list without having to first scroll
through options. Press the top or bottom of this button to navigate within a menu,
pull-down list or text box.
14.EXIT Button
When in the menu structure, the EXIT button brings the menu back one page or
cancels the current function.
15.FUNCTION Button
Though labeled DIS, this button has been programmed as a “function” button used in
several menu items. (You can also use the FUNCN button in the Functions LCD Menu.)
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Most of the controls for the projector are accessed from within the projector’s menu
system. There are several groups of related functions, with each group selectable from the
Main Menu. Press MENU on the rear keypad or TheaterMaster remote to display this
menu.
Navigating the Projector
Menus
RUNCO VIDEO EXTREME
To select a sub-menu using the remote keypad, do one of the following:
1. Size and Position
2. Image Settings
3. Channel Setup
4. Configuration
5. Lamp
6. Status
7. PIP and Switching
8. Test Pattern Off
• Press the number key corresponding to the function menu you wish to access, such as
2 for the Image Settings menu.
• Press
or
on the directional keypad to highlight the desired option, then press
ENTER or
.
The corresponding function menu or pull-down list of further options will then appear.
You navigate the function menus in a similar manner: enter a menu option number for any
numbered option, or use the
and
keys to highlight the desired option, then press
ENTER. Extra long menus have a scroll bar on the right; use the arrow keys to access the
remainder of the menu. Locked items or items that do not pertain to the current action or
condition appear dimmed and cannot be selected.
1. If there is no signal present, all source-dependent adjustments
are disabled.
Note
2. After 15 minutes of inactivity, the projector leaves the menu
system and returns to the presentation.
3. The Status menu is read-only.
When finished with a function menu, do one of the following:
• Press EXIT to return to the previous screen.
• Press MENU to leave the menu system and return to the presentation.
To set up the VX-40d/-50d/-60d/-80d for use with the DHD Controller, you will use the
Channel Setup, Size and Position, Image Settings and Lamp menus.
The projector stores and automatically recalls up to 50 different channels (source setups)
for a variety of inputs. This memory feature allows you to define and conveniently use a
wide variety of customized setups rather than having to repeatedly re-configure the
projector for different presentations. Each projector input can have several different
channels associated with it.
Channel Setup
how each channel can be accessed and which serves as the gateway for editing, copying
and deleting channels.
01
02
03
0,1 p5W 48.73k+ 60.01+
0,2 pDig DVI out fm DHD
0,1 i5W
33.72k- 60.00-
Figure 3-16. Channel Setup Menu
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To display the Channel Setup menu, press 3 or highlight Channel Setup and press
ENTER or . The Channel Setup menu appears with the active channel highlighted.
WHAT APPEARS IN THE CHANNEL SETUP MENU? This menu lists all channels
defined so far and indicates where they are connected on the input panel.
The far left column lists channel numbers currently defined.
The values in the far right columns indicate horizontal and
vertical frequencies — if someone has defined a name for this
channel, it appears here instead. Remaining columns contain
details pertaining to each channel setup, such as its switcher
number (always 0 = projector), slot location, a variety of icons indicating access to each
channel, and an abbreviated description of each signal type.
Signal Type Abbreviations: The Channel Setup menu identifies signal types in a
shortened form. These descriptors indicate what signal information the projector uses to
identify a match for a given channel, and are preceded by either an “i” (for interlaced
signals) or “p” (for progressive signals).
When used with the DHD Controller, the RGB-HV output signal is represented by “p5W”
or “i5W.” The DVI output signal is either “pDig” or “iDig.”
Copying Channels: Channels are pre-configured at the Runco factory for use with the
DHD Controller, and are locked to prevent the factory settings from being over-written
accidentally. Before proceeding with calibration, copy the existing channel for the current
input to a new channel so that any changes you make are stored in that channel.
To copy a channel:
1. Select Channel Setup from the Main Menu to display the Channel Setup menu.
2. Highlight the channel you want to copy in the Channel Setup menu.
3. Press FUNCN (or DIS) to go to the Channel Copy/Delete submenu.
4. Select Copy and press ENTER. This creates a new channel that is identical to the
original – which remains – but it is identified with the next available number from 01 to
50. If you change your mind and do not want to copy the current channel, press EXIT
to cancel and return to the previous menu. Copying channels is a quick way to create
numerous channels, each of which can then be edited and adjusted for a variety of
presentations in the future.
FUNCN
Figure 3-17. Copying a Channel
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Use the Auto Setup feature of the VX-40d/-50d/-60d/-80d as a convenient starting point
for calibrating the projector inputs for optimum picture quality.
Auto Setup
You cannot use Auto Setup with a locked channel. Copy the
Note
locked, factory-default channel for the current input to a new
Auto Setup is an automated process in which the projector quickly optimizes critical
display parameters such as size, position and pixel tracking, based on the type of
incoming video signal. An Auto Setup allows you to quickly get the image “in the ballpark”
after which you can perform further calibration, if necessary.
To perform an Auto Setup, do one of the following:
On the Theater Master Remote Control: Press FUNCS, then AUTO followed by
Enter. When the Auto Setup completes, press Enter again to keep the new settings.
On the Projector Rear Keypad: Press AUTO SETUP followed by Enter. When the
Auto Setup completes, press Enter again to keep the new settings.
On the DHD Controller Remote Control: Press MENU, then select Service from the
Main menu. Select Display Device from the Service Menu. Finally, select Configure from
the Display Device menu, then select Auto Setup.
What an “Auto Setup” Does: Auto Setup sets the following parameters to their default
values:
• Contrast
• Brightness
• Auto Input Level (off)
• Detail (if video source)
• Filter
• Luma Delay
Auto Setup also optimizes the following settings, based on the characteristics of the
incoming signal:
• Pixel Tracking
• Pixel Phase
• Size and Blanking
• Vertical Stretch
• Position
• Input Levels
If additional fine-tuning is necessary after performing an Auto Setup, continue with the
next section.
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Size and Position Menu
In the Size and Position Menu, you can increase or decrease the size of your image,
change its proportion (aspect ratio), move the image to a specific area of the screen, and
refine other related parameters. Use Size and Position controls to match the image
precisely to the screen. Changes made in the Size and Position menu take effect
immediately and are saved when you exit the menu.
➤
Resize Presets: Select a Resize Presets option to quickly display an image in its native
resolution or to automatically resize an image to closely fill the projector’s native resolution,
or to optimize the display width or height.
The native resolution is model-dependent, as follows:
• VX-40d or VX-50d: 1280 x 720 (16:9 native aspect ratio)
• VX-60d or VX-80d, 788p models: 1400 x 788 (16:9 native aspect ratio)
• VX-60d or VX-80d, 1050p models: 1400 x 1050 (4:3 native aspect ratio)
The “native” aspect ratio is with the primary lens only. With an
Note
anamorphic lens in the light path, the aspect ratio is 16:9 with the
VX-60d and VX-80d (1050p models), and 2.35:1 with all other
models.
Size, Position and Blanking parameters automatically adjust accordingly. If Blanking is set
first, which defines an Active Input Area, Resize Preset scaling occurs in this region of
interest only.
For use with the DHD Controller, the default setting is No Resizing. This is almost always
the appropriate setting. Do not change it unless specifically instructed to do so by Runco
Technical Support.
• No Resizing: Select No Resizing to display the image in its native resolution, which
may or may not match the projector’s resolution. For example, for a computer display
with a native resolution of 800 x 600, “No Resizing” will use the central 800 x 600 pixels
and have a black border— the black border areas are unused areas.
No Resizing
Source Type
SVGA 800x600
NTSC
HDTV 720p
HDTV 1080i
1280
1280
1280
1280
VX-40d/
720
720
720
720
VX-50d
Active Image Area
Unused Pixels
1400
1400
1400
1400
VX-60d/
VX-80d
(788p)
788
788
788
788
1400
1400
1400
1400
VX-60d/
VX-80d
(1050p)
1050
1050
1050
1050
Figure 3-18. Resize Presets: No Resizing
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Other resizing options are described below, for the sake of completeness. In actual
practice, though, they are rarely (if ever) used when the VX-40d/-50d/-60d/-80d is used
with the DHD Controller.
• Default Resizing: When you select a new source, the image utilizes as much of the
projector’s display area as possible for the type of incoming source data, but with
minimal or no changes to aspect ratio. The image will be centered and displayed as
large as possible depending on the source type and projector model:
• A video image or 4:3 graphic image is enlarged to fill either the whole screen
(VX-60d/-80d, 1050p models) or the screen height, centered between black side
bars (all other models).
• A 5:4 graphic image is enlarged to fill the screen height and is centered between
black side bars.
• An anamorphic (16:9) image will either fill the width and be centered between black
bars on top and bottom (VX-60d/-80d, 1050p models) or fill the whole screen (all
other models).
• Full Size: Select Full Size to use all pixels for displaying the image, regardless of
source or original aspect ratio. Incoming source material having a different aspect ratio
than the projector will be stretched to fill the display.
• Full Width: Select Full Width to fill the projector’s display from left-to-right without
changing the original aspect ratio of the image. Depending on the source, data at the
top and bottom may be discarded (cropped), or the display may have black borders at
the top and bottom (called “letterbox”).
• Full Height: Select Full Height to fill the display from top-to-bottom. Depending on the
source, this may create borders.
• Anamorphic: Select Anamorphic to display an anamorphic image in its native 16:9
aspect ratio. The image will either fill the width and be centered between black bars on
top and bottom (VX-60d/-80d, 1050p models) or fill the whole screen (all other
models).
• “Custom” Resizing: The “Custom” re-size descriptor automatically appears in the
Size and Position menu when any of the values for Size, Vertical Stretch, H-Position,
V-Position or Blanking do not correspond to those for a preset. This option is not
offered in the Resize Presets pull-down list.
