OWNER’S OPERATING MANUAL
DTV-947
DTV Capable CRT Projector
with External VHD Controller
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TABLE OF CONTENTS
TABLE OF CONTENTS............................................................................................................................1
SAFETY INSTRUCTIONS ................................................................................................................................1-1
On safety.............................................................................................................................................................1-1
On installation .....................................................................................................................................................1-2
On servicing........................................................................................................................................................1-2
On cleaning.........................................................................................................................................................1-2
On repacking.......................................................................................................................................................1-2
On illumination ....................................................................................................................................................1-2
LOCATION AND FUNCTION OF CONTROLS.....................................................................................2-1
Rear Panel Description.......................................................................................................................................2-1
Remote Control Description................................................................................................................................2-2
CONNECTIONS ....................................................................................................................................3-1
Power (mains) cord connection..........................................................................................................................3-1
Switching on/off...................................................................................................................................................3-1
Signal input connection to the projector .............................................................................................................3-1
Connecting a Composite Video Source..............................................................................................................3-2
Connecting an S-Video source to Port 2............................................................................................................3-3
Connecting an RGB Analog source with composite sync ..................................................................................3-4
Connecting an RGB Analog source with Tri-level sync ......................................................................................3-4
Connecting a Component source .......................................................................................................................3-5
Connecting a Component source with Tri-level sync .........................................................................................3-5
Connecting a computer, e.g. IBM PC (or compatible), Apple Macintosh to the RS232 input of
the projector........................................................................................................................................................3-6
CONTROLLING ....................................................................................................................................4-1
How to use the RCU...........................................................................................................................................4-1
Projector address................................................................................................................................................4-1
How to display a projector address ....................................................................................................................4-1
How to program an address into the RCU .........................................................................................................4-1
Input selection.....................................................................................................................................................4-2
Picture controls ...................................................................................................................................................4-3
The Pause key....................................................................................................................................................4-3
START UP OF THE ADJUSTMENT MODE..........................................................................................5-1
Adjustment mode................................................................................................................................................5-1
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TABLE OF CONTENTS
RANDOM ACCESS ADJUSTMENT MODE ..................................................................................................6-1
Starting up the Random Access Adjustment mode ............................................................................................6-1
Overview ‘Random Access Adjustment’ mode ...................................................................................................6-1
Selecting Setup Pattern......................................................................................................................................6-2
Internal Cross Hatch Pattern ..............................................................................................................................6-2
Random Access Adjustment Mode selection menu...............................................................................................6-3
Picture Tuning ........................................................................................................................................................6-3
Color Balance.........................................................................................................................................................6-3
Sync Fast/Slow Adjustment....................................................................................................................................6-3
Peaking ..................................................................................................................................................................6-4
Color Select............................................................................................................................................................6-4
Geometry Adjustments...........................................................................................................................................6-5
Horizontal Phase Adjustment.................................................................................................................................6-5
Raster Shift Adjustment..........................................................................................................................................6-6
Left-Right (eat-west) Adjustments..........................................................................................................................6-7
Top-Bottom (north-south) Adjustments...................................................................................................................6-8
Size Adjustment .....................................................................................................................................................6-9
Vertical Linearity Adjustment..................................................................................................................................6-9
Blanking Adjustments...........................................................................................................................................6-10
Convergence Adjustment .....................................................................................................................................6-11
SERVICE MODE ...................................................................................................................................7-1
Starting up the Service mode.................................................................................................................................7-1
Overview flowchart ‘Service’ mode ........................................................................................................................7-1
Projector Set-up .....................................................................................................................................................7-2
Identification ...........................................................................................................................................................7-2
Total Run Time .......................................................................................................................................................7-3
Change Password..................................................................................................................................................7-3
Change Language..................................................................................................................................................7-3
Change Projector Address .....................................................................................................................................7-4
Change Baudrate...................................................................................................................................................7-4
Power up mode......................................................................................................................................................7-5
Memory Management ............................................................................................................................................7-5
Copy a block ..........................................................................................................................................................7-6
Deletion of blocks...................................................................................................................................................7-6
Deleting block by block ..........................................................................................................................................7-6
Deletion of all blocks..............................................................................................................................................7-6
All settings to midposition ......................................................................................................................................7-7
Undo all settings to midposition .............................................................................................................................7-7
R & B convergence mid .........................................................................................................................................7-7
Undo R & B convergence mid ...............................................................................................................................7-8
Green convergence mid.........................................................................................................................................7-8
Undo green convergence mid................................................................................................................................7-8
Common Settings...................................................................................................................................................7-8
G2 Adjustment........................................................................................................................................................7-9
CRT run in cycle.....................................................................................................................................................7-9
Projector warm-up................................................................................................................................................7-10
Memorybanks.......................................................................................................................................................7-10
I2C Diagnostics ....................................................................................................................................................7-11
MESSAGES, WARNINGS, AND FAILURES........................................................................................8-1
RS 232 CONTROL................................................................................................................................9-1
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TABLE OF CONTENTS
Hardware Configuration .........................................................................................................................................9-1
How to format the control data...............................................................................................................................9-1
Sending a RECORD (single instruction)................................................................................................................9-2
Example string to send to the projector with address 3 to turn it on/off ................................................................9-3
COMMAND CODE LIST........................................................................................................................................9-4
EYE-Q™ Autoconvergence...............................................................................................................10-1
Overview.............................................................................................................................................10-1
THE QUICK GUIDE to using the EYE-Q™ system..........................................................................10-1
Easy-to-use, high precision automatic convergence system...............................................................................10-2
Easy-to-use, high precision automatic geometry system ....................................................................................10-2
Compact built-in system.......................................................................................................................................10-2
Preparing your EYE-Q™......................................................................................................................................10-2
ON-SCREEN OPERATING INSTRUCTIONS.....................................................................................10-3
ACCESS TO EYE-Q™ ON-SCREEN MENUS ....................................................................................................10-3
EYE-Q™ MENU...................................................................................................................................................10-3
EYE-Q™ SETUP.................................................................................................................................10-4
Setting the Configuration......................................................................................................................................10-4
FOCUSING THE CAMERA LENS ......................................................................................................10-5
CENTERING THE CAMERA ..............................................................................................................10-6
Centering The Camera Horizontally.....................................................................................................................10-6
Centuring The Camera Vertically.........................................................................................................................10-7
SET TOUCH-UP OPTIONS.................................................................................................................10-7
Touch-Up On Source On/Off................................................................................................................................10-7
Touch-Up On Timer..............................................................................................................................................10-8
Reference Source ................................................................................................................................................10-8
Adjusting Other Sources ......................................................................................................................................10-8
Learning A Reference...........................................................................................................................................10-9
WHAT IS BEING MEASURED BY EYE-Q™.......................................................................................................10-9
TOUCH UP AND AUTOCONVERGENCE........................................................................................10-10
Adjusting Screen Size........................................................................................................................................10-10
On Current Source.............................................................................................................................................10-10
Touch-Up ............................................................................................................................................................10-11
Align On Current Source....................................................................................................................................10-11
Align From Midposition On Current Source ......................................................................................................10-11
On All Sources ...................................................................................................................................................10-12
Touch-Up On All Sources...................................................................................................................................10-12
Align On All Sources ..........................................................................................................................................10-12
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TABLE OF CONTENTS
Error Messages..................................................................................................................................................10-13
No Pattern Error.................................................................................................................................................10-14
Status Reporting Forced Break..........................................................................................................................10-14
EYE-Q™ DIAGNOSTICS..................................................................................................................10-15
VHD CONTROLLER ...........................................................................................................................11-1
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SAFETY INSTRUCTIONS
Notice on Safety
FEDERAL COMMUNICATION COMMISSION (FCC
STATEMENT)
This equipment is built in accordance with the requirements of the
international safety standards EN60950, UL 1950 and CSA C22.2
No.950, which are the safety standards of information technology
equipment including electrical business equipment.
This equipment has been tested and found to comply with the lim-
its of a class B digital device, pursuant to Part 15 of the FCC
Rules. These limits are designed to provide reasonable protection
against harmful interference when the equipment is operated in a
commercial environment. This equipment generates, uses and can
radiate radio frequency energy and, if not installed and used in
accordance with the instruction manual, may cause harmful inter-
ference to radio communications. Operation of this equipment in
a residential area is likely to cause harmful interference in which
case the user will be required to correct the interference at his own
expense.
These safety standards impose important requirements on the use
of safety critical components, materials and isolation, in order to
protect the user or operator against risk of electric shock and
energy hazard, and having access to live parts.
Safety standards also impose limits to the internal and external
temperature rises, radiation levels, mechanical stability and
strength, enclosure construction and protection against the risk of
fire.
Note:
Simulated single fault condition testing ensures the safety of the
equipment to the user even when the equipment's normal opera-
tion fails.
The use of shielded cables is required to comply within the limits
of Part 15 of FCC rules and EN55022
*All the safety and operating instructions should be read
before using this unit.
INSTALLATION INSTRUCTIONS
*The safety and operating instructions manual should be
retained for future reference.
Before operating this equipment please read this manual thor-
oughly, and retain it for future reference.
*All warnings on the equipment and in the documentation
manuals should be adhered to.
*All instructions for operating and use of this equipment must
be followed precisely.
Installation and preliminary adjustments should be per-
formed by qualified RUNCO personnel or by authorized
RUNCO service dealers.
OWNER’S RECORD
On Safety
The part number and serial number are located at the back side of
the projector. Record these numbers in the spaces provided below.
Refer to them whenever you call upon your RUNCO dealer
regarding this product.
1. This product should be operated from an AC power source.
This projector may be connected to an IT-power system.
Operating AC power voltage of the projector:
DTV-947: 110/120 VAC, 50/60 Hz; unless otherwise specified.
SER. NUMBER:
DEALER:
Consult your dealer to switch over from 230Vac to 120Vac or from
120Vac to 230Vac.
If you are not sure of the type of AC power available, consult your
dealer or local power company.
CAUTION
RISK OF ELECTRIC SHOCK
2. This product is equipped with a 3-wire grounding plug, a plug
having a third (grounding) pin. This plug will only fit into a
grounding-type power outlet. This is a safety feature. If you are
unable to insert the plug into the outlet, contact your electrician to
replace your obsolete outlet. Do not defeat the purpose of the
grounding-type plug.
DO NOT OPEN
!
CAUTION:
TO REDUCE THE RISK OF ELECTRICAL SHOCK,
DO NOT REMOVE COVER (OR BACK)
NO USER-SERVICABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED PERSONNEL
The lighting flash with an arrowhead within a
triangle is intended to tell the user that parts
inside this product may cause a risk of electrical
shock to persons.
WARNING FOR THE CUSTOMERS: THIS APPARATUS
MUST BE GROUNDED (EARTHED) via the supplied 3 conduc-
tor AC power cable.
(If the supplied power cable is not the correct one, consult your
dealer.)
The exclamation point whithin a triangle is in-
tended to tell the user that important operating
and/or servicing instructions are included in the
technical documentation for this equipment.
!
1-1
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Safety Instructions
A. Mains lead (Power cord) with CEE 7 plug:
a. When the power cord or plug is damaged or frayed.
b. If liquid has been spilled into the equipment.
c. If the product has been exposed to rain or water.
CEE 7
The wires of the mains lead are colored in accor-
dance with the following code.
Green and yellow:
Blue:
Brown:
earth (safety earth)
neutral
line (live)
d. If the product does not operate normally when the operating instruc-
tions are followed.
B. Power cord with ANSI 73.11 plug:
Note: Adjust only those controls that are covered by the operating instruc-
tions since improper adjustment of the other controls may result in dam-
age and will often require extensive work by a qualified technician to
restore the product to normal operation.
LINE = BROWN
NEUTRAL = BLUE
GROUND = YELLOW / GREEN
The wires of the power cord are colored in accor-
dance with the following code.
ANSI 73.11
Green/yellow:
White:
Black:
ground
e. If the product has been dropped or the cabinet has been damaged.
neutral
line (live)
f. If the product exhibits a distinct change in performance, indicating a
need for service.
3. Do not allow anything to rest on the power
cord. Do not locate this product where persons
will walk on the cord.
Replacement parts - When replacement parts are required, be sure the
service technician has used original RUNCO replacement parts or autho-
rized replacement parts which have the same characteristics as the
RUNCO original part. Unauthorized substitutions may result in degraded
performance and reliability, fire, electric shock or other hazards. Unau-
thorized substitutions may void warranty.
LINE = BLACK
NEUTRAL = WHITE
GROUND = YELLOW / GREEN
To disconnect the cord, pull it out by the plug.
Never pull the cord itself.
4. If an extension cord is used with this product, make sure that the total
of the ampere ratings on the products plugged into the extension cord Safety check - Upon completion of any service or repairs to this projec-
does not exceed the extension cord ampere rating. Also make sure that the tor, ask the service technician to perform safety checks to determine that
total of all products plugged into the wall outlet does not exceed 15 the product is in proper operating condition.
amperes.
On Cleaning
5. Never push objects of any kind into this product through cabinet slots
as they may touch dangerous voltage points or short out parts that could Unplug this product from the wall outlet before cleaning. Do not use
result in a risk of fire or electrical shock.
liquid cleaners or aerosol cleaners. Use a damp cloth for cleaning.
Never spill liquid of any kind on the product. Should any liquid or solid - To keep the cabinet looking brand-new, periodically clean it with a soft
object fall into the cabinet, unplug the set and have it checked by quali- cloth. Stubborn stains may be removed with a cloth lightly dampened
fied service personnel before resuming operations.
with mild detergent solution. Never use strong solvents, such as thinner
or benzine, or abrasive cleaners, since these will damage the cabinet.
6. Lightning - For added protection for this video product during a light-
ning storm, or when it is left unattended and unused for long periods of - To ensure the highest optical performance and resolution, the projection
time, unplug it from the wall outlet. This will prevent damage to the pro- lenses are specially treated with an anti-reflective coating, therefore,
jector due to lightning and AC power-line surges.
avoid touching the lens. To remove dust on the lens, use a soft dry cloth.
Do not use a damp cloth, detergent solution, or thinner.
On installation
On repacking
1. Do not place this equipment on an unstable cart, stand, or table. The
product may fall, causing serious damage to it.
Save the original shipping carton and packing material; they will come in
handy if you ever have to ship your equipment. For maximum protection,
repack your set as it was originally packed at the factory.
2. Do use this equipment near water.
3. Slots and openings in the cabinet and the back or bottom are provided On illumination
for ventilation; to ensure reliable operation of the product and to protect
it from overheating, these openings must not be blocked or covered. The In order to obtain the best quality for the projected image, it is essential
openings should never be blocked by placing the product on a bed, sofa, that the ambient light which is allowed to fall on the screen be kept to an
rug, or other similar surface. This product should never be placed near or absolute minimum.
over a radiator or heat register.
When installing the projector and screen, care must be taken to avoid
The projector should not be placed in a built-in installation or enclosure exposure to ambient light directly on the screen. Avoid adverse illumina-
unless proper ventilation is provided.
tion on the screen from direct sunlight or fluorescent lighting fixtures.
4. Do not block the projector cooling fans or free air movement under and The use of controlled ambient lighting, such as incandescent spotlight or
around the projector. Loose papers or other objects may not be nearer to a dimmer, is recommended for proper room illumination. Where possible,
the projector than 4” on any side.
care should also be taken to ensure that the floors and walls of the room
in which the projector is to be installed are non-reflecting, dark surfaces.
Brighter surfaces will tend to reflect and diffuse the ambient light and
hence reduce the contrast of the projected image on the screen.
On servicing
Do not attempt to service this product yourself, as opening or removing
covers may expose you to dangerous voltage potentials and risk of elec-
tric shock!
Refer all servicing to qualified service personnel.
Unplug this product from the wall outlet and refer servicing to qual-
ified service personnel under the following conditions:
1-2
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LOCATION AND FUNCTION OF CONTROLS
This device complies with part 15 of
the FCC rules. Operation is subject to
following two conditions (1),This
device may not cause harmful inter-
ferance, and (2) this device must
accept any interferance received
including interferance that may cause
undesired operation.
RS232 IN
RS232 OUT
IR
COMM PORT REMOTE
R
G(s)
B
H
V
VIDEO S - VIDEO
6
2
4
1
5
3
7
8
VIDEO Input (Composite video, 1x BNC connector):
Allows a video tape recorder, video camera, color receiv-
er/monitor, etc. having video line output to be connected
to the projector.
RS 232 Input Port
7
1
Connection between the controller and projector. Connect the RS-
232 output from the controller to this port.
RS 232 Output Port
RS 232 Input Port allows a communication link for PC or MAC to
the next projector in a series of projectors.
2
3
4
S-VIDEO Input: Separated Y/C (luma-chroma) signal
inputs and outputs for higher quality playback of DVD
signals (4-pin S-VIDEO connector loop-through).
8
IR Sensor
Receiver for control signals transmitted from the RCU.
Communication Port -not used.
IR Remote
5
6
Connector for remote input for hard wired remote control
RGBHV or Component Input (5x BNC connector):
Connect the RGB output from the VHD controller here.
Line inputs:
-signals RED-GREEN-BLUE
-Horizontal and Vertical Sync
-If using Composite Sync, connect it to ‘H’.
(R-Y)Y(B-Y)-S Input (component input): allows to connect e.g. a
DTV Decoder having component outputs to the projector.
Line inputs
-signals RED-LUMA, LUMA, BLUE-LUMA
2-1
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LOCATION AND FUNCTION OF CONTROLS
IR Transmission Indicator
1
ADJ. : Adjust key, to enter or exit the adjustment mode.
2
stand-by
pause / park
sharpness
tint
color
brightness
contrast
Address key (recessed key) : to enter the address of the projec-
3
tor (between 0 and 9). Press the address key, followed by press-
ing one digit button between 0 and 9. When addressed to O , the
remote will talk to any projector, regardless of its address.
STBY : Stand by button:
4
- To initiate remote power up operation
- To stop projection without main power off.
Pause : To mute the image, press PAUSE. The image disappears
but full power is retained for immediate restarting.
5
Mute : Not used
6
For Future Use
14
Help : Not used.
7
Digit buttons : Direct aspect ratio selection.
ENTER : To start up the adjustment mode or to confirm an
15
16
8
adjustment or selection in the adjustment mode.
Sound controls : Not used.
Control disc : To make menu selections when in the adjustment
mode. Also allows to increment or decrement an adjustment in
the adjustment mode.
9
Picture controls : Use these buttons to obtain the desired level
(see also ‘Controlling’) for each picture function.
Control disc up = up arrow in the menus
10
Control disc down = down arrow in the menus
Control disc to the right = arrow to the right on the menus
Control disc to the left = arrow to the left on the menus
Phase : Not used.
11
EXIT : To leave the adjustment mode or to scroll upwards when
in the adjustment mode.
17
Text : When adjusting one of the image controls during a meet-
12
ing, the displayed bar scale can be removed by pressing ‘TEXT’
key first. To re-display the bar scale on the screen, press
‘TEXT’ key again. ‘TEXT’ key is only active in operational
mode. When ‘TEXT’ is off, no warning message will be dis
played.
18
For Future Use
13
FREEZ : Not used.
2-2
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CONNECTIONS
AC Power (mains) Cord Connection
Use the supplied power cord to connect your projector to the wall outlet.
Plug the female power connector into the male connector on the front of the
projector.
See installation instructions before
connecting to the supply
V
NOM 120/230 Volt
I
MAX
5/2.5 AMP
60/50 Hz
FREQ
OFF ON
Power Check
The power voltage is determined by the sticker on the front of the projector.
Warning!
Verify the power voltage corresponds to that of the wall outlet.
If the wall outlet voltage is different, call a qualified technician for power
adaptation of the projector.
See installation instructions before
connecting to the supply
V NOM 120/230 Volt
I MAX
FREQ
5/2.5 AMP
60/50 Hz
OFF ON
Switching On/Off
The projector is switched ON and OFF using the power (mains)
switch ON/OFF on the local keyboard
Pressed : ON
Not Pressed : OFF
Stand by indication lamp :
No light up : projector switched off
Green color : projector in Operational mode
Red color : projector is in Standby mode.
3-1
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Connections
This device complies with part 15 of
the FCC rules. Operation is subject to
following two conditions (1),This
device may not cause harmful inter-
ferance, and (2) this device must
accept any interferance received
including interferance that may cause
undesired operation.