Size: “Size” controls both the image width and height in tandem, maintaining the current
aspect ratio (proportion) of the displayed signal data.
Vertical Stretch: “Vertical Stretch” adjusts the height of the image while keeping the
width constant. Use Vertical Stretch to change the aspect ratio of the display.
Pixel Track: Steady flickering or several soft vertical stripes or bands across the entire
image indicates poor pixel tracking. Proper pixel tracking helps ensure that the image
quality is consistent across the screen, that aspect ratio is maintained, and that pixel
phase can be optimized (see below). Tracking determines the frequency of the pixel
sampling clock, indicated by the number of incoming pixels per line, so that all pixels
generated by a particular source are sampled.
By default, the projector samples at the correct frequency for most sources. For best
results, use a good test pattern such as a smooth gray consisting of a clear pattern of
black and white pixels, or a similar “half on, half off” graphic image. Adjust the slidebar
until the vertical stripes broaden to the point where one large stripe fills the image. If the
image still exhibits some shimmer or noise, adjust Pixel Phase (described below).
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Pixel Phase: Adjust pixel phase when the image (usually from an RGB source) still shows
shimmer or “noise” after pixel tracking is optimized. Pixel phase adjusts the phase of the
pixel sampling clock relative to the incoming signal.
Adjust “Pixel Tracking” before “Pixel Phase.”
Note
For best results, use a good test pattern such as a smooth gray consisting of a clear
pattern of black and white pixels, or a similar “half on, half off” graphic image. Adjust the
slidebar until the image stabilizes and each pixel is clearly defined. You may notice that
you can stabilize the image at more than one point; that is, you may find that the image
appearance at “11” is identical to the image appearance at “38.” Use either setting in such
the Image Settings menu (described later) to remove high-frequency noise from the signal.
H-Position: This option moves the image right or left within the area of available pixels.
V-Position: This option moves the image up or down within the area of available pixels.
The values shown represent where the approximate center of the
Note
image lies in relation to the total number of pixels available
horizontally or vertically. This varies widely according to the signal;
watch the image while adjusting.
Image Settings Menu
Use options in the Image Settings menu to alter your image without affecting its size or
position. Changes made in this menu are applied immediately and saved when you exit
the menu. Options not available for the projector model or source are disabled and appear
dim (gray).
➤
Contrast: “Contrast” increases or decreases the perceived difference between light and
dark areas of your image (0-100). For best results, keep it under 50. If contrast is set too
high, the light parts of the image lose detail and clarity. If set too low, the light areas will
not be as bright as they could be and the overall image will be dim. For best results, start
with a low value and increase so that whites remain bright but are not distorted or tinted
and that light areas do not become white (“crushed”).
If the environment lighting changes, an adjustment of Gamma is
recommended (see below).
Note
Brightness: “Brightness” increases or decreases the amount of black in the image
(0-100). For best results, keep close to 50. Start with a high value and decrease so that
dark areas do not become black (“crushed”). Conversely, high brightness changes black
to dark gray, causing washed-out images.
Gamma: “Gamma” is a global setting that determines how gray shades are displayed
between minimum input (black) and maximum input (white) for all signals. The normal
gamma setting of 2.2 is correct for virtually all signals and conditions. If excess ambient
light washes out the image and it becomes difficult or impossible to see details in dark
areas, lower the gamma setting to compensate.
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Filter: The proper filter setting is automatically set for virtually all signals, and rarely needs
to be changed. It applies a low pass filter for noise reduction in the incoming input signal,
particularly for HDTV or SDTV. Applied in the analog domain before sampling, this filtering
removes high frequencies and thus reduces pixel phase noise (note this also reduces
signal bandwidth). Override only if standard pixel tracking and phase adjustments do not
adequately clear up a “noisy” video signal, or if a graphics signal appears overly “soft.”
Both instances indicate that “Filter” may be set to the wrong option.
Detail: “Detail” adjusts the sharpness of a video image so that edges remain clearly
defined. It can be particularly useful if a significant “Noise Reduction” adjustment has
caused the image to appear too soft. Adjust until the display is as sharp as desired,
keeping in mind that because “Detail” adds some high frequencies back into the image, it
can also reintroduce a certain degree of noise.
Noise Reduction: Noise Reduction is similar to the “Filter” control, but operates in the
post-sampling digital domain with a more subtle effect. Higher settings are most useful for
clearing up noisy RGB images such as those from a PC. Adjust as desired, keeping in
mind that reducing noise (which reduces high frequencies) may also soften the image.
Color Space: “Color Space” determines how the color components of an analog input
signal are decoded for accurate color in the display. With the VX-40d/-50d/-60d/-80d,
this should always be set to RGB.
Video Options: This sub-menu is not applicable to the VX-40d/-50d/-60d/-80d.
Input Levels (Input 1 only): Good RGB or input levels — that is, the drives and black
levels for each of the three primary colors, red, green and blue — ensure that images from
analog sources other than decoded video have maximum contrast without crushing black
or white.
By default (and in an “Auto Setup”), the projector automatically determines the best input
levels by monitoring image content and adjusting the controls appropriately; further
adjustment is typically not required to obtain proper blacks or whites.
However, for a very unusual source exhibiting one or more overly high black levels
(typically caused by a noisy source causing black level spikes), an experienced technician
may prefer to use the Input Levels menu (shown above). These adjustments, which
together serve as a calibration process compensating for differences in sources and
cabling, enable an experienced technician to perfect the source image input levels and
eliminate the “overshoot” and “undershoot.” Note that Input Levels are of limited use with
digital signals, but do offer some ability to tweak poorly mastered source materials.
1. Input Levels are not applicable to (DVI) Input 2.
Note
2. Because the projector automatically optimizes input levels for all
but the most unusual of sources, it is recommended that only
experienced technicians use the Input Levels submenu.
3. Before beginning, check that overall contrast and brightness
settings are near 50 and that color temperature is properly set up
on an internal grayscale test pattern.
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• Auto Input Level: Keep off for virtually all sources (default). Temporarily enter a check
mark only if you are an experienced technician and you have an unusual source that
you feel needs further color temperature and/or input level adjustment. After entering a
check mark, wait for the six slidebar values to stabilize, then clear the check mark and
exit. This compensates for incoming out-of-range drives (white) and black levels (black)
that would cause “crushing” of light and dark colors in the image.
1. There must be at least two consecutive white pixels present in
Note
the image for the “Auto Input Level” function to work properly.
Otherwise, input levels may produce skewed colors, particularly
in non-video images.
2. Uncheck this item before exiting this menu.
• Black Levels and Drives: To check your image and adjust these controls:
1. Make sure overall “Contrast” and “Brightness” settings are both set to near 50. (Not
required for “Auto Input Level” adjustment.)
2. Check the color temperature setup using an internal grayscale test pattern, making
sure to obtain a neutral grayscale. (Not required for “Auto” adjustment.)
3. If the blacks and/or whites appear OK, input levels do not need adjustment. If black
levels are too high (and/or whites are too low, which is rare), you likely have a noisy
source that is producing skewed input levels. Continue with Step 4.
4. Temporarily enable “Auto” in the Input Levels submenu. Wait for all six values to
stabilize. Alternatively, do not use “Auto” — reduce black levels manually instead.
Judge by eye and change one or more of the six levels as necessary to obtain
proper blacks and whites. You may want to see only a certain color while adjusting;
if so, use the “Color Enable” option (described below).
5. Delete the “Auto” check mark and exit the Input Levels menu.
• Auto Color Enable: When a check mark is present, selecting a specific black level or
drive to adjust will automatically enable the corresponding color in the display. Delete
the check mark to see all colors.
• Clamp Location: This option (formerly known as sync tip clamping) can brighten the
image produced from certain high-resolution, high-frequency graphic sources. For
almost all sources, the best clamp location is automatically selected by the projector.
• Use the normal Back Porch location if the image is either sufficiently bright or overly
bright.
• Select Sync Tip if the image appears unusually dim, if there are horizontal streaks
across the image, or if there is significant color drift. This moves the clamping pulse
from the normal back porch location (which is likely too short) to the tip of the
horizontal sync pulse.
• Tri Level is typically recommended for an HDTV source where the back porch is
also short, or for video sources or any RGB source with sync information included
on the video (for example, sync-on-green).
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• Color Enable: Select which color or colors you want to see in the display. This is
useful while working with color temperature white levels or input levels.
When you have finished calibrating Input 1, change the Display Device Input Source to DVI
After calibrating projector Input 2, proceed with the next section, Working With the
Lamp.
Access the Lamp menu to:
3.14
Working With the
Lamp
• Choose a lamp mode for regulating power and light output.
• Change the optical aperture size.
• View information pertaining to past and present lamps.
• Record the lamp serial number in the projector’s memory.
Lamp Hours (read-only): Lamp Hours shows the number of hours logged on the
current lamp. Whenever you record a new lamp serial number, the
VX-40d/-50d/-60d/-80d automatically resets this value to “0” and begins to log time for
the new lamp.
Lamp S/N (read-only): Lamp S/N is the serial number recorded for the current lamp.
When you install a new lamp and enter its serial number, the number appears here.
Lamp Message: Enter a check mark for Lamp Message to enable a warning message
that appears upon power-up when the lamp has reached the specified lamp limit and
should be replaced. Delete the check mark to prevent display of this message—instead,
when your lamp expires, only the status display messages on the back of the projector will
provide a visual warning to replace the lamp.
1. It is recommended that the Lamp Message check box remain
enabled.
Note
2. When a lamp warning message appears, press EXIT to
temporarily cancel the message. The message will continue to
appear upon power-up until you install a new lamp.
Lamp Limit: Set Lamp Limit to the number of hours you expect to log on the current
lamp before replacing it. This will trigger a lamp message on-screen (if enabled).
1. If you change modes over the life of a lamp, the lamp limit you
originally expected may no longer be possible.
Note
2. Turning the lamp on and off reduces lamp life significantly, as do
other factors.
3. It is recommended that Lamp Limit not exceed the expected
lamp life, otherwise a lamp could become dangerously fragile
with overuse.
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Lamp Mode: Select the Lamp Mode you want to use in order to control the light output.
You can choose to run the lamp as bright as possible, you can power the lamp with a
specific wattage appropriate for the installed lamp or you can set a specific intensity
(brightness) to maintain. Keep in mind that higher lamp power settings can shorten lamp
life.
Use the lamp mode that best suits your brightness needs:
• Max Brightness: The lamp will always burn as brightly as possible, driven by 100% of
the power level rating for the installed lamp (1,000 Watts for the VX-40d and VX-60d or
1,200 Watts for the VX-50d and VX-80d). Keep in mind that the “maximum brightness”
for any lamp gradually diminishes with the “Intensity” option.
• Intensity: Brightness will remain close to a specified level for as long as possible. If you
select this option, enter a number representing the intensity level (brightness) you want
to maintain — the VX-40d/-50d/-60d/-80d automatically adjusts power as needed to
maintain this intensity as closely as possible.
This value and slidebar represents the current brightness of your lamp, decreasing over
time when you are operating in Max Brightness mode or at a specific Power level.
When you operate in Intensity mode, this value remains at the chosen Intensity setting
and cannot be adjusted.
The Intensity value is not the actual lumen output, but rather a
correlated value only—1246 may represent 3500 lumens, for
example.
Note
To use “Intensity” mode, judge by eye (or use a meter) and set the level as desired for
your application. Over time, the projector will automatically increase the power supplied
to the lamp as needed to maintain the chosen intensity as closely as possible.
• Power: The power supplied to the lamp will remain at your specified wattage level.
Once you select this option, enter the number of watts representing the power level you
wish to maintain.
This slidebar and number indicates how many watts are applied to the lamp. You can
apply anywhere from approximately 60-65% of the maximum power intended for the
installed lamp up to 100% of the lamp rating. Set for the number of watts as desired,
keeping in mind that lower power levels produce dimmer images. When in either Power
or Max Brightness modes, the power level remains constant. Specifying a maximum
power level here is the same as operating in Max Brightness mode.
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HOW LONG CAN I MAINTAIN BRIGHTNESS? The VX-40d/-50d/-60d/-80d can
maintain your “Intensity” setting until the required power reaches the maximum rating for
the lamp. The lower the setting, the longer it will take to reach this threshold and the
longer you can maintain the desired brightness. Keep in mind that once the lamp power
reaches its maximum wattage (see “Power,” above), this tracking is no longer possible. At
this point, the lamp will gradually begin to dim as usual, even though your original
“Intensity” value will still appear in the menu. To resume accurate tracking, reduce the
intensity setting so that the resulting “Power” value is less than its maximum—the lower
the intensity, the longer it can be maintained.
For example, a 1000-Watt lamp can be driven at no more than 1000 Watts. To produce
desired brightness at the screen, a new lamp would likely need less than this maximum
rating — perhaps 812 Watts (example only). Over time, however, the lamp requires more
and more current in order to generate the desired light, until eventually the lamp wattage
reaches its 1000-Watt maximum and the lamp power automatically levels off. At this
point, the tracking function terminates (that is, the power level stabilizes) and the lamp
begins to dim normally. Either reduce your “Intensity” setting or replace the lamp.
Do not lower the “Intensity” so much that the corresponding “Power” value reaches its
minimum — the intensity setting will be inaccurate and cannot be maintained.
1. Lamps become more stable over time, thus a specific intensity is
more easily maintained as the lamp ages.
Note
2. Intensity can be set only if the lamp is in “Intensity” mode
3. Intensity cannot exceed the output of Max Brightness mode.
Optical Aperture: The optical aperture inside the projector controls the diameter of the
light beam passing through the system. With a fully open aperture (slidebar default of “0”),
the maximum amount of light passes through for maximum brightness in your images.
Increase the slidebar setting to reduce the aperture diameter and maximize contrast ratio
instead.
Lamp History (read-only): Lamp History shows the lamps most recently installed and
recorded in the projector. The Lamp History automatically updates whenever you record a
new lamp serial number; the new lamp is added to the end of the list.
Change Lamp: Select Change Lamp from the Lamp menu to record the serial number
for a newly-installed lamp. For detailed lamp replacement instructions, refer to Lamp and
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Notes:
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4. Operation
Press the MENU button on either the remote control or the DHD Controller front panel to
display the Main Menu.
4.1
Using the On-Screen
Menus
To select a menu item, use the and buttons on either the remote control or the DHD
Controller front panel to highlight it. Press ENTER to confirm your selection.
The VX-40d/-50d/-60d/-80d OSD menus are arranged hierarchically, as shown in Figure
4-1. Depending on the selected input source and signal characteristics, some menu
options may not be available.
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Composite
S-Video 1
ISF Night - Display Color
ISF Night - Input Image
Lamp Power
Brightness
Contrast
Color
S-Video 2
Component SD
HD/RGB 1
HD/RGB 2
DVI 1
Tint
Input Source
Aspect Ratio
Sharpness
Gain
DVI 2
Offset
HD Pass Thru 1
HD Pass Thru 2
Anamorphic
Standard 4:3
Letterbox
ISF Night - Input Color
ISF Day - Display Color
ISF Day - Input Image
Chroma Delay
Phase
Noise Filter
Lamp Power
Brightness
Contrast
Color
VirtualWide
Cinema
Virtualwide 2.35
Brightness
Tint
Note: Virtualwide 2.35 is
available only on
VX-40d/-50d/-60d/-80d
projectors equipped with the
CineWide option (secondary
anamorphic lens).
Calibration
Sharpness
Gain
Contrast
Color
Offset
Picture
Tint
ISF Day - Input Color
Save ISF Settings
Output Shift
Chroma Delay
Phase
Sharpness
Left/Right
Noise Filter
Back / Confirm
Left/Right
Up/Down
Width
Up/Down
Width
Input Position
ISF Presets
Height
Overscan
Recall ISF Night
Recall ISF Day
Recall/Save Custom 1
Recall/Save Custom 2
Reset Custom 1 & 2 to Factory Default
Serial Number
Hardware
Height
Save
Owner Name
ISF Calibrated
ISF Other
Splash Configure
OSD Position
Information
Firmware
(read-only)
Date
Grey Bars 1
Grey Bars 2
Test Video
Color Bars 1
Color Bars 2
Input Names
Rename, Restore or Save
Primary
Remote Control
Secondary
Analog Out Mode
RGB--, RGB++ or RGBS
RGB or DVI/HDMI
Display Device - Input Source
Picture Orientation
Installation
Lens
Keystone
Lamp Hours (read-only)
Display Device - Configure
Focus
Zoom
Shift
Service
Auto Setup
HD/RGB 1
Auto, RGB or YUV
HD/RGB 2
HD Format
Triggers
ADC Bandwidth
YPbPr Input Resolution
1 / 2 / 3 / Save
Language
Auto, 75 MHz, 150 MHz or 300 MHz
Auto, 480i/p, 576i/p, 720p or 1080i
(currently, English only)
Menu Mode
Timeout
Miscellaneous
Side Bar Color
Film Mode (SD sources
only)
800x600 ... 1400x1050
480i ... 720p ... 1080i
Resolution
System Reset
Restore Saved Settings
Figure 4-1. DHD Controller OSD Menu Structure for VX-40d/-50d/-60d/-80d
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The Main Menu is the starting point for accessing all projector functions.
Main Menu
Runco Video
(The Calibration and Service menus are hidden and not accessible until you enter a
passcode.)
Input Source
Aspect Ratio
Picture
Input Position
ISF Presets
Information
Calibration
Service
From the Main Menu, select Input Source to choose a video signal source.
Input Source
Input Source
The active source is indicated by an arrow (>) to its left; in the example at left, Composite
is the active source.
>
Composite
S-Video 1
1. HD Pass Thru 1 and HD Pass Thru 2 are available only when the
S-Video 2
Note
Component SD
HD/RGB 1
HD/RGB 2
DVI 1
2. Selecting HD Pass Thru 1 or HD Pass Thru 2 loops the
HD/RGB 1 or HD/RGB 2 input signal respectively to the RGB
output. This prevents display of the on-screen menus. To switch
from HD Pass Thru 1 or 2 to another source, use the direct
access buttons on the remote control, or the left- or right-arrow
buttons on the DHD Controller.
DVI 2
HD Pass Thru 1
HD Pass Thru 2
3. If the DVI 1 or DVI 2 input is active and the input signal is
HDCP-encrypted, the RGBHV output of the DHD Controller is
disabled.
To change the aspect ratio (size and shape) of the projected image, select Aspect Ratio
from the Main Menu and press ENTER. Select the appropriate aspect ratio for your
Aspect Ratio
Aspect Ratio
Anamorphic
7
ꢀ
ꢀ
ꢀ
ꢀ
ꢀ
The currently-selected aspect ratio is indicated by a “7” to its left; in the example at right,
Anamorphic is selected.
Standard 4:3
Letterbox
The aspect ratio selection is automatically saved for each input and
resolution.
VirtualWide
Cinema
Note
Virtualwide 2.35
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Table 4-1. Aspect Ratio Settings
Remote
Aspect Ratio
Control
Key
Description
Anamorphic
ANA
Select Anamorphic to view 16:9
DVDs and HDTV programs in
their native aspect ratio. 4:3
images are stretched horizon-
tally to fit a 16:9 screen.