RS232 IN
RS232 OUT
IR
COMM PORT REMOTE
R
G(s)
B
H
V
VIDEO S - VIDEO
1
2
3
GENERAL
ACCESS
MENU
Location
Projector input
AVAILABLE FROM LOCAL KEYPAD
ITEMS
2
3
1
1
1
Comp. Video
S - Video 2
1
2
3
Composite Video
Input signal Y/C (luma/chroma)
RGBS or RGsB3
Input signal : R, G and B with composite sync on
G or separate composite sync.
RGB3S or RG3sB4
4
5
6
Input signal : R, G and B with Tri-level sync on G
or seperate Tri-level sync.
(R - Y) Y (B - Y)3S or
(R - Y)Ys(B - Y) 5
Input signal : R-Y, Y and B-Y with composite sync
on Y or with separate composite sync.
1
(R - Y) Y (B - Y)3S or
(R - Y)Y3s(B - Y) 6
Input signal : R-Y, Y and B-Y with separate Tri level
sync or with composite Tri-level sync.
Connecting a Composite Video Source to the BNC video input
SOURCE SELECTION
SELECT AN INPUT
FROM BELOW:
This device complies with part 15 of
RS232 IN
RS232 OUT
IR
COMM PORT REMOTE
R
G(s)
B
H
V
VIDEO
S - VIDEO
the FCC rules. Operation is subject to
following two conditions (1),This
device may not cause harmful inter-
ferance, and (2) this device must
accept any interferance received
including interferance that may cause
undesired operation.
RGB
S-VIDEO
VIDEO
COMPONENT VIDEO
Select with
or
then <ENTER>
<EXIT> to return
Composite video signals from a VCR, OFF air
signal decoder, etc.
FROM RCU
Note: Composite video should normally be
connected to the controller.
Composite
video
Video input selection:
a. with the RCU: Select “video” in the source
selection menu.
GENERAL ACCESS
SHARPNESS
TINT
5
3
1
6
4
2
COLOR
BRIGHTNESS
CONTRAST
b. with the local keypad.
Enter ADJUST
Select with
- press ADJUST key, the
General access menu is dis-
played on the screen.
,
TV tuner
VCR
or
then <ENTER>.
<EXIT> to return
- use the control disc to high-
light 1.
FROM LOCAL KEYPAD
- press ENTER to select the
highlighted source.
3-2
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Connections
Connecting an S-Video or Video source to the S-Video input
This device complies with part 15 of
the FCC rules. Operation is subject to
following two conditions (1),This
device may not cause harmful inter-
ferance, and (2) this device must
accept any interferance received
including interferance that may cause
undesired operation.
RS232 IN
RS232 OUT
IR
COMM PORT REMOTE
R
G(s)
B
H
V
VIDEO
S - VIDEO
Separate Y-luma/C-Chroma signals for higher quality playback of Super
VHS signals.
Note: S-video should normally be connected to the controller.
Luma / Chroma
VCR S-VIDEO or DVD
4 pin connector configurations:
For video:
For S-video:
Pin 1: earth(ground) video
Pin 1: earth(ground) luminace
Pin 2: not connected
Pin 3: video signal
Pin 4: not connected
Pin 2: earth(ground) chrominance
Pin 3: luminance signal(Y)
_
1Vpp+3dB
Pin 4: chrominance signal(C)
_
300mVpp+3dB
Input selection
a. with the RCU: Select “S-Video” in the source selection menu.
b. with the local keypad
GENERAL ACCESS
SHARPNESS
TINT
5
3
1
6
4
2
COLOR
BRIGHTNESS
CONTRAST
Enter ADJUST
Select with
- press ADJUST key, the General access menu will be dis
played on the screen.
- use the control disk to highlight 2.
,
or
then <ENTER>.
<EXIT> to return
- press ENTER to select the highlighted source.
FROM LOCAL KEYPAD
3-3
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Connections
Connecting a RGB Analog source.
This device complies with part 15 of
the FCC rules. Operation is subject to
following two conditions (1),This
device may not cause harmful inter-
ferance, and (2) this device must
accept any interferance received
including interferance that may cause
undesired operation.
RS232 IN
RS232 OUT
IR
COMM PORT REMOTE
R
G(s)
B
H
V
VIDEO
S - VIDEO
RGB analog input terminals with composite or separate sync, or with
sync on green. The projector detects automatically where the sync sig-
nal is located.
This is where the output of the controller is connected to.
RGBS or RGsB input selection
a. With the RCU: Select RGB in the Source Selection menu
b. With the local keypad :
12v Fuse
Mask Screen
(to gain access to the local keypad, see ‘Local keypad’ in chap-
ter “Location and function of controls’.)
-Press ADJUST key, the General access menu is displayed on
the screen.
-Use the control disk to highlight 3.
-Press ENTER to select the highlighted source.
SOURCE SELECTION
GENERAL ACCESS
SHARPNESS
TINT
SELECT AN INPUT
FROM BELOW:
5
3
1
6
4
2
COLOR
BRIGHTNESS
CONTRAST
RGB
S-VIDEO
VIDEO
Enter ADJUST
Select with
COMPONENT VIDEO
,
Select with
or
or
then <ENTER>.
then <ENTER>
<EXIT> to return
<EXIT> to return
FROM RCU
FROM LOCAL KEYPAD
Connecting a RGB Analog source with Tri-level sync.
This device complies with part 15 of
S - VIDEO
RS232 IN
RS232 OUT
IR
COMM PORT REMOTE
R
G(s)
B
H
V
VIDEO
the FCC rules. Operation is subject to
following two conditions (1),This
device may not cause harmful inter-
ferance, and (2) this device must
accept any interferance received
including interferance that may cause
undesired operation.
RGB analog input terminals with Tri level sync input or with
Tri-level sync on green. The projector detects automatically
where the sync signal is located.
GENERAL ACCESS
SHARPNESS
TINT
5
3
1
6
4
2
COLOR
BRIGHTNESS
CONTRAST
Enter ADJUST
Select with
12v Fuse
RGB3S or RG3sB input selection
,
or
Mask Screen
then <ENTER>.
a. With the RCU: Select RGB in the Source Selection menu
b. With the local keypad :
<EXIT> to return
FROM LOCAL KEYPAD
(to gain access to the local keypad, see ‘Local keypad’ in
chapter ‘Location and function of controls’.)
-Press ADJUST key, the General access menu is dis-
played on the screen.
VCR HDTV player
-Use the control disk to highlight 4.
-Press ENTER to select the highlighted source.
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Connections
Connecting a Component source.
This device complies with part 15 of
the FCC rules. Operation is subject to
following two conditions (1),This
device may not cause harmful inter-
ferance, and (2) this device must
accept any interferance received
including interferance that may cause
undesired operation.
RS232 IN
RS232 OUT
IR
COMM PORT REMOTE
R
G(s)
B
H
V
VIDEO S - VIDEO
(R-Y)Y(B-Y) analog input terminals with sync input or
with sync on the luminance (Y) input. The projector detects
automatically where the sync signal is located.
SOURCE SELECTION
SELECT AN INPUT
FROM BELOW:
RGB
S-VIDEO
VIDEO
12v Fuse
COMPONENT VIDEO
Mask Screen
Select with
or
then <ENTER>
<EXIT> to return
FROM RCU
VCR HDTV player
(R-Y)Y(B-Y)S or (R-Y)Ys(B-Y) input selection
GENERAL ACCESS
SHARPNESS
TINT
a. With the RCU: Select “Component” in the Source Selec-
tion Menu
5
3
1
6
4
2
COLOR
BRIGHTNESS
CONTRAST
Enter ADJUST
Select with
b. With the local keypad :
,
(to gain access to the local keypad, see ‘Local key-
pad’ in chapter ‘Location and function of controls’.)
-Press ADJUST key, the General access menu is dis-
played on the screen.
or
then <ENTER>.
<EXIT> to return
-Use the control disk to highlight 5.
-Press ENTER to select the highlighted source.
FROM LOCAL KEYPAD
Connecting a Component source with Tri-level sync.
This device complies with part 15 of
the FCC rules. Operation is subject to
following two conditions (1),This
device may not cause harmful inter-
ferance, and (2) this device must
accept any interferance received
including interferance that may cause
undesired operation.
RS232 IN
RS232 OUT
IR
COMM PORT REMOTE
R
G(s)
B
H
V
VIDEO S - VIDEO
(R-Y)Y(B-Y) analog input terminals with Tri-level
sync input or with Tri-level sync on the luminance
input.
SOURCE SELECTION
SELECT AN INPUT
FROM BELOW:
RGB
S-VIDEO
VIDEO
COMPONENT VIDEO
12v Fuse
Select with
or
Mask Screen
then <ENTER>
<EXIT> to return
FROM RCU
VCR HDTV player
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Connections
(R-Y)Y(B-Y)3S or (R-Y)Y3s(B-Y) input selection
GENERAL ACCESS
SHARPNESS
TINT
a. With the RCU: Select “Component” in the Source Selection Menu
5
3
1
6
4
2
COLOR
BRIGHTNESS
CONTRAST
b. With the local keypad :
(to gain access to the local keypad, see ‘Local keypad’ in chapter
‘Location and function of controls’.)
Enter ADJUST
Select with
,
-Press ADJUST key, the General access menu is displayed on the
screen.
-Use the control disk to highlight 6.
-Press ENTER to select the highlighted source.
or
then <ENTER>.
<EXIT> to return
FROM LOCAL KEYPAD
SOURCE SELECTION
SELECT AN INPUT
FROM BELOW:
RGB
S-VIDEO
VIDEO
COMPONENT VIDEO
Select with
or
then <ENTER>
<EXIT> to return
FROM RCU
Connecting a computer, e.g. IBM PC (or compatible), Apple Macintosh to the RS232 input of the projector.
This device complies with part 15 of
RS232 IN
RS232 OUT
IR
COMM PORT REMOTE
R
G(s)
B
H
V
VIDEO S - VIDEO
the FCC rules. Operation is subject to
following two conditions (1),This
device may not cause harmful inter-
ferance, and (2) this device must
accept any interferance received
including interferance that may cause
undesired operation.
12v Fuse
Mask Screen
The projector has a RS232 port that allows it to communicate with the VHD Controller.
The VHD Controller will communicate with the projector via its RS232 output.
This communiction includes on/off commands and source switching commands
(see the VHD Controller of this manual). This allows much easier integration
into your home theater system by only having to control a single piece of gear.
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CONTROLLING
The DTV-947 can be controlled with
a. The RCU
c. Using your RCU.
b. The hardwired RCU (cable not included)
c. The local keyboard
Before using your RCU, it is necessary to enter the projector address into
the RCU (only when that address is between 1 and 9). The projector with
the corresponding address will listen to that specific RCU.
The procedure and results of controlling the projector with either of these When address 0, ‘zero address’ is programmed into the RCU, every pro-
RCU options is essentially the same.
jector, without exception will listen to the commands given by this RCU.
How to display a projector address?
How to use your RCU
Press the ADDRESS key (recessed key on the RCU) with a pencil. The
projector’s address will be displayed in a ‘Text box’. This text box dis-
appears after a few seconds.
a) Point the front of the RCU towards the projector
Ceiling
IR sensor
Screen
PROJECTOR ADDRESS
001
RCU
To continue using your RCU, it is necessary to enter the same address
with the digit buttons (address between 0 and 9). For example, if the
Address Key displays projector address 003, then press the “3” digit but-
ton on the RCU to set the RCU’s address to match the projector’s address.
Do not press digit 003. This will address the remote to ‘0’ and control all
projectors in the room.
b) RCU used in a hardwired configuration.
How to program an address into the RCU?
This device complies with part 15 of
the FCC rules. Operation is subject to
following two conditions (1),This
device may not cause harmful inter-
ferance, and (2) this device must
accept any interferance received
including interferance that may cause
undesired operation.
RS232 IN
RS232 OUT
IR
COMM PORT REMOTE
R
G(s)
B
H
V
VIDEO
S - VIDEO
Press the ADDRESS key (recessed key on the RCU) with a pencil and
enter the address with the digit buttons. That address can be any digit
between 0 and 9.
When programming ‘0’, zero address, the RCU will control a projector
regardless of the projector’s address. This feature allows multiple projec-
tors with different addresses to be controlled by a single RCU.
Plug one end of the remote cable in the connector on the bottom of the
RCU and the second side in the connector in the rear panel of the DTV-
947 labeled ‘REMOTE’.
Projector Address
a. Hardware set up of the projector address.
Every projector requires an individual address between 0 and 255 which
is set with hardware DIP switches inside the projector. To change that
address, contact a RUNCO authorized technician.
b. How to control the projector.
The projector’s address may be set to any value between 0 and 255.
When the address is set, the projector can be controlled now with :
-the RCU for addresses between 1 and 9.
-computer, e.g. IBM PC (or compatible), Apple MAC, etc. for
addresses between 0 and 255.
Note : A projector will respond to a RCU set to an address of ‘0’ regard-
less of what address is set in the projector itself. Address “0” is therefore
a universal address.
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Controlling
Input selection.
GENERAL ACCESS MENU ITEMS
down, push the control disk to the left or to the right to move the cursor
to the left and to the right.
Press ENTER to confirm your selection.
When a valid and available source is selected, there will be information
displayed on the screen about that source. This information includes :
- Source number
SOURCE
Projector input
- Horizontal frequency
- Vertical frequency
1
2
3
4
5
Comp. Video
S - Video
RGBS or RGsB
RGB3S or RG3sB
Source 2
Fh = 15.6 kHz
Fv = 50 Hz
(R - Y) Y (B - Y)3S or
(R - Y)Ys(B - Y)
6
(R - Y) Y (B - Y)3S or
(R - Y)Y3s(B - Y)
When the entry is a non valid source number, a warning appears on the
screen : ‘input not available’.
Two possible ways of selecting an input :
a) Display General access menu with RCU by pressing ADJ button.
This brings up a secondary general access menu. Choose source selec-
tion and highlight desired source.
Warning
input not
available
b) With the local keypad :
Press first the ADJUST key to display the General access menu. Use
the control disk to highlight the desired source number. Choose from
table above. Push the control disk up or down to move the cursor up and
When a valid source number is selected, the projector will display this
source or it will wait on the selected source number until the source
becomes available. A message ‘source not available’ will be displayed
for a short time.
EXIT
ADJUST
ENTER
STANDBY
GENERAL ACCESS
Warning
source not
available
SHARPNESS
TINT
COLOR
5
3
1
6
4
2
BRIGHTNESS
CONTRAST
Enter ADJUST
Select with
,
or
then <ENTER>.
<EXIT> to return
GENERAL ACCESS
SELECT AN OPTION
FROM BELOW:
General Access From Local Keypad
SOURCE SELECTION
EYE-Q
ADJUSTMENT MODE
GENERAL ACCESS
Select with
or
then <ENTER>
<EXIT> to return
SELECT AN OPTION
FROM BELOW:
SOURCE SELECTION
EYE-Q
ADJUSTMENT MODE
Select with
or
then <ENTER>
<EXIT> to return
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Controlling
Tint Control
Analog Picture Controls
Tint is only active for Video and S-Video. Tint control is effective only
when using the NTSC 3.58 system. A bar scale gives a visual indication
on the screen of the current tint setting while pressing the + or - buttons
(RCU) or pushing the control disk to the left or to the right (local keypad).
If the bar scale is not visible on the screen, press the ‘TEXT’key once and
retry the above indicated buttons.
The analog picture controls can be adjusted with the RCU. The control
keys are located on the lower right side of the key panel of the RCU and
indicated with the name of the control and an icon.
When an analog picture control is pressed, a text box with bar scale and
the function name of the control, e.g. ‘brightness...’ appears on the screen
(only if ‘TEXT’ is ON). The length of the bar scale indicates the current
memorized setting for this source. The bar scale changes as the + or - but-
tons of the control are pressed.
The bar scale increases when pressing on the + button and decreases
when pressing the - button.
Sharpness Control
Sharpness control is only active for Video and S-Video. A bar scale gives
a visual indication on the screen of the current sharpness setting while
pressing the + or - buttons (RCU) or pushing the control disk to the left
or to the right (local keypad). If the bar scale is not visible on the screen,
press ‘TEXT’ key once and retry the above indicated buttons.
The bar scale increases when pressing on the + button (sharper picture)
and decreases when pressing on the - button (softer picture).
BRIGHTNESS
40
The Pause key
When the Pause key is pressed, the image projection is muted but the pro-
jector remains with full power for immediate restart.
To restart the image :
Brightness Control
- Press the Pause key,
- Select a source number.
A correct ‘brightness’ setting is important for good image reproduction.
Adjust the brightness with the + or - button (RCU) until the darkest parts
of the picture appear black.
A bar scale gives a visual indication on the screen of the current bright-
ness setting while pressing on the above indicated keys. If the bar scale is
not visible on the screen, press ‘TEXT’ key once and retry the above indi-
cated keys.
The bar scale increases when pressing on the + button (higher brightness)
and decreases when pressing on the - button (lower brightness).
GENERAL ACCESS
SHARPNESS
TINT
COLOR
BRIGHTNESS
CONTRAST
Quit ADJUST
Select with
or
Contrast Control
then <ENTER>
<EXIT> to return
A correct ‘contrast’ setting is important for good image reproduction.
Adjust the contrast to the level you prefer, according to room lighting
conditions. If the Contrast Control is too low, the picture will be too dim.
If it is set too high, the picture may be too bright and not sharp. A bar
scale gives a visual indication on the screen of the current contrast setting
while pressing the + or - buttons (RCU). If the bar scale is not visible on
the screen, press ‘TEXT’ key once and retry the above indicated keys.
The bar scale increases when pressing on the + button (higher contrast)
and decreases when pressing on the - button (lower contrast).
The GENERAL ACCESS MENU is available
from the LOCAL KEYPAD.
Press the ADJ 3X to display.
Color Saturation Control
Color saturation is only active for Video and S-Video. Adjust the color
intensity of the picture. Adjust the color saturation using the = and - but-
tons (RCU) or pushing the control disk to the left or to the right (local
keypad). A bar scale gives a visual indication on the screen of the current
color setting while pressing on the above indicated buttons. If the bar
scale is not visible on the screen, press ‘TEXT’ key once and retry the
above indicated buttons. The bar scale increases when pressing on the +
button (richer colors) and decreases when pressing the - button (lighter
colors).
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START UP OF THE ADJUSTMENT MODE
Adjustment mode
All picture geometry and convergence adjustments are made while in the ‘Adjustment mode’. Two possible ways to enter the adjustment mode:
a) Using the RCU.
Press the ADJUST key.
The projector displays the path selection menu.
b) Using the local keypad.
Press the ADJUST key.
The projector displays the General access menu.
Use the control disc to highlight enter ADJUST and press ENTER. The path
selection menu will be displayed.
EXIT
ADJUST
ENTER
STANDBY
GENERAL ACCESS
SHARPNESS
TINT
COLOR
BRIGHTNESS
CONTRAST
5
3
1
6
4
2
Enter ADJUST
Select with
,
or
then <ENTER>.
<EXIT> to return
General Access From Local Keypad
GENERAL ACCESS
SHARPNESS
TINT
COLOR
BRIGHTNESS
CONTRAST
Note: to adjust the Analog picture control while in the ‘Adjustment mode’,
press the ADJUST key. The next General Access menu will be displayed.
Quit ADJUST
Select with
or
Push the control disc up or down to select the analog control to be adjusted and
press the ENTER key to confirm.
When the analog control is adjusted the projector returns automatically to the
General access menu. When you want to return to the Adjustment mode, press
EXIT, otherwise select quit ADJUST and press ENTER to return to opera-
tional mode.
then <ENTER>
<EXIT> to return
You are now in the ‘Adjustment mode’. The control disc is used to make menu
selections and also vertical and horizontal adjustments. The ENTER and EXIT
keys are used to move forward and backward through the menu structure. The
ADJUST key can be used to terminate the adjustment mode while a path selec-
tion menu (head menu) is displayed.
ADJUSTMENT MODE
Select a path from below :
There are 5 possible paths to follow once in the Adjustment mode. They are :
GUIDED
RANDOM ACCESS
INSTALLATION
SERVICE
INSTALLATION - Installation should be selected if the projector has been
relocated and/or a different screen size is desired.
EYE-Q
When selecting ‘Installation’, the user or operator will be warned to call a qual-
ified technician to perform the installation procedure (see example of projected
warning on next page).
Source 1
Select with
or
then <ENTER>
<EXIT> to return
GUIDED - Guided should be selected if the user intends to perform a complete
alignment of the projected image. All of the necessary geometry and conver-
gence adjustments are made in a predetermined sequence.