16:9 Image on
16:9 Screen
4:3 Image on
16:9 Screen
Standard 4:3
4X3
Standard 4:3 scales the input
signal to fit in the center of the
16:9 screen. 4:3 is the aspect
ratio used by computer moni-
tors, standard television pro-
gramming and most VHS video
cassettes.
Active Image
Area (4:3)
Letterbox
LET
BOX
In Letterbox mode, the image is
stretched vertically; the top and
bottom portions are “blanked
off.” Letterbox is best suited for
viewing LaserDisc movies or
non-anamorphic DVDs on a 4:3
screen.
Letterbox Image on
16:9 Screen
VirtualWide
V-WIDE
A 4:3 image is scaled NON-lin-
early (more on the sides than in
the center) to fit a 16x9 screen.
Cinema
CINEMA
Select Cinema to view 2.35
source material on a 16:9
screen. The upper and lower
portions of the screen are
masked, but the geometry of the
active image area is not
changed.
2.35:1 Image on
16:9 Screen
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Table 4-1. Aspect Ratio Settings (continued)
Remote
Aspect Ratio
Control
Key
Description
Virtualwide 2.35
SVC
A 2.35 image is stretched
anamorphically in both direc-
tions to fill a 16:9 image. (The
secondary anamorphic lens then
“stretches” the image back to
2.35:1.)
2.35:1 Image on
16:9 Screen
Virtualwide 2.35 is available only
on VX-40d/-50d/-60d/-80d pro-
jectors equipped with the Cine-
Wide option.
2.35:1 Image on
16:9 Screen with
VirtualWide 2.35
2.35:1 Image on
2.35:1 Screen with
VirtualWide 2.35
Use the controls in the Picture Menu to calibrate your VX-40d/-50d/-60d/-80d for
optimum picture quality.
Picture
Picture
The VX-40d/-50d/-60d/-80d has been designed to incorporate setup and calibration
standards established by the Imaging Science Foundation (ISF). The ISF has developed
carefully crafted, industry-recognized standards for optimal video performance and has
implemented a training program for technicians and installers to use these standards to
obtain optimal picture quality from Runco video display devices. Accordingly, Runco
recommends that setup and calibration be performed by an ISF certified installation
technician.
Brightness
Contrast
Color
Tint
Sharpness
All signal types require separate processing. Therefore, you need to calibrate each DHD
Controller input separately. Runco recommends calibrating the inputs in this order:
1. Component SD
2. S-Video 1 / S-Video 2
3. Composite
4. HD/RGB 1 / HD/RGB 2
5. DVI 1 / DVI 2
When you change a picture quality setting, save the change to a
Note
preset afterwards. Otherwise, the change will be lost when a
different input is selected. (Picture quality settings are saved for
each input separately.) For information about saving settings, refer
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Although it may be possible to obtain satisfactory picture quality using the naked eye and
regular program material, Runco recommends using the following calibration tools for best
results:
• External test pattern source – Ovation Multimedia, Digital Video Essentials or AVIA test
DVD or equivalent.
• A blue filter (provided with many test DVDs), for color level and tint adjustments.
Connect your test pattern source to the input that you are calibrating and proceed as
follows. Perform the adjustments in the order listed here.
Brightness: On your external test pattern source, select a PLUGE pattern. (PLUGE is an
pattern.
Below Black
Above Black
Figure 4-2. Typical PLUGE Pattern for Adjusting Brightness
PLUGE patterns vary but generally consist of some combination of black, white and gray
areas against a black background. The example above includes two vertical bars and four
shaded boxes.
Select Brightness from the Picture menu and press ENTER. Adjust the brightness so that:
• The darkest black bars disappear into the background.
• The dark gray areas are barely visible.
• The lighter gray areas are clearly visible.
• The white areas are a comfortable level of true white.
• The image contains only black, gray and white (no color).
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Contrast: On your external test pattern source, select a stepped, gray-bar pattern like the
Figure 4-3. Typical Gray Bar Pattern for Adjusting Contrast
Select Contrast and press ENTER. Adjust the contrast to a point just below which the
white rectangle starts to increase in size.
Brightness and contrast controls are interactive. A change to one
may require a subtle change to the other in order to achieve the
optimum setting.
Note
Color Saturation: On your external test pattern source, select a color bar pattern like the
Figure 4-4. Typical Color Bar Pattern for Adjusting Color Saturation and Tint
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Select Color and press ENTER. While looking at the color bar pattern through a blue filter,
adjust the color saturation level until the outermost (gray and blue) color bars appear to be
a single shade of blue:
Tint: Tint or “hue” is essentially the ratio of red to green in the color portion of the image.
When tint is decreased, the image appears redder; when it is increased the image
appears greener. To set the tint, select Tint and press ENTER. While looking at the color
bar pattern through a blue filter, adjust the tint level until the cyan and magenta color bars
(on either side of the green bar) appear to be a single shade of blue.
Like the brightness and contrast controls, the color and tint controls
are interactive. A change to one may require a subtle change to the
other in order to achieve the optimum setting.
Note
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Sharpness: “Sharpness” is the amount of high-frequency detail in the image. To adjust
sharpness, select Sharpness from the Picture menu and press ENTER. On your external
looking for white edges around the transitions from black to gray and differently-sized lines
in the “sweep” patterns at the top and bottom. Lower the sharpness setting to eliminate
them.
Figure 4-5. Typical Test Pattern for Adjusting Sharpness
Use the controls in the Input Position Menu to fine-tune the aspect ratio and image
position for the current source.
Input Position
Input Position
Left/Right
The input position settings are automatically saved for each input
and resolution.
Up/Down
Width
Note
Height
Left/Right: Select Left/Right from the Input Position menu to shift the projected image
horizontally. Use the right or up cursor button to shift the image to the right; use the left or
down button to shift it to the left.
Overscan
Up/Down: Select Up/Down from the Input Position menu to shift the projected image
vertically. Use the right or up cursor button to shift the image upward; use the left or down
button to shift it downward.
Width: Select Width from the Input Position menu to change the projected image width.
Use the right or up cursor button to increase the width; use the left or down button to
decrease it.
Height: Select Height from the Input Position menu to change the projected image
height. Use the right or up cursor button to increase the height; use the left or down
button to decrease it.
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Overscan: Image Overscan pushes the outside edge of the active picture area of the
video signal out beyond the edge of the display area.
Some television programs are produced based on the assumption that older television
sets may not display the outer edges of the broadcast picture area. Over scan effectively
trims away these inactive, outer edges and enlarges the remaining portion of the image to
fill the display area.
Select from 1% to 10% of Overscan, as desired.
For HDTV, DVDs and other video sources, Overscan is generally not necessary or
desirable.
ISF Presets
For each input, the VX-40d/-50d/-60d/-80d lets you save image quality settings as
presets that you can recall at a later time. You can create up to four presets per input and
resolution. Use the ISF Presets menu to recall saved image presets, or to save image
settings in the “Custom 1” or “Custom 2” memory location. The currently-selected preset
is indicated by a “7” to its left; in the example shown here, ISF Night is selected.
➤
ISF Presets
ISF Night
7
ꢀ
ꢀ
ꢀ
ISF Day
You should save changes to any of the following settings to a preset; otherwise they will
be lost when a new input source or resolution is selected:
Custom 1
Custom 2
Save
Save
• Brightness
• Contrast
Factory Default
• Color saturation
• Tint
• Sharpness
To reset the Custom 1 and Custom 2 image presets to their factory defaults, select
Factory Default and press ENTER.
Information
Select Information from the Main Menu to see information that uniquely identifies your
DHD Controller: its serial number, the installed hardware and firmware versions and the
firmware version build date. Should you ever need to contact Runco Technical Support,
this information will help them answer your questions or resolve product performance
issues.
➤
Information
Serial Number
Hardware
Firmware
Date
0
0002.003A
Mar 15 2006
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Use the Calibration menu to perform advanced picture quality adjustments. This menu
should be used by ISF-certified technicians only.
Calibration
Calibration
ISF Night
You must enter a passcode to access the Calibration menu.
Note
Display Color
Input Image
Input Color
To recall the ISF Night or ISF Day settings, select “ISF Night” or “ISF Day” from the ISF
Presets menu (see above).
ISF Day
Display Color
Input Image
Input Color
ISF Night - Display Color: Use the Display Color settings to adjust the projector lamp
intensity. These settings are saved independently for each input.
• Lamp Power: Select Lamp Power from the Display Color Menu to adjust the lamp
output level. You can choose to run the lamp as bright as possible (“100”), at its lowest
power level (“0,” which equates to approximately 700 watts; this is the default setting)
or choose a setting in between. Generally, lower lamp output prolongs the life of the
lamp, but decreases brightness.
Save ISF Settings
Output Shift
Splash Configure
OSD Position
menu, but are accessible only by entering the Calibration menu passcode. This makes it
possible to restore the picture quality settings to what they were when the projector was
installed, simply by recalling the “ISF Night” preset.
ISF Night - Input Color: Use the Input Color controls to adjust the color balance of the
incoming signal. These settings are also saved independently for each input.
• Gain: Use the Gain controls to correct color imbalances in the bright areas of the
image. A good way to do this is to use a test pattern consisting mostly of solid white
areas, such as an 80 IRE “window” pattern. If the white areas contain traces of red,
green or blue, decrease the Gain for that color.
• Offset: Use the Offset controls in the White Balance sub-menu to correct color
imbalances in the dark areas of the image. A good way to do this is to use a test
pattern consisting mostly of dark gray areas, such as a 30 IRE “window” pattern. If the
gray areas contain traces of red, green or blue, decrease the Offset for that color.
• Chroma Delay: Use the Chroma Delay control to correct a mis-aligned image from a
Composite, S-Video or Component video source. Chroma delay in an image causes
color shifts to occur to the left of the vertical edge transitions, producing artificial
shadows or a “halo” effect. If necessary, adjust this setting to eliminate them.