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Start Up of the Adjustment Mode
RANDOM ACCESS - Random Access should be selected if the user intends to make
only a few adjustments.
SERVICE - Service should be selected if the user intends to delete blocks, change pass-
word or apply information.
ADJUSTMENT MODE
Select a path from below :
EYE-Q - This selection will only be available when the subconvergence unit EYE-Q is
GUIDED
RANDOM ACCESS
INSTALLATION
SERVICE
connected to the projector (standard on the DTV-947).
While in Guided or Random Access adjustment Mode, the user may use an external
source, an internally generated genlocked pattern or an internally generated multifre-
quency cross hatch pattern as a setup pattern. Some items in the Adjustment mode are
password protected. While selecting such an item, the projector asks you to enter your
password. (Password protection is only available when the password DIP switch on the
controller module is in the ON position. Contact a RUNCO authorized technician when
no password is requested during the adjustment procedure and password protection is
desired.)
EYE-Q
Source 1
Select with
or
then <ENTER>
<EXIT> to return
Your password contains 4 digits.
a) Adjusting the projector with the RCU.
Enter the digits with the numeric keys on the RCU.
Example : 2 3 1 9
enter
password
X X X X
For each digit entered, a ‘X’ appears on the screen under the displayed text ‘enter pass-
word’
When your password is correct, you get access to the ‘Adjustment mode’. When the
entered password is wrong, the message ‘Wrong password !!!’ will be displayed. The
projector stays on the previous selected item.
Factory programmed
password : 0000
wrong
password
b) adjusting the projector with the local keypad.
When the ‘compose password’ menu is displayed, select with control disc the first digit
of your password and press ENTER. Continue by selecting the second digit with the
control disc and press ENTER. Handle in the same way for the third and fourth digit.
COMPOSE
PASSWORD
???
When your password is correct, you get access to the ‘Adjustment mode’.
7
4
1
8
5
2
0
9
6
3
When the entered password is wrong, the message ‘Wrong password’ will be displayed.
Once the password is correctly entered, all other password protected items are accessi-
ble without re-entering your password.
When re-entering the adjustment mode, it will be necessary to enter your password
again when selecting a password protected item.
Select with
,
or
then <ENTER>
<EXIT> to return
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RANDOM ACCESS ADJUSTMENT MODE
Starting up the random access adjustment mode.
Push the control disc up or down to highlight “RANDOM ACCESS” and
the press ENTER.
Some items in the Random access mode are password protected (when the
password function is enabled). Enter your password to continue. All other
password protected items are now also available if you stay in the adjust-
ment mode.
ADJUSTMENT MODE
Select a path from below :
GUIDED
RANDOM ACCESS
INSTALLATION
SERVICE
ENTER continues to Setup Pattern Selection
EXIT returns to operational mode
EYE-Q
Source 1
Select with
or
then <ENTER>
<EXIT> to return
Overview ‘Random Access Adjustment’ mode.
COLOR BALANCE
PICTURE TUNING
SYNC
PEAKING
V CENTERLINE BOW
V CENTERLINE SKEW
SIDE BOW
H PHASE
RASTER SHIFT
SIDE KEYSTONE
LEFT - RIGHT (E-W)
SEAGULL CORRECTION
GEOMETRY
RANDOM ACCESS
ADJUSTMENT MODE
H CENTERLINE BOW
H CENTERLINE SKEW
SETUP PATTERN SELECTION
TOP - BOTTOM (N-S)
TOP KEYSTONE
TOP BOW
SIZE
BOTTOM KEYSTONE
BOTTOM BOW
VER LINEARITY
BLANKING
SEAGULL CORRECTION
TOP BOW
BOTTOM KEYSTONE
CONVERGENCE
COLOR SELECT
BOTTOM BOW
SEAGULL GORRECTION
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Random Access Adjustment Mode
Selecting Setup Pattern
If an external source is connected to the projector, this menu will be displayed. Push the con-
trol disc up or down to highlight the desired setup pattern and then press ENTER.
Genlocked pattern : internally generated cross hatch pattern, locked on the external source.
Choose a setup pattern
from below :
NOTE: The Genlocked pattern will run at the scan rate of the internal scaler unless an exter-
nal Hi-Res RGB or component source is used.
SELECTED SOURCE
GENLOCKED PATTERN
INTERNAL # PATTERN
Internal # pattern : internally generated cross hatch pattern and locked on internal generat-
ed sync signals. (no external source necessary)
Source 01
ENTER continues to Random Access Adjustment Mode or
Internal # Pattern Selection.
EXIT returns to Path Selection menu.
ADJUST returns to Operational mode.
Select with
or
then <ENTER>
<EXIT> to return
If no external source is connected to the projector, the internal cross hatch pattern menu will
be displayed.
Note: The menus in the manual are created for the internal scaler, and the ‘Genlocked Pat-
tern’ is selected.
Internal Cross Hatch Pattern
INTERNAL # PATTERN
The internal # pattern menu will be displayed if the internal cross hatch pattern has been
selected or if no source is connected to the projector.
kHz / Hz
15.6/50
15.7/60
31.2/50
31.5/60
31.2/50
31.5/60
PAL/SECAM
NTSC
EDTV
IDTV
HDTV EUREKA
HDTV ATV
The table below lists the 8 fixed factory preset frequencies available. Another 8 blocks are
custom programmable.
Push the control disc up or down to highlight the desired cross hatch frequency. Push the
control disc to the left or to the right to scroll to another page. Press ENTER if the desired
block is selected.
Select with
scroll with
<ENTER> to accept
<EXIT> to return
or
or
15.6/50
15.7/60
31.2/50
31.5/60
31.2/50
31.5/60
33.7/60
15.8/60
21.8/60
31.5/60
31.5/70
35.5/97
44.2/70
48.5/60
61.0/76
63.9/76
PAL/SECAM
NTSC
EDTV
IDTV
HDTVEUREKA
HDTV ATV
HDTV HIVISION
EGA 1
EGA 2
VGA 3
XGA 1,2
VGA 4
SUPER VGA 2
SUPER VGA 1
SUPER VGA 3
APOLLO
ENTER continues to the Random Access Adjustment Mode.
EXIT returns to the Setup Pattern Selection menu.
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Random Access Adjustment Mode
Random access adjustment mode selection menu.
This is the main menu for the Random Access adjustment mode.
Through this menu, the following adjustments and features are accessible:
RANDOM ACCESS
ADJUSTMENT MODE
- Picture Tuning
Sync slow/fast (video/s-video)
Color Balance
PICTURE TUNING
GEOMETRY
CONVERGENCE
COLOR SELECT
- Geometry
Convergence
- Color Select
Select with
or
then <ENTER>
<EXIT> to return
Picture Tuning
Highlight Picture tuning by pushing the control disc up or down and press ENTER.
The Picture tuning menu will be displayed.
Depending on the input source, the ‘Picture tuning’ menu will display different
items.
PICTURE TUNING
- Color Balance
- Sync slow/fast
- Peaking
COLOR BALANCE
SYNC : FAST
PEAKING : ON
Select with
or
<ENTER> to accept
<EXIT> to return.
Color Balance
The Color Balance function is used to select or adjust the color temperature of
white used by the projector.
The Color Balance can be adjusted in two different ways:
- fixed color balance. You have the choice between 3200k (reddish), 5400 K, 6500
K (white), or 9300 K (bluish).
- Custom white and black balance.
PICTURE TUNING
Fixed Color Balance
Highlight one of the 4 programmed color temperatures with the control disc and
press ENTER to display the desired color balance.
COLOR BALANCE
SYNC : FAST
PEAKING : ON
Custom Color Balance
Select custom white balance by pushing the control disc up or down and press
ENTER to start the adjustment.
Push the control disc up or down to adjust the red gain and push the control disc to
the left or right to adjust the blue gain. A bar scale indicates the amount of adjust-
ment.
COLOR BALANCE
Select custom black balance with the control disc and press ENTER to start the
adjustment.
FIXED COLOR BALANCE
3200 5400 6500 9300
Push the control disc up or down to adjust the red cut-off and push the control disc
to the left or to the right to adjust the blue cut-off.
When the color balance is adjusted, select continue by pushing the control disc up
or down and press ENTER.
CUSTOM WHITE BALANCE
CUSTOM BLACK BALANCE
Select with arrow keys
then <ENTER>
You can
Sync Fast/Slow Adjustment
The sync function is used to minimize horizontal jittering or tearing at the top to
adjust red with
Blue with
or
or
the displayed image.
<EXIT> to return
Highlight SYNC with the control disc and press ENTER to toggle between FAST
and SLOW.
Note: SYNC is normally used in the SLOW position. The FAST position is used to
compensate for unsteady sync pulses from older video playback equipment, such as
a VCR.
PICTURE TUNING
COLOR BALANCE
SYNC : FAST
PEAKING : ON
ENTER will toggle Sync between FAST and SLOW.
EXIT will return to the Random Access Adjustment menu.
Select with
or
<ENTER> to accept
<EXIT> to return.
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Random Access Adjustment Mode
Peaking
Peaking improves the contours in a projected image. Highlight PEAKING by push-
ing the control disc up or down and press ENTER to toggle the peaking between
OFF and ON. During the creation of new settings for a RGB source the peaking is
switched to OFF.
PICTURE TUNING
COLOR BALANCE
SYNC : FAST
PEAKING :
OFF
Select with
or
<ENTER> to accept
<EXIT> to return.
RANDOM ACCESS
ADJUSTMENT MODE
PICTURE TUNING
GEOMETRY
CONVERGENCE
COLOR SELECT
COLOR SELECT
Color Select
Highlight COLOR SELECT by pushing the control disc up or down and press
ENTER to display the color select menu.
RED
GREEN
BLUE
RED AND GREEN
BLUE AND GREEN
RED AND BLUE
ENTER continues to the color select menu.
EXIT will return to Internal Crosshatch Selection or Setup
Pattern Selection Menu.
Select with
or
ADJUST returns to operational mode.
<ENTER> to accept
<EXIT> to return.
Use the control disc to highlight a color (CRT) or combination of colors to display
the projected image in that specific color.
To select a new color, press ENTER, the color selection menu appears.
ENTER continues to the color select menu.
EXIT will return to Internal Crosshatch Selection or Setup
Pattern Selection Menu.
ADJUST returns to operational mode.
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Random Access Adjustment Mode
Geometry Adjustments
RANDOM ACCESS
ADJUSTMENT MODE
The geometry adjustments have to be done only on the green image. These adjustments are
automatically implemented for the other color images : Left-right (EW) and Top-Bottom Cor-
rections, Blanking, Horizontal Amplitude, Vertical Amplitude, Vertical Linearity and Horizon-
tal Phase.
PICTURE TUNING
GEOMETRY
CONVERGENCE
COLOR SELECT
ENTER will display Geometry menu.
EXIT will return to Internal Crosshatch Selection or Setup
Pattern Selection Menu.
ADJUST returns to operational mode.
GEOMETRY
H PHASE
RASTER SHIFT
LEFT - RIGHT (E-W)
TOP - BOTTOM (N-S)
SIZE
Highlight GEOMETRY by pushing the control disc up or down and press ENTER to display
the geometry menu.
V LINEARITY
BLANKING
Within the Geometry Adjustment menu, the following adjustments are available :
- Horizontal Phase (not for internal # pattern).
- Raster Shift
Select with
then <ENTER>
<EXIT> to return.
or
- Left-Right Corrections
- Top-Bottom Corrections
- Horizontal Size
- Vertical Linearity
- Vertical Size
- Blanking
GEOMETRY
The convergence corrections are disabled during geometry corrections. The blanking correc-
tions are only enabled during the blanking adjustments.
H PHASE
RASTER SHIFT
LEFT - RIGHT (E-W)
TOP - BOTTOM (N-S)
SIZE
Horizontal Phase Adjustment
V LINEARITY
BLANKING
Push the control disc up or down to highlight H PHASE on Geometry menu and the press
ENTER.
Note : No horizontal phase adjustment is available on the internal # pattern.
For external sources :
If the raster shift is correctly adjusted, the H Phase text box is projected in the middle of the
raster. At that moment, the “><” icon indicates the middle of the raster.
Adjust the H Phase control until the middle of the projected image is equal with the middle of
>< icon.
Note :
- If the genlocked pattern was selected, the external source will be displayed.
H PHASE
70
A bar scale and a number indicator (between 0 and 100) on the screen give a visual indication
of the horizontal phase adjustment.
ENTER continues to geometry menu.
Push the
control disc
to the right
to correct
Push the
control disc
to the left
to correct
H PHASE
H PHASE
70
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Random Access Adjustment Mode
Raster Shift Adjustment
GEOMETRY
H PHASE
RASTER SHIFT
LEFT - RIGHT (E-W)
TOP - BOTTOM (N-S)
SIZE
The green raster must be centered both horizontally and vertically on the center of
the CRT surface. To center the green raster, look into the green lens and use the
control disc to move the raster.
CAUTION
V LINEARITY
BLANKING
It is necessary to look into the lenses to perform these adjustments. To avoid eye
discomfort while looking into the lenses, reduce the contrast and gradually
increase the brightness level until the raster becomes visible on the face of the CRT.
COARSE SHIFT
GREEN HORIZONTAL
GREEN VERTICAL
RED VERTICAL
BLUE VERTICAL
ENTER will select green raster shift adjustment.
EXIT returns to random access adjustment mode menu.
Select with
then <ENTER>
or
<EXIT> to return.
Warning : In order to ensure maximum CRT longevity and to
avoid CRT damage, do not shift the raster outside the phosphor
area of the CRT.
To start the adjustment, use the control disc to highlight Raster shift and press
ENTER to display the green raster on the phosphor.
forbidden area
projected raster
correct raster position
wrong raster position
crt faceplate border
phosphor border
Press EXIT to return to the Geometry menu.
Note : Horizontal and Vertical shifts for Red and Blue should end
up with a setting close to 50%. If these settings are significantly
greater or lesser than 50%, contact a RUNCO authorized service
technician.
6-6
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Random Access Adjustment Mode
Left-Right (east-west) Adjustments
Left-right and center adjustments affect only the vertical lines of the
projected image.
GEOMETRY
H PHASE
RASTER SHIFT
To start up the left-right and center adjustments, follow the next
procedure :
Push the control disc up or down to highlight LEFT-RIGHT (E/W)
on the geometry menu and then press ENTER.
LEFT - RIGHT (E-W)
TOP - BOTTOM (N-S)
SIZE
V LINEARITY
LEFT - RIGHT (E-W)
V CENTERLINE BOW
V CENTERLINE SKEW
RIGHT BOW
RIGHT KEYSTONE
LEFT BOW
LEFT KEYSTONE
ENTER will select Left - Right adjustment menu
EXIT returns to random access adjustment mode main menu.
ADJUST returns to Operational mode
Select with
then <ENTER>
or
<EXIT> to return.
Only the green image is displayed while making
left-right adjustments. The red and blue images
will automatically be corrected in the same
manner. Convergence corrections are automati-
cally disabled for the duration of these adjust-
ments.
The following adjustments can be executed
Corrects for curvature of the vertical lines in the middle of
the image.
- vertical centerline bow
- vertical centerline skew
- side keystone (left - right)
- side bow (left - right)
All adjustments are indicated on the screen with
the function name, a bar scale and a number
between 0 and 100.
Corrects the tilting of the vertical lines in the middle of the
image.
Adjust the next alignments until the vertical
lines are straight.
To enter an alignment, push the control disc up
or down to highlight a function and press
ENTER to activate this function.
LEFT - RIGHT (E-W)
V CENTERLINE BOW
V CENTERLINE SKEW
RIGHT BOW
RIGHT KEYSTONE
LEFT BOW
Press EXIT to return.
Corrects for curvature of the vertical lines on the right side.
LEFT KEYSTONE
Select with or
then <ENTER>
<EXIT> to return.
Corrects the keystone geometry correction of the vert. lines
on the right side.
Corrects for curvature of the vertical lines on the left side.
Corrects the keystone geometry correction of the vert. lines
on the left side.
Correct by pushing
the control disc to
the left.
Correct by pushing
the control disc to the
right.
6-7
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Random Access Adjustment Mode
Top-Bottom (north-south) Adjustments
GEOMETRY
Top-Bottom and center adjustments affect only the horizontal
lines of the projected image.
To start up the Top-Bottom and center corrections, follow the
next procedure :
H PHASE
RASTER SHIFT
LEFT - RIGHT (E-W)
TOP - BOTTOM (N-S)
SIZE
V LINEARITY
BLANKING
Push the control disc up or down to highlight TOP-BOTTOM
(N/S) on the geometry menu and then press ENTER.
Only the green image is displayed while making top-bottom
adjustments. The red and blue images will automatically be cor-
rected in the same manner. Convergence corrections are auto-
matically disabled for the duration of these adjustments.
TOP - BOTTOM (N-S)
H CENTERLINE BOW
H CENTERLINE SKEW
TOP KEYSTONE
TOP BOW
BOTTOM KEYSTONE
BOTTOM BOW
The following adjustments can be executed
- Horizontal centerline bow
- Horizontal centerline skew
- Top bow
- Top keystone
Select with
then <ENTER>
or
- Bottom bow
<EXIT> to return.
- Bottom keystone
All adjustment are indicated on the screen with the function
name, a bar scale and a number between 0 and 100.
Adjust the next alignments until the vertical lines are straight.
To enter an alignment, push the control disc up or down to high-
light a function and press ENTER to activate this function.
Press EXIT to return.
Corrects for curvature of the horisontal lines in the middle
of the image.
Corrects the tilting of the horizontal lines in the middle of
the image.
TOP - BOTTOM (N-S)
H CENTERLINE BOW
H CENTERLINE SKEW
TOP BOW
TOP KEYSTONE
BOTTOM KEYSTONE
BOTTOM BOW
Corrects for curvature of the horizontal lines on the upper
side.
Select with
then <ENTER>
<EXIT> to return.
or
Corrects the keystone geometry correction of the Hor. lines
on the upper side.
Corrects for curvature of the horizontal lines on the lower
side.
Corrects the keystone geometry correction of the hor. lines
on the lower side.
Correct by pushing
the control stick
forward.
Correct by pushing
the control stick
backward.
6-8
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Random Access Adjustment Mode
Size Adjustment
Push the control disc up or down to highlight SIZE on the Geometry menu and then
press ENTER.
GEOMETRY
H PHASE
RASTER SHIFT
LEFT - RIGHT (E-W)
TOP - BOTTOM (N-S)
ENTER will select size adjustment.
EXIT returns to random access adjustment mode menu.
ADJUST returns to operational mode.
H & V SIZE
Adjust the horizontal size by pushing the control disc to the right or to the left until the
exact image width is obtained.
Adjust the vertical size by pushing the control disc up or down until the exact image
height is obtained.
Note :
- If the internal # pattern was selected, this pattern remains on the screen.
- If the genlocked pattern was selected, the external source will be dis
played.
A bar scale and a numeric indicator help to gauge the size adjustment.
EXIT will return to Geometry.
H SIZE
70
1.33 X Height
1.78 or 1.85 units
4 Units
1.78 or 1.85 units
1.78 or 1.85 Units
Wide Format Screen
(1.78:1 or 1.85:1)
Wide Format Screen
(1.78:1 or 1.85:1)
4 X 3 Type Screen
A 4 X 3 Aspect Ratio
on a Wide Format
(1.78:1 or 1.85:1) screen
4 X 3 - Use horizontal size to make image fit width of screen, then use vertical size to make image fill height (circle is round). On a wide format
(1:78:1 or 1.85) screen, adjust width of image 1.33 X the height of the screen. Adjust the vertical size to fill the height.
WS - Use horizontal size to fill width of screen, then use vertical size to make circle round (use blanking to crop excess image top and bottom.) This
is not necessary if you are using a 4 X 3 format screen.
ANA - Use horizontal size to fill width of screen, then use vertical size to fill height of a 16 X 9 screen (circle is nor round). Alternative: Use Anamor-
phic test pattern on test disc, then adjust sizing to make anamorphic circle round. This is good to use when converging an anomorphic image onto a
4 X 3 screen.
Vertical Linearity Adjustment
GEOMETRY
The vertical linearity adjustment function corrects for vertical nonlinearities which
extend from the center of the image to the top and bottom of the image.
Push the control disc up or down to highlight V LINEARITY on the Geometry menu
and then press ENTER.
H PHASE
RASTER SHIFT
LEFT - RIGHT (E-W)
TOP - BOTTOM (N-S)
H & V SIZE
ENTER will select vertical linearity adjustment.
EXIT returns to random access adjustment mode menu.
V LINEARITY
ADJUST returns to operational mode.
BLANKING
Adjust the vertical linearity with the control disc until the distances between the
horizontal lines of the set up pattern are equal from top to bottom.
EXIT will return the Geometry menu.
V LINEARITY
70
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Random Access Adjustment Mode
Blanking Adjustments
GEOMETRY
Blanking adjustments affect only the edges of the projected image and
are used to frame the projected image on to the screen and to hide or
black out unwanted information (or noise). A 0% on the bar scale indi-
cates no blanking.
H PHASE
RASTER SHIFT
LEFT - RIGHT (E-W)
TOP - BOTTOM (N-S)
H & V SIZE
To start up the Blanking adjustments, follow the next procedure :
Push the control disc up or down to highlight BLANKING on the Geom-
BLANKING
etry menu and the press ENTER.
TOP
BOTTOM
LEFT
The following blanking corrections are possible :
- Top blanking
RIGHT
- Bottom blanking
- Left blanking
- Right blanking
Therefore :
Select with
then <ENTER>
<EXIT> to return.
or
- If the internal # pattern was selected,
this pattern remains on the screen.
- If the genlocked pattern was selected,
the external source will be displayed.
Adjust the next blanking alignments until the
image is correctly framed or the unwanted infor-
mation is blanked out.
To enter a blanking alignment, push the control
disc up or down to highlight a function and press
ENTER to activate this function.
Top blanking
Press EXIT to return.
Left blanking
Right blanking
Bottom blanking
Adjustment of the blanking on the top of the image.
BLANKING
TOP
BOTTOM
LEFT
Adjustment of the blanking on the bottom of the image.
RIGHT
Select with
then <ENTER>
<EXIT> to return.
Adjustment of the blanking on the left side.
Adjustment of the blanking on the right side.
6-10
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Random Access Adjustment Mode
RANDOM ACESS
ADJUSTMENT MODE
PICTURE TUNING
GEOMETRY
CONVERGENCE
Convergence Adjustment
COLOR SELECT
Convergence adjustments affect both the horizontal and vertical lines of the setup
pattern. These adjustments are performed on the red image while superimposed on
the green image and then on the blue image while superimposed on the green
image.
Start with the coarse convergence adjustments and finalize with the fine conver-
gence adjustment.
CONVERGENCE
GREEN ONLY
RED ON GREEN
BLUE ON GREEN
Select with
then <ENTER>
<EXIT> to return
or
The screen area is divided into 25 areas.
23
22
4
9
8
1
25
24
5
15
14
2
17
16
3
Coarse Convergence Adjustments
Highlight ‘Red on Green’ under the coarse convergence item and press ENTER.
The coarse convergence menu will be displayed.
18
10
11
12
13
20
6
7
The following items are possible:
* Horizontal sides: adjust the vertical lines, within a certain area, on both sides
without influencing the lines on the middle of the image.
* Vertical corners: adjust the horizontal lines in the four corners, within a certain
area, without influencing the middle of the image.
19
21
Repeat for ‘blue on green’
CONVERGENCE
COARSE ADJUSTMENT
RED ON GREEN
BLUE ON GREEN
FINE ADJUSTMENT
Horizontal sides
CONVERGENCE
Highlight “Horizontal lines’ and press ENTER to start the adjustment. To make a
coarse adjustment of the red or blue vertical lines in ZONE 3 and 5 simultaneous-
ly.
HORIZONTAL SIDES
VERTICAL CORNERS
B G R
B G R
Select with
then <ENTER>
<EXIT> to return
or
Hint
* Look to the outside edges of the image and adjust until the red or the blue verti-
cal lines are on the green lines or as close as possible to the green lines.
CONVERGENCE
COARSE ADJUSTMENT
RED ON GREEN
BLUE ON GREEN
* During these adjustments, the horizontal convergence adjustments in ZONES 2,
3, 4, and 5 will be set to midposition (barscale 50)
FINE ADJUSTMENT
GREEN ONLY
RED ON GREEN
BLUE ON GREEN
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Random Access Adjustment Mode
Vertical corners
CONVERGENCE
Highlight ‘Vertical corners’ and press ENTER to start the adjustment.
HORIZONTAL SIDES
VERTICAL CORNERS
Select with
then <ENTER>
<EXIT> to return
or
To make a coarse adjustment of the red or blue horizontal lines in zone 10,
14, 18 and 22 simultaneously.
CONVERGENCE
Hint:
COARSE ADJUSTMENT
- Adjust until the red or the blue horizontal lines are on the green lines or
as close as possible to the green lines.
RED ON GREEN
BLUE ON GREEN
- During these adjustments, the horizontal convergence adjustments in
zones 10 to 25 will be set to midposition (barscale 50)
FINE ADJUSTMENT
CONVERGENCE
SEL : select area
using
arrow keys
ADJ : adjust area
using
Fine Convergence Adjustments
arrow keys
Use these controls after coarse convergence adjustment to optimize the
convergence of the red and blue image on the green image.
Toggle between
SEL and ADJ
with <ENTER>
<ENTER> continue
<EXIT> to return
Use the control disk to make horizontal or vertical convergence adjust-
ments in the selected zone and then press ENTER to move the box to
another zone or EXIT to return to convergence menu.
ENTER toggles arrow keys between zone selection and zone adjustment.
EXIT returns to convergence menu.
Note: The green convergence adjustments can be added as an option.
When these are available, always start with ‘green only’. This option will
also be indicated on the convergence menu.
Highlight first ‘Green only’ when available with the control disk and press
ENTER to display the convergence adjustment menu.
Continue with red on green and blue on green.
CONVERGE
ADJUSTMENT
70
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SERVICE MODE
Starting up the Service mode.
Use the control stick to highlight ‘Service’ and then press ENTER.
Some items in the Service mode are password protected (when the password
function is active). Enter your password to continue. All other password pro-
tected items are now also available if you stay in the adjustment mode.
ADJUSTMENT MODE
Select a path from
below :
ENTER continues to the Service Mode main menu.
EXIT returns to the Operational mode.
GUIDED
RANDOM ACCESS
INSTALLATION
SERVICE
The service items are combined in two service menus. To switch from the first
to the second menu or vice versa, push the control stick forward or backward
to select ‘more...’
SERVICE MODE
Overview flowchart ‘Service’ mode.
PROJECTOR SET-UP
MEMORY MANAGEMENT
COMMON SETTINGS
12C DIAGNOSTICS
Select with
then <ENTER>
or
<EXIT> to return.
Overview flowchart ‘Service’ mode
IDENTIFICATION
PROJECTOR SETUP
TOTAL RUN TIME
CHANGE PASSWORD
CHANGE LANGUAGE
CHANGE PROJECTOR ADDRESS
CHANGE BAUDRATE
POWER UP MODE
COPY A BLOCK
SERVICE MODE
MEMORY MANAGEMENT
DELETE A BLOCK
DELETE ALL BLOCKS
ALLSETTINGS MIDPOS
R & B CONVERGENCE
GREEN CONVERGENCE MID
G2 ADJUSTMENT
COMMON SETTINGS
12C DIAGNOSTICS
CRT RUN IN CYCLE
PROJECTOR WARM UP
MEMORY BANKS
7-1
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Service Mode
Projector Set-up
SERVICE MODE
Highlight ‘Projector Set-Up’ by pushing the control disc up or down and press
ENTER to display the projector set-up menu.
Within the projector set-up menu, the following items can be consolidated or set
to the desired setting :
- Identification
PROJECTOR SET-UP
MEMORY MANAGEMENT
COMMON SETTINGS
12C DIAGNOSTICS
- Total run time
- Change password
- Change language
- Change projector address
- Change baudrate
- Power up mode
SERVICE MODE
PROJECTOR SET-UP
MEMORY MANAGEMENT
COMMON SETTINGS
12C DIAGNOSTICS
Select with
then <ENTER>
<EXIT> to return.
or
Identification
Highlight ‘Identification’ with the control disc and press ENTER.
ENTER will start the selected item.
EXIT returns to the Service mode menu.
The ‘Identification’ screen gives information concerning :
PROJECTOR SET-UP
- Projector address. To change the address of your projector, contact a qualified
service technician.
IDENTIFICATION
TOTAL RUN TIME
CHANGE PASSWORD
- Software version.
CHANGE LANGUAGE
CHANGE PROJECTOR ADDRESS
CHANGE BAUDRATE
POWER UP MODE: operating
- Configuration.
Possible installations :
* Front-ceiling
* Front-table
* Rear-ceiling
* Rear-table
RUNCO
- Baud rate PC : transfer speed for communication with an IBM PC (or com-
patible) or MAC. The baud rate of the projector must be the same as the
baud rate of the connected computer. When there is a difference, contact a
qualified service technician to make the appropriate changes.
DTV - 947
Proj. address : 001
Soft. Version : 6.00
Config. :Ceiling
Front
Baudrate PC : 9600
Text : ON
Serial No. : 103589552
- Text ON/OFF
Indicates in operational mode if the bar scale and number indicator will be
displayed and if warnings and failures will be displayed.
ON : displayed
OFF : not displayed
The status can be changed by pressing the ‘TEXT’ key once on the RCU.
- Serial no. : indicates the fabrication number of the projector. This number
can be useful when calling for technical assistance.
7-2
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Service Mode
Total Run Time
PROJECTOR SET-UP
IDENTIFICATION
TOTAL RUN TIME
CHANGE PASSWORD
CHANGE LANGUAGE
Highlight ‘Total Run Time’ with the control disc and press ENTER to dis-
play the amount of time the projector has played since its first start up at
the factory.
ENTER gives the selected item.
EXIT returns to Service mode menu.
ADJUST returns to the Operational mode.
CHANGE PROJECTOR ADDRESS
CHANGE BAUDRATE
POWER UP MODE: operating
Select with
then <ENTER>
or
<EXIT> to return.
Note : all projectors leave the factory after a burn-in period of approxi-
mately 100 hours.
Change password
PROJECTOR SET-UP
IDENTIFICATION
TOTAL RUN TIME
CHANGE PASSWORD
CHANGE LANGUAGE
This item is password protected.
Highlight ‘Change Password’ with the control disc and press ENTER.
CHANGE PROJECTOR ADDRESS
CHANGE BAUDRATE
POWER UP MODE: operating
ENTER gives the selected item.
EXIT returns to Service mode menu.
ADJUST returns to the Operational mode.
CHANGE PASSWORD
Enter new password :
The current password is displayed. The new password must consist of 4
digits between 0 and 9. Push the control disc to the left or to the right to
select the digits to be changed. Use the numeric keys to enter the new dig-
its.
0 0 0 0
CHANGE PASSWORD
Press ENTER to save the new password. Before saving the new password,
a confirmation screen will be displayed.
Press EXIT to return to the Projector Set-up menu without saving the new
password.
When the displayed password is correct, press ENTER to save.
If not correct, press EXIT to cancel the saving.
Password will be
reprogrammed as XXXX
ENTER saves the entered password.
EXIT returns without saving.
<ENTER> to confirm
<EXIT> to cancel
PROJECTOR SET-UP
Change Language
IDENTIFICATION
TOTAL RUN TIME
CHANGE PASSWORD
The ‘Change Language’ function offers the possibility to change the lan-
guage of the screen menus to :
CHANGE LANGUAGE
CHANGE PROJECTOR ADDRESS
CHANGE BAUDRATE
- English
- Spanish
- French
- German
LANGUAGE
ENGLISH
Highlight ‘Change Language’ with the control disc and press ENTER.
~
ESPANOL
FRANCAIS
DEUTSCH
ENTER saves the entered password.
EXIT returns without saving.
Select with
then <ENTER>
or
<EXIT> to return.
Push the control disc up or down to select the desired language and press
ENTER to change the language.
7-3
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Service Mode
Change Projector Address
PROJECTOR SET-UP
Every projector requires an individual address between 0 and 255. This address
can be software installed.
To change that address, push the control disc up or down to highlight ‘Change Pro-
jector Address’ and press ENTER. The Change Projector Address menu will be
displayed and the actual address will be filled in.
IDENTIFICATION
TOTAL RUN TIME
CHANGE PASSWORD
CHANGE LANGUAGE
CHANGE PROJECTOR ADDRESS
ENTER displays the 'Change Projector Address' menu.
EXIT returns to the Service mode main menu.
PROJECTOR ADDRESS
Enter new projector
address :
0 0 0
Use
and
to select,
and reprogram
with numeric keys.
Highest address is 255
The first digit is highlighted. Select the individual digits by pushing the control
disc to the right or to the left. Reprogram with the digit keys on the RCU.
Press ENTER to confirm.
<ENTER> to confirm
<EXIT> to return.
Press EXIT to return the projector set up menu.
Change baudrate
The communication speed between projector and computer has 8 possible speeds.
The baud rate speed can be software set up. Highlight ‘Change Baudrate’ by push-
ing the control disc up or down and press ENTER to display the Baud rate menu.
PROJECTOR SET-UP
The following baud rates are available :
IDENTIFICATION
TOTAL RUN TIME
CHANGE PASSWORD
CHANGE LANGUAGE
CHANGE PROJECTOR ADDRESS
- 9600
- 4800
- 2400
- 1200
- 600
BAUDRATE
- 300
Select new
baudrate :
- 150
- 110
9600
4800
1200
300
2400
600
150
The actual baud rate will be highlighted. To change the baud rate, push the control
disc up or down or to the left or to the right to select the desired baud rate and press
ENTER to accept this baud rate.
110
Select with arrow
keys:
<ENTER> to confirm
<EXIT> to return.
ENTER to accept the selected baud rate.
EXIT to return without changing the baud rate.
Power up mode
PROJECTOR SET-UP
When pressing the power switch, the projector can start up in ‘operating mode’ or
in ‘stand-by mode’.
IDENTIFICATION
TOTAL RUN TIME
CHANGE PASSWORD
CHANGE LANGUAGE
CHANGE PROJECTOR ADDRESS
CHANGE BAUDRATE
Operating mode : the projector start up and displays image.
Stand-by mode : the projector start up in stand-by and waits until the stand-by but-
ton or a digit key is pressed.
POWER UP MODE:
operating
To change the Power up mode, select Power Up mode by pushing the control disc
up or down and press ENTER to toggle between ‘Operating’ and ‘Standby’.
Select with
or
then <ENTER>
<EXIT> to return.
ENTER to toggle between operating and standby.
EXIT to return to the Service menu.
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Service Mode
Memory management
SERVICE MODE
Highlight ‘Memory management’by pushing the control disc up or down and press
ENTER to display the memory management menu.
Within the memory management menu, the following items can be consolidated
or executed :
PROJECTOR SET-UP
MEMORY MANAGEMENT
COMMON SETTINGS
- copy a block
- delete a block
- delete all blocks
MEMORY MANAGEMENT
- all settings to midposition
- R&B convergence to mid
- Gr convergence mid (only if green convergence is available)
COPY A BLOCK
DELETE A BLOCK
DELETE ALL BLOCKS
ALL SETTINGS TO MIDPOS
R & B CONVERGENCE MID
GR CONVERGENCE MID
Select with
then <ENTER>
or
<EXIT> to return.
Copy a block
MEMORY MANAGEMENT
The copy a block function copies the settings of a selected block into the active
block.
Highlight copy a block with the control disc and press ENTER.
COPY A BLOCK
DELETE A BLOCK
DELETE ALL BLOCKS
ALL SETTINGS TO MIDPOS
ENTER will select the highlighted item.
EXIT returns to the Path Selection main menu.
ADJUST returns to the Operational mode.
COPY MODE
Nr. Src Fh Fv inp
conf
1
2
3
4
1
3
-
15.6 50 video FC
31.2 60 RGB3S RT
15.6 50 intern FC
2
31.5 50 RGB3S FC
To copy the settings of a closed block to the block you are working on (active
block), use the control disc to select a block.
All existing settings will be overwritten with the new settings.
COPY BLOCK
Press ENTER to copy the selected block. A confirmation screen will be displayed.
All settings
in current block
will be overwritten !
ENTER displays a confirmation screen.
EXIT returns to the Service Mode main menu.
Select with
then <ENTER>
or
<EXIT> to return.
If you are certain you wish to copy the contents of the selected block into the
active block, press ENTER.
EXIT cancels the copy procedure and returns without copying the block.
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Service Mode
Deletion of blocks
This item is password protected.
MEMORY MANAGEMENT
COPY A BLOCK
DELETE A BLOCK
The delete function is used to clear all data (settings) from an adjustment block.
A delete can be given :
DELETE ALL BLOCKS
- block by block
ALL SETTINGS TO MIDPOS
R & B CONVERGENCE MID
or
- for all blocks.
DELETE MODE
Deleting block by block
Nr. Src Fh Fv inp conf
15.6 50 video
1
1
FC
RT
FC
FC
FC
31.2 60 RGB3S
2
3
-
2
-
The ‘delete a block’ function deletes the settings of a selected block.
Highlight ‘Delete a block’ with the control disc and press ENTER.
3
4
5
6
15.6 50 intern
31.5 50 RGB3S
33.7 60 intern
ENTER will select the pointed item.
EXIT returns to the Path Selection main menu.
ADJUST returns to the Operational mode.
DELETE BLOCK
Push the control disc up or down to select the desired adjustment block. Press
ENTER to delete the selected adjustment block. A confirmation menu will be dis-
The selected block
will be deleted !
<ENTER> to confirm
<EXIT> to cancel
ENTER displays the confirmation menu.
EXIT returns to the Service Mode main menu.
played.
ENTER will delete the selected block.
EXIT cancels the deletion procedure and returns to the Service mode main menu.
Deletion of all blocks
MEMORY MANAGEMENT
ENTER gives a confirmation message before deleting.
EXIT returns to the Path Selection main menu.
COPY A BLOCK
DELETE A BLOCK
DELETE ALL BLOCKS
ALL SETTINGS TO MIDPOS
R & B CONVERGENCE MID
Highlight ‘delete all blocks’ with the control disc and press ENTER.
DELETE ALL BLOCK
If you are certain you wish to delete all blocks, press ENTER to confirm, other-
wise press EXIT to return.
Once ENTER is pressed, all block headers and adjustment settings are perma-
nently removed and cannot be restored.
All block
will be deleted !
<ENTER> to confirm
<EXIT> to cancel
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Service Mode
All settings to midposition
Item is password protected.
MEMORY MANAGEMENT
Highlight ‘All settings to midposition’ with the control disc and press ENTER to
set all settings to their midposition.
COPY A BLOCK
DELETE A BLOCK
DELETE ALL BLOCKS
A confirmation menu will be displayed first.
ALL SETTINGS TO MIDPOS
R & B CONVERGENCE MID
GR CONVERGENCE MID
ENTER displays a Confirmation screen.
EXIT returns to the Service menu.
SET TO MIDPOSITION
ENTER will set all settings to their midposition. EXIT cancel the operation to set
all settings to their midposition.
All settings
on current block
will be overwritten !
<ENTER> to confirm
<EXIT> to cancel
Undo all settings to midpos
MEMORY MANAGEMENT
When “all settings to midpos” is selected, all settings are set to their midposition.
To cancel this action, select ‘Undo all settings to midpos’ by pushing the control
disc up or down and press ENTER. ‘Undo all settings to Midposition’is displayed
in the Memory management menu instead of ‘All settings to midposition’ when
this latter is pressed.
COPY A BLOCK
DELETE A BLOCK
DELETE ALL BLOCKS
UNDO ALL SETTINGS TO MIDPOS
R & B CONVERGENCE MID
GR CONVERGENCE MID
An undo is possible as long as the projector is playing on the same source (= same
adjustment block) even when some adjustments as geometry or convergence are
already readjusted. When undo is pressed all settings are reset to the previous set-
tings.
Select with
then <ENTER>
or
<EXIT> to return.
R & B convergence mid
Item is password protected.
Highlight ‘R & B convergence mid’with the control disc and press ENTER to set
all convergence settings to their midposition. A confirmation screen will be dis-
played first.
MEMORY MANAGEMENT
COPY A BLOCK
DELETE A BLOCK
DELETE ALL BLOCKS
ALL SETTINGS TO MIDPOS
ENTER sets the convergence settings to their midposition. EXIT cancels the pro-
cedure to set the convergence settings to their midposition.
R & B CONVERGENCE MID
GR CONVERGENCE MID
R & B CONVERGENCE MID
Convergence settings
in current block
will be overwritten !