• Phase: Adjust the phase if the image (usually from an RGB source) shows shimmer or
“noise.” Pixel phase adjusts the phase of the pixel sampling clock relative to the
incoming signal. The effect of this control is similar to that of a tracking control on a
VCR.
For best results, use a good test pattern such as a smooth gray consisting of a clear
pattern of black and white pixels, or a similar “half on, half off” graphic image. (You may
notice that you can stabilize the image at more than one point. Use either setting in this
case.)
• Noise Filter: To apply noise filtering to the input signal, select Noise Filter from the
Input Color menu. The Noise Filter is useful for clearing up noisy images from 480i
video sources.
Use the left- or right-arrow buttons to select the desired amount of noise reduction,
keeping in mind that higher settings (which reduce high frequencies) may also “soften”
the image.
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Save ISF Settings: Whenever you make a change to the ISF settings, you should always
save it. Select Save ISF Settings from the ISF Calibration menu to do this. In the event you
Position menu, except that they change the characteristics of the output signal. These
settings are saved independently for each aspect ratio.
To save the Output Shift settings for the current aspect ratio so that they can be restored
repeatedly to highlight “Save.”
Then, press ENTER.
Splash Configure: Use the Splash Configure menu to customize the appearance of the
start-up message that appears on the vacuum fluorescent display upon power-up. You
can have the VX-40d/-50d/-60d/-80d display the owner’s name, your name, the phrase
“ISF Calibrated” and/or any other string, up to 20 characters in length.
Use the up or down cursor button to select a character. Use the right and left cursor
buttons to change the cursor position. Press MENU when you have finished entering text.
Then, check the “Splash Enable” box to have the VX-40d/-50d/-60d/-80d display the
information you enter here when it is turned on.
OSD Position: Select OSD Position, press ENTER and use the arrow buttons to change
the size and position of the OSD controls.
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Use the Service menu to access advanced projector configuration settings. This menu
Service
should be used by ISF-certified technicians only.
Service
Test Video
You must enter a passcode to access the Service menu.
Note
Input Names
Remote Control
Analog Out Mode
Display Device
HD Format
Test Video: Select Test Video from the Service Menu to access the internal test patterns
on the VX-40d/-50d/-60d/-80d. Four patterns are available, consisting of white/gray or
colored bars.
Triggers
Press MENU to exit test pattern mode.
Miscellaneous
Resolution
System Reset
Restore Saved Settings
Input Names: You can give each DHD Controller input a descriptive name. For example,
you may want to change the default input name to the type of source component
connected to it: “VCR,” “DVD,” “Laptop” et cetera. Composite, S-Video and Component
SD input names can be up to 12 characters long; the others can be up to eight characters
long.
Input Names
Restore
Composite
S-Video 1
S-Video 2
Composite
S-Video 1
S-Video 2
To edit an input name, select Input Names from the Service menu. Press or to select
an input and press ENTER. Use the
to select a character to change. When you have finished editing the input name, press
MENU.
or
buttons to change a character; press
or
Component SD Component SD
HD/RGB 1
HD/RGB 2
DVI 1
HD/RGB 1
HD/RGB 2
DVI 1
To restore the default input name, press
“Restore” column. Then, press ENTER.
repeatedly to highlight that input name in the
DVI 2
DVI 2
Save
To save input names so that they can be restored after a System Reset (described on
page 72), press
repeatedly to highlight “Save.” Then, press ENTER.
The button takes you from top to bottom in the left column, then
from top to bottom in the right column. To highlight “Save,” scroll
through both columns.
Note
Remote Control: The Remote Control menu shows you the primary and secondary
infrared (IR) codes to which the DHD Controller will respond. By default, both are set to
17. You can change these codes if either:
• Another device in the theater (a DVD player, for example) is responding to commands
undesirable.
• You have multiple DHD Controllers and want to control them independently, as
opposed to broadcasting commands from a single remote to all of them. In this
scenario, you can use multiple remotes programmed to use different IR codes. Or, you
can use a single remote and change the IR code as needed to address a specific
device.
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Use the DHD Controller front-panel keypad to change its IR code.
Then, change the code sent by the remote to match as described
below.
Tip
Do not change the “Type” setting in this menu.
Note
When you change a remote code on the DHD Controller, you must re-program your
remote control to send that same code. To do this:
1. Using a straightened paper clip or similar object, press and hold the
CODE button on the remote control for approximately three seconds,
or until the red LED on the remote lights solid red.
2. Enter a new two-digit code between 00 and 31 inclusive. Include a
leading zero for single-digit codes; for example, enter 9 as “09.”
3. The LED turns off to confirm the code change. If you enter an invalid code, the LED
flashes for three or four seconds. Try again, entering a valid code.
Analog Out Mode: Select Analog Out Mode from the Service menu to change the
characteristics of the analog output signal from the DHD Controller. The choices are
RGB-- (separate sync with negative polarity), RGB++ (separate sync with positive polarity)
or RGBS (composite sync).
Display Device: The options in the Display Device menu allow you to perform various
adjustments at the projector.
• Input Source: Select Input Source from the Display Device menu to switch from one
DHD Controller output/projector input to the other. Use the
or
button to select
RGB or DVI/HDMI, then press ENTER.
If the DVI 1 or DVI 2 DHD Controller input is active and the input
signal is HDCP-encrypted, the RGBHV output of the DHD
Controller is disabled.
Note
Tip
Use the serial command DISPLAY [n](where [n] = 2, 3, 4 or 5) to
set the Input Source to RGB or DVI/HDMI, so that the DHD
case when you change the Input Source in the Display Device
menu.) For more information, refer to Miscellaneous Commands
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• Configure: Select Configure from the Display Device menu to change the picture
orientation, correct a “keystoned” (trapezoidal) image, access the lamp timer, perform
lens adjustments and quickly optimize various display settings.
• Installation - Keystone: If the projector and screen are not installed perpendicular
to each other, the image may become distorted in a trapezoidal shape, as shown in
Figure 4-6. Select Keystone from the Configure menu to compensate for this.
Vertical Keystone Correction
-
+
Negative values
compress bottom.
Positive values
compress top.
Figure 4-6. Keystone Correction
• Installation - Lamp Hours: This menu page also displays the number of hours that
the lamp has been in service. To reset the counter (which is recommended after you
• Lens: Select Lens from the Display Device menu to access the motorized lens
HD Format: If the characteristics of the incoming signal on the HD1 or HD2 inputs are
known, select HD Format from the Service menu and set them as described below. Doing
so can reduce the time it takes the DHD Controller to switch from HD to 480i signals or
vice versa.
HD Format
HD/RGB 1
Auto
HD/RGB 2
Auto
This is generally not necessary unless the DHD Controller – for whatever reason – has
difficulty determining the color space (RGB or YUV), bandwidth or resolution of the
incoming HD signal. In most situations, the Auto settings work well.
ADC Bandwidth
Auto
• HD/RGB 1 and HD/RGB 2 (Color Space): Select Auto, RGB or YUV.
YPbPr Input Resolution
• ADC Bandwidth: Select Auto, 75 MHz, 150 MHz or 300 MHz.
• YPbPr Input Resolution: Select Auto or specify the input resolution, if known: 480i,
480p, 576i, 576p, 720p or 1080i.
Triggers: Select Triggers from the Service menu to configure the 12-volt trigger outputs.
You can assign one or more trigger outputs to each aspect ratio. Those triggers are then
activated by selecting that aspect ratio.
If your projector is equipped with the Runco CineWide with AutoScope system, assign at
least one trigger output (the same one to which the lens motor is connected) to the
Cinema and Virtualwide 2.35 aspect ratios.
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To configure a trigger to activate when the system is turned on –
for example, when using the trigger to control a retractable screen
– assign that trigger to all aspect ratios.
Tip
To save the trigger settings so that they can be restored after a System Reset (described
below), press repeatedly to highlight “Save.” Then, press ENTER.
Miscellaneous: Select Miscellaneous from the Service menu to set the following options:
• Language: Select Language from the Miscellaneous menu and press the up- or
down-arrows to select the OSD language. (Currently, only English is supported.)
• Menu Mode: This is the manner in which the OSD menus appear and disappear when
you press MENU. Choose one of the following:
0 = No transition; menus abruptly appear and disappear.
1 = Menus fade in and out.
2 = “Checkerboard” dissolve; menus appear and disappear in sections.
3 = “Window shade” effect; menus are drawn on a diagonal from top left to bottom
right, and retract in the opposite direction.
• Timeout - Short/Long: These settings control how long the OSD menus stay on
screen. Select a time-out period of from 2 to 60 seconds.
• Side Bar Color: This controls the color of the inactive image area. The range is from
-100 (black) to 100 (white).
The inactive image area is on either side of the active image area when using the
Standard 4:3 aspect ratio, and above and below the active image area when using the
Letterbox aspect ratio.
• Film Mode: Enable Film Mode to smooth out moving images from interlaced,
standard-definition (SD) sources. In most cases, the DHD Controller detects the proper
“pull-down” rate and vertical frequency. However, if your source is jittery and/or tearing
you may wish to enable Film Mode to ensure stable processing for that source.
Resolution: The DHD Controller defaults to an output resolution of 720p. When using the
VX-40d/-50d/-60d/-80d with a computer or certain HD sources, you may want to force
the DHD Controller to use a different output resolution. If so, select Resolution from the
Service menu and choose one. Then, press ENTER to confirm.
System Reset: To reset ALL projector and controller settings (including image settings)
back to their factory defaults, choose System Reset from the Service menu.
A confirmation message appears, reminding you to save your settings before you perform
the reset, so that you can restore them afterwards. If you have done this, select Confirm to
continue with the reset. Otherwise, click Back to cancel.
This action is not undoable. Proceed with caution! Before you
perform a System Reset, save ALL settings, including “Custom” ISF
Caution
Restore Saved Settings: Following a System Reset, select Restore Saved Settings to
apply all previously-saved settings to the projector and DHD Controller.
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5. Maintenance and Troubleshooting
The VX-40d/-50d/-60d/-80d uses a Cermax® Xenon lamp to deliver its high brightness.
5.1
The lamp should be replaced when it reaches the end of its life (typically 1000 hours), or
sooner if a noticeable degradation in brightness occurs. When you replace a lamp, you
should replace the filters as well.
Lamp and Filter
Replacement
Keep track of the number of hours the lamp has been in use and be aware of any changes
to brightness. These indicators will help you effectively maintain operation of the projector.
To find out how long the currently-installed lamp has been in service, select Lamp Hours
from the DHD Controller Installation menu (available by selecting Service -> Display
Device -> Configure -> Installation, in sequence).
For lamp or filter replacement, please contact your nearest Runco authorized
service center or Runco dealer. Do not attempt to replace the lamp yourself!
1. Turn off the projector and unplug the power cord. Allow the projector to cool down for
approximately 45 minutes prior to removing the lamp assembly for replacement.
Lamp cover - 4 screws
Figure 5-1. Removing the Lamp Door
3. Pull (out) and turn the lamp lock lever, which is located to the left of the lamp module, a
Figure 5-2. Unlocking the Lamp
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4. Grasp the lamp by its housing only and pull it straight out (lamp slides along guides)
or contact your Runco dealer for a possible re-lamping program.
Figure 5-3. Removing the Lamp
5. Align the new lamp with the top and bottom guides on the left side of the lamp
be required right at the end to make sure it is fully seated into the terminal block. NOTE:
The projector will not power up again if the lamp is not fully connected to the terminal
block.
Figure 5-4. Installing A New Lamp
6. Pull (out) and turn the lamp lock lever (turned up in Step 3) a quarter turn clockwise to
“lock” the lamp in place. NOTE: If you can’t turn the lamp lock into position, the lamp
may not be fully inserted. In this case, partially remove the lamp and try pushing it back
in again. Then, try switching the lock lever to the “lock” position.
7. Replace the lamp door and tighten the four screws to secure it.
8. Re-attach the power cord to the projector and power it up.
2-3).
10.Select Lamp from the Main Menu.
11.Select Change Lamp from the Lamp menu.
12.Enter the serial number in the Lamp S/N text box using the remote numeric keypad.
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13.Press ENTER to accept the change. This adds the new lamp serial number to the
Lamp History menu and resets the Lamp Hours timer to “0.” Lamp Mode and Lamp
Limit remain as they were for the previous lamp and can be changed at any time.
Figure 5-5. Recording the Serial Number of a New Lamp
Always record the serial number of a new lamp. Do this only if you
Note
have just installed a new lamp. This will ensure that the lamp timer
is not reset on an old lamp and that the number of hours logged on
the lamp is accurate.
Whenever you replace the lamp – or more often if the projector is installed in an extremely
dusty environment – you should also replace the two filters located at the front and right
side of the projector.
Filter Replacement
1. Loosen the six screws holding right side filter access
Side Filter Access Cover
panel in place. Then, remove the panel.
2. Loosen the two screws holding front filter access
panel in place. Then, remove the panel.
Front Filter Access Cover
3. Pull the filters out of the projector and discard. Do not
reuse filters.
4. Insert the new filters with the wired side in.
5. Replace the filter access panels and tighten the
screws to secure them.
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If you need to remove the lens – either to replace it or to prepare the projector for
shipment – proceed as follows:
5.2
Lens Replacement
1. Power down the projector and wait five minutes to allow the lamp to cool.
2. Remove the secondary anamorphic lens, if present.
3. Place the lens cap on the installed lens to protect it from damage.
4. Press and hold the “lens release” button located in the top right corner of the lens
panel.
5. Grasping the lens barrel, turn it in a counter-clockwise direction until it stops. Then, pull
it forward to remove it (disconnects from the connector assembly).
4
3
5
Note: The connector assembly moves as you turn the lens.
Figure 5-6. Removing the Primary Lens
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Table 5-1 provides some general guidelines for troubleshooting problems you may
encounter with the VX-40d/-50d/-60d/-80d. If the suggested solutions fail to resolve the
problem or if you encounter an issue not described here, please contact Runco Technical
Support.
5.3
Troubleshooting Tips
Table 5-1. Troubleshooting Chart
Symptom
Possible Cause(s)
• The
Solution
The projector does not turn
on after initial installation.
• Ensure that the
VX-40d/-50d/-60d/-80d is
not plugged in or the AC
outlet is not active.
VX-40d/-50d/-60d/-80d is
plugged in and that the AC
outlet is active.
• The DHD Controller is not
plugged in or the AC outlet
is not active.
• Ensure that the DHD
Controller is plugged in
and that the AC outlet is
active.
• The remote control
batteries have run out.
• The serial connection from
the DHD Controller to the
VX-40d/-50d/-60d/-80d is
incorrect.
• Replace the batteries.
• Ensure that the RS-232
output from the DHD
Controller is properly
connected to the RS-232C
input on the
VX-40d/-50d/-60d/-80d
The projector and DHD
Controller are both on, but
there is no picture and
on-screen menus do not
appear.
• Lens cover is on or shutter
is closed.
• Ensure that the lens cover
is off and the shutter is
open.
• Ensure that the lamp door
is closed. If it is and the
problem persists, replace
the lamp.
• Lamp failed to ignite.
• Faulty or incorrect video
connection between the
DHD Controller and the
VX-40d/-50d/-60d/-80d.
• Ensure that the DVI and/or
RGBHV outputs from the
DHD Controller are
properly connected to the
video inputs on the
VX-40d/-50d/-60d/-80d
• Incorrect input source
selection.
• Choose the correct input
source on the projector
(refer to Selecting the
page 36).
• Display Device input
source is set to RGB, DHD
Controller input is set to
DVI 1 or DVI 2 and DVI
source is
• Set the Display Device
input source to DVI/HDMI
or use a different input on
the DHD Controller for the
encrypted source material.
HDCP-encrypted.
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Table 5-1. Troubleshooting Chart (continued)
Symptom
Possible Cause(s)
Solution
The display is on and menus
appear, but there is no
picture.
• Incorrect source selection.
• Source component is not
turned on.
• Select the correct source.
• Turn on the source
component.
• Source component is
connected incorrectly or
not at all.
• Check connections from
source component to DHD
Controller.
A projected image from a
DVD is split or otherwise
scrambled.
• DVD player is connected
to the Component input
and set to progressive
scan mode.
• Turn off progressive scan
on the DVD player. Or,
connect the DVD player to
the HD1 or HD2 input.
Image appears “squeezed” or
vertically stretched into cen-
ter of screen.
• Incorrect aspect ratio
selection.
• Select a different aspect
ratio.
The display is jittery or
unstable.
• Poor-quality or improperly
connected source.
• Ensure that the source is
properly connected and of
adequate quality for
detection.
• The horizontal or vertical
scan frequency of the
• Correct at the source.
input signal may be out of
range for the projector.
Image is too bright and/or
lacks definition in the bright
areas of the image.
• Contrast is set too high.
• Brightness is set too high.
• Lower the contrast setting.
Image appears “washed out”
and/or dark areas appear too
bright.
• Lower the brightness
setting.
Colors in the image are
swapped; for example, reds
appear blue or vice versa.
• The Red/Pr, Green/Y or
Blue/Pb outputs from the
source are connected to
the wrong inputs on the
DHD Controller.
• Ensure that the source
outputs are connected to
the correct DHD Controller
input.
The display freezes suddenly.
• Excessive voltage noise on
the AC or ground input has
interrupted the projector’s
ability to lock on to a
signal.
• Power down the projector
and disconnect from AC.
Then, plug in again and
power up as usual.
The projector will not turn
back on after it was powered
down, or the image disap-
pears during operation.
• The projector will not turn
on for two minutes after
power-down, to protect
the lamp.
• Wait until the LED at the
front of the DHD Controller
turns red.
• The lamp has failed.
• Replace the lamp.
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Table 5-1. Troubleshooting Chart (continued)
Symptom
Possible Cause(s)
Solution
AutoScope lens motor does
not work.
• The motor is not plugged
in or the AC outlet is not
active.
• Ensure that the motor is
plugged in and that the AC
outlet is active.
• The motor is not
connected to a trigger
output on the DHD
Controller.
• Incorrect trigger
assignment.
• Check the trigger
connection between the
lens motor and DHD
• Correct the trigger
assignment (refer to
Configure Lens Motor
Trigger (CineWide with
If the status code display on the back of the projector shows one of the following values,
you have encountered a likely system error requiring the attention of a qualified service
technician. Acknowledge and clear the error by pressing EXIT twice on the rear-panel
keypad. Try resetting the projector by powering it off, allowing it to cool and powering it on
Error Codes
The specific code number identifies the source of the error detected, and is particularly
useful in cases where the projector is far away. For example, the code “27” means the
lamp could not be turned on.
Table 5-2. VX-40d/-50d/-60d/-80d Error Codes
Code
Description
General
12
13
14
15
16
Software bug. Contact dealer or Runco Technical Support.
CRC error in flash ROM. Download new software.
Engineering-only programming is complete. Contact Runco, replace TIPM.
Attempting to download code without being in boot mode.
Invalid interrupt. Power off/on. If it persists, contact dealer or Runco Technical
Support.
17
18
User forced system to stay in boot mode.
Jumper for programming boot not installed.