<ENTER> to confirm
<EXIT> to cancel
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Service Mode
Undo R & B convergence mid
MEMORY MANAGEMENT
When “R & B convergence mid” is selected, all convergence settings are set to
their midposition. To cancel this action, select ‘Undo R & B convergence mid’ by
pushing the control disc up or down and press ENTER. ‘Undo R & B convergence
mid’ is displayed in the Memory management menu instead of ‘R & B conver-
gence mid’ when this latter is pressed.
COPY A BLOCK
DELETE A BLOCK
DELETE ALL BLOCKS
ALL SETTINGS TO MIDPOS
UNDO R & B CONVERGENCE MID
GR CONVERGENCE MID
An undo is possible as long as the projector is playing on the same source (= same
adjustment block) even when some adjustments are already readjusted. When undo
is pressed all settings are reset to the previous settings.
Select with
then <ENTER>
or
<EXIT> to return.
Green convergence mid
Only available when the projector is equipped with green convergence adjust-
ments.
Highlight ‘Gr convergence mid’ by pushing the control disc up or down and press
ENTER to switch off the green convergence.
MEMORY MANAGEMENT
COPY A BLOCK
DELETE A BLOCK
DELETE ALL BLOCKS
ALL SETTINGS TO MIDPOS
R & B CONVERGENCE MID
GR CONVERGENCE MID
Select with
then <ENTER>
or
<EXIT> to return.
Undo green convergence mid
MEMORY MANAGEMENT
Only available when the projector is equipped with green convergence adjustment.
The item ‘Undo green convergence mid’ will automatically be displayed when the
green convergence is switched to midposition.
COPY A BLOCK
DELETE A BLOCK
DELETE ALL BLOCKS
ALL SETTINGS TO MIDPOS
R & B CONVERGENCE MID
Press ENTER to switch on the green convergence.
UNDO GR CONVERGENCE MID
Select with
then <ENTER>
or
<EXIT> to return.
SERVICE MODE
Common Settings
PROJECTOR SET-UP
MEMORY MANAGEMENT
COMMON SETTINGS
12C DIAGNOSTICS
Highlight ‘Common settings’ by pushing the control disc up or down and press
ENTER to display the common settings menu.
Within the common settings menu, the following items can be set up or executed :
- G2 adjustment
- CRT run in cycle
- Projector warm up
- Memorybanks
Select with
then <ENTER>
<EXIT> to return.
or
COMMON SETTINGS
G2 ADJUSTMENT
CRT RUN IN CYCLE
PROJECTOR WARM UP
MEMORYBANKS : ON
Select with
then <ENTER>
or
<EXIT> to return.
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Service Mode
G2 Adjustment
Item is password protected.
COMMON SETTINGS
Highlight ‘G2 adjust’ with the control disc and press ENTER to continue.
A safety notice will be displayed on the screen as it is necessary to open the top
cover to adjust the G2.
G2 ADJUSTMENT
CRT RUN IN CYCLE
PROJECTOR WARM UP
MEMORYBANKS : ON
Select with
then <ENTER>
or
<EXIT> to return.
ENTER selects the G2 adjustment.
EXIT returns to the Common settings menu.
ADJUST returns to the Operational mode.
COMMON SETTINGS
G2 ADJUSTMENT
CRT RUN IN CYCLE
PROJECTOR WARM UP
MEMORYBANKS : ON
‘G2 adjustment should be performed by RUNCO personnel, or RUNCO
authorized dealers’.
If you are qualified, press ENTER to continue. If not qualified, press EXIT to
return to the Common settings menu. Further description of the G2 adjustment is
given in the Installation manual.
Select with
then <ENTER>
<EXIT> to return.
or
CRT run in cycle
The CRT run in cycle option can only be activated when memory blocks on an
internal # pattern are available. When one or more such blocks are available, a
flashing white image (5 sec on, 5 sec off) is generated and that for 5 minutes on
the first internal block. In the next 5 minutes, a second internal block will be used
to generate the flashing white image. The image will also be shifted in a vertical
way to prevent a CRT burn in. To quit the CRT run in cycle option, press EXIT.
SERVICE MODE
PROJECTOR SET-UP
MEMORY MANAGEMENT
COMMON SETTINGS
12C DIAGNOSTICS
Highlight ‘CRT run in cycle’ with the control disc and press ENTER to start.
ENTER selects the CRT run in cycle option.
EXIT returns to the Path Selection main menu.
Select with
then <ENTER>
or
<EXIT> to return.
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Service Mode
If a memory block adjusted on an internal # pattern is available, the CRT run in
cycle will start when pressing ENTER. If no such block is available, the projec-
tor cannot run the CRT run in option and leaves the adjustment mode.
If you still want to run CRT run in cycle, create first a memory block on an inter-
nal # pattern and restart the CRT run in option.
CRT RUN IN CYCLE
A flashing white pattern
will be generated until
<EXIT> is pressed.
ENTER starts the ‘CRT run in’ when an internal generated # pattern is available.
The projector only uses
memory blocks adjusted to an
internal # pattern; if no such
block is available, the projector
can't run the procedure and
leaves the adjustment mode.
EXIT returns to the Path Selection main menu.
Projector warm up
with <ENTER>
<EXIT> to return
Highlight ‘Projector warm up’ by pushing the control disc up or down and press
ENTER to select the projector warm up menu.
The ON/OFF option can be toggled with the ENTER key.
When in the ON position (and the CRT run in cycle is OFF), the projector can start
up with a warm up period of 20 minutes. During the start up a warm up menu will
be displayed. This menu offers the possibility to skip the warm up period anyway
by pressing the EXIT key and offers the possibility to adjust the horizontal and
vertical amplitude of the white image with the control disc. During this warm up
period, a full white image is shifted on the CRT faceplate to avoid a burn in.
Every 30 seconds a text box will be displayed on another place on the screen with
the remaining time to go.
COMMON SETTINGS
G2 ADJUSTMENT
CRT RUN IN CYCLE
PROJECTOR WARM UP
MEMORYBANKS
When EXIT is pressed during this warm up period, the warm up menu will be
redisplayed with the remaining time indication. Press another time EXIT to inter-
rupt the warm up cycle.
When the warm up option is OFF, when switching on the projector, it starts imme-
diately with the projection of the selected source.
Select with
then <ENTER>
<EXIT> to return.
or
PROJECTOR WARM UP
OPTION : ON
A FULL WHITE PATTERN
WILL BE GENERATED FOR
20 MINUTES AT POWER UP
AFTER THIS PROCEDURE
THE PROJECTOR IS READY
TO PERFORM IN OPTIMUM
CONDITION
TOGGLE OPTION ON OR OFF
Memorybanks
with <ENTER>
<EXIT> to return
This function allows the creation of various aspect ratios while the horizontal scan
rate stays the same. When on, this function allows 1 button access to each aspect
ratio.
DEFAULT = ON
PROJECTOR SET - UP
If the feature is ON, then the unit will have a capacity of having eight (8) separate
aspect ratios within the same frequency (there are a total of 32 separate memories;
if all eight memorybanks are used, for example, then total of 4 frequencies can be
input (4 freqs x 8 memorybanks=32). To create different memories, clear all the
menus from the screen (press “exit” until the screen is clear). Then, press ENTER.
A box will appear in the bottom right corner indicating which memorybank the
unit is in, I.E. “MEMORYBANK 1”. Next press a number (1-8) representing
which memorybank the new screen size will be assigned to. The new memorybank
number will be displayed. To ensure the new memory is saved, perform any con-
vergence function on the new memory.
IDENTIFICATION
TOTAL RUN TIME
CHANGE PASSWORD
CHANGE LANGUAGE
CHANGE PROJECTOR ADDRESS
CHANGE BAUDRATE
MEMORY BANK - ON
Select with
Then <ENTER>
<EXIT> to return
This function is intended for customers with a need for various aspect ratios, espe-
cially those with widescreen. From the Runco factory, three (3) memorybanks are
assigned for each frequency:
Memorybank1: Wide Screen (1.1.78)
Memorybank2: Anamorphic
Memorybank3: 3:4 (1.1.33)
Select with
then <ENTER>
<EXIT> to return.
or
If this feature is OFF, then each of the 32 memories will be scan rate dependent,
in other words, each of 32 memories MUST have a different frequency. This is
especially useful for use with computers and their different resolutions.
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Service Mode
I2C Diagnostics
Highlights ‘I2C Diagnostics’ by pushing the control disc up or down and press
SERVICE MODE
ENTER.
The I2C diagnostics menu gives an overview of the I2C failure inside the projec-
PROJECTOR SET-UP
MEMORY MANAGEMENT
COMMON SETTINGS
tor.
To scroll through the failure list, push the control disc up or down.
The I2C address, IC number and module name will be given in I2C diagnostic
menu.
12C DIAGNOSTICS
When no errors are detected, the following message will appear on the screen :
“No errors on i2c-bus detected”.
12C DIAGNOSTICS
Failures :
IC number
mod.name
addr
48H
IC200
DECODER
Scroll with or
then <ENTER>
<EXIT> to return
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MESSAGES, WARNINGS, AND FAILURES
When selecting a new source,
information about this source
will be displayed on the screen.
Source number, horizontal and
vertical frequencies of the dis-
played source.
INPUT 01
Fh= 15.6 kHz
Fv= 050 Hz
WARNING:
Message when the entered pass-
word is wrong.
invalid
key entry
Announcement of the selected
source.
End of adjustment range.
WARNING:
SOURCE 01
end of ad-
just range
Message to enter your password.
Password contains 4 digits.
Message will be displayed when
the input source is no longer
available. The following mes-
sage then appears: ‘check input
signal or select new source’.
WARNING:
input no
longer
enter
password
X X X X
available
These messages will be dis-
played on the screen when push-
ing the TEXT key.
WARNING:
invalid
frequency
input
The entered frequency or applied
frequency of the source is out of
the projector’s range
text on
Text ON : the ‘bar scale indica-
tion’ will be enabled during the
change of an analog control in
the ‘operational mode’ + all
warnings and failures will be dis-
played.
Message to inform that selected
table is deleted. This message
will be followed by ‘confirm
message’, on which the user has
to answer.
Text OFF : the ‘bar scale indica-
tion’ will be disabled during the
change of an analog control in
the ‘operational mode’ + all
warnings and failures will not be
displayed.
table is
deleted
text off
Indication of the projector
address when activating the
‘ADDRESS’ button on the RCU
with a pencil or other small
object.
Hardware failure. Call a quali-
fied service technician for repair.
FAILURE
PROJECTOR
ADDRESS:
003
I2C error
addr.: 7FH3
The input is a valid input but the
source is not connected to the
input terminals or the input
source is switched off.
Hardware failure. Call a quali-
fied service technician for repair.
FAILURE
short
circuit on
12C bus
PROJECTOR
ADDRESS:
003
WARNING:
When a wrong key is pressed on
the RCU.
invalid
key entry
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Messages, Warnings, and Failures
Communication error between
EYE-Q and the projector. Call a
qualified service technician.
FAILURE
EYE-Q commu-
nication
error
Message during the start up of
the EYE-Q is ready to accept
commands.
WAIT
starting
up
EYE-Q
Message when one of the fans
are not working anymore. Pro-
jector switches to stand-by.
FAN FAILED
Projector
will
switch off
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RS-232 CONTROL
By far, the most accurate way to control or integrate the DTV-947 into a home theater system is by RS 232 control. In this section,
you will find hardware configuration and how to format the control data, command strings and examples.
Hardware Configuration
RS232 Connector 9PIN D-SUB PC-AT TYPE. Projector has female type.
To establish communications with the projector, the following conditions must be made:
3
2
5
8
6
3
TXD
RXD
GND
+9V
TXD
RXD
GND
CTS
DSR
PIN OUTS FOR 9 PIN
Recommended
Method
2
5
8
1:
2:
3:
4:
5:
6:
7:
8:
9:
CD
Carrier Detect
RXD Receive Data
TXD Transmit Data
DTR Data Term Ready
GND Signal Ground
DSR Data Set Ready
RTS Request To Send
CTS Clear To Send
Ring Indicator
Pin to Pin
All 9 Pins
6
+9V
NOTE: All wires are straight through. DO NOT cross PINS 2 to 3 as in a null modem
configuration.
Alternatively, the connections can be made as follows (absolute minimum of wires):
The Protocol Necessary
For Communications:
3
2
5
8
6
4
3
TXD
RXD
GND
+9V
TXD
RXD
GND
CTS
DSR
DTR
No Flow Control
2
5
8 Data Bits, No Parity, 1 Stop Bit
Jump Pins
4,6,8 at PC
side
Tied together
at computer
Baud Rate is selectable between 8
rates at the projector up to 9600
Baud (9600 is default).
+9V
NOTE: Some automation systems may only use/require pins 3, 2, 5 be connected.
How to format the control data
Every command sent to the projector is a group of 9 bytes that is called a record. Even a
simple ON command is sent as a record. Below is an explanation of the syntax of a record.
It is not necessary to memorize the syntax since the next section contains a chart of strings
that work with any DTV-947 and can be entered directly into most automation systems to
control all the functions of the projector.
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RS-232 CONTROL
Sending a RECORD (single instruction)
A RECORD consists of 9 bytes of information in the following order:
STX, OFFS, ADR, CMD, DAT1, DAT2, DAT3, DAT4, CHKS
Where:
STX
- 02H
Make projector(s) listen for its (their) unique address.
OFFS
- (1-255)
Offset you choose so that none of the data or CMDs - 02H (STX).
Normally set the offset to 0.
ADRe
- (1-255)
Number corresponding to projector’s unique address (see dip switch setting).
If you are unsure of your projector’s address, set this to 0.
It will talk to your projector regardless of its address.
CMDe - (1-255)
The command to be sent to the projector (see list of commands).
See command list for all possible functions.
DAT1e - (1-255)
DAT2e - (1-255)
DAT3e - (1-255)
DAT4e - (1-255)
Additional data to be sent (set to 0 if not used)
Additional data to be sent (set to 0 if not used)
Additional data to be sent (set to 0 if not used)
Additional data to be sent (set to 0 if not used)
CHKSe - (ADR + CMD + DAT1 + DAT2 + DAT3 + DAT4) mod 256 - add everything and keep
only 2 right most digits
.
Note: Bytes from ADR to CHKS are shown in bold with the suffix ‘e’ to indicate the offset is added before sending the byte
9-2
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RS-232 CONTROL
Example string to send to the projector with address 3 to turn it on/off
In decimal values
STX Offest ADRe CMDe DATle DAT2e DAT3e DAT4e CHKSe
4
4
2
4
7
18
4
4
21
Optional data bytes plus
offset. No data needs to be
sent to turn on projector
therefore these are equal to
zero and offset is then
added.
Always 2
Wake up projo
You choose offset. This is added to the
rest of the bytes so that none of them equal
2 which would make the projector think its
being told to wake up again. Normally
this is 0. It is set to 4 in this working example
to show how it affects the value of the rest
of the bytes.
Add bytes from ADR to DAT4, keep 2
right most digits, then add offset.
(3+14+0+0+0+0)+4=CHKSe
Command plus offset.
(14+4)
Address of
projector plus
offset.
COMMAND CODE LIST
Transmitting the following codes is the same as using the keys of the IR remote.
ENTER
EXIT
ADJUST
TEXT
07h (7)
08h (8)
09h (9)
0Dh (13) Menus On/Off
0Eh (14) Power On/Off
10h (16)
11h (17)
12h (18)
13h (19)
14h (20)
15h (21)
16h (22)
17h (23)
18h (24)
19h (25)
Enter button
Exit button
Adjust button
CUR_UP
CUR_DN
CUR_RI
CUR_LE
CON_UP
CON_DN
BRI_UP
BRI_DN
SAT_UP
SAT_DN
HUE_UP
HUE_DN
SHA_UP
SHA_DN
21h (33) Cursor up
22h (34) Cursor down
23h (35) Cursor right
24h (36) Cursor left
28h (37) Contrast +
29h (38) Contrast -
2Ah (42) Brightness +
2Bh (43) Brightness -
2Ch (44) Color +
2Dh (45) Color -
2Eh (46) Tint +
2Fh (47) Tint -
36h (54) Sharpness +
37h (55) Sharpness -
STDBY
NUM_0
NUM_1
NUM_2
NUM_3
NUM_4
NUM_5
NUM_6
NUM_7
NUM_8
NUM_9
*
Numeric
Keypad
The STDBY is a toggle for power ON/Off. If discreet
Power On of Power Off commands are necessary please
see the chart of example strings.
*
Decimal Value in ( ).
*
9-3
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RS-232 CONTROL
COMMAND
BYTE 1 BYTE 2 BYTE 3 BYTE 4 BYTE 5 BYTE 6 BYTE 7 BYTE 8 BYTE 9
POWER ON/OFF
POWER ON
POWER OFF
$02
$02
$02
$00
$00
$00
$00
$00
$00
$0E
$51
$51
$00
$0A
$0A
$00
$00
$00
$00
$00
$00
$00
$01
$00
$0E
$5C
$5B
ENTER
EXIT
ADJUST
TEXT ON/OFF
CURSOR UP
CURSOR DOWN
CURSOR LEFT
CURSOR RIGHT
$02
$02
$02
$02
$02
$02
$02
$02
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$07
$08
$09
$0D
$21
$22
$24
$23
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$07
$08
$09
$0D
$21
$22
$24
$23
BUTTON 0
BUTTON 1
BUTTON 2
BUTTON 3
BUTTON 4
BUTTON 5
BUTTON 6
BUTTON 7
BUTTON 8
BUTTON 9
$02
$02
$02
$02
$02
$02
$02
$02
$02
$02
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$10
$11
$12
$13
$14
$15
$16
$17
$18
$19
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$10
$11
$12
$13
$14
$15
$16
$17
$18
$19
CONTRAST +
CONTRAST -
BRIGHTNESS +
BRIGHTNESS -
COLOR +
COLOR -
TINT +
TINT -
SHARPNESS +
SHARPNESS -
$02
$02
$02
$02
$02
$02
$02
$02
$02
$02
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$28
$29
$2A
$2B
$2C
$2D
$2E
$2F
$36
$37
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$00
$28
$29
$2A
$2B
$2C
$2D
$2E
$2F
$36
$37
The $ sign indicates a hex value and may not be required by your automation system. Remember that
each command requires 9 bytes be sent to the projector. For example, to send a power on command from
a Phast Landmark Control system, enter the following string precisely as printed:
$02,$00,$00,$51,$0A,$00,$00,$00,$01,$5C
Use no spaces between the commas.
9-4
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EYE-QTM Autoconvergence
OVERVIEW
TM
The EYE-Q auto-convergence system allows for faster and more accurate convergence when used by the installer upon initial instal-
TM
lation. The EYE-Q system also allows the end-user to perform occasional convergence touch ups without having to learn the com-
TM
plex convergence procedure using the TOUCH-UP option in the EYE-Q menu. By doing so, the end-user can be assured that the
image quality is always at its best.
To work correctly, the installer must complete geometry (setting green only) for one source which is the reference geometry. Every
memory that is auto-converged after that will use the same geometry as the reference. In most applications, however, multiple aspect
ratios are to be converged, each with its own unique geometry. In this case, the geometry for each aspect ratio needs to be completed
TM
first, the EYE-Q will converge the red and blue colors to the green for each aspect ratio.
The last step is for the installer to touch-up the convergence using the fine convergence using the fine convergence adjustments for the
TM
red and the blue. The EYE-Q
is typically 95% accurate when doing a FULL AUTOCONVERGENCE adjustment, depending on
TM
screen size and how well the initial EYE-Q setup was performed.
TM
THE QUICK GUIDE to using the EYE-Q system:
Do geometry for the current memory bank (see geometry section)
TM
Focus the lens in EYE-Q SETUP menu
TM
Center the camera in EYE-Q SETUP menu
TM
Learn reference in EYE-Q SETUP menu
Select AUTO-CONVERGENCE then ALIGN on current source from the EYE-Q menu
TM
If all five steps were completed successfully, the projector will have already begun to converge red and blue automatically at this time.
Please read further for detailed instructions of each adjustment.
10-1
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TM
EYE-Q AUTOCONVERGENCE
Easy-to-use, high precision automatic convergence system.
Various options on the menu offer you the solution for your own
individual needs:
Align: convergence starts for the current image situation
Align from mid-position: convergence starts from mid-posi-
tion.
Touch-up: convergence starts when the source switches or
after a user-defined time: alignment of static convergence is
almost invisible for the audience.