Note: To clear a system error, press the EXIT key (on the projector’s rear-panel keypad) twice. If
necessary, reset the projector by powering it off, allowing it to cool and powering it on again.
Contact your Runco dealer or Runco technical support if the error persists.
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Table 5-2. VX-40d/-50d/-60d/-80d Error Codes (continued)
Code
Description
Lamp Failures
20
21
23
26
27
28
29
Lamp turned on unexpectedly (fault related to ballast).
Lamp airflow low, overheating imminent.
Cannot read valid ballast ID.
Lamp 1 Interlock: lamp door open, lamp not installed.
Can’t turn lamp on.
Lamp turned off unexpectedly.
Lamp ballast overheated.
Power and Cooling
46
47
48
49
4C
C0
51
52
53
54
55
56
57
58
Red DMD heat sink overheated.
Green DMD heat sink overheated.
Blue DMD heat sink overheated.
Prism overheated.
Projector shutdown due to critical error.
Lamp blower failure (lamp not turned on).
LVPS fan failed (Fan 1).
LVPS/Red cooling fan failed (Fan 2).
DC lamp fan failed (VX-40d or VX-60d; Fan 3).
Red DMD heatsink fan failed (Fan 4).
Green DMD heatsink fan failed (Fan 5).
Blue DMD heatsink fan failed (Fan 6).
TIPM fan failed (Fan 7).
TIPM fan failed (Fan 8).
Note: To clear a system error, press the EXIT key (on the projector’s rear-panel keypad) twice. If
necessary, reset the projector by powering it off, allowing it to cool and powering it on again.
Contact your Runco dealer or Runco technical support if the error persists.
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Table 5-2. VX-40d/-50d/-60d/-80d Error Codes (continued)
Code
Description
TIPM (Image Processor)
60
61
62
63
64
65
66
67
68
Boot code CRC failed.
Unable to program DigMux PLD.
Unable to program Control PLD.
Unable to program Bubks PLD.
Unrecognized ROM type.
Write to flash ROM failed.
TIPM failure.
Downloaded code will not fit.
Scaler communication problem.
Built-In Keypad
70
71
Unable to access EEPROM on the built-in keypad.
EEPROM memory re-initialization on the built-in keypad.
Panel Driver and Formatter
80
81
82
83
84
85
86
87
88
89
8A
93
94
95
Unrecognized Panel Driver.
Unable to program device on Panel Driver.
TI flash download failure.
TI flash download failure.
TI flash download failure.
TI-I2C write failure.
One or more formatters not responding; probable formatter software fault.
Formatter reports RDRAM failure.
Red modular Formatter communication failure.
Green modular Formatter communication failure.
Blue modular Formatter communication failure.
Modular formatter architecture error.
Modular formatter DMD mismatch.
Modular formatter sequence mismatch.
Note: To clear a system error, press the EXIT key (on the projector’s rear-panel keypad) twice. If
necessary, reset the projector by powering it off, allowing it to cool and powering it on again.
Contact your Runco dealer or Runco technical support if the error persists.
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Table 5-2. VX-40d/-50d/-60d/-80d Error Codes (continued)
Code
Description
Miscellaneous
A0
A1
A2
A3
Unable to program the optional module.
Unable to power the optional module.
Unable to program the Dual Slot Backplane Module (DSBP).
Unable to program the optional Post Processing Module (Warp module).
Note: To clear a system error, press the EXIT key (on the projector’s rear-panel keypad) twice. If
necessary, reset the projector by powering it off, allowing it to cool and powering it on again.
Contact your Runco dealer or Runco technical support if the error persists.
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6. Serial Communications
To interface the DHD Controller with a home theater automation/control system or a PC
running terminal emulation software, connect it to your control system or PC as shown in
6.1
RS-232 Connection
and Port Configuration
Configure the RS-232 controller or PC serial port as follows: no parity, 8 data bits, 1 stop
bit and no flow control. Set the baud rate to 19200, to match that of the DHD Controller
RS-232 port.
Serial commands to the DHD Controller take the following form:
• Commands are not case-sensitive.
6.2
Serial Command
Syntax
• For a single command that takes no parameters, type the command followed by a
carriage return; for example, to set the aspect ratio to Letterbox, type
LETTERBOX <Enter>.
• For a single command that takes a parameter, type the command, a space or a
comma and the desired value followed by a carriage return; for example, to set the
brightness to -10, type BRIGHTNESS -10 <Enter>or
BRIGHTNESS,-10 <Enter>.
• You can also send a string of multiple commands on a single line, separated by
commas. For example, COMPOSITE,BRIGHTNESS 100,ANAMORPHIC <Enter>
switches to the Composite video input, sets the brightness to 100 and sets the aspect
ratio to Anamorphic. Command strings can be up to 255 characters long.
Avoid combining the ONor POWER 1commands with other commands
Note
on a single line. After sending ONor POWER 1, allow at least 15
seconds for the DHD Controller to power up. Once it does, it will accept
and properly execute multiple serial commands.
Table 6-1 lists the RS-232 command set. The “Parameter (min/max)” column shows the
valid parameter ranges, or “NA” for commands that take no parameters.
When you enter a valid command, the DHD Controller executes it and acknowledges it
with a plus sign on the command line (+ >). When you enter an invalid command – one
that is misspelled or followed by values outside the valid range for that command – the
DHD Controller ignores it and returns a minus sign (- >).
Table 6-1. Serial Commands
Parameter
(min/max)
Value
Stored?
Command
Description
Power On/Off Commands
OFF
NA
NA
0/1
NA
NA
NA
NA
NA
Turns projector off
Turns projector on
ON
POWER
POWER?
Turns projector on and off
Returns power status
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Table 6-1. Serial Commands (continued)
Parameter
(min/max)
Value
Stored?
Command
Description
Input Selection Commands
COMPONENT
COMPOSITE
DVI1
NA
NA
NA
NA
NA
NA
NA
NA
NA
NA
NA
YES
YES
YES
YES
YES
YES
YES
YES
NA
Selects the Component input
Selects the Composite video input
Selects the DVI 1 input
DVI2
Selects the DVI 2 input
HD1
Selects the RGB HD 1 input
Loops HD1 input to RGBHV output
Selects the RGB HD 2 input
Loops HD2 input to RGBHV output
Returns active input
HD1PASS
HD2
HD2PASS
INPUT?
SVIDEO1
SVIDEO2
YES
YES
Selects the S-Video 1 input
Selects the S-Video 2 input
Aspect Ratio Commands
ANAMORPHIC
ASPECT?
NA
NA
NA
NA
NA
NA
NA
NA
NA
NA
NA
YES
NA
Selects the Anamorphic aspect ratio
Returns current aspect ratio
ASPECTIN?
ASPECTOUT?
CINEMA
NA
Returns the input source aspect ratio
Returns output screen size
NA
YES
YES
YES
YES
YES
YES
YES
Selects the Cinema aspect ratio
Selects the Letterbox aspect ratio
Sets the output screen to 1.78:1 (16:9)
Sets the output screen to 2.35:1
Selects the Standard (4:3) aspect ratio
Selects the VirtualWide aspect ratio
Selects the Virtualwide 2.35 aspect ratio
LETTERBOX
OUT169
OUT235
STANDARD
VIRTUALWIDE
VIRTUAL235
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Table 6-1. Serial Commands (continued)
Parameter
(min/max)
Value
Stored?
Command
Description
Picture Adjust Commands
BRIGHTNESS
BRIGHTNESS?
CHROMADELAY
-100/100
NA
YES
NA
Sets a value for brightness
Returns brightness setting value
Sets a value for input color chroma delay
Returns input color chroma delay setting
Sets a value for color
-12/12
YES
NA
CHROMADELAY? NA
COLOR
-100/100
YES
NA
COLOR?
CONTRAST
CONTRAST?
FILMMODE
FILMMODE?
FILTER
NA
Returns color setting value
-100/100
NA
YES
NA
Sets a value for contrast
Returns contrast setting value
Sets Film Mode off (0) or on (1)
Returns Film Mode setting (0 = off; 1 = on)
Sets a value for input color noise filter
Returns input color noise filter setting
Adjusts phase
0/1
YES
NA
NA
0/15
NA
YES
NA
FILTER?
PHASE
0/3
YES
NA
PHASE?
NA
Returns phase setting value
Sets a value for sharpness
SHARPNESS
SHARPNESS?
TINT
-6/6
NA
YES
NA
Returns sharpness setting value
Sets a value for tint
-100/100
NA
YES
NA
TINT?
Returns tint setting value
Image Preset Commands
CUSTOM1
CUSTOM2
DAY
NA
NA
NA
NA
NA
YES
YES
YES
YES
NA
Loads “Custom 1” image preset
Loads “Custom 2” image preset
Loads “ISF Day” image preset
Loads “ISF Night” image preset
NIGHT
PRESET?
Returns currently-selected preset
(ISF Day, ISF Night, Custom 1 or Custom 2)
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Table 6-1. Serial Commands (continued)
Parameter
(min/max)
Value
Stored?
Command
Description
Input Position Commands
IHEIGHT
-100/100
NA
YES
NA
Sets the value for input height
IHEIGHT?
IHPOS
Returns input height value
-100/100
NA
YES
NA
Sets a value for horizontal input position
Returns input horizontal position value
Sets a value for vertical input position
Returns input vertical position value
Sets the value for input width
IHPOS?
IVPOS
-100/100
NA
YES
NA
IVPOS?
IWIDTH
-100/100
NA
YES
NA
IWIDTH?
OVERSCAN
OVERSCAN?
Returns input horizontal width value
Sets the overscan percentage
Returns overscan percentage
0/10
YES
NA
NA
Output Shift Commands
OHEIGHT
OHEIGHT?