Easy-to-use, high precision automatic geometry system
Various options on the menu offer a comprehensive solution to
your geometry requirements:
Quick auto-picture: aligns geometry within 45 seconds.
Full auto-picture: aligns geometry very accurately followed
by auto convergence. This option offers a very powerful
adjustment tool.
Note: Must have a reference geometry set up first for these options.
Compact, built-in system
A very compact, monochrome CCD camera
Use of Sub-Pixel Resolution Techniques, a state-of -the -art propri-
etary Digital Signal Processing System.
TM
Preparing your EYE-Q
TM
When the lens of the EYE-Q is covered with the lens protection
cap, ensure to remove this cap first before starting the adjustment
TM
procedure for the EYE-Q .
10-2
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TM
EYE-Q Autoconvergence
ON - SCREEN OPERATING INSTRUCTIONS
ADJUSTMENT MODE
Select a path from below:
TM
ACCESS TO EYE-Q ON-SCREEN MENUS
EYE-Q
GUIDED
RANDOM ACCESS
INSTALLATION
SERVICE
TM
After the EYE-Q unit has been correctly installed in the projec-
tor, press the <ADJUST> button on the RCU (Remote Control
Unit) or the local keypad of the projector to enter the ‘Adjustment
mode’
Source 1
Select with
or
TM
then <ENTER>.
<EXIT> to return
(please refer to the projector Owner’s Manual). The EYE-Q
path will be displayed in the menu:
TM
Highlight EYE-Q by pushing the
control disc (on RCU).
or
keys of the
TM
Press the <ENTER> button to enter the EYE-Q menu.
EYE-Q
TM
TOUCH UP
EYE-Q MENU
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
TM
TM
The EYE-Q menu will be displayed after the path EYE-Q is
selected. Six items are available:
EYE-Q DIAGNOSTICS
TOUCHUP.
Select with
then <ENTER>.
<EXIT> to return
or
AUTOCONVERGENCE.
QUICKAUTOPICTURE.
FULLAUTOPICTURE.
TM
EYE-Q SETUP.
TM
EYE-Q DIAGNOSTICS.
TM
Choose EYE-Q SETUP first to carry out the SETUP procedures.
TM
TM
Use EYE-Q DIAGNOSTICS to check whether the EYE-Q is
functioning normally.
10-3
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TM
EYE-Q Autoconvergence
TM
EYE-Q SETUP
TM
The EYE-Q SETUP procedure needs to be done only once after
projector is correctly installed or whenever the projector is rein-
stalled in another position.
EYE-Q
TOUCH UP
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
TM
To enter the EYE-Q SETUP menu:
EYE-Q DIAGNOSTICS
TM
Highlight EYE-Q by pushing the
trol disc.
or
keys of the con-
Select with
or
then <ENTER>.
<EXIT> to return
Press the <ENTER> button to set the correct projector con-
figuration.
Setting the Configuration
EYE-QTM SETUP
When using a rear screen projector, this option must be set to rear.
Follow the steps described below to set the right configuration:
FOCUS THE LENS
CENTER THE CAMERA
CONFIGURATION: rear/front
LEARN REFERENCE
Highlight FRONT (or REAR) by pushing the
of the control disc.
or
keys
TOUCH-UP OPTIONS:
Press the <ENTER> button to set the correct projector con-
figuration.
Select with
then <ENTER>.
<EXIT> to return
or
TM
The EYE-Q SETUP menu provides you with easy to use methods
to focus the camera lens and to center the camera.
Please pay attention while doing it, as a properly focused cam-
era lens and correctly centered camera are prerequisites for a
perfect automatic convergence.
10-4
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TM
EYE-Q Autoconvergence
FOCUSING THE CAMERA LENS
EYE-Q
The lens of the camera must be focused properly on the projection
screen. Follow the steps described below:
TOUCH UP
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
TM
In the EYE-Q SETUP menu, highlight FOCUS THE LENS
by pushing the up or down keys of the control disc.
EYE-Q DIAGNOSTICS
Press the <ENTER> button to start up the process.
Se
t
<E
EYE-Q SETUP
FOCUS THE LENS
CENTER THE CAMERA
CONFIGURATION: rear/front
LEARN REFERENCE
A pattern of horizontal alternating green/black bars will be project-
ed onto the screen, together with a textbox. Inside the box, the text
“CAMERA FOCUS” indicates the item subject to adjustment and
under the text, a numeric bar scale (from 0 to 99) will visualize the
correction.
TOUCH-UP OPTIONS:
Select with
or
then <ENTER>.
<EXIT> to return
To obtain a correctly focused camera, turn the lens until maximum
readout. The value of the stabilized maximum readout will be in
the range between 60 and 90, depending on ambient light.
In rear projection, the maximum value can be less than 60 depen-
dent on ambient light.
After finishing the correction, press the <EXIT> button to return to
TM
the EYE-Q menu
CAMERA
FOCUS
50
10-5
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TM
EYE-Q Autoconvergence
CENTERING THE CAMERA
EYE-Q
The camera must be centered in middle of the projection screen.
Follow the steps described below:
TOUCH UP
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
Highlight CENTER CAMERA by pushing the up or down
keys of the control disc.
EYE-Q DIAGNOSTICS
EYE-Q SETUP
Press the <ENTER> button to start up the process.
Note: It is critical that the green raster of the presently selected
source is centered on the CRT faceplate. Otherwise, the
camera will not be centered properly.
FOCUS THE LENS
CENTER THE CAMERA
CONFIGURATION: rear/front
LEARN REFERENCE
TOUCH-UP OPTIONS:
Select with
or
then <ENTER>.
<EXIT> to return
CENTERING THE CAMERA HORIZONTALLY
One vertically centered green bar will be projected onto the screen,
together with a text box. Inside the box, the text of “CAMERA
ALIGNMENT HORIZONTAL” indicates the item subject to
adjustment and a symmetrical bar scale (from -50 to +50) under
text.
CAMERA
ALIGNMENT
HORIZONTAL
If the indicated value below the bar scale is not equal to zero (i.e.
the black highlight is not in the middle of the bar scale), the cam-
era is not centered horizontally. Follow the steps below to center
the camera horizontally:
+00
Fixed screw
No Adjustment
Turn the knob situated on the upper-right corner of the camera
clockwise or counter clockwise until the highlight is in the middle
of the bar scale (i.e. the indicated value becomes zero);
Press the <ENTER> button to continue with the camera vertical
centering.
Note: An easy way to remember the H+V adjustments is: The knob
located up/down from the fixed screw is vertical adjustment.
The knob located left/right from the fixed screw is horizon-
tal adjustment.
Knob for centering
the camera vertically
Knob for centering
the camera
horizontally
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Appendix 2
CENTERING THE CAMERA VERTICALLY
One horizontally centered green bar will be projected onto the
screen, together with a text box. Inside the box, the text of “CAM-
ERA ALIGNMENT VERTICAL” indicates the item subject to
adjustment and a symmetrical bar scale (from -50 to +50) under the
text.
CAMERA
ALIGNMENT
VERTICAL
If the indicated value below the bar scale is not equal to zero (i.e.
the black highlight is not in the middle of the bar scale), the cam-
era is not centered vertically. Follow the steps below to center the
camera vertically:
+00
Turn the knob situated on lower-left corner of the camera
clockwise or counter clockwise until the highlight is in the
middle of the bar scale (i.e. the indicated value becomes
zero).
After finishing the vertical centering, press the <ENTER> button
to return to the EYE-Q™ menu.
When installed in a retro projector, the centering procedure is not
necessary and not possible as the camera mounting is fixed.
SET TOUCH-UP OPTIONS
25
24
5
15
17
23
22
4
9
For convergence purpose, the screen is divided into 25 areas.
Every area has its unique number from 1 to 25. Touch-up adjust
the Area No. 1. This adjustment is also called the “static conver-
gence”.
16
3
8
1
14
2
18
19
20
21
6
7
10
11
12
13
The Touch-up can be set on Source or on Timer.
Touch-up on Source means when switching from one source to
another, the static convergence will be carried automatically.
EYE-Q
Touch-up on Timer means whenever the user-defined period of
time has elapsed the static convergence will be adjusted automati-
cally.
TOUCH UP
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
EYE-Q DIAGNOSTICS
Touch-up is an option the customer can use periodically after a
final install is complete. This will insure image quality is at its
best.
EYE-Q SETUP
S
FOCUS THE LENS
CENTER THE CAMERA
CONFIGURATION: rear/front
LEARN REFERENCE
TOUCH-UP ON SOURCE ON/OFF
TOUCH-UP OPTIONS
ON SOURCE SWITCH : on/off
ON TIMER : on/off
-h.- min.
Follow the steps below to set the option ON/OFF:
Push up or down keys of the control disc to highlight ON
SOURCE SWITCH: off;
Select with
then <ENTER>.
<EXIT> to return
or
TM
Press the <EXIT> button to return to the EYE-Q menu.
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TM
EYE-Q Autoconvergence
TOUCH-UP ON TIMER
EYE-Q
This option allows the static convergence to be carried out auto-
matically after a user-defined time, which can be programmed in
hours and/or minutes.
TOUCH UP
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
EYE-Q DIAGNOSTICS
To program the touch-up on Timer:
Select with
then <ENTER>.
<EXIT> to return
or
Push up or down keys of the control disc to highlight ON
TIMER: off;
Press the <ENTER> button to switch it to ON and the preset
time will be displayed;
EYE-Q SETUP
FOCUS THE LENS
CENTER THE CAMERA
CONFIGURATION: rear/front
LEARN REFERENCE
Press the <TEXT> button to enter the TOUCH-UP TIMER
menu;
TOUCH-UP OPTIONS:
Push left or right keys of the control disc to highlight the digit
to be changed;
Select with
or
TOUCH-UP OPTIONS
Use the numeric keys to enter a desire value;
ON SOURCE SWITCH : on/off
ON TIMER : on/off
-h.- min.
TM
Press the <ENTER> button to confirm and the EYE-Q
SETUP menu will return on the screen; or press the <EXIT>
button to leave the preset value untouched and return to the
TM
EYE-Q SETUP menu.
Select with
then <ENTER>.
<EXIT> to return
or
TM
Press the <EXIT> button to return to the EYE-Q menu.
EYE-Q SETUP
FOCUS THE LENS
CENTER THE CAMERA
CONFIGURATION: rear/front
LEARN REFERENCE
When one adjust geometry by hand, a reference screen and a refer-
ence pattern are required. There are a lot of possibilities for a ref-
erence screen. A test pattern for a video test disc is normally used.
See geometry section of manual for more information. Once a
selection of a reference screen and a reference pattern is made,
adjusting geometry is only a matter of converging these two ele-
ments.
TOUCH-UP OPTIONS:
Select with
then <ENTER>.
<EXIT> to return
or
TM
EYE-Q requires a reference for adjusting geometry. The simplest
way to have a reference screen is to adjust one source by hand,
which then serves as a reference for all other sources. After adjust-
TM
ing a source, the reference is learned by EYE-Q and stored in
non-volatile memory. Having this Reference Source in memory
TM
EYE-Q can adjust all other sources to have the same geometry as
the Reference Source.
REFERENCE SOURCE
Before any geometric adjustment can be done, the user Must learn
a Reference Source. This process is ONLY DONE ONCE since the
Reference will be stored in non-volatile memory. If however, the
projector is moved from its position, then the Learn Reference pro-
cedure must be repeated. After learning a Reference do not touch
the camera (for focusing and centering).
If using multi-aspect ratios, a Reference Geometry must be done
for each aspect ratio.
ADJUSTING OTHER SOURCES
Once a Reference Source is in memory, other sources are aligned
with the same geometry as the Reference Source. If no Reference
Source is learned, the resulting geometry will be unpredictable.
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TM
EYE-Q Autoconvergence
LEARNING A REFERENCE
ADJUSTMENT MODE
Select a path from below:
EYE-Q
GUIDED
RANDOM ACCESS
Adjust one Reference Source with perfect geometry. This source can have either hori-
zontal or vertical frequency. Remember that other sources will have the same geometry
as this Reference Source. This means that if a source has 4:3 aspect ratio, all sources will
be adjusted with a 4:3 aspect ratio and the same horizontal and vertical amplitudes.
EYE-Q
TOUCH UP
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
EYE-Q DIAGNOSTICS
Follow the steps below to select:
EYE-Q SETUP
TM
Enter in the Adjustment Mode and select EYE-Q by pushing up or down keys of
the control disc. Now select SETUP using the up or down keys, finally select
LEARN REFERENCE.
FOCUS THE LENS
CENTER THE CAMERA
CONFIGURATION: rear/front
LEARN REFERENCE
TOUCH-UP OPTIONS:
Select with
then <ENTER>.
<EXIT> to return
or
TM
EYE-Q will now project the Reference Source with horizontal green line inserted at the
top region and a horizontal green line inserted at the bottom region of the image.
Pushing the up or down keys of the control disc adjust the horizontal green line at
the top until it matches the top edge of the Reference Source perfectly, then press
<ENTER>.
Top Green Line
Top Edge
Using the up or down keys of the control disc adjust the horizontal green line at the
bottom until it matches the bottom edge of the Reference Source perfectly, then
press <ENTER>.
REFERENCE SOURCE
TM
Now EYE-Q projects the Reference Source with a vertical green line inserted at the
left and a vertical green line inserted at the right.
Pushing the up or down keys of the control disc changes the position of the verti-
cal green lines simultaneously; they are being shifted symmetrically inward and
outward with respect to the scan of the projector.
Bottom Green Line
Bottom Edge
Use left or right keys of the control disc to change the phase of the Reference Source.
Use both (up or down) or (left or right) so that the green vertical lines perfectly match
the right-left edges of the reference image, then press <ENTER> (this will initiate the
learning procedure).
Right Green Line
Right Edge
NOTE: If you had to use the left and right arrow keys to adjust the phase, this means
that the phase of the Reference Source was originally not adjusted correctly. Hence the
Reference Source may now fall short of the physical screen. To avoid this, re-adjust the
Horizontal Raster Shift (in the Random Access Adjustment mode, refer to Owner Man-
ual) so that the Reference source falls on the physical screen and repeat the Learn Ref-
erence selection.
REFERENCE SOURCE
Do not adjust the phase when repeating the Learn Reference procedure.
Left Edge
Left Green Line
Pressing<EXIT> will interrupt the Learn Reference procedure if required.
TM
WHAT IS BEING MEASURED BY EYE-Q
TM
Using the borderlines define above, EYE-Q knows exactly when the image starts and
TM
stops with respect to time scale. EYE-Q is now able to project lines at the edges. Using
TM
the border lines left and right, EYE-Q projects three vertical thick green lines at posi-
TM
tions 5, 50 and 95%. Using the border lines top and bottom, EYE-Q projects three hor-
TM
izontal thick lines at positions 5, 50 and 95%. EYE-Q then calculates the intercepts of
the three vertical and three horizontal lines resulting in nine points. These nine points
are the reference points for other geometry sources and are stored into memory.
NOTE: “DELETE ALL BLOCKS” in the Service menu does not delete the Reference
source parameters.
10-9
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EYE-Q Autoconvergence
TOUCH UP AND AUTOCONVERGENCE
ADJUSTING SCREEN SIZE
Left
blanking
Top
blanking
In case the projection screen is not greater than the desired size or
the screen has a frame around it (i.e. projection impossible outside
the frame), the following blanking adjustments have to be done
before starting the automatic convergence:
When using a video source: adjust the top, bottom, left and
right blanking until the whole projected image of video is just
still visible;
When using a screen with a frame: adjust the top, bottom,
left and right blanking until the whole projected image is just
still visible.
So that the selected screen area after blanking adjustments corre-
sponds with the projected image size.
In this way, the screen size is set correctly to ensure the successful
convergence.
Right
blanking
Bottom
blanking
NOTE:
For blanking adjustments, please refer to the Projector Setup Man-
ual.
To enter the AUTOCONVERGENCE menu:
Highlight AUTOCONVERGENCE by pushing up or down
keys of the control disc;
ADJUSTMENT MODE
Select a path from below:
Press the <ENTER> button.
EYE-Q
GUIDED
RANDOM ACCESS
INSTALLATION
SERVICE
The AUTOCONVERGENCE menu allows the automatic conver-
gence either on the currently selected source or on all sources (all
filled memory blocks of the projector).
Source 1
EYE-Q
TOUCH UP
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
ON CURRENT SOURCE
EYE-Q DIAGNOSTICS
the on current source includes three options, the first of which is
selectable in the iris menu:
AUTOCONVERGENCE
ON CURRENT SOURCE:
ALIGN
ALIGN FROM MIDPOSITION
TM
Touch Up EYE-Q
ON ALL SOURCES: (XX)
TOUCH-UP
ALIGN
ALIGN FROM MIDPOSITION
STATUS:
ready
Align
Select with
then <ENTER>.
<EXIT> to return
or
Align from midposition
10-10
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EYE-Q Autoconvergence
TOUCH-UP
ADJUSTMENT MODE
Select a path from below:
When TOUCH-UP is selected, only the static convergence of the
currently selected source will be carried out automatically. Follow
the steps below to select:
EYE-Q
GUIDED
RANDOM ACCESS
INSTALLATION
SERVICE
Source 1
Select with
then <ENTER>.
<EXIT> to return
or
Highlight TOUCH-UP by pushing up or down keys of the con-
trol disc;
EYE-Q
TOUCH UP
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
EYE-Q DIAGNOSTICS
Press the <ENTER> button to start up the static convergence.
Select with
then <ENTER>.
<EXIT> to return
or
If the process is successfully completed, the projector will return to
image display of the current source.
ALIGN ON CURRENT SOURCE
EYE-Q
TOUCH UP
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
When ALIGN is selected, the automatic convergence on the current
memory bank will be carried out automatically, starting from the
existing settings.
EYE-Q DIAGNOSTICS
Select with
then <ENTER>.
<EXIT> to return
or
AUTOCONVERGENCE
ON CURRENT SOURCE:
ALIGN
ALIGN FROM MIDPOSITION
By projecting alternately red and blue line, 25 convergence areas
are aligned to the green pattern.
ON ALL SOURCES: (XX)
TOUCH-UP
ALIGN
ALIGN FROM MIDPOSITION
STATUS:
ready
Follow the steps below to select:
Select with
then <ENTER>.
<EXIT> to return
or
Highlight ALIGN below ON CURRENT SOURCE by push-
ing up or down keys of the control disc;
Press the <ENTER> button to start up the automatic conver-
gence of the entire screen.
If the process is successfully completed, the projector will return to
image display of the current source.
Use this option when the convergence is close to proper alignment.
ALIGN FROM MIDPOSITION ON CURRENT SOURCE
EYE-Q
TOUCH UP
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
When ALIGN FROM MIDPOSITION is selected, the automatic
convergence on the current source will be carried out automatical-
ly, but starting from the mid-position settings.
EYE-Q DIAGNOSTICS
Select with
then <ENTER>.
<EXIT> to return
or
By projecting alternately red and blue lines, 25 convergence areas
are aligned to the green pattern.
AUTOCONVERGENCE
ON CURRENT SOURCE:
ALIGN
ALIGN FROM MIDPOSITION
ON ALL SOURCES: (XX)
TOUCH-UP
ALIGN
Follow the steps below to select:
ALIGN FROM MIDPOSITION
STATUS:
ready
Highlight ALIGN FROM MIDPOSITION by pushing up or
down keys of the control disc;
Select with
then <ENTER>.
<EXIT> to return
or
Press the <ENTER> button to start up the automatic conver-
gence of the entire screen.
If the process is successfully completed, the projector will return to
image display of the current source.
Use this option when the convergence is far from proper alignment.
10-11
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TM
EYE-Q Autoconvergence
ON ALL SOURCES
EYE-Q
The “On all sources” functions as the “On current source.” It
includes also three options:
TOUCH UP
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
EYE-Q DIAGNOSTICS
Touch-up
Select with
then <ENTER>.
<EXIT> to return
or
Align
AUTOCONVERGENCE
ON CURRENT SOURCE:
ALIGN
ALIGN FROM MIDPOSITION
Align from mid-position
ON ALL SOURCES: (XX)
TOUCH-UP
ALIGN
ALIGN FROM MIDPOSITION
STATUS:
ready
The difference is that the convergences will be carried out on all
sources of the projector, i.e. all available memory banks of the pro-
jector. The total number of sources is displayed between the brack-
ets.
Select with
then <ENTER>.
<EXIT> to return
or
TOUCH-UP ON ALL SOURCES
EYE-Q
When TOUCH-UP below ON ALL SOURCES by pushing up or
down keys of the control disc;
TOUCH UP
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
EYE-Q DIAGNOSTICS
Press the <ENTER> button to start up the static convergence.
Select with
then <ENTER>.
<EXIT> to return
or
AUTOCONVERGENCE
The process will repeat for as many times as the total number of the
sources until all sources are perfectly aligned.
ON CURRENT SOURCE:
ALIGN
ALIGN FROM MIDPOSITION
ON ALL SOURCES: (XX)
TOUCH-UP
ALIGN
ALIGN FROM MIDPOSITION
If the process will repeat for as many times as the total number of
the sources until all sources are perfectly aligned.
STATUS:
ready/forced exit/forced break
Select with
or
then <ENTER>.
<EXIT> to return
If the process is successfully completed, the projector will return to
image display of the current source.
ALIGN ON ALL SOURCES
When ALIGN is selected, the automatic convergence on all
sources will be carried out automatically, starting from the existing
settings.
By projecting alternately red and blue lines, 25 convergence areas
are aligned to the green pattern. The process will repeat for as
many times as the total number of the sources until all sources are
perfectly aligned.
EYE-Q
TOUCH UP
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
EYE-Q DIAGNOSTICS
Select with
then <ENTER>.
<EXIT> to return
or
Follow the steps below to select:
AUTOCONVERGENCE
ON CURRENT SOURCE:
ALIGN
ALIGN FROM MIDPOSITION
Highlight ALIGN below ON ALL SOURCES by pushing up or
down keys of the control disc;
ON ALL SOURCES: (XX)
TOUCH-UP
ALIGN
ALIGN FROM MIDPOSITION
STATUS:
ready
Press the <ENTER> button to start up the automatic convergence
of the entire screen.
Select with
then <ENTER>.
<EXIT> to return
or
If the process is successfully completed, the projector will return to
image display of the current source.
Use this option when the convergence is close to proper alignment.
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EYE-Q Autoconvergence
ALIGN FROM MIDPOSITION ON ALL SOURCES
EYE-Q
TOUCH UP
When ALIGN FROM MIDPOSITION is selected, the automatic
convergence on all sources will be carried out automatically, but
starting from the midposition settings.
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
EYE-Q DIAGNOSTICS
Select with
then <ENTER>.
<EXIT> to return
or
By projecting alternately red and blue lines, 25 convergence areas
are aligned to the green pattern. The process will repeat for as
many times as the total number of the sources until all sources are
perfectly aligned.
AUTOCONVERGENCE
ON CURRENT SOURCE:
ALIGN
ALIGN FROM MIDPOSITION
ON ALL SOURCES: (XX)
TOUCH-UP
ALIGN
ALIGN FROM MIDPOSITION
STATUS:
ready
Follow the steps below to select:
Select with
then <ENTER>.
<EXIT> to return
or
Highlight ALIGN FROM MIDPOSITION below ON ALL
SOURCES by pushing up or down keys of the control disc;
Press the <ENTER> button to start up the automatic conver-
gence of the entire screen.
If the process is successfully completed, the projector will return to
image display of the current source.
Use this option when the convergence if far from proper alignment.
AUTOCONVERGENCE
ON CURRENT SOURCE:
ALIGN
ALIGN FROM MIDPOSITION
INTERRUPTING THE AUTOMATIC CONVERGENCE
PROCESS
ON ALL SOURCES: (XX)
TOUCH-UP
ALIGN
ALIGN FROM MIDPOSITION
STATUS:
forced exit
The process of the above-mentioned automatic convergence can be
interrupted at any moment by pressing the <EXIT> button.
Select with
then <ENTER>.
<EXIT> to return
or
After the <EXIT> button is pressed, the projector will leave the
automatic convergence process and a message will be displayed
informing of the action:
AUTOCONVERGENCE
Status: Forced<EXIT>
ON CURRENT SOURCE:
ALIGN
ALIGN FROM MIDPOSITION
ON ALL SOURCES: (XX)
TOUCH-UP
ALIGN
ERROR MESSAGES
ALIGN FROM MIDPOSITION
STATUS:
ready/forced exit/forced break
Select with
or
then <ENTER>.
<EXIT> to return
The status line in the AUTOCONVERGENCE menu gives three
possible messages:
Ready: before automatic convergence starts;
Forced<EXIT>: when interrupting the process;
Forced break: error message.
Error messages are displayed when the automatic convergence is
not successfully completed.
10-13
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TM
EYE-Q Autoconvergence
NO PATTERN ERROR
EYE-Q
After starting up the automatic convergence, the projector will start
to calculate and locate 5 horizontal and 5 vertical lines which are
used to divide the screen into 25 areas.
TOUCH UP
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
EYE-Q DIAGNOSTICS
Select with
then <ENTER>.
<EXIT> to return
or
If the projector does not succeed in finding the pattern, it will try
two time. If the two attempts fail, the projector will quit the
process and display the Error menu.
Error occurred
check :
*lenscap removed
*focus camera
*center camera
*ambient light too high
The AUTOCONVERGENCE selection will be followed by the
error window displaying the following possibilities.
*hardware problem : press <ENTER>
to start diagnostics
*blanking adjustments are correct
Press <ENTER>. to start
EYE-Q diagnostics or <EXIT> to
return
Error occurred, please check:
the lens cap is removed
the lens of the camera is correctly focused;
the camera is correctly centered;
if hardware problems exist, do diagnostics;
the ambient light is too high;
the blanking adjustments are correct;
TM
Press the <ENTER> button to start EYE-Q diagnostics
TM
(refer to page for full details on EYE-Q diagnostics, please
note that this option may vary in selection with different pro-
jectors).
STATUS REPORTING FORCED BREAK
After starting up the automatic convergence, if unexpected trouble
such as the interruption of source input occurs, the projector will
quit the process and display the AUTOCONVERGENCE menu on
the screen.
The status line in the AUTOCONVERGENCE menu will display
the following message:
Status: Forced break
The possible causes of such an error:
AUTOCONVERGENCE
The source is disconnected during the convergence:
On the screen a message “Source not available” will be dis-
played and projector waits until the source is reconnected or
selected;
ON CURRENT SOURCE:
ALIGN
ALIGN FROM MIDPOSITION
ON ALL SOURCES: (XX)
TOUCH-UP
ALIGN
ALIGN FROM MIDPOSITION
STATUS:
forced break
Select with
then <ENTER>.
<EXIT> to return
or
Switching sources during the convergence:
After the source is available again, the AUTOCONVER-
GENCE menu will be displayed the status line reporting
“Forced Break.”
10-14
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TM
EYE-Q Autoconvergence
TM
EYE-Q DIAGNOSTICS
EYE-Q
TM
This option allows a check-up of the EYE-Q
TOUCH UP
AUTOCONVERGENCE
QUICK AUTOPICTURE
FULL AUTOPICTURE
EYE-Q SETUP
NOTE: Most errors that occur during the LEARN REFERENCE
procedure or the beginning of the AUTOCONVERGENCE pro-
cedure are caused by one of the following:
EYE-Q DIAGNOSTICS
Lens cap not removed
Lens focus not performed properly
Camera focus not performed properly
Ambient light is too high
TM
EYE-Q
Interferance Test PASS
DIAGNOSTICS
Generic Test PASS
Sync Test
Ram Test
PASS
PASS
Reference not learned properly
If all else fails, run the diagnostics.
EYE-QTM
has been given
a clean bill of HEALTH.
TM
To start up the EYE-Q Diagnostics:
TM
Highlight EYE-Q by pushing up or down keys of the con-
trol disc;
Press the <ENTER> button.
TM
After the <ENTER> button is pressed, the EYE-Q DIAGNOS-
TICS menu will be displayed and the Tests start instantly.
It includes check-ups on four items:
Interface Test;
Generic Test;
Sync Test;
Ram Test.
After completing each test, the status report will give the test
result:
Pass; or
Failed plus the error number.
During the Interface Test, the following messages will displayed
one after another on the screen:
Ready and Config Test;
Ready and Config OK;
Config Ackn. Test;
Config Ackn. OK;
Full Config Test;
Full Config OK;
Interface Test OK.
In case of failures, the error message will be shown:
During the Generic Test, the following messages will be displayed
one after another on the screen:
FAILED... Error 01; or
FAILED... Error 02; or
FAILED... Error 03;.
Config for Generic;
Config for Generic OK;
Chipselects Test;
Chipselects OK;
Addressability Test;
10-15
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TM
EYE-Q Autoconvergence
TM
In case of failures, the error message will shown:
FAILED... Error 11; or
If all the tests are successful, the EYE-Q
menu will be as follows:
TM
FAILED... Error 12; or
Press the <EXIT> button to return to the EYE-Q
FAILED... Error 13; or
FAILED... Error 14; or
FAILED... Error 15.
EYE-QTM
Interferance Test PASS
DIAGNOSTICS
During the Sync Test, the following messages will displayed
one after another on the screen:
Generic Test PASS
Sync Test
Ram Test
PASS
PASS
Config for Sync;
EYE-QTM
has been given
a clean bill of HEALTH.
Config for sync OK;
Horizontal Sync Test;
Horizontal Sync OK;
Vertical Sync Test;
Vertical Sync OK;
Frame and Field Test;
Frame and Field OK;
Sync Test OK.
In case of failures, the error message will be shown:
FAILED... Error 21; or
FAILED... Error 22; or
FAILED... Error 23; or
FAILED... Error 24; or
FAILED... Error 25; or
FAILED... Error 26; or
Sync Test Error 27
When a “FAILED” message appears on the screen
Please contact RUNCO INTERNATIONAL.
No syncs found
Check Camera & Cabling.
During the Ram Test, the following messages will displayed
one after another on the screen:
Config for Ram;
Config for Ram OK;
Ram Data Line Test;
Ram Data Lines OK;
Ram Address Lines Test;
Ram Address Lines OK;
Ram Full Content Test;
Ram Full Content OK;
Ram Test OK
In case of failures, the error message will be shown:
FAILED... Error 31; or
FAILED... Error 32; or
FAILED... Error 33; or
FAILED... Error 34.
10-16
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SPECIFICATIONS
Aspect Ratios:
Anamorphic, Widescreen, 4:3
75 MHz
Lenses:
Fully color corrected and
filtered HD-145 lenses
Bandwidth:
Light Output:
1100 lumens/200 ANSI lumens
10 line pairs/mm
5-20 ft. wide
Cabinet Dimensions:
Width: 22 in./558.80 mm
Depth: 29 in./736.60 mm
Height: 12 in./304.80 mm
Weight: 96 lbs./43.55 kg
Optical Resolution:
Picture Size:
Color Balance:
3200K, 5400K, 6500K,
9300K, Custom
Power Consumption:
Power Requirements:
Safety Regulations:
475W
115 VAC, 50/60 Hz
Configurations:
Contrast Ratios:
Convergence:
Front or rear, floor or ceiling mount
100:1
Complies with: UL, FCC Class ‘B’,
CE, C-Tick
Dynamic geometry, 25 point zone
Scan Frequency:
15-50 KHz (horizontal)
37-210 Hz (vertical)
Convergence Memories: 32
Storage:
10-122o F (-12-50oC)
CRTs:
7” High performance with
Astigmatism controls
Throw Distance:
1.33 x width (widescreens),
1.40 x width (4:3 screens)
Environment:
Humidity:
Inputs:
32-104oF (0-40oC)
Video Standards:
NTSC (PAL/NTSC Export version)
0-90%, non-condensing
Component/RGB, Composite,
S-Video
10-17
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VHD Controller Manual
The software installed in the VHD Controller is protected by copyright laws and International
copyright treaties, as well as other intellectual
property laws and treaties.
IMPORTANT - READ CAREFULLY: This Runco License Agreement is a legal agreement
between you (either an individual or a single entity) and Runco International for the Runco soft-
ware product installed within the VHD Controller. By using the VHD Controller, you agree to be
bound by the terms of this License Agreement. If you do not agree to the terms of this License
Agreement, do not use the VHD Controller; you may, however, return it to your place of pur-
chase.
© 2000, Runco International. All rights reserved.
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TABLE OF CONTENTS
WARNINGS AND SAFETY PRECAUTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-4
INTRODUCTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-6
General Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-6
Features and Benefits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-6
FRONT AND REAR PANEL DESCRIPTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-7
Front Panel Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-7
Rear Panel Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-8
Remote Control Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-10
QUICK SET-UP GUIDE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-11
Connection Examples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-11
Getting Started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-12
Overall Function Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-13
MENU DESCRIPTION AND NAVIGATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-14
Main Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-14
Picture Quality Adjustments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-15
ASPECT RATIOS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-18
DIMENSIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-20
RS-232 PROTOCOL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-21
SPECIFICATIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11-22
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Warnings and Safety Precaution
CAUTION:
To turn off main power, be sure to remove the plug from power outlet. The power
outlet socket should be installed as near to the equipment as possible, and should
be easily accessible.
REMARQUE:
Pour mettre l’appareil hors circut, s’assurer de retirer la fiche de la prise d’alimenta-
tion. La prise d’alimentation doit être installé aussi proche que possible de l’appareil
et doit être facile d’ accès.
WARNING
TO PREVENT FIRE OR SHOCK HAZARDS, DO NOT EXPOSE THIS UNIT TO
RAIN OR MOISTURE. ALSO DO NOT USE THIS UNIT’S POLARIZED PLUG WITH
AN EXTENSION CORD RECEPTACLE OR OTHER OUTLETS, UNLESS THE
PRONGS CAN BE FULLY INSERTED. REFRAIN FROM OPENING THE CABINET
AS THERE ARE HIGH-VOLTAGE COMPONENTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
AVERTISSEMENT
POUR EVITER UN FEU OU UN RISQUE D’ELECTROCUTION NE PAS EXPOS-
ER CET ENSEMBLE A LA PLUIE OU A L’HUMIDITE; DE MEME, NE PAS
BRANCHER LA PRISE POLAIRE AVEC UNE RALLONGE A MOINS QUE LES
DENTS DE LA PREMIERE NE S’Y INSERENT PLEINEMENT.
EVITER D’OUVRIR LE COFFRET CAR IL Y A, A L’INTERIEUR, DES COM-
POSANTS SOUMIS A UNE HAUTE-TENSION; POUR LES REPARATIONS,
S’ADRESSER A UN PERSONNEL QUALIFIE.
11-4
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WARNINGS AND SAFETY PRECAUTION
:
WARNING
This equipment has been tested and found to comply with the limits for a Class B digital
device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide rea-
sonable protection against harmful interference when the equipment is operated in a
commercial environment. This equipment generates, uses, and can radiate radio fre-
quency energy and, if not installed and used in accordance with the installation manual,
may cause harmful interference to radio communications. Operation of this equipment in
a residential area is likely to cause harmful interference, in which case, the user will be
required to correct the interference at his own expense.
DOC compliance Notice
This Class B digital apparatus meets all requirements of the Canadian Interference-
Causing Equipment Regulations.
DOC avis de conformation
Cet appareil numérique de la classe B respecte toutes les exigences du Réglement sur le
Matériel D’interférence du Canada.
Safety Tips:
Please read and follow the safety precautions listed below to ensure the equipment is
free from damage, and to ensure that no injury will occur as a result of improper use.
• Do not insert any object, especially metal or liquids, into the VHD controller.
• Do not place any objects containing water or any other liquid on top of the con-
troller
• Do not place the unit in direct sunlight, near heaters or in extremely dusty or
humid locations
• Do not install this unit outdoors or otherwise exposed to the elements
• Do not place heavy objects on top of the unit
• If the power cord is damaged or frayed in any way, electrical shock and/or fire
may result. Please do not place objects on the power cord, and keep the cord
away from heat-emitting devices. Should the power cord become damaged in any
way, please contact your Runco dealer for a replacement cord.
• Do not remove the cover of the unit for any reason. If any problems arise with the
unit, please contact a Runco dealer or Runco International for service. Removing
the cover will void the warranty.
11-5
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INTRODUCTION
General Description
Congratulations on your purchase of the DTV-947/VHD Controller system! The
processor is designed to work with the DTV-947 projector, and will provide full
aspect ratio control as well as greatly enhanced picture quality. As a result the
aspect ratio control feature within the controller allows the projector to stay in a
single memory, making integration into the system much easier.
The VHD Controller is not only an aspect-ratio controller, but is also scaler with a
progressive output, which virtually eliminates motion artifacts as a result of inter-
laced signals. Also, its 10-bit processing results in the cleanest, most resolved
video images a processor can provide.
Features and Benefits
The VHD Controller has many great features and benefits that make it a flexible,
high-quality processor. Its many benefits include:
• An adaptive 2-dimensional comb filter that greatly reduces artifacts when
using a composite video signal as an input.
• A Luma edge enhancement circuit makes the edges of objects appear
sharper without the ringing and noise increase associated with traditional
sharpness circuits
• A Chroma edge enhancement circuit is included to compensate for lower
chroma resolution found in composite and S-video.
• Inverse Telecine (3:2 pulldown) detection and processing allows the scaler to
almost completely eliminate interlace artifacts associated with other scalers
• The controller can correctly scale anamorphic, letterbox and 4:3 formats to fit
on a wide aspect-ratio screen, and scale anamorphic formats on a 4:3 screen
• A pass-through connector is supplied for routing HDTV or computer graph-
ics directly to the projector.
• An RS-232 input is provided for easy integration into the automated home
theater environment
• A TBC (Time Base Corrector) circuit is provided for unstable sources such
as VCR’s.
• A Dual-Screen actuator output for both Widescreens and 4:3 screens is provided
• A simple 7-button remote controls all aspects of operation. One button
source selection and aspect ratio control is also provided via the remote
control or the front panel.
11-6
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FRONT AND REAR PANEL DESCRIPTIONS
Front Panel
ratio
<
>
p
VH D CO NTRO LLER
ratio
1 2 3 4 5 6 7
8
9
1. IR RECEIVER
Receives the IR commands from the remote control.
2. UP BUTTON
When no menu is present on-screen, this button will toggle you through the different aspect ratios.
When the menu is on-screen, the up button will move the cursor up within a menu.
3. LEFT BUTTON
When no menu is present on-screen, this button will toggle you through the four different sources, in the order of:
COMPOSITE S-VIDEO COMPONENT PASS THROUGH
When an adjustment function has been selected (i.e. Brightness), the LEFT button will decrease the value of that
function.
4. ENTER BUTTON
When an item is highlighted on the On-Screen Display, the ENTER button will select the item.
5. DOWN BUTTON
When no menu is present on-screen, this button will toggle you through the different aspect ratios.
When the menu is on-screen, the down button will move the cursor down within a menu.
6. RIGHT BUTTON
When no menu is present on-screen, this button will toggle you through the four different sources, in the order of:
PASS THROUGH
COMPONENT
S-VIDEO
COMPOSITE
When an adjustment function has been selected (i.e. Brightness), the RIGHT button will increase the value of that
function.
7. MENU BUTTON
The MENU button brings up the main adjustment menu. After making adjustments, the MENU button will bring
you back to the sub-menu, then the main menu. The Menu will then either time-out after approximately 10 sec-
onds, or pressing the MENU button will remove the menu immediately.
8. POWER INDICATOR
When the VHD Controller is ON, this LED will illuminate GREEN. When the unit is off or in standby, this LED will
be YELLOW. A flashing red light indicates a fault. If this happens, unplug the unit for 2 minutes and re-try.
9. POWER BUTTON
Turns the unit on. The MAIN POWER switch on the rear of the unit must be on first for this button to be active.
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FRONT AND REAR PANEL DESCRIPTIONS
Rear Panel
1
12v Fuse
RS-232 IN
V
H
B
G
R
RS-232 OUT
Pass-through
Y
Pb
Pr
O
RUNC
Mask Screen
2
3
4
5
6
7
8 9
10
11 12 13
1. 12v Fuse
This fuse protects the 12v outputs from the MASK and SCREEN jacks.
(Screen Fuse: 5mm x 25mm, AGC, 1A, 250v, Fast Blow)
2. Mask
This is a 12V output that is used to trigger masking on screens that have that
capability (For use on motorized screens only).
3. Screen
This is a 12V output that is used to trigger the screen to drop (For use on
motorized screens only).
4. RS-232 In
This is for systems using serial (RS-232) to control the VHD-Controller. Please
refer to the RS-232 Protocol section at the end of this manual for information.