OHPOS
-100/100
NA
YES
NA
Sets the value for output height
Returns output height value
-100/100
NA
YES
NA
Sets the value for output horizontal position
Returns output horizontal position value
Sets the value for output vertical position
Returns output vertical position value
Sets the value for output width
OHPOS?
OVPOS
-100/100
NA
YES
NA
OVPOS?
OWIDTH
OWIDTH?
-100/100
NA
YES
NA
Returns output horizontal width value
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Table 6-1. Serial Commands (continued)
Parameter
(min/max)
Value
Stored?
Command
Description
Miscellaneous Commands
BKGND
-100/100
YES
Sets the background color for letterbox or
4:3 aspect ratio (-100 = black; 100 = white)
BKGND?
DATE?
NA
NA
2/5
NA
Returns background setting value
Returns product manufacture date
NA
DISPLAY
YES
Sets display device input source, as
follows:
2 = VX-60d/-80d RGB
3 = VX-60d/-80d DVI/HDMI
4 = VX-40d/-50d RGB
5 = VX-40d/-50d DVI/HDMI
DISPLAY?
NA
NA
NA
Returns display device input source value
HDINPUTRES
YES
Sets YPbPr input resolution and refresh
rate for HD1/HD2, as follows:
0 = 480i
1 = 480p
2 = 576i
3 = 576p
4 = 720p / 60 Hz
5 = 1080i / 60 Hz
6 = 720p / 50 Hz
7 = 1080i / 25 Hz
Any other value = Auto
HWVER?
INRES?
LENS1?
LENS2?
OUTRES
NA
NA
NA
NA
0/5
NA
NA
NA
NA
YES
Returns hardware version number
Returns input resolution
Returns Lens 1 configuration
Returns Lens 2 configuration
Sets output resolution, as follows:
0 = 480i
1 = 576i
2 = 480p
3 = 576p
4 = 720p
5 = 1080i
OUTRES?
SWVER?
TRIGGER
NA
NA
1/3
NA
Returns output resolution
NA
Returns software version number
YES
Assigns trigger to currently-selected aspect
ratio
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7. Specifications
Table 7-1 lists the VX-40d/-50d/-60d/-80d specifications.
7.1
VX-40d/-50d/-60d/
-80d Specifications
Table 7-1. VX-40d/-50d/-60d/-80d Specifications
Projector Type:
Digital Light Processing (DLP), 3-chip, 16:9 SuperOnyx DMD
Native Resolution:
VX-40d/-50d: 1280 x 720 (16:9)
VX-60d/-80d (788p): 1400 x 788 (16:9)
VX-60d/-80d (1050p): 1400 x 1050 (4:3)
Aspect Ratios:
Refer to Table 7-2
Refer to Table 7-2
480p, 720p, 1080i
Video Standards:
DTV Compatibility:
Scan Frequency:
Horizontal: 15 kHz to 120 kHz
Vertical: 23.97 Hz to 150 Hz
Picture Size (16:9 Screen):
VX-40d/-60d:
Recommended width = 72 to 192 in.
Maximum width = 300 in.
VX-50d:
Recommended width = 72 to 240 in.
Maximum width = 350 in.
VX-80d:
Recommended width = 72 to 288 in.
Maximum width = 375 in.
Throw Distance
(Factor x Screen Width):
Horizontal and Vertical
Offset:
VX-40d/-50d/VX-60d/-80d with Telesto A Lens: None
VX-40d/-50d with Telesto B, C, D or E Lens:
Horizontal: 25% of screen width left or right
Vertical: 65% of screen height up or down
VX-60d/-80d with Telesto B, C, D or E Lens:
Horizontal: 25% of screen width left or right
Vertical: 50% of screen height up or down
Lamp:
VX-40d/-60d: 1,000 Watt Xenon lamp module
VX-50d/-80d: 1,200 Watt Xenon lamp module
Estimated Lamp Life:
Inputs:
1,000 hours
(1) RGBHV, 5xBNC (from DHD Controller)
(1) DVI with HDCP (from DHD Controller)
(1) RS-232 (from DHD Controller)
(1) RS-422
(1) Composite Video
(1) Component Video
(1) S-Video
Controls:
- Built-in keypad
- IR remote
- Serial commands via RS-232 (from DHD Controller)
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Table 7-1. VX-40d/-50d/-60d/-80d Specifications (continued)
Brightness and Contrast:
Cinema Standards Measurement System (CSMS)
Specifications
-
Brightness: 86.0 foot-Lamberts (fL) (VX-40d);
107.3 fL (VX-50d); 94 fL (VX-60d); 188.6 fL (VX-80d)
Contrast Ratio (variable, based on lens aperture setting):
233:1 - 285:1 (VX-40d);
-
229:1 - 279:1 (VX-50d);
227:1 - 282:1 (VX-60d);
225:1 - 277:1 (VX-80d)
These measurements are taken from the projector in a controlled,
home theater environment. All measurements are made to
ANSI/NAPM IT7.228-1997 specifications using the Photo Research
PR-650 SpectraColorimeter and Minolta LS-100 Luminance Meter,
Video Essentials test DVD and a 1.3 gain, 72-inch wide screen. The
projector is calibrated to a color temperature of 6,500K and has a
minimum of 150 hours of usage.
The foot-Lambert (fL) is the unit of measurement used in commercial
movie theaters to express image brightness at the screen surface. The
Society of Motion Picture and Television Engineers (SMPTE) specifies
16 fL as the target image brightness for film-based projectors using an
open gate (without film in the projector). More importantly, today
SMPTE specifies 12 fL as the target image brightness in Digital
Cinema theaters. The foot-Lambert measurement is dependent on
screen size, screen gain and projector light output.
Home Theater Calibration Specifications
-
Light Output:
2180 ANSI Lumens (VX-40d);
3462 ANSI Lumens (VX-50d);
2360 ANSI Lumens (VX-60d);
5740 ANSI Lumens (VX-80d)
Contrast Ratio (variable, based on lens aperture setting):
233:1 - 285:1 (VX-40d);
-
229:1 - 279:1 (VX-50d);
227:1 - 282:1 (VX-60d);
225:1 - 277:1 (VX-80d)
These specifications are obtained by calibrating the projector as
described above for CSMS measurements.
Industry-Standard Specifications
-
Light Output:
4000 ANSI Lumens (VX-40d and VX-60d);
6000 ANSI Lumens (VX-50d);
8000 ANSI Lumens (VX-80d)
Contrast Ratio (variable, based on lens aperture setting):
1500 - 2000:1
-
These are typical projector brightness and contrast specifications
found in most companies’ sales literature. Runco includes these
measurements in its literature to allow for direct comparison with other
manufacturers’ projectors. These measurements are typically taken at
9,000K to 13,000K to get expected performance data when the
projector is used in professional, commercial and industrial displays.
Power Requirements:
VX-40d/-60d:
100 to 240 VAC (auto-sensing), 50/60 Hz, 1,700 Watts
VX-50d/-80d:
200 to 240 VAC (auto-sensing), 50/60 Hz, 2,100 Watts
Operating Environment:
41°F to 95°F (5°C to 35°C), 20% to 80% humidity
(non-condensing)
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Table 7-1. VX-40d/-50d/-60d/-80d Specifications (continued)
Dimensions:
Weight (without lens):
VX-40d/-60d: 85 lbs. (38.55 kg)
VX-50d/-80d: 89 lbs. (40.37 kg)
Regulatory Approvals:
Limited Warranty:
Complies with FCC, CE C-Tick
Projector: Two (2) years parts and labor from the date of
delivery to the end user.
Lamp: 1000 hours or six (6) months, whichever comes first.
Specifications are subject to change without notice.
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Table 7-2 lists the DHD Controller specifications.
7.2
DHD Controller
Specifications
Table 7-2. DHD Controller Specifications
Aspect Ratios:
4:3, Letterbox, 16:9 Anamorphic, VirtualWide, Cinema,
VirtualWide 2.35
NTSC, PAL
720p
Video Standards:
Output Resolution:
Inputs:
(1) Composite; (2) S-Video; (1) Component;
(2) HD-R (Pr), G (Y), B (Pb), H, V; (2) DVI with HDCP
Outputs:
(1) HD-RGBHV
(1) DVI-I with HDCP
Control Options:
-
-
-
Discrete infrared remote
Serial commands via RS-232
Front-panel controls
RS-232 Communication
Parameters:
19200 bps, no parity, 8 data bits, 1 stop bit, no flow control
Trigger Outputs:
(3) +12 VDC, each rated at 750 mA and thermal
fuse-protected
Bandwidth:
150 Mega Samples per Second (MSPS)
Power Requirements:
Operating Environment:
100 to 240 VAC (auto-sensing), 50/60 Hz, 160 Watts
41°F to 95°F (5°C to 35°C), 0% to 90% humidity
(non-condensing)
Dimensions:
Width = 17.50 inches (444.5 mm)
Depth = 11.19 inches (284.1 mm)
Height = 3.75 inches (95.3 mm)
Weight:
13.0 lbs. (5.90 kg)
Regulatory Approvals:
Limited Warranty:
Complies with FCC, CE C-Tick
Two (2) years parts and labor from the date of delivery to the
end user.
Specifications are subject to change without notice.
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Figure 7-1 shows the VX-40d/-50d/-60d/-80d dimensions (all dimensions are in inches).
7.3
VX-40d/-50d/-60d/
-80d Dimensions
Intake Vents
12.225
29.023
9.668
11.245
28.240
Exhaust Vent
27.465
Figure 7-1. VX-40d/-50d/-60d/-80d Dimensions
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SERIAL NUMBER
RUMA-011010
rev 07-20-06 v3.1
Runco International • 2900 Faber Street • Union City, CA 94587 • Ph (510) 324-7777 / (800) 23RUNCO / Fax (510) 324-9300
www.runco.com
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