5. RGB OUTPUT
This is the main output of the VHD-Controller. The RGB Signal goes directly to
the DTV-947 projector; If component is used through the pass-through, then
only the R (Pr), G(Y) and B(Pb) jacks will be active. Individually, the jacks are:
V=vertical sync, H=horizontal sync, B=Blue, G=Green, R=Red.
6. Pass-through
Anything input to this jack will by-pass the processing of the VHD-Controller
and be sent straight to the projector. This is useful for computer graphics and
HDTV which do not require processing.
7. Component Input
This is the input for component video from sources such as DVD players.
Note:
The component output from a DTV decoder or a progressive-scan DVDcannot
be used with this jack; it must be used with the Pass-through.
8. S-Video Input
This is the input for S-video from sources such as Satellite receivers, S-VHS
VCR’s and DVD players.
9. Composite Video Input
This is the input for Composite video from sources such as Laser disc players,
VCRs and other miscellaneous sources.
11-8
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FRONT AND REAR PANEL DESCRIPTIONS
10. RS-232 Output
The output of this jack must be connected to the RS-232 input of the projector.
This communication will allow the controller and projector to be turned on
simultaneously by turning on just the controller.
11. Power Input
Plug in main power here.
12. 115 VAC Fuse
This is the main AC input fuse.
(Main Fuse: 5mm x 20 mm, 500mA, 250v, Slow Blow)
13. Main Power Switch
Disconnects or applies main power to the processor.
11-9
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FRONT AND REAR PANEL DESCRIPTIONS
Remote Control Description
A
B
A. LED
Lights when a button is pressed indicating IR output.
B. POWER BUTTON
Turns the unit on. The MAIN POWER switch on the rear of the unit must
be on first for this button to be active.
PWR
C
D
G
F
C. UP BUTTON
When no menu is present on-screen, this button will toggle you through
the different aspect ratios.
P
P
M
When the menu is on-screen, the up button will move the cursor up within
a menu.
I
H
D. LEFT BUTTON
E
When no menu is present on-screen, this button will toggle you through the
four different sources, in the order of:
1
4
7
2
5
8
0
3
COMPOSITE
S-VIDEO
COMPONENT
PASS THROUGH
J
6
When an adjustment function has been selected (i.e. Brightness), the
LEFT button will decrease the value of that function.
9
E. DOWN BUTTON
OFF
ON
When no menu is present on-screen, this button will toggle you through
the different aspect ratios.
When the menu is on-screen, the down button will move the cursor down
within a menu.
RUNCO
F. RIGHT BUTTON
When no menu is present on-screen, this button will toggle you through
the four different sources, in the order of:
PASS THROUGH
COMPONENT
S-VIDEO
COMPOSITE
When an adjustment function has been selected (i.e. Brightness), the
RIGHT button will increase the value of that function.
1. Composite Video Source Selection
2. S-Video Source Selection
3. Component Video Source Selection
4. Not used
G. MENU BUTTON
The MENU button brings up the main adjustment menu. After making
adjustments, the MENU button will bring you back to the sub-menu, then
the main menu. The Menu will then either time-out after approximately 10
seconds, or pressing the MENU button will remove the menu immediately.
5. Pass-Through
H. ENTER BUTTON
6. Not used
When an item is highlighted on the On-Screen Display, the ENTER button
will select the item.
7. Anamorphic Aspect Ratio Selection
8. 4:3 Aspect Ratio Selection
9. Letterbox Aspect Ratio Selection
ON: Discreet ON Command
OFF: Discreet OFF Command
I. PROGRAM BUTTON
Reprogramming of the remote control with lost memory.
J. DIRECT ACCESS BUTTONS
These buttons are a shortcut that allow you to go directly to a particular
source of Aspect Ratio, as well as provide discreet ON/OFF commands.
These buttons are:
11-10
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Quick Set-up Guide
Connection Examples
Projector
VCR, Laser
disc player,
camcorders
DVD Player
Projector
Phast or
Crestron
Computer or
DTV decoder
Sattelite
receiver or
SVHS player
While there are many different ways to connect your source equipment to your VHD-
Controller, the examples shown above are the most common and are recommended by
Runco.
• COMPOSITE VIDEO INPUT:
Composite video is the most common type of signal used, but is also the lowest in picture
quality. Many sources have outputs that are limited to composite video, such as most VCR’s
and some camcorders; others such as Laser Disc players actually produce slightly better
results when using composite video. While the VHD-Controller has an excellent decoder for
composite video, it is recommended that composite video be used only if necessary.
• S-VIDEO INPUT
S-video is the second-best type of signal that can be used, but is MUCH better than compos-
ite video. Using such sources as Satellite receivers, high-quality VCRs and DVD players (with
no component output) will produce a MUCH cleaner and sharper signal. Decoder artifacts
that are associated with composite video (dot crawl and ‘rainbows’) are non-existent when
using S-video.
• COMPONENT INPUT
Component video is the best type of signal that can be used. The most common sources that
use component outputs are DVD players, and it is highly recommended that component be
used when possible. Component video goes one step beyond S-video in picture quality; chro-
ma (color) information is more resolved and the overall picture appears more well-defined.
• PASS-THROUGH
This input is used to ‘pass-through’ any high-definition or computer signals that do not require
processing. The signal by-passes the controller’s processing and is sent directly to the pro-
jector. The pass-through may be used for COMPONENT outputs from a DTV decoder, a pro-
gressive-scan DVD player or RGB outputs from a computer.
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QUICK SET-UP GUIDE
Getting Started
To get started using your DTV-947 system, follow these simple steps:
1. Ensure all sources that you are using are properly connected to the controller.
This is something your Runco dealer has probably already done for you; if not,
please refer to the ‘Connection Examples’ and the owners manuals of each appro-
priate source as necessary.
2. Turn on all sources. If a A/V receiver or a Runco OVSS-8 is being used to switch
the video, ensure that is also turned on.
3. Turn on the controller. Make sure the Main Power switch (pg. 11-8) is ON, then
press the power button on the front of the controller (or the power button on the
remote). Ensure the red LED lights up on the front of the controller.
4. Turn on the projector.
5. With the left or right buttons on the front panel or remote, select the desired
source. You may also do this by going through the menu (see pg. 11-14).
6. Select the desired aspect ratio by using the up and down buttons on the front
panel or the remote. You may also do this by going through the menu (see
pg.11-14). For an explanation of Aspect ratios, please refer to pg. 11-18.
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QUICK SET-UP GUIDE
Overall Functional Description
The VHD-Controller’s purpose is twofold. First, it provides aspect ratio control for
the projectors, and can do so on either a WIDESCREEN or a standard 4:3 screen.
Second, it provides a clean, progressive signal to the projector.
The processing the controller uses is called SCALING. Scaling is simply a way of
taking a signal, ‘digitizing’ it, then converting it to any of a number of resolutions. It
is by manipulating the algorithms of the scaling process that we are able to not only
produce properly-configured aspect ratios, but to match the resolutions required for
the projector it will be used with.
An INTERLACED signal is the type of signal that comes from all consumer sources
(with the exception of DTV decoders and computers). DVD players, Laser Disc
players, and VCRs are all examples of source equipment that have interlaced out-
puts. An interlaced signal is simply described as this:
An NTSC picture is made of approximately 480 lines. Images are drawn 60 times a sec-
ond, but in an interlaced system, only half the lines are drawn each ‘pass’. Therefore, it
240 lines (odd)
240 lines (even)
First 1/60th of a second
Second 1/60th of a second
th
takes two ‘passes’ to actually complete the picture. On the first 1/60 of a second, all of
th
the ‘ODD’ lines are drawn, then the ‘EVEN’ lines the next 1/60 of a second. This is also
called ‘480i’, where 480 is the total number of lines of resolution, and ‘i’ means interlaced.
th
A PROGRESSIVE signal, however, draws all 480 lines each 1/60 of a second, not
half and half like an interlaced signal. A ‘line doubler’, for example, outputs a 480-line
progressive signal (also known as 480P). The line doubler takes the first field (odd
lines), and stores them in memory, then takes the second field (even lines) and does
the same. Then, all 480 are output at once, and then the same frame is repeated.
The controller starts off as a line doubler by ‘de-interlacing’ the signal. Then, the
480p signal is scaled to appropriate resolution, and then output to the projector. It is
Runco’s high-quality scaling process as well as its de-interlacing that provides the
clean, resolved image that you see from your projector. It is also how the controller
can provide aspect ratio control.
In the next chapter, the individual menu items will be described in detail. Overall,
the controller has a number of useful functions aside from the scaling and de-inter-
lacing described above. It has typical picture controls, including COLOR (satura-
tion), TINT (hue), BRIGHTNESS (black level), SHARPNESS, CONTRAST (ratio of
white to black) and other picture enhancements such as LUMA and CHROMA
ENHANCE.
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MENU DESCRIPTION AND NAVIGATION
Main Menu
MAIN MENU
> COMPOSITE
S-VIDEO
ADJUST
Source selection and
picture quality adjustments
COMPONENT
PASS THROUGH
ASPECT RATIO
PASS-THROUGH SETUP
Aspect ratio selection
Sets parameters for
the projector
The main menu (shown above) includes two sections: Source Selection/ Picture
quality adjustments and Functional adjustments. Pressing MENU on the front panel
or on the remote control will bring up the main menu.
In the menu shown above, Composite video is selected as the current source. This
is indicated by an arrow to the left of ‘COMPOSITE’ in the menu. If S-video were
selected, for example, the arrow would then be to the left of ‘S-video’.
To select a source, there are two options. First, using the main menu, you can
highlight the desired source with the up or down arrows (front panel or remote),
then press enter. The Controller will immediately switch to the desired source. The
second option is to simply press the LEFT or RIGHT buttons on the remote or front
panel (see page 4) while there are no menus on screen.
Note:
There will be no on-screen display when the PASS-THROUGH is used. If you
are using the PASS-THROUGH and wish to change sources, simply press the
left or right buttons on the remote or front panel.
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MENU DESCRIPTION AND NAVIGATION
Aspect Ratio allows selection of one of the three aspect ratios provided by the
controller. You have two options for selecting an aspect ratio: First, highlight
ASPECT RATIO on the main menu, then press ENTER. Then select the desired
aspect ratio, and again press ENTER. The second option is to simply press the UP
or DOWN arrows on the remote or front panel. Doing this will toggle you through
the three choices- Anamorphic (16:9), Letterbox and Standard (4:3). For more infor-
mation on aspect ratios, please refer to Page 11-18.
Pass Through Setup: The settings for this will tell the projector which source (RGB
or Component) and aspect ratio to ‘look at’ when using the pass-through connectiion
on the Controller. For example, if using a computer via the Pass-Through port on the
Controller, this setting should be ‘Computer’. However, if a DTV decoder with a com-
ponent output is used, the setting should be on ‘YUV HDTV’.
Picture Quality Adjustments
MAIN MENU
TINT
> COMPOSITE
S-VIDEO
ADJUST
COLOR
BRIGHTNESS
CONTRAST
SHARPNESS
LUMA ENHANCE
CHROMA ENHANCE
VCR MODE
COMPONENT
PASS THROUGH
ASPECT RATIO
DISPLAY CONTROL
Picture quality adjustments are those that change the various parameters of the
image, such as COLOR (saturation level) and BRIGHTNESS (black level), among
others. Typically, these adjustments should be made only once (during initial calibra-
tion) and then left alone. However, if it is necessary to make any adjustments, per-
form the following procedure:
In the example above, note that COMPOSITE is the active source. This is indicated
by an arrow to the left of the word ‘COMPOSITE’. To make adjustments, highlight
the active source (composite in this case) and press ENTER.
Note:
Pressing ENTER after highlighting a different source will switch you to that
source instead of making picture quality adjustments.
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MENU DESCRIPTION AND NAVIGATION
After pressing ENTER, the picture quality menu will appear (the menu to the right
of the main menu above). To adjust a certain function, highlight it with the or
DOWN buttons, and press ENTER. The following will then appear on-screen (we’ll
use COLOR as an example):
COMPOSITE
COLOR: 0
AGC ENABLED
To Change the value of the function (Color in this case), simply press the UP button to increase the
value, and the DOWN button to decrease the value. For COLOR and CONTRAST, to turn AGC on or
off, press the ENTER button.
• TINT
Also known as ‘HUE’. Decreasing this will give the picture a ‘redder’ tint, increasing it gives the pic-
ture a ‘greener’ feel. This is actually a ratio of one color vs. another (red, green or blue), so making
the picture ‘greener’ for example, is actually affecting all three colors. It is recommended that this
function stay about mid-range.
• COLOR
Also known as ‘SATURATION’. Decreasing this will decrease the amount of color in the image (it will
be black and white if it is decreased all the way), Increasing this will add color to the image. This is
typically best at about mid-range, but increasing it a little will add more vibrance to the colors.
However, if it is increased too high, the picture will look very unnatural.
The ‘AGC enabled/disabled’ function should normally be left in ‘AGC Disabled’. If, however, you are
using an unstable source and are having color level fluctuations in the image, you may try to use
‘AGC Enabled’ to see if it helps.
• BRIGHTNESS
This actually controls the black level of the picture- not the overall light output! If this is set too low,
then there will be no detail in the dark areas of the image. If it is set too high, then the picture will
appear ‘washed out’. This is normally set using a ‘PLUGE’ test pattern; if this has already been cali-
brated it should not be adjusted (for best results).
• CONTRAST
This is the ratio of brightest whites to the darkest scenes. Basically, this increases the ‘white level’ of
the image. While it will increase the light output to a certain extent it could also cause ‘clipping’ if it is
increased too high. This appears as a loss of definition in the brightest scenes, where the whites
appear to ‘bleed together’.
The ‘AGC enabled/disabled’ function should normally be left in ‘AGC Disabled’. If, however, you are
using an unstable source and are having brightness (light output) level fluctuations in the image, you
may try to use ‘AGC Enabled’ to see if it helps.
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MENU DESCRIPTION AND NAVIGATION
• SHARPNESS
This controls the ‘high-frequency’ detail of the image. The more sharpness is
increased, the more detail is added into the picture. However, if it is increased too
much, it will also increase ‘noise’ in the picture as well as other types of artifacts.
This may be set to personal preference; midrange is factory-preset.
• LUMA ENHANCE
This is similar to the sharpness control, but it does not boost the frequencies all
over the picture. Instead, this is more like an ‘edge enhancement’ that makes transi-
tions between objects more or less defined. The edges of a building, for example,
may appear more or less defined depending on the setting of LUMA ENHANCE.
This affects areas of the image that do not have much color.
The LOW and HIGH FREQUENCIES setting on the bottom of the LUMA
ENHANCE adjustment window are for different sources; it should be set to LOW
FREQUENCIES if a lower quality source is used (VCRs), and HIGH FREQUEN-
CIES if a good quality source like a DVD player is used. To select HIGH or LOW
FREQUENCIES, use the ENTER button.
• CHROMA ENHANCE
This is basically the same as LUMA ENHANCE, but affects the color edges.It helps
remove the watercolor look of NTSC images. Use low frequency for VCRs and
cable and high frequency for DVDs.
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Aspect Ratios
First, the Basics
An ‘aspect ratio’ is simply the ratio of the width vs. the height of the screen. For
example, the current aspect ratio standard is 4:3 (or 1.33:1), where the image is 4
units wide and 3 units tall.
3 units tall
4 units wide
All of our ‘regular’ televisions are this aspect ratio. You have probably noticed that
occasionally you’ll watch a movie that does not fill the screen vertically. This is
because the movie was filmed in WIDESCREEN (letterbox), and the result is ‘black
bars’ above and below the image:
Obviously, watching a movie like this does not lend itself to a truly cinematic experi-
ence! This is why Runco invented the first-ever multiple aspect-ratio projection sys-
tem back in 1991, so true movie-lovers can watch actual widescreen (letterbox)
movies on a WIDESCREEN!
A WIDESCREEN can be a number of aspect ratios; many movies are either 1.85:1
or 2.35:1, and HDTV is always 1.78:1 (16:9). The way we create a widescreen (or
LETTERBOX) aspect ratio is to take a full 4:3 image, then ‘blank’ (or cut off) the top
and bottom so the displayed image is in a widescreen format. For movies recorded
in ‘letterbox’, there would be no information above and below the screen anyways,
so we’re not losing any of the picture. However, if you were to watch standard tele-
vision broadcast this way, you would lose some information (see next drawing).
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ASPECT RATIOS
Active image area
(Actual screen area)
Blanked (cut off)
areas
As you can see, our screen in this example is a 1.85:1 ratio. The dashed lines
show the area that we ‘blanked’. If you recall, watching a letterbox movie on a 4:3
screen gave us black bars; therefore with letterbox movies, we’re not losing any
information!
The ‘other’ type of widescreen is called ‘ANAMORPHIC’. The image is still a
widescreen format, but instead of ‘blanking’ the top and bottom, we simply reduce
the overall height of the image:
As a result, all objects will be ‘short and fat’ (like the circle above), right? Well, not if
you’re using software that is anamorphic. Most (but not all) DVD movies have an
anamorphic option.
Anamorphic material will always produce a better image when using a high quality
scaler such as the VHD-Controller. The reason is that you will actually get more
lines of resolution (and ultimately more detail) when using anamorphic titles (assum-
ing your display device has that capability). Basically, a TV image is made of 480
lines. When using LETTERBOX (the drawing at the top of the page), we’re ‘throwing
away’ information by blanking the top and bottom. The end result is that there will
only be around 360 lines of information on the screen. With anamorphic, 480.
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DIMENSIONS
Front Panel
17.5”
ratio
<
>
p
1.75”
VH D CO NTRO LLER
ratio
Rear Panel
17”
12v Fuse
RS-232 IN
V
H
B
G
R
Pass-through
Y
Pr Pb
1.69”
RUNCO
Mask Screen
Top
17”
11”
17.5”
Side
11”
2.063”
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RS-232 PROTOCOL
9600 Baud
8 bits
No parity
1 Stop bit
ASCII
RxD of the PC or TxD of the VHD is on pin2
TxD of the PC or RxD of the VHD is on pin3
Gnd is pin 5
RTS of the PC or CTS of the VHD is on pin7 (not used)
CTS of the PC or RTS of the VHD in on pin8 (not used)
Command format <input><aspect ratio>
Inputs:
Aspect Ratios:
A = Anamorphic
Power:
0 = Composite
1 = S-Video
ON = Power on
OF = Power off
L = LetterBox
2 = Component
3 = Pass Through
S = Standard (4:3)
H = HDTV (for pass through)
C = Computer (for pass through)
To keep the currently selected aspect ratio or input, replace the letter/number with a dash "-"
Each command must be followed by a carriage return <CR>.
Examples:
2L will select the component input and change the aspect ratio to letterbox
-A will change the aspect ratio to anamorphic, but leave the input selection alone
1- will change the input to S-Video, but leave the aspect ratio alone
RS-232 Projector Control requires a cable terminated with male RJ-11 jacks at both ends.
Wiring is the same as for a phone (ie. in a cross configuration).
Projector
Controller
N.C.
GND
RxD/TxD
RxD/TxD
GND
1
2
3
4
5
6
6
5
4
3
2
1
GND
RxD/TxD
RxD/TxD
GND
N.C.
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SPECIFICATIONS
Inputs:
(1) Component, (1) S-video, (1) Composite, (1) Pass-through
Input standards: NTSC (PAL, NTSC export version)
Output formats: 540p (960 x 540), (33.8 KHz)
Bandwidth:
Video inputs: 5.5 Mhz
Pass-through: 100 Mhz
Power input:
Power
120V (220V export model), 50/60 Hz
consumption: 15W
Control Options: RS-232, Infrared, Front panel
Operating
environment:
41-95° F (5-35° C)
0-90% humidity (non-condensing)
Dimensions:
Width: 17.5 in./444.50 mm
Depth: 11 in./279.40 mm
Height: 1.75 in./44.45 mm
Weight:
7.5 lbs./3.40 kg
Safety
Regulations:
Complies with UL, FCC class ‘B’, CE, C-tick
Fuses:
(Screen Fuse: 5mm x 25mm, AGC, 1A, 250v, Fast Blow)
(Main Fuse: 5mm x 20 mm, 500mA, 250v, Slow Blow)
Rack Ears:
Included
Supplied Accessories
• Remote Control w/ 2 AAA Batteries
• Rack Mount Hardware
• Power Cord
• User’s Manual
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RUMA-003500 rev 10-00
2463 Tripaldi Way
Hayward, CA 94545
510-293-9154 Fax: 510-293-0201
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